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Jesse recalls his experience as a young missionary in Germany struggling to learn the language. Every day he would take notes of words or phrases he didn't know, and every evening he would study those words. Then one day, he had a conversation with a man in Stuttgart, and he answered completely in German, without thinking or translating. It just clicked. Money is a skill, like language, and it can just click too. But often that comes after many days and weeks and months of following the plan, giving every dollar a job, and answering the five questions about what your money needs to do for you. Then one day, before you know it, it will just click, and you'll realize you are good with money. Watch The Jesse Mecham Show on YouTube: https://www.youtube.com/@jessemechamshow Got a question for Jesse? Send him an email: askjesse@ynab.com Sign up for a free 34-day trial of YNAB at: www.youneedabudget.com Follow YNAB on social media: Facebook: @ynabofficial Instagram: @ynab.official Twitter/X: @ynab Tik Tok: @ynabofficial
The last decade of emperor Maximilian's reign was overshadowed by all three challenges to the emerging Habsburg empire gaining strength. The Ottoman empire was piling on resources by taking over Syria, Lebanon and Egypt. A vigorous new king of France, Francois I was turning the tide in the incessant Italian wars into his favor. And finally the greatest of threats to the dynasty emerged as the Prince Electors were contemplating to raise that self-same Francois I to the imperial title.In this episode we will look at how the prematurely aged and exhausted emperor tried to shield his grandsons Charles and Ferdinand from the ton of bricks that was coming down on them. And we will look at his last days and legacy. Clocking in at 18 episodes, Maximilian did achieve one of his objectives in life, outpacing the great emperor Frederick Barbarossa. Let's find out whether he did this only in terms of number of HotGPod episodes, or in other ways too.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFor do it yourself merchandise go to: Merchandise • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season.So far I have:The OttoniansSalian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic LeagueThe Teutonic KnightsThe Holy Roman Empire 1250-1356The Reformation before the ReformationThe Empire in the 15th centuryThe Fall and Rise of the Habsburgs
Iran warns that it will block trade through the Red Sea as well as the Gulf and the Sea of Oman, if the United States continues its own blockade of Iranian ports and shipping. The head of the Iranian military command centre says the US blockade is a prelude to a violation of the ceasefire. Also: a day after peace talks in Washington between Israel and Lebanon, the Iranian backed group, Hezbollah, and Israel exchange fire again. On the third anniversary of the civil war in Sudan, an international donors conference takes place in Berlin. At least four people are killed in a school shooting in southern Turkey. A new German online search engine is helping people to discover if their ancestors were members of the Nazi Party. President Trump criticises Pope Leo again following his condemnation of the war in Iran as well as US immigration policies. Russia's foreign minister, Sergei Lavrov, meets the Chinese President, Xi Jinping, in Beijing. Speaking after the meeting, Mr Xi praised the close cooperation between Russia and China. And, ahead of the men's football World Cup, Brazil's first official tartan is formally unveiled in Scotland, designed by a six-year-old Scottish schoolgirl. The Global News Podcast brings you the breaking news you need to hear, as it happens. Listen for the latest headlines and current affairs from around the world. Politics, economics, climate, business, technology, health – we cover it all with expert analysis and insight. Get the news that matters, delivered twice a day on weekdays and daily at weekends, plus special bonus episodes reacting to urgent breaking stories. Follow or subscribe now and never miss a moment. Get in touch: globalpodcast@bbc.co.uk
German Populism and the Rise of the AfD Guest: Judy Dempsey Judy Dempsey details the rise of the AfD party in Saxony, fueled by nationalist fervor among young voters. Chancellor Friedrich Merz faces pressure to address high energy costs while maintaining complex transatlantic relations.1922 RHINELAND
Our Global Chief Economist Seth Carpenter concludes the two-part discussion with chief regional economists Michael Gapen, Jens Eisenschmidt and Chetan Ahya on the second order effects of the energy shock from tensions in the Middle East.Read more insights from Morgan Stanley.----- Transcript -----Seth Carpenter: Welcome to Thoughts in the Market. I'm Seth Carpenter, Morgan Stanley's Global Chief Economist and Head of Macro Research. And once again, I am joined by Morgan Stanley's chief regional economists: Michael Gapen, Chief U.S. Economist, Chetan Ahya, the Chief Asia Economist, and Jens Eisenschmidt, our Chief Europe Economist. Yesterday we focused on the immediate impact of the Iran conflict, how the energy shock is feeding through into inflation, and, as a result, shaping central bank decisions across the U.S., Europe, and Asia.Today we're going to go a level deeper and talk about some structural issues in the global economy. It's Wednesday, April 15th at 10am in New York. Jens Eisenschmidt: And 3pm in London. Chetan Ahya: And 10pm in Hong Kong. Seth Carpenter: So, even as we're waiting to see whether or not oil prices stabilize following a temporary ceasefire – or not – the broader effects are still working their way through the global economy. Labor markets, supply chains, and then, of course, back to the more longer-term structural themes like AI driven growth. So, the question, I think, has to be: what does this shock mean, if anything, for the next phase of global growth? And does it reshape it? Does it change it, or do we just wait for things to go through? Mike, let me come to you first. One risk that we've been focusing on is whether this kind of shock really changes some of the structural positives in the U.S. economy. The U.S. has been, I would say, outperforming in lots of ways. We've had this AI driven CapEx cycle. We've had rising productivity; we've had strong consumer spending. What are you seeing in the data about those more structural trends? Michael Gapen: I think what we're seeing in the data right now is evidence that oil is not disrupting the positive structural trends in the U.S. I think AI CapEx spending is largely orthogonal to what we've seen so far. It doesn't mean that we can't see negative effects, particularly if oil rises to say $150 a barrel or more where we think you might see significant demand destruction. But with oil where it is right now, I would say the evidence is it will probably weigh on consumption. Gasoline prices are higher. It's going to squeeze lower- and middle-income households that way. But so far, the labor market appears to be holding up. And business spending around CapEx seems to be holding up. And the productivity story remains in place. So right now, I'd say this is more of a break on consumer spending, maybe a modest headwind. But not an outright hard stop. And I think those positive structural elements and AI-related CapEx spending are going to stay with us in 2026. Seth Carpenter: I hear in your answer part of what for me is always the most uncomfortable part of these conversations. Where I have to come back to say, ‘But of course it depends on how things evolve…' Michael Gapen: Of course, It depends… Seth Carpenter: So, then let me push you on AI specifically. You and your team have published a few pieces recently about AI. How AI is affecting the labor market, and maybe some hints as to how AI is likely to affect the labor market. So how should we think about that? Michael Gapen: While it's still too early, I think, to draw firm conclusions, Seth, we do find that there's some evidence that AI is pushing unemployment rates higher in specific occupations that are exposed to task replacement. So, what we did do is we broke down the data by occupation, and it's clear that the unemployment rate has been rising. But that's just a general feature of the economy at this point in time. Over the last 18 to 24 months, the unemployment rate has gone higher. So, what we did is a second-round effort at kind of controlling for cyclicality. And when you control for those, we do find evidence that the unemployment rate for occupations that have high exposure to AI is higher than you would expect, given the cyclical performance of the economy. But the effect is really small. It's maybe about 1/10th on the unemployment rate. So, I don't want to be too Pollyannish and say, ‘Oh, there's no evidence here that AI is disrupting the labor market.' We'd say that there is some evidence there. But, so far, it's mild and it's modest. It's a little more micro than it is macro. So, we'll see how this evolves. But that would be our initial conclusion so far. Seth Carpenter: So, Mike, that's super helpful. When I think about the AI investment cycle, though, I have to come back to Asia because a lot of the AI supply chain is there in Asia, especially with semiconductors and others. But there's lots of supply chain around the world. So, Chetan, if I think about different supply chains, different industries in Asia that are at risk, potentially being disrupted by the current shock, where do you focus? And then take a step further and tell me if you see a risk that there's a structural dislocation going on here in any of these sectors? Chetan Ahya: So, Seth, there are two relevant points here from Asia supply chain perspective, particularly the tech sector. Number one, there are some concerns on the supply side issues in the context of helium and sulfur. But from what we see as of today, these companies who need that helium and sulfur are able to pay up. As you would appreciate, this is a sector which is, you know, making a lot of money for those economies, i.e. Korea and Taiwan. And they are able to bid up on gas prices, sulfur, and helium, and still managing their production lines. So, we don't see a supply constraint as of now for their production, but there will be an implication for them if you do see damage on U.S. growth, which is quite meaningful. At the end of the day, these sectors are deep cyclical sectors. But if you do see that, you know, scenario of $150 of oil price and it brings global economy to near recession, then there will be implication for these companies and sectors in Asia as well. Seth Carpenter: All right, so Jens, let me bring it to you then. Because when I think about Europe, I think about a couple things. One, kind of, the intersection of energy vulnerability now markets pricing in tighter policy, industrial exposure, which has been going on for a long time. Takes us back in lots of ways to the energy price shock that started in 2021 and went through all of 2022, where we did see, I think, a hit to European manufacturing that had kind of a long tail to it. So, when you think about the current situation, what do you think this shock means for the medium term? How much of an effect do you think this energy price shock could have on the European economy going out a couple of years?Jens Eisenschmidt: Yeah, I mean, just listening to you guys, I mean, really makes me a little bit more depressed still, in terms of being European economist here. Because I mean, it seems America, well, they have the same energy shock, but at least they have AI. In Asia while they have the same energy shock, but at least they have something to deliver into AI. Europe just has the shock, right? So, in some sense there could be one summary.No, but I mean, going back to the comparison and the question. Of course, we have downgraded, as I said yesterday, our growth outlook. And that's predominantly on simply inflation high that is not great for consumption. Consumption is 50 percent of GDP. So, you want to take down a little bit your forecast and your optimism. And then – to your point – where does this leave Europe? We do have already less energy intense manufacturing than before. So, not sure if you'll see much more, or much further downward pressure on this sector. But, of course, it is an uphill battle from here to get back. To get this industrial renaissance back that to some extent the Germans at least are hoping for. In our growth outlook and our growth revisions, we looked into differentiated impacts. And, of course, one of these impacts is through trade. And again, the backdrop here probably globally is not great for trade – as at least you would not want to be super optimistic in that current backdrop. And that will hurt again Europe. So, to your question, we have an outlook, which is still positive growth; but much more muted than say, a month ago or two. Seth Carpenter: Can I push you then a little bit and say that this shock to the European economy then isn't just a cyclical hit. There's probably an additional sort of structural headwind that might get introduced on the heels of, say, the earlier 2021-2022 energy shock? Jens Eisenschmidt: I would say it's the same thing. It's just a reminder that this is still there, right? Europe needs to, kind of, find ways… I think it's best exemplified by the German economy, who was exporting to the rest of the world. And now it looks like as if China has taken over that role. And so, you have to find a new business model, simply speaking, because the ice cream shop next door is just better than you. And so, this is something, what the European economy has just gotten another reminder, and it came through energy, in particular. So, this is where the similarities are. So that was a [20]22 shock. In the meantime, oil prices had nicely retraced, gas prices had nicely retraced. We have new contracts with different suppliers. But still, I mean, the high energy prices expose us here. Because we are already a continent with very high electricity prices, which are derived from the fossil fuels. And so that is not going to end. And so, the continent really urgently has to address that weakness, that structural weakness. And so yeah, in that sense it's structural. Seth Carpenter: Let me pull this together for maybe a final question for each of you. And I'd love it if you could just answer really quickly. Quick fire answers here. We've got a baseline scenario where energy prices are high. Oil is back up a little bit over $100 a barrel. But I think we, and most of the market, are assuming oil prices gradually come down later this year. Mike, what's the prognosis for the U.S. economy? If instead oil prices skyrocket, say they go through $150 a barrel for a couple of months in a row. Michael Gapen: So, the risk there, Seth, is that you do get significant demand destruction. It's not just a gasoline price story for the consumer. It's about weak asset markets. It's about a pullback in hiring. So, at $150 a barrel or more, I would be afraid about recession risk in the U.S. The U.S. is well positioned to handle an oil price shock, but it also has limits. Seth Carpenter: Got it. Jens, suppose instead we had a rapid de-escalation and all of a sudden in the next two months, oil prices are backed down to say $80 a barrel or so. How much of the damage that you envision for the European economy is already baked in the cake? And how much of it goes away if oil prices retrace over the next two months? Jens Eisenschmidt: I would say a lot for this year is baked in the cake to use your words. While next year, we would be basically back to where we had been before in numbers. 1.2 instead of the 0.9 we are seeing currently. And importantly, the ECB could stay. It would not have to hike into that crisis. Seth Carpenter: So, Chetan, , let me come back to you then to wrap up this whole conversation. We've talked about energy mostly in terms of price, but as we've discussed there is the quantity side of things. So, do you think there's a non-linearity? Is there something that's going to just fundamentally change if instead of the rationing being done by price, we get to a point where there's just simply no supply coming to Asia? Chetan Ahya: Yeah, I think that's a very real risk, and that's particularly more important for Asia because there's a lot of dependence on Middle East, and both gas and oil coming in through the Strait of Hormuz. So yeah, I think there is a risk of non-linearity on Asia's growth dynamics if you see supply shortages. Seth Carpenter: Super helpful. I think that's a great place to leave it. What started as a geopolitical shock is now evolving into something broader, touching everything from inflation, interest rates, possibly productivity and technology investment, and clearly global trade. So, Mike, Chetan, Jens, thank you all for coming to help connect these dots. And to the listener, thank you for listening. If you enjoy the show, please leave us a review wherever you listen to podcasts and share Thoughts on the Market with a friend or a colleague today.
