Podcasts about Contemporary art

Helen Verhoeven is beeldend kunstenaar. Ze studeerde onder andere aan het San Francisco Art Institute, de New York Academy of Art en de Rijksakademie in Amsterdam. Haar werk werd wereldwijd tentoongesteld en ontving in 2008 de Koninklijke Prijs voor Vrije Schilderkunst en in 2010 de Wolvecampprijs. Verhoevens werk bevindt zich in collecties van het Stedelijk Museum Amsterdam, het Centraal Museum Utrecht en The Museum of Contemporary Art in Miami. In 2019 won ze de ABN AMRO kunstprijs. Verhoevens werk is nu te zien in de tentoonstelling ‘Good Mom/ Bad Mom' in het Centraal Museum in Utrecht. De tentoonstelling houdt zich bezig met de vraag hoe moeders en het moederschap worden gerepresenteerd. Ook presenteert Verhoeven haar nieuwste werk in een solotentoonstelling in Annet Gelink Gallery. De tentoonstelling opent tijdens de Amsterdam Art Week. Atze de Vrieze gaat met Helen Verhoeven in gesprek.

SIGN UP –Be the first to know next episodes, get BOOK RECOMMENDATIONS, juicy facts + useful links.Episode......................................................................Contemporary artist Ed Atkins's survey at Tate Britain is best described as an existential theatre with avatars, CGI, motion capture technology, traditional figural drawing, Unreal Engine, filmed performance, experimental writing and much more. You wouldn't leave the shop without paying for your latte, right?Buy us a latte ;-) ⁠⁠https://exhibitionistaspodcast.com/support-us⁠Architect and first-time guest on the podcast, Nick Taylor, and I, get lost, fall into the temporary exhibition through a faulty door, rush through the show to watch the timed film, return a second time because one of us went to Tate Modern first, discuss exhibition-visiting methods, critique wall texts, and reflect upon our own relation with time, narrative, devotion and death.If you enjoyed the episode, you may enjoy my essays on Substack: ⁠⁠https://joanaprneves.substack.com⁠⁠Across all technologies, we've asked the same questions: …are we spectators or actors? …contemplative or engaged? …are images and the people in them dead? …and if so, why are they moving (both as a verb and an adjective)?Hailed as a pioneer of digital technology, Ed Atkins' work found its groove in early experiments with video-editing. These quickly migrated into the world of gaming, with its motion capture and CGI animation, and their striking similarity with live performance through timed duration, but with a complicated relation with the physical world and real, fleshy bodies. For behind the scenes clips and visuals follow us on Instagram: @exhibitionistas_podcastWe discuss: #parenting, #audience #engagement, #theatre spaces, fear, #vulnerability, #narrative building, #virtual realities, #self-representation, #identity, spatial dynamics, #modernism, #existentialism, #mortality, #parenthood, #theatre, #experimental film, emotional detachment, #intergenerational connections, #illness, #family dynamics.Instagram:   @exhibitionistas_podcast  Bluesky: @exhibitionistas.bsky.socialWebsite: https://exhibitionistaspodcast.comChapters00:00 Introduction and Setup02:31 Memories of Tate Modern07:07 Pivotal Moments in Ed Atkins' Career14:03 A Few Points Of Reference For Ed Atkins' Work18:21 When The Artist Writes Their Own Wall Texts22:35 Narratives On And Off The Screen(s)27:17 The Exhibition as Experimental Writing32:07 Narrative Building in Art Experiences37:33 Theatre Without Actors41:03 Self-Representation and Identity in Art46:19 Spatial Dynamics and Human Scale in Art53:23 Modernism and Its Absence in the UK55:31 Life As Utter Devotion, Art As Its Awareness 01:02:36 The Disconnect Between Generations in Art01:07:18 Reading Emotion: Ed Atkin's New Film With Real Actors01:11:40 The Journey Through Illness and Art01:16:51 The Mysterious Case of the Disappearing Spectators01:22:16 OUTROAbout us: If you enjoy the podcast If Books Could Kill and You Are Good, you will enjoy Exhibitionistas, where artists are unveiled through current and pertinent angles, and through thoughts and feelings. These podcasts were a great inspiration for our format because they're nerdy and engaging, researched and approachable. The co-host and the guest co-host engage in a conversation informed by an accessible and lively presentation of the subject, through which you can reflect on a show you've seen or discover it if you can't go, learn or re-evaluate artistic topics crossing over into our everyday lives.

It's been a long time, I shouldn't have left you…without a dope beat to step to! (Word to Timbaland!) But I'm so glad to be back and to get things started, I'm kicking it solo. On this week's episode you'll hear a little bit about what you can expect from the show going forward. I also share my perspective on the recent defunding and dismantling of federal arts, cultural, and education agencies. To close, I leave listeners (and myself!) with a few questions around the art we create and how it reflects the world around us. Read below to visit the sources referenced throughout the episode, and other resources. Update: Senior leaders and other employees, including all ten directors who oversee grants across various disciplines of the arts, left the National Endowment for the Arts (NEA) the week of May 5th, 2025. Read more here:Protect My Public MediaInside Harvard's lawsuit against the Trump administration : NPRTrump signs executive actions on education, including efforts to rein in DEITrump sets sights on national African American history museumUrge Congress to Save IMLS and NEH (For museums, staff, and board members)Arts Directors Exit the National Endowment for the Arts  Follow the show on IG at @theartofitallshow and follow the host at @dariasimoneharper! Don't forget to rate, review, and subscribe. Sharing an episode with a friend never hurts either;)

In this honest chat, Kat shares an unfiltered look at what artists like you and me truly need in 2025 and beyond. From navigating overwhelm and distraction to embracing deeper purpose and aligned visibility, this conversation is a reminder that you're not alone—and that your art, your voice, and your vision still matter. This episode offers grounded encouragement to help you reconnect with your mission, regulate your nervous system, and create from a place of clarity. If you've been feeling stuck, burned out, or unsure about your next step, this episode is for you. You'll hear Kat's personal take on what's working right now (and what's not), including why being seen, building intentional income streams, and honoring your energy are some of the most important things you can do as an artist in this season. This isn't a marketing episode or a how-to—it's a permission slip to be human and to keep going. This episode is sponsored by Beautiful Bizarre Magazine Entries are now open for the 2025 Beautiful Bizarre Art Prize! Now in its 8th year, this annual non-acquisitive international art prize is administered by Beautiful Bizarre Magazine and celebrates diversity and excellence in the representational visual arts—including all static mediums: traditional, digital, and photographic. From realism and hyperrealism to pop surrealism and lowbrow, this prize honors it all. With over $77,000 in cash and prizes, including a $10,000 grand prize, this is an incredible opportunity to gain funding and global exposure for your work. Finalists will also have a chance to exhibit in the 2025 Beautiful Bizarre Magazine exhibition at Haven Gallery in New York, alongside 70 of the world's top contemporary artists. You don't need to submit a physical artwork—just upload an image of your favorite piece (even if it's already sold). This year's six award categories are: MPB Photography Award Digital Art Award The RAYMAR Painting Award Victoria Olt Gallery Drawing Award Yasha Young Projects Sculpture Award Catherine K. Gyllerstrom Emerging Artist Award There's also a People's Choice Award, offering a second chance to win with an additional $1,000 prize and a bespoke promotion package with Beautiful Bizarre Magazine. The team looks at every single entry—and many are shared online and on social media before the deadline—making this a powerful way to get noticed.

You know that moment when a painting feels so real you swear the subject might blink? Hyper-realist portraitist Monica Ikegwu returns to reveal the behind-the-scenes rigor—hours of glazing, precise lighting choices, and minimalist backgrounds—that turn a single photograph into a living, breathing canvas. Join Monica as she unpacks her journey from MFA student at the New York Academy of Art to international exhibitions, and how her “Just Say Yes” ethos keeps her pushing creative boundaries. Studio rigor and glazing: how disciplined layers of paint bring depth and life to every portraitFrom fabric backdrops to abstraction: evolving her style by pairing figures with minimalist geometric shapesPhoto-shoot alchemy: capturing a sitter's essence in brief sessions and translating mood into color and formMFA to independent practice: moving from New York Academy of Art to a Baltimore studio and global exhibitions“Just Say Yes” philosophy: saying yes to every opportunity—from museum shows to artist-led residenciesLooking ahead: a new body of unified-color work and an upcoming institutional exhibition featuring her signature abstract motifsCatch Monica Ikegwu's first appearance on the podcast here:  Whether you paint, draw, or simply love a great portrait, Monica's process will give you a fresh appreciation for the craft—and maybe inspire your next creative leap. Photograph by Lia Latty Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis. Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcast The Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

Anyone inspired by our previous episode with painter Christopher Still to go out and see some art can do so at the Museum of Contemporary Art in Jacksonville where a fantastic show reassembling the first Modern art exhibition ever presented in Florida can be seen through November 23, 2025.Our guest is Ken Meyer, executive director at the Avian Research and Conservation Institute. He's been studying Florida's swallow-tailed kites since the 1990s.Help swallow-tail kites and all Florida birds by incorporating native plants into your yard. Find support from the Florida Native Plant Society and Florida Association of Native Nurseries. Find swallow-tail kites at sites on the Great Florida Birding Trail and with the ebird app.

