Podcasts about Swedish

Send us a textIn this week's Journal Club, Ben and Daphna unpack a series of recent studies exploring outcomes in neonatology—from long-term mortality after severe neonatal morbidity to short-term feeding strategies in preterm infants.They open with a large population-based Swedish study showing that infants who experience severe neonatal morbidities face elevated mortality risks well into adolescence—especially those with neurological complications. The discussion highlights how early-life diagnoses carry weight far beyond the NICU, and how long-term support systems may not be fully equipped to manage that risk.Next, the hosts examine a small German crossover trial on prone positioning, revealing that even simple changes in posture may cut hypoxemic episodes in half. They follow this with a randomized trial comparing dopamine and norepinephrine for neonatal septic shock, a data-heavy look at the nuanced physiology behind first-line interventions.The episode rounds out with studies on cold milk for feeding dysphagia, late-onset sepsis risk with hydrocortisone, the impact of tele-neonatology on cooling time in HIE, and a new meta-analysis on kangaroo care's role in reducing infection.It's a pragmatic, fast-paced overview of recent literature shaping how we care for vulnerable newborns. As always, feel free to send us questions, comments, or suggestions to our email: nicupodcast@gmail.com. You can also contact the show through Instagram or Twitter, @nicupodcast. Or contact Ben and Daphna directly via their Twitter profiles: @drnicu and @doctordaphnamd. The papers discussed in today's episode are listed and timestamped on the webpage linked below. Enjoy!

When Iron Maiden announced they'd be doing the Run For Your Lives Tour in 2025-26, The Wolf & Action Jackson knew they would have to go see a couple of shows. And when there were only European dates announced for 2025, they knew they needed to dust off their passports because there was no way they would be able to wait 2 years to see the boys on what could be their biggest and best (perhaps last?) greatest hits tour ever. So they chose Stockholm as their European venue because 1) They'd never been to Sweden and 2) Iron Maiden played 2 nights there. Plus the Wolf Cub had been promised by her father that he'd take her to see Maiden in Europe once she was old enough (but was she? Swedish authorities didn't think so but we came up with a work-around). Stockholm was an enchanting land full of beautiful people and a packed house full of Iron Maiden fans for 2 nights of heavy metal classics. We were revved up by Lzzy Hale and Halestorm who held their own on the stage and then treated to the best setlist The Wolf has seen in 30 years of seeing the band live. As The Wolf marked his 9th and 10th IM shows, they were the first without Nicko McBrain on the drums as the band introduced Simon Dawson to the family (though most knew him from Steve Harris' side project British Lion). Besides the Eddies who came out to have fun with the band, the real show was the new video screen behind the stage and on the amplifiers. It set the backdrop for the song like showing the Eiffel Tower during Murders in the Rue Morgue or a creepy graveyard for Fear of the Dark. But they also created some more interactive movies for epics like Rhime of the Ancient Mariner and Hallowed Be Thy Name. While the boys played lights out, the screen enhanced the experience and understanding of the lyrics for folks from the front row to the back of the house. Two truly magic nights in Stockholm which only left us wondering when (and where) would we see our heavy metal heroes again. Check out our new website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ugly American Werewolf in London Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LInkTree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Danny Boyle's return to the rage-infected universe delivers a mesmerizing evolution of horror that feels both familiar and startlingly fresh. Set almost three decades after the original outbreak, "28 Years Later" transports viewers to a Britain permanently transformed—where small pockets of humanity cling to existence alongside the changed infected.The film's emotional core centers on Spike, a 12-year-old boy who has never known a world beyond his island community. His coming-of-age journey becomes entangled with his mother's terminal illness, forcing a dangerous expedition to the mainland that reveals how both the infected and survivors have adapted to this broken world. When Spike and his mother encounter an eccentric doctor living among the infected and a mysterious group led by the enigmatic Jimmy, the true horror of what humanity has become emerges.Where "28 Years Later" truly shines is in its seamless blend of intimate character moments with breathtaking horror sequences. The causeway chase through bioluminescent waters, the bone temple's eerie geometry, and the relentless pursuit of the Alpha infected create unforgettable visual moments. Alfie Williams delivers a standout performance as Spike, conveying both childlike vulnerability and burgeoning resilience. Meanwhile, the Swedish survivor provides unexpected moments of dark humor that punctuate the tension without undermining it.Boyle's decision to shoot primarily on iPhone creates an immediacy that places viewers directly into this nightmarish landscape. The freeze-frame moments during violent encounters, the red-tinted night vision sequences, and the haunting musical callbacks to the original film demonstrate a filmmaker operating with absolute confidence. With its powerful exploration of survival, adaptation, and what remains of humanity when civilization falls away, "28 Years Later" stands as not just a worthy sequel but a remarkable horror film in its own right. This is just the beginning of a new journey into the infected world—one that promises to be as thought-provoking as it is terrifying. Head to www.screamsandstreams.com for more information related to our episode.

Between 1945 and 1952, ‘happiness trains' transported 70,000 children from southern to northern Italy to live with wealthier families.It was a scheme organised by the Union of Italian Women and the Italian Communist Party in an attempt to make the lives of southern Italian children better.Ten-year-old Bianca D'Aniello was one of the passengers to travel from Salerno in the south to Mestre in the north where she was looked after by a family with more resources.Bianca's life in Mestre was miserable because of Italy's fascist regime and the devastation her city faced in the wake of World War Two. Her journey was nerve-racking as she jumped on a train for the first time saying goodbye to her mum and siblings. What she didn't realise was what life had in store for her in her new life.Bianca speaks to Natasha Fernandes about how that ‘happiness train' changed her life forever. Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from football in Brazil, the history of the ‘Indian Titanic' and the invention of air fryers, to Public Enemy's Fight The Power, subway art and the political crisis in Georgia. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: visionary architect Antoni Gaudi and the design of the Sagrada Familia; Michael Jordan and his bespoke Nike trainers; Princess Diana at the Taj Mahal; and Görel Hanser, manager of legendary Swedish pop band Abba on the influence they've had on the music industry. You can learn all about fascinating and surprising stories, such as the time an Iraqi journalist hurled his shoes at the President of the United States in protest of America's occupation of Iraq; the creation of the Hollywood commercial that changed advertising forever; and the ascent of the first Aboriginal MP.(Photo: Children on board an Italian 'happiness train' kiss and wave goodbye to their parents. Credit: Instituto Storico Modena)

Let's talk about why speed work is essential to getting faster. Speed workouts are designed to increase your running efficiency, improve your VO2 max (which is your aerobic capacity), and train your body to run faster while using less energy.The goal isn't just to get faster during speed workouts, but to make you a stronger, more efficient runner across all distances. So, even if you're training for a marathon, incorporating speed work will help you maintain a faster pace on race day.

Fast fashion may move quickly, but the numbers don’t lie—and H&M’s latest earnings report just hit the runway. In a world where shoppers are pickier, trends are fleeting, and sustainability is no longer optional, even retail giants are feeling the pressure to reinvent. So how’s H&M holding up? Are they strutting confidently into the future—or stitching together a last-season strategy? Join Dan Koh and Audrey Siek as they dig into the Swedish fashion giant’s financials to see what’s working, what’s wearing thin, and what it tells us about the state of the retail industry.See omnystudio.com/listener for privacy information.

When the Medellin Metro opened in 1995, the Colombian city had recently been called the “murder capital of the world” due to the high homicide rate caused by Pablo Escobar's drug wars. The network has grown to include a large cable car network which stretches to the neighbourhoods built into the sides of mountains that surround Medellin. It has helped transform the city into a tourist hot-spot – something unimaginable 30 years ago. Tim O'Callaghan has been speaking to Tomas Andreas Elejalde, who is the general manager of the Metro. Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from football in Brazil, the history of the ‘Indian Titanic' and the invention of air fryers, to Public Enemy's Fight The Power, subway art and the political crisis in Georgia. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: visionary architect Antoni Gaudi and the design of the Sagrada Familia; Michael Jordan and his bespoke Nike trainers; Princess Diana at the Taj Mahal; and Görel Hanser, manager of legendary Swedish pop band Abba on the influence they've had on the music industry. You can learn all about fascinating and surprising stories, such as the time an Iraqi journalist hurled his shoes at the President of the United States in protest of America's occupation of Iraq; the creation of the Hollywood commercial that changed advertising forever; and the ascent of the first Aboriginal MP.(Photo: The metro cable above the city of Medellin. Credit: RAUL ARBOLEDA/AFP via Getty Images)

When Iron Maiden announced they'd be doing the Run For Your Lives Tour in 2025-26, The Wolf & Action Jackson knew they would have to go see a couple of shows. And when there were only European dates announced for 2025, they knew they needed to dust off their passports because there was no way they would be able to wait 2 years to see the boys on what could be their biggest and best (perhaps last?) greatest hits tour ever. So they chose Stockholm as their European venue because 1) They'd never been to Sweden and 2) Iron Maiden played 2 nights there. Plus the Wolf Cub had been promised by her father that he'd take her to see Maiden in Europe once she was old enough (but was she? Swedish authorities didn't think so but we came up with a work-around). Stockholm was an enchanting land full of beautiful people and a packed house full of Iron Maiden fans for 2 nights of heavy metal classics. We were revved up by Lzzy Hale and Halestorm who held their own on the stage and then treated to the best setlist The Wolf has seen in 30 years of seeing the band live. As The Wolf marked his 9th and 10th IM shows, they were the first without Nicko McBrain on the drums as the band introduced Simon Dawson to the family (though most knew him from Steve Harris' side project British Lion). Besides the Eddies who came out to have fun with the band, the real show was the new video screen behind the stage and on the amplifiers. It set the backdrop for the song like showing the Eiffel Tower during Murders in the Rue Morgue or a creepy graveyard for Fear of the Dark. But they also created some more interactive movies for epics like Rhime of the Ancient Mariner and Hallowed Be Thy Name. While the boys played lights out, the screen enhanced the experience and understanding of the lyrics for folks from the front row to the back of the house. Two truly magic nights in Stockholm which only left us wondering when (and where) would we see our heavy metal heroes again. Check out our new website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ugly American Werewolf in London Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LInkTree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Want to grow your fashion brand? Apply for a FREE one-on-one coaching call with us: https://calendly.com/estebanjulian/advanced-brand-coaching-call If you don't know ATP, ATP is a very successful Swedish fashion brand that was built with actual strategy. They started with a single product. No outside capital. No hype. Just a clear idea, a defined customer, and the discipline to stay focused. Myla also spent years behind some of Sweden's biggest fashion brands like Filipa K and TOTEME before launching ATP, and what she shares in this conversation is a clear blue for how to build something that actually lasts. We talked about how to define product DNA, how to grow without losing your identity, what real sustainability looks like in practice—not marketing—and why focus is the most underused tool in this industry.

In June 1968, Senator Robert Kennedy was killed during his campaign for the American presidency.There was nationwide mourning with huge crowds lining the tracks for his funeral train, as it travelled from New York to Washington DC. In 2012, Simon Watts spoke to Kennedy's former press secretary Frank Mankiewicz and to his former bodyguard Rosey Grier. Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from football in Brazil, the history of the ‘Indian Titanic' and the invention of air fryers, to Public Enemy's Fight The Power, subway art and the political crisis in Georgia. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: visionary architect Antoni Gaudi and the design of the Sagrada Familia; Michael Jordan and his bespoke Nike trainers; Princess Diana at the Taj Mahal; and Görel Hanser, manager of legendary Swedish pop band Abba on the influence they've had on the music industry. You can learn all about fascinating and surprising stories, such as the time an Iraqi journalist hurled his shoes at the President of the United States in protest of America's occupation of Iraq; the creation of the Hollywood commercial that changed advertising forever; and the ascent of the first Aboriginal MP.(Photo: Robert Kennedy funeral train. Credit: Getty Images)

It's been more than 25 years since the Swedish hardcore punk band Refused released their seminal album, “The Shape of Punk to Come.” Their most famous song from that album, “New Noise,” has been called a political anthem and a protest song. It's been used in the Palme d'Or'-winning film “Triangle of Sadness” as well as in the hit show “The Bear.” Last year, frontman Dennis Lyxzén of Refused joined Tom Power to tell us how “New Noise” became a global hit after the band had already called it quits.

Worn and weary, the Wizard enters the final stage of the quest, letting go of all he thought he once knew and opening himself up to even greater uncertainty as he encounters the mysterious Tom10, a one-eyed gnome masquerading as a Swedish graffiti artist. Tune into Tom10's vibrations at: https://www.instagram.com/eyegnome/ Follow along with the Wizard's quest adventures and get more magical bonus content by joining the ritual at: www.patreon.com/thispodcastisaritual

On 11 September 1951, the 9.55am train from Prague to Aš, in Communist Czechoslovakia was hijacked and driven to freedom in West Germany. One hundred and eleven people were on board and 34 of them never returned, starting new lives on the other side of the Iron Curtain.The remaining 77 returned to Czechoslovakia to face state security, the Státní bezpečnost, and many were jailed.Rachel Naylor uses an archive interview with Karel Ruml, one of the hijackers, who went on to move to the United States.Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from football in Brazil, the history of the ‘Indian Titanic' and the invention of air fryers, to Public Enemy's Fight The Power, subway art and the political crisis in Georgia. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: visionary architect Antoni Gaudi and the design of the Sagrada Familia; Michael Jordan and his bespoke Nike trainers; Princess Diana at the Taj Mahal; and Görel Hanser, manager of legendary Swedish pop band Abba on the influence they've had on the music industry. You can learn all about fascinating and surprising stories, such as the time an Iraqi journalist hurled his shoes at the President of the United States in protest of America's occupation of Iraq; the creation of the Hollywood commercial that changed advertising forever; and the ascent of the first Aboriginal MP.(Photo: A steam train in Czechoslovakia in 1960. Credit: Alamy)

LynnAnne Vesper has been a canoe guide for over 20 years. She also speaks French and Swedish, is a Fur Trade history buff, and on her days off enjoys what she calls "Extreme Day Trips" in the Boundary Waters. LynnAnne has been steering canoes since she was 10 and last year she completed a "dream" canoe trip of the Border Route, along with a group of women representing six generations from their 20s to their 70s, including her mother Bonnie, who was 79 when they made the trip.

discover effective strategies and tips for learning Swedish

For those who haven't heard the announcement I posted, songs from this point on will sometimes be split among multiple episodes, so this is the second part of a two-episode look at the song “Who Knows Where The Time Goes?” by Fairport Convention, and the intertwining careers of Joe Boyd, Sandy Denny, and Richard Thompson. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a forty-one-minute bonus episode available, on Judy Collins’ version of this song. Tilt Araiza has assisted invaluably by editing, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Erratum For about an hour this was uploaded with the wrong Elton John clip in place of “Saturday Sun”. This has now been fixed. Resources Because of the increasing problems with Mixcloud’s restrictions, I have decided to start sharing streaming playlists of the songs used in episodes instead of Mixcloud ones. This Tunemymusic link will let you listen to the playlist I created on your streaming platform of choice — however please note that not all the songs excerpted are currently available on streaming. The songs missing from the Tidal version are “Shanten Bells” by the Ian Campbell Folk Group, “Tom’s Gone to Hilo” by A.L. Lloyd, two by Paul McNeill and Linda Peters, three by Elton John & Linda Peters, “What Will I Do With Tomorrow” by Sandy Denny and “You Never Know” by Charlie Drake, but the other fifty-nine are there. Other songs may be missing from other services. The main books I used on Fairport Convention as a whole were Patrick Humphries' Meet On The Ledge, Clinton Heylin's What We Did Instead of Holidays, and Kevan Furbank's Fairport Convention on Track. Rob Young's Electric Eden is the most important book on the British folk-rock movement. Information on Richard Thompson comes from Patrick Humphries' Richard Thompson: Strange Affair and Thompson's own autobiography Beeswing.  Information on Sandy Denny comes from Clinton Heylin's No More Sad Refrains and Mick Houghton's I've Always Kept a Unicorn. I also used Joe Boyd's autobiography White Bicycles and Chris Blackwell's The Islander.  And this three-CD set is the best introduction to Fairport's music currently in print. Transcript Before we begin, this episode contains reference to alcohol and cocaine abuse and medical neglect leading to death. It also starts with some discussion of the fatal car accident that ended last episode. There’s also some mention of child neglect and spousal violence. If that’s likely to upset you, you might want to skip this episode or read the transcript. One of the inspirations for this podcast when I started it back in 2018 was a project by Richard Thompson, which appears (like many things in Thompson’s life) to have started out of sheer bloody-mindedness. In 1999 Playboy magazine asked various people to list their “songs of the Millennium”, and most of them, understanding the brief, chose a handful of songs from the latter half of the twentieth century. But Thompson determined that he was going to list his favourite songs *of the millennium*. He didn’t quite manage that, but he did cover seven hundred and forty years, and when Playboy chose not to publish it, he decided to turn it into a touring show, in which he covered all his favourite songs from “Sumer Is Icumen In” from 1260: [Excerpt: Richard Thompson, “Sumer is Icumen In”] Through numerous traditional folk songs, union songs like “Blackleg Miner”, pieces by early-modern composers, Victorian and Edwardian music hall songs, and songs by the Beatles, the Ink Spots, the Kinks, and the Who, all the way to “Oops! I Did It Again”: [Excerpt: Richard Thompson, “Oops! I Did it Again”] And to finish the show, and to show how all this music actually ties together, he would play what he described as a “medieval tune from Brittany”, “Marry, Ageyn Hic Hev Donne Yt”: [Excerpt: Richard Thompson, “Marry, Ageyn Hic Hev Donne Yt”] We have said many times in this podcast that there is no first anything, but there’s a reason that Liege and Lief, Fairport Convention’s third album of 1969, and the album other than Unhalfbricking on which their reputation largely rests, was advertised with the slogan “The first (literally) British folk rock album ever”. Folk-rock, as the term had come to be known, and as it is still usually used today, had very little to do with traditional folk music. Rather, the records of bands like The Byrds or Simon and Garfunkel were essentially taking the sounds of British beat groups of the early sixties, particularly the Searchers, and applying those sounds to material by contemporary singer-songwriters. People like Paul Simon and Bob Dylan had come up through folk clubs, and their songs were called folk music because of that, but they weren’t what folk music had meant up to that point — songs that had been collected after being handed down through the folk process, changed by each individual singer, with no single identifiable author. They were authored songs by very idiosyncratic writers. But over their last few albums, Fairport Convention had done one or two tracks per album that weren’t like that, that were instead recordings of traditional folk songs, but arranged with rock instrumentation. They were not necessarily the first band to try traditional folk music with electric instruments — around the same time that Fairport started experimenting with the idea, so did an Irish band named Sweeney’s Men, who brought in a young electric guitarist named Henry McCullough briefly. But they do seem to have been the first to have fully embraced the idea. They had done so to an extent with “A Sailor’s Life” on Unhalfbricking, but now they were going to go much further: [Excerpt: Fairport Convention, “Matty Groves” (from about 4:30)] There had been some doubt as to whether Fairport Convention would even continue to exist — by the time Unhalfbricking, their second album of the year, was released, they had been through the terrible car accident that had killed Martin Lamble, the band’s drummer, and Jeannie Franklyn, Richard Thompson’s girlfriend. Most of the rest of the band had been seriously injured, and they had made a conscious decision not to discuss the future of the band until they were all out of hospital. Ashley Hutchings was hospitalised the longest, and Simon Nicol, Richard Thompson, and Sandy Denny, the other three surviving members of the band, flew over to LA with their producer and manager, Joe Boyd, to recuperate there and get to know the American music scene. When they came back, the group all met up in the flat belonging to Denny’s boyfriend Trevor Lucas, and decided that they were going to continue the band. They made a few decisions then — they needed a new drummer, and as well as a drummer they wanted to get in Dave Swarbrick. Swarbrick had played violin on several tracks on Unhalfbricking as a session player, and they had all been thrilled to work with him. Swarbrick was one of the most experienced musicians on the British folk circuit. He had started out in the fifties playing guitar with Beryl Marriott’s Ceilidh Band before switching to fiddle, and in 1963, long before Fairport had formed, he had already appeared on TV with the Ian Campbell Folk Group, led by Ian Campbell, the father of Ali and Robin Campbell, later of UB40: [Excerpt: The Ian Campbell Folk Group, “Shanten Bells (medley on Hullaballoo!)”] He’d sung with Ewan MacColl and A.L. Lloyd: [Excerpt: A.L. Lloyd, “Tom’s Gone to Hilo” ] And he’d formed his hugely successful duo with Martin Carthy, releasing records like “Byker Hill” which are often considered among the best British folk music of all time: [Excerpt: Martin Carthy and Dave Swarbrick, “Byker Hill”] By the time Fairport had invited him to play on Unhalfbricking, Swarbrick had already performed on twenty albums as a core band member, plus dozens more EPs, singles, and odd tracks on compilations. They had no reason to think they could actually get him to join their band. But they had three advantages. The first was that Swarbrick was sick of the traditional folk scene at the time, saying later “I didn’t like seven-eighths of the people involved in it, and it was extremely opportune to leave. I was suddenly presented with the possibilities of exploring the dramatic content of the songs to the full.” The second was that he was hugely excited to be playing with Richard Thompson, who was one of the most innovative guitarists of his generation, and Martin Carthy remembers him raving about Thompson after their initial sessions. (Carthy himself was and is no slouch on the guitar of course, and there was even talk of getting him to join the band at this point, though they decided against it — much to the relief of rhythm guitarist Simon Nicol, who is a perfectly fine player himself but didn’t want to be outclassed by *two* of the best guitarists in Britain at the same time). And the third was that Joe Boyd told him that Fairport were doing so well — they had a single just about to hit the charts with “Si Tu Dois Partir” — that he would only have to play a dozen gigs with Fairport in order to retire. As it turned out, Swarbrick would play with the group for a decade, and would never retire — I saw him on his last tour in 2015, only eight months before he died. The drummer the group picked was also a far more experienced musician than any of the rest, though in a very different genre. Dave Mattacks had no knowledge at all of the kind of music they played, having previously been a player in dance bands. When asked by Hutchings if he wanted to join the band, Mattacks’ response was “I don’t know anything about the music. I don’t understand it… I can’t tell one tune from another, they all sound the same… but if you want me to join the group, fine, because I really like it. I’m enjoying myself musically.” Mattacks brought a new level of professionalism to the band, thanks to his different background. Nicol said of him later “He was dilligent, clean, used to taking three white shirts to a gig… The application he could bring to his playing was amazing. With us, you only played well when you were feeling well.” This distinction applied to his playing as well. Nicol would later describe the difference between Mattacks’ drumming and Lamble’s by saying “Martin’s strength was as an imaginative drummer. DM came in with a strongly developed sense of rhythm, through keeping a big band of drunken saxophone players in order. A great time-keeper.” With this new line-up and a new sense of purpose, the group did as many of their contemporaries were doing and “got their heads together in the country”. Joe Boyd rented the group a mansion, Farley House, in Farley Chamberlayne, Hampshire, and they stayed there together for three months. At the start, the group seem to have thought that they were going to make another record like Unhalfbricking, with some originals, some songs by American songwriters, and a few traditional songs. Even after their stay in Farley Chamberlayne, in fact, they recorded a few of the American songs they’d rehearsed at the start of the process, Richard Farina’s “Quiet Joys of Brotherhood” and Bob Dylan and Roger McGuinn’s “Ballad of Easy Rider”: [Excerpt: Fairport Convention, “Ballad of Easy Rider”] Indeed, the whole idea of “getting our heads together in the country” (as the cliche quickly became in the late sixties as half of the bands in Britain went through much the same kind of process as Fairport were doing — but usually for reasons more to do with drug burnout or trend following than recovering from serious life-changing trauma) seems to have been inspired by Bob Dylan and the Band getting together in Big Pink. But very quickly they decided to follow the lead of Ashley Hutchings, who had had something of a Damascene conversion to the cause of traditional English folk music. They were listening mostly to Music From Big Pink by the Band, and to the first album by Sweeney’s Men: [Excerpt: Sweeney’s Men, “The Handsome Cabin Boy”] And they decided that they were going to make something that was as English as those records were North American and Irish (though in the event there were also a few Scottish songs included on the record). Hutchings in particular was becoming something of a scholar of traditional music, regularly visiting Cecil Sharp House and having long conversations with A.L. Lloyd, discovering versions of different traditional songs he’d never encountered before. This was both amusing and bemusing Sandy Denny, who had joined a rock group in part to get away from traditional music; but she was comfortable singing the material, and knew a lot of it and could make a lot of suggestions herself. Swarbrick obviously knew the repertoire intimately, and Nicol was amenable, while Mattacks was utterly clueless about the folk tradition at this point but knew this was the music he wanted to make. Thompson knew very little about traditional music, and of all the band members except Denny he was the one who has shown the least interest in the genre in his subsequent career — but as we heard at the beginning, showing the least interest in the genre is a relative thing, and while Thompson was not hugely familiar with the genre, he *was* able to work with it, and was also more than capable of writing songs that fit in with the genre. Of the eleven songs on the album, which was titled Liege and Lief (which means, roughly, Lord and Loyalty), there were no cover versions of singer-songwriters. Eight were traditional songs, and three were originals, all written in the style of traditional songs. The album opened with “Come All Ye”, an introduction written by Denny and Hutchings (the only time the two would ever write together): [Excerpt: Fairport Convention, “Come All Ye”] The other two originals were songs where Thompson had written new lyrics to traditional melodies. On “Crazy Man Michael”, Swarbrick had said to Thompson that the tune to which he had set his new words was weaker than the lyrics, to which Thompson had replied that if Swarbrick felt that way he should feel free to write a new melody. He did, and it became the first of the small number of Thompson/Swarbrick collaborations: [Excerpt: Fairport Convention, “Crazy Man Michael”] Thompson and Swarbrick would become a brief songwriting team, but as much as anything else it was down to proximity — the two respected each other as musicians, but never got on very well. In 1981 Swarbrick would say “Richard and I never got on in the early days of FC… we thought we did, but we never did. We composed some bloody good songs together, but it was purely on a basis of “you write that and I’ll write this, and we’ll put it together.” But we never sat down and had real good chats.” The third original on the album, and by far the most affecting, is another song where Thompson put lyrics to a traditional tune. In this case he thought he was putting the lyrics to the tune of “Willie O'Winsbury”, but he was basing it on a recording by Sweeney’s Men. The problem was that Sweeney’s Men had accidentally sung the lyrics of “Willie O'Winsbury'” to the tune of a totally different song, “Fause Foodrage”: [Excerpt: Sweeney’s Men, “Willie O’Winsbury”] Thompson took that melody, and set to it lyrics about loss and separation. Thompson has never been one to discuss the meanings of his lyrics in any great detail, and in the case of this one has said “I really don't know what it means. This song came out of a dream, and I pretty much wrote it as I dreamt it (it was the sixties), and didn't spend very long analyzing it. So interpret as you wish – or replace with your own lines.” But in the context of the traffic accident that had killed his tailor girlfriend and a bandmate, and injured most of his other bandmates, the lyrics about lonely travellers, the winding road, bruised and beaten sons, saying goodbye, and never cutting cloth, seem fairly self-explanatory: [Excerpt: Fairport Convention, “Farewell, Farewell”] The rest of the album, though, was taken up by traditional tunes. There was a long medley of four different fiddle reels; a version of “Reynardine” (a song about a seductive man — or is he a fox? Or perhaps both — which had been recorded by Swarbrick and Carthy on their most recent album); a 19th century song about a deserter saved from the firing squad by Prince Albert; and a long take on “Tam Lin”, one of the most famous pieces in the Scottish folk music canon, a song that has been adapted in different ways by everyone from the experimental noise band Current 93 to the dub poet Benjamin Zephaniah to the comics writer Grant Morrison: [Excerpt: Fairport Convention, “Tam Lin”] And “Matty Groves”, a song about a man killing his cheating wife and her lover, which actually has a surprisingly similar story to that of “1921” from another great concept album from that year, the Who’s Tommy. “Matty Groves” became an excuse for long solos and shows of instrumental virtuosity: [Excerpt: Fairport Convention, “Matty Groves”] The album was recorded in September 1969, after their return from their break in the country and a triumphal performance at the Royal Festival Hall, headlining over fellow Witchseason artists John and Beverly Martyn and Nick Drake. It became a classic of the traditional folk genre — arguably *the* classic of the traditional folk genre. In 2007 BBC Radio 2’s Folk Music Awards gave it an award for most influential folk album of all time, and while such things are hard to measure, I doubt there’s anyone with even the most cursory knowledge of British folk and folk-rock music who would not at least consider that a reasonable claim. But once again, by the time the album came out in November, the band had changed lineups yet again. There was a fundamental split in the band – on one side were Sandy Denny and Richard Thompson, whose stance was, roughly, that Liege and Lief was a great experiment and a fun thing to do once, but really the band had two first-rate songwriters in themselves, and that they should be concentrating on their own new material, not doing these old songs, good as they were. They wanted to take the form of the traditional songs and use that form for new material — they wanted to make British folk-rock, but with the emphasis on the rock side of things. Hutchings, on the other hand, was equally sure that he wanted to make traditional music and go further down the rabbit hole of antiquity. With the zeal of the convert he had gone in a couple of years from being the leader of a band who were labelled “the British Jefferson Airplane” to becoming a serious scholar of traditional folk music. Denny was tired of touring, as well — she wanted to spend more time at home with Trevor Lucas, who was sleeping with other women when she was away and making her insecure. When the time came for the group to go on a tour of Denmark, Denny decided she couldn’t make it, and Hutchings was jubilant — he decided he was going to get A.L. Lloyd into the band in her place and become a *real* folk group. Then Denny reconsidered, and Hutchings was crushed. He realised that while he had always been the leader, he wasn’t going to be able to lead the band any further in the traditionalist direction, and quit the group — but not before he was delegated by the other band members to fire Denny. Until the publication of Richard Thompson’s autobiography in 2022, every book on the group or its members said that Denny quit the band again, which was presumably a polite fiction that the band agreed, but according to Thompson “Before we flew home, we decided to fire Sandy. I don't remember who asked her to leave – it was probably Ashley, who usually did the dirty work. She was reportedly shocked that we would take that step. She may have been fragile beneath the confident facade, but she still knew her worth.” Thompson goes on to explain that the reasons for kicking her out were that “I suppose we felt that in her mind she had already left” and that “We were probably suffering from post-traumatic stress disorder, though there wasn't a name for it back then.” They had considered inviting Trevor Lucas to join the band to make Denny more comfortable, but came to the (probably correct) conclusion that while he was someone they got on well with personally, he would be another big ego in a band that already had several, and that being around Denny and Lucas’ volatile relationship would, in Thompson’s phrasing, “have not always given one a feeling of peace and stability.” Hutchings originally decided he was going to join Sweeney’s Men, but that group were falling apart, and their first rehearsal with Hutchings would also be their last as a group, with only Hutchings and guitarist and mandolin player Terry Woods left in the band. They added Woods’ wife Gay, and another couple, Tim Hart and Maddy Prior, and formed a group called Steeleye Span, a name given them by Martin Carthy. That group, like Fairport, went to “get their heads together in the country” for three months and recorded an album of electric versions of traditional songs, Hark the Village Wait, on which Mattacks and another drummer, Gerry Conway, guested as Steeleye Span didn’t at the time have their own drummer: [Excerpt: Steeleye Span, “Blackleg Miner”] Steeleye Span would go on to have a moderately successful chart career in the seventies, but by that time most of the original lineup, including Hutchings, had left — Hutchings stayed with them for a few albums, then went on to form the first of a series of bands, all called the Albion Band or variations on that name, which continue to this day. And this is something that needs to be pointed out at this point — it is impossible to follow every single individual in this narrative as they move between bands. There is enough material in the history of the British folk-rock scene that someone could do a 500 Songs-style podcast just on that, and every time someone left Fairport, or Steeleye Span, or the Albion Band, or Matthews’ Southern Comfort, or any of the other bands we have mentioned or will mention, they would go off and form another band which would then fission, and some of its members would often join one of those other bands. There was a point in the mid-1970s where the Albion Band had two original members of Fairport Convention while Fairport Convention had none. So just in order to keep the narrative anything like wieldy, I’m going to keep the narrative concentrated on the two figures from Fairport — Sandy Denny and Richard Thompson — whose work outside the group has had the most influence on the wider world of rock music more broadly, and only deal with the other members when, as they often did, their careers intersected with those two. That doesn’t mean the other members are not themselves hugely important musicians, just that their importance has been primarily to the folk side of the folk-rock genre, and so somewhat outside the scope of this podcast. While Hutchings decided to form a band that would allow him to go deeper and deeper into traditional folk music, Sandy Denny’s next venture was rather different. For a long time she had been writing far more songs than she had ever played for her bandmates, like “Nothing More”, a song that many have suggested is about Thompson: [Excerpt: Fotheringay, “Nothing More”] When Joe Boyd heard that Denny was leaving Fairport Convention, he was at first elated. Fairport’s records were being distributed by A&M in the US at that point, but Island Records was in the process of opening up a new US subsidiary which would then release all future Fairport product — *but*, as far as A&M were concerned, Sandy Denny *was* Fairport Convention. They were only interested in her. Boyd, on the other hand, loved Denny’s work intensely, but from his point of view *Richard Thompson* was Fairport Convention. If he could get Denny signed directly to A&M as a solo artist before Island started its US operations, Witchseason could get a huge advance on her first solo record, while Fairport could continue making records for Island — he’d have two lucrative acts, on different labels. Boyd went over and spoke to A&M and got an agreement in principle that they would give Denny a forty-thousand-dollar advance on her first solo album — twice what they were paying for Fairport albums. The problem was that Denny didn’t want to be a solo act. She wanted to be the lead singer of a band. She gave many reasons for this — the one she gave to many journalists was that she had seen a Judy Collins show and been impressed, but noticed that Collins’ band were definitely a “backing group”, and as she put it “But that's all they were – a backing group. I suddenly thought, If you're playing together on a stage you might as well be TOGETHER.” Most other people in her life, though, say that the main reason for her wanting to be in a band was her desire to be with her boyfriend, Trevor Lucas. Partly this was due to a genuine desire to spend more time with someone with whom she was very much in love, partly it was a fear that he would cheat on her if she was away from him for long periods of time, and part of it seems to have been Lucas’ dislike of being *too* overshadowed by his talented girlfriend — he didn’t mind acknowledging that she was a major talent, but he wanted to be thought of as at least a minor one. So instead of going solo, Denny formed Fotheringay, named after the song she had written for Fairport. This new band consisted at first of Denny on vocals and occasional piano, Lucas on vocals and rhythm guitar, and Lucas’ old Eclection bandmate Gerry Conway on drums. For a lead guitarist, they asked Richard Thompson who the best guitarist in Britain was, and he told them Albert Lee. Lee in turn brought in bass player Pat Donaldson, but this lineup of the band barely survived a fortnight. Lee *was* arguably the best guitarist in Britain, certainly a reasonable candidate if you could ever have a singular best (as indeed was Thompson himself), but he was the best *country* guitarist in Britain, and his style simply didn’t fit with Fotheringay’s folk-influenced songs. He was replaced by American guitarist Jerry Donahue, who was not anything like as proficient as Lee, but who was still very good, and fit the band’s style much better. The new group rehearsed together for a few weeks, did a quick tour, and then went into the recording studio to record their debut, self-titled, album. Joe Boyd produced the album, but admitted himself that he only paid attention to those songs he considered worthwhile — the album contained one song by Lucas, “The Ballad of Ned Kelly”, and two cover versions of American singer-songwriter material with Lucas singing lead. But everyone knew that the songs that actually *mattered* were Sandy Denny’s, and Boyd was far more interested in them, particularly the songs “The Sea” and “The Pond and the Stream”: [Excerpt: Fotheringay, “The Pond and the Stream”] Fotheringay almost immediately hit financial problems, though. While other Witchseason acts were used to touring on the cheap, all packed together in the back of a Transit van with inexpensive equipment, Trevor Lucas had ambitions of being a rock star and wanted to put together a touring production to match, with expensive transport and equipment, including a speaker system that got nicknamed “Stonehenge” — but at the same time, Denny was unhappy being on the road, and didn’t play many gigs. As well as the band itself, the Fotheringay album also featured backing vocals from a couple of other people, including Denny’s friend Linda Peters. Peters was another singer from the folk clubs, and a good one, though less well-known than Denny — at this point she had only released a couple of singles, and those singles seemed to have been as much as anything else released as a novelty. The first of those, a version of Dylan’s “You Ain’t Goin’ Nowhere” had been released as by “Paul McNeill and Linda Peters”: [Excerpt: Paul McNeill and Linda Peters, “You Ain’t Goin’ Nowhere”] But their second single, a version of John D. Loudermilk’s “You’re Taking My Bag”, was released on the tiny Page One label, owned by Larry Page, and was released under the name “Paul and Linda”, clearly with the intent of confusing particularly gullible members of the record-buying public into thinking this was the McCartneys: [Excerpt: Paul and Linda, “You’re Taking My Bag”] Peters was though more financially successful than almost anyone else in this story, as she was making a great deal of money as a session singer. She actually did another session involving most of Fotheringay around this time. Witchseason had a number of excellent songwriters on its roster, and had had some success getting covers by people like Judy Collins, but Joe Boyd thought that they might possibly do better at getting cover versions if they were performed in less idiosyncratic arrangements. Donahue, Donaldson, and Conway went into the studio to record backing tracks, and vocals were added by Peters and another session singer, who according to some sources also provided piano. They cut songs by Mike Heron of the Incredible String Band: [Excerpt: Linda Peters, “You Get Brighter”] Ed Carter, formerly of The New Nadir but by this time firmly ensconced in the Beach Boys’ touring band where he would remain for the next quarter-century: [Excerpt: Linda Peters, “I Don’t Mind”] John and Beverly Martyn, and Nick Drake: [Excerpt: Elton John, “Saturday Sun”] There are different lineups of musicians credited for those sessions in different sources, but I tend to believe that it’s mostly Fotheringay for the simple reason that Donahue says it was him, Donaldson and Conway who talked Lucas and Denny into the mistake that destroyed Fotheringay because of these sessions. Fotheringay were in financial trouble already, spending far more money than they were bringing in, but their album made the top twenty and they were getting respect both from critics and from the public — in September, Sandy Denny was voted best British female singer by the readers of Melody Maker in their annual poll, which led to shocked headlines in the tabloids about how this “unknown” could have beaten such big names as Dusty Springfield and Cilla Black. Only a couple of weeks after that, they were due to headline at the Albert Hall. It should have been a triumph. But Donahue, Donaldson, and Conway had asked that singing pianist to be their support act. As Donahue said later “That was a terrible miscast. It was our fault. He asked if [he] could do it. Actually Pat, Gerry and I had to talk Sandy and Trevor into [it]… We'd done these demos and the way he was playing – he was a wonderful piano player – he was sensitive enough. We knew very little about his stage-show. We thought he'd be a really good opener for us.” Unfortunately, Elton John was rather *too* good. As Donahue continued “we had no idea what he had in mind, that he was going to do the most incredible rock & roll show ever. He pretty much blew us off the stage before we even got on the stage.” To make matters worse, Fotheringay’s set, which was mostly comprised of new material, was underrehearsed and sloppy, and from that point on no matter what they did people were counting the hours until the band split up. They struggled along for a while though, and started working on a second record, with Boyd again producing, though as Boyd later said “I probably shouldn't have been producing the record. My lack of respect for the group was clear, and couldn't have helped the atmosphere. We'd put out a record that had sold disappointingly, A&M was unhappy. Sandy's tracks on the first record are among the best things she ever did – the rest of it, who cares? And the artwork, Trevor's sister, was terrible. It would have been one thing if I'd been unhappy with it and it sold, and the group was working all the time, making money, but that wasn't the case … I knew what Sandy was capable of, and it was very upsetting to me.” The record would not be released for thirty-eight years: [Excerpt: Fotheringay, “Wild Mountain Thyme”] Witchseason was going badly into debt. Given all the fissioning of bands that we’ve already been talking about, Boyd had been stretched thin — he produced sixteen albums in 1970, and almost all of them lost money for the company. And he was getting more and more disillusioned with the people he was producing. He loved Beverly Martyn’s work, but had little time for her abusive husband John, who was dominating her recording and life more and more and would soon become a solo artist while making her stay at home (and stealing her ideas without giving her songwriting credit). The Incredible String Band were great, but they had recently converted to Scientology, which Boyd found annoying, and while he was working with all sorts of exciting artists like Vashti Bunyan and Nico, he was finding himself less and less important to the artists he mentored. Fairport Convention were a good example of this. After Denny and Hutchings had left the group, they’d decided to carry on as an electric folk group, performing an equal mix of originals by the Swarbrick and Thompson songwriting team and arrangements of traditional songs. The group were now far enough away from the “British Jefferson Airplane” label that they decided they didn’t need a female vocalist — and more realistically, while they’d been able to replace Judy Dyble, nobody was going to replace Sandy Denny. Though it’s rather surprising when one considers Thompson’s subsequent career that nobody seems to have thought of bringing in Denny’s friend Linda Peters, who was dating Joe Boyd at the time (as Denny had been before she met Lucas) as Denny’s replacement. Instead, they decided that Swarbrick and Thompson were going to share the vocals between them. They did, though, need a bass player to replace Hutchings. Swarbrick wanted to bring in Dave Pegg, with whom he had played in the Ian Campbell Folk Group, but the other band members initially thought the idea was a bad one. At the time, while they respected Swarbrick as a musician, they didn’t think he fully understood rock and roll yet, and they thought the idea of getting in a folkie who had played double bass rather than an electric rock bassist ridiculous. But they auditioned him to mollify Swarbrick, and found that he was exactly what they needed. As Joe Boyd later said “All those bass lines were great, Ashley invented them all, but he never could play them that well. He thought of them, but he was technically not a terrific bass player. He was a very inventive, melodic, bass player, but not a very powerful one technically. But having had the part explained to him once, Pegg was playing it better than Ashley had ever played it… In some rock bands, I think, ultimately, the bands that sound great, you can generally trace it to the bass player… it was at that point they became a great band, when they had Pegg.” The new lineup of Fairport decided to move in together, and found a former pub called the Angel, into which all the band members moved, along with their partners and children (Thompson was the only one who was single at this point) and their roadies. The group lived together quite happily, and one gets the impression that this was the period when they were most comfortable with each other, even though by this point they were a disparate group with disparate tastes, in music as in everything else. Several people have said that the only music all the band members could agree they liked at this point was the first two albums by The Band. With the departure of Hutchings from the band, Swarbrick and Thompson, as the strongest personalities and soloists, became in effect the joint leaders of the group, and they became collaborators as songwriters, trying to write new songs that were inspired by traditional music. Thompson described the process as “let’s take one line of this reel and slow it down and move it up a minor third and see what that does to it; let’s take one line of this ballad and make a whole song out of it. Chopping up the tradition to find new things to do… like a collage.” Generally speaking, Swarbrick and Thompson would sit by the fire and Swarbrick would play a melody he’d been working on, the two would work on it for a while, and Thompson would then go away and write the lyrics. This is how the two came up with songs like the nine-minute “Sloth”, a highlight of the next album, Full House, and one that would remain in Fairport’s live set for much of their career: [Excerpt: Fairport Convention, “Sloth”] “Sloth” was titled that way because Thompson and Swarbrick were working on two tunes, a slow one and a fast one, and they jokingly named them “Sloth” and “Fasth”, but the latter got renamed to “Walk Awhile”, while “Sloth” kept its working title. But by this point, Boyd and Thompson were having a lot of conflict in the studio. Boyd was never the most technical of producers — he was one of those producers whose job is to gently guide the artists in the studio and create a space for the music to flourish, rather than the Joe Meek type with an intimate technical knowledge of the studio — and as the artists he was working with gained confidence in their own work they felt they had less and less need of him. During the making of the Full House album, Thompson and Boyd, according to Boyd, clashed on everything — every time Boyd thought Thompson had done a good solo, Thompson would say to erase it and let him have another go, while every time Boyd thought Thompson could do better, Thompson would say that was the take to keep. One of their biggest clashes was over Thompson’s song “Poor Will and the Jolly Hangman”, which was originally intended for release on the album, and is included in current reissues of it: [Excerpt: Fairport Convention, “Poor Will and the Jolly Hangman”] Thompson had written that song inspired by what he thought was the unjust treatment of Alex Bramham, the driver in Fairport’s fatal car crash, by the courts — Bramham had been given a prison sentence of a few months for dangerous driving, while the group members thought he had not been at fault. Boyd thought it was one of the best things recorded for the album, but Thompson wasn’t happy with his vocal — there was one note at the top of the melody that he couldn’t quite hit — and insisted it be kept off the record, even though that meant it would be a shorter album than normal. He did this at such a late stage that early copies of the album actually had the title printed on the sleeve, but then blacked out. He now says in his autobiography “I could have persevered, double-tracked the voice, warmed up for longer – anything. It was a good track, and the record was lacking without it. When the album was re-released, the track was restored with a more confident vocal, and it has stayed there ever since.” During the sessions for Full House the group also recorded one non-album single, Thompson and Swarbrick’s “Now Be Thankful”: [Excerpt, Fairport Convention, “Now Be Thankful”] The B-side to that was a medley of two traditional tunes plus a Swarbrick original, but was given the deliberately ridiculous title “Sir B. McKenzie’s Daughter’s Lament For The 77th Mounted Lancers Retreat From The Straits Of Loch Knombe, In The Year Of Our Lord 1727, On The Occasion Of The Announcement Of Her Marriage To The Laird Of Kinleakie”: [Excerpt: Fairport Convention, “Sir B. McKenzie’s Daughter’s Lament For The 77th Mounted Lancers Retreat From The Straits Of Loch Knombe, In The Year Of Our Lord 1727, On The Occasion Of The Announcement Of Her Marriage To The Laird Of Kinleakie”] The B. McKenzie in the title was a reference to the comic-strip character Barry McKenzie, a stereotype drunk Australian created for Private Eye magazine by the comedian Barry Humphries (later to become better known for his Dame Edna Everage character) but the title was chosen for one reason only — to get into the Guinness Book of Records for the song with the longest title. Which they did, though they were later displaced by the industrial band Test Dept, and their song “Long Live British Democracy Which Flourishes and Is Constantly Perfected Under the Immaculate Guidance of the Great, Honourable, Generous and Correct Margaret Hilda Thatcher. She Is the Blue Sky in the Hearts of All Nations. Our People Pay Homage and Bow in Deep Respect and Gratitude to Her. The Milk of Human Kindness”. Full House got excellent reviews in the music press, with Rolling Stone saying “The music shows that England has finally gotten her own equivalent to The Band… By calling Fairport an English equivalent of the Band, I meant that they have soaked up enough of the tradition of their countryfolk that it begins to show all over, while they maintain their roots in rock.” Off the back of this, the group went on their first US tour, culminating in a series of shows at the Troubadour in LA, on the same bill as Rick Nelson, which were recorded and later released as a live album: [Excerpt: Fairport Convention, “Sloth (live)”] The Troubadour was one of the hippest venues at the time, and over their residency there the group got seen by many celebrities, some of whom joined them on stage. The first was Linda Ronstadt, who initially demurred, saying she didn’t know any of their songs. On being told they knew all of hers, she joined in with a rendition of “Silver Threads and Golden Needles”. Thompson was later asked to join Ronstadt’s backing band, who would go on to become the Eagles, but he said later of this offer “I would have hated it. I’d have hated being on the road with four or five miserable Americans — they always seem miserable. And if you see them now, they still look miserable on stage — like they don’t want to be there and they don’t like each other.” The group were also joined on stage at the Troubadour on one memorable night by some former bandmates of Pegg’s. Before joining the Ian Campbell Folk Group, Pegg had played around the Birmingham beat scene, and had been in bands with John Bonham and Robert Plant, who turned up to the Troubadour with their Led Zeppelin bandmate Jimmy Page (reports differ on whether the fourth member of Zeppelin, John Paul Jones, also came along). They all got up on stage together and jammed on songs like “Hey Joe”, “Louie Louie”, and various old Elvis tunes. The show was recorded, and the tapes are apparently still in the possession of Joe Boyd, who has said he refuses to release them in case he is murdered by the ghost of Peter Grant. According to Thompson, that night ended in a three-way drinking contest between Pegg, Bonham, and Janis Joplin, and it’s testament to how strong the drinking culture is around Fairport and the British folk scene in general that Pegg outdrank both of them. According to Thompson, Bonham was found naked by a swimming pool two days later, having missed two gigs. For all their hard rock image, Led Zeppelin were admirers of a lot of the British folk and folk-rock scene, and a few months later Sandy Denny would become the only outside vocalist ever to appear on a Led Zeppelin record when she duetted with Plant on “The Battle of Evermore” on the group’s fourth album: [Excerpt: Led Zeppelin, “The Battle of Evermore”] Denny would never actually get paid for her appearance on one of the best-selling albums of all time. That was, incidentally, not the only session that Denny was involved in around this time — she also sang on the soundtrack to a soft porn film titled Swedish Fly Girls, whose soundtrack was produced by Manfred Mann: [Excerpt: Sandy Denny, “What Will I Do With Tomorrow?”] Shortly after Fairport’s trip to America, Joe Boyd decided he was giving up on Witchseason. The company was now losing money, and he was finding himself having to produce work for more and more acts as the various bands fissioned. The only ones he really cared about were Richard Thompson, who he was finding it more and more difficult to work with, Nick Drake, who wanted to do his next album with just an acoustic guitar anyway, Sandy Denny, who he felt was wasting her talents in Fotheringay, and Mike Heron of the Incredible String Band, who was more distant since his conversion to Scientology. Boyd did make some attempts to keep the company going. On a trip to Sweden, he negotiated an agreement with the manager and publisher of a Swedish band whose songs he’d found intriguing, the Hep Stars. Boyd was going to publish their songs in the UK, and in return that publisher, Stig Anderson, would get the rights to Witchseason’s catalogue in Scandinavia — a straight swap, with no money changing hands. But before Boyd could get round to signing the paperwork, he got a better offer from Mo Ostin of Warners — Ostin wanted Boyd to come over to LA and head up Warners’ new film music department. Boyd sold Witchseason to Island Records and moved to LA with his fiancee Linda Peters, spending the next few years working on music for films like Deliverance and A Clockwork Orange, as well as making his own documentary about Jimi Hendrix, and thus missed out on getting the UK publishing rights for ABBA, and all the income that would have brought him, for no money. And it was that decision that led to the breakup of Fotheringay. Just before Christmas 1970, Fotheringay were having a difficult session, recording the track “John the Gun”: [Excerpt: Fotheringay, “John the Gun”] Boyd got frustrated and kicked everyone out of the session, and went for a meal and several drinks with Denny. He kept insisting that she should dump the band and just go solo, and then something happened that the two of them would always describe differently. She asked him if he would continue to produce her records if she went solo, and he said he would. According to Boyd’s recollection of the events, he meant that he would fly back from California at some point to produce her records. According to Denny, he told her that if she went solo he would stay in Britain and not take the job in LA. This miscommunication was only discovered after Denny told the rest of Fotheringay after the Christmas break that she was splitting the band. Jerry Donahue has described that as the worst moment of his life, and Denny felt very guilty about breaking up a band with some of her closest friends in — and then when Boyd went over to the US anyway she felt a profound betrayal. Two days before Fotheringay’s final concert, in January 1971, Sandy Denny signed a solo deal with Island records, but her first solo album would not end up produced by Joe Boyd. Instead, The North Star Grassman and the Ravens was co-produced by Denny, John Wood — the engineer who had worked with Boyd on pretty much everything he’d produced, and Richard Thompson, who had just quit Fairport Convention, though he continued living with them at the Angel, at least until a truck crashed into the building in February 1971, destroying its entire front wall and forcing them to relocate. The songs chosen for The North Star Grassman and the Ravens reflected the kind of choices Denny would make on her future albums, and her eclectic taste in music. There was, of course, the obligatory Dylan cover, and the traditional folk ballad “Blackwaterside”, but there was also a cover version of Brenda Lee’s “Let’s Jump the Broomstick”: [Excerpt: Sandy Denny, “Let’s Jump the Broomstick”] Most of the album, though, was made up of originals about various people in Denny’s life, like “Next Time Around”, about her ex-boyfriend Jackson C Frank: [Excerpt: Sandy Denny, “Next Time Around”] The album made the top forty in the UK — Denny’s only solo album to do so — and led to her once again winning the “best female singer” award in Melody Maker’s readers’ poll that year — the male singer award was won by Rod Stewart. Both Stewart and Denny appeared the next year on the London Symphony Orchestra’s all-star version of The Who’s Tommy, which had originally been intended as a vehicle for Stewart before Roger Daltrey got involved. Stewart’s role was reduced to a single song, “Pinball Wizard”, while Denny sang on “It’s a Boy”: [Excerpt: Sandy Denny, “It’s a Boy”] While Fotheringay had split up, all the band members play on The North Star Grassman and the Ravens. Guitarists Donahue and Lucas only play on a couple of the tracks, with Richard Thompson playing most of the guitar on the record. But Fotheringay’s rhythm section of Pat Donaldson and Gerry Conway play on almost every track. Another musician on the album, Ian Whiteman, would possibly have a profound effect on the future direction of Richard Thompson’s career and life. Whiteman was the former keyboard player for the mod band The Action, having joined them just before they became the blues-rock band Mighty Baby. But Mighty Baby had split up when all of the band except the lead singer had converted to Islam. Richard Thompson was on his own spiritual journey at this point, and became a Sufi – the same branch of Islam as Whiteman – soon after the session, though Thompson has said that his conversion was independent of Whiteman’s. The two did become very close and work together a lot in the mid-seventies though. Thompson had supposedly left Fairport because he was writing material that wasn’t suited to the band, but he spent more than a year after quitting the group working on sessions rather than doing anything with his own material, and these sessions tended to involve the same core group of musicians. One of the more unusual was a folk-rock supergroup called The Bunch, put together by Trevor Lucas. Richard Branson had recently bought a recording studio, and wanted a band to test it out before opening it up for commercial customers, so with this free studio time Lucas decided to record a set of fifties rock and roll covers. He gathered together Thompson, Denny, Whiteman, Ashley Hutchings, Dave Mattacks, Pat Donaldson, Gerry Conway, pianist Tony Cox, the horn section that would later form the core of the Average White Band, and Linda Peters, who had now split up with Joe Boyd and returned to the UK, and who had started dating Thompson. They recorded an album of covers of songs by Jerry Lee Lewis, the Everly Brothers, Johnny Otis and others: [Excerpt: The Bunch, “Willie and the Hand Jive”] The early seventies was a hugely productive time for this group of musicians, as they all continued playing on each other’s projects. One notable album was No Roses by Shirley Collins, which featured Thompson, Mattacks, Whiteman, Simon Nicol, Lal and Mike Waterson, and Ashley Hutchings, who was at that point married to Collins, as well as some more unusual musicians like the free jazz saxophonist Lol Coxhill: [Excerpt: Shirley Collins and the Albion Country Band, “Claudy Banks”] Collins was at the time the most respected female singer in British traditional music, and already had a substantial career including a series of important records made with her sister Dolly, work with guitarists like Davey Graham, and time spent in the 1950s collecting folk songs in the Southern US with her then partner Alan Lomax – according to Collins she did much of the actual work, but Lomax only mentioned her in a single sentence in his book on this work. Some of the same group of musicians went on to work on an album of traditional Morris dancing tunes, titled Morris On, credited to “Ashley Hutchings, Richard Thompson, Dave Mattacks, John Kirkpatrick and Barry Dransfield”, with Collins singing lead on two tracks: [Excerpt: Ashley Hutchings, Richard Thompson, Dave Mattacks, John Kirkpatrick and Barry Dransfield with Shirley Collins, “The Willow Tree”] Thompson thought that that album was the best of the various side projects he was involved in at the time, comparing it favourably to Rock On, which he thought was rather slight, saying later “Conceptually, Fairport, Ashley and myself and Sandy were developing a more fragile style of music that nobody else was particularly interested in, a British Folk Rock idea that had a logical development to it, although we all presented it our own way. Morris On was rather more true to what we were doing. Rock On was rather a retro step. I'm not sure it was lasting enough as a record but Sandy did sing really well on the Buddy Holly songs.” Hutchings used the musicians on No Roses and Morris On as the basis for his band the Albion Band, which continues to this day. Simon Nicol and Dave Mattacks both quit Fairport to join the Albion Band, though Mattacks soon returned. Nicol would not return to Fairport for several years, though, and for a long period in the mid-seventies Fairport Convention had no original members. Unfortunately, while Collins was involved in the Albion Band early on, she and Hutchings ended up divorcing, and the stress from the divorce led to Collins developing spasmodic dysphonia, a stress-related illness which makes it impossible for the sufferer to sing. She did eventually regain her vocal ability, but between 1978 and 2016 she was unable to perform at all, and lost decades of her career. Richard Thompson occasionally performed with the Albion Band early on, but he was getting stretched a little thin with all these sessions. Linda Peters said later of him “When I came back from America, he was working in Sandy’s band, and doing sessions by the score. Always with Pat Donaldson and Dave Mattacks. Richard would turn up with his guitar, one day he went along to do a session with one of those folkie lady singers — and there were Pat and DM. They all cracked. Richard smashed his amp and said “Right! No more sessions!” In 1972 he got round to releasing his first solo album, Henry the Human Fly, which featured guest appearances by Linda Peters and Sandy Denny among others: [Excerpt: Richard Thompson, “The Angels Took My Racehorse Away”] Unfortunately, while that album has later become regarded as one of the classics of its genre, at the time it was absolutely slated by the music press. The review in Melody Maker, for example, read in part “Some of Richard Thompson’s ideas sound great – which is really the saving grace of this album, because most of the music doesn’t. The tragedy is that Thompson’s “British rock music” is such an unconvincing concoction… Even the songs that do integrate rock and traditional styles of electric guitar rhythms and accordion and fiddle decoration – and also include explicit, meaningful lyrics are marred by bottle-up vocals, uninspiring guitar phrases and a general lack of conviction in performance.” Henry the Human Fly was released in the US by Warners, who had a reciprocal licensing deal with Island (and for whom Joe Boyd was working at the time, which may have had something to do with that) but according to Thompson it became the lowest-selling record that Warners ever put out (though I’ve also seen that claim made about Van Dyke Parks’ Song Cycle, another album that has later been rediscovered). Thompson was hugely depressed by this reaction, and blamed his own singing. Happily, though, by this point he and Linda had become a couple — they would marry in 1972 — and they started playing folk clubs as a duo, or sometimes in a trio with Simon Nicol. Thompson was also playing with Sandy Denny’s backing band at this point, and played on every track on her second solo album, Sandy. This album was meant to be her big commercial breakthrough, with a glamorous cover photo by David Bailey, and with a more American sound, including steel guitar by Sneaky Pete Kleinow of the Flying Burrito Brothers (whose overdubs were supervised in LA by Joe Boyd): [Excerpt: Sandy Denny, “Tomorrow is a Long Time”] The album was given a big marketing push by Island, and “Listen, Listen” was made single of the week on the Radio 1 Breakfast show: [Excerpt: Sandy Denny, “Listen, Listen”] But it did even worse than the previous album, sending her into something of a depression. Linda Thompson (as the former Linda Peters now was) said of this period “After the Sandy album, it got her down that her popularity didn't suddenly increase in leaps and bounds, and that was the start of her really fretting about the way her career was going. Things only escalated after that. People like me or Martin Carthy or Norma Waterson would think, ‘What are you on about? This is folk music.'” After Sandy’s release, Denny realised she could no longer afford to tour with a band, and so went back to performing just acoustically or on piano. The only new music to be released by either of these ex-members of Fairport Convention in 1973 was, oddly, on an album by the band they were no longer members of. After Thompson had left Fairport, the group had managed to release two whole albums with the same lineup — Swarbrick, Nicol, Pegg, and Mattacks. But then Nicol and Mattacks had both quit the band to join the Albion Band with their former bandmate Ashley Hutchings, leading to a situation where the Albion Band had two original members of Fairport plus their longtime drummer while Fairport Convention itself had no original members and was down to just Swarbrick and Pegg. Needing to fulfil their contracts, they then recruited three former members of Fotheringay — Lucas on vocals and rhythm guitar, Donahue on lead guitar, and Conway on drums. Conway was only a session player at the time, and Mattacks soon returned to the band, but Lucas and Donahue became full-time members. This new lineup of Fairport Convention released two albums in 1973, widely regarded as the group’s most inconsistent records, and on the title track of the first, “Rosie”, Richard Thompson guested on guitar, with Sandy Denny and Linda Thompson on backing vocals: [Excerpt: Fairport Convention, “Rosie”] Neither Sandy Denny nor Richard Thompson released a record themselves in 1973, but in neither case was this through the artists’ choice. The record industry was changing in the early 1970s, as we’ll see in later episodes, and was less inclined to throw good money after bad in the pursuit of art. Island Records prided itself on being a home for great artists, but it was still a business, and needed to make money. We’ll talk about the OPEC oil crisis and its effect on the music industry much more when the podcast gets to 1973, but in brief, the production of oil by the US peaked in 1970 and started to decrease, leading to them importing more and more oil from the Middle East. As a result of this, oil prices rose slowly between 1971 and 1973, then very quickly towards the end of 1973 as a result of the Arab-Israeli conflict that year. As vinyl is made of oil, suddenly producing records became much more expensive, and in this period a lot of labels decided not to release already-completed albums, until what they hoped would be a brief period of shortages passed. Both Denny and Thompson recorded albums at this point that got put to one side by Island. In the case of Thompson, it was the first album by Richard and Linda as a duo, I Want to See the Bright Lights Tonight: [Excerpt: Richard and Linda Thompson, “I Want to See the Bright Lights Tonight”] Today, I Want to See the Bright Lights Tonight is widely regarded as one of the greatest albums of all time, and as one of the two masterpieces that bookended Richard and Linda’s career as a duo and their marriage. But when they recorded the album, full of Richard’s dark songs, it was the opposite of commercial. Even a song that’s more or less a boy-girl song, like “Has He Got a Friend for Me?” has lyrics like “He wouldn’t notice me passing by/I could be in the gutter, or dangling down from a tree” [Excerpt: Richard and Linda Thompson, “Has He got a Friend For Me?”] While something like “The Calvary Cross” is oblique and haunted, and seems to cast a pall over the entire album: [Excerpt: Richard and Linda Thompson, “The Calvary Cross”] The album itself had been cheap to make — it had been recorded in only a week, with Thompson bringing in musicians he knew well and had worked with a lot previously to cut the tracks as-live in only a handful of takes — but Island didn’t think it was worth releasing. The record stayed on the shelf for nearly a year after recording, until Island got a new head of A&R, Richard Williams. Williams said of the album’s release “Muff Winwood had been doing A&R, but he was more interested in production… I had a conversation with Muff as soon as I got there, and he said there are a few hangovers, some outstanding problems. And one of them was Richard Thompson. He said there’s this album we gave him the money to make — which was I Want to See the Bright Lights Tonight — and nobody’s very interested in it. Henry the Human Fly had been a bit of a commercial disappointment, and although Island was altruistic and independent and known for only recording good stuff, success was important… Either a record had to do well or somebody had to believe in it a lot. And it seemed as if neither of those things were true at that point of Richard.” Williams, though, was hugely impressed when he listened to the album. He compared Richard Thompson’s guitar playing to John Coltrane’s sax, and called Thompson “the folk poet of the rainy streets”, but also said “Linda brightened it, made it more commercial. and I thought that “Bright Lights” itself seemed a really commercial song.” The rest of the management at Island got caught up in Williams’ enthusiasm, and even decided to release the title track as a single: [Excerpt: Richard and Linda Thompson, “I Want to See the Bright Lights Tonight”] Neither single nor album charted — indeed it would not be until 1991 that Richard Thompson would make a record that made the top forty in the UK — but the album got enough critical respect that Richard and Linda released two albums the year after. The first of these, Hokey Pokey, is a much more upbeat record than their previous one — Richard Thompson has called it “quite a music-hall influenced record” and cited the influence of George Formby and Harry Lauder. For once, the claim of music hall influence is audible in the music. Usually when a British musician is claimed to have a music ha

Day 1,216.Today, we discuss the ramifications of the historic American strike on Iran's nuclear sites, and how we should read Tehran's Foreign Minister's scramble to Moscow. Plus we feature a special dispatch from Gotland, Sweden, to meet the Armed Forces' newest outfit protecting Europe's strategic Baltic outpost from Russia.Contributors:Francis Dearnley (Executive Editor for Audio). @FrancisDearnley on X.Dominic Nicholls (Associate Editor of Defence). @DomNicholls on X.Venetia Rainey (Co-host Battle Lines podcast). @venetiarainey on X.Content Referenced:The tiny Swedish island regiment tasked with protecting Europe from Russia (Venetia Rainey in The Telegraph):https://www.telegraph.co.uk/world-news/2025/06/17/the-tiny-swedish-island-regiment-tasked-protecting-europe/ Our sister podcast Battle Lines, covering wider geopolitical affairs, including Iran:https://www.telegraph.co.uk/news/2025/05/14/battle-lines-foreign-policy-geopolitics-conflict-podcast/ Spain exempt from Nato's 5pc spending target (The Telegraph):https://www.telegraph.co.uk/world-news/2025/06/22/spain-exempt-from-nato-five-percent-spending-target-gdp/ 'My husband is free' — Belarus opposition leader Siarhei Tsikhanouski freed after US envoy visits Minsk (The Kyiv Independent):https://kyivindependent.com/in-highest-level-visit-in-years-lukashenko-meets-us-envoy-kellogg-in-minsk/?mc_cid=bdc69312ea&mc_eid=08d0680a95 Putin spies an opportunity in Trump's attack on Iran (The Spectator):https://www.spectator.co.uk/article/putin-spies-an-opportunity-in-trumps-attack-on-iran/SIGN UP TO THE NEW ‘UKRAINE: THE LATEST' WEEKLY NEWSLETTER:https://secure.telegraph.co.uk/customer/secure/newsletter/ukraine/ Each week, Dom Nicholls and Francis Dearnley answer your questions, provide recommended reading, and give exclusive analysis and behind-the-scenes insights – plus maps of the frontlines and diagrams of weapons to complement our daily reporting. It's free for everyone, including non-subscribers.Subscribe: telegraph.co.uk/ukrainethelatestEmail: ukrainepod@telegraph.co.uk Hosted on Acast. See acast.com/privacy for more information.

This is an encore release of an earlier podcast episode.Norwegian Crown Princess Martha was born in Sweden, but Swedish actor Sofia Helin didn't know her story until she signed on to play the quiet Royal in Atlantic Crossing. But after coming on board the miniseries, Helin helped shape the story of the little-known Princess, bringing a surprising light to her powerful story. Helin talks royalty, FDR, and Saga Noren of Broen in a new interview.

In 1949, the Gratitude Train arrived in the United States, made up of 49 wagons filled with thousands of gifts from France.The convoy was a thank-you to American families who'd sent food and supplies across the Atlantic, via a ‘friendship train' in the aftermath of World War Two.It was the idea of a French railworker called Andre Picard. In the same spirit as the friendship train, he asked families across France to make donations.The response was 52,000 gifts that filled 49 rail wagons or ‘boxcars', one for each US state, and to be distributed to American families. Some donations were valuable; a carriage used by King Louis XV. Others were handmade; a knitted scarf or a child's painting.June Cutchins tells Jane Wilkinson about the treasure her family received from the Florida boxcar.Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more.Recent episodes explore everything from football in Brazil, the history of the ‘Indian Titanic' and the invention of air fryers, to Public Enemy's Fight The Power, subway art and the political crisis in Georgia. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: visionary architect Antoni Gaudi and the design of the Sagrada Familia; Michael Jordan and his bespoke Nike trainers; Princess Diana at the Taj Mahal; and Görel Hanser, manager of legendary Swedish pop band Abba on the influence they've had on the music industry. You can learn all about fascinating and surprising stories, such as the time an Iraqi journalist hurled his shoes at the President of the United States in protest of America's occupation of Iraq; the creation of the Hollywood commercial that changed advertising forever; and the ascent of the first Aboriginal MP.(Photo: Gratitude train boxcar unloaded in New York, 1949. Credit: Bettmann/Getty Images)

A round-up of the main headlines in Sweden on June 23rd, 2025. You can hear more reports on our homepage www.radiosweden.se, or in the app Sveriges Radio Play. Presenter/Producer: Kris Boswell.

