Podcasts about Contemporary art

“We don't need to find an end solution, but it's a space where we can speculate, imagine, and practice our foresight. We can be part of a bigger imagination together with an institutional framework, which is really what we try to motivate as well when we communicate these exhibitions to our audience and speak with our guests about these works. We can also sense that it's really a place where a lot of people like to enter these days. When you turn on a TV, look at a newspaper, listen to your radio, or speak with your friends, it seems like the world is falling apart on so many levels. It's such a challenging time. I think we can also offer this space for reflection and hopefully provide a reflection that gives some idea or feeling of agency.For me, it's this awe that I feel every time I meet an artist who has the courage to deal with what it means to be in the world as a human being and to tackle it from different ways and through different media. I always feel that through the collaborations I have with artists, I learn a little bit more about the world.”In the ever-evolving world of contemporary art, some voices rise to shape the conversation in truly profound ways. Marie Nipper has spent her career at the nexus of institutional leadership, curatorial innovation, and artistic collaboration. As the director of the ARKEN Museum of Contemporary Art in Denmark, she is not just leading a museum; she's rethinking its very purpose—from an artistic lab to a public town square. Her journey has taken her from the hallowed halls of the TATE and ARoS to the forward-thinking spaces of Copenhagen Contemporary, all while championing the freedom of artists and the civic role of the museum.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“This awe that I feel every time I meet an artist who has the courage to deal with what it means to be in the world as a human being and to tackle it from different ways and through different media. I always feel that through the collaborations I have with artists, I learn a little bit more about the world, myself, my feelings or emotions, and how I reflect on things. Getting another person's perspective and taking that in is extremely generous. What we can take with us from the artistic practices we encounter is significant. Again, I think one of the fundamental aspects of art is that it doesn't require agreement, consensus, or rules. It's a place where we can speculate, imagine, and, hopefully, re-courage ourselves in a way, if that's a word. I've always been motivated by working with artists; that personal meeting is always extremely fruitful.”In the ever-evolving world of contemporary art, some voices rise to shape the conversation in truly profound ways. Marie Nipper has spent her career at the nexus of institutional leadership, curatorial innovation, and artistic collaboration. As the director of the ARKEN Museum of Contemporary Art in Denmark, she is not just leading a museum; she's rethinking its very purpose—from an artistic lab to a public town square. Her journey has taken her from the hallowed halls of the TATE and ARoS to the forward-thinking spaces of Copenhagen Contemporary, all while championing the freedom of artists and the civic role of the museum.“I think that is one of the places where we are really challenged, especially when we speak to kids and young people, as they often feel they have little agency in creating a better future for themselves. So, I believe we can really give that space to our audiences by showcasing some of these groundbreaking practices that are out there right now in contemporary art.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“We don't need to find an end solution, but it's a space where we can speculate, imagine, and practice our foresight. We can be part of a bigger imagination together with an institutional framework, which is really what we try to motivate as well when we communicate these exhibitions to our audience and speak with our guests about these works. We can also sense that it's really a place where a lot of people like to enter these days. When you turn on a TV, look at a newspaper, listen to your radio, or speak with your friends, it seems like the world is falling apart on so many levels. It's such a challenging time. I think we can also offer this space for reflection and hopefully provide a reflection that gives some idea or feeling of agency.For me, it's this awe that I feel every time I meet an artist who has the courage to deal with what it means to be in the world as a human being and to tackle it from different ways and through different media. I always feel that through the collaborations I have with artists, I learn a little bit more about the world.”In the ever-evolving world of contemporary art, some voices rise to shape the conversation in truly profound ways. Marie Nipper has spent her career at the nexus of institutional leadership, curatorial innovation, and artistic collaboration. As the director of the ARKEN Museum of Contemporary Art in Denmark, she is not just leading a museum; she's rethinking its very purpose—from an artistic lab to a public town square. Her journey has taken her from the hallowed halls of the TATE and ARoS to the forward-thinking spaces of Copenhagen Contemporary, all while championing the freedom of artists and the civic role of the museum.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“This awe that I feel every time I meet an artist who has the courage to deal with what it means to be in the world as a human being and to tackle it from different ways and through different media. I always feel that through the collaborations I have with artists, I learn a little bit more about the world, myself, my feelings or emotions, and how I reflect on things. Getting another person's perspective and taking that in is extremely generous. What we can take with us from the artistic practices we encounter is significant. Again, I think one of the fundamental aspects of art is that it doesn't require agreement, consensus, or rules. It's a place where we can speculate, imagine, and, hopefully, re-courage ourselves in a way, if that's a word. I've always been motivated by working with artists; that personal meeting is always extremely fruitful.”In the ever-evolving world of contemporary art, some voices rise to shape the conversation in truly profound ways. Marie Nipper has spent her career at the nexus of institutional leadership, curatorial innovation, and artistic collaboration. As the director of the ARKEN Museum of Contemporary Art in Denmark, she is not just leading a museum; she's rethinking its very purpose—from an artistic lab to a public town square. Her journey has taken her from the hallowed halls of the TATE and ARoS to the forward-thinking spaces of Copenhagen Contemporary, all while championing the freedom of artists and the civic role of the museum.“I think that is one of the places where we are really challenged, especially when we speak to kids and young people, as they often feel they have little agency in creating a better future for themselves. So, I believe we can really give that space to our audiences by showcasing some of these groundbreaking practices that are out there right now in contemporary art.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

This week on Bad at Sports, Duncan MacKenzie and Ryan Peter Miller find themselves in Chicago with curator Bianca Bova and the indefatigable Kenny Schachter — artist, writer, teacher, collector, and provocateur. What begins as a conversation about Schachter's exhibition at Old Friends Gallery — featuring chicken-assisted artworks and bronze casts forged in Slovenia — quickly expands into a meditation on the art world itself. Schachter reflects on his collaborations, his obsession with foundries, and his refusal to keep resources secret. The group debates the zero-sum mentality of the art market, why artists sabotage themselves, and how absurd projects (sometimes with actual chickens) can be the most serious acts of art-making. Equal parts candid and comedic, the conversation cuts across auctions, art fairs, and the everyday realities of teaching. Expect reflections on generosity vs. gatekeeping, the fragility of the art system, and what it means to make art that is more conceptual than commercial. Highlights • Chickens as collaborators and muses. • The foundry in Slovenia that casts Rudolf Stingel's panels. • Why keeping fabricators secret is a sign of weakness. • Auctions as democratizing, even anarchic, art spaces. • The necessity of art in a divided and compassion-starved world. Names Dropped Kenny Scharf, https://kennyscharf.com/ Kenny Schachter, https://www.kennyschachter.art/ Bianca Bova, https://www.biancabovagallery.com/ Billy Connolly, https://en.wikipedia.org/wiki/Billy_Connolly Rudolf Stingel, https://gagosian.com/artists/rudolf-stingel/ Tobias Rehberger, https://pedrocera.com/artists/tobias-rehberger Paul Thek, https://whitney.org/exhibitions/paul-thek Giacometti, https://www.moma.org/artists/2141-alberto-giacometti Jerry Saltz, https://nymag.com/author/jerry-saltz/ Cy Twombly, https://cytwombly.org/ Jasper Johns, https://whitney.org/artists/653 Robert Rauschenberg, https://www.rauschenbergfoundation.org/ Joan Mitchell, https://www.joanmitchellfoundation.org/joan-mitchell Helen Frankenthaler, https://gagosian.com/artists/helen-frankenthaler/ Georgia O'Keeffe, https://www.okeeffemuseum.org/ Andy Warhol, https://www.warhol.org/ Joseph Beuys, https://walkerart.org/collections/artists/joseph-beuys Sigmar Polke, https://www.tate.org.uk/art/artists/sigmar-polke-2213 John Cage, https://www.johncage.org/ Devendra Banhart, https://devendrabanhart.com/ Brad Pitt, https://www.theartnewspaper.com/2022/09/19/brad-pitt-debuts-his-sculptures-in-finland Cindy Sherman, https://www.hauserwirth.com/hauser-wirth-exhibitions/cindy-sherman/ Robert Longo, https://www.robertlongo.com/ Julian Schnabel, https://www.julianschnabel.com/ Old Friends Gallery, https://www.oldfriendsgallery.com/

Antelman both deconstructs the body and then reassembles it, not just as a way of imagining a deeper connection with nature, but also as a way of expressing how malleable the very idea of it has become. In place of a techno-utopianism, in which the steady advance of technology is uniformly celebrated, Antelman expresses an atavistic position instead, one which delights in the complexity of nature rather than seeking to explain or instrumentalize it. Her work reminds us that what is mysterious in the world often connects us to what is mystical in it as well. Born 1971 in Athens, Greece, Maria Antelman received her MFA in New Genres from Columbia University and a BA in Art History from the Complutense University, Madrid. Her work has exhibited internationally, including at the Bemis Center of Contemporary Art, Omaha, NE; Pioneer Works, New York; Macedonian Museum of Contemporary Art, Thessaloniki; Visual Arts Center at the University of Texas, Austin; Botanical Garden I&A Diomidos, Athens; National Museum of Contemporary Art, Athens; Onassis Cultural Centre, Athens; Benaki Museum, Athens; Centro Nacional de Arte Contemporaneo, Cerillos, Chile and Yerba Buena Center for the Arts, San Francisco. Antelman's work was included in Companion Pieces: New Photography 2020 at the Museum of Modern Art, New York. She has been the recipient of grants from the Onassis Foundation USA, as well as the National Museum of Contemporary Art and the J.F. Costopoulos Foundation, Athens. Antelman has taken part in artist residences including Silver Art Projects, Pioneer Works and the International Studio & Curatorial Program in New York. Antelman currently lives and works in Athens. Maria Antelman, Conjurer, 2024. Archival pigment print, 21 1/2 x 27 1/2 inches. © Maria Antelman. Courtesy Yancey Richardson, New York Maria Antelman, Hypnos, 2020. Archival pigment print, 58 x 52 inches. © Maria Antelman. Courtesy Yancey Richardson, New York Maria Antelman, Hall of Mirrors, 2020. Archival pigment print, 39 x 19 inches. © Maria Antelman. Courtesy Yancey Richardson, New York

In this podcast episode host Juliet Rees Davies explores the many layers of affordable art, because it's not just about price. It's about accessibility, context, and creative expression. ⁠⁠Together with Francesca Berlin, Gallery Director at WAY gallery Stockholm and Carl Wilhelm Hirsch, Fair Director at Affordable Art Fair Stockholm; Juliet dives into what “affordable art” really means and why it's the perfect gateway to starting your own collection.⁠You can view more by following Way Gallery and  Affordable Art Fair Stockholm on instagram.Visit the Affordable Art Fair Stockholm from the 1 - 5 October at Nacka Strandsmässan. You can find all events, tickets and visitors information online.⁠Amanda Malm's artwork "Soft Space" is the face of this the AAF Stockholm and  Amanda Malm will be exhibiting with WAY Gallery STHLM at the fair, and her vibrant, expressive work captures the pulse of the moment and sets the tone for a fair grounded in creativity, curiosity, and joy. 

Talk Art Live in Berlin. Season 26 of Talk Art begins!!!!This episode is a special Paid Partnership collaboration with Berlin Art Week, who flew Russell & Robert to Berlin. Recorded live, in front of an audience, outside the Neue Nationalgalerie in September 2025. Special guests Peaches @peachesnisker (musician, producer, director, performance artist) and Klaus Biesenbach @klausbiesenbach (Director, Neue Nationalgalerie) join the conversation about art, music, and the Berlin art scene.An iconic feminist musician, producer, director, and performance artist, Peaches has spent nearly two decades pushing boundaries and wielding immeasurable influence over mainstream pop culture from outside of its confines, carving a bold, sexually progressive path in her own image that's opened the door for countless others to follow. She's collaborated with everyone from Iggy Pop and Daft Punk to Kim Gordon and Major Lazer, had her music featured cultural watermarks like Lost In Translation, The Handmaid's Tale, and Broad City among others, and seen her work studied at universities around the world.Dubbed a “genuine heroine” by the New York Times, Peaches has released five critically acclaimed studio albums blending electronic music, hip-hop, and punk rock while tackling gender politics, sexual identity, ageism, and the patriarchy. Uncut has raved that her work brought together "high art, low humour and deluxe filth [in] a hugely seductive combination,” while Rolling Stone called her “surreally funny [and] nasty.”An equally prolific visual artist, Peaches has directed over twenty of her own videos, designed one of the most raw and creative stage shows in popular music, and has appeared at modern art's most prestigious gatherings, from Art Basel Miami to the Venice Biennale. On top of it all, she mounted a one-woman production of 'Jesus Christ Superstar'—redubbed ‘Peaches Christ Superstar'—which earned international raves, composed and performed the electro-rock opera 'Peaches Does Herself,' which premiered at the Toronto International Film Festival, and sang the title role in a production of Monteverdi's epic 17th-century opera 'L'Orfeo' in Berlin. Visit: https://www.teachesofpeaches.com/Klaus Biesenbach began his career in Berlin 30 years ago aged 25, when he was one of a group that set up the KW Institute for Contemporary Art in a former margarine factory. In 2004, he became a curator at the Museum of Modern Art in New York, where he rose to the position of chief curator and founded a new department for media and performance art. In 2010, he became director of MoMA PS1, the museum's outpost in Queen's. At MOCA in Los Angeles, he introduced free admission, expanded the collection and navigated the museum through the pandemic. Hosted on Acast. See acast.com/privacy for more information.

Are people still buying art? The answer is yes. But how you talk about your work, connect with collectors, and navigate uncertainty can make all the difference. In this episode of The Create! Podcast, host Ekaterina Popova sits down with gallerist, author, and art advocate Liz Lidgett to discuss her upcoming book Art for Everyone, how to make art conversations more accessible, and the principles that keep artists and entrepreneurs resilient through shifting times. Liz shares powerful insights on: Why collectors are still buying and how to build trust in today's market Simple, accessible ways to talk about your art without overcomplicating it The key role consistency, systems, and flexibility play in long-term success How to stay authentic and connected while showing up online and in person This conversation is packed with practical wisdom and encouragement for artists and entrepreneurs ready to thrive in today's art world.

Welcome to a very special live edition of the Women Authors of Achievement Podcast, hosted for the first time in UK, right here at the Amano Hotel Skybar in London, overlooking Covent Garden. My guest today is Nikki Trott, strategist, podcast host and author of her new book Sacred Business. Her story bridges two worlds: the ambitious drive of London's fashion and branding industry, and the expansive, intuitive energy she discovered in Berlin.Nikki started out leading global fashion and lifestyle campaigns, working with big names across London and New York. But at some point, success as she knew it started to feel off. Thats when she made a radical choice, she left it all behind to follow a different kind of calling.In this conversation, we talk about what it means to walk away from conventional success, how Berlin helped her reconnect with her intuition, and why business can, and should, be an expression of who we are at our core.If you're in a moment of transition or simply craving more purpose in your work, hear this episode!Read more about the Women Authors of Achievement (WAA) Podcast via waa.berlin/aboutFollow us on Instagram & find us on LinkedInSubscribe to our newsletter via waa.berlin/newsletter ★ Support this podcast on Patreon ★

Who killed Ruth Bayla Pearson? A cold case from 1975. Guest: Emily Sweeney – Boston Globe Cold Case Files Reporter What kids can get out of humanities education with many parents looking for a return on investment. An English professor writes a book sharing his account of how he helps skeptical first-year students discover the transformative, real-world value of a humanities education.Guest: Carlo Rotella - Professor of English at Boston College. A regular contributor to the New York Times Magazine, he has written books about cities, boxing, music, and literature. Here comes the bridal panhandler! How Bachelorette parties are flooding small businesses with shameless requests for free merchandise! Guest: Jeff Jacoby – Boston Globe Columnist Red Bull Cliff Diving Returns to the ICA in Boston's Seaport- 9/19 and 9/20 as Only US Stop and Final Stop! World's best cliff divers to dive up to 90 feet off of Institute of Contemporary Art!Guest: James Lichtenstein – Red Bull Pro Cliff Diver

We have an absolutely brilliant new work to share with you today, on Whisper in the Wings from Stage Whisper. On this episode, we welcomed on the founder/creator Edisa Weeks to talk about her latest piece, Wastelandia. This fantastic piece, that's part of a trilogy, is so timely and relevant, and you will not want to miss this experience. So tune in and get your tickets now!DELIRIOUS Dances Presents WastelandiaSeptember 19th-28th@ Newhouse Center for Contemporary Art at Snug HarborTickets and more information are available at snug-harbor.orgAnd be sure to follow Edisa to stay up to date on all her upcoming projects and productions: deliriousdances.com

[Contemporary Art] This is the Third of three special episodes dedicated to the arts colony in Provincetown, Massachusetts. Our guest is Brian Galloway, owner and direct of the William Scott Gallery. This episode is sponsored by the Provincetown Office of Tourism. Learn more about the city and its arts history at ptowntourism.com.

In this episode of What's My Thesis?, host Javier Proenza sits down with Los Angeles–based artist Jackie Castillo, whose practice transforms the overlooked landscapes of Southern California into sculptural, spatial interventions that challenge how we see, inhabit, and remember place. Born and raised in working-class neighborhoods of Orange County, Castillo's perspective is deeply rooted in the lived realities of the region—its immigrant histories, economic divides, and the architectural patchwork that defines its suburbs. Trained as a film-based photographer, she has evolved her practice to merge photography, sculpture, and installation, creating works that slow the act of looking and demand sustained engagement. Her use of reclaimed materials and references to site-specific histories reframes the photographic image as an object in dialogue with its environment. Castillo traces her influences to classic cinema, the New Topographics photographers, and the conceptual rigor she developed in community college and at UCLA. Through these intersecting frameworks, she examines the formal language of geometry, light, and tonality while embedding questions of class, labor, and urban change. From photographing the quiet interventions of working-class residents in limited outdoor spaces, to producing large-scale installations that reference architecture, demolition, and construction, Castillo captures the poetics of transition—whether in a falling roof shingle or the shifting demographics of a neighborhood. The conversation traverses the sensory memory of California light, the politics of housing and displacement, and the role of critique in art education. Castillo speaks candidly about her commitment to making the work she wants without bending to external pressures, and the importance of artist-to-artist support networks in sustaining a creative practice. Her current exhibition, The Return, is on view at the Institute of Contemporary Art, Los Angeles through August 31, with additional work featured in the group show Back to the Earth at Roberts Projects. Discover how Jackie Castillo transforms the overlooked corners of Southern California into a visual language of place, memory, and resistance.   Listen now on: Apple Podcasts | Spotify | YouTube Follow the artist: Instagram: [@jackiecastillo] More at: ICA LA Keywords for SEO: Jackie Castillo artist, Jackie Castillo ICA LA, Southern California photography, working class art, Los Angeles artist interview, New Topographics influence, site-specific installation, contemporary sculpture, California light in art, art and gentrification, Institute of Contemporary Art Los Angeles, Roberts Projects.

This episode of Below the Radar B-Sides is guest hosted by Joe Clark, term assistant professor at SFU's School for the Contemporary Arts. He is joined by Benjamín Schultz-Figueroa, Assistant Professor in Film Studies at Seattle University, and author of The Celluloid Specimen: Moving Image Research into Animal Life. Together, they chat about their shared interest in non-theatrical film, and the histories and speculative futures of scientific filmmaking. Resources: Joseph Clark: https://www.josephclark.me/ Benjamín Schultz-Figueroa: https://www.benjaminschultzfigueroa.com/ The Celluloid Specimen: Moving Image Research into Animal Life: https://www.benjaminschultzfigueroa.com/the-celluloid-specimen-moving-image-research-into-animal-life Bio: Joseph Clark: Joseph Clark (PhD, Brown University) is an educator, filmmaker, researcher, and arts programmer. His research and teaching interests focus on archival and non-theatrical media, including newsreels, home movies, and sponsored film. He is the author of News Parade: The American Newsreel and the World as Spectacle (University of Minnesota Press, 2020) and the director of the short film Persistence & Loss (2021). He is a long-time member of the DOXA Documentary Film Festival Programming Committee and part of the organizing committee of the Vancouver Podcast Festival. Benjamín Schultz-Figueroa Dr. Benjamín Schultz-Figueroa is an Assistant Professor in Film Studies at Seattle University. His research focuses on the history of scientific filmmaking, nontheatrical film, and animal studies. Among other venues, his writing has been published in JCMS: Journal of Cinema and Media Studies, Film History, Journal of Environmental Media. His book The Celluloid Specimen: Moving Image Research into Animal Life is due to be published by UC Press in February, 2023. Cite this episode: Chicago Style Clark, Joseph. “The Celluloid Specimen — with Joe Clark and Benjamín Schultz-Figueroa.” Below the Radar, SFU's Vancity Office of Community Engagement. Podcast audio, August 12, 2025. https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/episodes/btr-bsides-celluloid-specimen.html.

A VISION OF TRANSFORMATION. Explore the impact of Maja Hoffmann on contemporary culture through her LUMA Foundation and innovative art projects. Maja Hoffmann is a Swiss art collector and patron. The Founder and President of LUMA Foundation, she has led the development of LUMA Arles in Provence, an important international cultural project. By addressing urgent issues in culture, nature, scientific experimentation and ecology, she has promoted new structures for innovation and positive change. Her efforts have earned LUMA widespread recognition for its diverse projects and artistic programs. Appointed President of Locarno Film Festival in 2023, Maja Hoffmann is the President of the Swiss Institute, New York (USA) and the Fondation Vincent van Gogh Arles (France), the Vice-President of the Emanuel Hoffmann Foundation, Basel (Switzerland), and serves on the boards of Serpentine Galleries, London (UK), Kunsthalle Zürich (Switzerland), the New Museum of Contemporary Art, and the Center for Curatorial Studies at Bard College, both in New York (USA). “I was called a utopist, but I was always seeing the reality of what I can do.” “I love to ride horses and to come to Arles on Saturdays, drink pastis with the men and genuinely try to say what I believe in and think. “I'd like to see a change in the mentalities that allows a real movement, because I think we are here and now in the capacity of changing things.”

This is an episode of The Specialist, produced by Intelligence Squared in partnership with Sotheby's. In The Specialist, explore the significance and journey of an extraordinary work through the eyes of those that know it best. On today's episode, Maurizio Cattelan's Comedian - an artwork that provoked scandal, sparked imagination, and upended the very definition of contemporary art. David Galperin, Sotheby's Vice Chairman, Head of Contemporary Art for The Americas, examines the complexities and challenges that come with bringing such an ineffable and metaphysical artwork to auction. An artwork that dares to ask: who sets the value of art? The Specialist is brought to you by Sotheby's Financial Services. SFS offers asset-based loans to unlock the value of your fine art, automobiles and other luxury collectibles. Visit ⁠⁠⁠sothebys.com/sfs⁠⁠⁠ to find out more.To step further into the World of Sotheby's, visit any one of our galleries, which are open to the public. Explore more at ⁠⁠⁠sothebys.com⁠⁠⁠. Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week's episode was recorded and broadcasted live from the Axel Contemporary Truck onto Radio Tomada in Santa Fe. Thibault talks with Mathew and Jerry about woo, and talks with Zina about the sound bath she did at Electra Gallery, living in Arkansas, and the art world. About Radio TomadaRadio Tomada 87.9 is a mobile radio broadcast project organized by Autumn Chacon for SITE Santa Fe's International Biennial curated by Cecila Alemani. Zina Al ShukriZina Al-Shukri was born in Baghdad, Iraq in 1978. She moved with her parents to the United States when she was 5 years of age. Al-Shukri received her BA from the University of Arkansas at Little Rock, and attended the California College of the Arts, receiving her MFA in 2009.Zina Al-Shukri is an emerging artist whose exhibition history includes Jack Hanley Gallery, San Francisco, and Pulliam Deffenbach Gallery, Portland, Oregon.Zina's workMatthew Chase-DanielMatthew Chase-Daniel  was born in Cambridge, Massachusetts in 1965 and lived in New York City in the 1960s. In the mid and late 1980s, Chase-Daniel studied at the Ojai Foundation in Ojai, California, at Sarah Lawrence College in Bronxville, New York (B.A.), and in Paris, France, where he studied cultural anthropology, photography, and ethnographic film production (Ecole Pratique des Hautes Etudes & Sorbonne). Since 1989, he has lived in Santa Fe, New Mexico, making family, and roaming the landscape to make his art. His photography and sculpture have been exhibited across the U.S. and in Europe.He is the co-founder, co-owner, and co-curator of Axle Contemporary, a mobile gallery of art, founded in 2010, a radio/podcast host at Coffee and Culture, curator of The Lena Wall, and a member of the Railyard Art Committee, all in Santa Fe.Jerry WellmanJerry Wellman is a Santa Fe-based artist whose cultural work includes curatorial projects, performance, writing, video and studio production. Wellman earned an MFA from CalArts. Wellman's paintings and drawings have been exhibited at the Brooklyn Museum of Art, Holly Solomon Gallery in New York City, Pierogi Gallery in Brooklyn, The Downey Museum, and The Orange County Center of Contemporary Art in California, The El Paso Museum of Art, The Revolving Museum in Boston, and The Paseo Project in Taos, NM. His drawings were selected for a traveling show sponsored by the Smithsonian. His work with Axle Contemporary has been exhibited at SITE Santa Fe, 516 Arts in Albuquerque, The. Navajo Nation Museum in Window Rock AZ, The Western Heritage Museum in Hobbs NM and the Roswell Art Center in Roswell NM. Awards of note include: Art Matters Foundation Grant, LINE Grant, Puffin Grant, and an NEA grant. Wellman has taught at the Pasadena College of Art and Design, CalArts, and New Mexico State University. He was formerly the head curator at Los Angeles Institute of Contemporary Art. He is the co-founder, co-director and co-curator of Axle Contemporary artspaceAbout The Side WooThe Side Woo podcast was created to open a frank dialogue about the overlaps of mental health, queer stories, the metaphysical (woo), and creativity as a way to understand how one builds a sustainable creative life, and to shine a light on the ways artists overcome trauma and adversity. New episodes come out on Thursdays.About ThibaultThibault² is a trans, interdisciplinary artist based in New Mexico. To learn more you can follow them on their blog, artdate.substack.com

[Contemporary Art] This is the second of three special episodes dedicated to the arts colony in Provincetown, Massachusetts. Our guest is Lesley Marchessault, executive director at the Provincetown Commons. Lesley chats with us about the mission of the Provincetown Commons and how it unites creative people of all types within this beautiful community on the water. This episode is sponsored by the Provincetown Office of Tourism. Learn more about the city and its arts history at ptowntourism.com.

Eliza Swann, also known as Emerald, is a writer, artist, alchemist and scholar based in New York. Swann's formative years cultivated a deep interest in the intertwined studies of mysticism and fine art, which remain central to their work as both artist and educator. Swann received a BA in Painting from the San Francisco Art Institute (2004) and an MFA from Central St. Martins in London (2012). Additionally, Swann is an initiate in Gnostic and Hermetic orders, has studied Vedic cosmology with Dr. Vagsish Shastri, trained in mindfulness meditation at the Insight Meditation Society, and studied herbalism and gardening under the guidance of their witch aunt. These studies inform their expansive approach to esoteric and ecological practices.Swann teaches art and mysticism as a unified practice and, in 2014, founded Golden Dome, an artist-in-residence program rooted in queer intersectional mysticism. Since its inception, Golden Dome has expanded to offer nationwide exhibitions, residencies, publications, and educational programming. Swann is currently faculty at Pratt Institute, where they teach “The Alchemical Imagination”, a course they created to introduce alchemical concepts to contemporary creative practice. In 2025, Swann transitioned from directing Golden Dome to launch a new initiative: Emerald School, which explores alchemy as a living, transdisciplinary practice.As a visual artist, Swann has exhibited internationally, most recently at the University of California Santa Cruz and the Feminist Center for Creative Work in Los Angeles. They are the author of The Anatomy of the Aura, Green Mary, and The Alchemical Imagination, and have contributed to numerous publications. Their work has been supported by PEN America, the Foundation for Contemporary Art, the Author's League Fund, the Los Angeles Department of Cultural Affairs, the Pratt Faculty Development Fund, the Feminist Center for Creative Work, the Hemera Fellowship for Contemplative Practice, and the Wassaic Project.Today Eliza shares about their roots, literally, the gardens of their aunt and a return to them after living and traveling beyond. We talk about alchemy and how it folds many disciplines, prayer, devotion, poetry, intuition... into its being. Eliza recalls teachers both direct and indirect and what they're work surfaced. We discuss grief and how alchemy has supported them in navigating both the personal and the global. The Emerald School is the container for their work where they guide folks through the stages of alchemy including a freeing of self and specialty, to move into deeper collaboration with all. "The school becomes a crucible: a space where diverse elements converge, disciplinary boundaries blur, and new ways of knowing can take shape."We talk about their upcoming 9 week online course, "The Alchemical Imagination," Sept. 14-Nov. 16, and their upcoming offering as a part of the O+ Festival, "The Star Inside: Alchemy and the Power of Plants" and why mugwort became a part of the conversation.Today's show was engineered by Ian Seda from Radiokingston.org.Our show music is from Shana Falana!Feel free to email me, say hello: she@iwantwhatshehas.org** Please: SUBSCRIBE to the pod and leave a REVIEW wherever you are listening, it helps other users FIND IThttp://iwantwhatshehas.org/podcastITUNES | SPOTIFYITUNES: https://itunes.apple.com/us/podcast/i-want-what-she-has/id1451648361?mt=2SPOTIFY:https://open.spotify.com/show/77pmJwS2q9vTywz7Uhiyff?si=G2eYCjLjT3KltgdfA6XXCAFollow:INSTAGRAM * https://www.instagram.com/iwantwhatshehaspodcast/FACEBOOK * https://www.facebook.com/iwantwhatshehaspodcast

Kristján og Lóa taka stöðuna á menningunni í dag. Í þættinum er meðal annars popptónlistargagnrýni, pólitíska samtímalist, Florentinu Holzinger og Taylor Swift. Efni sem rætt er um í þættinum er meðal annars: - How music critcism lost it's edge eftir Kelefah Sanneh https://www.newyorker.com/magazine/2025/09/01/how-music-criticism-lost-its-edge - The painted protest eftir Dean Kissick https://harpers.org/archive/2024/12/the-painted-protest-dean-kissick-contemporary-art/ - What is Contemporary Art for Today? eftir ýmsa höfunda https://open.spotify.com/episode/2yne5b8syWSDJwLcwS44aj?si=cZ1aP3YhSWCr4fmh8WcWQQ

Clement Manyathela speaks to FNB Art Joburg Managing Director, Mandla Sibeko, as Johannesburg gets ready to become the continent’s biggest art playground. Now in its 18th year, FNB Art Joburg takes over the Sandton Convention Centre from September 5th to 7th, bringing together bold artworks, fresh ideas, and some of Africa’s most exciting creative voices. More than just an art fair, the event celebrates innovation, culture, and the global power of African talent. 702 Breakfast with Bongani Bingwa is broadcast on 702, a Johannesburg based talk radio station. Bongani makes sense of the news, interviews the key newsmakers of the day, and holds those in power to account on your behalf. The team bring you all you need to know to start your day Thank you for listening to a podcast from 702 Breakfast with Bongani Bingwa Listen live on Primedia+ weekdays from 06:00 and 09:00 (SA Time) to Breakfast with Bongani Bingwa broadcast on 702: https://buff.ly/gk3y0Kj For more from the show go to https://buff.ly/36edSLV or find all the catch-up podcasts here https://buff.ly/zEcM35T Subscribe to the 702 Daily and Weekly Newsletters https://buff.ly/v5mfetc Follow us on social media: 702 on Facebook: https://www.facebook.com/TalkRadio702 702 on TikTok: https://www.tiktok.com/@talkradio702 702 on Instagram: https://www.instagram.com/talkradio702/ 702 on X: https://x.com/Radio702 702 on YouTube: https://www.youtube.com/@radio702 See omnystudio.com/listener for privacy information.

TOWARDS THE ULTIMATE GALLERY. Thaddaeus Ropac is an Austrian born gallerist specializing in international contemporary art. He founded the Galerie Thaddaeus Ropac in 1981, and today he represents more than 70 artists with galleries located in Salzburg, Le Marais and Pantin in Paris, London and Seoul. In September 2025 he will open his new 280 m2 space in Palazzo Belgioioso in Milan, with a show titled Georg Baselitz and Lucio Fontana, L'aurora viene (The Dawn is Coming). “Milan is the heartbeat of Italian art making.” “We represent around 70 artists and estates.” “I was able to help some incredible collectors to build their collections over the last decades.”

Episode 489 / Alexis RockmanBorn in 1962 in New York, Alexis Rockman has depicted a darkly surreal vision of the collision between civilization and nature – often apocalyptic scenarios on a monumental scale – for over three decades. Notable solo museum exhibitions include “Alexis Rockman: Manifest Destiny” at the Brooklyn Museum (2004), which traveled to several institutions including the Wexner Center for the Arts (2004) and the Rhode Island School of Design (2005). In 2010, the Smithsonian American Art Museum organized “Alexis Rockman: A Fable for Tomorrow,” a major touring survey of his paintings and works on paper. Concurrent with Rockman's 2013 exhibition at Sperone Westwater, the Drawing Center mounted “Drawings from Life of Pi,” featuring the artist's collaboration with Ang Lee on the award-winning film Life of Pi. His series of 76 New Mexico Field Drawings was included in “Future Shock” at SITE Santa Fe (2017-18). “Alexis Rockman and Mark Dion: A Journey to Nature's Underworld” was presented at the Bruce Museum, Greenwich, CT (2023) and traveled to the Virginia Museum of Contemporary Art (2024). It will be on view at the Tang Teaching Museum at Skidmore College, Saratoga Springs, NY until 5 January 2025, and at the Palmer Museum of Art at Penn State from August 30th through December 7th. His work is represented in many museum collections, including the Baltimore Museum of Art; Brooklyn Museum; Crystal Bridges Museum of American Art; Grand Rapids Art Museum; Los Angeles County Museum of Art; Museum of Fine Arts, Boston; New Orleans Museum of Art; San Francisco Museum of Modern Art; Smithsonian American Art Museum; Solomon R. Guggenheim Museum; and Whitney Museum of American Art. Rockman's first solo exhibition with Sperone Westwater, “Evolution,” was presented in 1992. He has had subsequent solo exhibitions at the gallery in 2013, 2018, 2020-21 and 2023. He lives and works in Warren, Connecticut.

This week Bad at Sports goes full meta, talking about talking about art. We sit down with Ben Davis, National Art Critic for Artnet News and author of 9.5 Theses on Art and Class, to unpack the state of art criticism in 2025. Davis has been one of the sharpest voices charting the relationship between culture, economics, and media—at once insider, outsider, and always keeping his mom in mind. From the collapse of traditional publishing to the weird vacuum left by social media, Davis doesn't just describe the cracks in the system—he names them, theorizes them, and points to where something new might emerge. We talk ZIRP (zero-interest-rate phenomena), the rise of click-driven media, what AI means for art, and why communities matter more than markets. Listen & Follow Ben Davis on Artnet News - https://news.artnet.com/search/Ben+Davis  @benstoppable https://www.benadavis.com/ Name-Drop Artnet News — news.artnet.com https://news.artnet.com/search/ Brooklyn Rail — brooklynrail.org AI / ChatGPT — openai.com/chatgpt Neil Young — neilyoungarchives.com Slayer — slayer.net   Image care of... https://c4aa.org/our-research/interviews/ben-davis/  

[Contemporary Art] Today we bring you the first of three special episodes dedicated to the arts colony in Provincetown, Massachusetts. Joining us on the show is Liz Carney, owner of FourEleven Gallery. Liz, who is also an artist herself, occupies a beautiful home and gallery first acquired by her artist mother. Today the venue is part of a beloved art community in an art-rich town on the tip of Cape Cod. This episode is sponsored by the Provincetown Office of Tourism. Learn more about the city and its arts history at ptowntourism.com.

Welcome back to ARTMATTERS: The Podcast for Artists.On this week's episode Michael Stamm is back to continue with our conversation about his artistic practice and career insights.Michael Stamm is a Brooklyn-based painter with an MFA from NYU and an MA in English Literature from Columbia University. He also attended Skowhegan School of Painting and Sculpture in 2016. Stamm has had solo and two-person exhibitions at Deli Gallery, DC Moore and Thierry Goldberg in New York, and Shul-amit Nazarian in Los Angeles. He is a NYFA Artist Fellowship recipient and has been featured in the New Yorker, Artforum, W Magazine, and Art in America. His work is in the permanent collection of the Institute of Contemporary Art, Miami.In today's conversation, Michael discusses his ongoing evolution from a controlled approach toward a more present, gestural practice while also sharing his current struggles with large-scale bodybuilder paintings that demand new technical skills in oil paint and expressive mark-making. This discussion with Michael moves from more practical studio tips and daily routines to deeper questions about artistic growth, the balance between spontaneity and planning, and how historical art continues to offer fresh ways of seeing. Michael concludes with hard-won career advice emphasizing professional positivity, strategic flexibility and giving up non-essential elements of your practice.You can now support this podcast by clicking HERE where you can donate using PATREON or PayPal!If you're enjoying the podcast so far, please rate, review, subscribe and SHARE ON INSTAGRAM!  If you have an any questions you want answered, write in to artmatterspodcast@gmail.com host: Isaac Mann www.isaacmann.com insta: @isaac.mann  guest: Michael Stamm www.michaelstamm.com insta: @michaelstammmmmThank you as always to ARRN, the Detroit-based artist and instrumentalist, for the music.

Gavin Brown, Caroline Busta, Joshua Citarella, Ben Davis, Jason Farago, Tobias Spichtig and Lloyd Wise read their contributions to “What Is Contemporary Art For Today?" (Perić Collection, 2025) This is a preview — for the full episode (released 08/13/2025), including a conversation with the book's editors, Matt Moravec, Eleonore Hugendubel, and Dean Kissick, subscribe: patreon.com/newmodels newmodels.substack.com From January 2023 to January 2024, the Perić Collection funded a series of informal, highly attended talks about the state of Contemporary Art. Hosted by Dean Kissick and coordinated & commissioned by Eleonore Hugendubel and Matt Moravec, the monthly event, known as the Seaport Talks, took place in Downtown Manhattan. As a kind of coda to this series, Matt, Eleonore, and Dean created a correlating reader (likewise supported by Perić) featuring texts by 25 contributors who have spent some significant part of their life in the art world. Each writer was asked to briefly respond to the book's titular question: “What is contemporary art for Today? And what should it be for, if anything?” For this special episode, we bring you a selection of the answers. For more: https://www.mcnallyjackson.com/product/what-contemporary-art-today