Coco Design & Build Co. stands as a distinguished name in the realm of high-end residential transformations, specializing in the meticulous design and flawless execution of kitchen and bathroom renovations. As the owner and driving force behind this esteemed company, Coco has cultivated a reputation for an unwavering commitment to quality, an astute understanding of sophisticated aesthetics, and a personalized approach that consistently exceeds client expectations. Her discerning eye for detail, coupled with a deep-seated passion for innovative design solutions, has positioned Coco Design & Build Co. as a sought-after partner for homeowners seeking to elevate their living spaces to new levels of luxury and functionality. Beyond her entrepreneurial success in the construction and design industry, Coco is also the visionary and creative heart behind Thee Old Fishbowl Gallery. This unique artistic endeavor reflects her profound appreciation for art in its myriad forms and her desire to cultivate a space where creativity can flourish and connect with the wider community. Thee Old Fishbowl Gallery serves as a testament to Coco's multifaceted nature, showcasing her ability to seamlessly blend the practical demands of construction and business ownership with the inspiring and expressive world of art. It is a platform where emerging and established artists can share their perspectives, and where visitors can engage with thought-provoking and visually captivating works. This dual role as a successful business owner and a dedicated patron of the arts underscores Coco's dynamic spirit and her significant contributions to both the design landscape and the local cultural scene. About: Coco Design & Build Co. began with a simple goal in mind – to craft beautiful new spaces based on a client's personality. Since our beginning, we have focused on how to best deliver on this promise. For over 25 years, we have worked in the industry and witnessed what does and does not work. This insight has informed our design, remodel, and renovation process by improving the necessary steps to run a successful project. We have the knowledge and experience you can rely upon that makes renovation as easy as possible. It is essential for our team to simplify the entire process because there are so many moving parts involved. Trying to pull together expert artisans for tile work, make sure deliveries of new materials are on time, and even sync your smart devices with new appliances can get overwhelming quickly. That is why our team is here to help. We have completed 100s of successful projects and know how to smooth out the typical road bumps homeowners do not have the time to manage. The vision behind Thee Old Fishbowl Gallery, at its heart, is to cultivate a vibrant and inclusive space where art transcends traditional boundaries and fosters genuine connection. It's more than just a place to view artwork; it's intended to be a dynamic hub for creativity, dialogue, and community engagement. Thee Old Fishbowl Gallery is to be a welcoming, dynamic, and thought-provoking space where art flourishes, connections are made, and the joy of creative expression is celebrated by all. It's about creating a cultural hub that enriches the community and fosters a deeper appreciation for the transformative power of art. Web: https://cocodesignbuild.com/ Events: https://evanstonmade.org Get to Know Ash: Imagine someone who just radiates good vibes and genuinely wants to see you shine – that's Ash Brown! This incredibly talented American wears many hats: she's a fantastic producer, a super engaging blogger, a captivating speaker, a natural media personality, and a fantastic host for events. Her energy is totally infectious, and you can tell she's truly passionate about helping everyone reach their full potential. What's Ash Up To? AshSaidit.com: Think of this as your VIP pass into Ash's world! Her blog is buzzing with exclusive invites to events, honest reviews of cool products, and all sorts of fun and informative stuff. It's the perfect place to stay in the loop and get a dose of Ash's personality. The Ash Said It Show: Get ready to feel inspired! Ash's podcast is a powerhouse of motivation, with over 2,000 episodes already out there and a whopping half a million listens worldwide! She has amazing conversations with inspiring people and dives into topics that really matter. Why We Love Ash: Ash isn't just talking the talk; she's walking the walk! What makes her truly special is how real she is. She connects with her audience on a genuine level, offering advice and encouragement that feels like a chat with a good friend. She doesn't shy away from the tough stuff but instead gives you the tools to tackle it head-on. Here's what makes Ash stand out: Sunshine Personified: Ash is a total optimist! Her positive energy is contagious, and you can't help but feel more empowered and ready for anything after connecting with her. Keeping It Real: Ash doesn't try to sugarcoat life. She gets that things can be tough and offers relatable advice that speaks to people from all walks of life. Turning Inspiration into Action: This isn't just about feeling good for a moment. Ash gives you practical tips and strategies to actually make things happen and turn your dreams into reality. So, if you're looking for a daily dose of inspiration, real-world advice, and someone who keeps it totally honest, Ash Brown is your go-to person! With her amazing positivity and genuine dedication to helping others, she's sure to become your favorite source for making the most out of life. ✨ ► Goli Gummy Discounts Link: https://go.goli.com/1loveash5 ► Luxury Women Handbag Discounts: https://www.theofficialathena.... ► Review Us: https://itunes.apple.com/us/po... ► Subscribe: http://www.youtube.com/c/AshSa... ► Instagram: https://www.instagram.com/1lov... ► Facebook: https://www.facebook.com/ashsa... ► Blog: http://www.ashsaidit.com/blog #atlanta #ashsaidit #theashsaiditshow #ashblogsit #ashsaidit®Become a supporter of this podcast: https://www.spreaker.com/podcast/the-ash-said-it-show--1213325/support.

Playlist de Philippe Poirier pour webSYNradio avec trois de ses compositions entremêlés des sons de David Garland, Christopher Hobbs, Carlos Gardel, Philip Glass, Elvis Presley, Isidore Isou, Eric Satie, kristin Oppenheim, Sonic Youth, David Toop, Morton Feldman, Brooks Williams, Dariush Dolat-Shahi, Marcel Broodthaers. Les morceaux choisis (pas tous) suivent un certain sentiment de la voix. Celle-ci s'exprime ici parfois de façon affirmée, parfois à peine incarnée, chantant ou parlant, d'un lieu où tous les mots ont été dits. Ces voix évoquent, à leur manière, le fameux texte où Roland Barthes rapporte les propos de Panzera, son maître de chant, faisant la distinction entre l'articulation et la prononciation. Avec l'articulation, dit Barthes, « la langue se met en avant, elle est le fâcheux, le casse-pieds de la musique ; dans l'art de la prononciation au contraire (celui de Panzera), c'est la musique qui vient dans la langue et retrouve ce qu'il y a en elle de musical, d'amoureux.

Almost by definition, the frame of a picture is something that you are not supposed to notice. But if you go to the art galleries to look at paintings now, you might get a very different sense of what a frame can or even should do. Weird and wild frames that very much draw attention to themselves seem to be having a moment. Recently, Artnet writer and editor Katie White penned a piece titled Bordercore: Why Frames Became the New Frontier in Contemporary Art. In her essay, she looks both at the history of framing styles, and talks to a number of contemporary painters to figure out what is causing so many to treat something that was literally considered peripheral to what they do as very much part of the main attraction. This week she joins Art Critic Ben Davis on the podcast to discuss this new frontier in art.

Mara De Luca's (b. 1973, Washington D.C.) paintings evoke a sense of atmospheric abstractions that bring to mind dusk, sunsets, and planetary orbs. Throughout her work there is a sense of reflected ambient light. De Luca's work today extends the celebration of illusionism, romanticism, and the sublime with a deeply informed response to modernist painting. De Luca received an MFA from CalArts, Los Angeles, CA and a BA from Columbia University, NY. Her work has been displayed at the Museum of Contemporary Art, San Diego and is in prominent collections, including the Buck Collection at UC Irvine, JP Morgan Chase, New York; Fidelity, Boston; Alexander Plaza Berlin, Germany; New York Medical College, New York; and the University of Oslo, Norway. She has been reviewed in Artforum, Cultured Magazine, The Los Angeles Times, Artweek LA, and others. De Luca is a recipient of the 2019 California Community Foundation Fellowship for Visual Artists. She has taught Painting at UC San Diego, UC Irvine, UC Davis and UC Riverside. Based in Los Angeles for over two decades, De Luca now lives and works in New York. Mara De Luca, Western Gate 1, 2024 mixed media on canvas with copper plated element 54 × 96 inches (137 × 244 cm) Mara De Luca, Western Gate 2, 2024 acrylic on primed and unprimed canvas with brass plated element 59 x 132 inches (150 x 335.5 cm) Mara De Luca, Cut Western Clouds, 2024, mixed media on cut canvas with copper plated elements, 48 x 42 x 3 inches (122 x 106.5 x 7.5 cm).

Listen to our talk with artist Tina Stefanou, curator Elyse Goldfinch (and special guests) on her new exhibition 'You Can't See Speed'. This podcast was recorded as part of an Artist Talk at ACCA on Saturday 05 April 2025. 'Tina Stefanou: You Can't See Speed' attends to the interconnected and multisensory experience of film beyond vision. The exhibition continues Stefanou's interest in the voice as medium, from spoken sonic soundscapes to vocal techniques such as humming. It also expands on her methodology of deep, long-term, co-creative collaboration and socially engaged practice involving interspecies-communal-performance making. Her diasporic, working-class ethic and approach to making challenges institutions of power and capitalistic logics, embedding the commons – from the planetary to the everyday – within her life and work. Image: Tina Stefanou and Matthew Cassar, artist talk, Australian Centre for Contemporary Art, Melbourne 2025. Photograph: Sarah Walker

Tomokazu Matsuyama. Born in 1976 in Gifu, Japan, Matsuyama is currently based in Brooklyn, New York. His work spans painting, sculpture, and installation, organically blending and reimagining diverse elements–such as ancient and modern, figurative and abstract, Eastern and Western. His art reflects both his cross-cultural experiences and the evolving nature of contemporary society in our information-driven world. Major public art projects include the Bowery Mural (New York, USA, 2019), Hanao (JR Shinjuku Station East Square, Tokyo, 2020), and Wheels of Fortune (Meiji Shrine, Tokyo, 2020, part of the Jingu Gaien Art Festival). Recent notable exhibitions include Mythologiques (Venice Biennale, 2024), MATSUYAMA Tomokazu: Fictional Landscape (Hirosaki Museum of Contemporary Art, 2023), and MATSUYAMA Tomokazu: Fictional Landscape (Shanghai Powerlong Museum, 2023). His work was also featured in Pop Forever. Tom Wesselmann &… at Fondation Louis Vuitton in Paris (2024–2025). Please visit cerebralwomen.com for his expanded bio. Photo credit: Fumihiko Sugino Artist https://matzu.net/ Pen Magazine Taiwan https://www.matzu.net/media/press/pen-4/ GQ https://www.matzu.net/media/press/gq/ FT https://www.matzu.net/media/press/financial-times/ Bazaar https://www.matzu.net/media/press/harpers-bazaar/ Legend https://www.matzu.net/media/press/legend/ Hypebeast https://www.matzu.net/media/press/hypebeast-4/ Hypeart https://www.matzu.net/media/press/hypeart/ Juxtapoz https://www.matzu.net/media/press/juxtapoz/ Galerie https://www.matzu.net/media/press/galerie-magazine/ Artforum https://www.matzu.net/media/press/artforum/ Kinari https://www.matzu.net/media/press/kinari/ Takashimaya-salon https://www.matzu.net/media/press/takashimaya-salon/ Mythologiques https://www.matzu.net/media/tomokazu-matsuyama-mythologiques/ Almine Rech https://www.alminerech.com/artists/7720-tomokazu-matsuyama Kavi Gupta https://kavigupta.com/artists/95-tomokazu-matsuyama/ First Last https://www.tomokazu-matsuyama-firstlast.jp/english/ Wynwood Walls https://thewynwoodwalls.com/artists/tomokazu-matsuyama/ Kotaro Nukaga https://kotaronukaga.com/en/artist/tomokazu_matsuyama/ Avante Arte https://avantarte.com/artists/tomokazu-matsuyama Hidden Champion https://www.matzu.net/media/press/hidden-champion/ BKMag https://www.bkmag.com/2024/08/06/the-art-of-tomokazu-matsuyama-from-the-streets-of-nyc-to-big-shows-in-paris-and-venice/

What makes a work of art resonate? Is it the colors, the subject, the symbolism—or something more elusive? In this episode, curator, author, and coach Gita Joshi returns to talk about her new book Framing the Invisible: How We See and Understand Art. We explore how perception, personal experience, and context shape the way we engage with artwork—whether you're an artist, collector, or simply a curious viewer. We also talk about why visual literacy matters, how to talk about your work with confidence, and why there's no wrong way to see art. Order Gita's book: https://amzn.to/4j6AJ2V Start learning with our educational micro learning hub: https://www.createu.co Read the blog, submit your work, or check out the latest issue of Create! Magazine: https://www.createmagazine.co Follow Gita on Instagram: https://www.instagram.com/thegitajoshi Follow Kat on Instagram: https://www.instagram.com/katerinaspopova Thanks for listening to Art & Cocktails! Love the show? We appreciate your support, plese leave us a quick review on iTunes and share this with a friend. 

