Podcast appearances and mentions of anson rabinbach

Julia Boorstin '96 is CNBC's Senior Media and Tech Correspondent and author of the new book When Women Lead: What They Achieve, Why They Succeed, and How We Can Learn from Them. In this episode, Julia speaks about why she chose to look at female leadership through the prism of entrepreneurship, noting how few female founders receive VC funding, but how and why those who do find disproportionately more success vs. their male counterparts. Julia also recounts her own leadership journey, which she attributes in part to powerfully influential journalism experiences and history teachers, both at Harvard-Westlake and at Princeton. Julia references Kathy Neumeyer, Eric Zwemer, and Karl Kleinz of Harvard-Westlake; Philip Nord and Anson Rabinbach of Princeton University; and journalist Andy Serwer as profound life influences.

In this episode of High Theory, Kim talks with Saronik about neurasthenia. A disease that no longer exists, neurasthenia was a nineteenth century American epidemic of energy depletion. Thinking about this diagnosis can help us understand the social functions of medical knowledge, and how that knowledge changes over time. In the episode Kim discusses two nineteenth-century medical texts: American Nervousness: It's Causes and Consequences (New York: Putnam, 1881) by George Miller Beard, which popularized the diagnosis, and Fat and Blood: And How to Make Them (Philadelphia: J.B. Lippincott & Co., 1877), by S. Weir Mitchell, which popularized the “rest cure” treatment. She also references three scholarly texts: Tom Lutz's American Nervousness, 1903: An Anecdotal History (Cornell UP, 1992); Carolyn Tomas de la Pena's The Body Electric: How Strange Machines Built the Modern American (NYU Press, 2003); and Anson Rabinbach's The Human Motor: Energy, Fatigue, and the Origins of Modernity (UC Press, 1992). Kim Adams is one of the co-hosts of High Theory. She works as a postdoctoral fellow at the Pennsylvania State University Humanities Institute, where she is writing a book about electricity and the body in American medicine and literature. She also runs a working group on pain management as a cultural process, called Politics of the Prescription Pad. She lives in Rhode Island and has a very large dog named Tag. This week's image is a 1907 painting titled “On the Southern Plain” by Frederic Remington. The painting shows soldiers on horseback in the American West. Remington was diagnosed with neurasthenia and treated with the “west cure” (discussed in the episode) by S. Weir Mitchell himself. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this episode of High Theory, Kim talks with Saronik about neurasthenia. A disease that no longer exists, neurasthenia was a nineteenth century American epidemic of energy depletion. Thinking about this diagnosis can help us understand the social functions of medical knowledge, and how that knowledge changes over time. In the episode Kim discusses two nineteenth-century medical texts: American Nervousness: It's Causes and Consequences (New York: Putnam, 1881) by George Miller Beard, which popularized the diagnosis, and Fat and Blood: And How to Make Them (Philadelphia: J.B. Lippincott & Co., 1877), by S. Weir Mitchell, which popularized the “rest cure” treatment. She also references three scholarly texts: Tom Lutz's American Nervousness, 1903: An Anecdotal History (Cornell UP, 1992); Carolyn Tomas de la Pena's The Body Electric: How Strange Machines Built the Modern American (NYU Press, 2003); and Anson Rabinbach's The Human Motor: Energy, Fatigue, and the Origins of Modernity (UC Press, 1992). Kim Adams is one of the co-hosts of High Theory. She works as a postdoctoral fellow at the Pennsylvania State University Humanities Institute, where she is writing a book about electricity and the body in American medicine and literature. She also runs a working group on pain management as a cultural process, called Politics of the Prescription Pad. She lives in Rhode Island and has a very large dog named Tag. This week's image is a 1907 painting titled “On the Southern Plain” by Frederic Remington. The painting shows soldiers on horseback in the American West. Remington was diagnosed with neurasthenia and treated with the “west cure” (discussed in the episode) by S. Weir Mitchell himself. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In this episode of High Theory, Kim talks with Saronik about neurasthenia. A disease that no longer exists, neurasthenia was a nineteenth century American epidemic of energy depletion. Thinking about this diagnosis can help us understand the social functions of medical knowledge, and how that knowledge changes over time. In the episode Kim discusses two nineteenth-century medical texts: American Nervousness: It's Causes and Consequences (New York: Putnam, 1881) by George Miller Beard, which popularized the diagnosis, and Fat and Blood: And How to Make Them (Philadelphia: J.B. Lippincott & Co., 1877), by S. Weir Mitchell, which popularized the “rest cure” treatment. She also references three scholarly texts: Tom Lutz's American Nervousness, 1903: An Anecdotal History (Cornell UP, 1992); Carolyn Tomas de la Pena's The Body Electric: How Strange Machines Built the Modern American (NYU Press, 2003); and Anson Rabinbach's The Human Motor: Energy, Fatigue, and the Origins of Modernity (UC Press, 1992). Kim Adams is one of the co-hosts of High Theory. She works as a postdoctoral fellow at the Pennsylvania State University Humanities Institute, where she is writing a book about electricity and the body in American medicine and literature. She also runs a working group on pain management as a cultural process, called Politics of the Prescription Pad. She lives in Rhode Island and has a very large dog named Tag. This week's image is a 1907 painting titled “On the Southern Plain” by Frederic Remington. The painting shows soldiers on horseback in the American West. Remington was diagnosed with neurasthenia and treated with the “west cure” (discussed in the episode) by S. Weir Mitchell himself. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of High Theory, Kim talks with Saronik about neurasthenia. A disease that no longer exists, neurasthenia was a nineteenth century American epidemic of energy depletion. Thinking about this diagnosis can help us understand the social functions of medical knowledge, and how that knowledge changes over time. In the episode Kim discusses two nineteenth-century medical texts: American Nervousness: It's Causes and Consequences (New York: Putnam, 1881) by George Miller Beard, which popularized the diagnosis, and Fat and Blood: And How to Make Them (Philadelphia: J.B. Lippincott & Co., 1877), by S. Weir Mitchell, which popularized the “rest cure” treatment. She also references three scholarly texts: Tom Lutz's American Nervousness, 1903: An Anecdotal History (Cornell UP, 1992); Carolyn Tomas de la Pena's The Body Electric: How Strange Machines Built the Modern American (NYU Press, 2003); and Anson Rabinbach's The Human Motor: Energy, Fatigue, and the Origins of Modernity (UC Press, 1992). Kim Adams is one of the co-hosts of High Theory. She works as a postdoctoral fellow at the Pennsylvania State University Humanities Institute, where she is writing a book about electricity and the body in American medicine and literature. She also runs a working group on pain management as a cultural process, called Politics of the Prescription Pad. She lives in Rhode Island and has a very large dog named Tag. This week's image is a 1907 painting titled “On the Southern Plain” by Frederic Remington. The painting shows soldiers on horseback in the American West. Remington was diagnosed with neurasthenia and treated with the “west cure” (discussed in the episode) by S. Weir Mitchell himself. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/medicine

In this episode of High Theory, Kim talks with Saronik about neurasthenia. A disease that no longer exists, neurasthenia was a nineteenth century American epidemic of energy depletion. Thinking about this diagnosis can help us understand the social functions of medical knowledge, and how that knowledge changes over time. In the episode Kim discusses two nineteenth-century medical texts: American Nervousness: It's Causes and Consequences (New York: Putnam, 1881) by George Miller Beard, which popularized the diagnosis, and Fat and Blood: And How to Make Them (Philadelphia: J.B. Lippincott & Co., 1877), by S. Weir Mitchell, which popularized the “rest cure” treatment. She also references three scholarly texts: Tom Lutz's American Nervousness, 1903: An Anecdotal History (Cornell UP, 1992); Carolyn Tomas de la Pena's The Body Electric: How Strange Machines Built the Modern American (NYU Press, 2003); and Anson Rabinbach's The Human Motor: Energy, Fatigue, and the Origins of Modernity (UC Press, 1992). Kim Adams is one of the co-hosts of High Theory. She works as a postdoctoral fellow at the Pennsylvania State University Humanities Institute, where she is writing a book about electricity and the body in American medicine and literature. She also runs a working group on pain management as a cultural process, called Politics of the Prescription Pad. She lives in Rhode Island and has a very large dog named Tag. This week's image is a 1907 painting titled “On the Southern Plain” by Frederic Remington. The painting shows soldiers on horseback in the American West. Remington was diagnosed with neurasthenia and treated with the “west cure” (discussed in the episode) by S. Weir Mitchell himself. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

In this episode of High Theory, Kim talks with Saronik about neurasthenia. A disease that no longer exists, neurasthenia was a nineteenth century American epidemic of energy depletion. Thinking about this diagnosis can help us understand the social functions of medical knowledge, and how that knowledge changes over time. In the episode Kim discusses two nineteenth-century medical texts: American Nervousness: It's Causes and Consequences (New York: Putnam, 1881) by George Miller Beard, which popularized the diagnosis, and Fat and Blood: And How to Make Them (Philadelphia: J.B. Lippincott & Co., 1877), by S. Weir Mitchell, which popularized the “rest cure” treatment. She also references three scholarly texts: Tom Lutz's American Nervousness, 1903: An Anecdotal History (Cornell UP, 1992); Carolyn Tomas de la Pena's The Body Electric: How Strange Machines Built the Modern American (NYU Press, 2003); and Anson Rabinbach's The Human Motor: Energy, Fatigue, and the Origins of Modernity (UC Press, 1992). Kim Adams is one of the co-hosts of High Theory. She works as a postdoctoral fellow at the Pennsylvania State University Humanities Institute, where she is writing a book about electricity and the body in American medicine and literature. She also runs a working group on pain management as a cultural process, called Politics of the Prescription Pad. She lives in Rhode Island and has a very large dog named Tag. This week's image is a 1907 painting titled “On the Southern Plain” by Frederic Remington. The painting shows soldiers on horseback in the American West. Remington was diagnosed with neurasthenia and treated with the “west cure” (discussed in the episode) by S. Weir Mitchell himself. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In this episode of High Theory, Kim talks with Saronik about neurasthenia. A disease that no longer exists, neurasthenia was a nineteenth century American epidemic of energy depletion. Thinking about this diagnosis can help us understand the social functions of medical knowledge, and how that knowledge changes over time. In the episode Kim discusses two nineteenth-century medical texts: American Nervousness: It's Causes and Consequences (New York: Putnam, 1881) by George Miller Beard, which popularized the diagnosis, and Fat and Blood: And How to Make Them (Philadelphia: J.B. Lippincott & Co., 1877), by S. Weir Mitchell, which popularized the “rest cure” treatment. She also references three scholarly texts: Tom Lutz's American Nervousness, 1903: An Anecdotal History (Cornell UP, 1992); Carolyn Tomas de la Pena's The Body Electric: How Strange Machines Built the Modern American (NYU Press, 2003); and Anson Rabinbach's The Human Motor: Energy, Fatigue, and the Origins of Modernity (UC Press, 1992). Kim Adams is one of the co-hosts of High Theory. She works as a postdoctoral fellow at the Pennsylvania State University Humanities Institute, where she is writing a book about electricity and the body in American medicine and literature. She also runs a working group on pain management as a cultural process, called Politics of the Prescription Pad. She lives in Rhode Island and has a very large dog named Tag. This week's image is a 1907 painting titled “On the Southern Plain” by Frederic Remington. The painting shows soldiers on horseback in the American West. Remington was diagnosed with neurasthenia and treated with the “west cure” (discussed in the episode) by S. Weir Mitchell himself. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychology

In this episode of High Theory, Kim talks with Saronik about neurasthenia. A disease that no longer exists, neurasthenia was a nineteenth century American epidemic of energy depletion. Thinking about this diagnosis can help us understand the social functions of medical knowledge, and how that knowledge changes over time. In the episode Kim discusses two nineteenth-century medical texts: American Nervousness: It's Causes and Consequences (New York: Putnam, 1881) by George Miller Beard, which popularized the diagnosis, and Fat and Blood: And How to Make Them (Philadelphia: J.B. Lippincott & Co., 1877), by S. Weir Mitchell, which popularized the “rest cure” treatment. She also references three scholarly texts: Tom Lutz's American Nervousness, 1903: An Anecdotal History (Cornell UP, 1992); Carolyn Tomas de la Pena's The Body Electric: How Strange Machines Built the Modern American (NYU Press, 2003); and Anson Rabinbach's The Human Motor: Energy, Fatigue, and the Origins of Modernity (UC Press, 1992). Kim Adams is one of the co-hosts of High Theory. She works as a postdoctoral fellow at the Pennsylvania State University Humanities Institute, where she is writing a book about electricity and the body in American medicine and literature. She also runs a working group on pain management as a cultural process, called Politics of the Prescription Pad. She lives in Rhode Island and has a very large dog named Tag. This week's image is a 1907 painting titled “On the Southern Plain” by Frederic Remington. The painting shows soldiers on horseback in the American West. Remington was diagnosed with neurasthenia and treated with the “west cure” (discussed in the episode) by S. Weir Mitchell himself. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of High Theory, Kim talks with Saronik about neurasthenia. A disease that no longer exists, neurasthenia was a nineteenth century American epidemic of energy depletion. Thinking about this diagnosis can help us understand the social functions of medical knowledge, and how that knowledge changes over time. In the episode Kim discusses two nineteenth-century medical texts: American Nervousness: It's Causes and Consequences (New York: Putnam, 1881) by George Miller Beard, which popularized the diagnosis, and Fat and Blood: And How to Make Them (Philadelphia: J.B. Lippincott & Co., 1877), by S. Weir Mitchell, which popularized the “rest cure” treatment. She also references three scholarly texts: Tom Lutz's American Nervousness, 1903: An Anecdotal History (Cornell UP, 1992); Carolyn Tomas de la Pena's The Body Electric: How Strange Machines Built the Modern American (NYU Press, 2003); and Anson Rabinbach's The Human Motor: Energy, Fatigue, and the Origins of Modernity (UC Press, 1992). Kim Adams is one of the co-hosts of High Theory. She works as a postdoctoral fellow at the Pennsylvania State University Humanities Institute, where she is writing a book about electricity and the body in American medicine and literature. She also runs a working group on pain management as a cultural process, called Politics of the Prescription Pad. She lives in Rhode Island and has a very large dog named Tag. This week's image is a 1907 painting titled “On the Southern Plain” by Frederic Remington. The painting shows soldiers on horseback in the American West. Remington was diagnosed with neurasthenia and treated with the “west cure” (discussed in the episode) by S. Weir Mitchell himself. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Primary source readers represent an unusual historical genre. Unlike editions, their aim is not to enable the reader to hear, as clearly as possible, the voice of a single historical personage or institution. Nor are they purely interpretive works in which the author’s voice is foregrounded. In this conversation with Princeton University historian Anson Rabinbach, we learn what methodological, but also what moral challenges faced him and coeditor Sander Gilman in crafting The Third Reich Sourcebook (University of California Press, 2013). We learn how they selected and how they decided to preface the voices of Nazi ideologues, politicians, fellow travellers and victims. With 411 primary documents that take the reader systematically through the key cultural fields and criminal activities of the regime, the Sourcebook represents a major engagement with the Nazi worldview by two leading intellectual historians. They found this worldview less uniform and internally consistent than others have surmised. Beyond the exaltation of the German Volk and the demonization of Jewry, much was up for grabs, including the epistemological framework meant to ground these core concepts. In this interview, Rabinbach paints a picture of German intellectual life under the Third Reich that was contradictory and complex, yet above all impoverished. Learn more about your ad choices. Visit megaphone.fm/adchoices

Primary source readers represent an unusual historical genre. Unlike editions, their aim is not to enable the reader to hear, as clearly as possible, the voice of a single historical personage or institution. Nor are they purely interpretive works in which the author’s voice is foregrounded. In this conversation with Princeton University historian Anson Rabinbach, we learn what methodological, but also what moral challenges faced him and coeditor Sander Gilman in crafting The Third Reich Sourcebook (University of California Press, 2013). We learn how they selected and how they decided to preface the voices of Nazi ideologues, politicians, fellow travellers and victims. With 411 primary documents that take the reader systematically through the key cultural fields and criminal activities of the regime, the Sourcebook represents a major engagement with the Nazi worldview by two leading intellectual historians. They found this worldview less uniform and internally consistent than others have surmised. Beyond the exaltation of the German Volk and the demonization of Jewry, much was up for grabs, including the epistemological framework meant to ground these core concepts. In this interview, Rabinbach paints a picture of German intellectual life under the Third Reich that was contradictory and complex, yet above all impoverished. Learn more about your ad choices. Visit megaphone.fm/adchoices

Primary source readers represent an unusual historical genre. Unlike editions, their aim is not to enable the reader to hear, as clearly as possible, the voice of a single historical personage or institution. Nor are they purely interpretive works in which the author’s voice is foregrounded. In this conversation with Princeton University historian Anson Rabinbach, we learn what methodological, but also what moral challenges faced him and coeditor Sander Gilman in crafting The Third Reich Sourcebook (University of California Press, 2013). We learn how they selected and how they decided to preface the voices of Nazi ideologues, politicians, fellow travellers and victims. With 411 primary documents that take the reader systematically through the key cultural fields and criminal activities of the regime, the Sourcebook represents a major engagement with the Nazi worldview by two leading intellectual historians. They found this worldview less uniform and internally consistent than others have surmised. Beyond the exaltation of the German Volk and the demonization of Jewry, much was up for grabs, including the epistemological framework meant to ground these core concepts. In this interview, Rabinbach paints a picture of German intellectual life under the Third Reich that was contradictory and complex, yet above all impoverished. Learn more about your ad choices. Visit megaphone.fm/adchoices

Primary source readers represent an unusual historical genre. Unlike editions, their aim is not to enable the reader to hear, as clearly as possible, the voice of a single historical personage or institution. Nor are they purely interpretive works in which the author’s voice is foregrounded. In this conversation with Princeton University historian Anson Rabinbach, we learn what methodological, but also what moral challenges faced him and coeditor Sander Gilman in crafting The Third Reich Sourcebook (University of California Press, 2013). We learn how they selected and how they decided to preface the voices of Nazi ideologues, politicians, fellow travellers and victims. With 411 primary documents that take the reader systematically through the key cultural fields and criminal activities of the regime, the Sourcebook represents a major engagement with the Nazi worldview by two leading intellectual historians. They found this worldview less uniform and internally consistent than others have surmised. Beyond the exaltation of the German Volk and the demonization of Jewry, much was up for grabs, including the epistemological framework meant to ground these core concepts. In this interview, Rabinbach paints a picture of German intellectual life under the Third Reich that was contradictory and complex, yet above all impoverished. Learn more about your ad choices. Visit megaphone.fm/adchoices

Primary source readers represent an unusual historical genre. Unlike editions, their aim is not to enable the reader to hear, as clearly as possible, the voice of a single historical personage or institution. Nor are they purely interpretive works in which the author’s voice is foregrounded. In this conversation with Princeton University historian Anson Rabinbach, we learn what methodological, but also what moral challenges faced him and coeditor Sander Gilman in crafting The Third Reich Sourcebook (University of California Press, 2013). We learn how they selected and how they decided to preface the voices of Nazi ideologues, politicians, fellow travellers and victims. With 411 primary documents that take the reader systematically through the key cultural fields and criminal activities of the regime, the Sourcebook represents a major engagement with the Nazi worldview by two leading intellectual historians. They found this worldview less uniform and internally consistent than others have surmised. Beyond the exaltation of the German Volk and the demonization of Jewry, much was up for grabs, including the epistemological framework meant to ground these core concepts. In this interview, Rabinbach paints a picture of German intellectual life under the Third Reich that was contradictory and complex, yet above all impoverished. Learn more about your ad choices. Visit megaphone.fm/adchoices