New Books in Art

This episode, which is co-hosted with Delaney Chieyen Holton, features Dr. K. Ian Shin discussing his recently published book, Imperial Stewards: Chinese Art and the Making of America's Pacific Century (Standford UP, 2025). Imperial Stewards argues that, beyond aesthetic taste and economics, geopolitics were critical to the United States' transformation into possessing some of the world's largest and most sophisticated collections of Chinese art between the Gilded Age and World War II. Collecting and studying Chinese art and antiquities honed Americans' belief that they should dominate Asia and the Pacific Ocean through the ideology of imperial stewardship—a view that encompassed both genuine curiosity and care for Chinese art, and the enduring structures of domination and othering that underpinned the burgeoning transpacific art market. Tracing networks across both the Pacific and the Atlantic Oceans, K. Ian Shin uncovers a diverse cast of historical actors that both contributed to US imperial stewardship and also challenged it, including Protestant missionaries, German diplomats, Chinese-Hawaiian merchants, and Chinese overseas students, among others. By examining the development of Chinese art collecting and scholarship in the United States around the turn of the twentieth century, Imperial Stewards reveals both the cultural impetus behind Americans' long-standing aspirations for a Pacific Century and a way to understand—and critique—the duality of US imperial power around the globe. Ian Shin is Assistant Professor of History and American Culture at the University of Michigan, where he is also a core faculty member in the Asian/Pacific Islander American Studies Program. In addition to Imperial Stewards, his articles and reviews on topics that range from the Boy Scout movement in New York's Chinatown to the role of colleges and universities in 19th-century U.S.-China relations to the history of museums of American art have appeared in Amerasia Journal, Journal of Asian American Studies, Journal of American-East Asian Relations, and Connecticut Historical Review. Donna Doan Anderson is the Mellon research assistant professor in U.S. Law and Race at the University of Nebraska-Lincoln. Delaney Chieyen Holton is a Ph.D. candidate in Art History at Stanford University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

An expansive volume featuring over two decades of incisive reflections on race, art and pop culture by one of the greatest artists working today This long-awaited and essential volume collects writings and interviews by Glenn Ligon, whose canonical paintings, neons and installations have been delivering a cutting examination of race, history, sexuality and culture in America since his emergence in the late 1980s. No stranger to text, the artist has routinely utilized writings from James Baldwin, Zora Neale Hurston, Richard Pryor, Gertrude Stein and others to construct work that centers Blackness within the historically white backdrop of the art world and culture writ large. Ligon began writing in the early 2000s, engaging deeply with the work of peers such as Julie Mehretu, Chris Ofili and Lorna Simpson, as well as with artists who came before him, among them Philip Guston, David Hammons and Andy Warhol. Interweaving a singular voice and a magical knack for storytelling with an astute view of art history and broader cultural shifts, this collection cements Ligon's status as one of the great chroniclers of our time. Glenn Ligon was born in the Bronx in 1960. He began as an abstract painter but shifted to text-based works which often incorporate quotes from Black authors. His work can be found in the collections of the Art Institute of Chicago, the Baltimore Museum of Art and the Museum of Modern Art, New York. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

For just over a decade, from 1956 to 1967, a collection of dilapidated former sail-making warehouses clustered at the lower tip of Manhattan became the quiet epicenter of the art world. Coenties Slip, a dead-end street near the water, was home to a circle of wildly talented and varied artists that included Robert Indiana, Ellsworth Kelly, Agnes Martin, James Rosenquist, Delphine Seyrig, Lenore Tawney, and Jack Youngerman. As friends and inspirations to one another, they created a unique community for unbridled creative expression and experimentation, and the works they made at the Slip would go on to change the course of American art. Now, for the first time, in The Slip: The New York City Street That Changed American Art Forever (Harper, 2023) Dr. Prudence Peiffer pays homage to these artists and the unsung impact their work had on the direction of late twentieth-century art and film. This remarkable biography, as transformative as the artists it illuminates, questions the very concept of a “group” or “movement,” as it spotlights the Slip's eclectic mix of gender and sexual orientation, abstraction and Pop, experimental film, painting, and sculpture, assemblage and textile works. Brought together not by the tenets of composition or technique, nor by philosophy or politics, the artists cultivated a scene at the Slip defined by a singular spirit of community and place. They drew lasting inspiration from one another, but perhaps even more from where they called home, and the need to preserve the solitude its geography fostered. Despite Coenties Slip's obscurity, the entire history of Manhattan was inscribed into its cobblestones—one of the first streets and central markets of the new colony, built by enslaved people, with revolutionary meetings at the tavern just down Pearl Street; named by Herman Melville in Moby Dick and site of the boom and bust of the city's maritime industry; and, in the artists's own time, a development battleground for Jane Jacobs and Robert Moses. The Slip's history is entwined with that of the artists and their art—eclectic and varied work that was made from the wreckage of the city's many former lives. An ambitious and singular account of a time, a place, and a group of extraordinary people, The Slip investigates the importance of community, and makes an argument for how we are shaped by it, and how it in turns shapes our work. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

'Art, Science, and the Politics of Knowledge (MIT Press, 2022)' by Hannah Star Rogers When I sat down with Hannah Star Rogers to discuss her new book Art, Science, and the Politics of Knowledge, I found myself nodding along to a refreshingly obvious yet somehow radical proposition: why do we insist on keeping art and science in separate corners? Rogers makes a compelling case that this artificial boundary isn't just limiting our understanding of both fields, it's actively distorting how we think about knowledge itself. What struck me most during our conversation was Rogers' articulation of Art-STS (ASTS) as an emerging field that refuses to play by the old rules os separation and siloed study. The field, and Rogers, recognizes that both artists and scientists are engaged in the same fundamental project - making sense of the world through experimentation, observation, and yes, imagination. When we acknowledge this shared enterprise, the implications ripple outward. Who gets to produce legitimate knowledge? Whose methods count as valid? These questions matter because they shape everything from funding decisions to educational curricula to which voices we trust in public discourse. Rogers doesn't just theorize about these connections; she shows us what happens when we take them seriously. The experimental collaborations she documents reveal knowledge production as a deeply social, often messy, always political process. This isn't a bug in the system, it's the system itself. And maybe, just maybe, admitting that is the first step toward building more honest and inclusive ways of understanding our world. Notes: Routledge Handbook of Art, Science, and Technology Studies Picturing the Invisible Science Communication as a Boundary Space: An Interactive Installation about the Social Responsibility of Science Gaïa Global Circus: A Climate Tragicomedy Shot on LiDAR, a Short Film Examines the Contradictions of Urban Surveillance Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

As a Jewish and openly gay artist, Cagli became the target of virulent attacks, especially after Italy promulgated its racial laws in 1938. In response to these hostile conditions, Cagli chose to leave his homeland and seek refuge in the United States. In America, he became an influential figure within the New York émigré artistic scene. He found camaraderie among the Neo-romantic milieu centered around the Julian Levy Gallery and the Wadsworth Atheneum. Cagli actively participated in the environment of anti-Breton surrealists of View magazine and became a part of a foundational moment in gay culture in New York, collaborating with other artists working for the Ballet Society and Harper's Bazaar, and exhibiting at Alexander Iolas's gallery. Throughout his ten-year stay in America, Cagli continued to produce and exhibit drawings, a medium that allowed him to interrogate and critique fascist rhetoric. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Jiří Anger is a scholar, archivist, and videographic critic devoted, as he says in this interview, to "making weird shapes shine." In this episode of New Books in Film, Anger sits down with Alix Beeston to discuss his award-winning book Towards a Film Theory from Below: Archival Film and the Aesthetics of the Crack-Up.  Anger's book is an experiment in theorizing film "from below," from the perspective of moving-image objects themselves. Its revelatory readings of single frames from the digitized first Czech films by Jan Kríženecký challenge what we think we know about film materials, histories, and spectatorship. These early film objects are defined and deformed by scratches, stains, tears, and shakes that Anger takes seriously as part of an "accidental aesthetics" which reveals the creative potential of material traces and processes — beyond their shaping through human intention. How does doing film theory from below complicate our understandings of creativity and agency? What forms of scholarly or artistic interventions into film materials does it prompt? What are the ethics of "touching" or manipulating archival objects for the sake of restoration, dissemination, or interpretation? Reflecting on both his written scholarship and videographic practice, Jiří offers thoughtful answers to these and other vexing questions for all who seek to reimagine film history and theory through the archive's preponderance of idiosyncratic forms, disruptive materials, and weird shapes. Towards a Film Theory from Below is out now with Bloomsbury Academic. Anger builds on the work of the book in A Tale of Two Desktops: The First Czech Films in Parallel Worlds, a new videographic essay coproduced with Veronika Hanáková and Jiří Žák. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

On the podcast today I am joined by Kirin Narayan, emerita professor at the College of Asia and the Pacific at the Australian National University. Kirin is joining me to talk about her new book, Cave of my Ancestors: Vishwakarma and the Artisans of Ellora published by Chicago University Press in 2024, and in 2025 as an Indian edition by HarperCollins India. As a young girl in Bombay, Kirin Narayan was enthralled by her father's stories about how their ancestors had made the ancient rock-cut cave temples at Ellora. Recalling those stories as an adult, she was inspired to learn more about the caves, especially the Buddhist worship hall known as the “Vishwakarma cave.” Immersing herself in family history, oral traditions, and works by archaeologists, art historians, scholars of Buddhism, Indologists, and Sanskritists, in Cave of my Ancestors Narayan set out to answer the question of how this cave came to be venerated as the home of Vishwakarma, the god of making in Hindu and Buddhist traditions. Part scholarship, part detective story, and memoir, Narayan's book leads readers through centuries of history, offering a sensitive meditation on devotion, wonder, and all that connects us to place, family, the past, and the divine. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Grant Us Eyes is a book-length close reading of Bloodborne by literary critic Nathan Wainstein (LA Review of Books, Cartridge Lit, American Book Review). Grant Us Eyes situates the game's oft-discussed difficulty in relation to a much longer tradition of difficult art – surrealist painting, the modernist novel, etc. Wainstein probes the difficulty of Bloodborne's fragmented narrative, the difficulty of its graphical and aural glitches, the difficulty of the philosophical problems it poses, and the difficulty of performing close analysis itself within a medium that still doesn't have established, agreed-upon methods of interpretation in the way literature and film do. Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master's degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU & University of Passau). Currently, he's teaching as a professor for game design and game studies at the HNU University of Applied Sciences Neu-Ulm, Germany, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Watchlist. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Amid the ongoing reckoning over America's history of anti-Black racism, scores of monuments to slaveowners and Confederate soldiers still proudly dot the country's landscape, while schools and street signs continue to bear the names of segregationists. With poignant, lyrical prose, cultural commentator Irvin Weathersby confronts the inescapable specter of white supremacy in our open spaces and contemplates what it means to bear witness to sites of lasting racial trauma.Professor Weathersby takes us from the streets of his childhood in New Orleans's Lower Ninth Ward to the Whitney Plantation; from the graffitied pedestals of Confederate statues lining Monument Avenue in Richmond, Virginia, to the location of a racist terror attack in Charlottesville; from the site of the Wounded Knee massacre in South Dakota to a Kara Walker art installation at a former sugar factory in Brooklyn, New York. Along the way, he challenges the creation myths embedded in America's landmarks and meets artists, curators, and city planners doing the same. Urgent and unflinchingly intimate, In Open Contempt (Viking, 2025) offers a hopeful reimagining of the spaces we share in order to honor our nation's true history, encouraging us to make room for love as a way to heal and treat each other more humanely. Find Professor Weathersby at his website, where you can order In Open Contempt, check out his other writings, and attend upcoming events. Host Sullivan Summer can be found at her website, on Instagram, and on Substack, where she and Professor Weathersby continue their conversation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

hat is the relationship between culture and trade? In Trading on Art: Cultural Diplomacy and Free Trade in North America Sarah E. K. Smith, an Associate Professor in the Faculty of Information and Media Studies at Western University and the Canada Research Chair (Tier 2) in Art, Culture and Global Relations, examines the history of cultural relations between Canada, the USA and Mexico at the turn of the twenty-first century. The book considers how North America was conceptualised by cultural practices such as art and video, as well as how the arts engaged and responded to free trade agreements in that period. As the world confronts a very different trading and cultural context, the book is essential reading for anyone interested in the future, as well as the past, of cross-national cultural exchange. The book will also be available open access in 2026 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

From his early albums with the Mothers of Invention, Frank Zappa established a reputation as a musical genius who pushed the limits of culture throughout the 1960s and 1970s, experimenting with a blend of genres in innovative and unheard-of ways. Not only did his exploratory styles challenge the expectations of what popular music could sound like, but his prolific creative endeavors also shaped how audiences thought about the freedom of artistic expression. In Frank Zappa's America (LSU Press, 2025), Bradley Morgan casts the artist as an often-misunderstood figure who critiqued the actions of religious and political groups promoting a predominantly white, Christian vision of the United States. A controversial and provocative satirist, often criticized for the shocking subject matter of his songs, Zappa provided social commentary throughout his career that spoke truth to power about the nefarious institutions operating in the lives of everyday Americans. Beginning in the late 1970s, his music frequently addressed the rise of extremist religious influence in American politics, specifically white Christian nationalism. Despite commercial and critical pressure, Zappa refused to waver in his support for free speech during the era of Reagan and MTV, including his pointed testimony before the U.S. Senate at the Parents Music Resource Center (PMRC) hearings. Throughout the 1980s, and until his death in 1993, Zappa crafted his art form to advocate for political engagement, the security of individual liberties, and the advancement of education. Music became his platform to convey progressive views promoting the rights of marginalized communities most at risk in a society governed by the principles of what he perceived as Christian radicalism. Frank Zappa's Americexamines the musician's messaging through song, tracing the means by which Zappa created passionate, at times troubling, art that combats conservativism in its many manifestations. For readers in the twenty-first century, his music and public advocacy demonstrate the need to preserve democracy and the voices that uphold it. Bradley Morgan, a media arts professional based in Chicago, is the author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships for CHIRP Radio 107.1 FM and directs the station's music film festival. Morgan also interviews authors of music and pop culture books for the New Books Network podcast. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

In the late twentieth century, artists were on the front lines of the culture wars. Leaders of the Christian Right in the U.S. made a national spectacle out of feminist and queer art, blasting it as sacrilegious or pornographic--and sometimes both. On the bully pulpits of television and talk radio, as well as in the halls of Congress, conservatives denounced artists ranging from Robert Mapplethorpe and Judy Chicago to Marlon Riggs and David Wojnarowicz. Conservatives, alarmed by shifting sex and gender norms, collided with progressive artists who were confronting sexism, homophobia, and racism. In Provoking Religion: Sex, Art, and the Culture Wars (Oxford University Press, 2025), Anthony Petro offers a compelling new history of the culture wars that places competing moralities of gender and sexuality alongside competing visions of the sacred. The modern culture wars, he shows, are best understood not as contests pitting religious conservatives against secular activists, but as a series of ongoing historical struggles to define the relationship between the sacred and the political. Through captivating case studies of "subversive" artists, Provoking Religion illuminates the underside of the culture wars, revealing how progressive artists and activists rendered from those most apparently profane aspects of human life-the stuff of conservatives' worst nightmares--their own haunting visions of the sacred. Anthony M. Petro is Associate Professor in the Department of American Studies at University of Notre Dame (effective fall 2025). His first book, After the Wrath of God: AIDS, Sexuality, and American Religion, was a finalist for the Religion Newswriters Association's book award for nonfiction. An early chapter from this book also won the 2012 LGBTQ Religious History Award from the LGBTQ Religious Archives Network. In 2019-2020, Petro was a member of the School of Historical Studies at the Institute for Advanced Study in Princeton, NJ. Clayton Jarrard is a graduate student at NYU's XE: Experimental Humanities & Social Engagement program. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

In Istanbul, there is a mosque on every hill. Cruising along the Bosphorus, either for pleasure, or like the majority of Istanbul's denizens, for transit, you cannot help but notice that the city's landscape would be dramatically altered without the mosques of the city. In Ottoman Baroque: The Architectural Refashioning of Eighteenth-Century Istanbul (Princeton University Press, 2019), Ünver Rüstem takes a stab of a slice of that history, arguing that we should see the eighteenth-century Baroque period in Ottoman mosque architecture as innovative and not derivative in how Ottoman mosque architecture integrated Baroque elements. By doing so, he pushes back effectively against notions of Ottoman decline and demonstrates that such architecture, praised in the contemporary writings of both Ottoman and Western viewers, successfully rebranded the Ottoman capital for a changing world. He also draws our eyes to the complex social process by which mosque design develops, bringing in a cast of characters that includes non-Muslims as much as non-Muslims. On this New Books interview, we walk you through the book, Rüstem's process, what Baroque means in different contexts and mosque architecture in Istanbul today. Ünver Rüstem is Assistant Professor of Islamic Art and Architecture at Johns Hopkins University. Nadirah Mansour is a graduate student at Princeton University's Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Sarah Teasley's Designing Modern Japan (Reaktion, 2022) unpicks the history of Japanese design from the mid-nineteenth century to the end of the twentieth, focusing on continuities and disruptions within communities and practices of design. Designing Modern Japan explores design in the unfolding contexts of modernization, empire and war, defeat and reconstruction, postwar economic acceleration, and beyond. Throughout, Teasley is sensitive to issues of gender and class within the communities of design she studies. The book combines the history of design with social, economic, and geopolitical history, placing design and its material objects carefully in the larger currents of modern and contemporary Japan. Designing Modern Japan is a history of both the people who shaped Japanese design and the designs that were integral to life in modern Japan. Nathan Hopson is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

In this NBN episode, host Hollay Ghadery speaks with poet and visual artist Zachary Logan about his beautiful collection of poetry and art, Green (Radiant Press, 2025).  An exciting new collection of ekphrastic poems accompanied by a compilation of green sketches via the lens of a queer poet and visual artist. Zachari Logan carried a sketchbook as he travelled the world and responded to iconic artwork as well as art that once existed but is now lost, destroyed, or far away. Whimsical art and thoughtful poems that ponder the nature of existence. Zachari Logan is a queer Canadian settler poet and artist whose artwork has been exhibited throughout North America, Europe and Asia. Logan's work can be found in collections worldwide, including the National Gallery of Canada, Art Gallery of Ontario, Remai Modern, Peabody Essex Museum, McMichael Canadian Art Collection and Nerman MOCA among many others. In 2014 Logan received the Lieutenant Governor's Emerging Artist Award, in 2015 he received the Alumni of Influence Award from the University of Saskatchewan and in 2016 Logan was long-listed for the Sobey Art Award. In 2010, his chapbook, A Eulogy for the Buoyant, was published by JackPine Press and in 2021, A Natural History of Unnatural Things, was published by Radiant Press. Logan's artwork and writing has been featured in many publications throughout the world. Zachari Logan lives in Regina, Saskatchewan. “Green is a ravishing compendium of attention—a book that bristles with subtle and unexpected poetic turns, and the peculiar thrum of being human in a world increasingly out of step with itself. Here, the act of writing is inseparable from drawing, from walking, from remembering, from witnessing—and from loving, deeply, the fragile and persistent textures of the earth. Zachari Logan's poems pulse with vegetal sensitivity, moving between alleyways and art history, between inner monologue and ecological longing. Green is not merely a colour: it is an atmosphere, a consciousness, a sensual and moral register. What it captures is more than the sum of its fragments—it is their residue, their ache, their adaptation, their ephemeral and often unintelligible traces. There is a deep and haunting beauty across these pages, but also fury, wit, and a quiet defiance. A sensual invitation to pay attention, this little but mighty book is not only an artistic gesture, but a political and ethical one. With luminous precision and a mind turned toward both the microscopic and the mythic, Green is a spell cast in language and images—one that lingers long after the page is turned.”— Giovanni Aloi, author of Lucian Freud: Plant Portraits, Botanical Revolutions: How Plants Changed the Course of Art and Speculative Taxidermy: Natural History, Animal Surfaces, and Art in the Anthropocene“A poem in its very color; deep green, wildly queer. This book captivates with its folds and cracks. The dissection of worlds, coupled with meticulous sketches of botany, art and the quotidian carried by the fascinating complexity of nature. One is lost between the body of a naked man or an abandoned thistle flower in a thick ditch. At once a sketchbook, a collection of poems, and an essay- this collection opens a door to the striking universe of Zachari Logan.”— Julie Hetu, author of Pacific Bell, Les dormeurs de Nauru and MotZachari Logan Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Conservation of Twentieth-Century Furniture (Routledge, 2024) provides comprehensive and accessible coverage of the materials and techniques that are encountered in furniture of this century. After putting the design, manufacture and conservation of twentieth-century furniture into context, the volume then offers an A-Z of materials organised into 12 chapters. Within each chapter a wide variety of material types are discussed, observed, analysed and contextualised, and a list of further sources is provided. The furniture discussed in this book ranges from designer craftsman, individually made pieces, to factory-produced batch items, and includes cabinet work, decoration, surface finishes and upholstery, observing the traditional repertoire of materials, as well as innovative materials and processes introduced over the course of this century. Following the material chapters, the book also includes brief case studies that illustrate some examples of twentieth-century furniture conservation, with a focus on metal, plastic and wood. Conservation of Twentieth-Century Furniture is the primary resource for those working on the manufacture, history and care of furniture of this period, including conservators, curators, dealers and collectors. Lauren Fonto is a Master's student in the program Heritage and Cultural Sciences: Heritage Conservation at the University of Pretoria, South Africa. She is currently a heritage conservation intern. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

For centuries, monuments have telegraphed the values and origin myths of dominant culture in public space and on massive scale. They have signaled both who is part of a culture and who is not, often overlooking histories that complicate the stories they tell. Yet in the last 50 years in the United States, the role of monuments has changed significantly. Numerous historical monuments have been removed or toppled, bringing to the fore a long-repressed conversation about the relationship between the monumental landscape and national identity. In Monumental: How a New Generation of Artists Is Shaping the Memorial Landscape (MIT Press, 2025), Dr. Cat Dawson takes up the social, political, and art historical causes and ramifications of this important shift.Examining the conditions that have led to and define this new era, Dr. Dawson reveals that these interventions are as indebted to the monumental tradition as they are to representational strategies that grew out of twentieth-century social justice efforts, from the Civil Rights movement to queer organizing during the AIDS crisis.Since 2014, a new generation of artists has established a groundbreaking role for monuments, calling into question the very notion of what a monument is through novel investigations of how symbolic structures can be made and what stories they can tell. This book tells the important story of that sea change. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

How can art shape historical memory and national identity? And how can cultural heritage and historical references be used to enact a vision of a nation? In Staging Tianxia: Dunhuang Expressive Arts and China's New Cosmopolitan Heritage (Indiana University Press, 2024), Lanlan Kuang explores these questions through the lens of Dunhuang expressive arts — a twentieth-century music and dance performance style inspired by the images, music descriptions, and narratives found in the Dunhuang Mogao Grottoes. Through these performances, Dunhuang expressive arts presents a vision of China as a historically multiethnic and cosmopolitan nation. Staging Tianxia is an ambitious and interdisciplinary book, weaving together ethnography, ethnomusicology, performance studies, history, and philosophy. It is also rich with episodes from Kuang's own fieldwork in Dunhuang and rehearsal studios, and through such moments Kuang offers intriguing insights on the way that heritage is constructed and embodied. The book will be of interest to scholars and students of ethnomusicology, performance studies, Chinese classical dance, and Dunhuang studies. Listeners (and readers!) should also check out the multimedia components of the book on Kuang's website, here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

No-one can fail to notice how many statues of Great Men there are around London: stern politicians, military generals, imperial adventurers . . . But what about women? As shown by Juliet Rix in London's Statues of Women (SafeHaven Books, 2025), women are surprisingly well represented amongst London's statues. Recent years have seen new statues of Virginia Woolf in Richmond, Mary Wollstonecraft in Stoke Newington, even boxer Nicola Adams in Brent. But there are also groundbreaking statues commemorating the Black community, notably the two of Brixton resident Joy Battick on its railway station platforms. And you'll find historical figures from Florence Nightingale to Joan of Arc and Edith Cavell – as well as Twiggy. And how many ballet dancers are commemorated, and where? And which famous tennis player was the unlikely model for the young girl with dolphin by Tower Bridge? This is a book that really will make you see London in a new way. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Along with the rise of Mussolini's fascist regime, the interwar years in Italy also saw the widespread development of its modernist interior design and furnishing practices. While the regime's politics were overtly manifest in monumental government architecture, Furnishing Fascism: Modernist Design and Politics in Italy (University of Minnesota Press, 2025) by Dr. Ignacio G. Galán examines the subtler yet effective role of household goods and decor in the cultivation of Italy's exclusionary sense of national identity. Presenting a fresh look at the work of various architects and designers, including iconic figures such as Gio Ponti and Carlo Enrico Rava, Dr. Galán explores how seemingly neutral products of everyday life contributed to the propagation of fascist ideology. Through extensive promotion in popular magazines and department stores, on the film sets of Cinecittà Studios, and throughout the country's colonial territories, Italy's modernist design practices were part of a larger political project that aimed to produce a totalizing image of cultural hegemony. Interweaving design theory, architectural history, and media scholarship, Furnishing Fascism reexamines the period's so-called minor arts to reveal the political entanglement of modernism in early twentieth-century Italy and offers valuable insight into the complications of cultural production under the auspices of authoritarian power. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

The Red Dress: Conversations in Stitch (Quickthorn, 2025), shares the deeper story of The Red Dress, its embroiderers and Kirstie Macleod's own story whilst opening up the wider issues the garment prompts for its audiences through thematic essays by individuals involved in the greater project on subjects such as empowerment, finding voice, feminism, community and healing trauma. This project offered a platform for people, mostly women, who are vulnerable and live in poverty to share their stories through embroidery. The completed Red Dress traveled for 14.5 years and was embroidered by 367 women/girls, 7 men/boys, and 2 non-binary artists from 51 countries. All 141 commissioned artisans were paid for their work and received annual donations from exhibition fees and merchandise profit. Additional small embroideries were added by participants and audiences at various events. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

In this episode Pat speaks with Dr Lexi Eikelboom. Dr Lexi Eikelboom is both a visual artist and a scholar of philosophical theology. Her academic work analyses aesthetic concepts such as rhythm and form as way to illuminate the human implications of the philosophical arguments in which the concepts appear. She also leads collaborative projects investigating art as a form of thinking and the effects of engagement with art on theoretical work. They discuss rhythm and time in cubist painting, letting the shapes of art speak for themselves, and art as confrontation and incitement to change. A transcript of this episode will be available on the Concept : Art website (www.conceptart.fm). Concept : Art is produced on muwinina Country, lutruwita Tasmania. Always was, always will be Aboriginal land. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

In the sixth episode of Soundscapes NYC, host Ryan Purcell talks with John Holmstrom a comic illustrator and founder of Punk magazine. In the early 1970s, Holmstrom moved from suburban Connecticut to New York City to attend the School of Visual Arts where he studied under the celebrated comic illustrator Will Eisner and Harvey Kurtzman creator of MAD magazine. In 1975, Holmstrom conceived the idea for Punk Magazine by collaborating with Ged Dunn and Eddie “Legs” McNeil as an independent zine to cover the local rock scene. The trio initially considered the name Teenage News, a reference to an unreleased New York Dolls track, but settled on punk which they derived from the term “punk rock” which by 1975, had crept into music journalism as a descriptor of new sounds in the rock world. Punk magazine ran 15 issues from 1976 to 1979. During that time the publication brought international attention to the local rock scene and created an association between New York rock and punk. In addition to creating Punk magazine, John Holmstrom is perhaps best known for illustrating album covers for the Ramones, including Rocket to Russia (1977) and Road to Ruin (1978). In September 2024, Holmstrom relaunched Punk magazine to cover a new generation of punk bands in New York City.  Contact Soundscapes NYC Here Gotham Center for NYC History - CUNY GCDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Women, Art, Freedom: Artists and Street Politics in Iran offers an insightful look at the 2022 Woman, Life, Freedom uprising in Iran, sparked by the tragic murder of Jina Mahsa Amini at the hands of the “morality police” for violating hijab rules. Beyond its feminist undertones and the remarkable courage of the young protesters, what sets this uprising apart from previous ones is the abundant and diverse art it has inspired. This book, rather than merely analyzing the artworks that garnered attention on social media platforms, brings to light lesser-known grassroots artistic movements that played a crucial role within their immediate local communities. Engaging with primarily Iran-based artists, it uncovers their role in shaping guerrilla interventions and street occupations and in articulating distinct forms of peaceful civil disobedience. By drawing on a broad spectrum of historical and theoretical sources, this book further reveals the origins and inspirations of Iran's protest art. Focusing mainly on the interconnections between the public sphere, women's bodies, and feminist viewpoints, Women, Art, Freedom underscores the vital role of artists in championing global justice and equality.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

What happens when the 'modern woman' ages? Modernist Poetics of Ageing (Oxford University Press, 2025) answers this question by being the first book-length study of three late modernist women's writers. Drawing on their place within wider modernist networks, this monograph is primarily framed around work by Mina Loy, H.D. and Djuna Barnes, who are often thought of as the quintessentially youthful 'modern woman' of the 1920s. Taking a literary, ageing studies and cultural criticism approach, this monograph focuses on lived experience, as well as thematic representations of ageing in their work, to examine how each author grew older in the years 1940-1982. By surveying literary texts, visual art, photography, life writing and archival material, this book explores the intersection of old age as lived and as well as written to argue that modernist late writing embodies the realities of ageing and transforms them through avant-garde aesthetics. As an interdisciplinary study, this work pairs ageing studies and modernist studies to innovatively consider experimental works written about and in later life. The book suggests that a focus on older age complicates the very avant-garde or modernist aesthetics that each author was interested in: what happens when the scene of the 'new' is populated by older people? How does an embodied experience of illness inform an aesthetics of 'late style'? After fulfilling their role as the youthful 'modern woman' of the 1920s, how did each artist continue to create rich, avant-garde works that go well beyond the paradigms of 'late modernism'? Modernist Poetics of Ageing argues that the late lives of some of modernism's most prominent and networked women writers are overlooked - despite being rich, vital, and contemporary in their continuing commitment to modernist experiment. By reframing these older modernist women writers as engaged in continuing, creative experiments, Modernist Poetics of Ageing reveals that the 'new' does not always have to be 'young'. About the author: Jade Elizabeth French works on ageing, care, and intergenerationality in modern and contemporary literature. She is currently a Leverhulme Early Career Fellow at Loughborough University, developing a project on emotions, ageing, and care homes in post-war British novels since 1948. In 2021-2022, she was a Research Associate as part of the ESRC-funded project Reimagining the Future in Older Age. Jade is also the co-founder of the interdisciplinary arts project Decorating Dissidence, which explores the conceptual, aesthetic, and political qualities of craft from the twentieth century to today. About the host: Julyan Oldham is a Post-Award Member of the University of Oxford, where he recently completed a PhD on virginity in the early twentieth-century British novel. Julyan's work has been published or is forthcoming in Studies in the Novel and the Journal of Modern Literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Today I'm speaking with Bernd Roeck about his book, The World at First Light: A New History of the Renaissance (Princeton University Press, 2025). Bernd is professor of modern history at the University of Zurich and director of the German Centre for Venetian Studies in Venice. Translated by Patrick Baker, The World at First Light is a truly magisterial work. Much ink and paint has been spilled illuminating and interpreting the cultural flourishing known as Europe's rebirth. The Renaissance was chiefly marked by a revival in classical literature and philosophy, artistic and scientific innovations embodied by polymaths like Leonardo da Vinci, Galileo Galilei, and William Shakespeare. In exploring this historical period, Bernd offers the most authoritative and up-to-date treatment of the Renaissance. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