SpaceX on Tuesday launched its Super Heavy-Starship, the most powerful rocket in the world, for a test flight after three other flights failed earlier this year. NASA hired SpaceX to build a lunar lander version of Starship to carry astronauts to the moon. Despite the successful launch, there is rising concern that China's space program will get there first. New research from LinkedIn shows that 46% of professionals say networking makes them anxious. LinkedIn career expert Catherine Fisher gives tips on how to engage with your network. CBS News MoneyWatch correspondent Kelly O'Grady joins "CBS Mornings" to break down Cracker Barrel's decision to return to its former logo. Kari Eckert, the founder and executive director of "Robbie's Hope," started the teen suicide prevention foundation after her 15-year-old son died by suicide in 2018. It hosts an annual art competition for teens and this year has their first curated exhibit at the Museum of Contemporary Art in Denver. Eckert and singer-songwriter Sloane Simon, who won the grand prize three years ago with a song in the music category, talk to "CBS Mornings" about the nonprofit. Taylor Swift and Travis announced in a social media post on Tuesday that they are engaged. The couple's high-profile relationship began in 2023. CBS News' Jo Ling Kent has more. Actors Austin Butler and Zoë Kravitz speak to "CBS Mornings" about starring in the new movie "Caught Stealing." In the movie, they play a couple named Hank and Yvonne. Hank is a former baseball player who unexpectedly finds himself in the middle of a dangerous situation with gangsters after agreeing to watch his neighbor's cat. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Recorded live from the Chicago Architectural Biennial's booth at EXPO Chicago, Bad at Sports tailgates with artist Edra Soto and designer Dan Sullivan—Chicago's unofficial art-world power couple. Soto unpacks her first solo art fair booth at Engage Projects, where monoblock plastic chairs, airbrushed T-shirts, and Puerto Rican vernacular architecture collide with memory, loss, and celebration. Sullivan, founder of Navillus Woodworks, riffs on craft, Ikea hacks, and the business of making high-end furniture while moonlighting as Soto's collaborator and fabricator. "Dan helps." What starts as a playful conversation about paparazzi, beer coolers, and chairs spirals into a meditation on grief, Puerto Rican cultural identity, and the design politics of everyday objects. Along the way, we hit Bad Bunny, the Bear restaurant, euphemisms around death, Catholic ritual, and the French (yes, the French). We close out with music talk—Sullivan on his bands Nadnavillus and Arriver—and a standing invitation for Bad at Sports to share the stage. Death, dying, lawn chairs, and punk rock. Welcome to EXPO. Artists & Designers Edra Soto Instagram: @edrasoto https://edrasoto.com/home.html Dan Sullivan / Navillus Woodworks Instagram: @navillus_woodworks https://navilluswoodworks.com/ Ryan Peter Miller Instagram: @ryanpetermiller http://ryanpetermiller.com/ Miguel Aguilar (Kane One) Instagram: @kane_one_   kane-1.com https://www.3arts.org/artist/miguel-aguilar/ Susan Gomes George Ortiz Instagram: @georgeortizphotography https://www.georgeortizphotography.com/ Bad Bunny Instagram: @badbunnypr  https://www.vox.com/today-explained-podcast/459095/bad-bunny-puerto-rico-residency-history Institutions / Venues / Events Engage Projects Instagram: @engageprojects https://www.engage-projects.com/   Chicago Architecture Biennial Instagram: @chicagoarchitecturebiennial https://chicagoarchitecturebiennial.org/   EXPO Chicago Instagram: @expochicago  expochicago.com WBEZ Instagram: @wbezchicago  wbez.org/about  105.5 FM Lumpen Radio (WLPN‑LP) Instagram: @lumpenradio   lumpenradio.com  The Franklin (project space) Instagram: @thefranklinoutdoor (site-run by Edra Soto & Dan Sullivan)  https://thefranklinoutdoor.tumblr.com/ABOUT The Bear restaurant (Sullivan furniture) This refers to the TV show The Bear on FX,  Art Basel Instagram: @artbasel artbasel.com The Armory Show Instagram: @thearmoryshow  thearmoryshow.com NADA (New Art Dealers Alliance) Instagram: @newartdealers  newartdealers.org  Color Factory Instagram: @colorfactoryco  colorfactory.co  Electrical Audio (recording studio) Instagram: @electricalaudio  Tenement Museum (NYC) Instagram: @thetenementmuseum  https://www.tenement.org/  Cultural Figures & References Yolanda, Lucetta, Anita (Puerto Rican celebs) Gilberto Santa Rosa Lil' Kim, Lil' Romeo, Neil Young, Slayer, Jeff Koons   Bands & Music Navilus (Dan Sullivan's project) https://navilluswoodworks.com/ Arriver (art-metal band) image courtesy of Engage Projects

Episode No. 720 is a summer clips episode featuring artist Tidawhitney Lek. Lek is among the 30+ artists featured in "Spirit House" at the Henry Art Gallery at the University of Washington. The exhibition considers how 33 contemporary artists of Asian descent challenge the boundary between life and death through art, including how the spiritual relates to diaspora, connections to ancestral homelands, and the experience of feeling present within multiple cultures and multiple geographies. The show's curatorial framework was inspired by spirit houses, small devotional structures found throughout Thailand that provide shelter for the supernatural. "Spirit House" originated at the Cantor Arts Center, Stanford University, and was curated by Aleesa Pitchamarn Alexander with Kathryn Cua. It is on view in Seattle through January 11, 2026. An excellent exhibition catalogue, titled “Spirit House: Hauntings in Contemporary Art of the Asian Diaspora,” was published by the Cantor and Gregory R. Miller & Co. Amazon and Bookshop offer it for $45-50. Lek is a southern California-based, Cambodian-American artist whose work examines narratives surrounding and the daily experiences of a first-generation American born to immigrant parents. Her work has been included in exhibitions at the Museum of Contemporary Art San Diego and the Institute of Contemporary Art Miami, and she's been featured in the Made in LA biennial at the Hammer Museum, University of California, Los Angeles. Her first museum solo show was at the Long Beach Museum of Art in 2023. Discussed on the program: Martha Rosler's “House Beautiful: Bringing the War Home” series may be viewed on the website of the Museum of Modern Art, New York. The work of Amir Fallah and Annie Lapin. Lek's website. Instagram: Tidawhitney Lek, Tyler Green. Air date: August 21, 2025.

What separates artists who give up from those who thrive despite rejection? In this fourth installment exploring Jerry Saltz's "How to Be an Artist," Ty and Nathan tackle the emotional armor required to navigate the art world's toughest challenges.When a Pulitzer Prize-winning critic featured Nathan's early work as an example of what not to do, he was devastated. "I was mourning the loss of an art career that didn't even exist," he confesses. This vulnerable moment becomes a masterclass in transforming criticism into creative fuel—a skill every artist must develop.The conversation weaves through the phases of artistic development: wanting it, doing it, and living it. They explore how Instagram has weaponized envy, why self-imposed deadlines create surprising breakthroughs, and the myth of overnight success that derails so many promising careers. "Art gives up its secrets very slowly," they remind us, encouraging patience and persistence.Perhaps most powerful is their discussion of "radical vulnerability"—following your work into uncomfortable psychological territory that reveals your truest voice. As Ty shares stories of gallery disasters and damaged artwork, a portrait emerges of the resilience required to survive the inevitable setbacks of creative life.The episode concludes with Jerry's most memorable advice: after the demons of doubt have spoken, simply tell yourself "I'm a fucking genius" and get back to work. It's strategic delusion as artistic superpower—and it just might be the difference between giving up and breaking through.Send us a message - we would love to hear from you!Make sure to follow us on Instagram here:@justmakeartpodcast @tynathanclark @nathanterborg

Claire de Mézerville López is joined by co-host, Professor Emanuela Biffi, for the “Powerful Intersection Between Restorative Justice and Art” podcast series, a special initiative by the IIRP together with the European Forum for Restorative Justice (EFRJ). Art has the unique ability to connect and facilitate dialogue, making it a powerful tool in restorative justice practices. Throughout the series, we examine how artists from different disciplines and cultural backgrounds use their creative expression to foster communication, build empathy, and potentially repair harm. Each episode highlights a different aspect of this intersection, featuring conversations with artists who have contributed to restorative justice  We are joined by Dr. Clair Aldington as she discusses her research on integrating visual and movement-based languages into the restorative justice process. She co-founded Space to Face, an award-winning charity in Scotland, emphasizing how creative expression can facilitate healing dialogues and trauma articulation. Discover how Dr. Aldington's work extends beyond verbal communication, using art as a catalyst for emotional connections and solidarity between individuals involved in conflict. She reflects on pivotal moments where art objects symbolized reconciliation and inspired lasting change in both victims and offenders. Her research challenges traditional Western practices by advocating for more inclusive, visually oriented approaches to restorative justice. Dr. Aldington has authored several academic articles and book chapters regarding her practice and research. She is the co-founder of the award-winning Space2face restorative practices and arts charity in Shetland, Scotland, and a co-facilitator of an international restorative circle group, the Encounter of the Encounters, in cases of political violence. Her work has pioneered the use of art and design approaches within restorative practices. Specifically, how creative approaches can aid dialogue and the articulation of trauma, particularly in cases of serious crime, thereby improving the accessibility of restorative processes. Dr. Aldington holds a doctorate in Design and Restorative Justice and a master's in Contemporary Art and Music. She is a freelance researcher and practitioner with over twenty years of experience in the field of restorative practices. Dr. Aldington is a keynote speaker at the upcoming 2025 IIRP World Conference, Artful Integration: Exploring the Art and Science of Restorative Practices. Emanuela is the program coordinator at the EFRJ, an international network organization that brings together about 300 members dedicated to research, policy, and practice of restorative justice in the criminal justice system and beyond.  She joined the EFRJ team in September 2013, working as a project officer in different EU-funded projects on access to restorative justice, justice and security in intercultural settings, restorative justice training, child victims, and arts. Among other responsibilities at the EFRJ, she organizes its main international events (conferences, seminars, webinars, and art festival), coordinates proposals for EU-funded and other projects, and guides the overall management of working groups and committees within the EFRJ membership. Originally from Italy, Emanuela studied Liberal Arts at the University College Maastricht (The Netherlands) and University of Gaborone (Botswana) with a focus on social psychology and criminal law and the Master program in Criminology at KU Leuven (Belgium). Tune in to explore the challenges and rewards of training artists and facilitators in restorative practices. By highlighting the potential of creative mediums to bridge cultural and linguistic divides, we uncover universal avenues for healing and understanding.

Dr. Chioke I'Anson is the visionary force behind the establishment of the VPM + ICA Community Media Center, an innovative collaboration between Virginia Public Media and the Institute for Contemporary Art at VCU. He's also the founder of RESONATE Podcast Festival Congress has voted to rescind public media's funding. Help preserve independent journalism and community programming across America by adopting a station. Learn more about your ad choices. Visit megaphone.fm/adchoices

During the Fall of last year, the Museum of Contemporary Art invited 20 activists, artists, writers and curators to meet and discuss the role art plays during times of uncertainty and possibility.

Today's guest is Jen Florin, co-founder of Cookies Events & Catering and someone who's been shaping Berlin's cultural and culinary scene from behind the curtain for almost two decades. But titles aside, Jen is a true master of atmosphere. She knows how to turn a room into an experience you'll never forget.We talked about the art of curation (yes, the lighting, the playlists, the menus), but also the mindset. Jen opened up about her early years growing up in West Germany, organizing parties in her parents' light studio, and how a teenage love for club culture led her all the way to building an international agency, hosting Netflix, and throwing over 100 events a year.We also speak about creative partnership and the beautiful chaos of making things happen!And if you love this episode, leave a review, send it to a friend, or just hit replay.Read more about the Women Authors of Achievement (WAA) Podcast via waa.berlin/aboutFollow us on Instagram & find us on LinkedInSubscribe to our newsletter via waa.berlin/newsletter ★ Support this podcast on Patreon ★

During the Fall of last year, the Museum of Contemporary Art invited 20 activists, artists, writers and curators to meet and discuss the role art plays during times of uncertainty and possibility.

During the Fall of last year, the Museum of Contemporary Art invited 20 activists, artists, writers and curators to meet and discuss the role art plays during times of uncertainty and possibility.

Eddie Jones shares his architectural journey, from his education to founding Jones Studio. He reflects on his early career and significant projects, including the St. Louis (now Arizona) Cardinals training facility and the Scottsdale Museum of Contemporary Art exhibit. Eddie discusses the Mariposa land port of entry project and the studio's growth. He provides insights into succession planning and transitioning roles within the studio, emphasizing his evolution from architect to business leader.

The role of a curator is not static! Meet Jessica Hong, the new chief curator at the Kemper Museum of Contemporary Art, and hear how her forward-minded ideas are expanding what it means to be a curator, going beyond the confines of the art institution.  Jessica highlights her deep love of working directly with artists, whom … Read More Read More

In this episode, we talk with French field recordist and artist Mélia Roger about her film Dear Phonocene, currently featured in the Projected Ecologies program within the exhibition Pulsar at MUCA in Mexico City. Mélia shares how the work emerged from over a decade of listening to the monoculture Douglas fir plantations near her parents' home, spaces she describes as “post-natural” and marked by biodiversity loss. Blending fiction, performance, and documentary, the project imagines “acoustic enrichment” as a form of care—playing back past soundscapes to acknowledge what has been lost. We discuss her collaboration with other women recordists, the role of human presence and “noisy non-self” in the film's soundscape, and the interplay between slow listening and the fast pace of image-making. Mélia reflects on grief, hope, and tenderness in altered landscapes, the technical and ethical dimensions of playback, and her evolving research on post-natural listening within her PhD work. Plus, we hear about her upcoming explorations of cetacean sound in the Canary Islands.Mélia Roger (*1996, she/her) is a field recordist and artist engaged to inspire ecological change with environmental and empathic listening. Her work explores the sonic poetics of the landscape, searching for the invisible layers between human and non-humans. Coming from a sound engineering background (ENS Louis-Lumière in Paris, ZHdK in Zurich), Mélia is developing a twofold activity between immersive 7.0.2 sound recordings within HAL, as well as a more experimental and naturalistic approach to listening. Now at Le Fresnoy, she is a practice-based PhD candidate at the University of Lille, focusing on the relations between sound arts and acoustic ecology.https://www.meliaroger.com/portfolio/project-two-llrgk-blz6chttps://www.instagram.com/meliarog/https://muca.unam.mx/pulsar.htmlhttps://www.lydianstater.co/projected-ecologies

Kristy returns to Art and Cocktails to share the inspiring story behind writing and publishing her book. We talk about the dream that began in childhood, the process of bringing it to life, and the milestones that followed. These include holding the finished copy in her hands, receiving an endorsement from Jerry Saltz, and seeing her work translated into Taiwanese. Kristy also addresses the myths that hold artists back from writing, why you do not have to identify as a “real writer” to publish a book, and how to navigate both traditional and self-publishing while keeping your vision intact. She shares details about her upcoming Essential Publishing Bootcamp with Frannie, a live two-day workshop that helps artists and creatives turn their book ideas into reality. Participants will learn about the different publishing paths, receive a step-by-step workflow for bringing a book to life, and review examples of real winning pitches that secured book deals. Whether you are interested in traditional publishing, indie presses, or self-publishing on Amazon, this workshop will provide the tools to make it happen. Kristy Gordon is a Canadian-born artist based in New York City whose paintings have been exhibited internationally, including at the Metropolitan Museum of Art's Uris Center, the European Museum of Modern Art in Barcelona, and the National Academy Museum in New York City. She is a three-time recipient of the Elizabeth Greenshields Foundation Grant and earned her MFA from the New York Academy of Art, where she now teaches. Her work appears in more than 600 collections worldwide and has been featured in Vogue, Hyperallergic, and Fine Art Connoisseur. She is represented by Garvey|Simon, Blumka Contemporary, and Grenning Gallery. Learn more about Kristy's Essential Publishing Bootcamp and sign up at https://www.down2art.com/Write-Your-book. Create! Magazine is now accepting submissions for our upcoming issue. Apply to the current call for art at https://www.createmagazine.co/call-for-art. Publish your own art catalog: https://www.createmagazine.co/art-catalog  

In this episode of Chuck's Chat Hub, host Chuck Tuck sits down with Anna Barrington, author of The Spectacle—a thrilling dive into the glamorous yet shadowy world of high-end art. Drawing from her seven years working in prestigious auction houses, galleries, and museums in New York and London, Anna reveals the secrecy, intrigue, and morally gray dealings that inspired her debut novel.From contemporary art priced like stocks to the hidden fortunes sailing international waters, Anna shares insider stories that blur the line between fact and fiction. You'll hear about tax-free free ports, enigmatic collectors, Ponzi schemes disguised as galleries, and how the ultra-wealthy use art for clout and profit.Anna also opens up about her writing journey—balancing a demanding art career while waking up early to finish her manuscript—and offers inspiration for aspiring authors and creatives chasing big dreams.Visit: www.ChucksChatHub.comGet The Spectacle anywhere books are sold or visit AnnaBarrington.com.https://amzn.to/3UmqXj2Episode Highlights:The secretive and lucrative world of contemporary art.How Ponzi schemes and financial loopholes thrive in the art market.Why NFTs became part of The Spectacle.The discipline it takes to write your first novel.Encouraging words for aspiring writers and art world hopefuls.00:00 Introduction to the Art World and the Book 01:10 The Intricacies of the Art Market 03:10 The Plot of 'The Spectacle' 05:25 Behind the Scenes of Contemporary Art 08:01 The Reality of Stolen Art 10:25 The Role of NFTs in Art 12:12 Writing Journey and Challenges 14:05 Advice for Aspiring Writers and Artists 18:09 End

In this episode, we talk with New York–based visual artist Dakota Gearhart about her four-part animated video series Life Touching Life, currently featured in the Projected Ecologies program within the exhibition Pulsar at MUCA in Mexico City. We discuss the show's algae femme host Tiffany—part toxic bloom, part human—who travels through time to interview scientists, poets, and caretakers about reimagining relationships between human and non-human life. Dakota shares how humor, multiplicity, and collaboration shape the series, blending found footage, analog techniques, and diverse animation styles into speculative, eco-futurist narratives. We also dive into her sculptural practice, the challenges of large-scale installation, the translation of Life Touching Life into multiple languages, and her upcoming public art commission for Flushing Meadows Park. Plus, we hear about the zine that brings the series off-screen and into readers' hands.Dakota Gearhart is a New York-based visual artist born in Arizona, raised in Florida, and educated in the Pacific Northwest. Her work has been exhibited, screened, and presented at the New Museum, Bronx Museum, Queens Museum, St. Petersburg Museum of Fine Arts, Tacoma Art Museum, Oregon Contemporary Art Center, Northwest Film Forum, and International House of Japan, among others.https://www.dakotagearhart.com/https://newinc.metalabel.com/life-touching-lifehttps://www.instagram.com/_dakotagearhart/https://muca.unam.mx/pulsar.htmlhttps://www.lydianstater.co/projected-ecologieshttps://www.elisagutierrezeriksen.com/

My guest is Katharin Ahrend, co-managing director of the Clubcommission Berlin, a pivotal force in protecting and shaping the city's club scene. Born in East Germany just before the fall of the Wall, Katharin grew up navigating the grey zones of youth culture, rave spaces, and political shifts.We talk about everything from abandoned buildings turned dance floors to her journey into cultural policy. Katharin opens up about leadership in male-dominated spaces and her deep-rooted belief that club culture is culture. Beautiful, political, and essential, especially in times of division and crisis.If you've ever danced all night and felt something shift or wondered what it takes to protect that freedom, this episode is for you.And if you love this episode, leave a review, send it to a friend, or just hit replay.Read more about the Women Authors of Achievement (WAA) Podcast via waa.berlin/aboutFollow us on Instagram & find us on LinkedInSubscribe to our newsletter via waa.berlin/newsletter ★ Support this podcast on Patreon ★

Ep.252 Howardena Pindell was born in 1943 in Philadelphia, Pennsylvania and lives and works in New York. She has exhibited extensively, including selected solo exhibitions at Fruitmarket, Edinburgh, UK, touring to Kettle's Yard, Cambridge, UK, Spike Island, Bristol, UK, and Irish Museum of Modern Art, Dublin (2022–23); Baltimore Museum of Art, Maryland (2022); The Museum of Fine Arts Houston, Texas (2022); The Shed, New York, touring to Oklahoma Contemporary, Oklahoma City (2021–22); Museum of Contemporary Art, Chicago, Illinois (2018); Spelman College Museum of Fine Art, Atlanta, Georgia (2015); Cleveland Institute of Arts, Ohio (1994); Wadsworth Atheneum, Hartford, Connecticut (1989); The Studio Museum in Harlem, New York (1986); Birmingham Museum of Art, Alabama (1985); A.I.R Gallery, New York (1983); and Rockefeller Memorial Galleries, Spelman College, Atlanta, Georgia (1971). Selected group exhibitions include The Kitchen, New York (2024); Louisiana Museum of Modern Art, Humlebæk, Denmark (2024); Museum of Modern Art, New York (2023); National Gallery of Art, Washington, DC (2022); Guggenheim Bilbao, Spain, touring to Centre Pompidou, Paris (2021); Tate Modern, London, touring to Brooklyn Museum, New York and Broad Museum, Los Angeles, California (2017–19); Brooklyn Museum, New York (2017); Museum Moderner Kunst Stiftung Ludwig Wien, Austria, touring to Museum Brandhorst, Munich, Germany (2016); Contemporary Arts Museum, Houston, Texas (2013); Seattle Art Museum, Washington (2009); Museum of Contemporary Art, Los Angeles, California (2007); and The Studio Museum in Harlem, New York (2006). Credit: Howardena Pindell, 2018, Photo © Nathan Keay White Cube https://www.whitecube.com/gallery-exhibitions/howardena-pindell-hong-kong-2024 Garth Greenan https://www.garthgreenan.com/artists/howardena-pindell MoMA https://www.moma.org/artists/4625-howardena-pindell NYTimes https://www.nytimes.com/interactive/2025/06/09/t-magazine/howardena-pindell.html | https://www.nytimes.com/2020/10/16/arts/design/howardena-pindell-shed-video.html Fruitmarket https://www.fruitmarket.co.uk/howardena-pindell/ Stony Brook University https://www.stonybrook.edu/commcms/art/people/faculty-staff/howardena-pindell

In this special episode of Art & Cocktails, artist Danielle Clough joins host Ekaterina Popova (Kat) to share her journey to becoming an internationally recognized embroidery artist. Known for her bold, painterly thread work and playful approach to fiber, Danielle opens up about finding her voice, building a creative career on her own terms, and embracing the power of intuition and process. She reflects on the evolution of her practice, from sewing plush toys and experimenting with “thread sketching” to creating intricate embroidered portraits that feel like paintings. Danielle also discusses her breakout moment with Colossal, the inspiration behind her newest solo show Cruel Intentions at Paradigm Gallery, and how she reimagines vintage imagery through a contemporary lens. This episode explores the value of craft in the art world, the importance of protecting what you love when working with commercial brands, and the joy of slowing down through hands-on making. Danielle offers heartfelt encouragement for emerging fiber artists and shares the story behind her iconic Instagram handle, @fianceknowles. To explore more of Danielle's work, visit danielleclough.com or follow her on Instagram at @fianceknowles. If you are in Philadelphia, don't miss her solo exhibition Cruel Intentions, now on view at Paradigm Gallery. Submissions are now open for Create! Magazine's 9-year anniversary print issue. Apply today at createmagazine.co/call-for-art. https://www.paradigmarts.org/blogs/news/danielle-clough-crewel-intentions Stay Connected Follow Danielle Clough and explore her work: Website: danielleclough.com Instagram: @fianceknowles Visit her solo exhibition Cruel Intentions now on view at Paradigm Gallery: paradigmarts.org Apply to be featured in Create! Magazine's 9-Year Anniversary Print Issue: createmagazine.co/call-for-art Subscribe to Create! Dispatch on Substack for weekly artist interviews, open calls, and creative insights: createmagazine.substack.com Explore online courses, artist resources, and creative business content at Create U: createu.co Follow us on Instagram: @createmagazine

Episode No. 717 features artist Erin Shirreff, curator Davide Gasparotto, and conservator Ulrich Birkmaier. The Milwaukee Art Museum is presenting "Erin Shirreff: Permanent Drafts" through September 1. Across 40 recent collages, photographs, sculptures, and videos, the exhibition reveals Shirreff's interest in the space between images and the objects they picture. The exhibition was curated by Kristen Gaylord. Among the museums that have presented solo exhibitions of Shirreff's work are SITE Santa Fe, the Clark Art Institute, Williamstown, Mass., SFMOMA, and the Institute of Contemporary Art, Boston. "Artemisia's Strong Women: Rescuing a Masterpiece" is at the J. Paul Getty Museum, Los Angeles through September 14. The exhibition reveals conservation work done on Gentileschi's ~1635-37 Hercules and Omphale, a significant painting damaged in a massive explosion in Beirut in 2020. Birkmaier led the conservation of the work, which Gasparotto joined to four other Gentileschis in this exhibition, which particularly highlights Gentileschi's focus on strong women from the classical and Biblical traditions. Instagram: Davide Gasparotto, Tyler Green. Air date: July 31, 2025.

It's the dog days of summer, and we're bringing you our top picks for things to do, see, and eat in our beautiful city. Host Bianca Martin chats with executive producer Hayley Sperling and newsletter editor Rob Thomas about everything from Orton Park Fest and free rooftop movies at the Madison Museum of Contemporary Art, to Dane Dances and the Taste of Madison. Plus, are y'all ready for Badger game days? Tune in and make the most of August in Madison.

A new exhibition at The Shed called 'Open Call: Portals' spotlights the work of 12 New York City artists at the start of their careers. Curator Deja Belardo and Darren Biggart, director of civic programs at The Shed, discuss the exhibit, which runs until August 24.