Podcasts about Heard

Ralph spends the whole hour with progressive activist, Corbin Trent, former communications director for Alexandria Ocasio Cortez to discuss the lack of vision and the spineless leadership in the corporate Democratic Party.Corbin Trent is a co-founder of Brand New Congress and former co-director of Justice Democrats, two grassroots organizations working to elect progressive Democrats to Congress. He was the National Campaign Coordinator for the Bernie Sanders Presidential campaign, and recently served as the Communications Director for Rep. Alexandria Ocasio-Cortez. He writes about rebuilding America at AmericasUndoing.com.This is a [Democratic] Party that is led by sinecurists and apparatchiks who never look at themselves in the mirror after they lose to the most vicious, cruel, ignorant, anti-worker, anti-women, anti-environment, anti-small taxpayer, pro-war Republican Party. They never look into it. It's always: they blame the Greens or they blame some third party or Independent candidate. And they never ask themselves why as a national party did they abandon half the country, which are now called red states?Ralph NaderThe Democratic Party I think, ultimately, is leaderless because it's visionless. It doesn't really see. I don't think the Democratic Party as an entity or as an ideology has a real vision for how to go forward differently. And, therefore, it's hard to be led. It's hard to lead if you don't have a direction.Corbin TrentThe Democratic Party—like your Chuck Schumers, like your Hakeem Jeffries, and like most of the people that are elected there and in leadership positions at all, look at this system, the system of neoliberalism, and they think that somehow it's going to magically start working again. And the fact is that it's not. They have been unable so far to internalize the depth of the brokenness of this system. And then really unable to, I think, really internalize why Trump was powerful, why his messages were powerful. They want to look at it through this extremely narrow and negative lens of racism, bigotry and fear. As opposed to a complete and utter disdain for the system which is sucking from their lives and extracting from their communities. And I think that spells trouble.Corbin TrentIt's not my job as a voter to inspire myself to vote for you. It's your job as a candidate or as a party or as somebody to build a vision that inspires me to vote.Corbin TrentNews 3/13/26* This week, the New York City Council held a hearing on proposed legislation to carry out Mayor Zohran Mamdani's pledge to repossess property from “landlords who have racked up housing code violations and debt from unpaid taxes and fines.” This bill would empower the city's Department of Housing Preservation and Development to turn these buildings over to owners they deem “more responsible.” This would be an update of a program the city has tried to implement before, called “third-party transfer.” However, the council is hesitant to take this step, worrying that it could disproportionately affect small landlords that simply lack the resources to fix code violations or pay fees, as opposed to venture capital backed corporate landlords. Rosa Kelly, chief of staff to the housing commissioner, said the department “views the program as a key part of [their] broader enforcement and preservation toolkit to ensure that housing remains safe and livable for New Yorkers.” This from Gothamist.* In more local news, this week Washington D.C. Mayor Muriel Bowser released a long-awaited report on congestion traffic pricing in the District of Columbia. According to the Washington Examiner, the study was conducted in 2021 and the Mayor has delayed the release until now. Along with the release of the study, Mayor Bowser sent a letter to D.C. Council Chairman Phil Mendelson, wherein the Mayor described the “congestion pricing tax scheme,” which includes a proposed $10 charge for people entering the city, as a “bad idea,” and argued that D.C. could not be compared to Midtown Manhattan, which recently implemented a successful congestion pricing system. Democratic Socialist Councilwoman and leading Mayoral candidate Janeese Lewis-George refused to dismiss the study out of hand, writing “Now that the report is public, the Council has an opportunity to dig into the findings & explore what they could mean for the District—including opportunities to reduce congestion, improve air quality & public health, & strengthen public transit for residents across the city.”* Meanwhile, on the West Coast, a new poll shows incumbent Mayor Karen Bass drawing under 20% of the vote in the upcoming primary for her reelection campaign. While this still puts Bass in the lead, it is clearly a weak showing and would be far below the 50% threshold she would need to win to avoid a November runoff. This poll also finds former reality television star Spencer Pratt in second place with around 10% support, and councilmember Nithya Raman – who has been both endorsed and censured by DSA LA in the past – in third with just over 9%, per KTLA. The LA Mayoral race mirrors the California gubernatorial race, which features ten candidates, none of whom draws over 20% in the polls. At some point, the party will have to step in to pressure underperforming candidates to drop out and endorse more viable alternatives, but June is quickly approaching with little sign of party unity.* Speaking of the Democrats, POLITICO is out with a new story on how red state Democratic parties are undermining their best chances of toppling incumbent Republican Senators – independent populist left candidates. In Montana, former University of Montana President Seth Bodnar has launched an independent bid for Senate, with the backing of former longtime Montana Democratic Senator Jon Tester. Bodnar filed on the final day candidates could get on the ballot in the state, and on that same day, three-term incumbent Republican Senator Steve Daines announced he would not run for reelection. POLITICO describes this as “an explicit effort to keep Democrats from fielding a strong candidate of their own.” The state party however shows no interest in stepping aside to clear a path for Bodnar. A similar dynamic is unfolding in South Dakota, with the state party feuding with independent candidate Brian Bengs – who has “raised more than five times his Democratic opponent and more than any non-Republican candidate in the state in 16 years” – while in Idaho, former Democratic state lawmaker Todd Achilles is running as an independent and the state party has played their strategy close to the vest. Only in Nebraska has the state party fully thrown their weight behind the popular independent candidate Dan Osborn, who came within approximately 60,000 votes of longtime incumbent Deb Fischer in 2024 and is polling within a single point of Senator Pete Ricketts this cycle.* In Congress, Republicans have independent problems of their own. Last week, Republican Rep. Kevin Kiley announced he would register as “no party preference,” instead of as a Republican, as he seeks reelection to Congress in his newly redrawn California congressional district. Axios quotes a Kiley spokesperson who said it is “not official yet” whether he will leave the party or the conference, adding: “For now, he's just filing as an independent for his reelection campaign.” If Kiley did leave the Republican conference, it would further imperil the Republicans' razor-thin House majority, which has been continuously whittled down over the course of the 119th Congress.* Turning to foreign affairs, Reuters reports that on Sunday, Colombia held congressional elections which saw the leftist Historic Pact win the most seats in the Senate, but with only 25 out of 102 seats, the Pact will have to compete against the right-wing Democratic Center in order to form a coalition government. Democratic Center, led by ⁠former President Alvaro Uribe, won 17 seats. Ivan Cepeda, the presidential candidate of Historic Pact, called the election results a “categorical ​victory.” In the House, Democratic Center won 32 out of 182 seats, followed by the ‌Liberal ⁠Party with 31, and the Historic Pact with 29. Colombia will choose a new president in May, but according to Ariel Avila, a re-elected senator from the Green Alliance, whether that president is left or right they will likely face a “vetocracy” where “lawmakers block parties ​simply because they come from the opposing side.”* In more news from Latin America, the Center for Economic and Policy Research (CEPR) reports the right-wing government of Daniel Noboa in Ecuador has suspended the largest opposition party – the leftist Citizens' Revolution or RC – for nine months. If carried out, RC, led by former leftist president Rafael Correa, will effectively be barred from registering candidates for the 2027 local elections. CEPR Co-Director Mark Weisbrot is quoted saying “The government of President Daniel Noboa, who is strongly backed by President Trump, is trying to accelerate the destruction of what is left of democracy in Ecuador.” CEPR Director of International Policy Alex Main added “Democracy has been under attack since the presidency of Lenín Moreno (2017–2021), with not only the exclusion of political parties, but with persecution by lawfare, the imprisonment or forced exile of political opponents, and Noboa's repeated assumption of ‘emergency' powers and other abuses that have gutted civil liberties.” Recently, President Noboa has been closely collaborating with Trump and the U.S. Southern Command (SOUTHCOM) to carry out joint “lethal kinetic operations” in Ecuador.* Turning to the Middle East, NBC reports Iran is launching its ‘most intense' strikes of the war, firing some of its most advanced ballistic missiles toward Tel Aviv and Haifa and attacking multiple ships attempting passage through the blockaded Straits of Hormuz. Additionally, reports are trickling out through the Israeli press, which operates under military censorship, about high-profile targets being hit inside the country. The Jewish Chronicle confirms Binyah Hevron, son of Israeli finance minister Bezalel Smotrich was wounded by a Hezbollah rocket, with shrapnel penetrating his back and abdomen, while Yahoo News has debunked rumors that an Iranian missile strike killed Israeli National Security Minister Itamar Ben-Gvir. Officially, over 1,200 have been killed by Israeli and American strikes in Iran, according to the Iranian Red Crescent Society, while 570 have been killed in Lebanon. Retlatiatory strikes by Iran have killed 13 in Israel.* Meanwhile, a new wrinkle has emerged in the Paramount-Warner Bros. Discovery deal. Last week, Variety reported that Democratic Senators Elizabeth Warren and Richard Blumenthal have been raising the alarm about financing for this deal coming from Gulf states, including the Qatar Investment Authority, the Abu Dhabi Investment Authority and Saudi Arabia's Public Investment Fund. This duo have called for the Committee on Foreign Investment in the United States – an interagency body that reviews foreign investments in American businesses for potential national security risks – to review the deal. Warren told the industry trade publication, “Given the cloud of corruption surrounding the Trump administration's review of this deal from Day One, it's no surprise that Trump's Treasury Department is sticking its head in the sand instead of investigating the national security risks of $24 billion from Middle Eastern sovereign wealth funds apparently flooding this deal. It's American consumers who will pay the price. Thanks to Donald Trump, a Paramount-Warner Bros. merger could mean higher prices and fewer choices, and might allow foreign actors to control what's on our screens or access our private viewing information.” Ironically, the Trump administration's warlike actions in Iran may have inadvertently solved this problem. Gizmodo reports that the Gulf states are now “reviewing current and future investment commitments in order to alleviate some of the anticipated economic strain from the current war.” It is unclear what would happen if the Gulf states rescinded their financing of this deal, seeing as Paramount is the buyer preferred by the Trump administration and has already paid the $2.8 billion “break-up” fee to Netflix stipulated by their previous agreement with WBD.* Finally, a new Pew poll reveals a troubling reality of contemporary American life. According to the poll, which asked people around the world to rate the morality and ethics of others in their country, 53% of U.S. adults say their fellow Americans have bad morals and ethics. While that may not sound so stark, Pew notes that the United States is the only country they surveyed where more adults described the morality and ethics of others living in the country as bad rather than good, with only 47% saying the latter. Turkey came up second, with 51% saying good and 49% saying bad. Pew is careful to state that they have never conducted a poll on this question before, meaning they cannot say whether this is a reflection of long-held beliefs among Americans or a new phenomenon, but it could be the result of long-term trends related to political polarization and the decline in interpersonal trust over the past several decades. Whatever the reasons behind this fact, it presents a formidable problem for political leaders. How can one unify a country wherein the people do not trust one another or even believe that their neighbors are morally and ethically upstanding individuals? Surely there must be a way forward, but what that is I cannot say.This has been Francesco DeSantis, with In Case You Haven't Heard. Get full access to Ralph Nader Radio Hour at www.ralphnaderradiohour.com/subscribe

Joseph's Coat of Many Colors in THEY--#LGBTHistory as heard at the village welllearn more at ... https://wix.to/biFzL8x

John loves a good challenge. He has done well over 100 ultras and he loves races that are not easy. He has a lot of energy and you can feel that in this episode. Enjoy!Follow John on Instrgram: @BreezyTrailhead.

I sit down with Harry Miller to talk about courage, disagreement, and what it means to be a man in modern culture. Harry shares his journey from Ohio State football player and mechanical engineer to writer and philosopher, and the personal struggles that forced him to rethink success and identity.We explore why modern society rewards compliance over courage, how men have lost the ability to disagree well, and why reclaiming bravery may be one of the most important things a man can do today. This is a deep conversation about truth, masculinity, and learning to stand your ground in a world that increasingly demands conformity.SHOW HIGHLIGHTSIntroduction to Harry MillerThe Constraints Facing Modern MenCompliance Culture and MasculinityWhy Disagreement MattersIdeology, Truth, and DebateRelationships and Healthy ConflictCourage and Healthy Masculinity***Tired of feeling like you're never enough? Build your self-worth with help from this free guide: https://training.mantalks.com/self-worthPick up my book, Men's Work: A Practical Guide To Face Your Darkness, End Self-Sabotage, And Find Freedom: https://mantalks.com/mens-work-book/Heard about attachment but don't know where to start? Try the FREE Ultimate Guide To AttachmentCheck out some other free resources: How To Quit Porn | Anger Meditation | How To Lead In Your RelationshipBuild brotherhood with a powerful group of like-minded men from around the world. Check out The Alliance. Enjoy the podcast? Leave a review on Apple Podcasts, Stitcher, or Podchaser. It helps us get into the ears of new listeners, expand the ManTalks Community, and help others find the tools and training they're looking for. And don't forget to subscribe on Apple Podcasts | Google Podcasts | SpotifyFor more, visit us at ManTalks.com | Facebook | Instagram

To support this ministry financially, visit: https://www.oneplace.com/donate/1055/29?v=20251111

Today is International Women's Day, a day dedicated to celebrating the achievements of women around the world. In this week's episode of “Registered,” we speak with one of Iola's most esteemed women leaders, Mary Kay Heard. Heard has served Iola in a variety of roles. A former business owner, she currently is chairwoman of Iola Industries and on the hospital's community board. In the past, she has also served on Allen Community College's board of trustees, the Iola Public Library board, and was a key member of the fundraising group for Allen County Regional Hospital. In a wide-ranking conversation, Tim Stauffer talks with Heard about her own experiences, the progress women have made and what work remains to be done, and how we all benefit from a variety of voices at the table. Here's our conversation.

Political Cadence #trump #iran #war #politicsOutline- Epstein Files - Latest allegations against Trump- Iran War - Objectives and statistics- Media News - Netflix / Warner Bros deal falls through after Trump targets Susan Rice- Immigration News -Kilmar Abrego Garcia lawsuit accuses Cecot of torture- Kristi Noem is Heard snd fired!- Markwayne Mullin - Maybe even worse than Noem.- Gas Prices - Barreling towards $4/gallon- Obama speaks at Jesse Jackson Funeral- Fuck Ups of the FortnightFuck Ups of the FortnightKristi Noem trusting Donald Trump to back up her ad campaign scandal vs. Maga trusting Trump to avoid foreign entanglements.Pete Hegseth ordering an attack on an unarmed Iranian ship engaged in maneuvers in Sri Lanka vs. New DHS Secretary nominee Markwayne Mullin calls Iran a “war” during press conference, then denies it is a war seconds afterward.Trump killing Iranian figures he had elected to rule Iran moving forward vs. Noem's confession that she shot her dog Cricket in her memoir.Howard Lutnik appearing in Epstein Island photo after insisting he had nothing to do with Epstein vs. John Fetterman'd solution to new Iranian leaders, “just keep killing them”.

North Dakota Teachers of the Year Sheila Peterson and Frannie Tunseth discuss student mental health, trauma-informed practices, and how schools help students feel seen and supported.

Something To Think About Series #353 Thought of the day from Venerable Robina Courtin

Episode 606 of the A Minute to Midnite Show. Lee Brainard joins Tony K. War with Iran. Economic woes are on many people's minds. What does this mean for America, Israel and the world as a whole?  How does this all fit with End Time Bible prophecy?

In this week's episode of WSJ's Take On the Week, co-hosts Telis Demos and Miriam Gottfried discuss why a surge in oil prices following U.S. strikes on Iran is fueling fresh inflation fears, and how the potential for a supply shock at the Strait of Hormuz could tie the Federal Reserve's hands on interest-rate cuts. Next, our hosts analyze why we see some investors rotating back into enterprise software stocks such as Oracle and Adobe, both of which will report earnings in the coming week.  After the break, Marion Laboure, senior strategist and managing director at Deutsche Bank, joins the show to explain why bitcoin and gold are no longer correlated. She breaks down the wishful thinking that drove crypto valuations, explains why she views bitcoin less as a currency and more as an asset, and discusses how investors are viewing digital assets like bitcoin and stablecoins as part of an investment portfolio. Plus, how a new section in the proposed Clarity Act has banks and crypto exchanges debating over stablecoin yields… or “rewards. This is WSJ's Take On the Week where co-hosts Telis Demos, Heard on the Street's banking and money columnist, and Miriam Gottfried, WSJ's investing and wealth management reporter, cut through the noise and dive into markets, the economy and finance—the big trades, key players and business news ahead. Have an idea for a future guest or episode? How can we better help you take on the week? We'd love to hear from you. Email the show at takeontheweek@wsj.com. To watch the video version of this episode, visit our WSJ Podcasts YouTube channel or the video page of WSJ.com Further Reading Oil Prices Surge, Stocks Fall on Widening Iran War Investors Dial Back Fed Rate-Cut Bets Iran Conflict Spurs Rebound in U.S. Borrowing Costs Trump Urges Swift Passage of Crypto Bill Over Banks' Objections Senate Passes Stablecoin Bill in Big Win for Crypto Industry For more coverage of the markets and your investments, head to WSJ.com, WSJ's Heard on The Street Column, and WSJ's Live Markets blog. Sign up for the WSJ's free Markets A.M. newsletter.  Follow Miriam Gottfried here and Telis Demos here.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Leah's story shows us God's heart for the overlooked and rejected: in our sad, we are seen; in our hurt we are heard; in our aloneness we are attached; in our sin we are saved. 

Can anyone help with my wife's seat? I'm looking for solutions now. I'm not sure what I should do next.

How does this Iran strike play out in places like China and Russia. Throwing out the wifebeaters. They wheeled Joe Biden out at Jesse Jackson’s funeral. Are these paid protests illegal? Follow The Jesse Kelly Show on YouTube: https://www.youtube.com/@TheJesseKellyShowSee omnystudio.com/listener for privacy information.

Ralph welcomes sociologist and historian Behrooz Ghamari-Tabrizi to discuss the United States' war of aggression on Iran.Behrooz Ghamari-Tabrizi is an Iranian-born American historian and sociologist. He is a Research Fellow at the Center for Place, Culture, and Politics at the CUNY Graduate Center. He was the Chair of the Department of Near Eastern Studies and Director of the Sharmin and Bijan Mossavar-Rahmani Center for Iran and Persian Gulf Studies at Princeton University. He is the author of four books on different aspects and historical context of the Iranian revolution of 1979 and its aftermath.The only countries that I see that are in constant violation of international law is the United States and Israel. And frankly, I am speechless, although I'm speaking, but I am speechless—in what universe can this war be justified as self-defense? You listened to Secretary Rubio's speech in Munich where he laments 400 years of colonial rule being lost to this international law and laws of fighting wars because they want to go back to the way things were in the 18th and 19th century. This is a naked expansionist, extortionist administration here, and that's the only reason they have launched this war, and there is absolutely no justification for it.Behrooz Ghamari-TabriziFor years and years, the Israelis have been assassinating Iranian scientists. They were sabotaging Iranian industries. And actually, the Iranian government showed tremendous restraint in responding to these Israeli provocations because they didn't want to create the situation in which we find ourselves today. But then at the end of the day, calling Iran the aggressor here I think is a total ignorance of history and the context in which this war has started.Behrooz Ghamari-TabriziAll these things are not to suggest that the Iranian government in any form or shape is a democratic and just state. But the question here is about the sovereignty of the Iranian state. And the only inheritance of the revolution that has been kept throughout these forty-odd years was the question of sovereignty. Because that was one of the demands of the revolution. The question of social justice was thrown out of the window after the revolution. The question of civil liberties was thrown out of the window after the revolution. The only thing that is left is Iranian sovereignty. And according to every single intelligence study, what Iranians do outside their borders is a defensive posture. Iran does not have an expansionist agenda.Behrooz Ghamari-TabriziNews 3/6/26* Last week, Bill and Hillary Clinton testified before the House Oversight Committee on their respective relationships with financier and sexual predator, Jeffrey Epstein. Hillary Clinton, in a deposition described as contentious, maintained that she had virtually zero connections with Epstein, stating at one point “I am so tired of answering that question,” per PBS. Former President Bill Clinton meanwhile, tried to downplay his relationship with Epstein, describing it as “cordial,” and claiming that he had come to an arrangement with Epstein where the financier provided his private jet for humanitarian trips in exchange for Clinton discussing politics and economics with him. The committee pressed Clinton on this point, noting that Epstein visited the White House numerous times during Clinton's presidency and that there are photos of the two men shaking hands. Clinton told lawmakers he “did not recall those interactions.” These answers leave much to be desired.* Meanwhile, another Epstein associate occupies the Oval Office today – Donald Trump – and on February 26th the Wall Street Journal reported that the Department of Justice, under the stewardship of Attorney General Pam Bondi, has been withholding interviews with a woman who accused President Donald Trump of sexual assault back in the 1980s. As the Journal writes, the suppression of this interview “raises new questions about the Justice Department's handling of the Epstein files release and the pages that have been kept private.” The Journal adds that “Trump officials initially opposed the release of the files and then fumbled their response, including inconsistent redactions that exposed dozens of Epstein victims and initially kept some prominent men's names hidden.” However, on March 5th, POLITICO reported that the FBI has now published a trio of FBI interviews with the woman who accused the president of sexually assaulting her in collusion with Jeffrey Epstein. Trump and his allies categorically deny any wrongdoing on the part of the president, with White House press secretary Karoline Leavitt calling the allegations “completely baseless…backed by zero credible evidence, from a sadly disturbed woman who has an extensive criminal history.” This story also highlights what is sure to be the next flashpoint in this saga: on Wednesday, a House committee voted to subpoena Attorney General Pam Bondi to testify about her handling of the Epstein files.* Turning to media news, last week we covered how Paramount-Skydance, led by the Ellison family and backed by the Trump administration, outmaneuvered Netflix to close a deal acquiring Warner Bros. Discovery – including CNN. Throughout this process, many have raised the alarm that if the Ellisons were to get their hands on CNN, they would turn it over to their ideological attack dog, Bari Weiss, as they did with CBS News. Variety is now echoing those concerns, reporting that “It's expected that Weiss will have a big role in steering CNN.” Just what exactly this role will be remains to be seen, but given her tenure as editor-in-chief of CBS News, there is much cause for concern.* In related news, Variety reports Warner Bros. Discovery CEO David Zaslav has filed to sell 4,004,149 shares – over $114 million worth of stock – in the company following the announcement of the sale to Paramount, including Paramount's eye-popping offer of $31 per share. Zaslav retains additional stock and options which he could cash out as the deal moves forward. Curiously, even as the Trump administration backed the Paramount buyout over the Netflix deal, the president himself continues to bank on the fiscal stability of the streaming giant, with the Hollywood Reporter documenting that Trump bought between $600,000 and $1.25 million worth of Netflix debt in January, adding to the $500,000 to $1 million in Netflix bonds that he purchased in December. This story notes that while the Netflix-Warner deal fell through, Netflix walked away with a $2.8 billion “break-up fee,” and an investment grade credit rating, unlike both WBD and Paramount.* Looking at domestic politics, this week primaries were held in Texas and North Carolina which yielded the nomination of James Talarico in Texas, beating out Congresswoman Jasmine Crockett for the Democratic nod, and the razor thin victory of incumbent Valerie Foushee over her progressive challenger Nida Allam in the Durham-Chapel Hill region. But many more primary battles lay ahead, perhaps the most interesting of which is unfolding in Maine, where the Bernie Sanders-backed veteran-turned-oysterman Graham Platner is duking it out with Chuck Schumer's preferred candidate, outgoing Governor Janet Mills. Platner, despite damaging stories, has continued to draw massive crowds and enjoys a huge polling advantage. Last week, Platner's allies, led by United Autoworkers President Shawn Fain, staged a sort of intervention with Schumer, with Fain lambasting the “shortcomings” in Democratic leaders' approach to the 2026 midterms, “particularly their failure to adequately listen to working-class voters.” Michael Monahan, a high-level official in the International Brotherhood of Electrical Workers, also sent a letter to the Democratic Senate Campaign Committee strongly urging the DSCC to “refrain from intervening further in [the Maine] primary.” A mid-February independent poll found Platner with a 38-point lead over Mills among likely Democratic primary voters, yet the party continues to back Mills to the hilt. This from NBC.* Our remaining stories this week concern foreign affairs. First, in South Africa, it seems the forces of the Left are looking to pool their support by entering into a political alliance. According to TimesLIVE, a prominent South African online newspaper, the country's largest standalone Left party, the Economic Freedom Fighters (EFF) has convened with the South African Communist Party (SACP) to discuss such an electoral pact. The SACP has long participated in a tripartite alliance with the African National Congress party (ANC), which has ruled South Africa since the end of Apartheid, but recently announced they would contest elections independently. The EFF and SACP emphasized that their priorities align on the “deep crises confronting South Africa: de-industrialisation, austerity-driven fiscal consolidation, collapsing energy security, mass unemployment, and extreme poverty.”* In another major political realignment, the Green Party of England and Wales is surging as the Labour Party, under the centrist leadership of Prime Minister Keir Starmer, continues to lose ground to the Nigel Farage-led far right party, Reform UK. The rise of the Green Party has been bubbling for some time, as progressive voters feel betrayed by Labour and the momentum behind Jeremy Corbyn's “Your Party” has fizzled, but the first major test occurred recently in the Labour stronghold riding of Groton and Denton in Greater Manchester. According to the BBC, this marks the first ever win for the Greens in a by-election, with 34-year-old plumber Hannah Spencer becoming the party's first ever MP in northern England. Reform ran second, with Labour dropping by 25% into third place. Moreover, Zeteo reports the Greens have leapfrogged ahead of Labour in national polling, second only to Reform and has become the single most popular party among voters under 50. For the past five months, the Greens have been led by self-described “eco-populist” Zack Polanski, and have espoused policies including giving councils the power to control rents, extending free school meals to all children, and imposing a new ‘wealth tax' on assets above £10m.* In Congress, Representative Ro Khanna has introduced the West Bank Human Rights Resolution to Condemn Israeli Settlement Expansion. This resolution is described as utilizing far more specific language to condemn “Israeli settler violence and referencing potential sanctions tools while also calling for a review of US policies that may indirectly subsidise settlement activity,” per the Middle East Eye. In part, this resolution is a response to the Israeli government's February 8th approval of “sweeping changes to land registration and civil control in Areas A and B of the West Bank, which Palestinians say breach the Oslo Accords and advance de facto annexation.” This resolution was drafted in conjunction with Cameron Kasky, the survivor of the 2018 Marjory Stoneman Douglas High School shooting who has become a leading activist on rights for Palestinians in Gaza and the West Bank. In a statement upon the introduction of this resolution, Kasky wrote “this is a necessary measure for Democrats and Republicans to unite behind the upholding of international law. Democrats and Republicans can agree that U.S. taxpayer money being used to subsidize the violation of international law is an outrage.”* Our final two stories concern the U.S. attacks on Iran. First, a bizarre sequence of conflicting claims between the U.S. and Spain have left many observers puzzled. First, on March 3rd, Spanish Prime Minister Pedro Sánchez addressed the Iberian nation, saying “Very often great wars start with a chain of events spiralling out of control due to miscalculations, technical failures, and unforeseen circumstances. Therefore, we must learn from history and cannot play Russian roulette with the fate of millions.” Sánchez warned of “repeating the mistakes of the past,” and drew a comparison with the invasion of Iraq, concluding his government's position is “No to war,” per CNBC. More pointedly, the Spanish government prevented two jointly operated bases in its territory from being used in the strikes on Iran. Trump responded on the 4th by vowing to cut off all trade with Madrid, saying “Spain has been terrible…We don't want anything to do with Spain.” Then, on March 5th, Karoline Leavitt told the press that “With respect to Spain, I think they heard the president's message yesterday loud and clear, and it's my understanding, over the past several hours, they've agreed to cooperate with the U.S. military.” Yet, the Spanish Foreign Minister Jose Manuel Albares immediately responded that “The Spanish government's position on the war in the Middle East ... and the use of our bases has not changed at all.” This also from CNBC. Trump's threat to cut off trade with Spain would be difficult to follow through on, given that the 27 nations in the European Union negotiate trade agreements collectively,* Finally, far from assuaging concerns about the attacks on Iran leading to blowback, the Hill reports that, when asked during a phone call with Time magazine about whether Americans should be worried about a potential strike on the homeland, Trump replied, “I guess.” Trump went on to say “We think about it all the time. We plan for it. But yeah…we expect some things…some people will die. When you go to war, some people will die.” Stunningly, despite Trump openly declaring that we are at war with Iran sans congressional authorization and even casually admitting Americans could be killed on home soil, the feckless Congress has voted down War Powers resolutions in the House and Senate. In the upper house, the bill introduced by Democratic Senator Tim Kaine of Virginia, failed 47-53, with Senator Rand Paul of Kentucky crossing party lines to support it while Senator John Fetterman of Pennsylvania crossed party lines to vote nay, per the AP. A similar measure in the House, introduced by Reps. Ro Khanna and Thomas Massie – the duo behind the Epstein Files Transparency Act and other war powers resolutions including on Venezuela – failed by a vote of 212-219. In addition to Massie, Republican Rep. Warren Davison of Ohio voted in favor of the resolution, while four House Democrats voted nay, per Axios. Again the question is presented to us, if this won't shock Congress to action, what will?This has been Francesco DeSantis, with In Case You Haven't Heard. Get full access to Ralph Nader Radio Hour at www.ralphnaderradiohour.com/subscribe

(Host: Ted) On April 19th, 1775, colonial militia battled the British regulars at Lexington and Concord in Massachusetts in what would become the first conflict of the American Revolution. But what if I were to tell you that the first shots were actually fired months before, in December 1774? And not in Massachusetts at all, but in New Hampshire. Join me in this episode of Footnoting History, as we dive into the capture of Fort William and Mary, and the first shots of the American Revolution not heard round the world.

We're talking potlucks, hosting opinions, and so many great hot takes you gotta listen!!!!! Music: Switch Me On by Shane Overs - https//www.silvermansound.com

Today, we are bringing you a live episode recorded in Sydney that celebrates the strength, resilience and brilliance of women everywhere. This conversation is our tribute to that journey and a vital call to action to finally close the gender pain gap. Why are women consistently told that pain is "part and parcel" of the female experience? Following our chat with Kate Walsh, her and Claire are joined on the sofa for a panel discussion with four leading experts; PROFESSOR CAROLINE GARGETT: A world-leading reproductive and stem cell science researcher and Group Head of Endometrial Stem Cell Biology Laboratory with 28 years research experience in gynaecological research with a focus on endometriosis and developing a cell based therapy for Pelvic Organ Prolapse. THEA BAKER: Thea has treated women with complex trauma and co-morbid pain conditions as a Psychotherapist in Australia for over 10 years. She also has her own lived experience of chronic pain herself from endometriosis and osteoarthritis A/ PROFESSOR SUSAN EVANS: A specialist, researcher, educator, innovator, advocate and CEO in pelvic pain for over 20 years. As a gynaecologist, laparoscopic surgeon and pain physician, A/Prof Susan Evans Co-founded the Pelvic Pain Foundation of Australia, co-developed the Periods, Pain and Endometriosis Schools Program, and is now working with Alyra Biotech developing innovative new treatments for pelvic pain. PROFESSOR MARIA FIATARONE SINGH: A geriatrician whose research, clinical, and teaching career has focused on the integration of medicine, exercise physiology, and nutrition as a means to improve health status and quality of life across the lifespan. (Physical & Metabolic Longevity) We dive deep into why women’s symptoms are still frequently dismissed as psychological, the revolutionary potential of menstrual fluid in diagnostics and why "looking normal" on a scan doesn't mean the pain isn't real. From the first period to the complexities of ageing, our experts provide a roadmap for women to reclaim their health and advocate for their own bodies. We explore the "Pain Scale Paradox", revealing why the traditional 1-10 measurement fails those with chronic conditions, while unpacking the biological "amplifier" that predisposes women to persistent pain. It’s time to strip away the historical stigma of "hysteria" and replace it with a medical system that finally validates the female experience! THE END BITS All your health information is in the Well Hub. For more information on topics discussed, please find the resources below: Bridging the Gender Pain Gap - The Inquiry into Women's Pain Report 2025 Australasian Menopausal Society Endocrine Society The International Menopause Society Jean Hailes For Women’s Health GET IN TOUCH Sign up to the Well Newsletter to receive your weekly dose of trusted health expertise without the medical jargon. Ask a question of our experts or share your story, feedback, or dilemma - you can send it anonymously here, email here or leave us a voice note here. Ask The Doc: Ask us a question in The Waiting Room. Follow us on Instagram and Tiktok. Support independent women’s media by becoming a Mamamia subscriber CREDITS Hosts: Claire Murphy Guest: Kate Walsh, Professor Caroline Gargett, Thea Baker, A/Professor Susan Evans, Professor Maria Fiatarone Singh Senior Producers: Claire Murphy and Sally Best Audio Producer: Scott Stronach Video Producer: Glenn Urquhart Social Producer: Elly Moore Mamamia acknowledges the Traditional Owners of the Land we have recorded this podcast on, the Gadigal people of the Eora Nation. We pay our respects to their Elders past and present, and extend that respect to all Aboriginal and Torres Strait Islander cultures.Information discussed in Well. is for education purposes only and is not intended to provide professional medical advice. Listeners should seek their own medical advice, specific to their circumstances, from their treating doctor or health care professional. +++++++++++++++++++++++++++++++++++++++++++++++++++++++++++Support the show: https://www.mamamia.com.au/mplus/See omnystudio.com/listener for privacy information.

Listen to today's podcast... Running a small business can be very stressful. One of the keys to success, is to be able to reach your customers. But it can be difficult to break through the noise, so that your customers know that you even exist. It can be just as difficult to be heard at work by your boss, or even within your family. Our minds are being constantly bombarded by messaging from other brands and social media, from colleagues and from friends and family. Take One Action Today To Build Your #Resiliency!      So Here are today's Tips For Building Resiliency and Celebrating National Be Heard Day: Get to the point…you have 8 seconds! One website suggests that we are exposed to around 4,000 to 10,000 messages per day and less than 100 of those messages will be remembered. Human attentions spans are at an all-time low dropping from 12 seconds to less than 8 seconds. The key to cutting through the noise is through short messages. Use visuals. We process visuals faster than text and we remember visuals more than text. Create a picture in the mind of your listener if you can't use a visual. Provide value first. People are most engrossed in their own self-interest, so play into that. Make it about them, their needs, goals, wants and desires. Relate it to their own history, situation, reputation and behavior. As a small company, what do you do to make it easy to work with you? How do you assist your boss or colleagues before presenting issues or problems? Do they only hear negative comments or issues from you? In your family, do praise and recognize the positives or is all your communication negative? Want to check out more health and wellness related celebrations, visit my wellness calendars under the resources and courses tab at worksmartlivesmart.com #mentalhealth #hr

Mark Simone talks about daylight saving time happening this Sunday; Ford Motors big losses on electric vehicles in the last year; the deal for Paramount to acquire several properties including CNN and what their new owner said about how the news coverage will change; the housing market in Miami and how it compares now to the market in New York City; Starbucks CEO's new growth plan with a new floor design and new equipment; the trend of Gen Z'ers preferring to have a good nights sleep instead of staying out late, drinking, and not having sex; the latest news coming out from the release of the Epstein files and who is now being named; the new information coming out on the Gilgo Beach killer

Mark Simone talks about daylight saving time happening this Sunday; Ford Motors big losses on electric vehicles in the last year; the deal for Paramount to acquire several properties including CNN and what their new owner said about how the news coverage will change; the housing market in Miami and how it compares now to the market in New York City; Starbucks CEO's new growth plan with a new floor design and new equipment; the trend of Gen Z'ers preferring to have a good nights sleep instead of staying out late, drinking, and not having sex; the latest news coming out from the release of the Epstein files and who is now being named; the new information coming out on the Gilgo Beach killerSee omnystudio.com/listener for privacy information.

A select few Native American artists choose to express their cultural and creative passions in miniature. An exhibition starting this month at the National Museum of Toys and Miniatures celebrates those artists who make distinctive pottery, baskets, and carvings on a decidedly downsized scale. The top Indigenous beaders, potters, painters, and weavers are headed to the Heard Museum in Phoenix, Ariz. for that institution's 68th annual Indian Art Fair and Market. The Heard welcomes more than 600 artists from all over the world for what has become one of the must-go events for both artists and collectors. We'll hear from organizers and artists from both of these events. GUESTS Marcus Monenerkit (Comanche descendant), director of community engagement at the Heard Museum Barbara Teller Ornelas (Diné), master Navajo weaver Aydrian Day (Ojibwe, Odawa, Potawatomi, Dakota and Lakota and an enrolled member of the Ho-Chunk Nation), artist Sydney Pursel (Iowa Tribe of Kansas and Nebraska), curator at the Spencer Museum of Art and an advisory group member for the “Native Arts in Miniature” exhibition Amy McKune, curator and senior manager of collections at the National Museum of Toys and Miniatures Break 1 Music: Crossroad Blues (song) Lakota John (artist) Lakota John and Kin (album) Break 2 Music: Digital Winter (song) Ya Tseen (artist) Stand On My Shoulders (album)

You know that feeling of wanting to bang your head against a wall because you KNOW you can help someone- but they just aren't getting it.If you're a coach, wellness professional, you've probably had discovery calls where everything they are saying you are like- yes I can help you with that. But then at the end of the call, it sizzles out. They say “I need to think about it”… or disappears completely. In this episode, I break down a moment early in my business when I heard “no” eight times in a row and realized it wasn't because people hated me. It came down to some simple communication gaps in my messaging.You'll discover:The 4 messaging mistakes that confuse people out of becoming your client.Why I completely disagree with the guru advice of “speak to their pain points”.The messaging shifts that make your offer feel like the obvious next step for the right peoplePress play to learn the four messaging mistakes that cost me clients—and how fixing them can make your offer finally click for the people you're meant to help. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit 100khealer.substack.com/subscribe

It's when you and your partner fly together, but don't SIT together...so no one has to have a middle seat

Daily Dad Jokes (06 Mar 2026) Christmas Joke Button - 101 eye rolling dad jokes for the festive season! Amazon. The perfect gift for Kris Kringle, Secret Santa and of course for dad! Click here here to view! The official Daily Dad Jokes Podcast electronic button now available on Amazon. The perfect gift for dad! Click here here to view! Email Newsletter: Looking for more dad joke humor to share? Then subscribe to our new weekly email newsletter. It's our weekly round-up of the best dad jokes, memes, and humor for you to enjoy. Spread the laughs, and groans, and sign up today! Click here to subscribe! Listen to the Daily Dad Jokes podcast here: https://dailydadjokespodcast.com/ or search "Daily Dad Jokes" in your podcast app. Jokes sourced and curated from reddit.com/r/dadjokes. Joke credits: devnodegree, devnodegree, devnodegree, HLChaves, flashhamster, ASK_ABT_MY_USERNAME, Man-e-questions, MrMockTurtle, EndersGame_Reviewer, Main_Newt3686, Vaquero-SASS, Vaquero-SASS, Vaquero-SASS, , Slowloris81, AnotherOrdinaryBloke, Toku-Nation, EemotionalDuhmage, _tony_lewis Subscribe to this podcast via: iHeartMedia Spotify iTunes Google Podcasts YouTube Channel Social media: Instagram Facebook Twitter TikTok Discord Interested in advertising or sponsoring our show? Contact us at mediasales@klassicstudios.com Produced by Klassic Studios using AutoGen Podcast technology (http://klassicstudios.com/autogen-podcasts/) Learn more about your ad choices. Visit megaphone.fm/adchoices

Daily Dad Jokes (06 Mar 2026) Christmas Joke Button - 101 eye rolling dad jokes for the festive season! Amazon. The perfect gift for Kris Kringle, Secret Santa and of course for dad! Click here here to view! The official Daily Dad Jokes Podcast electronic button now available on Amazon. The perfect gift for dad! Click here here to view! Email Newsletter: Looking for more dad joke humor to share? Then subscribe to our new weekly email newsletter. It's our weekly round-up of the best dad jokes, memes, and humor for you to enjoy. Spread the laughs, and groans, and sign up today! Click here to subscribe! Listen to the Daily Dad Jokes podcast here: https://dailydadjokespodcast.com/ or search "Daily Dad Jokes" in your podcast app. Jokes sourced and curated from reddit.com/r/dadjokes. Joke credits: devnodegree, devnodegree, devnodegree, HLChaves, flashhamster, ASK_ABT_MY_USERNAME, Man-e-questions, MrMockTurtle, EndersGame_Reviewer, Main_Newt3686, Vaquero-SASS, Vaquero-SASS, Vaquero-SASS, , Slowloris81, AnotherOrdinaryBloke, Toku-Nation, EemotionalDuhmage, _tony_lewis Subscribe to this podcast via: iHeartMedia Spotify iTunes Google Podcasts YouTube Channel Social media: Instagram Facebook Twitter TikTok Discord Interested in advertising or sponsoring our show? Contact us at mediasales@klassicstudios.com Produced by Klassic Studios using AutoGen Podcast technology (http://klassicstudios.com/autogen-podcasts/) Learn more about your ad choices. Visit megaphone.fm/adchoices

I talk about why many modern men feel weaker, more fragile, and less effective than generations before them. I break down the forgotten skill of mobilization and explain why the ability to take action, organize, and move people toward a goal is critical for leadership and masculinity. I also explore how comfort, convenience, and endless distractions are quietly eroding this skill. Finally, I challenge you to look at where you may be choosing comfort over competence and how reclaiming this ability can change your life.SHOW HIGHLIGHTS00:00 Why Modern Men Feel Weaker01:05 The Forgotten Skill: Mobilization02:08 Why Most Men Struggle to Mobilize03:33 Why Men Who Take Action Are Harder to Control09:04 The Trap of Modern Comfort16:11 What Masculine Action Really Looks Like20:19 Choosing Competence Over Comfort***Tired of feeling like you're never enough? Build your self-worth with help from this free guide: https://training.mantalks.com/self-worthPick up my book, Men's Work: A Practical Guide To Face Your Darkness, End Self-Sabotage, And Find Freedom: https://mantalks.com/mens-work-book/Heard about attachment but don't know where to start? Try the FREE Ultimate Guide To AttachmentCheck out some other free resources: How To Quit Porn | Anger Meditation | How To Lead In Your RelationshipBuild brotherhood with a powerful group of like-minded men from around the world. Check out The Alliance. Enjoy the podcast? Leave a review on Apple Podcasts, Stitcher, or Podchaser. It helps us get into the ears of new listeners, expand the ManTalks Community, and help others find the tools and training they're looking for. And don't forget to subscribe on Apple Podcasts | Google Podcasts | SpotifyFor more, visit us at ManTalks.com | Facebook | Instagram

On this episode of Obsessed, host Matt Wilstein sits down with real-life married couple Amy Landecker and Bradley Whitford to talk about their new romantic comedy, For Worse, inspired by their own post-divorce experiences. They open up about falling in love after heartbreak, collaborating on set as director and actor, and how their real-life “meet cute” informed the film. The conversation also veers into their time on the Amazon Prime Video series Transparent and a candid discussion about politics, power, and the responsibilities of public figures like Jeff Bezos, Cheryl Hines, and Bill Maher. Follow Kevin Fallon on Instagram @kpfallon Follow Matt Wilstein on Instagram @mattjwilstein New episodes every Tuesday, Thursday, and Saturday; early drops on YouTube. Learn more about your ad choices. Visit podcastchoices.com/adchoices

On this episode of National Disability Radio, we sit down with award-winning recording artist, advocate, and author Lachi for a powerful conversation about disability pride, music, and unmasking. Lachi shares her journey, from navigating the music industry as a blind artist, to founding RAMPD, a coalition amplifying disability culture across the industry. We talk about what it means to say “I identify as blind,” move beyond the medical and social models of disability into a cultural model rooted in identity and joy, and remind listeners that no one can defeat someone who hasn't given up. From glam canes to Grammy stages, this episode is about claiming space, rejecting internalized ableism, and turning perceived flaws into flexes. Transcript: Alden Blevins: It’s Lachi? I feel very- Lachi: Lachi like Versace. Alden Blevins: Lachi like… Oh, I love that. Michelle Bishop: That is the best way to explain it. Lachi: I mean, but you know what I’m saying? Come on. Alden Blevins: Well, we’re really excited about having you today because we’re all music lovers in this group here. Michelle Bishop: Yes. Alden Blevins: We talk about music all the time. Michelle Bishop: So much. Lachi: Good, good, good, good, good, good, good. I’m in the right place. Michelle Bishop: Hi everyone. Welcome back to National Disability Radio, the official podcast of the National Disability Rights Network. I am Michelle Bishop, 1/3 of your podcast hosting team. Stephanie Flynt McEben: And I’m Stephanie Flynt McEben, public policy analyst here at NDRN. Alden Blevins: I am Alden. I am a communication specialist at NDRN and I am so excited today, like I mentioned, we’re all lovers of music, so we got a guest that I’m really excited about. Lachi is an award-winning recording artist and a recording Academy Grammy’s national trustee. She’s also a disability advocate who’s been breaking barriers in the music industry and beyond. She’s the founder of RAMPD, which by the way, is such a fun play name. I really love that. And the author of the upcoming book, I Identify as Blind. So without further ado, Michelle, you’ve got some questions to kick us off, I think. Michelle Bishop: Yes. We’re so excited to have you with us. As Alden said, we are. We’re huge music lovers. I’m pretty sure we spend most of our meetings where we allegedly plan this podcast just talking about music. So you’re absolutely in the right place today, but to get us started, I mean, you’ve been open about the fact, and I’m just really interested in this as a disability rights podcast. You’ve been really open about the fact that it took you some time to really embrace your identity as a blind and disabled woman, especially in the industry that you’re in that often really rewards conformity. Can you tell us a little bit more about that journey for you, both as an artist and as someone navigating just the world with a disability? Lachi: Okay. Yeah, for sure. Hey, everybody. Lachi here, Lachi like Versace. I am a Black woman with cornrows, chilling here in New York in my studio. I also identify as blind, I identify as neurodivergent, and I identify as an Aries. So do with that what you will. Michelle Bishop: All the important points right there. Lachi: All the important points like name, age, sign. Thank you. Okay. Yeah, but I’m really glad to be here. And thank you for that question, and thank you for having me. So music has always been a very integral part of my life of growing up. Where other babies would kick in the womb, when she was pregnant with me, I was playing the piano in the womb. I don’t know how she got a piano in there, but she’s not a liar, so I’m going to take her word for it. When I was super-duper young, I didn’t really have a lot of friends, especially because of the fact that I had differences and this and that. And so I would take to music to, I guess, understand the world better and have the world understand me better. I just knew how to express myself through song and it just said the things I needed to say. It was the prayer I needed. And because of music, I started to find confidence in how to speak and how to behave and how to act. And as I got older, when I was growing up, disability was not necessarily a thing people talked about a lot in schools and teachers didn’t know what to do. My parents didn’t really know what to do. And so I would always just turn to music. It’s actually right now I’m working on a children’s album because I think that kids need to hear music that has to do with disability and neurodivergence, as well as their parents as they grow up. When I got into college, I started wanting to do music, but I studied business and finance because when I told my parents I wanted to do music, they were like, “That’s not how you spell doctor.” because they are Nigerian immigrants and everybody else in my family went to either med school and blah, blah, blah. And I was like, “No, I want to do music.” But I did get a day job after school, after college, and didn’t love it because this girl is not going to exist behind a desk. So I ended up going to South by Southwest and I got signed actually from playing the guitar at a hole in the wall spot that nobody was at, except for this A&R apparently. So we got signed to an imprint under EMI, which was a major label back then, and we started touring and music then became my life. Now today, why wouldn’t I pay my respects back to music? I mean, it’s because of music that I was able to really lean into who I am, my disability, my confidence, et cetera. So because of that, because of how much music has given to me in my life, I’m here using music to give back to other people with disabilities. Now, your question was essentially, how do you sit here and try to bring about change for disability in an industry that is not only about conformity, but also about like, “Hey, pick me to exploit.” is essentially what the music industry is. You’re raising your hand to be exploited and that’s what kind of authenticity is that? But at the end of the day, music is some of the truest forms of storytelling. And I think to myself, just the way that hip hop has amplified Black culture and the way that country music has amplified rural culture and the way that different global musics have represented different global cultures. I want to use music to amplify disability culture. I want to use music to amplify disability stories and feelings that are difficult to put words to, that are words of the soul, which is essentially what music is. And so I started going to studios and realizing things weren’t as accessible as they should be. I started speaking with organizations and realizing things weren’t as inclusive as they should be. And the response I kept getting was like, “Oh, well, there’s nobody with a disability in the music industry, so why would we make these measures?” And so I have made it my life’s goal through RAMPD, which by the way, the best thing we ever accomplished was our acronym, not us working with the Grammys to get sign language on the red carpet, not us getting these partnerships with title, Live Nation, Spotify. I mean, we’ve done so much, not just for artists, but also for professionals. And we’ve started to realize something really interesting with the work we’ve done with RAMPD. We are getting people joining our membership who are director level folks, who are label owners, who are like the big wigs that write the checks, and they’re like, “I’m neurodivergent. I’m actually hard of hearing. I have a TBI.” And so when I originally set out, they said, “We don’t do disability inclusion because nobody’s disabled.” That was three years ago. Now I’m like, not only are there neurodivergent and disabled music professionals out here, but we all are. So really to conclude, it’s just that everyone is navigating trying to make it out in this world, but everyone’s masking. Everyone feels that they have to change some part of themselves to be as close as they can to what success looks like, be as close as they can to what “beauty” looks like, what winning looks like. But really all it is internalized ableism. And I say, as soon as we drop that internalized ableism and we really start to sit in who we truly are and we start to recognize our perceived flaws as flexes, that’s when we truly start to win. And so that’s what we’re finding out with RAMPD, that people are like, “You know what? I’m tired of navigating this difficult industry with the added layer of having to mask.” And so that’s why I do what I do. Michelle Bishop: Yes. And honestly, as ridiculous as it sounds that they say to you, “Oh, there aren’t any people with disabilities.” When I tell you, we see that in everything that we do. I do voting work at NDRN and we’ll have elections officials tell us, “This polling place isn’t accessible, but there aren’t any people with disabilities that vote here.” And it’s like, “What? You realize we’re everywhere and we do all sorts of things.” Maybe the reason they think there’s no people with disabilities here is because they’re stuck outside and they can’t get in because you didn’t make it accessible, just a thought. But I mean, it sounds like coming up against all that is really, correct me if I’m wrong, helped you to develop that identity and that disability pride in the industry. When did you first say, “I identify as blind.” and what did that mean for you? Lachi: Well, so when I first came into really doing the disability thing, really leaning in, I wanted to find out more influencers or thought leaders and such with disabilities. I didn’t really know that many people. This is pre COVID, 2018, 2019, that kind of thing. And so I came across an influencer, her name is Molly Burke, and we’re great friends now, but I didn’t know her back then. I had just seen her tagline and it had said, “I’m Molly Burke and I’m a YouTuber who happens to be blind.” And for some reason I was like, “I don’t know if I love the happens to be blind thing.” I was like, “Well, I’m proud of being blind. Blindness is part of my identity. I don’t just happen to be a woman. I don’t just happen to be a Nigerian. I don’t just happen to be all of the things I am.” And so I would go to… I was touring… We’re always touring and every time I tour and do a show, I do a comedic open where I just introduce myself, I do a quick self-description, et cetera. And in my self-description, I would say, and I don’t just happen to be blind. My blindness is part of my identity, has given me all of the opportunities I have, and it’s really made me a deeper blah, blah, blah. It was just too long. So I had punched it up to be, “My name is Lachi like Versace. She, her, I’m a Black woman with cornrows and I identify as blind.” And the interesting thing about that is people took onto it. They were like, “Oh, that’s cool, nice and punchy.” But whenever I would say it in front of a large crowd or like I’ve said it on interviews or during commercials, I would get this weird, I don’t know, pushback of like, you can’t identify as blind. Blindness is an identity. It’s a medical condition. Or they’ll be like, “Do you read braille or not?” Or they’ll be like, “We don’t want people to think trans blindness is a thing where you just have a blind identity.” And then you can be like, “Well, I’m blind today, so that’s my identity.” And I thought that was really fun. I was like, “Look, everybody’s upset. They’re talking about blindness though.” So I really leaned all the way into it. And I have to say, I am super proud of my disability identity. Was it music that brought me there? I think in a sense and in a way, like today I have a few songs, you guys are music lovers, I have a few songs out that really talk about my disability pride. I think that a lot of the times as we navigate the world, masking our disability, masking our chronic condition, our difference or whatever, we end up overcompensating. We end up building up this really, really thick problem solving muscle or this really, really thick how to get around things muscle and we overcompensate. When we’re finally accommodated, when we finally get to a place where we’re accommodated or we have the tools we need, we’re coming in like bulk as hell. We’re coming in with problem solving muscles. We’re coming in with all of these things that we had to build up because of navigating the world differently, because of every day working through this very difficult maze that is living a life unaccommodated, then when we finally are accommodated, then we are killing it and crushing it. And how could you not be proud of that? How can that not give you a sense of pride? So the songs that I would love for you guys to check out that are mine is I have a song called Life on Hard, which has gone viral several times on Instagram. I’m known as an Instagram rapper, which is like, what? Hello, I do disability advocacy. Look at that stuff. But anyway, so I have a song called Life on Hard, which is essentially about just winning the game of life, playing it on the hardest setting out here while people are still trying to consult the manual. I have another song called Professional, which is oftentimes when I walk on the stage, people see the cane and they’re like, “Aw, she’s going to do a song for us. Is this from Make a Wish Foundation?” And then I bust out these raps or I hop on the piano and I go ape on this piano and then they’re like, “Oh, snap. What? Okay.” And I’m like, “Bro, I’m a professional artist. I’m not object for pity to make you feel good because you felt weird on a Monday and you didn’t feel like getting up for work, but it’s like, she could do it. So can I.” I’m like, “No, I can do it. You most likely probably just can’t.” So that’s what that song’s about. And then there’s The Bag, and The Bag is just essentially like, I’ve been told no so much like, “No, you can’t. No, you’re not good enough. No, we don’t want you.” And I’m like, “You know what? Yes, I am good enough and I deserve everything. So I’m going to throw everything I deserve in the bag, which is everything.” I don’t know. I would not be the person I am if I didn’t love all parts of myself. And that includes my disabilities, that includes my neurodivergences and all of the other wacky, weird body jazz that I bring with me everywhere I go. Michelle Bishop: Lachi, can we maybe, do you and I just FaceTime each other every morning and hype each other up? Stephanie Flynt McEben: I was literally about to say the same thing. I would like in on a true call. Michelle Bishop: I don’t know if you know. Actually, I want to say quickly, I know some of those songs actually from social media, but they’re real. They’re so real. So people haven’t heard music, go check it out. I don’t know if you know one of our co-hosts, Stephanie is blind. You’re speaking directly to her soul right now. Stephanie Flynt McEben: I literally just texted them in our podcast group text and I was like, she’s totally speaking to my soul RN, but of course I don’t want to interrupt anything. Michelle Bishop: No, I know you’re dying to talk to her about the book, Stephanie, and take it away. Stephanie Flynt McEben: Yeah, no, absolutely, for sure. And as somebody who is blind and who also identifies as a blind person and definitely does not identify with the medical model of disability, clearly gotten to more of a social model. But yeah, in terms of going through that journey of accepting all of who you are and everything about yourself, for me, I mean, it took a minute, especially when you’re talking about your experiences as a child and I totally feel that. I was that girl playing the harmonica on the jungle gym by herself. Anyway, this is about you. This is not about me, but I’m just saying that I totally relate to you on a spiritual level. And given that, I would love to know, were there any particular moments when it came to writing the book that were particularly hard or healing? Because I mean, I think that we all know that it’s not always a linear journey. Some days are going to be harder than others. And so would love to get your perspective on that. And I think that our listeners would be interested. Lachi: Yeah, absolutely. The journey for me has been one of constantly unwrapping this amazing gift. I always try to use that as the visual, if you will, of you have this big present and you get to unwrap it and then you just keep getting something cooler inside and then you get to unwrap that and you get something cooler inside and you just keep unwrapping this beautiful gift that is yourself. But you don’t realize that when you first get the box, the amazing stuff that’s going on inside, and it takes time to get to it. So a lot of times growing up, I would kick myself in the butt of, I wish I had come to this when I was so much younger. I wish there were people out there when I was younger, role models that I could look up to when I was eight years old and pointing on the TV and saying like, “Okay, well, I mean, I understand that Ray Charles existed, but that’s not going to…” Stephanie Flynt McEben: Stevie Wonder is here, Ray Charles is here, but we need more of us. Hello. Lachi: We need more of us. Hello. Exactly. And so this time and place where I am right now is where I needed to be for this to work. So I can’t really kick myself in the butt of like, “I wish I had this. I wish I knew this so much earlier. I would’ve been so much further.” That kind of thing. You have to be where you got to be where you need to be. Even right now, this conversation we’re having right now is going to have been necessary for the next thing that is happening in our lives. And just the other day, I was hanging out with Queen Herby, who’s been one of my favorite more modern rappers. I just did a thing with Apl.de.ap. I have done some stuff with Black Caviar. Folks that I’ve looked up to, I’m having the opportunity to Snoop Dogg. I’m having the opportunity to work with these days because of the fact that I am here at the right time now. So when I was writing my book, we were peeling back all the layers. I’m a generally very positive and energetic, social butterfly type of person today. But it’s interesting, I wasn’t always this person and I had to unpack all the layers to get there. One of the biggest things that happens to me, so I’ve always been low vision. So I was born with relatively low vision and it stayed the same throughout my teens and early 20s. But one day I woke up and my sight was just gone. Boom. So the interesting thing is anybody listening would be like, “Oh my God, if I woke up and my sight was gone, I would just die or I would not know what to do. My life would be over.” Stephanie Flynt McEben: Yep. Heard that a million times. Yes. Lachi: But for me, it was weird because I was already low vision, so I was going from level one to the underwater level or whatever. So it wasn’t like that life changing of a thing. I was already using screen readers or Zoom text. I was already doing stuff of that nature. So I wake up blind and I’m just like, “Okay, I guess this is it. This is the day that they told me was coming.” What had ended up happening was my corneas had erupted. And so I went to the doctor and he was like, “You’re going to become completely blind. You’re going to go from this much worse vision than you’ve had to complete blindness over the course of time.” So here you go, here’s a coupon. Bye.” or whatever. So I’m like, all right. So I had decided at that moment that I wanted to start a bucket list. So I was like, okay, what are all the things I’ve always wanted to do before completely going completely blind? So I was like, let me go skydiving, let me go spolunking, let me go meet with people, meet with celebrities and just do all of the things I’ve always wanted to do before I lose my vision. So I went out and I did it. This is still me doing it. This is still me doing it. And so I say that because to people who say if I ever went blind, I would just die. Well, when I went blind, it made me want to live. And that’s what opened me up into being this person that I am today. Stephanie Flynt McEben: That is amazing. I genuinely love that. Lachi: We talk about charity model and propping disabled folks up as tools of pity. We talk about medical model, which is really just waiting around for cure, making the cure the hero. We talk about social model, which is a really good place to live in the sense of things are impairing if they’re not accessible. Society is impairing if it’s not inclusive. But honestly, if I have all of the things, like if I have all my tools, if I have all that I need and if folks are inclusive, then I’m still blind, but I’m not impaired. But I like to go a little step further into what is the cultural model. And so the cultural model is it’s not just a discussion of what society should and shouldn’t do. It’s actually a celebration of what you gain as a person who identifies with their disability or their neurodivergence, the things they need to overcompensate because they’re navigating the world a little differently, leaning into that. So let’s say for instance, deaf culture, sign language, and the fact that folks can have complete discussions outside of what we’re talking about, there is so much deaf pride out in these streets, that is a celebration of culture that comes out of disability. And for me, let’s say for instance, I have ADHD and it powers my one million and counting ideas. I have diagnosed OCD, which helps me carry out all those one million and counting ideas. I have diagnosed general anxiety disorder, which gives me my empathy and my excitement. And then I am blind, which when I have the tools I need, it gives me drive. It keeps me determined, it keeps me focused, and it gives me my dope ass glam canes. There was a girl and her mom, and she came up to me after a show and she was like, “Oh my God, your music was great.” I was like, thank you. She’s like, “Mommy, can I get one of those canes?” And then her mom was like, “Ugh, well, you have to be blind.” And I’m like, “Yeah, girl, you better want to be me.” Stephanie Flynt McEben: Yeah. We drive sticks. Anyway, sorry. Lachi: Yes. You know what? I speak softly and I carry a big old stick. Thank you. Stephanie Flynt McEben: Yes. Amen to that. Exactly. As somebody who considers themself a lifelong disability advocate, I never really thought about it in the sense of going beyond the social into the cultural. So thank you so, so much. We all learn something new every single day on this podcast, but I’d love to know a little bit more about, obviously you were very, very, very good at talking through these experiences in such a way that they are very relatable and easy to understand and that thing. So I’d love to pick your brain about the intended audience of your book. Who did you write it for? Other blind folks? Did you write it for, was it written for multiple audiences? Lachi: Yeah, honestly, I wrote it for the person who is masking. I wrote it for anyone who is tired of… Listen, let me put it like this. Let’s face it, disability is boring, a lot of the time it’s sad and it’s compliancy. We have to go the extra mile to make it fun because the actual truth of it is that the only reason it’s boring, sad, and compliancy is because society has kept it that way through its collective internalized ableism. And so my book is actually a humor book. It’s a pop culture book. It’s a comedy book. In fact, when we were talking to the publisher, it’s like, we should be putting this up against other comedic books, not necessarily disability books because it’s a book. I got so many jokes. I have dad jokes, they’re corny jokes, I have rap bars. I rap in a lot of the book just because I was like, “Hey, this rhymes.” I’m going to say it like a rap. We’re doing the audiobook right now, so I actually get to wrap it, which is really fun. Stephanie Flynt McEben: Oh, that is so cool. Oh my gosh. Lachi: Which is really, really fun. But really, honestly, what the book is what everything I do is it is using joy, soul, pop culture, jokes, humor, fashion, and just a really good time to celebrate disability, as well as community. So what you’ll find in this book is my story through my story, through historical deep dives, through interviews with some really, really cool popular figures and a really big deep dose of disability joy. And so a lot of folks who have disabilities, they will read this book and they’ll be energized. It’ll be like, “This is really great. I’m glad that I finally get to read a book that talks about disability in a positive way.” For blind specific folks, they might relate to a few of my stories because I talk about the day I woke up blind, I talk about when I went skydiving blind, I talk about just some of my interesting blind moments. But then I also talk about how I would go to red carpets and not know how to talk to anybody. So I’m in this amazing room with all these celebrities I can’t see and I’m just sitting on the wall. So I talk about some of the hard times too as well. But at the end of the day, really what the book is is an invitation in for somebody who feels a little different, a little awkward, has to mask, and just needed that invite in to talk about disability in a fun, joyful, celebratory way, to recognize that yes, that thing in you that’s different, that thing in you that society has told you you should view as a weakness and hide, you should be proud of. And I say this to people all the time. I say it in the industry, I say it to all my friends, I say it to anyone who will listen. I say it to my local barista and they come back and they say things like, “Oh my God, I’m so glad you said it that way. It turns out I have a titanium hip and I’ve never told anybody about that.” And that’s the vibe. The vibe is someone who was like, “I really needed this to be said to me this way, and now I am able to step all the way into my disability identity.” Alden Blevins: I love, especially what you said about joy. I feel like for me as an autistic person, my experience in the arts is that it is really a space where people who maybe don’t belong in other spaces or don’t feel like they belong in other spaces or are made to feel like they don’t belong in other spaces. I think that a lot of them really do find a safe space in music, in the arts, in theater. And I just wanted to ask, why do you think the music space is such a special one for you and why do you think it’s a place where other people with disabilities seem to flock together as well? Lachi: I mean, you hit the nail on the head. Counterculture, I mean, music often rewards counterculture. And then it eventually becomes mainstream and then we got to rebel against that. So music is a place where your soul can speak. And I think a lot of the times with disabilities, especially autism for me, I’m ADHD, OCD, a different neurodivergence situation, but a lot of the issue is communication. We don’t know how to say exactly what we need or whoever we’re talking to just doesn’t know how to hear what we’re saying. And so I think that what music does is it allows a soul to speak to a soul. A lot of the times music does this thing where you’ll be listening to a song and you’ll just be like, “That, that right there. That’s what I it me. That’s the thing I’m feeling.” type deal. Music has the ability to do that. And so for me, right now, this children’s album that I’m working on, the kids’ album, which is an album that is essentially R&B, pop, electronic, sort of the genres that I dance in for kids centered on disability and neurodivergence. Because what I want to do is be able to say, “Hey, I want you to point at that and say, that’s me.” And I think the easiest and quickest way to point at something and say, “That’s me also.” has been music. And so it’s why it’s been my strongest medium. Again, it’s not my only medium. I’m talking to folks through the book, I’m talking to folks through fashion, et cetera, et cetera. But again, music has been just the quickest, easiest point A to point B conversation easer, if you will, about disability. Another thing I also love to use is humor and comedy. So I make jokes all the time. They’re all bad. They’re all very not good jokes. I need to probably get a joke writer, but the fact that I’m having such a good time telling the jokes, I think I think is all that really matters. So I think both music and humor are just really, really great spaces for two people to get to relate to something that may be difficult to talk about. Stephanie Flynt McEben: Yo, if you need a joke writer, I’m your girl. I actually do a joke every single episode of this podcast. Michelle Bishop: Her jokes are not better than yours, Lachi. Don’t hire her. Stephanie Flynt McEben: My jokes are pretty bad. They’re worse than dad’s jokes. They’re like granddad jokes. Alden Blevins: Yeah. Stephanie is the queen of the jokes on our podcast. She always brings one through. Didn’t know that you were working on a children’s music album, and I think that’s really interesting. I actually used to be a teacher, so children’s music is something that’s near and dear to my heart. So I just wanted to ask, what would you want to tell to younger people with disabilities, younger disabled creatives about claiming space and being able to tell their own stories? Lachi: Well, one thing that I heard from someone else, I don’t remember who it was. I think it was- Michelle Bishop: Jordan? Lachi: Yes, Jordan. He’s the one that said this. Michelle Bishop: I love him. Lachi: Yeah, he’s so funny. I met him at a… What did I meet him at? The Webby Awards or something. But anyway, no one can ever defeat someone who hasn’t given up. And for some reason that hit me, and I don’t even think he was trying to say it that deep. He was just saying a joke or something. But I took that and it was like, no one can ever defeat someone who hasn’t given up. So at the end of the day, you are really the only one who can end whatever you’re trying to get. Because as long as you are still going for it, it is still still there. It’s like a Schrodinger’s cat. It’s like as long as you’re still running for it, that opportunity is still there for you to have. The opportunity is never lost as long as you’re still going for it. And people can tell you, people can take your shoulders and tell you to go right. People can take your shoulders and tell you to go left. But until you take your own shoulders and go in the direction that your heart, your soul, your passion, your fire, desires, that is when you truly begin to live. And so I say personally, lean into that. I hear from a lot of younger, especially creators with disabilities. I mentor a lot of folks, tons and tons of folks. It’s one of the things I love to do the most. But what I love to tell folks is you are going to be the best you. And that you is going to include all of the different parts of who you are, but it is especially going to include you leaning in to the things that make you different and unique as unique selling points. Earlier I talked about how people try so hard to be the “definition of beauty”, definition of success, definition of whatever. Everyone’s trying to be this reference man. Everyone’s trying to be as close as they can to the reference man. And if I’m as close as I can to the reference man, then I’ll be successful or then I’ll get this job or then I’ll get this gig. But the truth of the matter is when we look at all of the people that are doing all of the big things, they’re “eccentric”. They’re “weird”. They did some big different idea that no one was thinking about and everybody fell into their trend. The further away you are from the reference man, that is when you start to win. That is when you’ll start to see success. That is when you’ll start to feel much better about yourself. That is when you can wake up in the morning, look in the mirror and say, “I am fine.” When you are able to accept all of those different freckles of yourself that are as far away from the reference man as possible, because guess what? There is room outside of the barrel for everyone to win if they are all being their unique self and running their unique purpose. That’s what I would tell to young disabled creators. Michelle Bishop: That’s amazing. Almost feel like we should stop there, but I have so many follow-up questions. Lachi: Listen, I’m here to drop as many mics as they will let me keep breaking. Michelle Bishop: I was wondering how you see the conversation around disability and inclusion and evolving these days. And a lot of our listeners are people with disabilities or people who have other even multiple intersecting identities in which they experience barriers as well. What does allyship look like to you? Lachi: This is one of my favorite questions. So yes, we have folks with disabilities and we have folks who want to work with people with disabilities, want to help a friend with a disability, want to make sure they don’t say the wrong thing to a person with a disability, neurodivergence, chronic condition, mental health condition. That’s not an ally. Wanting to help a person with a disability is not an ally. To me, wanting to support someone with a disability, that’s an ally in the very basic definition of allyship. Here’s what I think an ally is. To answer the question, I got to do two things. One, talk about the disability umbrella. So the disability umbrella encompasses so many forms of disability. It is neurodivergence, which is ADHD, dyslexia, OCD. It is mental health conditions like anxiety, depression, bipolar. It is someone who learns a little differently. It is someone who has explosive situations like anger management. It is someone who has substance abuse disorder, maybe somebody who drinks too much or uses different substances. It is chronic back pain. You know what I’m saying? It is asthma. It is EDS. It’s POTS. It is long COVID. It is different complications that you gain after pregnancy. It is different complications that you gain as you age. It is different complications you gain through menopause. It is temporary. It is breaking your arm and wearing a cast. It is seasonal depression. There is nobody on this earth that is not within the disability umbrella. And I don’t mean that you’re going to grow into it. I don’t mean in the future. I mean right now. Whether you identify as a person with a disability or not, you have disability identity because you have experience in your body disability. And when you figure that out, then you’re an ally. Allyship is seeing yourself through the other person because you can’t look through someone else’s eyes unless you can see yourself in them. And you can’t see yourself in disability until you recognize the disability identity within yourself. All of a sudden, and I say this and people are like, “What? I say this, but I’ve seen this. I’ve seen it happen. I’ve seen people who did not associate themselves with any form of disability or anything and they’re just like, Oh, them. Oh, I’ll help them. We have a conversation and then we have a follow-up conversation and then we’re drinking and then all of a sudden they’re telling me all their disabilities and then they’re walking a little different when they encounter disability. It’s no longer a them thing. And so that’s what an ally is. People with disabilities are also allies. I am an ally to the deaf community because I recognize though I’m not deaf, I see the having to navigate the world differently in you of myself. So that’s how I define an ally. An ally is someone who understands their own disability identity and can see it in others. Michelle Bishop: Don’t mind me over here just taking notes. Stephanie Flynt McEben: Literally. Oh my gosh. Lachi, thank you so, so, so much for being with us and taking time. I know that your website, lachimusic.com is one of the places where folks can stay up to date on all of the latest and greatest things that you’re up to. Is there anything else in particular you would like to plug for our listeners? Lachi: Like you said, LACHI, L-A-C-H-I M-U-S-I-C. I’m on the internets everywhere. Instagram, Spotify, check out the old music. If you’re a creator, a music creator or professional with a disability, check us out at RAMPD, R-A-M-P-D.org. Or if you want to donate or if you want to partner with us over at RAMPD, please do. If you are a cane user, whether you’re a blind cane user or you use Mobility Cane, check out glamcanes.com, get your canes bejeweled. I Identify as Blind, our book is out on Penguin Random House, imprint called Tiny Reparations by Phoebe Robinson, who is also a comedian. So we’re out here all writing very funny books. So please check it out. And lastly, listen, try to find moments in your day of disability joy. And when you find that moment, take a picture of it or write it down so that you can go back to it and live for those moments. So thank you guys so much for having me on this podcast. It’s really been a blast getting to talk at you about all things I identify as blind. Alden Blevins: I love it. I was over here taking notes too because I just found so much of myself in what you were saying and so many things were poignant and empowering. I, as an autistic person, try to be an ally to other parts of the disability community myself. And that’s something where I’m always trying to put myself in the shoes of another person and what they might experience. So I think that’s really powerful. We were so grateful to be able to connect and learn more about you, Lachi. Lachi: Yes, yes, yes. So honored to be here, guys. Michelle Bishop: Before you head out, Lachi, do you want to hear one of Stephanie’s grandpa jokes? Lachi: I was going to say, I was like, “Let’s hear one of these granddad jokes.” Let me see. Stephanie Flynt McEben: Okay. This might be- Michelle Bishop: Okay, do it. Stephanie Flynt McEben: … a granddad joke. Okay. Where do spiders like to get their information? Lachi: The web? Michelle Bishop: That would be something to do with web. Stephanie Flynt McEben: But what kind of web? Lachi: Wow. Really? You are fired from being my comedy writer. You are fired to be my comedy writer. I was rooting for you too. I was like, let’s just… Please. Stephanie Flynt McEben: I wouldn’t even get to the punchline yet. Michelle Bishop: Worldwide web? Stephanie Flynt McEben: It is the worldwide web. Michelle Bishop: Oh. Stephanie Flynt McEben: It’s fine. It’s fine. My wife warned me not to tell that joke this month and I didn’t lose it. Michelle Bishop: Oh my gosh. I’m so glad you stuck around for that part. Lachi: As I live and breathe. Thank you guys so, so much. This has been so much fun and I will see who else I can tell that joke to. And go ahead and just to help you out, Stephanie, I’ll go ahead and embarrass myself by telling that joke to others. Stephanie Flynt McEben: Not my best work, but that is allyship. Yes. Michelle Bishop: Oh my gosh, Lachi, thank you so much. And everyone, please lachimusic.com. Check it out. Listen to the music, read the book. Alden Blevins: Speaking of the worldwide web, this has been National Disability Radio. We celebrate stories, leadership, and talent of people with disabilities. If you enjoyed this episode, be sure to subscribe, share, and continue the conversation with us on that worldwide web at ndrn.org or anywhere you get your favorite podcasts. Thanks for listening and until next time. Stephanie Flynt McEben: Bye.

On this episode of National Disability Radio, we sit down with award-winning recording artist, advocate, and author Lachi for a powerful conversation about disability pride, music, and unmasking. Lachi shares her journey, from navigating the music industry as a blind artist, to founding RAMPD, a coalition amplifying disability culture across the industry. We talk about what it means to say “I identify as blind,” move beyond the medical and social models of disability into a cultural model rooted in identity and joy, and remind listeners that no one can defeat someone who hasn't given up. From glam canes to Grammy stages, this episode is about claiming space, rejecting internalized ableism, and turning perceived flaws into flexes. Transcript: Alden Blevins: It’s Lachi? I feel very- Lachi: Lachi like Versace. Alden Blevins: Lachi like… Oh, I love that. Michelle Bishop: That is the best way to explain it. Lachi: I mean, but you know what I’m saying? Come on. Alden Blevins: Well, we’re really excited about having you today because we’re all music lovers in this group here. Michelle Bishop: Yes. Alden Blevins: We talk about music all the time. Michelle Bishop: So much. Lachi: Good, good, good, good, good, good, good. I’m in the right place. Michelle Bishop: Hi everyone. Welcome back to National Disability Radio, the official podcast of the National Disability Rights Network. I am Michelle Bishop, 1/3 of your podcast hosting team. Stephanie Flynt McEben: And I’m Stephanie Flynt McEben, public policy analyst here at NDRN. Alden Blevins: I am Alden. I am a communication specialist at NDRN and I am so excited today, like I mentioned, we’re all lovers of music, so we got a guest that I’m really excited about. Lachi is an award-winning recording artist and a recording Academy Grammy’s national trustee. She’s also a disability advocate who’s been breaking barriers in the music industry and beyond. She’s the founder of RAMPD, which by the way, is such a fun play name. I really love that. And the author of the upcoming book, I Identify as Blind. So without further ado, Michelle, you’ve got some questions to kick us off, I think. Michelle Bishop: Yes. We’re so excited to have you with us. As Alden said, we are. We’re huge music lovers. I’m pretty sure we spend most of our meetings where we allegedly plan this podcast just talking about music. So you’re absolutely in the right place today, but to get us started, I mean, you’ve been open about the fact, and I’m just really interested in this as a disability rights podcast. You’ve been really open about the fact that it took you some time to really embrace your identity as a blind and disabled woman, especially in the industry that you’re in that often really rewards conformity. Can you tell us a little bit more about that journey for you, both as an artist and as someone navigating just the world with a disability? Lachi: Okay. Yeah, for sure. Hey, everybody. Lachi here, Lachi like Versace. I am a Black woman with cornrows, chilling here in New York in my studio. I also identify as blind, I identify as neurodivergent, and I identify as an Aries. So do with that what you will. Michelle Bishop: All the important points right there. Lachi: All the important points like name, age, sign. Thank you. Okay. Yeah, but I’m really glad to be here. And thank you for that question, and thank you for having me. So music has always been a very integral part of my life of growing up. Where other babies would kick in the womb, when she was pregnant with me, I was playing the piano in the womb. I don’t know how she got a piano in there, but she’s not a liar, so I’m going to take her word for it. When I was super-duper young, I didn’t really have a lot of friends, especially because of the fact that I had differences and this and that. And so I would take to music to, I guess, understand the world better and have the world understand me better. I just knew how to express myself through song and it just said the things I needed to say. It was the prayer I needed. And because of music, I started to find confidence in how to speak and how to behave and how to act. And as I got older, when I was growing up, disability was not necessarily a thing people talked about a lot in schools and teachers didn’t know what to do. My parents didn’t really know what to do. And so I would always just turn to music. It’s actually right now I’m working on a children’s album because I think that kids need to hear music that has to do with disability and neurodivergence, as well as their parents as they grow up. When I got into college, I started wanting to do music, but I studied business and finance because when I told my parents I wanted to do music, they were like, “That’s not how you spell doctor.” because they are Nigerian immigrants and everybody else in my family went to either med school and blah, blah, blah. And I was like, “No, I want to do music.” But I did get a day job after school, after college, and didn’t love it because this girl is not going to exist behind a desk. So I ended up going to South by Southwest and I got signed actually from playing the guitar at a hole in the wall spot that nobody was at, except for this A&R apparently. So we got signed to an imprint under EMI, which was a major label back then, and we started touring and music then became my life. Now today, why wouldn’t I pay my respects back to music? I mean, it’s because of music that I was able to really lean into who I am, my disability, my confidence, et cetera. So because of that, because of how much music has given to me in my life, I’m here using music to give back to other people with disabilities. Now, your question was essentially, how do you sit here and try to bring about change for disability in an industry that is not only about conformity, but also about like, “Hey, pick me to exploit.” is essentially what the music industry is. You’re raising your hand to be exploited and that’s what kind of authenticity is that? But at the end of the day, music is some of the truest forms of storytelling. And I think to myself, just the way that hip hop has amplified Black culture and the way that country music has amplified rural culture and the way that different global musics have represented different global cultures. I want to use music to amplify disability culture. I want to use music to amplify disability stories and feelings that are difficult to put words to, that are words of the soul, which is essentially what music is. And so I started going to studios and realizing things weren’t as accessible as they should be. I started speaking with organizations and realizing things weren’t as inclusive as they should be. And the response I kept getting was like, “Oh, well, there’s nobody with a disability in the music industry, so why would we make these measures?” And so I have made it my life’s goal through RAMPD, which by the way, the best thing we ever accomplished was our acronym, not us working with the Grammys to get sign language on the red carpet, not us getting these partnerships with title, Live Nation, Spotify. I mean, we’ve done so much, not just for artists, but also for professionals. And we’ve started to realize something really interesting with the work we’ve done with RAMPD. We are getting people joining our membership who are director level folks, who are label owners, who are like the big wigs that write the checks, and they’re like, “I’m neurodivergent. I’m actually hard of hearing. I have a TBI.” And so when I originally set out, they said, “We don’t do disability inclusion because nobody’s disabled.” That was three years ago. Now I’m like, not only are there neurodivergent and disabled music professionals out here, but we all are. So really to conclude, it’s just that everyone is navigating trying to make it out in this world, but everyone’s masking. Everyone feels that they have to change some part of themselves to be as close as they can to what success looks like, be as close as they can to what “beauty” looks like, what winning looks like. But really all it is internalized ableism. And I say, as soon as we drop that internalized ableism and we really start to sit in who we truly are and we start to recognize our perceived flaws as flexes, that’s when we truly start to win. And so that’s what we’re finding out with RAMPD, that people are like, “You know what? I’m tired of navigating this difficult industry with the added layer of having to mask.” And so that’s why I do what I do. Michelle Bishop: Yes. And honestly, as ridiculous as it sounds that they say to you, “Oh, there aren’t any people with disabilities.” When I tell you, we see that in everything that we do. I do voting work at NDRN and we’ll have elections officials tell us, “This polling place isn’t accessible, but there aren’t any people with disabilities that vote here.” And it’s like, “What? You realize we’re everywhere and we do all sorts of things.” Maybe the reason they think there’s no people with disabilities here is because they’re stuck outside and they can’t get in because you didn’t make it accessible, just a thought. But I mean, it sounds like coming up against all that is really, correct me if I’m wrong, helped you to develop that identity and that disability pride in the industry. When did you first say, “I identify as blind.” and what did that mean for you? Lachi: Well, so when I first came into really doing the disability thing, really leaning in, I wanted to find out more influencers or thought leaders and such with disabilities. I didn’t really know that many people. This is pre COVID, 2018, 2019, that kind of thing. And so I came across an influencer, her name is Molly Burke, and we’re great friends now, but I didn’t know her back then. I had just seen her tagline and it had said, “I’m Molly Burke and I’m a YouTuber who happens to be blind.” And for some reason I was like, “I don’t know if I love the happens to be blind thing.” I was like, “Well, I’m proud of being blind. Blindness is part of my identity. I don’t just happen to be a woman. I don’t just happen to be a Nigerian. I don’t just happen to be all of the things I am.” And so I would go to… I was touring… We’re always touring and every time I tour and do a show, I do a comedic open where I just introduce myself, I do a quick self-description, et cetera. And in my self-description, I would say, and I don’t just happen to be blind. My blindness is part of my identity, has given me all of the opportunities I have, and it’s really made me a deeper blah, blah, blah. It was just too long. So I had punched it up to be, “My name is Lachi like Versace. She, her, I’m a Black woman with cornrows and I identify as blind.” And the interesting thing about that is people took onto it. They were like, “Oh, that’s cool, nice and punchy.” But whenever I would say it in front of a large crowd or like I’ve said it on interviews or during commercials, I would get this weird, I don’t know, pushback of like, you can’t identify as blind. Blindness is an identity. It’s a medical condition. Or they’ll be like, “Do you read braille or not?” Or they’ll be like, “We don’t want people to think trans blindness is a thing where you just have a blind identity.” And then you can be like, “Well, I’m blind today, so that’s my identity.” And I thought that was really fun. I was like, “Look, everybody’s upset. They’re talking about blindness though.” So I really leaned all the way into it. And I have to say, I am super proud of my disability identity. Was it music that brought me there? I think in a sense and in a way, like today I have a few songs, you guys are music lovers, I have a few songs out that really talk about my disability pride. I think that a lot of the times as we navigate the world, masking our disability, masking our chronic condition, our difference or whatever, we end up overcompensating. We end up building up this really, really thick problem solving muscle or this really, really thick how to get around things muscle and we overcompensate. When we’re finally accommodated, when we finally get to a place where we’re accommodated or we have the tools we need, we’re coming in like bulk as hell. We’re coming in with problem solving muscles. We’re coming in with all of these things that we had to build up because of navigating the world differently, because of every day working through this very difficult maze that is living a life unaccommodated, then when we finally are accommodated, then we are killing it and crushing it. And how could you not be proud of that? How can that not give you a sense of pride? So the songs that I would love for you guys to check out that are mine is I have a song called Life on Hard, which has gone viral several times on Instagram. I’m known as an Instagram rapper, which is like, what? Hello, I do disability advocacy. Look at that stuff. But anyway, so I have a song called Life on Hard, which is essentially about just winning the game of life, playing it on the hardest setting out here while people are still trying to consult the manual. I have another song called Professional, which is oftentimes when I walk on the stage, people see the cane and they’re like, “Aw, she’s going to do a song for us. Is this from Make a Wish Foundation?” And then I bust out these raps or I hop on the piano and I go ape on this piano and then they’re like, “Oh, snap. What? Okay.” And I’m like, “Bro, I’m a professional artist. I’m not object for pity to make you feel good because you felt weird on a Monday and you didn’t feel like getting up for work, but it’s like, she could do it. So can I.” I’m like, “No, I can do it. You most likely probably just can’t.” So that’s what that song’s about. And then there’s The Bag, and The Bag is just essentially like, I’ve been told no so much like, “No, you can’t. No, you’re not good enough. No, we don’t want you.” And I’m like, “You know what? Yes, I am good enough and I deserve everything. So I’m going to throw everything I deserve in the bag, which is everything.” I don’t know. I would not be the person I am if I didn’t love all parts of myself. And that includes my disabilities, that includes my neurodivergences and all of the other wacky, weird body jazz that I bring with me everywhere I go. Michelle Bishop: Lachi, can we maybe, do you and I just FaceTime each other every morning and hype each other up? Stephanie Flynt McEben: I was literally about to say the same thing. I would like in on a true call. Michelle Bishop: I don’t know if you know. Actually, I want to say quickly, I know some of those songs actually from social media, but they’re real. They’re so real. So people haven’t heard music, go check it out. I don’t know if you know one of our co-hosts, Stephanie is blind. You’re speaking directly to her soul right now. Stephanie Flynt McEben: I literally just texted them in our podcast group text and I was like, she’s totally speaking to my soul RN, but of course I don’t want to interrupt anything. Michelle Bishop: No, I know you’re dying to talk to her about the book, Stephanie, and take it away. Stephanie Flynt McEben: Yeah, no, absolutely, for sure. And as somebody who is blind and who also identifies as a blind person and definitely does not identify with the medical model of disability, clearly gotten to more of a social model. But yeah, in terms of going through that journey of accepting all of who you are and everything about yourself, for me, I mean, it took a minute, especially when you’re talking about your experiences as a child and I totally feel that. I was that girl playing the harmonica on the jungle gym by herself. Anyway, this is about you. This is not about me, but I’m just saying that I totally relate to you on a spiritual level. And given that, I would love to know, were there any particular moments when it came to writing the book that were particularly hard or healing? Because I mean, I think that we all know that it’s not always a linear journey. Some days are going to be harder than others. And so would love to get your perspective on that. And I think that our listeners would be interested. Lachi: Yeah, absolutely. The journey for me has been one of constantly unwrapping this amazing gift. I always try to use that as the visual, if you will, of you have this big present and you get to unwrap it and then you just keep getting something cooler inside and then you get to unwrap that and you get something cooler inside and you just keep unwrapping this beautiful gift that is yourself. But you don’t realize that when you first get the box, the amazing stuff that’s going on inside, and it takes time to get to it. So a lot of times growing up, I would kick myself in the butt of, I wish I had come to this when I was so much younger. I wish there were people out there when I was younger, role models that I could look up to when I was eight years old and pointing on the TV and saying like, “Okay, well, I mean, I understand that Ray Charles existed, but that’s not going to…” Stephanie Flynt McEben: Stevie Wonder is here, Ray Charles is here, but we need more of us. Hello. Lachi: We need more of us. Hello. Exactly. And so this time and place where I am right now is where I needed to be for this to work. So I can’t really kick myself in the butt of like, “I wish I had this. I wish I knew this so much earlier. I would’ve been so much further.” That kind of thing. You have to be where you got to be where you need to be. Even right now, this conversation we’re having right now is going to have been necessary for the next thing that is happening in our lives. And just the other day, I was hanging out with Queen Herby, who’s been one of my favorite more modern rappers. I just did a thing with Apl.de.ap. I have done some stuff with Black Caviar. Folks that I’ve looked up to, I’m having the opportunity to Snoop Dogg. I’m having the opportunity to work with these days because of the fact that I am here at the right time now. So when I was writing my book, we were peeling back all the layers. I’m a generally very positive and energetic, social butterfly type of person today. But it’s interesting, I wasn’t always this person and I had to unpack all the layers to get there. One of the biggest things that happens to me, so I’ve always been low vision. So I was born with relatively low vision and it stayed the same throughout my teens and early 20s. But one day I woke up and my sight was just gone. Boom. So the interesting thing is anybody listening would be like, “Oh my God, if I woke up and my sight was gone, I would just die or I would not know what to do. My life would be over.” Stephanie Flynt McEben: Yep. Heard that a million times. Yes. Lachi: But for me, it was weird because I was already low vision, so I was going from level one to the underwater level or whatever. So it wasn’t like that life changing of a thing. I was already using screen readers or Zoom text. I was already doing stuff of that nature. So I wake up blind and I’m just like, “Okay, I guess this is it. This is the day that they told me was coming.” What had ended up happening was my corneas had erupted. And so I went to the doctor and he was like, “You’re going to become completely blind. You’re going to go from this much worse vision than you’ve had to complete blindness over the course of time.” So here you go, here’s a coupon. Bye.” or whatever. So I’m like, all right. So I had decided at that moment that I wanted to start a bucket list. So I was like, okay, what are all the things I’ve always wanted to do before completely going completely blind? So I was like, let me go skydiving, let me go spolunking, let me go meet with people, meet with celebrities and just do all of the things I’ve always wanted to do before I lose my vision. So I went out and I did it. This is still me doing it. This is still me doing it. And so I say that because to people who say if I ever went blind, I would just die. Well, when I went blind, it made me want to live. And that’s what opened me up into being this person that I am today. Stephanie Flynt McEben: That is amazing. I genuinely love that. Lachi: We talk about charity model and propping disabled folks up as tools of pity. We talk about medical model, which is really just waiting around for cure, making the cure the hero. We talk about social model, which is a really good place to live in the sense of things are impairing if they’re not accessible. Society is impairing if it’s not inclusive. But honestly, if I have all of the things, like if I have all my tools, if I have all that I need and if folks are inclusive, then I’m still blind, but I’m not impaired. But I like to go a little step further into what is the cultural model. And so the cultural model is it’s not just a discussion of what society should and shouldn’t do. It’s actually a celebration of what you gain as a person who identifies with their disability or their neurodivergence, the things they need to overcompensate because they’re navigating the world a little differently, leaning into that. So let’s say for instance, deaf culture, sign language, and the fact that folks can have complete discussions outside of what we’re talking about, there is so much deaf pride out in these streets, that is a celebration of culture that comes out of disability. And for me, let’s say for instance, I have ADHD and it powers my one million and counting ideas. I have diagnosed OCD, which helps me carry out all those one million and counting ideas. I have diagnosed general anxiety disorder, which gives me my empathy and my excitement. And then I am blind, which when I have the tools I need, it gives me drive. It keeps me determined, it keeps me focused, and it gives me my dope ass glam canes. There was a girl and her mom, and she came up to me after a show and she was like, “Oh my God, your music was great.” I was like, thank you. She’s like, “Mommy, can I get one of those canes?” And then her mom was like, “Ugh, well, you have to be blind.” And I’m like, “Yeah, girl, you better want to be me.” Stephanie Flynt McEben: Yeah. We drive sticks. Anyway, sorry. Lachi: Yes. You know what? I speak softly and I carry a big old stick. Thank you. Stephanie Flynt McEben: Yes. Amen to that. Exactly. As somebody who considers themself a lifelong disability advocate, I never really thought about it in the sense of going beyond the social into the cultural. So thank you so, so much. We all learn something new every single day on this podcast, but I’d love to know a little bit more about, obviously you were very, very, very good at talking through these experiences in such a way that they are very relatable and easy to understand and that thing. So I’d love to pick your brain about the intended audience of your book. Who did you write it for? Other blind folks? Did you write it for, was it written for multiple audiences? Lachi: Yeah, honestly, I wrote it for the person who is masking. I wrote it for anyone who is tired of… Listen, let me put it like this. Let’s face it, disability is boring, a lot of the time it’s sad and it’s compliancy. We have to go the extra mile to make it fun because the actual truth of it is that the only reason it’s boring, sad, and compliancy is because society has kept it that way through its collective internalized ableism. And so my book is actually a humor book. It’s a pop culture book. It’s a comedy book. In fact, when we were talking to the publisher, it’s like, we should be putting this up against other comedic books, not necessarily disability books because it’s a book. I got so many jokes. I have dad jokes, they’re corny jokes, I have rap bars. I rap in a lot of the book just because I was like, “Hey, this rhymes.” I’m going to say it like a rap. We’re doing the audiobook right now, so I actually get to wrap it, which is really fun. Stephanie Flynt McEben: Oh, that is so cool. Oh my gosh. Lachi: Which is really, really fun. But really, honestly, what the book is what everything I do is it is using joy, soul, pop culture, jokes, humor, fashion, and just a really good time to celebrate disability, as well as community. So what you’ll find in this book is my story through my story, through historical deep dives, through interviews with some really, really cool popular figures and a really big deep dose of disability joy. And so a lot of folks who have disabilities, they will read this book and they’ll be energized. It’ll be like, “This is really great. I’m glad that I finally get to read a book that talks about disability in a positive way.” For blind specific folks, they might relate to a few of my stories because I talk about the day I woke up blind, I talk about when I went skydiving blind, I talk about just some of my interesting blind moments. But then I also talk about how I would go to red carpets and not know how to talk to anybody. So I’m in this amazing room with all these celebrities I can’t see and I’m just sitting on the wall. So I talk about some of the hard times too as well. But at the end of the day, really what the book is is an invitation in for somebody who feels a little different, a little awkward, has to mask, and just needed that invite in to talk about disability in a fun, joyful, celebratory way, to recognize that yes, that thing in you that’s different, that thing in you that society has told you you should view as a weakness and hide, you should be proud of. And I say this to people all the time. I say it in the industry, I say it to all my friends, I say it to anyone who will listen. I say it to my local barista and they come back and they say things like, “Oh my God, I’m so glad you said it that way. It turns out I have a titanium hip and I’ve never told anybody about that.” And that’s the vibe. The vibe is someone who was like, “I really needed this to be said to me this way, and now I am able to step all the way into my disability identity.” Alden Blevins: I love, especially what you said about joy. I feel like for me as an autistic person, my experience in the arts is that it is really a space where people who maybe don’t belong in other spaces or don’t feel like they belong in other spaces or are made to feel like they don’t belong in other spaces. I think that a lot of them really do find a safe space in music, in the arts, in theater. And I just wanted to ask, why do you think the music space is such a special one for you and why do you think it’s a place where other people with disabilities seem to flock together as well? Lachi: I mean, you hit the nail on the head. Counterculture, I mean, music often rewards counterculture. And then it eventually becomes mainstream and then we got to rebel against that. So music is a place where your soul can speak. And I think a lot of the times with disabilities, especially autism for me, I’m ADHD, OCD, a different neurodivergence situation, but a lot of the issue is communication. We don’t know how to say exactly what we need or whoever we’re talking to just doesn’t know how to hear what we’re saying. And so I think that what music does is it allows a soul to speak to a soul. A lot of the times music does this thing where you’ll be listening to a song and you’ll just be like, “That, that right there. That’s what I it me. That’s the thing I’m feeling.” type deal. Music has the ability to do that. And so for me, right now, this children’s album that I’m working on, the kids’ album, which is an album that is essentially R&B, pop, electronic, sort of the genres that I dance in for kids centered on disability and neurodivergence. Because what I want to do is be able to say, “Hey, I want you to point at that and say, that’s me.” And I think the easiest and quickest way to point at something and say, “That’s me also.” has been music. And so it’s why it’s been my strongest medium. Again, it’s not my only medium. I’m talking to folks through the book, I’m talking to folks through fashion, et cetera, et cetera. But again, music has been just the quickest, easiest point A to point B conversation easer, if you will, about disability. Another thing I also love to use is humor and comedy. So I make jokes all the time. They’re all bad. They’re all very not good jokes. I need to probably get a joke writer, but the fact that I’m having such a good time telling the jokes, I think I think is all that really matters. So I think both music and humor are just really, really great spaces for two people to get to relate to something that may be difficult to talk about. Stephanie Flynt McEben: Yo, if you need a joke writer, I’m your girl. I actually do a joke every single episode of this podcast. Michelle Bishop: Her jokes are not better than yours, Lachi. Don’t hire her. Stephanie Flynt McEben: My jokes are pretty bad. They’re worse than dad’s jokes. They’re like granddad jokes. Alden Blevins: Yeah. Stephanie is the queen of the jokes on our podcast. She always brings one through. Didn’t know that you were working on a children’s music album, and I think that’s really interesting. I actually used to be a teacher, so children’s music is something that’s near and dear to my heart. So I just wanted to ask, what would you want to tell to younger people with disabilities, younger disabled creatives about claiming space and being able to tell their own stories? Lachi: Well, one thing that I heard from someone else, I don’t remember who it was. I think it was- Michelle Bishop: Jordan? Lachi: Yes, Jordan. He’s the one that said this. Michelle Bishop: I love him. Lachi: Yeah, he’s so funny. I met him at a… What did I meet him at? The Webby Awards or something. But anyway, no one can ever defeat someone who hasn’t given up. And for some reason that hit me, and I don’t even think he was trying to say it that deep. He was just saying a joke or something. But I took that and it was like, no one can ever defeat someone who hasn’t given up. So at the end of the day, you are really the only one who can end whatever you’re trying to get. Because as long as you are still going for it, it is still still there. It’s like a Schrodinger’s cat. It’s like as long as you’re still running for it, that opportunity is still there for you to have. The opportunity is never lost as long as you’re still going for it. And people can tell you, people can take your shoulders and tell you to go right. People can take your shoulders and tell you to go left. But until you take your own shoulders and go in the direction that your heart, your soul, your passion, your fire, desires, that is when you truly begin to live. And so I say personally, lean into that. I hear from a lot of younger, especially creators with disabilities. I mentor a lot of folks, tons and tons of folks. It’s one of the things I love to do the most. But what I love to tell folks is you are going to be the best you. And that you is going to include all of the different parts of who you are, but it is especially going to include you leaning in to the things that make you different and unique as unique selling points. Earlier I talked about how people try so hard to be the “definition of beauty”, definition of success, definition of whatever. Everyone’s trying to be this reference man. Everyone’s trying to be as close as they can to the reference man. And if I’m as close as I can to the reference man, then I’ll be successful or then I’ll get this job or then I’ll get this gig. But the truth of the matter is when we look at all of the people that are doing all of the big things, they’re “eccentric”. They’re “weird”. They did some big different idea that no one was thinking about and everybody fell into their trend. The further away you are from the reference man, that is when you start to win. That is when you’ll start to see success. That is when you’ll start to feel much better about yourself. That is when you can wake up in the morning, look in the mirror and say, “I am fine.” When you are able to accept all of those different freckles of yourself that are as far away from the reference man as possible, because guess what? There is room outside of the barrel for everyone to win if they are all being their unique self and running their unique purpose. That’s what I would tell to young disabled creators. Michelle Bishop: That’s amazing. Almost feel like we should stop there, but I have so many follow-up questions. Lachi: Listen, I’m here to drop as many mics as they will let me keep breaking. Michelle Bishop: I was wondering how you see the conversation around disability and inclusion and evolving these days. And a lot of our listeners are people with disabilities or people who have other even multiple intersecting identities in which they experience barriers as well. What does allyship look like to you? Lachi: This is one of my favorite questions. So yes, we have folks with disabilities and we have folks who want to work with people with disabilities, want to help a friend with a disability, want to make sure they don’t say the wrong thing to a person with a disability, neurodivergence, chronic condition, mental health condition. That’s not an ally. Wanting to help a person with a disability is not an ally. To me, wanting to support someone with a disability, that’s an ally in the very basic definition of allyship. Here’s what I think an ally is. To answer the question, I got to do two things. One, talk about the disability umbrella. So the disability umbrella encompasses so many forms of disability. It is neurodivergence, which is ADHD, dyslexia, OCD. It is mental health conditions like anxiety, depression, bipolar. It is someone who learns a little differently. It is someone who has explosive situations like anger management. It is someone who has substance abuse disorder, maybe somebody who drinks too much or uses different substances. It is chronic back pain. You know what I’m saying? It is asthma. It is EDS. It’s POTS. It is long COVID. It is different complications that you gain after pregnancy. It is different complications that you gain as you age. It is different complications you gain through menopause. It is temporary. It is breaking your arm and wearing a cast. It is seasonal depression. There is nobody on this earth that is not within the disability umbrella. And I don’t mean that you’re going to grow into it. I don’t mean in the future. I mean right now. Whether you identify as a person with a disability or not, you have disability identity because you have experience in your body disability. And when you figure that out, then you’re an ally. Allyship is seeing yourself through the other person because you can’t look through someone else’s eyes unless you can see yourself in them. And you can’t see yourself in disability until you recognize the disability identity within yourself. All of a sudden, and I say this and people are like, “What? I say this, but I’ve seen this. I’ve seen it happen. I’ve seen people who did not associate themselves with any form of disability or anything and they’re just like, Oh, them. Oh, I’ll help them. We have a conversation and then we have a follow-up conversation and then we’re drinking and then all of a sudden they’re telling me all their disabilities and then they’re walking a little different when they encounter disability. It’s no longer a them thing. And so that’s what an ally is. People with disabilities are also allies. I am an ally to the deaf community because I recognize though I’m not deaf, I see the having to navigate the world differently in you of myself. So that’s how I define an ally. An ally is someone who understands their own disability identity and can see it in others. Michelle Bishop: Don’t mind me over here just taking notes. Stephanie Flynt McEben: Literally. Oh my gosh. Lachi, thank you so, so, so much for being with us and taking time. I know that your website, lachimusic.com is one of the places where folks can stay up to date on all of the latest and greatest things that you’re up to. Is there anything else in particular you would like to plug for our listeners? Lachi: Like you said, LACHI, L-A-C-H-I M-U-S-I-C. I’m on the internets everywhere. Instagram, Spotify, check out the old music. If you’re a creator, a music creator or professional with a disability, check us out at RAMPD, R-A-M-P-D.org. Or if you want to donate or if you want to partner with us over at RAMPD, please do. If you are a cane user, whether you’re a blind cane user or you use Mobility Cane, check out glamcanes.com, get your canes bejeweled. I Identify as Blind, our book is out on Penguin Random House, imprint called Tiny Reparations by Phoebe Robinson, who is also a comedian. So we’re out here all writing very funny books. So please check it out. And lastly, listen, try to find moments in your day of disability joy. And when you find that moment, take a picture of it or write it down so that you can go back to it and live for those moments. So thank you guys so much for having me on this podcast. It’s really been a blast getting to talk at you about all things I identify as blind. Alden Blevins: I love it. I was over here taking notes too because I just found so much of myself in what you were saying and so many things were poignant and empowering. I, as an autistic person, try to be an ally to other parts of the disability community myself. And that’s something where I’m always trying to put myself in the shoes of another person and what they might experience. So I think that’s really powerful. We were so grateful to be able to connect and learn more about you, Lachi. Lachi: Yes, yes, yes. So honored to be here, guys. Michelle Bishop: Before you head out, Lachi, do you want to hear one of Stephanie’s grandpa jokes? Lachi: I was going to say, I was like, “Let’s hear one of these granddad jokes.” Let me see. Stephanie Flynt McEben: Okay. This might be- Michelle Bishop: Okay, do it. Stephanie Flynt McEben: … a granddad joke. Okay. Where do spiders like to get their information? Lachi: The web? Michelle Bishop: That would be something to do with web. Stephanie Flynt McEben: But what kind of web? Lachi: Wow. Really? You are fired from being my comedy writer. You are fired to be my comedy writer. I was rooting for you too. I was like, let’s just… Please. Stephanie Flynt McEben: I wouldn’t even get to the punchline yet. Michelle Bishop: Worldwide web? Stephanie Flynt McEben: It is the worldwide web. Michelle Bishop: Oh. Stephanie Flynt McEben: It’s fine. It’s fine. My wife warned me not to tell that joke this month and I didn’t lose it. Michelle Bishop: Oh my gosh. I’m so glad you stuck around for that part. Lachi: As I live and breathe. Thank you guys so, so much. This has been so much fun and I will see who else I can tell that joke to. And go ahead and just to help you out, Stephanie, I’ll go ahead and embarrass myself by telling that joke to others. Stephanie Flynt McEben: Not my best work, but that is allyship. Yes. Michelle Bishop: Oh my gosh, Lachi, thank you so much. And everyone, please lachimusic.com. Check it out. Listen to the music, read the book. Alden Blevins: Speaking of the worldwide web, this has been National Disability Radio. We celebrate stories, leadership, and talent of people with disabilities. If you enjoyed this episode, be sure to subscribe, share, and continue the conversation with us on that worldwide web at ndrn.org or anywhere you get your favorite podcasts. Thanks for listening and until next time. Stephanie Flynt McEben: Bye.

