Podcast appearances and mentions of anita morris'

Five time Tony-winner and new ATW Chairman William Ivey Long talks about his extensive career as one of Broadway's top costume designers, from his earliest days on stage -- living in a dressing room at the Raleigh Little Theatre in North Carolina -- to his upcoming projects "9 To 5" and "Dreamgirls". Along the way, he describes how shocked he was by the first thing he saw on stage at the Yale School of Drama; how his career developed largely thanks to the support of his drama school friends; how he came up with Anita Morris' iconic body suit for "Nine" -- and how it resulted in his never working with Tommy Tune again; whether there's a difference between designing musicals and plays; how the paintings of Gauguin influenced his designs for "Guys And Dolls"; what its like to revisit the "Chicago" costumes for a variety of different actresses; and why he chooses to wear a largely unvaried "uniform" every single day. Original air date - August 22, 2008.

Five time Tony-winner and new ATW Chairman William Ivey Long talks about his extensive career as one of Broadway's top costume designers, from his earliest days on stage -- living in a dressing room at the Raleigh Little Theatre in North Carolina -- to his upcoming projects "9 To 5" and "Dreamgirls". Along the way, he describes how shocked he was by the first thing he saw on stage at the Yale School of Drama; how his career developed largely thanks to the support of his drama school friends; how he came up with Anita Morris' iconic body suit for "Nine" -- and how it resulted in his never working with Tommy Tune again; whether there's a difference between designing musicals and plays; how the paintings of Gauguin influenced his designs for "Guys And Dolls"; what its like to revisit the "Chicago" costumes for a variety of different actresses; and why he chooses to wear a largely unvaried "uniform" every single day. Original air date - August 22, 2008.

Five time Tony-winner William Ivey Long talks about his extensive career as one of Broadway's top costume designers, from his earliest days on stage -- living in a dressing room at the Raleigh Little Theatre in North Carolina -- to his upcoming projects "9 To 5" and "Dreamgirls". Along the way, he describes how shocked he was by the first thing he saw on stage at the Yale School of Drama; how his career developed largely thanks to the support of his drama school friends; how he came up with Anita Morris' iconic body suit for "Nine" -- and how it resulted in his never working with Tommy Tune again; whether there's a difference between designing musicals and plays; how the paintings of Gauguin influenced his designs for "Guys And Dolls"; what its like to revisit the "Chicago" costumes for a variety of different actresses; and why he chooses to wear a largely unvaried "uniform" every single day. Original air date - August 22, 2008.

Five time Tony-winner William Ivey Long talks about his extensive career as one of Broadway's top costume designers, from his earliest days on stage -- living in a dressing room at the Raleigh Little Theatre in North Carolina -- to his upcoming projects 9 To 5 and Dreamgirls. Along the way, he describes how shocked he was by the first thing he saw on stage at the Yale School of Drama; how his career developed largely thanks to the support of his drama school friends; how he came up with Anita Morris' iconic body suit for Nine -- and how it resulted in his never working with Tommy Tune again; whether there's a difference between designing musicals and plays; how the paintings of Gauguin influenced his designs for Guys And Dolls; what its like to revisit the Chicago costumes for a variety of different actresses; and why he chooses to wear a largely unvaried "uniform" every single day.

Five time Tony-winner William Ivey Long talks about his extensive career as one of Broadway's top costume designers, from his earliest days on stage -- living in a dressing room at the Raleigh Little Theatre in North Carolina -- to his upcoming projects "9 To 5" and "Dreamgirls". Along the way, he describes how shocked he was by the first thing he saw on stage at the Yale School of Drama; how his career developed largely thanks to the support of his drama school friends; how he came up with Anita Morris' iconic body suit for "Nine" -- and how it resulted in his never working with Tommy Tune again; whether there's a difference between designing musicals and plays; how the paintings of Gauguin influenced his designs for "Guys And Dolls"; what its like to revisit the "Chicago" costumes for a variety of different actresses; and why he chooses to wear a largely unvaried "uniform" every single day. Original air date - August 22, 2008.