Podcasts about Hideous

Let's see how we feel, after a message from our sponsors. Jesus effing Christ, Jimmy Kimmel—goddamn! Why are you always this fucked UP. (Super fuckedupedly) I'm not, I'm just feel—(belches)— like it! —look like it, okay! Omah Gas. I nuh! Uh. Pedro Pascal? You're right again. Yehy! Well, almost right. What. That character he played on that extremely viral SNL skit— OKAH. Woah. —this is the dimension where he's— —oh my god— Yeah. —UHMYGAH! Cut back to: —look— jus— don't look at me. When you're—lookin at me, like that— okay?! Goddamn, he is fucked up. Yeah. This is critical. What did you do to Jimmy Kimmel? Nothing! Okay! He was just— like that already— you know —you don't know! Honestly he's kinda always, a little… WOOOF! Yowza. WOOF WOOF! JIMMY! DO NOT LICK ME! *panting* WOOF WOOF! AUGHHH. Get him out of here before he pees on the rug. I second that. Comeon, boy— WOOF! DOWN! [he obeys intently] Good Jimmy Kimmel. Good— —RUFINOL. What? [suddenly, JIMMY KIMMEL is human again and answers intently. Yes. It seems the word itself has broken his extreme delirium— —yo, okay, what is going on?! You've got to can this thing What. Cancel it. No way. I want to go. This thing, cannot happen, okay! It can't! Wtf Jimmy Fallon, stop inserting yourself into everything! — Unless it's me. EW. GROSS. Shots fired. No, I would call that a foul ball—Get it. No, Cause. You know. He's a bird, kind of. Oh. You mean, like “Fowl ball” Yeah! You got it! Yeah but not without like, thinking about it— So it doesn't work? It didn't work. Yo, but that part does explain why: CUT TO: No, you're right, I do hate Jimmy Fallon. —a lot. A lot. Okay? —but to be fair, I also hate Brad Pitt in the same way. BRAD PITT …You do? Yes, Brad Pitt i do— Very much, Hate you. BRAD PITT (Tearing up emotionally) Like, a lot? Uhm. Like, more than a lot, I just. BRAD PITT is actually extremely fragile and very emotionally sensitive. Is this a prescription for— fucking roofies?! I— have a, a…medical condition. That requires roofies?! Yes actually. It's very…serious. Shapeshifting is very serious. What kind of medical condition requires roofie-ing yourself. I didn't—I don't—I can't roofie myself, actually. What! No way… Someone else has to administer the dose, okay?! So wait. Uhogh, what the fuck man. This is— [he bites his knuckles nervously, then pats his pocket area, before realizing he is no longer wearing pants. Everyone just shrugs, but he becomes increasingly upset.] Where is my— phone?[more shrugs and blank stares] He quickly shuffles through the room and then the open suitcase of empty prescription bottles, spiraling into a deep void of panic and doubt— then, in an act of desperation and apparent extreme thirst, he reaches for the decorative flower vase, ejects the flowers— never mind that they are thorned roses and he appears to be bleeding without giving this a second thought, and chugs the liquid from the translucent crystal vase in a hearty and impressive glug of chugs; gesturing towards the now empty vase with the subtle remark— [beat] It's just vodka— I always have them do that. He sits down on the edge of the bed and takes a sigh as this seems to have calmed him, besides the trickle of blood running down the vase, which he still grips in one hand while rubbing his forehead with the other in complete distress… He seems to be looking out into the universe searching for an answer— seeking a solution to this unknown conundrum— and questions the cause of his demise. A single tear forms in his eye as he calmly asks: …does anyone know how to get ahold of Seth Rogen? The room is a confused and sticky, silent heap of bewildered unknowns. TITLE CARD {Enter The Multiverse} … was that the “message from our sponsors”? Shh! L E G E N D S: ICONS don't look at me. [The Festival Project ™] 50 CENT bursts down the door. WHERE'S MY SHIT, JIMMY? Fiddy. Fiddy, look, man— Don't “FIDDY” me! Look, I can explain. Well, then, explain— TV man. Go on ahead. Look. This is— this was not my fault— Then what was it?! This was— oh, God… Go ahead! It was— this was like a game. This ain't no goddamn game, Jimmy Kimmel, I'll tell you that much right now. Yo. But it—was— a game, though, it just— [got out of hand] {Enter The Multiverse} Museum in a curio cabinet; I know, I know, I know That's the boy, That's the boy, That's the boy I saw That's my boy, that's my boy, that's the boy I know I know Museum or curiosity Too late to tell the tale I think Just cover all with masking tape It is a game, To move the pieces Leave it, let it be, She said Hideous and when the winter hits And the withered women come again Let it be sinking into the sea with the rest of the things I don't need, i never needed I never need it Several synchronicities later, Still something sees symphonies in him Music and misers and mistereases, mistresses Listen to tin written sentiments And remember to forget the rest It's been minted Minted, minted Don't talk Just fucking listen And you'll never fucking get it. What's with the rest of it? Never been, never did Lemons and purple Sundays And when the weather hits, You'll get the tip of it Oh, There it is That thing she likes The thing she sees (She sees the monster) There it is, That thing she sees The thing she knows (She knows the monster) When you walk with the cork of the wine, And the checkboards, The water foxes, wishing reals And written wells, And fears for fourths, One wet, one rotten The rent and the wintergreen gum And the rest is in Zippered cashmere Wonder what the wish is But there is a birthday present for never Then there's a Cheshire Cat And the rest of it was washed in the misery, Misery, never the mystery and there, You weather the almost storm But the storm's not coming, There's nothing but sun left There's nothing but sun there There's nothing but sun there Now, here's this: You remember, dear We resubmit We live in a computer We live in a comouter He‘S green He's new He's wet behind the ears He's a hot one A hot commodity She's weathered She's torn She's a sweet potato on suicide And though at least a hundred other folks This here is the comfort This here is the comfort I'm a narcissist now, but once upon a time I just just self centered The love still there, But instead of the spine or the heart It's back in the middle Why my mother knows what she always knows And she always knows I don't know ‍♂️ o Patrick! Hey Patrick! Yes, what is it? You fiend! Can I have my hat back? Does this match? Does this make ratchet sense to you? Turn down that racket, Tennis racket Tennis clubs And gold clubs Boxes in the attick Skeletons in the closet The stock market going dropped Way down Like the alley with Whole Foods market I miss the rock and the plaza The hot dog corn breads The half wit half breeds And good old hybrids The hallmark cards And who doesn't give a fuck When the earth gives a fuck on a roll But it's walk the dog or go home Seriously, cuz? Or cousin?! You want a hog roll Good for a hog toss Salt washed back rubs And then keep calling your mom If you wanted the balls in your court And yet no one to toss them at And the basket's back at the matchbook factory Mattresses man, and the lands they land at Matches made in TV land Are bound to have a sick and intrinsic twist That will keep your belly rolling And stomach flat Jesus Christ, What the fuck is wrong with that guy— Or rather— What the fuck happened last year, Furthermore; What in the fuck did I write about it? Townhouse in Manhattan Broken finger Broken promises Bottles of hard alcohol And models, hot girls And one cat with curiosity. Check the curio cabinet There ought to be something Or someone in it Maybe even A little man in a box With a million bucks And a tinfoil hat, Ten million marked dollars And zero fucks Whatsoever I have a headache, a headache— A headache I have a heartache, a heartache, a heart— Stop. I put it all on a bushel of bollocks, Bollocks— flowers I put it on, put it on Put it on On, and on And all for nothing All for none With the intensity of one thousand suns, He insists it exists, And exits strategically With the whispers of industry secrets And interesting sequences, She reaches the wings from the curtains And curtsies for courtesy I'm curious I'm curious just how it ends In this suicidal and envious frenzy There's nothing left in the frostbitten five Rolling towards bowling green Where in every pair of loafers, Three piece suits And deep brown eyes, I seen him. In anything over 6 feet, It was good to mean it, And defeat is sweeter than ice cream; But the green is sicker than sea swings So let's rock the boat So to speak Or let's flood a Rock Should we start at the bottom, With large bursts of water, or Turn it all into a washroom With a thunderstorm Oh, lightning strikes! And John Oliver's Murdered, Colbert's been the president for decades, A dictator I got a taste of the rig and the cherry tree I got a big secret, But bitch, You could never keep it! I write a jeep to the Equinox, Ha Ha Ha Charade you are I put a notch in my belt and my bedpost, The watch to the shop But it's all Omega It's all Omega It's all ”Oh My God!” Stop and pause for the audience Stop and pause for the audience Stop and pause for the audience Shock and awe, Or just sloppy nonsense Someone rope in the Johns, And the frog, And the frog And the frog As the fog rolls in Now I'm a millionaire How dare you Did I scare you, Become every hair on your head? Imm the one you don't want You can't want You catch watch You can't wait to Gun her down Gun to your head And I measured it in relevance The end is near And that's the place my head is in I don't need medicine I need an erected monument in honor of All that I wanted for the whole module But now in New York, I'm The same stories over and over So everyone knows Aren't the ones I wrote But I wasn't supposed to Mouth closed Townhouse in Manhattan What the hell happened? Perhaps we all died and then actually end up in heaven eventually. —but maybe I wrote the whole show, But not knowing it's over I just keep rolling and rolling and rolling And open door policy (And that's when the pearly gates open) It's possible you know these are all just my favorite players of anything anywhere possible The folks wrapped in gold for the offerings There was no love left for her but he left the door open She runs around awkward and normal But knows she knows nothing He's lifting her up But he's putting her down at the same time And they both wear a crown, But one draws a crowd And the other's a nine Out of nine Out of nine Out of nine now It's 4 and 3 quarters I make ten cents in a day And he makes ten million a year But it's not about money In fact, If it's not about God, Then it's all about nothing. Nothing at all. Do you want to travel through my eyes One more time One more time And see my life? Did you want to do it all again Just for a quick review, Or not, kid? Do you want to take my eyes And take my heart And pantomime The nevermind And never better moments Of the last forever I like a ride On a nice hot walk Or a park In a nice hot car But you aren't what I wanted The doctor ordered Hot chocolate and syrup And nightmares are coming But the dream had come and gone And in the time since, I haven't slept at all It slipped in on Christmas and went till the miniature habits kicked back in We went around the block a couple times And you just kept rolling Over The car stopped on all fours And Godbfalled you off of it Cause trust, Love, It was horrendous to watch you blow up Into blockbuster artform Off of a bridge And into superstardom Via a billboard Meanwhile, Were shuffleboards And billiards Que the arts! Ou, I meant to owe you All the lessons In the knowledge But the harder I want it the Rocker on my chair polished It grows fuller of course Almost flat on the bottom What you hole into for the audience Is all inside the contracts I put it up on the What did you call it? Put the coat on the chair and just kept going Bro, If I hold you over Promise you'll hold the door open He won't. He's a show host— A remarkable “Don't even bother” And I paid top dollar for these hair plugs, You hear that?! I heard you rabbit. What it is about the thing that wells up in my Washington federal and tear-gassed orphans is Lollipops and anicetepetomin Or asperine I'm desperate for a job And yet, I almost miss the person Hiding from the shadows in the robots In my every on thoughforms Though I should be honored Now I've brought back this astonishing Remarkable curse To not b Have bought curtains When I didn't want them in the first place And I kept the window open 40,000 showed up But I played to no one And the blonde knows it's her birthday So of course she's more important But I'm no one, And here's Fallon: Jimmy Fallon Jimmy Fallon Jimmy Fallon I'm deflated just to follow off for a nut But I'm nothing since no one pondered And wondered to ask a remarkable task get the pawn shop, the butter knife And Lorne all over pork chops on the phone And I'm sure that's not kosher, But sure, there's no cure for it I'm words and I'm worse off The suburbs, the herbs and the marshes The books and the sineage The plants and the corvettes I might have been onto something once But now I'm washed up I might be onto something but no, no, no— I fought it off I might come down with a cold once a quarter century or so but just the snow alone As cold as this whole story is, Ripley's Is hard warming (Believe it or not, We've all got thumbs up We've all got magic wands And wants And whispers And stock markets And wishing for cashmere zippered sweaters This year I'll be on time for once But no one's coming No one's coming up The whole shows under water And all I want to know is How to go To pull the gun and trigger On my own live Cause this whole world Is just rotten Bodies Hairpins, Hairspray Corny! That's grid iron, Gridiron, ten fierce fires and one Cold hearted beautiful liar But which one's the finish? Last that I check Billie, Jimmy, and the Kidd are all Just one body And one mirror image Of one another So next time I call my mother I ought to talk like the worst word, Cause for sure, the oddest part of the whole show Is that he somehow knows her. Now come forwards What words have left to Burn? What words have left to cope and honor What form does lest I take What here is now and crucial? Evervescent fairy, Ever blessing crane, The ship that guides you yet with no light And no sail Has just drifted into unknown waters Where caves dwell and therein lies the secret of our esarth, nor your earth, But ours and again I lay, As you sink into the see with tilting force and berring waves, the drive into the tide my ark the swan hath flown to warn her, there drifts Into the shade again the sun my bird and wait to find my alter My alter again and as I may, The sink that ships and weigh, not the other, My mind you that too is bottom And sank is to have risen, also Here I wonder And never you cave, the drift of glowing green my force And there to wait, there caverns of hers and ships that sank my tide, Is crucial and so with forgiveness in time With every line here I or they did write The truth shatters as illusions, the mask has been re clamored and yet to have imagined I find him here not but the hints And the thing we know, buried deep in my loins and in my earth is he The whispers what May calling and landender, mauve my tide, my ba …wtf. idk. [The Festival Project™ ] {Enter The Multiverse} L E G E N D S: ICONS Tales of A Superstar DJ The Secret Life of Sunnï Blū Ascension Deathwish -Ū. Copyright The Festival Project, Inc. ™ & The Complex Collective © 2015-2025 All Rights Reserved

Let's see how we feel, after a message from our sponsors. Jesus effing Christ, Jimmy Kimmel—goddamn! Why are you always this fucked UP. (Super fuckedupedly) I'm not, I'm just feel—(belches)— like it! —look like it, okay! Omah Gas. I nuh! Uh. Pedro Pascal? You're right again. Yehy! Well, almost right. What. That character he played on that extremely viral SNL skit— OKAH. Woah. —this is the dimension where he's— —oh my god— Yeah. —UHMYGAH! Cut back to: —look— jus— don't look at me. When you're—lookin at me, like that— okay?! Goddamn, he is fucked up. Yeah. This is critical. What did you do to Jimmy Kimmel? Nothing! Okay! He was just— like that already— you know —you don't know! Honestly he's kinda always, a little… WOOOF! Yowza. WOOF WOOF! JIMMY! DO NOT LICK ME! *panting* WOOF WOOF! AUGHHH. Get him out of here before he pees on the rug. I second that. Comeon, boy— WOOF! DOWN! [he obeys intently] Good Jimmy Kimmel. Good— —RUFINOL. What? [suddenly, JIMMY KIMMEL is human again and answers intently. Yes. It seems the word itself has broken his extreme delirium— —yo, okay, what is going on?! You've got to can this thing What. Cancel it. No way. I want to go. This thing, cannot happen, okay! It can't! Wtf Jimmy Fallon, stop inserting yourself into everything! — Unless it's me. EW. GROSS. Shots fired. No, I would call that a foul ball—Get it. No, Cause. You know. He's a bird, kind of. Oh. You mean, like “Fowl ball” Yeah! You got it! Yeah but not without like, thinking about it— So it doesn't work? It didn't work. Yo, but that part does explain why: CUT TO: No, you're right, I do hate Jimmy Fallon. —a lot. A lot. Okay? —but to be fair, I also hate Brad Pitt in the same way. BRAD PITT …You do? Yes, Brad Pitt i do— Very much, Hate you. BRAD PITT (Tearing up emotionally) Like, a lot? Uhm. Like, more than a lot, I just. BRAD PITT is actually extremely fragile and very emotionally sensitive. Is this a prescription for— fucking roofies?! I— have a, a…medical condition. That requires roofies?! Yes actually. It's very…serious. Shapeshifting is very serious. What kind of medical condition requires roofie-ing yourself. I didn't—I don't—I can't roofie myself, actually. What! No way… Someone else has to administer the dose, okay?! So wait. Uhogh, what the fuck man. This is— [he bites his knuckles nervously, then pats his pocket area, before realizing he is no longer wearing pants. Everyone just shrugs, but he becomes increasingly upset.] Where is my— phone?[more shrugs and blank stares] He quickly shuffles through the room and then the open suitcase of empty prescription bottles, spiraling into a deep void of panic and doubt— then, in an act of desperation and apparent extreme thirst, he reaches for the decorative flower vase, ejects the flowers— never mind that they are thorned roses and he appears to be bleeding without giving this a second thought, and chugs the liquid from the translucent crystal vase in a hearty and impressive glug of chugs; gesturing towards the now empty vase with the subtle remark— [beat] It's just vodka— I always have them do that. He sits down on the edge of the bed and takes a sigh as this seems to have calmed him, besides the trickle of blood running down the vase, which he still grips in one hand while rubbing his forehead with the other in complete distress… He seems to be looking out into the universe searching for an answer— seeking a solution to this unknown conundrum— and questions the cause of his demise. A single tear forms in his eye as he calmly asks: …does anyone know how to get ahold of Seth Rogen? The room is a confused and sticky, silent heap of bewildered unknowns. TITLE CARD {Enter The Multiverse} … was that the “message from our sponsors”? Shh! L E G E N D S: ICONS don't look at me. [The Festival Project ™] 50 CENT bursts down the door. WHERE'S MY SHIT, JIMMY? Fiddy. Fiddy, look, man— Don't “FIDDY” me! Look, I can explain. Well, then, explain— TV man. Go on ahead. Look. This is— this was not my fault— Then what was it?! This was— oh, God… Go ahead! It was— this was like a game. This ain't no goddamn game, Jimmy Kimmel, I'll tell you that much right now. Yo. But it—was— a game, though, it just— [got out of hand] {Enter The Multiverse} Museum in a curio cabinet; I know, I know, I know That's the boy, That's the boy, That's the boy I saw That's my boy, that's my boy, that's the boy I know I know Museum or curiosity Too late to tell the tale I think Just cover all with masking tape It is a game, To move the pieces Leave it, let it be, She said Hideous and when the winter hits And the withered women come again Let it be sinking into the sea with the rest of the things I don't need, i never needed I never need it Several synchronicities later, Still something sees symphonies in him Music and misers and mistereases, mistresses Listen to tin written sentiments And remember to forget the rest It's been minted Minted, minted Don't talk Just fucking listen And you'll never fucking get it. What's with the rest of it? Never been, never did Lemons and purple Sundays And when the weather hits, You'll get the tip of it Oh, There it is That thing she likes The thing she sees (She sees the monster) There it is, That thing she sees The thing she knows (She knows the monster) When you walk with the cork of the wine, And the checkboards, The water foxes, wishing reals And written wells, And fears for fourths, One wet, one rotten The rent and the wintergreen gum And the rest is in Zippered cashmere Wonder what the wish is But there is a birthday present for never Then there's a Cheshire Cat And the rest of it was washed in the misery, Misery, never the mystery and there, You weather the almost storm But the storm's not coming, There's nothing but sun left There's nothing but sun there There's nothing but sun there Now, here's this: You remember, dear We resubmit We live in a computer We live in a comouter He‘S green He's new He's wet behind the ears He's a hot one A hot commodity She's weathered She's torn She's a sweet potato on suicide And though at least a hundred other folks This here is the comfort This here is the comfort I'm a narcissist now, but once upon a time I just just self centered The love still there, But instead of the spine or the heart It's back in the middle Why my mother knows what she always knows And she always knows I don't know ‍♂️ o Patrick! Hey Patrick! Yes, what is it? You fiend! Can I have my hat back? Does this match? Does this make ratchet sense to you? Turn down that racket, Tennis racket Tennis clubs And gold clubs Boxes in the attick Skeletons in the closet The stock market going dropped Way down Like the alley with Whole Foods market I miss the rock and the plaza The hot dog corn breads The half wit half breeds And good old hybrids The hallmark cards And who doesn't give a fuck When the earth gives a fuck on a roll But it's walk the dog or go home Seriously, cuz? Or cousin?! You want a hog roll Good for a hog toss Salt washed back rubs And then keep calling your mom If you wanted the balls in your court And yet no one to toss them at And the basket's back at the matchbook factory Mattresses man, and the lands they land at Matches made in TV land Are bound to have a sick and intrinsic twist That will keep your belly rolling And stomach flat Jesus Christ, What the fuck is wrong with that guy— Or rather— What the fuck happened last year, Furthermore; What in the fuck did I write about it? Townhouse in Manhattan Broken finger Broken promises Bottles of hard alcohol And models, hot girls And one cat with curiosity. Check the curio cabinet There ought to be something Or someone in it Maybe even A little man in a box With a million bucks And a tinfoil hat, Ten million marked dollars And zero fucks Whatsoever I have a headache, a headache— A headache I have a heartache, a heartache, a heart— Stop. I put it all on a bushel of bollocks, Bollocks— flowers I put it on, put it on Put it on On, and on And all for nothing All for none With the intensity of one thousand suns, He insists it exists, And exits strategically With the whispers of industry secrets And interesting sequences, She reaches the wings from the curtains And curtsies for courtesy I'm curious I'm curious just how it ends In this suicidal and envious frenzy There's nothing left in the frostbitten five Rolling towards bowling green Where in every pair of loafers, Three piece suits And deep brown eyes, I seen him. In anything over 6 feet, It was good to mean it, And defeat is sweeter than ice cream; But the green is sicker than sea swings So let's rock the boat So to speak Or let's flood a Rock Should we start at the bottom, With large bursts of water, or Turn it all into a washroom With a thunderstorm Oh, lightning strikes! And John Oliver's Murdered, Colbert's been the president for decades, A dictator I got a taste of the rig and the cherry tree I got a big secret, But bitch, You could never keep it! I write a jeep to the Equinox, Ha Ha Ha Charade you are I put a notch in my belt and my bedpost, The watch to the shop But it's all Omega It's all Omega It's all ”Oh My God!” Stop and pause for the audience Stop and pause for the audience Stop and pause for the audience Shock and awe, Or just sloppy nonsense Someone rope in the Johns, And the frog, And the frog And the frog As the fog rolls in Now I'm a millionaire How dare you Did I scare you, Become every hair on your head? Imm the one you don't want You can't want You catch watch You can't wait to Gun her down Gun to your head And I measured it in relevance The end is near And that's the place my head is in I don't need medicine I need an erected monument in honor of All that I wanted for the whole module But now in New York, I'm The same stories over and over So everyone knows Aren't the ones I wrote But I wasn't supposed to Mouth closed Townhouse in Manhattan What the hell happened? Perhaps we all died and then actually end up in heaven eventually. —but maybe I wrote the whole show, But not knowing it's over I just keep rolling and rolling and rolling And open door policy (And that's when the pearly gates open) It's possible you know these are all just my favorite players of anything anywhere possible The folks wrapped in gold for the offerings There was no love left for her but he left the door open She runs around awkward and normal But knows she knows nothing He's lifting her up But he's putting her down at the same time And they both wear a crown, But one draws a crowd And the other's a nine Out of nine Out of nine Out of nine now It's 4 and 3 quarters I make ten cents in a day And he makes ten million a year But it's not about money In fact, If it's not about God, Then it's all about nothing. Nothing at all. Do you want to travel through my eyes One more time One more time And see my life? Did you want to do it all again Just for a quick review, Or not, kid? Do you want to take my eyes And take my heart And pantomime The nevermind And never better moments Of the last forever I like a ride On a nice hot walk Or a park In a nice hot car But you aren't what I wanted The doctor ordered Hot chocolate and syrup And nightmares are coming But the dream had come and gone And in the time since, I haven't slept at all It slipped in on Christmas and went till the miniature habits kicked back in We went around the block a couple times And you just kept rolling Over The car stopped on all fours And Godbfalled you off of it Cause trust, Love, It was horrendous to watch you blow up Into blockbuster artform Off of a bridge And into superstardom Via a billboard Meanwhile, Were shuffleboards And billiards Que the arts! Ou, I meant to owe you All the lessons In the knowledge But the harder I want it the Rocker on my chair polished It grows fuller of course Almost flat on the bottom What you hole into for the audience Is all inside the contracts I put it up on the What did you call it? Put the coat on the chair and just kept going Bro, If I hold you over Promise you'll hold the door open He won't. He's a show host— A remarkable “Don't even bother” And I paid top dollar for these hair plugs, You hear that?! I heard you rabbit. What it is about the thing that wells up in my Washington federal and tear-gassed orphans is Lollipops and anicetepetomin Or asperine I'm desperate for a job And yet, I almost miss the person Hiding from the shadows in the robots In my every on thoughforms Though I should be honored Now I've brought back this astonishing Remarkable curse To not b Have bought curtains When I didn't want them in the first place And I kept the window open 40,000 showed up But I played to no one And the blonde knows it's her birthday So of course she's more important But I'm no one, And here's Fallon: Jimmy Fallon Jimmy Fallon Jimmy Fallon I'm deflated just to follow off for a nut But I'm nothing since no one pondered And wondered to ask a remarkable task get the pawn shop, the butter knife And Lorne all over pork chops on the phone And I'm sure that's not kosher, But sure, there's no cure for it I'm words and I'm worse off The suburbs, the herbs and the marshes The books and the sineage The plants and the corvettes I might have been onto something once But now I'm washed up I might be onto something but no, no, no— I fought it off I might come down with a cold once a quarter century or so but just the snow alone As cold as this whole story is, Ripley's Is hard warming (Believe it or not, We've all got thumbs up We've all got magic wands And wants And whispers And stock markets And wishing for cashmere zippered sweaters This year I'll be on time for once But no one's coming No one's coming up The whole shows under water And all I want to know is How to go To pull the gun and trigger On my own live Cause this whole world Is just rotten Bodies Hairpins, Hairspray Corny! That's grid iron, Gridiron, ten fierce fires and one Cold hearted beautiful liar But which one's the finish? Last that I check Billie, Jimmy, and the Kidd are all Just one body And one mirror image Of one another So next time I call my mother I ought to talk like the worst word, Cause for sure, the oddest part of the whole show Is that he somehow knows her. Now come forwards What words have left to Burn? What words have left to cope and honor What form does lest I take What here is now and crucial? Evervescent fairy, Ever blessing crane, The ship that guides you yet with no light And no sail Has just drifted into unknown waters Where caves dwell and therein lies the secret of our esarth, nor your earth, But ours and again I lay, As you sink into the see with tilting force and berring waves, the drive into the tide my ark the swan hath flown to warn her, there drifts Into the shade again the sun my bird and wait to find my alter My alter again and as I may, The sink that ships and weigh, not the other, My mind you that too is bottom And sank is to have risen, also Here I wonder And never you cave, the drift of glowing green my force And there to wait, there caverns of hers and ships that sank my tide, Is crucial and so with forgiveness in time With every line here I or they did write The truth shatters as illusions, the mask has been re clamored and yet to have imagined I find him here not but the hints And the thing we know, buried deep in my loins and in my earth is he The whispers what May calling and landender, mauve my tide, my ba …wtf. idk. [The Festival Project™ ] {Enter The Multiverse} L E G E N D S: ICONS Tales of A Superstar DJ The Secret Life of Sunnï Blū Ascension Deathwish -Ū. Copyright The Festival Project, Inc. ™ & The Complex Collective © 2015-2025 All Rights Reserved

Let's see how we feel, after a message from our sponsors. Jesus effing Christ, Jimmy Kimmel—goddamn! Why are you always this fucked UP. (Super fuckedupedly) I'm not, I'm just feel—(belches)— like it! —look like it, okay! Omah Gas. I nuh! Uh. Pedro Pascal? You're right again. Yehy! Well, almost right. What. That character he played on that extremely viral SNL skit— OKAH. Woah. —this is the dimension where he's— —oh my god— Yeah. —UHMYGAH! Cut back to: —look— jus— don't look at me. When you're—lookin at me, like that— okay?! Goddamn, he is fucked up. Yeah. This is critical. What did you do to Jimmy Kimmel? Nothing! Okay! He was just— like that already— you know —you don't know! Honestly he's kinda always, a little… WOOOF! Yowza. WOOF WOOF! JIMMY! DO NOT LICK ME! *panting* WOOF WOOF! AUGHHH. Get him out of here before he pees on the rug. I second that. Comeon, boy— WOOF! DOWN! [he obeys intently] Good Jimmy Kimmel. Good— —RUFINOL. What? [suddenly, JIMMY KIMMEL is human again and answers intently. Yes. It seems the word itself has broken his extreme delirium— —yo, okay, what is going on?! You've got to can this thing What. Cancel it. No way. I want to go. This thing, cannot happen, okay! It can't! Wtf Jimmy Fallon, stop inserting yourself into everything! — Unless it's me. EW. GROSS. Shots fired. No, I would call that a foul ball—Get it. No, Cause. You know. He's a bird, kind of. Oh. You mean, like “Fowl ball” Yeah! You got it! Yeah but not without like, thinking about it— So it doesn't work? It didn't work. Yo, but that part does explain why: CUT TO: No, you're right, I do hate Jimmy Fallon. —a lot. A lot. Okay? —but to be fair, I also hate Brad Pitt in the same way. BRAD PITT …You do? Yes, Brad Pitt i do— Very much, Hate you. BRAD PITT (Tearing up emotionally) Like, a lot? Uhm. Like, more than a lot, I just. BRAD PITT is actually extremely fragile and very emotionally sensitive. Is this a prescription for— fucking roofies?! I— have a, a…medical condition. That requires roofies?! Yes actually. It's very…serious. Shapeshifting is very serious. What kind of medical condition requires roofie-ing yourself. I didn't—I don't—I can't roofie myself, actually. What! No way… Someone else has to administer the dose, okay?! So wait. Uhogh, what the fuck man. This is— [he bites his knuckles nervously, then pats his pocket area, before realizing he is no longer wearing pants. Everyone just shrugs, but he becomes increasingly upset.] Where is my— phone?[more shrugs and blank stares] He quickly shuffles through the room and then the open suitcase of empty prescription bottles, spiraling into a deep void of panic and doubt— then, in an act of desperation and apparent extreme thirst, he reaches for the decorative flower vase, ejects the flowers— never mind that they are thorned roses and he appears to be bleeding without giving this a second thought, and chugs the liquid from the translucent crystal vase in a hearty and impressive glug of chugs; gesturing towards the now empty vase with the subtle remark— [beat] It's just vodka— I always have them do that. He sits down on the edge of the bed and takes a sigh as this seems to have calmed him, besides the trickle of blood running down the vase, which he still grips in one hand while rubbing his forehead with the other in complete distress… He seems to be looking out into the universe searching for an answer— seeking a solution to this unknown conundrum— and questions the cause of his demise. A single tear forms in his eye as he calmly asks: …does anyone know how to get ahold of Seth Rogen? The room is a confused and sticky, silent heap of bewildered unknowns. TITLE CARD {Enter The Multiverse} … was that the “message from our sponsors”? Shh! L E G E N D S: ICONS don't look at me. [The Festival Project ™] 50 CENT bursts down the door. WHERE'S MY SHIT, JIMMY? Fiddy. Fiddy, look, man— Don't “FIDDY” me! Look, I can explain. Well, then, explain— TV man. Go on ahead. Look. This is— this was not my fault— Then what was it?! This was— oh, God… Go ahead! It was— this was like a game. This ain't no goddamn game, Jimmy Kimmel, I'll tell you that much right now. Yo. But it—was— a game, though, it just— [got out of hand] {Enter The Multiverse} Museum in a curio cabinet; I know, I know, I know That's the boy, That's the boy, That's the boy I saw That's my boy, that's my boy, that's the boy I know I know Museum or curiosity Too late to tell the tale I think Just cover all with masking tape It is a game, To move the pieces Leave it, let it be, She said Hideous and when the winter hits And the withered women come again Let it be sinking into the sea with the rest of the things I don't need, i never needed I never need it Several synchronicities later, Still something sees symphonies in him Music and misers and mistereases, mistresses Listen to tin written sentiments And remember to forget the rest It's been minted Minted, minted Don't talk Just fucking listen And you'll never fucking get it. What's with the rest of it? Never been, never did Lemons and purple Sundays And when the weather hits, You'll get the tip of it Oh, There it is That thing she likes The thing she sees (She sees the monster) There it is, That thing she sees The thing she knows (She knows the monster) When you walk with the cork of the wine, And the checkboards, The water foxes, wishing reals And written wells, And fears for fourths, One wet, one rotten The rent and the wintergreen gum And the rest is in Zippered cashmere Wonder what the wish is But there is a birthday present for never Then there's a Cheshire Cat And the rest of it was washed in the misery, Misery, never the mystery and there, You weather the almost storm But the storm's not coming, There's nothing but sun left There's nothing but sun there There's nothing but sun there Now, here's this: You remember, dear We resubmit We live in a computer We live in a comouter He‘S green He's new He's wet behind the ears He's a hot one A hot commodity She's weathered She's torn She's a sweet potato on suicide And though at least a hundred other folks This here is the comfort This here is the comfort I'm a narcissist now, but once upon a time I just just self centered The love still there, But instead of the spine or the heart It's back in the middle Why my mother knows what she always knows And she always knows I don't know ‍♂️ o Patrick! Hey Patrick! Yes, what is it? You fiend! Can I have my hat back? Does this match? Does this make ratchet sense to you? Turn down that racket, Tennis racket Tennis clubs And gold clubs Boxes in the attick Skeletons in the closet The stock market going dropped Way down Like the alley with Whole Foods market I miss the rock and the plaza The hot dog corn breads The half wit half breeds And good old hybrids The hallmark cards And who doesn't give a fuck When the earth gives a fuck on a roll But it's walk the dog or go home Seriously, cuz? Or cousin?! You want a hog roll Good for a hog toss Salt washed back rubs And then keep calling your mom If you wanted the balls in your court And yet no one to toss them at And the basket's back at the matchbook factory Mattresses man, and the lands they land at Matches made in TV land Are bound to have a sick and intrinsic twist That will keep your belly rolling And stomach flat Jesus Christ, What the fuck is wrong with that guy— Or rather— What the fuck happened last year, Furthermore; What in the fuck did I write about it? Townhouse in Manhattan Broken finger Broken promises Bottles of hard alcohol And models, hot girls And one cat with curiosity. Check the curio cabinet There ought to be something Or someone in it Maybe even A little man in a box With a million bucks And a tinfoil hat, Ten million marked dollars And zero fucks Whatsoever I have a headache, a headache— A headache I have a heartache, a heartache, a heart— Stop. I put it all on a bushel of bollocks, Bollocks— flowers I put it on, put it on Put it on On, and on And all for nothing All for none With the intensity of one thousand suns, He insists it exists, And exits strategically With the whispers of industry secrets And interesting sequences, She reaches the wings from the curtains And curtsies for courtesy I'm curious I'm curious just how it ends In this suicidal and envious frenzy There's nothing left in the frostbitten five Rolling towards bowling green Where in every pair of loafers, Three piece suits And deep brown eyes, I seen him. In anything over 6 feet, It was good to mean it, And defeat is sweeter than ice cream; But the green is sicker than sea swings So let's rock the boat So to speak Or let's flood a Rock Should we start at the bottom, With large bursts of water, or Turn it all into a washroom With a thunderstorm Oh, lightning strikes! And John Oliver's Murdered, Colbert's been the president for decades, A dictator I got a taste of the rig and the cherry tree I got a big secret, But bitch, You could never keep it! I write a jeep to the Equinox, Ha Ha Ha Charade you are I put a notch in my belt and my bedpost, The watch to the shop But it's all Omega It's all Omega It's all ”Oh My God!” Stop and pause for the audience Stop and pause for the audience Stop and pause for the audience Shock and awe, Or just sloppy nonsense Someone rope in the Johns, And the frog, And the frog And the frog As the fog rolls in Now I'm a millionaire How dare you Did I scare you, Become every hair on your head? Imm the one you don't want You can't want You catch watch You can't wait to Gun her down Gun to your head And I measured it in relevance The end is near And that's the place my head is in I don't need medicine I need an erected monument in honor of All that I wanted for the whole module But now in New York, I'm The same stories over and over So everyone knows Aren't the ones I wrote But I wasn't supposed to Mouth closed Townhouse in Manhattan What the hell happened? Perhaps we all died and then actually end up in heaven eventually. —but maybe I wrote the whole show, But not knowing it's over I just keep rolling and rolling and rolling And open door policy (And that's when the pearly gates open) It's possible you know these are all just my favorite players of anything anywhere possible The folks wrapped in gold for the offerings There was no love left for her but he left the door open She runs around awkward and normal But knows she knows nothing He's lifting her up But he's putting her down at the same time And they both wear a crown, But one draws a crowd And the other's a nine Out of nine Out of nine Out of nine now It's 4 and 3 quarters I make ten cents in a day And he makes ten million a year But it's not about money In fact, If it's not about God, Then it's all about nothing. Nothing at all. Do you want to travel through my eyes One more time One more time And see my life? Did you want to do it all again Just for a quick review, Or not, kid? Do you want to take my eyes And take my heart And pantomime The nevermind And never better moments Of the last forever I like a ride On a nice hot walk Or a park In a nice hot car But you aren't what I wanted The doctor ordered Hot chocolate and syrup And nightmares are coming But the dream had come and gone And in the time since, I haven't slept at all It slipped in on Christmas and went till the miniature habits kicked back in We went around the block a couple times And you just kept rolling Over The car stopped on all fours And Godbfalled you off of it Cause trust, Love, It was horrendous to watch you blow up Into blockbuster artform Off of a bridge And into superstardom Via a billboard Meanwhile, Were shuffleboards And billiards Que the arts! Ou, I meant to owe you All the lessons In the knowledge But the harder I want it the Rocker on my chair polished It grows fuller of course Almost flat on the bottom What you hole into for the audience Is all inside the contracts I put it up on the What did you call it? Put the coat on the chair and just kept going Bro, If I hold you over Promise you'll hold the door open He won't. He's a show host— A remarkable “Don't even bother” And I paid top dollar for these hair plugs, You hear that?! I heard you rabbit. What it is about the thing that wells up in my Washington federal and tear-gassed orphans is Lollipops and anicetepetomin Or asperine I'm desperate for a job And yet, I almost miss the person Hiding from the shadows in the robots In my every on thoughforms Though I should be honored Now I've brought back this astonishing Remarkable curse To not b Have bought curtains When I didn't want them in the first place And I kept the window open 40,000 showed up But I played to no one And the blonde knows it's her birthday So of course she's more important But I'm no one, And here's Fallon: Jimmy Fallon Jimmy Fallon Jimmy Fallon I'm deflated just to follow off for a nut But I'm nothing since no one pondered And wondered to ask a remarkable task get the pawn shop, the butter knife And Lorne all over pork chops on the phone And I'm sure that's not kosher, But sure, there's no cure for it I'm words and I'm worse off The suburbs, the herbs and the marshes The books and the sineage The plants and the corvettes I might have been onto something once But now I'm washed up I might be onto something but no, no, no— I fought it off I might come down with a cold once a quarter century or so but just the snow alone As cold as this whole story is, Ripley's Is hard warming (Believe it or not, We've all got thumbs up We've all got magic wands And wants And whispers And stock markets And wishing for cashmere zippered sweaters This year I'll be on time for once But no one's coming No one's coming up The whole shows under water And all I want to know is How to go To pull the gun and trigger On my own live Cause this whole world Is just rotten Bodies Hairpins, Hairspray Corny! That's grid iron, Gridiron, ten fierce fires and one Cold hearted beautiful liar But which one's the finish? Last that I check Billie, Jimmy, and the Kidd are all Just one body And one mirror image Of one another So next time I call my mother I ought to talk like the worst word, Cause for sure, the oddest part of the whole show Is that he somehow knows her. Now come forwards What words have left to Burn? What words have left to cope and honor What form does lest I take What here is now and crucial? Evervescent fairy, Ever blessing crane, The ship that guides you yet with no light And no sail Has just drifted into unknown waters Where caves dwell and therein lies the secret of our esarth, nor your earth, But ours and again I lay, As you sink into the see with tilting force and berring waves, the drive into the tide my ark the swan hath flown to warn her, there drifts Into the shade again the sun my bird and wait to find my alter My alter again and as I may, The sink that ships and weigh, not the other, My mind you that too is bottom And sank is to have risen, also Here I wonder And never you cave, the drift of glowing green my force And there to wait, there caverns of hers and ships that sank my tide, Is crucial and so with forgiveness in time With every line here I or they did write The truth shatters as illusions, the mask has been re clamored and yet to have imagined I find him here not but the hints And the thing we know, buried deep in my loins and in my earth is he The whispers what May calling and landender, mauve my tide, my ba …wtf. idk. [The Festival Project™ ] {Enter The Multiverse} L E G E N D S: ICONS Tales of A Superstar DJ The Secret Life of Sunnï Blū Ascension Deathwish -Ū. Copyright The Festival Project, Inc. ™ & The Complex Collective © 2015-2025 All Rights Reserved

Ron 'The Show' has his Very First PINKS PIZZA Experience! AND-When Folks are Attracted to HIDEOUS Individuals.. LOL full 568 Fri, 11 Jul 2025 00:00:50 +0000 zJ0geWvat9buL7ZXQJSNPIGBpetWvoid nfl,mlb,nba,pizza,texans,astros,rockets,htown,sports The Drive with Stoerner and Hughley nfl,mlb,nba,pizza,texans,astros,rockets,htown,sports Ron 'The Show' has his Very First PINKS PIZZA Experience! AND-When Folks are Attracted to HIDEOUS Individuals.. LOL 2-6PM M-F © 2025 Audacy, Inc. Sports False

Joseph Weigel from the Men With Chests podcast joins me to talk about NICE Alchemy!  By which I don't mean, "Whoa, that was some really sweet alchemy you were doing just now, dude! NICE!" But rather, the connection between science and magic as practiced by the National Institute for Co-ordinated Experiments (N.I.C.E.) in C.S. Lewis' final novel in his space trilogy, That Hideous Strength. It's weird stuff. And Merlin's involved, naturally. That guy. This is part discussion, part interview, because Joseph has recently published an article in Sehnsucht about connections between the N.I.C.E.'s experiments and alchemy. Read it here: https://digitalcommons.georgefox.edu/cslewisjournal/vol18/iss1/11/ Also, be on the lookout for Joseph's forthcoming book, Planet Thulcandra. It hasn't come out as of the publication of this podcast, but it's on its way! Be sure to check out Men With Chests while you're at it!   There is a lot more to come this season! It seems likely that (because this is only coming out once every two weeks), it will extend well into the Fall. In the vault, I have: A roundtable on The Abolition of Man A conversation about the Walking Tours that members of the Inklings took A discussion of George MacDonald's Lilith A series on the OHEL ...and quite a bit more. Shoot me an email to say hi if you're listening--I appreciate hearing from people who enjoy this podcast! And please do leave a rating and review if you can. It's nice to know when this is actually getting heard by someone!

Episode 581Join Michael and Myke Hideous for a compelling episode that explores today's most pressing issues with insight and wit. The hosts analyze the current state of the Democratic Party, questioning the irony behind Governor Gavin Newsom's “Make California Great Again” slogan and debating the party's future amid shifting public perceptions.The conversation takes a dramatic turn as they consider the threat of a “city-killer” asteroid, blending dark humor with a broader discussion on global anxieties and the influence of doomsday predictions.Michael and Myke also address the perceived decline in societal morality, examining the effects of digital access and weakened family structures, and discussing the troubling trend of inappropriate student-teacher relationships.The episode scrutinizes recent controversial pardons by Donald Trump, highlighting concerns about celebrity influence on justice and disparities in legal outcomes.In a lighter segment, they explore the hypothetical of Canada becoming the 51st state, debating the implications for national identity and cross-border relations.Tune in for sharp analysis, engaging debate, and timely commentary at the intersection of media, politics, and culture. Stay informed and join the conversation!

This is a free preview of a paid episode. To hear more, visit thecarousel.substack.comI'm joined by the smart and beautiful Alexandra Lavenski, host of the fashion podcast Pied Noir, to discuss something that is normally beneath me, but in the case of Radfem Hitler is most definitely not.Sorry for poor sound quality I was traveling and Auphonic decided not to work in the hotel room. FIRST 30 MINS FREE. BECOME PAID SUB TO GET THE REST. Th…

Analysing the 1998 drama, Hideous Kinky. An exploration on a mother needs to find more within herself for her children, and how her children and a romantic interest can place her on the right path.Copyright to Two Takes

March 9, 2025Pastor Paul Fuller

The giant mocks, the snake speaks once again before the face of the people of God, and there was none to silence the mouth of the colossus blasphemer, none to put an end to the threats of the son of the interloper, who spewed forth taunts, reviling, and threats against the people of God. The one who had rightly been anointed and coronated to kill the giant stood back in fear, the king of Israel, the mad king, the fearful king was of no use to his people, and how much more that he had been rejected. Yet another king had been chosen and he would show the heart of the True King, jealousy for the glory of Jehovah and love for those whom God had anointed him to deliver out of the hands of those who would destroy his fellow countrymen. In the first half we see the template of the great war between Jehovah and Dagon, between Philistia and Israel and God would once again show the might of His strong right arm in silencing the curses of the wicked through a most unlikely character - David the giant killer, the serpent crusher, the king who had the Lord's heart, whose own heart belonged to the Lord.Worship with us at Reformation OPC Gastonia!Each Lord's Day9:30am & 5:30pm203 Rhyne Oakland Road, Gastonia, NC, 28098(704) 931-8094Our website: https://refopc.net/ropcgastonia@gmail.com

When the offspring is so hideous and so dreadful! John Angell James, "Sorrow for the Death of Friends"How dreadful is the nature of sin! Sin is the parent of death. Death is the first-born of sin. What must be the parent--when the offspring is so hideous and so dreadful! Who can have watched the harbingers of death--the groans, the pains, the dying strife--without being struck with the fearful nature of man's revolt from God?Death in itself, and by itself--is horrid and revolting! To see all this inflicted upon a Christian, a child of God, an heir of glory; to see no way even to the kingdom of God, to the realms of immortality, but this dark valley of corruption, earth, and worms--this gives us a most impressive idea of the dreadful nature of sin! How such scenes should enlarge our views of the malignity of sin, and embitter our hearts against it!O sin--sin! What have you done!

In the dark heart of Texas, monstrous things walk among us — and not everyone who sees them lives to tell the tale.Darkness Syndicate members get the ad-free version of #WeirdDarkness: https://weirddarkness.com/syndicate*** DOWNLOAD THE FREE PDF For This Episode's Word Search Game:https://weirddarkness.tiny.us/2p87tzxfDISCLAIMER: Ads heard during the podcast that are not in my voice are placed by third party agencies outside of my control and should not imply an endorsement by Weird Darkness or myself. *** Stories and content in Weird Darkness can be disturbing for some listeners and intended for mature audiences only. Parental discretion is strongly advised.IN THIS EPISODE: Reports have been coming in for decades of hairy creatures in Texas something like a bipedal wolf, or maybe a Sasquatch. Other reports have the creature with no hair at all. Even stranger – whatever this creature, or creatures may be, it's not always on the ground that they are spotted, but in the sky as well. (Hairy Humanoids of Texas) *** In October of 1973, two fisherman reported seeing a space ship – and two extraterrestrials emerge from the craft when it hovered near the ground. Was this a true case of a close encounter of the third kind, or was something else going on? (Close Encounter in Pascagoula) *** 
The subject of Interview with a Serial Killer — streaming on Netflix now — speaks out in his own chilling words. We'll reveal the killer inside the thoughts of Arthur Shawcross. (Inside The Twisted Mind of Arthur Shawcross) *** The two most famous goat-like cryptids cause havoc in their respective American hometowns. We'll look at both the Maryland Goatman and the Pope Lick Monster. (Cloven-Hoff Cryptids) *** Weirdo family member Tyler shares some of the numerous odd things that happened at his house while growing up. It sounds like the woman who used to live there may have decided to return after death to continue her residence. (This Is My House, Whatever You Are Go Away)CHAPTERS & TIME STAMPS (All Times Approximate and Only Accurate For the Commercial Version)…00:00:00.000 = Lead-In00:00:52.818 = Show Open00:03:06.569 = Hairy Humanoids of Texas00:21:40.063 = Inside The Twisted Mind of Arthur Shawcross00:31:22.813 = Close Encounter in Pascagoula00:42:48.884 = Cloven Hoof Cryptids00:48:38.807 = This Is My House, Whatever You Are, Go Away00:54:54.404 = Show CloseSOURCES AND RESOURCES FROM THE EPISODE…“Hairy Humanoids of Texas” by Brent Swancer: http://bit.ly/2YlYzSM“Close Encounter In Pascagoula” by Micah Hanks: http://bit.ly/2Zim24k“Inside The Twisted Mind of Arthur Shawcross” by Orrin Grey: http://bit.ly/30Rhv9C“Cloven-Hoof Cryptids” by Orrin Grey: http://bit.ly/32Mi869“This Is My House, Whatever You Are Go Away” by Weirdo family member Tyler=====(Over time links seen above may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.=====Originally aired: July, 2020EPISODE PAGE at WeirdDarkness.com (includes list of sources): https://weirddarkness.com/TexasHumanoidsTAGS: weird darkness, weird darkness podcast, Texas cryptids, Texas paranormal, humanoid creatures, Goatman sightings, Converse werewolf, La Malacosa, flying humanoid Texas, Houston Batman, Amarillo monster, weird Texas, Texas folklore, mysterious creatures, strange entity encounters, paranormal Texas, humanoid cryptids, Lake Worth monster, White Rock Lake Goatman, Skull Crossing werewolf, glowing eyes Texas, Texas monster sightings

On this episode of The Hillsdale College Online Courses Podcast, Jeremiah and Juan discuss how easy it is for nefarious forces to influence the "educated" before introducing Hillsdale College president Dr. Larry P. Arnn. Totalitarian novels depict regimes that exert complete and pervasive control over the lives of their subjects. George Orwell, Aldous Huxley, Arthur Koestler, and C.S. Lewis imagine the terrible possibilities of unchecked modern tyranny. Join Larry P. Arnn, president of Hillsdale College, and Hillsdale College students in this exploration of 1984, Brave New World, Darkness at Noon, and That Hideous Strength. The course includes four lectures and four conversations, each about 30 minutes long. It is structured with one lecture about each book followed by a conversation between Dr. Arnn and the students about themes from that book. Lewis exposes the dangers of substituting scientific expertise for wisdom and bureaucracy for politics as the ruling impulses of a nation. Mark and Jane Studdock discover the importance of marriage, family, friendship, and faith.See omnystudio.com/listener for privacy information.

On this episode of The Hillsdale College Online Courses Podcast, Jeremiah and Juan discuss how easy it is for nefarious forces to influence the "educated" before introducing Hillsdale College president Dr. Larry P. Arnn. Totalitarian novels depict regimes that exert complete and pervasive control over the lives of their subjects. George Orwell, Aldous Huxley, Arthur Koestler, and C.S. Lewis imagine the terrible possibilities of unchecked modern tyranny. Join Larry P. Arnn, president of Hillsdale College, and Hillsdale College students in this exploration of 1984, Brave New World, Darkness at Noon, and That Hideous Strength. The course includes four lectures and four conversations, each about 30 minutes long. It is structured with one lecture about each book followed by a conversation between Dr. Arnn and the students about themes from that book. Lewis exposes the dangers of substituting scientific expertise for wisdom and bureaucracy for politics as the ruling impulses of a nation. Mark and Jane Studdock discover the importance of marriage, family, friendship, and faith.See omnystudio.com/listener for privacy information.

On this episode of The Hillsdale College Online Courses Podcast, Jeremiah and Juan discuss C.S. Lewis' unique approach to the totalitarian novel before introducing Hillsdale College president Dr. Larry P. Arnn. Totalitarian novels depict regimes that exert complete and pervasive control over the lives of their subjects. George Orwell, Aldous Huxley, Arthur Koestler, and C.S. Lewis imagine the terrible possibilities of unchecked modern tyranny. Join Larry P. Arnn, president of Hillsdale College, and Hillsdale College students in this exploration of 1984, Brave New World, Darkness at Noon, and That Hideous Strength. The course includes four lectures and four conversations, each about 30 minutes long. It is structured with one lecture about each book followed by a conversation between Dr. Arnn and the students about themes from that book. C.S. Lewis’s That Hideous Strength depicts the infancy of a totalitarian regime. Tyranny is averted through divine intervention manifested through the friendship, education, and faith of a small company led by Fisher-King.See omnystudio.com/listener for privacy information.

On this episode of The Hillsdale College Online Courses Podcast, Jeremiah and Juan discuss C.S. Lewis' unique approach to the totalitarian novel before introducing Hillsdale College president Dr. Larry P. Arnn. Totalitarian novels depict regimes that exert complete and pervasive control over the lives of their subjects. George Orwell, Aldous Huxley, Arthur Koestler, and C.S. Lewis imagine the terrible possibilities of unchecked modern tyranny. Join Larry P. Arnn, president of Hillsdale College, and Hillsdale College students in this exploration of 1984, Brave New World, Darkness at Noon, and That Hideous Strength. The course includes four lectures and four conversations, each about 30 minutes long. It is structured with one lecture about each book followed by a conversation between Dr. Arnn and the students about themes from that book. C.S. Lewis’s That Hideous Strength depicts the infancy of a totalitarian regime. Tyranny is averted through divine intervention manifested through the friendship, education, and faith of a small company led by Fisher-King.See omnystudio.com/listener for privacy information.

In this episode, I discuss the BBC's recent audio drama adaptation of C.S. Lewis's That Hideous Strength. You can read my article and subscribe to the Mythic Mind Fellowship Substack here: https://mythicmind.substack.com/p/a-review-of-the-bbcs-that-hideousSubscribe to my YouTube channel here: https://www.youtube.com/@andrewnsnyderBecome a patron and/or enroll in a course here: https://www.patreon.com/c/mythicmindEnroll in Josh's course here: https://www.patreon.com/c/JoshTraylorBecome a supporter of this podcast: https://www.spreaker.com/podcast/mythic-mind--5808321/support.

Welcome to this week's podcast episode. It is another first-time watch for me, it's from the mind of Charles Band, so we know what we are walking into. This week, we sat down to watch Hideous(1997)Want to support me and the podcast? Click the link below and check out my Ko-fi page.https://ko-fi.com/typhensteinMake sure to use promo code "RottenReviews" at checkout for Dubby Energy:https://www.dubby.gg/discount/RottenReviews?ref=6oo6VW14GOtp_PMake sure to check out the outro band featured in each episode known as, Blood Opera!https://www.youtube.com/@bloodopera5933https://www.instagram.com/bloodoperainc/https://www.etsy.com/ca/shop/BloodOperaInc?ref=shop-header-name&listing_id=772022307If you want, check out my links below!https://linktr.ee/typhenstein

Christians have often been too libertarian about drugs, failing to see that many mind-altering substances are spiritually dangerous and historically linked to witchcraft and idolatry. Scripture associates sorcery with “pharmakeia,” and the Bible consistently warns against drunkenness and altered states that open people to demonic influence. Therefore, Christian magistrates have a duty to suppress drug use that invites demonic activity, just as they are called to tear down modern high places like abortion clinics and pot shops. Read the full blog post here: https://tobyjsumpter.com/that-hideous-witchcraft/

Christians have often been too libertarian about drugs, failing to see that many mind-altering substances are spiritually dangerous and historically linked to witchcraft and idolatry. Scripture associates sorcery with “pharmakeia,” and the Bible consistently warns against drunkenness and altered states that open people to demonic influence. Therefore, Christian magistrates have a duty to suppress drug use that invites demonic activity, just as they are called to tear down modern high places like abortion clinics and pot shops. Read the full blog post here: https://tobyjsumpter.com/that-hideous-witchcraft/

This is a catch-up version of James O'Brien's live, daily show on LBC Radio. To join the conversation call: 0345 60 60 973

Episode 568The show kicks off with a humorous cold open, where Michael addresses a technical issue with the music, setting a light-hearted tone for the evening. He welcomes listeners and reminds them that the content may be considered somewhat offensive, encouraging participation through phone calls.As the show progresses, Michael and Mike express their excitement for the evening's discussions. They touch on serious matters, including political news and personal anecdotes, while also promising to entertain their audience.The boys share a moment of camaraderie as they enjoy drinks together, with Michael pouring himself some Kentucky Straight Bourbon whiskey. They reminisce about past interviews and share laughs over various topics, including a clip of Alec Baldwin and his wife, which leads to a discussion about celebrity culture and relationships.The conversation shifts to political figures, particularly AOC and Lauren Boebert, with Michael and Mike sharing their opinions on the dynamics between these two women. They discuss the implications of their political stances and personal lives, with a humorous twist on their interactions.Throughout the episode, callers join in, adding to the lively discussion. One caller from Canada humorously discusses the state of Canadian politics and the perception of American culture. The hosts engage with the callers, creating a dynamic and interactive atmosphere.As the night unfolds, Michael and Mike delve into personal reflections on relationships and the challenges of dating today. Michael shares his thoughts on the difficulties of finding meaningful connections, particularly in light of political ideologies that often create barriers.The hosts discuss the potential dangers of being in toxic relationships, referencing a listener's experience that highlights the emotional turmoil that can arise. They emphasize the importance of recognizing when a relationship becomes unhealthy and the need to prioritize mental well-being.As the episode ends, Michael and Mike reflect on the night's discussions, expressing gratitude for their listeners and the engaging conversations. They encourage everyone to stay strong and keep their heads up, reminding them that every day is a new opportunity for growth and connection.

Finally, Derek and Beth sit down to watch The Hideous Sun Demon (dir. Robert Clarke). Plus, Mark Matzke's Beta Capsule Review (Ultraman Ace), and Listener Feedback. Voicemail: (360) 524-2484‬ Email: Monster Kid Radio's Discord Server - Monster Kid Radio on Reddit - Monster Kid Radio on Twitch! - - Monster Kid Radio on YouTube - Follow Mark MatzkeSmall Town Monsters - Small Town Monsters: Celebrating 10 Years - Deth Designs - Classic Horror Film Board - "" () provided courtesy of Bride of Monster Kid Radio is a Production. All original content of Bride of Monster Kid Radio is licensed under a . You can learn more about Team Deth, our other projects like Deth Designs, Mail Order Zombie, Monster Kid Writer, and more at . Please rate and review Monster Kid Radio wherever you download your favorite podcasts. Next week on Monster Kid Radio: Alan Tromp and Curse of the Facelsss Man (dir. Edward L. Cahn)

You're invited to a world premiere event as the vortex drops Jeff & Richard into a car at the Tascosa Drive-In in Amarillo, Texas, on August 29, 1958. The stars of "The Sun Demon" appear not only on screen, but also in person!! You will see... I mean, hear... a man change from man to monster before your... ears! Never before attempted in any theater... or on any podcast...

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Will Beth finally watch The Hideous Sun Demon (dir. Robert Clarke)? Find out as she returns to the show and catches up with Derek. Plus, Mark Matzke's Beta Capsule Review (Ultraman Ace), and Listener Feedback. Voicemail: (360) 524-2484‬ Email: Monster Kid Radio's Discord Server - Monster Kid Radio on Reddit - Monster Kid Radio on Twitch! - - Monster Kid Radio on YouTube - Follow Mark MatzkeSmall Town Monsters - Small Town Monsters: Celebrating 10 Years - Deth Designs - Classic Horror Film Board - "" () provided courtesy of Bride of Monster Kid Radio is a Production. All original content of Bride of Monster Kid Radio is licensed under a . You can learn more about Team Deth, our other projects like Deth Designs, Mail Order Zombie, Monster Kid Writer, and more at . Please rate and review Monster Kid Radio wherever you download your favorite podcasts. Next week on Monster Kid Radio: Beth and The Hideous Sun Demon (dir. Robert Clarke)

WHEN A MAN KNOWS HE IS UGLY WHETHER HE IS HIDEOUS AVERAGE OR HAS A SMALL ONE THESE ARE THE SIGNS by ask nathaniel

This is a catch-up version of James O'Brien's live, daily show on LBC Radio. To join the conversation call: 0345 60 60 973

Well, curtain pulled back, February was a busy month and almost got away from us! So here we go with a fun mini-adventure that was packaged between AC2 Combat Shield..."The Treasure of the Hideous Ones." Like the adventure, this episode is low-key but full of some fun moments!

Full Episode only on Patreon.com/michaeldecon*You may or may not want to play this around normal innocent folk*

Finding the original tomb of the royal is one of the most significant developments in Egyptian archeology in recent history. Also, a video of a gloriously creepy anglerfish inspired tears and poetry online. But why was this deep-sea dweller near the surface at all?Royal Tomb Of Egyptian King Thutmose II UnearthedA British-Egyptian team has made one of the most significant Egyptian archeological finds in recent history: the tomb of pharaoh King Thutmose II, who ruled sometime between 2000 and 1001 BCE. This is the first tomb of a pharaoh unearthed since Tutankhamun's in 1922.Thutmose II's mummified remains were found two centuries ago, but they had been moved from his original tomb, the location of which remained a mystery until now. Part of the reason why his tomb's location was such a mystery was that Thutmose II was buried in an area associated with the wives of Egyptian kings, about 1.5 miles west of Egypt's famous Valley of the Kings.Joining Host Flora Lichtman to talk about this and other science stories of the week is Maggie Koerth, science writer and editorial lead of CarbonPlan, based in Minneapolis, Minnesota.Why The Internet Was Captivated By A Hideous FishLast week, a viral video likely floated to the top of your feed: a rare black seadevil anglerfish, which looks like a floating head with a frightening amount of teeth and two cloudy eyes, swimming in azure waters. The fish showed up near Spain's Canary Islands, off the northwestern coast of Africa. It made the news because it was spotted near the surface, while anglerfish normally reside in the deep ocean.So why was she paddling so close to the surface? Was she sick? How unusual is this? And also, why do they even look like that? We had questions.Host Flora Lichtman talks with Dr. Kory Evans, assistant professor of biosciences at Rice University, to separate fact from fish-ction. He also explains new research he helped conduct about the evolutionary history of anglerfish, which could help explain why they look the way they do.Transcripts for each segment will be available after the show airs on sciencefriday.com. Subscribe to this podcast. Plus, to stay updated on all things science, sign up for Science Friday's newsletters.

A discussion with Jason Baxter, Nicholas Colloff and Mark Vernon.The Abolition of Man is a series of three lectures given by C.S. Lewis in defence of objective value, arguing that modernity has undermined our humanity by uncoupling intellect from instinct. With hearts divorced from minds, first the world empties of presence, then life empties of meaning and people become “men without chests”.That Hideous Strength is a fictionalised version of the abolition, exploring the impact of transhumanism, aggressive rationalism, absent gods, and an inability to contemplate and know reality as it is.Till We Have Faces also tells of a world in which humanity is veiled and power rules, though in which gods make unexpected appearances and humanity is restored by learning to bear the weight of being once more.How do these works account for today? What remedies do they offer? Why might we keep reading them?0:00 Introductions01:47 The core ideas of The Abolition of Man04:46 All truths cannot be relative!09:38 The need for an aesthetic education12:13 Owen Barfield on objectivity and subjectivity 20:02 Chivalry and recovering spiritual practices28:25 A time in which everything is real30:56 The core ideas in That Hideous Strength39:48 The uninvited powers of material times41:48 The need for wisdom communities44:25 Why the Arthurian weaves in the story?49:10 Learning about and learning from53:21 Lewis's violence and the eruption of power56:48 The core ideas in Till We Have Faces59:45 The retelling of the myth of Cupid and Psyche01:01:52 When truth is too much to bear01:04:07 The recovery of humanity and the face of God01:06:02 The value of myth and moving from the linear01:09:30 Remaking or merely copying? A thought on Notre Dame01:11:17 Emptying and the fullness of divine presence01:12:58 Jane and Mark in the bridal chamber01:15:35 When everything is the face of GodJason is Professor and Director of Center for Beauty and Culture, Benedictine College. For more - www.jasonmbaxter.comFor more on Nicholas Colloff - https://ncolloff.blogspot.comFor more on Mark Vernon - www.markvernon.com

Dr. Michael Gleghorn demonstrates how C.S. Lewis's That Hideous Strength illustrates the cosmic war of good and evil through supernatural spiritual warfare.

Send us a textWARNING: FOR MATURE AUDIENCES ONLY. UNDER 17 REQUIRES ADULT SUPERVISION.  This week the Queens are talking about a a Full Moon BANGER called "Hideous!" (1997).    Stay tuned & stay NASTY.  Also, leave ya girls a review on Apple Podcasts and we'll dedicate an episode to your movie pick!

Chapter 1 What's Monsters In America by W. Scott Poole"Monsters in America: Our Historical Obsession with the Hideous and the Haunting" by W. Scott Poole is a compelling exploration of American culture through the lens of monsters and monstrosity. The book delves into how various American monsters—ranging from folklore creatures to cultural icons—reflect the nation's fears, prejudices, and myths. Poole analyzes the evolution of monsters in American literature, film, and popular culture, suggesting that they serve as a mirror to societal anxieties. By examining figures such as Bigfoot, the vampire, and zombie narratives, Poole illustrates why these creatures are not just sources of entertainment but also poignant symbols of deeper cultural issues, including racism, nationalism, and existential dread. The work provides a historical context, demonstrating how societal changes influence perceptions of monstrosity, while also probing into themes like identity, the otherness, and the perpetual battle between civilization and savagery. With insightful analysis and engaging writing, Poole invites readers to reconsider their relationship with these figures and what they reveal about the American psyche.Chapter 2 Monsters In America by W. Scott Poole Summary"Monsters In America" by W. Scott Poole explores the cultural significance of monsters in American society and how they reflect deeper societal anxieties, fears, and desires. Poole delves into various monster archetypes found in literature, film, and folklore, analyzing their origins and the context in which they emerged. He examines classic figures such as vampires, zombies, and werewolves, and discusses how these creatures embody the struggles and conflicts present in American history.Throughout the book, Poole argues that monsters serve as a projection of societal issues, from immigration and race to gender and class. He highlights how these monstrous figures often represent the 'other' and reflect fears about what is unfamiliar or threatening to mainstream culture. By tracing the evolution of monsters through American pop culture, Poole provides insight into how these creatures have transformed alongside the nation's identity and values. He also touches on the commercialization of monster mythology and how they have become central to entertainment narratives.Overall, "Monsters In America" presents monsters not merely as fictional entities, but as critical cultural symbols that dissect and reveal the complexities of the American psyche.Chapter 3 Monsters In America AuthorW. Scott Poole is an American author and academic known for his work in American studies and popular culture. He released the book "Monsters in America: Our Historical Obsession with the Hideous and the Haunting" in 2011. This book explores how monsters in American culture reflect broader anxieties and fears in society, examining various manifestations of monstrosity in literature, film, and folklore.In addition to "Monsters in America," Poole has written other notable works, including:"The Cult of the Dead Cow: How the Original Hacking Supergroup Might Just Save the World" (2018) This book narrates the history of the influential hacking group Cult of the Dead Cow and its impact on technology and society."Ronald Reagan and the Movies" (2017) An analysis of the relationship between Ronald Reagan's film career and his political life."A History of Horror: The Changing Face of Fear" (2020) An examination of the evolution of horror in American culture.As for which of his books is the best in terms of editions, "Monsters in America" is particularly well-regarded for its thorough research and engaging prose, and it has received positive reviews from both academic and general audiences. It is often cited in discussions of American folklore and cultural studies, making it a strong candidate for his best...

Beware the last two weeks of the hideous Biden administration. Donald Trump certified as next President. Democrats are in deep denial over the election loss. Rep. Andy Biggs joins the show.

In this episode, The Booty Blood Boys™ are joined by a very special guest, fan, and friend of the show, The Shadowy One! The Bud Blasé Boyz™ learn how The Shadowy One became a fan of their silly lo-fi and low culture podcast. They discuss the New York City metal scene vibes and community and whether either has been affected by the closure of St. Vitus. They explore the generational divide between the sincerity of older metal fans and musicians versus the self-aware irony of younger metal fans and musicians. They also analyze the dark world of fascist cottagecore and tradwife cultures. All of this and much, much more!

In this episode of Dave Does History on Bill Mick Live, Dave Bowman dives into one of the most transformative moments in American history: the Election of 1800. Known as the "Revolution of 1800," this pivotal event marked the first peaceful transfer of power between opposing political parties and tested the young republic's capacity to endure fierce ideological divides. Dave unpacks the bitter campaign between Thomas Jefferson and John Adams, the key issues that polarized the nation—like the Alien and Sedition Acts, taxation, and foreign policy—and the unprecedented Electoral College tie that sent the election to the House of Representatives. Along the way, he explores the role of Aaron Burr, whose ambitions stirred additional controversy, and highlights the colorful insults hurled between candidates in what was perhaps the nastiest campaign in U.S. history. With humor, insight, and historical analysis, Dave reveals how this contentious election reshaped the presidency, solidified the two-party system, and led to the creation of the 12th Amendment. Tune in for a gripping tale of political rivalries, constitutional crises, and the enduring lessons of 1800.

Get The Things of Earth today: https://canonpress.com/products/the-things-of-earth-treasuring-god-by-enjoying-his-gifts-2nd-ed

Hey everyone! Get ready for a fresh episode of We Saved You a Spot! This week, we're diving into our funniest “Karen” moments, tackling the cringe-worthy reality of ghosting, and sharing some spine-tingling true stories from Southeast Georgia and Northeast Florida that feel almost too eerie to believe. So kick back, relax, and enjoy the ride—you won't want to miss this!

A new MP3 sermon from Grace Audio Treasures is now available on SermonAudio with the following details: Title: Though you are as black as night, and as hideous as Hell! Subtitle: Puritan Devotional Speaker: C. H. Spurgeon Broadcaster: Grace Audio Treasures Event: Devotional Date: 11/10/2024 Bible: 1 John 1:7; Romans 4:7-8 Length: 2 min.

Episode 542 The stars aligned for Election Night 2024 as all three Michaels came together for a special live edition of the event. This remarkable gathering showcased a dynamic convergence of insight and camaraderie. Mike Siegel took the lead, sharing his expert analysis and opinions throughout the evening. In the latter half of the show, Myke Hideous contributed to the discussion by joining in via phone. It was clear that he was in a good mood, a rarity not seen since desert storm. --- Support this podcast: https://podcasters.spotify.com/pod/show/michaeldecon/support

 What's up, dudes? There are a lot of classic Halloween commercials! They've shaped our perception of the spooky season since we were little. Lyle Perez from The Halloween Podcast joins me live to watch some of the wild and creative ‘80s Halloween commercials!  We begin with Count Chocula recoiling in fear of Count Dracula. The Invisible Man and the Mummy also try to get cheap mufflers at Meineke. Meanwhile, Count Scary attempts to persuade us to pick up some 3D glasses at our local Wendy's restaurants. His widows peak is out of control! Ogilvy Mather created two memorable commercials. The first has young lovers accidentally combining peanut butter and chocolate at viewing of a scary movie. The second sees Frankenstein's wretch combine the two after his resurrection. Then follows Ronald McDonald talking with McNugget buddies in Halloween costumes. Oh, and Vincent Price even hawks Polaroid video cassettes. We also see Elvira plug Coors!A killer stalks his prey to a John Carpenter synth score clone. As he approaches his victims, he snatches the Coca Cola out of their hands. As it turns out, it's only a sister in a face mask and curlers! Hideous!Catchy jingles? Check. Cheesy, eerie messages? Of course. Monster shenanigans? Definitely! So grab your Dipps, head to McDonald's with their certificates, and enjoy this episode on '80s Halloween commercials!It's a ‘90s Christmas PodcastTwitter: @90sChristmasPodFacebook: @90sChristmasPodThe Halloween PodcastTwitter: @TheHalloweenPodAmazing Advertising PodcastTwitter: @AdMascotsGive us a buzz! Send a text, dudes!Check us out on Facebook, Twitter, Instagram, Totally Rad Christmas Mall & Arcade, Teepublic.com, or TotallyRadChristmas.com! Later, dudes!

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From '6 Rings & Football Things' (subscribe here): It was a tough game to watch, and the result didn't make things better, with the Patriots losing to the Dolphins 15-10. Andy Hart and Chris Scheim give their reactions to another bad showing from the Pats and react to Jerod Mayo's words following the loss. Then, Fitzy joins after Jacoby Brissett speaks, and they all criticize the offense for more vanilla playcalling. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

What Donald Trump is talking about in the final stretch of his campaign is dangerous and appalling. It is un-American.

Today we're sharing an interview David gave on That Hideous C. S. Lewis Podcast where he discussed some key Lewisian themes with the host, Brian Shepherd. [Show Notes]

World's Most Hideous Portrait Angers Australia's Richest woman | 5.21.24 On today's show….Niger wants to giveaway Orphans to men, update on the Boeing whistleblower “suicide”, Red Lobster closing its doors, Australia's richest woman gets owned by Aboriginal painter, hookers with HIV infecting everyone & lets go to MARS! (00:00:30) Happy Birthday Will!

This week, the gals hit I-80 to chat about their neighbors to the southwest. Topics include some mortifying mascots, a different plague of locusts, and a very dark case of escalated slashings. Skewer your favorite bloody mary fixin's, don't leave your bicycle behind, and tune in for Hideous Huskers. For a full list of show sponsors, visit https://wineandcrimepodcast.com/sponsors