Podcasts about Contemporary art

Clement Manyathela speaks to FNB Art Joburg Managing Director, Mandla Sibeko, as Johannesburg gets ready to become the continent’s biggest art playground. Now in its 18th year, FNB Art Joburg takes over the Sandton Convention Centre from September 5th to 7th, bringing together bold artworks, fresh ideas, and some of Africa’s most exciting creative voices. More than just an art fair, the event celebrates innovation, culture, and the global power of African talent. 702 Breakfast with Bongani Bingwa is broadcast on 702, a Johannesburg based talk radio station. Bongani makes sense of the news, interviews the key newsmakers of the day, and holds those in power to account on your behalf. The team bring you all you need to know to start your day Thank you for listening to a podcast from 702 Breakfast with Bongani Bingwa Listen live on Primedia+ weekdays from 06:00 and 09:00 (SA Time) to Breakfast with Bongani Bingwa broadcast on 702: https://buff.ly/gk3y0Kj For more from the show go to https://buff.ly/36edSLV or find all the catch-up podcasts here https://buff.ly/zEcM35T Subscribe to the 702 Daily and Weekly Newsletters https://buff.ly/v5mfetc Follow us on social media: 702 on Facebook: https://www.facebook.com/TalkRadio702 702 on TikTok: https://www.tiktok.com/@talkradio702 702 on Instagram: https://www.instagram.com/talkradio702/ 702 on X: https://x.com/Radio702 702 on YouTube: https://www.youtube.com/@radio702 See omnystudio.com/listener for privacy information.

Episode 489 / Alexis RockmanBorn in 1962 in New York, Alexis Rockman has depicted a darkly surreal vision of the collision between civilization and nature – often apocalyptic scenarios on a monumental scale – for over three decades. Notable solo museum exhibitions include “Alexis Rockman: Manifest Destiny” at the Brooklyn Museum (2004), which traveled to several institutions including the Wexner Center for the Arts (2004) and the Rhode Island School of Design (2005). In 2010, the Smithsonian American Art Museum organized “Alexis Rockman: A Fable for Tomorrow,” a major touring survey of his paintings and works on paper. Concurrent with Rockman's 2013 exhibition at Sperone Westwater, the Drawing Center mounted “Drawings from Life of Pi,” featuring the artist's collaboration with Ang Lee on the award-winning film Life of Pi. His series of 76 New Mexico Field Drawings was included in “Future Shock” at SITE Santa Fe (2017-18). “Alexis Rockman and Mark Dion: A Journey to Nature's Underworld” was presented at the Bruce Museum, Greenwich, CT (2023) and traveled to the Virginia Museum of Contemporary Art (2024). It will be on view at the Tang Teaching Museum at Skidmore College, Saratoga Springs, NY until 5 January 2025, and at the Palmer Museum of Art at Penn State from August 30th through December 7th. His work is represented in many museum collections, including the Baltimore Museum of Art; Brooklyn Museum; Crystal Bridges Museum of American Art; Grand Rapids Art Museum; Los Angeles County Museum of Art; Museum of Fine Arts, Boston; New Orleans Museum of Art; San Francisco Museum of Modern Art; Smithsonian American Art Museum; Solomon R. Guggenheim Museum; and Whitney Museum of American Art. Rockman's first solo exhibition with Sperone Westwater, “Evolution,” was presented in 1992. He has had subsequent solo exhibitions at the gallery in 2013, 2018, 2020-21 and 2023. He lives and works in Warren, Connecticut.

[Contemporary Art] Today we bring you the first of three special episodes dedicated to the arts colony in Provincetown, Massachusetts. Joining us on the show is Liz Carney, owner of FourEleven Gallery. Liz, who is also an artist herself, occupies a beautiful home and gallery first acquired by her artist mother. Today the venue is part of a beloved art community in an art-rich town on the tip of Cape Cod. This episode is sponsored by the Provincetown Office of Tourism. Learn more about the city and its arts history at ptowntourism.com.

Gavin Brown, Caroline Busta, Joshua Citarella, Ben Davis, Jason Farago, Tobias Spichtig and Lloyd Wise read their contributions to “What Is Contemporary Art For Today?" (Perić Collection, 2025) This is a preview — for the full episode (released 08/13/2025), including a conversation with the book's editors, Matt Moravec, Eleonore Hugendubel, and Dean Kissick, subscribe: patreon.com/newmodels newmodels.substack.com From January 2023 to January 2024, the Perić Collection funded a series of informal, highly attended talks about the state of Contemporary Art. Hosted by Dean Kissick and coordinated & commissioned by Eleonore Hugendubel and Matt Moravec, the monthly event, known as the Seaport Talks, took place in Downtown Manhattan. As a kind of coda to this series, Matt, Eleonore, and Dean created a correlating reader (likewise supported by Perić) featuring texts by 25 contributors who have spent some significant part of their life in the art world. Each writer was asked to briefly respond to the book's titular question: “What is contemporary art for Today? And what should it be for, if anything?” For this special episode, we bring you a selection of the answers. For more: https://www.mcnallyjackson.com/product/what-contemporary-art-today

SpaceX on Tuesday launched its Super Heavy-Starship, the most powerful rocket in the world, for a test flight after three other flights failed earlier this year. NASA hired SpaceX to build a lunar lander version of Starship to carry astronauts to the moon. Despite the successful launch, there is rising concern that China's space program will get there first. New research from LinkedIn shows that 46% of professionals say networking makes them anxious. LinkedIn career expert Catherine Fisher gives tips on how to engage with your network. CBS News MoneyWatch correspondent Kelly O'Grady joins "CBS Mornings" to break down Cracker Barrel's decision to return to its former logo. Kari Eckert, the founder and executive director of "Robbie's Hope," started the teen suicide prevention foundation after her 15-year-old son died by suicide in 2018. It hosts an annual art competition for teens and this year has their first curated exhibit at the Museum of Contemporary Art in Denver. Eckert and singer-songwriter Sloane Simon, who won the grand prize three years ago with a song in the music category, talk to "CBS Mornings" about the nonprofit. Taylor Swift and Travis announced in a social media post on Tuesday that they are engaged. The couple's high-profile relationship began in 2023. CBS News' Jo Ling Kent has more. Actors Austin Butler and Zoë Kravitz speak to "CBS Mornings" about starring in the new movie "Caught Stealing." In the movie, they play a couple named Hank and Yvonne. Hank is a former baseball player who unexpectedly finds himself in the middle of a dangerous situation with gangsters after agreeing to watch his neighbor's cat. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Recorded live from the Chicago Architectural Biennial's booth at EXPO Chicago, Bad at Sports tailgates with artist Edra Soto and designer Dan Sullivan—Chicago's unofficial art-world power couple. Soto unpacks her first solo art fair booth at Engage Projects, where monoblock plastic chairs, airbrushed T-shirts, and Puerto Rican vernacular architecture collide with memory, loss, and celebration. Sullivan, founder of Navillus Woodworks, riffs on craft, Ikea hacks, and the business of making high-end furniture while moonlighting as Soto's collaborator and fabricator. "Dan helps." What starts as a playful conversation about paparazzi, beer coolers, and chairs spirals into a meditation on grief, Puerto Rican cultural identity, and the design politics of everyday objects. Along the way, we hit Bad Bunny, the Bear restaurant, euphemisms around death, Catholic ritual, and the French (yes, the French). We close out with music talk—Sullivan on his bands Nadnavillus and Arriver—and a standing invitation for Bad at Sports to share the stage. Death, dying, lawn chairs, and punk rock. Welcome to EXPO. Artists & Designers Edra Soto Instagram: @edrasoto https://edrasoto.com/home.html Dan Sullivan / Navillus Woodworks Instagram: @navillus_woodworks https://navilluswoodworks.com/ Ryan Peter Miller Instagram: @ryanpetermiller http://ryanpetermiller.com/ Miguel Aguilar (Kane One) Instagram: @kane_one_   kane-1.com https://www.3arts.org/artist/miguel-aguilar/ Susan Gomes George Ortiz Instagram: @georgeortizphotography https://www.georgeortizphotography.com/ Bad Bunny Instagram: @badbunnypr  https://www.vox.com/today-explained-podcast/459095/bad-bunny-puerto-rico-residency-history Institutions / Venues / Events Engage Projects Instagram: @engageprojects https://www.engage-projects.com/   Chicago Architecture Biennial Instagram: @chicagoarchitecturebiennial https://chicagoarchitecturebiennial.org/   EXPO Chicago Instagram: @expochicago  expochicago.com WBEZ Instagram: @wbezchicago  wbez.org/about  105.5 FM Lumpen Radio (WLPN‑LP) Instagram: @lumpenradio   lumpenradio.com  The Franklin (project space) Instagram: @thefranklinoutdoor (site-run by Edra Soto & Dan Sullivan)  https://thefranklinoutdoor.tumblr.com/ABOUT The Bear restaurant (Sullivan furniture) This refers to the TV show The Bear on FX,  Art Basel Instagram: @artbasel artbasel.com The Armory Show Instagram: @thearmoryshow  thearmoryshow.com NADA (New Art Dealers Alliance) Instagram: @newartdealers  newartdealers.org  Color Factory Instagram: @colorfactoryco  colorfactory.co  Electrical Audio (recording studio) Instagram: @electricalaudio  Tenement Museum (NYC) Instagram: @thetenementmuseum  https://www.tenement.org/  Cultural Figures & References Yolanda, Lucetta, Anita (Puerto Rican celebs) Gilberto Santa Rosa Lil' Kim, Lil' Romeo, Neil Young, Slayer, Jeff Koons   Bands & Music Navilus (Dan Sullivan's project) https://navilluswoodworks.com/ Arriver (art-metal band) image courtesy of Engage Projects

Episode No. 720 is a summer clips episode featuring artist Tidawhitney Lek. Lek is among the 30+ artists featured in "Spirit House" at the Henry Art Gallery at the University of Washington. The exhibition considers how 33 contemporary artists of Asian descent challenge the boundary between life and death through art, including how the spiritual relates to diaspora, connections to ancestral homelands, and the experience of feeling present within multiple cultures and multiple geographies. The show's curatorial framework was inspired by spirit houses, small devotional structures found throughout Thailand that provide shelter for the supernatural. "Spirit House" originated at the Cantor Arts Center, Stanford University, and was curated by Aleesa Pitchamarn Alexander with Kathryn Cua. It is on view in Seattle through January 11, 2026. An excellent exhibition catalogue, titled “Spirit House: Hauntings in Contemporary Art of the Asian Diaspora,” was published by the Cantor and Gregory R. Miller & Co. Amazon and Bookshop offer it for $45-50. Lek is a southern California-based, Cambodian-American artist whose work examines narratives surrounding and the daily experiences of a first-generation American born to immigrant parents. Her work has been included in exhibitions at the Museum of Contemporary Art San Diego and the Institute of Contemporary Art Miami, and she's been featured in the Made in LA biennial at the Hammer Museum, University of California, Los Angeles. Her first museum solo show was at the Long Beach Museum of Art in 2023. Discussed on the program: Martha Rosler's “House Beautiful: Bringing the War Home” series may be viewed on the website of the Museum of Modern Art, New York. The work of Amir Fallah and Annie Lapin. Lek's website. Instagram: Tidawhitney Lek, Tyler Green. Air date: August 21, 2025.

What separates artists who give up from those who thrive despite rejection? In this fourth installment exploring Jerry Saltz's "How to Be an Artist," Ty and Nathan tackle the emotional armor required to navigate the art world's toughest challenges.When a Pulitzer Prize-winning critic featured Nathan's early work as an example of what not to do, he was devastated. "I was mourning the loss of an art career that didn't even exist," he confesses. This vulnerable moment becomes a masterclass in transforming criticism into creative fuel—a skill every artist must develop.The conversation weaves through the phases of artistic development: wanting it, doing it, and living it. They explore how Instagram has weaponized envy, why self-imposed deadlines create surprising breakthroughs, and the myth of overnight success that derails so many promising careers. "Art gives up its secrets very slowly," they remind us, encouraging patience and persistence.Perhaps most powerful is their discussion of "radical vulnerability"—following your work into uncomfortable psychological territory that reveals your truest voice. As Ty shares stories of gallery disasters and damaged artwork, a portrait emerges of the resilience required to survive the inevitable setbacks of creative life.The episode concludes with Jerry's most memorable advice: after the demons of doubt have spoken, simply tell yourself "I'm a fucking genius" and get back to work. It's strategic delusion as artistic superpower—and it just might be the difference between giving up and breaking through.Send us a message - we would love to hear from you!Make sure to follow us on Instagram here:@justmakeartpodcast @tynathanclark @nathanterborg

Claire de Mézerville López is joined by co-host, Professor Emanuela Biffi, for the “Powerful Intersection Between Restorative Justice and Art” podcast series, a special initiative by the IIRP together with the European Forum for Restorative Justice (EFRJ). Art has the unique ability to connect and facilitate dialogue, making it a powerful tool in restorative justice practices. Throughout the series, we examine how artists from different disciplines and cultural backgrounds use their creative expression to foster communication, build empathy, and potentially repair harm. Each episode highlights a different aspect of this intersection, featuring conversations with artists who have contributed to restorative justice  We are joined by Dr. Clair Aldington as she discusses her research on integrating visual and movement-based languages into the restorative justice process. She co-founded Space to Face, an award-winning charity in Scotland, emphasizing how creative expression can facilitate healing dialogues and trauma articulation. Discover how Dr. Aldington's work extends beyond verbal communication, using art as a catalyst for emotional connections and solidarity between individuals involved in conflict. She reflects on pivotal moments where art objects symbolized reconciliation and inspired lasting change in both victims and offenders. Her research challenges traditional Western practices by advocating for more inclusive, visually oriented approaches to restorative justice. Dr. Aldington has authored several academic articles and book chapters regarding her practice and research. She is the co-founder of the award-winning Space2face restorative practices and arts charity in Shetland, Scotland, and a co-facilitator of an international restorative circle group, the Encounter of the Encounters, in cases of political violence. Her work has pioneered the use of art and design approaches within restorative practices. Specifically, how creative approaches can aid dialogue and the articulation of trauma, particularly in cases of serious crime, thereby improving the accessibility of restorative processes. Dr. Aldington holds a doctorate in Design and Restorative Justice and a master's in Contemporary Art and Music. She is a freelance researcher and practitioner with over twenty years of experience in the field of restorative practices. Dr. Aldington is a keynote speaker at the upcoming 2025 IIRP World Conference, Artful Integration: Exploring the Art and Science of Restorative Practices. Emanuela is the program coordinator at the EFRJ, an international network organization that brings together about 300 members dedicated to research, policy, and practice of restorative justice in the criminal justice system and beyond.  She joined the EFRJ team in September 2013, working as a project officer in different EU-funded projects on access to restorative justice, justice and security in intercultural settings, restorative justice training, child victims, and arts. Among other responsibilities at the EFRJ, she organizes its main international events (conferences, seminars, webinars, and art festival), coordinates proposals for EU-funded and other projects, and guides the overall management of working groups and committees within the EFRJ membership. Originally from Italy, Emanuela studied Liberal Arts at the University College Maastricht (The Netherlands) and University of Gaborone (Botswana) with a focus on social psychology and criminal law and the Master program in Criminology at KU Leuven (Belgium). Tune in to explore the challenges and rewards of training artists and facilitators in restorative practices. By highlighting the potential of creative mediums to bridge cultural and linguistic divides, we uncover universal avenues for healing and understanding.

Dr. Chioke I'Anson is the visionary force behind the establishment of the VPM + ICA Community Media Center, an innovative collaboration between Virginia Public Media and the Institute for Contemporary Art at VCU. He's also the founder of RESONATE Podcast Festival Congress has voted to rescind public media's funding. Help preserve independent journalism and community programming across America by adopting a station. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today's guest is Jen Florin, co-founder of Cookies Events & Catering and someone who's been shaping Berlin's cultural and culinary scene from behind the curtain for almost two decades. But titles aside, Jen is a true master of atmosphere. She knows how to turn a room into an experience you'll never forget.We talked about the art of curation (yes, the lighting, the playlists, the menus), but also the mindset. Jen opened up about her early years growing up in West Germany, organizing parties in her parents' light studio, and how a teenage love for club culture led her all the way to building an international agency, hosting Netflix, and throwing over 100 events a year.We also speak about creative partnership and the beautiful chaos of making things happen!And if you love this episode, leave a review, send it to a friend, or just hit replay.Read more about the Women Authors of Achievement (WAA) Podcast via waa.berlin/aboutFollow us on Instagram & find us on LinkedInSubscribe to our newsletter via waa.berlin/newsletter ★ Support this podcast on Patreon ★

During the Fall of last year, the Museum of Contemporary Art invited 20 activists, artists, writers and curators to meet and discuss the role art plays during times of uncertainty and possibility.

During the Fall of last year, the Museum of Contemporary Art invited 20 activists, artists, writers and curators to meet and discuss the role art plays during times of uncertainty and possibility.

During the Fall of last year, the Museum of Contemporary Art invited 20 activists, artists, writers and curators to meet and discuss the role art plays during times of uncertainty and possibility.

Eddie Jones shares his architectural journey, from his education to founding Jones Studio. He reflects on his early career and significant projects, including the St. Louis (now Arizona) Cardinals training facility and the Scottsdale Museum of Contemporary Art exhibit. Eddie discusses the Mariposa land port of entry project and the studio's growth. He provides insights into succession planning and transitioning roles within the studio, emphasizing his evolution from architect to business leader.

The role of a curator is not static! Meet Jessica Hong, the new chief curator at the Kemper Museum of Contemporary Art, and hear how her forward-minded ideas are expanding what it means to be a curator, going beyond the confines of the art institution.  Jessica highlights her deep love of working directly with artists, whom … Read More Read More

In this episode, we talk with French field recordist and artist Mélia Roger about her film Dear Phonocene, currently featured in the Projected Ecologies program within the exhibition Pulsar at MUCA in Mexico City. Mélia shares how the work emerged from over a decade of listening to the monoculture Douglas fir plantations near her parents' home, spaces she describes as “post-natural” and marked by biodiversity loss. Blending fiction, performance, and documentary, the project imagines “acoustic enrichment” as a form of care—playing back past soundscapes to acknowledge what has been lost. We discuss her collaboration with other women recordists, the role of human presence and “noisy non-self” in the film's soundscape, and the interplay between slow listening and the fast pace of image-making. Mélia reflects on grief, hope, and tenderness in altered landscapes, the technical and ethical dimensions of playback, and her evolving research on post-natural listening within her PhD work. Plus, we hear about her upcoming explorations of cetacean sound in the Canary Islands.Mélia Roger (*1996, she/her) is a field recordist and artist engaged to inspire ecological change with environmental and empathic listening. Her work explores the sonic poetics of the landscape, searching for the invisible layers between human and non-humans. Coming from a sound engineering background (ENS Louis-Lumière in Paris, ZHdK in Zurich), Mélia is developing a twofold activity between immersive 7.0.2 sound recordings within HAL, as well as a more experimental and naturalistic approach to listening. Now at Le Fresnoy, she is a practice-based PhD candidate at the University of Lille, focusing on the relations between sound arts and acoustic ecology.https://www.meliaroger.com/portfolio/project-two-llrgk-blz6chttps://www.instagram.com/meliarog/https://muca.unam.mx/pulsar.htmlhttps://www.lydianstater.co/projected-ecologies

Madeline Peckenpaugh (b. 1991, Milwaukee, Wisconsin) renders depth through iterations of adding and subtracting paint, creating a semblance of deep and flat space simultaneously. Probing the slips in perception between corporeal experience, memory, and imagination, she shifts the scale of everyday elements, interlaces components, and depicts forms in both single tones and fluctuating textures. The viewer's trained perception of the landscape can become questioned, as monumental structures begin to vaporize, and natural forms become paper thin. There is a reconciliation of opposites: deep space of the real world with the flat space of the canvas. Peckenpaugh received an MFA in Painting from Rhode Island School of Design, Providence, RI and a BFA from the Pennsylvania Academy of Fine Arts, Philadelphia, PA. Peckenpaugh's work has been exhibited at Alexander Berggruen, New York, NY; Bremond Capela, Paris, FR; 1969 Gallery, New York, NY; F2T Gallery, Milan, IT; Andrew Reed Gallery, Miami, FL; PM/AM Gallery, London, UK; COMA, Sydney Australia; and The Rhode Island School of Design Museum, Providence, RI; among others. Her work is included in the public collections of the Institute of Contemporary Art, Miami, FL; the Woodmere Art Museum, Philadelphia, PA; Brown University, Providence, RI; and the Pennsylvania Academy of Fine Arts, Philadelphia, PA. She was recently an artist in residence at Palazzo Monti in Brescia, Italy. Peckenpaugh lives and works in Queens, NY. Madeline Peckenpaugh, In Orbit, 2025 oil on canvas 77 1/2 x 100 in. (196.8 x 254 cm.) Copyright the artist. Courtesy of the artist and Alexander Berggruen, NY. Photo: Philipp Hoffmann Madeline Peckenpaugh, Aries Moon, 2025 oil on linen 54 x 52 in. (137.2 x 132.1 cm.) Copyright the artist. Courtesy of the artist and Alexander Berggruen, NY. Photo: Philipp Hoffmann Madeline Peckenpaugh, Spring, 2025 oil on canvas 70 x 65 3/4 in. (177.8 x 167 cm.) Copyright the artist. Courtesy of the artist and Alexander Berggruen, NY. Photo: Philipp Hoffmann

Kristy returns to Art and Cocktails to share the inspiring story behind writing and publishing her book. We talk about the dream that began in childhood, the process of bringing it to life, and the milestones that followed. These include holding the finished copy in her hands, receiving an endorsement from Jerry Saltz, and seeing her work translated into Taiwanese. Kristy also addresses the myths that hold artists back from writing, why you do not have to identify as a “real writer” to publish a book, and how to navigate both traditional and self-publishing while keeping your vision intact. She shares details about her upcoming Essential Publishing Bootcamp with Frannie, a live two-day workshop that helps artists and creatives turn their book ideas into reality. Participants will learn about the different publishing paths, receive a step-by-step workflow for bringing a book to life, and review examples of real winning pitches that secured book deals. Whether you are interested in traditional publishing, indie presses, or self-publishing on Amazon, this workshop will provide the tools to make it happen. Kristy Gordon is a Canadian-born artist based in New York City whose paintings have been exhibited internationally, including at the Metropolitan Museum of Art's Uris Center, the European Museum of Modern Art in Barcelona, and the National Academy Museum in New York City. She is a three-time recipient of the Elizabeth Greenshields Foundation Grant and earned her MFA from the New York Academy of Art, where she now teaches. Her work appears in more than 600 collections worldwide and has been featured in Vogue, Hyperallergic, and Fine Art Connoisseur. She is represented by Garvey|Simon, Blumka Contemporary, and Grenning Gallery. Learn more about Kristy's Essential Publishing Bootcamp and sign up at https://www.down2art.com/Write-Your-book. Create! Magazine is now accepting submissions for our upcoming issue. Apply to the current call for art at https://www.createmagazine.co/call-for-art. Publish your own art catalog: https://www.createmagazine.co/art-catalog  

In this episode of Chuck's Chat Hub, host Chuck Tuck sits down with Anna Barrington, author of The Spectacle—a thrilling dive into the glamorous yet shadowy world of high-end art. Drawing from her seven years working in prestigious auction houses, galleries, and museums in New York and London, Anna reveals the secrecy, intrigue, and morally gray dealings that inspired her debut novel.From contemporary art priced like stocks to the hidden fortunes sailing international waters, Anna shares insider stories that blur the line between fact and fiction. You'll hear about tax-free free ports, enigmatic collectors, Ponzi schemes disguised as galleries, and how the ultra-wealthy use art for clout and profit.Anna also opens up about her writing journey—balancing a demanding art career while waking up early to finish her manuscript—and offers inspiration for aspiring authors and creatives chasing big dreams.Visit: www.ChucksChatHub.comGet The Spectacle anywhere books are sold or visit AnnaBarrington.com.https://amzn.to/3UmqXj2Episode Highlights:The secretive and lucrative world of contemporary art.How Ponzi schemes and financial loopholes thrive in the art market.Why NFTs became part of The Spectacle.The discipline it takes to write your first novel.Encouraging words for aspiring writers and art world hopefuls.00:00 Introduction to the Art World and the Book 01:10 The Intricacies of the Art Market 03:10 The Plot of 'The Spectacle' 05:25 Behind the Scenes of Contemporary Art 08:01 The Reality of Stolen Art 10:25 The Role of NFTs in Art 12:12 Writing Journey and Challenges 14:05 Advice for Aspiring Writers and Artists 18:09 End

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In this episode, we talk with New York–based visual artist Dakota Gearhart about her four-part animated video series Life Touching Life, currently featured in the Projected Ecologies program within the exhibition Pulsar at MUCA in Mexico City. We discuss the show's algae femme host Tiffany—part toxic bloom, part human—who travels through time to interview scientists, poets, and caretakers about reimagining relationships between human and non-human life. Dakota shares how humor, multiplicity, and collaboration shape the series, blending found footage, analog techniques, and diverse animation styles into speculative, eco-futurist narratives. We also dive into her sculptural practice, the challenges of large-scale installation, the translation of Life Touching Life into multiple languages, and her upcoming public art commission for Flushing Meadows Park. Plus, we hear about the zine that brings the series off-screen and into readers' hands.Dakota Gearhart is a New York-based visual artist born in Arizona, raised in Florida, and educated in the Pacific Northwest. Her work has been exhibited, screened, and presented at the New Museum, Bronx Museum, Queens Museum, St. Petersburg Museum of Fine Arts, Tacoma Art Museum, Oregon Contemporary Art Center, Northwest Film Forum, and International House of Japan, among others.https://www.dakotagearhart.com/https://newinc.metalabel.com/life-touching-lifehttps://www.instagram.com/_dakotagearhart/https://muca.unam.mx/pulsar.htmlhttps://www.lydianstater.co/projected-ecologieshttps://www.elisagutierrezeriksen.com/

My guest is Katharin Ahrend, co-managing director of the Clubcommission Berlin, a pivotal force in protecting and shaping the city's club scene. Born in East Germany just before the fall of the Wall, Katharin grew up navigating the grey zones of youth culture, rave spaces, and political shifts.We talk about everything from abandoned buildings turned dance floors to her journey into cultural policy. Katharin opens up about leadership in male-dominated spaces and her deep-rooted belief that club culture is culture. Beautiful, political, and essential, especially in times of division and crisis.If you've ever danced all night and felt something shift or wondered what it takes to protect that freedom, this episode is for you.And if you love this episode, leave a review, send it to a friend, or just hit replay.Read more about the Women Authors of Achievement (WAA) Podcast via waa.berlin/aboutFollow us on Instagram & find us on LinkedInSubscribe to our newsletter via waa.berlin/newsletter ★ Support this podcast on Patreon ★

Ep.252 Howardena Pindell was born in 1943 in Philadelphia, Pennsylvania and lives and works in New York. She has exhibited extensively, including selected solo exhibitions at Fruitmarket, Edinburgh, UK, touring to Kettle's Yard, Cambridge, UK, Spike Island, Bristol, UK, and Irish Museum of Modern Art, Dublin (2022–23); Baltimore Museum of Art, Maryland (2022); The Museum of Fine Arts Houston, Texas (2022); The Shed, New York, touring to Oklahoma Contemporary, Oklahoma City (2021–22); Museum of Contemporary Art, Chicago, Illinois (2018); Spelman College Museum of Fine Art, Atlanta, Georgia (2015); Cleveland Institute of Arts, Ohio (1994); Wadsworth Atheneum, Hartford, Connecticut (1989); The Studio Museum in Harlem, New York (1986); Birmingham Museum of Art, Alabama (1985); A.I.R Gallery, New York (1983); and Rockefeller Memorial Galleries, Spelman College, Atlanta, Georgia (1971). Selected group exhibitions include The Kitchen, New York (2024); Louisiana Museum of Modern Art, Humlebæk, Denmark (2024); Museum of Modern Art, New York (2023); National Gallery of Art, Washington, DC (2022); Guggenheim Bilbao, Spain, touring to Centre Pompidou, Paris (2021); Tate Modern, London, touring to Brooklyn Museum, New York and Broad Museum, Los Angeles, California (2017–19); Brooklyn Museum, New York (2017); Museum Moderner Kunst Stiftung Ludwig Wien, Austria, touring to Museum Brandhorst, Munich, Germany (2016); Contemporary Arts Museum, Houston, Texas (2013); Seattle Art Museum, Washington (2009); Museum of Contemporary Art, Los Angeles, California (2007); and The Studio Museum in Harlem, New York (2006). Credit: Howardena Pindell, 2018, Photo © Nathan Keay White Cube https://www.whitecube.com/gallery-exhibitions/howardena-pindell-hong-kong-2024 Garth Greenan https://www.garthgreenan.com/artists/howardena-pindell MoMA https://www.moma.org/artists/4625-howardena-pindell NYTimes https://www.nytimes.com/interactive/2025/06/09/t-magazine/howardena-pindell.html | https://www.nytimes.com/2020/10/16/arts/design/howardena-pindell-shed-video.html Fruitmarket https://www.fruitmarket.co.uk/howardena-pindell/ Stony Brook University https://www.stonybrook.edu/commcms/art/people/faculty-staff/howardena-pindell

In this special episode of Art & Cocktails, artist Danielle Clough joins host Ekaterina Popova (Kat) to share her journey to becoming an internationally recognized embroidery artist. Known for her bold, painterly thread work and playful approach to fiber, Danielle opens up about finding her voice, building a creative career on her own terms, and embracing the power of intuition and process. She reflects on the evolution of her practice, from sewing plush toys and experimenting with “thread sketching” to creating intricate embroidered portraits that feel like paintings. Danielle also discusses her breakout moment with Colossal, the inspiration behind her newest solo show Cruel Intentions at Paradigm Gallery, and how she reimagines vintage imagery through a contemporary lens. This episode explores the value of craft in the art world, the importance of protecting what you love when working with commercial brands, and the joy of slowing down through hands-on making. Danielle offers heartfelt encouragement for emerging fiber artists and shares the story behind her iconic Instagram handle, @fianceknowles. To explore more of Danielle's work, visit danielleclough.com or follow her on Instagram at @fianceknowles. If you are in Philadelphia, don't miss her solo exhibition Cruel Intentions, now on view at Paradigm Gallery. Submissions are now open for Create! Magazine's 9-year anniversary print issue. Apply today at createmagazine.co/call-for-art. https://www.paradigmarts.org/blogs/news/danielle-clough-crewel-intentions Stay Connected Follow Danielle Clough and explore her work: Website: danielleclough.com Instagram: @fianceknowles Visit her solo exhibition Cruel Intentions now on view at Paradigm Gallery: paradigmarts.org Apply to be featured in Create! Magazine's 9-Year Anniversary Print Issue: createmagazine.co/call-for-art Subscribe to Create! Dispatch on Substack for weekly artist interviews, open calls, and creative insights: createmagazine.substack.com Explore online courses, artist resources, and creative business content at Create U: createu.co Follow us on Instagram: @createmagazine

Artist portrait courtesy of Julian Espino. Born in San Francisco in 1986, Tony Huynh graduated from the California College of the Arts and now works from his studio in Sacramento, CA. His paintings are part of international collections and have been included in solo and group exhibitions, including at the San Diego Museum of Art, CA; Crocker Art Museum, Sacramento, CA; Marin Museum of Contemporary Art, CA; Pablo's Birthday, New York, NY; Scroll NYC, NY; and Galerie Christian Lethert, Cologne, Germany. Tony Huynh, Memento, 2025 oil on panel, in artist's frame 12 x 12 in 30.5 x 30.5 cm Image courtesy of Mikhail Mishin.  Tony Huynh, Morning Ferry, 2025 oil on panel, in artist's frame 12 x 12 in 30.5 x 30.5 cm Image courtesy of Mikhail Mishin.  Tony Huynh, Wish I knew, 2025 oil on panel, in artist's frame 10 x 10 in 25.4 x 25.4 cm Image courtesy of Mikhail Mishin. 

Episode No. 717 features artist Erin Shirreff, curator Davide Gasparotto, and conservator Ulrich Birkmaier. The Milwaukee Art Museum is presenting "Erin Shirreff: Permanent Drafts" through September 1. Across 40 recent collages, photographs, sculptures, and videos, the exhibition reveals Shirreff's interest in the space between images and the objects they picture. The exhibition was curated by Kristen Gaylord. Among the museums that have presented solo exhibitions of Shirreff's work are SITE Santa Fe, the Clark Art Institute, Williamstown, Mass., SFMOMA, and the Institute of Contemporary Art, Boston. "Artemisia's Strong Women: Rescuing a Masterpiece" is at the J. Paul Getty Museum, Los Angeles through September 14. The exhibition reveals conservation work done on Gentileschi's ~1635-37 Hercules and Omphale, a significant painting damaged in a massive explosion in Beirut in 2020. Birkmaier led the conservation of the work, which Gasparotto joined to four other Gentileschis in this exhibition, which particularly highlights Gentileschi's focus on strong women from the classical and Biblical traditions. Instagram: Davide Gasparotto, Tyler Green. Air date: July 31, 2025.

It's the dog days of summer, and we're bringing you our top picks for things to do, see, and eat in our beautiful city. Host Bianca Martin chats with executive producer Hayley Sperling and newsletter editor Rob Thomas about everything from Orton Park Fest and free rooftop movies at the Madison Museum of Contemporary Art, to Dane Dances and the Taste of Madison. Plus, are y'all ready for Badger game days? Tune in and make the most of August in Madison.

A new exhibition at The Shed called 'Open Call: Portals' spotlights the work of 12 New York City artists at the start of their careers. Curator Deja Belardo and Darren Biggart, director of civic programs at The Shed, discuss the exhibit, which runs until August 24.

What happens to a country's art when it was suppressed by decades of authoritarian rule?  A leading Lithuanian art historian, curator, critic and museum administrator discusses the effects of Soviet rule on Lithuanian contemporary art -- even today, after more than 35 years of independence.

What transforms raw materials into meaningful art? How do artists develop their unique voice while standing on the shoulders of those who came before them? In this thought-provoking second part exploration of Jerry Saltz's "How to Be an Artist," we unpack the practical realities of the creative journey and the mindsets that sustain artistic growth.The conversation begins with the critical practice of capturing ideas—through sketchbooks, journals, voice memos—creating an ever-expanding archive of inspiration that artists can mine for future work. We share personal systems for documenting fleeting thoughts and how this practice often reveals what's truly happening in our minds. These captured moments become the seeds from which our most authentic work grows.We tackle the intimidating challenge of finding one's artistic voice, challenging the myth that great artists spring forth with fully-formed originality. All masters begin as students—imitating, copying, and gradually infusing their personal perspective into established forms. The studio becomes the sacred space for this transformation—a sanctuary where imitation evolves into innovation without judgment or shame. Whether your workspace resembles the pristine order of Agnes Martin or the chaotic energy of Francis Bacon, it should serve as your laboratory for experimentation.Perhaps most profound is the discussion of embedding thought and emotion into physical materials—creating work that communicates even when you're not present to explain it. This alchemical process requires deep listening to both your materials and your inner voice. Great art puts out more energy than went into its making, resonating with viewers on levels beyond literal understanding.We close with an essential reminder: there are no wasted days in the studio. Even apparent failures move your practice forward. The struggle itself is valuable—often taking you further than easy successes ever could. Learn to finish work and move forward rather than getting trapped in perfectionism. Your next piece will benefit from everything you've discovered in creating this one.Whether you're a seasoned artist or just beginning your creative journey, this episode offers practical wisdom and permission to embrace both the struggle and joy of making meaningful work that's distinctly yours.Send us a message - we would love to hear from you!Make sure to follow us on Instagram here:@justmakeartpodcast @tynathanclark @nathanterborg

Iva Gueorguieva (b.1974, Sofia, Bulgaria, lives and works in Los Angeles, CA) received her B.A. from the Tyler School of Art, Philadelphia, PA. She has had recent solo exhibitions at Night Gallery, Los Angeles, Bradwolff & Partners, Amsterdam, and Gavlak Gallery, Palm Beach, FL. Her work is included in public collections such as the Los Angeles County Museum of Art, Los Angeles, CA; Minneapolis Institute of Art, Minneapolis, MN; Museum of Contemporary Art, Los Angeles, CA; Museum of Contemporary Art, San Diego, CA, among others. Iva Gueorguieva, Field 8, 2025 acrylic, charcoal and gauze on canvas 76.25 x 53 inches Iva Gueorguieva Animal 12, 2024 acrylic and gauze on canvas 72 x 50.5 inches Iva Gueorguieva, Kukeri: Birds, 2024 acrylic and gauze on canvas 78 x 50 inches Sketchbook of the artist referenced in the interview.

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. This week, Emily features an interview with Zeina Barakeh, an animation artist from Beirut now residing in Alameda, California. Zeina discusses her journey from studying interior design in Beirut to obtaining an MFA from the San Francisco Institute of Art and her current PhD in philosophy focused on global security. Her work often reflects her experiences with war, exemplified by her projects like 'CYBOTAGE,' which explores the neuro enhancement of soldiers using art. Zeina's art and educational journey highlight the intersection of creativity with themes of war, resistance, and personal experience. She emphasizes the importance of involving diverse voices in ethical discussions around technological advancements in warfare. About Artist Zeina Barakeh:Zeina Barakeh is a Palestinian-Lebanese artist based in the San Francisco Bay Area. Exhibitions and film festivals include: Poetry is Not a Luxury, The Center for Book Arts, New York City; Silent Narratives, Yinchuan MOCA, Yinchuan, China; Preoccupations: Palestinian Landscapes, Minnesota Street Project, San Francisco; Another Hole in the Head (15th), New People Cinema, San Francisco; The Shape of Birds: Contemporary Art of the Middle East and North Africa, Newport Art Museum, Rhode Island; Kerry Film Festival (19th), Killarney Co. Kerry, Ireland; Altered, Gallery106, Minnesota Street Project, San Francisco; PHOTOFAIRS SF, Connected: The Channel of Democracy: Womanhood, Power & Freedom in Video Art, Fort Mason Center for Arts & Culture, San Francisco; Blue Plum Animation Festival (13th), Johnson City, Tennessee; Detritus, San Jose Institute of Contemporary Art, San Jose; What Makes Us?, Focus Gallery, Zimmerli Art Museum, New Jersey; Harlem International Film Festival (11th), MIST Harlem, New York City; Creation Stories, Johnson & Johnson World Headquarters Gallery, New Jersey; Bring It Home: (Re)Locating Cultural Legacy Through the Body, San Francisco Arts Commission Galleries, San Francisco; PULSE New York, Art Fair, New York City; UNTITITLED, Art Fair, Miami Beach, Florida; Editions/Artists' Book Fair, New York City; International Film Awards Berlin, KINO im Kulturhaus Spandau, Berlin; The Chasm Arena, Yerba Buena Center for the Arts, San Francisco; Women Redrawing the World Stage, SOHO20 Chelsea Gallery, New York City; The Fertile Crescent: Gender, Art, and Society, Bernstein Gallery, Princeton University, New Jersey; The Third Half, The Public Theater, New York City; Facettes, Espace SD, Beirut. Residency awards include: Perspectives: Here and There, Brodsky Center for Innovative Editions, Rutgers University, New Jersey; and Vermont Studio Center.Zeina worked for numerous years at the San Francisco Art Institute, with her last position being Assistant Dean of Academic Affairs. She currently teaches art at Cal State East Bay university as a lecturer.Visit Zeina's Website: ZeinaBarakeh.comFollow Zeina on Instagram: @Zeina.BarakehFor more on Zeina's exhibit "CYBOTAGE" at the Catharine Clark Gallery, CLICK HERE. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

Dreams in Migrations: AAPI Identity, Diaspora, and Resistance in Contemporary Art In this special live episode of What's My Thesis?, host Javier Proenza moderates a closing panel discussion at BG Gallery for Dreams in Migrations—the third annual AAPI (Asian American and Pacific Islander) exhibition curated by artist and organizer Sung-Hee Son. This timely conversation assembles a multigenerational roster of artists whose practices interrogate identity, memory, imperialism, and the myth of the model minority through distinct formal languages and lived experiences. Featuring artists Dave Young Kim, Mei Xian Qiu, and others, the episode moves fluidly between personal narrative and structural critique. Kim speaks candidly about growing up Korean American in Los Angeles, navigating ADHD through drawing, and finding community through both art and street culture. He reflects on his work's deep connection to place—evoking the layered histories of Koreatown through archival images, signage, and symbolic compositions. Mei Xian Qiu offers a moving account of displacement, spiritual ritual, and postcolonial trauma. Born into Indonesia's Chinese diaspora, she discusses her early artistic impulse to create “sacred objects” as a means of processing survival and systemic erasure. Her multimedia works—reminiscent of stained glass and batik—expose the mechanisms of propaganda and the cultural inheritance of violence. Her series Let a Thousand Flowers Bloom revisits China's Hundred Flowers Campaign with a provocative inversion: a mock invasion of the U.S. staged entirely by AAPI artists and academics. Together, the panelists explore diasporic kinship, cross-cultural solidarity, and the politics of visibility within the art world. Proenza draws compelling parallels between the AAPI and Latinx experiences, from forced assimilation and linguistic loss to state violence and Cold War geopolitics. The conversation challenges the flattening effects of labels like “model minority,” advocating instead for nuance, specificity, and coalition-building. The episode concludes with reflections on the power of artist collectives, including the Korean American Artists Collective co-founded by Kim, and a roll call of exhibiting artists whose works are transforming the gallery into a space of resistance, celebration, and shared memory. Featured Artists in the Exhibition: Dave Young Kim Mei Xian Qiu Bryan Ida Tia (Otis MFA ‘23) Miki Yokoyama Key Topics: AAPI identity in fine art Postcolonial trauma and Chinese-Indonesian history Korean American experience in L.A. Propaganda, memory, and resistance The myth of the model minority Artist collectives and community organizing Explore how contemporary AAPI artists are reshaping cultural narratives and reclaiming space through radical aesthetics and collaborative practice.

On this week's episode, I had the joy and honor of speaking with Jordia Benjamin, Executive Director of Indigo Arts Alliance, and Ashley Page, Studio and Program Manager at Indigo Arts Alliance, an arts organization working at the nexus of citizenship, community-building, and creativity.We discuss Indigo's upcoming symposium, Deconstructing the Boundaries: Tending to Communities, which will take place this Saturday, July 26th at the Coastal Maine Botanical Gardens. Culminating a three year partnership between Indigo and the Gardens, this day of sensorial and participatory programs exemplifies Indigo's commitment to cultivating the development of Black and brown artists, especially those working around issues of environmental justice, preservation, and land. Stay tuned for the second part 2, where I'm joined by visual artist Daniel Minter and poet & artist Arisa White.Jordia Benjamin, Executive Director of Indigo Arts Alliance, has a passion for creating compelling programs and cultivating creative environments. She embodies a commitment to equity, inclusion, empowerment and advocacy for communities of color. Jordia leads the Indigo Arts Alliance's day-to-day operations. Her role ensures that the quality and global impact of IAA's activities and programs directly support its mission. A highly effective collaborator, manager, relationship builder, and communicator, she guides and refines the artist residency program, developing related programming that connects our local, national and international communities.Ashley Page is the Studio and Program Manager at Indigo Arts Alliance. She serves as a point of contact for artists and supports the development of related public programs and special projects to best connect artists and communities. In her role, she ensures the smooth operations of the studio and its administrative needs. As an interdisciplinary artist, community organizer, and social disruptor, Ashley's creative spirit, passion for community, and dedication to the artistic growth of artists of color is interwoven into her own artistic philosophy. Drawing from the power of vulnerability, collaborative honesty, and mutual understanding, her work creates the bridges between art and people.To learn more about Indigo Arts Alliance, visit here. Visit Deconstructing the Boundaries: Tending to Communities for more information about the symposium.This episode was produced with support from Indigo Arts Alliance. Follow the show on IG at @theartofitallshow and follow the host at @dariasimoneharper! Don't forget to rate, review, and subscribe. Sharing an episode with a friend never hurts either;)

Episode No. 715 features artist Kandis Williams. The Walker Art Center, Minneapolis is presenting "Kandis Williams: A Surface," the first survey of Williams' career. The exhibition spotlights how Williams has used collage as a tool of Black feminist resistance, to dismantle entrenched histories and power structures, and to rebuild dominant narratives. The exhibition, which was curated by Taylor Jasper with Laurel Rand-Lewis, is on view through August 24. The exhibition catalogue was published by the Walker. Amazon and Bookshop offer it for around $45. Williams is also included in "Performance on Paper" at the Hammer Museum, University of California, Los Angeles. It features prints and drawings created at the intersection of music and dance by about twenty artists active from the 1960s to the present. It was curated by Naoko Takahatake with Jennie Waldow, and is on view through August 10. Williams' previous museum solo exhibition was at the Institute for Contemporary Art, Virginia Commonwealth University. They have been included in group exhibitions at the Museum of Modern Art, New York, the Frye Art Museum, Seattle, at the Studio Museum in Harlem, and in the Hammer Museum's Made in LA biennial. Instagram: Kandis Williams, Tyler Green.

Cheryl Pope is an interdisciplinary visual artist who questions and responds to issues of identity as it relates to the individual and the community, specifically regarding race, gender, class, history, power, and place. Her practice emerges from the act and politics of listening, and recently introduces a novel material to explore the artist's memories. Referencing the familiar repertoire of the French Post-Impressionist, Intimist, and Imagist paintings, Pope recreates deeply personal recollections that cinematically compose the silent complexities of beautiful and tragic oscillations between love and loss in our everyday lives. Images of couples are drawn from memory, referencing the artist's own relationships and moments of disconnect, anxiety, and desire, while beach scenes depicting a mother and child accentuate a tender stillness of caregiving. In these scenes, the figures exist in a nest of choreography–a rotating stage of mystery, tragedy, and poetry of day-to-day living with feelings of presence and absence woven throughout.     Pope (b.1980, Chicago, IL) received her MA in Design (2010) and BFA (2003) from the School of the Art Institute, Chicago, IL, where she is an Adjunct Professor.  Pope has had recent solo exhibitions at moniquemeloche, Chicago, IL (2022, 2019); The Ulrich Museum of Art, Wichita, KS (2022); Rockford Art Museum, Rockford, IL (2019); Galleria Bianconi, Milan, Italy (2019); Andres Guerrero Gallery, San Francisco, CA (2018); and Fort Gansevoort, New York, NY (2017). Notable group presentations include Eli and Edythe Broad Art Museum, East Lansing, MI (2023); The FLAG Art Foundation, New York, NY (2023 2021); Everson Museum, Syracuse, NY (2023); Kalamazoo Institute of Arts, Kalamazoo, MI (2022); Weinberg/Newton Gallery, Chicago, IL (2022); Skin in the Gamecurated by Zoe Lukov, Chicago, IL (2022); Fountainhead, Miami, FL (2021); Santa Barbara Museum of Art, Santa Barbara, CA (2021); Virginia MOCA, Virgina Beach, VA (2021); and the Museum of Contemporary Art, Chicago, IL (2020). Pope's work will be included in the upcoming group exhibition Get in the Game: Sport and Contemporary Culture at SFMoMA in 2024. Pope's work is in the collections of Museum of Contemporary Art Jacksonville, FL; the Museum of Contemporary Art, Chicago, IL; UBS Art Collection, New York, NY; Joan Flasche Artists Book Collection, Chicago, IL; Seattle Art Museum, WA; Honolulu Museum of Art, HI; Museum of Contemporary Art, San Diego, CA; Poetry Foundation, Chicago, IL; DePaul University Art Museum, Chicago, IL; Virginia Museum of Fine Arts, Richmond, VA; Baltimore Museum of Art, Baltimore, MD; United States Embassy, Santo Domingo, Dominican Republic; The Jackson West Memorial Hospital, Miami, FL; and The Ulrich Museum of Art, Wichita, KS. She has been the recipient of several awards and fellowships, including the Public Artist Award, Franklin Works, Minneapolis, MN (2017); Selected Artist, Year of Public Art, Chicago Cultural Center, IL (2017); Mellon Fellowship, Kenyon College, Gambier, OH (2016); and 3Arts Award, Chicago, IL (2015). Pope lives and works in Chicago, IL and Miami, FL. Artist https://www.cherylpope.net/ monique meloche https://www.moniquemeloche.com/artists/35-cheryl-pope/works/ Hyperallergic https://www.moniquemeloche.com/press/492-talking-a-big-game-the-art-of-sports/ | https://www.moniquemeloche.com/press/280-artists-on-basketball-and-its-discontents/ Art Daily https://www.moniquemeloche.com/press/451-the-baltimore-museum-of-art-announces-approximately-75/ Observer https://www.moniquemeloche.com/press/437-early-sales-and-excitement-at-art-basel-miami/ The Guardian https://www.moniquemeloche.com/press/430-strike-fast-dance-lightly-largest-ever-boxing-exhibition/ BOMB https://www.moniquemeloche.com/press/420-cheryl-pope-by-carolina-wheat/ Chicago https://www.moniquemeloche.com/press/406-fall-fashion-artists-in-their-natural-habitats/ Reader https://www.moniquemeloche.com/press/418-chicago-is-a-protest-town/

In this heartfelt and inspiring episode of The Tiberius Show, host Tiberius sits down with Orlando-based abstract expressionist Anthony Astarita for a candid conversation about life, healing, and the power of creativity.From his early days drawing on walls in Brooklyn to becoming a celebrated visual artist in Central Florida, Anthony shares how his instinctual approach to painting and his “frosting” series were born out of remission from cancer. Learn how he uses color, texture, and playful energy to express joy—and why 20% of his art proceeds go to helping children in homeless shelters.Topics Covered:•    What is Abstract Expressionism and how Anthony defines it•    How a cancer diagnosis reshaped his outlook and led to his Frosting Series•    The role of playfulness in creating art as an adult•    Navigating the art world as a self-taught artist•    How he supports young creatives and underserved communities•    His views on AI in the art world•    Practical advice for artists seeking gallery representation•    How math, leadership, and daily creativity play into an artist's lifeAlso, don't miss a fun segment on math, a peek into Anthony's pets and hobbies (yes, he has a bearded dragon!), and powerful reflections on what it means to let art be art.Subscribe now and join us as we explore the soul of creativity through color, courage, and community!Become a supporter of this podcast: https://www.spreaker.com/podcast/the-tiberius-show--3352195/support.

On this edition of The Arts Section, host Gary Zidek visits the Museum of Contemporary Art's new exhibit, CITY IN A GARDEN, that explores Chicago's Queer art and activism communities. The Dueling Critics, Kelly Kleiman and Jonathan Abarbanel, join Gary to review a new ambitious production of ANGELS IN AMERICA. Later in the show, it's all accordions, all the time, as the annual Accordions and Teaches Guild Fest returns to the area. And we'll discuss where to get the best Italian Beefs in the Chicago-area.

What if the path to becoming an artist wasn't shrouded in mystery but illuminated by practical wisdom? In this deep dive into Jerry Saltz's transformative book "How to Be an Artist," we explore the Pulitzer Prize-winning critic's generous, accessible, and remarkably grounded advice for creative souls at any stage of their journey."Art is for everyone," Saltz declares, immediately dismantling the barriers that keep so many from pursuing their creative calling. Whether you're wondering if you can be an artist without formal education, while working full-time, or while wrestling with crippling self-doubt, his answer rings clear: "Of course you can." Through our conversation, we unpack how Saltz's decades of observing artists have yielded insights that speak directly to the heart of the creative struggle.The book's wisdom resonates powerfully throughout our discussion – from embracing the uncomfortable vulnerability of making art to recognizing that "the faster your work makes sense, the faster people will lose interest." We explore why certainty kills curiosity, how imagination forms the very essence of human existence, and why getting productively lost might be the most direct path to finding your voice. Saltz's practical advice – "cast your nets into the waters" of inspiration and "work, work, work" – offers a refreshing antidote to creative paralysis.Perhaps most encouraging is Saltz's insistence that it's never too late to begin. Through stories of artists who found success later in life (including Saltz himself who didn't become serious about his calling until age 40), we confront the myth that artistic accomplishment requires early specialization. Whether you're just starting out or seeking to deepen your existing practice, this episode offers a roadmap filled with practical wisdom, compassionate encouragement, and the liberating reminder that "nothing happens if you're not working, but anything can happen when you are."Buy "How to be an Artist" by Jerry SaltzSend us a message - we would love to hear from you!Make sure to follow us on Instagram here:@justmakeartpodcast @tynathanclark @nathanterborg

July 8,  2025 -  We've got Kari Eckert from the Robbie's Hope foundation to talk about their initiatives focused on helping prevent suicide and encourage more positive communication around mental health for America's youth. More information about Robbie's Hope and their upcoming MCA exhibit, “Through Their Eyes” below!   https://foundation.robbies-hope.com/ https://hopefull-conversations.simplecast.com/ https://www.instagram.com/robbieshope1/   Robbie's Hope Handbook and Resources: https://robbies-hope.com/resources/#for-parents-&-trusted-adults   Robbie's Hope “Through Their Eyes” exhibit at the Denver Museum of Contemporary Art is running  Aug 6th - Sept 14th!   "Through Their Eyes" aims to shed light on the often-overlooked struggles and triumphs of young people dealing with mental health issues. The exhibition features a diverse collection of artwork, including paintings, digital media, poetry, and music, all created by talented teen artists who have bravely shared their personal experiences and perspectives.  The works have been curated from Robbie's Hope's annual juried art competition, The Hall of Personal Expression. As always, we're also going over our favorite news, sports takes and upcoming events for Denverites this week!   Follow WDG: YouTube: https://www.youtube.com/channel/UC8u8GmvBi6th6LOOMCuwJKw Instagram: https://www.instagram.com/whats_good_denver/ TikTok: https://www.tiktok.com/@whatsgooddenver   Do you have a Denver event, cause, opening, or recommendation that you want to share with us? We want to hear from you! Tell us what's good at tom@kitcaster.com.   Troy's Takes:    Jokic's Horse wins   Chris Paul Retiring   Most expensive summer league ticket ever     Developing Denver:   Potential Plan for New Broncos Stadium in Burnham Yard     Events:   Denver Brunch Fest (Giveaway on socials)   Inner Circle Takeover @ Larimer Lounge   Summer Concert Series @ Denver Botanic Gardens   Summer of Loud @ The Junkyard   Red Rocks Schedule     Music produced by Troy Higgins Goodboytroy.com  

We sit down with curator Rachel Adams to talk about institutional evolution, artists as infrastructure, and how curatorial practice shifts between museums and biennials. Rachel reflects on working with artists like Cauleen Smith, Liz Magic Laser, and Beatriz Santiago Muñoz, the power of slow curation, and why she's drawn to hybrid spaces that defy the market. Along the way: phantom titles, artist contracts, Minneapolis moments, and a manifesto in a box of ice cream bars. Cauleen Smith cauleensmith.com   Liz Magic Laser lizmagiclaser.com   Beatriz Santiago Muñoz lima.art   Candice Hopkins indigenousnewyork.org   Nato Thompson https://www.natothompson.com/about   Christina Vassallo columbusmuseum.org   Sarah Schultz mplsart.com   Alison Hearst themodern.org   Andrea Andersson riversinstitute.org   Franklin Sirmans pamm.org   Mary Jane Jacob https://never-the-same.org/interviews/mary-jane-jacob/   Independent Curators International (ICI) curatorsintl.org   image: Asad Raza, Orientation, 2022. Courtesy of the artist. Photo: Field Studio.

WBBM's Carolina Garibay stops by the Museum of Contemporary Art to check out its newest exhibit titled "City in a Garden: Queer Art and Activism in Chicago." It explores the role Chicago has played in queer art and activism.

Today I'm sitting down with someone I've known for quite some time. Watching her grow, build, reinvent, and create from the inside out has been inspiring, and honestly, a little wild, in the best way. Cynthia Mensah-Neglokpe is the founder of clicqui and KORE. In this conversation, we talked about starting over,  more than once. About what burnout really looks like when you're the one everyone counts on. And how community, when done right, can quite literally bring you back to yourself.You'll hear how Cynthia went from managing luxury brands to building grassroots spaces in four cities, all while figuring out how to protect her energy and build something that actually lasts. If you've ever thought about creating something real, something that connects people and still keeps you whole. This one's for you.Let's get into it. And if you love this episode, leave a review, send it to a friend, or just hit replay.Read more about the Women Authors of Achievement (WAA) Podcast via waa.berlin/aboutFollow us on Instagram & find us on LinkedInSubscribe to our newsletter via waa.berlin/newsletter ★ Support this podcast on Patreon ★

Episode No. 713 is a Fourth of July weekend clips episode featuring artist Carmen Winant. This episode was taped in 2023 on the occasion of the Minneapolis Institute of Art's presentation of Winant's “The last safe abortion” through December 31. It features Winant's assemblages of historical photographs gathered from across the Midwest that detail the work of providing health care to women. That work includes answering phones, presenting training sessions, scheduling appointments, and more. “The last safe abortion” was curated by Casey Riley. Winant's work typically explores representations of women through strategies such as collage and installation. Her exhibition credits include the Wexner Center for the Arts at The Ohio State University, the Carnegie Museum of Art, Pittsburgh, Sculpture Center, Queens, the Bemis Center for Contemporary Arts, Omaha, the Institute of Contemporary Art Boston, and many venues in Europe. For images, see Episode No. 621. Instagram: Carmen Winant, Tyler Green.

Join us for a conversation with author and new media artist Scott Snibbe. Snibbe will introduce us to the history of his pioneering use of new technology and his exploration of traditional art forms. His artwork has been featured in leading institutions, from MoMA, SFMOMA, and The Whitney Museum of American Art to London's Institute of Contemporary Art, Tokyo's Intercommunications Center, and beyond. Snibbe has collaborated with renowned artists and creators throughout his career, including multiplatinum recording artist Björk on the groundbreaking “app album” Biophilia, filmmaker James Cameron, musician Beck, and composer Philip Glass. He is the author of How to Train A Happy Mind, featuring a forward written by the Dalai Lama. In his latest work, Snibbe draws from centuries-old Tibetan thangka painting techniques he studied in Nepal, which inspired him to explore the intersections of digital media and ancient craftsmanship. At the confluence of technology, traditional painting, and interactive design, Snibbe creates participatory experiences that push the boundaries of contemporary art and invite audiences to engage with it in new and unexpected ways. A Technology & Society Member-led Forum program. Forums at the Club are organized and run by volunteer programmers who are members of The Commonwealth Club, and they cover a diverse range of topics. Learn more about our Forums. OrganizerGerald Anthony Harris  Learn more about your ad choices. Visit megaphone.fm/adchoices

Lisa Yuskavage creates works that affirm the singularity of the medium of painting while challenging conventional understandings of genres and viewership. At once exhibitionist and introspective, her rich cast of characters and their varied attributes are layered within compositions built of both representational and abstract elements, in which color is the primary vehicle of meaning. Yuskavage's work has been the subject of numerous solo exhibitions, including Lisa Yuskavage: Wilderness, which was on view at the Aspen Art Museum in 2020 and the Baltimore Museum of Art in 2021. In 2015, The Rose Art Museum, Brandeis University, Waltham, Massachusetts, presented Lisa Yuskavage: The Brood, a major survey spanning twenty-five years of the artist's work. The show traveled to the Contemporary Art Museum St. Louis in 2016. Lisa Yuskavage: Drawings just opened at The Morgan Library & Museum and is on view through January 4, 2026.Museum collections which hold works by the artist include the Art Institute of Chicago; Hirshhorn Museum and Sculpture Garden, Washington, DC; The Metropolitan Museum of Art, New York; Museum of Contemporary Art, Los Angeles; The Museum of Modern Art, New York; San Francisco Museum of Modern Art; and the Whitney Museum of American Art, New York, among others. She and Zuckerman discuss changing the world, vulnerability, why make art, using pushback as an opportunity, pushing against resistance, getting rid of self-doubt, and how Art makes you feel less alone!

Episode No. 712 features artist Julian Hoeber and curator María Elena Ortiz. Hoeber is included in "Generations: 150 Years of Sculpture" at the Nasher Sculpture Center, Dallas. The exhibition offers a new selection of works from the Nasher collection that offers conversations between works from the past and present. Hoeber's practice centers perception and searches for ways to exceed and reconcile limits set by binary ideas such as interior and exterior, or psychic and somatic. Paradoxically, he often uses binary systems, such as stereoscopic vision, in his work. His exhibition credits include Desert X 2019, a Hammer Projects show in 2010, and gallery shows in San Francisco, New York, Milan, Los Angeles, London, and more. His work is in the collection of museums such as the Museum of Modern Art, New York; the Museum of Contemporary Art, Los Angeles, the Hammer Museum, and the Nelson-Atkins Museum of Art, Kansas City.  Ortiz is the curator of "Feeling Color: Aubrey Williams and Frank Bowling" at the Modern Art Museum of Fort Worth. "Feeling Color" pairs the work of two Guyanese artists and considers their roles in the history of late-twentieth-century abstract painting. "Feeling Color" is on view through July 27. Instagram: Julian Hoeber, María Elena Ortiz, Tyler Green.

Julie Curtiss was born in 1982 in Paris, France and lives and works in Brooklyn, New York. She studied at the École Nationale Supérieure des Beaux-arts, Paris, during which time she undertook two exchange programmes; one at the Hochschule für Bildende Künste, Dresden and the other at the School of the Art Institute of Chicago. Curtiss graduated in 2006 with a BA and MFA. Recent solo exhibitions include White Cube Hong Kong (2023); Anton Kern Gallery, New York (2022; 2020; 2019); White Cube Mason's Yard, London (2021); Various Small Fires, Los Angeles (2018); and 106 Green, Brooklyn, New York (2017). Group exhibitions include Fondation Carmignac, Porquerolles, France (2024); Dallas Museum of Art, TX (2023); MCA Chicago, IL (2023); Yuz Museum, Shanghai (2023); FLAG Art Foundation, New York (2023); Leeum Museum of Art, Seoul (2022); Biennale des Arts de Nice, France (2022); The Shed, New York (2021); Nassau County Museum of Art, Roslyn, New York (2019); Perrotin, Seoul (2019); Clearing, New York (2019); White Cube Bermondsey, London (2017). She has been the recipient of a number of fellowships and awards, including Youkobo Art Space Returnee Residency Program, Tokyo (2019); Fellow of the Sharpe-Walentas Studio Program, New York (2018); Saltonstall Arts Colony Residency, New York (2017); Contemporary Art Center at Woodside Residency Program, New York (2013); VAN LIER Fellowship, New York (2012); Louis Vuitton Moët Hennessy's Young Artists Award (2004); and Erasmus European Exchange Program Grant, Hochschule für Bildende Künste, Dresden (2003).Curtiss' work is represented in a number of museum collections, among which are Bronx Museum, New York; Columbus Museum of Art, Ohio; High Museum, Atlanta; Los Angeles County Museum of Art; Maki Collection, Japan; Museum of Contemporary Art, Chicago; Walker Art Center, Minneapolis; and Yuz Museum, Shanghai.

Episode No. 711 is a summer clips episode featuring artist Patrick Martinez. Martinez is among the artists showing in the Boston Public Art Triennial, which was developed by Pedro Alonzo, Tess Lukey, and a(n unspecified) curatorial advisory group. Martinez's 2025 Cost of Living may be seen at Boston's Downtown Crossing. Martinez is a Los Angeles-based painter whose work investigates socio-economic position, immigration, police violence, and civic and cultural loss. He's had solo shows at museums and kunsthalles such as the ICA San Francisco, the Tucson (Ariz.) Museum of Art, the Madison Museum of Contemporary Art, and the Vincent Price Art Museums. He's been in recent group shows at the Riverside (Calif.) Art Museum, The Broad, Los Angeles, the Museum of Contemporary Art, Los Angeles, the Crystal Bridges Museum of American Art, Bentonville, Ark., and El Museo del Barrio, New York. Martinez also operates Mixed Media Editions. This program was taped in 2024 on the occasion of “Patrick Martinez: Histories” at the Dallas Contemporary. For images, see Episode No. 649. Instagram: Patrick Martinez, Tyler Green.