Podcasts about lax photographs

Nude Reagan (Spurl Editions, 2016) is John Brian King’s second book of photography. His first book, LAX: Photographs of Los Angeles 1980-84, was published by Spurl Editions in 2015. For his most recent book, King photographed twenty-three nude female models with a Fujifilm Instax Mini 8 camera in an empty Palm Springs office space. Each model wore the same Ronald Reagan mask, striking any pose she liked. Deliberately unsettling, these photographs depict Reagan as a demon and specter haunting the modern world. Evoking the dead conservative president, the models wear the hideous dark-eyed mask anemic and wrinkled and morph into unerotic, freakish wraiths. The colors of the photographs accentuate these figures’ eerie qualities: the camera’s unpredictable flash turns the bland office backdrop alternately into a mold green, a muddy gray, a brilliant white, or a dense, all-encompassing black setting. The womens’ shadows are sometimes starkly present, and at other times disappear. King was influenced by such disparate sources as Conrad Veidt’s The Man Who Laughs; Reagan’s own frozen, Brylcreem-lathered countenance; artist Maurizio Cattelan’s sardonic approach to politics in art; and Ralph Eugene Meatyard’s Southern Gothic photographs of masked children. JOHN BRIAN KING is a Los Angeles native who graduated with a degree in photography from the California Institute of the Arts. He designed the film titles for over thirty films, including Boogie Nights, Punch-Drunk Love,and The Ring. He wrote and directed the feature film Redlands, an examination of creativity and horror in relation to photography. His book LAX: Photographs of Los Angeles 1980-84 was featured in the Los Angeles Times, Slate, Impose Magazine, LCeil de la Photographie, Yet Magazine, It’s Nice That, AnOther Magazine, and more. Nude Reagan is available through Spurl Editions. Learn more about your ad choices. Visit megaphone.fm/adchoices

Nude Reagan (Spurl Editions, 2016) is John Brian King’s second book of photography. His first book, LAX: Photographs of Los Angeles 1980-84, was published by Spurl Editions in 2015. For his most recent book, King photographed twenty-three nude female models with a Fujifilm Instax Mini 8 camera in an empty Palm Springs office space. Each model wore the same Ronald Reagan mask, striking any pose she liked. Deliberately unsettling, these photographs depict Reagan as a demon and specter haunting the modern world. Evoking the dead conservative president, the models wear the hideous dark-eyed mask anemic and wrinkled and morph into unerotic, freakish wraiths. The colors of the photographs accentuate these figures’ eerie qualities: the camera’s unpredictable flash turns the bland office backdrop alternately into a mold green, a muddy gray, a brilliant white, or a dense, all-encompassing black setting. The womens’ shadows are sometimes starkly present, and at other times disappear. King was influenced by such disparate sources as Conrad Veidt’s The Man Who Laughs; Reagan’s own frozen, Brylcreem-lathered countenance; artist Maurizio Cattelan’s sardonic approach to politics in art; and Ralph Eugene Meatyard’s Southern Gothic photographs of masked children. JOHN BRIAN KING is a Los Angeles native who graduated with a degree in photography from the California Institute of the Arts. He designed the film titles for over thirty films, including Boogie Nights, Punch-Drunk Love,and The Ring. He wrote and directed the feature film Redlands, an examination of creativity and horror in relation to photography. His book LAX: Photographs of Los Angeles 1980-84 was featured in the Los Angeles Times, Slate, Impose Magazine, LCeil de la Photographie, Yet Magazine, It’s Nice That, AnOther Magazine, and more. Nude Reagan is available through Spurl Editions. Learn more about your ad choices. Visit megaphone.fm/adchoices

Nude Reagan (Spurl Editions, 2016) is John Brian King’s second book of photography. His first book, LAX: Photographs of Los Angeles 1980-84, was published by Spurl Editions in 2015. For his most recent book, King photographed twenty-three nude female models with a Fujifilm Instax Mini 8 camera in an empty Palm Springs office space. Each model wore the same Ronald Reagan mask, striking any pose she liked. Deliberately unsettling, these photographs depict Reagan as a demon and specter haunting the modern world. Evoking the dead conservative president, the models wear the hideous dark-eyed mask anemic and wrinkled and morph into unerotic, freakish wraiths. The colors of the photographs accentuate these figures’ eerie qualities: the camera’s unpredictable flash turns the bland office backdrop alternately into a mold green, a muddy gray, a brilliant white, or a dense, all-encompassing black setting. The womens’ shadows are sometimes starkly present, and at other times disappear. King was influenced by such disparate sources as Conrad Veidt’s The Man Who Laughs; Reagan’s own frozen, Brylcreem-lathered countenance; artist Maurizio Cattelan’s sardonic approach to politics in art; and Ralph Eugene Meatyard’s Southern Gothic photographs of masked children. JOHN BRIAN KING is a Los Angeles native who graduated with a degree in photography from the California Institute of the Arts. He designed the film titles for over thirty films, including Boogie Nights, Punch-Drunk Love,and The Ring. He wrote and directed the feature film Redlands, an examination of creativity and horror in relation to photography. His book LAX: Photographs of Los Angeles 1980-84 was featured in the Los Angeles Times, Slate, Impose Magazine, LCeil de la Photographie, Yet Magazine, It’s Nice That, AnOther Magazine, and more. Nude Reagan is available through Spurl Editions. Learn more about your ad choices. Visit megaphone.fm/adchoices

Nude Reagan (Spurl Editions, 2016) is John Brian King’s second book of photography. His first book, LAX: Photographs of Los Angeles 1980-84, was published by Spurl Editions in 2015. For his most recent book, King photographed twenty-three nude female models with a Fujifilm Instax Mini 8 camera in an empty Palm Springs office space. Each model wore the same Ronald Reagan mask, striking any pose she liked. Deliberately unsettling, these photographs depict Reagan as a demon and specter haunting the modern world. Evoking the dead conservative president, the models wear the hideous dark-eyed mask anemic and wrinkled and morph into unerotic, freakish wraiths. The colors of the photographs accentuate these figures’ eerie qualities: the camera’s unpredictable flash turns the bland office backdrop alternately into a mold green, a muddy gray, a brilliant white, or a dense, all-encompassing black setting. The womens’ shadows are sometimes starkly present, and at other times disappear. King was influenced by such disparate sources as Conrad Veidt’s The Man Who Laughs; Reagan’s own frozen, Brylcreem-lathered countenance; artist Maurizio Cattelan’s sardonic approach to politics in art; and Ralph Eugene Meatyard’s Southern Gothic photographs of masked children. JOHN BRIAN KING is a Los Angeles native who graduated with a degree in photography from the California Institute of the Arts. He designed the film titles for over thirty films, including Boogie Nights, Punch-Drunk Love,and The Ring. He wrote and directed the feature film Redlands, an examination of creativity and horror in relation to photography. His book LAX: Photographs of Los Angeles 1980-84 was featured in the Los Angeles Times, Slate, Impose Magazine, LCeil de la Photographie, Yet Magazine, It’s Nice That, AnOther Magazine, and more. Nude Reagan is available through Spurl Editions. Learn more about your ad choices. Visit megaphone.fm/adchoices

Nude Reagan (Spurl Editions, 2016) is John Brian King’s second book of photography. His first book, LAX: Photographs of Los Angeles 1980-84, was published by Spurl Editions in 2015. For his most recent book, King photographed twenty-three nude female models with a Fujifilm Instax Mini 8 camera in an empty Palm Springs office space. Each model wore the same Ronald Reagan mask, striking any pose she liked. Deliberately unsettling, these photographs depict Reagan as a demon and specter haunting the modern world. Evoking the dead conservative president, the models wear the hideous dark-eyed mask anemic and wrinkled and morph into unerotic, freakish wraiths. The colors of the photographs accentuate these figures’ eerie qualities: the camera’s unpredictable flash turns the bland office backdrop alternately into a mold green, a muddy gray, a brilliant white, or a dense, all-encompassing black setting. The womens’ shadows are sometimes starkly present, and at other times disappear. King was influenced by such disparate sources as Conrad Veidt’s The Man Who Laughs; Reagan’s own frozen, Brylcreem-lathered countenance; artist Maurizio Cattelan’s sardonic approach to politics in art; and Ralph Eugene Meatyard’s Southern Gothic photographs of masked children. JOHN BRIAN KING is a Los Angeles native who graduated with a degree in photography from the California Institute of the Arts. He designed the film titles for over thirty films, including Boogie Nights, Punch-Drunk Love,and The Ring. He wrote and directed the feature film Redlands, an examination of creativity and horror in relation to photography. His book LAX: Photographs of Los Angeles 1980-84 was featured in the Los Angeles Times, Slate, Impose Magazine, LCeil de la Photographie, Yet Magazine, It’s Nice That, AnOther Magazine, and more. Nude Reagan is available through Spurl Editions. Learn more about your ad choices. Visit megaphone.fm/adchoices