Talking drums? Xylophone praises? Flutes that seduce? All around the world, cultures have found ways to communicate using notes and rhythms of music, in what have been called "musical surrogate languages". This podcast explores these incredible traditions and what they can teach us about language, music, and the richness of human culture.
In our first ever interview on When Music Speaks, I talk with friend and collaborator Gerald Eze. Gerald is a master of the oja, a wind-blown Igbo instrument from Nigeria, whose poetry can praise, warn, and uplift those it addresses. This is a longer episode, but trust me, it's worth it. We talk about the history of the tradition, the challenges it faces in today's Nigeria, its connections to jazz, how Catholic priests are surprising conveyors of traditional art, and what the oja can offer the modern world.To hear more of Gerald's music, follow him on Instragram @officialgeraldezeTo see the oja in action, check out Gerald's 2019 interview with the BBC:https://www.bbc.com/news/av/world-africa-49928252
Just what kinds of musical surrogate languages are out there? What instruments are used? And what are people even saying? In this episode, I take you around the world in five traditions: Bora slit log drumming in the Amazon, Yoruba talking drums in Nigeria, Hmong mouth organs originally from Southeast Asia, Huli and Wiru jaw harps and mouth bows in the Highlands of Papua New Guinea, and finally whistled Spanish in the Canary Islands. This range of instruments and continents provides a glimpse of the diversity of traditions that are out there, as well as common threads that tie them together.
Welcome to When Music Speaks! This short episode introduces the topic of the podcast---musical surrogate languages---and gives you a taste of what you can expect from the podcast.
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