Podcasts about Contemporary art

Curator, writer, and executive director Jessica Bell Brown returns to reflect on her evolving leadership at the Institute for Contemporary Art at Virginia Commonwealth University. In this conversation, we talk about openness as a strategy, the role of listening in shaping institutions, and what it means to make space for experimentation in times of uncertainty.Jessica shares how porosity, risk, and care shape her curatorial and executive approach—from expanding access beyond traditional art forms to launching chef residencies and community media programs at the ICA. We discuss the influence of her time at MoMA and the Baltimore Museum of Art, the power of contemporary art to respond to crisis, and why joy and curiosity remain central to her vision.Topics Covered:What leadership looks like through the lens of listeningExpanding access to arts beyond galleries and into kitchens and podcastsNavigating risk and limitation in an age of shrinking arts fundingThe evolving responsibility of cultural institutionsThe importance of reflection, care, and creative openness

Lubaina Himid talks to Ben Luke about her influences—from writers to musicians, film-makers and, of course, other artists—and the cultural experiences that have shaped her life and work. Himid was born 1954 in Zanzibar and lives today in Preston, UK. Her paintings, sculptures and installations are an invitation to consider marginalised figures, communities and diasporic cultures, to expand the histories that frame our worldview, and ultimately to effect change. From the 1980s, Lubaina has been both artist and organiser, a prolific collaborator, and a crucial voice in establishing a platform for Black artists and women artists in the UK and beyond. Engaging directly with historic and contemporary injustice and structural racism, while relating personal and intimate experiences and feelings, and reinterpreting and reimagining Western art history, her work is rigorously critical and yet poetic, sensuous, humorous and often joyous. She talks about the early impact of Stanley Spencer and Bridget Riley, the inexhaustible influence of William Hogarth, her curatorial work of the mid-1980s and her admiration for her peer in the Black British Arts movement Claudette Johnson. She also reflects on the influence of writers including Audre Lorde and Essex Hemphill. Plus, she gives insight into her life in the studio and answers our usual questions, including the ultimate: what is art for?Lubaina Himid with Magda Stawarska: Another Chance Encounter, Kettle's Yard, Cambridge, 12 July-2 November; Connecting Thin Black Lines, Institute of Contemporary Arts, London, 24 June-7 September. Lubaina Himid, British Pavilion, Venice Biennale, 9 May-22 November 2026 Hosted on Acast. See acast.com/privacy for more information.

We head to Sussex to celebrate the newly opened Goodwood Art Foundation. We speak to curator Ann Gallagher, artist Rachel Whiteread and Goodwood Estate proprietor Charles Henry Gordon-Lennox.See omnystudio.com/listener for privacy information.

Fluent Fiction - Norwegian: Bridging Eras: Modern Art Finds Harmony in Vigelandsparken Find the full episode transcript, vocabulary words, and more:fluentfiction.com/no/episode/2025-06-08-22-34-02-no Story Transcript:No: Solen skinner over Vigelandsparken i Oslo.En: The sun shines over Vigelandsparken in Oslo.No: Fuglene kvitrer, og det er en svak bris som rusler mellom trærne.En: Birds are chirping, and there is a gentle breeze that meanders through the trees.No: Parken er fylt med Gustav Vigelands skulpturer, vakre og tidløse.En: The park is filled with Gustav Vigeland's sculptures, beautiful and timeless.No: Midt i dette stille skjønnhetens paradis står Sigrid, tankefull.En: In the midst of this serene paradise of beauty stands Sigrid, thoughtful.No: Sigrid er en dyktig kunstkurator.En: Sigrid is a skilled art curator.No: Hun drømmer om å bringe samtidskunst til parken.En: She dreams of bringing contemporary art to the park.No: Hun mener kunsten kan inspirere mennesker, få dem til å tenke nytt.En: She believes that art can inspire people, make them think in new ways.No: Men først må hun overbevise Kasper.En: But first, she must convince Kasper.No: Kasper er parkens ansvarlige.En: Kasper is the park's administrator.No: Han er bekymret for at moderne kunst vil forstyrre parkens tradisjonelle atmosfære.En: He is concerned that modern art will disturb the park's traditional atmosphere.No: Sigrid møter Kasper en tidlig morgen.En: Sigrid meets Kasper early one morning.No: Hun har en plan.En: She has a plan.No: "Jeg forstår dine bekymringer," sier hun.En: "I understand your concerns," she says.No: "Men la meg vise deg hvordan moderne kunst kan komplementere Vigelands skulpturer.En: "But let me show you how modern art can complement Vigeland's sculptures."No: " Kasper lytter nøye, men han er fortsatt skeptisk.En: Kasper listens carefully, but he is still skeptical.No: Sigrid arrangerer en liten utstilling.En: Sigrid organizes a small exhibition.No: Hun plasserer nøye utvalgte kunstverk rundt parkens skulpturer.En: She carefully places selected artworks around the park's sculptures.No: Hver bit av samtidskunst er valgt for å fremheve, ikke overgå, Vigelands mesterverk.En: Each piece of contemporary art is chosen to highlight, not overshadow, Vigeland's masterpieces.No: Kasper går gjennom parken, ettertenksom.En: Kasper walks through the park, pensive.No: Kasper stopper foran en skulptur omgitt av Sigrids kunstverk.En: Kasper stops in front of a sculpture surrounded by Sigrid's artworks.No: Han ser hvordan de moderne stykkene spiller på linjene og skygger av Vigelands arbeider.En: He sees how the modern pieces play on the lines and shadows of Vigeland's works.No: Lyset danser mellom dem, en fusjon av gammelt og nytt.En: The light dances between them, a fusion of old and new.No: Kasper smiler, et lite smil.En: Kasper smiles, a small smile.No: Han begynner å se potensialet.En: He begins to see the potential.No: "Du har rett, Sigrid," sier han til slutt, "dette er virkelig noe spesielt.En: "You are right, Sigrid," he finally says, "this really is something special.No: Jeg kan se hvordan dette kan berike parkens opplevelse.En: I can see how this can enrich the park's experience."No: " Sigrid puster lettet ut.En: Sigrid exhales with relief.No: Hun klarte det.En: She did it.No: Med Kaspers godkjenning begynner Sigrid å planlegge den store utstillingen.En: With Kasper's approval, Sigrid begins to plan the grand exhibition.No: Hun har lært å tydelig dele sin visjon.En: She has learned to articulate her vision clearly.No: Kasper, på sin side, har fått en ny forståelse for verdien av innovasjon.En: Kasper, for his part, has gained a new appreciation for the value of innovation.No: Vigelandsparken vil nå skinne enda klarere, med kunst fra fortid og nåtid, side om side.En: Vigelandsparken will now shine even brighter, with art from the past and present, side by side.No: Solen går sakte ned, og en ny mulighet gryr i parken.En: The sun slowly sets, and a new opportunity dawns in the park.No: Sigrid og Kasper står side om side, i felles forventning om hva som skal komme.En: Sigrid and Kasper stand side by side, with shared anticipation for what is to come.No: Det er et nytt kapittel for Vigelandsparken.En: It is a new chapter for Vigelandsparken.No: En sommerbrise bærer deres håp og drømmer videre, gjennom trærne og ut i verden.En: A summer breeze carries their hopes and dreams onward, through the trees and out into the world. Vocabulary Words:shines: skinnerchirping: kvitrergentle: svakbreeze: brismeanders: ruslersculptures: skulpturertimeless: tidløseserene: stilleparadise: paradisthoughtful: tankefullcurator: kunstkuratorcontemporary: samtidskunstinspire: inspirereconvince: overbeviseadministrator: ansvarligeconcerned: bekymretdisturb: forstyrrecomplement: komplementereskeptical: skeptiskexhibition: utstillinghighlight: fremheveovershadow: overgåpensive: ettertenksomfusion: fusjonenrich: berikerelief: lettetarticulate: deleanticipation: forventningchapter: kapittelopportunity: mulighet

Live from Andrew Rafacz Gallery, Chicago In this intimate, laughter-filled episode recorded live at Andrew Rafacz Gallery, Duncan and Ryan sit down with artists Jaqueline Cedar and Josh Dihle on the occasion of their concurrent solo exhibitions. The conversation traverses everything from Duchampian bathroom jokes to model train nostalgia, parenthood, masculinity, and why drawing still matters. We dig deep into Cedar's intimate, narrative-rich figure paintings and Dihle's large, toy-like sculptural paintings, both brimming with color, play, and strange tenderness. Along the way, we explore the value of humor, discomfort, labor, scale, and why both artists moonlight as gallerists—Cedar with the roving Good Naked Gallery and Dihle with events at Color Club and The Sugar Hole ice cream shop. It's a heartfelt meditation on art, joy, burnout, and why we keep making. Name Drop List & Related Links Jaqueline Cedar Website | Instagram Good Naked Gallery – Instagram Josh Dihle Website | Instagram Color Club – Website | The Sugar Hole Andrew Rafacz Gallery Website | Instagram Artists & References: Roger Brown Suellen Rocca David Hockney Henry Moore Pieter Bruegel the Elder Duchamp's “Étant donnés” Julius Caesar Gallery (Chicago)  

In this heartfelt and grounding conversation, Kat reconnects with her former professor, artist and printmaker Cheryl Agulnick Hochberg, to explore what it truly means to live a creative life—on your own terms.   Cheryl shares how her work is shaped by place, walking, and deep observation—drawing inspiration from time spent in Wyoming, China, Finland, and her new home in Arizona. Together, they reflect on life after academia, the courage to start over, and the unexpected clarity that comes with experience, loss, and listening to the land.   This episode is a balm for any artist feeling overwhelmed, out of place, or unsure of what comes next. It's a reminder that your work doesn't have to be impressive—it just has to be yours.   In this episode, they discuss: Life after academia and what changed in higher education Making time for your art while raising a family or working full-time How Cheryl approaches residencies, place-based work, and listening Letting go of external pressure and creating from authenticity The real markers of a fulfilling creative life Advice for artists just beginning—or beginning again Cheryl Agulnick Hochberg Website: www.cherylagulnick.com Instagram: https://www.instagram.com/cherylhochberg     ✨ Resources to Support Your Creative Path: Submit to Create! Magazine's open call: createmagazine.co/call-for-art Explore free artist tools + micro-courses at Create U

Few artists aim to make sense of the subjectivity and complexity of time and space quite like the Polish-born, Berlin-based artist Alicja Kwade. In each of her works, ranging from sculptures and large-scale public installations to films, photographs, and works on paper, Kwade displays an astute sense of temporality and the ticking hands of the clock. Her practice, in a literal and figurative sense, is a quest to understand time as a ruler and shaper of our lives and of our world. For her latest exhibition, “Telos Tales,” on view at Pace Gallery in New York's Chelsea neighborhood through August 15, Kwade has created three monumental steel-frame sculptures with treelike limbs alongside new mixed-media works in an effort to engage the intangible nature of time. As with all her work, “Telos Tales” is philosophical, illusionistic, and inspires wonder: Long after a viewer has seen it, it will leave them questioning.On the episode, Kwade considers the unfathomability of all things, finds humor in being human, and explains what a relief it is to know that some questions have no clear answers—and never will. Special thanks to our Season 11 presenting sponsor, Van Cleef & Arpels.Show notes:Alicja Kwade[13:19] “Alicja Kwade: Telos Tales” at Pace Gallery[16:56] “Hiroshi Sugimoto on Photography as a Form of Timekeeping”[18:41] “Alicja Kwade: Pretopia” (2025)[24:42] On Kawara's Date Paintings[25:04] “Alicja Kwade & Agnes Martin: Rhythm, Equilibrium, and Time” (2024)[25:04] “Gegen den Lauf” (2012-2014)[29:48] “Stellar Day” (2013)[31:44] “Against the Run” (2015)[31:44] “Against the Run” (2019)[31:44] Pinacoteca Agnelli Art Center[35:04] “88 Seconds”  (2017)[35:04] Eadweard Muybridge[39:24] Hiroshi Sugimoto[49:00] Salvador Dalí[49:00] Harry Houdini[49:00] Kazimir Malevich[59:27] “iPhone” (2017)[59:27] “Computer (PowerMac)” (2017)[01:04:47] “LinienLand” (2018)[01:04:47] “Alicja Kwade: Parapivot” (2019)[01:04:47] “Alicja Kwade: Viva Arte Viva” (2017)[01:08:30] “L'ordre des Mondes (Totem)” (2024)[01:13:50] Jason Farago[01:13:50] “Celestial Visions on the Met Roof”

In this episode of Art & Cocktails, host Ekaterina Popova speaks with Tatum Dooley—writer, brand strategist, and founder of Art Forecast. Tatum shares how she built a trusted curatorial platform that bridges art, fashion, and design while spotlighting emerging artists and helping demystify the art world.   We discuss:   How Art Forecast evolved from an Instagram account to a Substack and PR studio Why storytelling and consistency matter more than chasing trends How to build your own creative platform with purpose and integrity Practical advice for writers, curators, and creatives entering the art world   Whether you're an artist, curator, or collector, this episode will inspire you to think differently about visibility, community, and the future of contemporary art. Learn more about Art Forecast: https://artforecast.substack.com

We continue our series "100 Pieces of Art" celebrating the must-see works of art in the city. Eileen Jeng Lynch, director of curatorial programs at The Bronx Museum of the Arts, discusses her list of 10 works of art to see, and listeners call in to recommend their favorite works of art in the city.Note: There were technical difficulties during this conversation that made it difficult to understand the guest. We apologize for the issues. 

Have you ever had a moment when everything you thought you knew about your path suddenly shifted? In today's episode, I sit down with textile artist Qualeasha Wood, whose innovative work bridges digital imagery with traditional craft techniques. She reveals the unexpected moments that led her from a completely different path into textile art. Qualeasha also shares the profound encounter that changed the trajectory of her art practice. Through stories about family, creativity, and finding her authentic voice, Qualeasha offers powerful insights for any artist navigating their creative journey. Chapters 00:00 Introduction to Qualeasha Wood and Her Art Journey 02:57 The Impact of Family and Community on Creativity 06:06 Early Influences and the Search for Representation in Art 08:53 Navigating the Art World: From Discouragement to Discovery 11:47 Finding a Medium: The Shift from Illustration to Printmaking 15:02 The Role of Textiles in Qualeasha's Artistic Expression 18:08 The Influence of Faith Ringgold and Career Shifts 21:09 Exploring Printmaking and the Intersection of Art and Identity 24:35 The Journey into Textile 27:50 Exploring Identity through Art 32:08 The Evolution of Artistic Mediums 37:12 Navigating Graduate School Decisions 41:00 Redefining Success in Art 47:35 Legacy and Impact through Textiles   Connect With Qualeasha: Website: Qualeasha's Website Instagram: Qualeasha Wood Support the Show Website: Martine SeverinFollow on Instagram: Martine | This Is How We CreateSubscribe to the Newsletter: Martine's Substack This is How We Create is produced by Martine Severin. This episode was edited by Santiago Cardona and Daniel Espinosa. Subscribe wherever you get your podcasts Leave a review Follow us on social media Share with fellow creatives  

Alfio Puglisi in conversation with podcast host Sarah Rhodes on how the Sicily Artist in Residence Program (SARP) is transforming Sicily into a global hub for contemporary art through site-specific residencies, local collaboration, and atmospheric place-making. In this wide-ranging conversation, Sarah Rhodes speaks with the podcast's co-producer Alfio Puglisi — founder of the Sicily Artist in Residence Program (SARP) — about returning to his ancestral home on the slopes of Mount Etna to forge a new vision for contemporary art in Sicily. Alfio shares his remarkable journey: from studying economics and the digital economy and society at King's College London to teaching in Lisbon, and ultimately leaving behind a secure academic career to pursue something more entrepreneurial and creatively rooted. That shift led him back to Linguaglossa, where he transformed his family's 17th-century palazzo into a living museum, restaurant, contemporary gallery and residency program. Through SARP, Alfio brings together international and local artists, offering them space, support, and time to develop site-responsive work. The program emphasises collaboration with local artisans, curators, and Sicilian production facilities, ensuring that exhibitions are deeply embedded in place. These are not parachute residencies, but long-form engagements that invite artists to slow down, adapt, and attune to Sicily's layered histories and landscapes. Together, they discuss: The personal and political significance of returning home to begin again Why Sicily's “peripheral” location may actually be a place of focus and clarity for artists The interplay between cultural memory, atmospheric conditions, and contemporary creative practice The red Saharan rain that settles each spring on Sicilian gardens — and how this meteorological phenomenon became the digital pigment for new photographic work by Andre Hemer How Alfio's vision for SARP builds on both inherited history and future-facing cultural networks The growing community of creatives — many returning from cities like London, Paris, and Berlin — who are reshaping Sicily's role in the international art conversation This episode offers a meditation on place, return and reinvention. As Alfio says, Sicily's position at the centre of the Mediterranean offers not just geography, but perspective — a place to think, to feel, and to make without distraction. Listen in as we reflect on the links between atmosphere and art-making, the value of community and continuity, and how peripheral places can become sites of deep cultural transformation.          

A LINEAGE OF THE REAL AND THE AUTHENTIC. Luc Tuymans is a Belgian visual artist, many of whose paintings explore people's relationship with history and confront their ability to ignore it. World War II and the horrors of the Holocaust is a recurring theme in his many faceted work. Tuymans is a key figure of the generation of European figurative painters who gained renown at a time when many believed the medium had lost its relevance due to the new digital age. “I want the feeling of doing something special” “For young artists now, it is very strenuous and very difficult” “There's a big difference between a drawn line and a painted line”

Contemporary art is a feast for the senses. But have we reduced art to vision? And what does the hand do, now that we have machines and automated ways of making, editing and showing images? And what are images?You wouldn't leave the shop without paying for your latte, right?Buy us a latte ;-)This episode is the second audio/video essay of the season. It will take you on a trip to a sensory shift across times, blurring the boundaries between line, image, wall, surface, paper, and machines. Where the hand is, what it does and how it is re-articulated by automation is promising and exciting if we let it. If you enjoyed this episode, and if you enjoy reading, Joana's Substack might be for you.I was invited to participate in a conversation on the occasion of the launch of Trajectories, Variations on a Gesture a book which is almost a sculpture or an exhibition in itself, containing 10 drawings made at Massana school of crafts (Barcelona) by Edouard Cabay. The director of the school, Xavi Capmany invited Cabay, an experimental architect and artist to bring his algorithmic practice at the heart of a school teaching manual crafts in order to create a dialogue between the different uses of the hand, of patterns, of the eye, the brain, muscle and memory. I dediced to start by reading a short text, which you can enjoy, in a longuer version, here.⁠SIGN UP⁠ for the NEWSLETTER! Be the first to know our upcoming episode, get our UNTIMELY BOOK RECOMMENDATIONS, and juicy facts + useful links.For behind the scenes clips, links to the artists and guests we cover, and visuals of the exhibitions we discuss follow us on Instagram: @exhibitionistas_podcastBluesky: @exhibitionistas.bsky.socialexhibitionistaspod@gmail.com#contemporaryart #artexhibitions #artmovement #experimentalart #automation #touch, #representation #craft #technology #artisticexpression, #contact #traces #artistresidency #edouardcabay #massanaschoolAbout us: If you enjoy the podcast If Books Could Kill and You Are Good, you will enjoy Exhibitionistas, where artists are unveiled through current and pertinent angles, and through thoughts and feelings. These podcasts were a great inspiration for our format because they're nerdy and engaging, researched and approachable. The co-host and the guest co-host engage in a conversation informed by an accessible and lively presentation of the subject, through which you can reflect on a show you've seen or discover it if you can't go, learn or re-evaluate artistic topics crossing over into our everyday lives.

Episode No. 708 features artist Paul Pfeiffer. The Museum of Contemporary Art Chicago is showing the retrospective "Paul Pfeiffer: Prologue to the Story of the Birth of Freedom." For over 25 years, Pfeiffer has investigated spectacle and mass culture, especially sport, and has found within it the power to create and extend political narratives. Included within the exhibition is only the second US presentation of Pfeiffer's landmark 2007 The Saints, an immersive sound and video installation that considers the 1966 men's World Cup final between England and West Germany that is one of the most significant works of the 21st century. "Pfeiffer" was curated by Clara Kim and Paula Kroll. The MCA presentation, which is on view through August 31, was organized by Bana Kattan with Iris Colburn. The exhibition catalogue was published by the Museum of Contemporary Art, Los Angeles, and MACK. Amazon offers it for $65. Instagram: Paul Pfeiffer, Tyler Green.

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. In this week's episode, Emily interviews painter and muralist Oscar Lopez. Oscar shares his journey from growing up in Mexico City, where graffiti first introduced him to art, to becoming an established artist in California. He talks about his murals honoring farm workers, his shift from computer science to art, and the challenges he faced as a minority artist. Oscar also discusses the importance of believing in oneself and the struggle with self-identity as an artist. His works are currently displayed at the Institute of Contemporary Art in San Jose and Fort Mason in San Francisco.About Artist Oscar Lopez in His Own Words:I am visual artist born and raised in Mexico City, where I first came into contact of the art world  in the Graffiti urban art scene. After immigrating to the USA to San Francisco, Bay area (Silicon Valley),  focusing on trying to understand our complex society through a Mexican immigrant's lens in the USA. As a Mexican native who has being affected by the influence and the interruption of my culture by international immigrants and trends of imperialistic organizations. I use a critical eye to engage with the globalization, imperialism, and capitalism that affect every corner of the two nations that share my soul. My concerns are reflected in a dialogue of the Stockholm syndrome symptoms created by the oppression and discrimination of imperialistic orders. In both sides of the border this is having a bigger impact in minorities, people of color and the workers that hold entire nations that also suffer of social and cultural amnesia. In order to survive in these societies built on the foundations of white supremacy and colonialism our ancestors have been forced for generations to either hide, directly confront, or sympathize with our oppressors, resulting in a mass forgetting of cultural and social practices. As our cultural identity and practices have been suppressed we have become hostages in our own homeland. Our collective social and culture amnesia continues to affect people of color on both sides of the border.The globalization of multicultural problems such as classism, racism, and inequality affect the social and psychological side of humanity. Since we so easily forget where we come from as individuals, as an artist I choose to remember, honor, and reclaim those roots and rights. Multicultural problems affect how we see ourselves in comparison to others, in a disengagement with our history, and in a loss of our customs. Even the color of our skin is a source of contention. These problems are intangible, invisible for many. As an artist, I want to create tangible images that reflect our psychological symptoms and demand us to confront our submission to the powers that hold us.Visit Oscar's Website:  ArtByOscarLopez.comFollow  on Instagram:  @OscarLopezArtFor more on his mural at Fort Mason, CLICK HERE. For more on his mural at the ICA San Jose, CLICK HERE. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

Christina West's exhibition at the Madison Museum of Contemporary Art uses live nude male models to explore the gaze and what it reveals about how we understand our relationship to ourselves and others. The post Artist Christina A West Mixes Sculpture and the Nude Human Form at MMo... appeared first on WORT-FM 89.9.

Front Row Classics is proud to welcome Russ Tamblyn to the podcast! Brandon and Russ sit down to discuss several of the stories found in Russ' memoir "Dancing on the Edge: A Journey of Living, Loving, and Tumbling Through Hollywood." The two discuss his memories of films like Father of the Bride, Seven Brides for Seven Brothers, West Side Story and The Haunting.  RUSS TAMBLYN, is an Academy Award-nominated actor, dancer, choreographer, director, and artist best known as Riff in the iconic 1961 film West Side Story and Dr. Jacoby in David Lynch's cult-classic television show, Twin Peaks, as well as for his contribution to the art, music, and counterculture movements of the 1960s. His eight-millimeter films and collage-and-assemblage art have appeared in numerous exhibitions, including at the Los Angeles Institute of Contemporary Art, the Los Angeles County Museum of Art, and the Getty. He lives in Los Angeles.

Season 25 begins! We meet Juergen Teller, one of the world's most sought-after contemporary photographers, successfully straddling the interface of both art and commercial photography.We discuss childhood, touring with Nirvana, Agnès Varda, Tracey Emin, William Eggleston, Kate Moss, Pope Francis, Kristen McMenemy, Zoe Bedeaux, collaborating with @DovileDrizyte and breakthroughs with Marc Jacobs. Juergen Teller's new exhibition of his photographs taken at Auschwitz Birkenau is now open Kunsthaus Göttingen, Germany until 1 June 2025 @KunsthausGoettingen. An accompanying photobook is published by @SteidlVerlag. 7 ½, Teller's concurrent exhibition runs at Galleria Degli Antichi, Sabbioneta, Italy until 23 November 2025 @VisitSabbioneta.Teller (b.1964) grew up in Bubenreuth near Erlangen, Germany. Teller graduated in 1986 and moved to London, finding work in the music industry shooting record covers for musicians such as Simply Red, Sinéad O'Connor and Morrissey with the help of the photographer, Nick Knight. By the early 1990s, he was working for avant-garde fashion magazines such as i-D, The Face, Details and Arena. Teller has collaborated with many fashion designers over the years, including Helmut Lang, Marc Jacobs, Yves Saint Laurent, Vivienne Westwood, Celine and Louis Vuitton.Teller was the recipient of the Citibank Photography Prize in association with the Photographer's Gallery, London in 2003. In 2007, he represented the Ukraine as one of five artists in the 52nd Venice Biennale. Teller has exhibited internationally, including solo shows at the Photographer's Gallery, London (1998), Kunsthalle Wien, Vienna (2004), Foundation Cartier, Paris (2006), Kunsthalle Nürnberg, Germany (2009), Daelim Contemporary Art Museum, Seoul (2011), Dallas Contemporary, USA (2011), Institute of Contemporary Art, London (2013), Deste Foundation, Athens (2014), Contemporary Fine Arts, Berlin (2015) and Bundeskunstalle, Bonn (2016).Teller's work is featured in numerous collections around the world, including the Centre Pompidou, Paris; International Center for Photography, New York; Pinchuk Art Centre, Kiev; and the Victoria & Albert Museum, London. He has published forty-one artist books and exhibition catalogues since 1996. He currently holds a Professorship of Photography at the Akademie der Bildenden Künste Nürnberg, and lives and works in London. Follow @JuergenTellerStudio and https://www.juergenteller.co.uk/ Hosted on Acast. See acast.com/privacy for more information.

Episode 475 / Banks VioletteBanks Violette is an artist born in Ithaca, NY who lives and works in Ithaca, NY. He recieved his BFA from the School of Visual Arts  and an MFA from Columbia University. He's had numerous solo shows including ones at MoCa, Connecticut, Gladstone Gallery, Blum & Poe, Thaddeus Ropac, Maureen Paley, Team Gallery, Rodolphe Janssen, and the Whitney Museum to name just a few. He's had scores of group shows all over the globe from the Museum of Modern Art to the Warhol Museum and his work is in the collections of The Coppel Foundation, MexicoThe Ellipse Foundation, Portugal, The Centre Pompidou, Paris, France, Frank Cohen Collection, Manchester, England The Jumex Foundation, Mexico, Los Angeles County Museum of Art, Los Angeles, Migros Museum für Gegenwartskunst, Zurich, Switzerland Musée d'Art Moderne et Contemporain, Geneva, Switzerland Museum of Contemporary Art, Los Angeles, Museum of Modern Art, New York, The OverHolland Collection, Amsterdam, The Netherlands The Saatchi Collection, London, UK, The Solomon R. Guggenheim Museum, New York, Frederick R. Weisman Art Foundation, Los Angeles and the Whitney Museum of American Art, New York. 

Z.T. Nguyen (b. 1997, United States) is an artist currently based in New Haven, CT. He has exhibited at Klaus von Nichtssagend, New York; Asia Art Archive in America, Brooklyn; the RISD Museum, Providence; NARS Foundation, Brooklyn; and the Vincom Center for Contemporary Art, Hà Nội, among others. He has participated in residencies and fellowships at the Textile Arts Center, Brooklyn; The Alternative Art School & MAIIAM Contemporary Art Museum, online; and Asia Art Archive in America. Nguyen received his BFA in Painting from the Rhode Island School of Design (2019) and is currently on the cusp of receiving an MFA in Painting & Printmaking at the Yale School of Art (2025). Facts Are Bigger in the Dark Year: 2025 23.5 x 36 x 6 Squid ink, graphite, colored pencil, and acrylic on letter-sized sheet of paper; found chair Hold Me 2024 Acrylic and graphite on letter-sized sheets of paper 32.125 x 40 inches Infinity 2024 16 x 10.4 inches Acrylic and graphite on letter-sized sheets of paper Obey 2025 Acrylic and graphite on paper 10.9 x 8.5 inches

Helen Verhoeven is beeldend kunstenaar. Ze studeerde onder andere aan het San Francisco Art Institute, de New York Academy of Art en de Rijksakademie in Amsterdam. Haar werk werd wereldwijd tentoongesteld en ontving in 2008 de Koninklijke Prijs voor Vrije Schilderkunst en in 2010 de Wolvecampprijs. Verhoevens werk bevindt zich in collecties van het Stedelijk Museum Amsterdam, het Centraal Museum Utrecht en The Museum of Contemporary Art in Miami. In 2019 won ze de ABN AMRO kunstprijs. Verhoevens werk is nu te zien in de tentoonstelling ‘Good Mom/ Bad Mom' in het Centraal Museum in Utrecht. De tentoonstelling houdt zich bezig met de vraag hoe moeders en het moederschap worden gerepresenteerd. Ook presenteert Verhoeven haar nieuwste werk in een solotentoonstelling in Annet Gelink Gallery. De tentoonstelling opent tijdens de Amsterdam Art Week. Atze de Vrieze gaat met Helen Verhoeven in gesprek.

SIGN UP –Be the first to know next episodes, get BOOK RECOMMENDATIONS, juicy facts + useful links.Episode......................................................................Contemporary artist Ed Atkins's survey at Tate Britain is best described as an existential theatre with avatars, CGI, motion capture technology, traditional figural drawing, Unreal Engine, filmed performance, experimental writing and much more. You wouldn't leave the shop without paying for your latte, right?Buy us a latte ;-) ⁠⁠https://exhibitionistaspodcast.com/support-us⁠Architect and first-time guest on the podcast, Nick Taylor, and I, get lost, fall into the temporary exhibition through a faulty door, rush through the show to watch the timed film, return a second time because one of us went to Tate Modern first, discuss exhibition-visiting methods, critique wall texts, and reflect upon our own relation with time, narrative, devotion and death.If you enjoyed the episode, you may enjoy my essays on Substack: ⁠⁠https://joanaprneves.substack.com⁠⁠Across all technologies, we've asked the same questions: …are we spectators or actors? …contemplative or engaged? …are images and the people in them dead? …and if so, why are they moving (both as a verb and an adjective)?Hailed as a pioneer of digital technology, Ed Atkins' work found its groove in early experiments with video-editing. These quickly migrated into the world of gaming, with its motion capture and CGI animation, and their striking similarity with live performance through timed duration, but with a complicated relation with the physical world and real, fleshy bodies. For behind the scenes clips and visuals follow us on Instagram: @exhibitionistas_podcastWe discuss: #parenting, #audience #engagement, #theatre spaces, fear, #vulnerability, #narrative building, #virtual realities, #self-representation, #identity, spatial dynamics, #modernism, #existentialism, #mortality, #parenthood, #theatre, #experimental film, emotional detachment, #intergenerational connections, #illness, #family dynamics.Instagram:   @exhibitionistas_podcast  Bluesky: @exhibitionistas.bsky.socialWebsite: https://exhibitionistaspodcast.comChapters00:00 Introduction and Setup02:31 Memories of Tate Modern07:07 Pivotal Moments in Ed Atkins' Career14:03 A Few Points Of Reference For Ed Atkins' Work18:21 When The Artist Writes Their Own Wall Texts22:35 Narratives On And Off The Screen(s)27:17 The Exhibition as Experimental Writing32:07 Narrative Building in Art Experiences37:33 Theatre Without Actors41:03 Self-Representation and Identity in Art46:19 Spatial Dynamics and Human Scale in Art53:23 Modernism and Its Absence in the UK55:31 Life As Utter Devotion, Art As Its Awareness 01:02:36 The Disconnect Between Generations in Art01:07:18 Reading Emotion: Ed Atkin's New Film With Real Actors01:11:40 The Journey Through Illness and Art01:16:51 The Mysterious Case of the Disappearing Spectators01:22:16 OUTROAbout us: If you enjoy the podcast If Books Could Kill and You Are Good, you will enjoy Exhibitionistas, where artists are unveiled through current and pertinent angles, and through thoughts and feelings. These podcasts were a great inspiration for our format because they're nerdy and engaging, researched and approachable. The co-host and the guest co-host engage in a conversation informed by an accessible and lively presentation of the subject, through which you can reflect on a show you've seen or discover it if you can't go, learn or re-evaluate artistic topics crossing over into our everyday lives.

It's been a long time, I shouldn't have left you…without a dope beat to step to! (Word to Timbaland!) But I'm so glad to be back and to get things started, I'm kicking it solo. On this week's episode you'll hear a little bit about what you can expect from the show going forward. I also share my perspective on the recent defunding and dismantling of federal arts, cultural, and education agencies. To close, I leave listeners (and myself!) with a few questions around the art we create and how it reflects the world around us. Read below to visit the sources referenced throughout the episode, and other resources. Update: Senior leaders and other employees, including all ten directors who oversee grants across various disciplines of the arts, left the National Endowment for the Arts (NEA) the week of May 5th, 2025. Read more here:Protect My Public MediaInside Harvard's lawsuit against the Trump administration : NPRTrump signs executive actions on education, including efforts to rein in DEITrump sets sights on national African American history museumUrge Congress to Save IMLS and NEH (For museums, staff, and board members)Arts Directors Exit the National Endowment for the Arts  Follow the show on IG at @theartofitallshow and follow the host at @dariasimoneharper! Don't forget to rate, review, and subscribe. Sharing an episode with a friend never hurts either;)

In this honest chat, Kat shares an unfiltered look at what artists like you and me truly need in 2025 and beyond. From navigating overwhelm and distraction to embracing deeper purpose and aligned visibility, this conversation is a reminder that you're not alone—and that your art, your voice, and your vision still matter. This episode offers grounded encouragement to help you reconnect with your mission, regulate your nervous system, and create from a place of clarity. If you've been feeling stuck, burned out, or unsure about your next step, this episode is for you. You'll hear Kat's personal take on what's working right now (and what's not), including why being seen, building intentional income streams, and honoring your energy are some of the most important things you can do as an artist in this season. This isn't a marketing episode or a how-to—it's a permission slip to be human and to keep going. This episode is sponsored by Beautiful Bizarre Magazine Entries are now open for the 2025 Beautiful Bizarre Art Prize! Now in its 8th year, this annual non-acquisitive international art prize is administered by Beautiful Bizarre Magazine and celebrates diversity and excellence in the representational visual arts—including all static mediums: traditional, digital, and photographic. From realism and hyperrealism to pop surrealism and lowbrow, this prize honors it all. With over $77,000 in cash and prizes, including a $10,000 grand prize, this is an incredible opportunity to gain funding and global exposure for your work. Finalists will also have a chance to exhibit in the 2025 Beautiful Bizarre Magazine exhibition at Haven Gallery in New York, alongside 70 of the world's top contemporary artists. You don't need to submit a physical artwork—just upload an image of your favorite piece (even if it's already sold). This year's six award categories are: MPB Photography Award Digital Art Award The RAYMAR Painting Award Victoria Olt Gallery Drawing Award Yasha Young Projects Sculpture Award Catherine K. Gyllerstrom Emerging Artist Award There's also a People's Choice Award, offering a second chance to win with an additional $1,000 prize and a bespoke promotion package with Beautiful Bizarre Magazine. The team looks at every single entry—and many are shared online and on social media before the deadline—making this a powerful way to get noticed.

You know that moment when a painting feels so real you swear the subject might blink? Hyper-realist portraitist Monica Ikegwu returns to reveal the behind-the-scenes rigor—hours of glazing, precise lighting choices, and minimalist backgrounds—that turn a single photograph into a living, breathing canvas. Join Monica as she unpacks her journey from MFA student at the New York Academy of Art to international exhibitions, and how her “Just Say Yes” ethos keeps her pushing creative boundaries. Studio rigor and glazing: how disciplined layers of paint bring depth and life to every portraitFrom fabric backdrops to abstraction: evolving her style by pairing figures with minimalist geometric shapesPhoto-shoot alchemy: capturing a sitter's essence in brief sessions and translating mood into color and formMFA to independent practice: moving from New York Academy of Art to a Baltimore studio and global exhibitions“Just Say Yes” philosophy: saying yes to every opportunity—from museum shows to artist-led residenciesLooking ahead: a new body of unified-color work and an upcoming institutional exhibition featuring her signature abstract motifsCatch Monica Ikegwu's first appearance on the podcast here:  Whether you paint, draw, or simply love a great portrait, Monica's process will give you a fresh appreciation for the craft—and maybe inspire your next creative leap. Photograph by Lia Latty Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis. Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcast The Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

Anyone inspired by our previous episode with painter Christopher Still to go out and see some art can do so at the Museum of Contemporary Art in Jacksonville where a fantastic show reassembling the first Modern art exhibition ever presented in Florida can be seen through November 23, 2025.Our guest is Ken Meyer, executive director at the Avian Research and Conservation Institute. He's been studying Florida's swallow-tailed kites since the 1990s.Help swallow-tail kites and all Florida birds by incorporating native plants into your yard. Find support from the Florida Native Plant Society and Florida Association of Native Nurseries. Find swallow-tail kites at sites on the Great Florida Birding Trail and with the ebird app.

Coco Design & Build Co. stands as a distinguished name in the realm of high-end residential transformations, specializing in the meticulous design and flawless execution of kitchen and bathroom renovations. As the owner and driving force behind this esteemed company, Coco has cultivated a reputation for an unwavering commitment to quality, an astute understanding of sophisticated aesthetics, and a personalized approach that consistently exceeds client expectations. Her discerning eye for detail, coupled with a deep-seated passion for innovative design solutions, has positioned Coco Design & Build Co. as a sought-after partner for homeowners seeking to elevate their living spaces to new levels of luxury and functionality. Beyond her entrepreneurial success in the construction and design industry, Coco is also the visionary and creative heart behind Thee Old Fishbowl Gallery. This unique artistic endeavor reflects her profound appreciation for art in its myriad forms and her desire to cultivate a space where creativity can flourish and connect with the wider community. Thee Old Fishbowl Gallery serves as a testament to Coco's multifaceted nature, showcasing her ability to seamlessly blend the practical demands of construction and business ownership with the inspiring and expressive world of art. It is a platform where emerging and established artists can share their perspectives, and where visitors can engage with thought-provoking and visually captivating works. This dual role as a successful business owner and a dedicated patron of the arts underscores Coco's dynamic spirit and her significant contributions to both the design landscape and the local cultural scene. About: Coco Design & Build Co. began with a simple goal in mind – to craft beautiful new spaces based on a client's personality. Since our beginning, we have focused on how to best deliver on this promise. For over 25 years, we have worked in the industry and witnessed what does and does not work. This insight has informed our design, remodel, and renovation process by improving the necessary steps to run a successful project. We have the knowledge and experience you can rely upon that makes renovation as easy as possible. It is essential for our team to simplify the entire process because there are so many moving parts involved. Trying to pull together expert artisans for tile work, make sure deliveries of new materials are on time, and even sync your smart devices with new appliances can get overwhelming quickly. That is why our team is here to help. We have completed 100s of successful projects and know how to smooth out the typical road bumps homeowners do not have the time to manage. The vision behind Thee Old Fishbowl Gallery, at its heart, is to cultivate a vibrant and inclusive space where art transcends traditional boundaries and fosters genuine connection. It's more than just a place to view artwork; it's intended to be a dynamic hub for creativity, dialogue, and community engagement. Thee Old Fishbowl Gallery is to be a welcoming, dynamic, and thought-provoking space where art flourishes, connections are made, and the joy of creative expression is celebrated by all. It's about creating a cultural hub that enriches the community and fosters a deeper appreciation for the transformative power of art. Web: https://cocodesignbuild.com/ Events: https://evanstonmade.org Get to Know Ash: Imagine someone who just radiates good vibes and genuinely wants to see you shine – that's Ash Brown! This incredibly talented American wears many hats: she's a fantastic producer, a super engaging blogger, a captivating speaker, a natural media personality, and a fantastic host for events. Her energy is totally infectious, and you can tell she's truly passionate about helping everyone reach their full potential. What's Ash Up To? AshSaidit.com: Think of this as your VIP pass into Ash's world! Her blog is buzzing with exclusive invites to events, honest reviews of cool products, and all sorts of fun and informative stuff. It's the perfect place to stay in the loop and get a dose of Ash's personality. The Ash Said It Show: Get ready to feel inspired! Ash's podcast is a powerhouse of motivation, with over 2,000 episodes already out there and a whopping half a million listens worldwide! She has amazing conversations with inspiring people and dives into topics that really matter. Why We Love Ash: Ash isn't just talking the talk; she's walking the walk! What makes her truly special is how real she is. She connects with her audience on a genuine level, offering advice and encouragement that feels like a chat with a good friend. She doesn't shy away from the tough stuff but instead gives you the tools to tackle it head-on. Here's what makes Ash stand out: Sunshine Personified: Ash is a total optimist! Her positive energy is contagious, and you can't help but feel more empowered and ready for anything after connecting with her. Keeping It Real: Ash doesn't try to sugarcoat life. She gets that things can be tough and offers relatable advice that speaks to people from all walks of life. Turning Inspiration into Action: This isn't just about feeling good for a moment. Ash gives you practical tips and strategies to actually make things happen and turn your dreams into reality. So, if you're looking for a daily dose of inspiration, real-world advice, and someone who keeps it totally honest, Ash Brown is your go-to person! With her amazing positivity and genuine dedication to helping others, she's sure to become your favorite source for making the most out of life. ✨ ► Goli Gummy Discounts Link: https://go.goli.com/1loveash5 ► Luxury Women Handbag Discounts: https://www.theofficialathena.... ► Review Us: https://itunes.apple.com/us/po... ► Subscribe: http://www.youtube.com/c/AshSa... ► Instagram: https://www.instagram.com/1lov... ► Facebook: https://www.facebook.com/ashsa... ► Blog: http://www.ashsaidit.com/blog #atlanta #ashsaidit #theashsaiditshow #ashblogsit #ashsaidit®Become a supporter of this podcast: https://www.spreaker.com/podcast/the-ash-said-it-show--1213325/support.

Episode Summary:Discover the fascinating intersection of visual art and filmmaking in this insightful conversation with artist Isabel Riley. Host Damien Swaby delves into Isabel's unique role in bringing art to the screen through her work with Art for Film. Explore how her paintings and artistic vision contribute to the atmosphere and storytelling of film and television productions. Beyond her cinematic collaborations, Isabel also shares details about her current exhibitions at the Michele Mercaldo Gallery and Ellen Miller Gallery in Boston, offering a glimpse into her broader artistic practice. This episode is a must-listen for filmmakers, art directors, set designers, and anyone intrigued by the power of art to enhance visual narratives.Key Talking Points:Isabel Riley's background as an artist and her connection to the film industry.How art contributes to the mood, period authenticity, and overall aesthetic of film and TV.Insights into the Boston art scene and its potential collaborations with film productions.W: https://www.isabelriley.comIG:https://www.instagram.com/isabelriley.artist/

Almost by definition, the frame of a picture is something that you are not supposed to notice. But if you go to the art galleries to look at paintings now, you might get a very different sense of what a frame can or even should do. Weird and wild frames that very much draw attention to themselves seem to be having a moment. Recently, Artnet writer and editor Katie White penned a piece titled Bordercore: Why Frames Became the New Frontier in Contemporary Art. In her essay, she looks both at the history of framing styles, and talks to a number of contemporary painters to figure out what is causing so many to treat something that was literally considered peripheral to what they do as very much part of the main attraction. This week she joins Art Critic Ben Davis on the podcast to discuss this new frontier in art.

Mara De Luca's (b. 1973, Washington D.C.) paintings evoke a sense of atmospheric abstractions that bring to mind dusk, sunsets, and planetary orbs. Throughout her work there is a sense of reflected ambient light. De Luca's work today extends the celebration of illusionism, romanticism, and the sublime with a deeply informed response to modernist painting. De Luca received an MFA from CalArts, Los Angeles, CA and a BA from Columbia University, NY. Her work has been displayed at the Museum of Contemporary Art, San Diego and is in prominent collections, including the Buck Collection at UC Irvine, JP Morgan Chase, New York; Fidelity, Boston; Alexander Plaza Berlin, Germany; New York Medical College, New York; and the University of Oslo, Norway. She has been reviewed in Artforum, Cultured Magazine, The Los Angeles Times, Artweek LA, and others. De Luca is a recipient of the 2019 California Community Foundation Fellowship for Visual Artists. She has taught Painting at UC San Diego, UC Irvine, UC Davis and UC Riverside. Based in Los Angeles for over two decades, De Luca now lives and works in New York. Mara De Luca, Western Gate 1, 2024 mixed media on canvas with copper plated element 54 × 96 inches (137 × 244 cm) Mara De Luca, Western Gate 2, 2024 acrylic on primed and unprimed canvas with brass plated element 59 x 132 inches (150 x 335.5 cm) Mara De Luca, Cut Western Clouds, 2024, mixed media on cut canvas with copper plated elements, 48 x 42 x 3 inches (122 x 106.5 x 7.5 cm).

Tomokazu Matsuyama. Born in 1976 in Gifu, Japan, Matsuyama is currently based in Brooklyn, New York. His work spans painting, sculpture, and installation, organically blending and reimagining diverse elements–such as ancient and modern, figurative and abstract, Eastern and Western. His art reflects both his cross-cultural experiences and the evolving nature of contemporary society in our information-driven world. Major public art projects include the Bowery Mural (New York, USA, 2019), Hanao (JR Shinjuku Station East Square, Tokyo, 2020), and Wheels of Fortune (Meiji Shrine, Tokyo, 2020, part of the Jingu Gaien Art Festival). Recent notable exhibitions include Mythologiques (Venice Biennale, 2024), MATSUYAMA Tomokazu: Fictional Landscape (Hirosaki Museum of Contemporary Art, 2023), and MATSUYAMA Tomokazu: Fictional Landscape (Shanghai Powerlong Museum, 2023). His work was also featured in Pop Forever. Tom Wesselmann &… at Fondation Louis Vuitton in Paris (2024–2025). Please visit cerebralwomen.com for his expanded bio. Photo credit: Fumihiko Sugino Artist https://matzu.net/ Pen Magazine Taiwan https://www.matzu.net/media/press/pen-4/ GQ https://www.matzu.net/media/press/gq/ FT https://www.matzu.net/media/press/financial-times/ Bazaar https://www.matzu.net/media/press/harpers-bazaar/ Legend https://www.matzu.net/media/press/legend/ Hypebeast https://www.matzu.net/media/press/hypebeast-4/ Hypeart https://www.matzu.net/media/press/hypeart/ Juxtapoz https://www.matzu.net/media/press/juxtapoz/ Galerie https://www.matzu.net/media/press/galerie-magazine/ Artforum https://www.matzu.net/media/press/artforum/ Kinari https://www.matzu.net/media/press/kinari/ Takashimaya-salon https://www.matzu.net/media/press/takashimaya-salon/ Mythologiques https://www.matzu.net/media/tomokazu-matsuyama-mythologiques/ Almine Rech https://www.alminerech.com/artists/7720-tomokazu-matsuyama Kavi Gupta https://kavigupta.com/artists/95-tomokazu-matsuyama/ First Last https://www.tomokazu-matsuyama-firstlast.jp/english/ Wynwood Walls https://thewynwoodwalls.com/artists/tomokazu-matsuyama/ Kotaro Nukaga https://kotaronukaga.com/en/artist/tomokazu_matsuyama/ Avante Arte https://avantarte.com/artists/tomokazu-matsuyama Hidden Champion https://www.matzu.net/media/press/hidden-champion/ BKMag https://www.bkmag.com/2024/08/06/the-art-of-tomokazu-matsuyama-from-the-streets-of-nyc-to-big-shows-in-paris-and-venice/

What makes a work of art resonate? Is it the colors, the subject, the symbolism—or something more elusive? In this episode, curator, author, and coach Gita Joshi returns to talk about her new book Framing the Invisible: How We See and Understand Art. We explore how perception, personal experience, and context shape the way we engage with artwork—whether you're an artist, collector, or simply a curious viewer. We also talk about why visual literacy matters, how to talk about your work with confidence, and why there's no wrong way to see art. Order Gita's book: https://amzn.to/4j6AJ2V Start learning with our educational micro learning hub: https://www.createu.co Read the blog, submit your work, or check out the latest issue of Create! Magazine: https://www.createmagazine.co Follow Gita on Instagram: https://www.instagram.com/thegitajoshi Follow Kat on Instagram: https://www.instagram.com/katerinaspopova Thanks for listening to Art & Cocktails! Love the show? We appreciate your support, plese leave us a quick review on iTunes and share this with a friend. 

A Chicago painter with an endless amount of surprises that unfold inside her landscapes of the Rococo and fantastical. Her work represents a continuation of the Chicago Imagists of the 60's with an interest in combining eccentric figuration with abstraction. “Bramson incorporates the passionate complexity of eastern mythology, the sexual innuendos of soap operas, and sometimes the happy endings of cartoons” said critic Miranda McClintic She has shown her work prolifically in prestigious galleries and Museums internationally and her work is included in over 100 major collections including the Museum of Contemporary Art in Chicago ,The national museum of American Art in Washington DC and many more. She also was a professor of art at the University of Illinois at Chicago and then a visiting artist at the School of the Art Institute of Chicago …. totaling over 40 years of being a teaching Artist.

Fanny Allié was born in Montpellier, South of France. She received her Master's Degree from the Ecole Nationale Supérieure de la Photographie (The National School of Photography) in Arles, France in 2005 and moved to New York City. Princeton University, Equity Gallery, Hyatt Centric (Philadelphia), DOT Art, A.I.R Gallery, New York City Department of Parks & Recreation, Fresh Window, Chashama and St Eustache Church (Paris, France), Hudson Yards Alliance have organized solo exhibitions and public installations of her work. Tappan Gallery, Owen James Gallery, NYU/Gallatin Gallery, Dorsky Gallery, Freight + Volume, BRIC Rotunda Gallery, Dekalb Gallery/Pratt Institute, UConn University, Mana Contemporary, Hamburg Museum of Arts and Crafts, The Bronx Museum, Teachers College Columbia University among others have featured her work in group exhibitions. Fanny is the recipient of various fellowships and residencies including AIM (Bronx Museum), BRIC Lab Fellowship, Emergency Grant (Foundation for Contemporary Arts), A.I.R. Fellowship Program, Robert Blackburn Printmaking SIP Fellowship, Elizabeth Foundation for the Arts Studio Program, Yaddo Residency, Dieu Donné Workspace Residency, NYSCA/NYFA Artist Fellowship (Craft/Sculpture), MacDowell Fellowship, Puffin Foundation Grant, Wildacres Residency and National Arts Club Artist Fellowship. Her work has appeared in the New York Times, The Guardian, Time Out, ARTnews, NY Magazine, Brooklyn Magazine, Hyperallergic, Le Monde Diplomatique, Blouin Art Info, DNA Info, Marie Claire Italy, AM New York among others. Her neon light sculpture “The Glowing Homeless” and sound installation will be exhibited at the Church of St. Eustache in Paris from December 18th 2024 until May 31st 2025. In 2025, Kaliner Gallery in New York City and Giovanni Bonelli Gallery (Milan, Italy) will present her work in solo exhibitions. Fanny lives in Brooklyn and works from her studio at the Elizabeth Foundation for the Arts in Manhattan, NY. Exhibits discussed are KALINER and Giovanni Bonelli. A Longing, March 6 - April 12, 2025, Installation view at Kaliner Gallery, 42 Allen St, NYC Ladder Leg, 2024, found fabric, collagraph print and acrylic paint, 32.5in x 50in The Night the Wind Learned to Dance, April 24 - May 25, 2025, Installation view at Giovanni Bonelli Gallery, Milan, Italy Shelved, 2025, found fabric and collagraph prints, 59in x 38.5in Circles, 2024, found fabric and collagraph prints, 55.5in x 55.5in

Kylie Manning is a painter, surfer, and fisher based in Brooklyn, New York. Her parents were both art teachers, and, while she was growing up, the family moved between their home in Juneau, Alaska, to various regions in Mexico, which would inform her artwork—and her surfing. She is a graduate of Mount Holyoke College, Massachusetts with a double major in philosophy and visual arts. While she was getting her MFA at the New York Academy of Art, she had a captain's license to operate 500-ton commercial fishing boats on international waters, and spent her summers catching salmon on the Pacific coast. Manning has gained global respect for her abstract figurative paintings, which embody powerful yet delicate compositions with brushstrokes that seem to be in motion. Her work is held in numerous collections worldwide, including the Columbus Museum of Art, Ohio; Institute of Contemporary Art, Miami, Florida; and the X and Yuz Museums in China. In this episode of Soundings, Manning talks with Jamie Brisick about weather and wonderment, beauty and brawls aboard commercial fishing vessels, atmospheric fascination, style, her proudest artworks, the nuances between grit and growth, and her collaboration with the New York City Ballet.  

On this flashback episode we interview North Carolina Art Collectors, Brian Holland and Dianna Wynn. We talk about the responsibilities of being an art collector, the power of artists talking directly to their audience, leaning into your other passions in order to find momentum with your art, and the magic of the artist-collector relationship.Episode Blog Link: https://www.levelupartists.com/lua-podcast/206Sign up for our studio newsletters at: https://www.AmeighArt.com https://www.JaclynSanders.com https://www.levelupartists.com Connect with us on Instagram: https://www.instagram.com/AmeighArt/https://www.instagram.com/JSandersStudio/https://www.instagram.com/LevelUpArtists/Music by: https://www.coreyclaxton.com Watching or listening to one of our earlier episodes? In 2022, the Art Studio Insights podcast was renamed the Level Up Artists podcast!

William Forsythe is the 2024 Kyoto Prize Laureate in Arts and Philosophy. He is a choreographer whose work has extended ballet to a dynamic contemporary art form. In 1984, he began a 20-year tenure as director of Ballet Frankfurt. After the closure of the Ballet Frankfurt in 2004, Forsythe established a new, more independent ensemble, The Forsythe Company, which he directed from 2005 to 2015. Between 2015 and 2021 he served on the University of Southern California's faculty, where he helped establish the Glorya Kaufman School of Dance. Forsythe has broken the boundaries of conventional ballet style, challenging traditional artistic frameworks and developing improvisation techniques. His projects include installations and films presented in numerous museums, as well as dance documentation and education. Series: "Kyoto Prize Symposium" [Arts and Music] [Show ID: 39992]

Building an art career with intention doesn't always start with a plan. Sometimes it starts with a gut feeling that something isn't working. That was true for Noelle Phares, who left behind a structured science career to follow her creative instincts—eventually leading to a solo museum exhibition and a thriving, self-directed art business. In this episode (part 1 of 2), host Alyson Stanfield talks to Noelle about how she transitioned from environmental data science into full-time painting, and how her rigorous research background continues to shape her studio practice. The conversation centers around 2024 solo show Tracking Time at the Boulder Museum of Contemporary Art—how it came together, what she learned from the proposal process, and why she approaches every exhibition as a fully developed project. She also shares her mindset around selling art, connecting with collectors, and painting for impact. This conversation is rich with insight about: Leaving a traditional career to follow a creative calling. The research process behind Tracking Time and why Noelle selected 7 distinct locations along the Colorado River. Working with museums and curators while maintaining your artistic voice. Designing exhibitions that tell cohesive, layered stories. Balancing environmental messaging with visual beauty to draw people in. Creating work that connects with buyers and retains meaning. Noelle's blend of structure, vision, and heart makes this an inspiring listen for any artist seeking to step into a more intentional, expansive chapter. Stay tuned for part 2, where we'll dive into how she structures her business, manages a team, markets her work, and approaches gallery relationships.

Melissa Chimera, co-host of the Land and People podcast is a Hawai‘i Triennial 2025 visual artist whose work consists of research-based investigations into species extinction, globalization and human migration. In this interview, Melissa talks with Dr. Jaimey Faris, Associate Professor of Contemporary Art and Theory at UH Mānoa on how environmental justice can be expressed through “undisciplining” or pursuing the links between art, science and ethics of deep care. They talk about how her paintings (Inheritance: Maui Nui, Not Even the Fiercest Wind, Endless Blue: Mauna Kahalawai) address endangered species, the Maui fires and the transformative potential of Chimera's public installation “Hulihonua: Transformed Landscapes”. The installation consists of 360 deer antlers, native vegetation and flowing water at Foster Botanical Garden. Their conversation contributes to the Hawai‘i Contemporary's Hawai‘i Triennial 2025, an international exhibition whose theme of “Aloha Nō” encompasses artworks that express solidarity, interconnectedness, care and reciprocity between people and their land.

Viviane Sassen doesn't just take photographs, she creates entire worlds. Known for her dreamlike use of light and shadow, she moves seamlessly between fashion, fine art, and documentary photography, always pushing the boundaries of visual storytelling, often exploring themes of identity, memory, and mortality.In this conversation, we'll uncover the influences that shaped her artistic vision, from her childhood in Kenya to her fascination with abstraction. Whether you're an artist, a storyteller, or simply curious about the way we see the world, this conversation will leave you looking at photography and life through a new lens.If you enjoy this conversation, don't forget to rate and review on your favorite podcast platform. I love reading your thoughts! Now, let's dive in.Read more about the Women Authors of Achievement (WAA) Podcast via waa.berlin/aboutFollow us on Instagram & find us on LinkedInSubscribe to our newsletter via waa.berlin/newsletter ★ Support this podcast on Patreon ★

"Beholding is a countercultural act—it requires us to stop, to receive, and to fully see.” — Makoto Fujimura"Slow art is an invitation to linger, to notice, and to let the world unfold before us." — Makoto FujimuraYou are a beautiful masterpiece. But the practice of living artfully comes slowly, often through brokenness, weakness, or failure. Contemporary artist Makoto Fujimura integrates traditional Japanese styles with abstract expressionism and Christian theology, to explore the beauty that can emerge from the ashes pain and suffering. Both his art and his writing call us to behold the gift of creation, participate in its redemption, accentuating the cracks and fractures in our lives, so that grace might abound.Makoto Fujimura—renowned artist, writer, and theologian—joins Dr. Pam King to explore the deep connections between art, faith, and flourishing. Fujimura shares how his Japanese heritage and study of traditional Nihonga painting have shaped his understanding of creativity as a sacred act. Through themes of brokenness, beauty, and slow art, he challenges us to rethink success, embrace imperfection, and create from a place of love and abundance. Whether you're an artist, a person of faith, or someone seeking meaning in a hurried world, this conversation will invite you to slow down, behold, and embrace the mystery and beauty of life.Mako Fujimura integrates his artmaking, theology, and culture care advocacy into a beautiful expression of thriving and spiritual health. Through his breathtaking expressionist style, distinctively Japanese methods, and his rooted Christian convictions, he's bringing beauty into being, and inviting us to do the same.In this conversation with Mako Fujimura, we discuss:What art is, what creativity means, and the human capacity for making beautyHow we can live artfully through imperfection, brokenness, trauma, and sufferingHow the practice of a gift economy can lead to mutual thrivingThe slow art of pausing, stopping, and beholding that contributes to our mental and spiritual healthAnd the connection between knowledge and love in a life of creativity and artmaking.Helpful Links and ResourcesFollow Makoto Fujimura on X @iamfujimuraView Mako's art at makotofujimura.comMakoto Fujimura's WritingsMakoto Fujimura's BooksNihonga Art and its TraditionsRefractions: A Journey of Art, Faith, & CultureCulture Care: Reconnecting with Beauty for Our Common LifeSilence and Beauty: Hidden Faith Born of SufferingArt and Faith: A Theology of MakingEpisode Highlights"Art is fundamentally what human beings create—it is our capacity to make, and in making, we come to know.""Beholding is a countercultural act—it requires us to stop, to receive, and to fully see.”"We worship a wounded, glorified human being—our brokenness is not something to escape but something to offer.""Creativity is not about self-expression alone—it is about giving yourself away in love.""Slow art is an invitation to linger, to notice, and to let the world unfold before us."Show NotesMakoto Fujimura discusses the intersection of art, faith, and flourishingThe importance of beholding in a fast-paced worldHow brokenness and imperfection reveal deeper beautyNihonga painting and the wisdom of traditional Japanese artCreativity as an act of love and gift-givingThe Art of BeholdingWhy slowing down is essential for creativity and spiritual growthThe practice of beholding as a way of seeing the world more deeplyHow art invites us to be present and pay attentionThe connection between contemplation, creativity, and flourishing"Beholding is a countercultural act—it requires us to stop, to receive, and to fully see."Creativity, Faith, and Human FlourishingHow art and faith are intertwined in human thrivingThe spiritual discipline of making and creatingWhy true knowledge is connected to love and experience"Art is fundamentally what human beings create—it is our capacity to make, and in making, we come to know."How community fosters creativity and growthBrokenness, Beauty, and the Theology of MakingThe Japanese tradition of Kintsugi and embracing imperfectionHow Jesus' wounds and resurrection shape our view of brokennessThe gift economy vs. the transactional economy in art"We worship a wounded, glorified human being—our brokenness is not something to escape but something to offer."Learning to see beauty in what is discarded or overlookedThe Practice of Slow ArtWhy slowing down is essential for deep engagement with artHow layers in Nihonga painting reveal new depths over time"Slow art is an invitation to linger, to notice, and to let the world unfold before us."How slowing down fosters healing and deeper connectionThe role of patience and attentiveness in both art and lifeLiving a Creative and Generous LifeHow to cultivate creativity in daily life, even outside traditional artsThe role of community in sustaining creative workWhy generosity and self-giving are essential to true creativity"Creativity is not about self-expression alone—it is about giving yourself away in love."Practical steps for integrating creativity into everyday livingPam King's Key TakeawaysWhether you think of yourself as artist, we're all creative. Mako's message is intentionally not just for artists, but is an invitation for all of us to live artfully—no matter what we do for a living.Because creativity comes in so many different ways, from leadership, to scientific research, to parenting, to cooking, we all have the daily creative capacity to add beauty to the world.And to that end, remember your first love, the playfulness and creativity of giving beauty to the worldA gift economy of beauty offers a radical resistance to consumerism, competition, and comparison.Art and the making of beauty is a part of thriving. And the invitation to live artfully starts with a daily practice of slowing down: pause, stop, and behold. Smell the roses. Consider the lilies.And finally, there's a path to beauty through brokenness. Grace comes to us through failure. And strength is made perfect in weakness.And finally, though the wind may be blowing through our lives, may we all learn to behold the moonlight leaking between the roof planks.About Makoto FujimuraContemporary artist Makoto Fujimura is a painter, an author, a speaker, and an imaginative maker with a gift for theological integration.Mako's message is intentionally not just for artists, because creativity comes in so many different ways, from leadership, to scientific research, to parenting, to cooking, we all have the daily creative capacity to add beauty to the world. Working out of his Princeton, New Jersey studio, his work has been described by David Brooks as “a small rebellion against the quickening of time.” Art critic Robert Kushner placed Mako's art at the forefront of a contemporary movement about “hope, healing, redemption, and refuge, while maintaining visual sophistication and intellectual integrity.”A blend of fine art and abstract expressionism, Mako describes his work as “slow art,” being influenced directly by the distinctively Japanese Nihonga style, which is patient and methodical, using slow drying pigments from ground minerals.Mako's art has been featured in galleries and museums around the world, as well as notable collections in The Museum of Contemporary Art in Tokyo, The Huntington Library in California, and the Tikotin Museum in Israel.From 2012 to 2017, he served as vision director of the Brehm Center here at Fuller Theological Seminary.Mako is the author of several books, including Refractions: A Journey of Art, Faith, & Culture, Culture Care: Reconnecting with Beauty for Our Common Life, and Silence and Beauty: Hidden Faith Born of Suffering. His most recent is entitled Art and Faith: A Theology of Making. And his next book will be available soon—titled, Art Is: A Journey into the Light. And with his wife Haejin, he's producing a new work on Beauty and Justice.Follow him on X @iamfujimura, and view his beautiful work at makotofujimura.com. About the Thrive CenterLearn more at thethrivecenter.org.Follow us on Instagram @thrivecenterFollow us on X @thrivecenterFollow us on LinkedIn @thethrivecenter About Dr. Pam KingDr. Pam King is Executive Director the Thrive Center and is Peter L. Benson Professor of Applied Developmental Science at Fuller School of Psychology & Marriage and Family Therapy. Follow her @drpamking. About With & ForHost: Pam KingSenior Director and Producer: Jill WestbrookOperations Manager: Lauren KimSocial Media Graphic Designer: Wren JuergensenConsulting Producer: Evan RosaSpecial thanks to the team at Fuller Studio and the Fuller School of Psychology & Marriage and Family Therapy.

Confessional Video Art and Subjectivity Private Experiences in Public Spaces (Bloomsbury, 2025) examines the development of the confessional subject in video art and demonstrates how it can provide a vital platform for navigating the politics of self, subjectivity, and resistance in society. In doing so, it reframes video art – the most ubiquitous and yet most understudied art form of recent decades – as an urgent socio-political tool that is increasingly popular among contemporary artists as a means of exploring a broad range of social issues, from politics and identity, to the body and technologies of self-representation. Author Jaye Early brings together theory and practice to look afresh at contemporary video art through a Foucauldian lens. Early also brings the analysis of video art up to date by showing how social media and digital self representation has informed and further politicized time-based art practices. Dr. Jaye Early is Lecturer in Contemporary Art at the University of New South Wales, Sydney and a practicing video artist. The episode is hosted by Ailin Zhou, PhD student in Film & Digital Media at University of California - Santa Cruz. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Gremlins, Borders, and Recipes for Resistance This week we're joined by Jessica Snow and Liga Spunde, two artists navigating the world through comics, street theater, and occasionally letterpress and photoshop. Jessica Snow walks us through her wide-ranging practice—from illustration and letterpress to building massive puppets and organizing street performances to attempting to confronting the entangled realities of border politics, ecological collapse, and resistance. Her work with Kitchen Table Press and collaborative projects like Recipes of Resistance blend protest and performance into shared, tangible experiences that challenge the quiet violence of contemporary life. Meanwhile, Liga Spunde brings us deep into a psychological terrain. Working with a unique computer-generated drawing style, Liga explores the emotional weight of the traumas of contemporary life—from the Russian invasion of Ukraine to the various ways we experienced the pandemic to the existential task of making a 6 page comic. Her work resists tidy narratives, instead making room for ambiguity, emotional excess, fragile and detailed humor, and a specific fascination with Gremlins. This episode was recorded as part of Chris Sperandio's Comics Without Borders (but say it in French) event at Rice University—an international gathering of artists, publishers, and thinkers reframing what comics can do in turbulent times. (More here: Comics Without Borders.) We cover a lot of ground—Latvia's premier comic publisher, post-crisis psychology, DIY print culture, and why strange books and big puppets might still save us all. This is Bad at Sports at its finest: loose, live, urgent and embedded, and full of strange joy. Links & Projects Mentioned: Jessica Snow: jessicasnowart.com Kitchen Table Press: kitchentablepress.org Recipes of Resistance: recipesofresistance.com Liga Spunde: ligaspunde.com kuš! komikss: https://komikss.lv/ Comics Without Borders @ Rice University: https://cats.rice.edu/comics-sans-frontieres-march-20-24-2025/ Christopher Sperandio: https://pinkojoe.com/

In this essential episode, host Martine Severin draws from her experience creating an artist statement for Scope Miami to provide a practical roadmap for artists struggling with this crucial professional document. From understanding your audience to finding your authentic voice, this episode breaks down the process into manageable steps that will help your work connect with galleries, collectors, and grant committees. Chapters: 00:00 Introduction to Artist Statements 03:13 Understanding Your Audience and Purpose 06:04 Essential Elements of an Artist Statement 09:09 Approaches to Writing Your Artist Statement 11:58 Common Pitfalls to Avoid 14:47 Refining Your Artist Statement What You'll Learn: How to tailor your statement for different contexts and audiences The five key components that make your statement effective Practical structural approaches to organize your thoughts Common mistakes that undermine your professional presentation Techniques to overcome writer's block and find your authentic voice Free Download: Get the Artist Statement Development Worksheet mentioned in this episode! This step-by-step guide walks you through targeted exercises that help you generate a compelling statement.  Key Insights from Martine: "Despite having AI at our disposal, writing an artist statement isn't a breeze. You still need to create a statement that helps collectors and curators understand the context of your work, creates a bridge between your artistic intentions and the viewer's experience, and distinguishes you in a competitive field." "Your statement should sound like you, not an academic journal, not a marketing brochure, not what you think a 'serious artist' should sound like." "The best artist statements aren't written in a single sitting. Give yourself permission to explore, experiment, and refine, just as you would with any creative project." Support the Show: Website: MartineSeverin.com Follow on Instagram: @martineseverin | @thisishowwecreate Subscribe to the Newsletter: Martine's Substack - Creative Matters This episode of This Is How We Create is produced and edited by Martine Severin.

Confessional Video Art and Subjectivity Private Experiences in Public Spaces (Bloomsbury, 2025) examines the development of the confessional subject in video art and demonstrates how it can provide a vital platform for navigating the politics of self, subjectivity, and resistance in society. In doing so, it reframes video art – the most ubiquitous and yet most understudied art form of recent decades – as an urgent socio-political tool that is increasingly popular among contemporary artists as a means of exploring a broad range of social issues, from politics and identity, to the body and technologies of self-representation. Author Jaye Early brings together theory and practice to look afresh at contemporary video art through a Foucauldian lens. Early also brings the analysis of video art up to date by showing how social media and digital self representation has informed and further politicized time-based art practices. Dr. Jaye Early is Lecturer in Contemporary Art at the University of New South Wales, Sydney and a practicing video artist. The episode is hosted by Ailin Zhou, PhD student in Film & Digital Media at University of California - Santa Cruz. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

What if joy, trust, and intention were the most powerful tools in your art practice? In this illuminating episode of Art & Cocktails, Kat is joined by Ingrid V. Wells—an artist known for her vibrant, playful still lifes that explore deep themes like resilience, consciousness, and energetic alignment. Her work invites viewers to reconnect with joy as a revolutionary creative force. Together, they explore how to cultivate a powerful internal state before creating, why joy is a radical act, and how to access your highest creative flow. Ingrid shares her approach to creating from consciousness, letting go of pressure, and trusting the energetic pull of your artistic vision. This is a beautiful reminder to return to your own creative truth and show up with more self-trust, presence, and purpose. About Ingrid: Ingrid V. Wells is a San Francisco–based painter whose work has been exhibited internationally and featured in Create! Magazine, W Magazine, Hyperallergic, and more. She is also the founder of TWIRL and serves as Fine Arts Assistant Director at California College of the Arts. Collect Ingrid's artwork at pxpcontemporary.com Follow her on Instagram: @ingrid.v.wells Explore more: www.ingridvwells.com   Work with Kat to Gain Momentum in The Studio: https://aqsociety.com/studio-momemtum Submit your work to Create! Magazine: www.createmagazine.co/call-for-art  

Ep.240 Rujeko Hockley is the Arnhold Associate Curator at the Whitney Museum of American Art. She co-curated the 2019 Whitney Biennial. Her current project at the Whitney is Amy Sherald: American Sublime. Other projects include Inheritance (2023), 2 Lizards (2022), Jennifer Packer: The Eye Is Not Satisfied With Seeing (2021), Julie Mehretu (2021), Toyin Ojih Odutola: To Wander Determined (2017) and An Incomplete History of Protest: Selections from the Whitney's Collection, 1940-2017 (2017). Previously, she was Assistant Curator of Contemporary Art at the Brooklyn Museum, where she co-curated Crossing Brooklyn: Art from Bushwick, Bed-Stuy, and Beyond (2014) and was involved in exhibitions highlighting the permanent collection as well as contemporary artists. She is the co-curator of We Wanted a Revolution: Black Radical Women, 1965-85 (2017), which originated at the Brooklyn Museum and travelled to three U.S. venues in 2017-18. She serves on the Boards of Art Matters, Institute For Freedoms, and Museums Moving Forward, as well as the Advisory Board of Recess. Photograph by Jody Rogac Whitney Museum ~ https://whitney.org/2019-biennial-curators ~ https://whitney.org/exhibitions/amy-sherald ~ https://whitney.org/exhibitions/amy-sherald-four-ways-of-being ~ https://whitney.org/exhibitions/inheritance ~ https://whitney.org/exhibitions/2-lizards ~ https://whitney.org/exhibitions/jennifer-packer ~ https://whitney.org/exhibitions/julie-mehretu ~ https://whitney.org/press/protest ~ https://whitney.org/exhibitions/toyin-ojih-odutola Time Magazine https://time.com/7210625/rujeko-hockley-hank-willis-thomas-art-inclusivity/ Observer https://observer.com/2025/04/exhibition-amy-sherald-american-sublime-whitney-dinner-opening-party/ Ursula https://www.hauserwirth.com/ursula/inside-the-issue-ursula-issue-11/ Surface Magazine https://www.surfacemag.com/articles/when-i-call-who-listens-rujeko-hockley-excerpt-for-freedoms/# Forbes https://www.forbes.com/sites/natashagural/2025/04/04/amy-sherald-american-sublime-at-the-whitney-re-imagines-american-realism-with-singular-visual-narratives/ M.M.Lafleur https://mdash.mmlafleur.com/most-remarkable-woman-rujeko-hockley/ Frieze https://www.frieze.com/article/rujeko-hockleys-top-picks-frieze-los-angeles-viewing-room-2023 CCL https://www.curatorialleadership.org/participants/ccl-smh-curators-forum/rujeko-hockley/ Artealdia https://www.artealdia.com/News/NEW-APPOINTMENTS-FOR-MARCELA-GUERRERO-AND-RUJEKO-HOCKLEY-AT-THE-WHITNEY-MUSEUM Culture Type https://www.culturetype.com/tag/rujeko-hockley/ artnet https://news.artnet.com/art-world/career-stories-rujeko-hockley-1962842 Athens Now https://athensnowal.net/sharing-the-spotlight/

The Art Institute's Frida Kahlo's Month in Paris: A Friendship with Mary Reynolds explores a pivotal moment in Kahlo's career. Reset sits down with Caitlin Haskell, Gary C. and Frances Comer senior curator of Modern and Contemporary Art, one of the curators behind the exhibition to learn more about the two artists' friendship and their connection to the surrealist art movement. This exhibition will be open now until Sunday, July 13, 2025. Tickets are an additional $5 in addison to a general admission. For a full archive of Reset interviews, head over to wbez.org/reset.

Jennifer McCabe is a distinguished curator, educator, and museum director with over 20 years of expertise in leading cultural institutions, fostering innovative curatorial practices, and supporting artists. Currently, she serves as the Director and Chief Curator of the SFO Museum, the only airport-based institution accredited by the American Alliance of Museums. Under her leadership, the museum operates more than 25 exhibition sites throughout the San Francisco International Airport, engaging millions of visitors annually. Its acclaimed Aviation Museum and Library houses a permanent collection of over 160,000 artifacts documenting the history of commercial aviation.Previously, McCabe served as Director and Chief Curator of the Scottsdale Museum of Contemporary Art, where her eight-year tenure garnered significant acclaim, including consecutive "Best Museum" awards from the Phoenix New Times. Her curatorial vision and writing delve into themes of intersectional feminisms, site-responsive art commissions, and groundbreaking artist interventions.She and Zuckerman discuss SFO, what one can do with all the time and headspace one had spent fundraising in a museum, bypass doors, how what she learns can be applied in other organizations, shaking up societal associations of craft, expanded perspectives, having an audience of millions, moments of pause, a journey through space, joy, incorporating breaks from art talk, being forever changed by parenting, seeing things through someone else's lens, daily practice, the pause, and being your own support system!