Podcast appearances and mentions of Tommy Tune

This episode of The Other Side of the Bell, featuring trumpeter, Scott Belck, is brought to you by Bob Reeves Brass. You can also watch this interview on Youtube. About Scott: Dr. Scott Belck currently serves as the Director of Jazz Studies and Professor of Music at the University of Cincinnati's College-Conservatory of Music (CCM) where he directs the CCM Jazz Orchestra and teaches applied Jazz Trumpet. He is a founding member of critically acclaimed Tromba Mundi contemporary trumpet ensemble and has toured as a member of Grammy Award winning funk legend Bootsy Collins' Funk Unity Band as lead trumpet. He has served as trumpet and cornet soloist with the Air Force Band of Flight in Dayton, Ohio where he also held the post of musical director for the Air Force Night Flight Jazz Ensemble. He is the Founding Artistic Director Emeritus of the Cincinnati Contemporary Jazz Orchestra.   His playing credits include recordings lead trumpet/guest soloist with the Cincinnati Pops featuring the Manhattan Transfer and John Pizzarelli, the Glenn Miller Orchestra, the Van Dells, and jazz soloist with the University of North Texas One O'clock Lab Band with whom he recorded four CDs as jazz soloist and section trumpet. He has performed as principal/lead trumpet with the St. Louis Symphony, Indianapolis Symphony, Cincinnati Symphony, the National Symphony Orchestra of the Dominican Republic, the Columbus Symphony Orchestra, the Dayton Philharmonic Orchestra, the Lexington Philharmonic, the Richmond Symphony Orchestra, and as section trumpet with the Duluth-Superior Symphony Orchestra and the Duluth Festival Opera. He has performed as lead trumpet for shows/concerts of Christian McBride, Jimmy Heath, Aretha Franklin, Gerald Wilson, the Detroit Jazz Festival Orchestra, Linda Ronstadt, John Lithgow, Donna Summer, Maureen McGovern, Michael Feinstein, Lalo Rodriguez, Sandy Patti, Tito Puente Jr., Tommy Tune, Manhattan Transfer, Lou Rawls, Patti Austen, The Coasters, Yes, Ben Vereen, Doc Severinsen, the Temptations, Olivia Newton-John, Neil Sedaka, the Blue Wisp Big Band, the Columbus Jazz Orchestra, the Dayton Jazz Orchestra, the Ink Spots, the Four Freshmen, The Frankie Avalon, Fabian, Bobby Riddell, Little Anthony and the Imperials, Frankie Valli, The Maritime Jazz Orchestra of Canada as well as touring Broadway shows and regional and national recording sessions. He has performed as a leader, musical director, or sideman with many top jazz players on the scene today including: Fred Hersch, Rich Perry, Adam Nussbaum, Lew Soloff, Randy Brecker, Slide Hampton, Jim McNeely, Claudio Roditi, John Riley, Rick Margitza, Bob Belden, Jimmy Heath, Bobby Watson, Tom Harrell, Tim Hagans, Regina Carter, Wes Anderson, John Hollenbeck, Steve Turre, Conrad Herwig, Gordon Brisker, Hank Marr, Marvin Stamm, Gerry Mulligan, Kenny Garrett, John Fedchock, Phil Woods, Ed Soph, John LaBarbera and Diane Schuur. He has also served as the Artistic Director of the Dayton Jazz Orchestra, the Jazz Central Big Band, and the Miami Valley Jazz Camp in Ohio. He is the author of the text “Modern Flexibilities for Brass”, published by Meredith Music and distributed by Hal Leonard. In his spare time, he is the CEO and founder of Lip Slur World Headquarters. Belck's new book “Progressive Lip Flexibilities for Brass” is quickly becoming one of the most popular sarcastic lip slur books in the lower South-Central Ohio River valley region. Scott Belck is a Powell Signature Trumpet Artist.

BONUS: Check out this exciting encore episode from Season 1: Part TWO of our interview with true show business icon and classic 8os TV Lady --  “Remington Steele's” one-and-only Laura Holt -- Stephanie Zimbalist.In a career spanning six decades, Stephanie has performed on stage and screen with everyone: Alec Baldwin, Walter Matthau, Jessica Tandy, Anthony Hopkins, John Goodman, Patricia Neal, Alfred Molina, Tommy Tune, Jimmy Stewart AND her own father, the legendary Efrem Zimbalist Jr.Steele Talking: Susan and Sharon continue their interview with the award-winning stage, TV and film actress…THE CONVERSATION- Working with her real-life dad – showbiz legend Efrem Zimbalist Jr – How he became a father figure for co-star Pierce Brosnan. (And how he taught Stephanie the secret to “playing drunk”…!)- Her decades-long friendship with Alec Baldwin.- When James Stewart was almost on Remington!- The Amazing Remington Steele Guest Stars, including…- Paul Reiser – and how Pierce broke up every time he said a line.- Louie Anderson – and that horse…- And Beverly Garland – Laura's mom! (Wait -- were Laura Holt and Amanda King sisters??)- How she was cast in – but had to quit – ROBOCOP.- Why she has never gone back to rewatch “Remington Steele.”- Why “the blood isn't real on “Remington Steele” -- and how humor on TV has changed…- How curiosity leads to love.- New York, noodles – and a “rude awakening” in the theater…Listen in as Susan, Sharon and Stephanie talk “Moonlighting”, memories and Mary Tyler Moore!AUDIO-OGRAPHYStephanie Zimbalist on Facebook/StephanieZimbalistFanPage.Steele Watching Podcast w/ Kerry Carlock. CONNECTVisit 80sTVLadies.com for transcripts.Sign up for the 80s TV Ladies mailing list.Support us and get ad-free episodes on PATREON.VOTEWe're NOMINATED for Best Film & TV Podcast. Please VOTE for 80s TV Ladies at Women in Podcasting Awards.Register or Check your Registration at Vote.orgThis is the 45th anniversary of President Carter's Crisis of Confidence speech. Get Susan's new play about it: Confidence (and the Speech) at Broadway Licensing.

It's more Summer Reruns. Check out this cool encore episode from Season 1:Susan and Sharon sit down with a true show business icon and classic 8os TV Lady --  “Remington Steele's” one-and-only Laura Holt -- Stephanie Zimbalist.In a career spanning six decades, Stephanie has performed on stage and screen with everyone: Alec Baldwin, Walter Matthau, Jessica Tandy, Anthony Hopkins, John Goodman, Patricia Neal, Alfred Molina, Tommy Tune, Jimmy Stewart AND her own father, the legendary Efrem Zimbalist Jr.THE CONVERSATION Growing up Zimbalist: what it's like to be born into a true show business dynasty.How Stephanie started writing, directing and producing – at the age of seven. How she attended Julliard with friends and classmates Robin Williams and Christopher Reeve -- and then got kicked out!Winning – or not winning – an “Enema” (oh wait -- “Emmy”)A Life in the Theater: performing award-winning roles in classic plays by Shakespeare, Chekhov, Tennessee Williams and more.The gift of making “big choices” on stage – and screen. And the pleasure of refining and reinventing a performance over a long run.Playing Katherine Hepburn in “Tea at Five” – and how she discovered they're cousins!Turning down the role of Laura Holt three times before finally taking it on.“Backwards and in High Heels” – on water skis!  Stephanie takes us through doing her own stunts on “Remington Steele” -- and working with legendary stuntwoman Debbie Evans. Join Susan and Sharon (and Stephanie) as we talk fame, fedoras – and wet-biking in France with Pierce. PLUS -- MORE listener mail!!AUDIO-OGRAPHYStephanie Zimbalist on Facebook/StephanieZimbalistFanPage.Steele Watching Podcast w/ Kerry Carlock. Native Land Digital at Native-Land.ca Read about Land Acknowledgment at LAist.CONNECTVisit 80sTVLadies.com for transcripts.Sign up for the 80s TV Ladies mailing list.Support us and get ad-free episodes on PATREON.VOTEWe're NOMINATED for Best Film & TV Podcast. Please VOTE for 80s TV Ladies at Women in Podcasting Awards.Suppport Kamala Harris for President - KamalaHarris.comRegister or Check your Registration at Vote.orgThis is the 45th anniversary of President Carter's Crisis of Confidence speech. Get Susan's new play about it: Confidence (and the Speech) at Broadway Licensing.

Today I am excited to share with you the third and final segment of my conversation with author Kevin Winkler regarding his new book, On Bette Midler: An Opinionated Guide. In this engaging book, Kevin focuses on all aspects of Bette Midler's career — on stage, recordings, film, and television. But in this conversation, again we focus primarily on her work as a theater artist. If you missed the other two episodes in this series, you may want to listen to those before jumping into this one. For more than twenty years, Kevin was a curator, archivist, and administrator at the New York Public Library, and prior to that, he was a professional dancer on Broadway. His previous books include the award-winning Big Deal: Bob Fosse and Dance in the American Musical, and Everything is Choreography: The Musical Theatre of Tommy Tune. Become a PATRON of Broadway Nation! This podcast is made possible in part by the generous support of our Patron Club Members, including long time members Mark Stanton and Andy Wigginton. For just $7.00 a month, you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast. All patrons receive special “on-air” shout-outs and acknowledgment of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

On today's episode author Kevin Winkler returns for the second part of our discussion of his fascinating new book, On Bette Midler — An Opinionated Guide. If you missed part one of this conversation, you may want to catch up with that before listening to this one. In that episode, Kevin and I touched on Bette's childhood, explored her early years in the off-off-Broadway experimental and very campy Gay theater scene, detailed her unusual rise to at least demi-stardom at the Continental Baths, her debut on Broadway in Fiddler On The Roof, and her Tony Award wining concert at the Palace Theater which set the stage for the first of what Kevin calls her Broadway musicals of her own devising: Bette Midler's Clams On The Halfshell Revue, conceived and staged by Broadway director/choreographer Joe Layton, and the shows that followed. For more than twenty years Kevin Winkler was a curator, archivist, and administrator at the New York Public Library, and prior to that, he was a professional dancer. His previous books include the award-winning Big Deal: Bob Fosse and Dance in the American Musical in 2018, and Everything is Choreography: The Musical Theatre of Tommy Tune. Kevin and I discussed that terrific book on several episodes of Broadway Nation back at the beginning of 2022. Become a PATRON of Broadway Nation! This podcast is made possible in part by the generous support of our Patron Club Members, including long time member, ANNE WELSH. For just $7.00 a month, you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast. All patrons receive special “on-air” shout-outs and acknowledgment of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

This week I am excited to welcome author Kevin Winkler back to Broadway Nation to discuss his new book, On Bette Midler: An Opinionated Guide. This engaging book is a critical analysis of every aspect of Bette Midler's career on stage, recordings, film, and television, but in this conversation, we focus primarily on her work as a theater artist. To date, Midler's long career has been bookended by her appearances in two classic Broadway musicals, Fiddler On The Roof and Hello, Dolly! In between, she invented her distinctive brand of musical theater—“musicals of her own devising,” as Kevin calls them. For more than twenty years Kevin Winkler was a curator, archivist, and administrator at the New York Public Library, and prior to that, he was a professional dancer. His previous books include the award-winning Big Deal: Bob Fosse and Dance in the American Musical in 2018, and Everything is Choreography: The Musical Theatre of Tommy Tune. Kevin and I discussed that terrific book on several episodes of Broadway Nation back at the beginning of 2022. Become a PATRON of Broadway Nation! This podcast is made possible in part by the generous support of our Patron Club Members, including long time member, ANNE WELSH. For just $7.00 a month, you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast. All patrons receive special “on-air” shout-outs and acknowledgment of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

Author, Editor, Librarian, and former performer Kevin Winkler is here to talk about his brand new book, "On Bette Midler: An Opinionated Guide." U Guys, this week's BroadwayWorld Recap has all the latest Bway news, including some very exciting new shows coming to Broadway! Then I am joined by author, editor, librarian and former performer, Kevin Winkler, to talk all about his extensive career as an author and literary historian. He shares about his love for Bette Midler, and what led him to publish his third biographical book, "On Bette Midler: An Opinionated Guide." We chat about his other works, which include biographies on Tommy Tune and Bob Fosse, as well as his work as a former performer in shows like the National Tour of CATS. Kevin is truly a Broadway expert, U don't wanna miss this episode! Order, "On Bette Midler: An Opinionated Guide," today! Follow the pod on Instagram: @ohmypoduguys Learn more about your ad choices. Visit megaphone.fm/adchoices

NINE surprised Broadway in 1982 when it opened last minute and proved to be a formidable foe to the other big hit of the season, DREAMGIRLS. It was also a musical that couldn't seem to escape drama, whether onstage at the hands of lead character Guido Contini or off. Here this week to discuss the highs and lows of this stylish and somewhat avant-garde musical is original Broadway cast member Kim Criswell (THE FIRST, BABY, THE THREEPENNY OPERA). From last minute costume shopping at a Times Square lingerie shop to wearing Tony-winning couture gowns, Kim spills the T on one of the most memorable musical seasons in Broadway history, and the unforgettable people who made it so. Learn more about Kim, including her many recordings and upcoming performances by visiting kimcriswell.net. If you enjoyed this episode, try our past episodes on Michael Bennett's A CHORUS LINE and Tommy Tune's THE WILL ROGERS FOLLIES. Remember the best way to support the show is to rate, review, and share with your friends! You can also subscribe to PATREON! for only $1 a month and receive bonus episodes, including a brand-new DIVAS episode dedicated to Tommy Tune. Don't forget to follow us on Instagram, TikTok, and X for more great content. And take a look at our TeePublic Store, the profits from which we donate to Broadway Cares/Equity Fights AIDS. More than anything, thank you for being part of this wonderful podcasting community. Learn more about your ad choices. Visit megaphone.fm/adchoices

Tommy Tune. The boy genius of Broadway. He dazzled audiences onstage in his Tony Award winning performance in Seesaw. Then he kept reinventing himself as a director with The Club, The Best Little Whorehouse in Texas, Cloud Nine, Nine, Grand Hotel, The Will Rogers Follies. Nothing could stop him except…..well, we're gonna let producer Barry Weissler tell you in this week's episode which explores the bone fracturing Busker Alley…I mean Stage Door Charley…I mean Buskers….I mean… Busker Alley? BROADWAY BOUND PLAYERS Sabrina Brush as Liz Smith James Cella as Ken Madelbaum Michael McDonald as Robert Feldberg Robbie Rozelle as Michael Riedel Andy Tighe as AJ Crothers If you like what we are doing DONATE HERE Fair use is a legal doctrine that promotes freedom of expression by permitting the unlicensed use of copyright-protected works in certain circumstances. Section 107 of the Copyright Act of 1976 provides the statutory framework for determining whether something is a fair use and identifies certain types of uses—such as criticism, comment, news reporting, teaching, scholarship, and research—as examples of activities that qualify as fair use.

Harvey Brownstone conducts an in-depth Interview with Jeff Calhoun, Acclaimed Broadway Director, Choreographer & Producer About Harvey's guests: Today's guest, Jeff Calhoun, is a highly acclaimed director, choreographer and producer who's brought us some of the most beloved and iconic Broadway shows.   As a dancer he appeared in the first national tour of “The Best Little Whorehouse in Texas”, and he made his Broadway debut in “Seven Brides for Seven Brothers”, and then replaced Tommy Tune for a limited engagement, co-starring with Twiggy in “My One and Only”.    He's directed and/or choreographed many Broadway shows including “The Will Rogers Follies”, for which his collaboration with Tommy Tune won the Tony Award for Best Choreography.  He also brought us the first Broadway revival of “Grease”, for which he earned a Drama Desk Award nomination AND a Tony Award nomination for Best Choreography, “Annie Get Your Gun”, “Big River”, for which he received the Tony Award for Excellence in Theatre, and TWO Los Angeles Drama Critics Circle Awards for Best Director and Best Choreography, “Grey Gardens”, “Bonnie and Clyde”, for which he won TWO San Diego Theatre Critics Circle Awards for Best Director of a Musical AND Outstanding New Musical, “Jekyll and Hyde”, and “Newsies”, for which he earned a Tony Award nomination for Best Direction of a Musical.    Our guest has brought groundbreaking productions to the world famous Deaf West Theatre in Los Angeles, including “Oliver”, “Big River” and “Pippin”.  And he also directed the world premiere of the first original American Sign Language musical, “Sleeping Beauty Wakes”, for which he won the 2007 Ovation Award for Best World Premiere Musical.   He also directed both the world premiere and international stage productions of “Disney's High School Musical” and “Disney's High School Musical 2”.  And he directed the national tours of 2 immensely popular shows: “Irving Berlin's White Christmas”, and “Dolly Parton's 9 to 5: The Musical”. For more interviews and podcasts go to: https://www.harveybrownstoneinterviews.com/ To see more about Jeff Calhoun, go to:https://www.instagram.com/thejeffcalhoun/https://www.playbill.com/person/jeff-calhoun-vault-0000004580 #JeffCalhoun   #harveybrownstoneinterviews

Actor, singer, and voice actor Scott Grimes may have casually stumbled into an audition as a child, but Hollywood had other plans for this true triple talent.  We learn how he was spotted by Broadway legend Tommy Tune, recruited by Bob Hope, performed with Russell Crowe, and hired by Seth MacFarlane. Plus, how did a 2-episode arc on E.R. turn into a 7-year gig? What was it like to star on "Party of Five?" And, what was life REALLY like on the set of "Band of Brothers?" See omnystudio.com/listener for privacy information.

Tripp Hanson - Okay, kids… buckle up for some solid #TruthBombs and life-altering content from my good friend, TRIPP HANSON. Tripp's life is constantly evolving from a backstory that includes tapping on the street, to traveling the world with Tommy Tune, to helping create Crazy For You, to acupuncture, and now to the Mindmasteryinstitute.com. So, join us as we talk about living life with agency and intention, and get a peek into processes that can help you “tell a better story about your life,” all backed up with actual brain science. Tripp reminds us that everything in the universe is Energy…. Including us… and our believing, and our manifesting. Well, to put it bluntly, “This shit is real.” For Tripp's free course that he mentions, click here: Peak Performance Mastery. A free mini-course with accompanying journaling prompts, and…BONUS! 3 Guided Meditations to fast track your progress. Morning, Evening and a Moving Meditation, for embodying your capital “S” self on the go! Free Course! PEAK PERFORMANCE MASTERY! For any questions for Tripp, email him at: learn@mindmasteryinstitute.com Tripp's WEBSITE: https://mindmasteryinstitute.com/ INSTAGRAM: @tripphansonofficial  |  Facebook: Tripp Hanson —----------------------- FOLLOW / SUBSCRIBE so you never miss an episode! And if you like this episode, please leave a 5 ⭐️ review! It will help make this podcast more visible, and reach more musical theatre lovers! Your positive review really does make a huge difference! Thank you for being here! Feel free to share this on your socials.  And thank you for listening! David Eggers ---> Sign up for info about the upcoming book, The Mental Game of Musical Theatre (Routledge Publishing) here: https://profeggers.com ---> Follow: @profeggers on IG and TT / Contact: david@profeggers.com ***************************************************************************************  

Concetta Tomei's richly recognizable presence has warmed screens for 40 years. Her Italian roots, the American dreams of her parents and grandparents and her midwestern upbringing, plus four years as a seventh and eighth grade teacher prepared and sustained her as she faced show biz rigors and rejections. Her acting chops were masterfully honed on the New York stage where she performed off-Broadway and on, in the New York Shakespeare Festival, in Cyrano with Kevin Kline and in The Elephant Man with David Bowie.Concetta shares her fierce heart and dynamic spirit as she regales us with story after story of her uniquely thrilling life as a character actor. She talks about her love for her co-stars: David Bowie's kindness and intensity, Brian Dennehy's thoughtful mentorship, Dick Van Dyke's fun and curiosity, and Jack Lemmon and Walter Matthau's propensity to crack each other up on the set of Out To Sea while Concetta got to dance with Donald O'Connor!Concetta goes into tender detail about her wonderful, supportive parents, who immigrated to Kenosha from Italy and who she credits with much of her success. She also pays grateful homage to her education, studying drama at what became DePaul University, and the deep lessons provided by the works of Shakespeare and her treasured opportunities to perform key roles.Her paths of learning, and preparing led her to starring roles in China Beach and Providence and opened the gates of Star Trek fandom with an appearance as Minister Odala on Star Trek: Voyager.We play a few rounds of IMDB Roulette with a spicy story from the set of Dynasty. (Lesson Learned: Do not incur the wrath of Joan Collins). Concetta is also an animal rights activist and she would love for you to look into the work of Best Friends Animal Sanctuary.In recommendations, Fritz got into the Netflix docu-series Beckham, and Weezy is living for ABC's The Golden Bachelor.Path Points of Interest:Concetta Tomei on WikipediaConcetta Tomei on IMDBConcetta Tomei on TCMBest Friends Animal SocietyConcetta Tomei on FacebookThe Golden BachelorBeckham - Netflix

Harvey Brownstone conducts an in-depth interview with David Fantle & Tom Johnson, Authors, “C'mon, Get Happy: The Making of Summer Stock” About Harvey's guest: Today's guests,  David Fantle & Tom Johnson, are co-authors who last appeared on our show to discuss their landmark book entitled, “Hollywood Heyday: 75 Candid Interviews with Golden Age Legends”.   The interviews contained in that book were conducted when our guests were mere teenagers living in Minnesota, visiting Hollywood in the hopes of meeting movie stars.  And boy, did they ever!   Since then, our guests have gone on to have distinguished careers.   David Fantle has been interviewing, writing, and speaking about Hollywood's Golden Age stars for 45 years, and he's an adjunct professor of film at Marquette University.  Tom Johnson is a former senior editor at Netflix, and he's written movie reviews and features for many publications including E! Online, Movie-phone, and People magazine. His writing has been recognized with a Minnesota Newspaper Association achievement award and a National Hearst Foundation award.   They're here today to discuss their brand new book entitled, “C'mon, Get Happy: The Making of Summer Stock”.   This well-researched and illuminating book chronicles how Judy Garland's last MGM movie, and her 3rd and final film with co-star Gene Kelly, was conceived, cast and filmed, despite the troubled atmosphere of drama and heartache, and the sometimes overwhelming obstacles and challenges surrounding the production.   The book is jam-packed with little-known and newly uncovered details about the people in front of and behind the cameras, and it examines the enduring legacy of the movie, including some fascinating insights provided by Judy Garland's daughter Lorna Luft, Gene Kelly's daughter Kerry Kelly Novick, and other celebrities including Savion Glover, Ben Vereen, Tommy Tune and Michael Finestine.    For more interviews and podcasts go to: https://www.harveybrownstoneinterviews.com/ To see more about David Fantle and Tom Johnson, go to:https://www.upress.state.ms.us/Books/C/C-mon-Get-Happy #DavidFantle  #TomJohnson #harveybrownstoneinterviews

Guest hosted by Jeff Lunden, this is the second of a three-part program paying tribute to iconic lyricist Ira Gershwin known for his collaborations with his brother George, Jerome Kern and Harold Arlen, to name a few, and his numerous Broadway shows including FUNNY FACE, GIRL CRAZY, PORGY AND BESS and OF THEE I SING. This episode features the second half of a tribute to Gershwin as star-studded guests share personal anecdotes and perform Ira's songs including Tony Bennett, Betty Comden, Adolph Green, Arthur Schwartz, Ginger Rogers, Judy Garland (via a movie clip), Tommy Tune and Twiggy.          Featured songs: “THEY ALL LAUGHED,” “LADY BE GOOD,” “WHO CARES?” “EMBRACEABLE YOU,” “BUT NOT FOR ME,” “THE MAN THAT GOT AWAY,” “LETS CALL THE WHOLE THING OFF,” and “LOVE IS HERE TO STAY.”   Originally produced and broadcast in 1983. For more information go to AnythingGoesPL.com or BPN.FM/Anything Goes. Theme music arranged by Bruce Coughlin. Associate producer Jeff Lunden. Anything Goes – Backstage with Broadway's Best – is produced and hosted by Paul Lazarus. Learn more about your ad choices. Visit megaphone.fm/adchoices

Julian Schlossberg (Producer).Theatre: Bullets Over Broadway, Relatively Speaking, Sly Fox, Mornings At Seven, My Life On A Diet, Fortune's Fool, Terms of Endearment, After the Night and the Music, Adult Entertainment, The Unexpected Man, Tommy Tune, Madame Melville, Taller Than a Dwarf, Power Plays, If Love Were All, Death Defying Acts, Vita and Virginia, etc. Film: Widow's Peak, In theSpirit, Bad Girls, No Nukes, Ten From Your Show of Shows. Television: Mike Nichols – American Masters (PBS), Nichols and May (PBS), Elia Kazan: A Director's Journey (AMC), Claire Bloom's Shakespeare's Women (Bravo), Lives of Lillian Hellman (PBS).His new memoir, Try Not To Hold It Against Me- A Producer's Life is now available on Amazon. In 1976, Steve Guttenberg was on a plane to Hollywood. His mother and father gave him $300 for a two week trip to try his hand at film acting. He was 17 years old . He had done childrens theatre, an off broadway play and studied at various schools. He landed and immediately started trying to sneak into studios. He found his way into Paramount Studios, commandeered an office in the Lucille Ball Makeup Building, strung a phone from the water stage , and started making phone calls to casting directors, agents and producers. He landed a Kentucky Fried Chicken commercial and was off to the races.  Steve flew to Portugal and didn't look back. He was cast in some of the most popular films the the industry released. Diner, Police Academy, Cocoon, Three Men and a Baby, Short Circuit to name a few. Steve starred in The Day After, Billy Liar, Veronica Mars, Ballers , the sci fi hit Lavalantula, and most recently How to Murder Your Husband with Cybill Shepherd. Steve is married , devoted to his family and divides his home between Scottsdsle AZ and Pacific Palisades California.   

Justin Elizabeth Sayre is currently in residency at Joe's Pub at the Public with their new variety show, Assorted Fruit. Sayre also appeared on HBO's The Comeback with Lisa Kudrow. They are NYCLU artist ambassador and a 2023 MacDowell Fellow. Follow on Instagram: justinelizabethsayre C'mon Get Happy: The Making of Summer Stock is now on presale and will be published by the University Press of Mississippi in mid-October. It also contains her iconic number “Get Happy” number and Gene Kelly's all-time personal favorite solo dance number. The Foreword was written by Tony Award-winning dancer and choreographer Savion Glover and authors David Fantle and Tom Johnson have received book jacket endorsements from Lorna Luft, Tommy Tune, Michael Feinstein, Rob Marshall, Susan Stroman, David Shire and Richard Maltby Jr. Preorder on Amazon: https://www.amazon.com/Cmon-Get-Happy-Making-Summer/dp/1496838394 Debbie Wileman has also become a social media singing sensation during the global pandemic, capturing worldwide attention as a modern-day Judy Garland phenomenon.  Debbie received standing ovations before sold-out audiences in Fort Lauderdale, FL, Orlando, FL, New York City's iconic Carnegie Hall, Provincetown, MA, and Los Angeles, CA. Debbie was born and raised as a working-class Londoner. As the only child of a professional rock musician father and her school teacher mother, she excelled musically and artistically as a young girl.  At 12, she started performing Judy for her nana and an ever-growing world. Following her secondary education, Debbie attended The University of Salford in Salford, Greater Manchester, England, where she completed her performing arts degree. Follow Debbie on Facebook: https://www.facebook.com/debbie.saloman

Dennis is joined via Zoom from Puerta Vallarta, Mexico by writer-director-producer Robert Schrock to talk about Naked Boys Singing, the hit musical review he conceived, directed and co-wrote that is celebrating it's 25th anniversary this year. Robert talks about how he got the original idea, what it was like to cast the show, how soon it would get the cast naked during the rehearsal process and why it was important to feature songs that dealt with serious topics like AIDS and romantic longing in addition to the light-hearted ditties. He also talks about how the show nearly got shut down in Provincetown, Minneapolis and Atlanta and actually did get shut down in Puerto Rico. He also recalls his own naked stint onstage, performing in the New York sensation The Dirtiest Show In Town.  Other topics include: the pros and cons of bachelorette party audiences, moving to Mexico after Trump got elected, the onstage beam that had to be incorporated into every show at the Celebration Theater, meeting the original Stonewall protestor Christina Hayworth, taking tap class from Tommy Tune and the Australian Prince Albert that nearly stole the whole show.       

Tierney composed the music for NARNIA, based on C.S. Lewis' The Lion, The Witch, and The Wardrobe, which has played in The City of London Festival, Off-Broadway in New York, and in more than 1000 productions throughout the US, Canada, Great Britain, and Australia. His Narnia Suite for symphony orchestra and four singers premiered at New York's Geffen Hall at Lincoln Center. He wrote music and lyrics for Jungle Queen Debutante, produced for New York's NYMF Festival and by Seattle's Village Theatre. He contributed several songs (music and lyrics) for Off-Broadway's Pets! and the music for The Dream Team (Goodspeed Opera) and Tommy Tune's one-man musical, Ichabod (Boston and New York). Another musical of Tierney's, ELEANOR - An American Love Story, has played in many US theaters, including Ford's Theatre in Washington (two Helen Hayes Awards), Chicago's Marriott Theatre in Lincolnshire, Seattle's Village Theatre (Issaquah, WA), the historic Barter Theatre in Virginia, and the Pittsburgh Public Theatre. His musical The Year of Living Dangerously, based on the novel that became the film starring Mel Gibson, Sigourney Weaver and Oscar-winner Linda Hunt, was presented in concert at Feinstein's/54 Below in NYC in 2017. Current projects include Diamond and the North Wind, based on the classic novel At The Back of The North Wind by George MacDonald, and A Girl's Guide to Moving On (with co-author Joseph Robinette), based on the novel by best-selling author Debbie Macomber.  Beyond musicals for adult humans, Tierney has also written several for young audiences which include The Tuesday Afternoon Regulars, The Fabulous Fable Factory, and its sequel, The Fantastic Return of the Fabulous Fable Factory — all with co-writer Joseph Robinette. TheatreworksUSA has commissioned and toured six of his musicals nationally, including The Lion, The Witch, and The Wardrobe (which toured nationally for 25 years). His musicals are published by Dramatic Publishing and Concord Theatricals (Rodgers & Hammerstein). Website: https://www.thomastierney.com/

My guest this week is author Deborah Phillips whose new book is titled: AND THIS IS MY FRIEND SANDY — SANDY WILSON'S THE BOY FRIEND, LONDON THEATRE AND GAY CULTURE. Sandy Wilson's The Boyfriend — for which he wrote the book, music, & lyrics — is one of the most successful British musicals of all time. It emerged in 1952 out of London's secretive but vibrant gay theatrical subculture, at a time when you could be sent to prison for being homosexual.  By the following year both The Boyfriend and Sandy Wilson were the toast of London's West End, and created nearly as much excitement as Queen Elizabeth's coronation that same year. That original West End production ran for five years. Meanwhile, a hit American version of The Boyfriend opened on Broadway in 1954 and made a star out of Julie Andrews. The show was revived on Broadway in 1970 and made a star of Sandy Duncan, and two years later an ill-conceived film version was released, starring Twiggy and Tommy Tune and directed by Ken Russell. Despite all of this, prior to this book, very little has been written about Sandy Wilson. Deborah Phillips, who is Professor of Literature and Cultural History at the University of Brighton, is the first researcher to delve into Wilson's extensive archives out of which she has created an captivating portrait of Wilson as a both a key figure in post-war British theatre and the era's gay culture. This book and interview introduced me to a number of fascinating subjects I had never encountered before including the hilarious BBC radio series, Round The Horne, that inspired the book's title; the history of London's Players Theatre; and the secret gay language, Polari. Exploring all that sent me into several amazing internet rabbit holes and I will be posting articles and video clips that I found there in the Broadway Nation FaceBook Group. This episode is made possible in part through the generous support of Broadway Nation Patron Club members Anne Welsh, Chris Moad, and Bob Braun. Become A PATRON of Broadway Nation! This episode is made possible in part through the generous support of Broadway Nation Patron Club members Anne Welsh, Chris Moad, and Bob Braun. If you are a fan ofBroadway Nation, I invite you too to become a PATRON! For a just $7.00 a month you will receive exclusive access to never-before-heard, unedited versions of many of the discussion that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. And you will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast. And all patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And If you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

Michael Misita grew up in Ohio and is a graduate of the Boston Conservatory of Music. He subsequently carved a brilliant career as a dancer, actor and choreographer.Early work commenced in the American theatre tradition of summer-stock at the Melody Top theatre in Milwaukee.  There he ‘cut his teeth' on shows that included Irma La Douce, Sweet Charity, Lady in the Dark and The Boyfriend. He landed a Broadway show on his first day in New York City; a brief run in a musical titled The Fig Leaves are Falling, alongside Dorothy Louden and David Cassidy. More successful runs allowed him to work with a host of master Directors and Choreographers, who included Bob Fosse, Michael Bennett, Tommy Tune and Hal Prince. Michael appeared in nine Broadway productions including the original Follies, and Applause, and as replacement cast in Pippin. He was cast in A Chorus Line when it began at the Public Theatre, and performed in Equus, where Richard Burton and Tony Perkins played the lead at different times. Other leading players he was able to watch up close included Lauren Bacall, Marian Seldes, Alexis Smith, Yvonne de Carlo, and Anne Miller in Mame.He has appeared in over fifty plays and musicals in regional theatres across the country, 200 television commercials, including the first Dr Pepper commercial. In Los Angeles Michael appeared in numerous television series, soaps and films; among them The Great Gatsby and Alligator.Michael now enjoys retirement in Hawaii - and it was there that I eventually got to meet him ‘in person' during a recent visit. And he didn't disappoint - charming, erudite and still passionate about the life he carved in the theatre. The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

I am so thrilled to announce the release of my interview  with composer Gary William Friedman.  On January 30, Gary will be presenting a concert version of an update of his show Platinum, entitled Platinum Dreams at 54 Below. You can find tickets for that event (a can't-miss for theater fans) here:   Platinum Dreams   And in the mean time, tune in today to hear some of the fantastic stories of his life and career, including the legendary singer who insisted on auditioning for his musical Taking My Turn, the fairytale origins of The Me Nobody Knows, the differences between Tommy Tune and Joe Layton, watching Jan Peerce fall from the orchestra pit, working with his wife Stevie Holland on Love, Linda, and many more.

For Video Edition, Please Click and Subscribe Here: https://youtu.be/zmdvvH30EIo I, however, will be celebrating National Book Blitz Month with some surprise guests to discuss books with quite a few surprises! Let's see how cheesy we all will be... CREATE! How Extraordinary People Live to Create and Create to Live by RONALD RAND Create Sharing their insights on the process of creativity and the importance of the arts for humankind CREATE! features over 100 rare Interviews — actors, artists, choreographers, composers, dancers, designers, directors, musicians, composers, mime artists, playwrights, poets musicians, and writers — including Edward Albee, Alec Baldwin, Carol Burnett, Ellen Burstyn, Martha Carpenter, Carol Channing, Brian Cox, Jacques d'Amboise, Ossie Davis, Ruby Dee, Katherine Dunham, Eve Ensler, Kelsey Grammer, Joel Grey, Al Hirschfeld, Julie Harris, Sheldon Harnick, Bill T. Jones, Everett Raymond Kinstler, Chaka Khan, Stephen Lang, Robert Lepage, Arthur Laurents, Mario van Peebles, Christopher Plummer, Harold Prince, Bill Pullman, Tony Randall, Luise Rainer, Phylicia Rashad, Chita Rivera, Roy Scheider, Tim Stevenson, Charles Strause, Tadashi Suzuki, Tommy Tune, Ben Vereen, Sir Derek Walcott, Elie Wiesel, Robert Wilson, and Eugenia Zukerman. CREATE! features over 150 iconic photographs, paintings, and illustrations including Al Hirschfeld, Everett Raymond Kinstler, Tim Stevenson, Jim Warren, Martha Carpenter, Michael Shane Neal, Thomas V. Nash, Tommy Tune, Stephen Lang, Joel Grey, Tara Sabharwal, Carolyn D Palmer, Ming Cho Lee, Jean-Claude van Itallie, Fred Hatt, Gregg Goldston, David Pena, Parish Kohanim, Andre Gregory, Lucie Arnaz, Allan Warren, Stan Barouh, Jacques d'Amboise, Jimmy Turrell, Jillian Edelstein, James McMullan, Mary Gearhart, Alvin Colt, Sir Derek Walcott and Ronald Rand

Join Al Hirschfeld Foundation Creative Director David Leopold and Archives Manager Katherine Eastman as they pursue the new book The American Theatre as seen by Hirschfeld 1962-2002. We guarantee you'll see something you've never seen before! _________________________ Comedians of 1963 (page 24) Jennifer West in Diamond Orchid (page 51) Eartha Kitt in Timbuktu (page 84) Dancin' (page 102) The Entertainer (page 113) On Your Toes (page 160) Largely New York (page 173) Colm Wilkinson and Terrance Mann (page 163) Six Leading Ladies (page 202) Chimere (page 222) Dance of Death (page 235) Tommy Tune in White Tie and Tails (page 241) The American Theatre Book Trailer _________________________ Visit our website Visit our shop Like us on Facebook Follow us on Twitter Follow us on Instagram

Susan and Sharon sit down with a true show business icon and classic 80's TV Lady -- “Remington Steele's” one-and-only Laura Holt -- Stephanie Zimbalist.In a career spanning six decades, Stephanie has performed on stage and screen with everyone from Alec Baldwin, Walter Matthau, Jessica Tandy, Anthony Hopkins, John Goodman, Patricia Neal, Alfred Molina, Tommy Tune, Jimmy Stewart AND her own father, the legendary Efrem Zimbalist Jr.The Conversation… - Growing up Zimbalist: what it's like to be born into a true show business dynasty.- How Stephanie started writing, directing and producing – at the age of seven.- How she attended Julliard with friends and classmates Robin Williams and Christopher Reeve -- and then got kicked out!- Winning – or not winning – an “Enema” (oh wait -- “Emmy”)- A Life in the Theater: performing award-winning roles in classic plays by Shakespeare, Chekhov, Tennessee Williams and more.- The gift of making “big choices” on stage – and screen. And the pleasure of refining and reinventing a performance over a long run.- Playing Katherine Hepburn in “Tea at Five” – and how she discovered they're cousins!Turning down the role of Laura Holt three times before finally taking it on.- “Backwards and in High Heels” – on water skis! Stephanie takes us through doing her own stunts on “Remington Steele” -- and working with legendary stuntwoman Debbie Evans. Join Susan and Sharon (and Stephanie) as we talk fame, fedoras – and wet-biking in France with Pierce. PLUS -- MORE listener mail!!AUDIO-OGRAPHYNative Land Digital - https://native-land.ca/LAist on Land Acknowledgment - https://laist.com/news/what-to-know-about-land-acknowledgmentStephanie Zimbalist - https://www.instagram.com/stephaniezimbalist_net/http://www.stephaniezimbalist.netSteele Watching Podcast - w/ Kerry Carlock https://podcasts.apple.com/us/podcast/steele-watching/id1509551051For more information or to download a transcript of this podcast, visit our website: https://80stvladies.com Don't miss out on everything 80s TV Ladies. Sign up for our mailing list! - http://eepurl.com/h1YPWH

For VIdeo Edition, Please Click and Subscribe Here: https://youtu.be/h9A2HhXJcag Susan L. Schulman, a longtime Broadway publicist whose five-decade career included such theater milestones as Applause starring Lauren Bacall, Death of a Salesman with George C. Scott and Bob Fosse's Dancin', passed away Wednesday, October 18, at Mt. Sinai West Hospital in New York City following a brief illness.Charles Kirsch (Backstage Babble) and I and a few friends are coming together for this virtual celebration. Charles Kirsch is the 14-year-old host of the Broadway podcast Backstage Babble, which since August 2020 has presented over 120 in-depth interviews with leading figures in the theater industry. Meg Bussert is an American actress, singer and a university professor. Kathleen Chalfant is an actress. She has appeared in many stage plays, both on Broadway and Off-Broadway, as well as making guest appearances on television series, including the Law & Order franchise. Michael Misita grew up in Ohio where he did musicals and danced with his sister around Cleveland and Lorain, his home town. He attended the Boston conservatory of Music and spent summers in summer stock at the Milwaukee Melody Top doing 16 different shows choreographed by Tommy Tune, such as Sweet Charity with Gretchen Wyler, Irma La Deuce with Chita Rivera and The Boyfriend with Jane Powell. He landed his first Broadway show, THE FIG LEAVES ARE FALLING on his first day in New York City, and eventually worked with Michael Bennett, Bob Fosse, Ron Fields Hal Prince, Steven Sondheim and a host of other well-known choreographers, directors and producers. He appeared in nine Broadway productions. Deborah Grace Winer: Writer, dramatist and concert/revue creator Deborah Grace Winer is a leading expert on the American Songbook and Musical Theatre. 

I am so happy to announce my episode with veteran performer David Jackson. David Jackson will be headlining at 54 Below on August 23rd. Tickets to see his wonderful show are available here: https://54below.com/events/david-jackson/ Meanwhile, you can tune in today to hear some of the stories of David's career, including: bearing witness to the start of the Easter Bonnet Competition, getting to perform onstage with Cyd Charisse, the two people who were supposed to headline La Cage on Broadway when it closed, the different ways that Grand Hotel can be interpreted, why Tommy Tune is a great collaborator, the reason he stopped dancing on Broadway, why his Broadway career made him a good salesman, the process of creating his upcoming show, and so much more! You won't want to miss this conversation with a true man of the theater—and you won't want to miss his show.

For Video Edition, Please Click Here and Subscribe: https://youtu.be/q40VLNI1Rns Michael grew up in Ohio where he did musicals and danced with his sister around Cleveland and Lorain, his home town. He attended the Boston conservatory of Music and spent summers in summer stock at the Milwaukee Melody Top doing 16 different shows choreographed by Tommy Tune, such as Sweet Charity with Gretchen Wyler, Irma La Deuce with Chita Rivera and The Boyfriend with Jane Powell. He landed his first Broadway show, THE FIG LEAVES ARE FALLING on his first day in New York City, and eventually worked with Michael Bennett, Bob Fosse, Ron Fields Hal Prince, Steven Sondheim and a host of other well-known choreographers, directors and producers. He appeared in nine Broadway productions including FOLLIES, PIPPIN, APPLAUSE, MAME with Ann Miller and was cast in A CHORUS LINE at Public Theater where he was to originate the role of Mike. He was in EQUUS with both Richard Burton and Anthony Perkins. He appeared in 70 plays and musicals in regional theaters and over 150 television commercials including the first musical Dr Pepper Commercial for which he won a Cleo Award as “Best Male Performer.” In Los Angeles Michael appeared in numerous television series such as KNOTS LANDING, FAMILY, LAVERNE AND SHIRLEY, and CHARLIES ANGELS, the soaps ALL MY CHILDREN and SANTA BARBARA, and films, THE GREAT GATSBY and ALLIGATOR. Hosting his own cable television show for 10 years he spoke on conscious awareness, taught seminars and is the author of several books one of which, BELIEVE IN NOTHING, has been published throughout Europe and Asia. Michael choreographed 15 big stage shows for a large chorus in Orange County, Calif. and has choreographed 10 musicals including LA CAGE AUX FOLLES, GYPSY, MARY POPPINS and THE PRODUCERS.  

Brett, take the wheel! Join Brett as he shares behind the scenes recollections of Magic Kingdom 4th of July castle show Spectaculars! Let the fireworks fly along with Disney memories that include Disney's all-star casts including Tommy Tune, Carol Channing and Rita Moreno! FEATURING: Brett Rutherford __________________________________________  Named one of the top 50 Disney Podcasts […]

Brett, take the wheel! Join Brett as he shares behind the scenes recollections of Magic Kingdom 4th of July castle show Spectaculars! Let the fireworks fly along with Disney memories that include Disney's all-star casts including Tommy Tune, Carol Channing and Rita Moreno! FEATURING: Brett Rutherford __________________________________________  Named one of the top 50 Disney Podcasts […]

The second of a three-part program featuring Tony-winning composer-lyricist, Maury Yeston who won Tony's for both his Broadway musicals NINE and TITANIC. Yeston talks about his score for the adaptation of Federico Fellini's film, “8 1/2.” He also discusses working with director Tommy Tune, French chanteuse, Liliane Montevecchi, and the “Maury Tabernacle Choir.” Recalling the Broadway production of NINE, he explains writing music for the large, predominantly female cast.   Featured songs: “A Call From The Vatican,” “Folies Bergéres,” “My Husband Makes Movies,” “The Germans At The Spa,” and “The Bells of St. Sebastian.”   Originally produced and broadcast in 1982. For more information go to AnythingGoesPL.com or BPN.FM/Anything Goes. Theme music arranged by Bruce Coughlin. Associate producer Jeff Lunden. Anything Goes – Backstage with Broadway's Best – is produced and hosted by Paul Lazarus. Learn more about your ad choices. Visit megaphone.fm/adchoices

Shows: A Chorus Line, Seesaw, Promises, Promises The one and only 4'10 bundle of dynamite, Baayork Lee, joins Kevin for a look back on her incredible career which includes appearances in The King and I, Flower Drum Song, Bravo Giovanni, Mr. President, Here's Love, Golden Boy, Promises, Promises, Seesaw, and A Chorus Line! Baayork pulls back the curtain to discuss what it was like working with Michael Bennett, how she created the role of Connie in A Chorus Line, and why she still continues carrying on the legacy today! Plus: Gene Kelly, Sammy Davis Jr, and Tommy Tune! Learn more about your ad choices. Visit megaphone.fm/adchoices

For Video Editon, Please Click and Subscribe Here: https://youtu.be/OKnJSAuc1z4   Lucie Arnaz began her long career in a recurring role on the television program “The Lucy Show.” At fifteen, she became a series regular on “Here's Lucy,” and she later starred in her own series “The Lucie Arnaz Show.” On film, Lucie has co-starred in The Jazz Singer with Neil Diamond and Sir Laurence Olivier, as well as starring in several made for television movies including Who Killed The Black Dahlia and Down to You. On the stage, Lucie created the role of Kathy in the West Coast Premiere of Vanities at the Mark Taper Forum in Los Angeles before starring as Gittel Mosca in the first national company of Seesaw alongside Tommy Tune. Lucie's Broadway credits include They're Playing Our Song, Lost in Yonkers, Dirty Rotten Scoundrels, and Pippin. Arnaz and her husband of thirty-eight years, actor/writer Laurence Luckinbill, teamed up to form ArLuck Entertainment, a film and television production company, and together produced the documentary Lucy & Desi: A Home Movie, which was honored with an Emmy. During her distinguished career, Lucie has received numerous accolades including a Golden Globe nomination, a Theatre World Award, and Chicago's famed Sarah Siddons award.  

Interview with author Kevin Winkler on his new book, Everything is Choreography: The Musical Theater of Tommy Tune.

Today, I am so happy to announce my episode with  legendary Broadway dancer and  choreographer Baayork Lee, whose credits include A Chorus Line, My One and Only, The King and I, Flower Drum Song, and more. Tune in to hear some of the stories of her life and career, including the song for her and Ronald Dennis that was cut from A Chorus Line, the Broadway directing job she turned down, the process of saving Seesaw, being a dancing amoeba in Henry, Sweet Henry, befriending stage hands at 5 years old, founding the National Asian Artists Project, meeting Tommy Tune on A Joyful Noise, how Michael Bennett met John Raitt, and so much more.   Make sure to tune in for an entertaining and informative conversation with one of Broadway's greats.

Jam Fam, this episode is incredible.  Thank you to our guest, Lainie Sakakura, for lending your knowledge, humor and memories to this episode.  We were honored to have you as our guest.  LAINIE SAKAKURA is a NYC based writer, director, choreographer, educator.Most recently directed the new musical, Corner of Bitter and Sweet adapted from New York Times Best Seller, Hotel on the Corner of Bitter and Sweet by Jamie Ford. Book by Lainie Sakakura, Music and Lyrics by Paul Fujimoto. NYC 29 hour Equity reading co-produced by the 5th Avenue Theatre, Abingdon Theatre Company. Writers, Sakakura and Fujimoto attended the 2020 Goodspeed Musicals Johnny Mercer Writers Grove following the reading. Award winning choreographer - 2015 Joe A. Callaway Award Outstanding Choreography for the Off Broadway show, Red Eye of Love in collaboration with Alex Sanchez. 2002 Joseph Jefferson Award Best Choreography for Damn Yankees, Marriott Theatre in collaboration with David H. Bell. 2003 Joseph Jefferson Nomination Best Choreography for Hot Mikado. Currently a Choreography Advisory Board Member for New York Theatre Barn.Fosse Reconstruction - worked on approximately 70 Bob Fosse numbers from 1994-1999 with Gwen Verdon and Chet Walker. The original onstage Dance Captain starting with the 1996 workshop through Broadway. Dance Reconstruction and onstage Dance Captain for Ann Reinking in the 1999 Tony Award Winning Best Musical. Other Fosse reconstruction work includes Big Spender starring Chita Rivera and Ann Reinking for Cy Coleman's Memorial, Majestic Theatre (ASCAP). Mexican Shuffle, Gwen Verdon memorial tribute at BCEFA Gypsy of the Year, Palace Theatre. Currently, Verdon Fosse Legacy instructor.Broadway - Ms Sakakura was offered original casts of 8 Broadway shows, but ultimately accepted 6 including: Fosse (dance reconstruction and onstage dance captain); Chita Rivera The Dancer's Life; Flower Drum Song (2002 revival); Tommy Tune's The Best Little Whorehouse Goes Public; The King And I (1996 Lou Diamond Phillips, Donna Murphy revival), The King And I  (2015 Ken Watanabe, Kelli O-Hare revival). Recorded on 4 Broadway cast albums including 2015 Grammy Nominated, The King And I.​Diversity and inclusion - Co-founder/Co-chair Rockettes of Color Alumnae. In 1994 Sakakura became the second AAPI RCMH Rockette hired following Setsuko Maruhashi, who was not only the first AAPI Rockette but also the first Rockette of color. Previously 7-year Co-chair of PS 87 Culture & Community Committee, producing and directing almost 30 multicultural performance events for a NYC public school of nearly a thousand students.  Educator - 32 years teaching experience. Guest teacher and/or choreographer in countless programs across the country including: New York University Tisch - New Studio on Broadway (Adjunct Professor), Carnegie Mellon, Chapman Univ, Sam Houston State, American Ballet Theatre, Jacob's Pillow, Joffrey Ballet, LINES Dance Center, Pace University (Adjunct Professor). Private program, Sakachez™Please like and subscribe wherever you stream your podcasts from!  Don't forget to leave us a commentFollow us:Instagram: jam_dance_podcastFacebook: JAM Joe and Michelle's Dance Podcast

For Video Edition, Please Click and Subscribe Here: https://youtu.be/CgRGGeGImg4 Hosted by Jason Graae, it will feature a cast of MTG performers, and a special appearance by former MTG member Teri Ralston, from the original Broadway casts of COMPANY and A LITTLE NIGHT MUSIC. Playwright and screenwriter Duane Poole has created an original revue script that will showcase material from virtually every Sondheim project, from his Broadway shows to his motion picture songs.  https://elportaltheatre.com/sondheim.html On Broadway, Eileen Barnett played Luisa Contini in Tommy Tune's Tony Award Winning Musical, NINE. She also starred in the national tour of FOOTLOOSE. Her first job in NYC was as a pit singer in COMPANY. She has appeared on many regional theatre stages across the country where she has played roles from FLORENCE FOSTER JENKINS TO Aldonza in MAN OF LA MANCHA. Jason Graae has starred on Broadway in “A Grand Night For Singing”, “Falsettos”, “Stardust”, “Snoopy!”, “Do Black Patent Leather Shoes Really Reflect Up?”. Off- Broadway shows include “Forever Plaid”, “Olympus on My Mind”, “All in the Timing”, “Hello Muddah, Hello Fadduh (Drama Desk Nomination- Best Actor in a Musical)”. Teri Ralston spent her formative years in New York. Her first show here was Jacques Brel… which was followed by the original productions of Company, A Little Night Music (Sondheim) and Baker's Wife (Stephen Swartz). Teri's association with Sondheim has continued over the years, as she has directed and/or performed in more than 12 of his works. 

Actress Lucie Arnaz is the daughter of actors Lucille Ball and Desi Arnaz. Her brother is Desi Arnaz Jr. Her first acting appearance was playing Kim Carter, the daughter of Lucy, who was played by her real-life mother. She appeared in many TV shows including “Fantasy Island,” “Murder She Wrote,” and “Law and Order.” She won an Emmy for her 1993 documentary about her parents “Lucy and Desi: A Home movie.” She won the theatre world award in her Broadway debut, the musical “They're Playing Our Song.” She appeared in other stage shows including an award-winning tour with Tommy Tune in “My One and Only.” Lucie's film credits include “The Jazz Singer” with Neil Diamond. She had her own TV series “The Lucie Arnaz Show” which lasted less than a year. Lucie and her brother produced the Amazon film “Being the Ricardos.” She thought Nicole Kidman's portrayal of her mother was amazing.  Lucie was amazingly nice when I gave her an early morning wake up call.

For Video Edition, Please Click and Subscribe Here: https://youtu.be/pYcjOdVI66I On Broadway, Sam received a Tony, Outer Critic's Circle and Drama Desk nominations for his work in Cy Coleman's THE LIFE, a Drama League Award and Drama Desk nomination for his role in Tommy Tune's GREASE, and appeared in Mel Brooks', THE PRODUCERS, as well as JESUS CHRIST SUPERSTAR, CABARET, JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT, HAIR, PIPPIN, and THE JAZZ SINGER. His autobiographical show HAM: A Musical Memoir (directed by Billy Porter) played off Broadway and in Los Angeles. Sam has toured extensively in concert and has played to sold-out audiences everywhere from Carnegie Hall to the Boston Pops. He performed with Cyndi Lauper on her TRUE COLORS tour. He and Liza Minnelli performed their duo-show SCHMOOLIE AND MINNOOLI in a limited sold-out run in New York.  He hosted his own segment on EXTRA TV show called “Six Degrees of Sam Harris.” Behind the scenes, Sam co-wrote the TBS sit-com, DOWN TO EARTH, co-produced and directed the television special LOVE LETTER TO NEW YORK, supervised and directed segments of MICHAEL JACKSON'S 30TH YEAR ANNIVERSARY at Madison Square Garden, and co-wrote LIZA'S AT THE PALACE for Liza Minnelli, which won the Tony Award. He created and directed the concert event, NEW YORK'S FINEST – BROADWAY'S LEADING MEN, and has directed numerous multi-star events featuring Broadway and recording luminaries. Sam wrote the best-selling book “HAM: Slices of a Life,” which was the basis for the hit show. His new novel, which is literary fiction this time, is titled “The Substance of All Things,” which has garnered extraordinary reviews from all prominent book publications, and is in development for a feature film.

Happy Birthday to Tommy Tune, Gemze de Lappe, Charles Durning, Bill Cratty, and Carole “Kelly” Bishop! --- Support this podcast: https://podcasters.spotify.com/pod/show/dawn-davis-loring/support

Murderville, Reacher, Boba Fett, Pam and Tommy, the Kingsman and more. This episode is packed. Hosted on Acast. See acast.com/privacy for more information.

This is the third and final part of my recent conversation with Kevin Winkler, author of the fascinating new book: “Everything Is Choreography” – The Musical Theater of Tommy Tune.  If you missed parts one and two, you may want to go back and listen to those before starting on this one. As we ended the last episode, Tommy Tune had just received two 1990 Tony Awards for his direction and choreography of Grand Hotel, and, as Kevin noted, the following year he won two more Tonys for The Will Rodgers Follies, and became the first and only person to accomplish that feat two years in a row. The Will Rodgers Follies also received Tony Awards for “Best Costume Design”, “Best Lighting Design”, and most significantly, "Best Score” and “Best Musical” – beating out Miss Saigon in the process. Today we begin with a behind-the-scenes look at the making of that incredibly entertaining -- but today somewhat forgotten, musical. Along the way Kevin shares all of the backstage drama of The Best Little Whorehouse Goes Public, the "Tommy Tune production" of Grease, the ill-fated Busker's Alley and more! Broadway Nation is written and produced by me – David Armstrong. Special thanks to Pauls Macs for his help with editing this episode, KVSH 101.9, the Voice of Vashon Island, WA, and the entire team at the Broadway Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

This is the second part of my conversation with Kevin Winkler, author of the fascinating new book: Everything Is Choreography – The Musical Theater of Tommy Tune.  If you missed part one, you may want to go back and listen to that before embarking on this one. Today Kevin relates the saga of the all of the incredible behind-the-scenes drama that transpired during the rehearsals and out of town tryout of My One and Only – the “new” Gershwin musical that stared Tommy Tune and Twiggy. He also shares the story of how Tune transformed a 1950s musical flop into the one of the most acclaimed musicals of what I call “The Modern Era of Broadway”. That show, of course, was Grand Hotel.  Broadway Nation is written and produced by David Armstrong Special thanks to Pauls Macs for his assistance with editing, as well as KVSH 101.9 the Voice Of Vashon, and the entire team at the Broadway Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode is made possible in part by the generous support of Broadway Nation “Backstage Pass Club” Producer Level Members: Steven & Paula Reynolds.  Today my guest is Kevin Winkler, author of the new book: Everything Is Choreography – The Musical Theater of Tommy Tune.  Kevin's much acclaimed and award winning first book, Big Deal: Bob Fosse and Dance in the American Musical, was released in 2018. And you may have seen Kevin as an on-screen commentator in the acclaimed documentary, Merely Marvelous: The Dancing Genius of Gwen Verdon. I was fascinated to read Kevin's terrific new book – especially since I arrived in New York just as Tommy Tune's career as a choreographer and director was kicking off, As a result I had the tremendous privilege of seeing first hand every one of Tommy Tune's Broadway and off-Broadway productions that Kevin covers in the book. I began our recent conversation by asking Kevin about his two previous careers – as a dancer and a librarian – that have made him uniquely and unusually qualified to write books about Broadway's great, groundbreaking director/choreographers. Broadway Nation is written and produced by me – David Armstrong. Special thanks to Pauls Macs for his help with editing this episode, KVSH 101.9, the voice of beautiful Vashon Island, WA, and the entire team at the Broadway Podcast Network.   Learn more about your ad choices. Visit megaphone.fm/adchoices

We are excited to bring you our next episode featuring Adam Cates!Adam Cates has built a career as a theatre artist working as a choreographer, director, performer, educator and writer. He created choreography for a new production of Puccini's La Boheme at The Santa Fe Opera and provided choreography for the American premiere of the Olivier-winning play Jeeves Wooster in Perfect Nonsense at Hartford Stage for UK director Sean Foley. He collaborated with Larry Grossman, Andrew Lippa, director Kaitlin Hopkins, and Peanuts Worldwide to create The World According to Snoopy as both the choreographer and co-book writer.In New York, Adam's work has been performed at Lincoln Center, The Juilliard Opera, and the New York Musical Festival off-Broadway. Adam is on the faculty of Pace University and wrote the guidebook for young professionals: The Business of Show. Adam has choreographed musicals and opera for Arkansas Rep, Music Theatre Wichita, Gulfshore Playhouse, Theatre Under the Stars, Theatre Aspen, Anchorage Opera, Memphis Playhouse on the Square, Pacific Conservatory Theatre, Bard Music Festival, New London Barn Playhouse, and commercial work in Reno/Lake Tahoe, Atlantic City, Las Vegas, Orlando, Walt Disney World, and Barcelona. He choreographed and appeared on the TV series Chicas de Viaje in Argentina, and associate choreographed episodes of 90210 (CW Network) and Live from Lincoln Center (PBS). On Broadway, Adam was the associate choreographer of the musical Anastasia by Lynn Ahrens, Stephen Flaherty and Terrence McNally. He also associate- choreographed the Tony-winning “Best Musical” A Gentleman's Guide to Love Murder (also the First and Second national tours), and was an assistant to Kathleen Marshall on the Tony-winning revival of Anything Goes starring Sutton Foster and Joel Grey. He assisted and was the dance captain for Tommy Tune's Doctor Dolittle national tour.Our conversation with Adam was inspiring, authentic and informative.  We hope you enjoy this weeks episode!Follow us on Facebook: JAM Joe and Michelle's Dance PodcastFollow us on Instagram: @jam_dance_ podcastFollow Adam Cates on Instagram: @adamcnyc

SHOWS: A Day in Hollywood/A Night in the Ukraine, Titanic, and Wicked One of Broadway's most reliable character men, David Garrison, joins Rob and Kevin to look back on his time in such shows as A History of the American Film, A Day in Hollywood/A Night in the Ukraine, The Pirates of Penzance, Torch Song Trilogy, Titanic, Wicked, The Visit, and of course, Fox's Married: With Children where he played the square neighbor Steve Rhodes. David pulls back the curtain on his career to discuss how he got to Broadway without an audition, what it was like facing the angry ticket buyers of Torch Song Trilogy, and why he left one of the television's most successful sitcoms to return to the boards. Also, David shines the spotlight on Tommy Tune, Maury Yeston, and Susan Stroman! Become a sponsor of Behind The Curtain and get early access to interviews, private playlists, and advanced knowledge of future guests so you can ask the legends your own questions. Go to: http://bit.ly/2i7nWC4 Learn more about your ad choices. Visit megaphone.fm/adchoices

From the Zoom of It All to the questionable award winners, Marshal and Mary Margaret are chatting all about THE GOLDEN GLOBES (#Globies). What's the deal with the HFPA? Why are the Globes cutting off Chloé Zhao's best picture speech? And what exactly does Jodie Foster have to do with Former President Ronald Reagan!? All the answers to these questions and more will be revealed on the latest UM SURE pod! Like what you hear? Make sure you subscribe and rate UM, SURE? The Podcast! Read more on www.umsure.com and follow @umsureblog on Instagram and Twitter. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

On this week's show, Jamie and Rob talk through Jamie's personal top ten list of showstopping production numbers, celebrating some of the greatest moments in Broadway musical theatre history. They take a look at the extraordinary work of choreographers like Bob Fosse, Michael Bennett, Tommy Tune, Onna White, Jerome Robbins, Gower Champion, and Agnes DeMille, and dig into some of the more unheralded contributions from composer/lyricists, orchestrators, dance arrangers, and designers that combined with top-notch performers to make the best showstoppers. What's number one? Tune in to find out. This week's music: “Glory” from “Pippin”, “Overture”, and “Mame” from “Mame”. “42nd Street” from “42nd Street (Original Recording)”, “Wedding Dance” from “Fiddler on the Roof (New Broadway Cast Recording)”. “Steam Heat” from “The Pajama Game”, “Dance at the Gym: Bass, and Jump” from “Bernstein: West Side Story”, “Ballet” from “Oklahoma! (1998 Royal National Theatre Cast Recording)”, “Turkey Lurkey Time” from “Promise, Promises”. “The Rich Man's Frug” from “Sweet Charity (Original Cast Recording)”, “H-A-P-P-Y / We'll Take A Glass” from “Grand Hotel” and “The Music and the Mirror” from “A Chorus Line”. Find us on Twitter & Instagram: @fabulousinvalid Facebook: www.facebook.com/fabulousinvalid Rob's reviews: www.stageleft.nyc Email us at: office@fabulousinvalid.com  Jamie DuMont Twitter: @jamiedumont  Instagram: @troutinnyc Rob Russo Twitter/Instagram: @StageLeft_NYC Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's show, Jamie and Rob are joined at Orso Restaurant by “one singular sensation”: Priscilla Lopez! Currently starring in “Grand Horizons” on Broadway, Priscilla talks about her storied career, from her Broadway debut that wasn't—the two performance flop “Breakfast at Tiffany's”—to replacement gigs in “Company” and “Pippin”, and her landmark creation of Diana Morales in “A Chorus Line”. She talks candidly about working with Michael Bennett, Bob Fosse, and Tommy Tune, and reflects back on a long and fabulous career in the theatre through 50 years and 15 Broadway shows. Afterward, Rob gives a closer look at “A Day In Hollywood / A Night in the Ukraine”, the 1980 musical for which Priscilla won a Tony Award. This week's music: “Nothing”, “What I Did For Love” from “A Chorus Line” and “Tick Tock” from “Company”. Find us on Twitter & Instagram: @fabulousinvalid Facebook: www.facebook.com/fabulousinvalid Rob's reviews: www.stageleft.nyc Email us at: info@fabulousinvalid.com   Jamie Du Mont Twitter: @jamiedumont  Instagram: @troutinnyc  Rob Russo Twitter/Instagram: @StageLeft_NYC  Jennifer Simard Twitter: @SimardJennifer  Instagram: @thejennifersimard Learn more about your ad choices. Visit megaphone.fm/adchoices

In part two of The Untold Stories of The St. James, Rebecca Naomi Jones and Jennifer Ashley Tepper chat about Rebecca's best American Idiot stories, other legendary St. James shows from The King and I to The Producers to The Pajama Game to Hello, Dolly!... and the St. James' neighbors! What are the untold histories of Sardi's and Angus and John's Pizzeria? Plus, why is the St. James stage door unlike any other? What was it like to perform in American Idiot with Billie Joe Armstrong? Learn about "the Tommy Tune seat", the famed left orchestra stairs, and what famous Broadway stars were once ushers at the St. James. To view the slideshow of the St. James over the years, visit our YouTube page here: https://youtu.be/ocYmuPvwOUw Produced by Alan Seales and Dori Berinstein. A proud member of the Broadway Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices