Podcasts about Netflix

The boys are back in studio from vacation and an NBA All Star Weekend that got dominated by another alleged Kevin Durant burner hitting the internet. We talk dunk contest, Chris Paul retiring and more (00:00:00-00:31:25). Olympic talk with a curling controversy and sports we dont understand plus some CBB talk (00:31:25-01:03:49). Who's back of the week including Anthony Kim, Michael Jordan winning the Daytona 500 (01:03:49-01:23:34). Jameis Winston joins the show to talk about his year with the Giants, the best TD of the season, the Rizzler, how much longer he wants to play and whats next for him (01:23:34-02:02:43). We finish with a little recap from everyone's vacation (02:02:43-02:24:05).You can find every episode of this show on Apple Podcasts, Spotify or Netflix. Prime Members can listen ad-free on Amazon Music. For more, visit barstool.link/pardon-my-take

On Episode 621 of Spittin' Chiclets, the Guys are joined by Kevin Bieksa who is in Italy for the Winter Games. Canadian Curlers cheating? Does Team USA have what it takes to take home the Gold? Will whit's airport nightmares ever end? All this and more on this weeks episode. You won't want to miss it. 00;00;31 - Chiclets Updates 00;11;18 - Kevin Bieksa Interview 01;09;39 - Winter Games 01;22;02 - Whits Airport Fiasco 01;31;01 - Etc. Support the Show: PINK WHITNEY: Take Your Shot with Pink Whitney BODYARMOR: Work hard and hydrate hard with BODYARMOR Flash I.V. Grab it at 7-Eleven LUCY: LUCY is the only pouch that delivers long-lasting, on-demand flavor. Find a store near you at LUCY.CO/STORES or get it shipped with 20% off your first order at LUCY.CO/CHICLETS using code CHICLETS. LUCY products are only for adults of legal age, and every customer is age-verified. Warning, this product contains nicotine. Nicotine is an addictive chemical. RHOBACK: Use the code CHICLETS on https://Rhoback.com for 20% off your first purchase through the end of this week DRAFTKINGS: GAMBLING PROBLEM? CALL 1-800-GAMBLER, (800) 327-5050 or visit gamblinghelplinema.org (MA). Call 877-8-HOPENY/text HOPENY (467369) (NY). Please Gamble Responsibly. 888-789-7777/visit ccpg.org (CT), or visit www.mdgamblinghelp.org (MD). 21+ and present in most states. (18+ DC/KY/NH/WY). Void in ONT/OR/NH. Eligibility restrictions apply. On behalf of Boot Hill Casino & Resort (KS). Pass-thru of per wager tax may apply in IL. 1 per new customer. Must register new account to receive reward Token. Must select Token BEFORE placing min. $5 bet to receive $200 in Bonus Bets if your bet wins. Min. -500 odds req. Token and Bonus Bets are single-use and non-withdrawable. Bet must settle by and Token expires 3/15/26. Bonus Bets expire in 7 days (168 hours). Stake removed from payout. Terms: sportsbook.draftkings.com/promos. Ends 3/8/26 at 11:59 PM ET. Sponsored by DK.You can find every episode of this show on Apple Podcasts, Spotify or Netflix. Prime Members can listen ad-free on Amazon Music. For more, visit barstool.link/schiclets

On this episode, Garrett and Payton dive into the case of Robin Lawrence, a woman found murdered in her home in a crime that left investigators with almost no leads and a mystery that lingered for decades. As time passed and technology evolved, a hidden piece of evidence quietly waited in the background, holding the potential to change everything. Links: Netflix: https://www.netflix.com/murderwithmyhusband Patreon: https://www.patreon.com/murderwithmyhusband NEW MERCH LINK: https://mwmhshop.com Discount Codes: https://mailchi.mp/c6f48670aeac/oh-no-media-discount-codes Twitch: https://www.twitch.tv/themwmh Instagram: https://www.instagram.com/murderwithmyhusband/ Watch on Youtube: https://www.youtube.com/@murderwithmyhusband Listen on Apple: https://podcasts.apple.com/us/podcast/into-the-dark/id1662304327 Listen on spotify: https://open.spotify.com/show/36SDVKB2MEWpFGVs9kRgQ7?si=f5224c9fd99542a7 Case Sources: CBSNews.com - https://www.cbsnews.com/news/stephen-smerk-new-york-robin-warr-lawrence-murder-virginia-cold-case-48-hours/ USAToday.com - https://www.usatoday.com/story/news/nation/2025/03/10/stephan-smerk-virginia-murder-robin-lawrence/82233382007/ NBCWashington.com - https://www.nbcwashington.com/news/local/after-killers-sentencing-30-years-of-unanswered-questions-come-to-end-for-1994-cold-case-victims-family/3862175/ CBS6Albany.com - https://cbs6albany.com/news/local/niskayuna-man-sentenced-to-70-years-for-1994-virginia-murder-featured-on-cbss-48-hours-robin-lawerence-stephan-smerk WJLA.com - https://wjla.com/news/local/this-man-will-pay-virginia-family-finds-closure-after-murderer-is-sentenced-to-life-cold-case-murder-guilty-conviction-killer-found-crime-dmv-investigation-forensics-fairfax-burke-case-robin-lawrence-death-stabbing-family-smerk TheIndependent.com - https://www.the-independent.com/news/world/americas/crime/serial-killer-sentencing-robin-lawrence-b2716557.html AugustaFreePress.com - https://augustafreepress.com/news/the-boogeyman-chilling-confession-brings-end-to-northern-virginia-murder-case/ FFXNow.com - https://www.ffxnow.com/2025/03/07/former-army-soldier-sentenced-to-70-years-in-prison-for-1994-west-springfield-murder/ TMZ.com - https://www.tmz.com/2025/10/25/stephan-smerk-30-year-cold-case-murder-dna-arrested/ WUSA9.com - https://www.wusa9.com/article/news/crime/man-sentenced-for-1994-cold-case-murder-of-virginia-mother-life-in-prison/65-1b50f3a2-a6c8-4e30-98fb-1abfefb953ca WashingtonPost.com - https://www.washingtonpost.com/dc-md-va/2025/03/07/stephen-smerk-cold-case-sentencing-robin-lawrence/ Learn more about your ad choices. Visit podcastchoices.com/adchoices

Mark Greaney is one of the most successful thriller authors working today — a #1 New York Times bestselling writer who built an entire spy fiction universe with his Gray Man series and helped carry forward Tom Clancy's Jack Ryan legacy. His novels have become global hits, translated into dozens of languages, and turned into major motion pictures on Netflix starring high-profile talent. We dive deep into what separates hobbyists from career storytellers, why meticulous research matters, and how Greaney approaches pacing, character, and realism in a crowded genre. In this episode, Greaney walks us through his journey from early drafts to international bestseller, the hustle behind sustaining a long-running series, and how real-world preparation — from travel to tactical training — feeds the kind of action readers devour but seldom see the work behind. The Hard Line: https://www.penguinrandomhouse.com/books/786216/the-hard-line-by-mark-greaney/   Today's Sponsors: Black Rifle Coffee: https://www.blackriflecoffee.com Helix: Go to https://www.helixsleep.com/CLEAREDHOT for 27% off sitewide. Better Help: Listeners get 10% off their first month at https://www.BetterHelp.com/clearedhot  

Kate discusses what to watch this week including Reality Check: Inside America's Next Top (Netflix), Being Gordon Ramsay (Netflix), Wild Boys: Strangers in Town (Paramount+), and Love is Blind (Netflix). Reality Life with Kate Casey What to Watch List: https://katecasey.substack.com Patreon: http://www.patreon.com/katecasey Twitter: https://twitter.com/katecasey Instagram: http://www.instagram.com/katecaseyca Tik Tok: https://www.tiktok.com/@itskatecasey?lang=en Facebook Group: https://www.facebook.com/groups/113157919338245 Amazon List: https://www.amazon.com/shop/katecasey Like it to Know It: https://www.shopltk.com/explore/katecaseySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Robbie Baxter is the world's leading expert on subscription and membership models. She wrote two bestselling books The Membership Economy and The Forever Transaction, hosts the podcast Subscription Stories, and has advised organizations like Netflix, Microsoft and the Wall Street Journal. Top 3 Value Bombs 1. Success comes from solving a real problem—not always from following your passion. 2. Subscriptions aren't about dumping content—they're about building trust and solving an ongoing need. 3. Subscribers stay for the community—make them feel they belong and they'll never want to leave. Explore Robbie's work and books. Check out her website - Robbie's Website Sponsors HighLevel - The ultimate all-in-one platform for entrepreneurs, marketers, coaches, and agencies. Learn more at HighLevelFire.com. Cape - A privacy-first mobile carrier, built from the ground up with security as the priority. If you care about protecting your digital life without giving up your smartphone, Cape makes that possible. Visit Cape.co/fire and use code FIRE for 33% off cape for 6 months today! Framer - A website builder that offers real-time collaboration, a robust CMS with everything you need for great SEO, and advanced analytics that include integrated A/B testing. Get started building for free today at Framer.com/fire. For 30% a Framer Pro annual plan use code FIRE!  

Combing passages within the newly-built Providence Place mall, a group of local artists located an unused, overlooked space within the building. They sneaked in furniture and construction supplies, and fashioned a small apartment under the noses of management and security guards. Though the confederates used the space like a club house, they considered the project a political and artistic commentary on gentrification and consumerism. They filmed themselves for four years, but they could not avoid detection forever. The 2024 documentary film “Secret Mall Apartment” is now available on Netflix. It shows Michael Townsend and his crew building and maintaining the space. The film shows how the clandestine project was more than just a plucky urban legend, but also an artistic statement about community and capitalism.OUR SPOILER-FREE REVIEWS OF "SECRET MALL APARTMENT" BEGIN IN THE FINAL 13 MINUTES OF THE EPISODE.In Crime of the Week: Home (Alone) invasion. For exclusive podcasts and more, sign up at Patreon.Sign up for our newsletter at crimewriterson.com.This show was recorded in The Caitlin Rogers Project Studio. Click to find out more. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

There remains a gap between the production values of professional streaming services like Netflix and independent content that appears on platforms like YouTube. But what happens when that gap disappears? In the ideas segment of today's episode, Cal sends a correspondent to investigate a fascinating new “micro-streaming” service producing Netflix-quality shows with a small team. Then, in the practices segment, he explains why he spent $60 on a single productivity application.Below are the questions covered in today's episode (with their timestamps). Get your questions answered by Cal! Here's the link: bit.ly/3U3sTvoVideo from today's episode: youtube.com/calnewportmediaIDEAS SEGMENT:  Are “Micro-Streamers” the Future of Media? [3:12]PRACTICES SEGMENT: Why Cal Spent $60 on a Task App? [36:33]QUESTIONS:How can I find time to become a Biblical scholar? [45:25]Should I freak out about this AI Superintelligence article? [49:23]WHAT CAL'S READING: Cal gives his weekly reading update [57:41]The Hidden Book in the Bible (Richard Elliott)Links:Buy Cal's latest book, “Slow Productivity” at calnewport.com/slowGet a signed copy of Cal's “Slow Productivity” at peoplesbooktakoma.com/event/cal-newport/Cal's monthly book directory: bramses.notion.site/059db2641def4a88988b4d2cee4657ba?Thanks to our Sponsors: 1password.com/deepcozyearth.com/deep (Use code “DEEP” for 20% off)calderalab.com/deepshopify.com/excellenceThanks to Jesse Miller for production, Jay Kerstens for the intro music, and Mark Miles for mastering.   Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

How do you stay audacious in a world that's noisier and more saturated than ever? How might the idea of creative rhythm change the way you write? Lara Bianca Pilcher gives her tips from a multi-passionate creative career. In the intro, becoming a better writer by being a better reader [The Indy Author]; How indie authors can market literary fiction [Self-Publishing with ALLi]; Viktor Wynd's Museum of Curiosities; Seneca's On the Shortness of Life; All Men are Mortal – Simone de Beauvoir; Surface Detail — Iain M. Banks; Bones of the Deep – J.F. Penn. This episode is sponsored by Publisher Rocket, which will help you get your book in front of more Amazon readers so you can spend less time marketing and more time writing. I use Publisher Rocket for researching book titles, categories, and keywords — for new books and for updating my backlist. Check it out at www.PublisherRocket.com This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Lara Bianca Pilcher is the author of Audacious Artistry: Reclaim Your Creative Identity and Thrive in a Saturated World. She's also a performing artist and actor, life and creativity coach, and the host of the Healthy Wealthy Wise Artist podcast. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes Why self-doubt is a normal biological response — and how audacity means showing up anyway The difference between creative rhythm and rigid discipline, and why it matters for writers How to navigate a saturated world with intentional presence on social media Practical strategies for building a platform as a nonfiction author, including batch content creation The concept of a “parallel career” and why designing your life around your art beats waiting for a big break Getting your creative rhythm back after crisis or burnout through small, gentle steps You can find Lara at LaraBiancaPilcher.com. Transcript of the interview with Lara Bianca Pilcher Lara Bianca Pilcher is the author of Audacious Artistry: Reclaim Your Creative Identity and Thrive in a Saturated World. She's also a performing artist and actor, life and creativity coach, and the host of the Healthy Wealthy Wise Artist podcast. Welcome, Lara. Lara: Thank you for having me, Jo. Jo: It's exciting to talk to you today. First up— Tell us a bit more about you and how you got into writing. Lara: I'm going to call myself a greedy creative, because I started as a dancer, singer, and actress in musical theatre, which ultimately led me to London, the West End, and I was pursuing that in highly competitive performance circles. A lot of my future works come from that kind of place. But when I moved to America—which I did after my season in London and a little stint back in Australia, then to Atlanta, Georgia—I had a visa problem where I couldn't work legally, and it went on for about six months. Because I feel this urge to create, as so many of your listeners probably relate to, I was not okay with that. So that's actually where I started writing, in the quietness, with the limits and the restrictions. I've got two children and a husband, and they would go off to school and work and I'd be home thinking, ha. In that quietness, I just began to write. I love thinking of creativity as a mansion with many rooms, and you get to pick your rooms. I decided, okay, well the dance, acting, singing door is shut right now—I'm going to go into the writing room. So I did. Jo: I have had a few physical creatives on the show. Obviously one of your big rooms in your mansion is a physical room where you are actually performing and moving your body. I feel like this is something that those of us whose biggest area of creativity is writing really struggle with—the physical side. How do you think that physical practice of creativity has helped you in writing, which can be quite constrictive in that way? Lara: It's so good that you asked this because I feel what it trained me to do is ignore noise and show up. I don't like the word discipline—most of us get a bit uncomfortable with it, it's not a nice word. What being a dancer did was teach me the practice of what I like to call a rhythm, a creative rhythm, rather than a discipline, because rhythm ebbs and flows and works more with who we are as creatives, with the way creativity works in our body. That taught me: go to the barre over and over again—at the ballet barre, I'm talking about, not the pub. Go there over and over again. Warm up, do the work, show up when you don't feel like it. thaT naturally pivoted over to writing, so they're incredibly linked in the way that creativity works in our body. Jo: Do you find that you need to do physical practice still in order to get your creativity moving? I'm not a dancer. I do like to shake it around a bit, I guess. But I mainly walk. If I need to get my creativity going, I will walk. If people are stuck, do you think doing something physical is a good idea? Lara: It is, because the way that our body and our nervous system works—without going into too much boring science, although some people probably find it fascinating—is that when we shake off that lethargic feeling and we get blood flowing in our body, we naturally feel more awake. Often when you're walking or you're doing something like dance, your brain is not thinking about all of the big problems. You might be listening to music, taking in inspiration, taking in sunshine, taking in nature, getting those endorphins going, and that naturally leads to the brain being able to psychologically show up more as a creative. However, there are days, if I'm honest, where I wake up and the last thing I want to do is move. I want to be in a little blanket in the corner of the room with a hot cocoa or a coffee and just keep to myself. Those aren't always the most creative days, but sometimes I need that in my creative rhythm, and that's okay too. Jo: I agree. I don't like the word discipline, but as a dancer you certainly would've had to do that. I can't imagine how competitive it must be. I guess this is another thing about a career in dance or the physical arts. Does it age out? Is it really an ageist industry? Whereas I feel like with writing, it isn't so much about what your body can do anymore. Lara: That is true. There is a very real marketplace, a very real industry, and I'm careful because there's two sides to this coin. There is the fact that as we get older, our body has trouble keeping up at that level. There's more injuries, that sort of thing. There are some fit women performing in their sixties and seventies on Broadway that have been doing it for years, and they are fine. They'll probably say it's harder for some of them. Also, absolutely, I think there does feel in the professional sense like there can be a cap. A lot of casting in acting and in that world feels like there's fewer and fewer roles, particularly for women as we get older, but people are in that space all the time. There's a Broadway dancer I know who is 57, who's still trying to make it on Broadway and really open about that, and I think that's beautiful. So I'm careful with putting limits, because I think there are always outliers that step outside and go, “Hey, I'm not listening to that.” I think there's an audience for every age if you want there to be and you make the effort. But at the same time, yes, there is a reality in the industry. Totally. Jo: Obviously this show is not for dancers. I think it was more framing it as we are lucky in the writing industry, especially in the independent author community, because you can be any age. You can be writing on your deathbed. Most people don't have a clue what authors look like. Lara: I love that, actually. It's probably one of the reasons I maybe subconsciously went into writing, because I'm like, I want to still create and I'm getting older. It's fun. Jo: That's freeing. Lara: So freeing. It's a wonderful room in the mansion to stay in until the day I die, if I must put it that way. Jo: I also loved you mentioning that Broadway dancer. A lot of listeners write fiction—I write fiction as well as nonfiction—and it immediately makes me want to write her story. The story of a 57-year-old still trying to make it on Broadway. There's just so much in that story, and I feel like that's the other thing we can do: writing about the communities we come from, especially at different ages. Let's get into your book, Audacious Artistry. I want to start on this word audacity. You say audacity is the courage to take bold, intentional risks, even in the face of uncertainty. I read it and I was like, I love the sentiment, but I also know most authors are just full of self-doubt. Bold and audacious. These are difficult words. So what can you say to authors around those big words? Lara: Well, first of all, that self-doubt—a lot of us don't even know what it is in our body. We just feel it and go, ugh, and we read it as a lack of confidence. It's not that. It's actually natural. We all get it. What it is, is our body's natural ability to perceive threat and keep us safe. So we're like, oh, I don't know the outcome. Oh, I don't know if I'm going to get signed. Oh, I don't know if my work's going to matter. And we read that as self-doubt—”I don't have what it takes” and those sorts of things. That's where I say no. The reframe, as a coach, I would say, is that it's normal. Self-doubt is normal. Everyone has it. But audacity is saying, I have it, but I'm going to show up in the world anyway. There is this thing of believing, even in the doubt, that I have something to say. I like to think of it as a metaphor of a massive feasting table at Christmas, and there's heaps of different dishes. We get to bring a dish to the table rather than think we're going to bring the whole table. The audacity to say, “Hey, I have something to say and I'm going to put my dish on the table.” Jo: I feel like the “I have something to say” can also be really difficult for people, because, for example, you mentioned you have kids. Many people are like, I want to share this thing that happened to me with my kids, or a secret I learned, or a tip I think will help people. But there's so many people who've already done that before. When we feel like we have something to say but other people have said it before, how do you address that? Lara: I think everything I say, someone has already said, and I'm okay with that. But they haven't said it like me. They haven't said it in my exact way. They haven't written the sentence exactly the way—that's probably too narrow a point of view in terms of the sentence—maybe the story or the chapter. They haven't written it exactly like me, with my perspective, my point of view, my life experience, my lived experience. It matters. People have very short memories. You think of the last thing you watched on Netflix and most of us can't remember what happened. We'll watch the season again. So I think it's okay to be saying the same things as others, but recognise that the way you say it, your point of view, your stories, your metaphors, your incredible way of putting a sentence togethes, it still matters in that noise. Jo: I think you also talk in the book about rediscovering the joy of creation, as in you are doing it for you. One of the themes that I emphasise is the transformation that happens within you when you write a book. Forget all the people who might read it or not read it. Even just what transforms in you when you write is important enough to make it worthwhile. Lara: It really, really is. For me, talking about rediscovering the joy of creation is important because I've lost it at times in my career, both as a performing artist and as an author, in a different kind of way. When we get so caught up in the industry and the noise and the trends, it's easy to just feel overwhelmed. Overwhelm is made up of a lot of emotions like fear and sadness and grief and all sorts of things. A lot of us don't realise that that's what overwhelm is. When we start to go, “Hey, I'm losing my voice in all this noise because comparison is taking over and I'm feeling all that self-doubt,” it can feel just crazy. So for me, rediscovering the joy of creation is vital to survival as an author, as an artist. A classic example, if you don't mind me sharing my author story really quickly, is that when I first wrote the first version of my book, I was writing very much for me, not realising it. This is hindsight. My first version was a little more self-indulgent. I like to think of it like an arrowhead. I was trying to say too much. The concept was good enough that I got picked up by a literary agent and worked with an editor through that for an entire year. At the end of that time, they dropped me. I felt like, through that time, I learned a lot. It was wonderful. Their reason for dropping me was saying, “I don't think we have enough of a unique point of view to really sell this.” That was hard. I lay on my bed, stared at the ceiling, felt grief. The reality is it's so competitive. What happened for me in that year is that I was trying to please. If you're a new author, this is really important. You are so desperately trying to please the editor, trying to do all the right things, that you can easily lose your joy and your unique point of view because you are trying to show up for what you think they all need and want. What cut through the noise for me is I got off that bed after my three hours of grief—it was probably longer, to be fair—but I booked myself a writing coach. I went back to the drawing board. I threw a lot of the book away. I took some good concepts out that I already knew were good from the editor, then I rewrote the entire thing. It's completely different to the first version. That's the book that got a traditional publishing deal. That book was my unique point of view. That book was my belief, from that grief, that I still have something to say. Instead of trusting what the literary agent and the editor were giving me in those red marks all over that first version, I was like, this is what I want to say. That became the arrowhead that's cut into the industry, rather than the semi-trailer truck that I was trying to bulldoze in with no clear point of view. So rediscovering the joy of creation is very much about coming back to you. Why do I write? What do I want to say? That unique point of view will cut through the noise a lot of the time. I don't want to speak in absolutes, but a lot of the time it will cut through the noise better than you trying to please the industry. Jo: I can't remember who said it, but somebody talked about how you've got your stone, and your stone is rough and it has random colours and all this. Then you start polishing the stone, which you have to do to a point. But if you keep polishing the stone, it looks like every other stone. What's the point? That fits with what you were saying about trying to please everyone, you end up pleasing no one. I also think the reality of what you just said about the book is a lot of people's experience with writing in general. Certainly for me, I don't write in order. I chuck out a lot. I'm a discovery writer. People think you sit down and start A and finish Z, and that's it. It's kind of messy, isn't it? Was that the same in your physical creative life? Lara: Yes. Everything's a mess. In the book I actually talk about learning to embrace the cringe, because we all want to show up perfect. Just as you shared, we think, because we read perfect and look at perfect or near-perfect work—that's debatable all the time—we want to arrive there, and I guess that's natural. But what we don't often see on social media or other places is the mess. I love the behind the scenes of films. I want to see the messy creative process. The reality is we have to learn to embrace the messy cringe because that's completely normal. My first version was so messy, and it's about being able to refine it and recognise that that is normal. So yes, embrace it. That's my quote for the day. Embrace the cringe, show up messy. It's all right. Jo: You mentioned the social media, and the subtitle of the book mentions a “saturated world.” The other problem is there are millions of books out there now. AI is generating more content than humans do, and it is extremely hard to break through. How are we to deal with this saturated world? When do we join in and when do we step away? Lara: I think it's really important not to have black and white thinking about it, because trust me, every day I meet an artist that will say, “I hate that I have to show up online.” To be honest with you, there's a big part of me that does also. But the saturation of the world is something that I recognise, and for me, it's like I'm in the world but not of it. That saturation can cause so much overwhelm and nervous system threat and comparison. What I've personally decided to do is have intentional showing up. That looks like checking in intentionally with a design, not a randomness, and then checking out. When push comes to shove, at the end of the day, I really believe that what sells books is people's trust in us as a person. They might go through an airport and not know us at all and pick up the book because it's a bestseller and they just trust the reputation, but so much of what I'm finding as an artist is that personal relationship, that personal trust. Whether that's through people knowing you via your podcast or people meeting you in a room. Especially in nonfiction, I think that's really big. Intentional presence from a place where we've regulated ourselves, being aware that it's saturated, but my job's not to be focused on the saturation. My job is to find my unique voice and say I have something to bring. Be intentional with that. Shoot your arrow, and then step out of the noise, because it's just overwhelming if you choose to live there and scroll without any intentionality at all. Jo: So how do people do that intentionality in a practical way around, first of all, choosing a platform, and then secondly, how they create content and share content and engage? What are some actual practical tips for intentionality? Lara: I can only speak from my experience, but I'm going to be honest, every single application I sent asked for my platform stats. Every single one. Platform stats as in how many followers, how many people listening to your podcast, how many people are reading your blog. That came up in every single literary agent application. So I would be a fool today to say you've got to ignore that, because that's just the brass tacks, unless you're already like a famous footballer or something. Raising and building a platform of my own audience has been a part of why I was able to get a publishing deal. In doing that, I've learned a lot of hard lessons. Embrace the cringe with marketing and social media as well, because it's its own beast. Algorithms are not what I worry about. They're not going to do the creativity for you. What social media's great at is saying, “Hey, I'm here”—it's awareness. It's not where I sell stuff. It's where I say, I'm here, this is what I'm doing, and people become aware of me and I can build that relationship. People do sell through social media, but it's more about awareness statistically. I am on a lot of platforms, but not all of them work for every author or every style of book. I've done a lot of training. I've really had to upskill in this space and get good at it. I've put myself through courses because I feel like, yes, we can ignore it if we want to, but for me it's an intentional opting in because the data shows that it's been a big part of being able to get published. That's overwhelming to hear for some people. They don't want to hear that. But that's kind of the world that we are in, isn't it? Jo: I think the main point is that you can't do everything and you shouldn't even try to do everything. The best thing to do is pick a couple of things, or pick one thing, and focus on that. For example, I barely ever do video, so I definitely don't do TikTok. I don't do any kind of video stuff. But I have this podcast. Audio is my happy place, and as you said, long-form audio builds trust. That is one way you can sell, but it's also very slow—very, very slow to build an audio platform. Then I guess my main social media would be Instagram, but I don't engage a lot there. So do you have one or two main things that you do, and any thoughts on using those for book marketing? Lara: I do a lot of cross-posting. I am on Instagram and I do a lot of creation there, and I'm super intentional about this. I actually do 30 days at a time, and then it's like my intentional opt-in. I'll create over about two days, edit and plan. It's really, really planned—shoot everything, edit everything, put it all together, and then upload everything. That will be 30 days' worth. Then I back myself right out of there, because I don't want to stay in that space. I want to be in the creative space, but I do put those two days a month aside to do that on Instagram. Then I tweak things for YouTube and what works on LinkedIn, which is completely different to Instagram. As I'm designing my content, I have in mind that this one will go over here and this one can go on here, because different platforms push different things. I am on Threads, but Threads is not statistically where you sell books, it's just awareness. Pinterest I don't think has been very good for my type of work, to be honest. For others it might. It's a search engine, it's where people go to get a recipe. I don't necessarily feel like that's the best place, this is just my point of view. For someone else it might be brilliant if you're doing a cookbook or something like that. I am on a lot of platforms. My podcast, however, I feel is where I'm having the most success, and also my blog. Those things as a writer are very fulfilling. I've pushed growing a platform really hard, and I am on probably almost every platform except for TikTok, but I'm very intentional with each one. Jo: I guess the other thing is the business model. The fiction business model is very, very different to nonfiction. You've got a book, but your higher-cost and higher-value offerings are things that a certain number of people come through to you and pay you more money than the price of a book. Could talk about how the book leads into different parts of your business? Because some people are like, “Am I going to make a living wage from book sales of a nonfiction book?” And usually people have multiple streams of income. Lara: I think it's smart to have multiple streams of income. A lot of people, as you would know, would say that a book is a funnel. For those who haven't heard of it, a way that people come into your bigger offerings. They don't have to be, but very much I do see it that way. It's also credibility. When you have a published book, there's a sense of credibility. I do have other things. I have courses, I have coaching, I have a lot of things that I call my parallel career that chug alongside my artist work and actually help stabilise that freelance income. Having a book is brilliant for that. I think it's a wonderful way to get out there in the world. No matter what's happening in all the online stuff, when you're on an aeroplane, so often someone still wants to read a book. When you're on the beach, they don't want to be there with a laptop. If you're on the sand, you want to be reading a beautiful paper book. The smell of it, the visceral experience of it. Books aren't going anywhere, to me. I still feel like there are always going to be people that want to pick it up and dig in and learn so much of your entire life experience quickly. Jo: We all love books here. I think it's important, as you do talk about career design and you mentioned there the parallel career—I get a lot of questions from people. They may just be writing their first book and they want to get to the point of making money so they could leave their day job or whatever. But it takes time, doesn't it? So how can we be more strategic about this sort of career design? Lara: For me, this has been a big one because lived experience here is that I know artists in many different areas, whether they're Broadway performers or music artists. Some of them are on almost everything I watch on TV. I'm like, oh, they're that guy again. I know that actor is on almost everything. I'll apply this over to writers. The reality is that these high-end performers that I see all the time showing up, even on Broadway in lead roles, all have another thing that they do, because they can still have, even at the highest level, six months between a contract. Applying that over to writing is the same thing, in that books and the money from them will ebb and flow. What so often artists are taught—and authors fit into this—is that we ultimately want art to make us money. So often that becomes “may my art rescue me from this horrible life that I'm living,” and we don't design the life around the art. We hope, hope, hope that our art will provide. I think it's a beautiful hope and a valid one. Some people do get that. I'm all for hoping our art will be our main source of income. But the reality is for the majority of people, they have something else. What I see over and over again is these audacious dreams, which are wonderful, and everything pointing towards them in terms of work. But then I'll see the actor in Hollywood that has a café job and I'm like, how long are you going to just work at that café job? They're like, “Well, I'm goint to get a big break and then everything's going to change.” I think we can think the same way. My big break will come, I'll get the publishing deal, and then everything will change. The reframe in our thinking is: what if we looked at this differently? Instead of side hustle, fallback career, instead of “my day job,” we say parallel career. How do I design a life that supports my art? And if I get to live off my art, wonderful. For me, that's looked like teaching and directing musical theatre. It's looked like being able to coach other artists. It's looked like writing and being able to pivot my creativity in the seasons where I've needed to. All of that is still creativity and energising, and all of it feeds the great big passion I have to show up in the world as an artist. None of it is actually pulling me away or draining me. I mean, you have bad days, of course, but it's not draining my art. When we are in this way of thinking—one day, one day, one day—we are not designing intentionally. What does it look like to maybe upskill and train in something that would be more energising for my parallel career that will chug alongside us as an artist? We all hope our art can totally 100% provide for us, which is the dream and a wonderful dream, and one that I still have. Jo: It's hard, isn't it? Because I also think that, personally, I need a lot of input in order to create. I call myself more of a binge writer. I just finished the edits on my next novel and I worked really hard on that. Now I won't be writing fiction for, I don't know, maybe six months or something, because now I need to input for the next one. I have friends who will write 10,000 words a day because they don't need that. They have something internal, or they're just writing a different kind of book that doesn't need that. Your book is a result of years of experience, and you can't write another book like that every year. You just can't, because you don't have enough new stuff to put in a book like that every single year. I feel like that's the other thing. People don't anticipate the input time and the time it takes for the ideas to come together. It is not just the production of the book. Lara: That's completely true. It goes back to this metaphor that creativity in the body is not a machine, it's a rhythm. I like to say rhythm over consistency, which allows us to say, “Hey, I'm going to be all in.” I was all in on writing. I went into a vortex for days on end, weeks on end, months and probably years on end. But even within that, there were ebbs and flows of input versus “I can't go near it today.” Recognising that that's actually normal is fine. There are those people that are outliers, and they will be out of that box. A lot of people will push that as the only way. “I am going to write every morning at 10am regardless.” That can work for some people, and that's wonderful. For those of us who don't like that—and I'm one of those people, that's not me as an artist—I accept the rhythm of creativity and that sometimes I need to do something completely different to feed my soul. I'm a big believer that a lot of creative block is because we need an adventure. We need to go out and see some art. To do good art, you've got to see good art, read good art, get outside, do something else for the input so that we have the inspiration to get out of the block. I know a screenwriter who was writing a really hard scene of a daughter's death—her mum's death. It's not easy to just write that in your living room when you've never gone through it. So she took herself out—I mean, it sounds morbid, but as a writer you'll understand the visceral nature of this—and sat at somebody's tombstone that day and just let that inform her mind and her heart. She was able to write a really powerful scene because she got out of the house and allowed herself to do something different. All that to say that creativity, the natural process, is an in-and-out thing. It ebbs and flows as a rhythm. People are different, and that's fine. But it is a rhythm in the way it works scientifically in the body. Jo: On graveyards—we love graveyards around here. Lara: I was like, sorry everyone, this isn't very nice. Jo: Oh, no. People are well used to it on this show. Let's come back to rhythm. When you are in a good rhythm, or when your body's warmed up and you are in the flow and everything's great, that feels good. But what if some people listening have found their rhythm is broken in some way, or it's come to a stop? That can be a real problem, getting moving again if you stop for too long. What are some ways we can get that rhythm back into something that feels right again? Lara: First of all, for people going through that, it's because our body actually will prioritise survival when we're going through crisis or too much stress. Creativity in the brain will go, well, that's not in that survival nature. When we are going through change—like me moving countries—it would disconnect us a lot from not only ourselves and our sense of identity, but creativity ultimately reconnects you back into life. I feel like to be at our optimum creative self, once we get through the crisis and the stress, is to gently nudge ourselves back in by little micro things. Whether it's “I'm just going to have the rhythm of writing one sentence a day.” As we do that, those little baby steps build momentum and allow us to come back in. Creativity is a life force. It's not about production, it's actually how we get to any unique contribution we're going to bring to the world. As we start to nudge ourselves back in, there's healing in that and there's joy in that. Then momentum comes. I know momentum comes from those little steps, rather than the overwhelming “I've got to write a novel this week” mindset. It's not going to happen, most of the time, when we are nudging our way back in. Little baby steps, kindness with ourselves. Staying connected to yourself through change or through crisis is one of the kindest things we can offer ourselves, and allowing ourselves to come into that rhythm—like that musical song of coming back in with maybe one line of the song instead of the entire masterpiece, which hopefully it will be one day. Jo: I was also thinking of the dancing world again, and one thing that is very different with writers is that so much of what we do is alone. In a lot of the performance art space, there's a lot more collaboration and groups of people creating things together. Is that something you've kept hold of, this kind of collaborative energy? How do you think we can bring that collaborative energy more into writing? Lara: Writing is very much alone. Obviously some people, depending on the project, will write in groups, but generally speaking, it's alone. For me, what that looks like is going out. I do this, and I know for some writers this is like, I don't want to go and talk to people. There are a lot of introverts in writing, as you are aware. I do go to creative mixers. I do get out there. I'm planning right now my book launch with a local bookstore, one in Australia and one here in America. Those things are scary, but I know that it matters to say I'm not in this alone. I want to bring my friends in. I want to have others part of this journey. I want to say, hey, I did this. And of course, I want to sell books. That's important too. It's so easy to hide, because it's scary to get out there and be with others. Yet I know that after a creative mixer or a meetup with all different artists, no matter their discipline, I feel very energised by that. Writers will come, dancers will come, filmmakers will come. It's that creative force that really energises my work. Of course, you can always meet with other writers. There's one person I know that runs this thing where all they do is they all get on Zoom together and they all write. Their audio's off, but they're just writing. It's just the feeling of, we're all writing but we're doing it together. It's a discipline for them, but because there's a room of creatives all on Zoom, they're like, I'm here, I've showed up, there's others. There's a sense of accountability. I think that's beautiful. I personally don't want to work that way, but some people do, and I think that's gorgeous too. Jo: Whatever sustains you. I think one of the important things is to realise you are not alone. I get really confused when people say this now. They're like, “Writing's such a lonely life, how do you manage?” I'm like, it is so not lonely. Lara: Yes. Jo: I'm sure you do too. Especially as a podcaster, a lot of people want to have conversations. We are having a conversation today, so that fulfils my conversation quota for the day. Lara: Exactly. Real human connection. It matters. Jo: Exactly. So maybe there's a tip for people. I'm an introvert, so this actually does fulfil it. It's still one-on-one, it's still you and me one-on-one, which is good for introverts. But it's going out to a lot more people at some point who will listen in to our conversation. There are some ways to do this. It's really interesting hearing your thoughts. Tell people where they can find you and your books and your podcast online. Lara: The book is called Audacious Artistry: Reclaim Your Creative Identity and Thrive in a Saturated World, and it's everywhere. The easiest thing to do would be to visit my website, LaraBiancaPilcher.com/book, and you'll find all the links there. My podcast is called Healthy Wealthy Wise Artist, and it's on all the podcast platforms. I do short coaching for artists on a lot of the things we've been talking about today. Jo: Brilliant. Well, thanks so much for your time, Lara. That was great. Lara: Thank you.The post Audacious Artistry: Reclaiming Your Creative Identity And Thriving In A Saturated World With Lara Bianca Pilcher first appeared on The Creative Penn.

It's Merciless Monday on The Coach JB Show with Big Smitty as Super Bowl Champion Shaun King joins to RESPOND to the Disappointing 2026 NBA All-Star Weekend, Trinidad Chambliss being Granted a 6th Season, and more! Big Smitty will breakdown The MAC Voting to add FCS Sacramento State into the league as a football-only member starting in 2026! Join us for this and much more on MERCILESS Monday on The REALEST Show on Planet ERF! Like, Comment, and Subscribe! The Coach JB Show with Big Smitty is the realest sports show on Planet ERF! We discuss what other talk shows & debate shows refuse to discuss! We are LIVE 3 hours a day from 6-9am pacific with the realest guests on Planet ERF! Coach Jason Brown is the star of the hit Netflix series "Last Chance U", master motivator, and legendary JUCO football coach!! Darnell Smith Fox Sports very own, Ball State Alum, and Nap towns finest! Merciless Monday | Talk that Talk Tuesday | Work-Boot Wednesday | Truth Telling Thursday's | Free Game Friday Matt McChesney on Monday/Friday Steve Kim on Tuesday/Thursday Shaun King - Former NFL QB Monday/Wednesday/Friday Live M-F 6am-9am PST. Subscribe and become a member today, $2.99 for general membership or $5.99 to join Slap Nation and get access to the exclusive Coach's Crew group Chat!! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Fern Brady jokes about comforting her mom in her Netflix special, "Autistic Bikini Queen".

Amye is joined by Amanda to chat about 90 Day Fiance: Before the 90 Days S8:EP10 Prepare for ArrivalEmma comes clean on her birthday. Forrest questions who he can trust. Birkan opens up to Laura during a romantic boat trip. Lisa confronts Daniel about another woman. Jovon heads to Anna's hometown. Stig reassesses his relationship with Aviva.Get BONUS content and ad-free episodes! Sign up at:www.littlemissrecap.com/supportOr go directly to Patreon at:www.patreon.com/littlemissrecapListen to my true crime podcast: Murder She Watched at www.murdershewatchedpod.comGet in touch with us:Facebook: https://www.facebook.com/groups/littlemissrecapFacebook group: https://www.facebook.com/groups/littlemissrecapInstagram: @littlemissrecap Voicemail: www.littlemissrecap.comEmail: amye@littlemissrecap.comYoutube: www.youtube.com/@littlemissrecapSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Motherhood is full of moments that make us laugh—sometimes out of pure joy, and sometimes because life feels too ridiculous not to. In this episode of the Gather Moms Podcast, we continue our Bible Moms series by stepping into the story of Sarah, a woman who waited decades for God's promise and laughed when it finally seemed too impossible to believe. Sarah's story (Genesis 12–25) reads like a Netflix drama: unanswered prayers, bad decisions made in desperation, long seasons of waiting, and a plot twist only God could write. As we walk through her journey, we talk honestly about what it means to trust God when your body, your circumstances, and your timeline all seem to tell a different story. In Genesis 18, Sarah laughs when she overhears God promise she'll have a son in her old age. But her laughter isn't mockery—it's the laughter of exhaustion, disappointment, and guarded hope. Years later, when Isaac is finally born, Sarah laughs again—this time with joy, marveling at what God has done and inviting others to laugh with her. This episode is an invitation for moms to read Scripture with compassion instead of judgment, to bring doubts honestly before God, and to trust that nothing is too hard for the Lord. Whether you're waiting on a promise, feeling worn out, or wondering if it's too late for God to work—Sarah's story reminds us that God is faithful, patient, and always on time. In this episode, we talk about: Why laughter shows up so often in motherhood—and in the Bible How to read Scripture with compassion instead of comparison What Sarah's waiting teaches us about God's timing Why God isn't offended by our doubts or questions How God fulfills His promises, even when we make messy choices The hope that comes from trusting God with what feels impossible Scripture referenced: Genesis 12–25, Genesis 18:9–14, Genesis 21:1–6 Next steps:Join us on Gather Moms Patreon as we read through the book of Luke together during Lent, starting February 18. Our hope is that 2026 becomes the year you fall in love with God's Word in a whole new way. LINK HERE Gather Moms: Instagram | Twitter | Facebook Kate Henderson: Instagram | Facebook Rebecca Bradford: Instagram | Facebook

We linked with our play cousins, Aury and Sheria of The Strap Down podcast, to review Hedda (2025) for this bonus episode. Get into this in-depth and (un)serious review of remade classic starring bicon, Tessa Thompson, and directed by Nia DaCosta. We discuss how this version holds up to the original play, the characters, scene association, and our rating for the movie.As you might expect, our episode is full of spoilers. We highly recommend you watch the movie before enjoying this episode.Share your Am I A Bad Queer? hereSupport the showPATREON: patreon.com/BadQueersPodcast Subscribe to our Youtubehttps://www.youtube.com/@BadQueersPodcast The opinions expressed during this podcast are conversational in nature and expressed only for comedic purposes. Not all of the facts will be correct but we attempt to be as accurate as possible. BQ Media LLC, the hosts, nor any guest host(s) hold no liability over the conversations on this podcast and by using this podcast you understand that it is solely for entertainment purposes. Copyright Disclaimer: Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, parody, scholarship and research.

Kay returns to the regular pod this week and (purely by coincidence) Nothing goes quite to plan as our intent to review The Last Thing He Told Me is thwarted by an inconvenient embargo. However, that's okay because we manage to sub Bridgerton season 4 in as a last minute replacement. Elsewhere, we take a look at BBC1's Marian Keyes adaptation The Walsh Sisters, and see what Gabriel Basso is up to in the latest instalment of The Night Agent. Plus James gets terribly excited about the studio's new logo screen (which is finally working) and the team attempt to unpick those rare shows that have successfully reinvented themselves entirely. All that, and Derry Girls creator Lisa McGee joins star Sinéad Keenan to discuss Netflix's How To Get To Heaven From Belfast.

In Episode 388 of The Pour Horsemen, the crew is back, and the banter is top-tier. We kick things off by debating Valentine's Day double standards—is it just a holiday for women, or do men deserve some love too? Phil shares his hilarious struggle with a deviated septum, and his son roasts him on the basketball court. Then, we dive into the sports world: Did LeBron James ruin the NBA All-Star Weekend, or is the lack of effort from today's superstars to blame? We also review Tyler Perry's wild new Netflix movie Joe's College Road Trip, plan our ultimate Black History Month "Hood Olympics" (complete with a fish fry and Spades), and debate whether Stephen A. Smith should actually run for President in 2028. Finally, we get real about the documented mental side effects of Ozempic and the rise of the "Ozempic personality." Follow the crew: @ThePourHorsemen @ShyThugg | @HardbodyKiotti | @Phi1TheDon | @LebronaldPalmer I @yo.dj.silk I @armourie.official Production Crew @TheJohnSims | @1Kharyy Shot at @TheHiveHouston Hurt At Work? Contact our partners at https://crockett.law for all of your legal needs. @bankonbriantx is ready to help. Join our Patreon for more exclusive content: https://www.patreon.com/thepourhorsemen By supporting us, you're not just a listener but a valued part of our community. Use our Code POUR at Bluechew.com for your discount. Follow The Pour Horsemen on Instagram @thepourhorsemen and email at thepourhorsemen@gmail.com. Chapters: 00:00 - Intro 06:05 - Phil's Deviated Septum 11:26 - The Valentine's Day Debate: Is It Just for Women? 23:24 - Did LeBron Ruin NBA All-Star Weekend? 31:50 - The "Race War" Solution for the NBA All-Star Game 36:47 - Tyler Perry's Joe's College Road Trip Review (Spoilers) 43:11 - Black History Month Plans: Spades, Dominoes & The Fish Fry 50:31 - Who is the "Most Attractive Man in the World"? 54:39 - Would You Vote for Stephen A. Smith for President? 01:01:33 - The Mental Side Effects of Ozempic & "Body Dysmorphia"

What does it look like when a lifelong collector turns obsession into a career?In this episode of Passion to Profession, sponsored by eBay, I sit down with Dave Amerman, Head of Revenue at Goldin.We cover:The Logan Paul Illustrator sale and what this moment means for the hobby How Goldin scaled from $25M a year to nearly $500MWhat changed inside the hobby after the pandemic boomWhy understanding how to sell is the key to learning how to buyThe risk Dave took leaving a stable finance career to start overDave shares stories from:Buying collections in college for cashStarting his own auction house in his early 20sTurning a few hundred thousand dollar auction business into an $8M operationJoining Goldin before the Netflix spotlight and helping fuel its growthWe also talk about sustainability in this market.The 86 Fleer Jordan PSA 10 ride.The flood of supply after peak hype.The difference between pop 2 and pop 300.If you collect.If you flip.If you dream about working in the hobby.This conversation will hit.A special thank you to eBay for sponsoring Passion to Profession. The biggest and best marketplace to buy your next favorite trading card.Get exclusive content, promote your cards, and connect with other collectors who listen to the pod today by joining the Patreon: Join Stacking Slabs Podcast Patreon[Distributed on Sunday] Sign up for the Stacking Slabs Weekly Rip Newsletter using this linkFollow Stacking Slabs: | Twitter | Instagram | Facebook | Tiktok ★ Support this podcast on Patreon ★

Tonight's episode is packed: we break down the latest developments in the search for Nancy Guthrie (Savannah Guthrie's mother), the political fallout around the House-passed SAVE America Act and what it could mean for voting rules, and the Hornets vs. Pistons brawl (including the NBA suspensions that followed). We recap Super Bowl LX — the Seahawks' 29–13 win over the Patriots and MVP Kenneth Walker III — then hit the viral moment of Ja Rule's airplane run-in with Tony Yayo, talk Katt Williams' new Netflix special “The Last Report,” and close with the uplifting story of Charlie Hicks and the chef who likely saved his life.

Your friends in podcasting discuss Netflix's (perhaps misleading) embrace of movie theaters, they celebrate the resurrection of Todd Hayne's seemingly dead but now forthcoming detective film (with Pedro Pascal replacing Joaquin Phoenix), and an upcoming movie starring Simon Pegg, Sofia Boutella and Quentin Tarantino. Nia DaCosta's Hedda gets analyzed, as does the Thai comedy A […]

Welcome back to Bottom of the Stream with Adam and Nick - the best place to get up to date with all the biggest news stories of the week in the world of streaming and movies! This week we talk HBO Max coming to the UK, new (sort of) Stranger Things heading to Netflix and Spider-Noir! We answer the question of the week, discuss what we've been watching at the top of the stream and go through more of your hot takes!   Please consider supporting the show on Patreon, If you do we will give you lots of bonus content including early access to the episodes. Check it out over at www.patreon.com/bottomofthestream   We also have a discord so join us to hang out https://discord.gg/wJ3Bfqt

BE WARNED: It's LuAnna, and this podcast contains honest, upfront opinions, rants, bants and general explicit content. But you know you love it.On this week's LuAnna: Becs gets her first bit of hate, Anna's being a fart-hypocrite in Tenerife, Lu's being "Miss Markle" (read Marple) in Dubai, there's a phallic icecream, a story about giving a blowie to Darth Vader and we talk about if politics is worth losing a friend over.Plus, we deep dive into the case of Lucy Letby after the Netflix documentary recently came out, we crown our next weirdo of the week, Imo has a small pop at the listeners andGRAB YOUR TICKETS FOR THE BIG PARTY AT EVERYTHINGLUANNA.COMRemember, if you want to get in touch you can: Email us at luanna@everythingluanna.com OR drop us a WhatsApp on our brand new number 075 215 64640Please review Global's Privacy Policy: https://global.com/legal/privacy-policy/

Send a textQueen of Chess is a documentary about Judit Polgár, a Hungarian girl who revolutionized the sport's patriarchal culture to become the greatest woman chess player of all time.We sit down with Judit Polgár and director Rory Kennedy to discuss how Judit knew Rory was the right person to tell her story, Rory's arduous hunt for archival footage, Judit's special bond with her sisters, playing chess blindfolded against Alec Baldwin, and the connection between punk music and chess.Watch Queen of Chess right now on Netflix!Follow Queen of Chess Judit Polgár on IGFollow director Rory Kennedy on IGSupport the showThanks for listening and for your support! We couldn't have won Best of the Bay Best Podcast in 2022 , 2023 , and 2024 without you! -- Fight fascism. Shop small. Use cash. Fuck ice. -- Support Bitch Talk here! Subscribe to our channel on YouTube for behind the scenes footage! Rate and review us wherever you listen to podcasts! Visit our website! www.bitchtalkpodcast.com Follow us on Instagram, Threads, and Substack Listen every Monday at 7 am on BFF.FM

A day in the life of a women's reproductive healthcare center is unlike any other. In this post-Roe world, potential danger lurks in the dark or right out in the open. In the tense and nuanced Oscar-nominated documentary short “The Devil Is Busy” (directed by Christalyn Hampton and Geeta Gandbhir), we follow Tracii, the head of security at an Atlanta women's health clinic, as she goes through her routine to ensure that no physical harm comes to those seeking care or dispensing it.   Christalyn and producer Rose Arce join Ken on the pod to discuss the intense stress facing Tracii, her colleagues, and the clinic's patients (referred to as “guests”), many of whom have traveled hundreds of miles for an appointment at one of the few remaining abortion providers in the region. Over the course of the film, we learn more about Tracii, the difficult decisions she has had to face, and the role that religion and a forgiving God play in her life. Countering the shrill voices of the male anti-abortion protestors outside, Tracii's simple acts of kindness transform an average day into something extraordinary.   “The Devil Is Busy” has been nominated for the Oscar for Best Documentary Short. It can be streamed on HBO MAX.   The Presenting Sponsor of "Top Docs" is Netflix.   Follow: @cwdivadance and @rose_marie_arce on Instagram @topdocspod on Instagram and twitter

Today on What's My Frame, I'm joined by Tom Wozniczka. Tom currently stars in Apple TV's Drops of God. Prior he starred as ‘Patrice' in the fourth season of Slow Horses opposite Gary Oldman.Tom and I chat about the complexities of playing a villain while having compassion for your character, the importance of trusting your instincts in your self-tapes and creating a space for yourself. This past holiday season, Tom appeared opposite Minka Kelly in the Netflix film Champagne Problems. Tom began his career in the French film Les Damnés and currently resides in France.Casting Tom Wozniczka as Patrice in 'Slow Horses' | SAG-AFTRA Foundation Conversations@tomwozniczka9Aujourd'hui dans What's My Frame, je reçois ⁠Tom Wozniczka⁠. Tom tient actuellement un rôle dans la série Drops of God sur Apple TV+. Auparavant, il a interprété « Patrice » dans la quatrième saison de Slow Horses, aux côtés de Gary Oldman.Aujourd'hui, Tom et moi échangeons sur la complexité d'incarner un méchant tout en gardant de la compassion pour son personnage, sur l'importance de faire confiance à son instinct lors des self-tapes, de se créer un espace à soi, et de collaborer avec les réalisateurs.Pendant les fêtes de fin d'année, Tom est apparu aux côtés de Minka Kelly dans le film Netflix Champagne Problems. Il a débuté sa carrière en France en jouant dans Les Damnés, puis a poursuivi avec The Damned, mis en scène par Ivo van Hove à la Comédie-Française, ainsi que No Limit, réalisé par Robin Goupil.

