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Mike Durant is a retired U.S. Army Chief Warrant Officer 4 and Master Black Hawk pilot with the 160th Special Operations Aviation Regiment (Night Stalkers). Inspired by his father, a First Sergeant in the Army National Guard, and a family friend's helicopter flight, Durant enlisted in 1979. After studying Spanish at the Defense Language Institute and serving as a voice intercept operator in Panama, he graduated from flight school at Fort Rucker, Alabama, becoming a Warrant Officer in 1983. He flew over 150 medical evacuation missions in South Korea with the 377th Medical Evacuation Company and later served as an instructor pilot with the 101st Aviation Battalion. Joining the elite 160th SOAR in 1988, Durant flew in Operations Prime Chance, Just Cause, Desert Storm, and Restore Hope. During the 1993 Battle of Mogadishu (Operation Gothic Serpent), his MH-60 Black Hawk was shot down, leaving him severely injured and held captive by Somali militia for 11 days. Despite doctors' doubts, he recovered, ran the 1995 Marine Corps Marathon, and returned to duty, retiring in 2001. Mike's awards include: Distinguished Service Medal, Distinguished Flying Cross (second award), Bronze Star w/ Valor device, Purple Heart, Meritorious Service Medal, Air Medal w/ Valor device (third award), Army Commendation Medal (fourth award), Joint Service Achievement Medal, Army Achievement Medal, Prisoner of War Medal, Army Good Conduct Medal, National Defense Service Medal, Armed Forces Expeditionary Medal with Bronze Arrowhead Device (second award), Southwest Asia Service Medal w/ Bronze Service Star, Army Service Ribbon, Overseas Service Ribbon (2nd Award), United Nations Medal, United Nations Medal-Operations in Somalia, Kuwait Liberation Medal-Government of Saudi Arabia, Kuwait Liberation Medal-Government of Kuwait, Master Aviator Badge, and Air Assault Badge. In 2008, Durant founded Pinnacle Solutions in Huntsville, Alabama, a defense contracting firm specializing in military training simulators and veteran employment. He co-authored In the Company of Heroes, focusing on survival and leadership. He also led veterans' efforts for George W. Bush's 2004 and John McCain's 2008 presidential campaigns. He ran in the 2022 Republican primary for Alabama U.S. Senate. Married to Lisa, raising a blended family with six children, Durant enjoys mountain climbing, skiing, hockey, watersports, and running. Shawn Ryan Show Sponsors: Receive 30% off your first subscription order. Go to https://armra.com/SRS or enter SRS to get 30% off your first subscription order. Right now, you can try Aura free for 14 days when you visit http://aura.com/SRS Our listeners get 10% off at https://BetterHelp.com/SRS. Head to http://DRINKAG1.com/SRS you'll get the welcome kit, a Morning Person hat, a bottle of Vitamin D3+K2, and a AG1 Flavor Sampler for free. Mike Durant Links: LI - https://www.linkedin.com/in/mike-durant-14a0157 Book - https://a.co/d/9OB6ujI SOWF - https://specialops.org/sowf-home-mobile Learn more about your ad choices. Visit podcastchoices.com/adchoices
It's the most sickening time of year, and not just because President Trump pardoned a notorious convicted cocaine trafficker while continuing to execute suspected smugglers in the Caribbean without proving their guilt. Elsewhere, First Lady Melania Trump's audiobook is now available in Spanish, and a raccoon broke into a liquor store and helped himself to some free booze. Acclaimed actor Michael Shannon shares a preview of his performance alongside Russell Crowe in the new film “Nuremberg,” which depicts the dramatic trials where Nazis were prosecuted for crimes against humanity after WWII. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices
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Let's learn some new nouns in Spanish, including the words for "project", "mission", "accident", and "surprise". We'll get lots of spoken practice with these new words. Practice all of today's Spanish for free at LCSPodcast.com/204
Dan 11:36-12:13, 1 John 4:1-21, Ps 123:1-4, Pr 29:2-4
Diciembre 04, 2025 - Muchas personas buscan la aprobacion de los demas tratando de impresionarlos con sus logros o esfuerzos. Pero estariamos dispuestos a considerar a los demas como superiores a nosotros mismos? Actualmente el pastor Carlos A. Zazueta nos esta ofreciendo este mensajes con la intension de entender que el nacimiento de Cristo tiene varias implicaciones para nuestra vida hoy.
We're back with another mini Coffee Break Spanish lesson to help you build natural, everyday vocabulary! ✨In this short episode, Anabel introduces five useful Spanish words that don't have a direct translation into English:➡️ trasnochar➡️ madrugar➡️ estrenar➡️ empalagar➡️ friolero/aDo you already know any of them? Listen to the episode to discover what they mean and how to use them naturally in conversation.
California Governor Gavin Newsom did almost nothing this week. But if you listen carefully, you can hear the state budget crashing and his erstwhile allies beginning to rebel. Bonus! Two hundred and seven years ago this month, a French-born pirate attacked California and broke the back of the Spanish empire. Music by Metalachi.Email Us:dbahnsen@thebahnsengroup.comwill@calpolicycenter.orgFollow Us:@DavidBahnsen@WillSwaim@TheRadioFreeCAShow Notes:Gov. Newsom orders Capitol flags to fly at half-staff after Stockton birthday party shootingGavin Newsom Trolls Donald Trump's MRI Scan With His Own Medical MemoNewsom 2028: Hollywood Donors Start Lining Up Behind Expected White House Bid; “He's A Fighter, That's What We Need!”Newsom's 911 debacle is California's latest failed tech adoptionGov. Gavin Newsom reacts to ex-aide's arrest — ‘real surprise and shock'Silicon Valley's Man in the White House Is Benefiting Himself and His FriendsAmerica's AI future lies in the hands of California's governorWhat does CA's dreary budget mean for state worker negotiations in 2026?Should billionaires pay more? California unions want voters to decideCalifornia Loses a Taxpayer Per Minute Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Comenzaremos la primera parte del programa hablando de la influencia de Donald Trump en las elecciones presidenciales en Honduras. Hablaremos también de las protestas en Machu Picchu por un conflicto con los buses turísticos; y del plan de exterminio de las cotorras en Uruguay para ayudar al sector agrícola. Por último, hablaremos de Yakarta, que ha convertido en la ciudad más poblada del mundo. La segunda parte del programa estará dedicada a acontecimientos relacionados con América Latina. En el diálogo gramatical ilustraremos ejemplos de The Present Perfect. En este segmento hablaremos de la canción de León Gieco, Solo le pido a Dios. Cerraremos la emisión explorando el uso de la frase Llegar a buen puerto mientras conversamos sobre la medicina en las culturas precolombinas. - Donald Trump ejerce su poder de influencia en Honduras - Crisis en el sistema de transporte a Machu Picchu - Uruguay aprueba plan para controlar la superpoblación de cotorras - Yakarta se convierte en la ciudad más poblada del mundo - León Gieco y su gran himno: Sólo le pido a Dios - ¿Cómo era la medicina en las culturas precolombinas?
В этом выпуске я отвечаю на ваши вопросы об искусственном интеллекте, изучении языков и жизни в Испании. Мы говорим о том, может ли ИИ заменить подкасты и учителей, а также обсуждаем бытовые темы — сушильные машины, влажность, переезд и общение на испанском. Отличный эпизод для тех, кто изучает русский язык и хочет слушать живую, современную речь.In this episode, I answer your questions about artificial intelligence, language learning, and everyday life in Spain. We discuss whether AI can replace teachers and podcasts, and talk about practical topics like dryers, humidity, moving, and speaking Spanish. A great episode for Russian learners who want natural, modern, comprehensible Russian.
learn how to say 'get off' in Spanish
Pablo, otra vez, habla de la sana doctrina. Da instrucciones para los hombres y las mujeres de la iglesia. Deben ser sobrios y sanos en la fe. Para los jóvenes: Ser prudentes (dominio propio y cuidadosos con sus palabras) y con carácter intachable. Para los sirvientes: Sujetos a sus amos, no respondones, honestos, y fieles.
Dan 11:2-35, 1 John 3:17-24, Ps 122:1-9, Pr 29:1
Wine of the Episode: 2016 Cabernet Sauvignon by Delgadillo Cellars Join Jessica Yañez and Erika Sanchez for a late November/early December Chisme session where they dive deep into cultural conversations, community boundaries, and current events over wine. From Bad Bunny's Super Bowl performance to debates about representation and AI technology, this episode covers the complex gray areas we navigate in modern life. [00:00 - 07:00] Welcome Back & Thanksgiving Catch-Up Taking a Thanksgiving break (no apologies!) Family gatherings and blending in-laws The 22-pound turkey situation and plans for smoked turkey feasts [07:00 - 10:00] Wine Time Jessica's 2016 Delgadillo Cellars Cabernet Sauvignon Erika's Cointreau Citrus Spritz Announcing the updated Tamales & Wine Guide (coming mid-December!) [10:00 - 24:00] Bad Bunny, Rosalía & Cultural Pride Bad Bunny announced as Super Bowl halftime performer The controversial Rosalía response and "colonizer behavior" Katie Miller's podcast with Charlotte Jones about the performance Why Bad Bunny's unapologetic Spanish-language stance matters [24:00 - 37:00] Community Conversations & Boundaries When to center yourself vs. when to listen The Bomba debate and staying in your lane Protecting community while avoiding division Learning from lived experiences outside your own [32:00 - 35:00] Coleman Domingo & Representation Latine representation in "Wicked" Two things can be true: being Black AND Latino Breaking down limiting perspectives on identity [35:00 - 42:00] Unity vs. Division Historical context: when Irish and Italians weren't considered "white" Economic issues disguised as racial ones The importance of respectful disagreement Why echo chambers prevent growth [42:00 - 50:00] AI Resurrection App The creepy new app for "talking" to deceased loved ones Jessica's memories of her grandmother Alternative: recording parents' stories with QR codes Does AI help or hinder the grieving process? [50:00 - 58:00] CBS Paramount Layoffs & DEI Dismantling All people of color laid off; white employees reassigned The importance of DEI beyond just race Barry Weiss named editor-in-chief despite no network experience What happens when we lose diverse newsrooms [58:00 - 1:07:00] Mariah Carey's Sephora Ad The commercialization of "It's Time" Tone-deaf timing with SNAP benefits controversy When organic moments become marketing strategies The "Sephora kids" phenomenon [1:07:00 - 1:16:00] Money, Greed & Billionaires Why do wealthy people always want more? Elon Musk as the first trillionaire Comparing Mackenzie Scott's giving to others' hoarding Jeff Bezos sponsoring the Met Gala and buying Condé Nast [1:16:00 - 1:21:00] Is Vogue Still Relevant? How smartphones and social media changed fashion media The double-edged sword of instant information Missing the early days of organic Instagram [1:21:00 - 1:27:00] AI Everywhere Can't tell what's real anymore Protecting elderly parents from sophisticated scams The danger of AI voice replication When convenience becomes scary [1:27:00 - 1:34:00] Golden Girls Are Forever Watching the Golden Girls special Realizing they were in their 50s and working! How ahead of their time they were on social issues Betty White's legacy and San Diego's own Mario Lopez [1:34:00 - End] Final Thoughts Living in the gray area of life No one can take away your determination Recapping the year ahead Preserving ourselves with wine! The Wine & Chisme Podcast celebrates Latine voices, culture, and community—one glass of wine and honest conversation at a time.
Diciembre 03, 2025 - La Biblia dice que Dios honra al humilde y ve de lejos al altivo. Por lo tanto, la humildad no se refiere al estatus social ni tampoco el lugar donde usted o yo hayamos nacido. Tiene que ver con la actitud del corazon. Que podemos obsequiar en esta navidad? Escuchemos al Pastor Carlos A. Zazueta para conocer lo que usted y yo podemos ofrecer.
After 5 intense weeks of travel across Turkey, Central Asia, and Prague, I finally made it back to the Expat Money Studios in Panama to bring you a full debrief on the journey. From scouting new destinations to dealing with airline chaos at a level I've never seen before (and that's saying a lot), this trip had a bit of everything. In this episode, I'm joined by my colleague Marc Clair as we break down the countries I visited, the people I met, the challenges I faced along the way, and why, despite the insanity, travel remains one of the most powerful and important tools for building real freedom. Enjoy! IN TODAY'S EPISODE Listen in to hear why Turkey has become our seasonal base for European and Central Asian travelFind out why Kyrgyzstan shocked me with its mix of friendliness, modern infrastructure, and stunning mountain landscapeHear me detail the “Qatar Airways fiasco,” from last-minute ticketing issues to overnight airport chaos and how it nearly derailed the tripGet the story behind my keynote at the Free Cities Conference in Prague, delivered despite arriving exhausted and sick STAY IN TOUCH! Stay informed about the latest news affecting the expat world and receive a steady stream of my thoughts and opinions on geopolitics by subscribing to our newsletter. You will receive the EMS Pulse® newsletter and the weekly Expat Sunday Times; sign up now and receive my FREE special report, “Plan B Residencies and Instant Citizenships.” WEALTH, FREEDOM & PASSPORTS CONFERENCE, MARCH 6-7, 2026 Join us in Panama City from March 6-7, 2026, for our second annual in-person event, the Wealth, Freedom and Passports Conference! Get your tickets now, as space is very limited. RELATED EPISODES 369: Canada's Identity Crisis And Why Families Are Looking South – Shaun Newman 368: Cayman: Inside The Caribbean's Premier Offshore Hub – Jeremy Varlow 365: The Bukele Effect: Inside El Salvador's Radical TransformationMentioned in this episode:No Plan-B Without the LanguageIf you're planning to move overseas—or even just set up your offshore Plan-B—learning the local language isn't optional. It's protection. It's access. It's power. StoryLearning makes it easy to start today, from home, by immersing you in real stories—not grammar drills. Spanish, Portuguese, French, and...
Send us a textMusicLeslie Fish & The Dehorn Crew - Banned From Argo - Solar SailorsLeslie Fish And Friends - Ballad Of Transport 18 - Smoked Fish And FriendsLeslie Fish - Angel With A Sword - Angel With A SwordLeslie Fish - Cat-Maiden - Starsinger (October, 2023)Leslie Fish - Gremlins - Starsinger (March, 2024)Leslie Fish - The Day It Fell Apart - Firestorm: Songs Of The Third World WarLeslie Fish - Carmen Miranda's Ghost - Carmen Miranda's GhostLeslie Fish And Joe Bethancourt - Serious Steel - Serious SteelLeslie Fish - Skybound Blues - SkyboundLeslie Fish - The Sun Is Also A Warrior - Avalon Is Risen (Retro Filk Mix)Leslie Fish - The Roman Centurions Song - Our Fathers Of OldLeslie Fish - Pucks Song - Cold IronLeslie Fish - Hope EyrieDandelion Cornerhttps://dandelion-corner.com/https://live365.com/station/Dandelion-Corner-a18657Wôks Print Cataloghttps://woksprint.com/product-category/musicFundraisersSusan Urbanhttps://www.gofundme.com/f/help-susan-urban-restore-her-visionMy Mother's Savage Daughter needs our helphttps://www.gofundme.com/f/my-mothers-savage-daughter-needs-our-helpConventionsGaFilk - Jan 9-11https://gafilk.orgContabile 36 (Norfilk Con 2) - Jan 30-Feb 1 2026https://www.contabile.org.uk/c36Consonance 2026 - Mar 27-29, 2026https://consonance.orgFilkOntario - April 17-19, 2026https://filkontario.caDFDF - May 14-16, 2026https://www.dfdf.rocksFilkConbobulated - June 26-28https://filkconbobulated.orgOnline FilkEurofilk CircleDec 11, Dec 25, Jan 818:00 Central European TimeFestival of the Living RoomsDecember 12-14 https://www.fotlr.orgFriends Of Filk BytesTBABandcamp waives their fees Friday Dec 5All money goes directly to the artist!Get on the MASSFilc email listhttps://www.massfilc.orgFilk InformationFriends Of Filkhttps://friendsoffilk.orgFilk Newshttps://liberal.city/@filknewshttps://liberal.city/@filknews.rssGeekspin Podcasthttps://geekspinpodcast.castos.com/Filk Questhttps://www.youtube.com/c/vanceamaniaVintage Filk Preservationhttps://www.youtube.com/channel/UC0EXmacvKF3MDrKZbzmux6gHouse Concerts and House FilksToronto House Filk December 6Email Jane Garthson for information - jane@garthsonleadership.caNational Suicide Prevention LifelineHours: Available 24 hours. Languages: English, Spanish.800-273-8255Links to the Podcasthttp://filkcast.comhttp://facebook.com/groups/FilkCasttiedyeeric at filkcast.comFor a searchable list of everything played on FilkCasthttps://filkcast.blogspot.com/2021/07/the-complete-list_25.htmlIntro Music - Following Our Dreams - Lawrence Dean
Fluent Fiction - Spanish: Chasing Llamas and Legends Through Machu Picchu's Mysteries Find the full episode transcript, vocabulary words, and more:fluentfiction.com/es/episode/2025-12-03-08-38-20-es Story Transcript:Es: El sol brillaba intensamente en Machu Picchu cuando Valeria, Ignacio y Rocío llegaron al majestuoso sitio.En: The sun was shining intensely in Machu Picchu when Valeria, Ignacio, and Rocío arrived at the majestic site.Es: El aire estaba lleno de la emoción del descubrimiento.En: The air was filled with the excitement of discovery.Es: Las montañas verdes se alzaban majestuosamente, envolviendo la antigua ciudad inca con un abrazo de historia y misterio.En: The green mountains rose majestically, enveloping the ancient Inca city with an embrace of history and mystery.Es: Valeria, siempre curiosa, admiraba las piedras trabajadas por los incas.En: Valeria, always curious, admired the stones carved by the Incas.Es: Rocío, su guía amable, les contaba leyendas del lugar mientras caminaban por los senderos.En: Rocío, their kind guide, told them legends about the place as they walked along the paths.Es: Ignacio, sin despegar la vista de su cámara, capturaba cada esquina, cada sombra.En: Ignacio, without taking his eyes off his camera, captured every corner, every shadow.Es: Él prefería ver el mundo a través del lente, congelar momentos para siempre.En: He preferred to see the world through the lens, freezing moments forever.Es: Llevaban una cesta llena de delicias.En: They carried a basket full of delights.Es: Planearon un picnic al borde de una de las terrazas.En: They planned a picnic at the edge of one of the terraces.Es: El lugar era perfecto, con una vista impresionante de las ruinas y nubes deslizándose por el cielo.En: The place was perfect, with an impressive view of the ruins and clouds gliding across the sky.Es: Valeria se sentía en paz, lista para saborear el momento.En: Valeria felt at peace, ready to savor the moment.Es: De repente, una sombra peluda y veloz interrumpió la tranquilidad.En: Suddenly, a furry, fast shadow interrupted the tranquility.Es: Era una llama, y sin pensarlo dos veces, había tomado su cesta con los dientes grandes y descarados.En: It was a llama, and without a second thought, it had grabbed their basket with its large, brazen teeth.Es: Valeria soltó una risa sorprendida mientras la llama, moviendo su cola enérgicamente, comenzaba a alejarse.En: Valeria let out a surprised laugh as the llama, wagging its tail energetically, started to walk away.Es: —¡Oh no!En: —@es{Oh no!Es: ¡Nuestra comida!En: ¡Nuestra comida!Es: —exclamó ella, sin poder evitar reír.En: }—she exclaimed, unable to stop laughing.Es: Rocío sonrió, disfrutando la espontaneidad del momento.En: Rocío smiled, enjoying the spontaneity of the moment.Es: —Vamos a seguirla —sugirió con picardía.En: —Vamos a seguirla—she suggested mischievously.Es: Ignacio, emocionado, ya estaba filmando la escena.En: Ignacio, excited, was already filming the scene.Es: La persecución rápidamente se convirtió en un juego.En: The chase quickly turned into a game.Es: Valeria corría tras la llama, esquivando piedras y saltando pequeños charcos.En: Valeria ran after the llama, dodging stones and jumping over small puddles.Es: Ignacio capturaba cada segundo, tratando de no perderse nada.En: Ignacio captured every second, trying not to miss anything.Es: La carrera los llevó hasta un maravilloso mirador.En: The chase led them to a marvelous viewpoint.Es: Allí, la llama se detuvo, aparentemente satisfecha con su travesura.En: There, the llama stopped, seemingly satisfied with its prank.Es: Valeria, recuperando el aliento, intentó recuperar la cesta, comenzando un gracioso tira y afloja con el animal.En: Valeria, catching her breath, tried to retrieve the basket, starting a funny tug-of-war with the animal.Es: Rocío, riendo, sacó un poco de maíz que tenía en su bolsillo.En: Rocío, laughing, took out some corn she had in her pocket.Es: La llama, intrigada, soltó la cesta para acercarse.En: The llama, intrigued, released the basket to approach.Es: —Gracias, Rocío —dijo Valeria, aliviada, mientras ella e Ignacio recuperaban la comida.En: —Gracias, Rocío—said Valeria, relieved, as she and Ignacio retrieved the food.Es: Finalmente se sentaron a disfrutar el picnic, el sol calentando sus rostros mientras admiraban el paisaje.En: Finally, they sat down to enjoy the picnic, the sun warming their faces while they admired the landscape.Es: Todo el evento los dejó riendo, creando un recuerdo inolvidable.En: The whole event left them laughing, creating an unforgettable memory.Es: —Hoy aprendí algo —dijo Valeria, mirando las montañas—.En: —Hoy aprendí algo—said Valeria, looking at the mountains—.Es: A veces, los planes cambian, pero eso hace la vida interesante.En: A veces, los planes cambian, pero eso hace la vida interesante.Es: El picnic fue perfecto, no como lo habían planeado, pero lleno de risas y nuevas anécdotas.En: The picnic was perfect, not as they had planned, but full of laughter and new anecdotes.Es: Machu Picchu se quedó con ellos, no solo en la memoria de Ignacio, sino en sus corazones, como una aventura que siempre recordarían con una sonrisa.En: Machu Picchu stayed with them, not only in Ignacio's memory but in their hearts, as an adventure they would always remember with a smile. Vocabulary Words:the embrace: el abrazothe guide: el/la guíamajestic: majestuosothe path: el senderoto capture: capturarthe ruins: las ruinasto savor: saborearthe furry shadow: la sombra peludabrazen: descaradothe spontaneity: la espontaneidadmischievously: con picardíato film: filmarthe puddle: el charcothe viewpoint: el miradorthe prank: la travesurathe tug-of-war: el tira y aflojato retrieve: recuperarthe corn: el maízrelieved: aliviadoto admire: admirarthe delight: la deliciathe shadow: la sombrato glide: deslizarseto jump: saltarto dodge: esquivarunforgettable: inolvidablethe terrace: la terrazato freeze: congelarthe excitement: la emociónancient: antiguo
