Podcasts about Costume designer

This episode is sponsored by smartwater®Ruth E. Carter is a trailblazing costume designer known for her work on Malcolm X, the Black Panther films, Sinners, and so many more iconic works. She has been awarded Academy Awards, a BAFTA, a Critics Choice Award, the Costume Designers Guild Award, and a star on the Hollywood Walk of Fame. But before that, she was exploring Black literature and history in Black Studies-focused enrichment programs in her home state of Massachusetts. When she was a young adult, she was deconstructing clothing and taking notes from grunge scenes, citing Lisa Bonet and Madonna as early beauty and style inspiration. In our conversation, Ruth walks us through her life and career, explaining how the girl who dressed like a grunge artist would introduce Afrofuturism to the world. During our chat, Ruth tells us about how she has always drawn on her interest in literary, dramatic, and visual arts to design on film sets. She shared the initial culture shock she experienced at her HBCU, Hampton, and how the theater department helped her blend her artistic sensibilities with the coiffed presentation of her classmates. Ruth detailed how she drew on these experiences in her first position in School Daze, and how her dedication led to the first of many creative collaborations with directors like Spike Lee, which would shape her career. Our conversation ranges from the specific way she employs the lessons her psychologist mother taught her, like gaining and keeping people's trust, to spending time with Tina Turner. We discussed so much of her portfolio, and what compelled her to begin archiving her designs, which now make up the traveling exhibition “Ruth E. Carter: Afrofuturism in Costume Design.” Ruth is open about her painstakingly detailed commitment to historical accuracy and how her early exposure to ideas about the future being a site of freedom and exploration shaped the visual identity for Black Panther. Tune in as we discuss:03:35 The Sinners Award Season08:56 Exploring Malcolm X's Time in a Massachusetts Correctional Facility12:50 The Loss of Personal Celebrity Style13:35 How The HBCU Experience Blew Her Mind15:15 Her Experience On School Daze And Working With Spike Lee23:55 Her Love Of Thrifting31:08 Deep Dive Into Her Experience On Sinners Set37:20 Deep Dive Into Her Experience On What's Love Got To Do With It Set40:20 Met Gala Experiences And Thoughts43:50 Deep Dive Into Her Experience On B.A.P.S Set47:44 Early Introduction To Afrofuturism52:02 Her Favorite African Designers52:50 Ruth's Personal Style54:30 The Power of Tailoring1:01:01 Maintaining a Calm Demeanor1:05:08 When Ruth Feels The Most BeautifulRate, Subscribe & Review the Podcast on AppleJoin the Naked Beauty Community on IG: @nakedbeautyplanetThanks for all the love and support. Tag me while you're listening @nakedbeautyplanet & as always love to hear your thoughts :)Check out nakedbeautypodcast.com for all previous episodes & search episodes by topicShop My Favorite Products & Pod Discounts on my ShopMyShelfStay in touch with me: @brookedevardFollow Ruth @therealruthcarter Hosted on Acast. See acast.com/privacy for more information.

This week's episode features the iconic costume designer and artist Debra McGuire! We chat about her book that just came out last week called Dressing the Story: The Art of Costume Design and tales from her initials beginnings in the world and stories from incredible career thus far. Make sure you order the book from the links below!  --- If you want to support me and this podcast, please subscribe to the Patreon - we have tiers starting at just $3 and you will get access to extended cuts of every episode with more even more stories. I have the Patreon on hold for the time being while I design my current project through September 2026, but if you subscribe now, you'll still have access to all the previous extended episodes!  --- Costume Designer Debra McGuire Credits include: Friends, Freaks and Geeks, The Morning Show, Anchorman, The 40-Year-Old Virgin, Knocked Up, Superbad, Walk Hard --- Debra McGuire is an award-winning fine artist, fashion designer, and costume designer whose work spans film, television, and theatre. She is best known for her ten seasons designing Friends and for her long-standing collaborations with David Mamet, including the Emmy-nominated film Phil Spector, which earned her a nomination for Best Costume Design.   Debra has designed for many of Judd Apatow and Jake Kasdan's projects and currently designs for Jennifer Aniston on The Morning Show (Seasons 2–5). Recent work includes the international feature film Mayday, starring Kenneth Branagh and Ryan Reynolds and premiering in May 2026, and Super Troopers 3, due for release on August 7, 2026.   Her theatre career began in Paris in the early 1980s, leading to an Ovation Award nomination for Boston Marriage and an NAACP Award for Atlanta at the Geffen Playhouse. She later designed the period musical I Only Have Eyes for You, which received multiple Ovation Award nominations.   A fine artist at heart, Debra began as a painter in the Bay Area before expanding into jewelry, accessories, fashion, couture (including a decade running her boutique in Pacific Palisades), and ultimately costume design. She has spoken and presented at galleries, art institutions, and festivals around the world—offering Master Classes at the Visegrad Film Festival in Bratislava and, most recently, at the Tallinn Black Nights Film Festival in Estonia, where she also served as a juror and presented the Best Actor and Best Production Designer Awards. Throughout her career, Debra has been driven by imagination, collaboration, and deep respect for the creative process. She credits her loyal and dedicated crews as essential partners in bringing each visual world to life.   Her book "Dressing The Story: The Art of Costume Design" with producer Jim Stark was released in May 2026.   Debra McGuire Links: Website: debramcguire.com Costume Design Instagram: @bydebramcguire Art Instagram: @debramcguireart Jewelry Instagram: @debrafineyohai IMDb: Debra MaGuire Order Debra's book Dressing the Story! Order Dressing the Story at B&N --- TFACD Links: Patreon: Tales From A Costume Designer Instagram: @talesfromacostumedesigner Twitter: @talesfromaCD TikTok: @talesfromaCD --- Whitney Anne Adams Links: Website: whitneyadams.com IMDb: Whitney Anne Adams Instagram: @WAACostumeDesign Twitter: @WhitneyAAdams TikTok: @waacostumedesign --- Union Links: Costume Designers Guild IG: @cdglocal892 United Scenic Artists Local 829 IG: @unitedscenicartists IATSE IG: @iatse ---