A young girl forms a special connection to the modernist painter Florine Stettheimer, and imagines herself joining in on Florine's exciting life.When a young girl visits the museum, she finds an unexpected friend in a self-portrait of Florine Stettheimer. They're both artists; they both have Jewish families; they even look alike!Florine's life was wild and glamorous. She painted people in flight and buildings that grew from the ground like crooked trees, bright colors and shapes and animals. She threw parties frequented by other famous visionaries like Marcel Duchamp and Carl Van Vechten.Soon, our narrator is dreaming up her own fantastical parties for Florine, with table spreads of colorful treats, and painting and dancing and poetry. With Florine in her life, even a rainy day can't make the world seem humdrum anymore.A Party for Florine: Florine Stettheimer and Me (Neal Porter Books, 2024) is an unapologetically whimsical fan letter to an artist whose influence is clear in Sydney Taylor Honoree Yevgenia Nayberg's captivating illustrations. Dreamers, creators, and budding modernists will be drawn into the young protagonist's party just as strongly as she is drawn into Stettheimer's paintings. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Ten beautifully illustrated essays tell the stories of handcrafted objects and their makers, providing inspiration and insight into Black history and craftsmanship. Black artisans have long been central to American art and design, creating innovative and highly desired work against immense odds. Atlanta-based chairmaker and scholar Robell Awake explores the stories behind ten cornerstones of Black craft, from the celebrated wooden chairs of Richard Poynor, an enslaved craftsman who began a dynasty of Tennessee chairmakers, to the enslaved potters of Old Edgefield, South Carolina, to Ann Lowe, the couture dressmaker who made Jacqueline Kennedy's wedding dress, A Short History of Black Craft in Ten Objects (Princeton Architectural Press, 2025) illuminates the work of generations of Black craftspeople, foregrounding their enduring contributions to American craft. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Andreas Beyer joins Jana Byars to talk about his new book, Benvenuto Cellini and the Embodiment of the Modern Artist (Reaktion, 2025). Benvenuto Cellini was a murderer, thief, lover of all genders, rival of popes and princes, as well as an ingenious artist. In his legendary autobiography, the Vita, Cellini describes his activities vividly and in lurid detail. Many of the most disturbing passages have been dismissed as fiction, but in this clear-eyed portrayal, Andreas Beyer argues that these sensational accounts of the body, sex, and extreme experiences are not only entertaining but historically authentic. The stories reveal the depth of Cellini's character: an artist who embraced life and shattered boundaries. Ultimately, this book discovers the roots of modern art's fascination with the autonomous artist deep within Cellini's audacious life and work. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Los Angeles was a cinematic city long before the rise of Hollywood. By the dawn of the twentieth century, photography, painting, and tourist promotion in Southern California provided early filmmakers with a template for building a myth-making business and envisioning ideal moviegoers. These art forms positioned California as a land of transformative experiences and catapulted the dusty backwater town of Los Angeles to the largest city on the West Coast by 1915. Photography aided the Southern Pacific Railroad Company in opening the region to the rest of the nation. Painters gave traditions that were fading in Europe a new lease on life in the California sun, with signature colors and techniques that would be adopted by L.A. real estate companies, agribusiness, and health retreats. Tourism infused the iconography and signature styles of art with cultural mythology of the state's colonial past, offering proto-cinematic experiences to those who ventured west. In Movie-Made Los Angeles (Wayne State University Press, 2023), John Trafton explores how Hollywood, an industry based on world-building, was the product of these art forms in the land of sunshine. A more complete story of the American film industry's ascendency in Los Angeles emerges when one considers how the City of Angels cultivated its self-image through pre-cinema narrative art. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

How can cultural organisations better support diversity? In Achieving Creative Justice in the U.S. Creative Sector antonio c. cuyler, Professor of Music in Entrepreneurship & Leadership and Faculty Associate in Voice & Opera in the School of Music, Theatre & Dance (SMTD), and Faculty Associate in the African Studies Center at the University of Michigan, explores a series of practical interventions that can shape creative institutions implementation of access, diversity, equity, and inclusion (ADEI) policy and practices. The book is framed by the call for creative justice, against a backdrop of threats to both civil rights and cultural freedoms across the world. Rich with case studies, as well as detailed research and theory, the book is a must read text for both academics and arts practitioners. The book is available open access here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Christianity is often considered prevalent when it comes to defining the key values of late antique society, whereas 'feeling connected to the Roman past' is commonly regarded as an add-on for cultivated elites.  Roman Identity and Lived Religion: Baptismal Art in Late Antiquity (Cambridge UP, 2025) demonstrates the significant impact of popular Roman culture on the religious identity of common Christians from the fifth to the seventh century in the Mediterranean world. Baptism is central to the formation of Christian identity. The decoration of baptisteries reveals that traditional Roman culture persisted as an integral component of Christian identity in various communities. In their baptisteries, Christians visually and spatially evoked their links to Roman and, at times, even pagan traditions. A close examination of visual and material sources in North Africa, the Iberian Peninsula, and Italy shows that baptisteries served roles beyond mere conduits to Christian orthodoxy. New Books in Late Antiquity is presented by Ancient Jew Review. Stefanie Lenk is a postdoc the university of Göttingen, and she's held other postdocs and fellowship at the Universities of Bern and Hamburg. And she, along with Jaś Elsner, was Curator at the Ashmolean's of the international exhibition “Imagining the Divine: Art and the Rise of World Religions. Michael Motia teaches in Classics and Religious Studies at UMass Boston Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

In this episode Pat speaks with Dr Timothy Deane-Freeman. Dr Timothy Deane-Freeman works as a teacher and researcher in philosophy in Naarm/Melbourne. His work is primarily focussed on the intersection of politics and art, and the ways in which sensible materials can be combined to produce different forms of thought. He is currently co-editing a book on philosophical accounts of artistic agency. They discuss bourgeoise culture, shock, chronopolitics, and Afrofuturism as the place of the new. A transcript of this episode will be available on the Concept : Art website (www.conceptart.fm). Concept : Art is produced on muwinina Country, lutruwita Tasmania. Always was, always will be Aboriginal land. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

How are working class women represented in contemporary culture? In Slags on Stage: Class, Sex, Art and Desire in British Culture (Routledge, 2025), Katie Beswick, a Senior Lecturer in Arts Management at Goldsmiths, University of London, examines this question by analysing the figure of the ‘slag' across a range of cultural forms, including theatre and television. Alongside a history of the idea of the ‘slag', the book draws on deep case studies of key artists, including Tracey Emin, Cash Carraway and Michaela Coel to understand both the meaning of ‘slags' in British culture and how class, race and gender all intersect in Britain's unequal society. Blending memoir, poetry, close reading, and history, the book is essential reading across the arts and humanities, as well as for anyone interested in culture today. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Before the invention of the gummed envelope in the 1830s, how did people secure their private letters? The answer is letterlocking—the ingenious process of securing a letter using a combination of folds, tucks, slits, or adhesives such as sealing wax, so that it becomes its own envelope. This almost entirely forgotten practice, used by historical figures ranging from Elizabeth I and her spies to Japanese samurai lords, was an everyday activity for centuries, across cultures, borders, and social classes. In Letterlocking: The Hidden History of the Letter (MIT Press, 2025), Jana Dambrogio and Dr. Daniel Starza Smith, experts who have pioneered the field over the last ten years, tell the fascinating story of letterlocking within epistolary history, drawing on real historical examples from all over the world.Fully illustrated with more than 300 images and diagrams, including a dictionary of sixty technical terms and concepts, Letterlocking describes the essential precepts of the practice and provides sources of practical support needed for beginner and advanced users of letterlocking. The authors also advocate for the understanding of letterlocking and for its inclusion in a range of intellectual and cultural research, from conservation science and archival databases to historical television shows. By the end of the book, readers will learn how to make locked letters, study letters that may have been locked, and categorize those letters using systems the authors developed while studying more than 250,000 historic letters.Letterlocking is accompanied by a website, freely accessible scholarly articles, and instructional videos and diagrams, as well as foldable tear-out sheets with instructions on how to fold and lock models of extant historical letters. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Join me for conversation with Dr. Jaleh Mansoor (Associate Professor of Art History in the Department of Art History, Visual Art, and Theory, University of British Columbia) about her book Universal Prostitution and Modernist Abstraction: A Counterhistory (Duke University Press, 2025). Our discussion brought us to topics like the artists' muse, the modern laborer, and other figures precariously suspended between the object/subject dialectic. In Universal Prostitution and Modernist Abstraction, Dr. Mansoor provides a counternarrative of modernism and abstraction and a reexamination of Marxist aesthetics. Mansoor draws on Marx's concept of prostitution—a conceptual device through which Marx allegorized modern labor—to think about the confluences of generalized and gendered labor in modern art. Analyzing works ranging from Édouard Manet's Olympia and Georges Seurat's The Models to contemporary work by Hito Steyerl and Hannah Black, she shows how avant-garde artists can detect changing modes of production and capitalist and biopolitical processes of abstraction that assign identities to subjects in the interest of value's impersonal circulation. She demonstrates that art and abstraction resist modes of production and subjugation at the level of process and form rather than through referential representation. By studying gendered and generalized labor, abstraction, automation, and the worker, Mansoor shifts focus away from ideology, superstructure, and culture toward the ways art indexes crisis and transformation in the political economic base. Ultimately, she traces the outlines of a counterpraxis to capital while demonstrating how artworks give us a way to see through the abstractions of everyday life. This episode was hosted by Asia Adomanis, a PhD student in the Department of History of Art at Ohio State. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

A richly illustrated account of how premodern botanical illustrations document evolving knowledge about plants and the ways they were studied in the past. Botanical Icons: Critical Practices of Illustration in the Premodern Mediterranean (U Chicago Press, 2024) traces the history of botanical illustration in the Mediterranean from antiquity to the early modern period. By examining Greek, Latin, and Arabic botanical inquiry in this early era, Andrew Griebeler shows how diverse and sophisticated modes of plant depiction emerged and ultimately gave rise to practices now recognized as central to modern botanical illustration. The author draws on centuries of remarkable and varied documentation from across Europe and the Mediterranean. Lavishly illustrated, Botanical Icons marshals ample evidence for a dynamic and critical tradition of botanical inquiry and nature observation in the late antique and medieval Mediterranean. The author reveals that many of the critical practices characteristic of modern botanical illustrations began in premodern manuscript culture. Consequently, he demonstrates that the distinctions between pre- and early modern botanical illustration center more on the advent of print, the expansion of collections and documentation, and the narrowing of the range of accepted forms of illustration than on the invention of critical and observational practices exclusive to modernity. Griebeler's emphasis on continuity, intercultural collaboration, and the gradual transformation of Mediterranean traditions of critical botanical illustration persuasively counters previously prevalent narratives of rupture and Western European exceptionalism in the histories of art and science. New Books in Late Antiquity is Presented by Ancient Jew Review. Andrew Griebeler is assistant professor in the depart of Art, Art History and Visual Studies at Duke University. With students and other faculty at Duke, he is also helping to document the legacy of the Duke Herbarium on Instagram (@bluedevil.herbarium) before its closure by the university. Michael Motia teaches in Classics and Religious Studies at UMass Boston. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Transposed Memory: Visual Sites of National Recollection in 20th and 21st Century East Asia (Brill, 2024) explores the visual culture of national recollection in modern and contemporary East Asia by emphasizing memories that are under the continuous process of construction, reinforcement, alteration, resistance, and contestation. Expanding the discussion of memory into visual culture by exploring various visual sites of recollection, and the diverse ways commemoration is represented in visual, cultural, and material forms, this book produces cross-cultural and interdisciplinary conversations on memory and site by bringing together international scholars from the fields of art history, history, architecture, and theater and dance, examining intercultural relationships in East Asia through geopolitical conditions and visual culture.With contributions of Rika Iezumi Hiro, Ruo Jia, Burglind Jungmann, Hong Kal, Stephen McDowall, Alison J. Miller, Jessica Nakamura, Eunyoung Park, Travis Seifman, and Linh D. Vu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Leonard Bernstein, in his famous Norton Lectures, extolled repetition, saying that it gave poetry its musical qualities and that music theorists' refusal to take it seriously did so at their peril. In Play It Again, Sam: Repetition in the Arts (MIT Press, 2025), Samuel Jay Keyser explores in detail the way repetition works in poetry, music, and painting. He argues, for example, that the same cognitive function underlies both how poets write rhyme in metrical verse and the way songwriters like Duke Ellington and Billy Strayhorn (“Satin Doll”) and Richard Rodgers and Lorenz Hart (“My Funny Valentine”) construct their iconic melodies. Furthermore, the repetition found in these tunes can also be found in such classical compositions as Mozart's Rondo alla Turca and his German Dances, as well as in galant music in general.The author also looks at repetition in paintings like Gustave Caillebotte's Rainy Day in Paris, Andy Warhol's Campbell's Soup Cans, and Jackson Pollock's drip paintings. Finally, the photography of Lee Friedlander, Roni Horn, and Osmond Giglia—Giglia's Girls in the Windows is one of the highest-grossing photographs in history—are all shown to be built on repetition in the form of visual rhyme.The book ends with a cognitive conjecture on why repetition has been so prominent in the arts from the Homeric epics through Duke Ellington and beyond. Artists have exploited repetition throughout the ages. The reason why is straightforward: the brain finds the detection of repetition innately pleasurable. Play It Again, Sam offers experimental evidence to support this claim. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Linking histories of women, relationships to the natural environment, material culture and art, in Embroidering the Landscape: Women, Art and the Environment in British North America, 1740–1770 (Lund Humphries, 2023) Dr. Andrea Pappas presents a new, multi-dimensional view of eighteenth-century American culture from a unique perspective. This book investigates how and why women pictured the landscape in their needlework. It explores the ways their embroidered landscapes address the tumultuous environmental history of the period; how their depictions of nature differ from those made by men; and what women's choices of motifs can tell us about their lives and their relationships to nature. Embroidering the Landscape situates these pastoral and georgic needleworks (c. 1740-1775) at the intersection of environmental and social histories, interpreting them through ecocritical and social lenses. Dr. Pappas' investigation draws out connections between women's depicted landscapes and environmental and cultural history at a time when nature itself was a charged arena for changes in agriculture, husbandry, gardening, and the emerging discourses of botany and natural history. Her insights change our understanding of the relationship between culture and the environment in this period and raise new questions about the unrecognized extent of women's engagement with nature and natural science. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

When it comes to Confederate monuments, there is no common ground. Polarizing debates over their meaning have intensified into legislative maneuvering to preserve the statues, legal battles to remove them, and rowdy crowds taking matters into their own hands. These conflicts have raged for well over a century—but they've never been as intense as they are today. In No Common Ground: Confederate Monuments and the Ongoing Fight for Racial Justice (UNC Press, 2021), Dr. Karen L. Cox offers an eye-opening narrative of the efforts to raise, preserve, protest, and remove Confederate monuments. Dr. Cox depicts what these statues meant to those who erected them and how a movement arose to force a reckoning. She shows the forces that drove white southerners to construct beacons of white supremacy, as well as the ways that anti-monument sentiment, largely stifled during the Jim Crow era, returned with the civil rights movement and gathered momentum in the decades after the Voting Rights Act of 1965. Monument defenders responded with gerrymandering and "heritage" laws intended to block efforts to remove these statues, but hard as they worked to preserve the Lost Cause vision of southern history, civil rights activists, Black elected officials, and movements of ordinary people fought harder to take the story back. Timely, accessible, and essential, No Common Ground is the story of the seemingly invincible stone sentinels that are just beginning to fall from their pedestals. Our guest is: Dr. Karen L. Cox, who is professor emeritus of history at the University of North Carolina at Charlotte. Her other books include Dreaming of Dixie: How the South Was Created in American Popular Culture and Dixie's Daughters: The United Daughters of the Confederacy and the Preservation of Confederate Culture. Our host is: Dr. Christina Gessler, who works as a developmental editor for scholars, and is the producer of the Academic Life podcast. Playlist for listeners: Campus Monuments Researching Racial Injustice A Conversation with Curators from the Smithsonian The Names of All the Flowers What Might Be: Confronting Racism to Transform Our Institutions Stolen Fragments Welcome to Academic Life, the podcast for your academic journey—and beyond! You can help support the show by downloading, assigning and sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 250+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Japanese comics, commonly known as manga, are a global sensation. Critics, scholars, and everyday readers have often viewed this artform through an Orientalist framework, treating manga as the exotic antithesis to American and European comics. In reality, the history of manga is deeply intertwined with Japan's avid importation of Western technology and popular culture in the early twentieth century. Comics and the Origins of Manga: A Revisionist History (Rutgers UP, 2021) reveals how popular U.S. comics characters like Jiggs and Maggie, the Katzenjammer Kids, Felix the Cat, and Popeye achieved immense fame in Japan during the 1920s and 1930s. Modern comics had earlier developed in the United States in response to new technologies like motion pictures and sound recording, which revolutionized visual storytelling by prompting the invention of devices like speed lines and speech balloons. As audiovisual entertainment like movies and record players spread through Japan, comics followed suit. Their immediate popularity quickly encouraged Japanese editors and cartoonists to enthusiastically embrace the foreign medium and make it their own, paving the way for manga as we know it today. By challenging the conventional wisdom that manga evolved from centuries of prior Japanese art and explaining why manga and other comics around the world share the same origin story, Comics and the Origins of Manga offers a new understanding of this increasingly influential artform. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art