Fluent Fiction - Spanish: Beyond the Lens: Embracing Patagonia's Wild Embrace Find the full episode transcript, vocabulary words, and more:fluentfiction.com/es/episode/2025-12-03-23-34-02-es Story Transcript:Es: En el corazón de la Patagonia, el verano vestía el paisaje con ropas de vibrante verdor.En: In the heart of Patagonia, summer dressed the landscape in garments of vibrant greenery.Es: La luz del sol bailaba sobre las montañas y el viento jugaba entre los árboles.En: The sunlight danced over the mountains, and the wind played among the trees.Es: Santiago, un joven fotógrafo lleno de sueños, estaba fascinado por la majestuosidad que lo rodeaba.En: Santiago, a young photographer full of dreams, was fascinated by the majesty surrounding him.Es: Su objetivo era capturar una imagen que lo hiciera famoso, una foto que hablara al mundo de la belleza de este rincón remoto.En: His goal was to capture an image that would make him famous, a photo that would speak to the world about the beauty of this remote corner.Es: Junto a él, Luz caminaba con determinación.En: Beside him, Luz walked with determination.Es: Ella era una guía local, conocida por su habilidad para navegar los terrenos más difíciles.En: She was a local guide, known for her ability to navigate the most challenging terrains.Es: Sin embargo, sus pensamientos estaban nublados por la incertidumbre.En: However, her thoughts were clouded by uncertainty.Es: ¿Debería seguir en esta región o buscar nuevas oportunidades?En: Should she remain in this region or seek new opportunities?Es: Por ahora, su tarea era guiar a Santiago y a Carmen, una científica dedicada a estudiar los cambios climáticos de la zona.En: For now, her task was to guide Santiago and Carmen, a scientist dedicated to studying the climate changes of the area.Es: Ese día, el aire olía a tierra húmeda, y el sol en lo alto prometía un clima tranquilo, casi demasiado perfecto para el propósito de Carmen.En: That day, the air smelled of damp earth, and the high sun promised calm weather, almost too perfect for Carmen's purpose.Es: Ella había observado patrones inusuales, veranos más frescos y nevadas en temporada incorrecta.En: She had observed unusual patterns, cooler summers, and snowfalls out of season.Es: Su preocupación era palpable, y aunque los otros no lo notaron, el murmullo del viento le hablaba de futuros inciertos.En: Her concern was palpable, and although the others did not notice, the whisper of the wind spoke to her of uncertain futures.Es: Al caer la tarde, un cambio brusco en la temperatura sorprendió al grupo.En: As evening fell, a sudden drop in temperature surprised the group.Es: Un soplo frío descendió, y de repente, el cielo se oscureció.En: A cold gust descended, and suddenly, the sky darkened.Es: Flotaban copos de nieve, primero lentos, luego ávidos, cubriendo todo en una capa blanca y espesa.En: Snowflakes floated, first slowly, then eagerly, covering everything in a thick white blanket.Es: Luz, agudizando sus instintos, dirigió al grupo a una cabaña aislada que habían visto en su camino.En: Luz, sharpening her instincts, led the group to an isolated cabin they had seen on their way.Es: La cabaña era acogedora, aunque el viento ululaba alrededor, sacudiendo las ventanas.En: The cabin was cozy, although the wind howled around, shaking the windows.Es: Santiago, ansioso por capturar un fragmento de esta naturaleza salvaje, se preparó para salir.En: Santiago, eager to capture a fragment of this wild nature, prepared to go outside.Es: Pero Luz lo detuvo.En: But Luz stopped him.Es: "Es demasiado peligroso.En: "It's too dangerous.Es: La tormenta no perdona," le advirtió.En: The storm shows no mercy," she warned.Es: Pasaba el tiempo.En: Time passed.Es: La nieve acumulada bloqueaba toda esperanza de escapar.En: The accumulated snow blocked any hope of escape.Es: Santiago, consciente del consejo de Luz, decidió quedarse.En: Santiago, mindful of Luz's advice, decided to stay.Es: La arena de su paciencia fue puesta a prueba, pero supo transformar su frustración en colaboración, ayudando a preservar la calidez en la cabaña.En: His patience was tested, but he managed to transform his frustration into collaboration, helping to maintain warmth in the cabin.Es: En el punto álgido de la tormenta, Santiago miró por la ventana.En: At the height of the storm, Santiago looked out the window.Es: Lo que vio lo dejó sin aliento.En: What he saw took his breath away.Es: La furia de la tormenta chocaba con la serenidad de las montañas, creando una imagen de belleza imponente.En: The storm's fury clashed with the serenity of the mountains, creating a picture of imposing beauty.Es: Tomó su cámara, capturando una foto que hablaba de los contrastes de la naturaleza, de lo inesperado y lo sublime.En: He took his camera, capturing a photo that spoke of nature's contrasts, of the unexpected and the sublime.Es: Finalmente, el viento amainó y el sol volvió a dominar el cielo.En: Finally, the wind subsided, and the sun once again dominated the sky.Es: Un equipo de rescate, liderado por colegas de Luz, llegó a la cabaña.En: A rescue team, led by Luz's colleagues, arrived at the cabin.Es: El grupo fue guiado de regreso a salvo.En: The group was led back to safety.Es: De regreso en la aldea, Santiago mostró la foto a sus compañeras.En: Back in the village, Santiago showed the photo to his companions.Es: Luz y Carmen quedaron impresionadas.En: Luz and Carmen were impressed.Es: No era solo una foto; era testimonio de lo inesperado que habían vivido juntos.En: It was not just a photo; it was a testament to the unexpected experience they had lived together.Es: Ahora, con el sol acariciando su rostro, Santiago comprendía el regalo de la incertidumbre.En: Now, with the sun caressing his face, Santiago understood the gift of uncertainty.Es: Había descubierto que el verdadero valor estaba en compartir momentos y aprendizajes.En: He had discovered that true value lay in sharing moments and learning.Es: Había aprendido a mirar más allá del lente, a apreciar no solo la belleza obvia sino también la que emergía de la adaptabilidad y la conexión humana.En: He had learned to look beyond the lens, to appreciate not only the obvious beauty but also that which emerged from adaptability and human connection. Vocabulary Words:the garments: las ropasthe majesty: la majestuosidadthe determination: la determinaciónthe uncertainty: la incertidumbrethe climate changes: los cambios climáticospalpable: palpablethe whisper: el murmullothe cabin: la cabañathe gust: el soploeagerly: ávidosto sharpen: agudizarcozy: acogedorato howl: ulularto shake: sacudirthe patience: la pacienciathe fury: la furiathe serenity: la serenidadthe rescue team: el equipo de rescatethe colleagues: los colegasthe village: la aldeato be impressed: quedar impresionadasthe testimony: el testimoniothe gift: el regalothe adaptability: la adaptabilidadthe human connection: la conexión humanathe landscape: el paisajethe terrain: los terrenosthe opportunity: las oportunidadesto navigate: navegarthe scientist: la científica
Acharya S, whose real name is D.M. Murdock, was classically educated at some of the finest schools, receiving an undergraduate degree in Classics, Greek Civilization, from Franklin & Marshall College, the 17th oldest college in the United States. At F&M, listed in the "highly selective" category in guides to top colleges and universities, Acharya studied under Dr. Robert Barnett, Dr. Joel Farber and Dr. Ann Steiner, among others. Acharya S has served as a trench master on archaeological excavations in Corinth, Greece, and Connecticut, USA, as well as a teacher's assistant on the island of Crete. Acharya S has traveled extensively around Europe,and she speaks, reads and/or writes English, Greek, French, Spanish, Italian, German, Portuguese and a smattering of other languages to varying degrees. She has read Euripides, Plato and Homer in ancient Greek, and Cicero in Latin, as well as Chaucer's The Canterbury Tales in Middle English. She has also been compelled to cross-reference the Bible in the original Hebrew and ancient Greek. Acharya S aka D.M. Murdock has gained expertise in several religions, as well as knowledge about other esoterica and mystical subjects. She is also the author of several books, including The Christ Conspiracy. Her book Suns of God: Krishna, Buddha and Christ Unveiled, is an expansion of the themes and thesis of The Christ Conspiracy. Acharya's book Who Was Jesus: Fingerprints of The Christ represents a scientific analysis of the data regarding this alleged superhuman god who purportedly walked the earth. Acharya has also written Christ in Egypt: The Horus-Jesus Connection, which demonstrates the Egyptian and Horus parallels to Christianity and Christ to be real and factual. Articles by Acharya S have been published in Exposure, Steamshovel Press, Paranoia, as well as other periodicals and ezines. - http://www.truthbeknown.com Become a supporter of this podcast: https://www.spreaker.com/podcast/the-x-zone-radio-tv-show--1078348/support.Please note that all XZBN radio and/or television shows are Copyright © REL-MAR McConnell Meda Company, Niagara, Ontario, Canada – www.rel-mar.com. For more Episodes of this show and all shows produced, broadcasted and syndicated from REL-MAR McConell Media Company and The 'X' Zone Broadcast Network and the 'X' Zone TV Channell, visit www.xzbn.net. For programming, distribution, and syndication inquiries, email programming@xzbn.net.We are proud to announce the we have launched TWATNews.com, launched in August 2025.TWATNews.com is an independent online news platform dedicated to uncovering the truth about Donald Trump and his ongoing influence in politics, business, and society. Unlike mainstream outlets that often sanitize, soften, or ignore stories that challenge Trump and his allies, TWATNews digs deeper to deliver hard-hitting articles, investigative features, and sharp commentary that mainstream media won't touch.These are stories and articles that you will not read anywhere else.Our mission is simple: to expose corruption, lies, and authoritarian tendencies while giving voice to the perspectives and evidence that are often marginalized or buried by corporate-controlled media
To become a follower of Jesus, visit: https://MorningMindsetMedia.com/MeetJesus (NOT a Morning Mindset resource) ⇒ TODAY'S DAILY SPONSOR: Today’s episode is provided through the generous donation of Morning Mindset listener, Deborah, In memory of her Dad, Ed. You can sponsor a daily episode of the Morning Mindset too, by going to https://MorningMindsetMedia.com/DailySponsor ➖➖➖➖➖➖➖➖➖➖ TODAY'S SCRIPTURE: 1 Peter 5:10–11 - And after you have suffered a little while, the God of all grace, who has called you to his eternal glory in Christ, will himself restore, confirm, strengthen, and establish you. [11] To him be the dominion forever and ever. Amen. (ESV) ➖➖➖➖➖➖➖➖➖➖ FINANCIALLY SUPPORT THE MORNING MINDSET: (not tax-deductible) -- Become a monthly partner: https://mm-gfk-partners.supercast.com/ -- Support a daily episode: https://MorningMindsetMedia.com/daily-sponsor/ -- Give one-time: https://give.cornerstone.cc/careygreen -- Venmo: @CareyNGreen ➖➖➖➖➖➖➖➖➖➖ FOREIGN LANGUAGE VERSIONS OF THIS PODCAST: SPANISH version: https://MorningMindsetMedia.com/Spanish HINDI version: https://MorningMindsetMedia.com/Hindi CHINESE version: https://MorningMindsetMedia.com/Chinese ➖➖➖➖➖➖➖➖➖➖ CONTACT: Carey@careygreen.com ➖➖➖➖➖➖➖➖➖➖ THEME MUSIC: “King’s Trailer” – Creative Commons 0 | Provided by https://freepd.com/ ***All NON-ENGLISH versions of the Morning Mindset are translated using A.I. Dubbing and Translation tools from DubFormer.ai ***All NON-ENGLISH text content (descriptions and titles) are translated using the A.I. functionality of Google Translate.
In this episode of the Learn Polish Podcast Ania and Ania chat informally about smoking habits in Poland — comparing cigarettes, shisha (hookah) and electronic alternatives. They discuss flavors, social rituals, personal memories and common health concerns, with light humor and everyday vocabulary for learners. Find episode references and links at learnpolishpodcast.com; lessons from Ania (Polish/Spanish) are in the show notes. For more about the host and services scan the QR code or visit www.roycoughlan.com and va.world. I have just launched my PodFather Podcast Coach Community https://www.skool.com/podfather/about Start your own SKOOl Academy https://www.skool.com/signup?ref=c72a37fe832f49c584d7984db9e54b71 All about Roy / Brain Gym & Virtual Assistants at https://roycoughlan.com/ Do you want to unlock your potential? https://www.skool.com/brainfitness/about
Héctor y Beto analizan la protesta de la Generación Z en CDMX, explorando sus causas: inseguridad, violencia y descontento social. Hablan sobre la organización digital, la participación de jóvenes y adultos, y la respuesta policial, reflexionando sobre la importancia de seguir reglas y fortalecer la comunidad.- Para tener acceso a episodios ad-free y para ver la transcripción completa (word for word) de este episodio, visítanos en Patreon.- Nuestro sitio web: www.nohaytospodcast.com- ¡Si el podcast te es útil por favor déjanos un review en Apple Podcasts!- Venos en video en YouTube. No Hay Tos is a Spanish podcast from Mexico for students who want to improve their listening comprehension, reinforce grammar, and learn about Mexican culture and Mexican Spanish. All rights reserved.
Here's a question that'll stop you in your tracks: Would you let someone walk up to you, take your wallet, empty out all your cash and credit cards, and leave your family with nothing? Of course not. That's insane. But if you're in sales and you let rejection stop you from making calls, booking appointments, and closing deals, that's exactly what you're doing. You're handing over your commission check to fear. That was the powerful insight from Wendy Ramirez, a leading Mexican sales expert and author of Lo que nadie habla de las ventas: Estrategias para no ser llamarada de petate or What Nobody Talks About in Sales: Strategies to Avoid Being a Flash in the Pan, on a recent episode of Ask Jeb the Sales Gravy Podcast. When you give rejection the power to stop you, you're literally taking money away from your family. Let that sink in. The Science of Why Rejection Hurts Let's get one thing straight right now: I'm not going to sit here and glorify rejection. Nobody wants to be rejected. Unless you're a pure sociopath who feels nothing (and there aren't many of those in sales), rejection is going to hurt you. It doesn't matter if you're highly outcome-driven like me or highly empathetic. Rejection hurts everyone in different degrees, but it hurts. Period. Here's what's actually happening inside your body when you get rejected: Your brain treats rejection like a physical threat. Fight or flight kicks in. It's a neurophysical response that dumps adrenaline into your bloodstream, makes your heart race, and creates this overwhelming urge to either run away or fight back. That uncomfortable feeling? That's not weakness. That's just science. The Problem: Sales Is a Rejection-Dense Profession Here's the brutal reality about selling: If you don't face rejection, you're going to fail. Sales is what I call a rejection-dense profession. When you hit rejection in sales, you don't have the option of going backwards. You can go over it, through it, around it, or dig under it. But your job is literally to go out into the world, find rejection, and bring it home. That's the job description. That's what we signed up for. Think about it like this: A few years back, I got invited to jump out of an airplane with the Golden Knights, the U.S. Army's elite parachute team. I'm not a skydiver (just like I'm not a Spanish speaker), but what an honor to jump with probably the best parachute team worldwide. I asked the guy I was tandem jumping with how many times he'd jumped. Ten thousand times, he said. So I asked him, "Do you ever get afraid?" His answer changed everything for me: "Of course I get afraid. I'm jumping out of an airplane. Your body is going to get afraid. I've just done it so many times that I know exactly what the process is. I'm able to get myself to jump even though my brain says this is the wrong thing to do." That's exactly what you have to do in sales. Building Obstacle Immunity In my book Objections, I talk about something called obstacle immunity. It's the process human beings go through of facing something that feels really big and uncomfortable, but doing it enough times that we lower the size of that obstacle. The fear of being rejected never fully goes away. But you can lower that fear. Here's how you do it: Develop the Ledge Technique The ledge technique allows you to interrupt or break the pattern you feel in fight or flight when you get rejected. It helps you regain your poise and confidence so you know what to say next. It's about taking control of the conversation when someone gives you an objection. Understand the Difference Between Objections and Rejection An objection isn't the same as a rejection, even though they feel essentially the same in your body. When someone objects, they're giving you information. When someone rejects you, they're saying no. Learn to tell the difference. Focus on Emotional Discipline In emotionally tense situations, you've got to be emotionally disciplined. You've got to gain control, gain poise, and handle those objections in a way that allows you to achieve your desired outcome. The Mindset Makes All the Difference Sales is a skill position. There are particular skills, techniques, and tools you need to deploy to be good at the craft. But the thing that makes all the difference is what's in your head. This is no different than athletics. Elite athletes all operate at similar skill and talent levels. They'll tell you that winning or losing happens between the ears. I'm a big golfer. The difference between me having a really good game or a really bad game is one hundred percent what's in my head. My body knows what to do. I know how to swing the club. The mental game is everything. If you don't fix your mindset, you're not going to get the results you're expecting. People think they're stuck and can't move forward. But it's just about moving your mindset. Get more information. Learn something new. Apply what you learn. That's how you increase your mindset and get better results. Stop Giving Away Your Power When Wendy said, "When you give to the clients, when you give to the people that rejected you, the power to stop you, that's what exactly you do," it hit me like a freight train. You wouldn't let someone take your wallet. You wouldn't let someone steal from your family. So why would you let rejection steal your future? The next time you feel that uncomfortable feeling in your chest after getting rejected, remember this: That feeling is just your body doing what it's supposed to do. It's not telling you to quit. It's telling you that you're doing something hard, something that matters, something that will pay off. Face your fear. Make the next call. The difference between average salespeople and elite performers isn't talent. It's the willingness to go through rejection instead of around it. That's how you win. Ready to take your sales game to the next level? Check out The LinkedIn Edge to learn how to leverage the world's most powerful B2B social selling platform to fill your pipeline, build relationships, and close more deals.
Why are Aztecs often considered pessimists from a philosophical perspective? In episode 150 of Overthink, Ellie and David chat with philosopher Sebastian Purcell about his book The Outward Path: The Wisdom of the Aztecs. They discuss how the Aztecs urge us to take an “outside-in” approach to the self, how their understanding of happiness differs from much of Western philosophy, and how their view of the mind as inherently chaotic shapes their moral outlook. Why did the Aztecs think happiness was not an important goal? How can the Aztec notion of ‘right speech' help us gain control over the internal chaos of the mind? And why did the Aztecs reject the possibility of redemption? In the Substack bonus segment, your hosts dive deeper into the pessimism of the Aztecs and the claustrophobia of the Spanish conquest.Works Discussed:Sebastian Purcell, The Outward Path: The Wisdom of the AztecsJacques Soustelle, Daily Life of the Aztecs on the Eve of the Spanish ConquestEnjoy our work? Support Overthink via tax-deductible donation: https://www.givecampus.com/fj0w3vJoin our Substack for ad-free versions of both audio and video episodes, extended episodes, exclusive live chats, and more: https://overthinkpod.substack.com/See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Let's learn the Spanish verb Regresar, which roughly means "to return" We'll also keep working on the Spanish verb Andar, and we'll practice both verbs in all of their most common forms and uses. Practice all of today's Spanish for free at LCSPodcast.com/202
May talks with Evangelina about the origins of Cocina Nana Vira and how a challenging moment in her family's life transformed into a project that now welcomes visitors from around the world. She shares the cultural meaning and emotional depth behind Oaxaca's ceremonial moles—coloradito, mole negro, and mole chichilo—and explains why traditional tools like the metate and fire-based cooking are essential to preserving authentic Zapotec flavors. We also bring listeners into the heart of our Oaxaca immersion experience, where students explore local markets, learn regional traditions, and cook alongside Evangelina in her wood-fired kitchen.Key Takeaways:The powerful story behind Cocina Nana Vira and how Evangelina's family revived ancestral cooking traditions.The cultural significance of Oaxaca's ceremonial moles and what makes each one unique.Why traditional tools, native ingredients, and fire-based techniques are essential to preserving Zapotec culinary heritage.Relevant Links And Additional Resources:158 – Técnicas Ancestrales En La Cocina Mexicana Parte 2 | Ancient Techniques In Mexican Cuisine Part 2157 – Técnicas Ancestrales En La Cocina Mexicana Parte 1 | Ancient Techniques In Mexican Cuisine Part 1Boost your confidence in real-life Spanish conversations with our Spanish Immersion RetreatsLevel up your Spanish with our Podcast MembershipGet the full transcript of each episode so you don't miss a wordListen to an extended breakdown section in English going over the most important words and phrasesTest your comprehension with a multiple choice quizSupport the show
practice describing someone's strengths and areas for improvement using expressions like es excelente en and necesita mejorar
practice describing someone's strengths and areas for improvement using expressions like es excelente en and necesita mejorar
Real Madrid have now drawn three straight games in La Liga, and some Madridistas are already calling for Xabi Alonso to be sacked. Is he genuinely under pressure this early in his tenure? Meanwhile, Diego Simeone's Atlético Madrid have won seven in a row in all competitions. After parts of the fanbase questioned his future just weeks ago, could El Cholo actually turn things around and mount a serious title challenge? Gary & Alex also discuss La Liga clubs losing their grip on European football. English sides have beaten Spanish teams in 10 of the last 11 meetings. Is this the end of an era for La Liga's dominance in Europe? Join The Players Lounge: The official fantasy football club of The Rest Is Football. It's time to take on Gary, Alan and Micah for the chance to win monthly prizes and shoutouts on the pod. It's FREE to join and as a member, you'll get access to exclusive tips from Fantasy Football Hub including AI-powered team ratings, transfer tips, and expert team reveals to help you climb the table - plus access to our private Slack community. Sign up today at: therestisfootball.com https://therestisfootball.com/?utm_source=podcast&utm_medium=referral&utm_campaign=episode_description&utm_content=link_cta For more Goalhanger Podcasts, head to www.goalhanger.com Learn more about your ad choices. Visit podcastchoices.com/adchoices
This week, Abby talked to Gracia Sotomayor, the artistic cyclist from Peru. Sotomayor grew up knowing that, as a woman in a man's world, she had to be a certain way and do certain things. She had it all – a stable, good job, a home, and a partner to take care of her, but she was unhappy. When she started riding her fixed gear bike, everything changed. A few years later, Sotomayor was living in Germany, training to become Peru's first artistic cyclist on the world stage. Now, she inspires Spanish speakers everywhere to gain confidence and independence through cycling.
BOSSes, Anne Ganguzza and her superpower co-host, Lau Lapides, dive into the non-negotiable reality of voiceover demo production. The bosses address why many voice actors—especially those starting out—try to cut corners on their demos, despite the demo being the primary portfolio piece used to land agents and get work. This episode provides essential, current advice on what makes a demo effective, what red flags to avoid, and how to manage the realistic expectations of investing in a long-term voice acting career. 00:03 - Anne (Host) Hey guys, it's Anne Ganguzza here. Are you ready to find your life purpose and live a happier, more fulfilling life? My coaching services can help you discover your true passions and align them with your goals. Let's start that journey today. Visit anneganguzza.com for more information. 00:31 - Speaker 2 (Announcement) It's time to take your business to the next level, the boss level. These are the premier business owner strategies and successes being utilized by the industry's top talent today. Rock your business like a boss a VO boss. Now let's welcome your host, Anne Ganguzza. 00:45 - Anne (Host) Hey, hey, everyone, welcome to the VO Boss podcast and the Boss Superpower Series. I'm your host, Anne Ganguzza, and I'm here with the lovely Miss Lala Pita. Hey, we're back, and better than ever. Annie, I'm so glad to be back with you. We are back. Ah Lala, it's been a week, oh my gosh, it's been a week. 01:06 It's been kind of a crazy year so far, hasn't it? It has, I mean, it's just been a little chaotic. I've dealt with a lot of students recently who come to me that want coaching, but before they want to get coaching, they want me to listen to their demos, and so I'll have a quick listen. I mean, I do an actual, I have an actual like process where, if you want half an hour of my time, I'll actually evaluate your demo spot by spot and give you tips. And I like the fact that I offer it as a service because I don't want people to think I'm just here to sell them demos. 01:42 Yeah, of course, but I listen to a lot of demos that are self-produced and demos that have no production under them, and then demos that have a lot of production under them. And you know, I know it's a topic that you know we tend to talk about quite a bit, all about demos. But demos are just so darn important because it really is the product by which you get hired a lot of times. I mean, in addition to auditions, of course, you know, because the client always wants to hear you know your voice with their brand, but really to get your foot in the door. In a lot of places, that demo that showcases what your voice sounds like in the genre in which you want to work is so important. And it's interesting how many times I'll talk to a student who wants to kind of cut the corners on that and they don't have the money. And yet the demos that I'm hearing are not doing them any favors and not getting them any work. Right. 02:39 - Lau (Host) And there's so many tips you and I could like give about the do's and don'ts of demos, but I think it changed, like what's trending now and the faux pas that are happening are happening, that are a little bit newer these days and it's good to talk about and especially. 02:55 - Anne (Host) I like your angle from—I have my angle from the non-broadcast side and I want to hear your angle from the broadcast side. How much are demos being used to cast people? How much do the demos count when you're listening to that in comparison to the auditions? Talk to me about the casting process and how often are demos being used for that? That's a great question. That's a great question. 03:20 - Lau (Host) You know, the anecdote that I come up with is, or the analogy I come up with is, reminds me of college. College was always a necessity for people who are going into white collar careers. Ok, nowadays it's a little bit different. 03:36 - Anne (Host) Do you? 03:37 - Lau (Host) need a college degree to go into many careers. Maybe not, probably not, but when you earn a college degree, oftentimes it says to an employer that you've gone to the highest level of due diligence in your education and that, to me, oftentimes, is what demos represent. Sometimes you literally don't need demos, like literally, we won't be submitting your demo to a client On the most literal basis, I will not be sending your client 98% of the time to our clients, but it shows us that you are a working, professional, high-level industry talent. So there's a screening. 04:13 - Anne (Host) And that you take your career seriously. I think you take your investment seriously. 04:17 - Lau (Host) There's a screening to that it's a portfolio piece, sure. So I would say, yes, you do need it, but no, you do not need it for every single individual job that comes through, because they're going to be demo reads on the scripts. 04:30 - Anne (Host) Now I'm going to counter that, because you are speaking from the broadcast sense of the word. Typically, because you cast a lot for commercials and broadcast style jobs. For non-broadcast, which is a lot of the industry as well, demos can sit on your website and be available 24-7. When you don't have time to audition, and that is the biggest point that I'd like to make is that if you do not have an audition, they sit on your website as a portfolio, as a demonstration of what it is that your voice sounds like, and it can be a way to get your foot in the door. 05:04 If somebody hears that demo and then they're like, oh, I like that voice, and then maybe they want you to audition or it just it allows people to kind of sample the product, sample the product before they decide if they want to hire you, and I think that it's a very valuable piece to have on a website. So if you're a talent that's going to do not I mean I don't know any talent that just does broadcast I mean maybe some it's a very tiny few that just do broadcast, but that doesn't do non-broadcast as well. So I feel like that demo as a portfolio. I remember when you used to go on job interviews and you had to have things in your portfolio. 05:44 I mean, I did when I went on job interviews. 05:46 - Speaker 2 (Announcement) I had a portfolio. I did too, yes. 05:48 - Anne (Host) And this is really your portfolio and I think just like— Totally agree as anything right. Presentation is everything I'm all about. Presentation, yeah, Do you know what I mean? I do? Presentation in marketing, presentation in the way you dress, presentation where you present yourself to people. I think presentation for your product is important and that is your demo. 06:11 - Lau (Host) And thank you for qualifying that, because I was speaking from a commercial mindset and it is great to have it on your website. You really should have those on your website because you're going to get private clients, you're going to get audiobook clients, you're going to get all sorts of potential clients that need to hear samples of your work. In my world, every day I will ask for submissions, commercial demo submissions for the agency but how much we're actually using them in-house once we've accepted you into the agency? 06:43 - Anne (Host) is getting minimal. But you need one to get into the agency. Is that correct? For the most part, yeah, you do. 06:49 - Lau (Host) You do because otherwise we would just have you do random reads which we want to hear produced reads. So it makes sense to absolutely have that commercial demo. But be careful, like and we'll talk about that some of the tips about like what is in that that is working on your behalf and what is working against you. 07:08 - Anne (Host) Yeah, yeah. 07:09 Right, I mean, there, you know I'm going to say, first of all, anything that is not produced right. First of all, I mean we can talk the DIY. I mean the DIY is not typically produced because, again, you need, like, if you're going to put music under it, sound effects, you need a license for that to be, you know, to legally. You know, put something on your website and I feel like, if it's not produced, then it kind of tells people that you're just there in your home studio with a mic and you didn't want to put any sound effects or music under it, and so therefore, it's kind of like a half-finished product to me. Yes, and yes, it showcases your voice, but it also showcases that maybe you could be a hobbyist or that you are not making the investment to create a produced sample, which I think is important because, again, you know, it's everything. I mean the client needs to hear what your voice will sound like in a fully produced spot, I believe that I agree, and you know what I do. 08:06 - Lau (Host) When we're looking at bringing new talent, I typically make a habit of saying who produced your demo? 08:11 Now, a lot of agents won't ask that, but I do because I know the producers and I know who's who. So I'll ask them who produced your demo? That'll tell me one thing and then, well, they certainly have to send me a commercial demo. I find one of the biggest problems out there is they're sending me the wrong demo. They're sending me, say, you know, an animation demo, character demo, which I love because we're doing more animation jobs, but the bread and butter is still the commercial for most of us. And so you have to really target, like who are you sending your portfolio to and who are their clients, what kind of work do they represent? And send them the right demo, send them the most appropriate demo. Don't assume oh, I have four other demos, is that good enough? 08:52 - Anne (Host) Well, yeah, I mean like a corporate demo. 08:55 You're like you need a commercial demo first and foremost because that's where you as an agent make your money right In the broadcast, but non-broadcast but it's not to say that your agent won't hire you for a corporate job. 09:11 It's nice to have that corporate demo. I'm going to say that the rest of the demos outside of your commercial demo or anything that's broadcast like promo or animation, even to have those non-broadcast demos is also equally as important to have on your website and to also deliver to your agent as a secondary demo, because you know they want to see that you can be versatile and you're not just a one-trick pony, uh, sort of deal, and and those demos should be should be produced properly. Basically, I'll tell you, though produced properly just as important to have a produced, even though e-learning I have people that will say to me yeah, but e-learning, you don't typically have music under e-learning. I'm have people that will say to me yeah, but e-learning, you don't typically have music under e-learning. I'm like, look, it's not about that for your demo, it's about the presentation it's about. I would much rather hear your voice in an e-learning module with a little bit of music underneath it because it helps. 09:55 It's like putting lipstick on it's just saying right, it finishes it off, it creates a nice sound and there are a lot of e-learning believe it finishes it off, it creates a nice sound, and there are a lot of e-learning believe it or not modules that do have music under them, even though a lot of them won't. 10:10 - Lau (Host) But I'll tell you what blows me away. 10:11 - Anne (Host) Medical, the same thing. Medical is the same thing. I'll tell you what blows me away, though. 10:16 - Lau (Host) How many talent we have submit to the agency for acceptance that don't have commercial demos. 10:30 - Anne (Host) And. 10:30 - Lau (Host) I say you know, I appreciate you sending me other demos, but where's your commercial demo? And they say oh, I'm saving up for it and I'm planning it next year. 10:33 And I'm like, well, then come back to me then, yeah, yeah, because that's what I need to hear. That's how specific we get in terms of having you understand what a commercial delivery is. We need to know that you understand and that you're making the investment in it as well. I think that that's really, really important. You know, one of the big sort of mistakes that I've heard recently and we've been talking about this forever, but it's been a real problem recently I was involved with a corporate casting just the other day and within the agency now these are the talent that are accepted within the agency I'm getting demo after demo, commercial demo, because they were asking for commercial demos. 11:11 They weren't even asking for reads on the script yet and, as I remembered them, I had to listen to the first like 10 seconds of the demo. They were so hyped, pitchy, selly, like over the top, wild crazy. You know big car sales and I'm thinking to myself Most of the stuff we do is really not that. Yeah. Yeah, it's much more of an earthy delivery, much more of a real delivery, and a lot of them got ditched in terms of not being submitted, just because of that it amazes me that demo producers, I think that you know. 11:45 - Anne (Host) Then you're shopping around for a demo producer. I think your demo producer needs to be current and relevant. And so when you're shopping for a producer for your demo, that you listen to other demos that are produced by them and hopefully you've done your homework beforehand and listen, like if you're going to get a commercial demo, listen to what commercials are out there lately, and not, I mean, even on the radio, right where I think radio is a little bit more dynamic, a little more, you know, focused on the voice, because there's no media outside of music behind it. I feel like you can be a little bit more dynamic with your acting, but even then it's not so high-pitched. And yeah, the car ads, yes, some of them are. 12:28 - Lau (Host) And the sound effects. Like I don't know if talent realized. We don't want to hear tons of sound effects in your first read or two. You want to hear it. So one more thing, annie, I just want to mention. I forgot to mention it earlier. When they're submitting to the agency, if I like them or their demo, I'll say, hey, can you submit me a couple raw reads? 12:46 - Anne (Host) I want totally raw reads and typically they love that you can gauge their studio that way. Absolutely. 12:54 - Lau (Host) And their voice. Like is that their voice? Was anything overly processed or overly? 12:59 - Anne (Host) Yeah, I think that's so important because you don't want to have the demo and that's, I think, that probably a lot of agents, if they don't ask for that, they'll know in a matter of like a couple of auditions whether or not you have the acting chops to be able to back up what you had on your demo or what might've been directed right for you on the demo. And we've talked about that a lot of times, and Cliff Zellman is famous for saying a demo is a promise, a demo is a promise, and so when you submit, a demo to someone. 13:27 you want to make sure that you can back that up, that you can produce that same sort of delivery. Maybe not You're not an audio engineer and you probably don't have a bank of music and you don't have a bed of music or sound effects but you need to be able to put that delivery to the test. Someone just sent me one of my talents. 13:45 - Lau (Host) He's so great. He just sent me a monster demo in honor of Halloween and it was so great and I said his name is Michael. 13:52 I said Michael, I'm just curious how much of this is processed. He said Lau, none of it. This is my voice. I was so impressed by that. I mean, I was like so impressed because once in a while we'll have an animation that comes through Actually more and more so now than last year and they'll look for those kinds of characters, they'll look for those kinds of sound effects, they'll look for that stuff. And just knowing he can produce that without overly being produced in a studio, just his voice is just really incredible. So I would say, put your natural stuff up front for a commercial agency, like, go as natural and real and authentic as you can up front and then do your high-pitchy stuff later in the demo. 14:34 - Anne (Host) Well, do that in a character demo, or do that in an animation demo, or do that or put it towards the end. In a demo that yeah put it in a demo, like you just told. Now see, I don't want, I don't want the bosses to get confused because you just talked about a monster demo, so monster demo is going to be different than a commercial demo. 14:50 Right, I demo. Right, I mean you're talking about, like I mean, a commercial demo. You would want to hear what it sounds like with the music underneath it. However, I think you have to be careful that you don't have something that's way overproduced and there will be some demo producers that might do that and so I think that you have to really listen with a critical ear. If you're you know. If you're shopping around for a demo producer, what do they do? What have they done recently? And sometimes it's hard when you're first starting out in voiceover because you don't know what a good demo sounds like and hopefully you know. If you've done your research on the Internet, you've heard examples of good demos versus maybe not so good demos. 15:34 And I'm like just because a demo exists doesn't mean it's a good one. 15:37 - Lau (Host) No, of course not, and I'm glad you brought that up too, because I have been really annoyed by overproduced sound effects, like, sometimes I feel like the producers, the audio engineers, the demo producers are showing off. And why do I say that? Number one, I don't need to hear a sound effect in every moment, in between words or sentences. I don't want that at all. The other thing I don't want is oh, I almost lost my train of thought. 16:04 - Anne (Host) Don't detract from the voice with the production of it. 16:07 - Lau (Host) Oh, I know what, it is Too long. So the demo producers are either, as you said, they're archaic and they don't know what they're doing and they're from 1962, or they're showing off because it's 90 seconds, it's two minutes, it's 2.15. And I'm like I'm not listening to that. 16:25 - Speaker 2 (Announcement) Who's going? 16:25 - Anne (Host) to listen to that right, but the producers are showing off. That's too long for a commercial demo. 16:31 - Lau (Host) Absolutely Way too long, way too long. 16:33 - Anne (Host) So I'm thinking today Not too long for a non-broadcast narration, though, like a minute and a half to two minutes that's. That's normal, of course not. 16:39 - Lau (Host) No, of course not, and so I would say the one another thing I see is sounding like one long read, the whole thing lacking variety, lacking change Range, and that's to me in the coaching in the direction. It's like understanding. It just can't be about the sound effects. It has to be authentically about the voice actor being able to internally shift the mood and a variety of styles too. 17:05 - Anne (Host) I hear a lot of demos with a lot of like first person dialogues in them and to me that the first person dialogue to me is kind of a kind of a cheat, because if you're going to produce because if you're going to produce somebody before they're really ready, because not every commercial is a first-person dialogue. 17:23 It's not like hey, I just went to John Camp Ford and it's not all a dialogue. There's a lot of more third-person, second-person, and so if your demo is not demonstrating that and me as a casting person, I think you also love that A lot of times demo producers will throw those first person reads in there. Like the whole demo will be a first person read and I'm like, well, that's not really showcasing the entire range of acting that I would need for a national commercial, which is not all. You're not on camera actor there. Typically it's not always first person, it's like you're talking about a pharmaceutical in the third person. So how do you sound in that? So your demo has to have the styles that are out there now and not just one style and that one style right, that first person dialogue may show a lot of characters that you can do and it can show a range of emotion, but it doesn't show your acting in something that's not written in that style. 18:19 - Lau (Host) Good point, yeah, totally good point. And what about what's, as you're saying, what's trending out there now, like I'm really tired of hearing about, you know, maybelline, mascara or Lexus, if I hear another read with some of the same products over and over again or Dove chocolate it's kind of like guys. 18:38 I know that you didn't do those commercials because I recognize the script from the online library that a million people have. So, being very careful, you don't need to have a real job on your demo. You can have studio reads, that's fine, but it has to be updated, thought out in terms of what are the trends of today, like, maybe we don't eat as much chocolate, maybe we're having, you know, sugar-free chocolate, maybe it's, you know, I don't know whatever it is, but what is trending today and what makes you sound relevant to being a working talent today versus something from five or 10 or 15 years ago? 19:16 - Anne (Host) It's so interesting that you were talking about the L'Oreal makeup read, which is, it's always that one sound, that kind of, you know that sexy kind of L'Oreal Maybelline, and so what's interesting is how has that trend changed, right? Has it changed? Are there now more or maybe different brands that are out there that are not using that particular sound? I just because I know you referenced Dove chocolate and so I was just referencing the makeup commercials as well, right, which really took a long time for them to change, and now they're slowly changing Totally. 