A Chicago painter with an endless amount of surprises that unfold inside her landscapes of the Rococo and fantastical. Her work represents a continuation of the Chicago Imagists of the 60's with an interest in combining eccentric figuration with abstraction. “Bramson incorporates the passionate complexity of eastern mythology, the sexual innuendos of soap operas, and sometimes the happy endings of cartoons” said critic Miranda McClintic She has shown her work prolifically in prestigious galleries and Museums internationally and her work is included in over 100 major collections including the Museum of Contemporary Art in Chicago ,The national museum of American Art in Washington DC and many more. She also was a professor of art at the University of Illinois at Chicago and then a visiting artist at the School of the Art Institute of Chicago …. totaling over 40 years of being a teaching Artist.

Fanny Allié was born in Montpellier, South of France. She received her Master's Degree from the Ecole Nationale Supérieure de la Photographie (The National School of Photography) in Arles, France in 2005 and moved to New York City. Princeton University, Equity Gallery, Hyatt Centric (Philadelphia), DOT Art, A.I.R Gallery, New York City Department of Parks & Recreation, Fresh Window, Chashama and St Eustache Church (Paris, France), Hudson Yards Alliance have organized solo exhibitions and public installations of her work. Tappan Gallery, Owen James Gallery, NYU/Gallatin Gallery, Dorsky Gallery, Freight + Volume, BRIC Rotunda Gallery, Dekalb Gallery/Pratt Institute, UConn University, Mana Contemporary, Hamburg Museum of Arts and Crafts, The Bronx Museum, Teachers College Columbia University among others have featured her work in group exhibitions. Fanny is the recipient of various fellowships and residencies including AIM (Bronx Museum), BRIC Lab Fellowship, Emergency Grant (Foundation for Contemporary Arts), A.I.R. Fellowship Program, Robert Blackburn Printmaking SIP Fellowship, Elizabeth Foundation for the Arts Studio Program, Yaddo Residency, Dieu Donné Workspace Residency, NYSCA/NYFA Artist Fellowship (Craft/Sculpture), MacDowell Fellowship, Puffin Foundation Grant, Wildacres Residency and National Arts Club Artist Fellowship. Her work has appeared in the New York Times, The Guardian, Time Out, ARTnews, NY Magazine, Brooklyn Magazine, Hyperallergic, Le Monde Diplomatique, Blouin Art Info, DNA Info, Marie Claire Italy, AM New York among others. Her neon light sculpture “The Glowing Homeless” and sound installation will be exhibited at the Church of St. Eustache in Paris from December 18th 2024 until May 31st 2025. In 2025, Kaliner Gallery in New York City and Giovanni Bonelli Gallery (Milan, Italy) will present her work in solo exhibitions. Fanny lives in Brooklyn and works from her studio at the Elizabeth Foundation for the Arts in Manhattan, NY. Exhibits discussed are KALINER and Giovanni Bonelli. A Longing, March 6 - April 12, 2025, Installation view at Kaliner Gallery, 42 Allen St, NYC Ladder Leg, 2024, found fabric, collagraph print and acrylic paint, 32.5in x 50in The Night the Wind Learned to Dance, April 24 - May 25, 2025, Installation view at Giovanni Bonelli Gallery, Milan, Italy Shelved, 2025, found fabric and collagraph prints, 59in x 38.5in Circles, 2024, found fabric and collagraph prints, 55.5in x 55.5in

Kylie Manning is a painter, surfer, and fisher based in Brooklyn, New York. Her parents were both art teachers, and, while she was growing up, the family moved between their home in Juneau, Alaska, to various regions in Mexico, which would inform her artwork—and her surfing. She is a graduate of Mount Holyoke College, Massachusetts with a double major in philosophy and visual arts. While she was getting her MFA at the New York Academy of Art, she had a captain's license to operate 500-ton commercial fishing boats on international waters, and spent her summers catching salmon on the Pacific coast. Manning has gained global respect for her abstract figurative paintings, which embody powerful yet delicate compositions with brushstrokes that seem to be in motion. Her work is held in numerous collections worldwide, including the Columbus Museum of Art, Ohio; Institute of Contemporary Art, Miami, Florida; and the X and Yuz Museums in China. In this episode of Soundings, Manning talks with Jamie Brisick about weather and wonderment, beauty and brawls aboard commercial fishing vessels, atmospheric fascination, style, her proudest artworks, the nuances between grit and growth, and her collaboration with the New York City Ballet.  

On this flashback episode we interview North Carolina Art Collectors, Brian Holland and Dianna Wynn. We talk about the responsibilities of being an art collector, the power of artists talking directly to their audience, leaning into your other passions in order to find momentum with your art, and the magic of the artist-collector relationship.Episode Blog Link: https://www.levelupartists.com/lua-podcast/206Sign up for our studio newsletters at: https://www.AmeighArt.com https://www.JaclynSanders.com https://www.levelupartists.com Connect with us on Instagram: https://www.instagram.com/AmeighArt/https://www.instagram.com/JSandersStudio/https://www.instagram.com/LevelUpArtists/Music by: https://www.coreyclaxton.com Watching or listening to one of our earlier episodes? In 2022, the Art Studio Insights podcast was renamed the Level Up Artists podcast!

En conversación con la curadora mexicana Isis Yépez abordamos sus intereses e investigaciones al momento de desarrollar proyectos curatoriales y el acompañamiento de artistas, ¿A qué le presta atención? Sus temas de interés, así como las relaciones entre arte y pedagogía. ¿Quieres una asesoría para tu proyecto? https://www.pensarlaimagen.com/asesoria-para-artistas-visuales Únete a la COMUNIDAD de Pensar la imagen https://www.patreon.com/pensarlaimagen/membership Curso de PROFESIONALIZACIÓN PARA ARTISTAS PRO https://www.pensarlaimagen.com/curso-de-artista-profesional-integral También estamos en Instagram.com/podcastpensarlaimagen twitter.com/pensarlaimagen Tiktok.com/podcastpensarlaimagen #artecontemporáneo #arte #autor #Contemporaryart #podcastpensarlaimagen #artistas

William Forsythe is the 2024 Kyoto Prize Laureate in Arts and Philosophy. He is a choreographer whose work has extended ballet to a dynamic contemporary art form. In 1984, he began a 20-year tenure as director of Ballet Frankfurt. After the closure of the Ballet Frankfurt in 2004, Forsythe established a new, more independent ensemble, The Forsythe Company, which he directed from 2005 to 2015. Between 2015 and 2021 he served on the University of Southern California's faculty, where he helped establish the Glorya Kaufman School of Dance. Forsythe has broken the boundaries of conventional ballet style, challenging traditional artistic frameworks and developing improvisation techniques. His projects include installations and films presented in numerous museums, as well as dance documentation and education. Series: "Kyoto Prize Symposium" [Arts and Music] [Show ID: 39992]

William Forsythe is the 2024 Kyoto Prize Laureate in Arts and Philosophy. He is a choreographer whose work has extended ballet to a dynamic contemporary art form. In 1984, he began a 20-year tenure as director of Ballet Frankfurt. After the closure of the Ballet Frankfurt in 2004, Forsythe established a new, more independent ensemble, The Forsythe Company, which he directed from 2005 to 2015. Between 2015 and 2021 he served on the University of Southern California's faculty, where he helped establish the Glorya Kaufman School of Dance. Forsythe has broken the boundaries of conventional ballet style, challenging traditional artistic frameworks and developing improvisation techniques. His projects include installations and films presented in numerous museums, as well as dance documentation and education. Series: "Kyoto Prize Symposium" [Arts and Music] [Show ID: 39992]

William Forsythe is the 2024 Kyoto Prize Laureate in Arts and Philosophy. He is a choreographer whose work has extended ballet to a dynamic contemporary art form. In 1984, he began a 20-year tenure as director of Ballet Frankfurt. After the closure of the Ballet Frankfurt in 2004, Forsythe established a new, more independent ensemble, The Forsythe Company, which he directed from 2005 to 2015. Between 2015 and 2021 he served on the University of Southern California's faculty, where he helped establish the Glorya Kaufman School of Dance. Forsythe has broken the boundaries of conventional ballet style, challenging traditional artistic frameworks and developing improvisation techniques. His projects include installations and films presented in numerous museums, as well as dance documentation and education. Series: "Kyoto Prize Symposium" [Arts and Music] [Show ID: 39992]

Building an art career with intention doesn't always start with a plan. Sometimes it starts with a gut feeling that something isn't working. That was true for Noelle Phares, who left behind a structured science career to follow her creative instincts—eventually leading to a solo museum exhibition and a thriving, self-directed art business. In this episode (part 1 of 2), host Alyson Stanfield talks to Noelle about how she transitioned from environmental data science into full-time painting, and how her rigorous research background continues to shape her studio practice. The conversation centers around 2024 solo show Tracking Time at the Boulder Museum of Contemporary Art—how it came together, what she learned from the proposal process, and why she approaches every exhibition as a fully developed project. She also shares her mindset around selling art, connecting with collectors, and painting for impact. This conversation is rich with insight about: Leaving a traditional career to follow a creative calling. The research process behind Tracking Time and why Noelle selected 7 distinct locations along the Colorado River. Working with museums and curators while maintaining your artistic voice. Designing exhibitions that tell cohesive, layered stories. Balancing environmental messaging with visual beauty to draw people in. Creating work that connects with buyers and retains meaning. Noelle's blend of structure, vision, and heart makes this an inspiring listen for any artist seeking to step into a more intentional, expansive chapter. Stay tuned for part 2, where we'll dive into how she structures her business, manages a team, markets her work, and approaches gallery relationships.

In this episode of NeedleXChange I interview Stephanie Kelly Clark.Stephanie is a contemporary embroidery artist whose work transforms humble homes and everyday moments into rich visual stories stitched with painterly precision. In this first part of our conversation, we explore her creative upbringing, the role of art in parenting, and her evolving relationship with embroidery as a medium. From homemade Halloween costumes to thread-based storytelling, Stephanie shares how her domestic life and artistic journey are deeply intertwined.Timestamps: 00:00:00 - Intro00:01:29 – Life as Art: Parenting and Creativity00:10:25 – Artistic Process: From Painting to Embroidery00:13:34 – The Evolution of an Artist: Finding One's Voice00:16:18 – Contemporary Art vs. Craft: Defining the Medium00:19:27 – Conceptualising Art: The Role of Medium in Storytelling00:22:39 – The Journey of an Artist: Embracing Change and Growth00:25:42 – Creating with Intention: The Importance of CompositionLinks:Website: stephaniekclarkInstagram: artiststephaniekellyclarkIntro music is Sunset by OTE via Epidemic Sound.About NeedleXChange:NeedleXChange is a conversation podcast with embroidery and textile artists, exploring their process and practice.Hosted by Jamie "Mr X Stitch" Chalmers, it is an in-depth showcase of the best needlework artists on the planet.Visit the NeedleXChange website: https://www.needl.exchange/Sign up for the NeedleXChange Newsletter here: https://bit.ly/NeedleXChangeNewsIf you want embroidery inspiration and regular doses of textile art, visit the Mr X Stitch site here: https://www.mrxstitch.comIf you're looking for modern cross stitch designs, then XStitch is the magazine you need!Subscribe to XStitch Magazine here: https://xstitchmag.com/modern-cross-stitch-magazine/And follow Mr X Stitch on all the usual social media channels!Facebook: https://www.facebook.com/MrXStitchTwitter: https://www.twitter.com/MrXStitchInstagram: https://www.instagram.com/MrXStitchPinterest: https://www.pinterest.com/mrxstitch/LinkedIn: https://www.linkedin.com/in/mrjamiechalmers Hosted on Acast. See acast.com/privacy for more information.

Contemporary drawing is one of art's best kept secrets: associated with sound, language and writing, it turns contemporary art into a meditative form of art-making engaging the spectator in a poetic and existential voyage. Led by Blank's discovery of sound within the daily practice of drawing, this episode is a sonic wandering and a philosophical exploration of the artist's work, engaging with recent technological changes. How can a minimal and poetic practice face such specific issues? What is the role of the artist facing a global net of information which connects us as much as it separates us? And what is the value of communication – and of silence? Irma Blank has taught me that and much more.The avant-gardes of the 1960s–70s were proliferous in innovative and minimal methods of creativity engaging the breath, the whole body and graphic deconstructions of language. Irma Blank was one of those artists with a subversive take on traditional artistic languages. Have you ever wondered how artists and curators work together? This episode muses upon the relation between me, a young-ish curator and the artist Irma Blank, who'd reached the age of 80 when we met, along with my co-curator Johana Carrier. This episode is an excerpt of a lecture given by me on the 3rd of February  2025 at ABK Stuttgart whose title was "The Paper is Impatient", under the invitation of the drawing department, and their teachers Katrin Ströbel and Hanna Hennenkemper.The « drawing sounds » are excerpts of Irma Blank's recordings of the sound of each series. For Radical Writings, she recorded herself, breathing in and out, because that was the basis of the image's structure.Music by Sarturn.>>>>>>>For more information about the artist visit her gallery's website: P420, Bologna, Italy.DID YOU ENJOY THE EPISODE?Support us through a donation or membership.DID YOU ENJOY THE TEXT?Follow me on Substack for more topics on art, society, artists and exhibitions.SUBSCRIBE , RATE AND FOLLOW US. IT MAKES A DIFFERENCE.FOLLOW US ON:Instagram:   @exhibitionistas_podcast  Bluesky: @exhibitionistas.bsky.socialExhibitionistas websiteGET IN TOUCH: exhibitionistaspod@gmail.com///////////////////////////////////////////////////////////////////////////////If you enjoy Katy Hessel's The Great Women Artists Podcast, this episode is for you. It is centred around the artistic practice of female German artist Irma Blank, who never stopped producing her art, whether it was shown in prestigious events such as the Venice Biennale in 1977, or it wasn't, like when her Radical Writings on canvas were deemed a form of yielding to the 80s trend of the return to painting... whereas Blank was, on the contrary, more militant than ever for her elemental forms of the line and the minimal gesture by deeply engaging with the meditative breath in relation to the line and the colour blue, which for her represented infinity. Blank passed away in 2023, leaving a potent body of work whose incredible energy leaves no spectator or curator indifferent.

The Legacy and Impact of the Farm-to-Table Movement in Chicago Chef Jason Hammel Come join us as one of Chicago's most iconic chefs, Jason Hammel, takes us back to the 1990s, tracing his journey from East Coast outsider to one of the Midwest's most passionate advocates for hyper-local sourcing. He'll recount the early days of the farm-to-table movement, the founding of Green City Market, and the rise of restaurants dedicated to local ingredients. Lula Café, his restaurant of 25 years, has grown in parallel step to this movement, and through stories from its early days, he'll highlight the challenges and resistance that once stood in its way. But this conversation isn't just about the past—it's about the economic and ethical decisions chefs face when choosing where and how to source their ingredients. As Hammel enters his third decade in the industry, he'll reflect on the movement's impact: What has changed in the restaurant world and beyond? What progress has been made for local, organic producers? And what does the future hold for Lula, for chefs across the Midwest, and for the next evolution of farm-to-table dining? BIOGRAPHY: Jason Hammel is the executive chef and owner of Lula Cafe in Chicago, the Logan Square eatery known for its seasonal cuisine. His debut cookbook, The Lula Cafe Cookbook: Collected Recipes and Stories, was published by Phaidon in 2024. Growing up in New Haven, Connecticut, Hammel aspired to be a writer, not a chef. After graduating in 1994 with a degree in English, he traveled to Italy, where an accidental stay across the street from Florence's central market foresaw his career as a chef dedicated to seasonality. In 2017 the Museum of Contemporary Art named Chef Hammel as executive chef/culinary curator for the museum's new restaurant, Marisol, Hammel himself was named the Jean Banchet 2019 Chef of the Year, and in 2024 Lula Cafe was awarded for Outstanding Hospitality by the James Beard Foundation. Today Hammel splits his time between Lula, Marisol, and the non-profit food education group Pilot Light, which he co-founded in 2010. jasonhammel@lulacafe.com / instagram Recorded via Zoom on April 16, 2025 CONNECT WITH CULINARY HISTORIANS OF CHICAGO ✔ MEMBERSHIP https://culinaryhistorians.org/membership/ ✔ EMAIL LIST http://culinaryhistorians.org/join-our-email-list/ ✔ S U B S C R I B E https://www.youtube.com/channel/UC6Y0-9lTi1-JYu22Bt4_-9w ✔ F A C E B O O K https://www.facebook.com/CulinaryHistoriansOfChicago ✔ PODCAST 2008 to Present https://culinaryhistorians.org/podcasts/ By Presenter https://culinaryhistorians.org/podcasts-by-presenter/ ✔ YOUTUBE https://www.youtube.com/channel/UC6Y0-9lTi1-JYu22Bt4_-9w ✔ W E B S I T E https://www.CulinaryHistorians.org

Melissa Chimera, co-host of the Land and People podcast is a Hawai‘i Triennial 2025 visual artist whose work consists of research-based investigations into species extinction, globalization and human migration. In this interview, Melissa talks with Dr. Jaimey Faris, Associate Professor of Contemporary Art and Theory at UH Mānoa on how environmental justice can be expressed through “undisciplining” or pursuing the links between art, science and ethics of deep care. They talk about how her paintings (Inheritance: Maui Nui, Not Even the Fiercest Wind, Endless Blue: Mauna Kahalawai) address endangered species, the Maui fires and the transformative potential of Chimera's public installation “Hulihonua: Transformed Landscapes”. The installation consists of 360 deer antlers, native vegetation and flowing water at Foster Botanical Garden. Their conversation contributes to the Hawai‘i Contemporary's Hawai‘i Triennial 2025, an international exhibition whose theme of “Aloha Nō” encompasses artworks that express solidarity, interconnectedness, care and reciprocity between people and their land.

Viviane Sassen doesn't just take photographs, she creates entire worlds. Known for her dreamlike use of light and shadow, she moves seamlessly between fashion, fine art, and documentary photography, always pushing the boundaries of visual storytelling, often exploring themes of identity, memory, and mortality.In this conversation, we'll uncover the influences that shaped her artistic vision, from her childhood in Kenya to her fascination with abstraction. Whether you're an artist, a storyteller, or simply curious about the way we see the world, this conversation will leave you looking at photography and life through a new lens.If you enjoy this conversation, don't forget to rate and review on your favorite podcast platform. I love reading your thoughts! Now, let's dive in.Read more about the Women Authors of Achievement (WAA) Podcast via waa.berlin/aboutFollow us on Instagram & find us on LinkedInSubscribe to our newsletter via waa.berlin/newsletter ★ Support this podcast on Patreon ★