In this episode, Mary & Frost discuss the feature film, The Rip, available on Netflix.

Elizabeth Smart era una niña de 14 años cuando fue secuestrada en su propia casa mientras dormía. Estuvo nueve meses separada de su familia en la que sus captores la sometieron a violaciones y vejaciones. Gracias al recuerdo de su hermana pequeña pudieron seguir la pista del secuestrador. Todo ello nos lo cuenta la periodista de infobae Carolina Balbiani ligado al estreno en Netflix del documental sobre el secuestro de Elizabeth Smart, una mujer que ha logrado transformar su terrible experiencia en una gran actividad protegiendo a los niños de depredadores sexuales.

Lords: Alex Shannon Topics: Japan in summer is too hot, but there's lots of cool festivals Why can't I have marzipan made by nuns in California? Podcast playlist problems Considering the Snail, by Thom Gunn https://www.poetryfoundation.org/poems/52887/considering-the-snail Microtopics: Traveling. If you need a lot of stuff, or if that stuff needs you. Real Topic Aficionados. Last Life and other lives. Watching a TV series you like and then going back and watching the same episodes again from a different character's perspective. Napping all day and seeing street festivals at night. Walking around with a tower of flaming candles on your head that keep getting tangled in power lines. Why aren't the modern World's Fairs as exciting as the ones from 150 years ago? Making a couple weeks vanish in lieu of a millennium and a half of leap days. Naming your baby Person Who Packs For Themselves. Naming your baby "Supplanter" The littlest bean that's currently born. Growing up enough to realize that everybody is named Luke now. How Bob used to be the funny fake name but now it's Jeremy. The Bob Emergency. The guy you call Baker because he's a baker. The canonical order of ore value in video games. Hacking your save file at home, just like in the good old days. Selling marzipan in a dark room with a turntable and a bell. Things you can eat in some parts of the world that you can't eat in others. San Diego's Best Seattle Burrito. The essence of fine Mexican foods. Australians telling candy companies "stop trying to make Halloween happen" That friend who has digestive issues eating salmon, but only in specific countries. The politics of buying Girl Scout cookies. The best place to sell a Girl Scout cookies on UCSD campus. Boy Scouts trying to sell popcorn, with seemingly no awareness that popcorn is not remotely as good as Girl Scout Cookies. Kobey's Swap Meet. Getting an old timey surgical mannequin at a swap meet so you can practice your surgery. Kids today trying to figure out how to operate a VCR like they're playing Myst. What happens if you put a VHS tape in backwards? Netflix's "continue watching" category, for movies you didn't like enough to finish. We don't want to hear your bra podcasts! The Stanford professor you're gardening for asking you what podcast you're listening to and now you have to explain your weird hobby to your employer. How to listen to podcasts without your boss sneaking up on you. The first time you've been to the dentist without headphones this millennium. Introvert Dentists. Tooth care advice that you forget immediately. Extremely symmetrical knots in a power cable. Climbing, sailing and caving knots. What is a snail's fury? Why is this snail so mad? A turtle that's decided it's go time. Getting really excited about the turtle races at the Renaissance Fair. Watching a carnival game where four people throw five spears each at targets attached to a wall of hay, and none of them manage to hit the wall. Axe throwing bars, where you have a beer and throw axes. Taking up axe throwing as a hobby because whenever someone gets killed with an axe, the police will be sad if they don't have any suspects. Axe throwing failure modes. Dominant javelin throwing strategies. Throwing a javelin further by spinning around like a discus thrower. Bullets: they go where they want.

Analizamos sin spoilers Love Story: John F. Kennedy Jr. & Carolyn Bessette, la nueva serie de FX producida por Ryan Murphy que revisita una de las historias de amor más mediáticas de los años 90. En este Razones para Ver Express analizamos qué propone realmente la serie más allá del titular trágico, cómo retrata la presión constante de los medios, el peso del apellido Kennedy y la figura enigmática de Carolyn Bessette. Hablamos de sus interpretaciones, su ambientación noventera y del delicado equilibrio entre mito, intimidad y ficción. ¿Es solo un biopic romántico o una reflexión sobre vivir bajo la mirada pública? Te lo contamos sin spoilers. SINOPSIS: La serie recorre la relación entre John F. Kennedy Jr. y Carolyn Bessette desde sus primeros encuentros hasta los últimos días antes del accidente aéreo que acabó con sus vidas en 1999. A lo largo de nueve episodios, se explora tanto el romance como la presión mediática que marcó su matrimonio. ESTRENO: 13 de Febrero en Disney+ Únete a nuestro chat de telegram en el que miles de personas hablamos cada día de series: - Telegram – Grupo de debate: https://telegram.me/fueradeseries - Telegram – Canal de noticias: https://t.me/noticiasfds Síguenos en nuestras plataformas y podcast sobre series: - Apple Podcast - https://podcasts.apple.com/es/podcast/fuera-de-series/id288039262 - Spotify - https://open.spotify.com/show/3RTDss6AAGjSNozVOhDNzX?si=700febbf305144b7&nd=1 - iVoox - https://www.ivoox.com/podcast-fuera-series_sq_f12063_1.html Redes Sociales - Twitter: https://twitter.com/fueradeseries - Facebook: https://facebook.com/fueradeseries - Instagram: https://www.instagram.com/fueradeseries/ - Youtube: https://youtube.com/fueradeseries Learn more about your ad choices. Visit megaphone.fm/adchoices

Should Britain move to a shorter working week? Would a three-day or four-day week make us healthier, more productive, and less miserable… or is it just the final stage of national decline dressed up as “wellbeing”?In this episode of Mark and Pete, we dive into the growing push for a reduced working week, inspired by countries like the Netherlands, where people seem to work fewer hours, take more time off, and still manage to run a nation that functions better than ours. Meanwhile, Britain clings to its proud tradition of overworking, underproducing, and pretending that exhaustion is a personality trait.We explore the real evidence behind four-day week trials, productivity studies, and why cutting hours can sometimes increase output. Spoiler: when people have less time, they waste less time. Fewer pointless meetings. Less email theatre. Less corporate box-ticking. More actual work.But we also ask the harder questions. Is the shorter working week only realistic for office workers with laptops and “hybrid schedules”? What about nurses, builders, shop staff, delivery drivers, and everyone else who can't simply log off and call it self-care? Is this reform… or just another perk for the middle class?We also tackle the cultural side of it: if people had more free time, would they invest it into family life, church, community, and rest? Or would we simply spend the extra days doomscrolling, ordering takeaway, and watching Netflix until we forget what day it is?With Mark's trademark poetry and Pete's Christian perspective, this episode asks whether the West needs fewer working hours… or whether it needs a deeper recovery: a return to purpose, discipline, and Sabbath-shaped living.Keywords: shorter working week, four-day week UK, Dutch work culture, productivity, burnout, work-life balance, modern Britain, cultural decline, Christian commentary, Sabbath rest.

This week Alex and Ben have watched Netflix's new mystery comedy How to Get to Belfast from Heaven from the creator of Derry Girls. But they also discuss everything else they have watched this week including a talk about the state of Saturday night TV in the UK and how The Gladiators have saved it. They also talk about the new gentle comedy Small Prophets from the BBC. Follow us: http://linktr.ee/faithfulto Help the show: http://buymeacoffee.com/faithful Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, Paramount Skydance amended their offer to buy Warner Bros. Discovery, but was it all that significant? Nielsen Ratings Show Notes Paramount Sweetens Offer For Warner Bros. Discovery Activist Investor Pushes Warner to Walk Away From Netflix Deal - WSJ Paramount outlines plans for Warner Bros. cuts - Los Angeles Times Former Disney CEO Criticizes Company's Rising Prices: 'It's So Expensive Now' 'It's Florida, Man' Renewed for Season 3 at HBO ‘Eragon': Todd Harthan, Todd Helbing & Marc Webb Join Disney+'s Live-Action Series Adaptation Jordan Belfort Docuseries ‘The Real Wolf of Wall Street' Set at Paramount+ (EXCLUSIVE) Finding Her Edge Will Glide Back onto Netflix for Season 2 A Man on the Inside Is Renewed for Season 3: Ted Danson is Back on the Case Apple's hit drama “Your Friends & Neighbors” lands early season three renewal - Apple TV Press Apple Acquires ‘Severance' As It Grows In-House Studio; Series Eyes Summer S3 Start, 4-Season Run & Universe Expansion ‘Dark Winds' Scores Early Season 5 Renewal at AMC What We've Been Doing The Olympics Bad Bunny's Apple Music Super Bowl Halftime Show Novartis, “Relax your tight end.”

The shocking cliffhanger of Netflix's A House Of Dynamite has left audiences divided, but most viewers are completely missing the hidden message buried in the final frames. Director Kathryn Bigelow didn't just run out of time; she intentionally trapped the audience in the same "What If" scenario facing the characters, forcing us to confront the terrifying fragility of our global systems. This breakdown explores the systemic horror, the procedural dread of the situation room, and why the ending you hated is actually the most brilliant part of the film.

No episódio desta semana do CO2, Brunão e Baconzitos apresentam recomendações de filmes imperdíveis para quem quer ficar por dentro das novidades do cinema e não perder os melhores lançamentos. Descubra as principais novidades do cinema e as melhores recomendações de filmes disponíveis nas plataformas de streaming, com destaque especial para Disney+, além de Netflix, HBO Max, Prime Video e Apple TV. Fique atualizado com o Top 5 Bilheteria da semana e escolha os filmes certos para seu entretenimento. Além das recomendações de filmes e novidades do cinema, divirta-se com notícias inusitadas, como a IA albanesa que roubou o rosto e a voz de uma atriz e do ladrão eslavo preso ao ir na olimpíadas. Não perca também a tradicional leitura de e-mails e comentários dos ouvintes dos podcasts QueIssoAssim, CO2 e Reflix. Se você busca dicas fresquinhas para aproveitar tudo que o universo do entretenimento oferece, este episódio é o seu guia indispensável para as melhores recomendações de filmes e novidades do cinema, com um olhar especial para Disney+! Algumas músicas pela https://slip.stream

En este episodio de El Brieff, desglosamos la compleja realidad económica de México: entre el fantasma del estancamiento y la esperanza del Mundial 2026. Analizamos el sorprendente liderazgo industrial de Tamaulipas y los nuevos incentivos de Sheinbaum para el cine. En el panorama internacional, exploramos la tensión nuclear en Europa y la "caza de ballenas" en el streaming con Warner Bros, Netflix y Paramount. Además, la llegada de Apple al mercado de los plegables y el futuro de los agentes de IA con el nuevo fichaje de OpenAI.Recibe gratis nuestro newsletter con las noticias más importantes del día.Si te interesa una mención en El Brieff, escríbenos a arturo@strtgy.ai Hosted on Acast. See acast.com/privacy for more information.

Los enfrentamientos de Marx Arriaga con la SEP llevan a su destitución, el T-MEC se juega también en el Congreso de Estados Unidos y el cine y las plataformas tendrán un beneficio fiscal del 30% para producir en México, con Alberto Verdusco y Rosalía Lara.-> Nuevo episodio de En Modo Smart, escuchado en YouTube o en Spotify00:00 Introducción02:03 Los enfrentamientos de Marx Arriaga con la SEP que llevaron a su destitución07:07 El T-MEC se juega también en el Congreso de Estados Unidos11:42 El alza del IEPS golpea a las tienditas: ventas caen hasta 20%15:22 El agotamiento digital golpea a las dating apps: crecen los ingresos, cae el entusiasmo18:40 El cine, Netflix, Prime Video y HBO tendrán un beneficio fiscal del 30% para producir

Hayley Campbell, Scott Bryan and Naga Munchetty review the week's biggest new TV and streaming releases.This week the trio review 'How to Get to Heaven from Belfast' a new eight-part series on Netflix created by Derry Girls writer, Lisa McGee. The comedy thriller follows a set of three estranged school friends who head back to Northern Ireland following the mysterious death of their friend Greta (Natasha O'keeffe).Next, 'Reality Check: Inside America's Next Top Model' a three-part documentary on Netflix, exploring the early 2000's hit TV series, America's Next Top Model. The documentary takes a look at how the show started, the trials and tribulations during its 15 years on our screens, and we hear from all the key players from the show's hay day.Finally 'Small Prophets' on BBC iPlayer, a six-part series created by Mackenzie Crook, the brains behind Detectorists. It follows Pearce Quigley, a hardware store worker who turns to tiny humanoid creatures as a way to discover what had happened to his girlfriend following her disappearance.Remember you can email mustwatch@bbc.co.uk to have your say.

When Netflix released The Hunting Wives last summer, it's fair to say the show became a sensation. What's not to love? A taut murder mystery plus graphic, often lesbian, sex scenes - no wonder it attracted such a buzz. But while the protagonist goes through plenty in the show, the actress who plays her, Brittany Snow, had recently gone through her own trashy divorce, from pro-surfer and reality TV realtor Tyler Stanaland. Want early, ad-free episodes, regular Dumpster Dives, bonus divorces, limited series, Zoom hangouts, and more? Join us at patreon.com/trashydivorces! Want a personalized message for someone in your life? Check us out on Cameo! To advertise on our podcast, please reach out to info@amplitudemediapartners.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Subscribe to Greg Fitzsimmons: https://bit.ly/subGregFitz Greg and Mike recap Valentine's Day, Super Bowl bets, Olympic drama, and the latest Epstein file chaos with their usual mix of dark humor and brutal honesty. From AI doomsday warnings to Switzerland deportations, nothing is safe this week. TryMiracle.com/PAPERS This show is produced by Gotham Production Studios and part of the Gotham Network. https://www.gothamproductionstudios.com/studios/ The episode covers trending topics including the Epstein files controversy, Bill Clinton testimony speculation, Tim Dillon podcast commentary, AI safety concerns at Anthropic, generative AI risks, AI bioterrorism warnings, and comedian culture reactions to political news. Follow Greg Fitzsimmons: Facebook: https://facebook.com/FitzdogRadio Instagram: https://instagram.com/gregfitzsimmons Twitter: https://twitter.com/gregfitzshow Official Website: http://gregfitzsimmons.com Tour Dates: https://bit.ly/GregFitzTour Merch: https://bit.ly/GregFitzMerch “Dear Mrs. Fitzsimmons” Book: https://amzn.to/2Z2bB82 “Life on Stage” Comedy Special: https://bit.ly/GregFitzSpecial Listen to Greg Fitzsimmons: Fitzdog Radio: https://bit.ly/FitzdogRadio Sunday Papers: http://bit.ly/SundayPapersPod Childish: http://childishpod.com Watch more Greg Fitzsimmons: Latest Uploads: https://bit.ly/latestGregFitz Fitzdog Radio: https://bit.ly/radioGregFitz Sunday Papers: https://bit.ly/sundayGregFitz Stand Up Comedy: https://bit.ly/comedyGregFitz Popular Videos: https://bit.ly/popGregFitz About Greg Fitzsimmons: Mixing an incisive wit with scathing sarcasm, Greg Fitzsimmons is an accomplished stand-up, an Emmy Award winning writer, and a host on TV, radio and his own podcasts. Greg is host of the popular “FitzDog Radio” podcast (https://bit.ly/FitzdogRadio), as well as “Sunday Papers” with co-host Mike Gibbons (http://bit.ly/SundayPapersPod) and “Childish” with co-host Alison Rosen (http://childishpod.com). A regular with Conan O'Brien and Jimmy Kimmel, Greg also frequents “The Joe Rogan Experience,” “Lights Out with David Spade,” and has made more than 50 visits to “The Howard Stern Show.” Howard gave Greg his own show on Sirius/XM which lasted more than 10 years. Greg's one-hour standup special, “Life On Stage,” was named a Top 10 Comedy Release by LA Weekly. The special premiered on Comedy Central and is now available on Amazon Prime, as a DVD, or a download (https://bit.ly/GregFitzSpecial). Greg's 2011 book, Dear Mrs. Fitzsimmons (https://amzn.to/2Z2bB82), climbed the best-seller charts and garnered outstanding reviews from NPR and Vanity Fair. Greg appeared in the Netflix series “Santa Clarita Diet,” the Emmy-winning FX series “Louie,” spent five years as a panelist on VH1's “Best Week Ever,” was a reoccurring panelist on “Chelsea Lately,” and starred in two half-hour stand-up specials on Comedy Central. Greg wrote and appeared on the Judd Apatow HBO series “Crashing.” Writing credits include HBO's “Lucky Louie,” “Cedric the Entertainer Presents,” “Politically Incorrect with Bill Maher,” “The Man Show” and many others. On his mantle beside the four Daytime Emmys he won as a writer and producer on “The Ellen DeGeneres Show” sit “The Jury Award for Best Comedian” from The HBO Comedy Arts Festival and a Cable Ace Award for hosting the MTV game show "Idiot Savants." #SundayPapers #GregFitzsimmons #MikeGibbons #ComedyPodcast #PoliticalComedy #EpsteinFiles #AIethics #Anthropic #TimDillon #NFLbets #SuperBowlRecap #Olympics2026 #StandUpComedy #PodcastClips #NewsSatire #BeastieBoys #DefJamHistory #MiracleOnIce #ComedyFans Learn more about your ad choices. Visit megaphone.fm/adchoices

THIS IS PART ONE OF THE WEEKLY WRAP-UP! In this half of the weekly wrap-up, we talk FUN topics, including: the Real Housewives of Potomac (Emily's insanely fun journey with this season, our thoughts on the current cast, the upcoming reunion, and next season), America's Next Top Model (the amazing podcast from Bridget Armstrong and the upcoming Netflix doc), and the latest episode of The Traitors (everyone is SO BAD at this game, but at least Stephen aged like fine wine)! DOWNLOAD AND LISTEN TODAY! Listen to “She's Speaking with Emily Hanks” podcast on Apple Podcasts!⁠ ⁠Listen to “She's Speaking with Emily Hanks” podcast on Spotify!⁠ ⁠Follow Emily on Instagram!⁠ ⁠Subscribe to Emily's YouTube channel, where we go live every single Sunday!⁠   *** HEY! Some of you have asked how you can show your appreciation for all the content provided by your mama's favorite Black geek. How about you buy me a beer/coffee? CLICK HERE TO SUPPORT! ***   New episodes of “I Ken Not with Kendrick Tucker” are released weekly!   DON'T FORGET TO SUBSCRIBE, RATE, AND REVIEW! I LOVE 5 STARS! EMAIL ME AT IKENNOTPODCAST@GMAIL.COM! FOLLOW ME ON INSTAGRAM! FOLLOW ME ON THREADS! Learn more about your ad choices. Visit megaphone.fm/adchoices

A mother who didn't bother to look for her daughter after she was abducted by a violent stranger. A mother who spent years stalking and cyberbullying her own teenage daughter. A mother who stood by silently while her daughter was tormented by a monster. What do these three women have in common (besides being awful)? They're all featured in viral Netflix documentaries, and they're all from Michigan. Cases: Suzanne Sevakis (aka Sharon Marshall), Kendra Licari, Aundria Bowman (aka Alexis Badger)Audio production by Bill Bertschinger.

Shawn O'Malley and Daniel Mahncke break down Netflix (ticker: NFLX) and discuss whether the company has finally won the streaming wars. While growth looked challenged back in 2022, Netflix has proven resilient in the face of competition and economic slowdowns by leaning into advertising and password crackdowns, with much room left to run internationally. IN THIS EPISODE, YOU'LL LEARN: 00:00:00 - Intro 00:13:36 - How Netflix pivoted from mailing DVDs to streaming 00:14:48 - How Netflix killed Blockbuster 00:24:20 - Why the business works so well with two co-CEOs 00:46:25 - How being a first-mover got Netflix through the cash burn phase before any competition arose 00:48:29 - What Netflix is doing to sustain growth into the future 00:54:00 - What makes the company's culture so legendary 01:04:18 - Why Netflix's app just “works” better than the competition 01:18:03 - How to think about modeling NFLX's intrinsic value 01:22:28 - Whether Shawn and Daniel add NFLX to their Intrinsic Value Portfolio *Disclaimer: Slight timestamp discrepancies may occur due to podcast platform differences. BOOKS AND RESOURCES The Investors Podcast Network is excited to debut a new community known as The Intrinsic Value Community for investors to learn, share ideas, network, and join calls with experts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sign up for the waitlist(!)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Sign up for ⁠⁠⁠⁠⁠⁠⁠⁠⁠The Intrinsic Value Newsletter.⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn how to ⁠⁠⁠⁠⁠⁠⁠join us⁠⁠⁠⁠⁠⁠⁠ in Omaha for the 2026 Berkshire Hathaway shareholder meeting. Track The Intrinsic Value Portfolio. Shawn & Daniel use Fiscal.ai for every company they research — use their referral link to get started with a 15% discount! Value Investors Club pitch on NFLX. The Acquired podcast's episode on Netflix. Business Breakdowns' podcast on Netflix. Check out No Rules Rules by Reed Hastings & Erin Meyer. Netflix CEO Ted Sarandos on the future of entertainment. Check out our previous Intrinsic Value breakdowns: Transdigm, Salesforce, Berkshire Hathaway, FICO, PayPal, Uber, Nike, Amazon, Airbnb, Alphabet. Related ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠books⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ mentioned in the podcast. Ad-free episodes on our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Premium Feed⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. NEW TO THE SHOW? Follow our official social media accounts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X (Twitter)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Browse through all our episodes (complete with transcripts) ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Try Shawn's favorite tool for picking stock winners and managing our portfolios: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TIP Finance⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Enjoy exclusive perks from our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠favorite Apps and Services⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Learn how to better start, manage, and grow your business with the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠best business podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ References to any third-party products, services, or advertisers do not constitute endorsements, and The Investors Podcast Network is not responsible for any claims made by them. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://theinvestorspodcastnetwork.supportingcast.fm

Robby Hoffman jokes about dating in her Netflix special, "Wake Up".

Amye is joined by Amanda to chat about Sister Wives S6:EP1 Picking up the PiecesPicking back up with our rewatch, this is a free preview for everyone!To follow our rewatch, please sign up for the $8 tier of Little Miss Recap Premium. Sign up at:www.littlemissrecap.com/supportOr go directly to Patreon at:www.patreon.com/littlemissrecapListen to my true crime podcast: Murder She Watched at www.murdershewatchedpod.comThis episode is sponsored by:FACTOR MEALS helps you save time in the kitchen with delicious, nutritious, chef-prepared cuisine. Meals come fully prepared and ready to eat in 2 minutes.Use our link and get 50% off your first box plus free shipping. Visit: www.factormeals.com/littlemiss50off and use code littlemiss50off.DAME PRODUCTS Valentine's Day is a great reminder that intimacy and pleasure aren't luxuries—they're part of health and connection. Right now, Dame is offering 20% off sitewide—their biggest sale of the year—when you shop at dame.com. (Order by Feb 10th for Valentine's Day delivery)Get in touch with us:Facebook: https://www.facebook.com/groups/littlemissrecapFacebook group: https://www.facebook.com/groups/littlemissrecapInstagram: @littlemissrecap Voicemail: www.littlemissrecap.comEmail: amye@littlemissrecap.comYoutube: www.youtube.com/@littlemissrecapSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Welcome to the latest episode of LIFTS, your bite-sized dose of the Latest Industry Fitness Trends and Stories. In this episode, hosts Matthew Januszek and Mohammed Iqbal are joined by Sean Turner, CEO of Les Mills US, to explore one of the most persistent and misunderstood challenges in fitness today: member retention. Drawing on decades of experience as both a club operator and global brand leader, this conversation examines why retention is not a content problem, but a human one. Sean shares how confidence, belonging, and experience design play a far greater role in long-term engagement than endless workout libraries or digital platforms. As the industry continues to invest heavily in content, technology, and on-demand solutions, the discussion focuses on why fitness cannot be built like a streaming service and what actually drives consistency and behavior change. From group training and coaching quality to structured systems that scale, this episode highlights what operators often misunderstand about motivation and why members quietly disengage. This episode moves beyond tactics and trends to highlight what fitness operators, brands, and leaders should prioritise if the goal is not just acquisition but long-term retention and meaningful participation. In this episode, we cover: • Why retention is driven by confidence and belonging, not content volume • The "confidence gap" that prevents people from fully engaging in fitness • Why fitness isn't Netflix and why that analogy matters • How group training and coaching create long-term adherence • What operators misunderstand about motivation and disengagement • Lessons from Les Mills on building systems that drive retention at scale

In this episode of The First Day from The Fund Raising School, host Bill Stanczykiewicz, Ed.D. welcomes fundraising veteran Rick Shadyac, JD, former longtime leader of ALSAC, the fundraising powerhouse behind St. Jude Children's Research Hospital. Major donors love bold vision. But how do leaders decide which big ideas are brilliant… and which are just bonkers? Rick's advice is refreshingly practical: start with the problem you're trying to solve and the audience you're trying to reach. High-wealth strategy? Mass marketing? Different tools for different tribes. Big ideas aren't about flash, they're about fit, feasibility, and fearless execution. Rick shares the jaw-dropping case study of partnering with billionaire entrepreneur Jared Isaacman on a space mission tied to a $100 million (eventually $125 million) challenge gift. The catch? ALSAC had to match it. The risk? Enormous. The reward? Potentially transformational. Instead of auctioning off a seat, they democratized giving, raffle tickets for a dollar, opening the door to entirely new donors, especially younger, space-loving supporters who'd never given to a children's hospital before. The result? A $250 million fundraising triumph, a successful mission featuring St. Jude patient ambassador Hayley Arceneaux, and global exposure, including a Netflix documentary. Not exactly your standard bake sale. But here's the leadership lesson behind the rocket fuel: courageous ideas require courageous cultures. Rick describes intentionally hiring people who would challenge him, not nod politely while doodling in meetings. Drawing from his background as a lawyer, he encouraged constructive disagreement, diverse perspectives, and even role-playing in interviews to test whether candidates would push back. Debate in the room? Absolutely. Lock arms when you leave? Non-negotiable. The formula: hire smart, mission-driven people who think differently than you do, and then actually listen to them. That diversity of thought, age, background, and expertise becomes the engine that powers bold, informed decisions. Finally, the episode lands squarely on the CEO-board dynamic. Boards are often risk-averse, but Rick urges leaders to be transparent, inclusive, and above all, communicative. Educate your board. Prepare them. Build trust before you need it. And when it's time to fundraise, confidence follows preparation. Donors can sense when an idea has been stress-tested and mission-aligned. As Rick reminds us, fundraising happens at the speed of trust, and the donor is the hero of every story. Big ideas may capture attention, but disciplined leadership, shared ownership, and relentless focus on mission are what ultimately turn bold vision into transformational gifts.

Send a textKeyy G takes it back to 2001, revisiting unforgettable moments in entertainment and news before the crew dives into today's hottest topics. From the viral plane incident involving Ja Rule, Uncle Murda, and Tony Yayo to the drama surrounding GloRilla and her sister, nothing is off limits.They also weigh in on Super Bowl talk and Bad Bunny's halftime show,the upcoming America's Next Top Model documentary on Netflix, Tubi adding 100+ cartoons, retirement news for Chris Paul, and backlash against Sexyy Red for remixing Michael Jackson's “Beat It.”The episode closes with a heated debate over a shocking stolen car tragedy that sparks strong opinions across the table.Tap in—Episode 201 is one you don't want to miss.Support the showhttps://instagram.com/weaintdonepodcast?igshid=YmMyMTA2M2Y=

Desde que tenemos hasta tiburones blancos, en Alicante, California… C.J. Navas, Jorge y Don Carlos repasan la actualidad seriéfila de los diferentes canales, cadenas y plataformas, los estrenos de los próximos días, las ficciones más vistas por su audiencia, contestan a las preguntas de los oyentes y dan sus recomendaciones habituales de cada semana. Recomendaciones de la Semana: Don Carlos: Como agua para chocolate / Dark Winds Jorge: El abogado del Lincoln / El Caballero de los Siete Reinos C.J.: La Reina del Ajedrez / Cómo llegar al cielo desde Belfast ¡Esperamos tus audiocomentarios!: Mándanos tus mensajes por WhatsApp al +34 604 41 64 49 o a ⁠⁠⁠https://fueradeseries.com/mensajes⁠⁠⁠ Vota en los Power Rankings: Participa en la elaboración de nuestros Power Rankings votando a tus series favoritas de la semana en: ⁠⁠⁠https://fdseri.es/33u15eb Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, I discuss my review of Peacock's Super Bowl stream, which was executed flawlessly, along with some of the limited viewership numbers released to date. I also detail the new live TV bundles from YouTube TV, the launch of HBO Max in the UK and Ireland and a new bundle from Sky that includes Disney+, HBO Max, Netflix, and Hayu. I cover earnings results from Roku (full-year revenue up 15%), AMC Networks (AMC+ price increase), Optimum (lost 49,000 pay-TV subs), Amagi (which had its IPO last month) and positive earnings from Fastly and Cloudflare, with Fastly stock up 116% in the week of earnings.Finally, with the hyperscalers projected to collectively spend close to $700 billion in capex in 2026, I break down what we are seeing in the bond market for their capital raise, the risks, and why analysts expect free cash flow to plummet this year.Podcast produced by Security Halt Media

Vivimos una época de cierta indefinición y apuestas conservadoras en el audiovisual, por eso es interesante repasar qué están preparando las plataformas para este 2026. Si hay mucho remake, mucha precuela, o hay espacio para contenidos originales de tantos creadores. Tras escuchar lo que prepara Apple TV durante su evento en Los Ángeles, también recopilamos lo que tiene en agenda HBO Max, Netflix, Prime Video o Movistar Plus+ con la producción propia de series españolas.