19:49 Now they're changing, so I don't need to hear that typical read of that promo-y sound. That's right, it's nice to hear something that's different, that is relevant for today, I mean, and you know how I know a change is occurring. 20:04 - Lau (Host) It's what we said in the last podcast that we just recorded. It's about reading your specs. So, for instance, we just got specs in for a corporate audition. For instance, we just got specs in for a corporate audition and in there, as we're reading it as the agents, it says no vocal fry, please. What does that tell me? They don't care about your voice. They could care less about you. It's about that delivery of like hi, I'm talking about finance. Now I'm on a vocal fry. I can't even do it, but I'm on a vocal fry. They don't want that anymore. They want more real people, and more real people do not speak on a vocal fry, yeah. 20:42 - Anne (Host) And more real people. Right, I will say. I will say, more real young people do talk a little bit with upspeak and so that is a trend that we got. I I've been. You know I'm traditionally against that, but again, I'm doing a lot of non-broadcast narration stuff and I feel like, if you can't use upspeak yet, because even even younger people, when I, when I've I've done a lot of research in the corporate world when they're speaking publicly about their product is there's not upspeak, they're more authoritative and that, yeah, it's very interesting because, you know, I'll let it happen once in a while in a script, because if the voice is young, it's a natural occurrence and a natural tendency. But if you're in your 50s and you do upspeak, I'm not, no, it's generational, it's generational. 21:29 We don't tend to do that and you might hang out and you might have kids, you might have kids, you might have kids. That's up speak. And then that kind of affected you. However, when you're delivering a commercial on I don't know, depends Up speak. It just doesn't belong there, it just doesn't. It just doesn't so, it doesn't belong with the demo. So, understand the styles and the trends, and that's something that anybody can do for free by simply watching commercials, by simply surfing the internet and looking at corporate you know, corporate videos and there's any genre looking at animation. I mean really just study and listen to what the voices are. 22:04 - Lau (Host) I got another tip. Yeah, I got another tip about that. Gone are the days where we used to have completely separate demos for English and then another language. Now you can certainly do that and that's great, but you don't have to. If you're making a commercial demo, I love a bilingual demo or a trilingual demo. So if you speak more than one language, I need to know what it is. If you do authentic accents, I need to know what it is. 22:25 - Anne (Host) I'll even put it on a corporate demo or a medical demo because I'll put and what I'll do is maybe I'll do a dialogue spot that has you'll be talking to the younger son in English, but then you'll turn to the father, who doesn't speak English and only speak Spanish, and then have the rest of the conversation in Spanish, and that spot alone showcases that this talent is bilingual and so that works. So not just for commercial but also for non-broadcast, absolutely. 22:53 - Lau (Host) Yeah, and we're in a global world, so I know you know that ad campaign. Thank you, captain Obvious. You know that was at Travelocity or something, kayak or something. I feel like it's this one. I talk to talent. It's like Not only put your best suit forward, and forward first, but do the things that you would be cast in Like. Don't do stretch pieces, don't do like if I'm 35, don't try to do a 70-year-old piece. 23:22 - Anne (Host) Don't do that. I'm saying if you're like in your 50s, don't do a millennial read on your commercial demo. 23:29 Because, first of all, it doesn't fit. I think we were talking about this on the last podcast. It's like I don't audition for 20-something voices, even though I have a younger voice, because it's not just about the voice and the sound of it, it's about the style and it's about the authenticity of it as well. Right, which is we understand why we want authentic voices. Right, it makes sense that your life experience dictates the style and the tone and the gravitas and the subtext and the acting that goes into delivering a message. 24:01 - Lau (Host) Save it for your character demo if it's appropriate, yeah, and your coach will help you to see. If it's appropriate, put it on your character demo, right, because we're back to having adults doing kids' voices. Now for character work we are. So you know you got to keep your finger on the trends, keep your finger on the pulse of what's happening in the industry and what's going on and reflect the work that you would actually do and be cast in. 24:25 - Anne (Host) Adults doing kids' work is. There's a lot of times that tends to make it easier with the legal aspects of things. Is that not correct? Yeah? 24:34 - Speaker 2 (Announcement) It does. 24:34 - Anne (Host) So, like an adult, can work longer, can work different hours, and that also translates to on-camera as well, right Lau? Yeah, though I'll tell you we don't have as many problems in the voiceover world because the jobs tend to be quicker. 24:46 - Lau (Host) Oh, yeah, unless they're running a recurring character. They tend to be quicker. 24:58 - Anne (Host) It's more the on-camera stuff. Yeah, right, that's much harder, so we'll do 18 to play 12 or 19 to play 14, because of all the laws involved with education. Well, that's the way it's been for such a long time, right, yeah, forever, forever and ever, yeah, forever. And on camera, absolutely. 25:05 - Lau (Host) But, as you said, like you do your due diligence, you do your homework. We have to do our homework too, all the time about our industry, what's cooking, what's happening, what are the jobs in the genre we want to be going out for, and that should be reflected on your demo, not the old read from you know, the old announcer read from 1991. Right and I'm getting. 25:30 - Anne (Host) Yeah, absolutely. I mean, in addition to all that right, what should be on the demo? I just have an increasing number of people who are like, well, I can't afford my demo but or I can't afford, well, I can't afford the training, but I want to get a demo so I can start working. So it's kind of like what came first, the chicken or the egg. It it's tough because you really need the training so that you can execute and deliver the spots on your demo. That will get you the work. And so if I'm a demo producer, that's just going to direct you into those reads. By the time you get into your own studio you're not going to be able to recreate them. 26:08 - Lau (Host) And we've covered this in numerous episodes of VO Boss in that like don't come in with desperation, don't come in with no capital, don't come in at a deficit. Come in where you've got a little bit of abundance and say I want to get the most effective portfolio product that represents me, because I know I'm going to get a return on this over time if it is industry standard and represents me well, if I DIY it, you get what you pay for. 26:35 - Anne (Host) Yeah, exactly, and you know, I do have a number of students as well who say that I'm saving up for a demo, but I want to start working and so I want to get an agent. And what most people don't understand this is slightly off topic but kind of in a parallel path Most people that come into this industry not understanding that an agent primarily deals in broadcast. So you can have an e-learning demo, but you're not going to get an agent with that. You need to have a commercial demo or whatever the agent specializes in for the most part, any type of broadcast. So you can't just you have to have a great demo, a great commercial demo, to land an agent, and then, once you have an agent, that's not going to be 100% of your work, or nor should it be 100% of your work. 27:18 And so most people are like well, I'm going to direct market and I'm like, do you know how hard it is to direct market? And I'm not saying that you should, because most people right now are saying nay to the pay to plays, right, because it's like, oh, I don't like this pay to play. I feel like they're taking my money, it's hard, I can't get a job, but also you need to, you need to present yourself with opportunities and so, yes, direct marketing is great, but that's also, that is also a path that doesn't happen overnight. Direct marketing. It is very much a timing issue with direct marketing and it's going to be. 27:48 It's a marathon, not a sprint, and that can make people kind of put off and you know they're going to be frustrated, they're not going to be able to get work right away, and that's, I think, that cycle that most new people coming into the industry they go through. They have that cycle where they can't afford, like they have that illusion in their head that it's just talking behind a mic and it doesn't require a lot of work and so therefore, they can create their own demo so they can save some money and then they can start getting work right away. And unfortunately, that's just not how typically the industry works. 28:24 - Lau (Host) No, it's not. 28:24 They're going to have to adjust and really manage those unrealistic expectations those unrealistic expectations, because I'm quite certain that many, many students around the world who are going into programs to be an accountant, a doctor, a lawyer, are not coming in with tremendous amounts of money, but they have to be resourceful to figure out how to get their education so that they can train and get an internship and work their way up. And it's the same with us. We're just on a tighter timeline. We don't need to go through four years of school or eight years of college necessarily, and that's a great point. 28:56 It's a great point Most people. 28:58 - Anne (Host) they think there's no time involved. So it's like that's right, but there is some time involved. I mean, there is some training involved. But yeah, I think what a great discussion Again. Yet another discussion on demos. What a great discussion again, yet another discussion on demos. But, guys, hopefully it's one that's current and relevant now for you, those of you out there that are really thinking about getting into this career just reiterating how important your demo is in order to help you to move forward and have a career and get work broadcast, non-broadcast, whatever genre. 29:30 - Lau (Host) Yes, yes. 29:32 - Anne (Host) Fantastic. Thank you, Lau, for having this lovely conversation. I loved it. I'm going to give a great big shout out to our sponsor, ipdtl. You too can network and be like bosses and boss superpowers like Lau and myself. Find out more at IPDTLcom. Guys, have an amazing week and we'll see you next week. Bye, see you next week. 29:54 - Speaker 2 (Announcement) Join us next week for another edition of VO Boss with your host, Anne Ganguzza, and take your business to the next level. Sign up for our mailing list at VOBosscom and receive exclusive content, industry revolutionizing tips and strategies and new ways to rock your business like a boss. Redistribution, with permission. Coast-to-coast connectivity via IPD TL.
Dan 9:1-11:1, 1 John 2:18-3:16, Ps 121:1-8, Pr 28:27-28
Diciembre 02, 2025 - El nacimiento de un futuro rey es una noticia que da la vuelta por todo el mundo. Los noticieros y las redes sociales no dejan de hablar sobre este hecho durante varios dias. Hoy en Vision Para Vivir, el Pastor Carlos A. Zazueta nos explica que el pueblo judio esperaba con ansias la llegada del Mesias. Ellos pensaban que vendria rodeado de una corte real; sin embargo, su nacimiento fue anunciado a unos sencillos campesinos.
Send us a textOn today's episode, we're sitting down with the incredible Katie Crenshaw, an award-winning content creator, public speaker, best-selling author and mother of three who has dedicated her career to increasing awareness and decreasing stigma of perinatal mental health disorders. We'll chat about the importance of sharing stories, how to handle criticism, and why authenticity matters. We were thrilled when Katie joined us as a colleague at PSI, and now it's our pleasure to share her story with you. So, without any further ado, please sit back, relax, and enjoy this episode with our friend, Katie!Mentioned on today's episode:The Blue Dot ProjectThe Policy Center for Perinatal Mental HealthScary Mommy Article: https://www.scarymommy.com/birthmark-pityPodcast: The Lazy Genius; We Can Do Hard ThingsListening/Reading: Untamed; The Life of a ShowgirlInterested in sharing your story?Fill out our podcast interest form here! Questions about the I AM ONE Podcast?Email Dani Giddens - dani@postpartum.net--------------------------------------------------------------------Connect by PSI - Download PSI's New App!Apple VersionAndroid Version Visit PSI's website: https://www.postpartum.netFind free resources & info on certification, training, and other incredible programs!Call or text 'HELP' to the PSI Helpline: 1-800-944-4773 Not feeling like yourself? Looking for some support? You never need a diagnosis to ask for help.National Maternal Mental Health Hotline (U.S. only): 1-833-852-6262Free and confidential Hotline for parents, providers & support people in English and Spanish.Suicide & Crisis Lifeline (U.S. & Canada): 988Free and confidential support for people in distress, prevention and crisis resources for you or your loved ones, and best practices for p...
In this episode of The MisFitNation, host Rich LaMonica welcomes Julian Raven — British-born, Spanish-raised, American artist, entrepreneur, and First Amendment activist. Raven's story is as unique as his art: from missionary work to becoming a multidisciplinary artist, and from the pulpit to the courtroom. He became nationally known after his Trump portrait was rejected by the Smithsonian, launching an eight-year legal battle that reached the U.S. Supreme Court. His fight revealed deep questions about free speech, artistic freedom, and government accountability.
NHK WORLD RADIO JAPAN - Spanish News at 14:00 (JST), December 02
La Casa Blanca confirmó que el presidente estadounidense, Donald Trump, asistirá a la ceremonia del sorteo del Mundial de fútbol de 2026 el viernes en Washington (sábado en Australia). Escucha el resumen deportivo de este martes 2 de diciembre 2025.
Este martes 2 de diciembre conversamos con la sommelier y experta en yerba mate, Valeria Trápaga, quien nos cuenta de la historia e importancia de esta infusión tradicional. También traemos un informe sobre las elecciones en Honduras y la información deportiva.
Miembros del Grupo de Trabajo de las Naciones Unidas sobre la Detención Arbitraria realizan una visita oficial a Australia para examinar las condiciones en prisiones y centros de detención. Escucha el resumen informativo de este martes 2 de diciembre 2025.
Through cosmic communication, learn how these mysterious beings may hold the key to our spiritual evolution.UFOs and the Extra-terrestrial Message reveals how UFOs are much more than strange shapes in the sky; they may be part of a multi-dimensional universe, which has become a common concept in everything from quantum physics to sci-fi blockbusters. String theory, hyperspace and dark matter have led physicists to realise that the three dimensions we thought described the universe aren't enough – there may actually be numerous dimensions. As this possibility evolves, the real prospect of meeting our extra-terrestrial neighbours emerges. From ancient texts to little-known eyewitness accounts, Richard explores the evidence of extraterrestrial life. He also looks at X-file exposés, fascinating personal experiences of alien contact, channelled messages from cosmic beings – and shows how these messages hold the key to our spiritual advancement and even to world peace.BioDescribed by Kindred Spirit magazine as one “one of the biggest talents in MBS”, Richard is an award-winning, international bestselling author on spirituality, and one of the foremost Disciples of Master of Yoga Dr George King.Richard's books, DVDs and CDs have been sold in many countries – translations have included Dutch, French, German, Italian, Portuguese, Spanish, Russian, Japanese and Estonian.He has taken part in hundreds of radio shows around the world including several appearances on Coast to Coast AM, which broadcasts to 475 radio shows throughout the USA. He regularly appeared as a co-host on Mike Allen's weekly show on LBC called The Phenomena Files.His TV appearances include GMTV on topics ranging from UFOs to angels, psychic powers and complementary medicine. He has also appeared on TV with Esther Rantzen, Eammon Holmes, Gloria Hunniford, Terry Wogan, Noel Edmonds and James Whale, and a host of documentaries and magazine programmes on all the terrestrial and many of the satellite channels.In addition to having had a column in The Observer, he has written for the Daily Express, Daily Mail, The Sun, Woman's World, Here's Health, Health and Fitness, the USA's Whole Life Times and Phenome-News, New Zealand's Lifestyle magazine and many other journals. He has appeared in most of Britain's national newspapers, and many magazines and local papers.As well as in the UK, he has lectured in the USA, Canada, New Zealand, Australia, Belgium, Italy, Switzerland and Nigeria, and for over 30 years, has been a keynote speaker at London's largest and most prestigious Mind Body Spirit Festival. He has spoken internationally at various venues including churches, synagogues, Buddhist temples, schools, universities, business conventions, charitable meetings and numerous conventions and bookstores, as well as to an audience of thousands at an open-air pop concert.Richard is the Executive Secretary of The Aetherius Society for Europe and a Bishop in The Aetherius Churches. He has devoted his life to the work of his late master and personal friend, Dr George King (1919-1997), who founded the Society.https://www.aetherius.org/https://www.amazon.com/dp/B00J75NB5K https://www.pastliveshypnosis.co.uk/https://www.patreon.com/alienufopodcastMy book 'Verified Near Death Exeriences' https://www.amazon.com/dp/B0DXKRGDFP Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
December 1, 1564. Spanish vessels left a secret port in Mexico about two weeks ago. Their goal: to sail across the Pacific and back, charting a new route for international trade, and giving Spain an edge against its chief colonial rival, Portugal. But today, when a storm hits, the smallest ship is separated from the rest of the fleet. Now, that ship, the San Lucas, is on its own. The following year, when the San Lucas makes it back to Mexico, against all odds, its pilot—a Black mariner—is accused of treason. How did the San Lucas—the smallest ship in the fleet—complete a near-impossible journey that would connect the world? And how did the trailblazing mariner Lope Martín get erased from the story? Special thanks to our guest, Andrés Reséndez, author of Conquering the Pacific: An Unknown Mariner and the Final Great Voyage of the Age of Discovery. ** This episode originally aired November 29, 2021. Get in touch: historythisweekpodcast@history.com Follow on Instagram: @historythisweek Follow on Facebook: HISTORY This Week Podcast To stay updated: http://historythisweekpodcast.com To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices
To become a follower of Jesus, visit: https://MorningMindsetMedia.com/MeetJesus (NOT a Morning Mindset resource) ⇒ TELL SOMEONE ABOUT THE MORNING MINDSET - Your personal recommendation can make an eternal difference in the lives of the people you know! STEP ONE: Go to http://YourMorningMindset.com STEP TWO: Share that page with someone you know! ➖➖➖➖➖➖➖➖➖➖ TODAY'S SCRIPTURE: 1 Peter 5:8–9 - Be sober-minded; be watchful. Your adversary the devil prowls around like a roaring lion, seeking someone to devour. [9] Resist him, firm in your faith, knowing that the same kinds of suffering are being experienced by your brotherhood throughout the world. (ESV) ➖➖➖➖➖➖➖➖➖➖ FINANCIALLY SUPPORT THE MORNING MINDSET: (not tax-deductible) -- Become a monthly partner: https://mm-gfk-partners.supercast.com/ -- Support a daily episode: https://MorningMindsetMedia.com/daily-sponsor/ -- Give one-time: https://give.cornerstone.cc/careygreen -- Venmo: @CareyNGreen ➖➖➖➖➖➖➖➖➖➖ FOREIGN LANGUAGE VERSIONS OF THIS PODCAST: SPANISH version: https://MorningMindsetMedia.com/Spanish HINDI version: https://MorningMindsetMedia.com/Hindi CHINESE version: https://MorningMindsetMedia.com/Chinese ➖➖➖➖➖➖➖➖➖➖ CONTACT: Carey@careygreen.com ➖➖➖➖➖➖➖➖➖➖ THEME MUSIC: “King’s Trailer” – Creative Commons 0 | Provided by https://freepd.com/ ***All NON-ENGLISH versions of the Morning Mindset are translated using A.I. Dubbing and Translation tools from DubFormer.ai ***All NON-ENGLISH text content (descriptions and titles) are translated using the A.I. functionality of Google Translate.
Let's start learning Andar, a very tricky Spanish verb with lots of different meanings. We'll learn the present-tense conjugations and all the most common uses, and we'll practice in a variety of sentence contexts. Practice all of today's Spanish for free at LCSPodcast.com/201
Esta semana dejamos la gramática de lado para hablar de algo vital si planeas visitar México o tener amigos latinos: la etiqueta de WhatsApp. El español de la vida real sucede en los chats no en los mensajes de Texto
Today's guest shares her story of turning her pain into purpose as she discusses mothers' mental health conditions and the power of storytelling. Join us to hear her inspirational story. Rudo Savage is a mental health advocate, mother of three, founder of Mindset Mother, and author of The Words of the Lost Soul and Becoming Whole in Pieces. Through her writing and mentoring, she empowers others to embrace healing, self-acceptance, and transformation, drawing on her personal, powerful journey of resilience. Show Highlights: The inspiration to start Mindset Mother as a way to help others Mental health issues were noticeable in Rudo's teen years, with multiple diagnoses and medications Describing what it's like to live with emotional dysregulation as a mother of three children Pregnancy and postpartum shifted and elevated Rudo's mental health struggles. Finding your identity as a new mother and adjusting to the never-ending care of your children Rudo's hospitalization experience and recovery to care for her children Finding a passion for writing and the birth of her first book Birth practices in the UK, when a “health visitor” comes to check on mother and baby during the postpartum The toxicity of motherhood on social media makes it hard for other moms to be honest and real. Rudo's quest to find a therapist who was a good match for her in the UK's flawed system Finding healing through hearing others' stories Overcoming the mindset of being a “good mother.” Rudo's family background and its impact on her transition to motherhood–finding acceptance in understanding the WHY Writing a second book after taking time for healing: An overview of Becoming Whole in Pieces Rudo's advice for mothers in prioritizing time for themselves Resources: Connect with Rudo Savage and Mindset Mother: TikTok, The Words of the Lost Soul, and Becoming Whole in Pieces Call the National Maternal Mental Health Hotline at 1-833-TLC-MAMA or visitcdph.ca.gov. Please find resources in English and Spanish at Postpartum Support International, or by phone/text at 1-800-944-4773. There are many free resources, like online support groups, peer mentors, a specialist provider directory, and perinatal mental health training for therapists, physicians, nurses, doulas, and anyone who wants to be more supportive in offering services. You can also follow PSI on social media: Instagram, Facebook, and most other platforms. Visit www.postpartum.net/professionals/certificate-trainings/for information on the grief course. Visit my website, www.wellmindperinatal.com, for more information, resources, and courses you can take today! If you are a California resident seeking a therapist in perinatal mental health, please email me about openings for private pay clients. Learn more about your ad choices. Visit podcastchoices.com/adchoices
learn how to say 'fill out' in Spanish
Modern life can make it tempting to return to simpler times, like a 16th-century Spanish convent. In the new book Convent Wisdom, academics Ana Garriga and Carmen Urbita look to the writings of Renaissance-era nuns for insights to apply to modern dilemmas. In today's episode, the co-authors speak with NPR's Ayesha Rascoe about the backstory behind the project and what makes these nuns of the past relevant today.To listen to Book of the Day sponsor-free and support NPR's book coverage, sign up for Book of the Day+ at plus.npr.org/bookofthedayLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy