Podcasts about percussion

Jared Shaw didn't build his career on one big break.He built it on being ready.National tours of Beautiful: The Carole King Musical and The Book of Mormon. Broadway sub credits on Tommy, Boop! The Musical, Beaches, and more. Four years as the drummer for Billy Mira & The Hitmen on the Howard Stern Show. Percussion guest with the National Symphony of Ghana. First drum chair of the NYU Broadway Orchestra under Ted Sperling. Over 40 theatrical productions in New York City.That's not a resume. That's a body of work built one gig at a time.He also came up the right way — NYU Steinhardt, Percussion Performance, University Honors, with minors in Business of Entertainment and Producing. In this episode, we get into what it actually took. How he approached learning difficult books. How he thinks about subbing. What touring taught him about professionalism. How electronic drumming and programming became part of his toolkit — not as a novelty, but as a necessity.We also talk about his studies with James Saporito, Shawn Pelton, and Valerie Naranjo. Three teachers who shaped how he hears music and approaches the instrument.This is a conversation about longevity. About what it actually takes to last in this business. About being the kind of drummer people call — and call back.If you're serious about how to get into subbing on Broadway, or getting a tour, this one's worth your time.For more: https://www.jared-shaw.comClayton Craddock is the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Episode 499 - Matthew Hinkle Pete's Percussion Podcast No File Recent Master of Music in Percussion Performance graduate from the University of Missouri Matthew Hinkle stops by to talk about his Master's degree recital program (03:35), his graduate assistantship duties in percussion and recording services (11:10), his interactions with the Mizzou faculty, his enjoyment of the grad cohort there, and his future in percussion (29:00), growing up in the St. Louis area, getting into percussion, and his years in DCI and WGI (44:40), his time attending community college while prepping for DCI auditions as well as getting starting working with high school drumlines (01:00:45), his undergrad years at Lindenwood University (MO) (01:07:15), his path to getting to Mizzou and more about his time as a percussion student (01:16:10), and finishes with the Random Ass Questions, including segments on WGI and DCI and how they supplement the undergrad percussion student, the bad movie Anaconda, cooking, great books, classic video games, and the music of Richard Strauss (01:27:20).Finishing with a Rave on the 2026 film I Love Boosters (01:54:40).Previous Podcast Guests mentioned: Megan Arns in 2016Julia Gaines-Montag in 2016Troy Hall in 2020Clif Walker in 2021Connor Stevens in 2021Other Links:Great Plains International Marimba Competition“Caleidoscopio” - Gene Kosinski“Canaries” - Elliot Carter“The Anvil Chorus” - David Lang“Khan Variations” - Alejandro Viñao“White Pines” - Michael BurrittThe Missouri SymphonyBlue Devils DCIFreedom Percussion WGI2019 Blue Devils showSebastian BuhtsDavid ArnsInterstellar trailerAnaconda trailerThe Percussionist's Art - Steven SchickMeditations - Marcus AureliusGone With the Wind - Margaret MitchellMusashi's DokkodoDOOM trailerDiablo IV trailerImo's PizzaEin Heidenleben - Richard StraussRaves:I Love Boosters trailer

PERCUSSION JUNCTION EP. 7 Show: Percussion Junction Artist: Ace Vedo Guest: MNX Air Date: 12 June 2026 Genre: House / Tech House / Progressive House / Jungle / Deep House Welcome to Percussion Junction Ep. 7 featuring Tampa, Florida's rising star dj/producers MNX. MikolAngelo and Xplicid formed MNX in 2020 and has been non stop ever since. These 2 together create a high energy force sure to rock any dance floor. Be sure to follow MNX on their journey @mnxmusic. Also Ace Vedo premieres her remix to Madonna's new track "Free" Thank you for listening! Tracklist: ACE VEDO TRACKLIST 1. LENNON (US)- Doing This (Extended) 2. RAFFA GUIDO, Stankisswell- Kitto (Extended) 3. Jesus Fernandez, Karl8 & Andrea Monta - Music Is The Answer (Dancin' And Prancin') (Extended) 4. Madonna- Free (Ace Vedo Remix) 5. REBRN - For Your Head (Original Mix) 6. Doc Du Funk - Get On (Extended) 7. MNX- Sem Parar (Extended) 8. Loz Seka - Venta (Original Mix) MNX TRACKLIST 1. MNX - Flavor (Extended) *unreleased* 2. Zero Point (ITA) - Shake That (Extended) 3. RSquared - Bring That Heat (Extended) 4. MNX - I Can Be A Freak (Extended) *unreleased* 5. TeeDee - i been goin' crazy (Extended) 6. Reuben Hurter - All these wires (Extended) 7. Gianni Firmaio - Rock N Roll (Extended) 8. MNX - Ol Skool Freek (Extended) *unreleased* 9. Masters At Work - Work (DASIC REMIX) Originally broadcast on Data Transmission Radio. Listen live and explore the archive: https://radio.datatransmission.co

durée : 00:03:36 Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

"Mvura (Shona for "water") was inspired by a field recording captured in the Jardin Majorelle in Marrakesh, Morocco. A space filled with birdsong, flowing water, passing voices, and a calm energy of nature."The composition began with sampling the sound of flowing water from the recording and building an Afro House journey around it. I wanted to fuse the organic atmosphere of the garden with the warmth, rhythm, and uplifting energy of Afro House. Percussion became a central element, reflecting both African and Arab musical textures and the shared sense of movement and celebration found across these cultures."The track progresses slowly and intentionally, allowing elements to unfold naturally ( like water itself). MVURA is meant to feel immersive: a balance between nature and dance, calm and motion, creating a joyful space where listeners can drift and move at the same time."Jardin Majorelle, Marrakesh reimagined by NdiniBeatz.

Episode 498 - Sam Quinones Pete's Percussion Podcast Following Pete's thoughts about his experiences at the Canadian Percussion Network's “The Space Between V” conference, Author and journalist Sam Quinones (The Perfect Tuba) stops by to talk about Sam's career in journalism, growing up in California, crime reporting, and writing about tuba players and band directors (06:05), his relationship with music, his love of various genres and styles, and his background in punk rock (16:20), his first jobs in writing and building his writing skill set, talking to interesting people, and some of his favorite writers (25:00), his early research on the book, Tuba Fats, and Robert Caro (36:05), the connections between addiction and fulfillment through hard work in music, along with the needs of bands directors to become advocates for their work (41:50), and finishes with the Random Ass Questions, with segments on the challenges for young journalists today, The Godfather films, and great music from The Rolling Stones, Sun Ra, and Emmylou Harris (01:05:45).Finishing with a Rave on the Sam Quinones book The Perfect Tuba: Forging Fulfillment from the Bass Horn, Band, and Hard Work (01:20:10).Sam Quinones Links:Sam Quinones' websiteThe Perfect Tuba - Sam QuinonesOther Links:The Stockton RecordThe Los Angeles TimesJune 17, 1994 trailer (The OJ Simpson chase)Folk Music Center“Carol” - The Rolling Stones“Mama Tried” - Merle Haggard“Stand By Your Man” - Tammy Wynette“Jambalaya” - Clifton Chenier“La Puerta Negra” - Los Tigres Del Norte“Sweet Emotion” - Aerosmith“What's Your Name” - Lynyrd Skynyrd“Chain Saw” - The Ramones“Clampdown” - The Clash“California Uber Alles” - Dead KennedysKillings - Calvin TrillinRobert CaroThe Corpse Had a Familiar Face - Edna BuchananOn Writing Well - William ZinsserNever Let Me Go - Kazuo IshiguroThe Godfather trailerThe Godfather Part II trailerGoodfellas trailer“Me and Billy the Kid” - Joe Ely“Space is The Place” - Sun RaQuarter Moon in a Ten Cent Town - Emmylou HarrisRaves:The Perfect Tuba - Sam Quinones

Drei Jahre nach ihrem Debüt präsentiert Marlène Colle mit "Heilige Scheiße" ein Werk, das private Bestandsaufnahme mit politischem Anspruch verknüpft. Zwischen Darkpop und Indie markiert das Album markiert eine thematische Weiterentwicklung von der “Feier der Kaputtheit” hin zu expliziten gesellschaftlichen Analysen. Ihr Debütalbum "Schade kaputt" thematisiert das menschliche Scheitern und den Umgang mit Unvollkommenheit. Und auch auf ihrem neuen Album erforscht sie diese Bilder weiter – taucht aber tiefer ein in das Systemische dahinter. So setzt sich Colle mit Vermögensverteilung ("Kein Arschloch") und zeitgenössischen Schönheitsidealen (“4&fck40") auseinander oder referenziert aktuelle feministische Literatur ("Bald") und entwirft das Szenario einer bevorstehenden gesellschaftlichen Revolution. Zudem findet sich in den neuen Liedern von PAULA PAULA auch immer wieder die Erkenntnis, dass dem Menschsein der konstante Verlust innewohnt. Entstanden ist "Heilige Scheiße" gemeinsam mit Kristina Koropecki (Cello, Backing Vocals und Produktion), Daniel Freitag (Synths, Produktion), Moritz Bossmann (E-Gitarre), Joda Foerster (Drums, Percussion) und Gisbert zu Knyphausen (Bass) im Studio. Die insgesamt zehn Lieder bewegen sich zwischen Chanson-haften Melodien und düsterem Art-Pop – und nach dem freudigen Debüt vor zwei Jahren, folgt mit "Heilige Scheiße" nun der würdige Nachfolger von Marlène Colle, mit dem sie dann im Herbst auf Tour geht.