Send us Fan MailOn this episode I talk horror with my friend Taylor Mansur. She is killer special effects artist and costume designer. She has worked on Hocus Pocus 2, The Walking Dead: Dead City and Lucifer. She also runs Taylor Made costume design.https://www.taylormadecostumedesign.comhttps://www.instagram.com/taylormade_everythingOutro: Magick Knives-Flesh and Blood Synth Outro by Abraxas HornMy email and social links:Brandonlegion666@yahoo.comTwitter: Horrorwolf666Instagram: Brandonlegion666 Facebook: Horrorwolf666Website: www.horrorwolf666.com(Merchandise)https://www.teepublic.com/user/the-horrorwolf666-podcast

Today's episode features NYC Costume Shopper, Costume Designer, and author Sara Hinkley! We get deep into the details of what it's like working as an Costume Shopper in New York City, her previous work as a Costume Department Coordinator and her upcoming novel The Red Sacrament which you should all pre-order at the link below! --- If you want to support me and this podcast, please subscribe to the Patreon - we have tiers starting at just $3 and you will get access to extended cuts of every episode with more even more stories. Sara's Patreon episode is 30 minutes longer! --- Assistant Costume Designer/NYC Shopper, Costume Designer, Author Sara Hinkley Credits include: The Off-Weeks, Law and Order: SVU, Law and Order: Organized Crime, The Blacklist, Monsterland, Crashing, Awkwafina Is Nora From Queens. --- Sara Hinkley is an author and costume designer living in Brooklyn, NY.  Her debut novel, historical vampire horror The Red Sacrament is out July 2026 from Titan Books. Her costume design work has included film, television, theatre, dance, and opera, and she currently working as Assistant Costume Designer/Shopper on The Off Weeks, a forthcoming project for Apple TV. She is a proud union member of USA 829 IATSE. Her literary representation is Isabel Kaufman at Fox Literary.     Sara Hinkley Links: Website: sarahinkley.com Instagram: @sarahinkley.jpg Twitter: @boneysoups Bluesky: @boneysoups IMDb: Sara Hinkley Preorder The Red Sacrament! --- TFACD Links: Patreon: Tales From A Costume Designer Instagram: @talesfromacostumedesigner Twitter: @talesfromaCD TikTok: @talesfromaCD --- Whitney Anne Adams Links: Website: whitneyadams.com IMDb: Whitney Anne Adams Instagram: @WAACostumeDesign Twitter: @WhitneyAAdams TikTok: @waacostumedesign --- Union Links: Costume Designers Guild IG: @cdglocal892 United Scenic Artists Local 829 IG: @unitedscenicartists IATSE IG: @iatse ---

Brought to you by Macy's: a little interview with Molly Rogers, the underground renegade behind some of the most fashionable media out there.   Learn about your ad choices: dovetail.prx.org/ad-choices

WrestleMania reactions, Raptors playoff frustration, and chaos around candy binges, gym etiquette, and accidentally swallowing toothpaste. The episode also features Maurie's interviews with Heated Rivalry costume designer Hanna Puley, Mark Wahlberg and Paul Walter Hauser on Balls Up, and Devon Hansen, the son of Canadian astronaut Jeremy Hansen, talking about the historic Artemis II mission. Plus, a Helluva Story that has the room stunned as one listener explains how they went to sleep for surgery and woke up with a completely different accent.

One of the first things costume designer Molly Rogers thought about after she finished reading the script for the Devil Wears Prada 2: Where was Andy's blue cerulean sweater?“It was the first phone call I made to the archives out at the studio,” says Rogers, who spoke to Alice Newbold, Fashion Features & News Director, British Vogue. “Stuff disappears. You finish a movie, all of the clothes go to the lot where other productions can rent them.” says Rogers. But she was able to secure the original sweater, “and it still had the corn chowder stain on it.”Rogers says it was Anne Hathaway who grabbed the scissors and made the alterations to turn the beloved sweater into a vest. Rogers shares all the secrets behind the film's biggest fashion moments, including those rock stud pumps. Plus, Chloe and Nicole talk Met Gala prep, the new Victoria Beckham and Gap collaboration, and Cecilie Bahnsen's Uniqlo collab.The Run-Through with Vogue is your go-to podcast where fashion meets culture. Hosted by Chloe Malle, Head of Editorial Content, Vogue U.S.; Chioma Nnadi, Head of British Vogue; and Nicole Phelps, Director of Vogue Runway, each episode features the latest fashion news and exclusive designer and celebrity interviews. Learn about your ad choices: dovetail.prx.org/ad-choices

This week, Who What Wear senior fashion and social editor Tara Gonzalez sits down with costume designer Molly Rogers to discuss the upcoming film The Devil Wears Prada 2. Rogers's résumé includes work on Sex and the City, And Just Like That…, Ugly Betty, and the original The Devil Wears Prada. So, of course, they chat about nostalgic looks from the first film (such as the Chanel boots and cerulean sweater) and how Miranda, Andy, Emily, and Nigel have evolved style-wise over the past 20 years. Plus, she shares behind-the-scenes stories about what are sure to be the most talked-about looks from the sequel. Watch this episode ⁠⁠here on our new YouTube channel⁠⁠, and be sure to subscribe!

This week, Who What Wear senior fashion and social editor⁠ Tara Gonzalez⁠ sits down with costume designer Molly Rogers to discuss the upcoming film The Devil Wears Prada 2. Rogers's résumé includes work on Sex and the City, And Just Like That…, Ugly Betty, and the original The Devil Wears Prada. So, of course, they chat about nostalgic looks from the first film (such as the Chanel boots and cerulean sweater) and how Miranda, Andy, Emily, and Nigel have evolved style-wise over the past 20 years. Plus, she shares behind-the-scenes stories about what are sure to be the most talked-about looks from the sequel. Watch this episode ⁠⁠here on our new ⁠YouTube channel⁠⁠⁠, and be sure to subscribe!

Today we welcome Costume Designer Jennifer L. Bryan who joins us to talk about their work on Season 1 of Pluribus. Jennifer will talk us through the creative decisions made to create the costumes for the show. Pluribus Season 1 Trailer : https://www.youtube.com/watch?v=a6lzvWby9UEProduced by Daniel Miller and Monika DittonArtwork Designed by Piotr MotykaMusic by ELPHNTContact: creativeindustryinsight@gmail.com

In this episode of The Costume House with Spencer Williams, we step onto one of the most legendary stages in the world, the Metropolitan Opera, for a breathtaking new production of Tristan und Isolde.Spencer is joined by acclaimed costume designer Clint Ramos to discuss his work on this towering operatic masterpiece. Together, they explore how color, texture, and scale shape the production's emotional landscape, from Tristan's deep connection to the sea to Isolde's striking presence in rich, evocative greens. They also examine how the costumes interact with the Met's grand stage, working in harmony with the movement of the set and the precision of the lighting to create a world that feels both monumental and intimately detailed, even through the Met's HD Live series.The conversation also dives into Clint's perspective as both a costume and set designer, and how that interdisciplinary approach informs his process. From the commanding presence of King Marke to the powerful and intentional use of white as a visual anchor, this episode is a masterclass in storytelling through costume at the highest level.

In this episode of The Costume House with Spencer Williams, we step onto one of the most legendary stages in the world, the Metropolitan Opera, for a breathtaking new production of Tristan und Isolde.Spencer is joined by acclaimed costume designer Clint Ramos to discuss his work on this towering operatic masterpiece. Together, they explore how color, texture, and scale shape the production's emotional landscape, from Tristan's deep connection to the sea to Isolde's striking presence in rich, evocative greens. They also examine how the costumes interact with the Met's grand stage, working in harmony with the movement of the set and the precision of the lighting to create a world that feels both monumental and intimately detailed, even through the Met's HD Live series.The conversation also dives into Clint's perspective as both a costume and set designer, and how that interdisciplinary approach informs his process. From the commanding presence of King Marke to the powerful and intentional use of white as a visual anchor, this episode is a masterclass in storytelling through costume at the highest level.

This week's episode features the wonderful costume designer Bernadette Croft! We first met 15 years ago while working on The Great Gatsby together in Australia and it has been so amazing to follow her career since then. Come listen to us chat about her work and her process as a costume designer.  --- *A note that my intro for her in the episode is now *wrong* as she won two more CAFTAD Awards in the time since we recorded! --- If you enjoy the show, please consider helping others find it by writing a five star review on your podcast app of choice. --- If you want to support me and this podcast, please subscribe to the Patreon - we have tiers starting at just $3 and you will get access to extended cuts of every episode with more even more stories.  --- Costume Designer Bernadette Croft Credits include: The Copenhagen Test, Ginny & Georgia, Star Trek: Discovery, Star Trek: Strange New Worlds --- Bernadette Croft is an award winning Costume Designer based in Toronto, Canada. She has recently wrapped on the fifth and final season of the Star Trek Series, Strange New Worlds for Paramount+ as well as Simu Liu's contemporary Sci-Fi thriller "The Copenhagen Test" for Peacock. Bernadette and her Trek team have won 6 CAFCAD Awards for Design, Textile Art and Building. Bernadette describes Costume as a powerful story telling medium and she loves to enhance and inspire any narrative with her contribution to real and imagined world building.     Bernadette Croft Links: Website: bernadettecroft.com Instagram: @berncroft IMDb: Bernadette Croft --- TFACD Links: Patreon: Tales From A Costume Designer Instagram: @talesfromacostumedesigner Twitter: @talesfromaCD TikTok: @talesfromaCD --- Whitney Anne Adams Links: Website: whitneyadams.com IMDb: Whitney Anne Adams Instagram: @WAACostumeDesign Twitter: @WhitneyAAdams TikTok: @waacostumedesign --- Union Links: Costume Designers Guild IG: @cdglocal892 United Scenic Artists Local 829 IG: @unitedscenicartists IATSE IG: @iatse ---

A hitman, a boxer, a gangster's wife, and a pair of bandits walk into a diner.This week on The Art of Costume Podcast, Spencer and Elizabeth step into Quentin Tarantino's iconic, nonlinear world of Pulp Fiction. Joined by legendary costume designer Betsy Heimann, the trio dives into the costumes that helped define one of cinema's most influential films.From Vincent Vega and Jules Winfield's now-iconic “dressed to kill” suits to Mia Wallace's effortlessly cool, endlessly referenced style—and of course, the legendary Jack Rabbit Slim's Twist Contest—this episode unpacks how costume helps tell the stories of these characters in a film built on attitude, detail, and pure cinematic cool.It's sharp, it's stylish, and it's a little dangerous—so grab a milkshake, a royale with cheese, mind the briefcase, and join us for a very cool conversation about one of the most iconic films ever made.

A hitman, a boxer, a gangster's wife, and a pair of bandits walk into a diner.This week on The Art of Costume Podcast, Spencer and Elizabeth step into Quentin Tarantino's iconic, nonlinear world of Pulp Fiction. Joined by legendary costume designer Betsy Heimann, the trio dives into the costumes that helped define one of cinema's most influential films.From Vincent Vega and Jules Winfield's now-iconic “dressed to kill” suits to Mia Wallace's effortlessly cool, endlessly referenced style—and of course, the legendary Jack Rabbit Slim's Twist Contest—this episode unpacks how costume helps tell the stories of these characters in a film built on attitude, detail, and pure cinematic cool.It's sharp, it's stylish, and it's a little dangerous—so grab a milkshake, a royale with cheese, mind the briefcase, and join us for a very cool conversation about one of the most iconic films ever made.

In this episode of The Costume House with Spencer Williams, we journey to the shores of the new film, The Bluff.Spencer is joined by returning guest of the podcast, costume designer Antoinette Messam. Set against the backdrop of a Caribbean island under siege, The Bluff follows a woman whose hidden past resurfaces as a ruthless crew of pirates arrives—sparking a powerful story of identity, resilience, and confrontation.Together, they explore the rich research that shaped the film's distinct visual worlds, from the clothing of the island's community to the striking, weathered looks of the pirate crew. From the commanding presence of Bloody Mary's cuirass to the way blood, salt, and sand transform the costumes on screen, this conversation dives into the textures and elements that define the film's aesthetic. And yes—there's also a red carpet moment that every costume nerd will appreciate.

In this episode of The Costume House with Spencer Williams, we journey to the shores of the new film, The Bluff.Spencer is joined by returning guest of the podcast, costume designer Antoinette Messam. Set against the backdrop of a Caribbean island under siege, The Bluff follows a woman whose hidden past resurfaces as a ruthless crew of pirates arrives—sparking a powerful story of identity, resilience, and confrontation.Together, they explore the rich research that shaped the film's distinct visual worlds, from the clothing of the island's community to the striking, weathered looks of the pirate crew. From the commanding presence of Bloody Mary's cuirass to the way blood, salt, and sand transform the costumes on screen, this conversation dives into the textures and elements that define the film's aesthetic. And yes—there's also a red carpet moment that every costume nerd will appreciate.

SEASON 2 - EPISODE 185 - Malgosia Turzanska - Costume Designer In this episode of the Team Deakins Podcast, we speak with costume designer Malgosia Turzanska (HAMNET, PEARL, AIN'T THEM BODIES SAINTS). Malgosia's life in film began after seeking refuge from a chemistry exam in a movie theater, and, with an assist from her friend, she soon found herself helping director Agnieszka Holland (Season 1, Episode 144) on JANOSIK. Throughout the episode, Malgosia uses specific experiences from the films she's worked on to discuss her design process. During our discussion of HAMNET, Malgoisa reflects on collaborating with her fellow countryman and cinematographer Lukasz Zal (Season 2, Episode 102), and she reveals the character details she focused on during the development of the costumes for Agnes and William Shakespeare, played by Jessie Buckley and Paul Mescal (Season 2, Episode 44). She later discusses how she works with actors in the fitting room, and she shares how they all might put their heads together to find the character. Plus, Malgosia reveals how cold emailing director David Lowery (Season 2, Episode 60) led to her working on AIN'T THEM BODIES SAINTS early in her career. - Recommended Viewing: HAMNET - This episode is sponsored by Aputure & Picture Shop

“If we want things to stay as they are, things will have to change.”Costume designer Jenny Beavan joins hosts Andy Nelson and Pete Wright to discuss The Leopard, directed by Luchino Visconti—the landmark 1963 epic that showed her what period design could be.A three-time Oscar winner whose career spans A Room with a View, Mad Max: Fury Road, and Cruella, Beavan traces The Leopard back to a Soho cinema in the late sixties and the influence of a mentor who kept returning to what Piero Tosi achieved there. "He was obsessive, Piero Tosi. I don't think he was happy because it was never perfect enough. But he was one of the most incredible costume designers ever." The conversation also moves through her recent Nicholas Hytner film The Choral and the challenge of building an authentic world on nearly nothing—which turns out to be its own kind of craft lesson.Watch the conversation on YouTubeWatch & Stream The Leopard — Apple TV · Amazon · Letterboxd · TrailerAbout Jenny Beavan IMDb · InstagramReferenced in This Episode Elgar's The Dream of Gerontius — 1968 recording, Adrian Boult, Coventry CathedralSource Material The Leopard by Giuseppe Tomasi di Lampedusa — AmazonIf You Enjoyed This Conversation The Next Reel — Mad Max series The Film Board — Furiosa: A Mad Max Saga Movies We Like — Costume Designer Deborah L. Scott on The Mission Movies We Like — Costume Designer Alana Morshead on Never Let Me Go Support The Next Reel Family of Film Shows:Become a member for just $5/month or $55/yearJoin our Discord community of movie loversThe Next Reel Family of Film Shows:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next ReelSitting in the DarkConnect With Us:Main Site: WebMovie Platforms: Letterboxd | FlickchartSocial Media: Facebook | Instagram | Threads | Bluesky | YouTube | PinterestYour Hosts: Andy | PeteShop & Stream:Merch Store: Apparel, stickers, mugs & moreWatch Page: Buy/rent films we've discussedOriginals: Source material from our episodesSpecial offers: Audible

With her new book Mona celebrates the classic teen rom com that launched her and ignited a firestorm in fashion.    https://bit.ly/4765ema Cozy Earth - Luxurious bamboo sheets, pajamas, & more                                                                  Get 21%OFF | Promo Code: REBEL   https://cozyearth.com/discount/REBEL

Leonie's feature film work includes: Dreams of a Life, What Richard Did, Jimi: All Is By My Side, Glassland, Pilgrimage, The Man Who Invented Christmas, Gretel and Hansel, Nocebo, and In the Land of Saints and Sinners. Leonie's television work includes: Moone Boy, Ripper Street, Miss Scarlet, Modern Love, and The Tourist. 

Oscar-winning costume designer Deborah L. Scott grew up sewing doll clothes, puppets, and getting swept up by the stories at the cinema. At 21 she went to work costuming show girls on the Vegas strip. Once in film, her adaptability, imagination, and resourcefulness carved a path that led to projects with Steven Spielberg and James Cameron, and onto sets of the biggest films of our time. Images, links and more from Deborah on cleverpodcast.com!Special thanks to our sponsor! Wix Studio is a platform built for all web creators to design, develop, and manage exceptional web projects at scale.If you enjoy Clever we could use your support! Please consider leaving a review, making a donation, becoming a sponsor, or introducing us to your friends! We love and appreciate you!Clever is hosted & produced by Amy Devers, with editing by Rich Stroffolino, production assistance from Ilana Nevins and Anouchka Stephan, and music by El Ten Eleven.SUBSCRIBE - listen to Clever on any podcast app!SIGN UP - for our Substack for news, bonus content, new episode alertsVISIT - cleverpodcast.com for transcripts, images, and 200+ more episodesSAY HI! - on Instagram & LinkedIn @cleverpodcast @amydeversApply to participate in Emerging Designers Spotlight LIVESpecial thanks to our sponsors!Wix Studio is a platform built for all web creators to design, develop, and manage exceptional web projects at scale. Hosted on Acast. See acast.com/privacy for more information.

Costume Designer Luis Sequeira shares his journey of costume design from starting his own business to working on Oscar winning film, Shape of Water to his latest work on IT: Welcome to Derry!

Kiwi costume designer Kate Hawley is flying home with a BAFTA, following her win at the Awards yesterday for her work on Guillermo Del Toro's Frankenstein. Earlier this month she spoke to Nine to Noon about her success this awards season - she's also up for an Oscar next month for her work on the same film. In January she took Best Costume Design at the Critics' Choice Movie Awards and since we spoke to her she's also won an award for Excellence in Period Film from the Costume Designers Guild. The BAFTAs represent the biggest night on the British film calendar and are often a marker for success at the Oscars. Kate joins Kathryn from Heathrow.

Tune in Friday, February 20, 2026 @ 7pm EST/4pm PST/6pm CST for the next “He Said, He Said, He Said Live!” A Look at the World from A Seasoned Black Man's Perspective…because one perspective isn't enough!” for “From Voice to Vision: Larry Boggs Jr.'s Creative Journey to the Harlem Collective.” www.all-squared-away.org From Voice to Vision: Larry Boggs Jr.'s Creative Journeyto the Harlem CollectiveThis Friday, February 20th, He Said, He Said, He SaidLive presents a special edition of The Art of It, featuringmultidisciplinary artist, vocalist, and arts leader Larry Boggs Jr. — the incoming Costume Designer of The Harlem Collective.A native of Clinton, Maryland and a proud product of PrinceGeorge's County, Larry holds degrees from Morgan State University and New York University. His career bridges performance and design on both national andinternational stages. As a vocalist, he has performed across the U.S., Paris, and St. Petersburg, with recording credits including All Rise by Wynton Marsalis and the New York Philharmonic, and the motion picture soundtrack Godsand Generals.As a designer and wardrobe master, his work has shapedproductions at Baltimore Center Stage, ArtsCentric, Everyman Theatre, and Olney Theatre Center, with notable credits including CROWNS, Ma Rainey's Black Bottom, The Scottsboro Boys, and For Colored Girls…In this intimate and inspiring conversation, Larry reflectson artistry, leadership, discipline, and what it means to build a creative life across multiple worlds—onstage, behind the scenes, and in service to community.New Episodes of “He Said, He Said, He Said” - Live stream Fridays, 7 p.m. EST on all these links: https://linktr.ee/hesaidhesaidhesaid  FACEBOOK: facebook.com/hesaidhesaidhesaidlive  RELIVE and SHARE special moments from "He Said, He Said, He Said" here: SHOW CLIPS (22) He Said, He Said, He Said - Live - YouTubeFOLLOWUS —- CLICK LIKE and SUBSCRIBE to us hesaidhesaidhesaidlive on YouTube andInstagram!#HeSaidLive #TheArtOfIt #FromVoiceToVision #ArtsLeadership #PerformingArts #CostumeDesign#CreativeJourney #MultidisciplinaryArtist #BlackArtists #BlackCreatives #DMVArts #BlackTheatre #ArtsCommunity #CreativeDirector #CulturalLeadership #CreativeLife #ArtsAndCulture

Christina is joined by 2026 Oscar nominated costume designer Malgosia Turzanska, celebrated for her extraordinary work on Chloé Zhao's Hamnet. Known for her unforgettable costumes in Train Dreams, Stranger Things, The Green Knight, X, Pearl, and more, Malgosia takes us deep into her art and the creative journey behind one of the year's most talked-about films. They discuss the rich research behind Elizabethan clothing, the intimate storytelling within the Shakespeare family, and her concept of “emotional dressing,” where every detail carries meaning. From Agnes' striking reds in Jessie Buckley's Oscar nominated performance, to the protective padding worn by Shakespeare's mother, portrayed by Emily Watson, to Will Shakespeare's (Paul Mescal) ink-stained fingers, and much more. Plus, what Malgosia herself will be wearing to the Oscars! Learn more about your ad choices. Visit megaphone.fm/adchoices

We are so grateful to have the incredible and prolific Cate Adair join us on the podcast this week! We had to discuss everything MYSTERIOUS BENEDICT SOCIETY of course, as well as THE Percabeth color scheme, the surprising evil of Luke's neutral palette, forcing perspective through clothing, and the power of fan cosplayers.Follow Cate on instagram for BTS content! https://www.instagram.com/cate.adair/?hl=enLike this content? Support our podcast on Patreon! There you'll find exclusive episodes, access to our exclusive Patron Discord server, episode outlines, live watch parties, and more!! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/seaweedbrain⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Don't wanna subscribe? You can always buy us a coffee: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://ko-fi.com/seaweedbrainpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow our show:Instagram ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@SeaweedBrainPodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@SeaweedBrainPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@EricaSeaweedBrain⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@SeaweedBrainPodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/Seaweedbrainpod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Check out our merch shop! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.teepublic.com/stores/seaweed-brain-podcast?ref_id=21682⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

It's... alive! On the highly anticipated season six premiere of The Art of Costume Podcast, we are joined by costume designer Kate Hawley to break down the visionary world of Guillermo del Toro's Frankenstein.In this in-depth conversation, Kate takes us through the film's striking visual language, from the haunting use of the color red and painterly inspirations from Caravaggio, to the creation of the nightmarish angel and the unforgettable collaboration with Tiffany & Co. Kate also discusses working with the cast, designing for Frankenstein's Creature, and how kitty litter may have played a far more surprising role in this film than anyone would expect.It's a chilling, richly artistic dive into one of the year's most captivating films, and a thrilling way to kick off a brand new season of The Art of Costume Podcast.

It's... alive! On the highly anticipated season six premiere of The Art of Costume Podcast, we are joined by costume designer Kate Hawley to break down the visionary world of Guillermo del Toro's Frankenstein.In this in-depth conversation, Kate takes us through the film's striking visual language, from the haunting use of the color red and painterly inspirations from Caravaggio, to the creation of the nightmarish angel and the unforgettable collaboration with Tiffany & Co. Kate also discusses working with the cast, designing for Frankenstein's Creature, and how kitty litter may have played a far more surprising role in this film than anyone would expect.It's a chilling, richly artistic dive into one of the year's most captivating films, and a thrilling way to kick off a brand new season of The Art of Costume Podcast.

Oscar-winning costume designer Deborah L. Scott closes out THR's special edition of Behind the Screen with a fascinating look at the unprecedented artistry behind the costumes in Avatar: Fire and Ash. Each design was essentially created twice: first as a real-life, tangible garment and then as a digitally realized on-screen version. Learn more about your ad choices. Visit megaphone.fm/adchoices

Over a long and celebrated career, Toronto based costume designer Linda Muir has collaborated on plays, feature films, short films, television MOWs and series projects, embracing contemporary, period and fantastical scripts.From 1975 to 1991, Linda designed costumes and sets for the theatre, including The Theatre Second Floor under the direction of Paul Bettis, Tarragon, Theatre Passe Muraille, TWP, Toronto Free, Richard Rose's Necessary Angel, the Royal Alexandra, Manitoba Theatre Centre and Manhattan's Mabou Mines. She received Dora Mavor Moore Awards for Outstanding Costume Design for Daniel MacIver's Jump and John Krizanc's innovative first production of Tamara.Muir transitioned to film and television, where she has successfully utilized her skill with fabric, colour and texture, an eye for detail and a real talent for capturing character in clothing.Linda's hallmark is extensive research and voracious reading: solid footings for her imaginative designs for productions that have received numerous nominations and awards, including Robert Eggers' The Witch, and The Lighthouse, Atom Egoyan's Exotica, Patricia Rozema's When Night Is Falling, Lilies by John Greyson and Thirty-Two Short Films About Glenn Gould by François Girard.

Iconic and prolific costume designer Mona May chats with host Candice Bloch to share about her journey becoming a prominent figure in the film industry. Considered the Queen of 90s Movie Fashion, Mona has created iconic looks for over 70 films and television shows. She is best known for her work on Clueless, as well as Romy and Michelle's High School Reunion, The Wedding Singer, Never Been Kissed, Enchanted, The House Bunny, and countless other films and shows. She discusses the influence of her diverse multicultural background on her colorful design aesthetic, the collaborative process of costume design, and the challenges of working within budget constraints. Mona reflects on her work on fun and feel-good films like Clueless and the importance of positive representation in media. You'll also learn about her upcoming projects, including a book celebrating the lasting legacy and costumes of Clueless, in honor of the film's 30th anniversary. Throughout the discussion, she emphasizes the significance of personal style and self-expression in fashion.The Fashion of Clueless, released in October 2025, is available wherever books are sold and would make a great holiday gift!To learn more about Mona May and her costume design work, visit https://www.monamay.com/ Follow her on Instagram @itsmonamaySupport the show---Subscribe to learn more about filmmaking, production, media makers, creator resources, visual storytelling, and every aspect that brings film, television, and video projects from concepts to our screens. Check out the MediaMakerSpotlight.com show page to find even more conversations with industry professionals that inspire, educate, and entertain!We on the Women in Film & Video (WIFV) Podcast Team work hard to make this show a great resource for our listeners, and we thank you for listening!

George Clooney stars in ‘Jay Kelly' as a famous actor at a crossroads. He talks about his own relationship to fame and what drew him to the role. Also, Oscar-winning costume designer Paul Tazewell talks about his road to ‘Wicked.' He's spent more than three decades shaping looks for the stage and screen. And rock critic Ken Tucker has a round up of some of this year's new Christmas songs.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Today, we are revisiting a class episode of The Art of Costume Podcast. What better way to get into the holiday spirit than hanging out with Michael Scott and the rest of the Dunder Mifflin gang! In this week's special episode, our co-hosts are watching The Office. Specifically, Season 2 Episode 10, Christmas Party, and Season 3 Episodes 10 and 11, A Benihana Christmas. Costume designer for the first four seasons of The Office, Carey Bennett, joins the podcast to talk about her experience on the show and creating these classic holiday costumes!

Paul Tazewell is the award-winning costume designer behind the magical world of Wicked and Wicked: For Good. In this episode, Who What Wear Senior Fashion and Social Editor Tara Gonzalez sits down with Tazewell to celebrate the release of the highly anticipated finale of Elphaba and Glinda's story. He discusses all of the thoughtfully detailed costume choices and Easter eggs you might miss during your first viewing and shares his design process for some of the standout pieces from the movie, including Glinda's glamorous wedding dress and Dorothy's iconic crystal shoes. Plus, he tells us how it felt to make history as the first Black man to win an Oscar for Best Costume Design for his work in Wicked Part 1.Listen to Paul's episode on Wicked Part 1 here!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Paul Tazewell is the award-winning costume designer behind the magical world of Wicked and Wicked: For Good. In this episode, Who What Wear Senior Fashion and Social Editor Tara Gonzalez sits down with Tazewell to celebrate the release of the highly anticipated finale of Elphaba and Glinda's story. He discusses all of the thoughtfully detailed costume choices and Easter eggs you might miss during your first viewing and shares his design process for some of the standout pieces from the movie, including Glinda's glamorous wedding dress and Dorothy's iconic crystal shoes. Plus, he tells us how it felt to make history as the first Black man to win an Oscar for Best Costume Design for his work in Wicked Part 1.Listen to Paul's episode on Wicked Part 1 here!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Tazewell made history as the first Black man to win the Oscar for costume design for the first installment of Wicked. He talks with Tonya Mosley about Wicked: For Good, the movies that inspired him, and learning to sew as a child. “I made the decision that I would devote myself to costume design and live vicariously through other characters,” he says. “Where I might not be cast in certain roles because of how I looked, as a designer, I could be anyone.Follow Fresh Air on instagram @nprfreshair, and subscribe to our weekly newsletter for gems from the Fresh Air archive, staff recommendations, and a peek behind the scenes. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Mona May is the costume designer of the '90s cult classic film Clueless. In this episode, Who What Wear Senior Fashion and Social Editor Tara Gonzalez sits down with May to mark 30 years after the film's release and to look back on the movie's instantly recognizable fashion. May tells us about how she turned herself into a fashion “detective” when sourcing pieces for Clueless and how she mixed high and low fashion to tell a story and stay within her modest budget. She dishes on what it was like fitting Alicia Silverstone for Cher's iconic yellow plaid suit and the story behind the giant hat Stacey Dash wears for Dionne's matching look. Plus, May gives us a peek into her new book, The Fashion of Clueless, which features pages from her sketchbook for the movie and exclusive interviews with the cast.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Mona May is the costume designer of the '90s cult classic film Clueless. In this episode, Who What Wear Senior Fashion and Social Editor Tara Gonzalez sits down with May to mark 30 years after the film's release and to look back on the movie's instantly recognizable fashion. May tells us about how she turned herself into a fashion “detective” when sourcing pieces for Clueless and how she mixed high and low fashion to tell a story and stay within her modest budget. She dishes on what it was like fitting Alicia Silverstone for Cher's iconic yellow plaid suit and the story behind the giant hat Stacey Dash wears for Dionne's matching look. Plus, May gives us a peek into her new book, The Fashion of Clueless, which features pages from her sketchbook for the movie and exclusive interviews with the cast.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In honor of the 30th anniversary of the iconic fashion flick Clueless, we bring you our 2020 interview with the film's costume designer Mona May.  Want more Dressed: The History of Fashion?  Our ⁠⁠⁠website⁠⁠⁠ and ⁠⁠⁠classes⁠⁠⁠ Our ⁠⁠⁠Instagram⁠⁠ Our ⁠⁠⁠bookshelf⁠⁠⁠ with over 150 of our favorite fashion history titles Learn more about your ad choices. Visit megaphone.fm/adchoices

Oscar-Award winning costume designer Paul Tazewell is back to take us behind the seams and into the magical and textural world of the new film Wicked for Good. Learn more about your ad choices. Visit megaphone.fm/adchoices

If you've ever been swept away by the worlds of "Wicked," "Hamilton" or "West Side Story," you've seen Paul Tazewell's breathtaking costumes. The Oscar-winning designer (whose work features in "Wicked: For Good") explores the subconscious language of clothing and how it shapes who we view as heroes — and who we view as villains. (Followed by a short Q&A with TED's Monique Ruff-Bell) Hosted on Acast. See acast.com/privacy for more information.

The work of Oscar and Tony award-winning costume designer Paul Tazewell spans four decades and is a masterclass in the art of visual storytelling. In this episode from 2024, he takes us behind the seams and into the magical world of the blockbuster sensation Wicked.  Want more Dressed: The History of Fashion?  Our ⁠⁠⁠website⁠⁠⁠ and ⁠⁠⁠classes⁠⁠⁠ Our ⁠⁠⁠Instagram⁠⁠⁠ Our ⁠⁠⁠bookshelf⁠⁠⁠ with over 150 of our favorite fashion history titles Learn more about your ad choices. Visit megaphone.fm/adchoices

In this fascinating episode, Elisabeth speaks with Jo Katsaras, a world-renowned Costume Designer whose visionary work has graced some of Hollywood's beloved films and series.Born in Cyprus, Jo moved to South Africa at the age of five — a cultural fusion that would later define her unique artistic style. Growing up in vibrant 1970s Johannesburg, Jo's creative journey began early. She spent her childhood summers in Cyprus, cutting fabric scraps from her aunt's sewing projects to make dresses for her dolls. By the time she was a teenager, she was already cutting patterns around her friends, driven by an instinctive flair for design.After studying at the National School of Arts in Johannesburg, Jo briefly considered architecture but decided instead to explore the world, a decision that ultimately shaped her creative destiny. At her father's insistence, she pursued a qualification in fashion, completing a three-year diploma in just one year thanks to her extraordinary talent.Jo's career began in the fashion industry as a Senior Designer, but her passion for storytelling through clothing soon drew her to the world of film. Her debut as a Costume Designer came with the South African box office hit There's a Zulu on My Stoep (Yankee Zulu internationally), and from there, her rise was nothing short of meteoric.She went on to design for acclaimed international productions including:

Kate Hawley is the costume designer for Guillermo del Toro's Frankenstein. In this episode, Who What Wear Senior Fashion and Social Editor Tara Gonzalez sits down with Hawley to discuss how she worked with longtime collaborator del Toro on his retelling of the classic tale. Hawley walks us through her extensive research process, shares why her team used such a saturated color palette, and highlights standout accessories from the film—like the Frankenstein family crest and Elizabeth's scarab beetle necklace—that were custom-made by Tiffany & Co. Plus, Gonzalez predicts which item worn by Mia Goth's character she thinks fashion people will embrace after seeing the film. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Kate Hawley is the costume designer for Guillermo del Toro's Frankenstein. In this episode, Who What Wear Senior Fashion and Social Editor Tara Gonzalez sits down with Hawley to discuss how she worked with longtime collaborator del Toro on his retelling of the classic tale. Hawley walks us through her extensive research process, shares why her team used such a saturated color palette, and highlights standout accessories from the film—like the Frankenstein family crest and Elizabeth's scarab beetle necklace—that were custom-made by Tiffany & Co. Plus, Gonzalez predicts which item worn by Mia Goth's character she thinks fashion people will embrace after seeing the film. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Negar Ali Kline is the costume designer for Netflix's hit rom-com series Nobody Wants This, starring Kristen Bell and Adam Brody. In honor of the show's highly anticipated season 2 release, Negar sits down with Who What Wear Co-Founder and Chief Content Officer Hillary Kerr to deep dive on the show's masterful approach to L.A. style. In this episode, Negar shares how she got her start in the '90s assisting the legendary Ruth Carter and recounts some of the iconic wardrobe pieces she sourced for the first season of the show, including Joanne's vintage chinchilla fur coat. Plus, she tells us about how she transformed the cast's styles for season 2 and worked with local designers in Los Angeles to honor the city's status as a fashion capital.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

After stints in New York, London, and Paris, the third annual edition of Vogue World is taking place this weekend in Hollywood, paying homage to the role of fashion in film (and vice versa). As such, the starring roles this year belong not to actors and models—though, yes, all your favorites will be in attendance—but to costume designers and their work. Joining Nicole Phelps and Virginia Smith, Global Head of Fashion Network, on this week's edition of “The Run-Through” is Arianne Phillips, a stylist and Academy Award– and BAFTA-nominated costume designer best known for her work with Madonna; Tom Ford's A Single Man; Quentin Tarantino's Once Upon a Time in Hollywood; and most recently A Complete Unknown, among many, many others.In this episode, Phillips details how she began in the industry assisting veteran stylists and fashion editors, graduated to work with pop sensations like Lenny Kravitz and Madonna, and soon found her way to costume design, the only job “in the whole process of filmmaking that is like, ‘nice to meet you, take your clothes off.'”Plus, Vogue's Fashion Market Director, Naomi Elizée, joins straight from Vogue World Hollywood to share a special announcement about the show! Learn about your ad choices: dovetail.prx.org/ad-choices

Emmy-nominated costume designer Virginia B. Johnson grew up with a “dragon mother,” which shaped her structured habits and her ability to work smoothly amid chaos. Her childhood was filled with intergenerational connection and crafting - learning sewing, embroidery, knitting and crocheting from a “flock of Filipina aunties,” which fostered not only a sense of community, but a foundational skill for her eventual career. Although she was a pre-med major in college, a serendipitous side gig in a college theater costume shop sparked a passionate pivot to a career that now includes critically-acclaimed and award-winning projects like Hillbilly Elegy and American Primeval, and the opportunity to lead teams in the art of deploying deep craft and rigorous, reverent cultural authenticity to drive powerful storytelling. Images and more from Virginia B. Johnson on our website!Special thanks to our sponsor: Wix Studio is a platform built for all web creators to design, develop, and manage exceptional web projects at scale.Clever is hosted & produced by Amy Devers, with editing by Mark Zurawinski, production assistance from Ilana Nevins and Anouchka Stephan, and music by El Ten Eleven.SUBSCRIBE - listen to Clever on any podcast app!SIGN UP - for our Substack for news, bonus content, new episode alertsVISIT - cleverpodcast.com for transcripts, images, and 200+ more episodesSAY HI! - on Instagram & LinkedIn @cleverpodcast @amydeversSpecial thanks to our sponsors!Wix Studio is a platform built for all web creators to design, develop, and manage exceptional web projects at scale.Cozy Earth: head to cozyearth.com/pages/clever to get 40% off! Hosted on Acast. See acast.com/privacy for more information.

Arielle Cooper-Lethem is the costume designer for Lena Dunham's hit new show, Too Much. The hilarious and heartfelt rom-com, led by Hacks star Megan Stalter as Jess and The White Lotus star Will Sharpe as Felix, debuted on Netflix in July. This week, Cooper-Lethem joins Who What Wear Editorial Director Lauren Eggertsen to tell us what it was like curating Jess's maximalist wardrobe of vintage nightgowns and lacy bloomers, as well as how Kurt Cobain inspired Felix's grungy, androgynous Londoner style. Plus, Arielle tells us about If Only If, the independent British brand behind Jess's iconic red, frilled nightie that fans bought en masse.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.