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In the Peaceville podcast series, former Peaceville Records employee, Dave Pybus, responsible for the layout and design of many classic titles (and perhaps more widely known for his time with Anathema and Cradle of Filth), discusses his days at the company at the start of the 1990s, and talks with some of the bands and artists from back then, reflecting on the ways of the industry and the changes since. In this latest episode of his 'Peaceville Days' podcast, Pybus talks with Ted Skjellum AKA Nocturno Culto from Norwegian legends Darkthrone about the early days of the band’s recording career and their long-standing association with Peaceville, as well as the evolution of Darkthrone from their death metal beginnings to leaders of the second wave of black metal in the early 90’s. In collaboration with 'Life is a Hideous Thing,' the official Dave Pybus podcast. www.davepybus.blogspot.co.uk
In the Peaceville podcast series, former Peaceville Records employee, Dave Pybus, responsible for the layout and design of many classic titles (and perhaps more widely known for his time with Anathema and Cradle of Filth), discusses his days at the company at the start of the 1990s, and talks with some of the bands and artists from back then, reflecting on the ways of the industry and the changes since. In this latest episode of his 'Peaceville Days' podcast, Pybus catches up with vocalist Tomas Lindberg of influential Swedish death metal masters At the Gates, and discusses the formative years of the band and their Deaf Records/Peaceville legacy, as well as thoughts on At the Gates’ album visual aesthetics, including Tomas’ input in the design of the iconic Darkthrone logo.In collaboration with 'Life is a Hideous Thing,' the official Dave Pybus podcast. www.davepybus.blogspot.co.uk
In the Peaceville podcast series, former Peaceville employee Dave Pybus, responsible for the layout & design of many classic titles (& perhaps more widely known for his time with Anathema & Cradle of Filth), discusses his days at the company at the start of the 1990’s, and talks with some of the bands and artists from back then, reflecting on the ways of the industry and the changes since.In the latest episode of his ‘Peaceville Days’ podcast, Dave catches up with Autopsy’s Chris Reifert to reflect on the historical evolution in regard to censorship, including the often controversial legacy of the US death metal legends & their infamous artwork which at the time was deemed too extreme for the population at large.
In a new Peaceville podcast series, former Peaceville employee Dave Pybus, responsible for the layout & design of many classic titles (& perhaps more widely known for his time with Anathema & Cradle of Filth), discusses his days at the company at the start of the 1990’s, and talks with some of the bands and artists from back then, reflecting on the ways of the industry and the changes since. In this first episode of his ‘Peaceville Days’ podcast, Dave talks with Aaron Stainthorpe of My Dying Bride about the early visions of the band, plus techniques of constructing artwork in the early 90’s, along with some of the tribulations involved in the pre-photoshop era. Also joining the trip down memory lane is a conversation with artist Dave McKean, himself responsible for some of the early iconic My Dying Bride artwork.In collaboration with Life Is a Hideous Thing - The official Dave Pybus Podcast. www.davepybus.blogspot.co.uk/
In a new Peaceville podcast series, former Peaceville employee Dave Pybus, responsible for the layout & design of many classic titles (& perhaps more widely known for his time with Anathema & Cradle of Filth), reflects on his days at the company at the start of the 1990’s, and talks with some of the bands and artists from back then, reflecting on the ways of the industry and the changes since. In this first episode of his ‘Peaceville Days’ podcast, Dave talks with Aaron Stainthorpe of My Dying Bride about the early visions of the band, plus techniques of constructing artwork in the early 90’s, along with some of the tribulations involved in the pre-photoshop era. Also joining the trip down memory lane is a conversation with artist Dave McKean, himself responsible for some of the early iconic My Dying Bride artwork.