Drei Jahre nach ihrem Debüt präsentiert Marlène Colle mit "Heilige Scheiße" ein Werk, das private Bestandsaufnahme mit politischem Anspruch verknüpft. Zwischen Darkpop und Indie markiert das Album markiert eine thematische Weiterentwicklung von der “Feier der Kaputtheit” hin zu expliziten gesellschaftlichen Analysen. Ihr Debütalbum "Schade kaputt" thematisiert das menschliche Scheitern und den Umgang mit Unvollkommenheit. Und auch auf ihrem neuen Album erforscht sie diese Bilder weiter – taucht aber tiefer ein in das Systemische dahinter. So setzt sich Colle mit Vermögensverteilung ("Kein Arschloch") und zeitgenössischen Schönheitsidealen (“4&fck40") auseinander oder referenziert aktuelle feministische Literatur ("Bald") und entwirft das Szenario einer bevorstehenden gesellschaftlichen Revolution. Zudem findet sich in den neuen Liedern von PAULA PAULA auch immer wieder die Erkenntnis, dass dem Menschsein der konstante Verlust innewohnt. Entstanden ist "Heilige Scheiße" gemeinsam mit Kristina Koropecki (Cello, Backing Vocals und Produktion), Daniel Freitag (Synths, Produktion), Moritz Bossmann (E-Gitarre), Joda Foerster (Drums, Percussion) und Gisbert zu Knyphausen (Bass) im Studio. Die insgesamt zehn Lieder bewegen sich zwischen Chanson-haften Melodien und düsterem Art-Pop – und nach dem freudigen Debüt vor zwei Jahren, folgt mit "Heilige Scheiße" nun der würdige Nachfolger von Marlène Colle, mit dem sie dann im Herbst auf Tour geht.

Episode 497 - Candice Hill Pete's Percussion Podcast Kansas City-based freelancing percussionist, educator, Steel Pan artist, composer and arranger Candice Hill stops by to talk about her career in KC and getting started there, along with her time performing with the Kansas City Chiefs drumline (03:45), teaching and performing in town, arranging and composing, and her work “Red City Calypso” (21:30), growing up in Columbia (MO) and her family musical background (34:45), her undergrad years at Missouri State University, marching band and lessons, getting into steel pan performance, and Music Education vs. Music Performance degrees (44:55), attending Northern Illinois University for her master's in Steel Pan Performance, studying with Liam Teague and Cliff Alexis, dealing with performance anxiety, and keeping up with her non-steel band percussion skills (01:04:15), and settles in for the Random Ass Questions, including segments on being a woman in the field of percussion, Pete getting to work with Candice and Emily Lemmermann for the Missouri Mass Steel Band performance last month, Dirty Dancing, Crafts and Baking, experiencing Panorama in Trinidad and Tobago, bad cleaning jobs, and the excellence of Steel Band all over the world (01:27:20).Finishing with a Rave on the 2026 film Michael (01:54:30).Candice Hill Links:Candice Hill's website“Red City Calypso” - Candice HillPrevious Podcast Guests mentioned:Emily Lemmermann in 2019Julia Gaines-Montag in 2016Scott Cameron in 2016Liam Teague in 2025Rich Holly in 2020Raychel Taylor in 2020Amanda Duncan in 2023Elizabeth DeLamater in 2019Other Links:Matt Arnet“Tornado” - Mitch MarkovichJohn PattersonBlast!Al O'ConnorCliff Alexis“Because” - The Beatles“Island in the Sun” - Len “Boogsie” SharpeYuko AsadaMia Gormandy-BenjaminRobert ChappellScott McConnellDirty Dancing trailerUnheard Voices - Myrna NurseCricut crafts“Pan by Storm” - Skiffle BunchBen YanceyRaves:Michael trailer

Performance and Works used with permission from the artist and venue. Founded in Chicago and Led by Bassist Kevin Robert Martinez, Reclamation Band is modern jazz with an open rural backdrop. Its unique combination of composed and improvised elements evokes an array of moods and styles such as Americana, Avante-Garde and Blues. A number of things make this group's sound unique. The first is the equal division between a guitar and two saxophone leads versus a rhythm section that includes Bass and Bass Clarinet along with drums. I'm a sucker for the Bass Clarinet sound and Kevin really understands how to leverage that sound in a way few other composers do. The second is that the group functions more as a versatile collective than as a fixed unit. Some configurations exchange a saxophone for a trumpet while others exclude guitar. Kevin took eight months off from the band before regrouping for a tour in support of their recent release These Roads and the new material shines as a result. Featuring Kevin Martinez on Bass, Anthony Tadeo on Percussion, Dan Bruce on Guitar, Tony Spicer on Bass Clarinet, Chris Coles on Alto Saxophone and Tim McDonald on Tenor Saxophone, and from a July 19th, 2025 performance it's the Reclamation Band…Live at the Bop Stop. You're listening to Reclamation Band. Live at the Bop Stop.

"I steered safely around the lions only featuring a loop of a growl buried towards the end of the piece. I was more intrigued by the sound of insects and cracking undergrowth, moving noises. These were sampled and re pitched. I added kalimba played through a granular effects pedal and it skittered around the mix. Percussion shakes were found sounds of beads brushed on a contact mic. "Finally I added a free form melody via the tocante phashi. This is a solar powered touch synth that has a very esoteric playing style ( live circuit bending) and strange tuning structure. It added a haunting feel as modular synth emulated insect noises and something prowled just out of sight."Serengeti soundscape reimagined by Andy Billington.

Episode 496 - Terry Sweeney Pete's Percussion Podcast Sandbox Percussion Member and Educator Terry Sweeney stops by to talk about his work with Sandbox, their teaching at the University of Missouri-Kansas City and Mannes (NY), and the Bob Van Sice influence (03:50), the beginnings of Sandbox Percussion, Terry's challenges of performing in Sandbox and finishing his master's degree at the same time, the Brooklyn studio, and the challenges and workings of scheduling (19:40), growing up in Michigan, his drumset and drumline background, and connecting with Gwen Dease through Interlochen (57:00), attending Peabody Conservatory (MD) for undergrad and studying with Bob Van Sice, and heading to Yale University (CT) for grad school, continuing with Van Sice, and some of the other folks he worked with during his time there (01:11:00), and finishes with the Random Ass Questions, including segments on working with Andy Akiho, training for triathlons, his fandom for popcorn, and the work Canto Ostinato (01:18:15).Finishing with a Rave on the band Sound Society (01:51:20).Terry Sweeney links:Sandbox PercussionTerry at SandboxPrevious Podcast Guests Mentioned:Victor Caccese in 2019Ian Rosenbaum in 2025Jonny Allen in 2026Gwen Dease in 2017Garrett Arney in 2019Amy Smith in 2018Julie Hill in 2019Julie Davila in 2019David Skidmore in 2025Sean Connors in 2025Peter Martin in 2025Robert Dillon in 2025Other Links:Robert Van Sice“Extremes” - Jason Treuting“Mallet Quartet” - Steve Reich“Drumming” - Steve ReichSo PercussionEighth BlackbirdPat Metheny GroupAntonio SanchezInterlochen“Porgy and Bess” xylophone excerptModern School for Xylophone, Marimba, and Vibraphone - Morris GoldenbergYale Percussion Group“Mirage” - Yasuo SueyoshiPaul Berry“Time for Marimba” - Minoru MikiAftersun trailerA Rainy Day in New York trailerMy Struggle - Karl One KnausgardCanto Ostinato - Simeon ten HoltRaves:Sound Society

On this episode of The Bandwich Tapes, I sit down with percussionist, composer, and educator Michael Burritt for a wide-ranging conversation about teaching, performing, composing, and the responsibility that comes with shaping generations of musicians. Michael reflects on his years at Eastman, the path that brought him there, and the deep sense of purpose he feels in helping students grow not just as players, but as people.We spend a lot of time talking about mentorship and what it means to build a studio culture rooted in excellence, curiosity, humility, and trust. Michael shares thoughtful reflections on former students like Brett Dietz, Jake Nissly, and Peter Martin, and what makes it so meaningful to watch students go on to become artists, educators, and leaders in their own right. What comes through clearly is that for him, teaching has never been about producing one type of player. It has always been about helping each student become more fully themselves.We also dig into the evolution of percussion pedagogy and marimba playing over the last few decades. Michael talks about the opportunities and distractions that come with instant access to recordings, the increasing technical level of incoming students, and the importance of still building a strong pedagogical foundation. He speaks candidly about sound, time, phrasing, touch, and the long arc of helping a student develop an ear that demands more of their own playing.Along the way, we get into composition, repertoire, and how marimba literature has expanded over the course of his career. Michael shares how he approaches writing for the instrument, what happens when non-percussionist composers write for marimba, and why the best music still puts musical meaning ahead of technical display. By the end of the conversation, what lingers most is Michael's humility. For someone who has had such an enormous impact on percussion, he keeps coming back to gratitude, relationships, and the privilege of being part of an art form that is still growing.Key TakeawaysMichael sees teaching as both a musical and human responsibility, with equal emphasis on artistry, character, confidence, and humility.He takes great pride in building a studio culture where students are challenged, supported, and encouraged to develop their own distinct musical identities.Today's percussion students often arrive with higher technical ability and more exposure to recordings, but not always with the same step-by-step pedagogical grounding.For Michael, great playing starts with the ear: students have to hear the sound they want deeply enough that their hands learn how to produce it.He believes percussion pedagogy still needs more repertoire that bridges the gap between intermediate literature and major large-scale works.As a composer, he moves between the instrument and the keyboard, always trying to balance intuitive writing with musical structure and instrumental understanding.When he reflects on legacy, he returns less to accolades and more to relationships, student growth, and the chance to remain part of his students' lives long after they leave school.Music from the EpisodeMichael Burritt - Sweet Dreams and Time MachinesMichael Burritt - Burritt VariationsMichael Burritt - Into the AirMichael Burritt - White PinesAbout the PodcastThe Bandwich Tapes is a podcast where I sit down with musicians, composers, educators, and creative artists for thoughtful conversations about craft, collaboration, career, and the deeper stories behind a life in music. It's a space for honest dialogue, musical curiosity, and the kinds of conversations that go beyond the surface.Connect with the ShowEmail: contact@thebandwichtapes.com

Percussion auf Benzinkanistern: Dirigent Santtu-Matias Rouvali zeigt in der Isarphilharmonie, wie groovy das BRSO klingen kann. Im Interview spricht er über sein Debüt mit dem Orchester, seine Liebe zu Sibelius und Saunaabende.