"Beholding is a countercultural act—it requires us to stop, to receive, and to fully see.” — Makoto Fujimura"Slow art is an invitation to linger, to notice, and to let the world unfold before us." — Makoto FujimuraYou are a beautiful masterpiece. But the practice of living artfully comes slowly, often through brokenness, weakness, or failure. Contemporary artist Makoto Fujimura integrates traditional Japanese styles with abstract expressionism and Christian theology, to explore the beauty that can emerge from the ashes pain and suffering. Both his art and his writing call us to behold the gift of creation, participate in its redemption, accentuating the cracks and fractures in our lives, so that grace might abound.Makoto Fujimura—renowned artist, writer, and theologian—joins Dr. Pam King to explore the deep connections between art, faith, and flourishing. Fujimura shares how his Japanese heritage and study of traditional Nihonga painting have shaped his understanding of creativity as a sacred act. Through themes of brokenness, beauty, and slow art, he challenges us to rethink success, embrace imperfection, and create from a place of love and abundance. Whether you're an artist, a person of faith, or someone seeking meaning in a hurried world, this conversation will invite you to slow down, behold, and embrace the mystery and beauty of life.Mako Fujimura integrates his artmaking, theology, and culture care advocacy into a beautiful expression of thriving and spiritual health. Through his breathtaking expressionist style, distinctively Japanese methods, and his rooted Christian convictions, he's bringing beauty into being, and inviting us to do the same.In this conversation with Mako Fujimura, we discuss:What art is, what creativity means, and the human capacity for making beautyHow we can live artfully through imperfection, brokenness, trauma, and sufferingHow the practice of a gift economy can lead to mutual thrivingThe slow art of pausing, stopping, and beholding that contributes to our mental and spiritual healthAnd the connection between knowledge and love in a life of creativity and artmaking.Helpful Links and ResourcesFollow Makoto Fujimura on X @iamfujimuraView Mako's art at makotofujimura.comMakoto Fujimura's WritingsMakoto Fujimura's BooksNihonga Art and its TraditionsRefractions: A Journey of Art, Faith, & CultureCulture Care: Reconnecting with Beauty for Our Common LifeSilence and Beauty: Hidden Faith Born of SufferingArt and Faith: A Theology of MakingEpisode Highlights"Art is fundamentally what human beings create—it is our capacity to make, and in making, we come to know.""Beholding is a countercultural act—it requires us to stop, to receive, and to fully see.”"We worship a wounded, glorified human being—our brokenness is not something to escape but something to offer.""Creativity is not about self-expression alone—it is about giving yourself away in love.""Slow art is an invitation to linger, to notice, and to let the world unfold before us."Show NotesMakoto Fujimura discusses the intersection of art, faith, and flourishingThe importance of beholding in a fast-paced worldHow brokenness and imperfection reveal deeper beautyNihonga painting and the wisdom of traditional Japanese artCreativity as an act of love and gift-givingThe Art of BeholdingWhy slowing down is essential for creativity and spiritual growthThe practice of beholding as a way of seeing the world more deeplyHow art invites us to be present and pay attentionThe connection between contemplation, creativity, and flourishing"Beholding is a countercultural act—it requires us to stop, to receive, and to fully see."Creativity, Faith, and Human FlourishingHow art and faith are intertwined in human thrivingThe spiritual discipline of making and creatingWhy true knowledge is connected to love and experience"Art is fundamentally what human beings create—it is our capacity to make, and in making, we come to know."How community fosters creativity and growthBrokenness, Beauty, and the Theology of MakingThe Japanese tradition of Kintsugi and embracing imperfectionHow Jesus' wounds and resurrection shape our view of brokennessThe gift economy vs. the transactional economy in art"We worship a wounded, glorified human being—our brokenness is not something to escape but something to offer."Learning to see beauty in what is discarded or overlookedThe Practice of Slow ArtWhy slowing down is essential for deep engagement with artHow layers in Nihonga painting reveal new depths over time"Slow art is an invitation to linger, to notice, and to let the world unfold before us."How slowing down fosters healing and deeper connectionThe role of patience and attentiveness in both art and lifeLiving a Creative and Generous LifeHow to cultivate creativity in daily life, even outside traditional artsThe role of community in sustaining creative workWhy generosity and self-giving are essential to true creativity"Creativity is not about self-expression alone—it is about giving yourself away in love."Practical steps for integrating creativity into everyday livingPam King's Key TakeawaysWhether you think of yourself as artist, we're all creative. Mako's message is intentionally not just for artists, but is an invitation for all of us to live artfully—no matter what we do for a living.Because creativity comes in so many different ways, from leadership, to scientific research, to parenting, to cooking, we all have the daily creative capacity to add beauty to the world.And to that end, remember your first love, the playfulness and creativity of giving beauty to the worldA gift economy of beauty offers a radical resistance to consumerism, competition, and comparison.Art and the making of beauty is a part of thriving. And the invitation to live artfully starts with a daily practice of slowing down: pause, stop, and behold. Smell the roses. Consider the lilies.And finally, there's a path to beauty through brokenness. Grace comes to us through failure. And strength is made perfect in weakness.And finally, though the wind may be blowing through our lives, may we all learn to behold the moonlight leaking between the roof planks.About Makoto FujimuraContemporary artist Makoto Fujimura is a painter, an author, a speaker, and an imaginative maker with a gift for theological integration.Mako's message is intentionally not just for artists, because creativity comes in so many different ways, from leadership, to scientific research, to parenting, to cooking, we all have the daily creative capacity to add beauty to the world. Working out of his Princeton, New Jersey studio, his work has been described by David Brooks as “a small rebellion against the quickening of time.” Art critic Robert Kushner placed Mako's art at the forefront of a contemporary movement about “hope, healing, redemption, and refuge, while maintaining visual sophistication and intellectual integrity.”A blend of fine art and abstract expressionism, Mako describes his work as “slow art,” being influenced directly by the distinctively Japanese Nihonga style, which is patient and methodical, using slow drying pigments from ground minerals.Mako's art has been featured in galleries and museums around the world, as well as notable collections in The Museum of Contemporary Art in Tokyo, The Huntington Library in California, and the Tikotin Museum in Israel.From 2012 to 2017, he served as vision director of the Brehm Center here at Fuller Theological Seminary.Mako is the author of several books, including Refractions: A Journey of Art, Faith, & Culture, Culture Care: Reconnecting with Beauty for Our Common Life, and Silence and Beauty: Hidden Faith Born of Suffering. His most recent is entitled Art and Faith: A Theology of Making. And his next book will be available soon—titled, Art Is: A Journey into the Light. And with his wife Haejin, he's producing a new work on Beauty and Justice.Follow him on X @iamfujimura, and view his beautiful work at makotofujimura.com. About the Thrive CenterLearn more at thethrivecenter.org.Follow us on Instagram @thrivecenterFollow us on X @thrivecenterFollow us on LinkedIn @thethrivecenter About Dr. Pam KingDr. Pam King is Executive Director the Thrive Center and is Peter L. Benson Professor of Applied Developmental Science at Fuller School of Psychology & Marriage and Family Therapy. Follow her @drpamking. About With & ForHost: Pam KingSenior Director and Producer: Jill WestbrookOperations Manager: Lauren KimSocial Media Graphic Designer: Wren JuergensenConsulting Producer: Evan RosaSpecial thanks to the team at Fuller Studio and the Fuller School of Psychology & Marriage and Family Therapy.

Confessional Video Art and Subjectivity Private Experiences in Public Spaces (Bloomsbury, 2025) examines the development of the confessional subject in video art and demonstrates how it can provide a vital platform for navigating the politics of self, subjectivity, and resistance in society. In doing so, it reframes video art – the most ubiquitous and yet most understudied art form of recent decades – as an urgent socio-political tool that is increasingly popular among contemporary artists as a means of exploring a broad range of social issues, from politics and identity, to the body and technologies of self-representation. Author Jaye Early brings together theory and practice to look afresh at contemporary video art through a Foucauldian lens. Early also brings the analysis of video art up to date by showing how social media and digital self representation has informed and further politicized time-based art practices. Dr. Jaye Early is Lecturer in Contemporary Art at the University of New South Wales, Sydney and a practicing video artist. The episode is hosted by Ailin Zhou, PhD student in Film & Digital Media at University of California - Santa Cruz. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Gremlins, Borders, and Recipes for Resistance This week we're joined by Jessica Snow and Liga Spunde, two artists navigating the world through comics, street theater, and occasionally letterpress and photoshop. Jessica Snow walks us through her wide-ranging practice—from illustration and letterpress to building massive puppets and organizing street performances to attempting to confronting the entangled realities of border politics, ecological collapse, and resistance. Her work with Kitchen Table Press and collaborative projects like Recipes of Resistance blend protest and performance into shared, tangible experiences that challenge the quiet violence of contemporary life. Meanwhile, Liga Spunde brings us deep into a psychological terrain. Working with a unique computer-generated drawing style, Liga explores the emotional weight of the traumas of contemporary life—from the Russian invasion of Ukraine to the various ways we experienced the pandemic to the existential task of making a 6 page comic. Her work resists tidy narratives, instead making room for ambiguity, emotional excess, fragile and detailed humor, and a specific fascination with Gremlins. This episode was recorded as part of Chris Sperandio's Comics Without Borders (but say it in French) event at Rice University—an international gathering of artists, publishers, and thinkers reframing what comics can do in turbulent times. (More here: Comics Without Borders.) We cover a lot of ground—Latvia's premier comic publisher, post-crisis psychology, DIY print culture, and why strange books and big puppets might still save us all. This is Bad at Sports at its finest: loose, live, urgent and embedded, and full of strange joy. Links & Projects Mentioned: Jessica Snow: jessicasnowart.com Kitchen Table Press: kitchentablepress.org Recipes of Resistance: recipesofresistance.com Liga Spunde: ligaspunde.com kuš! komikss: https://komikss.lv/ Comics Without Borders @ Rice University: https://cats.rice.edu/comics-sans-frontieres-march-20-24-2025/ Christopher Sperandio: https://pinkojoe.com/

In this essential episode, host Martine Severin draws from her experience creating an artist statement for Scope Miami to provide a practical roadmap for artists struggling with this crucial professional document. From understanding your audience to finding your authentic voice, this episode breaks down the process into manageable steps that will help your work connect with galleries, collectors, and grant committees. Chapters: 00:00 Introduction to Artist Statements 03:13 Understanding Your Audience and Purpose 06:04 Essential Elements of an Artist Statement 09:09 Approaches to Writing Your Artist Statement 11:58 Common Pitfalls to Avoid 14:47 Refining Your Artist Statement What You'll Learn: How to tailor your statement for different contexts and audiences The five key components that make your statement effective Practical structural approaches to organize your thoughts Common mistakes that undermine your professional presentation Techniques to overcome writer's block and find your authentic voice Free Download: Get the Artist Statement Development Worksheet mentioned in this episode! This step-by-step guide walks you through targeted exercises that help you generate a compelling statement.  Key Insights from Martine: "Despite having AI at our disposal, writing an artist statement isn't a breeze. You still need to create a statement that helps collectors and curators understand the context of your work, creates a bridge between your artistic intentions and the viewer's experience, and distinguishes you in a competitive field." "Your statement should sound like you, not an academic journal, not a marketing brochure, not what you think a 'serious artist' should sound like." "The best artist statements aren't written in a single sitting. Give yourself permission to explore, experiment, and refine, just as you would with any creative project." Support the Show: Website: MartineSeverin.com Follow on Instagram: @martineseverin | @thisishowwecreate Subscribe to the Newsletter: Martine's Substack - Creative Matters This episode of This Is How We Create is produced and edited by Martine Severin.