He Heard Me Go By pilot story comes from Navy pilot Stretch Curran, who flew the massive A-3 / EA-3 Skywarrior “Whale,” the largest jet routinely launched from aircraft carriers. In Episode 201 of So There I Was, Stretch joins us for a wide-ranging hangar-talk conversation about flying the Whale from carriers, the realities of multi-crew naval aviation, and the kind of moments that make pilots stop talking for a second. Furthermore, Stretch describes launching at night from USS Midway when an electrical fire and system failures suddenly complicate the mission. Consequently the crew must stabilize a very large jet in darkness and poor weather while troubleshooting failures in real time. But that's only one of the stories. The episode also explores the unique world of EA-3 electronic warfare missions, life operating the largest aircraft ever routinely flown from carrier decks, and the culture of the Whale community. Then comes the moment that gave the episode its title. During one maneuver another pilot later reported he “heard me go by.” Wait… what? Consequently the conversation turns to close passes, crowded training airspace, and the kind of unexpected moments that become legendary sea stories. If you enjoy naval aviation stories, carrier flying, and ridiculous pilot bar stories, Episode 201 delivers all of it. … #navypilot #aviationpodcast #a3skywarrior #carrieraviation #navalaviation #militaryaviation #pilotstory #aviationstory #carrierlanding #aviationhistory #navyaviation #aviationlife #aviationgeek #fighterpilotstories #sothereiwas

AP correspondent Karen Chammas reports on the sound of sirens at RAF Akrotiri on Cyprus during a visit by UK defense secretary

A look at the 2025 industry sales numbers, Bronco vs. Wrangler, and recall news. The Truck Show Podcast is brought to you in partnership with AMSOIL, Kershaw Knives, and OVR Mag. Don't forget to check out truckshowpodcast.com for special offers from our friends and sponsors.

Originally Aired March 4, 2026: Ice dildo anniversary. Mud butt. Everything you wanna know about Boner Bears Chocolate Syrup. Listen & subscribe to the show on Apple Podcasts, Spotify or Amazon Music. For more, visit https://www.93x.com/half-assed-morning-show/Follow the Half-Assed Morning Show:Twitter/X: @93XHAMSFacebook: @93XHAMSInstagram: @93XHAMSEmail the show: HAMS93X@gmail.com See omnystudio.com/listener for privacy information.

This week, Sam is joined by Cole Clark and George Johnson to relive “The Tap Heard 'Round the Room,” a youth group lock-in moment that started with an innocent game of sardines in the dark and turned into a hilariously unforgettable misunderstanding that no one in that room could un-hear. From there, the episode dives into a lineup of youth ministry chaos: a high schooler collapsing during a full-speed inner tube showdown at camp, a student confidently walking into the wrong house (and straight into a stranger's living room), a sixth grader who took hide-and-seek a little too seriously, and a neighborhood game that escalated far beyond pretend cops and robbers. Add in an accidentally forwarded “news” link to an entire church staff and a parking lot showdown between a furious mom and a youth pastor, and you've got an episode packed with the kind of absurd, high-stakes stories only youth ministry can produce—equal parts cringey, chaotic, and unbelievably funny.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Jody Jones lost his brother Rocky in a tragedy that changed his life forever. Now, he's speaking out — and his emotional remarks are going viral .In this video our experts analyze and educate you on what happened and why with fact based, data based, verified and researched expertise reporting. For free and unbiased Medicare help, dial (656) 218-0931 to speak with my trusted partner, Chapter, or go to https://askchapter.org/nez▶ Reach out to me: https://bio.site/professornez▶Support the Channel and Buy us a Coffee: https://buymeacoffee.com/professornezEducational Commentary & Original AnalysisThis channel presents educational, lecture-style analysis created by a university professor and educator. Content focuses on contextual examination, historical background, legal frameworks, and evidence-based analysis of widely reported events, public records, and institutional processes.The approach emphasizes academic methodology, media literacy, and source-driven interpretation rather than advocacy, persuasion, or real-time news reporting. Viewers are encouraged to consult primary sources and form independent conclusions.All content is provided for informational and educational purposes only and does not constitute legal, financial, medical, or professional advice. Views expressed are solely those of the creator.This channel may include references or links to third-party websites or products for informational purposes. Some links may be affiliate links, which may generate a commission at no additional cost to the viewer.All original content is protected by copyright. Fair use applies where permitted by law.#trumpnews #trumpnewstoday #trump

“Then he said, ‘Don’t be afraid, Daniel. Since the first day you began to pray for understanding and to humble yourself before your God, your request has been heard in heaven. I have come in answer to your prayer. But for twenty-one days the spirit prince of the kingdom of Persia blocked my way. Then Michael, one of the archangels, came to help me, and I left him there with the spirit prince of the kingdom of Persia.’” (Daniel 10:12–13 NLT) An interesting story in the Old Testament book of Daniel offers us a rare, behind-the-scenes look at what happens when we pray. It seems only fitting that the story comes from the book of Daniel because Daniel was one of the great pray-ers in the Bible. He built his daily schedule around his prayer time. He prayed even at the risk of his own life. In Daniel 10:12–13, Daniel receives a message confirming that his prayer reached Heaven. God heard Daniel’s prayer and dispatched an angel with a special message for Daniel. But the angel who was sent from Heaven was held up for twenty-one days because he was engaged in spiritual warfare with a powerful demon spirit. As a result, God dispatched Michael the archangel. (You might say that Michael is a head honcho among angels.) Michael overruled the demon power, and the answer eventually was brought to Daniel. But it took twenty-one days for the answer to get there. That doesn’t necessarily mean that every prayer runs into the same delays. Remember, Daniel was a key figure during a very important time in the history of God’s people. He was a leading light not just among the Jewish people in exile but also among the rulers of Babylon. The devil recognized Daniel’s spiritual potential and did everything in his power—including interfering with Daniel’s prayers—to thwart it. That’s important to remember when our prayers seem to go unanswered. It may be that certain prayers have the potential to cause real damage to our spiritual enemy. He may be working overtime to thwart them. He won’t succeed, of course. But recognizing this possibility may help us be more patient when it comes to prayer. Sometimes when God doesn’t answer our prayers as quickly as we would like Him to, we think that He’s letting us down. We need to understand that delays aren’t necessarily denials. When we pray and don’t see an answer as quickly as we would like, it may be a result of circumstances that we can’t see. Maybe you’ve been praying for someone to come to know the Lord. Maybe you’ve been asking God to heal you. Maybe you’ve been asking the Lord to open doors of opportunity for you to serve Him. Don’t give up. Don’t be discouraged. Keep praying. Jesus said to keep asking, keep seeking, keep knocking, and the door would be opened. So be persistent. And watch what God will do. Reflection question: What do you do when a prayer seems to go unanswered? Discuss Today's Devo in Harvest Discipleship! — The audio production of the podcast "Greg Laurie: Daily Devotions" utilizes Generative AI technology. This allows us to deliver consistent, high-quality content while preserving Harvest's mission to "know God and make Him known." All devotional content is written and owned by Pastor Greg Laurie. Listen to the Greg Laurie Podcast Become a Harvest PartnerSupport the show: https://harvest.org/supportSee omnystudio.com/listener for privacy information.

Beat Migs! We ask the rockaholics about the time they gave or were given the talk.

Some thoughts on the ongoing Iran conflict, what is and isn't being reported well about the conflict, talk about the troops/veterans, and more on this Heard Tell Live from the Heard Tell Substack--------------------Heard Tell SubStack Free to subscribe, comes right to your inboxhttps://heardtell.substack.com/Questions, comments, concerns, ideas, or epistles? Email us HeardTellShow@gmail.comPlease follow @HeardTellShow like the program, comment with your thoughts, and share with others.Support Heard Tell here: https://app.redcircle.com/shows/4b87f374-cace-44ea-960c-30f9bf37bcff/donationsAll that and more on this episode of Heard Tell.--------------------Heard Tell SubStack Free to subscribe, comes right to your inboxhttps://heardtell.substack.com/Questions, comments, concerns, ideas, or epistles? Email us HeardTellShow@gmail.comPlease follow @HeardTellShow like the program, comment with your thoughts, and share with others.Support Heard Tell here: https://app.redcircle.com/shows/4b87f374-cace-44ea-960c-30f9bf37bcff/donationsSupport this podcast at — https://redcircle.com/heard-tell/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

#924. If you watched Love Is Blind Season 10, you know the moment.Jessica Barrett joins Kaitlyn to unpack the now-infamous Pilates comment — what led up to it, what wasn't shown, and what was actually going through her head in real time.They get into red flags, projection, ego, body image, and the difference between being chosen and being valued. Jessica also shares what surprised her most watching it back, whether there's been accountability since, and how someone trained in risk assessment ended up saying yes to a social experiment like this in the first place.If you've been wanting more insight into Love Is Blind Season 10, this one's for you!If you're LOVING this podcast, please follow and leave a rating and review below! PLUS, FOLLOW OUR PODCAST INSTAGRAM HERE!Thank you to our Sponsors! Check out these AMAZING deals!Bombas: Head over to Bombas.com/VINE and use code VINE for 20% off your first purchase.Quince: Don't keep settling for clothes that don't last. Go to QUINCE.com/vine for free shipping and 365-day returns. Now available in Canada, too!Wayfair: Find furniture, decor, and essentials that fit your unique style and budget. Head to Wayfair.com right now to shop all things home. Wayfair. Every style. Every homeApartments.com: The Place to find a place!Progressive: Visit Progressive.com to see if you could save on car insurance.EPISODE HIGHLIGHTS: (3:40) – No warning, no buildup — how the Pilates comment really went down.(20:49) – The phone call after the spiral… and whether there's been real accountability.(36:50) – How she told her hospital she was filming Love Is Blind (and got the time approved).(42:08) – The lesson that changed everything & her biggest takeaway of season 10.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Hour 4 of BMitch & Finlay features an interview with Doc Walker and the guys making some bets.

I sit down with Thais Gibson to break down what attachment really is and how it shapes our relationships. We dive into anxious, avoidant, and fearful attachment styles, how social media is impacting connection, and why so many couples get stuck in the same patterns. Thais shares a practical framework for rewiring core wounds and building secure attachment. If you've ever felt trapped in push-pull dynamics or struggled to communicate your needs, this conversation will give you clarity and direction.SHOW HIGHLIGHTS00:00 Introduction00:48 Attachment at a Cultural Level02:05 Social Media and Short-Term Gratification05:16 Conflict as Crisis and Opportunity07:23 Is Attachment Programmable?09:24 How Attachment Styles Form18:14 The “Bear in the Woods” Conversation38:04 Core Wounds of Each Attachment Style44:01 Rewiring Subconscious Beliefs47:20 Can Two Insecure Partners Build Security?50:25 Freeze and Shutdown Responses56:19 Communication and Positive Framing01:00:36 Why Anxious and Avoidant Attract01:04:01 Where to Learn More from Thais***Tired of feeling like you're never enough? Build your self-worth with help from this free guide: https://training.mantalks.com/self-worthPick up my book, Men's Work: A Practical Guide To Face Your Darkness, End Self-Sabotage, And Find Freedom: https://mantalks.com/mens-work-book/Heard about attachment but don't know where to start? Try the FREE Ultimate Guide To AttachmentCheck out some other free resources: How To Quit Porn | Anger Meditation | How To Lead In Your RelationshipBuild brotherhood with a powerful group of like-minded men from around the world. Check out The Alliance. Enjoy the podcast? Leave a review on Apple Podcasts, Stitcher, or Podchaser. It helps us get into the ears of new listeners, expand the ManTalks Community, and help others find the tools and training they're looking for. And don't forget to subscribe on Apple Podcasts | Google Podcasts | SpotifyFor more, visit us at ManTalks.com | Facebook | Instagram

Jace Lington and Bennett Nuss chat with Adam White about the recent Supreme Court case, exploring the nuances of statutory interpretation, the major questions doctrine, and the implications for executive and legislative powers. The Gray Center team analyzes the court's opinions, historical context, and future legal debates. Notes: Learning Resources, Inc. v. Trump Michael D. Ramsey […]

Hour 4 - Sam Kidd of the DC Defenders calls in to talk UFL rules differences / The Durantchula loves DC sports and believes in Adam Peters / Yesterday In History / Heard It Here First

 Autism rates have risen dramatically over the past several decades. Why? In this episode, I speak with medical researcher Matthew Cormier about a developing scientific hypothesis: whether immune dysregulation, chronic inflammation, and latent viral reactivation may play a role in the modern rise of autism spectrum disorders, as well as a myriad of other chronic illnesses, cancers, and allergies. Cormier shows how many environmental changes, including vaccines, have shown a proclivity to dysregulate the immune system, including reactivating chronic, latent versions of the viruses associated with autism. He also discusses the alarming decline in human body temperature and what it says about our immune health. This episode does not offer medical advice. It examines emerging scientific discussions and published hypotheses surrounding immune function and chronic illness. Autism, autoimmune disorders, allergies, and chronic inflammatory diseases have all increased in recent decades. What environmental or biological shifts might explain this trend? Learn more about your ad choices. Visit megaphone.fm/adchoices