Send us a text and chime in!Arizona Philharmonic invites Prescott audiences to experience something altogether different this spring: the Quarter Millennium Concert, performed outdoors under the ponderosa pines at the Highlands Center for Natural History's Kiwanis Amphitheater, Saturday, May 23, with performances at 2:00 PM and 7:00 PM. Presented in collaboration with the Highlands Center, the concert features manos Percussion, a classically trained percussion trio bringing 38 instruments to an open-air stage bordered by forest on three sides. manos Percussion is making its third appearance in Prescott under the Arizona Philharmonic banner, and this time performs as part of a statewide Arizona tour. The Concert The...   For the written story, read here >> https://www.signalsaz.com/articles/prescott-concert-celebrates-250-years-of-music/ Check out the CAST11.com Website at: https://CAST11.com Follow the CAST11 Podcast Network on Facebook at: https://Facebook.com/CAST11AZFollow Cast11 Instagram at: https://www.instagram.com/cast11_podcast_network

On this episode of The Bandwich Tapes, I sit down with composer Adam Schoenberg for a thoughtful and deeply human conversation about artistic identity, creative conviction, and the long arc of a life in music. Adam reflects on the early success of Finding Rothko, the orchestral work that helped put him on the map, and what it means to look back on a piece written in his twenties with both gratitude and perspective.We talk about the tension between writing to please others and writing from a place of honesty. Adam shares a formative story from his student years about reshaping a piece to fit institutional expectations, only to realize later that the version that truly sounded like him was the one that opened doors. It leads us into a wider conversation about tonality, contemporary classical music, and why he believes today's musical landscape is more open to different kinds of expression than it once was.Adam also opens up about mentorship, education, and the very different kinds of teachers who shaped him along the way. We discuss studying with John Corigliano, the emotional difficulty of feeling artistically out of place as a young composer, and how those experiences ultimately influenced the kind of teacher he wanted to become for his own students.One of the most moving parts of our conversation centers on Adam's recent health crisis and the way it has changed his relationship to composing, ambition, and time. He speaks candidly about depression, survival, recovery, and the vulnerability of returning to the page after a long silence. We also talk about his percussion concerto Losing Earth, his collaborative relationship with percussionist Jake Nissly, and a powerful new work on the horizon: a Concerto for Body that explores illness, healing, and the orchestra as a living system.Key TakeawaysAdam Schoenberg's breakout orchestral work, Finding Rothko, launched his career and continues to resonate with audiences nearly 20 years later.He learned early on that shaping music to satisfy gatekeepers can come at the expense of artistic truth.Studying with mentors like Robert Beaser and John Corigliano helped him refine both his craft and his confidence as a composer.Adam sees today's classical music world as more stylistically open, with greater room for composers to write in an authentic voice.His percussion concerto Losing Earth, written for Jake Nissly and the San Francisco Symphony, grew out of a highly collaborative process and a desire to create an immersive musical experience.A serious medical crisis took Adam away from composing for nearly two years and forced him to rethink identity, ambition, and what kind of work still matters to him.His upcoming Concerto for Body reflects a new creative chapter shaped by illness, survival, and the experience of coming back.Music from the EpisodeAdam Schoenberg - American Symphony - I. Fanfare - Kansas City Symphony (Michael Stern, Conductor)Adam Schoenberg - Finding Rothko - III. Red - Kansas City Symphony (Michael Stern, Conductor)Adam Schoenberg - Losing Earth: Concerto for Percussion & Wind Ensemble - The University of Texas Wind Ensemble (Jerry Junkin, conductor) - Jake Nissly - percussionAbout the PodcastThe Bandwich Tapes is a podcast where I sit down with musicians, composers, songwriters, and creative artists for honest conversations about craft, collaboration, career paths, and the deeper stories behind the work. It's a space for thoughtful musical dialogue, with a focus on process, perspective, and the lived experience of making art.Connect with the ShowEmail: contact@thebandwichtapes.com

durée : 00:28:56 - Les émissions culturelles de France Culture - par : Marie Labory - Ambassadrice enthousiaste de son instrument, le méconnu marimba, Vassilena Serafimova s'apprête à prendre la tête des prestigieuses Percussions de Strasbourg et sort un nouvel album, "Melodies in a bottle" avec le Quatuor Ardeo. - réalisation : Laurence Malonda, Boris Pineau, Aïssatou N'Doye, Jules Barbier, Zohra Vignais, Lise Ripoche, Mathi Adjinsoff - invités : Vassilena Serafimova Marimba Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Welcome to episode 6 of Percussion Junction with Ace Vedo. This months episode features the fashionista DJ/Producer DJ Funshine. She is known for her high energy and feel good beats, not only does she throw down on the dance floor she is a fashion icon located in Munich, Germany. Her style and beats electrify any dance floor, from brands like Louis Vuitton to the flashing lights shining the club floors. DJ Funshine has been djing since 2009 and producing music a little over a year. She premieres her first single “Number 9” in this episode stay tuned and thank you for listening! ⚡️Like the Show? Click the [Repost] ↻ button so more people can hear it!

California-based Percussionist, Educator, and Adjudicator Genevieve Hilburn returns for Part 2 of our conversation! She's here to discuss getting into the Master's Program at East Texas A&M University, studying with Brian Zator and his community of percussion experts, and the focus on developing young percussionists there (04:20), Genevieve's experiences with the drumline at the school, her post-master's degree plans, getting her jobs at CSU-Bakersfield and Bakersfield College, and her thoughts on the job considerations and preparations for graduate students (27:05), and she settles in for the Random Ass Questions, including segments on counting rests, being a woman in the percussion world, “programmatic intent”, vintage clothing and furniture, Wes Anderson Movies, great books, Australia, the Blue Coats, and so much more (48:50).Finishing with a Rave on the books that supported Pete's teaching of his Music and the Movies course at Mizzou (01:35:40).Genevieve Hilburn Links:Part 1 with Genevieve HilburnGenevieve Hilburn's Bakersfield College pagePrevious Podcast Guests Mentioned:Britton-René Collins in 2023Brian Zator in 2017Lauren Teel in 2017The Vesna Duo in 2022Louis Raymond-Kolker in 2024Mark Ford in 2023Julie Davila in 2019Kathryn Irwin in 2024Alexis C. Lamb in 2021Gwen Dease in 2017Casey Cangelosi in 2017Kevin Bobo in 2017Victoria Sparks in 2018Other Links:Sean ClarkCavaliers 1995 DCI Show - “The Planets”Chad FloydPius CheungJeff AusdemoreSandi RennickGreg PowerMatthew HowardKenneth McGrathNancy ZeltsmanJi Hye JungGunne Sax clothesMoonrise Kingdom trailerThe Grand Budapest Hotel trailerThe Royal Tenenbaums trailerFantastic Mr. Fox trailerStar Wars, Episode 1: The Phantom Menace trailerTo Kill a Mockingbird - Harper LeeBraiding Sweetgrass - Robin Wall KimmererDashner Design and RestorationThe Crocodile HunterH-E-B Tres Leches CakeTIERRAS South Texas Percussion Competition2019 Blue Coats WarmupRaves:Audio-Vision: Sound on Screen - Michel ChionReel Music: Exploring 100 Years of Film Music - Roger Hickman

On this episode of The Bandwich Tapes, I sit down with composer, performer, and educator Casey Cangelosi for a conversation that moves comfortably between teaching, podcasting, composing, and the realities of building a life in the percussion world. Casey teaches at James Madison University, where he directs a busy percussion studio and constantly balances artistic ambition with the practical challenges of giving students meaningful performance opportunities.We talk about how he approaches programming percussion ensemble, often leaning toward smaller-group repertoire that allows more students to develop chamber instincts and real musical ownership. That naturally leads into a larger discussion about education, specifically the gap that can exist between strong performance skills and deep knowledge of repertoire. Casey makes a compelling case for listening, score study, and curiosity as essential parts of becoming a complete musician.A big part of Casey's recent creative life has been the Percussion Podcast, where he hosted more than 300 episodes of conversations with percussionists and composers. He reflects honestly on what that project gave him, as a communicator, teacher, and community builder, as well as the real workload of producing that many episodes and the challenge of keeping conversations fresh over time.We also spend time inside Casey's composing process. He talks about the difference between writing for hands versus writing for humans, and how limitations, instrumentation, skill level, or context can actually unlock more interesting musical ideas. Increasingly, he's thinking about accessibility in repertoire: writing music that still feels compelling but can reach more performers instead of only fitting one ideal player.Toward the end, Casey shares some of the unexpected places his music has recently appeared, including projects connected to theater, dance, and visual art, from a performance context in Mannheim, to an installation tied to Ligeti's 100 Metronomes, to a circus production in Italy using his piece Bad Touch. It's a reminder that percussion music continues to travel in surprising directions.Key TakeawaysTeaching requires balancing artistry and logistics — ensemble programming often means finding ways for more students to perform meaningfully.Listening and score study deepen musicianship — strong playing should be paired with a deep knowledge of repertoire.Podcasting builds community but demands consistency — producing hundreds of episodes requires serious time and energy.Constraints can unlock creativity — limitations often lead to stronger compositional ideas.Writing for performers matters — accessible repertoire can reach more musicians without sacrificing musical depth.Percussion music is expanding beyond traditional venues — Casey's work now appears in theater, visual art, and interdisciplinary projects.Curiosity fuels long careers — staying open to new contexts keeps creative work evolving.Music from the EpisodeScry - Casey CangelosiBlink - Casey CangelosiThe Big Audition - Casey CangelosiLigeti: Symphonic Poem for 100 Metronomes - Casey CangelosiAbout the PodcastThe Bandwich Tapes is a podcast hosted by Brad Williams, featuring conversations with musicians, composers, producers, and creative thinkers about their musical journeys. Each episode explores the influences, decisions, and experiences that shape a life in music—one conversation at a time.Connect with the ShowEmail: contact@thebandwichtapes.com

KEXP presents Home Front performing live in the KEXP studio. Recorded March 25, 2026. Light Sleeper Watch It Die Between The Waves Eulogy The Vanishing Clint Frazier - Synths, Keys, Drums, Percussion, Drum Machines & Programming Graeme MacKinnon - Guitar, Bass, Vocals Brandi Strauss - BassIan Rowley - Guitar, Vocals Warren Oostlander - Drums, Percussion Host: West Keller Audio Mastering & Engineer: Kevin Suggs https://www.homefrontband.comhttp://kexp.org Join this channel to get access to perks:https://www.youtube.com/channel/UC3I2GFN_F8WudD_2jUZbojA/join Photo by Carlos CruzSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

California State University – Bakersfield and Bakersfield College Percussion Professor Genevieve Hilburn stops by to talk about her teaching at both schools (04:20), the influence of DCI and WGI on teaching in California schools and the challenges of teaching in the performing arts (15:00), getting into the WGI judging circuit, her work with the Percussive Arts Society and her freelancing career (29:45), growing up in Southern California, her early years in music, and her time in the Girl Scouts (49:40), and her time in undergrad at the CSU – Northridge (01:01:50).Finishing with a Rave on a recent performance with the Missouri Symphony on their “Best of Broadway” concert (01:08:00).Genevieve Hilburn links:Genevieve Hilburn's Bakersfield College pagePrevious Podcast Guests mentioned:Britton-René Collins in 2023Brian Zator in 2017Lauren Teel in 2017The Vesna Duo in 2022Louis Raymond-Kolker in 2024Other Links:James Logan Band and Color GuardSandi RennickJeff AusdemoreDavid WalkerJohn Luther AdamsKai StrobelJohn MagnussenAaron SmithRaves:The Missouri Symphony Orchestra

KEXP presents Cochemea performing live in the KEXP studio. Recorded March 11, 2026. 1. Otros Mundos2. Ancestros Futuros3. Omeyocan4. Pyramid Of The Sun5. The Land Swallowed Them Whole Cochemea Gastelum - Sax, ShakersElizabeth Pupo Walker - Congas, Bongos, African Tom, PercussionElenna Canlas - Keys, Percussion, VocalsGeoffrey Mann - Drums, Percussion, ShekeneJustin Kimmel - Bass, Percussion, Vox Host: Kevin SurAudio Engineer: Kevin SuggsMastering Engineer: Matt Ogaz https://www.cochemea.comhttp://kexp.org Join this channel to get access to perks:https://www.youtube.com/channel/UC3I2GFN_F8WudD_2jUZbojA/join Photo by Carlos CruzSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

On this episode of The Bandwich Tapes, I sit down with percussionist Jake Nissly, Principal Percussionist of the San Francisco Symphony, for a conversation about what it actually takes to build and sustain a career at the highest level of orchestral playing. Jake's résumé is remarkable, but what stands out even more is the range of hats he wears: orchestral musician, soloist, educator, department chair at the San Francisco Conservatory of Music, drum set player, former drum corps kid, and even Little League coach.We spend time unpacking the reality of orchestral auditions, the intense preparation, the psychological pressure of playing behind a screen, and the almost figure-skating-level precision required to compete in that world. Jake walks through his own path: winning the Detroit Symphony job at 26, then later the Cleveland Orchestra, and ultimately facing the difficult experience of not receiving tenure. Rather than ending his trajectory, that moment reshaped it and eventually led him to the San Francisco Symphony.One of my favorite parts of this conversation centers on Jake's concept of feel. He credits much of his orchestral success to his background in drum set and drum corps, where groove, flexibility, and listening are everything. That experience, he says, translates directly into orchestral playing, even in repertoire like Mahler or Ravel's Bolero, where there's still a pocket to find if you're listening closely enough.We also talk about teaching and the changing landscape for young musicians. Jake shares thoughtful insights about how YouTube and digital access have transformed preparation, often producing incredibly polished players who sometimes struggle to develop ownership, personality, and soul in their playing. It's an honest conversation about pedagogy, resilience, and the kind of musicianship that lifts everyone in the room.Key TakeawaysOrchestral auditions demand extraordinary precision — success often comes down to microscopic musical details.Career paths are rarely linear — setbacks can become turning points rather than endings.Groove matters in orchestral music — Jake's drum set and drum corps background inform his orchestral feel.Listening is the core skill — great musicians adjust in real time to the ensemble around them.Technical mastery alone isn't enough — personality and ownership bring music to life.Teaching requires adapting to new generations — digital resources have reshaped how students prepare.Leadership in music is collaborative — the best players elevate the entire ensemble.Music from the EpisodeJohn Adams - City Noir: I. The City and its Double - St. Louis Symphony (David Robertson, conductor) - Jake Nissly - drum setAdam Schoenberg - Losing Earth: Concerto for Percussion & Wind Ensemble - The University of Texas Wind Ensemble (Jerry Junkin, conductor) - Jake Nissly - percussionAbout the PodcastThe Bandwich Tapes is a podcast hosted by Brad Williams, featuring conversations with musicians, composers, producers, and creative thinkers about their musical journeys. Each episode explores the influences, decisions, and experiences that shape a life in music—one conversation at a time.Connect with the ShowEmail: contact@thebandwichtapes.com

Rhonesha Byng has a mantra: No one ever slows her agenda. It's motivated her for the last 18 years of building her award-winning digital media company, and provided its name - Her Agenda - with the goal of providing resources and inspiration for professional women as they ascend in their careers. Core to this mission is autonomy - as a critical element underlying the success of her audience, and for Rhonesha herself. In her two decades building Her Agenda, Rhonesha has retained 100% ownership and control, which has served her as she's navigated the shifting, roiling media landscape with the agility required to adapt. In this episode of The Breadwinners, host Rachael Lowell talks to Rhonesha about why it's crucial for women to prioritize their own power, why community is her secret weapon, and what it takes to build something that lasts. SHOW NOTES Rhonesha Byng Her Agenda Social: Rhonesha Byng IG Rhonesha Byng Linkedin Her Agenda IG Her Agenda Linkedin Croutons: ⁠Her Agenda Podcast Her Agenda Live⁠ Her Agenda Breakthrough Grant Her Agenda Groundbreakers *** "The Breadwinners" Season 7 is a joint production between Reworking Leadership and The Smart Friends Network, generously supported by Ruth Ann Harnisch. "The Breadwinners" was founded by Rachael Lowell and Jennifer Owens in 2019.Host: Rachael LowellExecutive Producers: Rachael Lowell, Rachel SklarAudio Engineer: Ron PassaroOriginal Music: "Perfect" by Hannah BakkeRick Snell: GuitarCesar Moreno: BanjoNyssa Grant: FiddleErik Alvar: BassJustin D. Cook: Keyboard, Percussion, and OrchestrationVocals: Hannah Bakke, Cassidy StonerHannah Bakke: Music and Lyrics To stay up to date with The Breadwinners, please follow us on Instagram: https://www.instagram.com/thebreadwinnerspodcast Find Rachael Lowell at https://reworkingleadership.com & take the SHIFT assessment here: https://leadtheshift.ai If you enjoyed this episode, please subscribe, rate, review & share! Thank you for listening. Still we rise! Learn more about your ad choices. Visit megaphone.fm/adchoices

Maryland-based Freelancing Percussionist, Recording Artist, Composer, Author and Admissions Counselor Jenna Duranko stops by to talk about her career, her seminary studies, playing in senior-living spaces, and her recent album Mosaic (04:20), growing up in Frederick (MD), her early musical background in choir, piano and French horn, and her time in the girl scouts (24:00), attending Radford University (VA) for undergrad, recent podcast guest Meridythe Witt, becoming a percussion major and starting from scratch, and majoring in Music Business (34:20), her 7 years working in radio, creating a career through solo marimba performance, how the pandemic changed her career and called her towards ministry, and her current composition project (53:40), and settles in for the Random Ass Questions, including segments on why musicians always need to be paid, Tervis Tumblers, the band B*Witched, The Pittsburgh Steelers, library work, Macado's Restaurant, and the Artemis II (01:12:40).Finishing with a Rave on Pete's experiences with the 2026 Missouri Day of Percussion and co-leading the Mass Steel Band (01:38:15).Jenna Duranko links:Jenna Duranko's Facebook pageJenna Duranko's Instagram pageMosaic - Jenna DurankoPrevious Podcast Guests Mentioned:Meridythe Witt in 2026Jeff Calissi in 2017Megan Arns in 2017Emily Lemmermann in 2019Brian Zator in 2017Connor Viets in 2024Other Links:Robert SanderlLancaster Theological SeminaryPreaching and Music - Catherine Williams“Michi” - Keiko Abe“Wind in the Bamboo Grove” - Keiko AbeTaubmann Museum of ArtNational Ovarian Cancer CoalitionRizpahB*WitchedTervis TumblersThe Legend of Bagger Vance trailerGone with the Wind trailerThe Giver - Lois LowryBen Roethlisberger highlightsAaron Rodgers highlightsMike TomlinMacado'sHighlander PizzaRaves:2026 Missouri Day of Percussion

Why “Believability” Is Winning WGI 2026 + Full Results RecapYour All-Access Pass to the Marching Arts.WGI 2026 is officially in the books, and one theme stood out across color guard, percussion, and winds: believability. This week, the On A Water Break panel breaks down championship results, performance quality, judging conversations, and what instructors need to rethink heading into next season.Joey Montes is joined by Jeremy Denzer, Haley Harrington, and guest Aaron Ferris for a full weekly episode covering WGI results, DCI Hall of Fame news, and a 60 Second Tech Block on what “performing” really means.Panel:Joey Montes — @marchingbymontesJeremy Denzer — @jeremydenzerHaley Harrington — @h_harrington14Aaron Ferris — @phunky.afTimestamps:00:00 – Intro + Panel Welcom02:45 – 32 Count Life Story: Aaron Ferris08:04 – News: Buc-ee's Ohio Store Chaos at WGI10:05 – DCI Hall of Fame 2026 Announced11:29 – WGI 2026 Color Guard Results Breakdown14:34 – WGI 2026 Percussion Results Breakdown23:12 – WGI 2026 Winds Results Breakdown28:02 – 60 Second Tech Block: What Is Performance Quality?33:23 – Water We Doing: Judging + Social Media Rants47:50 – Gush & Go54:35 – Closing Thoughts + Where to FollowIn This Episode:WGI 2026 Color Guard, Percussion, and Winds resultsWhy believability is separating top groupsDCI Hall of Fame Class of 2026Judging, social media, and educator responsibility60 Second Tech Block: Performance QualityLinks:WGI Scores Hub: https://www.wgi.org/scores/WGI Color Guard Scores: https://www.wgi.org/scores/color-guard-scores/WGI Winds Scores: https://www.wgi.org/scores/winds-scores/DCI Hall of Fame 2026: https://www.dci.org/news/five-to-be-inducted-into-dci-hall-of-fame-class-of-2026/Listen Everywhere: https://plinkhq.com/i/1653637341?to=pageOAWB Website: https://www.onawaterbreak.comAll Links: https://linktr.ee/onawaterbreakSponsor:Guard Closet — https://www.guardcloset.comInstagram: @guardclosetFollow On A Water Break:Instagram/Facebook/TikTok: @onawaterbreak#OnAWaterBreak #WGI2026 #ColorGuard #IndoorPercussion #Winds #MarchingArts

Indiana Band Program Targeted by Politician Sparks National Debate on Music EducationThis Quick Sip dives into a major developing story involving the Westfield High School Band Program and their indoor percussion group following the WGI season.Band Director Andrew Muth joins On A Water Break to explain what happened after a state politician shared a post criticizing the program—bringing unexpected national attention to their students and their work.Rather than reacting negatively, the program used the moment to advocate for music education and support their students.⏱️ Episode Chapters:00:00 – Intro00:21 – Guest Introduction01:03 – 32 Count Life Story02:23 – The Controversy Explained03:54 – Student Impact05:22 – Supporting Students06:02 – Crisis Response Strategy08:24 – How to Support Westfield09:46 – Closing

New York City-based Freelancing Percussionist, Teacher and Composer Caitlin Cawley stops by to talk about her professional life and her work with the percussion groups Talujon and Mantra Percussion (04:20), growing up on Long Island, her musical beginnings, and her time in the Juilliard pre-college program (22:00), attending Boston University and Manhattan School of Music for her undergrad and grad career, and how the pandemic and a health scare changed the scope of her percussion future (47:40), and settles in for the Random Ass Questions, including discussions of her experiences in the percussion world as a woman, great science-fiction books and series, New York Pizza, the New York Rangers, great visual art, and KPOP Demon Hunters (01:17:20).Finishing with a Rave on the 2025 documentary film Thank You Very Much (01:44:40).Caitlin Cawley Links: Caitlin Cawley's websiteTalujonMantra PercussionPrevious Podcast Guests Mentioned:Mika Godbole in 2026Ian Antonio in 2023Maria Finkelmeier in 2018Pablo Rieppi in 2024Other Links:Bash the TrashGreg JukesThe Spence SchoolBrass QueensDewa AlitLa MamaMichael LipseyDavid CossinChristopher Graham“Get Off of My Cloud” - The Rolling Stones“Honky Tonk Women” - The Rolling Stones“Sonic Meditation 1” - Pauline OliverosHypermobilityJonathan HaasGreg GiannascoliSam SolomonTim GenisMatthew PellegrinoThe Fifth Element trailerWhiplash trailerThe Great Cities - NK JemisinThe Dune Series - Frank HerbertUrsula K. Le GuinThe Daevabad Trilogy - S.A. ChakrabortyThe Adventures of Amina al-Sirafi - S.A. ChakrabortyEmpire AI - Karen HaoR.F. KuangKatie LedeckyNew York Rangers 1994 Stanley CupJoe and Sal's PizzaKPop Demon Hunters trailerRaves:Thank You Very Much trailer

Live Recorded Set from VirtualDJ Radio Hypnotica

Send us Fan MailBorn From Good Times, Bad Times, & the Blues. Herald-Palladium Readers Choice Award Winners of 2024. Best local entertainment and Blues Rock Band. Rodney Mills on Vocals and Guitar, Frank Rotondo on Bass, Billy Canty on Drums and Percussion. Newest EP out in May 2025 with another EP set for late spring of 2026. Breaking boundaries with crossover songs such as Good, Bad, & the Blues, and One Way Woman the Resurrection Blues Band is making waves on both the Blues Radio and Rock Radio Stations. Broke Down In Clarksville has been a favorite on the United Kingdom Radio Circuit as well as Blame Game and Sugar Daddy, while Happy Days has had a contemporary Rock Success. Any way you look at it, the Resurrection Blues Band is focused on not being pigeonholed into one category.Support the showPodcast edited by Paul Martin.Theme song courtesy of M&R Rush.www.rocknrollchicagopodcast.com

durée : 00:15:37 - par : Lionel Esparza - Ancien élève de Béla Bartók à Budapest, Fritz Reiner a été l'un des grands défenseurs de sa musique. En décembre 1958, le chef grave avec le Chicago Symphony Orchestra une Musique pour cordes, percussion et célesta devenue mythique : urgence rythmique, mordant, éclat des couleurs. - réalisation : Flora Sternadel Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

At The NAMM Show 2026, Drum Workshop turned its booth into a walk-through of what a modern drum company looks like when craft, heritage, and engineering share the same floor. Scott Donnell, Director of Brand Management at Drum Workshop, Inc., guided us through a lineup that spans the DW Custom Shop, the revived Slingerland Radio King line, Latin Percussion, Pacific Drums and Percussion, and the brand's new DW Manufacturing series. The DW Custom Shop stand is a visible argument for customization as a sonic decision, not just a cosmetic one. Chrome, gold, satin chrome, and black hardware. Polyester sprays, three durable lacquers, exotic plies, and ply wraps. When a drummer specifies wood species, ply count, and grain orientation, they are designing the drum's voice from the inside out. The Slingerland revival gets the faithful-reproduction treatment. Radio King studio kits on display are solid, steam-bent maple shells with the original three-point throw-off and stick saver hoops, built in California. Scott Donnell speaks about the line the way a curator talks about a restoration: get the details right, honor what drummers remember, and let the sound do the rest. Donnell frames DW's innovation as a stack of deliberate decisions rather than a single breakthrough. DW stamps a note into each shell through a process called timbre matching, which ensures the kit is manufactured as a family. Pair that with grain orientation technology, True Pitch tuning, and resonance-focused tom mounting systems, and drummers never end up with an orphan drum in their kit. Marking the tenth anniversary of True Cast, the new DW Manufacturing four by 14 piccolo features a five millimeter sand-cast shell, cast bronze hoops, and fully machined brass and bronze hardware. Only one hundred are being made globally, each arriving in an Anvil flight case. A recent DW video features Dave Elitch and Abe Laboriel Jr. playing the drum with Paul McCartney. The conversation closes on a Red Hot Chili Peppers tour kit gifted to the DW museum by Chad Smith, which will join Neil Peart's and Terry Bozzio's tour kits on display while DW builds Chad new Sonic flight drums for the band's next tour. Pacific Drums and Percussion, LP's top-tuning congas, Tony Escapa's signature hand percussion series, and DWE round out the booth. Drum Workshop is not hiding how the drums get made. Take the tour, take the pictures, watch the videos, and the innovation speaks for itself. This is a Brand Spotlight. A Brand Spotlight is a ~15 minute conversation designed to explore the guest, their company, and what makes their approach unique. Learn more: https://www.studioc60.com/creation#spotlight GUEST Scott Donnell, Director of Brand Management, Drum Workshop, Inc. (DW Drums) LinkedIn: https://www.linkedin.com/in/scott-donnell-2964a129/ RESOURCES DW Drums: https://www.dwdrums.com Pacific Drums and Percussion: https://www.pacificdrums.com DW Music Foundation: https://www.dwmf.org The NAMM Show: https://www.namm.org Are you interested in telling your story? ▶︎ Full Length Brand Story: https://www.studioc60.com/content-creation#full ▶︎ Brand Spotlight Story: https://www.studioc60.com/content-creation#spotlight ▶︎ Brand Highlight Story: https://www.studioc60.com/content-creation#highlight KEYWORDS Scott Donnell, Drum Workshop, DW Drums, Sean Martin, brand story, brand marketing, marketing podcast, brand spotlight, NAMM Show 2026, NAMM 2026, Slingerland, Radio King, Latin Percussion, LP, Pacific Drums and Percussion, PDP, DW Manufacturing, True Cast, custom drums, drum innovation, timbre matching, grain orientation, Chad Smith, Red Hot Chili Peppers, Josh Freese, Tony Escapa, Abe Laboriel Jr, Dave Elitch Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Current Tampa-based Percussion Freelancer and Educator and Retired Director of Percussion Studies at the University of South Florida Bob McCormick stops by to talk about his current life and how he stays healthy (03:40), growing up in Cleveland and Southern California, his early musical influences and his time in undergrad (10:55), his work with the Army band and getting his master's degree (27:30), his year of playing in Harry Partch's Ensemble (36:15), teaching briefly at Florida State University before heading to USF, building the program there, literature choices in the early years, and the importance of investing in recordings (45:00), and settles in for the Random Ass Questions, including his feelings on current percussion literature, the PASIC New Music/Research Day, the musical landscape during the first half of the 20th century, Tony Cirone's “Symphony Special”, and so much more! (01:19:20)Finishing with a Rave about Pete performing How to Train Your Dragon live in concert with the Missouri Symphony (01:39:05).Bob McCormick Links:McCormick Percussion Group HomepagePrevious Podcast Guests mentioned:Lee Hinkle in 2026Kevin von Kampen in 2024Neil Grover in 2023Jeff Moore in 2023Andrea Venet in 2018Chrissie Souza in 2024Sarah Hasekamp in 2024Other Links:Harry PartchDanlee MitchellTony CironeGene KrupaBuddy RichForrest Clark“Zyklus” - Karlheinz StockhausenTom SiwePaul PriceNancy ZeltsmanLeigh Howard StevensEmil RichardsVic Firth“Canaries” - Elliott CarterEd ThigpenLarry AustinStuart Saunders SmithThad AndersonSvet Stoyanov“Synchronisms No. 5” - Mario Davidovsky“Marimbastuck” - Maki IshiiPayton MacDonaldBaljinder SekhonMichael Colgrass2001: A Space Odyssey trailerThe Sound of Music trailerArtful Noise - Tom SiweThe Rest is Noise - Alex RossPierrot lunaire - Arnold SchoenbergWozzeck - Alban BergRaves:How to Train Your Dragon in Concert

WGI 2026 Percussion World Class performers break down the reality of Finals week, show design, and age-out season.This episode features performers from Rhythm X, RCC (Riverside City College), United Percussion, and George Mason University Indoor Drumline — giving a real look inside the highest level of indoor percussion.In this episode:How World Class shows evolve throughout the seasonWhy top groups constantly rewrite and adjust their productionsThe difference between cleaning and designing at an elite levelFinals week mindset and handling pressureThe emotional experience of aging outPanelists:Ari Chervony — United Percussion (Instagram: @ari_chervony)Eitan Chervony — Rhythm X (Instagram: @eitanchervony)Aud Sherrill — RCC (Instagram: @aud.sherrill)Lily Etzel — GMU (Instagram: @lilliannaetzel)Host: Stephen McCarrick (Instagram: @yeahbass)Guest Host: Anne Turner (Instagram: @anne.saber)Follow the Ensembles:Rhythm X — @rhythmxincRCC Drumline — @rccdrumlineUnited Percussion — @unitedpercussionGMU Drumline — @gmudrumlineListen Everywhere:https://plinkhq.com/i/1653637341Watch More:Weekly Episodes: https://youtube.com/playlist?list=PL600p0k2IuT4vhEIgopl8XDO-pU3YOR77Bonus Episodes: https://youtube.com/playlist?list=PL600p0k2IuT5c48Q_cvR1ATvbaQ1QGcN4Sponsor:Guard Closet — https://www.guardcloset.com

Abby Falik is constantly thinking about what it actually means to prepare for a life - not just a career. She took a year off during undergrad to travel Latin America alone, then convinced her university to give her credit for it. She went to business school not because she cared about business, but because she wanted to learn how to work with power. This was the mindset that led to her founding Global Citizen Year, which encourages graduating high school students to take a gap year, and now The Flight School, which takes that thinking one step further, providing fellowships to graduating students for a “launch year” - and for an education that she says is “higher than higher ed.” Abby's thinking about travel, entrepreneurship, self-discovery and lifelong learning is fascinating, and I loved this conversation. We talked about where self-permission comes from, why the most formative learning often happens outside the classroom, and why real change is *always* an inside job. SHOW NOTES AbbyFalik.com The Flight School Taking Flight on Substack Social: https://www.instagram.com/abbyfalik https://www.instagram.com/launchyear https://www.linkedin.com/in/abbyfalik Croutons: Will we choose love, or fear? "We were born to fly." "How does my inner work intersect with my work in the world?" *** The Breadwinners" Season 7 is a joint production between Reworking Leadership and The Smart Friends Network, generously supported by Ruth Ann Harnisch. The Breadwinners" was founded by Rachael Lowell and Jennifer Owens in 2019. Host: Rachael Lowell Executive Producers: Rachael Lowell, Rachel Sklar Audio Engineer: Ron Passaro Original Music: "Perfect" by Hannah Bakke Rick Snell: Guitar Cesar Moreno: Banjo Nyssa Grant: Fiddle Erik Alvar: Bass Justin D. Cook: Keyboard, Percussion, and Orchestration Vocals: Hannah Bakke, Cassidy Stoner Hannah Bakke: Music and Lyrics To stay up to date with The Breadwinners, please follow us on Instagram:  Find Rachael Lowell at https://reworkingleadership.com & take the SHIFT assessment here: https://leadtheshift.ai If you enjoyed this episode, please subscribe, rate, review & share! Thank you for listening. Still we rise! Learn more about your ad choices. Visit megaphone.fm/adchoices

Pennsylvania State University Percussion Professor Lee Hinkle stops by to talk about all things Penn State, getting hired during the pandemic, negotiating the job, and entrepreneurship classes (03:35), his predecessor Dan Armstrong, the facilities, recruitment, and Penn State football (18:20), freelancing and his faculty teaching load (32:55), his recent album release Modern American Percussion Concerti (41:00), growing up in central Florida, the folk musicians in his family, marching band, drumset, and martial arts (50:20), attending the University of South Florida for undergrad, focusing on percussion and voice performance, and the importance of vocal pedagogy in musical performance (01:02:35), attending the University of Maryland for his master's and doctorate, then transitioning to a faculty position soon after (01:19:20), and finishes with the Random Ass Questions, including the tearing down the silos of the percussion world, his active physical health regimen, student memes, great books, scuba diving and submersibles, and Beethoven's Ninth Symphony (01:35:05).Finishing with a Rave on a recent live performance by the UK band The Last Dinner Party (01:58:40).Lee Hinkle Links:Lee Hinkle's WebsiteModern American Percussion Concerti - Lee HinkleWilliamsport Symphony OrchestraLee Hinkle's Penn State Page21st Century ConsortPrevious Podcast Guests mentioned:Cameron Leach in 2023Dan Piccolo in 2020Gwen Dease in 2017Jauvon Gilliam in 2019Other Links:Dan ArmstrongGregory DraneTonya Mitchell-SpradlinAltoona Symphony OrchestraPennsylvania Chamber OrchestraNittany Valley SymphonyWashington Master ChoraleSignature TheaterBenjamin RamirezNaomi SeidmanMaurice WrightEvelyn Glennie's Concertos pageAmerican Composers Alliance“Conjurer” - John CoriglianoColin CurrieWilliam HudginsKennedy Space CenterPlayalinda BeachRon Jon Surf ShopCarter Beauford“Tom Sawyer” - Rush“The Wanton Song” - Led Zeppelin“What is Hip?” - Tower of Power311 Tiny Desk Concert“Signed, Sealed, Delivered” - Stevie Wonder“Longview” - Green Day“A Love Supreme” - John Coltrane (Elvin Jones, drums)“Smells Like Teen Spirit” - NirvanaIsshin-ryuAnnetta MonroeThe Harry Partch EnsembleLou HarrisonJohn CageJohn TafoyaJohn Tafoya's Orchestral Repertory BooksTony AmesNancy ZeltsmanTim AdamsRobert MarinoShutter Island trailerSigns trailerRachael RayJack Reacher series - Lee ChildThe Devil in the White City - Erik LarsonA Walk in the Woods - Bill BrysonGuns, Germs, and Steel - Jared DiamondCollapse - Jared DiamondPacific Crest TrailStanley SubmarinesNinth Symphony - L.V. BeethovenRaves:The Last Dinner Party's website

Performance and Works used with permission from the artist and venue. Buffalo based Adam Bronstein is a guitar player known for his clever songwriting and playful improvisation. Focusing on guitar at the forefront of its sound, his trio's music is instrumental with influences ranging from jazz through Hip Hop, R&B and Psychedelia. We were excited to catch Adam on a recent trip to his native Buffalo, and even more excited when he appeared on tour at the Bop Stop for this May 22nd. 2025 appearance in support of his most recent release ABTrio. Featuring Adam on Guitar, James Benders on Bass and Gabriel Wells on Drums and Percussion, it's Adam Bronstein and the AB Trio-Live at the Bop Stop.

Au sommaire : Une station-service sur six manque de un ou plusieurs carburants sur l'ensemble du territoire français, malgré la guerre au Moyen-Orient, alors que le week-end de Pâques débute.L'emploi des cadres devrait rebondir cette année en France avec une hausse prévue des embauches de 4% en 2026, après 11% de baisse au cours des deux années précédentes.Donald Trump annonce de nouveaux droits de douane de 100% sur les médicaments importés aux États-Unis pour forcer les laboratoires à relocaliser leur production.Les transporteurs routiers et la grande distribution pourront répercuter sur leurs clients une partie de la hausse du prix des carburants.Une task force a été créée au sein de France Travail pour faciliter le recrutement de 70 000 à 100 000 emplois dans le secteur de la défense d'ici 2030.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

West Virginia University Director of the School of Music and Director of the World Music Performance Center Mike Vercelli stops by to talk about his work at WVU along with their incredible percussion inventory (03:10), his work navigating the new financial reality for colleges and the importance of developing entrepreneurship in students (18:00), growing up in New Hampshire, his percussion and music background, his unusual lessons background, and playing in rock bands and youth orchestra (29:50), attending UConn for undergrad, his various teachers at the program, and the growth of men's and women's college basketball there (38:30), his master's degree at Bowling Green State (OH) and his first prominent experiences in world percussion, including his first trip to Ghana (45:05), taking time away from school, teaching and freelancing in Ohio and Arizona, heading to the University of Arizona for his doctorate, and his 6 months of study in Ghana (54:05), and finishing with the Random Ass Questions, including segments on the inclusion of world percussion in a western arts curriculum, making hot sauce and spicy foods, travel writer Paul Theroux, New England seafood, bad jobs, wild performance situations, and the Smithsonian African American History Museum (01:19:15).Finishing with a Rave on the 2026 film Project: Hail Mary (01:52:15).Mike Vercelli Links:Mike Vercelli's WVU pageLearning Gyil - Mike VercelliPrevious Podcast Guests Mentioned:Jason Baker in 2020Alex Weir in 2026Norman Weinberg in 2017Josh Armstrong in 2018Daniel Smithiger in 2017Megan Arns in 2017Other Links:WVU's World Music pagePhil FainiEllie MannettePaschal YoungeTim PetermanMantle HoodAlexander LepakPeter CoutsouridisRoger SchuppSteven CorneliusAbraham AdzenyahEmmanuel AgbeliGary CookTeaching Percussion - Gary CookJonathan LattaScott ShinbaraErick SaoudLord of the Rings: Fellowship of the Ring trailerThe Hobbit: An Unexpected Journey trailerCaptain America: The First Avenger trailerOn the Plain of Snakes: A Mexican Journey - Paul TherouxRaves:Project: Hail Mary trailer

Ashwini Anburajan is the CEO of Obi, aka the Kayak for rideshare. She has been a journalist, a founder, a venture investor on either side of going to business school, has worked at startups and unicorns, and through it all remembers watching her immigrant parents as they struggled to build a good life in a new country. In this episode of The Breadwinners, host Rachael Lowell talks with Ashwini about taking career and workplace advice with a grain of salt, how stepping into the CEO seat can completely change your mindset, and why putting your vision on paper is the best way to ship it to reality.  SHOW NOTES Obi Appoints Ashwini Anburajan as CEO to Lead Next Phase of Growth [Obi]The Kayak of Rideshare: Obi's New CEO Bets on Pricing Transparency and AV Growth [Forbes] Social:https://www.instagram.com/aanburajanhttps://www.instagram.com/obiridershttps://www.linkedin.com/in/aanburajanhttps://www.linkedin.com/in/aanburajanhttps://x.com/anburajanhttps://x.com/obiriders Croutons:Self-Driving Taxis Are Catching On. Are You Ready? [NYT]The Cost of Autonomy: Tesla, Waymo, and the New Rideshare Battleground [Obi]Why 'Burnout' Feminism Is Replacing the Girlboss, Lean In Era [Bloomberg] Bio: Ashwini Anburajan is a seasoned entrepreneur, startup operator and investor currently serving as CEO of Obi, the world's largest global rideshare aggregator where she has more than doubled growth over the past 18 months Her career is multi-fold having worked across disciplines in politics, media, consumer tech, and data. In her personal life, she is a champion of female entrepreneurs, theater and the underserved. *** "The Breadwinners" Season 7 is a joint production between Reworking Leadership and The Smart Friends Network, generously supported by Ruth Ann Harnisch. "The Breadwinners" was founded by Rachael Lowell and Jennifer Owens in 2019. Host: Rachael LowellExecutive Producers: Rachael Lowell, Rachel SklarAudio Engineer: Ron PassaroOriginal Music: "Perfect" by Hannah BakkeRick Snell: GuitarCesar Moreno: BanjoNyssa Grant: FiddleErik Alvar: BassJustin D. Cook: Keyboard, Percussion, and OrchestrationVocals: Hannah Bakke, Cassidy StonerHannah Bakke: Music and LyricsTo stay up to date with The Breadwinners, please follow us on Instagram: https://www.instagram.com/thebreadwinnerspodcast Find Rachael Lowell at https://reworkingleadership.com & take the SHIFT assessment here: https://leadtheshift.aiIf you enjoyed this episode, please subscribe, rate, review & share! Thank you for listening. Still we rise! Learn more about your ad choices. Visit megaphone.fm/adchoices

Dorie Clark has been thinking about reinvention for decades, since it was foisted upon her when she was fired the day before 9/11. She's kept busy since then as an entrepreneur, consultant for Fortune 500 companies, high-level keynote speaker,  four-time Thinkers50 Top 50 global business thinker, and bestselling author of The Long Game, Reinventing You, Entrepreneurial You, and Stand Out. In this episode of The Breadwinners, host Rachael Lowell talks to Dorie about how to play the long game when your job disappears, why racking up credentials feels safe but is probably not your ticket out of uncertainty, and why being a good friend might be the most underrated professional skill.  SHOW NOTES Dorie Clark: https://dorieclark.com https://learn.dorieclark.com/courses/expert Books: The Long Game: How to Be a Long-Term Thinker in a Short-Term World Entrepreneurial You: Monetize Your Expertise, Create Multiple Income Streams, and Thrive Reinventing You: Define Your Brand, Imagine Your Future Stand Out: How to Find Your Breakthrough Idea & Build a Following Around It Social: https://www.linkedin.com/in/doriec⁠ ⁠https://www.instagram.com/dorieclark ⁠https://www.youtube.com/DorieClark⁠ ⁠https://twitter.com/dorieclark⁠ Croutons:  Dorie Clark: The real reason you feel so busy (and what to do about it) [TED] Dorie Clark: Me, myself, I [Thinker's 50] Working Identity by Herminia IbarraWham! [Netflix] Wham Rap! (Enjoy What You Do) [Wham!] Careless Whisper [George Michael] Andrew Ridgley, Great Friend [Tonight Show] Bio: Dorie Clark has been named four times as one of the Top 50 business thinkers in the world by Thinkers50, and was recognized as the #1 Communication Coach in the world by the Marshall Goldsmith Leading Global Coaches Awards. Clark, a consultant and keynote speaker, teaches executive education at Columbia Business School, and she is the Wall Street Journal and USA Today bestselling author of The Long Game, Entrepreneurial You, Reinventing You and Stand Out, which was named the #1 Leadership Book of the Year by Inc. magazine. A former presidential campaign spokeswoman, Clark has been described by the New York Times as an “expert at self-reinvention and helping others make changes in their lives.” A frequent contributor to the Harvard Business Review, she consults and speaks for clients including Google, Microsoft, and the World Bank. You can download her free Long Game strategic thinking self-assessment at dorieclark.com/thelonggame. *** "The Breadwinners" Season 7 is a joint production between Reworking Leadership and The Smart Friends Network, generously supported by Ruth Ann Harnisch. "The Breadwinners" was founded by Rachael Lowell and Jennifer Owens in 2019. Host: Rachael LowellExecutive Producers: Rachael Lowell, Rachel SklarAudio Engineer: Ron PassaroOriginal Music: "Perfect" by Hannah BakkeRick Snell: GuitarCesar Moreno: BanjoNyssa Grant: FiddleErik Alvar: BassJustin D. Cook: Keyboard, Percussion, and OrchestrationVocals: Hannah Bakke, Cassidy StonerHannah Bakke: Music and Lyrics To stay up to date with The Breadwinners, please follow us on Instagram: https://www.instagram.com/thebreadwinnerspodcast Find Rachael Lowell at https://reworkingleadership.com & take the SHIFT assessment here: https://leadtheshift.ai If you enjoyed this episode, please subscribe, rate, review & share! Thank you for listening. Still we rise! Learn more about your ad choices. Visit megaphone.fm/adchoices

Minneapolis-based musician, educator, percussionist, recording artist, and visual artist Jenny Klukken stops by to talk about her portfolio career and the challenges of playing marimba in small rooms (04:50), her recording and compositional process, her new album Marimba Standard, and the importance of entrepreneurship in the arts (24:30), growing up in rural Minnesota, her enjoyment of jazz and early country music, Spotify Wrapped, and focusing on listening to albums (43:25), attending the University of Minnesota for undergrad, working through 4-mallet grips, her experiences attending the Zeltsman Marimba Festival, her puppetry career as “Jenny and the Pets”, and combining musical artistry with her visual artistry (01:05:45), and finishing with the Random Ass Questions, including her experiences as a woman in the arts, cooking stories, movies that inspire and/or infuriate, pet names and their backstories, living on a dairy farm, and Pat Metheny (01:35:25).Finishing with a remembrance on the passing of an important living being (02:00:00).Jenny Klukken Links:Jenny Klukken's websiteJenny Klukken's new album Marimba StandardPrevious Podcast Guests Mentioned:Fernando Meza in 2020Eri Isomura in 2024Josh Graham in 2025Marco Schirripa in 2022Abby Fisher in 2021Lynn Vartan in 2019Other Links:Steve YeagerEric SammutPete's Marimba album“Shadows of the Night” - Pat BenatarAngela Myles Beeching“Don't Fence Me In” - Gene Autry“Crowded Table” - The HighwomenNickel Creek's NPR Music Tiny Desk ConcertNancy ZeltsmanJack van GeemIvana BilicMaurice'sKatarzyna MyckaKeiko AbeThe Emperor's New Groove trailerThe Devil Wears Prada trailerThe Little Mermaid trailerRebecca trailerRebecca - Daphne du MaurierJane Eyre - Charlotte BrontëJames - Percival Everett“Kin” - Pat Metheny

Christina Wallace isn't trying to convince you to leave the safe, traditional path - she just knows that it's just as risky as anything else. What she does suggest is to treat your life as a portfolio of your interests, skills, and passions so your options - for joy, satisfaction, success and liquidity - can be diversified. That's exactly what she did as a classically trained musician, math prodigy, entrepreneur, author and now Harvard Business School lecturer and Broadway producer, and it is her recipe for success in her book "The Portfolio Life: How to Future-Proof Your Career, Avoid Burnout, and Build a Life Bigger than Your Business Card." In this episode of The Breadwinners, host Rachael Lowell talks to Christina about her lifelong love of math, how Broadway is like a startup, why storytelling is innately human, and when exactly that straight track can turn into spaghetti. SHOW NOTES https://christinawallace.comhttps://www.nvpbroadway.com Social:https://www.linkedin.com/in/christinawallacehttps://www.instagram.com/cmwalla Croutons: "Christina Wallace on Success Beyond a Single Lane" https://www.thewiesuite.com/post/christina-wallace-on-success-beyond-a-single-lane "The only way to future-proof your career? Be more than one thing"https://www.fastcompany.com/91371963/the-only-way-to-future-proof-your-career-be-more-than-one-thing-future-proof-career-advice "Gwyneth Paltrow Helps Turn Astronomer's Infamy on Its Head"nytimes.com/2025/07/28/style/gwyneth-paltrow-astronomer-spokesperson-coldplay-scandal.html *** "The Breadwinners" Season 7 is a joint production between Reworking Leadership and The Smart Friends Network, generously supported by Ruth Ann Harnisch. "The Breadwinners" was founded by Rachael Lowell and Jennifer Owens in 2019. Host: Rachael LowellExecutive Producers: Rachael Lowell, Rachel SklarAudio Engineer: Ron PassaroOriginal Music: "Perfect" by Hannah BakkeRick Snell: GuitarCesar Moreno: BanjoNyssa Grant: FiddleErik Alvar: BassJustin D. Cook: Keyboard, Percussion, and OrchestrationVocals: Hannah Bakke, Cassidy StonerHannah Bakke: Music and Lyrics To stay up to date with The Breadwinners, please follow us on Instagram: https://www.instagram.com/thebreadwinnerspodcast Find Rachael Lowell at https://reworkingleadership.com & take the SHIFT assessment here: https://leadtheshift.ai If you enjoyed this episode, please subscribe, rate, review & share! Thank you for listening. Still we rise! Learn more about your ad choices. Visit megaphone.fm/adchoices

Sandbox Percussion Group member, as well as freelancer, percussionist, and educator Jonny Allen stops by to talk about all things Sandbox Percussion, including the beginnings of the band, member responsibility to each other, and getting to teach (03:20), their work with Andy Akiho on Seven Pillars (29:05), Jonny's work with the American Modern Opera Company (40:45), growing up in Connecticut, his drumset and marching band beginnings, and his sports background (44:55), going to Eastman (NY) for undergrad and studying with Michael Burritt and John H. Beck (54:00), going to Yale (CT) for grad school and studying with Robert Van Sice (01:06:05), and settles in for the Random Ass Questions, including sections on percussion logistics, problems using Zoom, New Haven pizza, great books and podcasts, New England Patriots Football, and Dutch Minimalism (01:21:30).Finishing with a Rave on the 2026 Oscars Telecast (01:51:00).Jonny Allen links:Jonny's Sandbox Percussion pageSeven Pillars - Andy AkihoAmerican Modern Opera CompanyPrevious Podcast Guests Mentioned:Victor Caccese in 2019Ian Rosenbaum in 2025David Skidmore in 2025Sean Connors in 2025Peter Martin in 2025Robert Dillon in 2025Todd Meehan in 2017Megan Arns in 2017Other links:NEXUSSo PercussionAmadindaPercussions de StrasbourgRobert van SiceBang on a Can“to wALk Or ruN in wEst harlem” - Andy AkihoTime Travelers percussionMichael McQuilkenMatthew Aucoin“Purple Haze” - Jimi Hendrix ExperienceJohn H. BeckMichael BurrittLeigh Howard StevensSteve GaddYale Percussion Group“Third Construction” - John CageModern ApizzaPepe's PizzeriaSally's ApizzaBAR New HavenCatch Me If You Can trailerStar Wars: The Rise of Skywalker trailerThe Love Guru trailerHoles - Louis SacharThe Three-Body Problem - Liu CixinPatriots UnfilteredPatriots - Seahawks Super Bowl LXThe Telepathy TapesJacob CollierCinque terre ItalyCanto Ostinato - Simeon Ten HoltRaves:2026 Oscars

KEXP presents YAGODY performing live in the KEXP studio. Recorded January 20, 2026. 1. Skopaiu Ya Hryadochku2. Divonko3. Kalyna-Malyna4. Tsunamia5. BramaYA 6. Chornomorets Zoriana Dybovska - Vocals, percussionsVasylyna Voloshyn - VocalsTetiana Voitiv - Vocals, Tibetan Bowl, Percussion, DrymbaNadiia Parashchuk - AccordionTeimuraz Gogitidze - Drums, Percussions, Vocals Host: Darek MazzoneAudio Engineer: Kevin SuggsMastering Engineer: Julian Martlew https://yagody.org/en/#introhttp://kexp.org Join this channel to get access to perks:https://www.youtube.com/channel/UC3I2GFN_F8WudD_2jUZbojA/join Photo by Carlos CruzSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

This week on Alt.Latino, it's another new music episode with a global panorama: Canary Islands merengue, Chicano soul, Afro-Brazilian roots and more. Plus, a percussion supergroup that Felix could listen to for hours.Featured artists and albums:(00:00) Introduction(01:05) Quevedo, 'NI BORRACHO'(05:12) Joey Quiñones, 'In a Soul Situation'(12:34) Carolina Mama, 'Amina'(15:41) Elipsis, 'Elipsis'(19:32) Da Cruz, 'Som Sistema'(23:56) Sofía Rei, 'Antónima'This podcast episode was produced by Noah Caldwell. Suraya Mohamed is the executive producer of NPR Music.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

This week on Alt.Latino, it's another new music episode with a global panorama: Canary Islands merengue, Chicano soul, Afro-Brazilian roots and more. Plus, a percussion supergroup that Felix could listen to for hours.Featured artists and albums:(00:00) Introduction(00:55) Quevedo, 'NI BORRACHO'(05:02) Joey Quiñones, 'In a Soul Situation'(12:24) Carolina Mama, 'Amina'(15:31) Elipsis, 'Elipsis'(19:22) Da Cruz, 'Som Sistema'(23:46) Sofía Rei, 'Antónima'This podcast episode was produced by Noah Caldwell. Suraya Mohamed is the executive producer of NPR Music.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy