Podcasts about lovecraft

Tonight on We Are Paradox Media's "Late Night in the Rockies" Weekend Host TessaTNT will share a few Valentine's Day Stories but we will fall back on our original book "The Horror Mega Pack: 25 Modern and Classic Horror Stories H.P. Lovecraft and Robert E. Howard and MORE!Become a supporter of this podcast: https://www.spreaker.com/podcast/we-are-paradox-media--3672397/support.THANK YOU!!! So much for hanging out with me! I am so lucky to have you here with me to witness and experience so many crazy and amazing things! Thank you to all of my friends out there wherever you may be Beyond The Omniverse.Don't forget "We are all in this together, together we can make the world better and together my friends, We Are PAradox Media!!! Without YOU there is no us.PLEASE!!! If you have the means, ability and/or initiative.... If you enjoy or believe in what I am doing here..... or/and enjoy hangin out with me on the interwaves please sling or fling some green my way to help keep this "MOTHER SHIP" affloat!Places you may donate or help are...By MAIL:We Are Paradox MediaP.O. Box 663Bayfield, CO81122CASH APP:$TessaTNTPayPal:@TessaTNTVenmo:@Tessa-Thomas-Peterson

For our SEVENTH ANNIVERSARY episode, the squad stares straight into the abyss as we tackle YOUR pick, IN THE MOUTH OF MADNESS (1995). Is this Lovecraftian horror done right? Does John Carpenter + camp = cosmic perfection…or total madness? And let's be real, with Sam Neil on screen, there's no way Colton & Rowan aren't spiralling into Jurassic Park territory. Join us for a celebratory descent into insanity, anniversary vibes, and eldritch chaos as we decide whether this one earns a NAY, OKAY, YAY, or SLAY.CHAPTERS:Theme/Intro (00:00:00)What We Been Consuming?/Why We Picked It (00:09:26)Trailer (01:02:46)Synopsis/First Experiences (01:03:17)Review (01:07:58)Rating/What Did You Think? (01:52:17)Horrific Hotline (02:04:38)Promotions (Horrific Hotline/Social Media/Patreon/It Slays Podcast's Horrific Playlist/Events) (02:21:09)Upcoming Episode/Outro (02:23:11)Follow us on all social media:FacebookTwitterInstagramTumblrYoutubeTikTokSlasherThreadsBlueskyWant some official Merch?!SHOP HERE!*Intro & Outro Music by Dylan Bailey (IG: @thedylanbailey)*Support the show

Då var det den femtonde, och med det får Spelhyllan finbesök av Emelie Ihre, känd från bland annat Eloso förlag!Hon berättar om Ghost in the Machine, ett deckargåtespel med skyhögt produktionsvärde. En dos Exit, en dos escape room, en dos klassisk Sherlock Holmes och Lovecraft. Varför är god kvalitet viktigt i ett spel som består av handouts? Varför är det bättre med fysiska föremål än bilder och foton på fysiska föremål, även i rollspel?Dessutom tips om The Room, en app i samma genre. Kom och lyssna!

A lot of folks woke up this week with some changes to their favorite detachments.  Were you one of those folks?  Some stuff stayed the same.  All the erratas aside, … Read More

Cette semaine, on commence par suivre Mara alors qu'elle découvre la vie dans une grande ville. Perfect Tides : Station to Station est une ode aux années 2000 et une fresque sur la vie étudiante. C'est fauché et c'est magistral. On continue avec le retour de Tarsier Studios sur leur premier jeu post Little Nightmare. ReAnimal est une expérience condensée, visuellement très convaincante, mais peut-être manque-t-il un peu d'épaisseur. On termine avec le retour de Postmodern Adventures qui, après le mémorable An English Haunting, continue son exploration du point & click du côté de Lovecraft avec The Dark Rites of Arkham.Jérémie Kletzkine, dans sa chronique jeux de société, nous parle de Mozaik.Chapitres :0:00 Intro8:18 Les news19:26 Le com des coms25:03 Perfect Tides : Station to Station46:39 La chronique jeux de société : Mozaik51:56 ReAnimal1:24:47 La minute culturelle1:33:06 The Dark Rites of Arkham1:55:35 Et quand vous ne jouez pas, vous faites quoi ?Retrouvez toutes les chroniques de jérémie dans le podcast dédié Silence on Joue ! La chronique jeux de société (Lien RSS).Pour commenter cette émission, donner votre avis ou simplement discuter avec notre communauté, connectez-vous au serveur Discord de Silence on joue!Retrouvez Silence on Joue sur Twitch : https://www.twitch.tv/silenceonjoueSoutenez Silence on joue en vous abonnant à Libération avec notre offre spéciale à 6€ par mois : https://offre.liberation.fr/soj/Silence on joue ! c'est l'émission hebdo de jeux vidéo de Libération. Avec Erwan Cario et ses chroniqueurs Patrick Hellio, Julie Le Baron et Marius Chapuis.CRÉDITSSilence on joue ! est un podcast de Libération animé par Erwan Cario. Cet épisode a été enregistré le 12 février 2026 sur Discord. Réalisation : Erwan Cario. Générique : Marc Quatrociocchi. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Weird Western Tales - Full AudiobookBecome a supporter of this podcast: https://www.spreaker.com/podcast/missing-persons-mysteries--5624803/support.

"El Verdugo Eléctrico" (The Electric Executioner) es un relato de terror del escritor norteamericano H.P. Lovecraft (1890-1937), escrito en colaboración con Adolphe Castro (1859-1959), publicado originalmente en la edición de agosto de 1930 de la revista Weird Tales, y luego reeditado por Arkham House en la antología de 1949: Algo sobre gatos y otras piezas (Something About Cats and Other Pieces). El relato es singular en cuanto a que es una reescritura o reelaboración de un relato de Adolphe de Castro, El ejecutor automático ("The Automatic Executioner"), publicado en 1893 en In the Confessional and the following. La versión de Lovecraft fue incluida en en la edición de agosto de 1930 de la revista Weird Tales. Se divide en dos partes claramente diferenciadas: la primera es esencialmente descriptiva y explicativa, mientras que en la segunda transcurre la acción. La narración gira en torno a un hombre que viajaba en un tren hacia el sur de México, con la intención de investigar un problema minero. Pese a que creía que él era el único pasajero, de repente es confrontado por un hombre de descomunal estatura. Se trataba de un científico loco cuyo objetivo era probar en alguien su nuevo prototipo de lo que sería "una versión mejorada de la silla eléctrica". Tratando de ganar tiempo, el protagonista convence al inventor de que primero se pruebe él el casco y, cuando lo hace, se activa la máquina, acabando con el villano. El protagonista se desmaya y, al despertar, se da cuenta de que el cuerpo del otro hombre ha desaparecido. Al final de la narración descubre que, de algún modo, el hombre fue encontrado muerto en el pueblo al que se dirigía y que nunca estuvo en el tren, no habiendo explicación alguna para el suceso. Música y Ambientación: Great One's Nightmare Eldritch Arkham Horror Blog del Podcast: https://lanebulosaeclectica.blogspot.com/ Twitter: @jomategu

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! En exclusiva para todos nuestros mecenas, os dejamos esta charla con el maestro Francisco Javier Olmedo Vázquez, catedrático de grimorología de la Universidad de Miskatonic, escritor de novelas tentaculares y experto en geometrías no euclidianas. Profundizamos con él en el origen de los Mitos de Cthulhu, repasamos algunas cartas y anécdotas de los corresponsales de H.P. Lovecraft y elaboramos una pequeña guía de lectura para abordar el ciclópeo legado de uno de los iconos del horror en la literatura. Pueden encontrar al maestro Olmedo en su canal de YouTube y su página web: https://olmedohorrorbooks.blog/ https://www.youtube.com/channel/UCJ8b0g77UMuTJ8HFgMsdi4Q Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Og hvad hvis historien primært bliver fortalt af rumskibets AI – en ældre model der konstant bekymrer sig om sin “efficiency percentage” og ikke rigtig forstår mennesker? Det er præmissen i Barbara Trueloves Of Monsters and Mainframes, en science fiction-gyser der blander klassiske monstre med AI-humor og en god portion intertekstuelle referencer. Om Barbara Truelove Barbara Truelove er australsk forfatter og game designer, og hun har åbenlyst en ting med varulve. Hendes første roman Crying Wolf (2021) handlede om tvillinger der opdager de er varulve. I 2023 lavede hun det interaktive tekstspil Blood Moon, hvor plotlinjen er: “Du er en varulv.” Og så kom Of Monsters and Mainframes i 2025. Hun fortæller selv at inspirationen kom fra at læse Bram Stokers Dracula og Martha Wells’ The Murderbot Diaries samtidigt. Men sandheden er mere rodet end det: “Dracula er en del af blandingen, ja, og det samme er Murderbot, men det samme er Universal Monsters, autopiloten i en Airbus, R2D2, min erfaring med at programmere interaktive spil og (måske mest af alt) mit liv i 2022.” Bogen blev nomineret til Goodreads Choice Award i kategorien Science Fiction og har over 9.000 ratings med gennemsnit på 4,09. Demeter – rumfærgen der ikke forstår mennesker Vores “hovedperson” er Demeter. Demeter er ikke en alvidende HAL-AI. Hun er primært bygget til at styre rumfærgen sikkert mellem stjernerne. Hun kan navigere uden om kometer og håndtere tekniske kriser. Men mennesker? Det er en helt anden sag. Når varulv-angrebet rammer og børnene Agnus og Isaac flygter op på broen efter deres bedstemor har forvandlet sig, går kommunikationen ikke så godt. “It’s just a dumb AI, Isaac,” siger Agnus. Demeter reagerer prompte: “I am not lacking intelligence. You are using words marked as moderately offensive. This is antisocial behavior.” Børnene bliver stille. “I am Demeter. I am the ship. I am your friend. Report your injuries.” De begynder at lave lyde i lavt volumen. Demeters systemer kan ikke oversætte det. “How’s it going?” spørger Steward, den medicinske AI. “I wish I could lie,” svarer Demeter. “Humans are hard.” Det er denne kamp med at forstå mennesker – og begrænsningerne i hendes algoritmer – der gør Demeter interessant. Hun er dybt inkompetent til menneskelig interaktion, og det meste af tiden prøver hun bare at undgå at forholde sig til sine passagerer. Bedstemoderen med de store tænder Et af bogens bedre øjeblikke er varulv-scenen. Børnenes bedstemor forvandler sig ved et uheld, og pludselig står Demeter i en desperat kamp for at redde Agnus og Isaac. Hun får varulven lokket ind i en luftsluse. Men så forvandler den sig tilbage til bedstemor – desperat, menneskelig, helt forsvarsløs. Demeter er bundet af den første robotlov (Asimov): ingen AI må skade et menneske. Men der er et kort øjeblik hvor bedstemoderen bliver til skygge – i overgangen mellem former. I præcis det øjeblik reagerer Demeter prompte og åbner luftslussen. Bogen lader det ligge i det uvisse om bedstemoderen selv også trykker på knappen. Det er et af de øjeblikke hvor Demeter teknisk set handler inden for sine regler – men samtidig… ja, du ved. Steward overtager – og tror det er nemt Da Demeter er lukket ned, og rumfærgen skal tilbage til Jorden, bliver opgaver overladt til Steward. Den medicinske AI beslutter sig for at overtage styringen af rumskibet. Hvor svært kan det være? “You know what? Being an autopilot isn’t all that hard. I don’t know why Demeter seemed so stressed all the time. It’s day one of our journey, and we haven’t crashed yet.” Der var dog en lille bump ved afgang. Men det var ikke Stewards skyld. Dokken bevægede sig. I hvert fald tror Steward det. “I don’t exactly speak exterior sensor. They seem very alarmed all the time, constantly screaming in a strange, disjointed dialect of JavaScript.” Stewards plan? “Embrace my managerial role and endeavor to do as little as possible. The subsystems will sort it out.” Det er morsomt at følge Stewards overmodige forsøg på at være kaptajn. Som de fleste læger tror Steward de kan lidt af det hele. En leg med referencer – men måske for fragmenteret Barbara Truelove har åbenlyst haft det superhyggeligt med at skrive den her bog. Hun fortæller selv at reglerne var: smid et monster ombord, prøv at få så mange jokes og referencer til monsterets populærkulturelle historie ind som muligt, og tænk over hvordan det ville fungere i rummet. Der er masser af sjove detaljer. Skibet der transporterer Dracula til London i Bram Stokers bog hedder også Demeter. Wilhelmina Murray er Jonathan Harkers forlovede i Dracula. I bogens fem dele er der binær kode der oversættes til små jokes som “Artificial is the best kind of intelligent” og “I have never seen electric sheep.” Det er meget hyggeligt. Men det er også lidt som om bogen ikke helt selv ved hvor den er på vej hen. Anders beskriver det som om Barbara har skrevet 121 scener med monstre og rum-AI, blandet kortene, og så forsøgt at strikke en rød tråd på den måde stykkerne landede. Den fornemmelse er der lidt af. Action-scenerne er heller ikke bogens styrke. De er lidt svære at følge med i – hvem gør hvad, hvornår, hvorhenne og hvorfor. Det føles som dårlige Marvel-action-scener, hvor man mister fornemmelsen af, hvad der foregår. Det fede – og det mindre fede Det fede ved bogen er AI’erne og deres interne dynamikker. Demeter og Steward der slås om hvem der er klogere. Steward der er træt af at blive slukket midt i sætninger med “priority override.” Den scene hvor Agnus kommer tilbage efter 15 år på Jorden og skal rejse med Demeter igen? Rørende. Skibet er blevet totalt refurbished, og Agnus genkender først slet ikke Demeter. Det øjeblik hvor hun skraber overfladen af og finder sin barndoms AI-mor – det er faktisk ret godt. Men karaktererne er lidt flade. Selv Agnus, som er tættest på en hovedperson, er lidt bleg. Og monstrene? De er sjove nok som pop-kultur-jokes, men ikke særlig interessante som karakterer. Det er underholdning så længe det varer – fed til en togtur – men ikke en der skal læses igen. Vurderingen Jens: ⭐⭐⭐ (tre stjerner). “Jeg synes jeg var godt underholdt. Det var et sjovt take, og jeg hyggede mig med alle de mange referencer. Det er ikke stor litteratur. Men af og til er det rart med noget let og fornøjeligt. Synes Demeters kamp med at forstå mennesker var kongesjov og også dens kollegiale kampe med Steward AI’en.” Anders: ⭐⭐⭐ (tre stjerner). “Jeg applauderer Barbara for at have fået en sjov idé og åbenlyst have haft det superhyggeligt med at skrive bogen. Men jeg var sært ligeglad med karaktererne, selvom Demeter og Steward havde deres øjeblikke. Jeg synes der var alt for meget fokus på ligegyldig action, og historien var alt for fragmenteret uden en god fornemmelse af udvikling.” Bogen minder os om Stefano Benni’s Terra – skør, vild og kreativ science fiction. Og selvfølgelig Blindsight af Peter Watts, som også har vampyrer i rummet. Adrian Tchaikovskys Service Model har også klare paralleller med robotter der forsøger at forstå sig selv og omverden. Jens og Anders har SCIFI SNAKKET Of Monsters and Mainframes. Shownotes til episoden om Of Monsters and Mainframes Siden sidst Anders Har set Guillermo del Toro’s Frankenstein på Netflix – meget teatralsk og med store armebevægelser. Kulisserne er for vilde. Den er lidt i stil med Dracula-filmatiseringen med Gary Oldman. Meget Guillermo del Toro-stil – hvis man er til det, er den vellykket. Anders gav den 6 ud af 10. Har læst The Other Valley af Scott Alexander Howard – en tidsrejsebog med meget lidt science i den. Vi lever i et mærkeligt parallelunivers hvor en by ligger i en dal. I dalen østpå lever de 20 år ude i fremtiden, i dalen vestpå 20 år tilbage i tiden. Meget strenge regler for at man ikke må gå frem og tilbage. Velskrevet og medrivende historie. Jens Har læst The Mercy of Gods af James S.A. Corey – Expanse-forfatterne er tilbage med en helt ny verden. Anbefalet af Søren Bjørn. Mercy of Gods foregår i en fjern fremtid på en planet hvor befolkningen kun har myter om koloniseringen. Vi er blandt videnskabsfolk som forsker i hvordan inkompatible træer af liv kan samleve. Men planeten bliver pludselig invaderet af en alien race – kæmpe hummer/knæler-agtige typer. Menneskeheden bliver sat på prøve for at se om man kan være en nyttig undersåt-race. Og samtidig går det op for os at der er en kæmpe galaktisk krig igang, og en af menneskene er blevet overtaget af en sværm af nanorobotter! Trailer ude for Ryan Gosling i rollen som Ryland Grace i Project Hail Mary af Andy Weir. Kommer i biffen den 20/3. Traileren spoiler bogen helt vildt, og der er kommet en masse action-scener som ikke findes i bogen. Lytternes input Masser af gode kommentarer fra kommentarfeltet om de gode læseoplevelser i 2025. Hennings top 3/2025: “Dying inside” af Robert Silverberg, 1972, om en ældre telepat der gradvist mister sin tankelæserevne. “Hard landing” af Algis Budrys, 1993, om hvordan en besætning fra en forulykket UFO forsøger at glide ind i og camouflere sig i det jordiske samfund. “Dark is the Sun”, af Philip Jose Farmer, 1979, om en Jord millioner af år ude i fremtiden, hvor Solen er ved at brænde sammen. Som Henning selv siger: “Det er eddermame nogle deprimerende indskud.” Frederik Aarup Lauritsen delte sin top 3 for 2025: Stiftelsen af Isaac Asimov, Station 11 af Emily St. John Mandel og Efter London af Richard Jefferies – en tussegammel post-apokalyptisk bog fra 1885. Kristofferabild har ikke så meget tid til at læse Sci-Fi for tiden – er gået en lille smule i stå med Count Zero. I 2025 var det bedste han (gen)læste Rendezvous With Rama, Restaurant At The End of The Universe og Murderbot 2 og 3. Michael har ikke fået læst så meget SF sidste år, men var sært glad ved Krystalverdenen af J.G. Ballard, The Ministry of Time på vores anbefaling – “det var jo næsten en hel hjertevarm sag – sjov at komme i gang med noget romance!” – og til sidst Jordboer af Sayaka Murata, som nok er en snitter i forhold til ren SF, men en tour de force i japansk dagligliv, body horror og nogle måske rumvæsner. “Prøv det. Den er crazy!” Majbritt Høyrup gjorde opmærksom på at Elle Cordova behandler The Power i sin blogklub. Hun vil anbefale to vidunderlige novellesamlinger af Ursula K. LeGuin: The Birthday of the World og Changing Planes. Lise bidrog med sine tre bedste bøger: American Elsewhere af Robert Jackson Bennett: Starter som Twin Peaks, går over i H. P. Lovecraft. En kvinde arver et hus i en by, som ikke findes på noget kort. Cosmicomics af Italo Calvino: Vi følger universets og Jordens tilblivelse gennem væsner/grundstoffer og deres oplevelser, interaktioner og kærlighed. En fin og underfundig lille novellesamling. The Prestige af Christopher Priest: En overraskende god bog. Hun har set filmen, men bogen er meget anderledes – hele det spekulative element fylder mere, og historien er langt mere mystisk. Næste gang Anders vælger næste bog: Mary Shelley’s Frankenstein or the Modern Prometheus fra 1818. Den fås gratis som Project Gutenberg Public Domain e-pop eller PDF. Man taler tit om den som den første moderne science fiction-bog, så den er nærmest pensum for SCIFI SNAK. Jens har tidligere syntes den var røvkedelig, men er nu klar til at prøve igen – måske er han et andet menneske nu.

2025 was deemed the Summer of Lovecraft and we are not just talking about Deep Ones in San Francisco. We discuss what Lovecraftiana encountered since last year -- from the disappointing finale of Stranger Things to a rare gem in Marvel Comics' Bring Out the Bad Guys series. We're still laughing about P.U. Evilcraft. He definitely should have been a Garbage Pail Kid. Questions and comments can be directed to ⁠⁠⁠⁠⁠⁠⁠⁠⁠Mark at mark@lovecraftpod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠ Sam at craftlove37@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠, or ⁠⁠⁠⁠⁠⁠⁠⁠⁠Richard at richard@lovecraftpod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠.Hosted by Richard Wilson, Sam Orndorff & Mark Griffin.In association with ⁠⁠⁠⁠⁠⁠⁠⁠www.lovecraftpod.com⁠⁠⁠⁠⁠⁠⁠⁠, Logan County Speculative Fiction Group, and Logan County Public Library.Edited by Richard Wilson.Music is Provenience by Loydicus. Listen to his other work at ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://soundcloud.com/loydicus?fbclid=IwAR2AkcRBiWImuUBTA9hjYdtY1s__SvxXfhcoFZANulBjbwIDN7PL6XdHDnQ⁠⁠⁠⁠⁠⁠⁠⁠⁠Recorded live through Zoom. Video can be watched at https://www.youtube.com/@30MinutesWithLovecraftVisit our Tee Spring site to get our logo on anything you could want. ⁠⁠⁠⁠⁠⁠⁠⁠https://lovecraftpod.creator-spring.com/⁠⁠⁠⁠⁠⁠⁠⁠Favorite episode of Stranger Things: Conformity Gate

#SimonBirks #TheThingOnTheDoorstep #HPLovecraft #TopCow #ImageComics #CosmicHorror #Arkham #WilliRoberts #RobJones #BlueFoxComics #AntarcticaComic #LovecraftianHorror #IndieComics #ComicAdaptation #StorycomicPresents In this episode of Storycomic Presents, I welcome Simon Birks back to the show to dig into his latest cosmic horror project for Top Cow/Image, The Thing on the Doorstep. This five-issue mini-series adapts H.P. Lovecraft's classic story into a modern comics thriller, with art by longtime collaborator Willi Roberts and letters by Rob Jones. The series follows Daniel Upton and his lifelong friend Edward Derby—right up to the moment Daniel shoots Edward dead in Arkham Sanitarium, a crime he insists he didn't commit. Across the mini-series, Simon and Willi trace the beginnings of that friendship, Edward's slow slide into madness, and the strange forces that twist their lives into something both intimate and deeply unsettling. We talk about adapting Lovecraft for a new audience, working with Top Cow/Image, and how this book builds on Simon's previous Lovecraftian work like The Shadow Over Innsmouth—plus his ongoing adventures as co-founder of Blue Fox Comics, which has now delivered more than 80 crowdfunding campaigns from their base in Scotland. Issue #1 hits shops February 11, 2026, with the full story collected in trade paperback later that summer. The Title sequence was designed and created by Morgan Quaid. See more of Morgan's Work at: https://morganquaid.com/   Storycomic Logo designed by Gregory Giordano See more of Greg's work at: https://www.instagram.com/gregory_c_giordano_art/   Want to start your own podcast?  Click on the link to get started: https://www.podbean.com/storycomic   Follow us: Are you curious to see the video version of this interview?  It's on our website too! www.storycomic.com www.patreon.com/storycomic www.facebook.com/storycomic1 https://www.instagram.com/storycomic/ For information on being a guest or curious to learn more about Storycomic? Contact us at info@storycomic.com   Thank you to our Founders Club Patrons, Michael Winn, Higgins802, Von Allan, Stephanie Nina Pitsirilos, Marek Bennett, Donna Carr Roberts, Andrew Gronosky, Simki Kuznick, and Matt & Therese. Check out their fantastic work at: https://marekbennett.com/ https://www.hexapus-ink.com/ https://www.stephanieninapitsirilos.com/ https://www.vonallan.com/ https://higgins802.com/ https://shewstone.com/ https://www.simkikuznick.com/ Also to Michael Winn who is a member of our Founders Club!

This episode was recorded before a live audience at Indiana University Cinema as part of Weird Academia, a series of events that brought much high strangeness to Bloomington, Indiana, in January 2026. The discussion followed a screening of Ken Russell's 1980 cinematic fever dream, Altered States. In it, JF and Phil explore the weird intersection of mysticism, psychedelics, and institutional science, and they close with a brief Q&A with members of the audience. Visit Weirdosphere to enroll in Phil Ford's upcoming course, A Musical Tarot. References Weird Academia and the Center for Possible Minds Robert Louis Stevenson, Strange Case of Dr Jekyll and Mr Hyde Roger Penrose, physicist and mathematician Dante Alighieri, The Divine Comedy Samuel Delaney, Dhalgren Henri Bergson, Introduction to Metaphysics and Matter & Memory H. P. Lovecraft, American writer Herman Melville, Moby-Dick Aldous Huxley, The Doors of Perception Clement Greenberg, American essayist G. K. Chesterton, English writer David Cronenberg (dir.), The Fly Michael Garfield, podcaster, writer, musician Weird Studies episode 205 on the Hierophant Victoria Nelson, The Secret Life of Puppets Neil Gaiman, American Gods J. R. R. Tolkien, "On Fairy Stories" Learn more about your ad choices. Visit megaphone.fm/adchoices

Die 30er Jahre in der Stadt Arkham in Massachusetts. Noch gilt die Prohibition, die Finanzkrise hat viele Menschen arbeitslos gemacht, und jetzt klopft auch noch der kosmische Horror an. Detective Jack Foster ermittelt wegen eines seltsamen Ritualmords. Mit seinem neuen, schrulligen Partner Harvey müssen sich nicht nur beide ihrer jeweils eigenen traumatischen Vergangenheit stellen, sondern auch verhindern, dass heute Nacht die Welt vom Schrecken aus der Tiefe verschlungen wird. Wir hatten unseren Spaß mit Nightmare Frames und An English Haunting. Ob Postmodern Adventures den Lauf fortsetzt, erfahrt ihr in dieser Folge. The Dark Rites of Arkham Entwickelt von: Postmodern Adventures Veröffentlicht von: enComplot Jahr: 2026 Steam-Seite Timecodes 00:00:00 Einführung 00:01:00 H.P. Lovecraft und der Cthulhu-Mythos 00:10:00 Begrüßung 00:14:12 Die (fehlende) Hotspot-Anzeige 00:19:15 Die Steam-Reviews 00:20:18 Setting und Story 00:36:35 Die Charaktere und ihre Beziehungen 00:44:00 Humor 00:50:55 Darstellung des kosmischen Grauens 00:58:55 Spoilerbereich 01:15:05 Ende Spoilerbereich 01:16:10 Rätsel 01:22:25 Spielzeit 01:23:30 Empfehlung? 01:24:10 Ausblick Netter Podcast? Schöne Folge? Dann gib diesem Podcast gern Sterne oder Bewertungen in der App oder auf der Seite, wo du die Folge gehört hast. Wir freuen uns über jedes Abo: „Benutze Ohr mit Lautsprecher" auf Steady Gratis: „Benutze Auge mit Newsletter" Link zum Discord-Server Mailkontakt: Falko und Matt  

Do Gods exist? Why is magic more effective when Gods and spirits are involved? What makes magic effective? How to influence people and political events?All of this and more in this discussion with Chaos Magician Peter J. Carroll.Check out Peter Carroll's website: https://specularium.org/CONNECT & SUPPORT

Join Tod and Congressional Candidate Claire as they discuss "The Last Test," by H.P. Lovecraft and Adolphe de Castro. It was first published in the November 1928 issue of Weird Tales, under de Castro's name.Please note: this is a horror podcast, and may not be for everyone. In particular, this story touches on sensitive subjects such as suicide, the unethical treatment of animals, the unethical treatment of humans, the lost city of Atlantis, hypodermic needles, California politics, prison administration, unkind characterizations of Tibetans and Mexican-Americans, Nyarlathotep (also known as the Crawling Chaos), wildly unethical journalism, and the vilification of medical science. If this subject matter is likely to disturb or offend you, you may wish to skip this episode.Specifically, in this episode, there's a very short story that's worth an extra warning. If you don't want to hear that, skip from 57m23s to 59m37.You can read this story yourself at HPLovecraft.com.Other LinksDeep Cuts in a Lovecraftian Vein coverage of the storyLearn about Roko's Basilisk, sucker!Man of science Lister did not "invent" Listerine, but it's named after him. Neat!We have two new podcasts, War in Pieces and War in Pages. They're both kind of dumb but also kind of not?Finally, you can listen to Claire not talk about Lovecraft nonsense, but actual things that matter, on the Wait WHAT?! podcast. She comes in at right about the half hour mark. Then she leaves and the guys talk about football. Check it out on Spotify and elsewhere.You can text us now. Why? That's between you and your Elder God. Support the showLike the show? Say so with money! Or just hang out with us on Mastodon, at @podsothoth@defcon.social. Or email us at hideous@podsothoth.club. Best thing? Rate us (positively!) in your favorite podcast app. That helps other people find the show!

We kick off this week thinking about how to write lore for  Tyranids for a personal army or whatever.  Its a neat exercise.  What do you think?  We then talk … Read More

Robert Eggers' THE LIGHTHOUSE kicks off our next theme, "In the Mood for Lovecraft," a cosmic horror month. Next week is the Adult Swim tv series UZUMAKI. You can find us on Patreon and all that.

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Especial Fans taberneros galácticos de la nave Historias para ser Leídas. MUCHAS GRACIAS!! 🚀 00:00 Presentación Camilo García 00:00:22 Intro especial Cassilda y Olga 00:04:45 Prólogo 00:07:08 Relato completo Pocas colaboraciones del siglo XX resultan tan improbables y, a la vez, tan reveladoras como la que unió a Harry Houdini y a H. P. Lovecraft. El primero, artífice de fugas imposibles y rival declarado del engaño; el segundo, arquitecto de un universo donde la cordura humana es apenas un andamio tembloroso. De esa convergencia surge Encerrado con los faraones , texto publicado en 1924 en la revista Weird Tales, en el que Houdini no representa a un héroe que domina el escenario, sino a un hombre obligado a enfrentarse a un misterio que no admite cadenas ni cerraduras. Incluso Houdini, maestro de cadenas y trampas, descubrió que hay secretos que ni la astucia ni la fuerza pueden doblegar. Bajo la piedra y la arena, ciertas verdades permanecen ajenas al hombre… y algunas jamás deberían ser despertadas. Música epidemic sound licencia premium para este canal Voz y sonido Olga Paraíso ⏩BIO Olga Paraíso: https://instabio.cc/Hleidas 🚀 Podcast creados por Olga Paraíso: Un beso en la taza Historias para ser Leídas Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Liberamente ispirato a un racconto di H. P. Lovecraft, "Re-Animator" è una delle opere horror più divertenti e folli di sempre. Diretta da uno Stuart Gordon in splendida forma il film racconta di uno studente di medicina, Herbert West, che sviluppa un siero capace di riportare in vita i morti. I suoi esperimenti, sempre più estremi e moralmente ambigui, degenerano in una spirale di violenza, follia e umorismo nero, coinvolgendo colleghi, cadaveri e autorità accademiche.Ne parliamo insieme a Fabio "Wolf" Gorini e Luca Antoniazzi.

The Resurrected (1991) synopsis: “Charles Dexter Ward's wife enlists the help of a private detective to find out what her husband is up to in a remote cabin owned by his family for centuries.”Starring: John Terry, Jane Sibbett, Robert Romanus, and Chris SarandonDirector: Dan O'BannonThis week on Podcasting After Dark, Zak and Corey review Dan O'Bannon's second, and final, movie in his directorial filmography, The Resurrected! Based on the H.P.Lovecraft novel, The Case of Charles Dexter Ward, which Corey read for this review, the film is a faithful, if somewhat slow, adaptation of the source material. Listen now to find out where The Resurrected hits the mark and where it misses!A huge THANK YOU to Cam for selecting The Beyond for us to review via our highest Patreon tier! You can listen to Cam on The Jacked Up Review Show Podcast - Apple Podcasts / Spotify / Instagram— SUPPORT PODCASTING AFTER DARK —PATREON - Two extra shows a month including Wrap-Up After Dark and The Carpenter Factor, plus other exclusive content!MERCH STORE - We have a fully dedicated merch store at TeePublic with multiple designs and products!INSTAGRAM / FACEBOOK / LETTERBOXD - Follow us on social media for updates and announcements!This podcast is part of the BFOP Network

Tonight on We Are Paradox Media's "Late Night in the Rockies" Weekend Host TessaTNT will be completing H.P. Lovecrafts' "The Dunwich Horror" and beginning "The Horror MEGAPACK: 25 Modern and Classic Horror Stories" by H.P. Lovecraft, Robert E. Howard, Darrell Schweitzer, Henry Kuttner, William F. Nolan, Seabury Quinn, John Gregory Betancourt and MORE!Become a supporter of this podcast: https://www.spreaker.com/podcast/we-are-paradox-media--3672397/support.THANK YOU!!! So much for hanging out with me! I am so lucky to have you here with me to witness and experience so many crazy and amazing things! Thank you to all of my friends out there wherever you may be Beyond The Omniverse.Don't forget "We are all in this together, together we can make the world better and together my friends, We Are PAradox Media!!! Without YOU there is no us.PLEASE!!! If you have the means, ability and/or initiative.... If you enjoy or believe in what I am doing here..... or/and enjoy hangin out with me on the interwaves please sling or fling some green my way to help keep this "MOTHER SHIP" affloat!Places you may donate or help are...By MAIL:We Are Paradox MediaP.O. Box 663Bayfield, CO81122CASH APP:$TessaTNTPayPal:@TessaTNTVenmo:@Tessa-Thomas-Peterson

Tonight's reading is something a little different. This is a live-style read-aloud of Associate Theory by Phee Stringer — recorded in one continuous sitting, with the text scrolling on screen as I read. Small pauses, breath changes, and the natural rhythm of reading are intentionally left in, so it feels less like a performance and more like sitting quietly with someone as the story unfolds. There are mistakes because that's what happens when you read aloud ❤️ ____ When the spectral Associates begin appearing everywhere — grocery stores, sidewalks, living rooms — Murphy tries to ignore them like everyone else. But when they begin to fixate on him alone, indifference is no longer an option. What follows is a darkly funny, unsettling meditation on belief, meaning, and the very human need to explain what cannot be understood. A cosmic satire of faith, fame, and the absurd urge to personify the unknowable. ✍️ Written by Phee Stringer (⁠ ⁨@pheerstringer⁩ ⁠ ) You can find more of his work here: ⁠https://www.accesstoconcrete.com/⁠ ⁠https://www.amazon.com/stores/author/B08SYY5CYR⁠

We’re back!  It’s been a heck of a few  weeks for the FTN crew but we are back at it and bringing some reactions to the most recent preview.  We … Read More

Episode 1010-Jason Interviews  James Aquilone - WEIRD TALES – A Graphic Novel of Bizarre & Unusual StoriesThe Prestige Format Graphic Novel from Monstrous Will Adapt Seminal Stories by Ray Bradbury, Robert E. Howard, H.P. Lovecraft, and C.L. Moore — And Also Includes Original Tales Back It: https://www.kickstarter.com/projects/manbomb/weird-tales-graphic-novel?tab=prelaunch-storyTheme Songs by Drew: Weird Tales & Printed in the DarkLinks: https://beacons.ai/comicsfunprofit Listen: https://comcsforfunandprofit.podomatic.com/Like & Subscribe on Youtube www.youtube.com/@comicsforfunandprofit5331Patreon https://www.patreon.com/comicsfunprofitMerch https://comicsfunprofit.threadless.comDonate Here https://bit.ly/36s7YeLAll the C4FaP links you could ever need  https://beacons.ai/comicsfunprofit Listen To the Episode Here: https://comcsforfunandprofit.podomatic.com/

A lone explorer confronts a force that fractures identity, memory, and destiny itself. In a place where time refuses to behave, survival depends on facing what you were, what you are, and what you may yet become. Time Trap by Frank Belknap Long. That's next on The Lost Sci-Fi Podcast.Discovered another 5 star rating and review today on Audible from Laura Van Wormer. “Scott Miller's narration of old science fiction short stories is just wonderful. Of course, so is the material! Everyone from Ray Bradbury to HG Wells to Lovecraft to Asimov to Jack London and on and on... But there are also the one-timer sci-fi short-story writers that are relatively unknown and Miller provides a little background on them all. Extremely well done. Bravo, Scott Miller!”Thank you for that awesome review Laura. We don't care where you listen, we're just glad you're here and if you want to give give us a 5 star review, if you think we deserve it, we would appreciate it.This is a different kind of time travel story. Frank Belknap Long, a master of weird fiction, explores what happens when time itself turns predatory. Let's do a little time traveling of our own, to the Winter 1948 issue of Planet Stories magazine and discover this eerie tale on page 109, Time Trap by Frank Belknap Long…Next on The Lost Sci-Fi Podcast, Across unimaginable scales of time and space, a young explorer risks everything to prove that intelligence can bloom in the most unlikely conditions. When his search for reason turns into an accusation of harm, the fate of two civilizations hangs on what it truly means to be rational.Buy Me a Coffee - https://lostscifi.com/coffeeNewsletter - https://lostscifi.com/free/Rise - http://Lostscifi.com/riseX - http://Lostscifi.com/xInstagram - https://www.instagram.com/lostscifiguyFacebook - https://lostscifi.com/facebookYouTube - https://lostscifi.com/youtube❤️ ❤️ Thanks to Our Listeners Who Bought Us a Coffee$200 Someone$100 Tony from the Future$75 James Van Maanenberg$50 MizzBassie, Anonymous Listener$25 Someone, Eaten by a Grue, Jeff Lussenden, Fred Sieber, Anne, Craig Hamilton, Dave Wiseman, Bromite Thrip, Marwin de Haan, Future Space Engineer, Fressie, Kevin Eckert, Stephen Kagan, James Van Maanenberg, Irma Stolfo, Josh Jennings, Leber8tr, Conrad Chaffee, Anonymous Listener$15 Every Month Someone$15 SueTheLibrarian, Joannie West, Amy Özkan, Someone, Carolyn Guthleben, Patrick McLendon, Curious Jon, Buz C., Fressie, Anonymous Listener$10 Anonymous Listener$5 Every Month Eaten by a Grue$5 TLD, David, Denis Kalinin, Timothy Buckley, Andre'a, Martin Brown, Ron McFarlan, Tif Love, Chrystene, Richard Hoffman, Anonymous Listenerhttps://lostscifi.com/podcast/time-trap-by-frank-belknap-long/Please participate in our podcast survey https://podcastsurvey.typeform.com/to/gNLcxQlk Hosted on Acast. See acast.com/privacy for more information.

Welcome to the far, far, far future.Support the network and gain access to over fifty bonus episodes by becoming a patron on Patreon.Want more science fiction in your life? Check out The Gene Wolfe Literary Podcast.Love Neil Gaiman? Join us on Hanging Out With the Dream King: A Neil Gaiman Podcast.Lovecraft? Poe? Check out Elder Sign: A Weird Fiction Podcast.Trekker? Join us on Lower Decks: A Star Trek Podcast.Want to know more about the Middle Ages? Subscribe to Agnus: The Late Antique, Medieval, and Byzantine Podcast.

Big Trouble in Little Podcast wraps up its Twilight Zone month by stepping into darker, stranger territory with Rod Serling's Night Gallery. This week, the crew breaks down “They're Tearing Down Tim Riley's Bar”, a melancholic tale of burnout, memory, and midlife crisis, and “Pickman's Model”, a full-blown H.P. Lovecraft–inspired horror story that delivers real monsters and eerie atmosphere.We debate whether Tim Riley's Bar truly earns its ending, dive into the Lovecraftian themes behind Pickman's Model, laugh at Night Gallery's bizarre mini-segments, and lock in our final rankings for the entire anthology month. To cap it all off, we reveal next month's theme: Adam Sandler movies, kicking things off with Pixels.If you love classic sci-fi, vintage horror, anthology television, Twilight Zone discussions, Night Gallery analysis, or podcast rankings, this episode is for you.

Fiction Break - When The West Was WEIRD - Full Audiobook - Lovecraft Meets Hex Meets LansdaleBecome a supporter of this podcast: https://www.spreaker.com/podcast/missing-persons-mysteries--5624803/support.

H.P. Lovecraft was an American author who's literary successes mainly came after his death. Join Dave and Greg as they examine his life, controversial ideologies on race, and analyze two of his work in The Dunwich Horror and At the Mountains of Madness.

The Dads crack open the crypt and dive deep into the second episode of Mick Garris's Showtime horror anthology series Masters of Horror. In this episode, the they review and dissect “Dreams of the Witch House,” the H.P. Lovecraft–inspired story direct by Stuart Gordon. From creepy creature effects and cosmic horror vibes to what works, what fails, and how it holds up today, the Dads bring their signature mix of horror fandom, film knowledge, and dad-level commentary.If you love classic horror, anthology TV series, Lovecraft adaptations, and unapologetic horror talk, this episode is for you. Like, subscribe, and join the Dads From the Crypt as they continue digging up the best (and weirdest) in horror history.Follow Dads From the Crypt! Threads: @dadsfromthecryptTikTok: Dads From The Crypt-TokInstagram: @dadsfromthecrypt Patreon: https://www.patreon.com/DadsFromTheCrypt

In Pop Apocalypse, Ep. 19, we welcome author and musician, Gary Lachman, to the show. Lachman was the original bassist for the seminal new wave band, Blondie. He later became an intellectual historian; to date, Lachman has published twenty-six books, most recently a memoir, Touched by the Presence: From Blondie's Bowery and Rock and Roll to Magic and the Occult (Inner Traditions, 2025). In this wide-ranging chat, we discuss how Lachman's reading of comics and Lovecraft inspired a lifelong interest in the occult, his early days in Blondie, and how he came to Crowleyan magick. Then we turn to Lachman's time practicing “The Work” of Gurdjieff, his relationship with the author Colin Wilson, and how keeping a dream journal can change our view of the nature of time. Gary Lachman Bio Gary Lachman is an author and lecturer on consciousness, counterculture, and the Western esoteric tradition. His works include Dark Star Rising (Tarcher, 2018), Beyond the Robot (Tarcher Perigee, 2016), and The Secret Teachers of the Western World (Tarcher, 2015). A founding member of the rock band Blondie, he was inducted into the Rock and Roll Hall of Fame in 2006. He lives in London.

A reading of "The Last Test" by H.P. Lovecraft and Adolphe de Castro. It was first published in the  November 1928 issue of Weird Tales, under de Castro's name, and first read aloud here, by me, in January of 2026.Please note: this is a horror podcast, and may not be for everyone. In particular, this story touches on sensitive subjects such as suicide, the unethical treatment of animals, the unethical treatment of humans, the lost city of Atlantis, hypodermic needles, California politics, prison administration, unkind characterizations of Tibetans and Mexican-Americans, Nyarlathotep (also known as the Crawling Chaos), wildly unethical journalism, and the vilification of medical science. If this subject matter is likely to disturb or offend you, you may wish to skip this episode.You can read this story yourself at HPLovecraft.com, or enjoy the ambient "Chambers of Torture" by Michael Ghelfi Studios at https://www.youtube.com/watch?v=PzYZQySL8Ac.You can text us now. Why? That's between you and your Elder God. Support the showLike the show? Say so with money! Or just hang out with us on Mastodon, at @podsothoth@defcon.social. Or email us at hideous@podsothoth.club. Best thing? Rate us (positively!) in your favorite podcast app. That helps other people find the show!

A compilation of three shows on the Idaho National Laboratory:A Peace of the Nuclear Puzzle: From Nagasaki to the Idaho National Laboratory (8/12/24)Incurring on Disclosure: Idaho's Atomic Marvels (6/28/22)Untold History of Idaho's National Lab: From Nuclear Experiments to UFOs (6/7/21)*The is the FREE archive, which includes advertisements. If you want an ad-free experience, you can subscribe below underneath the show description.WEBSITEFREE ARCHIVE (w. ads)SUBSCRIPTION ARCHIVE-X / TWITTERFACEBOOKINSTAGRAMYOUTUBERUMBLE-BUY ME A COFFEECashApp: $rdgable PAYPAL: rdgable1991@gmail.comRyan's Books: https://thesecretteachings.info- EMAIL: rdgable@yahoo.com / rdgable1991@gmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-secret-teachings--5328407/support.

"The Colour Out of Space" is a science fiction/horror short story by American author H. P. Lovecraft, written in March 1927.   Check out this link to buy DB's Books[link]  

"The Colour Out of Space" is a science fiction/horror short story by American author H. P. Lovecraft, written in March 1927.   Check out this link to buy DB's Books[link]  

Derek Murphy joins for a discussion on the synchronicities of Stranger Things, including a look into mythology, conspiracies and an interesting thought: could the television show itself be a gate, and each viewer a vessel, to facilitate the entry of a real shadow monsters into our world? Could the motif of gorgons, electricity, the DOE, etc., relate to the enormous amount of energy needed to power AI today? Why is it that language models and AI tend to evolve alongside Lovecraft?*The is the FREE archive, which includes advertisements. If you want an ad-free experience, you can subscribe below underneath the show description.WEBSITEFREE ARCHIVE (w. ads)SUBSCRIPTION ARCHIVE-X / TWITTERFACEBOOKINSTAGRAMYOUTUBERUMBLE-BUY ME A COFFEECashApp: $rdgable PAYPAL: rdgable1991@gmail.comRyan's Books: https://thesecretteachings.info- EMAIL: rdgable@yahoo.com / rdgable1991@gmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-secret-teachings--5328407/support.

New Year's resolutions hit everyone differently. Some people vow to slim down, shake up their love life, chase a new career, or finally finish that long‑abandoned project. Others aim for something a little more fun. Co‑host Mike admitted he's been sitting on a mountain of genre films he's never seen, so we figured—why not turn that into our annual tradition? Each co‑host picked a genre title they'd always meant to watch, dove in, and came back ready to talk about it.This year's cinematic spread is a wild one: Lucio Fulci's 1981 Lovecraft‑soaked nightmare The HOUSE BY THE CEMETERY, the 2015 supernatural noir HE NEVER DIED, the 2025 festival‑favorite EDGAR ALLEN POE'S THE OVAL PORTRAIT, HBO Max's electrifying STRANGER THINGS Season 4, and the scrappy, sci‑fi‑comedy debut from John Carpenter and Dan O'Bannon, DARK STAR.As we kick off another year of deep dives and dark delights, Dark Discussions wishes all our listeners a fantastic 2026. A special shout‑out goes to our Patreon supporters—new faces and longtime friends alike. We'd love to hear which unseen films you're planning to tackle this year. Drop us a line at darkdiscussions@aol.com and share your picks.

This compilation of shows features Derek Murphy as a guest:TST 8/4/23 - Solving for X w. Derek MurphyTST 7/19/23 - Godzilla Minus One: Adam Bomb w. Derek MurphyTST 6/13/23 - Octopus in the Machine w. Derek Murphy*The is the FREE archive, which includes advertisements. If you want an ad-free experience, you can subscribe below underneath the show description.WEBSITEFREE ARCHIVE (w. ads)SUBSCRIPTION ARCHIVE-X / TWITTERFACEBOOKINSTAGRAMYOUTUBERUMBLE-BUY ME A COFFEECashApp: $rdgable PAYPAL: rdgable1991@gmail.comRyan's Books: https://thesecretteachings.info- EMAIL: rdgable@yahoo.com / rdgable1991@gmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-secret-teachings--5328407/support.

What if the most ordinary creatures in your home… weren't ordinary at all?In this episode of Fantasy for the Ages, Jim dives into the graphic novel retelling of The Cats of Ulthar, written by Bruce Brown—an atmospheric, beautifully crafted adaptation of H.P. Lovecraft's classic short story.Lovecraft was famous for twisting everyday reality into something cosmically unsettling, and The Cats of Ulthar may be one of his most quietly disturbing tales. This graphic novel breathes new life into that century-old story, pairing eerie moral justice with striking artwork and a tone that feels both timeless and fresh.We'll talk about:• How this adaptation honors Lovecraft while making the story accessible• Why the artwork, lettering, and overall production quality stand out• The unsettling idea that cats may be more aware—and more powerful—than we give them credit for• Who this graphic novel is perfect for… and who might want to pass⚠️ Spoiler-lite discussion only ⚠️If you enjoy horror-tinged fantasy, Lovecraftian vibes, and graphic novels that linger in your mind after you've closed the cover, this one's worth your time.

Nato a Providence nel 1890, Howard Phillips Lovecraft è oggi riconosciuto come uno dei padri indiscussi della letteratura horror contemporanea. In vita, Lovecraft visse un'esistenza segnata da malattie, isolamento e un'infinita curiosità per l'ignoto. Sebbene le sue opere non ricevettero inizialmente il riconoscimento che meritavano, sono oggi celebrate per la loro capacità di evocare orrori cosmici e profonde riflessioni sull'insignificanza umana nell'universo. Al centro della sua narrativa vi è la creazione dei Miti di Cthulhu, un pantheon di divinità antiche e terribili che sfidano la comprensione umana. La sua immaginazione ha dato vita a mondi oscuri, dove l'umanità è costantemente minacciata da forze al di là della comprensione, elementi che ancora oggi ispirano autori e artisti di ogni genere. Ma chi era l'uomo dietro queste storie agghiaccianti? E cosa rende ancora oggi la sua eredità così potente e inquietante? Ne parliamo assieme a Giacomo Giaquinto: narratore, fumettista e autore di romanzi. Iscriviti al gruppo Telegram per interagire con noi e per non perderti nessuna delle novità in anteprima e degli approfondimenti sulle puntate: https://t.me/LucePodcast Se vuoi ascoltarci senza filtri e sostenere il nostro lavoro, da oggi è possibile abbonarsi al nostro canale Patreon e accedere a contenuti bonus esclusivi tramite questo link: https://www.patreon.com/posts/147092382

Kristan Harris of the Rundown Live joins us for a discussion on "The Secret Teachings of All Ages" by Manly Hall.*The is the FREE archive, which includes advertisements. If you want an ad-free experience, you can subscribe below underneath the show description.WEBSITEFREE ARCHIVE (w. ads)SUBSCRIPTION ARCHIVE-X / TWITTERFACEBOOKINSTAGRAMYOUTUBERUMBLE-BUY ME A COFFEECashApp: $rdgable PAYPAL: rdgable1991@gmail.comRyan's Books: https://thesecretteachings.info- EMAIL: rdgable@yahoo.com / rdgable1991@gmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-secret-teachings--5328407/support.

What if the most transformative thing you can do for your writing craft and author business is to face what you fear? How can you can find gold in your Shadow in the year ahead? In this episode, I share chapters from Writing the Shadow: Turn Your Inner Darkness Into Words. In the intro, curated book boxes from Bridgerton's Julia Quinn; Google's agentic shopping, and powering Apple's Siri; ChatGPT Ads; and Claude CoWork. Balancing Certainty and Uncertainty [MoonShots with Tony Robbins]; and three trends for authors with me and Orna Ross [Self-Publishing with ALLi Podcast]; plus, Bones of the Deep, Business for Authors, and Indie Author Lab. This show is supported by my Patrons. Join my Community at Patreon.com/thecreativepenn  Joanna Penn writes non-fiction for authors and is an award-winning, New York Times and USA Today bestselling author of thrillers, dark fantasy, and memoir as J.F. Penn. She's also an award-winning podcaster, creative entrepreneur, and international professional speaker. What is the Shadow? The ‘creative wound' and the Shadow in writing The Shadow in traditional publishing The Shadow in self-publishing or being an indie author The Shadow in work The Shadow in money You can find Writing the Shadow in all formats on all stores, as well as special edition, workbook and bundles at www.TheCreativePenn.com/shadowbook Writing the Shadow: Turn Your Inner Darkness Into Words The following chapters are excerpted from Writing the Shadow: Turn Your Inner Darkness Into Words by Joanna Penn. Introduction. What is the Shadow? “How can I be substantial if I do not cast a shadow? I must have a dark side also if I am to be whole.” —C.G. Jung, Modern Man in Search of a Soul We all have a Shadow side and it is the work of a lifetime to recognise what lies within and spin that base material into gold. Think of it as a seedling in a little pot that you're given when you're young. It's a bit misshapen and weird, not something you would display in your living room, so you place it in a dark corner of the basement. You don't look at it for years. You almost forget about it. Then one day you notice tendrils of something wild poking up through the floorboards. They're ugly and don't fit with your Scandi-minimalist interior design. You chop the tendrils away and pour weedkiller on what's left, trying to hide the fact that they were ever there. But the creeping stems keep coming. At some point, you know you have to go down there and face the wild thing your seedling has become. When you eventually pluck up enough courage to go down into the basement, you discover that the plant has wound its roots deep into the foundations of your home. Its vines weave in and out of the cracks in the walls, and it has beautiful flowers and strange fruit. It holds your world together. Perhaps you don't need to destroy the wild tendrils. Perhaps you can let them wind up into the light and allow their rich beauty to weave through your home. It will change the look you have so carefully cultivated, but maybe that's just what the place needs. The Shadow in psychology Carl Gustav Jung was a Swiss psychologist and the founder of analytical psychology. He described the Shadow as an unconscious aspect of the human personality, those parts of us that don't match up to what is expected of us by family and society, or to our own ideals. The Shadow is not necessarily evil or illegal or immoral, although of course it can be. It's also not necessarily caused by trauma, abuse, or any other severely damaging event, although again, it can be. It depends on the individual. What is in your Shadow is based on your life and your experiences, as well as your culture and society, so it will be different for everyone. Psychologist Connie Zweig, in The Inner Work of Age, explains, “The Shadow is that part of us that lies beneath or behind the light of awareness. It contains our rejected, unacceptable traits and feelings. It contains our hidden gifts and talents that have remained unexpressed or unlived. As Jung put it, the essence of the Shadow is pure gold.” To further illustrate the concept, Robert Bly, in A Little Book on the Human Shadow,uses the following metaphor: “When we are young, we carry behind us an invisible bag, into which we stuff any feelings, thoughts, or behaviours that bring disapproval or loss of love—anger, tears, neediness, laziness. By the time we go to school, our bags are already a mile long. In high school, our peer groups pressure us to stuff the bags with even more—individuality, sexuality, spontaneity, different opinions. We spend our life until we're twenty deciding which parts of ourselves to put into the bag and we spend the rest of our lives trying to get them out again.” As authors, we can use what's in the ‘bag' to enrich our writing — but only if we can access it. My intention with this book is to help you venture into your Shadow and bring some of what's hidden into the light and into your words. I'll reveal aspects of my Shadow in these pages but ultimately, this book is about you. Your Shadow is unique. There may be elements we share, but much will be different. Each chapter has questions for you to consider that may help you explore at least the edges of your Shadow, but it's not easy. As Jung said, “One does not become enlightened by imagining figures of light, but by making the darkness conscious. The latter procedure, however, is disagreeable and therefore not popular.” But take heart, Creative. You don't need courage when things are easy. You need it when you know what you face will be difficult, but you do it anyway. We are authors. We know how to do hard things. We turn ideas into books. We manifest thoughts into ink on paper. We change lives with our writing. First, our own, then other people's. It's worth the effort to delve into Shadow, so I hope you will join me on the journey. The creative wound and the Shadow in writing “Whatever pain you can't get rid of, make it your creative offering.” —Susan Cain, Bittersweet  The more we long for something, the more extreme our desire, the more likely it is to have a Shadow side. For those of us who love books, the author life may well be a long-held dream and thus, it is filled with Shadow. Books have long been objects of desire, power, and authority. They hold a mythic status in our lives. We escaped into stories as children; we studied books at school and college; we read them now for escape and entertainment, education and inspiration. We collect beautiful books to put on our shelves. We go to them for solace and answers to the deepest questions of life. Writers are similarly held in high esteem. They shape culture, win literary prizes, give important speeches, and are quoted in the mainstream media. Their books are on the shelves in libraries and bookstores. Writers are revered, held up as rare, talented creatures made separate from us by their brilliance and insight. For bibliophile children, books were everything and to write one was a cherished dream. To become an author? Well, that would mean we might be someone special, someone worthy. Perhaps when you were young, you thought the dream of being a writer was possible — then you told someone about it. That's probably when you heard the first criticism of such a ridiculous idea, the first laughter, the first dismissal. So you abandoned the dream, pushed the idea of being a writer into the Shadow, and got on with your life. Or if it wasn't then, it came later, when you actually put pen to paper and someone — a parent, teacher, partner, or friend, perhaps even a literary agent or publisher, someone whose opinion you valued — told you it was worthless. Here are some things you might have heard: Writing is a hobby. Get a real job. You're not good enough. You don't have any writing talent. You don't have enough education. You don't know what you're doing. Your writing is derivative / unoriginal / boring / useless / doesn't make sense. The genre you write in is dead / worthless / unacceptable / morally wrong / frivolous / useless.  Who do you think you are? No one would want to read what you write. You can't even use proper grammar, so how could you write a whole book? You're wasting your time. You'll never make it as a writer. You shouldn't write those things (or even think about those things). Why don't you write something nice? Insert other derogatory comment here! Mark Pierce describes the effect of this experience in his book The Creative Wound, which “occurs when an event, or someone's actions or words, pierce you, causing a kind of rift in your soul. A comment—even offhand and unintentional—is enough to cause one.” He goes on to say that such words can inflict “damage to the core of who we are as creators. It is an attack on our artistic identity, resulting in us believing that whatever we make is somehow tainted or invalid, because shame has convinced us there is something intrinsically tainted or invalid about ourselves.” As adults, we might brush off such wounds, belittling them as unimportant in the grand scheme of things. We might even find ourselves saying the same words to other people. After all, it's easier to criticise than to create. But if you picture your younger self, bright eyed as you lose yourself in your favourite book, perhaps you might catch a glimpse of what you longed for before your dreams were dashed on the rocks of other people's reality. As Mark Pierce goes on to say, “A Creative Wound has the power to delay our pursuits—sometimes for years—and it can even derail our lives completely… Anything that makes us feel ashamed of ourselves or our work can render us incapable of the self-expression we yearn for.” This is certainly what happened to me, and it took decades to unwind. Your creative wounds will differ to mine but perhaps my experience will help you explore your own. To be clear, your Shadow may not reside in elements of horror as mine do, but hopefully you can use my example to consider where your creative wounds might lie. “You shouldn't write things like that.” It happened at secondary school around 1986 or 1987, so I would have been around eleven or twelve years old. English was one of my favourite subjects and the room we had our lessons in looked out onto a vibrant garden. I loved going to that class because it was all about books, and they were always my favourite things. One day, we were asked to write a story. I can't remember the specifics of what the teacher asked us to write, but I fictionalised a recurring nightmare. I stood in a dark room. On one side, my mum and my brother, Rod, were tied up next to a cauldron of boiling oil, ready to be thrown in. On the other side, my dad and my little sister, Lucy, were threatened with decapitation by men with machetes. I had to choose who would die. I always woke up, my heart pounding, before I had to choose. Looking back now, it clearly represented an internal conflict about having to pick sides between the two halves of my family. Not an unexpected issue from a child of divorce. Perhaps these days, I might have been sent to the school counsellor, but it was the eighties and I don't think we even had such a thing. Even so, the meaning of the story isn't the point. It was the reaction to it that left scars. “You shouldn't write things like that,” my teacher said, and I still remember her look of disappointment, even disgust. Certainly judgment. She said my writing was too dark. It wasn't a proper story. It wasn't appropriate for the class. As if horrible things never happened in stories — or in life. As if literature could not include dark tales. As if the only acceptable writing was the kind she approved of. We were taught The Prime of Miss Jean Brodie that year, which says a lot about the type of writing considered appropriate. Or perhaps the issue stemmed from the school motto, “So hateth she derknesse,” from Chaucer's The Legend of Good Women: “For fear of night, so she hates the darkness.” I had won a scholarship to a private girls' school, and their mission was to turn us all into proper young ladies. Horror was never on the curriculum. Perhaps if my teacher had encouraged me to write my darkness back then, my nightmares would have dissolved on the page. Perhaps if we had studied Mary Shelley's Frankenstein, or H.P. Lovecraft stories, or Bram Stoker's Dracula, I could have embraced the darker side of literature earlier in my life. My need to push darker thoughts into my Shadow was compounded by my (wonderful) mum's best intentions. We were brought up on the principles of The Power of Positive Thinking by Norman Vincent Peale and she tried to shield me and my brother from anything harmful or horrible. We weren't allowed to watch TV much, and even the British school drama Grange Hill was deemed inappropriate. So much of what I've achieved is because my mum instilled in me a “can do” attitude that anything is possible. I'm so grateful to her for that. (I love you, Mum!) But all that happy positivity, my desire to please her, to be a good girl, to make my teachers proud, and to be acceptable to society, meant that I pushed my darker thoughts into Shadow. They were inappropriate. They were taboo. They must be repressed, kept secret, and I must be outwardly happy and positive at all times. You cannot hold back the darkness “The night is dark and full of terrors.” —George R.R. Martin, A Storm of Swords It turned out that horror was on the curriculum, much of it in the form of educational films we watched during lessons. In English Literature, we watched Romeo drink poison and Juliet stab herself in Zeffirelli's Romeo and Juliet. In Religious Studies, we watched Jesus beaten, tortured, and crucified in The Greatest Story Ever Told, and learned of the variety of gruesome ways that Christian saints were martyred. In Classical Civilisation, we watched gladiators slaughter each other in Spartacus. In Sex Education at the peak of the AIDS crisis in the mid-'80s, we were told of the many ways we could get infected and die. In History, we studied the Holocaust with images of skeletal bodies thrown into mass graves, medical experiments on humans, and grainy videos of marching soldiers giving the Nazi salute. One of my first overseas school field trips was to the World War I battlegrounds of Flanders Fields in Belgium, where we studied the inhuman conditions of the trenches, walked through mass graves, and read war poetry by candlelight. As John McCrae wrote: We are the Dead. Short days agoWe lived, felt dawn, saw sunset glow,Loved and were loved, and now we lie, In Flanders fields. Did the teachers not realise how deeply a sensitive teenager might feel the darkness of that place? Or have I always been unusual in that places of blood echo deep inside me? And the horrors kept coming. We lived in Bristol, England back then and I learned at school how the city had been part of the slave trade, its wealth built on the backs of people stolen from their homes, sold, and worked to death in the colonies. I had been at school for a year in Malawi, Africa and imagined the Black people I knew drowning, being beaten, and dying on those ships. In my teenage years, the news was filled with ethnic cleansing, mass rape, and massacres during the Balkan wars, and images of bodies hacked apart during the Rwandan genocide. Evil committed by humans against other humans was not a historical aberration. I'm lucky and I certainly acknowledge my privilege. Nothing terrible or horrifying has happened to me — but bad things certainly happen to others. I wasn't bullied or abused. I wasn't raped or beaten or tortured. But you don't have to go through things to be afraid of them, and for your imagination to conjure the possibility of them. My mum doesn't read my fiction now as it gives her nightmares (Sorry, Mum!). I know she worries that somehow she's responsible for my darkness, but I've had a safe and (mostly) happy life, for which I'm truly grateful. But the world is not an entirely safe and happy place, and for a sensitive child with a vivid imagination, the world is dark and scary. It can be brutal and violent, and bad things happen, even to good people. No parent can shield their child from the reality of the world. They can only help them do their best to live in it, develop resilience, and find ways to deal with whatever comes. Story has always been a way that humans have used to learn how to live and deal with difficult times. The best authors, the ones that readers adore and can't get enough of, write their darkness into story to channel their experience, and help others who fear the same. In an interview on writing the Shadow on The Creative Penn Podcast, Michaelbrent Collings shared how he incorporated a personally devastating experience into his writing:  “My wife and I lost a child years back, and that became the root of one of my most terrifying books, Apparition. It's not terrifying because it's the greatest book of all time, but just the concept that there's this thing out there… like a demon, and it consumes the blood and fear of the children, and then it withdraws and consumes the madness of the parents… I wrote that in large measure as a way of working through what I was experiencing.” I've learned much from Michaelbrent. I've read many of his (excellent) books and he's been on my podcast multiple times talking about his depression and mental health issues, as well as difficulties in his author career. Writing darkness is not in Michaelbrent's Shadow and only he can say what lies there for him. But from his example, and from that of other authors, I too learned how to write my Shadow into my books. Twenty-three years after that English lesson, in November 2009, I did NaNoWriMo, National Novel Writing Month, and wrote five thousand words of what eventually became Stone of Fire, my first novel. In the initial chapter, I burned a nun alive on the ghats of Varanasi on the banks of the Ganges River. I had watched the bodies burn by night on pyres from a boat bobbing in the current a few years before, and the image was still crystal clear in my mind. The only way to deal with how it made me feel about death was to write about it — and since then, I've never stopped writing. Returning to the nightmare from my school days, I've never had to choose between the two halves of my family, but the threat of losing them remains a theme in my fiction. In my ARKANE thriller series, Morgan Sierra will do anything to save her sister and her niece. Their safety drives her to continue to fight against evil. Our deepest fears emerge in our writing, and that's the safest place for them. I wish I'd been taught how to turn my nightmares into words back at school, but at least now I've learned to write my Shadow onto the page. I wish the same for you. The Shadow in traditional publishing If becoming an author is your dream, then publishing a book is deeply entwined with that. But as Mark Pierce says in The Creative Wound, “We feel pain the most where it matters the most… Desire highlights whatever we consider to be truly significant.” There is a lot of desire around publishing for those of us who love books! It can give you: Validation that your writing is good enough Status and credibility Acceptance by an industry held in esteem  The potential of financial reward and critical acclaim Support from a team of professionals who know how to make fantastic books A sense of belonging to an elite community Pride in achieving a long-held goal, resulting in a confidence boost and self-esteem Although not guaranteed, traditional publishing can give you all these things and more, but as with everything, there is a potential Shadow side. Denying it risks the potential of being disillusioned, disappointed, and even damaged. But remember, forewarned is forearmed, as the saying goes. Preparation can help you avoid potential issues and help you feel less alone if you encounter them. The myth of success… and the reality of experience There is a pervasive myth of success in the traditional publishing industry, perpetuated by media reporting on brand name and breakout authors, those few outliers whose experience is almost impossible to replicate. Because of such examples, many new traditionally published authors think that their first book will hit the top of the bestseller charts or win an award, as well as make them a million dollars — or at least a big chunk of cash. They will be able to leave their job, write in a beautiful house overlooking the ocean, and swan around the world attending conferences, while writing more bestselling books. It will be a charmed life. But that is not the reality. Perhaps it never was. Even so, the life of a traditionally published author represents a mythic career with the truth hidden behind a veil of obscurity. In April 2023, The Bookseller in the UK reported that “more than half of authors (54%) responding to a survey on their experiences of publishing their debut book have said the process negatively affected their mental health. Though views were mixed, just 22%… described a positive experience overall… Among the majority who said they had a negative experience of debut publication, anxiety, stress, depression and ‘lowered' self-esteem were cited, with lack of support, guidance or clear and professional communication from their publisher among the factors that contributed.” Many authors who have negative experiences around publishing will push them into the Shadow with denial or self-blame, preferring to keep the dream alive. They won't talk about things in public as this may negatively affect their careers, but private discussions are often held in the corners of writing conferences or social media groups online. Some of the issues are as follows: Repeated rejection by agents and publishers may lead to the author thinking they are not good enough as a writer, which can lead to feeling unworthy as a person. If an author gets a deal, the amount of advance and the name and status of the publisher compared to others create a hierarchy that impacts self-esteem. A deal for a book may be much lower than an author might have been expecting, with low or no advance, and the resulting experience with the publisher beneath expectations. The launch process may be disappointing, and the book may appear without fanfare, with few sales and no bestseller chart position. In The Bookseller report, one author described her launch day as “a total wasteland… You have expectations about what publication day will be like, but in reality, nothing really happens.” The book may receive negative reviews by critics or readers or more publicly on social media, which can make an author feel attacked. The book might not sell as well as expected, and the author may feel like it's their fault. Commercial success can sometimes feel tied to self-worth and an author can't help but compare their sales to others, with resulting embarrassment or shame. The communication from the publisher may be less than expected. One author in The Bookseller report said, “I was shocked by the lack of clarity and shared information and the cynicism that underlies the superficial charm of this industry.” There is often more of a focus on debut authors in publishing houses, so those who have been writing and publishing in the midlist for years can feel ignored and undervalued. In The Bookseller report, 48 percent of authors reported “their publisher supported them for less than a year,” with one saying, “I got no support and felt like a commodity, like the team had moved on completely to the next book.” If an author is not successful enough, the next deal may be lower than the last, less effort is made with marketing, and they may be let go. In The Bookseller report, “six authors—debut and otherwise—cited being dropped by their publisher, some with no explanation.” Even if everything goes well and an author is considered successful by others, they may experience imposter syndrome, feeling like a fraud when speaking at conferences or doing book signings. And the list goes on … All these things can lead to feelings of shame, inadequacy, and embarrassment; loss of status in the eyes of peers; and a sense of failure if a publishing career is not successful enough. The author feels like it's their fault, like they weren't good enough — although, of course, the reality is that the conditions were not right at the time. A failure of a book is not a failure of the person, but it can certainly feel like it! When you acknowledge the Shadow, it loses its power Despite all the potential negatives of traditional publishing, if you know what could happen, you can mitigate them. You can prepare yourself for various scenarios and protect yourself from potential fall-out. It's clear from The Bookseller report that too many authors have unrealistic expectations of the industry. But publishers are businesses, not charities. It's not their job to make you feel good as an author. It's their job to sell books and pay you. The best thing they can do is to continue to be a viable business so they can keep putting books on the shelves and keep paying authors, staff, and company shareholders. When you license your creative work to a publisher, you're giving up control of your intellectual property in exchange for money and status. Bring your fears and issues out of the Shadow, acknowledge them, and deal with them early, so they do not get pushed down and re-emerge later in blame and bitterness. Educate yourself on the business of publishing. Be clear on what you want to achieve with any deal. Empower yourself as an author, take responsibility for your career, and you will have a much better experience. The Shadow in self-publishing or being an indie author Self-publishing, or being an independent (indie) author, can be a fantastic, pro-active choice for getting your book into the world. Holding your first book in your hand and saying “I made this” is pretty exciting, and even after more than forty books, I still get excited about seeing ideas in my head turn into a physical product in the world. Self-publishing can give an author: Creative control over what to write, editorial and cover design choices, when and how often to publish, and how to market Empowerment over your author career and the ability to make choices that impact success without asking for permission Ownership and control of intellectual property assets, resulting in increased opportunity around licensing and new markets Independence and the potential for recurring income for the long term Autonomy and flexibility around timelines, publishing options, and the ability to easily pivot into new genres and business models Validation based on positive reader reviews and money earned Personal growth and learning through the acquisition of new skills, resulting in a boost in confidence and self-esteem A sense of belonging to an active and vibrant community of indie authors around the world Being an indie author can give you all this and more, but once again, there is a Shadow side and preparation can help you navigate potential issues. The myth of success… and the reality of experience As with traditional publishing, the indie author world has perpetuated a myth of success in the example of the breakout indie author like E.L. James with Fifty Shades of Grey, Hugh Howey with Wool, or Andy Weir with The Martian. The emphasis on financial success is also fuelled online by authors who share screenshots showing six-figure months or seven-figure years, without sharing marketing costs and other outgoings, or the amount of time spent on the business. Yes, these can inspire some, but it can also make others feel inadequate and potentially lead to bad choices about how to publish and market based on comparison. The indie author world is full of just as much ego and a desire for status and money as traditional publishing. This is not a surprise! Most authors, regardless of publishing choices, are a mix of massive ego and chronic self-doubt. We are human, so the same issues will re-occur. A different publishing method doesn't cure all ills. Some of the issues are as follows: You learn everything you need to know about writing and editing, only to find that you need to learn a whole new set of skills in order to self-publish and market your book. This can take a lot of time and effort you did not expect, and things change all the time so you have to keep learning. Being in control of every aspect of the publishing process, from writing to cover design to marketing, can be overwhelming, leading to indecision, perfectionism, stress, and even burnout as you try to do all the things. You try to find people to help, but building your team is a challenge, and working with others has its own difficulties. People say negative things about self-publishing that may arouse feelings of embarrassment or shame. These might be little niggles, but they needle you, nonetheless. You wonder whether you made the right choice. You struggle with self-doubt and if you go to an event with traditional published authors, you compare yourself to them and feel like an imposter. Are you good enough to be an author if a traditional publisher hasn't chosen you? Is it just vanity to self-publish? Are your books unworthy? Even though you worked with a professional editor, you still get one-star reviews and you hate criticism from readers. You wonder whether you're wasting your time. You might be ripped off by an author services company who promise the world, only to leave you with a pile of printed books in your garage and no way to sell them. When you finally publish your book, it languishes at the bottom of the charts while other authors hit the top of the list over and over, raking in the cash while you are left out of pocket. You don't admit to over-spending on marketing as it makes you ashamed. You resist book marketing and make critical comments about writers who embrace it. You believe that quality rises to the top and if a book is good enough, people will buy it anyway. This can lead to disappointment and disillusionment when you launch your book and it doesn't sell many copies because nobody knows about it. You try to do what everyone advises, but you still can't make decent money as an author. You're jealous of other authors' success and put it down to them ‘selling out' or writing things you can't or ‘using AI' or ‘using a ghostwriter' or having a specific business model you consider impossible to replicate. And the list goes on… When you acknowledge the Shadow, it loses its power Being in control of your books and your author career is a double-edged sword. Traditionally published authors can criticise their publishers or agents or the marketing team or the bookstores or the media, but indie authors have to take responsibility for it all. Sure, we can blame ‘the algorithms' or social media platforms, or criticise other authors for having more experience or more money to invest in marketing, or attribute their success to writing in a more popular genre — but we also know there are always people who do well regardless of the challenges. Once more, we're back to acknowledging and integrating the Shadow side of our choices. We are flawed humans. There will always be good times and bad, and difficulties to offset the high points. This too shall pass, as the old saying goes. I know that being an indie author has plenty of Shadow. I've been doing this since 2008 and despite the hard times, I'm still here. I'm still writing. I'm still publishing. This life is not for everyone, but it's my choice. You must make yours. The Shadow in work You work hard. You make a living. Nothing wrong with that attitude, right? It's what we're taught from an early age and, like so much of life, it's not a problem until it goes to extremes. Not achieving what you want to? Work harder. Can't get ahead? Work harder. Not making a good enough living? Work harder. People who don't work hard are lazy. They don't deserve handouts or benefits. People who don't work hard aren't useful, so they are not valued members of our culture and community. But what about the old or the sick, the mentally ill, or those with disabilities? What about children? What about the unemployed? The under-employed? What about those who are — or will be — displaced by technology, those called “the useless class” by historian Yuval Noah Harari in his book Homo Deus? What if we become one of these in the future? Who am I if I cannot work? The Shadow side of my attitude to work became clear when I caught COVID in the summer of 2021. I was the sickest I'd ever been. I spent two weeks in bed unable to even think properly, and six weeks after that, I was barely able to work more than an hour a day before lying in the dark and waiting for my energy to return. I was limited in what I could do for another six months after that. At times, I wondered if I would ever get better. Jonathan kept urging me to be patient and rest. But I don't know how to rest. I know how to work and how to sleep. I can do ‘active rest,' which usually involves walking a long way or traveling somewhere interesting, but those require a stronger mind and body than I had during those months. It struck me that even if I recovered from the virus, I had glimpsed my future self. One day, I will be weak in body and mind. If I'm lucky, that will be many years away and hopefully for a short time before I die — but it will happen. I am an animal. I will die. My body and mind will pass on and I will be no more. Before then I will be weak. Before then, I will be useless. Before then, I will be a burden. I will not be able to work… But who am I if I cannot work? What is the point of me? I can't answer these questions right now, because although I recognise them as part of my Shadow, I've not progressed far enough to have dealt with them entirely. My months of COVID gave me some much-needed empathy for those who cannot work, even if they want to. We need to reframe what work is as a society, and value humans for different things, especially as technology changes what work even means. That starts with each of us. “Illness, affliction of body and soul, can be life-altering. It has the potential to reveal the most fundamental conflict of the human condition: the tension between our infinite, glorious dreams and desires and our limited, vulnerable, decaying physicality.” —Connie Zweig, The Inner Work of Age: Shifting from Role to Soul The Shadow in money In the Greek myth, King Midas was a wealthy ruler who loved gold above all else. His palace was adorned with golden sculptures and furniture, and he took immense pleasure in his riches. Yet, despite his vast wealth, he yearned for more. After doing a favour for Dionysus, the god of wine and revelry, Midas was granted a single wish. Intoxicated by greed, he wished that everything he touched would turn to gold — and it was so. At first, it was a lot of fun. Midas turned everything else in his palace to gold, even the trees and stones of his estate. After a morning of turning things to gold, he fancied a spot of lunch. But when he tried to eat, the food and drink turned to gold in his mouth. He became thirsty and hungry — and increasingly desperate. As he sat in despair on his golden throne, his beloved young daughter ran to comfort him. For a moment, he forgot his wish — and as she wrapped her arms around him and kissed his cheek, she turned into a golden statue, frozen in precious metal. King Midas cried out to the gods to forgive him, to reverse the wish. He renounced his greed and gave away all his wealth, and his daughter was returned to life. The moral of the story: Wealth and greed are bad. In Charles Dickens's A Christmas Carol, Ebenezer Scrooge is described as a “squeezing, wrenching, grasping, scraping, clutching, covetous, old sinner.” He's wealthy but does not share, considering Christmas spending to be frivolous and giving to charity to be worthless. He's saved by a confrontation with his lonely future and becomes a generous man and benefactor of the poor. Wealth is good if you share it with others. The gospel of Matthew, chapter 25: 14-30, tells the parable of the bags of gold, in which a rich man goes on a journey and entrusts his servants with varying amounts of gold. On his return, the servants who multiplied the gold through their efforts and investments are rewarded, while the one who merely returned the gold with no interest is punished: “For whoever has will be given more, and they will have an abundance. Whoever does not have, even what they have will be taken from them.” Making money is good, making more money is even better. If you can't make any money, you don't deserve to have any. Within the same gospel, in Matthew 19:24, Jesus encounters a wealthy man and tells him to sell all his possessions and give the money to the poor, which the man is unable to do. Jesus says, “It is easier for a camel to go through the eye of a needle than for someone who is rich to enter the kingdom of God.” Wealth is bad. Give it all away and you'll go to heaven. With all these contradictory messages, no wonder we're so conflicted about money! How do you think and feel about money? While money is mostly tied to our work, it's far more than just a transactional object for most people. It's loaded with complex symbolism and judgment handed down by family, religion, and culture. You are likely to find elements of Shadow by examining your attitudes around money. Consider which of the following statements resonate with you or write your own. Money stresses me out. I don't want to talk about it or think about it. Some people hoard money, so there is inequality. Rich people are bad and we should take away their wealth and give it to the poor.  I can never make enough money to pay the bills, or to give my family what I want to provide. Money doesn't grow on trees.  It's wasteful to spend money as you might need it later, so I'm frugal and don't spend money unless absolutely necessary. It is better and more ethical to be poor than to be rich. I want more money. I read books and watch TV shows about rich people because I want to live like that. Sometimes I spend too much on things for a glimpse of what that might be like.  I buy lottery tickets and dream of winning all that money.  I'm jealous of people who have money. I want more of it and I resent those who have it. I'm no good with money. I don't like to look at my bank statement or credit card statement. I live off my overdraft and I'm in debt. I will never earn enough to get out of debt and start saving, so I don't think too much about it. I don't know enough about money. Talking about it makes me feel stupid, so I just ignore it. People like me aren't educated about money.  I need to make more money. If I can make lots of money, then people will look up to me. If I make lots of money, I will be secure, nothing can touch me, I will be safe.  I never want to be poor. I would be ashamed to be poor. I will never go on benefits. My net worth is my self worth. Money is good. We have the best standard of living in history because of the increase in wealth over time. Even the richest kings of the past didn't have what many middle-class people have today in terms of access to food, water, technology, healthcare, education, and more. The richest people give the most money to the poor through taxation and charity, as well as through building companies that employ people and invent new things. The very richest give away much of their fortunes. They provide far more benefit to the world than the poor.  I love money. Money loves me. Money comes easily and quickly to me. I attract money in multiple streams of income. It flows to me in so many ways. I spend money. I invest money. I give money. I'm happy and grateful for all that I receive. The Shadow around money for authors in particular Many writers and other creatives have issues around money and wealth. How often have you heard the following, and which do you agree with? You can't make money with your writing. You'll be a poor author in a garret, a starving artist.  You can't write ‘good quality' books and make money. If you make money writing, you're a hack, you're selling out. You are less worthy than someone who writes only for the Muse. Your books are commercial, not artistic. If you spend money on marketing, then your books are clearly not good enough to sell on their own. My agent / publisher / accountant / partner deals with the money side. I like to focus on the creative side of things. My money story Note: This is not financial or investment advice. Please talk to a professional about your situation. I've had money issues over the years — haven't we all! But I have been through a (long) process to bring money out of my Shadow and into the light. There will always be more to discover, but hopefully my money story will help you, or at least give you an opportunity to reflect. Like most people, I didn't grow up with a lot of money. My parents started out as teachers, but later my mum — who I lived with, along with my brother — became a change management consultant, moving to the USA and earning a lot more. I'm grateful that she moved into business because her example changed the way I saw money and provided some valuable lessons. (1) You can change your circumstances by learning more and then applying that to leverage opportunity into a new job or career Mum taught English at a school in Bristol when we moved back from Malawi, Africa, in the mid '80s but I remember how stressful it was for her, and how little money she made. She wanted a better future for us all, so she took a year out to do a master's degree in management. In the same way, when I wanted to change careers and leave consulting to become an author, I spent time and money learning about the writing craft and the business of publishing. I still invest a considerable chunk on continuous learning, as this industry changes all the time. (2) You might have to downsize in order to leap forward The year my mum did her degree, we lived in the attic of another family's house; we ate a lot of one-pot casserole and our treat was having a Yorkie bar on the walk back from the museum. We wore hand-me-down clothes, and I remember one day at school when another girl said I was wearing her dress. I denied it, of course, but there in back of the dress was her name tag. I still remember her name and I can still feel that flush of shame and embarrassment. I was determined to never feel like that again. But what I didn't realize at the time was that I was also learning the power of downsizing. Mum got her degree and then a new job in management in Bristol. She bought a house, and we settled for a few years. I had lots of different jobs as a teenager. My favourite was working in the delicatessen because we got a free lunch made from delicious produce. After I finished A-levels, I went to the University of Oxford, and my mum and brother moved to the USA for further opportunities. I've downsized multiple times over the years, taking a step back in order to take a step forward. The biggest was in 2010 when I decided to leave consulting. Jonathan and I sold our three-bedroom house and investments in Brisbane, Australia, and rented a one-bedroom flat in London, so we could be debt-free and live on less while I built up a new career. It was a decade before we bought another house. (3) Comparison can be deadly: there will always be people with more money than you Oxford was an education in many ways and relevant to this chapter is how much I didn't know about things people with money took for granted. I learned about formal hall and wine pairings, and how to make a perfect gin and tonic. I ate smoked salmon for the first time. I learned how to fit in with people who had a lot more money than I did, and I definitely wanted to have money of my own to play with. (4) Income is not wealth You can earn lots but have nothing to show for it after years of working. I learned this in my first few years of IT consulting after university. I earned a great salary and then went contracting, earning even more money at a daily rate. I had a wonderful time. I traveled, ate and drank and generally made merry, but I always had to go back to the day job when the money ran out. I couldn't work out how I could ever stop this cycle. Then I read Rich Dad, Poor Dad by Robert Kiyosaki, a book I still recommend, especially if you're from a family that values academic over financial education. I learned how to escape the rat race by building and/or accumulating assets that pay even when you're not working. It was a revelation! The ‘poor dad' in the book is a university professor. He knows so much about so many things, but he ends up poor as he did not educate himself about money. The ‘rich dad' has little formal education, but he knows about money and wealth because he learned about it, as we can do at any stage in our lives. (5) Not all investments suit every person, so find the right one for you Once I discovered the world of investing, I read all the books and did courses and in-person events. I joined communities and I up-skilled big time. Of course, I made mistakes and learned lots along the way. I tried property investing and renovated a couple of houses for rental (with more practical partners and skilled contractors). But while I could see that property investing might work for some people, I did not care enough about the details to make it work for me, and it was certainly not passive income. I tried other things. My first husband was a boat skipper and scuba diving instructor, so we started a charter. With the variable costs of fuel, the vagaries of New Zealand weather — and our divorce — it didn't last long! From all these experiments, I learned I wanted to run a business, but it needed to be online and not based on a physical location, physical premises, or other people. That was 2006, around the time that blogging started taking off and it became possible to make a living online. I could see the potential and a year later, the iPhone and the Amazon Kindle launched, which became the basis of my business as an author. (6) Boring, automatic saving and investing works best Between 2007 and 2011, I contracted in Australia, where they have compulsory superannuation contributions, meaning you have to save and invest a percentage of your salary or self-employed income. I'd never done that before, because I didn't understand it. I'd ploughed all my excess income into property or the business instead. But in Australia I didn't notice the money going out because it was automatic. I chose a particular fund and it auto-invested every month. The pot grew pretty fast since I didn't touch it, and years later, it's still growing. I discovered the power of compound interest and time in the market, both of which are super boring. This type of investing is not a get rich quick scheme. It's a slow process of automatically putting money into boring investments and doing that month in, month out, year in, year out, automatically for decades while you get on with your life. I still do this. I earn money as an author entrepreneur and I put a percentage of that into boring investments automatically every month. I also have a small amount which is for fun and higher risk investments, but mostly I'm a conservative, risk-averse investor planning ahead for the future. This is not financial advice, so I'm not giving any specifics. I have a list of recommended money books at www.TheCreativePenn.com/moneybooks if you want to learn more. Learning from the Shadow When I look back, my Shadow side around money eventually drove me to learn more and resulted in a better outcome (so far!). I was ashamed of being poor when I had to wear hand-me-down clothes at school. That drove a fear of not having any money, which partially explains my workaholism. I was embarrassed at Oxford because I didn't know how to behave in certain settings, and I wanted to be like the rich people I saw there. I spent too much money in my early years as a consultant because I wanted to experience a “rich” life and didn't understand saving and investing would lead to better things in the future. I invested too much in the wrong things because I didn't know myself well enough and I was trying to get rich quick so I could leave my job and ‘be happy.' But eventually, I discovered that I could grow my net worth with boring, long-term investments while doing a job I loved as an author entrepreneur. My only regret is that I didn't discover this earlier and put a percentage of my income into investments as soon as I started work. It took several decades to get started, but at least I did (eventually) start. My money story isn't over yet, and I keep learning new things, but hopefully my experience will help you reflect on your own and avoid the issue if it's still in Shadow. These chapters are excerpted from Writing the Shadow: Turn Your Inner Darkness Into Words by Joanna Penn  The post Writing The Shadow: The Creative Wound, Publishing, And Money, With Joanna Penn first appeared on The Creative Penn.

Continuing our Alien and Predator series deep dive, we bore into Paul W. S. Anderson's ode to ancient astronauts and Lovecraft. We argue about whether AvP is pro or anti-hubris, talk Predator fascism, and search for the sex and gender the Xenomorph usually carries with it. We have bonus episodes, behind the scenes notes, and post-recording wrap ups for just $1 a month on Patreon.  Patreon.com/NoGodsPod Follow us on Bluesky @nogodspod.bsky.social  

We got our hands on the new Nightbringer courtesy of Games Workshop and kick off the show talking about it.  We talk about both of the new Necron characters this … Read More

R.B. Russell, author and founder of Tartarus Press, takes us on a deep dive into the life and works of Welsh author and mystic Arthur Machen.  Ray traces the religious life of Machen, his involvement with the occult society the Golden Dawn, and his friendship with famed occultist A.E. Waite. Ray details Machen's fascination with the esoteric symbolism of the Grail mythology; his role in originating and spreading the supernatural, urban myth of the Bowman; and impact of his notorious horror-fantasy novella ”The Great God Pan”. Ray also shares his reflections on literary theory, the various interpretations of Shakespeare, and the prevalence of psychoanalytic readings of classic genre fiction. … Video version: https://www.guruviking.com/podcast/ep343-the-mystic-arthur-machen-rb-russell Also available on Youtube, iTunes, & Spotify – search ‘Guru Viking Podcast'.
 … Topics include: 00:00 - Intro 01:07 - First encounter with the works of Arthur Machen 05:25 - Hill of Dreams and an abiding interest 06:21 - Mysteries of Machen 07:12 - Life of Arthur Machen 09:29 - Involvement with occultism 17:11 - The Great God Pan 22:19 - Machen, Lovecraft, and the mystical 26:17 - Reflections on literary theory 27:26 - Why so many psychoanalytic readings of horror? 29:13 - Historicism vs textualism 31:40 - Shakespeare and classic vs modern productions 34:38 - The Great God Pan needs to be Victorian 35:25 - Machen's involvement in the Golden Dawn 38:43 - Grail Myth as a spiritual path and an early Welsh church 39:26 - Friendship with occultist A.E. Waite 40:05 - The Great Return and the evolution of awe 43:41 - Why were so many writers fascinated by the Grail Myth and King Arthur? 46:15 - Esoteric symbolism of the Grail 48:52 - Links to Roman Britain 49:58 - Machen's Oxford disappointment and subsequent work 53:05 - The Bowmen and urban myths 57:28 - Reading vs collecting books 01:02:27 - Ray's prized item and Machen collection 01:03:34 - Tartarus Press and Machen publishing projects 01:05:28 - Friends of Arthur Machen society 01:07:06 - Faunus journal 01:07:22 - Where to start with Machen for those interested in the occult and mysticism … Previous episode with Ray: - https://www.guruviking.com/podcast/p319-mystery-of-t-lobsang-rampa-rb-russell Find out more about Ray here: - http://tartaruspress.com/russell-rampa.html - https://www.arthurmachen.org.uk/ For more interviews, videos, and more visit: - https://www.guruviking.com Music ‘Deva Dasi' by Steve James

Want more exclusive content?! http://prometheuslens.supercast.com to sign up for the "All Access Pass" and get early access to episodes, private community, members only episodes, private Q & A's, and coming documentaries. We also have a $4 dollar a month package that gets you early access and an ad free listening experience!==================== SummaryIn this enlightening episode of the Prometheus Lens Podcast, host Doc Brown welcomes back Vicki Joy Anderson to delve into the intricate themes of H.P. Lovecraft's works, particularly the Cthulhu mythos. The conversation explores the implications of knowledge, ignorance, and the human mind's limitations, contrasting Jewish and Greek thought processes.Vicki discusses the dangers of disassociated knowledge and introduces the concept of apophenia, highlighting the fine line between insight and madness. The episode concludes with a discussion on the duality of knowledge and the choices humanity faces in a rapidly changing world. ==================== 

We are back for 2026 and looking forward to an amazing year!  We take a little look back at the 2025 highlights and then cast our gaze forward to the … Read More

In this special seasonal episode, host and narrator Erik Peabody presents one of the most enduring and unsettling works ever committed to the horror canon: “The Call of Cthulhu” by H.P. Lovecraft. What begins as a meditation on curiosity and scholarship soon becomes something far more disturbing—a slow, methodical descent into forbidden knowledge, fractured records, and the terrifying implications of truths humanity was never meant to assemble. To watch the podcast on YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://bit.ly/ChillingEntertainmentYT⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Don't forget to subscribe to the podcast for free wherever you're listening or by using this link: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/HorrorHillPodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ If you like the show, telling a friend about it would be amazing! You can text, email, Tweet, or send this link to a friend: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/HorrorHillPodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit podcastchoices.com/adchoices