High Theory

High Theory returns with a series of haunting concepts, places, and figures from our former guests. We asked folks to call in with something spookworthy (neologism!) from their fields – real or imagined specters, scary ideas, anything that could haunt, disorient, unsettle, horrify. And we got a full seance worth of ghosts. Listen if you dare! This episode features (in order of appearance) Abhishek Avtans on the Churail. He kindly gave us a transcript (we hope to have more transcripts soon!). You can hear more from Abhishek in his episode on Apabhraṃśa. Angelina Eimannsberger on the Reader. You can hear more from Angelina in her episode on JVN. Travis Chi Wing Lau on Mad Studies. You can hear more from Travis in his episode on Experimental Life. Mackenzie Cooley on the Scientific Revolution. You can hear more from Mackenzie in her episode on the Animal. Farah Bakaari on the Nation State. You can hear more from Farah in her episode on the Trace. Emma Heany on Communism and Empire. You can hear more from Emma in her episode on Sexual Difference. Sheila Liming on Nowhere and Forever. Sheila reads an excerpt from her article in progress on the contemporary gothic, under the working title, "Out of Time: Anti-Immediacy in Mark Jenkin's Enys Men.” You can hear more from Sheila in her episode on the Party. Sritama Chatterjee on Nature and Wilderness. You can hear more from Sritama in her episode on Off-Shore Aesthetics. John Linstrom on Liberty Hyde Bailey's Haunted Houses. You can hear more from John in his episodes on Nature Study and Ecosphere. The image for this episode features creepy red creatures on a dark green field. It was made by Saronik Bosu. Boo! Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of High Theory, Rasheed Tazudeen tells us about the inhuman. The inhuman offers a way of moving beyond the legacies of humanism and across categories and scales of being. Thinking with the inhuman world, from spools of thread to microplastics, helps us try and think otherwise about the complex assemblages that shape our lives. If you want to learn more, check out Rasheed's new book, Modernism's Inhuman Worlds (Cornell UP, 2024). The book explores the centrality of ecological precarity, species indeterminacy, planetary change, and the specter of extinction to modernist and contemporary metamodernist literatures. Modernist ecologies emerge in response to the enigma of how to imagine inhuman being—including soils, forests, oceans, and the earth itself—through languages and epistemologies that have only ever been humanist. Rasheed asks how (meta)modernist aesthetics might help us to imagine (with) inhuman worlds, including the worlds still to be made on the other side of mass extinction. Rasheed Tazudeen is a lecturer in English at Yale University. His work is focused broadly on the intersections between ecology, race, and sound in 19th- and 20th-century literature and music. He is currently at work on a second project tentatively titled The Musicked Earth: Towards a Decolonial Sound Ecology, focused on the resonances between Black/Afro-Caribbean and Indigenous theories of sound, music, festival, and ecology through the work of Sylvia Wynter, Édouard Glissant, Leanne Simpson, and Alice Coltrane. This week's image was made by Saronik Bosu in 2024. It represents a humanoid creature in fetal position, merging with the inhuman world. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of High Theory, Mackenzie Cooley talks about animals. The animal lies at the center of science and the human, from imperial conquest and Enlightenment thought to the creatures on our dinner plates and beside us at the table. The practices of animal breeding and the politics of making life are, in Mackenzie's account, key to understanding the history of race as a concept and term that emerged in the Early Modern World. For more animal encounters, check out her book The Perfection of Nature: Animals, Breeding, and Race in the Renaissance (Chicago UP, 2022). In it, Italian horses and Mexican dogs provide examples of controlled breeding before eugenics, helping us see how human difference was understood in the colonial encounter, and illuminate undertheorized notions of generation and its discontents in the more-than-human world. Tag dog and Bartolomé the cat sometimes participate in the making of High Theory, but the podcast is not necessarily pitched to non-human ears. If you want radio for animals, listen to Bad Animals on WFMU. Mackenzie Cooley is Assistant Professor of History, Director of Latin American Studies at Hamilton College. She is an intellectual historian who studies the uses, abuses, and understandings of the natural world in early modern science and medicine. And she has two Newfoundland dogs. The image accompanying this episode is a painting of a Newfoundland Dog by Charles Henry Schwanfelder (1812), from the collection of Temple Newsam House, Leeds Museums and Galleries. Learn more about your ad choices. Visit megaphone.fm/adchoices

We often misuse the word melodrama with abandon, especially to characterize other people's behaviors, but Greg Vargo defines it for us once and for all. Emerging in the eighteenth and nineteenth centuries as the predominant Western theatrical form, it is a genre of crisis. To that end, it employed hyperbolic language, extreme situations, extraordinary coincidences, stark oppositions and so on. Greg talks about his own ongoing work on melodramas about race, their histories of performance, and the storied career of the African American actor Ira Aldridge. Greg Vargo is Associate Professor at the Department of English, New York University. His research focuses on the literary and cultural milieu of nineteenth-century British protest movements and the interplay between politics, periodical culture, the novel and theater. His first book, An Underground History of Early Victorian Fiction: Chartism, Radical Print Culture, and the Social Problem Novel (Cambridge UP, 2018), won the 2019 North American Victorian Studies Association's award for best book of the year in Victorian Studies. He has recently edited Chartist Drama (Manchester UP, 2020), a collection of four plays written or performed by members of the working-class movement for social and political rights known as Chartism. A new project focuses on anti-imperialism in nineteenth-century popular culture (across such media as penny novels and stage melodrama) as well as in radical politics. Image: © 2024 Saronik Bosu Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of High Theory, Jonathan Kramnick talks about Close Reading. Contrary to the name, it is less a form of slow or focused reading than an immersive practice of writing. The classic methodology of New Criticism has become, in Kramnick's estimation, the shared foundation of literary studies in the university. Our conversation was inspired by Jonathan's new book, Criticism and Truth: On Method in Literary Studies (Chicago, 2023). In the book he aims to “present a view of literary criticism as it is practiced across the academy in order to defend its standing as a contribution to knowledge” (vii). His defense of this foundational critical method joins a slate of recent metacritical books on the discipline of literary study, and the state of the humanities today. Jonathan Kramnick is the Maynard Mack Professor of English at Yale University. His research and teaching are in eighteenth-century literature and philosophy, foundations of literary theory and criticism, and interdisciplinary approaches to the arts. His prior publications include Paper Minds: Literature and the Ecology of Consciousness (Chicago, 2018), Actions and Objects from Hobbes to Richardson (Stanford, 2010), and Making the English Canon: Print Capitalism and the Cultural Past, 1700-1770 (Cambridge, 1999). His current book project on Alexander Pope, William Cowper, and the poetics of designed environments is titled Earthworks: Two Before Romanticism. He is also director of the Lewis Walpole Library and the editor (with Steven Pincus) of the Lewis Walpole Series in Eighteenth-Century Culture and History for Yale University Press. The image accompanying this episode was drawn by Saronik Bosu in 2024. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of High Theory, Matt Seybold tells us about Criticism, the glue that holds the bricks of culture together. Cultural critics are a necessary component of the intellectual ecosystem, who have the power to analyze both the material conditions and the myths that make up our world. Matt is the host of the American Vandal Podcast at the Center for Mark Twain Studies at Elmira College. In his recent podcast series, Criticism, LTD, Matt investigated the state of criticism in the academy and the public sphere. There is a nifty substack newsletter with the transcripts from Criticism, LTD, if you're keen. Kim and Saronik were among the many podcasters, public intellectuals, and critics that Matt interviewed for the series, and we're excited to have him back on High Theory to tell us about his investigations. In the episode he offers a recuperative reading of Mark Twain's acerbic take on critics in his late notebooks: “The critic's symbol should be the tumble-bug; he deposits his egg in somebody else's dung, otherwise he could not hatch it.” (see p. 392 of this Harper & Brothers, 1935 edition of Twain's Collected Works, on archive.org). He references Jacques Derrida's book, Limited Inc (Northwestern UP, 1988), which contains the *famous* essay “Signature, Event, Context” and a critical debate about Apartheid. And he also discusses Jed Esty's Future of Decline: Anglo-American Culture at Its Limits (Stanford UP, 2022) and our episode with Jed on the Rhetoric of Decline. You can also take a listen back to Matt's earlier episode with us on Economics. Matt Seybold is Associate Professor of American Literature & Mark Twain Studies at Elmira College, as well as Resident Scholar at the Center For Mark Twain Studies. He is the executive producer and host of the American Vandal Podcast, and founding editor of MarkTwainStudies.org. He is co-editor (with Michelle Chihara) of of the Routledge Companion to Literature & Economics (2018)and (with Gordon Hutner) a 2019 special issue of American Literary History on “Economics & Literary Studies in The New Gilded Age.” Recent articles can be found in the Mark Twain Annual, American Studies, Reception, and Los Angeles Review of Books. He tweets (or exes?) @MEASeybold. The image for this episode was made by Saronik Bosu in 2024. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this special episode of High Theory, Ramsés Martínez Barquero and Abigail Cowan interview their graduate student colleagues about teaching. They turn our attention to graduate study as one of the foundational aspects in building academic knowledge, and show us graduate instructors encountering the classroom as a learning environment for teachers and students. Abigail and Ramses recorded interviews with eight fellow graduate students in a story circle they held at the PennState Humanities Institute as part of their Public Humanities Fellowship program. The episode weaves together stories of anxiety and humor, pushing against self doubt, and finding community while pursuing graduate studies. Ramsés Martínez Barquero is a M.A/PhD student in the Department of Spanish, Italian and Portuguese. Abigail Cowan is a graduate student for the Department of English and a teaching assistant for English and Comparative Literature. Kristina Bowers is a PhD student at Penn State University studying Rhetoric and Composition and Women's, Gender, and Sexuality Studies. Vani Gupta is a doctoral student in the HDFS Department at Penn State University. Ash Mayes is a master's student in the English department. Ana Sofía Semo is a second-year graduate student in the Department of Spanish, Italian and Portuguese, and now she teaches Spanish 2 in the Spanish Basic Language Program. María José Andrade Gabiño is a Ph.D. student in the Spanish, Italian, and Portuguese Department. Alex Mika is a second-year PhD student in the Penn State English Department studying Shakespeare's cultural legacy via literary, cinematic, and dramatic adaptations of his works. The image for this episode was made by Saronik Bosu in 2024. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of High Theory, Pardis Dabashi tells us about plot. A plot consists of a change with stakes that establish norms. This seemingly simple structure shapes novels, films, politics, and our world, from easy seductions of comfort to difficult promises of liberation. In the episode, Pardis references Thomas Edison's 1903 film, Electrocuting an Elephant, which is super sad, and kind of terrifying, but an economical explanation of plot. She also discusses Max Ophüls's 1953 film, The Earrings of Madame de... as an example of a film with a potentially liberatory plot. We recommend you watch the latter, not the former. Other texts referenced in this episode include Mary Anne Doane's The Emergence of Cinematic Time (Harvard, 2002) and Lauren Berlant's Cruel Optimism (Duke, 2011) and Female Complaint (Duke, 2008). The occasion for our conversation was Pardis's new book, Losing the Plot: Film and Feeling in the Modern Novel (U Chicago Press, 2023). If you'd like to get yourself a copy there's a 30% discount on the University of Chicago Press website with the promo code UCPNEW. It's a book about film and literary modernism, including the work of Nella Larsen, Djuna Barnes, and William Faulkner. The cover is really beautiful, and it's definitely worth a read if you're interested in either of the genres it addresses. Pardis Dabashi is an Assistant Professor of Literatures in English and Film Studies at Bryn Mawr College, where she is also Affiliated Faculty in the Middle Eastern, Central Asian, and North African Studies Program (MECANA). She has published everywhere, and is friends with everyone! She teaches courses in twentieth-century literature, film studies, Middle East studies, and theory. She was also one of the first guests on High Theory! You can listen to her 2020 episode on The Autonomous Work of Art if you're feeling a flashback. The image for this episode is a publicity still from George Cukor's 1936 MGM film Camille, showing Greta Garbo and Robert Taylor in a tense embrace. Digital image from Wikimedia Commons. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, John Linstrom tells us about Nature-Study, an educational movement that began in the rural classrooms of American Progressive Era. It takes students and learners of all kinds out of the classroom, away from the textbook, and into the world, to observe and learn. It offers us a mode of attunement to the world that we might use to heal the divide between rural and urban, and kindle the kind of social change we need to get the world off fossil fuels. Our conversation is centered around the new scholarly edition John edited of Liberty Hyde Bailey's The Nature-Study Idea (Cornell University Press, 2023), which just came out. It's the first book in the new The Liberty Hyde Bailey Library, a series for Cornell University Press reintroducing the ecological and critical-agrarian writings of L. H. Bailey (1858-1954). John was one of our first guests on High Theory back in 2020 – so if you want to listen back, you can check out the episode on Ecosphere. John told me when were were preparing to record that there was some debate about the dash in “Nature-Study” back in the day, but that he was on the side of the dashers, because the women teachers who led the movement favored the dash. John is a Mellon Foundation Postdoctoral Fellow in Climate and Inequality at the Climate Museum in NYC. He is also the author of a book of poems called To Leave for Our Own Country coming out with Black Lawrence Press in April 2024. He believes in poetry's power to foster communities for change, human and more-than-human stories and visions of climate justice He received his PhD in Literature from New York University and his MFA in Creative Writing and Environment from Iowa State University. John, Kim, and Saronik spent a lot of time together as grad students at 244 Greene St. in NYC. John and Kim used to run a working group on agriculture and literature, called Farm to Text. John lives in Queens, where gleans deep joy from holding his baby daughter, singing choral music, and eating large quantities of pesto. The image for this episode was made by Saronik Bosu, especially for his friend John, in 2023. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of High Theory, Katherine Turk tells us about Sisterhood, a familial metaphor used to evoke gendered solidarity in women's movement of the mid-sixties and seventies, and a utopian ideal of equality within the human family. It's a universalizing but aspirational concept that helped feminists build a political coalition. Our conversation is based upon Katherine's new book about the National Organization of Women: The Women of NOW: How Feminists Built an Organization That Transformed America (FSG, 2023). This mainstream feminist organization is often neglected in histories of the period, dismissed as a liberal organization dedicated to incremental change. But NOW was an expansive organization that changed over time, shifted the conversation and legal structures in the US, and left an important historical record that we can learn from in social justice work today. Katherine Turk is an associate professor of History and an adjunct associate professor of Women's and Gender Studies at UNC Chapel Hill. Her research and teaching focus on women, sex, gender, law, labor, and modern social movements. Her first book Equality on Trial: Gender and Rights in the Modern American Workplace (Politics and Culture in Modern America Series, University of Pennsylvania Press, 2016) studies the history of Title VII of the 1964 US Civil Rights Act, which outlawed workplace discrimination on the basis of such personal attributes as sex, race, and religion. The image for this week was made by Saronik Bosu. It shows Aileen Hernandez, Mary Jean Collins, and Patricia Hill Burnett, leaders of NOW who are the primary subjects of Katherine's book. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of High Theory, Angela Hume tells us about Self Help, not the neoliberal strategy of self-actualization through consumer choices, but the radical political movement of gynecological self-help, that flourished in the late twentieth century and created a set of portable political tactics based in anarchist feminist philosophy. In the episode, she references Alondra Nelson's book Body and Soul: The Black Panther Party and the Fight against Medical Discrimination (Minnesota UP, 2013); Michelle Murphy's Seizing the Means of Reproduction: Entanglements of Feminism, Health, and Technoscience (Duke UP, 2012); and several health activist organizations, including the Women's Choice Clinic in Oakland, CA; AidAccess which provides mail order medication assisted abortion; and MYA Network, a group of clinicians seeking to expand abortion access in primary care settings. Angela suggested we include three links that everyone should have at their fingertips, PlanC (plancpills.org) which helps people access abortion pills, AidAccess (aidaccess.org) the pill fulfillment service described above, and I Need an A (ineedana.com), a clinic locator. In our longer conversation, she also named the Keep Our Clinics campaign, a fundraising effort to support independent abortion clinics, to which pre-sales of her book contributed. We're sorry we didn't get this up early enough for you to participate in the pre-sale! But now the book is out in the world, you can even read a review of it in The Guardian. Our conversation is based Angela's new book, Deep Care: The Radical Activists Who Provided Abortions, Defied the Law, and Fought to Keep Clinics Open(link is external) (AK Press, 2023). A work of public scholarship and a history of medicine, the book tells a story of Bay Area abortion defense—from feminist clinical practice, to underground abortion provision, to street politics and clinic defense—from the 1970s to 2000s. You can read an excerpt from the book in the Post45 contemporaries collection “Abortion Now, Abortion Forever,” which was the starting point for our conversation on High Theory. Angela Hume is a feminist historian, critic, and poet, who teaches at UC Berkeley. Her creative and expository writing classes address environmental and health justice, working-class and multiethnic American literatures, feminist and queer storytelling, and more. Beyond Deep Care, Angela is co-editor of Ecopoetics: Essays in the Field(link is external) (U of Iowa P, 2018). Her full-length books of poetry include Middle Time(link is external) (Omnidawn, 2016) and Interventions for Women (Omnidawn, 2021). Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of High Theory, Geoffrey Sanborn tells us about Plagiarism. A concept emerged with the idea of originality, plagiarism challenges some of our most deeply held notions of individualism and status. Hatred of plagiarism is so baked into our culture that it evokes a gut response of disgust, which prevents us from actually analyzing it as a form of social behavior. In the episode, Geoff talks about websites that promise to “humanize” chatGPT content, like the AI Text Converter and the Plagiarism Remover. He talks about postcolonial theory, as a tool that might help us analyze plagiarism, and invokes Homi Bhabha's idea of “colonial mimicry,” which appears in his 1984 article “Of Mimicry and Man: The Ambivalence of Colonial Discourse.” He also talks about the actress and playwright Anna Deavere Smith, and references David Graeber's book Debt, which we ran an episode on way back in 2020. It was in the early days of High Theory, so apologies for the audio quality, but we think you'll like it. Geoff is a Samuel Williston Professor of English and department chair at Amherst College. He has published many books about nineteenth century American literature, most recently Plagiarama! William Wells Brown and the Aesthetics of Attractions (New York: Columbia University Press, 2016), which was the inspiration for this conversation. It's a really great book! You should read it. The image for this episode was made by Saronik Bosu in 2023. Learn more about your ad choices. Visit megaphone.fm/adchoices

Anat Rosenberg, Kristof Smeyers, and Astrid Van den Bossche discuss the fresh historiographies of capitalism offered by studies of enchantment and magical thinking. They talk about their research network for scholars interested in the historical role of enchantment as a tool, structure, or foundation for the organization and the development of modern markets, economic institutions, and economic relationships. Anat Rosenberg is a senior lecturer at the Harry Radzyner Law School, Reichman University, Israel. Her work concerns the cultural legal history of capitalism, liberalism and consumption in Britain, and methodologies of law and the humanities. She is author of Liberalizing Contracts: Nineteenth Century Promises Through Literature, Law and History (Routledge, 2017), and The Rise of Mass Advertising: Law, Enchantment and the Cultural Boundaries of British Modernity (Oxford UP, 2022). Kristof Smeyers is a Postdoctoral Fellow at the Ruusbroec Institute, University of Antwerp. His research interests are magic, the supernatural and the occult, and their connections to the histories of religion, science and folklore, as well as their historiography and their archive history. Astrid Van den Bossche is Lecturer in Digital Marketing and Communications at the Department of Digital Humanities, King's College London. She is particularly interested in scepticism and humour as forms of engagement with promotional culture, and the application of computational methods in historical studies. Image: Public Domain Image of Great Market Hall, Budapest Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of High Theory, Neil Safier talks with us about the Plantationocene, a geological epoch that traces the effects of climate change to the historical systems of human and nonhuman environmental exploitation known as plantation agriculture. It is another name for the world we currently inhabit. In the episode, Neil describes how Donna Harraway and Anna Tsing invented the term Plantationocene in response to another recent term Anthropocene. Sources to check out include Donna Haraway's essay, “Anthropocene, Capitalocene, Plantationcene, Chthulucene: Making Kin” Environmental Humanities 6 no. 1 (2015): 159-165. doi: 10.1215/22011919-3615934, and Paul Crutzen, “The ‘Anthropocene'” Earth Systems Science in the Anthropocene ed. Eckhart Ehlers and Thomas Krafft (Springer, 2006) pp. 13-18. He references B.F. Skinner's novel Walden Two (MacMillan, 1962) at the end of our conversation. Neil Safier is Associate Professor in the Department of History at Brown University where he currently serves as Director of the Center for Latin American and Caribbean Studies of the Watson Institute for International Affairs. He studies the history of science, agriculture, and other forms of knowledge-making in the late-eighteenth-century Atlantic world, focusing on the plantation cultures of the Caribbean and Brazil. He was recently the director of the John Carter Brown Library, at Brown University, and many years ago, when he was more optimistic about the current global epoch, he managed grants for the Sierra Club Foundation in San Francisco, California. He is the author of Measuring the New World: Enlightenment Science and South America (U Chicago, 2008) and is cooking up two new projects, on the historical connections between natural science and plantation agriculture in the Amazon River basin and the global history of collecting. The image for this week comes from Neil's research on the history of plantation agriculture. This drawing of a plantation from Hispaniola (Saint-Domingue) was reproduced in José Mariano da Conceição Velozo's Fazendeiro do Brazil Tome III Part II (Lisbon, 1799), in the volume dedicated to coffee production. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of High Theory, Erin Pineda talks about decolonizing praxis. Black American activists in the 1950s and 1960s used strategies of civil disobedience and nonviolent direct action as part of a broader anticolonial movement, and reading their story in an international context can help us rethink the narrative of the US civil rights movement enshrined in American political theory. In the episode Erin references Jack Halberstam's concept of “low theory” which derives from the work of Stuart Hall, and appears in the book, The Queer Art of Failure (Duke UP 2011). She also references several mainstream liberal political philosophers who set the terms of the debate about “civil disobedience” in the US academy in the 1970s, John Rawls Theory of Justice (Harvard UP, 1971), Hugo Bedau, “On Civil Disobedience” (Journal of Philosophy 58, no. 21 (1961): 653-665) and Carl Cohen, Civil Disobedience: Conscience, Tactics, and the Law (Columbia University Press, 1971). Pineda writes against this tradition. The American activists she studies developed a different set of theoretical commitments to civil disobedience that are a bit less polite, and have a bit more potential for actual revolution. Erin Pineda is the Phyllis Cohen Rappaport '68 New Century Term Professor of Government at Smith College. She teaches courses in the history of political thought, democratic theory, race and politics, social movements and American political thought. Her research interests include the politics of protest and social movements, Black political thought, race and politics, radical democracy and 20th-century American political development. If you want to learn more about the topics she discusses in this episode, read her book! It's called Seeing Like an Activist: Civil Disobedience and the Civil Rights Movement (Oxford UP, 2021). The image for this episode is a famous photograph of Black student Elizabeth Eckford being jeered by white student Hazel Bryan as she attempts to enter Little Rock Central High School, taken by Will Counts on 4 September 1957, one of the more famous images of school desegregation from the US Civil Rights Movement. This digital version came from wikimedia commons. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode of High Theory, Matthew Kirschenbaum talks about txt, or text. Not texting, or textbooks, but text as a form of data that is feeding large language models. Will the world end in fire, flood, or text? In the full interview, Matthew recommended Tim Maughan's novel Infinite Detail (Macmillan, 2019) as an excellent example of writing about the end of the internet, and Emily St. John Mandel's Station Eleven (Knopf, 2014) as a positive example of a post-internet apocalypse. In the episode he references a paper by Beder et al., “On the Dangers of Stochastic Parrots: Can Language Models Be Too Big?” FAccT '21: Proceedings of the 2021 ACM Conference on Fairness, Accountability, and Transparency (March 2021): 610–623. And several apocalyptic scenarios, including the dead internet theory and the gray goo hypothesis. Matthew Kirschenbaum is Distinguished University Professor of English and Digital Studies at the University of Maryland and Director of the Graduate Certificate in Digital Studies. His books include Track Changes: A Literary History of Word Processing (Harvard UP 2016) and Mechanisms: New Media and the Forensic Imagination (MIT Press, 2008). With Kari Kraus, he co-founded and co-directs BookLab, a makerspace, studio, library, and press devoted to what is surely our discipline's most iconic artifact, the codex book. See mkirschenbaum.net or follow him on Twitter (or X?) as @mkirschenbaum for more. Because we are hoping to encourage the text apocalypse, we made today's image using generative AI. Specifically Saronik made it using the prompt “Text” in Canva's AI interface. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of High Theory, Margaret Galvan talks about the queer politics of Visibility. In her work the activist practices of representation take concrete form in comic books, photographs, and even drawings on lecture slides! In the episode, she discusses the photography of Nan Goldin and queer comic books in the 1980s. She quotes Adrienne Rich's 1980 essay “Compulsory Heterosexuality and Lesbian Existence.” She also references This Bridge Called My Back: Writings By Radical Women of Color, and Gloria Anzaldúa's Borderlands/La Frontera. At the end of the episode she references the Lesbian Avengers, who have amazing images. Margaret Galvan is an assistant professor of English at the University of Florida. Her research examines how visual culture operates within the print media of feminist and queer social movements of the 1970s-1990s. Her brand new book In Visible Archives: Queer and Feminist Visual Culture in the 1980s, is out this fall from University of Minnesota Press‘s Manifold Scholarship Series. You should go check it out! Because the amazing images Margaret talks about were drawn recently, they're still in copyright. Our image this week is from Gladys Parker's comic Mopsy which ran from 1937 to 1966. Parker was a successful female artist in a world of mainstream US comic books dominated by men. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of High Theory, Brian Fairley tells us about Polyphony, a concept from music that describes multiple melodic lines sounding at once. The many voices of polyphony have an ancient and colonial history, which has reappeared in some key reverberations in twentieth century criticism and theory. In the conversation, we discuss several texts, including Mikhail Bakhtin, Problems of Dostoevsky's Poetics (1929); James Clifford and George Marcus, Writing Culture The Poetics and Politics of Ethnography (UC Press, 1986); Edward Said, Culture and Imperialism (Knopf, 1993); and one of Kim's favorite scholarly books, Anna Tsing, The Mushroom at the End of the World (Princeton, 2021). Brian also discusses Denise Ferreira da Silva's work “On Difference Without Separability.” Brian Fairley received his PhD in Ethnomusicology from New York University in 2023; he is currently a Visiting Scholar in the Department of Music at Amherst College.His manuscript in progress, Dissected Listening: Race, Nation, and Polyphony in the South Caucasus, excavates a series of experimental sound recordings from 1916 to 1966 to show how the concept of musical polyphony emerged in tandem with techniques of multichannel sound and imperial discourses of racial, national, and religious difference. His work has appeared in the journal Ethnomusicology and is forthcoming in Theoria: Historical Aspects of Music Theory, as well as an edited volume titled Key Terms in Music Theory for Antiracist Scholars. The image for this episode is Paul Klee's 1932 painting “Polyphony,” which is in the public domain in the US and Europe. Digital image sourced from Wikimedia Commons. Learn more about your ad choices. Visit megaphone.fm/adchoices

In our new summer series of “Sillies,” Saronik and Kim ask each other how simple things will achieve the grandiose task of saving the world. In this episode, Kim asks Saronik about how horses will save the world. The texts we mention (or meant to mention) in the episode are (in some vague order): Peter Shaffer, Equus, 1973 Girish Karnad, Hayavadana, 1971 Sharon Patricia Holland, an other: a black feminist consideration of animal life (Duke UP, 2023) Mackenzie Cooley, The Perfection of Nature: Animals, Breeding, and Race in the Renaissance (Chicago UP, 2022) Raymond Malewitz, “On the Origin of ‘Oops!': The Language and Literature of Animal Disease” Critical Inquiry 45 (Summer 2019). In this episode we used sound effects from freesound.org. To make the episode we downloaded sounds created by the following users: BUNCHA SOUNDS BOI!; InspectorJ; felix.blume. Click the link to hear the sound. This episode's silly image was created by Saronik Bosu. It is a distortion of “Whistlejacket” (1762) by George Stubbs. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of High Theory, we continue our conversation with Debashree Mukherjee about the pioneering film studio Bombay Talkies, founded in 1934 in the city of Bombay (now Mumbai) by Himansu Rai and Devika Rani. Here, she focuses on cinematographer Josef Wirsching, whose rare behind-the-scenes photographs of life and work at the studio appear in her new book Bombay Talkies: An Unseen History of Indian Cinema. Wirsching fled fascism in Europe, and brought the influence of German Expressionism to Indian cinema, and was responsible for the cinematic stylings of groundbreaking films like Achhyut Kanya (1936), Mahal (1949), and Pakeezah (1972). His experiences teach us about the stifling effects of fascism on art and the peculiarity of national cinema as an analytic category. The diverse global origins and training of the cast and crew his photographs document offer new ways of writing the history of labor in Indian Cinema. If you want to learn more about Debashree's research, and her new book, listen back to our earlier episode called “Bombay Talkies.” Debashree Mukherjee is Associate Professor of film and media in the Department of Middle Eastern, South Asian, and African Studies (MESAAS) at Columbia University. Her first book, Bombay Hustle: Making Movies in a Colonial City (2020), approaches film history as an ecology of material practices and practitioners. Her second book project, Camera Obscura: Media at the Dawn of Planetary Extraction, develops a media history of oceanic migrations and plantation capitalism. Debashree edits the peer-reviewed journal BioScope: South Asian Screen Studies and in a previous life she worked in Mumbai's film and TV industries as an assistant director, writer, and cameraperson. Image: Sourced from Bombay Talkies: An Unseen History of Indian Cinema with permission. Learn more about your ad choices. Visit megaphone.fm/adchoices

Debashree Mukherjee talks about the pioneering film studio founded in 1934 in the city of Bombay (now Mumbai) by Himansu Rai and Devika Rani. Its cast and crew of diverse global origins and training, offer new ways of writing the history of labor in Indian Cinema. In the accompanying B-Side episode, she focuses on her new book Bombay Talkies: An Unseen History of Indian Cinema, which features rare behind-the-scenes photographs from the personal archive of cinematographer Josef Wirsching. Wirsching brought the influence of German Expressionism to Indian cinema, and was responsible for the cinematic stylings of groundbreaking films like Achhyut Kanya (1936), Mahal (1949), and Pakeezah (1972). Debashree Mukherjee is Associate Professor of film and media in the Department of Middle Eastern, South Asian, and African Studies (MESAAS) at Columbia University. Her first book, Bombay Hustle: Making Movies in a Colonial City (2020), approaches film history as an ecology of material practices and practitioners. Her second book project, Camera Obscura: Media at the Dawn of Planetary Extraction, develops a media history of oceanic migrations and plantation capitalism. Debashree edits the peer-reviewed journal BioScope: South Asian Screen Studies and in a previous life she worked in Mumbai's film and TV industries as an assistant director, writer, and cameraperson. Image: Sourced from Bombay Talkies: An Unseen History of Indian Cinema with permission. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of High Theory, Eram Alam talks with us about shortage. A political tool, rather than a natural lack, the concept of a shortage changes the flows of goods and people across borders and space. The concept of a doctor shortage was used in the US immigration reform of the 1960s to recruit discount elite labor from newly postcolonial nations, creating the downstream effect of shortages in their countries of origin. These recruiting practices remain in effect, with a US physician workforce that is approximately 25% international medical graduates, while domestic and international doctor shortages abound. Eram Alam is an assistant professor of the History of Science at Harvard University. Her book The Care of Foreigners studies the enduring consequences of post-colonial migration from Asia to the US. We're so excited to read it when it comes out! In the meantime, you can read her article “Cold War Crises: Foreign Medical Graduates Respond to US Doctor Shortages, 1965–1975” Social History of Medicine 33 no. 1 (Feb 2020). This week's image of a hospital corridor was uploaded to the image sharing site Pixbay by a user named Mitrey. Learn more about your ad choices. Visit megaphone.fm/adchoices

We close Pride Month of 2023 with Jamie Staples talking about queer mysticism. This includes instances in medieval Christianity where an embodied and erotic experience of life, within and between persons, became the basis for an apprehension of divinity. The conversation particularly focuses on the poem “Dark Night of the Soul” by 16th century Spanish poet St. John of the Cross and the work of 14th-15th century English mystic Margery Kempe. Jamie shares his own story to show how queer mysticism can offer resources from within Christianity to build a personal and communitarian politics against fundamentalist discrimination and hatred. Starting this fall, Jamie Staples will be Visiting Assistant Professor of Medieval English literature at Trinity College in Hartford. His research takes seriously the productive intersection of mystical theology and poetry in the development of alternative modes of critical thinking in the late Middle Ages. He's recently written two articles focused more specifically on the queer mysticism that he will be discussing today, one on the fifteenth-century Book of Margery Kempe, published in Romanic Review, and the other on the fourteenth-century poem Cleanness, published in Exemplaria. Image: © 2023 Saronik Bosu Learn more about your ad choices. Visit megaphone.fm/adchoices

Steven Swarbrick talks about poetic engagement with nature in the work of early modern poets ​​Edmund Spenser, Walter Ralegh, Andrew Marvell, and John Milton. Here language is influenced not by the manifest and the conscious, but the unconscious or void, as understood in Freudian and Lacanian psychoanalytic theory. This work is the basis for his hope for a reorganization of thought in contemporary ecocriticism around a politics of degrowth instead of additive policies that serve to greenwash capitalist economies. Steven Swarbrick is an assistant professor of English at Baruch College, City University of New York. His research interests include early modern literature, contemporary continental philosophy, psychoanalysis, the environmental humanities, and sexuality and film studies. He is the author of The Environmental Unconscious: Ecological Poetics from Spenser to Milton (University of Minnesota Press, 2023) and co-author, with Jean-Thomas Tremblay, of Negative Life: The Cinema of Extinction (Northwestern University Press, under contract). He is currently working on two books: Unknowing Sex: Shakespeare against the Historicists and Destituent Ecology: Libidinal Politics for the Environmental Left. Image: © 2023 Saronik Bosu Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of High Theory, Jed Esty talks about the Rhetoric of Decline. Declinism names the contradictory political narrative that America will always be the greatest country in the world, yet is in constant danger of losing its place in the global pecking order. Studying this rhetorical log-jam reveals its prominence on both the left and the right, and its toxic effects on our national discourse. But comparing the end of America's empire to Britain's imperial decline in the twentieth century can help us muddle out of this mess. The basis of our conversation is Jed's recent book The Future of Decline: Anglo-American Culture at Its Limits (Stanford UP, 2022). It's a cool short book with an x-ray spaceman on the cover. You should read it, even if this isn't usually your cup of tea. Jed Esty is the Vartan Gregorian Professor of English at the University of Pennsylvania, where he teaches and writes about Anglophone literature after 1850, with special interests in modernism, critical theory, history and theory of the novel, colonial and postcolonial studies, the Victorian novel, and post-45 U.S. culture. He is the author of Unseasonable Youth: Modernism, Colonialism, and the Fiction of Development (Oxford 2012) and A Shrinking Island: Modernism and National Culture in England (Princeton 2004). Learn more about your ad choices. Visit megaphone.fm/adchoices

Warning: this episode of High Theory is very silly. In our new summer series of “Sillies,” Saronik and Kim ask each other how simple things will achieve the grandiose task of saving the world. In this episode, Saronik asks Kim how jeans will save the world. Yes, we mean denim, not genes. Some reading that might help assuage the silliness, and support our absurd arguments is listed below: Raymond Malewitz, The Practice of Misuse: Rugged Consumerism in Contemporary American Culture (Stanford UP 2014). Sam Binkley, Getting Loose: Lifestyle Consumption in the 1970s (Duke UP 2007). Fred Turner, From Counterculture to Cyberculture: Stewart Brand, the Whole Earth Network, and the Rise of Digital Utopianism (Chicago UP 2006). Herbert Schiller, “Communication and Cultural Domination,” International Journal of Politics 5 no. 4 (Winter 1975/1976). {apparently the source of the term “cultural imperialism”} In this episode we used sound effects from freesound.org. To make the episode we downloaded sounds created by the following users: MATRIXX, aj_heels, deleted_user_5959249, LittleRobotSoundFactory, TarynMichelle101, Yellowbear, voxlab, NikiPlaymostories, TasmanianPower, trader_one, milkywaysurroundsme, josefpres, BugInTheSYS, paulnorthyorks. Click the link to hear the sound. This episode's silly image was created by Saronik Bosu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sheila Liming talks about the party, social gatherings that occasion joy and dread and various emotions in between. The party is both a pause and an acceleration in the life-work continuum, it can deaden political motivation and engender fresh politics. We discuss the horrible parties in The Office and the wonderful parties in Small Axe, among other things. Sheila Liming is Associate Professor at Champlain College in Burlington, VT, where she teaches classes in American literature, writing, and media. She is the author, most recently, of Hanging Out: The Radical Power of Killing Time (Melville House, 2023), and also of the books Office (Bloomsbury, 2020) and What a Library Means to a Woman (Minnesota UP, 2020). Her writing has appeared in publications like the The New York Review of Books, The Atlantic, Lapham's Quarterly, LitHub, The Globe and Mail, and The Los Angeles Review of Books, and elsewhere.  Image: © 2023 Saronik Bosu Learn more about your ad choices. Visit megaphone.fm/adchoices

Cheryl Narumi Naruse talks about the transformation of Singapore over the past decades into a site of postcolonial promise, with economic prosperity and cultural soft power. She discusses a range of texts ranging from official state documents to the immensely popular book and movie adaptation of Crazy Rich Asians, which bear witness to and contribute to this change. Cheryl Narumi Naruse (nah-roo-seh) is Assistant Professor of English and the Andrew W. Mellon Assistant Professor of the Humanities at Tulane University. Her research and teaching interests include contemporary Anglophone literatures and cultures (particularly those from Southeast Asia and the Pacific Islands), diasporic Asian and Asian American literature, postcolonial theory, cultures of capitalism, and genre studies. Her first book, Becoming Global Asia: Contemporary Genres of Postcolonial Capitalism in Singapore is forthcoming from University of California Press in 2023. She is also working on a second monograph which explores the illegibility of Singapore/Malaysia—as the comparatively “cold” Southeast nations in the context of the Vietnam War—in Asian American and postcolonial studies.  Image: © 2023 Saronik Bosu Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of High Theory, Bernard Dionysius Geoghegan talks with us about computer graphics. Emerging from tools for sailing and warmaking, like sea charts and radar, modern computer graphics are technologies of mapping and managing risk. They seem intent on absorbing the human sensorium into the machine. In the episode Bernard refers to computer graphics as “techniques of addressing,” a term he attributes to Ranjodh Singh Dhaliwal. He also uses the term “operational images” which comes from the work of Harun Farocki, and talks about SAGE, the US Government's Cold War era Semi-Automatic Ground Environment Air Defense System. Bernard references Paul Edward's book A Vast Machine: Computer Models, Climate Data, and the Politics of Global Warming (MIT Press, 2013). He also mentions the German scholar Christoph Borbach who has written on auditory computer interfaces, and American disability studies scholar Mara Mills, who has written on the Deaf history of computing. He was kind enough to give us an extensive bibliography on this topic, which is posted below. Bernard Dionysius Geoghegan is a reader in the History and Theory of Digital Media at King's College London. He has a brand new book out on the cybernetic history of French theory, called Code: From Information Theory to French Theory (Duke UP, 2023). Kim met him when he came to give a talk at the Stanford Humanities Center in January 2023. He wore denim and had a slightly manic affect. People came all the way from Berkeley to hear what he had to say, which is quite impressive in the Bay Area. This week's image is a radar loop of the December 16 2007 Eastern North America winter storm, found on Wikimedia Commons. The loop runs from Saturday Morning at 7 AM (Dec 15) to Sunday Night at 7 PM (Dec 16). The image is in the public domain because it was made by someone who works for the National Weather Service. Learn more about your ad choices. Visit megaphone.fm/adchoices

Swati Moitra explains how reading can be a subversive and even revolutionary act in certain socio-historical contexts. She draws especially from her own work in the history of women's reading practices in nineteenth and early twentieth century India, in particular the region of Bengal. She talks about the dual indices of literacy and pleasure in her work, and its affiliations to fields like book history and print cultural studies. Swati Moitra (M.Phil., Ph.D.) is Assistant Professor at the Department of English at Gurudas College, University of Calcutta. Her areas of interest include book history and histories of readership. She is the recipient of the SHARP Research Development Grant for BIPOC Scholars 2022. Image: © 2023 Saronik Bosu Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of High Theory, Karl Dudman tells us about the Cooperative Extension System. Formed in 1914 as an extension of the Land Grant University system in the United States, the Cooperative Extension System is an extraordinarily public model of scientific communication. There is an extension officer in every county of the US. The original goal was to transmit academic scientific knowledge on agriculture to America's farmers, but the program's remit has expanded over the past hundred years. And it varies widely from place to place. You might go to an extension office to test the soil of your rose bed, to find a food pantry, or attend a kids exercise class. You might also have a conversation about climate change. In the full version of our conversation, Karl discussed the National Extension Climate Initiative which aims to unite climate change education and research across the cooperative extension system and Christopher Henke's book, Cultivating Science, Harvesting Power: Science and Industrial Agriculture in California (MIT Press, 2008). Karl Dudman is doctoral candidate at the University of Oxford's Institute for Science, Innovation and Society and a fellow at the Harvard Kennedy School's Program on Science Technology and Society. He does qualitative research on climate science in the US. His ongoing fieldwork, hosted by the North Carolina State Climate Office, examines how actors within climate science, coastal management and local politics navigate accelerating sea level rise in the context of widespread ambivalence towards the mainstream climate change narrative. Karl is also a photographer, and through his work explores the politics of competing cultural relationships with landscapes, and their subsequent representation. This week's image is a photograph of two men in a field of tall grass taken November 11, 2008 by Dennis Pennington, Bioenergy Educator, Michigan State University Extension. Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode of High Theory is based upon a conference paper Saronik and Kim wrote for the American Comparative Literature Association Conference in 2023. It departs from our usual conversational style, in that we take turns reading sections of the paper aloud. But we could all do with a dose of formality, right? The paper we read is titled, “How Will Critique Save the World?: Popular Theory and Public Humanities” and it talks about the method wars on Twitter, the cameo appearance of Baudrillard's Simulacra and Simulation in The Matrix, alt-right conspiracy theory, and the academic job market. For a full transcript of the episode, with references, see our website: hightheory.net/2023/03/19/acla2023/ The image accompanying this episode was made by Saronik Bosu. Don't use it without asking him. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of High Theory, Eli Cook tells us about choice architecture. The term was invented by behavioral economists in 2008 who proposed it as a soft-power model of “libertarian paternalism” to influence consumer choice. Eli traces their concept through a twentieth-century history of structured choices, from personality tests and the five-star rating to the swipes and likes of platform capitalism. He shifts our attention from the rhetoric of consumer choice as freedom to the power of “choice architects” who determine the options for us. Eli takes the term “choice architecture” from Richard Thaler and Cass Sunstein's book Nudge: Improving Decisions About Health, Wealth, and Happiness (Yale UP, 2008). He mentions the industrial psychologist Walter Dill Scott and the inventors of behavioral economics, Amos Tversky and Daniel Kahneman. Amusingly, there is a New Yorker article about Tversky and Kahneman written by Thaler and Sunstein, called “The Two Friends Who Changed How We Think About How We Think.” (New Yorker 7 Dec 2016). In the full version of our conversation, Eli referenced the work of Sophia Rosenfeld on the longue durée history of choice. Eli Cook is a historian of American capitalism. He works as a Senior Lecturer in History and as head of the American Studies Program at the University of Haifa in Israel. His first book The Pricing of Progress: Economic Indicators and the Capitalization of American Life was published by Harvard University Press in 2017. Last year, he was a fellow at the Stanford Humanities Center where he worked on his new book about choice architecture. Image: © 2023 Saronik Bosu Learn more about your ad choices. Visit megaphone.fm/adchoices

Amrita De talks about affective masculinities, aspirational linkages with dominant scripts of masculinities, socially organized. As she expands her work beyond her study of South Asian masculinities, she talks about how understanding and loosening these linkages entails crucial feminist work. She also talks about Shah Rukh Khan. Amrita De is a Postdoctoral fellow in the Center of Humanities and Information at Penn State University. Her research focuses on global south masculinity studies and affect theory. Her works have been published in NORMA, Boyhood Studies, Global Humanities and are forthcoming in other edited collections. She is also working her way through her first novel centered around contemporary Indian Masculinities. Image: © 2023 Saronik Bosu Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of High Theory, Dennis Duncan tells us about the history of the index. At it's simplest, an index is a table with columns that allow you to match sets of terms, most often topics and page numbers. Google is an index, as was the first bible concordance, completed in 1230 under the direction of a French Dominican scholar named Hugo de Saint-Cher. In the episode, Dennis quotes a line from Alexander Pope's Dunciad: How index-learning turns no student pale.  Yet holds the eel of science by the tail (book 1, lines 279-80) He also references Nicholas Carr's article, “Is Google Making Us Stupid?” (The Atlantic, July/Aug 2008), and the book based upon it, The Shallows: What the Internet is Doing to Our Brains (Norton, 2011), both of which make an argument against shallow reading that Dennis argues goes all the way back to medieval critiques of the index. In the longer version of our conversation, we talked about Italo Calvino's If On A Winter's Night a Traveler. Dennis Duncan is a scholar of book history, translation, and avant-garde literature at the University College London. His book about the history of the index, Index: A Bookish Adventure from Medieval Manuscripts to the Digital Age was published in the US by Norton in 2022. The book includes two indices, once made by indexing software, and the other by Paula Clarke Bain. This week's image is a portrait of Hugo de Saint-Cher, made by Tommaso da Modena. Image source: Wikimedia Commons. Full citation: Hugues de Saint-Cher († 1263), bibliste et théologien, Paris, Centre d'études du Saulchoir, Actes du colloque 13-15 mars 2000, Brepols, coll. « Bibliothèque d'histoire culturelle du Moyen Âge », n°1, Turnhout, 2004, 524 p., ISBN : 2-503-51721-8 Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of High Theory, Jack Jen Gieseking tells us about queer space. Queer geographies matter alongside queer temporalities. And it turns out that lesbian life in the 1950s cannot be generalized from the specific history of Buffalo, New York. In the episode they reference a number of scholarly books including J. Jack Halberstam, In a Queer Time and Place: Transgender Bodies, Subcultural Lives (NYU Press, 2005); Elizabeth Freeman, Time Binds: Queer Temporalities, Queer Histories (Duke UP, 2010); Elizabeth Lapovsky Kennedy and Madeline D. Davis, Boots of Leather, Slippers of Gold: The History of a Lesbian Community (Routledge, 1993); Mairead Sullivan, Lesbian Death: Desire and Danger between Feminist and Queer (Minnesota UP, 2022); Henri Lefebre, The Production of Space (La production de l'espace, Editions Anthropos, 1974, trans. Donald Nicholson-Smith, Blackwell, 1919). He also names a number of scholars, including the geographer Gill Valentine, the historian David Harvey, and cultural anthropologist Gayle Rubin, and the 1982 Barnard Conference on Sexuality. Jack Jen Gieseking is a Research Fellow at the Five College Women's Studies Research Center. Their book A Queer New York: Geographies of Lesbians, Dykes, and Queers was published by NYU Press in 2020, and has a companion website called An Everyday Queer New York. They are working on a new book called Dyke Bars*: Queer Spaces for the End Times that uses the trans asterisk to invite consideration of queer spaces not historically claimed as dyke bars. Image: “Last Lesbian Bars in New York City” © 2023 Saronik Bosu Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of High Theory, Laura Wittman tells us about near death experiences. The central feature of these experiences is a vision and a story, which it turns out are a lot stranger than the “best seller” version. These narrative encounters with death often inspire people to make dramatic moves in search of a more meaningful life, from newfound religious faith or activist commitments to career changes and divorce. In the episode, she talks about the changes in what makes a good death, from the nineteenth to the twentieth centuries, and how the narratives of near death experiences reflect our desires for older forms of sociality around life's passing. She references Oliver Sacks's book Hallucinations (Random House, 2012) in regards to the visions patients experience in hospitals, and their desire for a witness in the moments of lucidity that often occur before death. Laura Wittman is an associate professor of French and Italian at Stanford University. She teaches nineteenth and twentieth century literature, and her research focuses on what happens to religious experience in the so-called secular modern age. Her book, The Tomb of the Unknown Soldier, Modern Mourning, and the Reinvention of the Mystical Body (Toronto UP, 2011) has recently been translated into Italian as Il Milite ignoto. Storia e Mito. (LEG, 2021) She also coordinates the Medical Humanities Working Group at the Stanford Humanities Center. This week's image is a photograph of the Ellen Browning Scripps Memorial Pier in La Jolla, California, taken by Kim Adams in November 2022. On the top of the pier is a research site for the Scripps Institution of Oceanography, UC San Diego. Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode is a recording of a short paper presented by Kim and Saronik in the panel “Literary Criticism: New Platforms” organized by Anna Kornbluh at the 2023 Convention of the Modern Language Association. In the paper, they reflect on the nature of the voice in the humanities and the role of the humanities podcast inside and outside institutions. Image: © 2023 Saronik Bosu Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of High Theory, Alex Hanna talks with Nathan Kim about Ethical AI. Their conversation is part of our High Theory in STEM series, which tackles topics in science, technology, engineering, and medicine from a highly theoretical perspective. In this episode, Alex helps us think about the complicated recipes we call “artificial intelligence” and what we mean when we ask our technologies to be ethical. In the episode Alex references an article by Emily Tucker, called “Artifice and Intelligence,” (Tech Policy Press, 17 March 2022) which suggests we should stop using terms like “artificial intelligence” and an opinion piece in the Washington Post, on a similar theme, by Timnit Gebru and Margaret Mitchell, “We warned Google that people might believe AI was sentient. Now it's happening” (17 June 2022). She also mentions a claim by Blake Lemoine that Google's LaMDA (Language Model for Dialogue Applications) is sentient. We'll leave that one to your googling, if not your judgment. Dr. Alex Hanna is Director of Research at the Distributed AI Research Institute (DAIR). A sociologist by training, her work centers on the data used in new computational technologies, and the ways in which these data exacerbate racial, gender, and class inequality. You can read her recent article, “AI Ethics Are in Danger. Funding Independent Research Could Help,” co-authored with Dylan Baker in the Stanford Social Innovation Review, and learn more about her work on her website. This week's image was produced by DALL-E 2 responding to the prompt: "generate the image of an artificial intelligence entity, deciding to protect shareholder interests over public good, in the style of Van Gogh." Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of High Theory, Kim talks with Saronik about neurasthenia. A disease that no longer exists, neurasthenia was a nineteenth century American epidemic of energy depletion. Thinking about this diagnosis can help us understand the social functions of medical knowledge, and how that knowledge changes over time. In the episode Kim discusses two nineteenth-century medical texts: American Nervousness: It's Causes and Consequences (New York: Putnam, 1881) by George Miller Beard, which popularized the diagnosis, and Fat and Blood: And How to Make Them (Philadelphia: J.B. Lippincott & Co., 1877), by S. Weir Mitchell, which popularized the “rest cure” treatment. She also references three scholarly texts: Tom Lutz's American Nervousness, 1903: An Anecdotal History (Cornell UP, 1992); Carolyn Tomas de la Pena's The Body Electric: How Strange Machines Built the Modern American (NYU Press, 2003); and Anson Rabinbach's The Human Motor: Energy, Fatigue, and the Origins of Modernity (UC Press, 1992). Kim Adams is one of the co-hosts of High Theory. She works as a postdoctoral fellow at the Pennsylvania State University Humanities Institute, where she is writing a book about electricity and the body in American medicine and literature. She also runs a working group on pain management as a cultural process, called Politics of the Prescription Pad. She lives in Rhode Island and has a very large dog named Tag. This week's image is a 1907 painting titled “On the Southern Plain” by Frederic Remington. The painting shows soldiers on horseback in the American West. Remington was diagnosed with neurasthenia and treated with the “west cure” (discussed in the episode) by S. Weir Mitchell himself. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sritama Chatterjee talks about a model of literary criticism that she developed in the process of writing her new essay on shipbreaking in Bangladesh. It is a form of materialist understanding for texts, places, and geographies together, taking into account particular signifiers of a place and looking at correspondent literary responses. Sritama is a literary and cultural theorist of the Indian Ocean World, in the Literature program at the Dietrich School of Arts and sciences, University of Pittsburgh. Her dissertation project titled, “Ordinary Environments and Aesthetics in Contemporary Indian Ocean Archipelagic Writing” has been awarded an Andrew Mellon Pre-Doctoral Fellowship from her graduate school for outstanding research and scholarly excellence. Her work on the Indian Ocean archipelagos also takes the shape of a collaborative public-facing, community project Delta Lives, which platforms communities in Sundarbans telling their stories. As part of her commitment to rethinking environmental humanities pedagogy, she has edited a cluster on “Water Pedagogies: From the Academy and Beyond” published by NICHE Canada which brings together a set of eleven articles from scholars and activists reflecting on water pedagogy. Learn more about your ad choices. Visit megaphone.fm/adchoices

Eraldo Souza dos Santos talks about the invention of civil disobedience as a form of political action around the world, and the need for its redefinition to describe activism present and future. In the episode, he references John Rawls's classic definition from A Theory of Justice (Harvard UP, 1971) and Erin Pineda's new book, Seeing Like an Activist: Civil Disobedience and the Civil Rights Movement (Oxford UP, 2021). Eraldo Souza dos Santos is a philosopher and historian of political thought whose research explores how political concepts have come to shape political discourse and political practice, and how political actors have come to contest the meaning of these concepts in turn. In his current project, he traces the global history of the idea of civil disobedience. He is currently a Ph.D. candidate in Philosophy at Panthéon-Sorbonne University. He has been the recipient of grants and fellowships from the Académie française, the Maison française d'Oxford, the Leuven Institute for Advanced Studies, the Munich Centre for Global History, the Friedrich Nietzsche College of the Klassik Stiftung Weimar, the French-Dutch Network for Higher Education and Research, and the Coordination for the Improvement of Higher Education Personnel, among others. Image: Bas-Relief of the Salt March led by M.K. Gandhi in March-April 1930, photograph by Nevil Zaveri, available here under Creative Commons. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of High Theory, Justin Joque talks with Júlia Irion Martins about Probability. This conversation is part of our High Theory in STEM series, which tackles topics in science, technology, engineering, and medicine from a highly theoretical perspective. If you want to learn more about the philosophical, technical, and economic implications of probability, check out Justin's new book, Revolutionary Mathematics: Artificial Intelligence, Statistics, and the Logic of Capitalism (Verso, 2022). Justin Joque is a visualization librarian at the University of Michigan, Ann Arbor. Justin's research focuses on philosophy, media, and technology and he is also the author of Deconstruction Machines: Writing in the Age of Cyberwar (University of Minnesota Press, 2018). Image: © 2022 Saronik Bosu Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of High Theory, Laura Stokes talks about melancholy. One of the four humors in ancient humoral medicine, melancholy, or black bile, is a fluid substance and spiritual principle that was thought to move within the human body. A proper quantity of black bile allows one to be calm and contemplative, thoughtful and withdrawn. A superabundance produces sadness, indigestion, and a host of other evils. Research is a melancholy practice; scholars are prone to melancholic dispositions. Throughout the episode Laura refers to Robert Burton's Anatomy of Melancholy, an early modern text that describes the sources, symptoms, and treatments for a surplus of melancholy, in a rather meandering way, with an entire separate disquisition on love melancholy. It was published in multiple versions over Burton's lifetime – people usually cite the 1638 edition. Laura Stokes is an associate professor of history at Stanford University where they study Early Modern Europe. Their first book Demons of Urban Reform: Early European Witch Trials and Criminal Justice, 1430-1530 (Palgrave Macmillan, 2011) examines the origins of witchcraft prosecution in fifteenth-century Europe against the backdrop of a general rise in the prosecution of crime and other measures of social control. They are currently working on a microhistory of a murder conspiracy within the Basel butchers' guild at the turn of the sixteenth century, which is really about Early Modern economic cultures. And they run pretty amazing summer reading groups. Image: © 2022 Saronik Bosu Learn more about your ad choices. Visit megaphone.fm/adchoices

Saronik Bosu talks about humanities work engaging diverse communities and publics, misconceptions about what the ‘public' in public humanities might mean as well as the recent attention paid to it by academic departments. In a longer version of the conversation, some individual instances of various digital humanities and archival projects are discussed. Here he speaks mainly from the perspective of his own work as a humanities podcaster and creator of humanities programming. Saronik Bosu is a doctoral candidate at the Department of English, New York University. He researches literary rhetoric and economic thought in contexts of decolonization. He is co-host of this podcast and the 2022-23 NYU-Mellon Public Humanities Doctoral Fellow. His work has appeared on journals like Interventions and Movable Type, as well as Avidly and Post45. He also makes art and works together its integration with scholarship. Image: © 2022 Saronik Bosu Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of High Theory, Leigh Claire La Berge talks about red cats: communist cats, revolutionary tigers, radical felines of all stripes. The red cat is a provocation, and an invitation to think differently about economic history. Leigh Claire continues our spooky theory of cat concepts for Halloween 2022. Her book Marx for Cats: A Radical Bestiary will be published by Duke University Press this coming summer. It takes seriously the premise that you can tell the history of capitalism through the figure of the cat. As a bestiary, it has a hundred pictures of cats, from a vast archive that spans the ninth century to the present. It began as a series of filmed conversations with cats on Marxist theory. You can watch them at marxforcats.com In the episode she references The Social Contract by Jean Jacques Rousseau. Each of the two cover images from the initial publication depict cats. One of them forms the cover image for this episode. In the longer conversation, she referenced Kate Evans's Red Rosa: A Graphic Biography of Rosa Luxemburg (Verso 2015) and Drew Pendergrass and Troy Vettese's Half-Earth Socialism: A Plan to Save the Future from Extinction, Climate Change and Pandemics (Verso, 2022). Leigh Claire La Berge is an Associate Professor of English at BMCC CUNY, where she studies the intersection of contemporary cultural production and economic forms. Her prior books include Scandals and Abstraction: Financial Fiction of the Long 1980s (Oxford, 2014) and Wages Against Artwork: Decommodified Labor and the Claims of Socially Engaged Art (Duke, 2019). Learn more about your ad choices. Visit megaphone.fm/adchoices

Saronik tells Kim about Alice Walker's book Anything We Love Can Be Saved, where she talks about her many cats over the years, and how they represented her connection with the cosmos. Image: “Rescued from the rough streets of Prospect Lefferts Gardens, Princess Marmalade earned her PhD in Meowological Studies in 2019, with an advanced certificate in acritical napping.” Learn more about your ad choices. Visit megaphone.fm/adchoices

Saronik talks with Kim about Jacques Derrida's cat. Derrida writes about his cat, who makes him rather anxious, in “The Animal That Therefore I Am (More to Follow)” trans. David Wills, Critical Inquiry 28, no. 2 (Winter 2002): 369-418. https://www.jstor.org/stable/1344276 Image: “Beatrix or Bea or BeaBea is a tiny cat living her tiny cat life.” Learn more about your ad choices. Visit megaphone.fm/adchoices

Kim talks with Gina Dominick about Ursula Le Guin's short story “Schrödinger's Cat” and the philosophical stakes of Schrödinger's thought experiment. Le Guin's story was published in her collection, The Compass Rose (Harper Collins, 1982). There are many PDFs of it scattered across the internet. Gina mentions Jacques Derrida's writing on “Plato's Pharmacy” in Dissemination, trans. Barbara Johnson (Chicago UP, 1981). Much the same is true of the PDF scattering here. Gina Dominick is a medievalist, anti-capitalist rebel, and co-conspirator in the original high theory. She is a PhD candidate in the Department of English at NYU, who teaches high school philosophy and spent Halloween afternoon re-caulking her tub. She knows way more about Adorno than Kim does. By far. Image: “Leo was rescued off the streets of Harlem 3.5 years ago and has lived comfortably in a town house with two humans ever since.” Learn more about your ad choices. Visit megaphone.fm/adchoices

Kim talks with George Gibson about Schrödinger's cat. This cat is a thought experiment proposed by Erwin Schrödinger, and taken up in correspondence with Albert Einstein, in the 1930s. Schrödinger's original paper on the subject, “Die gegenwärtige Situation in der Quantenmechanik” (Naturwissenschaften 23 no. 48 (November 1935): 807–812) doi: 10.1007/BF01491891 was translated by John D. Trimmer and published as “The Present Situation in Quantum Mechanics: A Translation of Schrödinger's ‘Cat Paradox' Paper.” (Proceedings of the American Philosophical Society 124, No. 5 (Oct. 1980): 323-338) . Schrödinger presents the cat as something of a joke. George Gibson is a professor of physics at the University of Connecticut and an excellent pianist. Image: “Leo was rescued off the streets of Harlem 3.5 years ago and has lived comfortably in a town house with two humans ever since.” Learn more about your ad choices. Visit megaphone.fm/adchoices

In part one of our Halloween Special on Cats, Kim talks with John Guilliory about Montaigne's essay “An Apology for Raymond Sebond.” Montaigne asks us: “When I play with my cat, how do I know that she is not passing time with me rather than I with her?” John Guillory is a professor of English at New York University. He is a scholar of Renaissance literature, who is known for his work on why we read what we read, in Cultural Capital: The Problem of Literary Canon Formation (University of Chicago Press: 1993). Image: “Lyra is half-seductress, half-glutton, all puss.” Learn more about your ad choices. Visit megaphone.fm/adchoices