Confessional Video Art and Subjectivity Private Experiences in Public Spaces (Bloomsbury, 2025) examines the development of the confessional subject in video art and demonstrates how it can provide a vital platform for navigating the politics of self, subjectivity, and resistance in society. In doing so, it reframes video art – the most ubiquitous and yet most understudied art form of recent decades – as an urgent socio-political tool that is increasingly popular among contemporary artists as a means of exploring a broad range of social issues, from politics and identity, to the body and technologies of self-representation. Author Jaye Early brings together theory and practice to look afresh at contemporary video art through a Foucauldian lens. Early also brings the analysis of video art up to date by showing how social media and digital self representation has informed and further politicized time-based art practices. Dr. Jaye Early is Lecturer in Contemporary Art at the University of New South Wales, Sydney and a practicing video artist. The episode is hosted by Ailin Zhou, PhD student in Film & Digital Media at University of California - Santa Cruz. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Confessional Video Art and Subjectivity Private Experiences in Public Spaces (Bloomsbury, 2025) examines the development of the confessional subject in video art and demonstrates how it can provide a vital platform for navigating the politics of self, subjectivity, and resistance in society. In doing so, it reframes video art – the most ubiquitous and yet most understudied art form of recent decades – as an urgent socio-political tool that is increasingly popular among contemporary artists as a means of exploring a broad range of social issues, from politics and identity, to the body and technologies of self-representation. Author Jaye Early brings together theory and practice to look afresh at contemporary video art through a Foucauldian lens. Early also brings the analysis of video art up to date by showing how social media and digital self representation has informed and further politicized time-based art practices. Dr. Jaye Early is Lecturer in Contemporary Art at the University of New South Wales, Sydney and a practicing video artist. The episode is hosted by Ailin Zhou, PhD student in Film & Digital Media at University of California - Santa Cruz. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Confessional Video Art and Subjectivity Private Experiences in Public Spaces (Bloomsbury, 2025) examines the development of the confessional subject in video art and demonstrates how it can provide a vital platform for navigating the politics of self, subjectivity, and resistance in society. In doing so, it reframes video art – the most ubiquitous and yet most understudied art form of recent decades – as an urgent socio-political tool that is increasingly popular among contemporary artists as a means of exploring a broad range of social issues, from politics and identity, to the body and technologies of self-representation. Author Jaye Early brings together theory and practice to look afresh at contemporary video art through a Foucauldian lens. Early also brings the analysis of video art up to date by showing how social media and digital self representation has informed and further politicized time-based art practices. Dr. Jaye Early is Lecturer in Contemporary Art at the University of New South Wales, Sydney and a practicing video artist. The episode is hosted by Ailin Zhou, PhD student in Film & Digital Media at University of California - Santa Cruz. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

What if joy, trust, and intention were the most powerful tools in your art practice? In this illuminating episode of Art & Cocktails, Kat is joined by Ingrid V. Wells—an artist known for her vibrant, playful still lifes that explore deep themes like resilience, consciousness, and energetic alignment. Her work invites viewers to reconnect with joy as a revolutionary creative force. Together, they explore how to cultivate a powerful internal state before creating, why joy is a radical act, and how to access your highest creative flow. Ingrid shares her approach to creating from consciousness, letting go of pressure, and trusting the energetic pull of your artistic vision. This is a beautiful reminder to return to your own creative truth and show up with more self-trust, presence, and purpose. About Ingrid: Ingrid V. Wells is a San Francisco–based painter whose work has been exhibited internationally and featured in Create! Magazine, W Magazine, Hyperallergic, and more. She is also the founder of TWIRL and serves as Fine Arts Assistant Director at California College of the Arts. Collect Ingrid's artwork at pxpcontemporary.com Follow her on Instagram: @ingrid.v.wells Explore more: www.ingridvwells.com   Work with Kat to Gain Momentum in The Studio: https://aqsociety.com/studio-momemtum Submit your work to Create! Magazine: www.createmagazine.co/call-for-art  

Michael Rooks, Curator of Modern and Contemporary Art, details "Kim Chong Hak, Painter of Seoraksan," which opens at the High Museum of Art on April 11. Plus, "How Do You Atlanta's" Mike Jordan gets you ready for record store day and we hear about Atlanta's many listening rooms.See omnystudio.com/listener for privacy information.

Ep.240 Rujeko Hockley is the Arnhold Associate Curator at the Whitney Museum of American Art. She co-curated the 2019 Whitney Biennial. Her current project at the Whitney is Amy Sherald: American Sublime. Other projects include Inheritance (2023), 2 Lizards (2022), Jennifer Packer: The Eye Is Not Satisfied With Seeing (2021), Julie Mehretu (2021), Toyin Ojih Odutola: To Wander Determined (2017) and An Incomplete History of Protest: Selections from the Whitney's Collection, 1940-2017 (2017). Previously, she was Assistant Curator of Contemporary Art at the Brooklyn Museum, where she co-curated Crossing Brooklyn: Art from Bushwick, Bed-Stuy, and Beyond (2014) and was involved in exhibitions highlighting the permanent collection as well as contemporary artists. She is the co-curator of We Wanted a Revolution: Black Radical Women, 1965-85 (2017), which originated at the Brooklyn Museum and travelled to three U.S. venues in 2017-18. She serves on the Boards of Art Matters, Institute For Freedoms, and Museums Moving Forward, as well as the Advisory Board of Recess. Photograph by Jody Rogac Whitney Museum ~ https://whitney.org/2019-biennial-curators ~ https://whitney.org/exhibitions/amy-sherald ~ https://whitney.org/exhibitions/amy-sherald-four-ways-of-being ~ https://whitney.org/exhibitions/inheritance ~ https://whitney.org/exhibitions/2-lizards ~ https://whitney.org/exhibitions/jennifer-packer ~ https://whitney.org/exhibitions/julie-mehretu ~ https://whitney.org/press/protest ~ https://whitney.org/exhibitions/toyin-ojih-odutola Time Magazine https://time.com/7210625/rujeko-hockley-hank-willis-thomas-art-inclusivity/ Observer https://observer.com/2025/04/exhibition-amy-sherald-american-sublime-whitney-dinner-opening-party/ Ursula https://www.hauserwirth.com/ursula/inside-the-issue-ursula-issue-11/ Surface Magazine https://www.surfacemag.com/articles/when-i-call-who-listens-rujeko-hockley-excerpt-for-freedoms/# Forbes https://www.forbes.com/sites/natashagural/2025/04/04/amy-sherald-american-sublime-at-the-whitney-re-imagines-american-realism-with-singular-visual-narratives/ M.M.Lafleur https://mdash.mmlafleur.com/most-remarkable-woman-rujeko-hockley/ Frieze https://www.frieze.com/article/rujeko-hockleys-top-picks-frieze-los-angeles-viewing-room-2023 CCL https://www.curatorialleadership.org/participants/ccl-smh-curators-forum/rujeko-hockley/ Artealdia https://www.artealdia.com/News/NEW-APPOINTMENTS-FOR-MARCELA-GUERRERO-AND-RUJEKO-HOCKLEY-AT-THE-WHITNEY-MUSEUM Culture Type https://www.culturetype.com/tag/rujeko-hockley/ artnet https://news.artnet.com/art-world/career-stories-rujeko-hockley-1962842 Athens Now https://athensnowal.net/sharing-the-spotlight/

The Art Institute's Frida Kahlo's Month in Paris: A Friendship with Mary Reynolds explores a pivotal moment in Kahlo's career. Reset sits down with Caitlin Haskell, Gary C. and Frances Comer senior curator of Modern and Contemporary Art, one of the curators behind the exhibition to learn more about the two artists' friendship and their connection to the surrealist art movement. This exhibition will be open now until Sunday, July 13, 2025. Tickets are an additional $5 in addison to a general admission. For a full archive of Reset interviews, head over to wbez.org/reset.

Jennifer McCabe is a distinguished curator, educator, and museum director with over 20 years of expertise in leading cultural institutions, fostering innovative curatorial practices, and supporting artists. Currently, she serves as the Director and Chief Curator of the SFO Museum, the only airport-based institution accredited by the American Alliance of Museums. Under her leadership, the museum operates more than 25 exhibition sites throughout the San Francisco International Airport, engaging millions of visitors annually. Its acclaimed Aviation Museum and Library houses a permanent collection of over 160,000 artifacts documenting the history of commercial aviation.Previously, McCabe served as Director and Chief Curator of the Scottsdale Museum of Contemporary Art, where her eight-year tenure garnered significant acclaim, including consecutive "Best Museum" awards from the Phoenix New Times. Her curatorial vision and writing delve into themes of intersectional feminisms, site-responsive art commissions, and groundbreaking artist interventions.She and Zuckerman discuss SFO, what one can do with all the time and headspace one had spent fundraising in a museum, bypass doors, how what she learns can be applied in other organizations, shaking up societal associations of craft, expanded perspectives, having an audience of millions, moments of pause, a journey through space, joy, incorporating breaks from art talk, being forever changed by parenting, seeing things through someone else's lens, daily practice, the pause, and being your own support system!

