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Misha Glenny and guests discuss the countless venues across the Roman Empire which for over five hundred years drew the biggest crowds both in the Republic and under the Emperors. The shows there delighted the masses who knew, no matter how low their place in society, they were much better off than the gladiators about to fight or the beasts to be slaughtered. Some of the Roman elites were disgusted, seeing this popular entertainment as morally corrupting and un-Roman. Moral degradation was a less immediate concern though than the overspill of violence. There was a constant threat of gladiators being used as a private army and while those of the elite wealthy enough to stage the shows hoped to win great prestige, they risked disappointing a crowd which could quickly become a mob and turn on them.With Kathleen Coleman James Loeb Professor of the Classics at Harvard UniversityJohn Pearce Reader in Archaeology at King's College LondonAndMatthew Nicholls Fellow and Senior Tutor at St John's College, OxfordProducer: Simon TillotsonReading list:C. A. Barton, The Sorrows of the Ancient Romans: The Gladiator and the Monster (Princeton University Press, 1993)Roger Dunkle, Gladiators: Violence and Spectacle in Ancient Rome (Pearson, 2008)Garrett G. Fagan, The Lure of the Arena: Social Psychology and the Crowd at the Roman Games (Cambridge University Press, 2011)A. Futrell, Blood in the Arena: The Spectacle of Roman Power (University of Texas Press, 1997)A. Futrell, The Roman Games: A Sourcebook (Blackwell Publishing, 2006)Keith Hopkins and Mary Beard, The Colosseum (Profile, 2005)Luciana Jacobelli, Gladiators at Pompeii (The J. Paul Getty Museum, 2003)Eckart Köhne and Cornelia Ewigleben (eds.), Gladiators and Caesars: The Power of Spectacle in Ancient Rome (University of California Press, 2000)Donald Kyle, Spectacles of Death in Ancient Rome (Routledge, 1998)F. Meijer, The Gladiators: History's Most Deadly Sport (Souvenir, 2004)Jerry Toner, The Day Commodus killed a Rhino: Understanding the Roman Games (Johns Hopkins University Press, 2014)K. Welch, The Roman Amphitheatre from its Origins to the Colosseum (Cambridge University Press, 2007)T. Wiedemann, Emperors and Gladiators (Routledge, 1992)In Our Time is a BBC Studios Production

Misha Glenny and guests discuss the countless venues across the Roman Empire which for over five hundred years drew the biggest crowds both in the Republic and under the Emperors. The shows there delighted the masses who knew, no matter how low their place in society, they were much better off than the gladiators about to fight or the beasts to be slaughtered. Some of the Roman elites were disgusted, seeing this popular entertainment as morally corrupting and un-Roman. Moral degradation was a less immediate concern though than the overspill of violence. There was a constant threat of gladiators being used as a private army and while those of the elite wealthy enough to stage the shows hoped to win great prestige, they risked disappointing a crowd which could quickly become a mob and turn on them.With Kathleen Coleman James Loeb Professor of the Classics at Harvard UniversityJohn Pearce Reader in Archaeology at King's College LondonAndMatthew Nicholls Fellow and Senior Tutor at St John's College, OxfordProducer: Simon TillotsonReading list:C. A. Barton, The Sorrows of the Ancient Romans: The Gladiator and the Monster (Princeton University Press, 1993)Roger Dunkle, Gladiators: Violence and Spectacle in Ancient Rome (Pearson, 2008)Garrett G. Fagan, The Lure of the Arena: Social Psychology and the Crowd at the Roman Games (Cambridge University Press, 2011)A. Futrell, Blood in the Arena: The Spectacle of Roman Power (University of Texas Press, 1997)A. Futrell, The Roman Games: A Sourcebook (Blackwell Publishing, 2006)Keith Hopkins and Mary Beard, The Colosseum (Profile, 2005)Luciana Jacobelli, Gladiators at Pompeii (The J. Paul Getty Museum, 2003)Eckart Köhne and Cornelia Ewigleben (eds.), Gladiators and Caesars: The Power of Spectacle in Ancient Rome (University of California Press, 2000)Donald Kyle, Spectacles of Death in Ancient Rome (Routledge, 1998)F. Meijer, The Gladiators: History's Most Deadly Sport (Souvenir, 2004)Jerry Toner, The Day Commodus killed a Rhino: Understanding the Roman Games (Johns Hopkins University Press, 2014)K. Welch, The Roman Amphitheatre from its Origins to the Colosseum (Cambridge University Press, 2007)T. Wiedemann, Emperors and Gladiators (Routledge, 1992)In Our Time is a BBC Studios Production

Ni un grand militaire, ni un homme d'État, ni un artiste remarquable, Sake Dean Mahomed était pourtant, à son époque, une célébrité. Né fils de soldat en Inde, il a réussi à s'élever dans les rangs de l'armée du Bengal. À noter: à 14 minutes on parle de pamphlet, il aurait fallu dire dépliant! Rien de pamphlétaire là-dedans. Adhérez à cette chaîne pour obtenir des avantages : https://www.youtube.com/channel/UCN4TCCaX-gqBNkrUqXdgGRA/join Avec la participation de Catherine Tourangeau, merci Catherine https://www.facebook.com/LaPetiteHistorienne/ Script Catherine Tourangeau Pour soutenir la chaîne, au choix: 1. Cliquez sur le bouton « Adhérer » sous la vidéo. 2. Patreon: https://www.patreon.com/hndl Musique issue du site : epidemicsound.com Images provenant de https://www.storyblocks.com Abonnez-vous à la chaine: https://www.youtube.com/c/LHistoirenousledira Les vidéos sont utilisées à des fins éducatives selon l'article 107 du Copyright Act de 1976 sur le Fair-Use. Sources et pour aller plus loin: Bayly, C. A. Indian Society and the Making of the British Empire. Cambridge: Cambridge University Press, 1988. Fisher, Michael, The First Indian Author in English: Dean Mahomed (1759-1851) in India, Ireland, and England. Oxford University Press, 1996. Teltscher, Kate, « The Shampooing Surgeon and the Persian Prince: Two Indians in Early Nineteenth-century Britain ». Interventions: International Journal of Postcolonial Studies. 2 (3): 2000, 409–23. Ansari, Humayun. The Infidel Within: The History of Muslims in Britain, 1800 to the Present. C. Hurst & Co. Publishers, 2004. Das, Alok, « Life and Legacy of Sake Dean Mahomet: A Forgotten Enigma ». Communication Studies and Language Pedagogy. 2(1–2): 2016, 199–211. Clarke, Sir Arthur. An Essay on Warm, Cold, and Vapour Bathing, with Practical Observations on Sea Bathing, Diseases of the Skin, Bilious, Liver Complaints, and Dropsy. London: Henry Colburn, 1813. Cochrane, Basil. An Improvement on the Mode of Administering the Vapour Bath, and the Apparatus Connected with It. London: John Booth, 1809. Cotton, Sir Evan. “`Sake Deen Mahomed' of Brighton.” Sussex County Magazine 13 (1939): 746–50. Feltham, John. Guide to All the Watering and Sea Bathing Places. London: Longman, Hurst, Rees, Orme, and Brown, 1806–15. Mahomet, Dean. The Travels of Dean Mahomet: An Eighteenth-Century Journey through India. Berkeley: University of California Press, c1997. Mahomed, S. D. Cases Cured by Sake Deen Mahomed, Shampooing Surgeon, And Inventor of the Indian Medicated Vapour and Sea-Water Baths, Written by the Patients Themselves. Brighton: The Author, 1820. ——————. Shampooing, or, Benefits resulting from the use of the Indian medicated vapour bath: as introduced into this country by S. D. Mahomed…containing a brief but comprehensive view of the effects produced by the use of the warm bath, in comparison with steam or vapour bathing. Brighton: The Author, 1822, 1826, 1838. Pratt, Mary Louise. Imperial Eyes: Travel Writing and Transculturation. London: Routledge, 1992. History of champissage de London Centre of Indian Champissage™ https://champissageinternational.com/history-of-champissage/ The Shampooing Surgeon of Brightonm March/April 2018 by Gerald Zarr https://www.aramcoworld.com/Articles/March-2018/The-Shampooing-Surgeon-of-Brighton Autres références disponibles sur demande. #histoire #documentaire #deanmohamed #champissage

A free e-book version of Delta Futures is available through Luminos, University of California Press's Open Access program. Visit www.luminosoa.org to learn more. Delta Futures: Time, Territory, and Capture on a Climate Frontier (U California Press, 2025) explores the competing visions of the future that are crowding into the Bengal Delta's imperiled present and vying for control of its ecologically vulnerable terrain. In Bangladesh's southwest, development programs that imagine the delta as a security threat unfold on the same ground as initiatives that frame the delta as a conservation zone and as projects that see the delta's rivers and ports as engines for industrial growth. Jason Cons explores how these competing futures are being brought to life: how they are experienced, understood, and contested by those who live and work in the delta, and the often surprising entanglements they engender - between dredgers and embankments, tigers and tiger prawns, fishermen and forest bandits, and more. These future visions produce the delta as a “climate frontier,” a zone where opportunity, expropriation, and risk in the present are increasingly framed in relation to disparate visions of the delta's climate-affected future. Jason Cons is Associate Professor of Anthropology at the University of Texas at Austin and author of Sensitive Space: Fragmented Territory at the India-Bangladesh Border (2016, University of Washington Press). Yadong Li is an anthropologist-in-training. He is a PhD candidate of Socio-cultural Anthropology at Tulane University. More details about his scholarship and research interests can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A free e-book version of Delta Futures is available through Luminos, University of California Press's Open Access program. Visit www.luminosoa.org to learn more. Delta Futures: Time, Territory, and Capture on a Climate Frontier (U California Press, 2025) explores the competing visions of the future that are crowding into the Bengal Delta's imperiled present and vying for control of its ecologically vulnerable terrain. In Bangladesh's southwest, development programs that imagine the delta as a security threat unfold on the same ground as initiatives that frame the delta as a conservation zone and as projects that see the delta's rivers and ports as engines for industrial growth. Jason Cons explores how these competing futures are being brought to life: how they are experienced, understood, and contested by those who live and work in the delta, and the often surprising entanglements they engender - between dredgers and embankments, tigers and tiger prawns, fishermen and forest bandits, and more. These future visions produce the delta as a “climate frontier,” a zone where opportunity, expropriation, and risk in the present are increasingly framed in relation to disparate visions of the delta's climate-affected future. Jason Cons is Associate Professor of Anthropology at the University of Texas at Austin and author of Sensitive Space: Fragmented Territory at the India-Bangladesh Border (2016, University of Washington Press). Yadong Li is an anthropologist-in-training. He is a PhD candidate of Socio-cultural Anthropology at Tulane University. More details about his scholarship and research interests can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies

A free e-book version of Delta Futures is available through Luminos, University of California Press's Open Access program. Visit www.luminosoa.org to learn more. Delta Futures: Time, Territory, and Capture on a Climate Frontier (U California Press, 2025) explores the competing visions of the future that are crowding into the Bengal Delta's imperiled present and vying for control of its ecologically vulnerable terrain. In Bangladesh's southwest, development programs that imagine the delta as a security threat unfold on the same ground as initiatives that frame the delta as a conservation zone and as projects that see the delta's rivers and ports as engines for industrial growth. Jason Cons explores how these competing futures are being brought to life: how they are experienced, understood, and contested by those who live and work in the delta, and the often surprising entanglements they engender - between dredgers and embankments, tigers and tiger prawns, fishermen and forest bandits, and more. These future visions produce the delta as a “climate frontier,” a zone where opportunity, expropriation, and risk in the present are increasingly framed in relation to disparate visions of the delta's climate-affected future. Jason Cons is Associate Professor of Anthropology at the University of Texas at Austin and author of Sensitive Space: Fragmented Territory at the India-Bangladesh Border (2016, University of Washington Press). Yadong Li is an anthropologist-in-training. He is a PhD candidate of Socio-cultural Anthropology at Tulane University. More details about his scholarship and research interests can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

A free e-book version of Delta Futures is available through Luminos, University of California Press's Open Access program. Visit www.luminosoa.org to learn more. Delta Futures: Time, Territory, and Capture on a Climate Frontier (U California Press, 2025) explores the competing visions of the future that are crowding into the Bengal Delta's imperiled present and vying for control of its ecologically vulnerable terrain. In Bangladesh's southwest, development programs that imagine the delta as a security threat unfold on the same ground as initiatives that frame the delta as a conservation zone and as projects that see the delta's rivers and ports as engines for industrial growth. Jason Cons explores how these competing futures are being brought to life: how they are experienced, understood, and contested by those who live and work in the delta, and the often surprising entanglements they engender - between dredgers and embankments, tigers and tiger prawns, fishermen and forest bandits, and more. These future visions produce the delta as a “climate frontier,” a zone where opportunity, expropriation, and risk in the present are increasingly framed in relation to disparate visions of the delta's climate-affected future. Jason Cons is Associate Professor of Anthropology at the University of Texas at Austin and author of Sensitive Space: Fragmented Territory at the India-Bangladesh Border (2016, University of Washington Press). Yadong Li is an anthropologist-in-training. He is a PhD candidate of Socio-cultural Anthropology at Tulane University. More details about his scholarship and research interests can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

A free e-book version of Delta Futures is available through Luminos, University of California Press's Open Access program. Visit www.luminosoa.org to learn more. Delta Futures: Time, Territory, and Capture on a Climate Frontier (U California Press, 2025) explores the competing visions of the future that are crowding into the Bengal Delta's imperiled present and vying for control of its ecologically vulnerable terrain. In Bangladesh's southwest, development programs that imagine the delta as a security threat unfold on the same ground as initiatives that frame the delta as a conservation zone and as projects that see the delta's rivers and ports as engines for industrial growth. Jason Cons explores how these competing futures are being brought to life: how they are experienced, understood, and contested by those who live and work in the delta, and the often surprising entanglements they engender - between dredgers and embankments, tigers and tiger prawns, fishermen and forest bandits, and more. These future visions produce the delta as a “climate frontier,” a zone where opportunity, expropriation, and risk in the present are increasingly framed in relation to disparate visions of the delta's climate-affected future. Jason Cons is Associate Professor of Anthropology at the University of Texas at Austin and author of Sensitive Space: Fragmented Territory at the India-Bangladesh Border (2016, University of Washington Press). Yadong Li is an anthropologist-in-training. He is a PhD candidate of Socio-cultural Anthropology at Tulane University. More details about his scholarship and research interests can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/geography

Dr. Jerry Moore is an archaeologist, writer, editor, and professor of Emeritus in anthropology at California State University Dominguez Hills in Carson, CA. Moore has conducted archaeological research in Peru, Mexico, and southern California. Moore's principal expertise is on the prehistoric architecture and cultural landscapes in the Andes. He has written the books, "Architecture and Power in the Prehispanic Andes: The Archaeology of Public Buildings" (1996 Cambridge University Press), "Cultural Landscapes in the Prehispanic Andes: Archaeologies of Place" (2005 University Press of Florida), "The Prehistory of Home" (2012, University of California Press, recognized with the 2014 Society for American Archaeology Book Award), "A Prehistory of South America: Ancient Cultural Diversity on the Least-Known Continent" (2014, University Press of Colorado), and "Incidence of Travel: Recent Journeys in Ancient South America" (2017, University Press of Colorado). He is currently working on a new book, "Ancient Andean Houses: Making-Inhabiting-Studying." Moore is the co-editor with Donald Laylander of "The Prehistory of Baja California: Advances in the Archaeology of the Forgotten Peninsula" (2006 University Press of Florida) which was chosen as a 2007 Choice Distinguished Book. Also, Moore has written one of the leading textbooks on anthropological theory, "Visions of Culture: An Introduction to Anthropological Theories and Theorists" (2018, 5th edition, Rowman and Littlefield) and he edited a companion collection of primary materials, "Visions of Culture: An Annotated Reader" (2018, 2nd edition, Rowman and Littlefield). Moore's writings have been translated into Spanish, French, Han Chinese, Turkish, and Croatian. Moore is also the editor of "Ñawpa Pacha: Journal of Andean Archaeology". Moore is also the editor for the series, Archaeologies of Landscape in the Americas, published by the University of New Mexico Press. Moore has been a Fellow in Precolumbian Studies at Harvard's Dumbarton Oaks Research Libraries and Collections in Washington D.C. (1992-93 and 2017), a senior scholar at the Sainsbury Centre for the Visual Arts at the University of East Anglia (1994), a Fellow at the Getty Research Institute (2001-2002), and a Fellow at the Institute of Advanced Studies, Durham University, UK (2013). He lives with his family in Long Beach, California, and provides food service to four cats.

For this episode of In Theory, Disha Karnad Jani interviews Esmat Elhalaby about his first book, "Parting Gifts of Empire: Palestine and India at the Dawn of Decolonization" (University of California Press, 2025), which offers a pathbreaking perspective on the under-explored relationship between Arab and Indian intellectuals throughout the twentieth century and the era of decolonization. Their conversation charts the various forms of knowledge production that arose from these two regions and their shared experiences of imperialism, contemporary critiques of cosmopolitanism, and how else scholars might write global intellectual histories in the present.

My guest this week, Dr. Hanna Garth, is here to speak to how food justice movements are affected by long-term misconceptions and assumptions about the communities they work with. Hanna is a sociocultural and medical anthropologist, and Assistant Professor of Anthropology at Princeton University, who studies food access and the global food system. Drawing on 15 years of research on the food justice movement in South Central Los Angeles, her second book Food Justice Undone: Lessons for Building a Better Movement is out now with the University of California Press.  In today's conversation, we're discussing some of the central themes in her latest book, Food Justice Undone, such as the roles of liberalism and whiteness in maintaining power structures and dynamics in food justice movements, the racialized differences in food justice work, and the power of language, statistics, and small moments in shaping the landscape and politics of food movements.  Resources: Hanna's Website: http://www.hannagarth.com/  Instagram: @hgarth Book: Food Justice Undone 

“When I set out to write this book, I decided to approach it like a biography. After all, the Method had parents, obscure beginnings, fumbling toward its purpose, a spectacular rise, struggles as it reached the top, and an eventual decline.” This is how Isaac Butler articulates his project in The Method: How the Twentieth Century Learned to Act (Bloomsbury, February 2022). The Method tracks the origins of this transcontinental school of naturalistic acting and its many contradictions, including its emphasis on individualist achievement within communitarian organizations and the actorly tension between psychological interiority and external action when building a character. In following the life of this concept, Butler reveals the impossibly charming, ambitious, questionable cast of characters that have defined the terms of Western acting in the twentieth century. In the process, he clears up many of the public misunderstandings around Method as an approach and as a style. In this discussion, Butler details his first career in the theater as a professional actor, explores how Constantin Stanislavski's “system” of acting was the farthest thing from systematic, explains the difference between method and Method, and divulges the many rivalries and hostilities between American M/method practitioners and instructors at mid-century. Isaac Butler is the coauthor (with Dan Kois) of The World Only Spins Forward: The Ascent of Angels in America, which NPR named one of the best books of 2018. Butler's writing has appeared in New York magazine, Slate, the Guardian, American Theatre, and other publications. For Slate, he created and hosted Lend Me Your Ears, a podcast about Shakespeare and politics, and currently co-hosts Working, a podcast about the creative process. His work as a director has been seen on stages throughout the United States. He is the co-creator, with Darcy James Argue and Peter Nigrini, of Real Enemies, a multimedia exploration of conspiracy theories in the American psyche, which was named one of the best live events of 2015 by the New York Times and has been adapted into a feature-length film. Butler holds an MFA in creative nonfiction from the University of Minnesota and teaches theater history and performance at the New School and elsewhere. He lives in Brooklyn. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her writing has been published in the Washington Post, Public Books, Literary Hub, The Forward, and Camera Obscura. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