Music weaves through our lives, serving as the soundtrack to our memories, moods, and milestone moments. After a longer-than-expected hiatus, we reunite to explore the question that connects every listener: what's playing through your earbuds right now?Jim pulls back the curtain on his recent obsession with Swedish sleaze metal, a genre that's been thriving since the early 2000s as a revival of 80s glam rock. From bands like Hardcore Superstar and Crash Diet to the surprising statistic that Sweden boasts 428 metal bands compared to America's 72, we dive into how musical discovery often follows unexpected pathways. His journey from Japanese hair metal to these Nordic headbangers illustrates how one musical passion can lead to another, creating a personalized roadmap of sonic exploration.Keith takes us on a geographical journey through Chicago's rich musical landscape, sharing stories of intimate Local H shows where he was one of just four audience members, and championing bands like Veruca Salt and Cheap Trick. Meanwhile, Scott reveals how movie soundtracks have become his portal to new artists, with Sean Rowe's gritty vocals from "The Accountant" and SYML's calming compositions providing the perfect counterbalance to workplace stress. We reflect on how music discovery has transformed – from saving up for physical albums to the unlimited buffet of streaming services – while acknowledging that some things never change: the thrill of finding something new, the comfort of returning to favorites, and the joy of sharing these discoveries with others. Whether you're cruising with the windows down or seeking refuge from the summer heat, we invite you to think about what's filling your earbuds right now, and perhaps consider adding some Swedish sleaze metal to the rotation. Subscribe to join our musical journey and share your own sonic discoveries with us!Thanks for listening, hope you come back next weekSupport the showThank you for joining us on today's show, as always, we appreciate each and every one of you! Talk to you soon.X - @PodcastScottIG - Powers31911Tik Tok scottpowers6969 Keith Tik Tok keith.maki08

Dave and Matthew talk about conceiving a child (not together)00.00.40: Introductions00.03.15: Thank you to our new patron: Sebastian Schmitt00.04.12: World of Gaming: FreeRPG day report and swag. D&D designers join Darrington press; Evil Hat cease development of the Tomb Raider RPG, citing creative differences with the licensor; Dave reads a book!00.38.55: Our shop is live! Buy direct from us, we are working on remaining stretch goals and Gold County 00.46.39: Feature - The Stork in the Old West (The Birth of Calamity)01.05.28: Next time and Goodbye Effekt is brought to you by Effekt Publishing. Music is by Stars in a Black Sea, used with kind permission of Free League Publishing.Like what we do?Sign up for updates on Tales of the Old West via our new website and download Tales of the Old West QuickDraw available for free on DriveThru. The core rules are now available on DriveThru too.Put our brand on your face! (and elsewhere)Buy pdfs via our DriveThru Affiliate linkLeave a review on iTunes or PodchaserFind our Actual Play recordings on effektapFind essay transcripts and other stuff on Matthew's, and Dave's blogs ★ Support this podcast on Patreon ★

From July 14, 2023: The NATO summit in Vilnius, Lithuania, just wrapped up, and the big news is that Sweden is in, and Ukraine is not. Eric Adamson of the Atlantic Council and the Swedish Defense Association is a Swedish defense policy analyst who observed the NATO summit.He joined Lawfare Editor-in-Chief Benjamin Wittes to discuss the two big things that happened: the Swedish resolution of the dispute with Turkey that impeded Swedish NATO accession until now, and the frustrating failure of NATO to set a path for Ukrainian NATO membership. They talked about the dispute between Sweden and Turkey and the nuanced manner in which it was resolved, about whether the Ukrainians are being too demanding and should be more grateful for Western support, and the specific areas in which Sweden will contribute to NATO's capabilities.To receive ad-free podcasts, become a Lawfare Material Supporter at www.patreon.com/lawfare. You can also support Lawfare by making a one-time donation at https://givebutter.com/lawfare-institute.Support this show http://supporter.acast.com/lawfare. Hosted on Acast. See acast.com/privacy for more information.

In this heartfelt episode, I reconnect with the radiant Reeta Pohjonen, who shares the inspiring next chapter of her path from launching the Academy of Transformative Homeopathy to co-creating the Sacred Source School with Janey Lavelle. We explore the deeper layers of homeopathy as both a healing modality and a path of personal transformation, and Reeta offers a glimpse into her powerful graduation retreats infused with women's circles, cacao ceremonies, and soul-led teachings. She also takes us to Sicily, where she has rooted herself on a sacred piece of land that now serves as a hub for remedy-making, retreats, and deep ancestral healing. With stories of synchronicity, ceremony, and sisterhood, this conversation is a beautiful reminder of the magic that unfolds when we listen to the call of the heart. Episode Highlights: 04:07 - This Isn't Your Average Graduation—And That's the Point 07:06 - Transitioning to the Academy of Transformative Homeopathy 11:02 - An inside look at the school's flexible learning framework 15:26 - The Feminine Way of Learning 18:02 - The Remedy That Awakens the Feminine Soul 26:22 - The Sacred Alchemy of Trituration 30:15 - Janie Lavelle Joins the Conversation 31:01 - How Sicily Became a Sacred Site for Women's Work 39:22 - An unexpected meeting with the Guardian of Lamanna 45:24 - Connection to Ash Trees and Their Symbolism 56:36 - A Womb-Led Journey to Sicily About my Guests: Reeta Pohjonen carries a rich tapestry of experiences shaped by her roots in Kemi and her upbringing in Africa. A devoted mother of three and an angel child, she has embraced the beauty of water births. As the principal of Homeopathy School Helsinki, Reeta is a passionate homeopath, vital shiatsu therapist, mama yoga instructor, 3P facilitator, and astrologer, dedicated to the service of the Holy Feminine. Her work focuses on childbirth, women's well-being, and mental health, particularly for young people. Inspired by Kabbalah, ceremonial life, and the wonders of nature, Reeta's interests span from alkalized living water and juicing to sailing and Argentine tango. With a dream of a home in southern Italy, she continues to explore life's beauty through heartfelt connections and artistic expression. Janey Lavelle is a mother of four home-birthed children, an intuitive healer, and a passionate advocate for women's wellness. Originally from New Zealand and now rooted in the wild beauty of Easkey, Co. Sligo, Janey has spent over 15 years working in the field of Energy Medicine. Her work focuses on supporting women, babies, and children through pregnancy, birth, matrescence, hormonal imbalances, and emotional healing. Blending ancient wisdom with modern science, she offers a unique approach that integrates homeopathy, massage therapies (Swedish, Ayurvedic, and Aromatherapy), Reiki, and energy alchemy. Janey runs a healing space and homeopathic emporium in Inishcrone and teaches homeopathy at the Helsinki School of Homeopathy in Finland. She also leads Reiki initiations in Ireland and has deeply immersed herself in the art of trituration, co-creating remedies such as Irish Raven, Sea Eagle, and Maria Magdalena. A recent pilgrimage to the Cave of Maria Magdalena in France marked a profound spiritual initiation in her journey, further anchoring her devotion to feminine healing and sacred medicine. Find out more about Reeta Website: https://www.reetapohjonen.com/ Facebook: https://www.facebook.com/reetapohjonenhomeopathy/ Follow Sacred Source School on Instagram https://www.instagram.com/sacredsourceschool/ To learn more about The Academy of Transformative Homeopathy https://www.athacademy.fi/ Find out more about Janey Website: https://sageandseer.com/ Instagram: https://www.instagram.com/sage.and.seer/ Facebook: https://www.facebook.com/sageandseer If you would like to support the Homeopathy Hangout Podcast, please consider making a donation by visiting www.EugenieKruger.com and click the DONATE button at the top of the site. Every donation about $10 will receive a shout-out on a future episode. Join my Homeopathy Hangout Podcast Facebook community here: https://www.facebook.com/groups/HelloHomies Follow me on Instagram https://www.instagram.com/eugeniekrugerhomeopathy/ Here is the link to my free 30-minute Homeopathy@Home online course: https://www.youtube.com/watch?v=vqBUpxO4pZQ&t=438s Upon completion of the course - and if you live in Australia - you can join my Facebook group for free acute advice (you'll need to answer a couple of questions about the course upon request to join): www.facebook.com/groups/eughom

Jermayn Parker and Stephen East chat with Swedish writer Magnus Carling. This is a fascinating chat with a new comer to the Phantom universe who has two story credits to his name. We learn about his jounery from a Fantomen reader as a kid who grew up in the 1980's to someone who gets to live most phans dreams of creating their own Phantom stories.You can follow Magnus Carling at his Instagram or Facebook, or look at his work on his website which includes links to his novels and books that you can purchase which includes several being translated into multiple languages including English.Some of the topics we touch upon in this podcast are his mentorship with popular Fantomen creator Dai Darell aka Diane Alfredhsson / Karlstrom. How the real life world problems of an off shore drill rig being hacked inspired one of his stories, his ways of solving a decreasing page count to tell a comic story plus much more.We love comments and feedback from the Phantom phans from around the world. You can either email us, leave your comments at our YouTube Channel, and or leave them at our social media platforms in Facebook, Twitter and or Instagram. Make sure you stay with us and do not forget to subscribe and leave a review on our podcast and or our YouTube Channel. Support the show

 In this episode of the 10Adventures Podcast, we head to southern Japan to explore Kyushu — one of the country's most beautiful and least-traveled regions. Our guest, Max Wall, is a Swedish-born cycling guide who has called Kyushu home for over seven years. He shares what makes this rugged, culture-rich island a paradise for adventure travelers, food lovers, and seekers of authentic Japanese experiences. Max shares how he discovered Japan through manga, became fluent in Japanese, and built a life leading travelers through remote towns, volcanoes, and hidden hot springs. From scenic cycling routes to gourmet meals made with local produce, Max brings Kyushu to life — and explains why this region should be on your list for your second (or even first!) trip to Japan.   To learn more, visit:   https://www.10adventures.com/tour/rural-kyushu-bike-gourmet/ https://www.10adventures.com/tour/volcano-kyushu-hiking-cycling/   About Us

Episode Summary:This episode of the Event Tech Podcast brings listeners up to speed on Will Curran's latest role at Voxo, a Swedish company shaking up event technology with real-time AI session summaries. Brandt Krueger and Will explore how Voxo's platform captures, analyzes, and packages event content into instantly branded reports, LinkedIn-ready carousels, and live displays. The conversation covers the technical magic behind speaker identification, the marketing potential of AI-generated assets, and the future of personalized attendee experiences.Discussions Include:Will Curran's joining Voxo and the company's mission in event techHow Voxo uses AI to generate instant, branded session summaries and reportsThe technical process of capturing audio, identifying speakers, and producing content assetsThe future of personalized event reports and AI-driven attendee recommendationsQuotable Quotes (Should you choose to share):"I just started up a new gig at Voxo, which is the Swedish company... If you were at Event Tech Live London, you will definitely recognize the "At the base level, essentially, we're summarizing every session... capturing all the audio... and in real time, we're creating these reports and transcriptions and all that fun stuff, and then branding it." - Will Curran"The thing that blew my mind the most about it is... you walk off stage, man, you as speaker walk off stage instantly, you have this PDF report, available to you as an audience." - Will Curran"One of the most powerful things about this AI report that gets generated is... and it also comes in a LinkedIn version... a one-by-one carousel because we all been there ... We get done with a session and we're like lucky if we remember to take a selfie!" - Will Curran"We not have the ability to completely remember everything that happened at an event? ... There's no reason why that can't be offloaded somewhere else." - Brandt Krueger

This week's tune is a pop-psych confection called "Mr. Personality Man" - and there's only three recorded versions, so you'll hear 'em all if you tune in. The original is from The West Coast Delegation, a band confusingly from England. It's got a pretty heavy backbeat reminiscent of Motown or "Pretty Woman" and it doesn't let up. The lyrics deal with a charming but dangerous rogue, so we think the song might be inspired by "David Watts" by The Kinks (not played). The Foundations are the next personalities to tackle the tune - you might remember them from "Build Me Up Buttercup" fame. They slow the tempo down, add horns, and jauntify the song by about 75%. The third and final candidate is from Sweden's Slamcreepers, one of the best band names of all time - and Weldon has exhaustively researched the name's meaning. Fans of Swedish linguistics rejoice! Their version is fun but singer Bjorn Skif (later to star in Blue Swede's megahit version of "Hooked on a Feeling) had an off day. Get out your Lucky Charms and listen!!

It's 50 years since the original Jaws film was released in cinemas across America. The movie premiered on 20 June 1975. Directed by a young Steven Spielberg, who was relatively unknown at the time, it was considered Hollywood's pioneering summer blockbuster. The thriller broke records by becoming the first movie to gross over $100 million at the US box office and made millions of people afraid to go into the water. Carl Gottlieb, who co-wrote the screenplay, looks back at guiding the chaotic production into cinematic history. Produced and presented by Megan Jones. With movie excerpts from the 1975 film which was a Universal Picture, a Zanuck/Brown production and directed by Steven Spielberg. Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from football in Brazil, the history of the ‘Indian Titanic' and the invention of air fryers, to Public Enemy's Fight The Power, subway art and the political crisis in Georgia. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: visionary architect Antoni Gaudi and the design of the Sagrada Familia; Michael Jordan and his bespoke Nike trainers; Princess Diana at the Taj Mahal; and Görel Hanser, manager of legendary Swedish pop band Abba on the influence they've had on the music industry. You can learn all about fascinating and surprising stories, such as the time an Iraqi journalist hurled his shoes at the President of the United States in protest of America's occupation of Iraq; the creation of the Hollywood commercial that changed advertising forever; and the ascent of the first Aboriginal MP.(Photo: A scene from the movie. Credit: Screen Archives/Getty Images)

After the death of Karl XII, Swedish monarchs lost almost all their power. Instead, the Riksdag asserted itself as the most influential body in Swedish political life. Among bribes, personal vendettas and dreams of reestablishing the empire, two political parties emerged.

URGENT! The great podcast the Naked Scientists is in great danger of being cancelled by Cambridge University and we urge everyone to protest this! Information about how to do that is here: https://www.thenakedscientists.com/sos. In other news Pontus will be in Lithuania 29-30 August to participate in the Būtent festival. If you happen to be there too, let us know! In TWISH we hear about a mysterious moon observation from 1178, and then it's time for the news:SWEDEN / FINLAND / NORWAY: ‘Life' files for bankruptcyINTERNATIONAL: New toolkit makes post-publication peer-review available for everyoneUSA / SWEDEN: RFK jr. appoints Swedish vaccine advisorUK: Levels of cheating using AI in academic programs on the riseInstead of a Really Wrong Award this week we have a Who's Quacking? segment about Swedish ‘psychic', Benny Rosenqvist.Enjoy!https://theesp.eu/podcast_archive/theesp-ep-484.htmlSegments:0:00:27 Intro0:00:53 Greetings0:12:16 TWISH0:21:23 News0:43:29 Who's Quacking?0:50:35 Quote0:52:19 Outro0:53:42 Outtakes Hosted on Acast. See acast.com/privacy for more information.

On 28 June 1919, in the Palace of Versailles in Paris the signing of the Treaty of Versailles took place. It was a peace agreement that marked the end of World War One.The terms of the treaty punished Germany for their involvement in starting the war. British journalist, William Norman Ewer attended the signing. He told his story to the BBC World Service in 1967. He recalls the moment of the signing and the treatment of the German delegates in this fascinating account.Produced and presented by Gill Kearsley. Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from football in Brazil, the history of the ‘Indian Titanic' and the invention of air fryers, to Public Enemy's Fight The Power, subway art and the political crisis in Georgia. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: visionary architect Antoni Gaudi and the design of the Sagrada Familia; Michael Jordan and his bespoke Nike trainers; Princess Diana at the Taj Mahal; and Görel Hanser, manager of legendary Swedish pop band Abba on the influence they've had on the music industry. You can learn all about fascinating and surprising stories, such as the time an Iraqi journalist hurled his shoes at the President of the United States in protest of America's occupation of Iraq; the creation of the Hollywood commercial that changed advertising forever; and the ascent of the first Aboriginal MP.(Photo: Treaty of Versailles is signed by Prime Minister Clemenceau. Credit: Photo12/Universal Images Group via Getty Images)

It's Thursday, June 19th, A.D. 2025. This is The Worldview in 5 Minutes heard on 140 radio stations and at www.TheWorldview.com.  I'm Adam McManus. (Adam@TheWorldview.com) By Jonathan Clark and Adam McManus Christian Indonesian boy died after Muslim students beat him An eight-year-old Christian boy died in Indonesia from a ruptured appendix on May 26th. This came days after older Muslim students beat him severely, sending him to the hospital.  Khristopel Butarbutar faced bullying for his faith leading up to his death. Morning Star News reports his father said, “A week before, he had been bullied a lot. The perpetrators speak about his ethnicity, his religion.” Sadly, bullying at schools in Indonesia is escalating. There were 1,478 cases in 2023, up from 119 cases in 2020. Psalm 116:15 says, “Precious in the sight of the LORD is the death of His saints.” United Kingdom decriminalized abortion up to birth The U.K. House of Commons voted Tuesday to effectively decriminalize abortion up to birth in England and Wales. The amendment to the Crime and Policing Bill ends the prosecution of women for getting an abortion at any stage of pregnancy. The measure must also pass in the House of Lords.  Catherine Robinson with Right To Life UK said, “This is the first time this extreme abortion amendment has been debated in the House of Commons, and there has been no consultation with the public on this seismic law change. We will be fighting this amendment at every stage in the [House of] Lords.” Supreme Court upholds state's right to ban transgender surgeries for kids In the United States, the Supreme Court upheld a Tennessee law yesterday that protects minors from transgender drugs and surgeries. The high court ruled 6-3 in the case. The liberal dissenters were Sonia Sotomayor, Elena Kagan. and Ketanji Brown Jackson. Chief Justice John Roberts, who authored the majority opinion, wrote that the issue should be decided by the state. He said, “Having concluded that [the law] does not [violate the equal protection clause], we leave questions regarding its policy to the people, their elected representatives, and the democratic process.” The ruling will also support 26 other states with similar laws to protect children from transgender drugs and surgeries.  Kraft/Heinz will cut artificial dyes from food The Kraft Heinz Company announced Tuesday it will cut artificial dyes from its U.S. food products by 2027. This comes after the U.S. Food and Drug Administration announced measures in April to phase out petroleum-based synthetic dyes from the nation's food supply. U.S. Secretary of Health and Human Services Robert F. Kennedy, Jr. said, “For too long, some food producers have been feeding Americans petroleum-based chemicals without their knowledge or consent. … That era is coming to an end.” Daily Bible readers thrive more than non-daily Bible readers The American Bible Society released the third chapter of its State of the Bible USA 2025 report. The survey used the Human Flourishing Index from Harvard University which measures six domains of life, including satisfaction, health, purpose, character, and social relationships. The report found people who read the Bible every day scored 7.9 out of 10 on the index compared to 6.8 for those who never read the Bible. Also, younger generations tend to have the lowest levels of flourishing. However, both Gen Zers and Millennials who engage regularly with Scripture scored an impressive average of 8.1 on the index.  Psalm 119:105 says, “Your Word is a lamp to my feet and a light to my path.” Old Nordic letters carved into Canadian bedrock spell the Lord's Prayer Archaeologists recently announced the meaning of centuries-old Nordic runes, or alphabet letters, that were carved into the Canadian bedrock, reports CBC News.  Ryan Primrose, the director of the Ontario Centre for Archaeological Education, has been studying the letters since their discovery in 2018.  He believes they were written by Swedes who were hired to work at trading posts in the Canadian wilderness in the 1800s.  The 255 characters of Nordic runes or alphabet actually spell out the words of the Lord's Prayer in Swedish. They appear to come from a 1611 runic version of the prayer. The runes cover a square of about four feet by five feet and probably took weeks to carve. Worldview listeners in Texas and California share their hearts I invited Worldview listeners to share what they enjoy about the newscast in 2-6 sentences by email.  You can share your thoughts — along with your full name, city and state — and send it to adam@TheWorldview.com Christy Quinn in Grapevine, Texas said, “We love listening to The Worldview in 5 Minutes as a family. My 10-year-old says she enjoys hearing about Christians around the world, what they are doing to God's glory and how the world treats them. I enjoy the Biblical perspective on current events and politics including those sound bites. The intro music and your closing ‘Seize the day for Jesus Christ' is a hit. My kids are excited to listen.” Ben Duhem in Eureka, California said, “The Worldview helps my wife and I stay on the same page about certain topics and geopolitical events. I read dozens of articles every day and am extremely well-informed about current events, but I mostly carry the burden alone. “I like to keep my wife and children in somewhat of a protective bubble to maintain their innocence, joy, and hope. When I share too much of what I read, my wife becomes very disheartened. She is busy homeschooling, gardening, cooking, and cleaning, all day, every day. So, she does not have time to read the news or process the political analysis that I used to try to distill for her. “The Worldview is the one source of news she tries to make time for each day. It's short and sweet. And she receives inspiration from the scriptures and calls to join in prayer. So, it's the one source of news that she asks me about and we discuss and pray about together. It helps us stay bonded.” 3 Worldview listeners gave $849 to fund our annual budget And finally, toward our $92,625 goal by this Friday, June 20th  to fund three-quarters of The Worldview newscast's annual budget for our 6-member team, 3  listeners stepped up to the plate. We are so grateful for Michele in Kindersley, Saskatchewan, Canada who gave $25, Richard in Pittsburgh, Pennsylvania who gave $300, and Providence Associates in Fort Oglethorpe, Georgia which gave $524. Those 3 Worldview listeners gave a total of $849. Ready for our new grand total? Drum roll please.  (Drum roll sound effect) $47,745.70 (People clapping and cheering sound effect)   Toward this Friday, June 20th's goal of $92,625, we need to raise $44,879.30. Remember, if you are one of the final 2 people who will give a one-time gift of $1,000, Scooter in Naples, Florida will match you with a corresponding $1,000 gift of his own.  If you believe in what we're doing, if you look forward to reading the transcript or listening to the newscast, please go to TheWorldview.com and click on Give on the top right. Your gift will help us fund the 6-member Worldview newscast team for another fiscal year. Amen and Amen! Close And that's The Worldview on this Thursday, June 19th, in the year of our Lord 2025.  Follow us on X or subscribe for free by Spotify, Amazon Music, or by iTunes or email to our unique Christian newscast at www.TheWorldview.com.  Plus, you can get the Generations app through Google Play or The App Store. I'm Adam McManus (Adam@TheWorldview.com). Seize the day for Jesus Christ.

Chapter 2: Lady Patricia – A Wig, a Worry, and a Very Weird House Charlie's back on the case! This time, his summer holiday detective work has him teaming up with the eccentric Mrs Amber once again. Disguised as a parking warden and a Swedish lad named Elof (complete with curly wigs and stick-on moustaches), the unlikely duo set off to investigate their first suspect – the mysterious Lady Patricia, owner of a Rottweiler who's as fancy as she is. But things quickly get weird. When their search for 405 Twirler Avenue hits a dead end, they squeeze through a hidden gap between two fences and stumble into a secret world – complete with a disguised house, a trapdoor, and a slide that dumps them right into Lady Patricia's underground lair, face to face with a confused Rottweiler in a bonnet. Cornered by a suspicious Lady Patricia and her fashion-forward pooch, Charlie and Mrs Amber have to think fast – and then things get even more bonkers when their local postman comes crashing in through the same secret slide! Can Charlie, Mrs Amber, and the nosey postman convince Lady Patricia to spill what she knows about the missing Famous Cup? Or have they just stumbled into a trap even trickier than they imagined? Grab your disguises and steady your nerves – this is one wild ride you won't want to miss! Learn more about your ad choices. Visit podcastchoices.com/adchoices

Ana Pang has been a skin care specialist for two decades specializing in menopause skin care by her Yin Yang Method of Traditional Chinese Medicine. She is also a published researcher in a prestigious Swedish journal, the 15th European Congress on Menopause and Andropause May 14-16, 2025.Get inspired with Ana in our conversation. Reach out directly to Ana Peng foreverleanlife@gmail.com for information on the abstract.

learn words and phrases at the restaurant

On 18 June 1964, black and white protesters jumped into a ‘whites only' swimming pool at a motel in St Augustine, in Florida.Photos of the Monson Motor Lodge manager, James Brock, pouring cleaning acid into the pool to get them out, made global headlines.The following day, the Civil Rights Act - a landmark bill to end discrimination which had been stalling in the Senate – was finally passed.Using archive interviews with two of the swimming activists, JT Johnson and Mimi Jones, Vicky Farncombe looks back at this crucial moment in the civil rights movement.This programme includes outdated and offensive language.Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from football in Brazil, the history of the ‘Indian Titanic' and the invention of air fryers, to Public Enemy's Fight The Power, subway art and the political crisis in Georgia. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: visionary architect Antoni Gaudi and the design of the Sagrada Familia; Michael Jordan and his bespoke Nike trainers; Princess Diana at the Taj Mahal; and Görel Hanser, manager of legendary Swedish pop band Abba on the influence they've had on the music industry. You can learn all about fascinating and surprising stories, such as the time an Iraqi journalist hurled his shoes at the President of the United States in protest of America's occupation of Iraq; the creation of the Hollywood commercial that changed advertising forever; and the ascent of the first Aboriginal MP.(Photo: Monson Motor Lodge manager, James Brock, pouring cleaning acid into the pool. Credit: Getty Images)

 This is Matt Reustle. Today we are breaking down EQT, the Swedish global investment organization. Right off the top, I need to mention our guest today, Sean Barrett, who couldn't have been more perfect for this breakdown. Sean has been investing in the Alts since Blackstone christened this asset class just over a decade ago. Sean is the founder of Counter Global, and alt investing is ingrained in its DNA. We cover the massive, yet lesser-known EQT, the Wallenberg family ties, and how this business has continued to generate returns at scale. Beyond the EQT conversation, you are going to get a masterclass on Alts investing. Please enjoy this Breakdown of EQT. ⁠⁠⁠Subscribe⁠⁠⁠ to Colossus Review For the full show notes, transcript, and links to the best content to learn more, check out the episode page⁠⁠ ⁠here⁠⁠⁠. —- Business Breakdowns is a property of Colossus, LLC. For more episodes of Business Breakdowns, visit⁠⁠⁠ joincolossus.com/episodes⁠⁠⁠. Editing and post-production work for this episode was provided by The Podcast Consultant (⁠⁠⁠https://thepodcastconsultant.com⁠⁠⁠). Show Notes (00:00:00) Welcome to Business Breakdowns (00:01:38) Complexities of Alternative Asset Management (00:04:27) Understanding EQT: A Thematic Private Markets Investment Manager (00:06:36) The Wallenberg Legacy and EQT's Origins (00:11:54) EQT's Differentiation and Investment Strategy (00:20:36) Leadership and Succession Planning at EQT (00:25:15) Regulatory Environment and Strategic Focus (00:31:15) EQT's Private Equity and Asia Strategies (00:37:39) EQT's Strategic Use of M&A (00:39:49) EQT's Infrastructure Business (00:42:01) EQT's Real Estate Business (00:45:28) Innovative Exit Strategies (00:49:08) Fundraising Success and Future Prospects (00:59:31) Financial Model and Valuation (01:06:46) Key Risks and Opportunities (01:16:15) Lessons from EQT

Innovative Approach to Diet and Satiety with Dr. Andreas Eenfeldt, a Swedish family medicine physician and CEO of Diet Doctor. They discuss the evolution of dietary assessment paradigms, from calorie counting to the glycemic index, and introduce the concept of satiety in modern diet planning. Dr. Eenfeldt introduces HAVA, a new app designed to simplify diet tracking using an innovative algorithm that scores foods based on four key factors: protein content, energy density, fiber, and hedonic value. The app utilizes AI technology for food identification and personalized guidance, making it user-friendly and highly effective for weight management and metabolic health. Highlighting the detrimental role of ultra-processed foods in weight gain, Dr. Eenfeldt explains how higher satiety foods can naturally help reduce calorie intake without hunger. The conversation also touches on the viability of various diets, including the carnivore and Nordic diets, and the complementary role of GLP-1 drugs. The episode emphasizes sustainable, evidence-based dietary practices tailored to individual health goals.

Dr. Hoffman continues his conversation with Dr. Andreas Eenfeldt, a Swedish family medicine physician and CEO of Diet Doctor and HAVA, a new app designed to simplify diet tracking using an innovative algorithm that scores foods based on four key factors: protein content, energy density, fiber, and hedonic value. 

What do a barracks from British troops in the Falkland War, a floating jail of the Bronx, and temporary housing for VWF workers in Germany have in common? Well according to our next guest, Ian Kumekawa, they have all inhabited one Swedish barge built in 1979. Now, the barge has so many names, the author calls it “The Vessel.” The book is called “Empty Vessel: The Story of the Global Economy in One Barge.”

A round-up of the main headlines in Sweden on June 18th, 2025. You can hear more reports on our homepage www.radiosweden.se, or in the app Sveriges Radio Play. Presenter: Michael WalshProducer: Kris Boswell

Two political scientists look back at a deadly pandemic and ask, "could we have done even less?"Where to find us: Peter's newsletterPeter's other podcast, 5-4Mike's other podcast, Maintenance PhaseSources:Lawrence Wright's “The Plague Year”The 2019 WHO report                30‐day mortality following COVID‐19COVID-19: examining the effectiveness of non-pharmaceutical interventionsPolicy Interventions, Social Distancing, and SARS-CoV-2 Transmission in the United StatesWhat we can learn from SwedenA review of the Swedish policy response to COVID-19How Sweden approached the COVID‐19 pandemicThe first eight months of Sweden's COVID‐19 strategyThe Swedish COVID-19 Response Is a DisasterExcess mortality in Denmark, Finland, Norway and Sweden during the COVID-19 pandemic Comparing drivers of pandemic economic decline 2020How Sweden approached the COVID-19 pandemicComparisons of all-cause mortality between European countries and regionsJonathan Howard's “We Want Them Infected.”Deaths: Leading Causes for 2021Stay-at-home orders associate with subsequent decreases in COVID-19 cases and fatalities in the United States Did the Timing of State Mandated Lockdown Affect the Spread of COVID-19? US State Restrictions and Excess COVID-19 Pandemic DeathsThanks to Mindseye for our theme song!

This week's guest is Samuel Sonning, a Swedish computer scientist, former Google engineer, and founder of NoctieAI—a user-friendly chess platform featuring rating tests and bots designed to play like humans. In our conversation, Samuel discusses his unique improvement philosophy as an adult learner, including how memorizing famous games helped him build intuition and visualization skills. A passionate player himself, many of Sam's ideas have directly shaped NoctieAI, which offers immediate move feedback and personalized flashcards based on individual mistakes. We also explore the broader state of machine learning as it relates to chess. Samuel has been fascinated by this intersection since the days of Kasparov vs. Deep Blue, but while he still sees great potential in AI-assisted chess learning, he no longer views chess as the leading edge of AI development. This was a fascinating conversation, and I'm excited to follow NoctieAI's continued evolution. Thanks to our sponsor, Chessable.com! If you sign up for Chessable Pro in order to unlock discounts and additional features, be sure to use the following link: https://www.chessable.com/pro/?utm_source=affiliate&utm_medium=benjohnson&utm_campaign=pro And you can check out their new offerings here: https://www.chessable.com/courses/all/new/ https://www.perpetualchesspod.com/partners 0:00- What has been Sam's approach to chess improvement? Mentioned: EP 383 with Dan Bock 08:00- Why did Sam decide to develop Noctie such that it gives immediate feedback on your moves, rather than after your games?   12:00- When did Sam start playing tournament chess?  15:00- Why did Sam choose memorizing master games as a favorit-  approach to chess improvement? 19:00- How to overcome rating anxiety  Mentioned: Sam's Blog post-  https://noctie.ai/chess/how-not-to-get-better-at-chess/ 24:00- Why does NoctieAI offer both rating level tests and non-numeric titles such as “Knight 3?”  27:00- What does Sam do to make NoctieAI play in a more human-like fashion?  31:00- Patreon mailbag question: “What new paradigms could still be coming from chess engines?”  34:00- What sparked Samuel's interest in computers and chess?  37:00- Should chess still be considered an effective testing ground for AI development writ large, or has broader AI development caught up with the chess world?  40:00- Why is ChatGPT terrible at games like poker and chess? Mentioned:  Nate Silver's blog post: https://www.natesilver.net/p/chatgpt-is-shockingly-bad-at-poker Jen Shahade's blog post: https://jenshahade.substack.com/p/chatgpt-is-weirdly-bad-at-chess 47:00- How is the business of NoctieAI doing?  52:00- Sam's favorite chess books and content creators Mentioned: Jeremy Silman, Shereshevsky's Endgame Strategy, ChessNetwork  Thanks to Samuel for joining us! The best way to reach him is via NoctieAI. https://noctie.ai/ If you would like to help support Perpetual Chess via Patreon, you can do so here: https://www.patreon.com/c/perpetualchess Editing and post-production work for this episode was provided by The Podcast Consultant (https://thepodcastconsultant.com). Learn more about your ad choices. Visit podcastchoices.com/adchoices

On 17 June 2015, white supremacist Dylann Roof attended a bible group at Emanuel African Methodist Episcopal Church in Charleston, South Carolina, in the United States. As it was ending, the 21-year-old started shooting and killed nine people.Polly Sheppard was one of the survivors. She called 911 whilst hiding from Roof. The shootings at the historic African-American church shocked a nation already too used to gun violence. President Barack Obama delivered the eulogy at one of the victim's funerals and spontaneously started singing Amazing Grace. Ten years on since that day, Polly now 80, tells her harrowing story to Uma Doraiswamy.Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more.Recent episodes explore everything from football in Brazil, the history of the ‘Indian Titanic' and the invention of air fryers, to Public Enemy's Fight The Power, subway art and the political crisis in Georgia. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: visionary architect Antoni Gaudi and the design of the Sagrada Familia; Michael Jordan and his bespoke Nike trainers; Princess Diana at the Taj Mahal; and Görel Hanser, manager of legendary Swedish pop band Abba on the influence they've had on the music industry. You can learn all about fascinating and surprising stories, such as the time an Iraqi journalist hurled his shoes at the President of the United States in protest of America's occupation of Iraq; the creation of the Hollywood commercial that changed advertising forever; and the ascent of the first Aboriginal MP.(Photo: A memorial outside the Emanuel AME Church. Credit: Brendan Smialowski/AFP via Getty Images)

After the Second World War, in what was then East Germany, or the German Democratic Republic (GDR), tens of thousands of women and girls were forcibly detained and abused in sexual health clinics. In 1977, at the age of 15, Sabine was at a house party in Leipzig when police came for her. She was taken to a so-called ‘Tripperburgen' which translates to ‘gonorrhoea castle'. After 31 days she was told to leave. Research shows at least 10 of these wards existed in the GDR and 70% of the women had not been diagnosed with a sexually transmitted disease. Sabine tells Megan Jones about what happened to her, including being subjected to her first ever gynaecological exam. Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from football in Brazil, the history of the ‘Indian Titanic' and the invention of air fryers, to Public Enemy's Fight The Power, subway art and the political crisis in Georgia. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: visionary architect Antoni Gaudi and the design of the Sagrada Familia; Michael Jordan and his bespoke Nike trainers; Princess Diana at the Taj Mahal; and Görel Hanser, manager of legendary Swedish pop band Abba on the influence they've had on the music industry. You can learn all about fascinating and surprising stories, such as the time an Iraqi journalist hurled his shoes at the President of the United States in protest of America's occupation of Iraq; the creation of the Hollywood commercial that changed advertising forever; and the ascent of the first Aboriginal MP.(Photo: Tripperburgen at Riebeckstraße 63. Credit: Fotozentrum Leipzig)

Senor Alarcon gets a taste of fine Swedish culture. ---Remember, the best way to grow this show is to recommend it to your friends and enemies, follow us on Youtube and just talk about it with every stranger you meet in every strange alley. PATREON.COM/LostMountainPodYoutube.com/@TheLostMountainSaga

When Steven Kilburn couldn't shake the feeling of dread that gripped him every time he drove a particular stretch of Maryland road, hypnotic regression revealed he had been abducted by alien beings who performed medical experiments on him and then erased his memory of the encounter. Join the DARKNESS SYNDICATE: https://weirddarkness.com/syndicateABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.DISCLAIMER: Ads heard during the podcast that are not in my voice are placed by third party agencies outside of my control and should not imply an endorsement by Weird Darkness or myself. *** Stories and content in Weird Darkness can be disturbing for some listeners and intended for mature audiences only. Parental discretion is strongly advised.IN THIS EPISODE: IN THIS EPISODE: When Steve Kilburn underwent hypnotic regression to try and understand where this dark, foreboding feeling he kept experiencing on a certain stretch of road came from, he discovered that something very strange indeed did take place years earlier… he had been abducted by aliens. (Unveiled Under Hypnosis: The Alien Secrets of Steve Kilburn) *** Velma Barfield was a sweet God-fearing grandmother. Unfortunately, everyone in her life seemed to die mysteriously. (Death Row Granny) *** Karolina Olsson climbed into bed in 1918 on a Swedish island and when she woke up, thirty years had passed. It's the story of a real-life Sleeping Beauty. (The Real Life Sleeping Beauty) *** In the wilds of Australia, the persistence of Yowie folklore has endured for centuries, continuing into modern times with dozens of reported sightings and tales coming out of the area every year. (Yikes! A Yowie!) *** Imagine driving through a graffiti-stained, decaying tunnel late at night when your car suddenly breaks down, and you notice a shadowy figure in your back seat. This eerie experience is just one of the chilling legends surrounding the Sensabaugh Tunnel in Kingsport, Tennessee, a place known for its haunted history and ghostly encounters. (Scares In The Sensabaugh Tunnel)CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Lead-In00:01:23.733 = Show Open00:03:34.578 = Unveiled Under Hypnosis: The Alien Secrets of Steve Kilburn00:31:47.494 = Death Row Granny00:40:31.897 = The Real-Life Sleeping Beauty 00:49:55.604 = Yikes! A Yowie!00:54:44.907 = Scares In The Sensabaugh Tunnel00:58:53.396 = Show CloseSOURCES AND RESOURCES FROM THE EPISODE…BOOK: “Missing Time: A Documented Study of UFO Abductions” by Budd Hopkins: https://amzn.to/3LJzgRRBOOK: "The Yowie: In Search of Australia's Bigfoot" by Tony Healy and Paul Cropper: https://amzn.to/3Sx2cjD“Unveiled Under Hypnosis: The Alien Secrets of Steve Kilburn” (source) Marcus Lowth, UFOInsight.com:https://weirddarkness.tiny.us/yckwf4e9“Death Row Granny” (source): Mark Oliver, AllThatsInteresting.com: https://weirddarkness.tiny.us/y5rnkkh2“The Real-Life Sleeping Beauty” source: Kaushik Patowary, AmusingPlanet.com: https://weirddarkness.tiny.us/33ksz9fj“Yikes! A Yowie!” source: Bryan Hill, AncientOriginsUnleashed.com: https://weirddarkness.tiny.us/ycya4e37“Scares in the Sensabaugh Tunnel” source: TheScareChamber.com: https://weirddarkness.tiny.us/2p8b8xwe=====(Over time links may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.=====Originally aired: July 30, 2024EPISODE PAGE at WeirdDarkness.com (includes list of sources): https://weirddarkness.com/SteveKilburn

Van and Rachel are joined by Seema Mehta of the Los Angeles Times to address the unrest in L.A. (0:00) Intro (3:11) Cardi B and the Target boycott (8:40) Why Keith Sweat is single at 63 (18:01) Swedish gospel (24:06) Coco Gauff vs. Aryna Sabalenka (30:28) Anti-ICE protests in L.A. (48:16) Seema Mehta joins the show (1:01:02) Should Black people care? (1:26:7) 'Tha Carter VI' Review (1:34:21) Glaze of the Week Hosts: Van Lathan and Rachel Lindsay Guest: Seema Mehta Producers: Donnie Beacham Jr. and Ashleigh Smith Learn more about your ad choices. Visit podcastchoices.com/adchoices