Amidst the ashes of the Opium War, a new flame is beginning to kindle – not in the halls of power, but in the distant, forgotten hills and mountains. While the would-be prophet Hong Xiuquan returns home, his closest friend vanishes into the wilds of Guangxi – a world of ethnic tensions, criminal brotherhoods, pirates-turned-river-bandits… and a government far too distant and preoccupied to care. What Feng Yunshan finds there, and what he builds among its dispossessed and desperate Hakka denizens, will become the backbone of the Taiping Heavenly Kingdom: the God Worshipping Society. Time Period Covered:1844–1847 Major Historical Figures:Feng Yunshan, organizer, founder of the God-Worshipping Society [1815–1852]Hong Xiuquan, Second Son of God [1814–1864]Hong Ren'gan, cousin, convert [1822–1864]Issachar J. Roberts, American Baptist missionary [1802–1871]Karl Gutzlaff, German missionary, founder of the Chinese Union [1803–1851] Major Sources Cited:Kuhn, Philip A. "Ch. 6, The Taiping Rebellion" in The Cambridge History of China, Vol. 10.Platt, Stephen R. Autumn in the Heavenly Kingdom.Scott, James C. The Art of Not Being Governed.Spence, Jonathan D. God's Chinese Son: The Taiping Heavenly Kingdom of Hong Xiuquan. Learn more about your ad choices. Visit megaphone.fm/adchoices
──────────────────────────────────────── [00:08:52] "No Tax on Tips" Is a Head Fake — Capped, Restricted, Payroll Taxes Still Apply IRS limited the policy to ~70 occupations, capped qualifying tips at $25,000, excluded mandatory service charges, and left Medicare and Social Security intact. Most tipped workers see minimal benefit. ──────────────────────────────────────── [00:23:19] Fertilizer Up 40-50% — Farmers Who Voted 75% for Trump Being Blindsided Urea up 50% at New Orleans. Farmers are cutting yields. Rollins: 80% bought before prices spiked — only 20% are being destroyed. Trump blamed the fertilizer monopoly. ──────────────────────────────────────── [00:35:04] Knight Played This on Election Eve 2020: Warp Speed Is a Military Surveillance Infrastructure Knight replays his November 2020 broadcast: Moderna's DARPA/CIA contract was 53 pages, almost entirely redacted. He said there is no safe vaccine in Warp Speed — it was infrastructure for totalitarian control. He was fired for this. ──────────────────────────────────────── [00:52:28] Trump Used the 1930 Smoot-Hawley Tariff Act to Subpoena a Reddit User Who Criticized ICE Federal prosecutors ordered Reddit to hand over data on a user who posted biographical details about an ICE agent. Legal basis: a 1930 customs law governing boat show sales. When challenged in court, the government withdrew — then returned with a secret grand jury. ──────────────────────────────────────── [00:59:12] Digital ID Bills Advancing — Pre-Collected Identity Will Eliminate the Need for Subpoenas Half of US states already require government ID for certain platforms. Zuckerberg told a court Apple and Google should verify every smartphone user at the OS level. Knight: digital ID eliminates subpoenas — identity is pre-collected, waiting. ──────────────────────────────────────── [01:29:07] Pfizer's Chief Toxicologist: Cancer Risk Studies Were Skipped — Reproductive Harm Was Never Studied Pfizer's former chief toxicologist testified to a German inquiry that cancer risk studies were skipped due to time constraints and the vaccine's impact on pregnancy was never studied — while the government mandated it for pregnant women. ──────────────────────────────────────── [01:38:59] Saudi Arabia Canceled the Petrodollar Agreement Two Years Ago — Forbes Just Reported It Saudi Arabia secretly ended the 50-year petrodollar deal two years ago. The dollar's global reserve share has fallen from 71% in 1999 to 57% today. China is now offering Gulf states the same security umbrella the US used in 1974. ──────────────────────────────────────── [01:43:35] Jeffrey Sachs: The US Has Diverted Trillions to War While Roads and Infrastructure Collapse Jeffrey Sachs: if you ask why roads don't work and living standards are declining, it's because we spend trillions on war. Trump lied every word about America first. They've squandered our wealth for the Zionist lobby. ──────────────────────────────────────── [01:47:58] Netanyahu Told Israel He Had Been Waiting 40 Years for This War Netanyahu told the Israeli people he had been waiting for this moment for 40 years. Knight: not a reaction to a threat — the execution of a decades-long plan whose real goal is the destruction of the Middle East. ──────────────────────────────────────── [01:53:22] Stable Coin Is a Retail-Level CBDC — Designed to Destroy Community Banks The White House stable coin plan uses retail customers to buy Treasury bonds foreign central banks no longer want. Eric Trump boasted community banks will disappear. Knight: same function as a CBDC, laundered through private companies. ──────────────────────────────────────── [01:58:39] Dershowitz Claims Credit for Telling Trump to Blockade the Strait — Which Was Already Closed Dershowitz boasted he advised Trump to blockade the Strait of Hormuz — already closed by Iran. Levin and Pollard are using identical talking points to push Trump toward nuclear weapons. ──────────────────────────────────────── [01:59:20] GOP Senator: Americans Can Handle Higher Gas Prices — It's for National Security Senator Roger Marshall told constituents to handle higher gas prices because it's for national security. Knight: national security is a code word for continuity of government — not peace or prosperity. ──────────────────────────────────────── Money should have intrinsic value AND transactional privacy: Go to https://davidknight.gold/ for great deals on physical gold/silver For 10% off Gerald Celente's prescient Trends Journal, go to https://trendsjournal.com/ and enter the code KNIGHT Find out more about the show and where you can watch it at TheDavidKnightShow.com If you would like to support the show and our family please consider subscribing monthly here: SubscribeStar https://www.subscribestar.com/the-david-knight-showOr you can send a donation throughMail: David Knight POB 994 Kodak, TN 37764Zelle: @DavidKnightShow@protonmail.comCash App at: $davidknightshowBTC to: bc1qkuec29hkuye4xse9unh7nptvu3y9qmv24vanh7Become a supporter of this podcast: https://www.spreaker.com/podcast/the-david-knight-show--2653468/support.
This episode examines Germany’s final bid for victory in 1918: the massive Spring Offensives that aimed to break the Allied line before American manpower could tip the balance. Sean and James trace the dramatic sequence of operations—from the initial breakthrough of Operation Michael to the far-reaching assaults on the Lys, the Aisne, and finally the Marne—showing how early German successes dissolved into exhaustion, logistical collapse, and strategic overreach. The discussion highlights the emergence of unified Allied command under Ferdinand Foch, the accelerating impact of American forces, and the shifting operational dynamics that transformed the Western Front back into a war of movement. By the end of the episode, listeners will understand why Germany’s last gamble failed and how these offensives set the stage for the decisive Allied Hundred Days.See omnystudio.com/listener for privacy information.
It's EV News Briefly for Tuesday 14 April 2026, everything you need to know in less than 5 minutes if you haven't got time for the full show.Patreon supporters fund this show, get the episodes ad free, as soon as they're ready and are part of the EV News Daily Community. You can be like them by clicking here: https://www.patreon.com/EVNewsDailyMERCEDES-BENZ GIVES EQS ITS BIGGEST UPDATE https://evne.ws/3QDQc1x NISSAN CONFIRMS ELECTRIC JUKE FOR EUROPE IN 2027 https://evne.ws/4myW2gS EUROPE EV SALES HIT MARCH RECORD https://evne.ws/4sqOs97 KIA CONFIRMS EV1 FOR 2027 https://evne.ws/3Q715c8 FRANCE PREPARES THIRD EV SOCIAL LEASING ROUND https://evne.ws/48ko6yH FRANCE TIES ELECTRIFICATION TO ENERGY SECURITY https://evne.ws/4swljta US SOLAR SURGE DEEPENS COAL DECLINE https://evne.ws/4dRChyN VOLVO TRUCKS PUSHES ELECTRIC HEAVY HAULAGE FURTHER https://evne.ws/3Q9YRbZ 2026 EQS ADDS RANGE AND 800V CHARGING https://evne.ws/3Qb1uu2 MERCEDES-BENZ GIVES EQS ITS BIGGEST UPDATEThe updated Mercedes-Benz EQS is the most comprehensively overhauled version since the car's 2021 launch, with more than a quarter of its components newly developed or reworked, headlined by a new 800V architecture enabling 350 kW DC charging and a WLTP range of 926 km (575 miles) on the EQS 450+. Key new technologies include steer-by-wire — a first for a German production car — bidirectional charging, silicon oxide-graphite anodes pushing usable battery capacity to 122 kWh, a rear two-speed gearbox, and 385 kW regenerative braking, with a new entry-level EQS 400 starting at around £80,500 in the UK.***NISSAN CONFIRMS ELECTRIC JUKE FOR EUROPE IN 2027Nissan has revealed the third-generation Juke as a fully electric model, built at its Sunderland factory and going on sale exclusively in Europe in 2027, based on the CMF-EV platform shared with the new Nissan Leaf. The EV Juke will run alongside a continuing petrol version due to uncertainty around EV adoption, and is expected to offer up to 622 km (386 miles) of WLTP range with the larger 75.1 kWh battery option, though official specs have not yet been confirmed.***EUROPE EV SALES HIT MARCH RECORDEuropean BEV and plug-in hybrid registrations hit a monthly all-time high of nearly 540,000 units in March 2026, up 37% year-on-year, driven partly by sharp fuel price rises following the disruption of shipping routes at the start of the Iran war in late February. Global EV registrations also rose 3% to over 1.7 million in March, though China bucked the trend with a 14% fall in BEV sales after the end of purchase tax exemptions and trade-in subsidies.***KIA CONFIRMS EV1 FOR 2027Kia has confirmed a 2027 launch for its most affordable EV yet, expected to wear the EV1 badge, targeting the segment occupied by the BYD Dolphin and Renault 5 EV with European pricing expected around €25,000 (~£21,200). Built on the 400V E-GMP platform, it will offer two battery options — 42.2 kWh and 61 kWh — and is also set to replace Kia's last entry-level combustion car, the petrol Picanto.***FRANCE PREPARES THIRD EV SOCIAL LEASING ROUNDFrance will launch its third social EV leasing round in June, maintaining a quota of 50,000 contracts aimed at helping low-income households switch to EVs, with Prime Minister Lecornu citing EV running costs of just €2–3 per 100 km versus around €11 for diesel. The government has also set targets for Renault and Stellantis to produce 400,000 electric cars per year by 2027 and one million by 2030, alongside a new 50,000-contract programme for high-mileage middle-income workers such as carers and nurses.***FRANCE TIES ELECTRIFICATION TO ENERGY SECURITYFrance has become the first country to announce a major national electrification package directly in response to the Strait of Hormuz energy crisis, doubling annual state support from €5.5 billion to €10 billion through 2030 and targeting fossil dependence in both transport and heating. The plan includes banning gas heating in new buildings from late 2026 or 2027, subsidising 50,000 EVs for high-mileage drivers, offering businesses up to €100,000 per electric truck or van, and building 1 million domestically manufactured heat pumps per year by 2030.***US SOLAR SURGE DEEPENS COAL DECLINEThe US Energy Information Administration forecast on 6 April that solar energy generation will rise 17% this summer compared to 2025 levels, with solar projected to grow from 293 billion kWh in 2025 to 415 billion kWh in 2027, while coal generation is expected to fall roughly 10% in the first half of 2026. Over 90% of net new US generating capacity in 2026 is forecast to come from solar, wind, and battery storage, though rising solar shares are already exposing grids to sharper afternoon price swings and driving increased investment in battery storage alongside new capacity.***VOLVO TRUCKS PUSHES ELECTRIC HEAVY HAULAGE FURTHERVolvo Trucks has launched the FH Aero Electric with up to 700 km of range, 460 kW output, MCS charging at 700 kW (20–80% in around 50 minutes), and support for gross combination weights of up to 48 tonnes, directly targeting the range and payload objections that have held back heavy electric freight. Alongside it, updated FH, FM, and FMX Electric models for regional and construction work offer up to 470 km range, a new dual-motor driveline producing up to 540 kW, and an integrated gearbox PTO capable of driving equipment such as concrete mixers and cranes, with market rollout beginning in phases from 2026.
──────────────────────────────────────── [00:08:52] "No Tax on Tips" Is a Head Fake — Capped, Restricted, Payroll Taxes Still Apply IRS limited the policy to ~70 occupations, capped qualifying tips at $25,000, excluded mandatory service charges, and left Medicare and Social Security intact. Most tipped workers see minimal benefit. ──────────────────────────────────────── [00:23:19] Fertilizer Up 40-50% — Farmers Who Voted 75% for Trump Being Blindsided Urea up 50% at New Orleans. Farmers are cutting yields. Rollins: 80% bought before prices spiked — only 20% are being destroyed. Trump blamed the fertilizer monopoly. ──────────────────────────────────────── [00:35:04] Knight Played This on Election Eve 2020: Warp Speed Is a Military Surveillance Infrastructure Knight replays his November 2020 broadcast: Moderna's DARPA/CIA contract was 53 pages, almost entirely redacted. He said there is no safe vaccine in Warp Speed — it was infrastructure for totalitarian control. He was fired for this. ──────────────────────────────────────── [00:52:28] Trump Used the 1930 Smoot-Hawley Tariff Act to Subpoena a Reddit User Who Criticized ICE Federal prosecutors ordered Reddit to hand over data on a user who posted biographical details about an ICE agent. Legal basis: a 1930 customs law governing boat show sales. When challenged in court, the government withdrew — then returned with a secret grand jury. ──────────────────────────────────────── [00:59:12] Digital ID Bills Advancing — Pre-Collected Identity Will Eliminate the Need for Subpoenas Half of US states already require government ID for certain platforms. Zuckerberg told a court Apple and Google should verify every smartphone user at the OS level. Knight: digital ID eliminates subpoenas — identity is pre-collected, waiting. ──────────────────────────────────────── [01:29:07] Pfizer's Chief Toxicologist: Cancer Risk Studies Were Skipped — Reproductive Harm Was Never Studied Pfizer's former chief toxicologist testified to a German inquiry that cancer risk studies were skipped due to time constraints and the vaccine's impact on pregnancy was never studied — while the government mandated it for pregnant women. ──────────────────────────────────────── [01:38:59] Saudi Arabia Canceled the Petrodollar Agreement Two Years Ago — Forbes Just Reported It Saudi Arabia secretly ended the 50-year petrodollar deal two years ago. The dollar's global reserve share has fallen from 71% in 1999 to 57% today. China is now offering Gulf states the same security umbrella the US used in 1974. ──────────────────────────────────────── [01:43:35] Jeffrey Sachs: The US Has Diverted Trillions to War While Roads and Infrastructure Collapse Jeffrey Sachs: if you ask why roads don't work and living standards are declining, it's because we spend trillions on war. Trump lied every word about America first. They've squandered our wealth for the Zionist lobby. ──────────────────────────────────────── [01:47:58] Netanyahu Told Israel He Had Been Waiting 40 Years for This War Netanyahu told the Israeli people he had been waiting for this moment for 40 years. Knight: not a reaction to a threat — the execution of a decades-long plan whose real goal is the destruction of the Middle East. ──────────────────────────────────────── [01:53:22] Stable Coin Is a Retail-Level CBDC — Designed to Destroy Community Banks The White House stable coin plan uses retail customers to buy Treasury bonds foreign central banks no longer want. Eric Trump boasted community banks will disappear. Knight: same function as a CBDC, laundered through private companies. ──────────────────────────────────────── [01:58:39] Dershowitz Claims Credit for Telling Trump to Blockade the Strait — Which Was Already Closed Dershowitz boasted he advised Trump to blockade the Strait of Hormuz — already closed by Iran. Levin and Pollard are using identical talking points to push Trump toward nuclear weapons. ──────────────────────────────────────── [01:59:20] GOP Senator: Americans Can Handle Higher Gas Prices — It's for National Security Senator Roger Marshall told constituents to handle higher gas prices because it's for national security. Knight: national security is a code word for continuity of government — not peace or prosperity. ──────────────────────────────────────── Money should have intrinsic value AND transactional privacy: Go to https://davidknight.gold/ for great deals on physical gold/silver For 10% off Gerald Celente's prescient Trends Journal, go to https://trendsjournal.com/ and enter the code KNIGHT Find out more about the show and where you can watch it at TheDavidKnightShow.com If you would like to support the show and our family please consider subscribing monthly here: SubscribeStar https://www.subscribestar.com/the-david-knight-showOr you can send a donation throughMail: David Knight POB 994 Kodak, TN 37764Zelle: @DavidKnightShow@protonmail.comCash App at: $davidknightshowBTC to: bc1qkuec29hkuye4xse9unh7nptvu3y9qmv24vanh7Become a supporter of this podcast: https://www.spreaker.com/podcast/the-real-david-knight-show--5282736/support.
On April 6th, 1941, Germany launched Operation Marita, the invasion of Greece, with the 12th Army under General List striking primarily through the newly conquered territory of Yugoslavia to outflank the well-prepared Greek Metaxas Line. The opening days of the attack were harder than the Germans expected — the Greeks defended stubbornly along the Metaxas Line, particularly at the Rupel Pass, but flanking movements soon made those positions untenable, and the vital port of Salonika fell after just three days of fighting. Meanwhile, the British were dealt a serious blow when a Luftwaffe raid on the port of Piraeus set off an ammunition ship, closing the harbor for two critical days, while intelligence intercepts revealed German forces pushing through the Monastir Gap to envelop the British Aliakmon Line. What followed was a grinding fighting retreat southward by Allied forces through the Servia and Olympus passes toward the historic pass at Thermopylae, with ANZAC troops buying time against an advancing German army that was better supplied, better supported from the air, and ultimately impossible to stop — raising the alarming question of whether any evacuation from Greece could even be arranged. History of the Second World War is part of the Airwave Media podcast network. Learn more about your ad choices. Visit megaphone.fm Learn more about your ad choices. Visit megaphone.fm/adchoices
Steve Dowden is a Professor of German language and literature in the Department of German, Russian, and Asian Languages and Literatures. He graduated in 1984 from the University of California with a Ph.D in German literature. After a decade teaching at Yale and a year as a Humboldt Fellow at the University of Konstanz he joined the Brandeis faculty in 1994. Dowden has published on German literature, art, music, and intellectual history from the eighteenth to the twenty-first century. Bryan Counter completed his PhD in Comparative Literature at SUNY Buffalo and teaches in the English departments at Western New England University and Framingham State University.In this episode we discuss Thomas Bernhard's novels 'Correction' and 'Wittgenstein's Nephew'.--- Become part of the Hermitix community: Hermitix Twitter - https://twitter.com/Hermitixpodcast Support Hermitix: Patreon - https://www.patreon.com/hermitix Donations: - https://www.paypal.me/hermitixpod Hermitix Merchandise - http://teespring.com/stores/hermitix-2 Bitcoin Donation Address: 3LAGEKBXEuE2pgc4oubExGTWtrKPuXDDLK Ethereum Donation Address: 0x31e2a4a31B8563B8d238eC086daE9B75a00D9E74
A major Amazon Ads payment update has been delayed to August 1st, 2026. Amazon now has a solution for reducing storage fees and how to identify keywords that Amazon's algorithm considers relevant to your products. We're back with another episode of the Weekly Buzz with Helium 10's Senior Brand Evangelist, Shivali Patel. Every week, we cover the latest breaking news in the Amazon, TikTok Shop, Walmart, and E-commerce space, talk about Helium 10's newest features, and provide a training tip for the week for serious sellers of any level. Update on Amazon advertiser payments https://advertising.amazon.com/library/news/update-on-advertiser-payments/ Identify untapped product opportunities with Discover Unmet Demand https://sellercentral.amazon.com/seller-news/articles/QVRWUERLSUtYMERFUiNHM0FLQzhBUFBTQk40RzhN Introducing Global Warehousing & Distribution — now available in Shenzhen, China https://sellercentral.amazon.com/seller-news/articles/QVRWUERLSUtYMERFUiNHWUQ5WVI1RjRSVkJIUlBX TikTok Shop is expanding in Europe: Poland and the Benelux countries will follow soon https://www.retaildetail.eu/news/general/tiktok-shop-is-expanding-in-europe-poland-and-the-benelux-countries-will-follow-soon/ In episode 513 of the AM/PM Podcast and Weekly Buzz, Shivali covers: 00:00 - Introduction 00:42 - MAJOR advertising payment updates delayed to August 1st, 2026 02:35 - Understand customer preferences with Review Insights on TikTok 06:34 - Identify market opportunities with NEW Discover Unmet Demand feature 08:56 - Identify keywords Amazon's algorithm thinks is relevant for your products 13:40 - Reduce storage costs with Amazon GWD in Shenzhen 16:11 - Is TikTok Shop finally expanding to more European countries? Enjoy this episode? Want to be able to ask questions to Leo Sgovio live in a small group with other 7 and 8-figure Amazon sellers? Join the Helium 10 Elite Mastermind and get quarterly workshops, monthly training, and networking calls with Leo at h10.me/elite Make sure to subscribe to the podcast on iTunes, Spotify, or wherever you listen to our podcast!
Poltergeist activity remains one of the most misunderstood and disputed phenomena in paranormal research. Unlike traditional hauntings, poltergeist cases — a term derived from the German words for "noisy ghost" — involve flying objects, spontaneous fires, unexplained sounds, and even physical assaults on the living. But are these terrifying events caused by restless spirits, or could the source of the chaos be something far closer to home? Researchers have documented dozens of cases suggesting that the answer may be both — and that certain locations seem to attract and amplify paranormal energy in ways that blur the line between haunting and human. From the infamous Tina Resch case in Columbus, Ohio, to the Enfield Poltergeist in North London, to a farm in Macomb, Illinois consumed by mysterious fires, the evidence points to something that science has yet to fully explain. These are the cases that have challenged investigators, baffled law enforcement, and left witnesses questioning everything they thought they knew about the world around them.FEATURED STORIES IN THIS EPISODE: We'll look at several cases of reported poltergeist activity and try to determine if it's supernatural, human in nature, or possibly a little of both. (Poltergeists) *** Bigfoot, Sasquatch, Yeti, the Abominable Snowman… unexplained and unproven two-legged hairy beasts are seen all over the world. But there is another strange hairy ape like creature in North America that doesn't get the same amount of press – but is just as mysterious and frightening as the others. (The Mysterious Devil Monkeys of North America) *** Weirdo family member Danny Rendon tells the true story of… (The Horror on Harbor Lights Drive) *** For over a century, mysterious lights were seen bobbing up and down along the railroad tracks near Maco Station, a few miles west of Wilmington, North Carolina. To this day no one knows what they were. (The Maco Light) *** The tragic Tina Resch case started with the claims of a poltergeist haunting… and ended with the death of a child. (The Tina Resch Poltergeist Case) *** Weirdo family member Alana describes her childhood home where she heard strange footsteps and banging on doors when no one was home, and a crucifix which refused to stay upright. (The Fallen Crucifix) *** An Australian man tells of a fishing trip where he and a couple of friends come across what appears to be a Yowie or Bigfoot… but more humanlike. (The Hairy Man of Kowmung River) *** Haunting the historic Hollywood Cemetery in Richmond, Virginia are eerie tales of anguished soldiers, an eternal watch dog, and one hideous vampire with jagged teeth and hanging skin. (The Ghosts of Richmond's Hollywood Cemetery) *** Were Jack the Ripper's victims killed to cover up a Royal scandal? (The Royal Ripper Conspiracy)CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = The Foreboding00:01:04.749 = Show Open00:02:56.432 = The Tina Resch Poltergeist Case00:06:08.125 = The Hairy Man of the Kowmung River00:18:05.617 = Horror on Harbor Lights Drive ***00:32:25.787 = The Maco Light00:36:54.574 = Poltergeists: Supernatural Manifestations, Human Agents, or Both? ***01:09:40.811 = The Royal Ripper Conspiracy ***01:15:17.425 = The Ghosts of Hollywood Cemetery01:23:51.210 = The Hairy Man of the Kowmung River ***01:34:14.748 = The Fallen Crucifix01:40:15.724 = Show Close*** = Begins immediately after inserted ad breakLISTEN ON PODCAST APPS: Look for this podcast on YouTube Music, Apple Podcasts, Spotify, iHeart Radio, Amazon Music, Pandora, TuneIn Radio, and other apps. Get the full list of options here: https://pod.link/1078714736*No AI Voices Are Used In The Narration Of This Podcast*EPISODE BLOG PAGE (includes sources and full transcript): https://weirddarkness.com/SupernaturalPoltergeistsSOURCES and RESOURCES:“The Mysterious Devil Monkeys of North America” by Brent Swancer for Mysterious Universe:https://tinyurl.com/qrh7onz“The Horror on Harbor Lights Drive” by Danny Rendon, submitted directly to Weird Darkness“The Maco Light” posted at North Carolina Ghosts: (link no longer available)“The Tina Resch Poltergeist Case” posted at http://RealParanormalExperiences.com: (story link no longer available)“Poltergeists: Supernatural Manifestations, Human Agents, or Both?” by Troy Taylor: (link no longer available)“The Royal Ripper Conspiracy” from The Unredacted: https://tinyurl.com/rhmgksc“The Fallen Crucifix” submitted to Weird Darkness by Alana Pugliese“The Hairy Man of the Kowmung River” by The Cropster, posted at The Fortean: https://tinyurl.com/y7yjf5mm“The Ghosts of Hollywood Cemetery” by Gary Sweeney for The Line Up: http://ow.ly/mmVG30msVMN(Over time links may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)HELPFUL LINKS & RESOURCES…https://WeirdDarkness.com/ALBUMS = Songs and Videos by our Weird Darkness punk band, #DarkWeirdnesshttps://WeirdDarkness.com/STORE = Tees, Mugs, Socks, Hoodies, Totes, Hats, Kidswear & Morehttps://WeirdDarkness.com/HOPE = Hope For Depression or Thoughts of Self-Harmhttps://WeirdDarkness.com/NEWSLETTER = In-Depth Articles, Memes, Weird DarkNEWS, Videos & Morehttps://WeirdDarkness.com/AUDIOBOOKS = FREE Audiobooks Narrated By Darren Marlar WeirdDarkness® is a registered trademark. Copyright ©2026, Weird Darkness.Originally aired: November 01, 2018
Equanimity isn't about staying calm—it's about staying present when it matters most Explore the role of equanimity, mindfulness, and compassion in navigating an increasingly complex world. Special guest Margaret Cullen alongside co-host Sue Marriott discuss the evolution of mindfulness in modern culture, the foundations of compassion-based practices, and how these approaches can support resilience and emotional balance. Grounded in both clinical insight and lived practice, this conversation offers a thoughtful, accessible perspective on cultivating steadiness and clarity in the midst of ongoing challenges. “Equanimity is love meeting vulnerability.” – Margaret Cullen, LMFT Timestamps for Inner Stability in an Unstable World: Margaret Cullen on Equanimity (296) 02:10 The evolution of mindfulness in western culture 06:29 Cultural backlash and the search for peace 09:44 The role of social media in our lives 19:09 Equanimity: A deep dive into its meaning 26:00 Recognizing equanimity in daily life 30:13 Practices to cultivate equanimity 37:16 Resources for mindfulness and equanimity About out Guest – Margaret Cullen, LMFT Margaret Cullen is a licensed psychotherapist and a pioneer in bringing contemplative practices into mainstream settings. She was one of the first ten people to be certified as an MBSR instructor and has taught around the world. As a therapist, she facilitated psycho-social support groups for cancer patients and their loved ones for over 30 years. She has led research studies on the impact of contemplative programs for a wide variety of populations across the US and co-developed the Compassion Cultivation Training with Thupten Jinpa at the Stanford University School of Medicine and the Mindfulness and Compassion Training for military spouses with Amishi Jha at University of Miami. She is the founder of Compassion Corps, a program which brings compassion programs to underserved populations around the world. She also developed Mindfulness-Based Emotional Balance and co-authored a book about it with Gonzalo Brito Pons. She was a Senior Teacher and Curriculum Developer for Humanize, a contemplative-based dyad program founded by German neuroscientist Tania Singer. Margaret is a Mind and Life Institute Fellow, on the advisory board of the Global Compassion Coalition, and has been a meditation practitioner for over 40 years. Resources for Inner Stability in an Unstable World: Margaret Cullen on Equanimity (296) Margaret’s Website – Additional information, resources, and opportunities Quiet Strength – Margaret’s newest book, purchase your copy HERE! Beyond Attachment Styles course is available NOW! Learn how your nervous system, your mind, and your relationships work together in a fascinating dance, shaping who you are and how you connect with others. Online, Self-Paced, Asynchronous Learning with Quarterly Live Q&A’s! Earn 6 Continuing Education Credits – Available at Checkout As a listener of this podcast, use code BAS15 for a limited-time discount. Get your copy of Secure Relating here!! You are invited! Join our exclusive community to get early access and discounts to things we produce, plus an ad-free, private feed. In addition, receive exclusive episodes recorded just for you. Sign up for our premium Neuronerd plan!! Click here!!
Die Firma Amazon hat beschlossen, dass 14 Jahre alte E-Reader ab Mai nicht mehr so funktionieren wie bisher. Manuel ist darüber äußerst verärgert. Cari stimmt ihm zu – inklusive passender Analogie. Mit unserer Empfehlung und dem Lied der Woche würdigen wir den deutschen Musiker Herbert Grönemeyer, der gerade 70 geworden ist. Außerdem gibt es ein Follow-up zu Vorsorgeuntersuchungen und zu einem viralen KI-Song. Und wir diskutieren über ein seltsames Lippenphänomen im Deutschen... Transkript und Vokabelhilfe Werde ein Easy German Mitglied und du bekommst unsere Vokabelhilfe, ein interaktives Transkript und Bonusmaterial zu jeder Episode: easygerman.org/membership Sponsoren Hier findet ihr unsere Sponsoren und exklusive Angebote: easygerman.org/sponsors Follow-up Starke Raucher haben seit April Anspruch auf jährliches Lungenscreening (Tagesschau) Gesundheitswochen bei Easy German (Easy German Podcast 652) Unsere Hausmitteilung Ab Mai gibt es einen zusätzlichen Conversation Call: Jeden Montag um 10 Uhr deutscher Zeit könnt ihr mit uns und unserer Community euer gesprochenes Deutsch üben. Alle Infos zur Conversation Membership findet ihr auf: easygerman.org/conversationmembership Empfehlungen der Woche Grönemeyer - Alles bleibt anders (ARD Mediathek) Herbert Grönemeyer - Männer - Live 2003 (YouTube) Lied der Woche: Der Weg Herbert Grönemeyer - Der Weg - Live 2003 (YouTube) Herbert Grönemeyer - Der Weg (YouTube) Der Weg (Herbert-Grönemeyer-Lied) (Wikipedia) Eure Fragen Indiana aus den USA fragt: Warum spitzt man im Deutschen im die Lippen, um den Tonfall eines Widerspruchs softer zu machen? Why do native German speakers do this?? (Instagram) Hast du eine Frage an uns? Auf easygerman.fm kannst du uns eine Sprachnachricht schicken. Support Easy German and get interactive transcripts, live vocabulary and bonus content: easygerman.org/membership
The French Connection and Paraguay In 1968, a gang of smartly-dressed gangsters robbed a bank in Buenos Aires. The fallout from the raid would lead authorities in all kinds of crazy directions — from French paramilitary hitmen to mobsters belonging to the feared Union Corse, Corsican dope traffickers who'd perfected “French Connection” routes from Southeast Asia and Turkey into Marseille, then onto New York to feed a ballooning American addiction crisis. Amid the chaos, one Frenchman fled Argentina to neighboring Paraguay. There he discovered a smuggler's paradise, full of Nazis and narcos, whose reliance on drugs and contraband would grow so huge that US drug squads would refer not only to the French Connection, but to one named for Paraguay's repressive, half-German dictator: The Stroessner Connection. He and the fugitive French mafioso would form a bond that, in many ways, has outlived both of them to today. Learn more about your ad choices. Visit megaphone.fm/adchoices
study the present tense conjugation of the verb 'handeln'.
Did analytic philosophy ruin the entire discipline?For more than a century there has been a divide in Western philosophy between two distinct approaches, often described as analytic and continental philosophy. Analytic philosophy is predominantly based in the English-speaking world taking its name from Bertrand Russell's philosophy of logical analysis that overthrew the grand Hegelian metaphysics of the 19th century. It did so in favour of a focus on logic and linguistic precision, with the assumption that science would do the serious work of uncovering the nature of reality. Continental philosophy, based primarily in France and Germany, has offered a broad range of outlooks on the nature of the human condition and the world. It has been defined by its critics simply in opposition to analytic philosophy.Few thinkers have bridged the divide to be taken seriously by both camps. Yet both traditions now have deep challenges. The original focus of analytic philosophy has become increasingly blurred while in France English speaking philosophy is now in vogue. What is the future of European thought? Are we seeing the end of the analytic and continental divide? Or is the Enlightenment tradition itself under threat and with it the influence and identity of European philosophy?Associate Professor of Philosophy at Northeastern University London, Christoph Schuringa is known for his works on German philosophy and is Editor of the Hegel Bulletin. Genia Schönbaumsfeld is Professor of Philosophy at the University of Southampton and the author of several books – most recently, Wittgenstein on Religious Belief. Babette Babich is Professor of Philosophy at Fordham University and the editor of the journal New Nietzsche Studies. Hosted by Danielle Sands.Don't hesitate to email us at podcast@iai.tv with your thoughts or questions on the episode!To witness such debates live buy tickets for our upcoming festival: https://howthelightgetsin.org/festivals/And visit our website for many more articles, videos, and podcasts like this one: https://iai.tv/You can find everything we referenced here: https://linktr.ee/philosophyforourtimesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The 7 Steps to Align Purpose with Profession Finding Your Vocation At 33, Florian Kemmerich was running a major healthcare corporation with all the external markers of success. Yet in a therapy session, his inner child delivered a brutal truth: "What you do makes no sense." That moment launched him on a 25-year journey across four continents, mobilizing nearly $1B in impact capital, and creating a structured methodology called "vocating" to help people align their purpose with their profession. In this episode, Rocky and Florian explore why your six-figure business might be making you miserable, how to distinguish between a job and a vocation, and why human agency matters more than ever in the age of AI. Learning Insights Success Without Purpose Creates Burnout, Not Freedom. Most high-achieving business owners believe they're working toward freedom and fulfillment. In reality, they're building golden handcuffs. The longer you defer living your actual life, the more trapped you become by your own success. Your Inner Child Knows What Your Adult Self Denies. We're taught from childhood to suppress our intuition, our feelings, and our natural inclinations in favor of external markers of success. The Difference Between a Job, a Career, and a Vocation. A job is transactional. You trade time for money. A vocation is something entirely different. It's work that matters to you, that serves something greater than your ego, that aligns with your deepest values. When you have a true vocation, you don't have to justify it to anyone because you're not doing it to perform. You're doing it because you can't imagine doing anything else. Your Superpower Needs a Purpose to Matter. You might be excellent at financial modeling, marketing, operations, or sales. But excellence without purpose is just technical skill. True Service Isn't About Helping, It's About Investing Yourself. Florian learned this brutal lesson when the child he had photographed for his nonprofit's newsletter died from a preventable infection. Real impact requires sustained investment, not charity. Why This Conversation Matters This conversation matters because it addresses the silent crisis affecting millions of successful entrepreneurs and business owners. You can optimize your profit margins, streamline your operations, and scale your revenue, but if you're not doing work that matters to you, you will eventually hit a wall. Usually around age 40 or 50. For small business owners between $1M and $25M in revenue, the stakes are particularly high because you have enough success to feel trapped but not enough flexibility to easily pivot. This episode provides both the framework for understanding your misalignment and a practical methodology for fixing it before the midlife crisis forces the issue. Money Learning The relationship between money and vocation is not what most business owners believe it to be. The conventional wisdom says you earn money first and do what you love later, but Florian's evidence from 25 years of impact investing across four continents suggests the opposite. When people align their work with their actual purpose, they naturally become more effective, more resilient, and ultimately more profitable. The stress becomes healthy, self-inflicted stress driven by intrinsic motivation rather than the corrosive stress of doing work that doesn't matter. You don't have to sacrifice financial success to find vocational alignment. In fact, the two reinforce each other when done correctly. Key Takeaway The question you should ask yourself is not "How can I make more money?" or "How can I become more successful?" The question is "What did my inner child actually want before society told me what I should want?" Once you answer that with honesty, your next question is "How can I use my skills and resources to serve that purpose?" The rest follows naturally. You may not feel this misalignment yet, but Florian's research suggests it's coming for most high-achieving people. The earlier you ask the question, the more of your life you get to actually live. If you're ready to explore your vocation and align your business with your actual purpose, don't miss this episode! About Florian Kemmerich Florian Kemmerich is an impact investor, serial entrepreneur, purpose strategist, and global keynote speaker who helps individuals and institutions align purpose with profession to drive systemic impact. He is the author of On Vocation: How to Align Your Purpose with Your Profession (Routledge, 2025), introducing "vocating"—a structured seven-step method for building a vocation that supports personal fulfilment and societal transformation. Over 25+ years across Europe, the Americas, Africa, and Asia, he has mobilised nearly $1B in impact capital and co-founded Human Planet and Resilienture—ventures advancing climate resilience, humanitarian innovation, and innovative finance. He has lectured and facilitated at Oxford Saïd, IMD's Executive MBA, the YPO Global Impact Summit, and more, leading "On Vocation" workshops on purpose, resilience, and impact-driven leadership. A former paratrooper, multilingual communicator (German, English, Spanish, French, Italian), father of five, and musician at heart, Florian blends personal development, strategy, systems thinking, and impact investing. His journey from bullied outsider to judo champion to international impact investor underpins his leitmotif: "Impact Lives, Share Profits." Links Website: https://on-vocation.com/ LinkedIn: https://www.linkedin.com/in/floriankemmerich/ Facebook: https://www.facebook.com/florian.onvocation Instagram: https://www.instagram.com/flokemmerich X: https://x.com/flokemmerich YouTube: https://www.youtube.com/@FloKemmerich Watch the full episode on YouTube: https://www.youtube.com/@richersoul Richer Soul Life Beyond Money. You got rich, now what? Let's talk about your journey to more a purposeful, intentional, amazing life. Where are you going to go and how are you going to get there? Let's figure that out together. At the core is the financial well being to be able to do what you want, when you want, how you want. It's about personal freedom! Thanks for listening! Show Sponsor: http://profitcomesfirst.com/ Schedule your free no obligation call: https://bookme.name/rockyl/lite/intro appointment 15 minutes If you like the show please leave a review on iTunes: http://bit.do/richersoul https://www.facebook.com/richersoul http://richersoul.com/ rocky@richersoul.com Some music provided by Junan from Junan Podcast Any financial advice is for educational purposes only and you should consult with an expert for your specific needs.
Eighty-five years ago, 14,000 Australian soldiers were surrounded in a dusty Libyan port by Erwin Rommel's Afrika Korps. They were outnumbered, outgunned and cut off from the world. Nazi propaganda called them rats caught in a trap. They took the name and made it their own.In this episode, Mat McLachlan tells the story of the Siege of Tobruk — 242 days that proved the German blitzkrieg could be stopped. Through the voices of the men who were there, we go inside the perimeter: the terror of a first night patrol, the nine-inch trenches of the Salient, the flies in the stew, the dust that turned sleeping men into waxed mummies, and the destroyers that slipped in through the darkness to keep them alive."Anybody that wasn't frightened was either a liar or a fool. We were all frightened, naturally. But we had a job to do and we did it." — Harley Brooks, 2/12th BattalionFrom Corporal Jack Edmondson's Victoria Cross action on Easter Sunday to the bond between a mother and her fallen son, from General Morshead's red hat to Bob Semple — the last Rat of Tobruk, who died in 2024 aged 102 — this is the story of ordinary men who refused to be beaten.And when it was over, the men who had conquered Europe had not conquered them.Episode Length: 27 minutesFeatures: First-person accounts from the AWM Keith Murdoch Sound Archive including Eric Brough MM (2/24th Battalion), Harley Brooks (2/12th Battalion), Max Thow (2/12th Battalion), Owen Curtis (2/12th Battalion), Alf Miller (2/4th Australian General Hospital), Jack Hawkes (2/28th Battalion) and General Sir Thomas Daly (18th Brigade HQ).Presenter: Mat McLachlanProducer: Jess StebnickiSail through history with Mat McLachlan! Join a 2027 history cruise: https://battlefields.com.au/history-cruises-2027Find out everything Mat is doing with books, tours and media at https://linktr.ee/matmclachlanFor more great history content, visit www.LivingHistoryTV.com, or subscribe to our YouTube channel at https://www.youtube.com/@MatMcLachlanHistory Hosted on Acast. See acast.com/privacy for more information.
This week, the Megacanners wear the boring old German news as a nice comfort blanket against impending Armageddon: There's 66 new proposals to fix Germany's over-expensive healthcare system, why prediction markets are a pox on democracy, and the tale of Sad Timmy the Unnecessarily Anthropomorphized Whale — plus: What is Berlin good at? It ain't the flippin Olympics, that's for sure. Ahoy! The Megan's Megacan theme song is by Eden Ottignon from Planet OTTBuy us a round, ask us a question! https://www.patreon.com/megansmegacanOr follow us on whichever psychotic billionaire's data-fracking machine you prefer:https://www.instagram.com/megansmegacan/https://www.facebook.com/MegansMegacan
“The procedure is a pretty barbaric one and not to be described here more definitively. Not much will remain of the Jews.” —Joseph Goebbels This is the story of how the Holocaust becomes industrialized. In January 1942, Nazi leaders discuss what will become the “Final Solution”: their plan to murder millions. As more and more Jews are stripped of everything and forced into ghettos, and terrified parents bid a tearful (and often final) farewell to their children, German leaders decide how to deal with the fact that the new territory they've acquired is full of Jews and other “undesirables.” As the Nazis march through Europe, they'll “evacuate” the continent's Jews sending them to overcrowded disease-ridden ghettos, then to concentration camps. Initially, mobile killing units, or Einsatzgruppen, simply shoot Jews where they stand. This practice will give way to extermination camps, as one camp in particular—Auschwitz—is figuring out how to use gas to kill on a truly industrial level. After years of building, the Holocaust is in full swing. ____ Connect with us on HTDSpodcast.com and preorder Prof. Jackson's new book go deep into episode bibliographies and book recommendations join discussions in our Facebook community get news and discounts from The HTDS Gazette come see a live show get HTDS merch or become an HTDS premium member for bonus episodes and other perks. HTDS is part of Audacy media network. Interested in advertising on the History That Doesn't Suck? Contact Audacyinc.com To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices
A Way with Words — language, linguistics, and callers from all over
How do dictionaries define colors? And why are some of those definitions so confusing, like “stronger than carmine” and “bluer than fiesta”? Dictionary editor Kory Stamper explains it all in her new book. Plus, the story behind the expression more bang for your buck goes back to World War II. And did you know there's a term for those pieces of green plastic fringe in supermarket displays that makes things look more appetizing? Keep an eye out for parsley runners! Also: brolic, more bang for your buck, feeling dingy, mirabiliary, a brain teaser about verbal misunderstandings, between the mustard and the mayo, liminal, the German disease, and the sayings It's an ill wind that blows nobody any good and Hay is for horses, straw is cheaper, grass is free, marry a farmer, and you have all three. Hear hundreds of free episodes and learn more on the A Way with Words website: https://waywordradio.org. Be a part of the show: call or text 1 (877) 929-9673 toll-free in the United States and Canada; elsewhere in the world, call or text +1 619 800 4443. Send voice notes or messages via WhatsApp 16198004443. Email words@waywordradio.org. Copyright Wayword, Inc., a 501(c)(3) corporation. Learn more about your ad choices. Visit megaphone.fm/adchoices
Are you ready for a test? In this episode, Thomas presents 10 German words that look just like English words and challenges you to decide whether they share the same meaning or not. You'll pick up some new vocabulary and learn to avoid some surprisingly common misunderstandings.➡️ Click here to watch the video version of this episode.➡️ Love learning in short bursts? Our free weekly newsletter is packed with tips just like these: https://coffeebreaklanguages.kit.com/newsletter Hosted on Acast. See acast.com/privacy for more information.
Merriam-Webster's Word of the Day for April 13, 2026 is: kibitzer KIB-it-ser noun A kibitzer is someone who watches other people and makes unwanted comments about what they are doing. // It wasn't long after they bought their house that the couple heard from neighborhood kibitzers offering tips on landscaping and remodeling. See the entry > Examples: "During the chess games, the telegraph operators occasionally asked each other how many people were in the room. At times, a dozen kibitzers looked on. At others, only the rotating cast of chess players and telegraph operators was present." — Greg Uyeno, IEEE Spectrum, 11 Dec. 2025 Did you know? The Yiddish language has given English some particularly piquant terms over the years, and kibitzer (or kibbitzer) is one such word. Kibitzer came into English—by way of the Yiddish kibitser—from the German word kiebitzen, meaning "to look on (at a card game)." (Like its ancestor, kibitzer was originally, and sometimes still is, applied to vocal observers of cards as well as other games.) Although kibitzer usually implies the imparting of unwanted advice, there is a respectable body of evidence for a kibitzer as a person simply making comments or even just shooting the breeze.
How'd you say in German: “She has changed a lot.”?
https://m.ebay.co.uk/sch/i.html?sid=tindogpodcast&_pgn=1&isRefine=true&_trksid=p4429486.m3561.l49496 Atlantis: The Lost Empire is a 2001 American animated science fiction adventure film directed by Gary Trousdale and Kirk Wise, produced by Don Hahn, and written by Tab Murphy. Produced by Walt Disney Feature Animation, it stars Michael J. Fox, James Garner, Cree Summer, Don Novello, Phil Morris, Claudia Christian, Jacqueline Obradors, Florence Stanley, David Ogden Stiers, John Mahoney, Jim Varney, Corey Burton and Leonard Nimoy. Set in 1914, the film follows young linguist Milo Thatch, who gains possession of a sacred book, which he believes will guide him and a crew of mercenaries to the lost city of Atlantis. Development of the film began after production had finished on The Hunchback of Notre Dame (1996). Instead of another musical, directors Trousdale and Wise, producer Hahn, and screenwriter Murphy decided to do an adventure film inspired by the works of Jules Verne. Atlantis: The Lost Empire was notable for adopting the distinctive visual style of comic book artist Mike Mignola, one of the film's production designers. The film made greater use of computer-generated imagery (CGI) than any of Disney's previous traditionally animated features and remains one of the few to have been shot in anamorphic format. Linguist Marc Okrand constructed an Atlantean language specifically for use in the film. James Newton Howard provided the film's musical score. The film was released at a time when audience interest in animated films was shifting away from traditional animation toward films with full CGI. Atlantis: The Lost Empire premiered at the El Capitan Theatre in Hollywood, Los Angeles, on June 3, 2001, and went into its general release on June 15. The film received mixed reviews from critics. Budgeted at around $90–120 million, Atlantis grossed over $186 million worldwide, $84 million of which was earned in North America; its lackluster box office response was identified as a result of being released in competition with Shrek, Lara Croft: Tomb Raider, The Fast and the Furious and Dr. Dolittle 2. As a result of the film's box office failure, Disney cancelled a planned spin-off animated television series, Team Atlantis; an underwater Disneyland attraction; and a volcanic Magic Kingdom attraction based on it. Atlantis was nominated for several awards, including seven Annie Awards, and won Best Sound Editing at the 2002 Golden Reel Awards. The film was released on VHS and DVD on January 29, 2002, and on Blu-ray on June 11, 2013. Despite its initial reception, reception in later years became favorable and has given Atlantis a cult following[5] and reappraisal from critics as a mistreated classic, due in part to Mignola's unique artistic influence.[6][7] A direct-to-video sequel, Atlantis: Milo's Return, was released in 2003. Plot In 1914 Washington, D.C., archaeo-linguist Milo Thatch obsesses over finding the legendary lost city of Atlantis, believed to have sunk thousands of years ago. His employers ridicule his theories, but he gains an unexpected ally in eccentric millionaire Preston B. Whitmore, a friend of Milo's deceased adventurer grandfather who also sought the city. Determined to honor his old friend's quest, Whitmore recruits Milo for an expedition to Atlantis, having recently uncovered the Shepherd's Journal, an ancient Atlantean manuscript that contains directions to the lost city. Aboard the submarine Ulysses, Milo meets his teammates: Commander Lyle Tiberius Rourke, Lieutenant Helga Sinclair, demolitions expert Vincenzo Santorini, geologist Gaetan "Mole" Molière, medical officer Joshua Sweet, mechanic Audrey Ramirez, radio operator Wilhelmina Packard, mess cook Jebidiah "Cookie" Farnsworth, and a platoon of mercenaries. Upon reaching a cave entrance leading to the lost city, the submarine is destroyed by a massive mechanical leviathan, killing most of the crew. Milo and the survivors escape in smaller craft, navigating through the cave to emerge among ancient ruins. Milo translates the journal, guiding the team through caves beneath a dormant volcano until they reach the worn remains of Atlantis. There, they are greeted by Princess Kidagakash "Kida" Nedakh, who, despite being around 8,500 years old, has the appearance of a young woman. She leads them to her father, King Kashekim, who orders them to leave. Learning that Milo can read their language—a skill lost to the Atlanteans over millennia—Kida asks for his help in uncovering their forgotten history and highly-advanced technology, without which the city has declined and resources have dwindled. Milo learns that Atlantis is powered by the Heart of Atlantis, a massive crystal that grants longevity and health to its citizens through the smaller crystals they carry. Rourke betrays Milo and the Atlanteans, revealing his true intention to steal the Heart for profit, despite knowing the Atlanteans will perish without it. He mortally wounds the King while seizing control and uncovers the crystal's hidden location beneath the city. Sensing the danger, the crystal merges with Kida, who is then captured by Rourke. He departs with the crystallized Kida and his mercenaries, except for Vincenzo, Molière, Sweet, Audrey, Packard, and Cookie, who refuse to take part in the Atlanteans' destruction. Before dying, the King reveals that Atlantis was devastated by a megatsunami after he attempted to weaponize the crystal's vast power. To protect the city, the crystal merged with a royal family member, Kida's mother. This created a protective dome over the city's inner district, shielding it from total destruction as Atlantis sank beneath the waves, but Kida's mother never returned. To prevent the crystal from ever merging with Kida, the King hid it, inadvertently accelerating Atlantis' decline. He warns Milo that Kida will be lost forever if she is not soon separated from the crystal and pleads with him to save her. Alongside his allies, Milo rallies the Atlanteans to reactivate their long-dormant flying machines. Together, they eliminate Rourke and his mercenaries in the volcano. Milo and the others fly the crystallized Kida back to Atlantis as the volcano erupts. Kida ascends into the air and awakens Stone Guardians, who erect a barrier that shields the city from the lava flow. With Atlantis saved, the crystal separates from Kida and remains suspended in the sky. Milo chooses to stay in Atlantis with Kida, having fallen in love with her. Before returning to the surface, Vincenzo, Molière, Sweet, Audrey, Packard, and Cookie each receive a small crystal and a share of treasure. The six reunite with Preston on the surface and agree to keep their adventure a secret to protect Atlantis. Preston opens a package from Milo containing his own crystal and a note thanking him. The newly crowned Queen Kida and Milo carve a stone effigy of her father to join those of past rulers floating beside the Heart of Atlantis, as the city stands restored to its former glory. Voice cast Production layout sketch of Milo and Kida. Milo's character design was based in part on sketches of the film's language consultant, Marc Okrand. Michael J. Fox as Milo James Thatch, a linguist and cartographer at the Smithsonian who was recruited to decipher The Shepherd's Journal while directing an expedition to Atlantis. James Garner as Commander Lyle Tiberius Rourke, the leader of the band of mercenaries for the Atlantean expedition. Cree Summer as Kidagakash "Kida" Nedakh, the Princess of Atlantis and Milo's love interest. Natalie Strom provided dialogue for Kida as a young child. Summer also voiced the unnamed Queen of Atlantis, Kida's mother and Kashekim's wife who was "chosen" by the Crystal during the sinking of the city. John Mahoney as Preston B. Whitmore, an eccentric millionaire who funds the expedition to Atlantis. Lloyd Bridges was originally cast and recorded as Whitmore, but he died before completing the film. Mahoney's zest and vigor led to Whitmore's personality being reworked for the film.[8] Claudia Christian as Lieutenant Helga Katrina Sinclair, Rourke's German-born second-in-command. Don Novello as Vincenzo "Vinny" Santorini, an Italian demolitions expert. Phil Morris as Dr. Joshua Strongbear Sweet, a medic of African-American and Arapaho descent. Jacqueline Obradors as Audrey Rocio Ramirez, a Puerto Rican mechanic and the youngest member of the expedition. Corey Burton as Gaetan "Mole" Molière, a French geologist who acts like a mole. Jim Varney as Jebidiah Allardyce "Cookie" Farnsworth, a Western-style chuckwagon chef. Varney died in February 2000, before the production ended, and the film was dedicated to his memory. Steven Barr recorded supplemental dialogue for Cookie. Florence Stanley as Wilhelmina Bertha Packard: an elderly, sarcastic, chain-smoking radio operator who is also the expedition's photographer. Leonard Nimoy as Kashekim Nedakh, the King of Atlantis and Kida's father. David Ogden Stiers as Fenton Q. Harcourt, a board member of the Smithsonian Institution who dismisses Milo's belief in the existence of Atlantis. Production Development The production team visited New Mexico's Carlsbad Caverns to get a sense of the underground spaces depicted in the film. The idea for Atlantis: The Lost Empire was conceived in October 1996 when Don Hahn, Gary Trousdale, Kirk Wise, and Tab Murphy lunched at a Mexican restaurant in Burbank, California. Having recently completed The Hunchback of Notre Dame,[9] the producer, directors and screenwriter wanted to keep the Hunchback crew together for another film with an "Adventureland" setting rather than a "Fantasyland" setting.[10] Drawing inspiration from Jules Verne's Journey to the Center of the Earth (1864) and Twenty Thousand Leagues Under the Seas (1870), they set out to make a film which would fully explore Atlantis (compared to the brief visit depicted in Verne's novel).[11] While primarily utilizing the Internet to research the mythology of Atlantis,[12] the filmmakers became interested in the clairvoyant readings of Edgar Cayce and decided to incorporate some of his ideas—notably that of a mother-crystal which provides power, healing, and longevity to the Atlanteans—into the story.[13] They also visited museums and old army installations to study the technology of the early 20th century (the film's time period), and traveled underground in New Mexico's Carlsbad Caverns to view the subterranean trails which would serve as a model for the approach to Atlantis in the film.[14] The filmmakers wanted to avoid the common depiction of Atlantis as "crumbled Greek columns underwater", said Wise.[15] "From the get-go, we were committed to designing it top to bottom. Let's get the architectural style, clothing, heritage, customs, how they would sleep, and how they would speak. So we brought people on board who would help us develop those ideas."[16] Art director David Goetz stated, "We looked at Mayan architecture, styles of ancient, unusual architecture from around the world, and the directors really liked the look of Southeast Asian architecture."[17] The team later took ideas from other architectural forms, including Cambodian, Indian, and Tibetan works.[18] Hahn added, "If you take and deconstruct architecture from around the world into one architectural vocabulary, that's what our Atlantis looks like."[19] The overall design and circular layout of Atlantis were also based on the writings of Plato,[18] and his quote "in a single day and night of misfortune, the island of Atlantis disappeared into the depths of the sea"[20] was influential from the beginning of production.[9] The crew wore T-shirts which read "ATLANTIS—Fewer songs, more explosions" due to the film's plan as an action-adventure (unlike previous Disney animated features, which were musicals).[21] Language The Atlantean letter A, created by artist John Emerson. Kirk Wise noted that its design was a treasure map showing the path to the crystal, "The Heart of Atlantis". Main article: Atlantean language Marc Okrand, who developed the Klingon language for the Star Trek television and theatrical productions, was hired to devise the Atlantean language for Atlantis: The Lost Empire. Guided by the directors' initial concept for it to be a "mother-language", Okrand employed an Indo-European word stock with its own grammatical structure. He would change the words if they began to sound too much like an actual, spoken language.[16] John Emerson designed the written component, making hundreds of random sketches of individual letters from among which the directors chose the best to represent the Atlantean alphabet.[22][23] The written language was boustrophedon: designed to be read left-to-right on the first line, then right-to-left on the second, continuing in a zigzag pattern to simulate the flow of water.[24] The Atlantean [A] is a shape developed by John Emerson. It is a miniature map of the city of Atlantis (i.e., the outside of the swirl is the cave, the inside shape is the silhouette of the city, and the dot is the location of the crystal). It's a treasure map. — Kirk Wise, director[25] Writing Joss Whedon was the first writer to be involved with the film but soon left to work on other Disney projects. According to him, he "had not a shred" in the movie.[26] Tab Murphy completed the screenplay, stating that the time from initially discussing the story to producing a script that satisfied the film crew was "about three to four months".[27] The initial draft was 155 pages, much longer than a typical Disney film script (which usually runs 90 pages). When the first two acts were timed at 120 minutes, the directors cut characters and sequences and focused more on Milo. Murphy said that he created the centuries-old Shepherd's Journal because he needed a map for the characters to follow throughout their journey.[28] A revised version of the script eliminated the trials encountered by the explorers as they navigated the caves to Atlantis. This gave the film a faster pace because Atlantis is discovered earlier in the story.[29] The directors often described the Atlanteans using Egypt as an example. When Napoleon wandered into Egypt, the people had lost track of their once-great civilization. They were surrounded by artifacts of their former greatness but somehow unaware of what they meant. — Don Hahn, producer[30] The character of Milo J. Thatch was originally supposed to be a descendant of Edward Teach, otherwise known as Blackbeard the pirate. The directors later related him to an explorer so he would discover his inner talent for exploration.[31] The character of Molière was originally intended to be "professorial" but Chris Ure, a story artist, changed the concept to that of a "horrible little burrowing creature with a wacky coat and strange headgear with extending eyeballs", said Wise.[32][33] Don Hahn pointed out that the absence of songs presented a challenge for a team accustomed to animating musicals, as action scenes alone would have to carry the film. Kirk Wise said it gave the team an opportunity for more on-screen character development: "We had more screen time available to do a scene like where Milo and the explorers are camping out and learning about one another's histories. An entire sequence is devoted to having dinner and going to bed. That is not typically something we would have the luxury of doing."[16] Hahn stated that the first animated sequence completed during production was the film's prologue. The original version featured a Viking war party using The Shepherd's Journal to find Atlantis and being swiftly dispatched by the Leviathan. Near the end of production, story supervisor John Sanford told the directors that he felt this prologue did not give viewers enough emotional involvement with the Atlanteans. Despite knowing that the Viking prologue was finished and it would cost additional time and money to alter the scene, the directors agreed with Sanford. Trousdale went home and completed the storyboards later that evening after visiting a strip club where he boarded the new sequence on a napkin.[34] The opening was replaced by a sequence depicting the destruction of Atlantis, which introduced the film from the perspective of the Atlanteans and Princess Kida.[35] The Viking prologue is included as an extra feature on the DVD release.[36] Casting Kirk Wise, one of the directors, said that they chose Michael J. Fox for the role of Milo because they felt he gave his characters his own personality and made them more believable on screen. Fox said that voice acting was much easier than his past experience with live action because he did not have to worry about what he looked like in front of a camera while delivering his lines.[37] The directors mentioned that Fox was also offered a role for Titan A.E.; he allowed his son to choose which film he would work on, and he chose Atlantis.[38] Viewers have noted similarities between Milo and the film's language consultant, Marc Okrand, who developed the Atlantean language used in the film. Okrand stated that Milo's supervising animator, John Pomeroy, sketched him, claiming not to know how a linguist looked or acted.[24] Kida's supervising animator, Randy Haycock, stated that her actress, Cree Summer, was very "intimidating" when he first met her; this influenced how he wanted Kida to look and act on screen when she meets Milo.[39] Wise chose James Garner for the role of Commander Lyle Tiberius Rourke because of his previous experience with action films, especially war and Western films, and said the role "fits him like a glove". When asked if he would be interested in the role, Garner replied: "I'd do it in a heartbeat."[40] Producer Don Hahn was saddened that Jim Varney, the voice of Jebidiah Allardyce "Cookie" Farnsworth, never saw the finished film before he died of lung cancer in February 2000, but mentioned that he was shown clips of his character's performance during his site sessions and said, "He loved it." Shawn Keller, supervising animator for Cookie, stated, "It was kind of a sad fact that [Varney] knew that he was not going to be able to see this film before he passed away. He did a bang-up job doing the voice work, knowing the fact that he was never gonna see his last performance." Steven Barr recorded supplemental dialogue for Cookie.[41] John Mahoney, who voiced Preston Whitmore, stated that doing voice work was "freeing" and allowed him to be "big" and "outrageous" with his character.[42] Dr. Joshua Sweet's supervising animator, Ron Husband, indicated that one of the challenges was animating Sweet in sync with Phil Morris' rapid line delivery while keeping him believable. Morris stated that this character was extreme, with "no middle ground"; he mentioned, "When he was happy, he was really happy, and when he's solemn, he's real solemn."[43] Claudia Christian described her character, Lieutenant Helga Katrina Sinclair, as "sensual" and "striking", and was relieved when she finally saw what her character looked like, joking, "I'd hate to, you know, go through all this and find out my character is a toad."[44] Jacqueline Obradors said her character, Audrey Rocio Ramirez, made her "feel like a little kid again" and she always hoped her sessions would last longer.[45] Florence Stanley felt that her character, Wilhelmina Bertha Packard, was very "cynical" and "secure": "She does her job, and when she is not busy, she does anything she wants."[46] Corey Burton mentioned that finding his performance as Gaetan "Mole" Molière was by allowing the character to "leap out" of him while making funny voices. To get into character during his recording sessions, he stated that he would "throw myself into the scene and feel like I'm in this make-believe world".[47] Kirk Wise and Russ Edmonds, supervising animator for Vincenzo "Vinny" Santorini, noted Vinny's actor Don Novello's unique ability to improvise dialogue while voicing the role. Edmonds recalled, "[Novello] would look at the sheet, and he would read the line that was written once, and he would never read it again! And we never used a written line, it was improvs, the whole movie."[48] Michael Cedeno, supervising animator for King Kashekim Nedakh, was astounded at Leonard Nimoy's voice talent in the role, stating that he had "so much rich character" in his performance. As he spoke his lines, Cedeno said the crew would sit there and watch Nimoy in astonishment.[49] Animation For comparison, the top image (panoramic view of Atlantis) is cropped to Disney's standard aspect ratio (1.66:1); the bottom image was seen in the film (2.35:1). At the peak of its production, 350 animators, artists and technicians were working on Atlantis[50] at all three Disney animation studios: Walt Disney Feature Animation (Burbank, California), Walt Disney Feature Animation Florida (Orlando), and Disney Animation France (Paris).[51] The film was one of the few Disney animated features produced and shot in 35mm anamorphic format. The directors felt that a widescreen image was crucial, as a nostalgic reference to old action-adventure films presented in the CinemaScope format (2.35:1), noting Raiders of the Lost Ark as an inspiration.[52] Because switching to the format would require animation desks and equipment designed for widescreen to be purchased, Disney executives were at first reluctant about the idea.[16] The production team found a simple solution by drawing within a smaller frame on the same paper and equipment used for standard aspect ratio (1.66:1) Disney-animated films.[52] Layout supervisor Ed Ghertner wrote a guide to the widescreen format for use by the layout artists and mentioned that one advantage of widescreen was that he could keep characters in scenes longer because of additional space to walk within the frame.[53] Wise drew further inspiration for the format from filmmakers David Lean and Akira Kurosawa.[16] The film's visual style was strongly based upon that of Mike Mignola, the comic book artist behind Hellboy. Mignola was one of four production designers (along with Matt Codd, Jim Martin, and Ricardo Delgado) hired by the Disney studio for the film. Accordingly, he provided style guides, preliminary character, and background designs, and story ideas.[54] "Mignola's graphic, the angular style was a key influence on the 'look' of the characters," stated Wise.[55] Mignola was surprised when first contacted by the studio to work on Atlantis.[56] His artistic influence on the film would later contribute to a cult following.[57] I remember watching a rough cut of the film and these characters have these big, square, weird hands. I said to the guy next to me, "Those are cool hands." And he says to me, "Yeah, they're your hands. We had a whole meeting about how to do your hands." It was so weird I couldn't wrap my brain around it. — Mike Mignola[56] The final pull-out shot of the movie, immediately before the end-title card, was described by the directors as the most difficult shot in the history of Disney animation. They said that the pull-out attempt on their prior film, The Hunchback of Notre Dame, "struggled" and "lacked depth"; however, after making advances in the process of multiplaning, they tried the technique again in Atlantis. The shot begins with one 16-inch (40.6 cm) piece of paper showing a close-up of Milo and Kida. As the camera pulls away from them to reveal the newly restored Atlantis, it reaches the equivalent of an 18,000-inch (46,000 cm) piece of paper composed of many individual pieces of paper (24 inches [61 cm] or smaller). Each piece was carefully drawn and combined with animated vehicles simultaneously flying across the scene to make the viewer see a complete, integrated image.[58] Scale model of Ulysses submarine by Greg Aronowitz, used by digital animators as reference during production.[59] At the time of its release, Atlantis: The Lost Empire was notable for using more computer-generated imagery (CGI) than any other Disney traditionally animated feature. To increase productivity, the directors had the digital artists work with the traditional animators throughout the production. Several important scenes required heavy use of digital animation: the Leviathan, the Ulysses submarine and sub-pods, the Heart of Atlantis, and the Stone Giants.[60] During production, after Matt Codd and Jim Martin designed the Ulysses on paper, Greg Aronowitz was hired to build a scale model of the submarine, to be used as a reference for drawing the 3D Ulysses.[59] The final film included 362 digital-effects shots, and computer programs were used to seamlessly join the 2D and 3D artwork.[61] One scene that took advantage of this was the "sub-drop" scene, where the 3D Ulysses was dropped from its docking bay into the water. As the camera floated toward it, a 2D Milo was drawn to appear inside, tracking the camera. The crew noted that it was challenging to keep the audience from noticing the difference between the 2D and 3D drawings when they were merged.[62] The digital production also gave the directors a unique "virtual camera" for complicated shots within the film. With the ability to operate in the z-plane, this camera moved through a digital wire-frame set; the background and details were later hand-drawn over the wireframes. This was used in the opening flight scene through Atlantis and the submarine chase through the undersea cavern with the Leviathan in pursuit.[63] Music and sound Since the film would not feature any songs, the directors hired James Newton Howard to compose the score after they heard his music on Dinosaur. Approaching it as a live-action film, Howard decided to have different musical themes for the cultures of the surface world and Atlantis. In the case of Atlantis, Howard chose an Indonesian orchestral sound incorporating chimes, bells, and gongs. The directors told Howard that the film would have a number of key scenes without dialogue; the score would need to convey emotionally what the viewer was seeing on screen.[64] Gary Rydstrom and his team at Skywalker Sound were hired for the film's sound production.[65] Like Howard, Rydstrom employed different sounds for the two cultures. Focusing on the machine and mechanical sounds of the early industrial era for the explorers, he felt that the Atlanteans should have a "more organic" sound utilizing ceramics and pottery. The sound made by the Atlantean flying-fish vehicles posed a particular challenge. Rydstrom revealed that he was sitting at the side of a highway recording one day when a semi-truck drove by at high speed. When the recording was sped up on his computer, he felt it sounded very organic, and decided to use it in the film. Rydstrom created the harmonic chiming of the Heart of Atlantis by rubbing his finger along the edge of a champagne flute, the sound of sub-pods moving through the water with a water pick, while a ceramic pot from a garden store was used for the sounds of the movement of the Giant stone guardians.[66] Release Atlantis: The Lost Empire had its world premiere at Disney's El Capitan Theatre in Hollywood, Los Angeles, on June 3, 2001[67] and a limited release in New York City and Los Angeles on June 8; a wider release followed on June 15.[4][61] At the premiere, Destination: Atlantis was on display, featuring behind-the-scenes props from the film and information on the legend of Atlantis with video games, displays, laser tag, and other attractions. The Aquarium of the Pacific also loaned a variety of fish for display within the attraction.[68] Promotion Atlantis was among Disney's first major attempts to utilize internet marketing. The film was promoted through Kellogg's, which created a website with mini-games and a movie-based video game give-away for UPC labels from specially marked packages of Atlantis breakfast cereal.[50] The film was one of Disney's first marketing attempts through mobile network operators, and allowed users to download games based on the film.[69] McDonald's (which had an exclusive licensing agreement on all Disney releases) promoted the film with Happy Meal toys, food packaging and in-store decor. The McDonald's advertising campaign involved television, radio, and print advertisements beginning on the film's release date.[70] Frito-Lay offered free admission tickets for the film on specially marked snack packages.[71] Home media Atlantis: The Lost Empire was released on VHS and DVD on January 29, 2002.[72] During the first month of its home release, the film led in VHS sales and was third in VHS and DVD sales combined.[73] Sales and rentals of the VHS and DVD combined would eventually accumulate $157 million in revenue by mid-2003.[74] Both a single-disc DVD edition and a two-disc collector's edition (with bonus features) were released. The single-disc DVD gave the viewer the option of viewing the film either in its original theatrical 2.39:1 aspect ratio or a modified 1.33:1 ratio (utilizing pan and scan). Bonus features available on the DVD version included audio and visual commentary from the film team, a virtual tour of the CGI models, an Atlantean-language tutorial, an encyclopedia on the myth of Atlantis, and the deleted Viking prologue scene.[72] The two-disc collector's edition DVD contained all the single-disc features and a disc with supplemental material detailing all aspects of the film's production. The collector's-edition film could only be viewed in its original theatrical ratio, and also featured an optional DTS 5.1 track. Both DVD versions, however, contained a Dolby Digital 5.1 track and were THX certified.[72][75] Disney digitally remastered and released Atlantis on Blu-ray on June 11, 2013, bundled with its sequel Atlantis: Milo's Return.[76] Reception Box office Before the film's release, reporters speculated that it would have a difficult run due to competition from Shrek and Lara Croft: Tomb Raider. Regarding the market's shift from traditional animation and competition with CG-animated films, Kirk Wise said, "Any traditional animator, including myself, can't help but feel a twinge. I think it always comes down to story and character, and one form won't replace the other. Just like photography didn't replace painting. But maybe I'm blind to it."[61] Jeff Jensen of Entertainment Weekly noted that CGI films (such as Shrek) were more likely to attract the teenage demographic typically not interested in animation, and called Atlantis a "marketing and creative gamble".[77] With a budget of $100 million,[3] the film opened at #2 on its debut weekend, behind Lara Croft: Tomb Raider, earning $20.3 million in 3,011 theaters.[78] During its second weekend, it would drop into fourth place behind the latter film, Dr. Dolittle 2 and The Fast and the Furious, making $13.2 million.[79] The film's international release began September 20 in Australia and other markets followed suit.[80] During its 25-week theatrical run, Atlantis: The Lost Empire grossed over $186 million worldwide ($84 million from the United States and Canada).[4] Responding to its disappointing box-office performance, Thomas Schumacher, then-president of Walt Disney Feature Animation, said, "It seemed like a good idea at the time to not do a sweet fairy tale, but we missed."[81] Critical response Atlantis: The Lost Empire received mixed reviews from critics,[82][83][84] many of whom criticized its story.[85] The review aggregator website Rotten Tomatoes reports that 48% of 144 professional critics have given Atlantis: The Lost Empire a positive review; the average rating is 5.5/10. The site's consensus is: "Atlantis provides a fast-paced spectacle, but stints on such things as character development and a coherent plot".[86] Metacritic assigned the film a weighted average score of 52 out of 100 based on 29 reviews from critics, indicating "mixed or average" reviews.[87] Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale.[88] While critics had mixed reactions to the film in general, some praised it for its visuals, action-adventure elements, and attempt to appeal to an older audience. Roger Ebert gave Atlantis three-and-a-half stars out of four. He praised the animation's "clean bright visual look" and the "classic energy of the comic book style", crediting this to the work of Mike Mignola. Ebert gave particular praise to the story and the final battle scene and wrote, "The story of Atlantis is rousing in an old pulp science fiction sort of way, but the climactic scene transcends the rest, and stands by itself as one of the great animated action sequences."[89] In The New York Times, Elvis Mitchell gave high praise to the film, calling it "a monumental treat", and stated, "Atlantis is also one of the most eye-catching Disney cartoons since Uncle Walt institutionalized the four-fingered glove."[90] Internet film critic James Berardinelli wrote a positive review of the film, giving it three out of four stars. He wrote, "On the whole, Atlantis offers 90 minutes of solid entertainment, once again proving that while Disney may be clueless when it comes to producing good live-action movies, they are exactly the opposite when it comes to their animated division."[91] Wesley Morris of the San Francisco Chronicle wrote positively of the film's approach for an older audience: "But just beneath the surface, Atlantis brims with adult possibility."[92] Other critics felt that the film was mediocre in regards to its story and characters, and that it failed to deliver as a non-musical to Disney's traditional audience. Owen Gleiberman of Entertainment Weekly gave the film a C+ rating, writing that the film had "gee-whiz formulaic character" and was "the essence of craft without dream".[93] Kenneth Turan of the Los Angeles Times said the storyline and characterizations were "old-fashioned" and the film had the retrograde look of a Saturday-morning cartoon, but these deficiencies were offset by its "brisk action" and frantic pace.[94] Todd McCarthy of Variety wrote, "Disney pushes into all-talking, no-singing, no-dancing and, in the end, no-fun animated territory."[95] Stephanie Zacharek of Salon wrote of Disney's attempt to make the film for an adult audience, "The big problem with Disney's latest animated feature, Atlantis: The Lost Empire, is that it doesn't seem geared to kids at all: It's so adult that it's massively boring."[96] Rita Kempley of The Washington Post panned the film, calling it a "new-fashioned but old-fangled hash" and wrote, "Ironically Disney had hoped to update its image with this mildly diverting adventure, yet the picture hasn't really broken away from the tried-and-true format spoofed in the far superior Shrek."[97] In 2015, Katharine Trendacosta at io9 reviewed the film and called it a "Beautiful Gem of a Movie That Deserved Better Than It Got" and said that the film deserves more love than it ended up getting.[6] Lindsay Teal considers "Atlantis" to be "a lost Disney classic". Describing the film as highly entertaining, she praises the writing and characterisation – in particular, Sweet, Helga and Kida.[7] In particular, much praise has been given to the character of Kida.[98] Summer has regarded the character of Kida as one of her favourite roles and even considers the character among the official Disney Princess line-up. Themes and interpretations Several critics and scholars have noted that Atlantis plays strongly on themes of anti-capitalism and anti-imperialism. M. Keith Booker, academic and author of studies about the implicit messages conveyed by media, views the character of Rourke as being motivated by "capitalist greed" when he pursues "his own financial gain" in spite of the knowledge that "his theft [of the crystal] will lead to the destruction of [Atlantis]".[99] Religion journalist Mark Pinsky, in his exploration of moral and spiritual themes in popular Disney films, says that "it is impossible to read the movie ... any other way" than as "a devastating, unrelenting attack on capitalism and American imperialism".[100] Max Messier of FilmCritic.com observes, "Disney even manages to lambast the capitalist lifestyle of the adventurers intent on uncovering the lost city. Damn the imperialists!"[101] According to Booker, the film also "delivers a rather segregationist moral" by concluding with the discovery of the Atlanteans kept secret from other surface-dwellers in order to maintain a separation between the two highly divergent cultures.[102] Others saw Atlantis as an interesting look at utopian philosophy of the sort found in classic works of science fiction by H. G. Wells and Jules Verne.[103] Nadia: The Secret of Blue Water controversy When the film was released, some viewers noticed that Atlantis: The Lost Empire was similar to the 1990-91 anime Nadia: The Secret of Blue Water, particularly in its character design, setting, and story.[104] The similarities, as noted by viewers in both Japan and America, were strong enough for its production company Gainax to be called to sue for plagiarism. According to Gainax member Yasuhiro Takeda, they only refrained from doing so because the decision belonged to parent companies NHK and Toho.[105] Another Gainax worker, Hiroyuki Yamaga, was quoted in an interview in 2000 as saying: "We actually tried to get NHK to pick a fight with Disney, but even the National Television Network of Japan didn't dare to mess with Disney and their lawyers. [...] We actually did say that but we wouldn't actually take them to court. We would be so terrified about what they would do to them in return that we wouldn't dare."[105] Although Disney never responded formally to those claims, co-director Kirk Wise posted on a Disney animation newsgroup in May 2001, "Never heard of Nadia till it was mentioned in this [newsgroup]. Long after we'd finished production, I might add." He claimed both Atlantis and Nadia were inspired, in part, by the 1870 Jules Verne novel Twenty Thousand Leagues Under the Seas.[106] However, speaking about the clarification, Lee Zion from Anime News Network wrote, "There are too many similarities not connected with 20,000 Leagues for the whole thing to be coincidence."[107] As such, the whole affair ultimately entered popular culture as a convincing case of plagiarism.[108][109][110] In 2018, Reuben Baron from Comic Book Resources added to Zion's comment stating, "Verne didn't specifically imagine magic crystal-based technology, something featured in both the Disney movie and the too similar anime. The Verne inspiration also doesn't explain the designs being suspiciously similar to Nadia's."[110] Critics also saw parallels with the 1986 film Laputa: Castle in the Sky from Hayao Miyazaki and Studio Ghibli (which also featured magic crystals, and Atlantis directors Trousdale and Wise both acknowledged Miyazaki's works as a major influence on their own work)[104] and with the 1994 film Stargate as Milo's characteristics were said to resemble those of Daniel Jackson, the protagonist of Stargate and its spinoff television series Stargate SG-1 — which coincidentally launched its own spinoff, titled Stargate Atlantis; the plot of the 1994 film is also paralleled involving a group visiting an unknown world, a fictional language made for the other world's people, the main protagonist having apparent knowledge of the people's culture, falling in love with one of the female locals and electing to stay behind when the others return home.[111] Accolades Award Category Name Result 29th Annie Awards[112] Individual Achievement in Directing Gary Trousdale and Kirk Wise Nominated Individual Achievement in Storyboarding Chris Ure Nominated Individual Achievement in Production Design David Goetz Nominated Individual Achievement in Effects Animation Marlon West Nominated Individual Achievement in Voice Acting – Female Florence Stanley Nominated Individual Achievement in Voice Acting – Male Leonard Nimoy Nominated Individual Achievement for Music Score James Newton Howard Nominated 2002 DVD Exclusive Awards[113] Original Retrospective Documentary Michael Pellerin Nominated 2002 Golden Reel Award[114] Best Sound Editing – Animated Feature Film Gary Rydstrom, Michael Silvers, Mary Helen Leasman, John K. Carr, Shannon Mills, Ken Fischer, David C. Hughes, and Susan Sanford Won Online Film Critics Society Awards 2001[115] Best Animated Feature Nominated 2002 Political Film Society[116] Democracy Nominated Human Rights Nominated Peace Nominated World Soundtrack Awards[117] Best Original Song for Film Diane Warren and James Newton Howard Nominated Young Artist Awards[118] Best Feature Family Film – Drama Walt Disney Feature Animation Nominated Related works Main article: Atlantis (franchise) Atlantis: The Lost Empire was meant to inspire an animated television series entitled Team Atlantis, which would have presented the further adventures of its characters. The series would have been akin to an animated steampunk version of The X-Files and feature a crossover with Gargoyles. However, because of the film's underperformance at the box office, the series was not produced.[119] On May 20, 2003, Disney released a direct-to-video sequel titled Atlantis: Milo's Return, consisting of three episodes planned for the aborted series.[120] Disneyland planned to revive its Submarine Voyage ride with an Atlantis: The Lost Empire theme with elements from the movie. These plans were canceled and the attraction was re-opened in 2007 as the Finding Nemo Submarine Voyage, its theme based on the 2003 Pixar film Finding Nemo, which was far more successful commercially and critically.[121] In addition, after the Submarine Voyage's Magic Kingdom counterpart, 20,000 Leagues Under the Sea: Submarine Voyage, closed down in 1994, four years before Disneyland's, there were proposals of a new attraction that would take its place, with one of them a volcano attraction inspired by that film's Vulcania location, being approved for the Magic Kingdom's Adventureland area. Around 1999, during development of Atlantis: The Lost Empire, it was decided that it would be themed to the movie, with it taking place in 1916, two years after the film's events. The ride would have focused on Preston Whitmore, a character from the film, seeking to make Atlantis existence public and offer expeditions to visitors in newly developed vehicles. However, due to mishaps, the vehicles would be forced to make a detour through the lava-filled caverns of the volcano. The attraction would have used a unique hybrid ride system, in which it would start as a standard coaster before the trains hook up to a suspended track midway through to fly through the caverns. The attraction would have been accessed by a new canyon path in between Pirates of the Caribbean and a re-routed Jungle Cruise that would have led to a Whitmore Enterprises base camp at the edge of the Walt Disney World Railroad path, with the mountain itself being built outside the berm. However, like the previous Submarine Voyage retheme, the ride was cancelled due to the film's disappointment in the box office.[122]
Mike Doughty is many things; a solo artist, founding bandmember of Soul Coughing and Ghost of Vroom, and a published writer – who not only wrote two memoirs but also an oratorio based on the biblical Book of Revelation that was staged at WNYC's Greene Space. Simply put, Doughty has built a long-lasting career since his days of working as a doorman at the New York club, The Knitting Factory. On his way up, he embraced all aspects of the art of writing good songs, from welcoming “cowboy chords” when they come, to opening his mind up to the universe of avant-garde jazz – or even German grammar-inspired lyrics. Today, he is a storyteller who is honest with himself and transparent with his audience, composing and sharing new songs weekly with his patrons on Patreon while continuing to pour his heart out on the road, as he's about to do so on his Solo Tour '26, playing all over the United States. In the early days of this new adventure, Doughty joins our host, John Schaefer, with his collaborator, Andrew “Scrap” Livingston, for an intimate live performance and a warm chat for this edition of Soundcheck. (- Sırma Munyar) Setlist: 1. White Lexus 2. Mr. Bitterness 3. Light Will Keep Your Heart Beating in the Future
Today's story: Mahjong, a traditional Chinese tile game, is gaining popularity again around the world. Once a major trend in the U.S., it declined for decades but survived in small communities. Now, clubs, apps, and pop culture are introducing it to new players, drawn by its mix of strategy, luck, and social interaction. Transcript & Exercises: https://plainenglish.com/855Get the full story and learning resources: https://plainenglish.com/855--Plain English helps you improve your English:Learn about the world and improve your EnglishClear, natural English at a speed you can understandNew stories every weekLearn even more at PlainEnglish.comMentioned in this episode:Hard words? No problemNever be confused by difficult words in Plain English again! See translations of the hardest words and phrases from English to your language. Each episode transcript includes built-in translations into Spanish, Portuguese, Chinese, German, French, Italian, Japanese, Polish, and Turkish. Sign up for a free 14-day trial at PlainEnglish.com
Three times since the 1970s, global imbalances have grown large. In the 1980s, the US trade deficit ballooned under Volcker's tight money and Reagan's tax cuts and military spending. In the 2000s, a global savings glut and then a US housing credit boom pushed the deficit to 6% of GDP. Today, the imbalances are back. The US current account deficit stood at 3.9% of GDP in 2025. The policy medicine this time: tariffs.Maurice Obstfeld of the Peterson Institute for International Economics and CEPR has written a chapter in the fourth Paris Report, published jointly by CEPR and Bruegel, examining that history, how policymakers responded, and what it can tell us about the effectiveness of policy remedies in 2026. He tell Tim Phillips that blaming foreigners misdiagnoses the problem if the US saves too little and invests heavily. The gap has to be financed from abroad. Good policy for the new global imbalances would requires three actors to move together: fiscal consolidation in the US, stronger consumption in China, and more investment in Europe. All three would benefit, none are close to doing it. The longer the can is kicked, Obstfeld warns, the greater the risk that the resolution arrives the way it always has: not through policy, but through crisis.The report discussed in this series of episodes:Rey, Hélène, Beatrice Weder di Mauro, and Jeromin Zettelmeyer (eds). 2026. The New Global Imbalances. Paris Report 4. CEPR Press and Bruegel. Free to download at cepr.org.The chapter discussed in this episode:Obstfeld, Maurice. 2026. "Global imbalances redux." In Rey, Weder di Mauro, and Zettelmeyer (eds), The New Global Imbalances. Paris Report 4. CEPR Press and Bruegel.To cite this episode:Phillips, Tim, and Maurice Obstfeld. 2026. “Global imballances redux”, VoxTalks Economics (podcast). Assign this as extra listening. The citation above is formatted and ready for a reading list or VLE.About Paris Report 4The fourth Paris Report, The New Global Imbalances, is a joint publication of CEPR and Bruegel. It was edited by Hélène Rey (London Business School and CEPR), Beatrice Weder di Mauro (Geneva Graduate Institute and CEPR, and President of CEPR), and Jeromin Zettelmeyer (Bruegel and CEPR). The report examines how, in a high-debt and fragmented world, excess savings, rising surpluses, and rising deficits pose a risk to stability and undermine the global trading system. It is free to download at cepr.org.About the guestMaurice Obstfeld is Senior Fellow at the Peterson Institute for International Economics and a Research Fellow of CEPR. He served as Chief Economist of the International Monetary Fund from 2015 to 2018. His research spans international finance, exchange rate economics, and macroeconomic policy. He is a former member of the Council of Economic Advisers under President Obama.Research cited in this episodeThe Plaza Accord (1985) was a joint agreement between the US, West Germany, France, the United Kingdom, and Japan to intervene in foreign exchange markets to depreciate the US dollar. It was negotiated because a surging dollar, driven by Volcker's tight monetary policy and the Reagan fiscal expansion, had pushed the US current account deficit to then-unprecedented levels and created severe competitive pressure on US manufacturing. The accord moved the dollar, but did not resolve the underlying imbalances; those were corrected by German reunification and the Japanese asset bubble, which were not planned by anyone.The Louvre Accord (1987) was a follow-up agreement among the same countries to stabilise the dollar once it had depreciated far enough. Obstfeld uses both episodes to illustrate that exchange rate agreements address the symptom, not the cause, and tend to sidestep the hard political decisions about fiscal policy.The global savings glut hypothesis, associated with Ben Bernanke, holds that rising savings outside the US in the early 2000s, particularly from Asian economies building dollar reserves after the Asian financial crisis and from oil exporters, depressed global interest rates and drove capital into US assets. Obstfeld argues that from around 2002 onward the better explanation is US demand pulling capital in: loose Fed policy, the housing boom, subprime lending, and equity extraction from rising home values all drove US spending higher, and the current account deteriorated as the dollar fell rather than rose.The One Big Beautiful Bill Act is US tax legislation that prevents the expiration of tax cuts that had been written into law, effectively delivering a tax reduction. Obstfeld points out that by lowering national saving it pushes the current account in the opposite direction to what the administration wants, partly undoing whatever modest deficit-reducing effect the tariffs might have through their revenue.The Draghi report and the Letta report are European policy documents calling for deeper integration, more investment, improved competitiveness, and a completion of the EU's capital markets and banking unions. Obstfeld cites them as pointing in the right direction for reducing Europe's current account surplus, alongside the defence spending increases that European countries are now pursuing.More VoxTalks Economics episodesThis episode is the first of two published simultaneously to mark the launch of Paris Report 4. In the second episode, Gilles Moëc, Chief Economist at AXA, explains why the US government is so keen to promote stablecoins and the risks they may pose to the financial system in the US and Europe.For an interview with two of the report's editors, Beatrice Weder di Mauro and Jeromin Zettelmeyer, on the problem of global imbalances, listen to The Sound of Economics, Bruegel's podcast. Available at bruegel.org.
Last weekend, a Dresden-born woman wrote German football history. After 1. FC Union Berlin declared the dismissal of coach Steffen Baumgart, the announcement of his successor made even bigger headlines: Marie-Louise Eta is to coach the team in Köpenick until summer — as the first female head coach of a men's Bundesliga team. - Am vergangenen Wochenende schrieb eine Dresdnerin deutsche Fußball-Geschichte. Nachdem der 1. FC Union Berlin die Entlassung von Trainer Steffen Baumgart verkündet hatte, sorgte die Bekanntgabe seiner Nachfolgerin für noch größere Schlagzeilen: Marie-Louise Eta soll bis zum Sommer das Team in Köpenick coachen- als erste weibliche Cheftrainerin eines Männer-Bundesligisten.
The Western Front: Commanders and the Great War 9 sources·APRIL 11, 2026These sources primarily consist of interview transcripts with historian Nick Lloyd, who discusses his comprehensive research on the Western Front during the Great War. He highlights the complex coalition warfare between the Allied powers and the evolving military strategies used to combat the German army's maneuvers. The text examines the distinct personalities and high-stakes decisions of key figures like Joffre, Petain, and Pershing as they navigated the transition from mobile conflict to trench warfare. Additional segments focus on the logistical challenges of manpower, the friction between political and military leaders, and the arrival of American forces in 1917. Interspersed throughout are brief faith-based testimonials from Walnut Hill Community Church regarding personal recovery and community support. Together, the materials provide a multifaceted look at the military history of World War I and the lasting impact of its unresolved tensions.1. Nick Lloyd discusses the complex dynamics of early British leadership, including Prime Minister Asquith, Lord Kitchener, and Sir John French. He highlights the British Army's massive expansion from a small expeditionary force to 60 divisions and the eventual rise of David Lloyd George as a wartime leader. (1)1942
2. This source focuses on Americanintervention under General Pershing, who resisted amalgamating U.S. troops into French units. Lloyd examines how Germanforces were physically defeated in 1918 despite later "stab in the back" myths, noting that the Allies were too exhausted to pursue them into Germany. (2)1943 PATTON
6. Focusing on the 1914 Battle of the Marne, Lloyd explains how Joffre's nerve and strategic troop movements halted the Germanadvance. He details the breakdown of German command between Moltke and Kluck, which forced an "inward wheel" and prevented the encirclement of Paris, leading to the trench stalemate. (6)1944 MONTGOMERY
Climate refugia can provide unique opportunities for plants (and more) to persist for long periods of time in otherwise inhospitable areas. They have and will continue to shape biodiversity across the globe but understanding them isn't easy. Join me and Dr. Ashley Hillman as we look at how one of the greatest lakes of them all - Lake Superior - has shaped the distribution of Arctic plant species since the Pleistocene and what this can teach us about climate change and species distributions moving into the future. This episode was produced in part by Andy, S Heller, Drewsophila, Sascha, Kim, Tanya, Neil, Matthew, April, Dana, Lilith, Sanza, Eva, Yellowroot, Wisewren, Nadia, Heidi, Blake, Josh, Laure, R.J., Carly, Lucia, Dana, Sarah, Lauren, Strych Mind, Linda, Sylvan, Austin, Sarah, Ethan, Elle, Steve, Cassie, Chuck, Aaron, Gillian, Abi, Rich, Shad, Maddie, Owen, Linda, Alana, Sigma, Max, Richard, Maia, Rens, David, Robert, Thomas, Valerie, Joan, Mohsin Kazmi Photography, Cathy, Simon, Nick, Paul, Charis, EJ, Laura, Sung, NOK, Stephen, Heidi, Kristin, Luke, Sea, Shannon, Thomas, Will, Jamie, Waverly, Brent, Tanner, Rick, Kazys, Dorothy, Katherine, Emily, Theo, Nichole, Paul, Karen, Randi, Caelan, Tom, Don, Susan, Corbin, Keena, Robin, Peter, Whitney, Kenned, Margaret, Daniel, Karen, David, Earl, Jocelyn, Gary, Krysta, Elizabeth, Southern California Carnivorous Plant Enthusiasts, Pattypollinators, Peter, Judson, Ella, Alex, Dan, Pamela, Peter, Andrea, Nathan, Karyn, Michelle, Jillian, Chellie, Linda, Laura, Miz Holly, Christie, Carlos, Paleo Fern, Levi, Sylvia, Lanny, Ben, Lily, Craig, Sarah, Lor, Monika, Brandon, Jeremy, Suzanne, Kristina, Christine, Silas, Michael, Aristia, Felicidad, Lauren, Danielle, Allie, Jeffrey, Amanda, Tommy, Marcel, C Leigh, Karma, Shelby, Christopher, Alvin, Arek, Chellie, Dani, Paul, Dani, Tara, Elly, Colleen, Natalie, Nathan, Ario, Laura, Cari, Margaret, Mary, Connor, Nathan, Jan, Jerome, Brian, Azomonas, Ellie, University Greens, Joseph, Melody, Patricia, Matthew, Garrett, John, Ashley, Cathrine, Melvin, OrangeJulian, Porter, Jules, Griff, Joan, Megan, Marabeth, Les, Ali, Southside Plants, Keiko, Robert, Bryce, Wilma, Amanda, Helen, Mikey, Michelle, German, Joerg, Cathy, Tate, Steve, Kae, Carole, Mr. Keith Santner, Lynn, Aaron, Sara, Kenned, Brett, Jocelyn, Ethan, Sheryl, Runaway Goldfish, Ryan, Chris, Alana, Rachel, Joanna, Lori, Paul, Griff, Matthew, Bobby, Vaibhav, Steven, Joseph, Brandon, Liam, Hall, Jared, Brandon, Christina, Carly, Kazys, Stephen, Katherine, Manny, doeg, Daniel, Tim, Philip, Tim, Lisa, Brodie, Bendix, Irene, holly, Sara, and Margie.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
This week, an interview with Tom Goyens, professor of history at Salisbury University and author of Johann Most: Life of a Radical, out last year from University of Illinois Press speaking about the life and times of the atheist and propagandist and his development from social democrat parliamentarian to socialist revolutionary to anarchist. For the chat we talk about Mosts's life, development and legacy, from the mid-1800's in Bavaria up to his death in 1906. Other links: Tom's prior book on radical German immigrants in the US, Beer and Revolution: The German Anarchist Movement in New York City, 1880-1914 Tom's compilation of the memoir of Helene Minkin, Storm in My Heart: Memories from the Widow of Johann Most Tom's wixsite: https://txgoyens.wixsite.com/tomgoyens Tom on facebook, instagram and bluesky
This week on You Tried Dat??, Treets Vegan Crunchy Corn squares off against 2 more German snacks: Histchies Saure Spinnenbeine, and Nimm2 Lach Gummi Shakies. The gang also discusses dislocated bird wings before once again looking at some bad dates. Follow us on Instagram to see pictures of the snacks @youtrieddat.
QUOTES FOR REFLECTION“Socially prescribed perfectionism is closely related to anxiety; people who suffer from anxiety are more prone to it. Being a perfectionist also increases your anxiety because you fear the shame of public failure from everything you do.”~Jonathan Haidt, social psychologist at NYU, in his book The Anxious Generation “It is the struggle of the natural man for self-justification. He finds it only in comparing himself with others, in condemning and judging others. Self-justification and judging others go together, as justification by grace and serving others go together.”~Dietrich Bonhoeffer (1906-1945), pastor-theologian executed by the Nazis “They all therefore were glorified and magnified, not through themselves or their own works or the righteous doing which they wrought, but through His will. And so we, having been called through His will in Christ Jesus, are not justified through ourselves or through our own wisdom or understanding or piety or works which we wrought in holiness of heart, but through faith, whereby the Almighty God justified all men that have been from the beginning….”~Clement of Rome, early church leader, in a letter written to Corinth in c. A.D. 96 “For ‘Abraham believed God, and it was counted unto him for righteousness.' In like manner we also are justified by faith in God: for ‘the just shall live by faith.' Now ‘not by the law is the promise to Abraham, but by faith' for Abraham was justified by faith: and ‘for a righteous man the law is not made.' In like manner we also are justified not by the law, but by faith….”~Irenaeus of Lyon (c.125-c.202) in his Demonstration of the Apostolic Preaching “When someone believes in him who justifies the ungodly, that faith is credited as justice to the believer, as David too declares that person blessed whom God has accepted and endowed with righteousness, independently of any righteous actions. What righteousness is this? The righteousness of faith, preceded by no good works, but with good works as its consequence.”~Augustine (354-430), North African bishop, in his Exposition of the Psalms “The righteousness of God is not that by which God is righteous but that with which he clothes man when he justifies the ungodly”~Augustine (4354-430) in his A Treatise on the Spirit and the Letter “Lord Jesus, You are my righteousness, I am your sin. You took on you what was mine; yet set on me what was yours. You became what you were not, that I might become what I was not.”~Martin Luther, (1483-1546), German reformerSERMON PASSAGERomans 4:1-25 (NIV) 1 What then shall we say that Abraham, our forefather according to the flesh, discovered in this matter? 2 If, in fact, Abraham was justified by works, he had something to boast about—but not before God. 3 What does Scripture say? “Abraham believed God, and it was credited to him as righteousness.” 4 Now to the one who works, wages are not credited as a gift but as an obligation. 5 However, to the one who does not work but trusts God who justifies the ungodly, their faith is credited as righteousness. 6 David says the same thing when he speaks of the blessedness of the one to whom God credits righteousness apart from works: 7 “Blessed are those whose transgressions are forgiven, whose sins are covered. 8 Blessed is the one whose sin the Lord will never count against them.” 9 Is this blessedness only for the circumcised, or also for the uncircumcised? We have been saying that Abraham's faith was credited to him as righteousness. 10 Under what circumstances was it credited? Was it after he was circumcised, or before? It was not after, but before! 11 And he received circumcision as a sign, a seal of the righteousness that he had by faith while he was still uncircumcised. So then, he is the father of all who believe but have not been circumcised, in order that righteousness might be credited to them. 12 And he is then also the father of the circumcised who not only are circumcised but who also follow in the footsteps of the faith that our father Abraham had before he was circumcised. 13 It was not through the law that Abraham and his offspring received the promise that he would be heir of the world, but through the righteousness that comes by faith. 14 For if those who depend on the law are heirs, faith means nothing and the promise is worthless, 15 because the law brings wrath. And where there is no law there is no transgression. 16 Therefore, the promise comes by faith, so that it may be by grace and may be guaranteed to all Abraham's offspring—not only to those who are of the law but also to those who have the faith of Abraham. He is the father of us all. 17 As it is written: “I have made you a father of many nations.” He is our father in the sight of God, in whom he believed—the God who gives life to the dead and calls into being things that were not. 18 Against all hope, Abraham in hope believed and so became the father of many nations, just as it had been said to him, “So shall your offspring be.” 19 Without weakening in his faith, he faced the fact that his body was as good as dead—since he was about a hundred years old—and that Sarah's womb was also dead. 20 Yet he did not waver through unbelief regarding the promise of God, but was strengthened in his faith and gave glory to God, 21 being fully persuaded that God had power to do what he had promised. 22 This is why “it was credited to him as righteousness.” 23 The words “it was credited to him” were written not for him alone, 24 but also for us, to whom God will credit righteousness—for us who believe in him who raised Jesus our Lord from the dead. 25 He was delivered over to death for our sins and was raised to life for our justification.
Our Family focus today is the nation of Germany, and it begins at 17:23. Thank you all, our German family, you have an intriguing history, and we are glad you listen.As we are reminded to pray, God will reveal wonderful things from His law, we pick up the end ofJesus' conversation with the woman at the well in the region of Samaria.We are introduced to two different reactions to this astonishing conversation. The glorious response.The woman left Jesus, and His disciples completely changed. We see her now as a bubbling spring of water to eternal life. The people she once shied away from now rushed back to see Jesus because of her testimony. On the other hand:The mundane response. The disciples, whom we will see more of next time, marveled at but asked no questions about Jesus's conversation with this woman, and were so absorbed by their lunch that they missed the throng asking Jesus to stay with them. Our So What?We enter the throne room expectantly in the presence of our King. We listen attentively to the word given to us by our King.We react correctly, striving not to miss our King's desire.We depart joyfully, seeing our King's work. In this case, the salvation of souls. We pray, “Open my eyes, that I may behold Wonderful things from Thy law.” Psalm 119:18With humble thanks to John Piper and Alistair Begg, who greatly informed this episode.Brethren, let's pray for one another. “Now to the King eternal, immortal, invisible, the only God, be honor and glory forever and ever.” Amen1 Timothy 1:17”What a man is on his knees before God, that he is and nothing more." Robert Murray M'Cheynee Donation link:https://www.paypal.com/donate/?hosted_button_id=G9JGGR5W97D64Or go to www.freerangepreacheronprayer.com and use the Donations tab.Assistant Editor: Seven Jefferson Gossard.www.freerangepreacheronprayer.comfreerangeprayer@gmail.comFacebook - Free Range Preacher MinistriesInstagram: freerangeministriesAll our Scripture quotes are drawn from the NASB 1977 edition.For access to the voice-over services of Richard Durrington, please visit RichardDurrington.com or email him at Durringtonr@gmail.comOur podcast art was designed by @sammmmmmmmm23 on InstagramSeason 008Episode 021
Veteran foreign correspondent and journalist John Helmer discusses propaganda today, how the U.S. Empire is not going away anytime soon, and examines the factionalism between Zionist advisors and pragmatic strategists like J.D. Vance regarding the conflict with Iran. Helmer notes that while the West maintains tactical military advantages, Iran has gained strategic ground by establishing a credible deterrent through its missile capabilities. Turning to Russia, he describes a nation navigating economic recession and internal political pressure ahead of elections, suggesting that President Putin is often forced into compromises to maintain domestic stability. BRICS as an anti-imperial force has collapsed. Ultimately, he provides a sobering outlook on a future of permanent war and the erosion of international legal standards. Watch on BitChute / Brighteon / Rumble / Substack / YouTube *Support Geopolitics & Empire! Become a Member https://geopoliticsandempire.substack.com Donate https://geopoliticsandempire.com/donations Consult https://geopoliticsandempire.com/consultation **Listen Ad-Free for $4.99 a Month or $49.99 a Year! Apple Subscriptions https://podcasts.apple.com/us/podcast/geopolitics-empire/id1003465597 Supercast https://geopoliticsandempire.supercast.com ***Visit Our Affiliates & Sponsors! Above Phone https://abovephone.com/?above=geopolitics American Gold Exchange https://www.amergold.com/geopolitics easyDNS (15% off with GEOPOLITICS) https://easydns.com Escape The Technocracy (15% off with GEOPOLITICS) https://escapethetechnocracy.com/geopolitics PassVult https://passvult.com Sociatates Civis https://societates-civis.com StartMail https://www.startmail.com/partner/?ref=ngu4nzr Wise Wolf Gold https://www.wolfpack.gold/?ref=geopolitics Websites John Helmer https://johnhelmer.net X https://x.com/bears_with About John Helmer John Helmer is the longest continuously serving foreign correspondent in Russia, and the only western journalist to direct his own bureau independent of single national or commercial ties. He first set up his bureau in 1989, making him today the doyen of the foreign press corps in Russia. His family has many links to Russia. The founding father was a soldier from Denmark in Napoleon's Grande Armée, who in 1806 decided his chances of survival were greater if he didn't try to keep Napoleon company on the return home. Other family members were killed by the Germans during the invasion of the Soviet Union of 1941. Born and educated in Australia, then at Harvard University, Helmer has also been a professor of political science, of sociology, and of journalism, and an advisor to government heads in Australia, Greece, the United States, and Sri Lanka. He is a regular presenter on Russian topics in China, Western Europe, and the United States, and at conferences organized by CRU, Center for Management Technologies, the Vicenza (Italy) Fair, and other industry conventions. Before Russia, Helmer published several books in the US on military and political topics. Essays on the American presidency and on urban policy in the US followed in book compilations in 1981 and 1982; essays on Greek and Middle Eastern politics between 1986 and 1989. Since 1989 he has published almost exclusively on Russian topics. Today Helmer is one of the most widely read Russian specialists in the business world for his news-breaking stories on Russian base and precious metals, diamonds, mining, shipping, insurance, food trade, and business policy. *Podcast intro music used with permission is from the song “The Queens Jig” by the fantastic “Musicke & Mirth” from their album “Music for Two Lyra Viols”: http://musicke-mirth.de/en/recordings.html (available on iTunes or Amazon)
Episode Description Sign up to receive this Unreached of the Day podcast sent to you: https://joshuaproject.net/people_groups/17539/IN Dear Friend, The Batak people of North Sumatra didn't have a written language until 1834. Today, they're one of the largest Christian populations in Indonesia, with over 6 million believers. The transformation happened because someone, a German missionary named Ludwig Nommensen, decided their spiritual poverty was unacceptable. That was 190 years ago. Today, 4,473 people groups are still waiting for their Ludwig Nommensen moment. The People Group Adoption Program launches today, and here's how it works: It meets you where you are. You're not being asked to become a missionary in the field (though if God calls you to that, we'll cheer you on). You're being invited to use your current gifts, prayer, advocacy, networking, research to support those who are already called to go. .
Welcome to Mysterious Universe Season 35 episode 14! Did you know that you can trace every sickness, disease, and ailment to a mineral deficiency? There are 12 primary cell salts developed in the 1870s by German physician Dr. Wilhelm Heinrich Schüssler. Today we have chosen to take an entertainment only (not medical advice) look at what these salts are and what can they do for those who choose to heed the wisdom of the ancients. In Part 2 of our electricity deep dive, we get into the strange and controversial world of The Electric Universe by Wal Thornhill — a theory that suggests electricity may play a much bigger role in shaping the cosmos than modern science typically acknowledges. From plasma filaments that resemble spiral galaxies, to the idea that planetary surfaces might bear the scars of massive electrical events, this Plus+ extension explores a fringe but fascinating attempt to connect physics, astronomy, and ancient myth into one big, weird picture. Not presented as fact, but as an open-ended exploration of how much we really understand about the forces shaping our universe — and how much might still be missing. Check out the new Inescapable Podcast out now! Get both amazing shows for the investment of one through April 14th. Plus+ Members can now find the new feed on your Dashboard and add it to your preferred podcast player. Healing with Homeopathy & Tissue Salts of Salvation - The Principles Podcast Spacebusters - Healing with Homeopathy & Tissue Salts of Salvation Book - The Zodiac and the Salts of Salvation PDF - Zodiac and the Salts of Salvation Book - The Biochemic System of Medicine Book - Facial Diagnosis of Cell Salt Deficiencies PDF - Man, Minerals and Masters - Charles W. Littlefield PDF - The Chemistry of Human Life - George Washington Carey PDF - HOW TO USE THE TWELVE TISSUE SALTS - Esther Chapman Article - Tissue Salts for your sign Article by WortsandCunning.Com - Starmaps : The Astrological Body The Electric Universe LinksPlus+ ExtensionThe extension of the show is EXCLUSIVE to Plus+ Members. To join. click HERE.Links Learn more about your ad choices. Visit megaphone.fm/adchoices
OA1251 - We begin with a rare Friday appearance from OA democracy correspondent Jenessa Seymour, who stops in to provide some unequivocal good news from this week's elections. Then: a temperature check on how mad should we be that the Supreme Court has cleared the way for Steve Bannon's conviction to be reversed, an appropriately respectful review of former Attorney General Pam Bondi's career, and a footnote involving an extremely litigious German tourist who made the most of his short time in New York City in the most American way possible. Lawfare's Contempt Tracker Brief for the United States in U.S. v. Bannon (filed 2/6/2026) Amicus brief in U.S. v. Bannon filed by state of Iowa (12/10/2025) “Trump's Justice Department Dropped 23,000 Criminal Investigations in Shift to Immigration,” ProPublica (3/31/2026) Ethics complaint against former AG Pam Bondi filed by a coalition of progressive attorneys (June 5, 2025) Manz v. Walmart Supercenter, (3rd Cir., 2/27/2026) Check out the OA Linktree for all the places to go and things to do! To support the show (and lose the ads!), please pledge at patreon.com/law!
Charlotte Mason's school programs had students studying three languages, besides English and Latin, by the time they graduated. Why was the study of Foreign Language so important to her? We'll explore that idea and lay out her method for teaching languages in today's podcast episode. Charlotte Mason, Volume 6 (Amazon) (Living Book Press - use code DELECTABLE for 10% off!) ADE Vol 6, Chapt 10 Reading List TalkBox.mom (a variety of languages) theULAT.com (French, Spanish; Italian and German coming) aliceayel.com (French) Academia Late y Llama (Spanish) *You can also search on YouTube for "Comprehensible Input [target language of your choice]" ADE on YouTube
Sources:https://www.returntotradition.orgorhttps://substack.com/@returntotradition1Contact Me:Email: return2catholictradition@gmail.comSupport My Work:Patreonhttps://www.patreon.com/AnthonyStineSubscribeStarhttps://www.subscribestar.net/return-to-traditionBuy Me A Coffeehttps://www.buymeacoffee.com/AnthonyStinePhysical Mail:Anthony StinePO Box 3048Shawnee, OK74802Follow me on the following social media:https://www.facebook.com/ReturnToCatholicTradition/https://twitter.com/pontificatormax+JMJ+#popeleoXIV #catholicism #catholicchurch #catholicprophecy#infiltration
- SUBSCRIBE TO OUR PODCAST: http://cornerofthegalaxy.com/subscribe/ - COG LA GALAXY DISCORD: https://discord.gg/drr9HFZY2P - COG ANTHEM MUSIC BY RAY PLAZA: https://linktr.ee/munditoplaza - COG ANTHEM MUSIC DOWNLOAD: https://open.spotify.com/artist/3asiasldwKyoCRm1Vzx2h7?si=_LmXI9otT9y9j0ChMGMt2w COG STUDIOS, Calif. -- So the good news is that the LA Galaxy scored two goals in Mexico. The bad news is that they allowed four goals. But is there any hope that the Galaxy could win the second leg by multiple goals? And what's with the defense? On today's show, hosts Josh Guesman and Sophie Nicolaou discuss the 4-2 loss in Toluca and the big changes in the second half. Is Marco Reus the best player on the Galaxy? And why didn't Vanney start the German superstar? Let's talk some Galaxy. You know we're going to anyway! -- Corner of the Galaxy is kicking off Season 18, just a few shows past number 1,280! And we can't wait to show you everything we've got in store for 2026! This is a reminder that we go live twice a week — on Mondays and Thursdays at 8 PM on YouTube — and that you can find us conveniently on your preferred podcast platform (Apple, Spotify, SoundCloud, YouTube, Google Play, etc.). We're making it easy for you to stay connected! So tell a friend that you've been listening to the longest-running team-specific podcast in Major League Soccer and that 2025 is a great time to start listening!
Ever felt like there's something blocking you in love — something you can't quite name, but keeps showing up? Maybe you've got anxious, avoidant, or disorganized attachment traits, or you've sacrificed your needs for others or struggled to own your sexual attraction.It's easy to feel like our issues in our sex or loves lives are all our fault, and all ours to fix. But what if something bigger is going on?Here we explore one of the most fascinating -- and still somewhat underground -- healing modalities out there: Constellations (aka Family Constellations).Constellations is the practice of looking at the broader system you come from — your family, your lineage, generations back — to understand why you might be stuck in patterns that don't make sense given your own life experience alone.Here Violet breaks down how blocks to love, intimacy, and connection are often not about you at all, but about grief, trauma, or exclusion that happened long before you arrived. Think: your grandfather came back from war a different man, and somehow, decades later, you can't quite open your heart. Or as one participant put it, "I had no idea that what I was holding onto wasn't even mine."The really cool part? You don't have to do anything. As the client, you get to watch the healing unfold. We share where this practice comes from (rooted in Zulu tradition, brought to the West by German therapist Bert Hellinger), how it interfaces with epigenetics, and what it actually feels like to receive a constellation. Plus — if you're intrigued, we're doing a live constellations event on April 18th focused on healing your relationship with the feminine. Details below."The Field has its own intelligence. There's no one clear leader. And it will show us what we need to see — the next important step for your healing and for your growth."---Work with usReady to go deeper than the podcast and take action? Jason and I will help you break old patterns and transform your sex & love life for good. To see if you're a fit for our flagship program, Pillars of Presence, book a call here. Start anytime. (https://evolutionary.men/apply/)---Mentioned on this episode:Healing Your Relationship With the Feminine: our workshop April 18th 10a-3p---Memorable quotes from this episode:"I feel like I have a broken picker!""Survival was dependent on not being seen.""We are more than an individual self.""The system itself wants to be fully expressed.""I leave the grief with you.""Trauma is something that happens that our nervous system can't metabolize and then it stays locked in our bodies and locked in the system.""Once our suffering is seen, what's left is the love.""The blocks are not our own inner system — it's not just 'I have this thing with anger.'""We, as human beings, are part of a greater story.""It's about letting the system reorganize.""You lost a child and you closed your heart.""Secrets were kept.""Systems seek wholeness.""Ideally humanity is moving as one, and growing as one.""When you bring the light of consciousness to bear on something, it changes that thing. There's no separation between consciousness and change."
In the 1960s, the German government put a tariff on American chickens. President Lyndon B. Johnson then retaliated with a tariff on light-duty commercial vehicles and trucks. The back-and-forth has come to define the U.S. auto sector. On this morning's show, why a veteran automotive CEO calls this chicken tax "one of the most important, formative aspects of how the U.S. industry has evolved." But first, markets try to guess whether the U.S.-Iran ceasefire will hold.
9. GERMAN ECONOMIC REFORM AND LARS KLINGBEIL. JOSEPH STERNBERG. Joseph Sternberg profiles the Finance Minister's supply-side proposals, including tax reforms and labor law flexibility. These initiatives aim to revive the German economy and reclaim voters from the far-right. (9)1742 PERSIA