Art history: modern and contemporary - for iPad/Mac/PC

Art history: modern and contemporary - for iPad/Mac/PC

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Baffled by modern art and architecture? You’re not alone! This collection gives new insight into today’s shifting kaleidoscope of visual culture by placing it in the context of the developments of the 19th and 20th century. In the mid 19th century there was a growing realisation that everything h…

The Open University

  • Mar 22, 2012 LATEST EPISODE
  • infrequent NEW EPISODES
  • 10m AVG DURATION
  • 6 EPISODES


Latest episodes from Art history: modern and contemporary - for iPad/Mac/PC

Abstract Expressionism in New York 1

Play Episode Listen Later Mar 22, 2012 11:14


In the 1940’s and 50’s, New York was becoming a centre of art. But the art world in New York was surprisingly small. Professor Michael Corris gives you a tour.

Transcript -- Abstract Expressionism in New York 1

Play Episode Listen Later Mar 22, 2012


Transcript -- In the 1940’s and 50’s, New York was becoming a centre of art. But the art world in New York was surprisingly small. Professor Michael Corris gives you a tour.

Abstract Expressionism in New York 2

Play Episode Listen Later Mar 22, 2012 13:29


Bringing the New York art-scene of the 1950’s and 60’s to life: Professor Michael Corris and artist Lawrence Weiner in conversation.

Transcript -- Abstract Expressionism in New York 2

Play Episode Listen Later Mar 22, 2012


Transcript -- Bringing the New York art-scene of the 1950’s and 60’s to life: Professor Michael Corris and artist Lawrence Weiner in conversation.

Salcedo installation

Play Episode Listen Later Mar 22, 2012 5:40


Can a crack in the floor be considered as art? This slideshow peers into Doris Salcedo’s C21st installation in the Tate Modern Turbine Hall, “Shibboleth”.

Transcript -- Salcedo installation

Play Episode Listen Later Mar 22, 2012


Transcript -- Can a crack in the floor be considered as art? This slideshow peers into Doris Salcedo’s C21st installation in the Tate Modern Turbine Hall, “Shibboleth”.

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