Podcasts about gauguin

CANZONE D`AUTORE ITALIANA ANNI `80 -SECONDA PUNTATA- Altra puntata dedicata alla Canzone d`Autore che col passare del tempo è diventata, in senso più estensivo, Canzone d`Arte, evolvendosi in latre direzioni e abbracciando contaminazioni pop, jazz, rock e persino esotiche. 1. Mango - Oro 2. Francesco Messina - Marcia su Kioto 3. Mario Castelnuovo 4. Goran Guzminac - Stasera l`aria è fresca 5. Grazia Di Michele - Le ragazze di Gauguin 6. Marco Ferradini - Week End 7. Ivano Fossati - La musica che gira intorno 8. Mimmo Locasciulli - Sognadoro 9. Alberto Fortis - Settembre 10. Gianna Nannini - Bello e impossibile 11. Nada - Amore disperato 12. Pino D`Angiò - Ma quale idea 13. Tullio De Piscopo - Andamento lento 14. Edoardo Bennato - Il rock di Capitan Uncino 15. Teresa De Sio - Voglia `e turnà Per diffondere questa puntata: https://www.radiotandem.it/and-the-radio-plays-del-11-dicembre-2025 Tutti i podcast di And the Radio plays: https://www.radiotandem.it/and-the-radio-plays

Join Annie Sargent and Elyse Rivin as they dive deep into the tragic and brilliant life of Vincent van Gogh. This episode isn't just about his iconic paintings—it's about the man behind the masterpieces. Elyse, with her deep knowledge of art history and her gift for storytelling, guides us through Van Gogh's tumultuous journey. From his early struggles in the Netherlands to his transformative years in France, we explore how his experiences shaped his art—and how his art, in turn, shaped the world. Listen to this episode ad-free Van Gogh's life was marked by failure, rejection, and mental health struggles. Elyse explains how these challenges fueled his creativity. As a young man, he tried—and failed—at careers as an art dealer, a preacher, and even a Bible translator. His family didn't know what to do with him, and his father even considered sending him to a mental hospital. But it was his brother, Theo, who became his lifeline. Theo provided financial and emotional support, allowing Vincent to focus on painting. This support gave him the freedom to experiment, leading to the bold, vibrant style we associate with him today. Paris was a turning point for Van Gogh. Elyse paints a vivid picture of his time there, living in Montmartre, meeting artists like Toulouse-Lautrec and Pissarro, and discovering new techniques. He hated the city at first, but over time, he began to embrace its energy. His move to Arles was another pivotal moment. He dreamed of creating an artists' colony there, but his relationship with Gauguin ended in disaster. Despite the chaos, this period was incredibly productive. He painted masterpieces like Starry Night Over the Rhône and Sunflowers. After his breakdown in Arles, Van Gogh was committed to an asylum in Saint-Rémy-de-Provence. Elyse's account of this time is heartbreaking yet inspiring. He continued to paint, creating some of his most famous works, including Wheat Fields and more versions of Starry Night. His final days in Auvers-sur-Oise were marked by relentless painting and a tragic end. This episode isn't just about art—it's about humanity, perseverance, and the cost of genius. If you love stories that move you, this is a must-listen. Subscribe to Join Us in France on your favorite podcast app so you never miss an episode. And if you're planning a trip to France, don't forget to check out Elyse's Toulouse Guided Walks for an unforgettable experience.  Table of Contents for this Episode [00:00:15] Introduction [00:00:31] Today on the podcast [00:01:03] Podcast supporters [00:01:33] Bootcamp 2026 [00:01:47] Magazine segment [00:02:25] Vincent Van Gogh with Elyse [00:03:38] Van Gogh's Life in France [00:04:57] The Universal Appeal of Van Gogh's Art [00:05:53] Why do people love his work? [00:09:30] Early Life and Family Background [00:13:49] Struggles with Mental Health and Career Choices [00:14:20] Moving to The Hague [00:16:09] Moving to London [00:21:06] Moving to Paris [00:23:26] Back to England [00:28:04] Returning home [00:28:55] The Decision to Become an Artist [00:29:24] Early Artistic Endeavors and Family Support [00:37:18] Van Gogh's Time in Paris [00:38:38] Van Gogh's Literary Influences [00:39:23] Return to Holland and Artistic Evolution [00:40:28] Personal Struggles and Relationships [00:42:06] Paris and Artistic Friendships [00:45:02] The Move to Arles [00:47:24] The Yellow House and Artistic Breakthrough [00:52:53] Mental Health Struggles and Saint-Rémy [00:59:11] Final Days in Auvers-sur-Oise [01:04:27] Legacy and Impact [01:09:40] Copyright More episodes about art in France #VanGogh, #VincentVanGogh, #ArtHistory, #StarryNight, #Sunflowers, #PostImpressionism, #FrenchArt, #ArtLovers, #ArtistsLife, #TragicGenius, #JoinUsInFrance, #FrancePodcast, #TravelFrance, #FrenchCulture, #ExploreFrance, #DiscoverFrance, #FranceTravelTips, #RealFrance, #Francophile, #FranceAdventures

Con un Picasso, un Gauguin y un Rembrandt bajo el brazo. Asi escaparon del Museo Worcester de Massachusetts dos hombres con pasamontanas en el ano 1972. Spoiler: no acabo bien. Se inspira en este hurto historico la directora Kelly Reichardt para rodar 'The Mastermind', ganadora de la Espiga de Oro en la Seminci de Valladolid y mucho mas que una pelicula de robos (de arte). La comentamos, como siempre, con Carlos Alsina, Ruben Amon, Rosa Belmonte, Guillermo Altares, Sergio del Molino y Nacho Vigalondo. Ademas, debatimos sobre el concurso de ideas lanzado para preservar (quiza cubrir) el Templo de Debod de Madrid.

Con un Picasso, un Gauguin y un Rembrandt bajo el brazo. Asi escaparon del Museo Worcester de Massachusetts dos hombres con pasamontanas en el ano 1972. Spoiler: no acabo bien. Se inspira en este hurto historico la directora Kelly Reichardt para rodar 'The Mastermind', ganadora de la Espiga de Oro en la Seminci de Valladolid y mucho mas que una pelicula de robos (de arte). La comentamos, como siempre, con Carlos Alsina, Ruben Amon, Rosa Belmonte, Guillermo Altares, Sergio del Molino y Nacho Vigalondo. Ademas, debatimos sobre el concurso de ideas lanzado para preservar (quiza cubrir) el Templo de Debod de Madrid.

Con un Picasso, un Gauguin y un Rembrandt bajo el brazo. Asi escaparon del Museo Worcester de Massachusetts dos hombres con pasamontanas en el ano 1972. Spoiler: no acabo bien. Se inspira en este hurto historico la directora Kelly Reichardt para rodar 'The Mastermind', ganadora de la Espiga de Oro en la Seminci de Valladolid y mucho mas que una pelicula de robos (de arte). La comentamos, como siempre, con Carlos Alsina, Ruben Amon, Rosa Belmonte, Guillermo Altares, Sergio del Molino y Nacho Vigalondo. Ademas, debatimos sobre el concurso de ideas lanzado para preservar (quiza cubrir) el Templo de Debod de Madrid.

The authenticity of the final self-portrait by Paul Gauguin, made in 1903 and housed in the Kunstmuseum in Basel, was earlier this year called into question. Now, the museum has completed its promised analysis, and confirmed that the painting is not a fake and is by Gauguin. Ben Luke talks to The Art Newspaper's special correspondent, Martin Bailey, about the saga. In recent years, the late Indian sculptor Mrinalini Mukherjee has come to increasing prominence. Now, a show at the Royal Academy of Arts in London, called A Story of South Asian Art: Mrinalini Mukherjee and Her Circle, explores her work in the context of six other artists including her parents, Leela Mukherjee and Benode Behari Mukherjee. The exhibition's curator, Tarini Malik, tells Ben more. And this episode's Work of the Week is Character Head No.25 by Franz Xaver Messerschmidt, the 18th-century sculptor who was born in Germany, and lived in modern-day Austria and Slovakia. The bust features in the exhibition Franz Xaver Messerschmidt: More than Character Heads, at the Belvedere in Vienna, and we talk to the exhibition's curators, Katharina Lovecky and Georg Lechner, about the work.New subscription offer: eight-week free digital trial of The Art Newspaper. Cancel anytime. The subscription auto-renews at full price for your region. www.theartnewspaper.com/subscriptions-8WEEKSOFFERA Story of South Asian Art: Mrinalini Mukherjee and Her Circle, Royal Academy of Arts, London, 31 October-24 February 2026.Franz Xaver Messerschmidt: More Than Character Heads, Belvedere, Vienna, 31 October-6 April 2026. Hosted on Acast. See acast.com/privacy for more information.

(00:57) Das Kunstmuseum Basel hat das Ergebnis zur Echtheit seines Gauguin-Gemäldes. Weitere Themen: (05:28) Das kunsthistorische Museum in Wien zeigt die erste grosse Retrospektive einer lange vergessenen Barock-Malerin: Michalina Wautier. (09:59) Paris: Die Fondation Cartier eröffnet ein riesiges neues Kunst-Zentrum im Herzen der Stadt. (14:19) Landesmuseum Zürich: Mit dem Pilot-Event «DA!» haben zwei junge Frauen die Gen Z ins Museum gelockt. (18:41) Jazz-Legende Jack DeJohnette ist gestorben – «Er war mehr als einfach nur ein Begleiter».

The author of the award-winning national bestseller I Done Clicked My Heels Three Times returns with a poetry collection that transforms the Black female speaker from object, artistic muse, and victim to subject, critic, and master of her story.Resting Bitch Face (Soft Skull Press, 2025) is a book for women, for Black women, for lovers of art and film criticism, and for writers interested in work that finds a middle ground between poetry and prose. Taylor Byas uses some of our most common ways of “watching” throughout history (painting, films, sculpture, and photographs) to explore how these mediums shape Black female subjectivity.From the examination of artwork by Picasso, Gauguin, Sally Mann, and Nan Goldin, Byas displays her mastery of the poetic form by engaging in intimate and inventive writing. Fluctuating between watcher and watched, the speaker of these poems uses mirrors and reflections to flip the script and talk back to histories of art, text, photography, relationships, and men. From Polaroids to gesso primer to sculpture, Byas creates a world in which the artist calls out and the muse responds. For not only does she enter the world of the long-revered classic artist, but she also infuses her poems with such iconic pop culture works as The Joker, WandaVision, and Last Tango in Paris. You can find Taylor on Instagram and Bluesky. Find host Sullivan Summer online, on Instagram, and over on Substack, where she and Taylor went to continue their conversation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The author of the award-winning national bestseller I Done Clicked My Heels Three Times returns with a poetry collection that transforms the Black female speaker from object, artistic muse, and victim to subject, critic, and master of her story.Resting Bitch Face (Soft Skull Press, 2025) is a book for women, for Black women, for lovers of art and film criticism, and for writers interested in work that finds a middle ground between poetry and prose. Taylor Byas uses some of our most common ways of “watching” throughout history (painting, films, sculpture, and photographs) to explore how these mediums shape Black female subjectivity.From the examination of artwork by Picasso, Gauguin, Sally Mann, and Nan Goldin, Byas displays her mastery of the poetic form by engaging in intimate and inventive writing. Fluctuating between watcher and watched, the speaker of these poems uses mirrors and reflections to flip the script and talk back to histories of art, text, photography, relationships, and men. From Polaroids to gesso primer to sculpture, Byas creates a world in which the artist calls out and the muse responds. For not only does she enter the world of the long-revered classic artist, but she also infuses her poems with such iconic pop culture works as The Joker, WandaVision, and Last Tango in Paris. You can find Taylor on Instagram and Bluesky. Find host Sullivan Summer online, on Instagram, and over on Substack, where she and Taylor went to continue their conversation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

The author of the award-winning national bestseller I Done Clicked My Heels Three Times returns with a poetry collection that transforms the Black female speaker from object, artistic muse, and victim to subject, critic, and master of her story.Resting Bitch Face (Soft Skull Press, 2025) is a book for women, for Black women, for lovers of art and film criticism, and for writers interested in work that finds a middle ground between poetry and prose. Taylor Byas uses some of our most common ways of “watching” throughout history (painting, films, sculpture, and photographs) to explore how these mediums shape Black female subjectivity.From the examination of artwork by Picasso, Gauguin, Sally Mann, and Nan Goldin, Byas displays her mastery of the poetic form by engaging in intimate and inventive writing. Fluctuating between watcher and watched, the speaker of these poems uses mirrors and reflections to flip the script and talk back to histories of art, text, photography, relationships, and men. From Polaroids to gesso primer to sculpture, Byas creates a world in which the artist calls out and the muse responds. For not only does she enter the world of the long-revered classic artist, but she also infuses her poems with such iconic pop culture works as The Joker, WandaVision, and Last Tango in Paris. You can find Taylor on Instagram and Bluesky. Find host Sullivan Summer online, on Instagram, and over on Substack, where she and Taylor went to continue their conversation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

Nella prima puntata di Cháos, Carlotta e Damiano ci accompagneranno in un itinerario tra il razionalismo di Gottfried Wilhelm von Leibniz e il desiderio di scoperta di Paul Gauguin.

Episode Notes S6E32- Join us as we dive into the mind of New York Times best selling author Ralph Pezzullo & Ex CIA opretive Robert Tosh Plumlee They'll be in the house talking all things Deep Cover Shallow Graves. Their newest Novel This is an incredible read through a no-man's land of political intrigue and covert military operations sanctioned by the White House. Ralph Pezzullo is a New York Times bestselling author, and award-winning playwright and screenwriter. He is also the host of the popular podcast “Heroes Behind Headlines,” which is ranked in the top 1% off all podcasts worldwide. Born in New York City, he grew up in Mexico, Vietnam, Bolivia, Colombia, Guatemala,Uruguay and Nicaragua as the son of a US diplomat. After re ceiving a Master's Degree in International Affairs from George Washington University, he worked as a legislative assistant and public affairs officer for Congressman Les Aspin and later as a correspondent for Associated Press covering assignments in Latin America. Robert Tosh Plumlee: Robert Tosh Plumlee was born in 1937. He joined the United States Army in April 1954 and was assigned to the Texas 49th Armored Division. Later he was transferred to Dallas where he joined the 4th Army Reserve Military Intelligence Unit. After leaving the army Plumlee worked as an aircraft mechanic before obtaining his pilot's license in 1956. Soon afterwards he began work as a pilot for clandestine CIA flights. This included working for William Harvey, Tracy Barnes and Rip Robertson. Plumlee also transported arms to Cuba before Castro took power. Plumlee was also associated with Operation 40. In 1962 Plumlee was assigned to Task Force W which operated at the time from the JM/WAVE station in Miami. Plumlee claimed that in November, 1963, he was a co-pilot on a top secret flight supported by the CIA. Plumlee's flight left Florida on 21st November and stopped in New Orleans and Houston before reaching Dallas in the early morning hours of 22nd November. On board was Johnny Roselli. Plumlee testified that their assignment was to stop the planned assassination of John F. Kennedy. HELPFUL LINKS: VETERANS: https://www.va.gov/.../mental-health/suicide-prevention/ ADDICTION: https://lp.recoverycentersofamerica.com/.../continuum-of.../ Due you know someone that has lost their lives due to addiction? Or even someone that has made a full recovery? Reach out to Johnny Whitaker so they can help to celebrate the lives lost/ lives recovered at overdoseawareness0831@gmail.com Follow our guest http://ralphpezzulloauthor.com/ https://www.amazon.com/Ralph-Pezzullo/e/B001IO9TNG https://www.instagram.com/ralphpezzullo/?hl=en Toking with the Dead: https://www.stilltoking.com/ ————————————— Follow Still Toking With and their friends! https://smartpa.ge/5zv1 ————————————— Produced by Leo Pond and The Dorkening Podcast Network MORE ABOUT THE GUEST: His books have been published in over twenty languages and include bestsellers Jawbreaker (with former CIA operative Gary Berntsen), Inside SEAL Team Six (with Don Mann), Most Evil, Zero Footprint, Left of Boom and Ghost. Other books include The Navy SEAL Survival Handbook, The Walk-In, At the Fall of Somoza, The Chopin Manuscript (winner of the 2008 Audio Book of the Year), Plunging Into Haiti (winner of the 2006 Douglas Dillon Prize for American Diplomacy), Eve Missing, Full Battle Rattle, Blood of My Blood, the SEAL Team Six thrillers Hunt the Wolf, Hunt the Scorpion, Hunt the Falcon, Hunt the Jackal, Hunt the Fox, Hunt the Dragon, Hunt the Viper, Hunt the Leopard and Saigon (which was recently published in Vietnamese) and The Great Chinese Art Heist (to be released by Pegasus Crime in July). His plays, all of which have been produced in New York City, include Dear Friends, On That Day, Eating the Shadow, The Education of One Miss February, From Behind the Moon, Ghosts in the Dining Room, Bad Moon Rising, Gauguin's Parrot, Asylum, Hide Mother in My Heart, Spain, and Okeechobee Split. Tail of the Tiger was awarded Best New Play by the National Arts Club, and The American Wife was recently produced by the Park Theatre in London Find out more at https://still-toking-with.pinecast.co Send us your feedback online: https://pinecast.com/feedback/still-toking-with/3c3b5eb8-b12f-4138-b92c-420b5c36332e

In the final installment of our Impressionism primer, we meet the artists who broke away from light and surface to paint something deeper. From Van Gogh's turbulent skies to Gauguin's mythic Tahitian scenes, Cézanne's geometric still lifes to Seurat's scientific dots, the Post-Impressionists transformed 19th-century visual experiments into something stranger, bolder, and more modern. We'll also drop in to Montmartre with Toulouse-Lautrec, and look ahead to the influence these artists had on the Fauves, the Cubists, and even American modernists.  Vincent and the Doctor: https://www.youtube.com/watch?v=ubTJI_UphPk&ab_channel=DoctorWho  ______ New episodes every month. Let's keep in touch! Email: artofhistorypod@gmail.com Instagram: @artofhistorypodcast

This month, our Full Bio series is dedicated to the life and art of controversial French painter Paul Gauguin. Our guest is Sue Prideaux, author of the book Wild Thing: A Life of Paul Gauguin.  Part 1: Prideaux discusses Gauguin's childhood in Peru, and explains why she wanted to write a book about an artist who has been controversial among contemporary art fans.Part 2: Prideaux discusses the beginnings of Gauguin's artistic career, and his meaningful but tumultuous friendship with Vincent Van Gogh.Part 3: Prideaux discusses how moving to Tahiti influenced Paul Gauguin's life and art.

This month, our Full Bio series is dedicated to the life and art of controversial French painter Paul Gauguin. Our guest is Sue Prideaux, author of the book Wild Thing: A Life of Paul Gauguin. In today's installment, Prideaux discusses the beginnings of Gauguin's artistic career, and his meaningful but tumultuous friendship with Vincent Van Gogh.

This month, our Full Bio series is dedicated to the life and art of controversial French painter Paul Gauguin. Our guest is Sue Prideaux, author of the book Wild Thing: A Life of Paul Gauguin. In today's installment, Prideaux discusses Gauguin's childhood in Peru, and explains why she wanted to write a book about an artist who has been controversial among contemporary art fans. "

O Autores e Livros Dose Extra apresenta nesta semana uma conversa sobre “A borda do mar de Riatla”, novo livro do poeta piauiense Diego Mendes Sousa. Lançada em 2025 pela Brigada Mandu Ladino, a obra reúne 29 poemas divididos em dois capítulos — Borda d'água e Altos-mares — que percorrem paisagens da memória, do mito e da infância. Radicado em Brasília, mas com os olhos e o coração voltados para Parnaíba, sua cidade natal, Diego constrói um território simbólico e poético: Riatla. Palavra inventada pelo autor, Riatla dá nome a esse espaço imaginário onde o mar encontra o rio, o real se mistura ao sonho e a saudade vira matéria-prima de poesia. Com linguagem intensa, cheia de lirismo e referências literárias e artísticas — de Rilke a Gauguin —, o livro propõe uma experiência sensível de reencontro com as raízes. Mais do que poemas, os textos funcionam como travessias emocionais, capazes de tocar tanto quem carrega saudades do lugar onde nasceu quanto quem busca beleza e profundidade na literatura.

O artista Antonio Sergio Moreira inaugura neste sábado (19) a exposição "Afro Résonances dans l'Art Contemporain", na Galeria Ricardo Fernandes, localizada em Saint-Ouen, na periferia de Paris. A mostra é resultado de uma residência artística de mais de um mês no espaço La Patinoire, também na cidade. Natural de Belo Horizonte, Moreira dedica-se há cerca de 40 anos à pesquisa das heranças culturais africanas e afro-ameríndias.  O artista mineiro se define como um “antropófago urbano de culturas e experiências”. Por meio de sua arte contemporânea, ele busca abrir espaço para temas afro e para a valorização de artistas negros no cenário internacional. Depois de participar da "Expo Favela Innovation Paris" com a criação de painéis que decoraram a fachada do Théâtre de la Concorde no início de julho, Moreira apresentará na Galeria Ricardo Fernandes esculturas trazidas de seu ateliê no Brasil, além de 17 obras inéditas criadas especialmente para esta nova exposição. A mostra será aberta ao público a partir de 19 de julho, em uma parceria com a prefeitura de Saint-Ouen, como parte da programação da temporada cultural cruzada Brasil-França. Moreira contou à RFI que a temática da exposição já está na sua essência há muitas décadas: “O projeto veio dessa proposta de afro-ressonâncias diaspóricas, esse sentido diaspórico que é onde eu transito. Eu transito nesse Atlântico negro. Lá atrás, quando eu volto de São Paulo, onde eu trabalhava, e decido voltar para Belo Horizonte, foi quando eu comecei também a fazer curadorias do Festival de Arte Negra de Belo Horizonte”, diz. “Negro não tinha espaço nas galerias quando eu cheguei em 1986, não tinha artistas negros expondo nas galerias. A partir disso, eu me olhei e falei assim: de onde que eu sou? Para onde que eu vou? Quem eu sou?”, revela o artista, indicando que foi nesse momento de sua carreira que decidiu pesquisar suas heranças africanas e afro-ameríndias e também passou a frequentar terreiros “com olhar de artista”. “Nesse processo, eu trago aquilo que eu vejo e vivencio. Então, hoje eu trago para essas obras que estão aqui fragmentos de ancestralidade do povo de terreiro. Eu consigo manter separado o segredo do sagrado, e tudo é arte contemporânea”, declara Antonio Sergio Moreira. Residência e exposição na periferia de Paris Desde o início de 2025, o projeto vem ganhando forma graças aos esforços do galerista brasileiro Ricardo Fernandes, radicado na França, que articulou a parceria com a prefeitura de Saint-Ouen após o artista mineiro ser selecionado em um edital de intercâmbio de residência artística, promovido pela Secretaria de Turismo e Cultura de Minas Gerais por meio do PNAB – programa federal de fomento à cultura. Após um período intenso de residência e criação das obras, com o desenvolvimento de oficinas nas quais usou sacos de cimento para transmitir seus conhecimentos de arte à população de Saint-Ouen, desde junho Moreira vem refletindo sobre seu processo artístico. Esse processo, no entanto, também faz parte de um conjunto de vivências urbanas integradas à sociedade contemporânea. “Trazer a minha pintura para uma cidade que tem uma história de pintura, como os franceses possuem, não é pretensão. Eu sou o processo antropofágico disso tudo. As pessoas vêm para o Louvre, mas não podem comprar o Louvre. Então, elas vêm para o mercado de pulgas de Saint-Ouen e podem comprar uma 'parte do Louvre'; podem comprar também a arte contemporânea que está transitando nessa via. Acho que isso é importante. Eu não estou aqui para dizer que sou melhor que Gauguin ou Monet. Na minha arte, tem todo o mundo, e eu estou preocupado em ocupar o meu espaço”, declara o pintor brasileiro. Ricardo Fernandes, diretor da galeria onde a exposição permanece em cartaz até 15 de setembro, falou da importância do apoio do prefeito de Saint-Ouen, Karim Bouamrane, um admirador declarado do Brasil e de personalidades brasileiras.  “O prefeito é um cara muito interessado no Brasil. E o Brasil tem, na cabeça dele, no universo dele, um lugar na cidade de Saint-Ouen. Ele busca essas parcerias importantes com o Brasil. É uma cidade muito diversa também, que nos acolhe muito bem”, afirma Fernandes.  Arte brasileira é ampla  Moreira também pede maior valorização de artistas de fora do eixo Rio-São Paulo, já que, segundo ele, pode ser uma forma de impor uma ideia de nação justa e ampla no campo da arte.  “O Rio de Janeiro não é o centro do universo, nem São Paulo. O país é grande. Nós temos uma medida continental. Nós existimos, nós fazemos parte. Eu acho que, quando nós aceitarmos [a arte] do nordestino, do povo da Amazônia, do povo do Sul, aí sim, a gente tem uma ideia de nação. Então, eu acho que esse é o meu lugar de fala”, defende o artista. Além das pinturas exclusivas apresentadas na mostra, os visitantes poderão interagir com esculturas de cabeças de ori e diários de rascunhos de obras do artista mineiro.  “Eu sou filho de Xangô. Eu tenho que mostrar tudo, eu tenho que ser tudo. Eu sou feito não só de uma coisa, mas de um conjunto muito grande de elementos – e uma parte deles está aqui. Então, quem quiser compreender um pouco mais de outros universos, desses povos de matriz africana do Brasil, dos quais eu faço parte, venham ver. Parem para ver, e tenham atenção para ver”, convida Antonio Sergio Moreira.

Face à la pénurie de personnel paramédical, le gouvernement tchèque sort le chéquier - Festival Za dveřmi : la tortue de Gauguin fait escale sur une île de la Vltava - « Découvrir une Prague un peu plus secrète et confidentielle reste possible »

Face à la pénurie de personnel paramédical, le gouvernement tchèque sort le chéquier - Festival Za dveřmi : la tortue de Gauguin fait escale sur une île de la Vltava - « Découvrir une Prague un peu plus secrète et confidentielle reste possible »

Gauguin è il pittore che ha trasformato l'arte post-impressionista con paesaggi esotici, simboli e figure femminili vibranti. Scopri in questo podcast la vita, lo stile e le opere del pittore.

Besprechung der Folge "Dagger Redux" ("O'Neills Entlassung"): Terminatoravatare befreien GELF-Anführerin Maria aus dem Gefängnis, bringen sie zu einem superintelligenten Superbösewicht in sein Hightech-Reich unter Wasser, damit er mit ihrer Hilfe die seaQuest vernichten kann, um endlich seinen Traum vom Trilliumabbau umsetzen zu können. Zwischendurch geht O'Neill malen.Ja, es ist eine dieser Folgen. Nils war so tapfer, mit uns da durch zu schwimmen.

13 février 2025Rencontre avec Claudio D'AURIZIO autour de Gilles DeleuzeEn conversation avec Daniela ANGELUCCI et Fabrizio PALOMBIClaudio D'Aurizio est auteur de l'essai Una filosofia della piega éditions Mimesis et traducteur de Sulla pittura éditions EinaudiUna filosofia della piega - Saggio su Gilles DeleuzeL'ouvrage retrace rétroactivement l'ensemble du parcours philosophique de Gilles Deleuze (1925-1995) à la lumière du concept de pli, et se divise en deux parties qui abordent, sous des angles différents, la fonction de cette notion dans l'évolution de sa pensée. Una filosofia della piega offre au lecteur un riche parcours théorique qui participe au débat sur l'héritage et la pertinence de la pensée de l'un des plus importants intellectuels français du XXe siècle.Sulla pittura - Corso marzo-maggio 1981Par David LapoujadeTraduction de Claudio D'AurizioDe 1970 à 1987, Gilles Deleuze a enseigné un cours hebdomadaire de philosophie à l'Université expérimentale de Vincennes, transférée à Saint-Denis en 1980. Les huit conférences données par le philosophe français entre mars et juin 1981, transcrites et annotées dans ce volume, sont entièrement consacrées au problème de la peinture. Cézanne, Van Gogh, Michel-Ange, Turner, Klee, Mondrian, Pollock, Bacon, Delacroix, Gauguin ou Caravage constituent pour Deleuze autant d'occasions de discuter de concepts philosophiques fondamentaux tels que code, diagramme, figure, analogie, modulation. Avec ses étudiants, le philosophe français repense radicalement les concepts qui constituent habituellement la base de notre compréhension de l'activité créatrice des peintres.Claudio D'Aurizio est titulaire d'un doctorat en études humanistes en co-direction de l'Université de Calabre et de l'Université de Reims Champagne-Ardenne. Professeur de philosophie théorique à l'Université de Calabre, secrétaire de rédaction de la revue L'inconscio, il a traduit David Lapoujade, Deleuze. Mouvements aberrants (2020) et Alain Badiou, Nietzsche. Antiphilosophie 1 (2022). Il traite de la philosophie moderne et contemporaine et de son intersection avec la littérature, la psychanalyse, l'art.Daniela Angelucci enseigne l'esthétique à l'Université de Roma Tre. Ses principaux domaines d'intérêt comprennent la théorie de l'image et la philosophie du cinéma.Fabrizio Palombi est professeur associé de philosophie théorique à l'Université de Calabre, professeur à l'Institut pour la clinique des liens sociaux et directeur de L'inconscio.

Planning a dream cruise to Tahiti, French Polynesia, and the Society Islands? Join Ken on RTE-Travel Talk as he sits down with Susanne Rose of Cruise Holidays of Oakville to compare Paul Gauguin Cruises and Windstar Cruises, two of the top luxury cruise lines sailing these stunning destinations. Both offer intimate small-ship experiences, but which one is right for you? We break down: ✔️ Ship size & onboard atmosphere – The dedicated luxury on m/s Gauguin vs. an upscale yacht experience aboard Windstar Star Breeze ✔️ Itineraries & Destinations – Which cruise line gives you the best access to French Polynesia's hidden gems? ✔️ Shore Excursions & Unique Experiences – Snorkeling, diving, cultural encounters, and private island visits ✔️ Food & Service – French-inspired gourmet dining vs. casually elegant cuisine ✔️ Inclusions & Value – What's included in your cruise fare? Which offers the best overall experience? ✔️ Who Should Sail Each Line? – Which cruise is perfect for honeymooners, adventurers, or luxury seekers?

 Ever wondered why Van Gogh sliced off his ear? Prepare to uncover bizarre theories, humorous insights, and poignant reflections on mental health, and the mystery of what happened to that ear. Join us on a captivating journey that's equal parts tragic, funny, and profoundly human.

¿Qué te pareció este episodio?¿Qué te pareció este episodio?Una reciente biografía nos enseña a ser más cuidadosos con nuestras lecturas del pasado.Lee el artículo aquí: https://jugo.pe/gauguin-no-tenia-sifilis/Al suscribirte a Jugo recibes nuestro contenido diariamente. Tienes la oportunidad de ser juguero por un día. Pero, sobre todo, patrocinas que nuestro contenido llegue gratuitamente a personas que lo necesitan. Contamos con tu apoyo para no desenchufar la licuadora. Suscríbete aquí. Haz clic aquí para seguirnos en Twitter Haz clic aquí para seguirnos en Facebook Haz clic aquí para seguirnos en Instagram

Dernière étape, Hiva Oa, est souvent associée à Jacques Brel et Paul Gauguin. Cette île surprend par sa douceur et son cachet polynésien. Le centre culturel dédié aux deux artistes offre une plongée dans leur univers et l'importance de leur héritage culturel. Une visite du cimetière d'Atuona, où les deux reposent, apporte une note émouvante à ce voyage.Camille a aussi apprécié la chasse aux trésors archéologiques, notamment le tiki penseur, caché dans la végétation luxuriante. Une aventure qui rend hommage à la richesse historique de l'île.Pour écouter l'épisode en entier

C'est le retour de Camille, notre maman pédiatre globetrotteuse ! Après Madagascar, la série sur les bobos de voyage et sa "Galère ton Voyage" au Japon, on part aux Marquises, en Polynésie, où elle a passé 10 jours l'été dernier avec Pierre, son mari, et leurs 3 enfants, Basile, 16 ans, Félix, 12 ans et Zoé 7 ans.Imaginez : des plages de sable noir, des cascades vertigineuses, des forêts tropicales luxuriantes... Ils ont exploré trois îles : Ua Pou, la plus sauvage, Nuku Hiva, la plus grande, et Hiva Oa, célèbre notamment pour avoir accueillie Gauguin et Brel. Entre randonnées, baignades, sites archéologiques et rencontres avec les habitants, ils ont encore vécu un voyage de dingue.Alors, si vous rêvez d'un voyage très très loin des sentiers battus, où vos enfants pourront découvrir des traditions ancestrales, s'émerveiller devant la beauté de la nature, fabriquer des objets artisanaux et même à danser le haka, cet épisode est fait pour vous.Allez, c'est parti pour le carnet de voyage de Camille aux Marquises !-----------Idée originale et hôte : Stéphanie CordierMusique : Luk & Jo

Chapter 1 What's Noa Noa by Paul Gauguin"Noa Noa" is both a collection of writings and an artistic exploration by French artist Paul Gauguin, chronicling his experiences in Tahiti. Written in 1893, it highlights his quest for beauty, spirituality, and a return to primitive simplicity. Through vivid descriptions of the landscape and people, Gauguin reflects on the contrasts between Western civilization and the perceived Edenic state of Tahitian life. The text combines poetry and prose, interwoven with his thoughts about art, culture, and the essence of existence. Gauguin's work emphasizes the vibrant colors, exotic atmosphere, and sensuality of the island, portraying an idealized vision of paradise. While it serves as an artistic manifesto, "Noa Noa" also reveals the artist's struggles with his identity, showcasing the complex interplay between reality and Gauguin's romanticized interpretations.Chapter 2 Noa Noa by Paul Gauguin SummaryNoa Noa by Paul Gauguin: Summary Background: "Noa Noa" is a semi-autobiographical novel written by French post-impressionist painter Paul Gauguin, published in 1901. The work is a blend of travel narrative, art commentary, and personal reflections, detailing Gauguin's experiences in Tahiti, where he sought to escape European civilization and find inspiration for his art. Setting: The story is set in early 1890s Tahiti, a place that fascinated Gauguin for its natural beauty, cultural practices, and perceived primitivism. Here, he depicts the stark contrast between the lush landscapes of the island and the complexities of Western society. Narrative Structure: The book is presented as a series of interconnected fragments, exploring Gauguin's life, relationships, and artistic motivations during his time in Tahiti. He uses a poetic and impressionistic style to convey a dreamy, almost mystical perspective of the island and its people. Themes: The Quest for Authenticity: Gauguin's journey signifies a search for an authentic existence, away from the materialism and moral constraints of European civilization. He idealizes the simplicity and vitality of Tahitian life. Art and Nature: The artist's relationship with nature is a recurrent theme. When Gauguin describes the vibrant landscapes and cultural practices, he emphasizes how these experiences influence his artistic vision and creations. Colonialism: Through his reflections on Tahiti, Gauguin addresses the impact of colonialism, contrasting the innocence of the island's inhabitants with the exploitative actions of European powers. Identity and Exile: Gauguin grapples with his own identity as both an artist and a man in exile from society. His feelings of isolation inform his creative practice and philosophical musings throughout the text. Imagery and Symbolism: Gauguin's vivid descriptions are rich in color and form, using symbolism to enhance the narrative. He often incorporates local folklore, spirituality, and the natural world to reflect deeper human experiences and emotions. Conclusion: "Noa Noa" provides a unique insight into Gauguin's life as an artist and his complicated relationship with both the exotic Tahitian culture and his own background. It serves as a testament to his struggles, inspirations, and the profound impact of place on artistic expression, revealing not only an artist's journey but a cultural encounter shaped by differing worldviews.Chapter 3 Noa Noa AuthorPaul Gauguin was a French painter and one of the leading figures of post-Impressionism. He was born on June 7, 1848, in Paris, France, and died on May 8, 1903, in Atuona, French Polynesia. Gauguin is best known for his bold use of color and synthetist style that influenced modern art. Noa NoaHe wrote the book Noa Noa during his time in Tahiti, and it...

CBC is in Chicago on 2/27! Get your tickets here. Yooo, who wants to drink some turpentine under a starry night with me? This week we hunkered down in the studio and read OG struggling artist Vincent Van Gogh's book, "The Letters of Vincent Van Gogh." Stretch your canvas as we discuss glamorizing peasants, immersive exhibits, eating overcooked quail, wholesale paint brushes, his dope Dutch sister-in-law Johanna Van Gogh-Bonger, the nostalgia of drawing, and brothels. Plus, we try to get to the bottom of what really went down in Brittany with Gauguin???Support the show: https://www.patreon.com/cbcthepodSee omnystudio.com/listener for privacy information.

Fabriano Fabbri"La voce del diavolo"L'arte contemporanea e la moda.Einaudi Editorewww.einaudi.itNel lungo arco della contemporaneità, l'arte del vestire ha sedotto il corpo per liberarlo da disagi e inibizioni, lo ha accarezzato per divorarne le energie, lo ha spinto oltre i suoi limiti per urlare al mondo «la voce del diavolo», come scriveva William Blake: lo ha protetto con cura per reciderlo dai lacci della morale e del perbenismo. Fabriano Fabbri rilegge la storia dell'arte dalla fine del Settecento agli anni Duemila usando come metronomo le funamboliche evoluzioni del guardaroba di ieri e di oggi, fra i tumulti della tecnologia e le tempeste della rivoluzione sessuale.Moda e arte vivono di intrecci senza fine, di trame a doppio filo, di storie nelle storie che incantano, che sorprendono, che illudono e divertono. Nelle sue frenetiche rapsodie creative, ogni stile indumentale ha stretto da sempre un accordo di alleanza con i movimenti artistici piú noti al grande pubblico, dal Neoclassicismo alla Pop art. Eppure, in pochi conoscono le spinte sotterranee che animano moda, pittura e scultura, in pochi afferrano le ragioni profonde che spingono le une fra le braccia dell'altra. Quante volte abbiamo incontrato la parola «Minimalismo » curiosando fra rete e riviste? Quante volte abbiamo sentito parlare di Dalí e Schiaparelli o di Mondrian e Saint Laurent? E i colorati parei di Gauguin, quanto li abbiamo visti fra le pitture tropicali del simbolista francese e la sua impudica «casa del piacere»? E poi, ancora, chi non ha presente le danzatrici di Canova o la Madame Récamier di David in provocanti «vesti di velo», per rubare le parole al «Divin marchese» de Sade?«Vèstiti, cosí alla sdrucciola, potrebbe suonare come un imperativo, un invito piú o meno scoperto a dare un tocco di ricercatezza agli ingredienti del nostro stile. Oppure potrebbe essere un sostantivo: vestíti intesi come abiti, come capi d'abbigliamento, come divise, come fogge. Infine, vestíti, participio passato di vestire. Sia quel che sia, quando ci copriamo di tessuti non stiamo avvolgendo il corpo per semplice necessità di decoro e protezione: stiamo indossando le forme – le tele? – di Picasso e di Chanel, se ci infiliamo in un rettangolo; ci stiamo abbigliando con le visioni di Turner o Pollock quando i tessuti sono sdruciti, grinzosi e caotici; siamo invece avvolti dall'ironia di Duchamp se il nostro look è sofisticato, insolito, a volte street – come ci insegna Virgil Abloh. E siccome la storia dell'arte e del costume è sempre una storia di spazio e di volumi, partiremo proprio dall'amplesso mai interrotto fra gli artisti e gli stilisti del nostro tempo. Sia chiaro, è fin troppo ovvio mettere le mani in avanti, spiegare a mo' di preambolo che il primo impatto con un'opera d'arte o con un'opera vestimentaria coinvolge l'interezza della nostra sfera emotiva, del gusto e della personalità, delle cose che semplicemente “ci piacciono” cosí, in via istintiva; ma se vogliamo entrare nel merito dei valori che favoriscono uno stile piuttosto che un altro per capirne a fondo il senso culturale, spazio e volume sono le materie prime di un approccio obiettivo, il piú fedele possibile al nostro oggetto di interesse. E nel farlo sarà fondamentale tenere ben salda la distinzione tra le forme della modernità e le forme del contemporaneo».Fabriano Fabbri insegna Stili e arti del contemporaneo, Forme della moda contemporanea e Contemporary fashion all'Università di Bologna. È autore di numerose monografie su arte e moda, tra cui Sesso arte rock'n'roll, Atlante, Bologna 2006; Lo zen e il manga, Bruno Mondadori, Milano 2009; Boris Bidjan Saberi. 11, Atlante, Bologna 2013; L'orizzonte degli eventi, Atlante, Bologna 2013; Angelo Marani, Atlante, Bologna 2015. Per Einaudi ha pubblicato La moda contemporanea. Arte e stile da Worth agli anni Cinquanta (2019), La moda contemporanea. Arte e stile dagli anni Sessanta alle ultime tendenze (2021) e La voce del diavolo. L'arte contemporanea e la moda (2024).IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Last month, I challenged 11,000 people to classify fifty pictures as either human art or AI-generated images. I originally planned five human and five AI pictures in each of four styles: Renaissance, 19th Century, Abstract/Modern, and Digital, for a total of forty. After receiving many exceptionally good submissions from local AI artists, I fudged a little and made it fifty. The final set included paintings by Domenichino, Gauguin, Basquiat, and others, plus a host of digital artists and AI hobbyists. One of these two pretty hillsides is by one of history's greatest artists. The other is soulless AI slop. Can you tell which is which? If you want to try the test yourself before seeing the answers, go here. The form doesn't grade you, so before you press "submit" you should check your answers against this key. Last chance to take the test before seeing the results, which are: https://www.astralcodexten.com/p/how-did-you-do-on-the-ai-art-turing

Las obras que realizó Gauguin en las islas del océano Pacífico son algunas de sus pinturas más populares. El artista pasó de ser un agente de bolsa adinerado a dedicarse a la pintura en una recóndita isla del océano Pacífico, Tahití.

Tune in to the first of our 'In Conversation' podcast episodes, where we speak to all six of this year's shortlisted authors about their extraordinary works of non-fiction. First up, Georgina Godwin speaks to Sue Prideaux, author of 'Wild Thing: A Life of Paul Gauguin'. Prideaux's award-winning works have captivated readers worldwide. From her James Tait Black Memorial Prize-winning biography of Edvard Munch to her Duff Cooper Prize-winning book on Strindberg, and her celebrated Nietzsche biography, 'I Am Dynamite!', which received the Hawthornden Prize and The Times Biography of the Year in 2018. In her latest work, 'Wild Thing', Prideaux brings to life the vibrant and tumultuous journey of Paul Gauguin. From his privileged start in Peru to his rebellious adventures in France, she offers a nuanced view of Gauguin, celebrating his creative genius while not shying away from his flaws. Listen now to hear all about it. This podcast is generously supported by the Blavatnik Family Foundation. To keep up with all of our Prize news all year round, follow @BGPrize on Instagram, Facebook, Twitter, TikTok and YouTube.

In this week's Book Club podcast Sam Leith's guest is the great Sue Prideaux who, after her prize-winning biographies of Nietzsche, Munch and Strindberg, has turned her attention to Gauguin in Wild Thing: A Life of Paul Gauguin. She tells me about the great man's unexpected brief career as an investment banker, his highly unusual marriage and his late turn to anticolonial activism. Plus: why she starts with his teeth. This podcast is in association with Serious Readers. Use offer code ‘TBC' for £100 off any HD Light and free UK delivery. Go to: www.seriousreaders.com/spectator Produced by Patrick Gibbons and Oscar Edmondson.

In this week's Book Club podcast Sam Leith's guest is the great Sue Prideaux who, after her prize-winning biographies of Nietzsche, Munch and Strindberg, has turned her attention to Gauguin in Wild Thing: A Life of Paul Gauguin. She tells me about the great man's unexpected brief career as an investment banker, his highly unusual marriage and his late turn to anticolonial activism. Plus: why she starts with his teeth. This podcast is in association with Serious Readers. Use offer code ‘TBC' for £100 off any HD Light and free UK delivery. Go to: www.seriousreaders.com/spectator Produced by Patrick Gibbons and Oscar Edmondson.

Episode 244 of Talk Media discusses the media coverage following the sudden death of Scotland's First Minister Alex Salmond, who in 2014, took our country within touching distance of Independence. Eamonn, joined by Catriona Stewart and David Pratt, have a frank discussion on the media coverage , a look at the horrors taking place in the Middle East and the frankly strange news of Labour pushing weight loss drugs in an attempt to cut back the welfare bill. Recommendations: Eamonn The War Room- doc - Amazon Prime This documentary follows President Clinton's campaign trail and focuses on his aides, James Carville and George Stephanopoulos. Catriona Break Up - : How Alex Salmond and Nicola Sturgeon Went to War - Book Alex Salmond and Nicola Sturgeon's political partnership changed the face of Scotland, bringing the country to within 200,000 votes of independence and holding sway at Holyrood for more than a decade. So how and why has their thirty-year alliance irretrievably broken down? Break-Up tells the inside story of how the once unbreakable unity of the Scottish National Party was ripped apart amid shocking claims of sexual assault. With unrivalled access to both camps and the women who made the allegations, and with rigorously fair-minded reporting, journalists David Clegg and Kieran Andrews go behind the headlines to uncover the truth about this extraordinary episode, in a piece of political history that reads like a thriller. Now fully updated, this is a jaw-dropping tale of inappropriate behaviour in the highest reaches of power, of lies, distrust and alleged conspiracy, with profound implications not only for Salmond and Sturgeon themselves but for Scotland's governing party and the wider independence campaign. David Wild Thing - book Paul Gauguin is chiefly known as the giant of post-Impressionist painting whose bold colours and compositions rocked the Western art world. It is less well known that he was a stockbroker in Paris and that after the 1882 financial crash he struggled to sustain his artistry, and worked as a tarpaulin salesman in Copenhagen, a canal digger in Panama City, and a journalist exposing the injustices of French colonial rule in Tahiti. In Wild Thing, the award-winning biographer Sue Prideaux re-examines the adventurous and complicated life of the artist. She illuminates the people, places and ideas that shaped his vision: his privileged upbringing in Peru and rebellious youth in France; the galvanising energy of the Paris art scene; meeting Mette, the woman who he would marry; formative encounters with Vincent van Gogh and August Strindberg; and the ceaseless draw of French Polynesia. Prideaux conjures Gauguin's visual exuberance, his creative epiphanies, his fierce words and his flaws with acuity and sensitivity. Drawing from a wealth of new material and access to the artist's family, this myth-busting work invites us to see Gauguin anew.

This week: the Fitzwilliam Museum in Cambridge, UK, has invited the US artist Glenn Ligon to explore its history and collections, and his interventions are revealed this week. Ben Luke goes to Cambridge to talk to Ligon about the project. Few artists' lives prompt as much discussion as that of Paul Gauguin, and a new biography of the French artist by Sue Prideaux has just been published. We talk to Sue about the book. And this episode's Work of the Week is the piece that has just been unveiled on the Fourth Plinth in Trafalgar Square. Mil Veces un Instante or (A Thousand Times in an Instant) by Teresa Margolles is made up of plaster casts of the faces of 726 trans, non-binary, and gender non-conforming people. Ekow Eshun, the chair of the group that commissions the projects for the Fourth Plinth, speaks to our associate digital editor, Alexander Morrison, about the work.Glenn Ligon: All Over The Place, Fitzwilliam Museum, Cambridge, UK, until 2 March 2025. Distinguishing Piss from Rain: Writings and Interviews by Glenn Ligon, Hauser & Wirth Publishers, £32 or $38. Untitled (America/Me), High Line, New York, until November 2024. Listen to our in-depth interview, A brush with… Glenn Ligon from 18 August 2021.Wild Thing: A Life of Paul Gauguin, by Sue Prideaux, Faber, £30; published in the US next year, by WW Norton, $39.99.Teresa Margolles: Mil Veces un Instante (A Thousand Times in an Instant), Fourth Plinth, Trafalgar Square, until 2026.Subscription offer: you can get the perfect start to the new academic year with 50% off a student subscription to The Art Newspaper—that's £28, or the equivalent in your currency, for one year. Visit theartnewspaper.com to find out more. Hosted on Acast. See acast.com/privacy for more information.

Edward Enninful, Vogue Global Creative and Cultural advisor has just made a documentary series, In Vogue: The 90s. He discusses the decade that changed fashion forever. Sue Prideaux has just written the first biography of French post impressionist artist, Gauguin, in over thirty years. She argues it is time to reappraise the way we look at the man and his work. American singer Lady Blackbird has been called 'the Grace Jones of jazz' and she discusses her recent rise to fame and plays a song from her new album Slang Spirituals. And, Will Boast is one of five a finalists for this year's BBC National Short Story Award with Cambridge University and joins Samira to discuss his entry.Presenter: Samira Ahmed Producer: Ruth Watts

Dr. Stephanie Brown talks about a missing painting by the great Paul Gauguin and how it was found. Learn more about your ad choices. Visit megaphone.fm/adchoices

La mostra dedicata all'artista francese in Australia, con 130 opere da diversi musei internazionali, suscita riflessioni sulla 'cancel culture'.

durée : 01:25:06 - Toute une vie - par : Pascale Lismonde - "C'est de la musique, si vous voulez !" Voilà comment Gauguin a pu parler de sa peinture. Les ombres roses ou violette, les chiens rouges ? La peinture est harmonique. Découvrir la peinture de Paul Gauguin, c'est plonger dans le mystère éclatant de la couleur pure.

For the 26th episode of "Reading the Art World," host Megan Fox Kelly speaks with Martin Gayford, author of “Venice: City of Pictures,” published by Thames & Hudson in November of 2023.Their conversation shines a special spotlight on the magical, cultural city in advance of the Venice Biennale, opening April 20, 2024. Martin Gayford's book brings the richness and complexity of Venice's centuries of history to life with his rumination on the paintings, sculpture, and architecture of that city that are both familiar and unfamiliar to us, revealing in his writings entirely new ways to think about those objects, buildings, and stories of the city that have captivated artists and visitors for hundreds of years. Since the advent of the Venice Biennale in the 1890s, the city has become a shop window for the contemporary art of the whole world.Martin Gayford is an author and journalist. He studied philosophy at Cambridge and art history at the Courtauld Institute of London University. He's written prolifically about art and jazz, contributed regularly to the Daily Telegraph, and also to many art magazines and exhibition catalogs. He was art critic of the Spectator from 1994 to 2002, subsequently at the Sunday Telegraph before becoming chief art critic for Bloomberg News until 2013.Martin's publications and writings include studies of the lives and works of van Gogh, Gauguin, Constable, Michelangelo, Lucian Freud, Antony Gormley and several beautiful collaborations with David Hockney."Reading the Art World" is a live interview and podcast series with leading art world authors hosted by art advisor Megan Fox Kelly. The conversations explore timely subjects in the world of art, design, architecture, artists and the art market, and are an opportunity to engage further with the minds behind these insightful new publications.  Megan Fox Kelly is an art advisor and past President of the Association of Professional Art Advisors who works with collectors, estates and foundations.For more information, visit meganfoxkelly.com, hear our past interviews, and subscribe at the bottom of our "Of Interest" page for new posts.Follow us on Instagram: @meganfoxkellyPurchase “Venice: City of Pictures” at Thames & Hudson.Music composed by Bob Golden.

Several years ago, a book caught my eye, called "Lu Xun's Legacy". Published by the Muban Educational Trust, a non-profit dedicated to the preservation of woodblock art in China and located in London, England, it opened my eyes to Chinese woodblock prints. Reading the book, I realized how little I knew about printmaking, woodblock or otherwise, from China. All I really knew was that Japanese woodblock has roots within Chinese printmaking and I was curious as to how that transpired. Today, I speak with Senior Research Fellow at the Muban Educational Trust, David Barker. David's interests lie in the history and techniques of Chinese printmaking, having written a book on the subject in 2005 called "Tradition and Techniques in Contemporary Chinese Printmaking". David speaks to me about the history of printmaking in China, its techniques, and process. David discusses his time in the country, how prints evolved from the pre-modern (Tang and Ming Dynasties, for instance) into more modern times. We discuss Lu Xun, and the history of purchasing and selling prints in China, and where printmaking in China is today. Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com  Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note if available. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Print publishers are given if known. Muban Educational Trust : website Lu Xun (1881-1936) : was a seminal figure in modern Chinese literature, renowned for his impactful short stories and essays that exposed the societal and political issues of his era. Born in Shaoxing, Zhejiang Province, his works, including "The True Story of Ah Q" and "Diary of a Madman," critically examined the struggles of ordinary people and the shortcomings of traditional Chinese society. A staunch advocate for cultural and political reform, Lu Xun's writings continue to inspire and resonate with readers, solidifying his legacy as one of the most influential writers in 20th-century Chinese literature. Goldsmiths College: A renowned public research university in London known for its arts, design, and humanities programs. etching: A printmaking technique where an image is created by using acid to etch lines or textures onto a metal plate. lithography: A printing process where images are transferred onto a surface using a flat plate or stone. St. Francis Xavier (1506-1552): was a Roman Catholic missionary who played a significant role in spreading Christianity in Asia, particularly in Japan and India, during the 16th century. Shimabara Rebellion: was a 17th-century uprising in Japan led by Christian peasants against oppressive feudal lords and the prohibition of Christianity. Cultural Revolution: A socio-political movement in China initiated by Mao Zedong in the 1960s aimed at purging "counter-revolutionary" elements and promoting Maoist ideology. Mao Zedong (1893-1976) -  was the founder of the People's Republic of China and a key figure in Chinese communist history. Open Door Policy: A U.S. policy in the late 19th and early 20th centuries advocating for free trade and equal economic access to China among foreign powers. Gang of Four: A political faction led by Mao Zedong's wife, Jiang Qing, during the Cultural Revolution, known for its radical and controversial policies. Anne Farrer PhD:  is the Senior Research Fellow at the MET with a BA in Chinese and a PhD in late Ming woodblock illustration from the School of Oriental and African Studies, University of London. She has served in various roles at the Ashmolean Museum and the British Museum, focusing on Chinese painting, prints, and Central Asian collections. Currently, she is the Programme Director for the MA in East Asian Art at Sotheby's Institute of Art in London and also works with the Muban Educational Trust. Dr. Farrer's exhibitions and publications span topics such as Chinese art from the Silk Route, traditional and contemporary Chinese printmaking, and she has a particular research interest in woodblock printing from seventeenth and eighteenth-century China. Tang Dynasty: An influential dynasty in Chinese history known for its cultural and economic prosperity during the 7th to 10th centuries. Ching Dynasty: Also known as the Qing Dynasty, the last imperial dynasty of China, ruling from 1644 to 1912. Ming Dynasty: preceding the Qing Dynasty, known for its cultural renaissance and maritime exploration during the 14th to 17th centuries. gouache: is a water-based paint known for its opaque and vibrant colours. Made from pigment, water, and gum arabic as a binder, it offers artists versatility in creating both translucent washes and opaque layers. Gouache can be reactivated with water and comes in a range of colors, making it a popular choice for various painting techniques. Gauguin in the South Pacific: refers to the artistic period of Paul Gauguin (1848-1903) when he lived and worked in the South Pacific islands, producing vibrant and exotic paintings. kentō - is the registration system used by printmakers in order to line up the colour woodblocks with your key block, or outline block, carved first.   Ten Bamboo Studio: was a renowned Chinese printing studio established during the Qing Dynasty. Founded by Hu Zhengyan, it produced exquisite woodblock-printed books known for intricate designs and high-quality craftsmanship. These publications covered literature, poetry, painting, and calligraphy, showcasing meticulous detail and vibrant colors. Today, works from the Ten Bamboo Studio are treasured cultural artifacts admired globally for their beauty and historical significance. The Ding Workshops: was a renowned studio in China specializing in traditional woodblock printing. For generations, the Ding family mastered the art of printmaking, producing high-quality prints that often depicted landscapes, figures, and daily life scenes with intricate details and rich colors. Their prints were highly sought after and played a significant role in preserving and promoting Chinese artistic heritage.  Postmodernism in China: a cultural and artistic movement in China that emerged after the Cultural Revolution, characterized by a mix of traditional and contemporary influences. Christer von der Burg : founded the Han Shan Tang bookshop in 1978 in London, specializing in East Asian arts and culture books. Recognizing the underappreciation of Chinese prints compared to Japanese prints, he established the Muban Foundation in 1997 to promote Chinese printing knowledge. Over a decade, he amassed a collection of over 8,000 Chinese prints, now housed with the Muban Educational Trust. Retiring from the book business in 2000, Christer remains active, building one of the world's largest collections of antique Chinese prints, particularly from Suzhou. His passion has revitalized interest in Chinese woodblock printing, educating both artists and collectors on its significance, evident in today's rising print values at Chinese auctions. Cleveland Museum: The Cleveland Museum of Art, a major art museum located in Cleveland, Ohio, known for its diverse collection spanning various cultures and time periods. British Museum: A world-renowned museum in London, housing a vast collection of art and artifacts from around the world. The Ashmolean Museum: in Oxford, England, one of the oldest public museums in the world, known for its extensive collection of art and archaeology. The Dresden Museum of Art: is renowned for its diverse collection of artworks from various periods and styles. Founded in the 19th century, it features masterpieces by artists like Raphael and Rembrandt. The museum's elegant architecture and rotating exhibitions attract art enthusiasts worldwide, making it a cultural hub in Dresden. Crown Point Press: A prestigious printmaking studio and publisher based in San Francisco, known for collaborating with renowned artists. oban: A traditional Japanese print size, approximately 10 x 15 inches, often used for Japanese style woodblock prints. Huizhou :located in Guangdong Province, China, is a city steeped in rich history and cultural heritage. Once a significant center of trade and commerce during the Ming and Qing Dynasties, Huizhou today blends its storied past with modern development. The city offers a mix of historical sites, natural parks, and cultural landmarks, making it a diverse and appealing destination. With its coastal location, Huizhou also attracts beachgoers and outdoor enthusiasts. Furthermore, its thriving economy, particularly in industries like electronics and petrochemicals, highlights its importance as a dynamic hub in southern China. Beijing: The capital city of China, known for its historic landmarks like the Forbidden City and the Great Wall, as well as its modern development. Tianjin: is situated in northeastern China, is a bustling metropolis renowned for its historical significance, vibrant culture, and modern development. As a major port city and economic hub, Tianjin blends traditional Chinese architecture and heritage sites with contemporary skyscrapers and bustling commercial districts. The city boasts a rich cultural scene, featuring theaters, museums, and galleries, as well as a diverse culinary landscape reflecting its cosmopolitan character. With its strategic location and rapid urbanization, Tianjin continues to thrive as a key player in China's economy and as a dynamic center for business, culture, and innovation. Yunnan Province -  is a diverse and culturally rich province in southwest China, known for its stunning landscapes, ethnic minorities, and traditional crafts. Matteo Ricci (1552-1610) was an Italian Jesuit priest and missionary who played a key role in early interactions between China and the West during the Ming Dynasty. Ricci learned Chinese, adopted local customs, and impressed Chinese intellectuals with his knowledge of Western science and technology. He collaborated with Chinese scholar Xu Guangqi to translate Western texts into Chinese, promoting cultural exchange. Despite challenges from both Chinese officials and European Jesuits, Ricci's efforts laid the foundation for future East-West interactions and understanding. Manchu : are an ethnic group primarily originating from the northeastern region of China, historically known as Manchuria. In the 17th century, under the leadership of the Aisin Gioro clan, the Manchu established the Qing Dynasty, which ruled China from 1644 to 1912. Initially a nomadic and tribal people, the Manchu gradually adopted Chinese culture, language, and governance systems as they integrated into the broader Chinese civilization. Despite their eventual assimilation, the Manchu maintained a distinct identity, characterized by their unique language, customs, and traditions. Today, the descendants of the Manchu continue to uphold their cultural heritage and identity, contributing to the rich tapestry of ethnic diversity within China.   © Popular Wheat Productions opening and closing musical credit - Car Hiss By My Window by The Doors from the album L.A. Woman released in 1971 by Elektra Records.  logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***

Vincent van Gogh's genius was finally recognised 11 years after his death, when, on March 15th, 1901, the Bernheim-Jeune Gallery in Paris debuted his first major exhibition. Without the persistence of his sister-in-law, Johanna van Gogh-Bonger, it could probably not have happened. Gogh-Bonger had tirelessly promoted Vincent's work after inheriting it when her husband Theo - Vincent's brother and benefactor - suddenly died. And there was a lot to contend with: Vincent had painted around 900 works in the decade leading up to his suicide. In this episode, Arion, Rebecca and Olly consider how Vincent's use of visible brushstrokes and vibrant colours challenged the conventions of traditional European art, paving the way for modernism; explain how praise from Monet motivated van Gogh despite his debilitatingly poor mental health; and unpick speculation that Gauguin may have been involved in the infamous ear-cutting incident… Further Reading:  • ‘van Gogh' (van Gogh Museum, Netherlands): https://vangogh.staedelmuseum.de/en/ • ‘The Woman Who Made Vincent van Gogh' (The New York Times, 2021): https://www.nytimes.com/2021/04/14/magazine/jo-van-gogh-bonger.html • Van Gogh's Art in 7 Minutes: From Iconic Paintings to Immersive Experiences (Curious Muse, 2021): https://www.youtube.com/watch?v=4kcXgRK0M3w #Netherlands #Art #1900s We'll be back on Monday - unless you join 

Art historian and Professor Griselda Pollock traces the memories of contemporary artist women like Sutapa Biswas, one of her students in the 1980s, and the entanglements in feminist, queer, and postcolonial thinking in art schools and universities. Griselda Pollock has long advocated for the critical function of contemporary art - and artists - in society. Whether paintings, drawings, or sculptures, these media can translate the traumatic legacies of colonialism, imperialism, and migration into visual form, and serve as refusals to forget - especially in our memory-effacing digital age. Born in apartheid South Africa, Griselda has lectured in global contexts; at the University of Leeds in the 1980s, she encountered Sutapa Biswas, a ‘force of nature' and one of the institution's first POC art students. She shares her experience of the two-way flows of teaching and learning. Drawing on stills from the artist's new film work Lumen (2021), and historic ‘Housewives with Steak-Knives' (1984-1985), she highlights both Bengali Indian imagery, and motifs of 17th and 18th century Old/Dutch Masters like Vermeer and Rembrandt - and why the artist ‘didn't need Artemisia Gentileschi' when she had the Hindu goddess Kali. Engaging with leaders of the Blk Art Group like Lubaina Himid, Sonia Boyce, and Claudette Johnson, we find connections with the first generation of British artists, born in the UK of migrant parents. Griselda also shares the important work of art historians and academics beyond Western/Europe, like Homi K. Bhabha, Gayatri Chakravorty Spivak, Chandra Mohanty, Catherine de Zegher, and Hiroko Hagewara. We discuss how being open to challenge and conversation, unsettling your own assumptions, denormalising and widening visibility are all ongoing obligations. Still, with Coral Woodbury's paintings, layered atop H.W. Jansen's History of Art (1968), we see how little the education system has changed. Griselda concludes with thoughts on Vincent van Gogh, Paul Gauguin, and challenging the norms of modernist colonial tourism within the confines of free speech and market demand. Medium and Memory, curated by Griselda Pollock, ran at HackelBury Fine Art in London until 18 November 2023. An expanded exhibition of Coral Woodbury's Revised Edition runs until 4 May 2024. Griselda Pollock on Gauguin is published by Thames & Hudson, and available from 28 May 2024. For more from Lubaina Himid, hear the artist on their work Lost Threads (2021, 2023), at the Holburne Museum in Bath: pod.link/1533637675/episode/4322d5fba61b6aed319a973f70d237b0 And read about their recent exhibition at Tate Modern, and work with the Royal Academy (RA) in London, in gowithYamo: gowithyamo.com/blog/the-revolutionary-act-of-walking-in-the-city For more about The Thin Black Line exhibition at the Institute of Contemporary Arts (ICA) in London (1985), hear curator Dorothy Price on Claudette Johnson's And I Have My Own Business in This Skin (1982) at the Courtauld Gallery in London: pod.link/1533637675/episode/707a0e05d3130f658c3473f2fdb559fc For more about the artist Gego, who practiced in Germany and South America, read my article about Measuring Infinity at the Guggenheim Bilbao (2023), in gowithYamo: gowithyamo.com/blog/infinite-viewpoints-gego-at-the-guggenheim-bilbao WITH: Griselda Pollock, Professor of Social and Critical Histories of Art and Director of CentreCATH (Centre for Cultural Analysis, Theory & History) at the University of Leeds. WITH: Griselda Pollock, Professor of Social and Critical Histories of Art and Director of CentreCATH (Centre for Cultural Analysis, Theory & History) at the University of Leeds. She won the Holberg Prize in 2020 for her contributions to feminism in art history and cultural studies, books, and exhibitions. She is the curator of Medium and Memory. ART: ‘Lumen, Sutapa Biswas (2017) and Lubaina Himid, from the Revised Edition series, Coral Woodbury (2023)'. PRODUCER: Jelena Sofronijevic.

This week the ladies are living out their piña colada fantasy and going all-inclusive at Sandals Resorts! That's right, they're talking about their favorite vacation frags for fun in the sun, a Vegas strip club, or simply to terrify everyone near you on your flight. Listen as the gals John Cage the house down boots and bravely ask: Are there more than four hot men in Los Feliz? Is it a leap year for cuffing season? What does old lady breath smell like? Is it a perfume or a Gauguin painting? All that PLUS pissy hay, Colgate original, cougar scents, and Thomas the Tank Engine aesthetics. This is randomly an extremely funny ep, here just in time for your trip back home and WELL-DESERVED PTO :)***Fragrances Discussed:Vacation by VacationEncre Noire by LaliqueAngel by MuglerMarc Jacobs WomanVoluspa Yashioka Gardenia candleTropic of Capricorn by Olympic OrchidsNight Flyer by Olympic OrchidsCalifornia Chocolate by Olympic OrchidsChocolate Greedy by MontaleChevalier Vert by Olympic OrchidsKyphi by Olympic OrchidsBallets Rouges by Olympic OrchidsBlackbird by Olympic OrchidsCarolina by Olympic OrchidsMardi Gras by Olympic OrchidsWoodcut by Olympic OrchidsCafé V by Olympic OrchidsDev #1: Foreplay by Olympic OrchidsDev #2: The Main Act by Olympic OrchidsAlmond by Caswell MasseyOrchid by Caswell MasseyLilac by Caswell MasseyPeony by Caswell MasseyHoneysuckle by Caswell MasseyMarem by Caswell MasseyRose by Caswell MasseyCherry Amaretto by Strangers ParfumerieAkro SmokeCoven by Andrea MaackRose Struck by LiisRed Roses by Jo MaloneSlumberhouse KisteNasomatto Black Afgano Hosted on Acast. See acast.com/privacy for more information.

Crabb and Sales bowl up to the Llewellyn Hall in preposterous garb to farewell outgoing ANU vice chancellor Brian Schmidt, surely the most tolerant Nobel laureate in the history of human achievement. Fortunately this gives Crabb (working with her last remaining shred of vocal cord) an excuse to write the Twelve Days Of Schmidtmas instead of trying to make 2023 funny, a task the prospect of which made her want to lie down in a dark room for some time. Sales is rapt because Kate from Alone shows up. And make sure you listen to the end because somebody does a RAP. Listen now on Spotify, or wherever you get your podcasts.  (14.00) Karinya House | Support (29.20) Wham! Documentary | Trailer | Netflix (29.30) Past Lives | Trailer | Apple TV+ (31.26) Still: A Michael J Fox Movie | Trailer | Apple TV+ (32.30) Shayda | Trailer  (34.19) Succession Trailer | Binge  (34.40) The Sopranos | Trailer | Binge (35.13) Alone Australia | Trailer | SBS On Demand (35.25) Beckham | Trailer | Netflix (35.50) Untold Stories: The Race of The Century | Trailer | Netflix (39.09) Bay of Fires | Trailer | Apple TV+ (39.11) Deadloch | Trailer | Prime Video (39.12) Fisk | Trailer | ABC iview  (39.30) Cunk on Earth | Trailer | Netflix (40.18) The Albatross by Nina Wan | Booktopia (41.10) Tomorrow, and Tomorrow, and Tomorrow by Gabrielle Zevin | Booktopia (44.05) The Thursday Murder Club Series by Richard Osman | Booktopia (44.40) Norwegian Wood by Haruki Murakami | Booktopia (45.27) This Is Not A Book About Benedict Cumberbatch by Tabitha Carvan | Booktopia (46.45) Infidelity and Other Affairs by Kate Legge | Booktopia (47.55) Bright Shining by Julia Baird | Booktopia (48.44) What Just Happened?! by Marina Hyde | Booktopia (49.40) Friends, Lovers and the Big Terrible Thing by Matthew Perry | Booktopia (52.15) The Rest is Entertainment Podcast | Listen  (53.22) Squid Game | Trailer | Netflix (53.40) The Traitors | Trailer | Paramount+ (54.02) The Whistleblowers Podcast | Listen (55.11) Who Shat On The Floor At My Wedding Podcast | Listen (56.40) Lin-Manuel Miranda interview with Leigh Sales | Watch (1.02.50) The Darjeeling Express London | Website (1.03.28) RecipeTin Eats: Dinner by Nagi Maehashi | Booktopia (1.04.10) Cook by Karen Martini | Booktopia (1.07.30) A Year of Sundays by Belinda Jeffery | Booktopia (1.07.32) In Belinda's Kitchen by Belinda Jeffery | Booktopia (1.11.13) Strife | Trailer | Binge  (1.11.15) Squid Game, The Challenge | Trailer | Netflix (1.11.30) Tom Lake by Ann Patchett | Booktopia (1.11.38) The Year of the Locust by Terry Hayes | Booktopia (1.11.46) I Am Pilgrim by Terry Hayes | Booktopia (1.12.10) Erotic Vagrancy by Roger Lewis | Booktopia (1.13.40) Good Material by Dolly Alderton | Booktopia (1.15.10) Edenglassie by Melissa Lucashenko | Booktopia (1.16.10) Gauguin's World: TŌNA IHO, TŌNA AO Exhibition | National Gallery of Australia  Produced by DM PodcastsSee omnystudio.com/listener for privacy information.

The tragic human cost of the bombardment of the Gaza Strip in the Israel-Hamas war is well documented. What is now becoming clear is how many historic buildings and sites have also been destroyed. We talk to Sarvy Geranpayeh, a correspondent for The Art Newspaper in the Middle East, about the fate of heritage in Gaza. As a huge exhibition of the work of Emily Kam Kngwarray, perhaps the most celebrated of all Indigenous Australian artists, opens at the National Gallery of Australia in Canberra, we speak to the show's curators Kelli Cole and Hetti Perkins, about her life and work. And this episode's Work of the Week is a manuscript written by Paul Gauguin just months before he died in French Polynesia—Martin Bailey, our London correspondent, tells us more about the document, which has been acquired by The Courtauld in London.Emily Kam Kngwarray, National Gallery of Australia, Canberra, 2 December-28 April 2024 Hosted on Acast. See acast.com/privacy for more information.

In which the Musical Man admires a view of Paris through the window while breaking in a pair of Gauguin's shoes. Donate today via Patreon: patreon.com/musicalmanpod / Podbean: musicalmanpod.podbean.com / Email: musicalmanpod@gmail.com