“When I set out to write this book, I decided to approach it like a biography. After all, the Method had parents, obscure beginnings, fumbling toward its purpose, a spectacular rise, struggles as it reached the top, and an eventual decline.” This is how Isaac Butler articulates his project in The Method: How the Twentieth Century Learned to Act (Bloomsbury, February 2022). The Method tracks the origins of this transcontinental school of naturalistic acting and its many contradictions, including its emphasis on individualist achievement within communitarian organizations and the actorly tension between psychological interiority and external action when building a character. In following the life of this concept, Butler reveals the impossibly charming, ambitious, questionable cast of characters that have defined the terms of Western acting in the twentieth century. In the process, he clears up many of the public misunderstandings around Method as an approach and as a style. In this discussion, Butler details his first career in the theater as a professional actor, explores how Constantin Stanislavski's “system” of acting was the farthest thing from systematic, explains the difference between method and Method, and divulges the many rivalries and hostilities between American M/method practitioners and instructors at mid-century. Isaac Butler is the coauthor (with Dan Kois) of The World Only Spins Forward: The Ascent of Angels in America, which NPR named one of the best books of 2018. Butler's writing has appeared in New York magazine, Slate, the Guardian, American Theatre, and other publications. For Slate, he created and hosted Lend Me Your Ears, a podcast about Shakespeare and politics, and currently co-hosts Working, a podcast about the creative process. His work as a director has been seen on stages throughout the United States. He is the co-creator, with Darcy James Argue and Peter Nigrini, of Real Enemies, a multimedia exploration of conspiracy theories in the American psyche, which was named one of the best live events of 2015 by the New York Times and has been adapted into a feature-length film. Butler holds an MFA in creative nonfiction from the University of Minnesota and teaches theater history and performance at the New School and elsewhere. He lives in Brooklyn. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her writing has been published in the Washington Post, Public Books, Literary Hub, The Forward, and Camera Obscura. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

On this episode of the Ballard Spahr Consumer Finance Monitor Podcast, we examine consumer debt and bankruptcy through the lens of Debt's Grip: Risk and Consumer Bankruptcy (University of California Press, 2025), by Pamela Foohey, Robert M. Lawless, and Deborah Thorne. Based on decades of research from the Consumer Bankruptcy Project, the nation's most comprehensive study of bankruptcy filers, Debt's Grip goes beyond aggregate data to document the lived experience of financial distress. The book shows how illness, job loss, aging, family structure, debt collection, and racial inequality converge to push households toward bankruptcy and what that reveals about how financial risk is allocated in the U.S. economy. Rather than treating bankruptcy as a personal failure, the authors demonstrate how policy choices over time shifted economic risk from institutions to individuals, leaving many households one unexpected expense away from crisis. Those risks fall unevenly, with Black families, single mothers, and older Americans disproportionately affected. The Authors Pamela Foohey, Allen Post Professor of Law, University of Georgia School of Law, is a principal investigator with the Consumer Bankruptcy Project and a leading scholar on bankruptcy and financial distress. Robert M. Lawless, Max L. Rowe Professor of Law, University of Illinois College of Law, is a nationally recognized empirical scholar of bankruptcy and consumer finance and a principal investigator of the Consumer Bankruptcy Project. Deborah Thorne, Professor of Sociology at the University of Idaho, brings a critical sociological lens, foregrounding the voices and experiences of bankruptcy filers. She also is a principal investigator of the Consumer Bankruptcy Project. Podcast Highlights In the episode, we discuss: ·        Why people actually file for bankruptcy ·        The debts most likely to lead to financial collapse ·        How households struggle to stay afloat before filing ·        The role of debt collection and litigation ·        How people come to see bankruptcy as a solution ·        Policy reforms that could reduce reliance on credit during hardship Key Takeaways ·        Bankruptcy is rarely about irresponsibility. It is often the endpoint of systemic risk-shifting. ·        Financial distress is structurally unequal. Race, age, gender, and health matter. ·        Filers exhaust alternatives before filing. Bankruptcy reflects resilience under pressure, not moral hazard. ·        Policy choices matter. Stronger safety nets and a more humane bankruptcy system can reduce financial harm. Conclusion Debt's Grip offers a rigorous, data-driven, and deeply human account of consumer bankruptcy in America. It challenges entrenched myths and provides valuable insight for policymakers, regulators, and industry participants alike. We thank Professors Foohey, Lawless, and Thorne for joining the podcast and for their important contribution to the field. Consumer Finance Monitor is hosted by Alan Kaplinsky, Senior Counsel at Ballard Spahr, and the founder and former chair of the firm's Consumer Financial Services Group. We encourage listeners to subscribe to the podcast on their preferred platform for weekly insights into developments in the consumer finance industry.

Most Americans are aware of Colombia's role in the international drug trade, but we know less about the role that Americans' played in the story as consumers, smuggling pioneers, and practitioners of a foreign policy that facilitated the rise of Colombian drug production.   In this episode, journalist and historian Lina Britto shares the fascinating story of how Colombia emerged as a major supplier of drugs to American consumers and how this relationship affected people in both countries. She also explains the origins of the "War on Drugs" in the US and tells the story of how Americans hippies in search of marijuana laid the groundwork for the distribution techniques later used by Pablo Escobar's cocaine cartel.   Dr. Lina Britto is Associate Professor of History at Northwestern University where she specializes in Colombian history and the history of the international drug trade. She is the author of Marijuana Boom: The Rise and Fall of Colombia's First Drug Paradise (University of California Press, 2020)   This is a rebroadcast of RTN #318, which originally aired on November 4, 2024. This rebroadcast was edited by Ben Sawyer. 

Eric Blanc, assistant professor of Labor Studies at Rutgers University, author of several books including We Are the Union: How Worker-to-Worker Organizing is Revitalizing Labor and Winning Big (University of California Press, 2025) and author of the Substack newsletter Labor Politics, talks about the history of general strikes, and what makes them effective, and listeners call in if they are participating in Friday's general strike.

A discussion with historian Dr. David McNally of the University of Houston on his recently published book, Slavery and Capitalism: A New Marxist History, published by University of California Press. He makes the strong case that slavery before the US Civil War is basically the same thing as labor, something which most if not all economists and historians have either ignored or not realized. This is an informative and fascinating book which also illuminates the ties between slavery and capitalism.

*Content Warning: institutional betrayal, sexual violence, stalking, on-campus violence, intimate partner violence, gender-based violence, stalking, rape, and sexual assault.Free + Confidential Resources + Safety Tips: somethingwaswrong.com/resources   Follow Dr. Nicole Bedera: Website: https://www.nicolebedera.com/  Blue Sky: https://bsky.app/profile/nbedera.bsky.social  Book: On The Wrong Side - How Universities Protect Perpetrators and Betray Survivors of Sexual Violence: https://www.nicolebedera.com/about-1  SWW Sticker Shop!: https://brokencyclemedia.com/sticker-shop SWW S25 Theme Song & Artwork: The S25 cover art is by the Amazing Sara Stewart instagram.com/okaynotgreat/ The S25 theme song is a cover of Glad Rag's U Think U from their album Wonder Under, performed by the incredible Abayomi instagram.com/Abayomithesinger. The S25 theme song cover was produced by Janice “JP” Pacheco instagram.com/jtooswavy/ at The Grill Studios in Emeryville, CA instagram.com/thegrillstudios/ Follow Something Was Wrong: Website: somethingwaswrong.com  IG: instagram.com/somethingwaswrongpodcast TikTok: tiktok.com/@somethingwaswrongpodcast  Follow Tiffany Reese: Website: tiffanyreese.me  IG: instagram.com/lookieboo Sources:Bedera, N. (2021). Beyond Trigger Warnings: A Survivor-Centered Approach to Teaching on Sexual Violence and Avoiding Institutional Betrayal. Teaching Sociology, 49(3), 267-277. https://doi.org/10.1177/0092055X211022471  Bedera, Nicole (2022). "The illusion of choice: Organizational dependency and the neutralization of university sexual assault complaints." Law & Policy 44(3): 208-229. https://deepblue.lib.umich.edu/items/4ded7343-efe3-499f-a61a-3a1bf03258e3Bedera, Nicole. 2024. “I Can Protect His Future, but She Can't Be Helped: Himpathy and Hysteria in Administrator Rationalizations of Institutional Betrayal.” The Journal of Higher Education 95 (1): 30–53. doi:10.1080/00221546.2023.2195771. Bedera, Nicole et al. “"I Could Never Tell My Parents": Barriers to Queer Women's College Sexual Assault Disclosure to Family Members.” Violence against women vol. 29,5 (2023): 800-816. doi:10.1177/10778012221101920 https://pubmed.ncbi.nlm.nih.gov/35938472/ Bedera, Nicole Krystine. On the Wrong Side: How Universities Protect Perpetrators and Betray Survivors of Sexual Violence. University of California Press, 2024. https://www.nicolebedera.com/about-1 Cipriano, A. E., Holland, K. J., Bedera, N., Eagan, S. R., & Diede, A. S. (2022). Severe and pervasive? Consequences of sexual harassment for graduate students and their Title IX report outcomes. Feminist Criminology, 17(3), 343–367. https://doi.org/10.1177/15570851211062579 Grassi, Margherita, and Eleonora Volta. “Controlling the Narrative: The Epistemology of Himpathy in Sexual a...” Phenomenology and Mind, Rosenberg & Sellier, 1 Dec. 2024, journals.openedition.org/phenomenology/4128

Felicia is joined by Seth Vargas to discuss Arthur C. Miller's brooding camera as it follows Jimmy Ringo in The Gunfighter (1950). We chat about how the photography complements the stories ticking clock, and why the black and white imagery elevates this cerebral western. This is the final episode in the Arthur C. Miller series and I'm so glad I finally highlighted another cinematographer on the show. I hope you're inspired to watch more of his work and learn more about his craft. Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com Find Seth here: Movie Friends Podcast (website) Twitter: @moviefriendspod IG: @moviefriendspodcast YouTube: @moviefriendspodcast Listen to our previous episodes here: Le Bonheur (Agnès Varda 1965) Woman in the Dunes (Hiroshi Teshigahara 1964) Late Spring (Yasujirō Ozu 1949) True Stories (David Byrne 1986) Sources: Balshofer, Balshofer, F. J., & Miller, A. C. (n.d.). One reel a Week. University of California Press. https://www.criterion.com/current/posts/7149-the-gunfighter-you-can-t-go-home-again https://www.criterion.com/current/posts/7151-10-things-i-learned-the-gunfighter https://jeffarnoldswest.com/2023/10/the-gunfighter-fox-1950-2/ https://alexonfilm.com/2023/04/29/the-gunfighter-1950/ https://theasc.com/articles/natural-lighting-for-interior-sets Outro Song: The Gunfighter by Alfred Newman

Felicia is joined by Darragh McGrath to discuss the harsh reality that Arthur C. Miller paints in The Prowler (1951). We chat about his disinterest in soft focus lighting and why he preferred to soft images as close to real life, along with how well he adapted to the directors vision. Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com Find Darragh here: Letterboxd: @DarraghMcG IG: @Dreamworlds_films Listen to our previous episodes here: Ace in the Hole (Billy Wilder 1951) Straight Time (Ulu Grosbard 1978) Minnie and Moskowitz (John Cassavetes 1971) The Tarnished Angels (Douglas Sirk 1957) Sources: https://filmtalk.org/2014/12/05/evelyn-keyes-the-atmosphere-on-the-set-of-gone-with-the-wind-was-almost-partylike/ https://www.slantmagazine.com/dvd/the-prowler-bd/ https://www.sensesofcinema.com/2003/great-directors/losey/ https://filmtalk.org/2014/12/05/evelyn-keyes-the-atmosphere-on-the-set-of-gone-with-the-wind-was-almost-partylike/ https://dfordoom-movieramblings.blogspot.com/2011/11/prowler-1951.html https://www.tcm.com/articles/noir/338717/the-prowler-1951 Balshofer, Balshofer, F. J., & Miller, A. C. (n.d.). One reel a Week. University of California Press. Outro Song: Music from The Prowler by Lyn Murray

Felicia is joined by Bryan Loomis to discuss Arthur C. Miller's imprint on one of cinema's greatest achievements in cinematography, How Green Was My Valley (1941). We chat about how he understood John Ford's clear vision for this film and why the black and white imagery adds to the comfort reflected in this family's story. Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com Find Bryan here: Website: PODCAST | What a Picture (whatapicturepod.com) What a Picture Podcast: https://anchor.fm/what-a-picture Listen to our previous episodes here: All the President's Men (D.O.P. Gordon Willis 1976) I Was Born, But… (Yasujirō Ozu 1932) Miracle in Milan (Vittorio De Sica 1951) Sources: Balshofer, Balshofer, F. J., & Miller, A. C. (n.d.). One reel a Week. University of California Press. https://www.pbs.org/wnet/americanmasters/archive/interview/peter-bogdanovich-4/ https://www.moma.org/explore/inside_out/2011/05/10/john-fords-how-green-was-my-valley/ https://goldenglobes.com/articles/restored-hfpa-how-green-was-my-valley-1941/ https://moviecrashcourse.com/2019/03/12/how-green-was-my-valley-1941/ https://www.bbc.com/videos/c4nnj5llx66o https://starsandletters.blogspot.com/2024/04/casting-how-green-was-my-valley.html Outro Song: Huw Walks Among the Daffodils by Alfred Newman

On today's show, I have two great guests joining me. The legend Michael Ian Black comes on at about one hour and 12 minutes but before that at 49 minutes, I speak with Venezuela expert and NYU historian Dr. Alejandro Velasco.   Subscribe and Watch Interviews LIVE : On YOUTUBE.com/StandUpWithPete ON SubstackStandUpWithPete   Stand Up is a daily podcast. I book,host,edit, post and promote new episodes with brilliant guests every day. This show is Ad free and fully supported by listeners like you!   Please subscribe now for as little as 5$ and gain access to a community of over 750 awesome, curious, kind, funny, brilliant, generous soul Michael Ian Black is a multi-media talent who's starred in numerous films and TV series, written and/or directed two films, is a prolific author and commentator, and regularly tours the country performing his ribald brand of jokes and observations.  Subscribe to his substack       Support him on Patreon He most recently starred in TVLand's "The Jim Gaffigan Show" and Comedy Central's "Another Period." He also reprised one of his iconic film roles in Netflix's "Wet Hot American Summer: Ten Years Later," and previously in "Wet Hot American Summer: First Day of Camp." His third standup comedy special, "Noted Expert," was released on Epix. Black's authored 11 books, including the recently released best seller, "A Child's First Book of Trump." He's written two well-received memoirs: "Navel Gazing: True Tales of Bodies, Mostly Mine (but also my mom's, which I know sounds weird)", and "You're Not Doing It Right: Tales of Marriage, Sex, Death and Other Humiliations." In 2012, he collaborated with conservative Meghan McCain on "America, You Sexy Bitch: A Love Letter to Freedom." He's the author of "My Custom Van (and 50 Other Mind-Blowing Essays That Will Blow Your Mind All Over Your Face)," and seven children's books, including "Cock-a-Doodle-Doo-Bop!," "Naked", "Chicken Cheeks," "The Purple Kangaroo," "A Pig Parade Is A Terrible Idea" and "I'm Bored." He also writes book reviews for the New York Times. Previously, Black released two stand-up specials, "Very Famous" and "I Am A Wonderful Man." He and Tom Cavanagh host the popular podcast, "Mike and Tom Eat Snacks." He also writes and hosts a podcast with Michael Showalter, "Topics," and his own interview podcast, "How To Be Amazing." He hosts "Debate Wars" on SeeSo, and he recently hosted "Easiest Game Show Ever" on Pop TV. Sketch comedy fans know Black's work on "The State," "Viva Variety," "Stella" and "Michael and Michael Have Issues" all of which he co-created, wrote and starred in. Other TV credits include quirky bowling alley manager 'Phil' on the NBC series "Ed," and his hilarious commentary on cable's "I Love the..." series. He recently starred in two hit web series that migrated to cable TV: "Burning Love" on E! and "You're Whole" on Adult Swim. Black's movie roles include "Slash," "Smosh: The Movie," "They Came Together," "Hell Baby," "This is 40," "Wet Hot American Summer," "Take Me Home Tonight," "Reno 911!: Miami," "The Ten" and "The Baxter." Black wrote and directed the film "Wedding Daze," starring Jason Biggs and Isla Fisher. He also co-wrote the comedy "Run, Fatboy, Run," directed by David Schwimmer and starring Simon Pegg, Hank Azaria and Thandie Newton.  ___________________________________________________________ Alejandro Velasco holds joint appointments in the Gallatin School and the Department of History, and was Executive Editor of the NACLA Report on the Americas from 2015 to 2021. Before NYU, he taught at Hampshire College, where he was Five College Fellow, and at Duke University. His research in the areas of social movements, urban politics, and democratization has won support from the Social Science Research Council, the Ford and Mellon Foundations, and the American Historical Association, among others, and has appeared in journals including the Hispanic American Historical Review, the Latin American Research Review, Labor, and others. Velasco's first book Barrio Rising: Urban Popular Politics and the Making of Modern Venezuela (University of California Press, 2015), won the 2016 Fernando Coronil Prize for best book on Venezuela, awarded biennially by the Section on Venezuelan Studies of the Latin American Studies Association. His teaching includes interdisciplinary courses on contemporary Latin America, among them seminars on human rights, cultural studies, and urban social movements; historical methods courses on 20th-century revolutions; graduate courses on urban political history and oral history; and workshops with primary and secondary school educators. A frequent media contributor, his editorials and analysis have appeared in NACLA, Nueva Sociedad, The Nation, the New York Times, the Washington Post, Current History, History News Network, BBC History Magazine, and others. Velasco also frequently contributes radio and television commentary in outlets including NPR, MSNBC, Al Jazeera, CBS, France 24, the BBC, and the CBC. On YOUTUBE.com/StandUpWithPete ON SubstackStandUpWithPete Listen rate and review on Apple Podcasts Listen rate and review on Spotify Pete On Instagram Pete on Blue Sky Pete on Threads Pete on Tik Tok Pete on Twitter Pete Personal FB page Stand Up with Pete FB page Gift a Subscription https://www.patreon.com/PeteDominick/gift Send Pete $ Directly on Venmo

During this holiday season, hear some recent favorites:Christopher Eisgruber, president of Princeton University and the author of Terms of Respect: How Colleges Get Free Speech Right (Hachette, 2025), talks about issues of free speech and campus politics at Princeton, and the university's relationship with the Trump administration.Seth Berkley, MD, an infectious disease epidemiologist currently advising vaccine, biotechnology, and technology companies; an adjunct professor and senior adviser to the Pandemic Center at Brown University; former CEO of Gavi, the Vaccine Alliance; cofounded COVAX; founded and served as CEO of the International AIDS Vaccine Initiative; and the author of Fair Doses: An Insider's Story of the Pandemic and the Global Fight for Vaccine Equity (University of California Press, 2025), talks about the need for vaccine equity and lessons learned (and ignored) from the COVID pandemic.Clay Routledge, social psychologist, director of the Human Flourishing Lab at Archbridge Institute and author of Past Forward: How Nostalgia Can Help You Live a More Meaningful Life (Sounds True, 2023) explains why nostalgia for the late '90s and early 2000s is roaringly popular among Gen Z right now and listeners share stories of life before the internet and what it is about that era that younger listeners wish for today.Rachel Louise Ensign, economics reporter with The Wall Street Journal, explains the economic forces keeping Americans stuck in their homes and jobs, and how it impacts daily life.Ilya Marritz, journalist working with The Boston Globe, talks about his new series, in conjunction with The Boston Globe and On the Media, that looks at how the Trump administration has interfered with Harvard, and how it will affect academia and scientific research going forward. These interviews were lightly edited for time and clarity; the original web versions are available here:Princeton President Talks Campus Speech and Politics (Oct 1, 2025)Pandemic Preparedness Alert (Oct 28, 2025)Gen Z Wishes It Were 1997 (Aug 26, 2025)Americans are Economically Stuck (Oct 16, 2025)The Future of Academia (Nov 17, 2025)

My links:My Ko-fi: https://ko-fi.com/rhetoricrevolutionSend me a voice message!: https://podcasters.spotify.com/pod/show/liam-connerlyTikTok: ⁠https://www.tiktok.com/@mrconnerly?is_from_webapp=1&sender_device=pc⁠Email: ⁠rhetoricrevolution@gmail.com⁠Instagram: https://www.instagram.com/connerlyliam/Podcast | Latin in Layman's - A Rhetoric Revolution https://open.spotify.com/show/0EjiYFx1K4lwfykjf5jApM?si=b871da6367d74d92YouTube: https://www.youtube.com/@MrConnerly _____________________________________________________________Alexiou,Margaret. 2002. The Ritual Lament in Greek Tradition. 2nd ed. Lanham,MD: Rowman and Littlefield.Cairns,Douglas L. 1993. Aidōs: The Psychology and Ethics of Honour and Shame inAncient Greek Literature. Oxford: Clarendon Press.Cook,Erwin. 2003. “The Function of Apoina in the Iliad.” Phoenix57 (1–2): 1–20.Crotty,Kevin. 1994. The Poetics of Supplication: Homer's Iliad and Odyssey.Ithaca, NY: Cornell University Press.Donlan,Walter. 1982. “Reciprocity in Homer.” Classical Philology 77 (2):97–107.Garland,Robert. 1985. The Greek Way of Death. Ithaca, NY: Cornell UniversityPress.Gould,John. 1973. “Hiketeia.” Journal of Hellenic Studies 93: 74–103.Griffin,Jasper. 1980. Homer on Life and Death. Oxford: Clarendon Press.Homer.2011. Iliad. Edited by D. B. Monro and T. W. Allen. Perseus DigitalLibrary. (Used for line reference.)Mackie,Hilary Susan. 2001. “Homeric Iliad 24.25–54: The Death of Hector and the ‘DumbEarth'.” Classical Quarterly 51 (1): 1–11.Mauss,Marcel. 1990. The Gift: The Form and Reason for Exchange in ArchaicSocieties. Translated by W. D. Halls. London: Routledge.Naiden, F.S. 2006. Ancient Supplication. Oxford: Oxford University Press.Parker,Robert. 1983. Miasma: Pollution and Purification in Early Greek Religion.Oxford: Clarendon Press.Redfield,James M. 1975. Nature and Culture in the Iliad: The Tragedy of Hector.Chicago: University of Chicago Press.Richardson,Nicholas. 1993. The Iliad: A Commentary. Vol. 6, Books 21–24.Edited by G. S. Kirk. Cambridge: Cambridge University Press.Schein,Seth L. 1984. The Mortal Hero: An Introduction to Homer's Iliad.Berkeley: University of California Press.Seaford,Richard. 1994. Reciprocity and Ritual: Homer and Tragedy in the DevelopingCity-State. Oxford: Clarendon Press.Shay,Jonathan. 1994. Achilles in Vietnam: Combat Trauma and the Undoing ofCharacter. New York: Scribner.Tsagalis,Christos. 2004. Epic Grief: Personal Lament in Homer's Iliad. Berlin:Walter de Gruyter.Whitman,Cedric H. 1958. Homer and the Heroic Tradition. Cambridge, MA: HarvardUniversity Press.Zecchin deFasano, Giulia. 2007. “Suplicio y reconocimiento: Príamo y Aquiles en IlíadaXXIV.472–551.” Synthesis 7: 57–68. 

Deze week hoor je in NRC Vandaag onze serie Wilde eeuwen, het begin. Een van de verhalende series die we dit jaar maakten: perfect voor tijdens de dagen rond Kerst.Het is 3.800 jaar geleden. Mijnwerker Lachisch verstopt zich in een tempel een leert daar vreemde tekentjes. Hoe nuttig kan dat nieuwe alfabet worden? Heeft u vragen, suggesties of ideeën over onze journalistiek? Mail dan naar onze redactie via podcast@nrc.nl.Voor deze aflevering is onder meer gebruikt gemaakt van deze literatuur: Ludwig D. Morenz. ‘El(-GOD) as “Father in Regalness”. Mine M in Serabit el Khadim as a Middle-Bronze-Age (c. 1900 BC). Working Space sacralised by Early Alefbetic Writing' in Working Paper 13 Bonn Center for Dependency and Slavery Studies, 2023. Martijn Jaspers en Toon Van Hal. ‘Van huisje tot hashtag, van ossenkop tot apenstaart. Een geschiedenis van het alfabet', Maklu uitgever, 2023. Silvia Ferrara. ‘The Greatest Invention. A History of the World in Nine Mysterious Scripts', Farrar, Straus and Giroux 2022 (Vertaald uit het Italiaans door Todd Portnowitz). Felix Höflmayer e.a. ‘Early alphabetic writing in the ancient Near East: the ‘missing link' from Tel Lachish' in Antiquity, juni 2021. Philip J. Boyes en Philippa M. Steele (eds). ‘Understanding Relations Between Scripts II Early Alphabets', Oxbow books, 2020. Miriam Lichtheim. ‘Ancient Egyptian Literature', University of California Press, 2019 (eerste druk 1975).Aaron Koller. ‘The Diffusion of the Alphabet in the Second Millennium BCE: On the Movements of Scribal Ideas from Egypt to the Levant, Mesopotamia, and Yemen', in Journal of Ancient Egyptian Interconnections, in december 2018. Steven R. Fischer. ‘History of Writing', Reaktion Books, 2003.Brian E. Colles. ‘The Proto-Alphabetic Inscriptions of Canaan' in Ancient Near Eastern Studies, 1991.Lina Eckenstein. ‘A History of Sinai', Macmillan 1921. Tekst en presentatie: Hendrik SpieringRedactie en regie: Mirjam van ZuidamMuziek, montage en mixage: Rufus van BaardwijkBeeld: Jeen BertingVormgeving: Yannick MortierZie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.

The Caribbean port city of Veracruz is many things. It is where the Spanish first settled and last left the colony that would go on to become Mexico. It is a destination boasting the “happiest Carnival in the world,” nightly live music, and public dancing. It is also where Blackness is an integral and celebrated part of local culture and history, but not of the individual self. In Local Color: Reckoning with Blackness in the Port City of Veracruz (University of California Press, 2025), anthropologist Karma F. Frierson follows Veracruzanos as they reckon with the Afro-Caribbean roots of their distinctive history, traditions, and culture. As residents learn to be more jarocho, or more local to Veracruz, Frierson examines how people both internalize and externalize the centrality of Blackness in their regional identity. Frierson provocatively asks readers to consider a manifestation of Mexican Blackness unconcerned with self-identification as Black in favor of the active pursuit and cultivation of a collective and regionalized Blackness. Karma F. Frierson is Assistant Professor of Black Studies at the University of Rochester. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

The Caribbean port city of Veracruz is many things. It is where the Spanish first settled and last left the colony that would go on to become Mexico. It is a destination boasting the “happiest Carnival in the world,” nightly live music, and public dancing. It is also where Blackness is an integral and celebrated part of local culture and history, but not of the individual self. In Local Color: Reckoning with Blackness in the Port City of Veracruz (University of California Press, 2025), anthropologist Karma F. Frierson follows Veracruzanos as they reckon with the Afro-Caribbean roots of their distinctive history, traditions, and culture. As residents learn to be more jarocho, or more local to Veracruz, Frierson examines how people both internalize and externalize the centrality of Blackness in their regional identity. Frierson provocatively asks readers to consider a manifestation of Mexican Blackness unconcerned with self-identification as Black in favor of the active pursuit and cultivation of a collective and regionalized Blackness. Karma F. Frierson is Assistant Professor of Black Studies at the University of Rochester. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Caribbean port city of Veracruz is many things. It is where the Spanish first settled and last left the colony that would go on to become Mexico. It is a destination boasting the “happiest Carnival in the world,” nightly live music, and public dancing. It is also where Blackness is an integral and celebrated part of local culture and history, but not of the individual self. In Local Color: Reckoning with Blackness in the Port City of Veracruz (University of California Press, 2025), anthropologist Karma F. Frierson follows Veracruzanos as they reckon with the Afro-Caribbean roots of their distinctive history, traditions, and culture. As residents learn to be more jarocho, or more local to Veracruz, Frierson examines how people both internalize and externalize the centrality of Blackness in their regional identity. Frierson provocatively asks readers to consider a manifestation of Mexican Blackness unconcerned with self-identification as Black in favor of the active pursuit and cultivation of a collective and regionalized Blackness. Karma F. Frierson is Assistant Professor of Black Studies at the University of Rochester. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

The Caribbean port city of Veracruz is many things. It is where the Spanish first settled and last left the colony that would go on to become Mexico. It is a destination boasting the “happiest Carnival in the world,” nightly live music, and public dancing. It is also where Blackness is an integral and celebrated part of local culture and history, but not of the individual self. In Local Color: Reckoning with Blackness in the Port City of Veracruz (University of California Press, 2025), anthropologist Karma F. Frierson follows Veracruzanos as they reckon with the Afro-Caribbean roots of their distinctive history, traditions, and culture. As residents learn to be more jarocho, or more local to Veracruz, Frierson examines how people both internalize and externalize the centrality of Blackness in their regional identity. Frierson provocatively asks readers to consider a manifestation of Mexican Blackness unconcerned with self-identification as Black in favor of the active pursuit and cultivation of a collective and regionalized Blackness. Karma F. Frierson is Assistant Professor of Black Studies at the University of Rochester. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies

The Caribbean port city of Veracruz is many things. It is where the Spanish first settled and last left the colony that would go on to become Mexico. It is a destination boasting the “happiest Carnival in the world,” nightly live music, and public dancing. It is also where Blackness is an integral and celebrated part of local culture and history, but not of the individual self. In Local Color: Reckoning with Blackness in the Port City of Veracruz (University of California Press, 2025), anthropologist Karma F. Frierson follows Veracruzanos as they reckon with the Afro-Caribbean roots of their distinctive history, traditions, and culture. As residents learn to be more jarocho, or more local to Veracruz, Frierson examines how people both internalize and externalize the centrality of Blackness in their regional identity. Frierson provocatively asks readers to consider a manifestation of Mexican Blackness unconcerned with self-identification as Black in favor of the active pursuit and cultivation of a collective and regionalized Blackness. Karma F. Frierson is Assistant Professor of Black Studies at the University of Rochester. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

The Caribbean port city of Veracruz is many things. It is where the Spanish first settled and last left the colony that would go on to become Mexico. It is a destination boasting the “happiest Carnival in the world,” nightly live music, and public dancing. It is also where Blackness is an integral and celebrated part of local culture and history, but not of the individual self. In Local Color: Reckoning with Blackness in the Port City of Veracruz (University of California Press, 2025), anthropologist Karma F. Frierson follows Veracruzanos as they reckon with the Afro-Caribbean roots of their distinctive history, traditions, and culture. As residents learn to be more jarocho, or more local to Veracruz, Frierson examines how people both internalize and externalize the centrality of Blackness in their regional identity. Frierson provocatively asks readers to consider a manifestation of Mexican Blackness unconcerned with self-identification as Black in favor of the active pursuit and cultivation of a collective and regionalized Blackness. Karma F. Frierson is Assistant Professor of Black Studies at the University of Rochester. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

The Caribbean port city of Veracruz is many things. It is where the Spanish first settled and last left the colony that would go on to become Mexico. It is a destination boasting the “happiest Carnival in the world,” nightly live music, and public dancing. It is also where Blackness is an integral and celebrated part of local culture and history, but not of the individual self. In Local Color: Reckoning with Blackness in the Port City of Veracruz (University of California Press, 2025), anthropologist Karma F. Frierson follows Veracruzanos as they reckon with the Afro-Caribbean roots of their distinctive history, traditions, and culture. As residents learn to be more jarocho, or more local to Veracruz, Frierson examines how people both internalize and externalize the centrality of Blackness in their regional identity. Frierson provocatively asks readers to consider a manifestation of Mexican Blackness unconcerned with self-identification as Black in favor of the active pursuit and cultivation of a collective and regionalized Blackness. Karma F. Frierson is Assistant Professor of Black Studies at the University of Rochester. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices

The Caribbean port city of Veracruz is many things. It is where the Spanish first settled and last left the colony that would go on to become Mexico. It is a destination boasting the “happiest Carnival in the world,” nightly live music, and public dancing. It is also where Blackness is an integral and celebrated part of local culture and history, but not of the individual self. In Local Color: Reckoning with Blackness in the Port City of Veracruz (University of California Press, 2025), anthropologist Karma F. Frierson follows Veracruzanos as they reckon with the Afro-Caribbean roots of their distinctive history, traditions, and culture. As residents learn to be more jarocho, or more local to Veracruz, Frierson examines how people both internalize and externalize the centrality of Blackness in their regional identity. Frierson provocatively asks readers to consider a manifestation of Mexican Blackness unconcerned with self-identification as Black in favor of the active pursuit and cultivation of a collective and regionalized Blackness. Karma F. Frierson is Assistant Professor of Black Studies at the University of Rochester. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices

Have you ever lit a candle, whispered an incantation, and watched something uncannily fitting happen days later? Was it magic, or just a well-timed coincidence? In the world of esoteric practice, we are trained to notice patterns, to read signs, to find meaning where others see randomness. But what if some of those connections aren't what they seem? What if we're mistaking correlation for causation, and calling it magic?In this video, we're diving into the most seductive illusion in both magic and conspiracy thinking: the leap from “this happened” to “I caused it.” Drawing on philosophy, psychology, and the history of occult thought, we'll explore why our brains are wired to see patterns, how magical fallacies take root, and how to practise with both conviction and discernment. If you want to refine your craft, sharpen your thinking, and avoid the traps that turn meaningful magic into wishful thinking, stay with me. This might just be the most important spell you ever learn.CONNECT & SUPPORT

Dr. Andrea Flores' most recent book, The Succeeders: How Immigrant Youth Are Transforming What It Means to Belong in America (University of California Press, 2021), is a detailed account of how immigrant youth in Nashville, Tennessee negotiated the stakes of academic achievement by reproducing terms of belonging while at the same time recasting what it means to belong in the United States. By focusing on a nonprofit college access program for Latino youth from which the title of the book is derived, Flores argues that Succeeders' educational achievements were viewed “as positive moral proof against deficit constructions of Latinos while also maintaining a link to educación's [emphasis in original] personal, cultural, and familial value” (16). The hybridity of assigning moral value to book learning while also hinging their striving to familial networks is what Flores believes to be critical to the Succeeders' perception of self. By offering a radically different route to belonging through the vehicle of family and care, the Succeeders hoped to earn not just their own national membership, but also the membership of those near and dear. Flores conducted ethnographic research for twelve months while also serving as a volunteer for the Succeeders program of southern Nashville across four campuses for the academic year 2012 - 2013. She observed effective communication skits, field trips, organizational meetings, community service activities, musical performances, athletic games, scholarship selection committees, and graduation ceremonies to best understand the lived experiences of Succeeders within and outside of their educational institutions. Flores also conducted thirty-one semistructured interviews with Succeeders whose families were primarily from Mexican and Central America. Further, half of the interviews included undocumented youth, and students from all levels of academic achievement were selected. Strategic selecting of Succeeders allowed Flores to examine how students across a variety of academic preparations and immigrant backgrounds perceived themselves within larger conceptions of Latindidad and educational achievement. Interviews with the program's leaders, teachers, and admissions officers revealed the internal dialogues of those most tasked with the Succeeders' success. A robust textual archive in the form of college admissions handouts, college entrance essays, and Succeeders curricular materials were collected by the author. These mixed methods allowed Flores to provide detailed and rich accounts of how Latino youth navigated the college application process, the end of high school, and their personal lives. Jonathan Cortez is currently the 2021-2023 César Chávez Postdoctoral Fellow in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. You can follow Jonathan on Twitter @joncortz Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

At a live event at CUNY School of Labor and Urban Studies, CUNY SLU Assistant Professor of Labor Studies Cameron Black moderated a lively panel discussion of Cedric de Leon's new book, Freedom Train: Black Politics and the Story of Interracial Labor Solidarity (University of California Press, 2025). The panel also included author and activist Bill Fletcher Jr. and Tamara Lee, Associate Professor, Labor Studies and Employment Relations, Rutgers University

Dr. Andrea Flores' most recent book, The Succeeders: How Immigrant Youth Are Transforming What It Means to Belong in America (University of California Press, 2021), is a detailed account of how immigrant youth in Nashville, Tennessee negotiated the stakes of academic achievement by reproducing terms of belonging while at the same time recasting what it means to belong in the United States. By focusing on a nonprofit college access program for Latino youth from which the title of the book is derived, Flores argues that Succeeders' educational achievements were viewed “as positive moral proof against deficit constructions of Latinos while also maintaining a link to educación's [emphasis in original] personal, cultural, and familial value” (16). The hybridity of assigning moral value to book learning while also hinging their striving to familial networks is what Flores believes to be critical to the Succeeders' perception of self. By offering a radically different route to belonging through the vehicle of family and care, the Succeeders hoped to earn not just their own national membership, but also the membership of those near and dear. Flores conducted ethnographic research for twelve months while also serving as a volunteer for the Succeeders program of southern Nashville across four campuses for the academic year 2012 - 2013. She observed effective communication skits, field trips, organizational meetings, community service activities, musical performances, athletic games, scholarship selection committees, and graduation ceremonies to best understand the lived experiences of Succeeders within and outside of their educational institutions. Flores also conducted thirty-one semistructured interviews with Succeeders whose families were primarily from Mexican and Central America. Further, half of the interviews included undocumented youth, and students from all levels of academic achievement were selected. Strategic selecting of Succeeders allowed Flores to examine how students across a variety of academic preparations and immigrant backgrounds perceived themselves within larger conceptions of Latindidad and educational achievement. Interviews with the program's leaders, teachers, and admissions officers revealed the internal dialogues of those most tasked with the Succeeders' success. A robust textual archive in the form of college admissions handouts, college entrance essays, and Succeeders curricular materials were collected by the author. These mixed methods allowed Flores to provide detailed and rich accounts of how Latino youth navigated the college application process, the end of high school, and their personal lives. Jonathan Cortez is currently the 2021-2023 César Chávez Postdoctoral Fellow in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. You can follow Jonathan on Twitter @joncortz Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

I'm excited to talk to Carlo Rotella today. Carlo is Professor of English at Boston College. His books include The World Is Always Coming to an End: Pulling Together and Apart in a Chicago Neighborhood (University of Chicago Press, 2019); Playing in Time: Essays, Profiles, and Other True Stories (University of Chicago Press, 2012); Cut Time: An Education at the Fights (Houghton Mifflin, 2003); and October Cities (University of California Press, 1998). He has written for the New York Times, The Boston Globe, The New Yorker, and Harper's. Today, we discuss Carlo's new book, What Can I Get Out of This?: Teaching and Learning in a Classroom Full of Skeptics (University of California Press, 2025). The book does two things. It directly reports what happened in a class Carlo taught in the spring of 2020. Carlo interviews students in the semesters after the class ended, learning what students were going through while they were taking your class, and also what stood out in their memories years later. The second thing the book does is offer hands-on lessons from a life of teaching. Throughout the book, Carlo discusses how to deal with a class that hates the novel that you assigned, how to reach out to a student who falls silent, and how to introduce the multitude of ways of being enthusiastic about literature to skeptical students. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

I'm excited to talk to Carlo Rotella today. Carlo is Professor of English at Boston College. His books include The World Is Always Coming to an End: Pulling Together and Apart in a Chicago Neighborhood (University of Chicago Press, 2019); Playing in Time: Essays, Profiles, and Other True Stories (University of Chicago Press, 2012); Cut Time: An Education at the Fights (Houghton Mifflin, 2003); and October Cities (University of California Press, 1998). He has written for the New York Times, The Boston Globe, The New Yorker, and Harper's. Today, we discuss Carlo's new book, What Can I Get Out of This?: Teaching and Learning in a Classroom Full of Skeptics (University of California Press, 2025). The book does two things. It directly reports what happened in a class Carlo taught in the spring of 2020. Carlo interviews students in the semesters after the class ended, learning what students were going through while they were taking your class, and also what stood out in their memories years later. The second thing the book does is offer hands-on lessons from a life of teaching. Throughout the book, Carlo discusses how to deal with a class that hates the novel that you assigned, how to reach out to a student who falls silent, and how to introduce the multitude of ways of being enthusiastic about literature to skeptical students. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

I'm excited to talk to Carlo Rotella today. Carlo is Professor of English at Boston College. His books include The World Is Always Coming to an End: Pulling Together and Apart in a Chicago Neighborhood (University of Chicago Press, 2019); Playing in Time: Essays, Profiles, and Other True Stories (University of Chicago Press, 2012); Cut Time: An Education at the Fights (Houghton Mifflin, 2003); and October Cities (University of California Press, 1998). He has written for the New York Times, The Boston Globe, The New Yorker, and Harper's. Today, we discuss Carlo's new book, What Can I Get Out of This?: Teaching and Learning in a Classroom Full of Skeptics (University of California Press, 2025). The book does two things. It directly reports what happened in a class Carlo taught in the spring of 2020. Carlo interviews students in the semesters after the class ended, learning what students were going through while they were taking your class, and also what stood out in their memories years later. The second thing the book does is offer hands-on lessons from a life of teaching. Throughout the book, Carlo discusses how to deal with a class that hates the novel that you assigned, how to reach out to a student who falls silent, and how to introduce the multitude of ways of being enthusiastic about literature to skeptical students. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/education

Drag: A British History (University of California Press, 2023) is a groundbreaking study of the sustained popularity and changing forms of male drag performance in modern Britain. With this book, Jacob Bloomfield provides fresh perspectives on drag and recovers previously neglected episodes in the history of the art form. Despite its transgressive associations, drag has persisted as an intrinsic, and common, part of British popular culture--drag artists have consistently asserted themselves as some of the most renowned and significant entertainers of their day. As Bloomfield demonstrates, drag was also at the center of public discussions around gender and sexuality in the nineteenth and twentieth centuries, from Victorian sex scandals to the "permissive society" of the 1960s. This compelling new history demythologizes drag, stressing its ordinariness while affirming its important place in British cultural heritage. Jacob Bloomfield is a Zukunftskolleg Postdoctoral Fellow at the University of Konstanz and an Honorary Research Fellow at the University of Kent. His research is situated primarily in the fields of cultural history, the history of sexuality, and gender history. Jacob is the author of Drag: A British History (2023). His second monograph will be about the historical reception to, and cultural impact of, musician Little Richard. Isabel Machado is a cultural historian whose work often crosses national and disciplinary boundaries. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this episode, Dr Angela Puca unpacks one of the most fascinating questions in the study and practice of magic: how does magic actually work? Drawing on both historical and contemporary scholarship, she explores the six major explanatory models: the spirit, psychological, natural or energetic, information or cybernetic, sociological, and transcendent or mystical frameworks. Each reveals a different way magicians and scholars have tried to understand the mechanisms of ritual power, from relationships with spirits and manipulation of subtle forces to consciousness engineering and divine realisation. Whether you're a practitioner, scholar, or simply curious about how magic makes sense of the impossible, this episode will deepen your understanding of what really happens when magic works.CONNECT & SUPPORT

At a time when college students and their parents often question the "return on investment" from humanities courses, accomplished feature writer and English professor Carlo Rotella invites us into the minds of a group of skeptical first-year students who are ultimately transformed by a required literature class. In What Can I Get Out of This?: Teaching and Learning in a Classroom Full of Skeptics (University of California Press, 2025) he follows thirty-three students through his class to provide an intimate look at teaching and learning from their perspectives as well as his own. The students' reluctance--"How does this get me a job?"--transforms into insight as they wrestle with challenging books, share ideas, discover how to think critically, and form a community. In all these ways, they learn how to extract meaning from the world around them, an essential life skill. Confronting skeptics of higher education, this compassionate and inspiring book reveals the truth of what students actually experience in college. Carlo Rotella is Professor of English at Boston College. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

At a time when college students and their parents often question the "return on investment" from humanities courses, accomplished feature writer and English professor Carlo Rotella invites us into the minds of a group of skeptical first-year students who are ultimately transformed by a required literature class. In What Can I Get Out of This?: Teaching and Learning in a Classroom Full of Skeptics (University of California Press, 2025) he follows thirty-three students through his class to provide an intimate look at teaching and learning from their perspectives as well as his own. The students' reluctance--"How does this get me a job?"--transforms into insight as they wrestle with challenging books, share ideas, discover how to think critically, and form a community. In all these ways, they learn how to extract meaning from the world around them, an essential life skill. Confronting skeptics of higher education, this compassionate and inspiring book reveals the truth of what students actually experience in college. Carlo Rotella is Professor of English at Boston College. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

A platinum beauty with an ugly secret; a tall, dark, and handsome husband with murder in his eyes; starkly lit interiors that may or may not include the silhouette of a rotund British gentleman…. This may sound like a catalog of images from the films of Alfred Hitchcock, but it is just as much an encapsulation of the works of Joan Harrison, a studio-era producer, a prolific cinematic storyteller, and a pioneer of female-centered suspense media at mid-century. Harrison remains best known as Alfred Hitchcock's right-hand woman—that is, to the extent that she is known at all. Christina Lane has written the first-ever book dedicated to the life and art of Joan Harrison, entitled Phantom Lady: Hollywood Producer Joan Harrison, The Forgotten Woman Behind Hitchcock (Chicago Review Press, February 2020). Born into a middle-class family in Surrey, Harrison took a secretarial job with Alfred Hitchcock as an aimless twenty-something, only to become a producer on films including Foreign Correspondent (1940), Rebecca (1940), and Suspicion (1941). In the 1940s, Harrison branched out, building a solo career producing movies for RKO and Universal Studios, only to return to the Hitchcock fold to run TV's Alfred Hitchcock Presents (1955-1962). In this discussion, Lane shares how she uncovered this obscure history, placing this “phantom lady” at the center of her own story. She also discusses the trajectory of Harrison's career and how she adapted her research for a broader readership. Christina Lane is Professor in the Cinematic Arts Department at the University of Miami and Edgar®-Award winning author of Phantom Lady: Joan Harrison, the Forgotten Woman Behind Hitchcock. She provides commentary for such outlets as the Daily Mail, CrimeReads and AirMail, and has been a featured guest speaker at the Film Forum, and on NPR and Turner Classic Movies. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, and Ms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Eric Blanc, assistant professor of Labor Studies at Rutgers University, author of several books including We Are the Union: How Worker-to-Worker Organizing is Revitalizing Labor and Winning Big (University of California Press, 2025), and writer of the Substack newsletter Labor Politics, and Michael Aronson, Daily News editorial page editor, debate the mayoral candidates' ability to fulfill their campaign promises, given that many will require action at the state level.

Seth Berkley, MD, an infectious disease epidemiologist currently advising vaccine, biotechnology, and technology companies; an adjunct professor and senior adviser to the Pandemic Center at Brown University; former CEO of Gavi, the Vaccine Alliance; cofounded COVAX; founded and served as CEO of the International AIDS Vaccine Initiative; and the author of Fair Doses: An Insider's Story of the Pandemic and the Global Fight for Vaccine Equity (University of California Press, 2025), talks about the need for vaccine equity and lessons learned (and ignored) from the COVID pandemic.

Brent Z. Kaup and Kelly F. Austin join This Is Hell! to talk about their new book "The Pathogens of Finance: How Capitalism Breeds Vector-Borne Disease" published by University of California Press. The Pathogens of Finance explores how the power and profits of Wall Street underpin the contemporary increases in and inadequate responses to vector-borne disease. (https://www.ucpress.edu/books/the-pathogens-of-finance/paper?fbclid=IwY2xjawNtwAhleHRuA2FlbQIxMABicmlkETFGRVpZQzFoa1FZYXR4eUYzAR6-3zKbFGV7SDYV2U-xSBScfcX0UhnL3VQQ61-FYHAYxUqOttxWbvb3rKsV5Q_aem_jVwNXP3bFHvXiL3oGJDLyQ#about-book) Brent Z. Kaup studies how the transformation of nature affects social inequalities and societal well-being. In addition, he seeks to understand how the materiality of nature shapes markets, policies, and social movements.  Through his research, he has examined an array of topics including genetically modified crops in the Midwest, extractive industries in Bolivia, and the bugs in his own backyard. His areas of specialization include Environment, Energy, Political Economy, Socioeconomic Change and Development, and Globalization. Brent Z. Kaup is Professor of Sociology at William & Mary and author of Market Justice: Political Economic Struggle in Bolivia Kelly F. Austin grew up outside of Santa Cruz, California. She attended college at Oregon State University, and went to earn her PhD in Sociology at North Carolina State University. Kelly arrived at Lehigh University in 2012, and in addition to being a member of the Sociology and Anthropology department, has also served as Director of the Health, Medicine and Society program, Director of the Global Studies Program, and is currently Associate Dean of Undergraduate Programs for the College of Arts and Sciences. Kelly lives in Fountain Hill and spends summers in Bududa, Uganda working with Lehigh undergraduates and local community groups.  We will have new installments of Rotten History and Hangover Cure. We will also be sharing your answers to this week's Question from Hell! from Patreon. Help keep This Is Hell! completely listener supported and access bonus episodes by subscribing to our Patreon: www.patreon.com/thisishell

Melvyn Bragg and guests discuss the anchoress and mystic who, in the late fourteenth century, wrote about her visions of Christ suffering, in a work since known as Revelations of Divine Love. She is probably the first named woman writer in English, even if questions about her name and life remain open. Her account is an exploration of the meaning of her visions and is vivid and bold, both in its imagery and theology. From her confined cell in a Norwich parish church, in a land beset with plague, she dealt with the nature of sin and with the feminine side of God, and shared the message she received that God is love and, famously, that all shall be well and all manner of things shall be well. With Katherine Lewis Professor of Medieval History at the University of Huddersfield Philip Sheldrake Professor of Christian Spirituality at the Oblate School of Theology, Texas and Senior Research Associate of the Von Hugel Institute, University of Cambridge And Laura Kalas Senior Lecturer in Medieval English Literature at Swansea University Producer: Simon Tillotson Reading list: John H. Arnold and Katherine Lewis (eds.), A Companion to the Book of Margery Kempe (D.S. Brewer, 2004) Ritamary Bradley, Julian's Way: A Practical Commentary on Julian of Norwich (Harper Collins, 1992) E. Colledge and J. Walsh (eds.), Julian of Norwich: Showings (Classics of Western Spirituality series, Paulist Press, 1978) Liz Herbert McAvoy (ed.), A Companion to Julian of Norwich (D.S. Brewer, 2008) Liz Herbert McAvoy, Authority and the Female Body in the Writings of Julian of Norwich and Margery Kempe (D.S. Brewer, 2004) Grace Jantzen, Julian of Norwich: Mystic and Theologian (new edition, Paulist Press, 2010) Julian of Norwich (trans. Barry Windeatt), Revelations of Divine Love (Oxford World's Classics, 2015) Julian of Norwich (ed. Nicholas Watson and Jacqueline Jenkins), The Writings of Julian of Norwich: A Vision Showed to a Devout Woman and a Revelation of Love, (Brepols, 2006) Laura Kalas, Margery Kempe's Spiritual Medicine: Suffering, Transformation and the Life-Course (D.S. Brewer, 2020) Laura Kalas and Laura Varnam (eds.), Encountering the Book of Margery Kempe (Manchester University Press, 2021) Laura Kalas and Roberta Magnani (eds.), Women in Christianity in the Medieval Age: 1000-1500 (Routledge, forthcoming 2024) Ken Leech and Benedicta Ward (ed.), Julian the Solitary (SLG, 1998) Denise Nowakowski Baker and Sarah Salih (ed.), Julian of Norwich's Legacy (Palgrave Macmillan, 2009) Joan M. Nuth, Wisdom's Daughter: The Theology of Julian of Norwich (Crossroad Publishing, 1999) Philip Sheldrake, Julian of Norwich: “In God's Sight”: Her Theology in Context (Wiley-Blackwell, 2019) E. Spearing (ed.), Julian of Norwich: Revelations of Divine Love (Penguin Books, 1998) Denys Turner, Julian of Norwich, Theologian (Yale University Press, 2011) Wolfgang Riehle, The Secret Within: Hermits, Recluses and Spiritual Outsiders in Medieval England (Cornell University Press, 2014) Caroline Walker Bynum, Jesus as Mother: Studies in the Spirituality of the High Middle Ages (University of California Press, 1982) Ann Warren, Anchorites and their Patrons in Medieval England (University of California Press, 1985) Hugh White (trans.), Ancrene Wisse: Guide for Anchoresses (Penguin Classics, 1993) Spanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Melvyn Bragg and expert guests explore the characters, events and discoveries that have shaped our world.

Augustin Fresnel didn’t live a long life, but he contributed significantly to the understanding of light and to the safety of coastlines. Neither of those had anything to do with his career. Research: Anderson, F.L. “Huygens' Principle geometric derivation and elimination of the wake and backward wave.” Sci Rep11, 20257 (2021). https://doi.org/10.1038/s41598-021-99049-7 Aglialoro, Todd. “Jansenism.” Catholic.com. https://www.catholic.com/magazine/print-edition/jansenism Garcia-Atutxa, Igor, et al. “The epistemological impact of Augustin-Jean Fresnel and his wave theory of light in the 19th century.” History of Science and Technology. Vol. 14, No. 1. 2024. https://www.hst-journal.com/index.php/hst/article/view/616 Clingan, Ian C.. "lighthouse". Encyclopedia Britannica, 17 Jan. 2025, https://www.britannica.com/technology/lighthouse Crew, Henry. “The wave theory of light; memoirs of Huygens, Young and Fresnel.” New York. Cincinnati American Book Company. 1900. Accessed online: https://archive.org/details/wavetheoryofligh00crewrich/page/n3/mode/2up Davidson, Michael W. “Augustin-Jean Fresnel (1788-1827).” Molecular Expressions. Florida State University. https://micro.magnet.fsu.edu/optics/timeline/people/fresnel.html The Editors of Encyclopaedia Britannica. "Augustin-Jean Fresnel". Encyclopedia Britannica, 11 Jul. 2025, https://www.britannica.com/biography/Augustin-Jean-Fresnel The Editors of Encyclopaedia Britannica. "François Arago". Encyclopedia Britannica, 22 Feb. 2025, https://www.britannica.com/biography/Francois-Arago “The Genius of Augustin-Jean Fresnel and his Lens.” Ponce Lighthouse & Museum. July 19, 2023. https://www.ponceinlet.org/the-genius-of-augustin-jean-fresnel-and-his-lens/ Herivel, John. "Christiaan Huygens". Encyclopedia Britannica, 4 Jul. 2025, https://www.britannica.com/biography/Christiaan-Huygens. “July 1816: Fresnel’s Evidence for the Wave Theory of Light.” Advancing Physics. American Physical Society. https://www.aps.org/archives/publications/apsnews/201607/physicshistory.cfm Linden, Teri Clark. “A Short Bright Flash: Augustin Fresnel and the Birth of the Modern Lighthouse.” W.W. Norton. 2013. “May 1801: Thomas Young and the Nature of Light.” Advancing Physics. American Physical Society. https://www.aps.org/archives/publications/apsnews/200805/physicshistory.cfm “Napoleon’s Russian campaign: From the Niemen to Moscow.” Napoleon Foundation. https://www.napoleon.org/en/history-of-the-two-empires/timelines/napoleons-russian-campaign-from-the-niemen-to-moscow/ Rehman, Ayaz Ur, and Muhammad Sabieh Anwar. “Light Is a Transverse Wave.” LUMS Syed Babar Ali School of Science and Engineering. August 21, 2018. https://physlab.org/wp-content/uploads/2018/08/LightTransverse-v2.pdf Silliman, Robert H. “Fresnel and the Emergence of Physics as a Discipline.” Historical Studies in the Physical Sciences , 1974, Vol. 4 (1974), pp. 137- University of California Press. https://www.jstor.org/stable/pdf/27757329.pdf Tag, Thomas. “Lens Use Prior to Fresnel.” United States Lighthouse Society. https://uslhs.org/node/1481 See omnystudio.com/listener for privacy information.