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Mel Robbins stops by to discuss her recent Golden Globe nomination for her podcast ‘The Mel Robbins Podcast' and share some advice as we close out the year. Also, chef Joel Gamoran shares a delicious recipe for latkes and smoked salmon dip. Plus, Coco Jones joins to talk about season four of ‘Bel-Air,' her new album ‘Why Not More,' and her latest Grammy nomination. And, Lea Michele, Nicholas Christopher and Aaron Tveit stop by to discuss joining forces in the new musical revival ‘Chess' on Broadway. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Chandler Brown has been working on his craft for over half of his life. He's dreamed of being a singer and songwriter since he was in middle school. Not surprisingly since he's been working at it for the last decade and half...he's pretty great. He just recently signed with Warner Chappell Music Nashville and Warrior Poet Music. He's released several great singles over 2025 and he just released his newest single Another Heart Break Song! He was nice enough to stop by the Doc G Show! Doc and Chandler talk about turning 30, getting into writing songs, inspirations, songwriting in college, working on Broadway, his newest music and much much more. Meanwhile on the rest of the show Doc and Mike talk about the positives and negatives of mail-order hams. Introduction: 0:00:24 Birthday Suit 1: 11:21 Ripped from the Headlines: 15:10 Shoutouts: 34:13 Miscellaneous File: 38:05 Chandler Brown Interview: 41:45 Mike C Top 3: 1:33:57 Birthday Suit 2: 1:47:35 Birthday Suit 3: 1:50:33
BC/EFA sets new record, Benko to step in for Taub in ‘Ragtime,’ ‘Coyote Ugly’ and ‘August Rush’ musicals in the works Since 2016, “Today on Broadway” has been the first and only daily podcast recapping the top theatre headlines every Monday through Friday. Any and all feedback is appreciated:Grace Aki: grace@broadwayradio.com | read more
Photo by Edward T. Morris The Stagecraft podcast is hosted by Jan Simpson. It is a series of interviews with playwrights (and musical book writers) of shows opening on Broadway and off-Broadway. New York City Premiere of DIVERSION by Scott OrganWinner of the Premiere Stages Playwriting FestivalVoted one of the read more
This episode is a wild mix of culture, dedication, and true crime. We're breaking down the viral "quarter-zip movement" that's taken over TikTok and what it says about Gen Z's style and mindset . Then, we shift gears to the ultimate test of discipline: the physical and mental health benefits of marathon training. Is it the ultimate lifestyle upgrade?Stick around for our SPOILER review of "Wicked: For Good." Was splitting the Broadway hit into two movies a magical decision or a mercenary mistake? We'll discuss the stunning visuals, powerhouse performances from Cynthia Erivo and Ariana Grande, and why the film feels made for superfans.Finally, we analyze the disturbing and bizarre case of two North Texas men who were federally indicted for plotting to invade an island off Haiti. We look at the chilling details of their alleged plan to recruit a homeless militia and carry out horrific crimes.Business Inquiries DaDojoProduction@gmail.com Insta https://www.instagram.com/senseink/ Pod Insta: https://www.instagram.com/dadojocast/ Sports Page @IKINDAKNOWBALL
In this magical KDTime episode, we fly straight into Oz to break down Wicked and Wicked: For Good, the two-part movie adaptation of the legendary Broadway musical. KD compares the films to the original stage production, explores how Elphaba and Glinda's story evolves in cinematic form, and dives into the songs, performances, visuals, and emotional moments that hit hardest.Grab your broom or your bubble and get ready — this one's For Good.If you love what you hear don't be shy drop a house err... I mean comment below and let me know your thoughts!Also find out more cool stuff right here linktr.ee/kdtime
On this week's episode, Gabfest old friends Steve, Julia, and June Thomas convene on two showbiz works of midlife retrospection and regret: the new film Jay Kelly and Stephen Sondheim's Merrily We Roll Along. The former, directed by Noah Baumbach, stars George Clooney as the titular movie star looking back on his life while on a European train picaresque. The latter was a legendary flop for Sondheim, had a triumphant Broadway revival starring Jonathan Groff, Daniel Radcliffe, and Lindsay Mendez, and now has arrived at movie theaters. In our third segment, the panel turns to another showbiz saga full of bitter regret: the fight to acquire Warner Brothers Discovery. Joined by writer and Hollywood watcher Mark Harris, they untangle the fight between Netflix and Paramount to outbid each other for the legacy film studio—and what it all has to do with Trump and the future of movie-going itself. In an exclusive bonus episode for Slate Plus subscribers, it's back to join the Joined in our recap discussion of Pluribus episode 7 “The Gap.” Act now, there's still time to leave us a voicemail with your burning cultural queries for our annual call-in show by calling us at 347-201-2397. Learn more about your ad choices. Visit megaphone.fm/adchoices
Today's Mystery: A fourteen-year-old is the first of a series of women brutally murdered by the same person.Original Radio Broadcast Date: June 23, 1951Originating from HollywoodStarring: Larry Thor as Lieutenant Danny Clover; Charles Calvert as Sergeant Gino Tartaglia; Jack Kruschen as Sergeant Muggavan; Joseph Kearns; Martha Wentworth; Harry Bartell; Charles DavisSupport the show monthly at https://patreon.greatdetectives.netPatreon Supporter of the Day: Jim and Rachel, Patreon supporters since March 2016.Support the show on a one-time basis at http://support.greatdetectives.net.Mail a donation to: Adam Graham, PO Box 15913, Boise, Idaho 83715Take the listener survey at http://survey.greatdetectives.netGive us a call at 208-991-4783Follow us on Instagram at http://instagram.com/greatdetectivesBecome one of our friends on Facebook.Follow us on Twitter@radiodetectivesJoin us again tomorrow for another detective drama from the Golden Age of Radio.
On this week's episode, Gabfest old friends Steve, Julia, and June Thomas convene on two showbiz works of midlife retrospection and regret: the new film Jay Kelly and Stephen Sondheim's Merrily We Roll Along. The former, directed by Noah Baumbach, stars George Clooney as the titular movie star looking back on his life while on a European train picaresque. The latter was a legendary flop for Sondheim, had a triumphant Broadway revival starring Jonathan Groff, Daniel Radcliffe, and Lindsay Mendez, and now has arrived at movie theaters. In our third segment, the panel turns to another showbiz saga full of bitter regret: the fight to acquire Warner Brothers Discovery. Joined by writer and Hollywood watcher Mark Harris, they untangle the fight between Netflix and Paramount to outbid each other for the legacy film studio—and what it all has to do with Trump and the future of movie-going itself. In an exclusive bonus episode for Slate Plus subscribers, it's back to join the Joined in our recap discussion of Pluribus episode 7 “The Gap.” Act now, there's still time to leave us a voicemail with your burning cultural queries for our annual call-in show by calling us at 347-201-2397. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode, No Film School founder Ryan Koo and host GG Hawkins, along with producer and guest Ana Liza Muravina, dig into the ramifications of the news that Netflix is bidding (or may be outbid by Paramount) to acquire Warner Brothers — and what this massive consolidation could mean for the future of theatrical film, streaming, and the livelihoods of filmmakers. In this episode, No Film School's Ryan Koo, GG Hawkins, and guest Ana Liza Muravina discuss... How theatrical attendance has been in decline for decades, long before COVID — from the post–World War II boom through the arrival of television, home video, and streaming. Why the recent surge in acquisitions and mergers (from Comcast/Universal, Disney/Fox, Amazon/MGM, to the potential Netflix–Warner deal) spells trouble for market competition in both production and distribution. What consolidation means for filmmakers trying to get projects financed and sold — fewer buyers, fewer distribution windows, and diminished bidding wars that once supported indie and mid‑budget films. The potential financial upside for studios and executives (like David Zaslav), contrasted with the limited upside — or none — for writers, directors, actors, and other creative laborers. The possible benefits of global streaming platforms: ability to reach worldwide audiences, support for diverse or niche stories (e.g., a basketball movie about a young Black player), and access for filmmakers outside traditional Hollywood systems. How now more than ever filmmakers might need to pivot: embrace scrappy, independent means of production/distribution, build creative communities, and consider alternate funding — rather than relying on traditional studio financing and residual structures. That this may be a painful but necessary transition: the collapse of one ecosystem could open space for a new kind of filmmaking — more distinct voices, counterculture, experimentation, and potentially a new model for how films get made and distributed. Memorable Quotes: “I pitched my Netflix movie 80 times — I got 79 no's and I got one yes.” “In a world where all the ways in which my piece of content can be exploited … are concentrated, it forces you to think about what are the other sources.” “You hit pause, you hibernate for a minute … and you don't feel like that's the end of the freaking world.” “This is the math all of us are doing all the time … If you follow one person benefiting to the tune of a billion dollars … from the sale of a company … it tells you exactly why so many people had to leave L.A…” Guests: Ana Liza Muravina Resources: Ana Liza's Previous No Film School Appearance 'Prince of Broadway' Director Sean Baker on No-Budget Filmmaking, Improvisation, and Long Release Cycles Find No Film School everywhere: On the Web: No Film School (https://nofilmschool.com/) Facebook: No Film School on Facebook (https://www.facebook.com/nofilmschool) Twitter: No Film School on Twitter (https://twitter.com/nofilmschool) YouTube: No Film School on YouTube (https://www.youtube.com/user/nofilmschool) Instagram: No Film School on Instagram (https://www.instagram.com/nofilmschool)
‘Queen of Versailles’ to close next week, Encores announces more stars, Grace’s review of ‘Marjorie Prime’ Since 2016, “Today on Broadway” has been the first and only daily podcast recapping the top theatre headlines every Monday through Friday. Any and all feedback is appreciated:Grace Aki: grace@broadwayradio.com | @ItsGraceAkiMatt Tamanini: matt@broadwayradio.com | @BroadwayRadio Patreon: BroadwayRadiohttps://www.patreon.com/broadwayradio read more
This week Albert Evans joins me once again as we go “In Search of Lost Broadway.” Specifically, the 1934 smash-hit musical The Great Waltz, conceived, directed, and lighted by Hassard. Short, with a book by Moss Hart, choreography by Albertina Rasch, based on the Viennese operetta and London hit, Waltzes From Vienna with English lyrics by Desmond Carter, and featuring the music of both Johann Strausses, I and II. If you missed the first episode in this series, you may want to catch up with that before listening to this one. Today, because 2025 marks the 200th anniversary of the birth of Johann Strauss II, I begin by taking a brief survey of his surprisingly substantial legacy on Broadway, including 26 Broadway productions featuring his music between 1882 and 1990. Then Albert and I begin to explore the long legacy of The Great Waltz, which includes multiple film and stage productions spanning from the 1930s to the 1970s, with a special focus in this episode on the fourth incarnation of this musical: the 1938 MGM film operetta, also titled The Great Waltz. But is it indeed a movie version of the Broadway show? That's the big question we try to solve. Learn more about your ad choices. Visit megaphone.fm/adchoices
Welcome back on board TL's Road House! Tracy Lawrence sits down with country singer-songwriter Lanie Gardner to talk musical inspirations, family influence, stage nerves and more. A North Carolina native with traditional roots, Lanie first blew fans away in 2020 when her YouTube cover of “Dreams” by Fleetwood Mac went viral. Before that, she was learning guitar and singing alongside her dad from an early age. Her career has quickly taken off with a record deal right out of college, opening for major acts like the Jonas Brothers, Jelly Roll and Cody Johnson, and she most recently released her sophomore album, Faded Polaroids. Tracy and Lanie get real about life lessons they have learned, while also bonding over their go-to Broadway bars, and the memories made along the way. Tune in for a fun and heartfelt conversation with one of country music's fastest-rising stars!
Send us a textTara and EmKay are thrilled to be celebrating The Wiz Live's 10th anniversary with Corey Antonio Rose! Rabbit holes include favorite highlights of Act I, major changes from the stage show, and more. Stay tuned for Act II this Friday!Show Notes:Corey Antonio RoseSlipperhood Series: Shanice Williams (Dorothy in NBC'S "The Wiz Live!")Scooter The Senior Rescue Dog Is The New Toto"Wonderfully Wicked" by Kamy M. LavinMoonchild TrinketsInstagram: @downtheyellowbrickpod#DownTheYBPTara: @taratagticklesEmKay: www.emilykayshrader.netPatreon: https://www.patreon.com/downtheyellowbrickpodEtsy: https://www.etsy.com/market/down_the_yellow_brick_podMusic by: Shane ChapmanEdited by: Emily Kay Shrader Down the Yellow Brick Pod: A Wizard of Oz Podcast preserving the history and legacy of Oz
On this week's episode, Gabfest old friends Steve, Julia, and June Thomas convene on two showbiz works of midlife retrospection and regret: the new film Jay Kelly and Stephen Sondheim's Merrily We Roll Along. The former, directed by Noah Baumbach, stars George Clooney as the titular movie star looking back on his life while on a European train picaresque. The latter was a legendary flop for Sondheim, had a triumphant Broadway revival starring Jonathan Groff, Daniel Radcliffe, and Lindsay Mendez, and now has arrived at movie theaters. In our third segment, the panel turns to another showbiz saga full of bitter regret: the fight to acquire Warner Brothers Discovery. Joined by writer and Hollywood watcher Mark Harris, they untangle the fight between Netflix and Paramount to outbid each other for the legacy film studio—and what it all has to do with Trump and the future of movie-going itself. In an exclusive bonus episode for Slate Plus subscribers, it's back to join the Joined in our recap discussion of Pluribus episode 7 “The Gap.” Act now, there's still time to leave us a voicemail with your burning cultural queries for our annual call-in show by calling us at 347-201-2397. Learn more about your ad choices. Visit megaphone.fm/adchoices
When “The Wiz” debuted on Broadway over 50 years ago, Dorothy Gale's journey to self-discovery and community within the land of Oz was told with groove, funk and emotion. Its impact is still felt today — especially in St. Louis, which shares deep connections to the musical. National tour co-producer for “The Wiz” Nicole Hudson, 4theVille President Aaron Williams and artist Hayveyah McGowan discuss the intersection of art, fantasy and theater. They also share how “The Wiz” has served as a vessel for understanding and holding space for joy — particularly Black joy — over the years.
Last year's Wicked: Part One, despite its shortcomings, was bolstered by infectious energy, powerhouse performances, and bop-worthy songs. Can this year's followup, For Good, pull off the same magic trick again? Once again, our resident Wicked fan faces off with the two laymen of the podcast to review the second half of the hit adaptation.
Today, Juliet and Callie catch up on ‘Bachelorette' and ‘Secret Lives of Mormon Wives' news, starting with Taylor Frankie Paul being seen making out with a 'Bachelorette' contestant at the Cowboys vs. Raiders game (04:19). They discuss Nick Viall shaming Whitney Leavitt for moving her kids around too much now that she will be on Broadway. They talk about Marciano's lawsuit against Demi for defamation before getting into Bachelor Nation updates (21:52). Callie shares that one of the new ‘Summer House' cast members was previously a contestant on ‘The Bachelor Australia,' and Juliet shares updates on Grant and Juliana's ongoing breakup. Finally, they announce that they will be moving to video starting in the New Year! Hosts: Juliet Litman and Callie Curry Producer: Olivia Crerie Theme Song: Devon Renaldo Learn more about your ad choices. Visit podcastchoices.com/adchoices
'The View' co-hosts weigh in on Texas Rep. Jasmine Crockett's announcement that she is running for Senate. Then, the co-hosts weigh in one year after Luigi Mangione was arrested and pleaded not guilty on all charges for the murder of UnitedHealthcare CEO Brian Thompson. The hilarious Leslie Jones gives her hot takes on the holiday season and tells us about her new standup special, 'Life - Part 2'! Then, Broadway's '& Juliet' stars Kandi Burruss and Gianna Harris bring a 'Perfect' performance to 'The View' stage! Learn more about your ad choices. Visit podcastchoices.com/adchoices
The new revival of the musical Ragtime, by Stephen Flaherty and Lynn Ahrens (book by Terrence McNally, based on the novel by E.L. Doctorow), is one of the big hits of the new Broadway season. Lincoln Center Theater has produced the latest rendition, and times have certainly changed since the musical's original Broadway production in 1998. The new revival makes the show's characters and issues even more relevant for our present day. Along with the fictional character Coalhouse Walker Jr. and the archetypal characters Father, Mother, and Younger Brother, the show features several celebrities and power players from turn-of-the-century New York. Anna Grace Barlow, who plays Broadway star Evelyn Nesbit, and Rodd Cyrus, who stars as iconic illusionist Harry Houdini, join The Gilded Gentleman for a behind-the-scenes talk about their characters and their experiences performing in the show. This episode was produced and edited by Kieran Gannon. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Welcome back to the Homeward podcast. In today's episode, I'm joined by my friend and fellow coach's coach, Stacey Brass-Russell, for a special collab conversation on what it really means to build a human-centric, right-sized business. We talk about scrappy entrepreneurship, why high-touch, intimate containers are so powerful, and how to design offers that honor both your clients' transformation and your actual life. Stacey shares her journey from Broadway and yoga studio ownership into boutique business mentoring, and we unpack the realities behind "scaling," low-ticket launches, long-term containers, and making money your way. We also get into multidimensionality in business, allowing all of you into the brand, and I close the episode by reading "Wild Woman" from my poetry collection, little big beautiful things. I can't wait for you to listen. Links Mentioned: Learn more about Stacey and her work: staceybrassrussell.com Follow her on Instagram: @staceybrassrussell Learn more about ELEVATE Get your copy of little big beautiful things Tag me in your big shifts + takeaways: @amberlilyestrom Did you hear something you loved here today?! Leave a Review + Subscribe via iTunes
In this episode, we welcome first-time cruiser Kristin to discuss her family’s inaugural voyage on Disney Cruise Line aboard the Disney Dream! We dive into the details of their 5-night sailing out of Fort Lauderdale, covering everything from staying at the Hilton Marina to navigating the ship’s rotational dining and Broadway-style entertainment. Hear their honest review of a day pass at an all-inclusive resort in Cozumel and their experience snorkelling at Disney Castaway Cay, all while navigating around a hurricane in the Caribbean. Whether you are planning your first Disney cruise or looking for tips on travelling with kids, this episode is packed with essential advice for a magical vacation at sea. First-Time Cruiser Perspective: Why a family with no prior cruising experience chose Disney Cruise Line and their first impressions of the Disney Dream.Pre-Cruise Logistics: Flying into Fort Lauderdale a day early, staying at the Hilton Marina, and the ease of the embarkation process.Stateroom Review: A look at the Verandah Stateroom, highlighting the split bathroom layout, storage, and comfortable bedding.Onboard Dining: Reviews of the buffet (Cabanas), pizza and taco stations, and rotational dining at Enchanted Garden, Animator’s Palate, and Royal Palace.Entertainment & Activities: Experiences with the Sail-A-Wave party, Broadway-style shows, Virtual Sports, and the Bippidi Bobbidi Boutique.Port Adventures: A day pass at the Iberostar all-inclusive resort in Cozumel and snorkelling and biking (attempted) at Disney Castaway Cay. Sailed Out Of: Fort Lauderdale (Port Everglades), Florida.Ports of Call:Cozumel, México.Disney Castaway Cay, Bahamas. Want to be on the show? Fill out this form, and we'll be in contact with you real soon!https://dclpodcast.com/want-to-be-on-the-show/ Support our show via Patreon:http://www.patreon.com/dclpodcast Use Christy's Travel Services:https://dclpodcast.com/book-with-christy/ Follow the DCL Podcast via:http://www.facebook.com/dclpodcasthttp://www.instagram.com/dcl_podcast Follow Lake at:https://www.instagram.com/mouse.genhttps://www.youtube.com/@MouseGen Follow Christy at:http://www.packyourpixiedust.comhttps://www.instagram.com/packyourpixiedust
What happens when the spotlight fades and you’re left with silence? Seth Stewart spent years performing on the world’s biggest stages — from Hamilton and In the Heights to touring with Madonna. But at the height of success, something inside him started calling for more. That quiet pull led him away from bright lights and applause, and into the wilderness where he began listening to his own spirit for the first time. In this conversation, Seth opens up about what it takes to walk away from a dream, why stillness can be louder than any stage, and how rediscovering our connection to nature can help us find our way back to ourselves. You’ll hear about: How leaving Broadway became Seth’s most honest act of creation What living off-grid taught him about trust, unity, and peace Why listening to your inner voice might be the bravest thing you ever do If you’ve ever felt called to change direction, this episode is a reminder that there’s life beyond what others expect — and that following your vision is a form of truth. For ad-free and early access to episodes, join the community at www.patreon.com/thelifeshiftpodcast. Subscribe to the newsletter for behind-the-scenes stories and reflections: thelifeshiftpodcast.beehiiv.com Follow on social media: @thelifeshiftpodcast Guest Bio From the stages of Broadway to the depths of the jungle, Seth Stewart is a bridge between worlds. As a performer and creator, he’s played major roles in the Tony Award-winning productions of In the Heights and Hamilton, and performed with artists like Madonna, Jay-Z, and Jennifer Lopez. After leaving the entertainment industry, Seth followed a deep spiritual calling that led him into the forest — a journey that reshaped his entire sense of purpose. He spent years immersed in nature, ceremony, and self-inquiry, learning from shamans and ancient wisdom keepers. Today, Seth guides others toward clarity, embodiment, and unity through True Kings Academy, a transformative space for men’s wellness and leadership. He also mentors young performers through Performer’s Edge, combining artistry and mindfulness. His upcoming memoir, Follow Your Vision. Live Your Truth., released August 8, 2025. https://www.iamsethstewart.com/
Reviews for ‘Marjorie Prime’ on Broadway, ‘Bigfoot!’ musical casting, Shoshana Bean to lead ‘Lost Boys’ Since 2016, “Today on Broadway” has been the first and only daily podcast recapping the top theatre headlines every Monday through Friday. Any and all feedback is appreciated:Grace Aki: grace@broadwayradio.com | @ItsGraceAkiMatt Tamanini: matt@broadwayradio.com | @BroadwayRadio Patreon: BroadwayRadiohttps://www.patreon.com/broadwayradio For read more
[REBROADCAST FROM Nov. 13, 2025] Actors Keanu Reeves and Alex Winter, one-time co-stars in "Bill and Ted's Excellent Adventure," have reunited on stage in Jamie Lloyd's production of "Waiting for Godot" on Broadway. They discuss the show, which is running now through January 4.
On this extra special episode of "Theatre in the D" Jess is joined by his good friend Mnemosyne Chirolla to talk about the Alicia Keys Musical "Hell's Kitchen" which is playing at the Fisher Theater December 2 - 14, 2025. If you'd like to get tickets visit Broadway in Detroit! Learn more about your ad choices. Visit megaphone.fm/adchoices
Christian Cowan's journey to the top of the fashion world is anything but traditional. He opens up about applying to Central Saint Martins with a literal soup can instead of a standard portfolio and explains how a childhood obsession with insects helped him understand high fashion structures. He also shares the wild story of receiving a commission from Lady Gaga at just 18 years old while he was still a first-year student who barely knew how to ship a package. Now making his Broadway costume design debut with The Queen of Versailles, Christian discusses the challenge of translating high glamour into durable stage wear. He reveals details about touring Jackie Siegel's massive closet which features a stripper pole and round bed, and breaks down the technology behind the 3D printed vases on his Marie Antoinette costume. We also geek out over his love for animation, his collaboration with The Powerpuff Girls, and his desire to design for sci-fi films. Christian Cowan is a British fashion designer known for his vibrant and sculptural aesthetic. He launched his eponymous label in 2017 and has dressed global icons including Lady Gaga, Cardi B, and Miley Cyrus. He was a finalist for the CFDA Vogue Fashion Fund and has collaborated with brands like Cartoon Network and Adobe. The Queen of Versailles marks his Broadway debut as a costume designer. This episode is powered by WelcomeToTimesSquare.com, the billboard where you can be a star for a day. Connect with Christian: Instagram: @christiancowan Connect with The Theatre Podcast: Support the podcast on Patreon and watch video versions of the episodes: Patreon.com/TheTheatrePodcast Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this compelling episode of the PT Profit Podcast, host Beverley Simpson breaks down a game-changing approach to generating consistent sales without the pressure, stress, or sleazy tactics that plague traditional business models. Moving away from the high-pressure launch model that dominated her early entrepreneurial journey, Beverly shares how she transitioned to an evergreen sales system that allows her to make sales every single day—even while sleeping. Drawing from her experience generating over $2.1 million for five gyms and seven figures online, Beverly reveals the exact framework she uses with her coaching clients (like Sophia, who generates 1-5 sales daily without even using ads yet) to create a sustainable, pressure-free business that actually feels good to run. This episode is essential listening for anyone tired of the feast-or-famine cycle of traditional launches and ready to build a business aligned with their nervous system.Key Discussion Points:0:00-1:30 – Opening hook: Beverly wakes up to $220 in cash from less than $20 in ad spend, demonstrating the power of the evergreen sales system in action.1:30-3:00 – Beverly's background: Former district fitness manager who generated $2.1M+ for five gyms and seven figures online, positioning her as a credible guide for this conversation.3:00-8:00 – The traditional launch model breakdown: The conventional 90-day cycle of building know, like, and trust through 30-60 days of content, hosting a one-time launch event (webinar or challenge), pitching during the event, and repeating every quarter. Beverly explains why this model created a high-pressure container that didn't align with her nervous system.8:00-12:00 – The emotional toll of launches: Beverly shares her personal struggle with the launch model—the perfectionism required, the disappointment when results didn't match expectations, and how this created an unhealthy dynamic in her business.12:00-15:00 – Introduction to the evergreen model: Beverly explains what "evergreen" truly means (a plant that retains green leaves year-round) and how it applies to business—having something for sale every single day or allowing customers to experience their own personal launch anytime throughout the year.15:00-18:00 – Addressing the evergreen concern: Human beings naturally operate in seasons and cycles. The evergreen model respects this by meeting customers where they are (globally, across time zones) rather than forcing them into the business owner's timeline.18:00-22:00 – Evergreen is not "set it and forget it": Beverly clarifies a critical misconception—an evergreen system requires constant refreshing to maintain energy and prevent staleness. She uses a Broadway theater analogy to explain how even long-running shows need energetic renewal to keep audiences engaged.22:00-28:00 – The urgency challenge in evergreen models: Launch models naturally create urgency through open/close doors and deadlines. Beverly addresses how to create legitimate urgency in an evergreen model without resorting to fake scarcity tactics (which violate FTC regulations, as evidenced by the $4M V Shred settlement).28:00-32:00 – Creating real urgency: Beverly outlines two types of urgency—outer urgency (deadlines, limited-time bonuses, limited spots) and inner urgency (communicating what's at stake if the buyer doesn't make a decisionRESOURCES MENTIONED & HELPFUL LINKS▶ Ready to build your profitable online coaching business the simple way? Register for the next free training: Simple Scaling LIVECONNECT WITH MEInstagram: @bsimpsonfitnessSupport the show
For the 20th anniversary of Design Matters, Debbie Millman revisits conversations with theatre designers David Korins, Ina Mayhew, David Rockwell, Es Devlin, and Dane Laffrey. From Broadway landmarks to innovative film and live performance design, these excerpts reveal how sets and spaces shape emotion, deepen story, and draw audiences into the moment. Hosted on Acast. See acast.com/privacy for more information.
Welcome to an extraordinary edition of the Takin’ A Walk podcast from Buzz Knight music and the “Master of Music Mayhem,” Harry Jacobs. This comprehensive look at weekly music history explores one of the most emotionally complex weeks in rock and roll history, spanning December 8th through December 14th. From tragic losses to groundbreaking debuts, this week encompasses the full spectrum of music history’s most pivotal moments. John Lennon’s Assassination: December 8, 1980 - A Day That Changed Music Forever The episode opens with perhaps the darkest day in rock music history: December 8, 1980, when John Lennon was shot and killed outside The Dakota apartment building in New York City. Buzz Knight and Harry Jacobs provide intimate personal recollections of this Beatles tragedy that shocked the world. For listeners of this weekly music history episode note the Buzz Knight music podcast replay of "Takin A Walk" with the incredible Julian Lennon. The Beatles Reunion: Free as a Bird and the Anthology Era Moving from tragedy to reunion, the episode explores December 9, 1995, when the Beatles released “Free as a Bird”—the first new Beatles music in 24 years. Both hosts were working together at WZLX in Boston during this momentous release, bringing their firsthand perspective to this Beatles reunion moment. The track, built around a John Lennon demo with contributions from Paul McCartney, George Harrison, and Ringo Starr, represented a technological and emotional achievement in music history. Harry admits his initial underwhelm with the track, noting that while “Free as a Bird” generated enormous curiosity worldwide, it never achieved the status of Beatles classics like “Ticket to Ride,” “Help!,” or songs from Sgt. Pepper’s Lonely Hearts Club Band. The honest assessment reflects how even beloved artists can struggle to recapture past magic, and both hosts acknowledge they haven’t revisited the song since its release. This candid discussion provides valuable context for understanding fan expectations versus artistic reality in music reunion projects. The Blues Brothers Phenomenon: From Saturday Night Live to Cultural Institution December 9, 1978 marks the Saturday Night Live debut of the Blues Brothers, a moment that transformed comedy sketch into legitimate musical force. The episode provides deep insights into how Dan Aykroyd and John Belushi created this blues and R&B supergroup, enlisting Paul Shaffer, Lou Marini, Duck Dunn, and Steve Cropper, who just passed away—the latter two being legendary members of Booker T. and the MGs and key figures in the Stax Records sound that defined Memphis soul music and produced classics like “Soul Man” and “Green Onions.” Howard Shore, who served as Saturday Night Live’s musical director, recognized the potential in Aykroyd and Belushi’s blues performances and helped facilitate their transition from comedy bit to recording artists. The hosts discuss how this comedy-music crossover assembled world-class musicians around a satirical concept that became genuinely respected in the music community. The Blues Brothers represented a unique fusion of comedy and music that introduced younger audiences to blues legends and R&B classics. The conversation explores Tom “Bones” Malone, a guest on Buzz’s podcast, who joined the Blues Brothers band and played trombone with Blood, Sweat & Tears before becoming part of the SNL band. The episode details the evolution of the band from initial concept to full touring and recording entity, with Buzz noting the impressive live performances featuring the Blues Brothers’ acrobatic stage show, where the larger-than-life Belushi performed cartwheels, splits, and handstands that would later inspire Chris Farley’s physical comedy style. The Blues Brothers soundtrack, featuring “Briefcase Full of Blues” and subsequent albums, has “stood the test of time” according to both hosts. Songs like “Rubber Biscuit,” performed with Matt “Guitar” Murphy, and the memorable Aretha Franklin diner scene where Jake orders “four fried chickens and a Coke,” remain embedded in popular culture. The authentic musicianship combined with comedic brilliance created something that transcended both genres, making the Blues Brothers a permanent fixture in American music history. Otis Redding’s Legacy and Tragic Death: December 10, 1967 The episode takes a somber turn with December 10, 1967, the day Otis Redding died in a plane crash near Madison, Wisconsin, along with members of the Bar-Kays. The timing of this tragedy magnifies its impact—Redding had recorded ”(Sittin’ On) The Dock of the Bay” just three days earlier, and the song hadn’t yet been released. The track became a posthumous number-one hit, cementing Redding’s status as one of soul music’s greatest artists, though he never lived to see its success. Wings Over America: McCartney’s Epic Live Album - December 10, 1976 December 10, 1976 brought the release of Wings Over America, Paul McCartney’s triple live album documenting his 1975-1976 tour with Wings. The episode explores the rarity of triple albums in music history, particularly live albums of such scope and ambition. The hosts discuss the bootleg album called “Wings from Wings” that allegedly forced McCartney’s hand, rushing the official release to market before bootleggers could dominate sales. Harry reveals the meticulous production process behind Wings Over America, noting that McCartney collected 8,000 hours of live recordings from the tour. The legendary Beatles bassist and singer then personally mixed the album, listening to five different versions of every song before selecting the best performances. The final album was crafted to sound like a single concert experience, though it actually represented the best moments culled from the entire tour—a production approach that set standards for live albums. The episode highlights how “Maybe I’m Amazed” from this album became the definitive version for many fans, surpassing even the studio recording in emotional power and musical execution. The album also featured several Beatles songs including “Yesterday” and “Bluebird,” allowing McCartney to honor his past while showcasing his post-Beatles work with Wings. This balance between Beatles nostalgia and new material demonstrated McCartney’s artistic evolution while satisfying longtime fans. Early Genesis and Progressive Rock Evolution December 11, 1972 saw Genesis release “Foxtrot,” their fifth studio album and a landmark in progressive rock history. The episode explores this Peter Gabriel-era Genesis and the band’s evolution through various lineups. Harry recalls “Watcher of the Skies” as a standout track, while both hosts discuss later Genesis classics like “The Carpet Crawlers” from “The Lamb Lies Down on Broadway.” The conversation reveals differing perspectives on Genesis eras, with Buzz preferring the Peter Gabriel period and later Phil Collins-fronted work, while Harry admits his fandom developed more during the “Trick of the Tail” era following Gabriel’s departure. This honest exchange reflects how progressive rock bands often created distinct identities across lineup changes, appealing to different audiences in different eras. Buzz shares a memorable concert experience seeing Genesis with double drumming featuring Phil Collins and Bill Bruford (renowned for his work with Yes and King Crimson). This unique configuration represented Genesis at a transitional moment, experimenting with expanded instrumentation before settling into the trio format that would define their later commercial success. The “Trick of the Tail” tour demonstrated the band’s ability to continue without their iconic frontman, eventually leading to Collins taking over lead vocals permanently. The episode takes an unexpected turn to December 12, 1901, when Guglielmo Marconi sent the first transatlantic radio signal from Cornwall to Newfoundland. This moment in broadcasting history laid the foundation for everything that followed, including the careers of Buzz and Harry as radio professionals. Harry jokes about Buzz working for Marconi in 1901, highlighting the self-deprecating humor that characterizes their chemistry while acknowledging that without Marconi’s invention, they would never have met or built careers in radio. This historical perspective reminds listeners that music distribution, radio broadcasting, and the entire infrastructure of modern music industry traces back to pioneering moments like Marconi’s transmission. The evolution of radio technology from those first signals to contemporary podcast production represents over a century of innovation that transformed how humans experience and share music globally. The Clash’s London Calling: Punk’s Masterpiece - December 14, 1979 December 14, 1979 saw the Clash release “London Calling” in the UK, a double album that transcended punk rock limitations to incorporate reggae, rockabilly, ska, and R&B influences. The hosts recall the album’s innovative approach, including the hidden track “Train in Vain,” which became a hit despite not being listed on the original album cover—a marketing trick that created mystique and rewarded attentive listeners. Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.
In this extended interview, actor Ethan Hawke talks with Tracy Smith about his first experiences with Broadway. He also discusses his films "Explorers," "Dead Poets Society," "Reality Bites," "Training Day," and his latest, "Blue Moon," Leonardo DiCaprio's success, and his obsession with Jack Nicholson's performance in "One Flew Over the Cuckoo's Nest." To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices
Today, Juliet and Callie catch up on ‘Bachelorette' and ‘Secret Lives of Mormon Wives' news, starting with Taylor Frankie Paul being seen making out with a 'Bachelorette' contestant at the Cowboys vs. Raiders game (04:19). They discuss Nick Viall shaming Whitney Leavitt for moving her kids around too much now that she will be on Broadway. They talk about Marciano's lawsuit against Demi for defamation before getting into Bachelor Nation updates (21:52). Callie shares that one of the new ‘Summer House' cast members was previously a contestant on ‘The Bachelor Australia,' and Juliet shares updates on Grant and Juliana's ongoing breakup. Finally, they announce that they will be moving to video starting in the New Year! Hosts: Juliet Litman and Callie Curry Producer: Olivia Crerie Theme Song: Devon Renaldo Learn more about your ad choices. Visit podcastchoices.com/adchoices
Get tips and advice in a Modern Manners edition of Social Dilemmas. Also, Darren Criss drops in to talk about his Broadway return in “Maybe Happy Ending” and his first Grammy nomination. Plus, "Holiday Wishes" highlights an Army veteran's courage and resilience. And,Army veteran Stephen Carter and his family are surprised with a brand-new car on the plaza. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Send us a textTara and EmKay are thrilled to be celebrating The Wiz Live's 10th anniversary with Corey Antonio Rose! Rabbit holes include Ken Harper's journey of bringing The Wiz Broadway to life, a brief history of NBC's live musicals, and more!Show Notes:Harper CollinsCorey Antonio RoseNBC Cancels Live Hair BroadcastWill It Be The Wiz or The Music Man First? NBC Lines Up Two Musicals for Live Broadcast‘The Wiz' Set as NBC's Next Live MusicalSlipperhood Series: Shanice Williams (Dorothy in NBC'S "The Wiz Live!")Instagram: @downtheyellowbrickpod#DownTheYBPTara: @taratagticklesEmKay: www.emilykayshrader.netPatreon: https://www.patreon.com/downtheyellowbrickpodEtsy: https://www.etsy.com/market/down_the_yellow_brick_podMusic by: Shane ChapmanEdited by: Emily Kay Shrader Down the Yellow Brick Pod: A Wizard of Oz Podcast preserving the history and legacy of Oz
Stranger Things: The First Shadow star Dora Dolphin discusses acts of kindness on Broadway with The Art of Kindness podcast. Her and host Robert Peterpaul cover: - Dora's wild audition process for Netflix and the Duffer Brothers. - Her kind meeting with onscreen counterpart Cara Buono, and the wisdom she shared. - Upside-Down kindness her and her Tony-winning company take part in + more. DORA DOLPHIN makes her Broadway debut in First Shadow! Originated Young Karen Wheeler in the first workshop. Favorite credits: world premiere of Diary of a Wimpy Kid: The Musical, Guthrie Theater's A Christmas Carol, Coco's Diary, Disney's “Villains of Valley View,” GYLT. Gratitude to God, family, friends, CESD/ZOOM/ Luber-Roklin. @doradolphinofficial Follow Dora: @doradolphinofficial Follow us: @artofkindnesspod / @robpeterpaul youtube.com/@artofkindnesspodcast Support the show! (https://www.buymeacoffee.com/theaok) Got kindness tips or stories? Want to just say hi? Please email us: artofkindnesspodcast@gmail.com Music: "Awake" by Ricky Alvarez & "Sunshine" by Lemon Music Studio. Learn more about your ad choices. Visit megaphone.fm/adchoices
Today, I'm thrilled to announce my interview with Broadway director Darko Tresnjak, whose production of ARCHDUKE is currently playing off-Broadway. Tune in to hear some of her wonderful stories, including the first idea he brought to A GENTLEMAN'S GUIDE, creating the iconic staging for “I've Decided to Marry You,” cutting the show's original bows sequence, why he connected with ANASTASIA, auditioning Christy Altomare for the title role, writing ASK FOR THE MOON, directing Lesli Margherita in THE FLAMINGO KID, how he came to Hartford Stage, what Marian Seldes revealed about THE SKIN OF OUR TEETH, telling a political story in RUSSIAN TROLL FARM, staging his own Olympics as a child, reviving AMOUR and CARNIVAL, meeting Marge Champion at Williamstown, the advice he took from Jack O'Brien about running a theater, casting musical theater actresses in THE WOMEN, his dream production of PAL JOEY, and so much more. Don't miss this in-depth conversation with one of Broadway's best.
Welcome to an extraordinary edition of the Takin’ A Walk podcast with host Buzz Knight and the self-proclaimed “Master of Music Mayhem,” Harry Jacobs. This comprehensive music history podcast episode explores one of the most emotionally complex weeks in rock and roll history, spanning December 8th through December 14th. From tragic losses to groundbreaking debuts, this week encompasses the full spectrum of music history’s most pivotal moments. John Lennon’s Assassination: December 8, 1980 - A Day That Changed Music Forever The episode opens with perhaps the darkest day in rock music history: December 8, 1980, when John Lennon was shot and killed outside The Dakota apartment building in New York City. Buzz Knight and Harry Jacobs provide intimate personal recollections of this Beatles tragedy that shocked the world. The Beatles Reunion: Free as a Bird and the Anthology Era Moving from tragedy to reunion, the episode explores December 9, 1995, when the Beatles released “Free as a Bird”—the first new Beatles music in 24 years. Both hosts were working together at WZLX in Boston during this momentous release, bringing their firsthand perspective to this Beatles reunion moment. The track, built around a John Lennon demo with contributions from Paul McCartney, George Harrison, and Ringo Starr, represented a technological and emotional achievement in music history. Harry admits his initial underwhelm with the track, noting that while “Free as a Bird” generated enormous curiosity worldwide, it never achieved the status of Beatles classics like “Ticket to Ride,” “Help!,” or songs from Sgt. Pepper’s Lonely Hearts Club Band. The honest assessment reflects how even beloved artists can struggle to recapture past magic, and both hosts acknowledge they haven’t revisited the song since its release. This candid discussion provides valuable context for understanding fan expectations versus artistic reality in music reunion projects. The Blues Brothers Phenomenon: From Saturday Night Live to Cultural Institution December 9, 1978 marks the Saturday Night Live debut of the Blues Brothers, a moment that transformed comedy sketch into legitimate musical force. The episode provides deep insights into how Dan Aykroyd and John Belushi created this blues and R&B supergroup, enlisting Paul Shaffer, Lou Marini, Duck Dunn, and Steve Cropper, who just passed away—the latter two being legendary members of Booker T. and the MGs and key figures in the Stax Records sound that defined Memphis soul music and produced classics like “Soul Man” and “Green Onions.” Howard Shore, who served as Saturday Night Live’s musical director, recognized the potential in Aykroyd and Belushi’s blues performances and helped facilitate their transition from comedy bit to recording artists. The hosts discuss how this comedy-music crossover assembled world-class musicians around a satirical concept that became genuinely respected in the music community. The Blues Brothers represented a unique fusion of comedy and music that introduced younger audiences to blues legends and R&B classics. The conversation explores Tom “Bones” Malone, a guest on Buzz’s podcast, who joined the Blues Brothers band and played trombone with Blood, Sweat & Tears before becoming part of the SNL band. The episode details the evolution of the band from initial concept to full touring and recording entity, with Buzz noting the impressive live performances featuring the Blues Brothers’ acrobatic stage show, where the larger-than-life Belushi performed cartwheels, splits, and handstands that would later inspire Chris Farley’s physical comedy style. The Blues Brothers soundtrack, featuring “Briefcase Full of Blues” and subsequent albums, has “stood the test of time” according to both hosts. Songs like “Rubber Biscuit,” performed with Matt “Guitar” Murphy, and the memorable Aretha Franklin diner scene where Jake orders “four fried chickens and a Coke,” remain embedded in popular culture. The authentic musicianship combined with comedic brilliance created something that transcended both genres, making the Blues Brothers a permanent fixture in American music history. Otis Redding’s Legacy and Tragic Death: December 10, 1967 The episode takes a somber turn with December 10, 1967, the day Otis Redding died in a plane crash near Madison, Wisconsin, along with members of the Bar-Kays. The timing of this tragedy magnifies its impact—Redding had recorded ”(Sittin’ On) The Dock of the Bay” just three days earlier, and the song hadn’t yet been released. The track became a posthumous number-one hit, cementing Redding’s status as one of soul music’s greatest artists, though he never lived to see its success. Wings Over America: McCartney’s Epic Live Album - December 10, 1976 December 10, 1976 brought the release of Wings Over America, Paul McCartney’s triple live album documenting his 1975-1976 tour with Wings. The episode explores the rarity of triple albums in music history, particularly live albums of such scope and ambition. The hosts discuss the bootleg album called “Wings from Wings” that allegedly forced McCartney’s hand, rushing the official release to market before bootleggers could dominate sales. Harry reveals the meticulous production process behind Wings Over America, noting that McCartney collected 8,000 hours of live recordings from the tour. The legendary Beatles bassist and singer then personally mixed the album, listening to five different versions of every song before selecting the best performances. The final album was crafted to sound like a single concert experience, though it actually represented the best moments culled from the entire tour—a production approach that set standards for live albums. The episode highlights how “Maybe I’m Amazed” from this album became the definitive version for many fans, surpassing even the studio recording in emotional power and musical execution. The album also featured several Beatles songs including “Yesterday” and “Bluebird,” allowing McCartney to honor his past while showcasing his post-Beatles work with Wings. This balance between Beatles nostalgia and new material demonstrated McCartney’s artistic evolution while satisfying longtime fans. Early Genesis and Progressive Rock Evolution December 11, 1972 saw Genesis release “Foxtrot,” their fifth studio album and a landmark in progressive rock history. The episode explores this Peter Gabriel-era Genesis and the band’s evolution through various lineups. Harry recalls “Watcher of the Skies” as a standout track, while both hosts discuss later Genesis classics like “The Carpet Crawlers” from “The Lamb Lies Down on Broadway.” The conversation reveals differing perspectives on Genesis eras, with Buzz preferring the Peter Gabriel period and later Phil Collins-fronted work, while Harry admits his fandom developed more during the “Trick of the Tail” era following Gabriel’s departure. This honest exchange reflects how progressive rock bands often created distinct identities across lineup changes, appealing to different audiences in different eras. Buzz shares a memorable concert experience seeing Genesis with double drumming featuring Phil Collins and Bill Bruford (renowned for his work with Yes and King Crimson). This unique configuration represented Genesis at a transitional moment, experimenting with expanded instrumentation before settling into the trio format that would define their later commercial success. The “Trick of the Tail” tour demonstrated the band’s ability to continue without their iconic frontman, eventually leading to Collins taking over lead vocals permanently. The episode takes an unexpected turn to December 12, 1901, when Guglielmo Marconi sent the first transatlantic radio signal from Cornwall to Newfoundland. This moment in broadcasting history laid the foundation for everything that followed, including the careers of Buzz and Harry as radio professionals. Harry jokes about Buzz working for Marconi in 1901, highlighting the self-deprecating humor that characterizes their chemistry while acknowledging that without Marconi’s invention, they would never have met or built careers in radio. This historical perspective reminds listeners that music distribution, radio broadcasting, and the entire infrastructure of modern music industry traces back to pioneering moments like Marconi’s transmission. The evolution of radio technology from those first signals to contemporary podcast production represents over a century of innovation that transformed how humans experience and share music globally. The Clash’s London Calling: Punk’s Masterpiece - December 14, 1979 December 14, 1979 saw the Clash release “London Calling” in the UK, a double album that transcended punk rock limitations to incorporate reggae, rockabilly, ska, and R&B influences. The hosts recall the album’s innovative approach, including the hidden track “Train in Vain,” which became a hit despite not being listed on the original album cover—a marketing trick that created mystique and rewarded attentive listeners. Support the show: https://musicsavedme.net/See omnystudio.com/listener for privacy information.
Send us a textIn this episode of Entertain This!, actress Kerry Frances discusses her role as medical examiner “Tammy” in Netflix's Wake Up Dead Man: A Knives Out Mystery (theaters November 26, 2025; streaming December 12, 2025), aiding Benoit Blanc (Daniel Craig) amid stars like Josh O'Connor, Glenn Close, and Mila Kunis. She returns to Rian Johnson's franchise after her debut as “Sally” in the 2019 Oscar-nominated Knives Out.A versatile talent—actress, singer-songwriter, director, and producer—Frances shines in Peacock's Poker Face with Natasha Lyonne; her single “You & Me & Everything” (November 2025) features in US & Ourselves, where she stars. Her directorial debut, Mama Mama, won Best Actor at the Bernardsville Film Festival after premiering at HollyShorts 2025.Theatrically, she toured Fiddler on the Roof opposite originated the lead in off-Broadway's Delirium's Daughters. Her music includes the holiday single “For Christmas” and tracks on Underdogs. Tune in for insights on her creative journey and advocacy.Support the show
Crime on a MondayFirst, a look at the events of the day.Then, Dragnet starring Jack Webb, originally broadcast December 8, 1953, 72 years ago, The Big Pick. Friday and Smith investigate a series of violent pickpocketings in which victims are beaten and robbed in busy public areas. Their search leads them to a teenage gang, forcing the detectives to uncover the ringleader before the assaults escalate.Followed by Gang Busters, originally broadcast December 8, 1945, 80 years ago, The Case Of Blackie Thompson. The story of bank-robber Blackie Thompson, and his all-too-loyal girlfriend, Lila. Then The Screen Guild Theater, originally broadcast December 8, 1949, 76 years ago, Alias Nick Beal starring Broderick Crawford and Ray Milland. A ruthless politician makes a Faustian bargain with a mysterious stranger named Nick Beal, whose supernatural influence helps him rise to power. As Beal's control grows, the politician must confront the moral cost of his ambition before losing his soul entirely.Followed by Broadway is my Beat starring Larry Thor, originally broadcast December 8, 1950, 75 years ago, The Ben Justin Murder Case. Ben Justin has been shot twice in the back. Found in an alley, he dies in the ambulance. His wife seems unconcerned. Shortly thereafter, the wife is killed by a bomb! Finally, Claudia, originally broadcast December 8, 1947, 78 years ago, A Genuine Antique. Claudia has a surprise for David. It's a Queen Anne secretary, and it's too small for the apartment! Kathryn Bard and Paul Crabtree star.Thanks to Bill B. for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamCheck out Professor Bees Digestive Aid at profbees.com and use my promo code WYATT to save 10% when you order! If you like what we do here, visit our friend Jay at http://radio.macinmind.com for great old-time radio shows 24 hours a day
Step into one of the most fascinating reincarnation cases ever recorded: a four-year-old boy in Oklahoma who vividly remembers life as an Old Hollywood tap dancer turned talent agent. Dozens of his memories later proved uncannily accurate — Broadway and film performances, a Beverly Hills home, glamorous nights with Rita Hayworth — and together they raise striking questions about memory, identity, and the paranormal in a way that even skeptics struggle to dismiss. Plus, Sabrina shares her own unsettling experience after tempting the spirits of Greyfriars Kirkyard. Watch the video version here. Have ghost stories of your own? E-mail them to us at twogirlsoneghostpodcast@gmail.com New Episodes are released every Thursday and Sunday at 12am PST/3am EST (the witching hour, of course). Corinne and Sabrina hand select a couple of paranormal encounters from our inbox to read in each episode, from demons, to cryptids, to aliens, to creepy kids... the list goes on and on. If you have a story of your own that you'd like us to share on an upcoming episode, we invite you to email them to us! If you enjoy our show, please consider joining our Patreon, rating and reviewing on iTunes & Spotify and following us on social media! Youtube, Instagram, TikTok, Facebook, and Discord. Edited by Jaimi Ryan and produced by Emma Leventer and Jaimi Ryan, original music by Arms Akimbo! Disclaimer: the use of white sage and smudging is a closed practice. If you're looking to cleanse your space, here are some great alternatives! Learn more about your ad choices. Visit podcastchoices.com/adchoices
Peter Filichia, James Marino, and Michael Portantiere, talk with Jasmine Amy Rogers. We review It’s A Wonderful Life @ Irish Rep, Sherie Rene Scott in The Queen of Versailles, Gotta Dance @ The York, Porgy and Bess at the Met, A Christmas Carol @ Perelman Performing Arts Center, This World read more
You are invited to join me on December 11 at 5:00 PM at The Museum of Broadway where Tony and Olivier Award-winning lyricist , David Zippel, will be interview me about my new book, Broadway Nation: How Immigrant, Jewish, Queer, and Black Artists Invented the Broadway Musical. Reserve your FREE seats now at https://www.themuseumofbroadway.com/calendar Learn more about your ad choices. Visit megaphone.fm/adchoices
We take Sammy from his Broadway triumph in Golden Boy onward, through songs from Sweet Charity, Golden Rainbow, The Phantom of the Opera and more.
Epstein maintained a public account on Spotify, and his playlists — created between roughly 2011 and 2015 — show a strikingly broad and eclectic taste in music. His selections ranged from classical (including Ludwig van Beethoven) to jazz (notably Oscar Peterson), Broadway show tunes, gospel, pop, rock, and even contemporary club-style hits. His playlists featured songs by major artists such as Aerosmith, Led Zeppelin, The Who, The Doors, Elton John, Céline Dion, Billy Joel, Bob Dylan, The Beach Boys, and Pitbull. Beyond music, the account also contained a comedy-album by Louis C.K. — illustrating that Epstein's public streaming activity extended beyond just songs.However, analysts and reporters have pointed out that some songs on Epstein's playlists carry lyrics or themes that — in the context of what's later known about him — read as disturbing or even alarmingly suggestive. For example, his playlists included tracks like Hot for Teacher by Van Halen (a song that has been criticized for its sexualized and somewhat predatory undertones), and My Heart Belongs to Daddy an older jazz number by Oscar Peterson that many interpret as featuring a troubling adult-child dynamic. Observers contend that while a playlist alone doesn't prove intent or wrongdoing, those particular song choices — when viewed with the rest of the evidence in Epstein's history — add a deeply unsettling and ironic dimension to how he publicly presented himself.to contact me:bobbycapucci@protonmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.
This is a fan fav episode. Hey everyone, it's your girl Lisa Bilyeu, and welcome back to another heart-shaking, soul-quaking episode of "Women of Impact." Today, I have the absolute pleasure of bringing back one of my all-time favorite guests, a woman who has not only impacted my life but countless others with her raw, unfiltered honesty and boundless wisdom—the incredible Lisa Nichols. In this episode, Lisa Nichols is bringing the heat and the heart as she takes us on a deeply personal journey through her emotional struggles and the path to rediscovering herself. Imagine battling through toxic relationships, facing the depths of clinical depression, and constantly wrestling with societal pressures that try to tell you who you should be—Lisa has been there, and she's lived to tell the tale in the most empowering way. She opens up about the courageous steps she took to reclaim her life, including relocating to escape a toxic situation and creating practices to rebuild her self-worth. We dive into the transformative power of self-reflection and forgiveness, and Lisa shares the incredible methods she used, from affirmations and mentorship to visual reminders that kept her grounded and focused on her true potential. But that's not all—Lisa and I explore the tough, gritty topics like the internal conflict of intuition versus desire, and the necessity of self-acceptance in a world that often tries to dim our light. She even introduces us to her innovative "boldness quiz," designed to help us all push past our fears and embrace our true, fearless selves. And for those of you who crave a little entertainment mixed with empowerment, Lisa gives us a sneak peek into her latest endeavor—a one-woman Broadway show that's set to inspire and transform lives. SHOWNOTES 00:00 Aging affects metabolism; hormones necessitate dietary changes. 16:06 Realizations about self-reliance in relationships. 29:27 Fear of inadequacy and underrepresentation in media. 35:04 Struggling with self-esteem and room dynamics. 52:51 Exploring pivotal life choices and decision moments. 57:49 Desire to help women in challenging times. 01:08:55 Journey to body acceptance after shaming experience. Original air date: 11-6-2024 Learn more about your ad choices. Visit megaphone.fm/adchoices
Is time running out for Venezuela's Nicolas Maduro? Christiane asks Colombia's former president Ivan Duque why he supports Trump's aggressive stance against the country next door. And while the U.S. president has his eye on Latin America, the White House is snubbing Europe again, opting not to send Secretary of State Marco Rubio to a NATO foreign minister meeting. Julianne Smith, former US Ambassador to NATO, speaks to Christiane about transatlantic tension, and those marathon peace talks between Trump's team and Putin that appeared to produce nothing. Plus, Oedipus on Broadway! Christiane speaks to stars Lesley Manville and Mark Strong about modernizing the 2,5000-year-old Greek tragedy, and playing a mother and son in love. From the archives, we revisit a 1988 mutiny in a New Jersey monastery, and remember legendary playwright Tom Stoppard. Air date: December 6, 2025 Guests: Ivan Duque Julianne Smith Lesley Manville & Mark Strong Learn more about your ad choices. Visit podcastchoices.com/adchoices
This is a fan fav episode. Hey everyone, it's your girl Lisa Bilyeu, and welcome back to another heart-shaking, soul-quaking episode of "Women of Impact." Today, I have the absolute pleasure of bringing back one of my all-time favorite guests, a woman who has not only impacted my life but countless others with her raw, unfiltered honesty and boundless wisdom—the incredible Lisa Nichols. In this episode, Lisa Nichols is bringing the heat and the heart as she takes us on a deeply personal journey through her emotional struggles and the path to rediscovering herself. Imagine battling through toxic relationships, facing the depths of clinical depression, and constantly wrestling with societal pressures that try to tell you who you should be—Lisa has been there, and she's lived to tell the tale in the most empowering way. She opens up about the courageous steps she took to reclaim her life, including relocating to escape a toxic situation and creating practices to rebuild her self-worth. We dive into the transformative power of self-reflection and forgiveness, and Lisa shares the incredible methods she used, from affirmations and mentorship to visual reminders that kept her grounded and focused on her true potential. But that's not all—Lisa and I explore the tough, gritty topics like the internal conflict of intuition versus desire, and the necessity of self-acceptance in a world that often tries to dim our light. She even introduces us to her innovative "boldness quiz," designed to help us all push past our fears and embrace our true, fearless selves. And for those of you who crave a little entertainment mixed with empowerment, Lisa gives us a sneak peek into her latest endeavor—a one-woman Broadway show that's set to inspire and transform lives. SHOWNOTES 00:00 Aging affects metabolism; hormones necessitate dietary changes. 16:06 Realizations about self-reliance in relationships. 29:27 Fear of inadequacy and underrepresentation in media. 35:04 Struggling with self-esteem and room dynamics. 52:51 Exploring pivotal life choices and decision moments. 57:49 Desire to help women in challenging times. 01:08:55 Journey to body acceptance after shaming experience. Original air date: 11-6-2024 Learn more about your ad choices. Visit megaphone.fm/adchoices
Clooney stars as an aging movie star who has neglected his family life in favor of his career in Noah Baumbach's new film ‘Jay Kelly. ' He spoke with Tonya Mosley about his own journey with fame, his Broadway rendition of “Good Night, and Good Luck,” and his op-ed calling for Biden to withdraw from the 2024 presidential race. Follow Fresh Air on instagram @nprfreshair, and subscribe to our weekly newsletter for gems from the Fresh Air archive, staff recommendations, and a peek behind the scenes. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
Rob was so excited to finally speak with Martha Plimpton! The actress joins Rob to discuss her life-changing experiences on Broadway, her HBO show, "Task," moving to London, and her experience studying animal tracking in Africa! Plus, Rob pays tribute to the brilliant writer Tom Stoppard, who passed on November 29th, soon after the recording of this interview. Make sure to subscribe to the show on YouTube at YouTube.com/@LiterallyWithRobLowe! Got a question for Rob? Call our voicemail at 323-570-4551. Your question could get featured on the show! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
The Barefoot Contessa herself, Ina Garten, joins Hysteria to give some holiday and hosting advice, including potluck wisdom, host gift etiquette, and the best topics for dinner party discussion. Erin and Alyssa also get into some petty news stories, including Trump's mystery MRI, Karoline Leavitt's nasty Thanksgiving feast, and the University of Oklahoma student who flunked a paper after including questionable bible citations. They finished up with a discussion of Wicked: For Good, blind items, and Mormon Wife Whitney Leavitt's upcoming Broadway debut. For a closed-captioned version of this episode, click here. For a transcript of this episode, please email transcripts@crooked.com and include the name of the podcast.Trump says he'll release MRI results but doesn't know what part of his body was scanned (AP News 12/1)OU student claims bad grade is an attack on her faith (Salon 11/30)Melania Trump Announces Muse Films Production Company (The Hollywood Reporter 11/28) Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.