This week. Dana's back? She and Duncan sit down with artist Wafaa Bilal and curator Bana Kattan to discuss Bilal's powerful and deeply personal mid-career retrospective at the Museum of Contemporary Art Chicago. Known for his provocative, often participatory works that grapple with war, trauma, displacement, and surveillance, Bilal has long made the body both a site of resistance and a vessel of memory. We talk through key moments in Bilal's practice—from early performance pieces like Domestic Tension to newer, installation-based works—and reflect on how his work has shifted, expanded, and endured over the past two decades. Kattan, who curated the exhibition, shares insights into the retrospective's structure and the challenges of contextualizing work that refuses easy categorization. While reminiscing, Duncan and Wafaa also talk through what it means to make art as a form of witnessing, how museums hold space for pain and politics, and why Bilal still believes in the power of beauty… (Spoiler: Duncan isn't sure, but Bana and Dana side with Wafaa.) Links & References: Wafaa Bilal's website: http://wafaabilal.com MCA Chicago Exhibition Info: https://mcachicago.org/Exhibitions/2024/Wafaa-Bilal Bana Kattan bio & curatorial work: https://mcachicago.org/About/Who-We-Are/Staff/Bana-Kattan Domestic Tension (aka “Shoot an Iraqi” project): https://wafaabilal.com/domestic-tension Book: Shoot an Iraqi: Art, Life, and Resistance Under the Gun (co-authored with Kari Lydersen) – https://www.amazon.com/Shoot-Iraqi-Life-Resistance-Under/dp/087286491X @wafaabilal on Instagram @mcachicago on Instagram

Amy Hale is an Atlanta based writer and critic with a PhD in Folklore and Mythology from UCLA. Her research interests include contemporary magical practice and history, art, culture, women and Cornwall. She has written widely on artist and occultist Ithell Colquhoun, and has been an academic advisor to the 2025 Colquhoun retrospective Ithell Colquhoun: Between Worlds at Tate St. Ives and Tate Britain. She wrote the first scholarly biography of Colquhoun, Ithell Colquhoun Genius of the Fern Loved Gulley followed by the collection Sex Magic: Diagrams of Love, (Tate Publishing, 2024).Her book, Beyond the Supernatural: Magic in Contemporary Art is due to be published with Tate Publishing in 2026.Amy's WebsiteInstagramTreadwell's Lecture Series – here and hereIthell Colquhoun (1906 –1988) "One of the most radical artists of her generation, Ithell Colquhoun was an important figure in British Surrealism during the 1930s and 1940s. An innovative writer and practicing occultist, Colquhoun charted her own course, investigating surrealist methods of unconscious picture-making and fearlessly delving into the realms of myth and magic. She explored the possibilities of a divine feminine power as a path to personal fulfilment and societal transformation. Her understanding of the world as a connected spiritual cosmos brought her to Cornwall, where she deepened her creative explorations, inspired by the region's ancient landscape, Celtic traditions, and sacred sites."From Ocula.com Guardian article on Ithell We talked about:Some of Ithell's most iconic paintings and where she fits in the story of art Surrealism and the lack of women Fascinating developments in automatism and understandings of the subconscious Colour theory and magic, from the Golden Dawn, anthroposophy and theosophy Being an outsider...her relationship to occult and artist groups Sex magic Artists who don't receive recognition in their lifetimes In the extended episode: The Kabbalistic tree of life, The Golden Dawn and their influence on Ithell's colour theory and palette Crowley's table of correspondences Colour mixing The story of Amy's Sex Magic contract with the Tate Extended AND video episodes available at www.patreon.com/lucyhpearce Hosted on Acast. See acast.com/privacy for more information.

In this episode, we explore how BenVautier's performance Man Becomes Artfits into the broader tradition ofperformance artists who use their ownbodies as the artwork. From Yves Klein'sAnthropometries (1960), where modelsbecame living paintbrushes, to MarinaAbramović's endurance-based The Artistis Present (2010), we compare howVautier's approach stands apart. Unlikethe ritualistic or physically demandingperformances of his peers, Vautier'sdeclaration of himself as art was strikingin its simplicity.We also discuss conceptual works,highlighting how Vautier's Fluxus rootsset him apart with a playful, anti-elitistapproach. Join Laurent, Colin, and Tanyaas we dive into the significance of theseperformances and what they reveal aboutthe evolving boundaries of art.

In this episode I am joined by visual artist, Brent Houzenga, where we delve into his journey of discovering old photographs in a trash bin and how that changed the course of his life in profound ways. We discuss how this discovery ignited his artistic path and led him to reflect on themes of consciousness, synchronicity, and the essence of identity. ---------------------------------Brent Houzenga is New Orleans-based artist originally from Fulton, IL. Houzenga earned his B.A. in printmaking and graphic design from Western Illinois University and his MFA at the University of New Orleans in 2017. Houzenga's art has been exhibited all over the country and world, including Warsaw, Chicago, Kansas City, Washington D.C., Portland, Los Angeles, Austin, Miami, and New Orleans. Houzenga's work resides in many private and public collections. In 2012 he was commissioned to paint a portrait for Matthew McConaughey's personal collection. He is an accomplished muralist, installation artist, and educator. Houzenga's work has been featured in publications such as Time Out Chicago, Art and Art Galleries of the South, Art+Design New Orleans, as well as the Rizzoli book Stickers: From Punk Rock to Contemporary Art. In 2021 his work appeared on the cover of the Image Comics book Primordial. In 2022 he was commissioned by Dark Horse Comics to create a variant cover for a Stranger Things story.  In 2024 his work appeared on the cover of the dreampunk anthology Somniscope published by Fractured Mirror. He is the subject of the independent documentary film Brent Houzenga: Hybrid Pioneer.Brent's Website Brent's IGFollow Martin Benson for more insights:*To stay updated on the podcast and related content, check out ⁠my Instagram⁠*To support the show and access exclusive content, consider subscribing for $0.99/month on Instagram (link above).Credits: Special thanks to Matthew Blankenship of ⁠The Sometimes Island⁠ for our podcast theme music!Support this podcast: ⁠https://podcasters.spotify.com/pod/show/martin-l-benson/support

My podcast makes a come-back with some slight changes. I will still be talking mostly about art and art history, but will also expand my discussions regularly into visual metaphor, as I did in several recent podcast episodes, based on my recently released philosophy book, A Philosophy of Visual Metaphor in Contemporary Art, from Bloomsbury Press London. I will also be adding a short "pamphlet" section at the end of each with thoughts about recent politics, as they are so prevalent and dangerous now, and especially when they affect art and the artworld.

The Institute of Contemporary Art's longtime director looks back on her legacy.

The Scottsdale Museum of Contemporary Art is facing controversy after making changes to a traveling art exhibit. Hear what's changed and why critics are upset. Plus, a MacArthur Fellow on how to translate Homer for a modern audience.

Angeline Gong - Independent Modern to Contemporary Art Consultant/Advisor Sponsor Powered By Earth VC is on a mission to unf@#k the earth. They are doing this by supporting breakthrough scientific research, empowering outlier founders to build enduring climate businesses and investing in high-growth startups that decarbonize the world.  Earth VC empowers founders who are Ambitious, Breakthrough and are Committed Earth VC invests in the pre seed to Series A round. If you think you might be a match reach out to them at rebuild@earth.vc Sponsors @Salalabs - North America and 8-Bit Content Salalabs specializes in delivering IoT, AI, and Machine Learning to streamline operations and drive innovation. Save up to 70 percent on development costs and 32 percent on time with Salalabs. For more info, email contact@salalabs.com or reach out to jason@cavnesshr.com We are also brought to you by 8-Bit Content, a content marketing agency specializing in boosting awareness and leads for its partners' businesses. As a listener of The Jason Cavness Experience, you can receive a free site audit to help identify opportunities for growth or improvement. Simply visit or email will@8bitcontent.com to get started. Go to www.thejasoncavnessexperience.com for the podcast on your favorite platforms Angeline's Bio My life has been a tapestry of destinations and milestones, each shaping the person I am today. Born and raised in Singapore until the age of 15, I then migrated to Melbourne, Australia, where I completed high school and studied interior decoration. Melbourne with its vibrant culture and creative energy, nurtured my dreams and its where I discovered my passion for design and found the freedom to explore who I wanted to be. Returning to Singapore in the late 1980s was a transition that felt more like stepping into foreign territory than coming home. The city I had left behind 18 years ago had changed and so had I. Instead of feeling like a citizen coming home, I felt like a stranger rediscovering my birth city that I thought I knew. This disconnection, however, became an opportunity—a chance to reimagine my identity and carve out a new chapter. With this sense of rediscovery, it fueled my determination to carve out my space in the professional world. My career as an interior designer flourished as I under took on ambitious projects, managing corporate office spaces ranging from 2,000 to 10,000 square meters, and working for design companies Those were exhilarating times—filled with the thrill of creation and the pressure of deadlines. Nights stretched into the early hours, weekends vanished into work, and the demands were relentless. I loved what I was doing, pouring my heart into every design and every detail. But I didn't love the culture that surrounded it. Singapore's traditional environment felt restrictive to my adventurous spirit, and I yearned for opportunities to travel or relocate, to bring my creativity to new horizons. In the early 1990s, I took a bold step that would forever shape the course of my life. I ventured into Vietnam, a country that had just opened its doors to the world. It was a place where everything was so unfamiliar—the culture, the language, and the business landscape. Yet, that very unfamiliarity excited me. For me, it was an adventure waiting to unfold, it was more than just starting a business; it was a chance to blend creativity and purpose into something meaningful and I was ready to embrace the unknown. Amid this backdrop of change and opportunity, I founded my first interior design company in Ho Chi Minh City. It was a leap of faith, fueled by a desire to transform spaces into something extraordinary. From designing offices and hotels spaces that reflected the heart of clients to crafting commercial spaces that resonated with their purpose, I poured my energy into understanding the stories behind the walls I was shaping. Those early projects were not without their driven by a passion for creating spaces that reflected purpose and personality. Building a business in an emerging market was no small feat. It required learning, adapting, and growing at an unprecedented pace. But those challenges only fueled my determination to succeed. Vietnam became more than just a location for my work; it became a place of transformation—personally and professionally. Every project, from corporate offices to personal spaces, was an opportunity to leave my mark and bring beauty to the lives of others.The journey began humbly, challenges—navigating the complexities of an emerging market, managing tight budgets, and earning trust with the clients and the people in a rapidly evolving industry. But through hard work and dedication, the company grew. Each completed project became a milestone, and with every new client, my vision expanded. It wasn't just about creating beautiful spaces; it was about solving problems, building relationships, and leaving a lasting impact. The satisfaction of seeing a client's eyes light up at the unveiling of their dream space was—and still is—unmatched. After years of success in interior design, I was looking for another area of creativity to fuel my energy into doing. But if one thinks that starting my own interior design company in Ho Chi Minh City was a bold move, little did I know that this next milestone was just the beginning of another, equally challenging and transformative journey. My venture into the Vietnamese art world was purely coincidental. I knew nothing about art in Vietnam, and no one in the community—artists, dealers, agents, or galleries, buyers,collectors etc—who knew who I was or what I was doing. After so many years living here, I was still a foreigner in their country, eager yet completely out of my depth. For six months, immersed myself in trying to understand what Vietnamese art was all about, grappling with its nuances and the stories behind it. Just as I began to feel the weight of this daunting and challenging task, a kind-hearted art dealer changed everything. He took me under his wing, patiently taught me step by step and opening doors to the art world I could never have accessed alone. Through him, I met incredible artists – from all categories of art mediums and whose works reflected the vibrant culture, history, and aspirations of Vietnam. The transition from interiors to art consulting and advising felt like a natural evolution, but it was more than just a shift in focus. It was about storytelling in an art world that many, from foreigners to the Vietnamese themselves, knew little about. This journey became not only an exploration of creativity but also a mission to share the richness of Vietnamese art with a much wider audience – from young to old and from international to local people. Art has always been a language that challenges me and how to connect with, a way of expressing what words often cannot. Transitioning from interiors to advising clients on art has been a very difficult journey, yet it came with its own challenges. Helping artists and galleries to curate collections that resonated with their stories required not only expertise but also a deep understanding of their ideas, aspirations, skills and techniques . It was no longer just about designing physical spaces; it was about inspiring and educating people to appreciate the beauty in purchasing a piece of artwork – may it be lacquer, oils or acrylic in canvas, silk, wood blocks, gouache (pastel or watercolor combined on paper), watercolour through the lens of the artist. Founding The Saigon Art Journey was the culmination of this shift. It combined my professional expertise with a personal mission to inspire, educate, and connect. Through this initiative, I sought to bridge gaps and build understanding, engaging with people from all walks of life and age groups. Art became a medium for dialogue, a way to bring diverse perspectives together while showcasing the beauty and depth of Vietnamese culture. This serendipitous journey into art became another milestone in my life, shaping my work and expanding my understanding of creativity. From interiors to art, my story has been one of embracing the unknown, taking risks, and finding guidance in unexpected places. Looking back, I see how each phase of my career—from starting my design company, overcoming challenges, and venturing into art consulting and advising to educating and who knows what's next at my age. These milestones weren't just professional achievements; they were markers of personal growth, shaped by lessons in resilience, creativity, and faith. This biography is a reflection of my journey—starting as a designer of spaces and becoming a storyteller of art, not just the successes, but the struggles and moments of trust that defined them. It's a story of transformation, of embracing the unknown, and of trusting that every step, even the uncertain ones, leads to something greater. Through these pages, I hope to inspire others to see their own lives as a canvas, ready to be filled with bold strokes, meaningful connections, and boundless possibilities, no matter what age you are. We talked about the following and other items Angeline Gong's Background Travel Aspirations  Favorite Travel Destinations  Diving Experiences Challenges of Living an Unconventional Life Moving to Vietnam Design Career Design Philosophy  Client Relationships Experiences in Different Countries Cultural Adjustments Building a Business in an Emerging Market Transition to Art Consulting Defining Creativity Supporting Artists Successful Artists Art Appreciation Emergence of Abstract Art Women Artists Challenges and Strategies for Emerging Artists The Importance of Personal Growth and Resilience Professional Goals and Future Outlook   Angeline's Social Media Angeline's LinkedIn: https://www.linkedin.com/in/angeline-gong-74373224/ Angeline's FB: https://www.facebook.com/angeline.gong  Angeline's Instagram: https://www.instagram.com/the_geriatric_bird/ Angeline's Email: angeline.gong@gmail.com Angeline's Advice  I wish I was wise. Vietnam is not a bad city, country itself, once you adapt and once you know who the people are. Of course, language is a problem. But it's good to get into the language which where you live in any country in the world. Also, stop complaining and get on with it.

The Portland Mercury's Spring Arts Guide focuses on the alliances that artists and arts organizations are forging throughout the city. Between the rising cost of living and the craziness of our national politics, Portland's creative communities are finding a need to rely on one another more than ever for survival — even when they're competing. Portland Mercury culture editor Suzette Smith walks us through some of the season's best events and the communities behind them.  Discussed in today's episode: The Antipodes at Shaking the Tree Theatre through March 29 Literary Arts Bookstore Mother Foucault's Bookshop Monet's Floating Worlds at the Portland Art Museum through Aug. 10 ja' / buuts' / t'aan (Water / Smoke / Word) at the Portland Institute for Contemporary Art through May 31 Become a member of City Cast Portland today! Get all the details and sign up here.  Who would you like to hear on City Cast Portland? Shoot us an email at portland@citycast.fm, or leave us a voicemail at 503-208-5448. Want more Portland news? Then make sure to sign up for our morning newsletter, Hey Portland, and be sure to follow us on Instagram.  Looking to advertise on City Cast Portland? Check out our options for podcast and newsletter ads at citycast.fm/advertise. Learn more about the sponsors of this March 13th episode: D'Amore Law Portland Bureau of Transportation Learn more about your ad choices. Visit megaphone.fm/adchoices

Ian Macdonald (b. 1946) is an internationally acclaimed photographer born and raised in Middlesbrough, Yorkshire, UK. He studied Graphic Design and Printmaking at Teesside College of Art in 1968 and went on to study Painting and Photography at Sheffield School of Art, Photography and Graphic Design at Birmingham Polytechnic and Education at Lancaster University. He pursued photography alongside drawing – his first love - painting and printmaking.Since 1968, Ian has consistently photographed the people and places of Teesside, one of Europe's most heavily industrialised areas in the north east of England. His love of the region, the beauty of the landscape – great expanses of wildness nestling among industrial settings - and his solid admiration for the people working and living amongst this environment has resulted in a completely honest and passionate depiction of a place and its community.“The most successful of my photographs seem to be a product of an exploration into my environment and the people I live and work amongst and an excitement generated in me by what I confront. Sometimes by-product would seem a more appropriate term, because only rarely do images really come near to saying anything about the strength, humour, vitality, atmosphere, pathos and despair which seems to make up what goes on around us all. Always, I am spurred on by a tingling sensation at the possibility, this time, perhaps, the image may really say something”.Ian's work has been included in various publications, such as England Gone, Smith's Dock Shipbuilders, Images of the Tees, Eton and The Blast Furnace. His work has been exhibited internationally and is included in many private and public photography collections around the world. In 2024 Ian had a major retrospective entitled Fixing Time, covering the first twenty years of his work, displayed across two venues in the north east of England - Sunderland Museum & Winter Gardens and Northern Gallery for Contemporary Art.Ian is currently working on a series of forthcoming books with GOST Books. In episode 252, Ian discusses, among other things: His recent dual exhibitions, Fixing Time, in the North East of EnglandHow his fascination for drawing took him to art collegeHis discomfort with his work being put in the documentary pigeonholeFinding it hard to approach your subjectsA brief description of the area he grew up and photographed inHis transition from drawing to photographyGreatham Creek and the portrait (above) that made him excitedHis early memories of his grandfather and father and wanting to celebrate and document their historyHis year spent as artist in residence at Eton CollegeHis reasons for choosing to teach in a school and not at art college Referenced:Len TabnerCesare PaveseBruce DavidsonBill BrandtVic Allen, Dean Clough GalleryGraham SmithMartin ParrChris KillipTom WoodMax BeckmanGoyaTitianDelacroixWebsite | Short film about Ian by Jamie Macdonald“When I first went to Greatham Creek, there was no history anywhere about it. I couldn't find anything written down. So I wrote a lot down. I talked to people. I went into pretty deep research into archives in the local library and stuff like that. And I guess this was part of the drive for [photographing] both the shipyard and the furnace. Because maybe I did have an inkling, because there was nothing about the creek - where's the stuff about the furnace?… about the men who worked there, like my dad and granddad? Where is their history? And I wanted to celebrate their history. I wanted to celebrate what they were. I wanted a record, a document, a memory of them. And that's what drove me to do it.” Become a full tier 1 member here to access exclusive additional subscriber-only content and the full archive of previous episodes for £5 per month.For the tier 2 archive-only membership, to access the full library of past episodes for £3 per month, go here.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

Morgan McCarver tells of her difficult time with Scoliosis and how she found her passion and skill with Pottery.#pottery #claypottery #clay ================All Episodes can be found at ⁠www.thecryptopodcast.org⁠ All about Roy / Brain Gym & Virtual Assistants at ⁠https://roycoughlan.com/⁠------------------   About my Guest Morgan McCarverMorgan McCarver was born and raised in Spartanburg, South Carolina. Her work is inspired by her female mentors of past and present, as well as her connection to Victorian corsetry through her scoliosis journey. She received an art degree with a ceramics concentration and a double minor in art history and business in 2019 from Anderson University in Anderson, SC. McCarver had the honor of receiving the 2019 Outstanding Art Major Ceramics Award her senior year. As a 2020 701 Center for Contemporary Art prize finalist, she had the honor of being the youngest artist to ever make it that far. She is a multi-award winning artist who recently received an Artist Support Grant to attend a national ceramics conference. She has had the honor of displaying her work in 3 solo exhibitions, “FemininiTEA” 2020, “The Strength of a Wildflower” 2022 and “Postures in Porcelain” 2023. She recently completed a residency at Edgewood Cottage in Blowing Rock Summer 2023 and participated 2022 as well. McCarver has studios in Asheville, NC and Spartanburg, SC. Her art can be found in various galleries around the Carolinas and Tennessee. Her first book, “God the Artist: Revealing God's Creative Side Through Pottery,” will be released with Morgan James Publishing January 9, 2024. What we Discussed: 0:00:30 Who is Morgan Mc Carver0:03:00 What age she was when she had the operation for Scoliosis 0:04:40 Was she suffering with pain fro Scoliosis0:06:00 The fear that the surgery could go wrong0:07:50 The Recovery after the Operation0:09:10 How she got into Pottery0:10:00 BA of Arts for Pottery0:11:20 Are her designs thought or it comes from her own Creavity0:13:00 What is Screen Printing0:14:20 Is there Different Types of Clay0:16:10 The Process to make the clay0:17:40 Is the Clay or fumes dangerous0:19:00 Tools for Trimming your Pottery0:20:30 The Drying Process of Pottery0:22:00 Different Types of Kilns0:24:30 How to Fire the Kiln Properly0:26:15 The Price of Pottery Kilns0:27:10 The prices increased a lot0:29:30 How the Glazing works0:31:40 Dishwasher & Microwave Proof0:32:50 The Awards that she received for her Pottery0:35:00 Her reasonable Prices V's the amount of Work0:39:30 Her support from her Grandmother0:40:00 Why she decided to write the book about PoteryHow to Contact Morgan McCarverwww.MorganMcCarver.comhttps://www.facebook.com/morgan.mccarver.7https://www.instagram.com/morgan_mccarver_porcelain/https://www.linkedin.com/in/morgan-mccarver/------------------All about Roy / Brain Gym & Virtual Assistants at ⁠https://roycoughlan.com/⁠ ___________________