Podcasts about Costume designer

Costume designer Ann Maskrey has watched The Grand Budapest Hotel five times and rewatched it the week before recording—and she's still finding things to admire. Ann, whose credits include The Duchess, the Hobbit trilogy, and the new The Magic Faraway Tree, chose Wes Anderson's 2014 film as one of her all-time favorites: a story of a legendary concierge (Ralph Fiennes) and his lobby boy (Tony Revolori) set against a fictional interwar Europe running out of time and elegance.Ann, Andy, and Pete dig into Milena Canonero's costume design and what it means to read another designer's work from a maker's perspective—someone who started as a cutter and dresser before she was ever a designer. They get into the color decisions, the departmental shorthand that makes Anderson's worlds feel airtight, and how the same principles show up in Ann's own work on The Magic Faraway Tree. Andy Nelson and Pete Wright discuss the film with Ann Maskrey on Movies We Like, a TruStory FM podcast.

This week,⁠ Hillary Kerr⁠ sits down with⁠ Rudy Mance⁠, the costume designer for FX's Love Story: John F. Kennedy Jr. & Carolyn Bessette. Mance's résumé includes shows such as Pose and American Horror Story, but today, he's diving into how he accomplished the high-pressure task of replicating and reimagining CBK's iconic wardrobe. On this episode, they discuss it all, from re-creating her timeless wedding dress using an original fabric swatch to sourcing vintage pieces from Japan and Philadelphia to perfect a look.  Watch this episode on our new⁠ YouTube channel⁠⁠⁠⁠⁠, and be sure to subscribe!

This week, Hillary Kerr sits down with Rudy Mance, the costume designer for FX's Love Story: John F. Kennedy Jr. & Carolyn Bessette. Mance's résumé includes shows such as Pose and American Horror Story, but today, he's diving into how he accomplished the high-pressure task of replicating and reimagining CBK's iconic wardrobe. On this episode, they discuss it all, from re-creating her timeless wedding dress using an original fabric swatch to sourcing vintage pieces from Japan and Philadelphia to perfect a look.  Watch this episode on our new YouTube channel⁠⁠⁠⁠, and be sure to subscribe!

In this episode of The Costume House with Spencer Williams, we journey to New Vegas and the post-apocalyptic world of Fallout for a conversation with costume designer Dayna Pink and key background costumer Christopher Lawrence.Together, they explore the incredible worldbuilding that makes Fallout feel so richly lived in, diving into the collaborative process of designing the series' vast population of background characters. From Caesar's Legion and the NCR to the many survivors of the New Vegas wasteland, merchants, raiders, and every unforgettable face in between, Dayna and Christopher discuss how each costume was crafted to tell its own story, creating a world where every character feels like the hero of their own adventure.

In this episode of The Costume House with Spencer Williams, we journey to New Vegas and the post-apocalyptic world of Fallout for a conversation with costume designer Dayna Pink and key background costumer Christopher Lawrence.Together, they explore the incredible worldbuilding that makes Fallout feel so richly lived in, diving into the collaborative process of designing the series' vast population of background characters. From Caesar's Legion and the NCR to the many survivors of the New Vegas wasteland, merchants, raiders, and every unforgettable face in between, Dayna and Christopher discuss how each costume was crafted to tell its own story, creating a world where every character feels like the hero of their own adventure.

Send us Fan MailTara and EmKay continue their journey into the bulk of season 7: breaking down each scene of "Wicked: For Good"! In this episode they break down "Thank Goodness" with Chad Colacurcio, share favorite moments, and more!Show notes:"Galinda" by Gregory Maguire@JoliCreates Instagram@JoliCreates Tik Tok@chadcolacurcio‘Wicked' Costume Designer on Abandoning Glinda's Signature Pink Wardrobe for Her New Bubble Dress and Wedding GownInstagram: @downtheyellowbrickpod#DownTheYBPTara: @taratagticklesEmKay: www.emilykayshrader.netPatreon: https://www.patreon.com/downtheyellowbrickpodEtsy: https://www.etsy.com/market/down_the_yellow_brick_podMusic by: Shane ChapmanEdited by: Emily Kay ShraderDown the Yellow Brick Pod: A Wizard of Oz Podcast preserving the history and legacy of Oz

Costume designer Olga Mill joins the Filmmaker Mixer Podcast to discuss designing the wardrobe that helped shape the acclaimed Netflix series Beef. Learn how costume design influences character, emotion, and visual storytelling.Whether you're a filmmaker, film student, or costume designer, this conversation is packed with practical insights into collaboration, character development, and building authentic worlds through wardrobe.

In this episode of The Costume House with Spencer Williams, we're to the wonderfully ridiculous world of Scary Movie with costume designer Ariyela Wald-Cohain, who joins Spencer to discuss the long-awaited sixth installment of the iconic horror-comedy franchise.Together, they dive into the return of fan favorites Cindy and Brenda, exploring how their new survivor-inspired costumes reflect everything they've endured over the years. They also discuss reimagining the instantly recognizable Ghostface costume, dressing Teyana Taylor for the film's unforgettable cold open, and bringing to life one of the movie's biggest costume spectacles: a subway packed with your favorite horror icons.

In this episode of The Costume House with Spencer Williams, we're to the wonderfully ridiculous world of Scary Movie with costume designer Ariyela Wald-Cohain, who joins Spencer to discuss the long-awaited sixth installment of the iconic horror-comedy franchise.Together, they dive into the return of fan favorites Cindy and Brenda, exploring how their new survivor-inspired costumes reflect everything they've endured over the years. They also discuss reimagining the instantly recognizable Ghostface costume, dressing Teyana Taylor for the film's unforgettable cold open, and bringing to life one of the movie's biggest costume spectacles: a subway packed with your favorite horror icons.

Episode 793 of On Screen & Beyond has three time Emmy nominee Costume Designer Debra McGuire as our guest. Debra has dressed the stars of "Anchorman: The Legend of Ron Burgundy", "Superbad", "Friends", "The Morning Show" and so much more! She talks about some of her work, working with Jennifer Aniston and her book "Dressing The Story: The Art of Costume Design".

Today we welcome Costume Designer Trayce Gigi Field who joins us to talk about their work on Spider-Noir. Trayce will talk us through the creative decisions made to create the look and tone of the costumes.Spider-Noir Trailer: https://www.youtube.com/watch?v=e5QW457407UProduced by Daniel Miller and Monika DittonArtwork Designed by Piotr Motyka

This week, Who What Wear Editor in Chief Kat Collings sits down with Sara Byblow, the costume designer of the new Legally Blonde prequel Elle. They discuss keeping the legacy of Elle Woods's iconic style alive, sourcing more than 70 looks for young Elle's wardrobe, and the meaning behind different shades of pink in the show. Plus, Byblow shares which wardrobe staples carried over from Legally Blonde.  Watch this episode on our new ⁠YouTube channel⁠⁠⁠, and be sure to subscribe!

This week, Who What Wear Editor in Chief Kat Collings sits down with Sara Byblow, the costume designer of the new Legally Blonde prequel Elle. They discuss keeping the legacy of Elle Woods's iconic style alive, sourcing more than 70 looks for young Elle's wardrobe, and the meaning behind different shades of pink in the show. Plus, Byblow shares which wardrobe staples carried over from Legally Blonde.  Watch this episode on our new ⁠YouTube channel⁠⁠⁠, and be sure to subscribe!

Why are women's bodies impacted by heat differently to men's? What can women do to cool down? Nuala McGovern is joined by GP Dr Amir Khan, Alyx Gorman, lifestyle editor of Guardian Australia, who shares how women are coping with increasingly extreme temperatures, and the practical strategies they're using to keep safe and comfortable.A new study has found that the majority of IVF add-ons assessed either show no effect on fertility or remain inconclusive due to limited or low-quality data. Nuala speaks to author of the study Dr Sarah Lensen from the University of Melbourne, broadcaster Hannah Vaughan Jones who went through 15 rounds of IVF and Professor Tim Child from the UK IVF regulator, the Human Fertilisation and Embryology Authority (HFEA). Sandy Powell has won three Oscars and is the most BAFTA nominated costume designer of all time for her work on iconic films including Shakespeare in Love, Gangs of New York, Mary Poppins Returns and The Favourite. Now she is turning her attention to the next generation of designers with a new master's degree course which she has helped create at the National Film and Television School. She tells Nuala about this new course, and what the role of a costume designer involves.Rukky Brume grew up in Lagos, Nigeria. Her debut novel, It Comes in Waves, follows Onome, a law student in London whose father dies suddenly in Nigeria. Returning home for his funeral, she learns a secret that reveals there was far more to him than she knew. In 2021, her writing was longlisted for the Women's Prize Trust's Discoveries programme. She joins Nuala to discuss grief, loss and belonging and combining writing alongside a legal career.Presenter: Nuala McGovern Producer: Dianne McGregor

In this episode of The Costume House with Spencer Williams, we journey back to the Continent for a conversation about the fourth season of The Witcher. Spencer is joined by costume designer Lucinda Wright to discuss the next chapter of the beloved fantasy series, including the arrival of Liam Hemsworth as Geralt of Rivia. Together, they explore how Geralt's iconic look evolved to reflect a new interpretation while remaining true to the character fans know and love. They also dive into Ciri's journey with The Rats, the ever-evolving costumes of Yennefer, and the ways her life of magic and sorcery influenced the visual language of her costumes. Throughout the conversation, Lucinda shares how fabrics, textures, and textiles serve as essential storytelling tools, helping define the cultures, histories, and characters that inhabit the world of The Witcher.

In this episode of The Costume House with Spencer Williams, we journey back to the Continent for a conversation about the fourth season of The Witcher. Spencer is joined by costume designer Lucinda Wright to discuss the next chapter of the beloved fantasy series, including the arrival of Liam Hemsworth as Geralt of Rivia. Together, they explore how Geralt's iconic look evolved to reflect a new interpretation while remaining true to the character fans know and love. They also dive into Ciri's journey with The Rats, the ever-evolving costumes of Yennefer, and the ways her life of magic and sorcery influenced the visual language of her costumes. Throughout the conversation, Lucinda shares how fabrics, textures, and textiles serve as essential storytelling tools, helping define the cultures, histories, and characters that inhabit the world of The Witcher.

Dearest gentle reader, this week on The Costume House with Spencer Williams, we return to the ton for a conversation about the dazzling fourth season of Bridgerton.Spencer is joined by costume designer John Glaser to discuss the season's newest romantic pairing, Benedict Bridgerton and Sophie Baek, and the costumes that bring their story to life. Together, they explore the visual evolution of the series, the breathtaking scale of the season's grand Bridgerton Ball, and the countless costumes required to transform every dance, promenade, and scandal into must-see television.Along the way, they discuss a moment years in the making: the first appearance of a color once thought unthinkable in the world of Bridgerton... black. Plus, the dramatic return of Cressida Cowper proves that some entrances are simply too good to stay gone.

Dearest gentle reader, this week on The Costume House with Spencer Williams, we return to the ton for a conversation about the dazzling fourth season of Bridgerton.Spencer is joined by costume designer John Glaser to discuss the season's newest romantic pairing, Benedict Bridgerton and Sophie Baek, and the costumes that bring their story to life. Together, they explore the visual evolution of the series, the breathtaking scale of the season's grand Bridgerton Ball, and the countless costumes required to transform every dance, promenade, and scandal into must-see television.Along the way, they discuss a moment years in the making: the first appearance of a color once thought unthinkable in the world of Bridgerton... black. Plus, the dramatic return of Cressida Cowper proves that some entrances are simply too good to stay gone.

In this episode of The Costume House with Spencer Williams, we step into the black-and-white world of Spider-Noir, where smoky nightclubs, masked vigilantes, and sinister secrets collide in a stylish reimagining of New York City.Spencer is joined by costume designer Trayce Gigi Field to explore the striking visual world of the series and the unique challenge of designing costumes intended to be filmed for both black-and-white and color. Together, they discuss drawing inspiration from the golden age of film noir, channeling the iconic style of legends like Humphrey Bogart and Marlene Dietrich, collaborating with Nicolas Cage, and creating the unforgettable gowns worn by Kat Hardy.From private investigators and femme fatales to a rogues' gallery of sinister villains, this conversation uncovers the textures, silhouettes, and cinematic influences that bring Spider-Noir to life. Stylish, mysterious, and cloaked in shadow, this conversation explores a world where every costume leaves a clue, and nobody is quite what they seem.

In this episode of The Costume House with Spencer Williams, we step into the black-and-white world of Spider-Noir, where smoky nightclubs, masked vigilantes, and sinister secrets collide in a stylish reimagining of New York City.Spencer is joined by costume designer Trayce Gigi Field to explore the striking visual world of the series and the unique challenge of designing costumes intended to be filmed for both black-and-white and color. Together, they discuss drawing inspiration from the golden age of film noir, channeling the iconic style of legends like Humphrey Bogart and Marlene Dietrich, collaborating with Nicolas Cage, and creating the unforgettable gowns worn by Kat Hardy.From private investigators and femme fatales to a rogues' gallery of sinister villains, this conversation uncovers the textures, silhouettes, and cinematic influences that bring Spider-Noir to life. Stylish, mysterious, and cloaked in shadow, this conversation explores a world where every costume leaves a clue, and nobody is quite what they seem.

In this episode of The Costume House with Spencer Williams, we return to the halls of Nevermore Academy for a conversation with one of the most celebrated costume designers working today, Colleen Atwood.Fresh off the second season of Wednesday, Colleen joins Spencer to discuss the continued evolution of Wednesday Addams as she spends considerably more time investigating crime scenes than attending class. Together, they explore Morticia's elevated new costumes as Nevermore's gala chair, the arrival of the unforgettable Hester Frump, a ghostly appearance from Lady Gaga, and a few surprising nods that may stir memories of The Silence of the Lambs.From gothic glamour and family legacies to mystery, mayhem, and one gala episode that nearly sent Spencer into cardiac arrest, this conversation dives into the deliciously macabre details behind one of television's most visually distinctive worlds.

In this episode of The Costume House with Spencer Williams, we return to the halls of Nevermore Academy for a conversation with one of the most celebrated costume designers working today, Colleen Atwood.Fresh off the second season of Wednesday, Colleen joins Spencer to discuss the continued evolution of Wednesday Addams as she spends considerably more time investigating crime scenes than attending class. Together, they explore Morticia's elevated new costumes as Nevermore's gala chair, the arrival of the unforgettable Hester Frump, a ghostly appearance from Lady Gaga, and a few surprising nods that may stir memories of The Silence of the Lambs.From gothic glamour and family legacies to mystery, mayhem, and one gala episode that nearly sent Spencer into cardiac arrest, this conversation dives into the deliciously macabre details behind one of television's most visually distinctive worlds.

In this episode of The Costume House with Spencer Williams (The Art of Costume Podcast bonus episode), we head to the City of Angels for a conversation about one of television's most authentic love letters to Los Angeles: I Love LA. Spencer is joined by returning friend of the podcast and costume designer Christina Flannery. Together, they explore how Christina brought a distinctly Los Angeles authenticity to the screen, from Y2K-inspired fashion and vintage treasures to the subtle details that make the city feel instantly recognizable. Along the way, they discuss collaborating with Rachel Sennott, hunting for the perfect pieces at some of Christina's favorite vintage spots, navigating the uniquely chaotic culture of Trader Joe's parking lots, dressing an alien pop star, and crafting the memorable New York City finale.

In this episode of The Costume House with Spencer Williams (The Art of Costume Podcast bonus episode), we head to the City of Angels for a conversation about one of television's most authentic love letters to Los Angeles: I Love LA. Spencer is joined by returning friend of the podcast and costume designer Christina Flannery. Together, they explore how Christina brought a distinctly Los Angeles authenticity to the screen, from Y2K-inspired fashion and vintage treasures to the subtle details that make the city feel instantly recognizable. Along the way, they discuss collaborating with Rachel Sennott, hunting for the perfect pieces at some of Christina's favorite vintage spots, navigating the uniquely chaotic culture of Trader Joe's parking lots, dressing an alien pop star, and crafting the memorable New York City finale.

This episode is sponsored by smartwater®Ruth E. Carter is a trailblazing costume designer known for her work on Malcolm X, the Black Panther films, Sinners, and so many more iconic works. She has been awarded Academy Awards, a BAFTA, a Critics Choice Award, the Costume Designers Guild Award, and a star on the Hollywood Walk of Fame. But before that, she was exploring Black literature and history in Black Studies-focused enrichment programs in her home state of Massachusetts. When she was a young adult, she was deconstructing clothing and taking notes from grunge scenes, citing Lisa Bonet and Madonna as early beauty and style inspiration. In our conversation, Ruth walks us through her life and career, explaining how the girl who dressed like a grunge artist would introduce Afrofuturism to the world. During our chat, Ruth tells us about how she has always drawn on her interest in literary, dramatic, and visual arts to design on film sets. She shared the initial culture shock she experienced at her HBCU, Hampton, and how the theater department helped her blend her artistic sensibilities with the coiffed presentation of her classmates. Ruth detailed how she drew on these experiences in her first position in School Daze, and how her dedication led to the first of many creative collaborations with directors like Spike Lee, which would shape her career. Our conversation ranges from the specific way she employs the lessons her psychologist mother taught her, like gaining and keeping people's trust, to spending time with Tina Turner. We discussed so much of her portfolio, and what compelled her to begin archiving her designs, which now make up the traveling exhibition “Ruth E. Carter: Afrofuturism in Costume Design.” Ruth is open about her painstakingly detailed commitment to historical accuracy and how her early exposure to ideas about the future being a site of freedom and exploration shaped the visual identity for Black Panther. Tune in as we discuss:03:35 The Sinners Award Season08:56 Exploring Malcolm X's Time in a Massachusetts Correctional Facility12:50 The Loss of Personal Celebrity Style13:35 How The HBCU Experience Blew Her Mind15:15 Her Experience On School Daze And Working With Spike Lee23:55 Her Love Of Thrifting31:08 Deep Dive Into Her Experience On Sinners Set37:20 Deep Dive Into Her Experience On What's Love Got To Do With It Set40:20 Met Gala Experiences And Thoughts43:50 Deep Dive Into Her Experience On B.A.P.S Set47:44 Early Introduction To Afrofuturism52:02 Her Favorite African Designers52:50 Ruth's Personal Style54:30 The Power of Tailoring1:01:01 Maintaining a Calm Demeanor1:05:08 When Ruth Feels The Most BeautifulRate, Subscribe & Review the Podcast on AppleJoin the Naked Beauty Community on IG: @nakedbeautyplanetThanks for all the love and support. Tag me while you're listening @nakedbeautyplanet & as always love to hear your thoughts :)Check out nakedbeautypodcast.com for all previous episodes & search episodes by topicShop My Favorite Products & Pod Discounts on my ShopMyShelfStay in touch with me: @brookedevardFollow Ruth @therealruthcarter Hosted on Acast. See acast.com/privacy for more information.

This week's episode features the iconic costume designer and artist Debra McGuire! We chat about her book that just came out last week called Dressing the Story: The Art of Costume Design and tales from her initials beginnings in the world and stories from incredible career thus far. Make sure you order the book from the links below!  --- If you want to support me and this podcast, please subscribe to the Patreon - we have tiers starting at just $3 and you will get access to extended cuts of every episode with more even more stories. I have the Patreon on hold for the time being while I design my current project through September 2026, but if you subscribe now, you'll still have access to all the previous extended episodes!  --- Costume Designer Debra McGuire Credits include: Friends, Freaks and Geeks, The Morning Show, Anchorman, The 40-Year-Old Virgin, Knocked Up, Superbad, Walk Hard --- Debra McGuire is an award-winning fine artist, fashion designer, and costume designer whose work spans film, television, and theatre. She is best known for her ten seasons designing Friends and for her long-standing collaborations with David Mamet, including the Emmy-nominated film Phil Spector, which earned her a nomination for Best Costume Design.   Debra has designed for many of Judd Apatow and Jake Kasdan's projects and currently designs for Jennifer Aniston on The Morning Show (Seasons 2–5). Recent work includes the international feature film Mayday, starring Kenneth Branagh and Ryan Reynolds and premiering in May 2026, and Super Troopers 3, due for release on August 7, 2026.   Her theatre career began in Paris in the early 1980s, leading to an Ovation Award nomination for Boston Marriage and an NAACP Award for Atlanta at the Geffen Playhouse. She later designed the period musical I Only Have Eyes for You, which received multiple Ovation Award nominations.   A fine artist at heart, Debra began as a painter in the Bay Area before expanding into jewelry, accessories, fashion, couture (including a decade running her boutique in Pacific Palisades), and ultimately costume design. She has spoken and presented at galleries, art institutions, and festivals around the world—offering Master Classes at the Visegrad Film Festival in Bratislava and, most recently, at the Tallinn Black Nights Film Festival in Estonia, where she also served as a juror and presented the Best Actor and Best Production Designer Awards. Throughout her career, Debra has been driven by imagination, collaboration, and deep respect for the creative process. She credits her loyal and dedicated crews as essential partners in bringing each visual world to life.   Her book "Dressing The Story: The Art of Costume Design" with producer Jim Stark was released in May 2026.   Debra McGuire Links: Website: debramcguire.com Costume Design Instagram: @bydebramcguire Art Instagram: @debramcguireart Jewelry Instagram: @debrafineyohai IMDb: Debra MaGuire Order Debra's book Dressing the Story! Order Dressing the Story at B&N --- TFACD Links: Patreon: Tales From A Costume Designer Instagram: @talesfromacostumedesigner Twitter: @talesfromaCD TikTok: @talesfromaCD --- Whitney Anne Adams Links: Website: whitneyadams.com IMDb: Whitney Anne Adams Instagram: @WAACostumeDesign Twitter: @WhitneyAAdams TikTok: @waacostumedesign --- Union Links: Costume Designers Guild IG: @cdglocal892 United Scenic Artists Local 829 IG: @unitedscenicartists IATSE IG: @iatse ---

Send us Fan MailOn this episode I talk horror with my friend Taylor Mansur. She is killer special effects artist and costume designer. She has worked on Hocus Pocus 2, The Walking Dead: Dead City and Lucifer. She also runs Taylor Made costume design.https://www.taylormadecostumedesign.comhttps://www.instagram.com/taylormade_everythingOutro: Magick Knives-Flesh and Blood Synth Outro by Abraxas HornMy email and social links:Brandonlegion666@yahoo.comTwitter: Horrorwolf666Instagram: Brandonlegion666 Facebook: Horrorwolf666Website: www.horrorwolf666.com(Merchandise)https://www.teepublic.com/user/the-horrorwolf666-podcast

Today's episode features NYC Costume Shopper, Costume Designer, and author Sara Hinkley! We get deep into the details of what it's like working as an Costume Shopper in New York City, her previous work as a Costume Department Coordinator and her upcoming novel The Red Sacrament which you should all pre-order at the link below! --- If you want to support me and this podcast, please subscribe to the Patreon - we have tiers starting at just $3 and you will get access to extended cuts of every episode with more even more stories. Sara's Patreon episode is 30 minutes longer! --- Assistant Costume Designer/NYC Shopper, Costume Designer, Author Sara Hinkley Credits include: The Off-Weeks, Law and Order: SVU, Law and Order: Organized Crime, The Blacklist, Monsterland, Crashing, Awkwafina Is Nora From Queens. --- Sara Hinkley is an author and costume designer living in Brooklyn, NY.  Her debut novel, historical vampire horror The Red Sacrament is out July 2026 from Titan Books. Her costume design work has included film, television, theatre, dance, and opera, and she currently working as Assistant Costume Designer/Shopper on The Off Weeks, a forthcoming project for Apple TV. She is a proud union member of USA 829 IATSE. Her literary representation is Isabel Kaufman at Fox Literary.     Sara Hinkley Links: Website: sarahinkley.com Instagram: @sarahinkley.jpg Twitter: @boneysoups Bluesky: @boneysoups IMDb: Sara Hinkley Preorder The Red Sacrament! --- TFACD Links: Patreon: Tales From A Costume Designer Instagram: @talesfromacostumedesigner Twitter: @talesfromaCD TikTok: @talesfromaCD --- Whitney Anne Adams Links: Website: whitneyadams.com IMDb: Whitney Anne Adams Instagram: @WAACostumeDesign Twitter: @WhitneyAAdams TikTok: @waacostumedesign --- Union Links: Costume Designers Guild IG: @cdglocal892 United Scenic Artists Local 829 IG: @unitedscenicartists IATSE IG: @iatse ---

Brought to you by Macy's: a little interview with Molly Rogers, the underground renegade behind some of the most fashionable media out there.   Learn about your ad choices: dovetail.prx.org/ad-choices

WrestleMania reactions, Raptors playoff frustration, and chaos around candy binges, gym etiquette, and accidentally swallowing toothpaste. The episode also features Maurie's interviews with Heated Rivalry costume designer Hanna Puley, Mark Wahlberg and Paul Walter Hauser on Balls Up, and Devon Hansen, the son of Canadian astronaut Jeremy Hansen, talking about the historic Artemis II mission. Plus, a Helluva Story that has the room stunned as one listener explains how they went to sleep for surgery and woke up with a completely different accent.

One of the first things costume designer Molly Rogers thought about after she finished reading the script for the Devil Wears Prada 2: Where was Andy's blue cerulean sweater?“It was the first phone call I made to the archives out at the studio,” says Rogers, who spoke to Alice Newbold, Fashion Features & News Director, British Vogue. “Stuff disappears. You finish a movie, all of the clothes go to the lot where other productions can rent them.” says Rogers. But she was able to secure the original sweater, “and it still had the corn chowder stain on it.”Rogers says it was Anne Hathaway who grabbed the scissors and made the alterations to turn the beloved sweater into a vest. Rogers shares all the secrets behind the film's biggest fashion moments, including those rock stud pumps. Plus, Chloe and Nicole talk Met Gala prep, the new Victoria Beckham and Gap collaboration, and Cecilie Bahnsen's Uniqlo collab.The Run-Through with Vogue is your go-to podcast where fashion meets culture. Hosted by Chloe Malle, Head of Editorial Content, Vogue U.S.; Chioma Nnadi, Head of British Vogue; and Nicole Phelps, Director of Vogue Runway, each episode features the latest fashion news and exclusive designer and celebrity interviews. Learn about your ad choices: dovetail.prx.org/ad-choices

This week, Who What Wear senior fashion and social editor Tara Gonzalez sits down with costume designer Molly Rogers to discuss the upcoming film The Devil Wears Prada 2. Rogers's résumé includes work on Sex and the City, And Just Like That…, Ugly Betty, and the original The Devil Wears Prada. So, of course, they chat about nostalgic looks from the first film (such as the Chanel boots and cerulean sweater) and how Miranda, Andy, Emily, and Nigel have evolved style-wise over the past 20 years. Plus, she shares behind-the-scenes stories about what are sure to be the most talked-about looks from the sequel. Watch this episode ⁠⁠here on our new YouTube channel⁠⁠, and be sure to subscribe!

This week, Who What Wear senior fashion and social editor⁠ Tara Gonzalez⁠ sits down with costume designer Molly Rogers to discuss the upcoming film The Devil Wears Prada 2. Rogers's résumé includes work on Sex and the City, And Just Like That…, Ugly Betty, and the original The Devil Wears Prada. So, of course, they chat about nostalgic looks from the first film (such as the Chanel boots and cerulean sweater) and how Miranda, Andy, Emily, and Nigel have evolved style-wise over the past 20 years. Plus, she shares behind-the-scenes stories about what are sure to be the most talked-about looks from the sequel. Watch this episode ⁠⁠here on our new ⁠YouTube channel⁠⁠⁠, and be sure to subscribe!

In this episode of The Costume House with Spencer Williams, we step onto one of the most legendary stages in the world, the Metropolitan Opera, for a breathtaking new production of Tristan und Isolde.Spencer is joined by acclaimed costume designer Clint Ramos to discuss his work on this towering operatic masterpiece. Together, they explore how color, texture, and scale shape the production's emotional landscape, from Tristan's deep connection to the sea to Isolde's striking presence in rich, evocative greens. They also examine how the costumes interact with the Met's grand stage, working in harmony with the movement of the set and the precision of the lighting to create a world that feels both monumental and intimately detailed, even through the Met's HD Live series.The conversation also dives into Clint's perspective as both a costume and set designer, and how that interdisciplinary approach informs his process. From the commanding presence of King Marke to the powerful and intentional use of white as a visual anchor, this episode is a masterclass in storytelling through costume at the highest level.

In this episode of The Costume House with Spencer Williams, we step onto one of the most legendary stages in the world, the Metropolitan Opera, for a breathtaking new production of Tristan und Isolde.Spencer is joined by acclaimed costume designer Clint Ramos to discuss his work on this towering operatic masterpiece. Together, they explore how color, texture, and scale shape the production's emotional landscape, from Tristan's deep connection to the sea to Isolde's striking presence in rich, evocative greens. They also examine how the costumes interact with the Met's grand stage, working in harmony with the movement of the set and the precision of the lighting to create a world that feels both monumental and intimately detailed, even through the Met's HD Live series.The conversation also dives into Clint's perspective as both a costume and set designer, and how that interdisciplinary approach informs his process. From the commanding presence of King Marke to the powerful and intentional use of white as a visual anchor, this episode is a masterclass in storytelling through costume at the highest level.

This week's episode features the wonderful costume designer Bernadette Croft! We first met 15 years ago while working on The Great Gatsby together in Australia and it has been so amazing to follow her career since then. Come listen to us chat about her work and her process as a costume designer.  --- *A note that my intro for her in the episode is now *wrong* as she won two more CAFTAD Awards in the time since we recorded! --- If you enjoy the show, please consider helping others find it by writing a five star review on your podcast app of choice. --- If you want to support me and this podcast, please subscribe to the Patreon - we have tiers starting at just $3 and you will get access to extended cuts of every episode with more even more stories.  --- Costume Designer Bernadette Croft Credits include: The Copenhagen Test, Ginny & Georgia, Star Trek: Discovery, Star Trek: Strange New Worlds --- Bernadette Croft is an award winning Costume Designer based in Toronto, Canada. She has recently wrapped on the fifth and final season of the Star Trek Series, Strange New Worlds for Paramount+ as well as Simu Liu's contemporary Sci-Fi thriller "The Copenhagen Test" for Peacock. Bernadette and her Trek team have won 6 CAFCAD Awards for Design, Textile Art and Building. Bernadette describes Costume as a powerful story telling medium and she loves to enhance and inspire any narrative with her contribution to real and imagined world building.     Bernadette Croft Links: Website: bernadettecroft.com Instagram: @berncroft IMDb: Bernadette Croft --- TFACD Links: Patreon: Tales From A Costume Designer Instagram: @talesfromacostumedesigner Twitter: @talesfromaCD TikTok: @talesfromaCD --- Whitney Anne Adams Links: Website: whitneyadams.com IMDb: Whitney Anne Adams Instagram: @WAACostumeDesign Twitter: @WhitneyAAdams TikTok: @waacostumedesign --- Union Links: Costume Designers Guild IG: @cdglocal892 United Scenic Artists Local 829 IG: @unitedscenicartists IATSE IG: @iatse ---

A hitman, a boxer, a gangster's wife, and a pair of bandits walk into a diner.This week on The Art of Costume Podcast, Spencer and Elizabeth step into Quentin Tarantino's iconic, nonlinear world of Pulp Fiction. Joined by legendary costume designer Betsy Heimann, the trio dives into the costumes that helped define one of cinema's most influential films.From Vincent Vega and Jules Winfield's now-iconic “dressed to kill” suits to Mia Wallace's effortlessly cool, endlessly referenced style—and of course, the legendary Jack Rabbit Slim's Twist Contest—this episode unpacks how costume helps tell the stories of these characters in a film built on attitude, detail, and pure cinematic cool.It's sharp, it's stylish, and it's a little dangerous—so grab a milkshake, a royale with cheese, mind the briefcase, and join us for a very cool conversation about one of the most iconic films ever made.

A hitman, a boxer, a gangster's wife, and a pair of bandits walk into a diner.This week on The Art of Costume Podcast, Spencer and Elizabeth step into Quentin Tarantino's iconic, nonlinear world of Pulp Fiction. Joined by legendary costume designer Betsy Heimann, the trio dives into the costumes that helped define one of cinema's most influential films.From Vincent Vega and Jules Winfield's now-iconic “dressed to kill” suits to Mia Wallace's effortlessly cool, endlessly referenced style—and of course, the legendary Jack Rabbit Slim's Twist Contest—this episode unpacks how costume helps tell the stories of these characters in a film built on attitude, detail, and pure cinematic cool.It's sharp, it's stylish, and it's a little dangerous—so grab a milkshake, a royale with cheese, mind the briefcase, and join us for a very cool conversation about one of the most iconic films ever made.

In this episode of The Costume House with Spencer Williams, we journey to the shores of the new film, The Bluff.Spencer is joined by returning guest of the podcast, costume designer Antoinette Messam. Set against the backdrop of a Caribbean island under siege, The Bluff follows a woman whose hidden past resurfaces as a ruthless crew of pirates arrives—sparking a powerful story of identity, resilience, and confrontation.Together, they explore the rich research that shaped the film's distinct visual worlds, from the clothing of the island's community to the striking, weathered looks of the pirate crew. From the commanding presence of Bloody Mary's cuirass to the way blood, salt, and sand transform the costumes on screen, this conversation dives into the textures and elements that define the film's aesthetic. And yes—there's also a red carpet moment that every costume nerd will appreciate.

In this episode of The Costume House with Spencer Williams, we journey to the shores of the new film, The Bluff.Spencer is joined by returning guest of the podcast, costume designer Antoinette Messam. Set against the backdrop of a Caribbean island under siege, The Bluff follows a woman whose hidden past resurfaces as a ruthless crew of pirates arrives—sparking a powerful story of identity, resilience, and confrontation.Together, they explore the rich research that shaped the film's distinct visual worlds, from the clothing of the island's community to the striking, weathered looks of the pirate crew. From the commanding presence of Bloody Mary's cuirass to the way blood, salt, and sand transform the costumes on screen, this conversation dives into the textures and elements that define the film's aesthetic. And yes—there's also a red carpet moment that every costume nerd will appreciate.

SEASON 2 - EPISODE 185 - Malgosia Turzanska - Costume Designer In this episode of the Team Deakins Podcast, we speak with costume designer Malgosia Turzanska (HAMNET, PEARL, AIN'T THEM BODIES SAINTS). Malgosia's life in film began after seeking refuge from a chemistry exam in a movie theater, and, with an assist from her friend, she soon found herself helping director Agnieszka Holland (Season 1, Episode 144) on JANOSIK. Throughout the episode, Malgosia uses specific experiences from the films she's worked on to discuss her design process. During our discussion of HAMNET, Malgoisa reflects on collaborating with her fellow countryman and cinematographer Lukasz Zal (Season 2, Episode 102), and she reveals the character details she focused on during the development of the costumes for Agnes and William Shakespeare, played by Jessie Buckley and Paul Mescal (Season 2, Episode 44). She later discusses how she works with actors in the fitting room, and she shares how they all might put their heads together to find the character. Plus, Malgosia reveals how cold emailing director David Lowery (Season 2, Episode 60) led to her working on AIN'T THEM BODIES SAINTS early in her career. - Recommended Viewing: HAMNET - This episode is sponsored by Aputure & Picture Shop

With her new book Mona celebrates the classic teen rom com that launched her and ignited a firestorm in fashion.    https://bit.ly/4765ema Cozy Earth - Luxurious bamboo sheets, pajamas, & more                                                                  Get 21%OFF | Promo Code: REBEL   https://cozyearth.com/discount/REBEL

Leonie's feature film work includes: Dreams of a Life, What Richard Did, Jimi: All Is By My Side, Glassland, Pilgrimage, The Man Who Invented Christmas, Gretel and Hansel, Nocebo, and In the Land of Saints and Sinners. Leonie's television work includes: Moone Boy, Ripper Street, Miss Scarlet, Modern Love, and The Tourist. 

Oscar-winning costume designer Deborah L. Scott grew up sewing doll clothes, puppets, and getting swept up by the stories at the cinema. At 21 she went to work costuming show girls on the Vegas strip. Once in film, her adaptability, imagination, and resourcefulness carved a path that led to projects with Steven Spielberg and James Cameron, and onto sets of the biggest films of our time. Images, links and more from Deborah on cleverpodcast.com!Special thanks to our sponsor! Wix Studio is a platform built for all web creators to design, develop, and manage exceptional web projects at scale.If you enjoy Clever we could use your support! Please consider leaving a review, making a donation, becoming a sponsor, or introducing us to your friends! We love and appreciate you!Clever is hosted & produced by Amy Devers, with editing by Rich Stroffolino, production assistance from Ilana Nevins and Anouchka Stephan, and music by El Ten Eleven.SUBSCRIBE - listen to Clever on any podcast app!SIGN UP - for our Substack for news, bonus content, new episode alertsVISIT - cleverpodcast.com for transcripts, images, and 200+ more episodesSAY HI! - on Instagram & LinkedIn @cleverpodcast @amydeversApply to participate in Emerging Designers Spotlight LIVESpecial thanks to our sponsors!Wix Studio is a platform built for all web creators to design, develop, and manage exceptional web projects at scale. Hosted on Acast. See acast.com/privacy for more information.

We are so grateful to have the incredible and prolific Cate Adair join us on the podcast this week! We had to discuss everything MYSTERIOUS BENEDICT SOCIETY of course, as well as THE Percabeth color scheme, the surprising evil of Luke's neutral palette, forcing perspective through clothing, and the power of fan cosplayers.Follow Cate on instagram for BTS content! https://www.instagram.com/cate.adair/?hl=enLike this content? Support our podcast on Patreon! There you'll find exclusive episodes, access to our exclusive Patron Discord server, episode outlines, live watch parties, and more!! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/seaweedbrain⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Don't wanna subscribe? You can always buy us a coffee: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://ko-fi.com/seaweedbrainpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow our show:Instagram ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@SeaweedBrainPodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@SeaweedBrainPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@EricaSeaweedBrain⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@SeaweedBrainPodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/Seaweedbrainpod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Check out our merch shop! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.teepublic.com/stores/seaweed-brain-podcast?ref_id=21682⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

George Clooney stars in ‘Jay Kelly' as a famous actor at a crossroads. He talks about his own relationship to fame and what drew him to the role. Also, Oscar-winning costume designer Paul Tazewell talks about his road to ‘Wicked.' He's spent more than three decades shaping looks for the stage and screen. And rock critic Ken Tucker has a round up of some of this year's new Christmas songs.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Paul Tazewell is the award-winning costume designer behind the magical world of Wicked and Wicked: For Good. In this episode, Who What Wear Senior Fashion and Social Editor Tara Gonzalez sits down with Tazewell to celebrate the release of the highly anticipated finale of Elphaba and Glinda's story. He discusses all of the thoughtfully detailed costume choices and Easter eggs you might miss during your first viewing and shares his design process for some of the standout pieces from the movie, including Glinda's glamorous wedding dress and Dorothy's iconic crystal shoes. Plus, he tells us how it felt to make history as the first Black man to win an Oscar for Best Costume Design for his work in Wicked Part 1.Listen to Paul's episode on Wicked Part 1 here!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Tazewell made history as the first Black man to win the Oscar for costume design for the first installment of Wicked. He talks with Tonya Mosley about Wicked: For Good, the movies that inspired him, and learning to sew as a child. “I made the decision that I would devote myself to costume design and live vicariously through other characters,” he says. “Where I might not be cast in certain roles because of how I looked, as a designer, I could be anyone.Follow Fresh Air on instagram @nprfreshair, and subscribe to our weekly newsletter for gems from the Fresh Air archive, staff recommendations, and a peek behind the scenes. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Mona May is the costume designer of the '90s cult classic film Clueless. In this episode, Who What Wear Senior Fashion and Social Editor Tara Gonzalez sits down with May to mark 30 years after the film's release and to look back on the movie's instantly recognizable fashion. May tells us about how she turned herself into a fashion “detective” when sourcing pieces for Clueless and how she mixed high and low fashion to tell a story and stay within her modest budget. She dishes on what it was like fitting Alicia Silverstone for Cher's iconic yellow plaid suit and the story behind the giant hat Stacey Dash wears for Dionne's matching look. Plus, May gives us a peek into her new book, The Fashion of Clueless, which features pages from her sketchbook for the movie and exclusive interviews with the cast.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

If you've ever been swept away by the worlds of "Wicked," "Hamilton" or "West Side Story," you've seen Paul Tazewell's breathtaking costumes. The Oscar-winning designer (whose work features in "Wicked: For Good") explores the subconscious language of clothing and how it shapes who we view as heroes — and who we view as villains. (Followed by a short Q&A with TED's Monique Ruff-Bell) Hosted on Acast. See acast.com/privacy for more information.