Podcasts about fashionable acts opera

  • 4PODCASTS
  • 4EPISODES
  • 56mAVG DURATION
  • ?INFREQUENT EPISODES
  • Oct 16, 2012LATEST

POPULARITY

20172018201920202021202220232024


Latest podcast episodes about fashionable acts opera

New Books in History
Jennifer Hall-Witt, “Fashionable Acts: Opera and Elite Culture in London, 1780-1880” (University of New Hampshire Press, 2007)

New Books in History

Play Episode Listen Later Oct 16, 2012 56:14


When I was young I liked to go to bars, especially bars where bands were playing. But when I got there, I often didn’t listen very carefully. And in truth, I wasn’t there to see the band; I was there to “make the scene,” which is to say see and be seen by my peers. As Jennifer Hall-Witt explains in her fascinating book Fashionable Acts: Opera and Elite Culture in London, 1780-1880 (University of New Hampshire Press, 2007), that’s apparently why English notables went to the opera in the late eighteenth and early nineteenth century. They dressed up, went out, and “made the scene.” All the while there was an opera being performed, but it doesn’t seem anyone was paying close attention to it. They milled about, traded glances, visited each other’s boxes, talked, joked and generally had a good time. That all changed in the second half of the century. Most significantly, people began to watch and listen to the opera instead of each other. Jennifer tells us why. Learn more about your ad choices. Visit megaphone.fm/adchoices

university english witt jennifer hall university of new hampshire elite culture new hampshire press fashionable acts opera
New Books in European Studies
Jennifer Hall-Witt, “Fashionable Acts: Opera and Elite Culture in London, 1780-1880” (University of New Hampshire Press, 2007)

New Books in European Studies

Play Episode Listen Later Oct 16, 2012 56:14


When I was young I liked to go to bars, especially bars where bands were playing. But when I got there, I often didn’t listen very carefully. And in truth, I wasn’t there to see the band; I was there to “make the scene,” which is to say see and be seen by my peers. As Jennifer Hall-Witt explains in her fascinating book Fashionable Acts: Opera and Elite Culture in London, 1780-1880 (University of New Hampshire Press, 2007), that’s apparently why English notables went to the opera in the late eighteenth and early nineteenth century. They dressed up, went out, and “made the scene.” All the while there was an opera being performed, but it doesn’t seem anyone was paying close attention to it. They milled about, traded glances, visited each other’s boxes, talked, joked and generally had a good time. That all changed in the second half of the century. Most significantly, people began to watch and listen to the opera instead of each other. Jennifer tells us why. Learn more about your ad choices. Visit megaphone.fm/adchoices

university english witt jennifer hall university of new hampshire elite culture new hampshire press fashionable acts opera
New Books in Art
Jennifer Hall-Witt, “Fashionable Acts: Opera and Elite Culture in London, 1780-1880” (University of New Hampshire Press, 2007)

New Books in Art

Play Episode Listen Later Oct 16, 2012 56:14


When I was young I liked to go to bars, especially bars where bands were playing. But when I got there, I often didn’t listen very carefully. And in truth, I wasn’t there to see the band; I was there to “make the scene,” which is to say see and be seen by my peers. As Jennifer Hall-Witt explains in her fascinating book Fashionable Acts: Opera and Elite Culture in London, 1780-1880 (University of New Hampshire Press, 2007), that’s apparently why English notables went to the opera in the late eighteenth and early nineteenth century. They dressed up, went out, and “made the scene.” All the while there was an opera being performed, but it doesn’t seem anyone was paying close attention to it. They milled about, traded glances, visited each other’s boxes, talked, joked and generally had a good time. That all changed in the second half of the century. Most significantly, people began to watch and listen to the opera instead of each other. Jennifer tells us why. Learn more about your ad choices. Visit megaphone.fm/adchoices

university english witt jennifer hall university of new hampshire elite culture new hampshire press fashionable acts opera
New Books Network
Jennifer Hall-Witt, “Fashionable Acts: Opera and Elite Culture in London, 1780-1880” (University of New Hampshire Press, 2007)

New Books Network

Play Episode Listen Later Oct 16, 2012 56:14


When I was young I liked to go to bars, especially bars where bands were playing. But when I got there, I often didn’t listen very carefully. And in truth, I wasn’t there to see the band; I was there to “make the scene,” which is to say see and be seen by my peers. As Jennifer Hall-Witt explains in her fascinating book Fashionable Acts: Opera and Elite Culture in London, 1780-1880 (University of New Hampshire Press, 2007), that’s apparently why English notables went to the opera in the late eighteenth and early nineteenth century. They dressed up, went out, and “made the scene.” All the while there was an opera being performed, but it doesn’t seem anyone was paying close attention to it. They milled about, traded glances, visited each other’s boxes, talked, joked and generally had a good time. That all changed in the second half of the century. Most significantly, people began to watch and listen to the opera instead of each other. Jennifer tells us why. Learn more about your ad choices. Visit megaphone.fm/adchoices

university english witt jennifer hall university of new hampshire elite culture new hampshire press fashionable acts opera