Podcasts about temple fairs

If you want to experience a festive and traditional environment on the Spring Festival, a temple fair is probably your best bet. Whether you're in the north or the south of the country, a temple fair is like a standard configuration to celebrate the Chinese Lunar New Year. To know more about the origin and development of these fairs, don't miss this episode of A Thousand Whys.

Gene Cooper‘s new book is a multi-sited ethnographic study of market and temple fairs in the region of Jinhua, a city on the east coast of China and the home of Hengdian, “China’s Hollywood.” The Market and Temple Fairs of Rural China: Red Fire (Routledge, 2013) weaves together historical and ethnographic methodologies in a spirited account of the genealogies and contemporary practices of a variety of forms of performance at these local gatherings. After providing an extended background of the region, its religious institutions and perspectives, and on the history of temple fairs in general in Part 1 of the book, Part 2 moves into the economic, cultural, religious, and political dimensions that contribute to the “red fire” of temple fairs in Jinhua today. Cooper shows how the local fair can serve both as a Bakhtinian carnivalesque atmosphere (replete with elements of freak show and circus) and a site of everyday forms of resistance. The book also features a wonderfully detailed account of the arts of popular performance at the fairs, from small-cymbal narrative (xiaoluo shuo) to opera (wuju) competitions, and looks closely at the religious dimension of secular temple gatherings. Cooper’s lively voice infuses every page of the book and each moment of the interview. Learn more about your ad choices. Visit megaphone.fm/adchoices

Gene Cooper‘s new book is a multi-sited ethnographic study of market and temple fairs in the region of Jinhua, a city on the east coast of China and the home of Hengdian, “China’s Hollywood.” The Market and Temple Fairs of Rural China: Red Fire (Routledge, 2013) weaves together historical and... Learn more about your ad choices. Visit megaphone.fm/adchoices

Gene Cooper‘s new book is a multi-sited ethnographic study of market and temple fairs in the region of Jinhua, a city on the east coast of China and the home of Hengdian, “China’s Hollywood.” The Market and Temple Fairs of Rural China: Red Fire (Routledge, 2013) weaves together historical and ethnographic methodologies in a spirited account of the genealogies and contemporary practices of a variety of forms of performance at these local gatherings. After providing an extended background of the region, its religious institutions and perspectives, and on the history of temple fairs in general in Part 1 of the book, Part 2 moves into the economic, cultural, religious, and political dimensions that contribute to the “red fire” of temple fairs in Jinhua today. Cooper shows how the local fair can serve both as a Bakhtinian carnivalesque atmosphere (replete with elements of freak show and circus) and a site of everyday forms of resistance. The book also features a wonderfully detailed account of the arts of popular performance at the fairs, from small-cymbal narrative (xiaoluo shuo) to opera (wuju) competitions, and looks closely at the religious dimension of secular temple gatherings. Cooper’s lively voice infuses every page of the book and each moment of the interview. Learn more about your ad choices. Visit megaphone.fm/adchoices

Gene Cooper‘s new book is a multi-sited ethnographic study of market and temple fairs in the region of Jinhua, a city on the east coast of China and the home of Hengdian, “China’s Hollywood.” The Market and Temple Fairs of Rural China: Red Fire (Routledge, 2013) weaves together historical and... Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

During the early communist period of the 1950s, temple fairs in China were both suppressed and secularized. Temples were closed down by the secular regime and their activities classified as feudal superstition and this process only intensified during the Cultural Revolution when even the surviving secular fairs, devoted exclusively to trade with no religious content of any kind, were suppressed. However, once China embarked on its path of free market reform and openness, secular commodity exchange fairs were again authorized, and sometimes encouraged in the name of political economy as a means of stimulating rural commodity circulation and commerce. This book reveals how once these secular "temple-less temple fairs" were in place, they came to serve not only as venues for the proliferation of a great variety of popular cultural performance genres, but also as sites where a revival or recycling of popular religious symbols, already underway in many parts of China, found familiar and fertile ground in which to spread. Taking this shift in the Chinese state's attitudes and policy towards temple fairs as its starting point, The Market and Temple Fairs of Rural China shows how state-led economic reforms in the early 1980s created a revival in secular commodity exchange fairs, which were granted both the geographic and metaphoric space to function. In turn, this book presents a comprehensive analysis of the temple fair phenomenon, examining its economic, popular cultural, popular religious and political dimensions and demonstrates the multifaceted significance of the fairs which have played a crucial role in expanding the boundaries of contemporary acceptable popular discourse and expression. Eugene Cooper earned his Ph. D. in Anthropology and East Asian Studies at Columbia University in 1976. He taught at the University of Pittsburgh and Hong Kong University before arriving at USC in 1980. He has consulted with business, industry and the legal profession, on Chinese rural industrial production, the import/export sector, and Chinese habit and custom. He now teaches Anthropology at the USC Dana and David Dornsife College of Letters, Arts and Sciences.

During the early communist period of the 1950s, temple fairs in China were both suppressed and secularized. Temples were closed down by the secular regime and their activities classified as feudal superstition and this process only intensified during the Cultural Revolution when even the surviving secular fairs, devoted exclusively to trade with no religious content of any kind, were suppressed. However, once China embarked on its path of free market reform and openness, secular commodity exchange fairs were again authorized, and sometimes encouraged in the name of political economy as a means of stimulating rural commodity circulation and commerce. This book reveals how once these secular "temple-less temple fairs" were in place, they came to serve not only as venues for the proliferation of a great variety of popular cultural performance genres, but also as sites where a revival or recycling of popular religious symbols, already underway in many parts of China, found familiar and fertile ground in which to spread. Taking this shift in the Chinese state's attitudes and policy towards temple fairs as its starting point, The Market and Temple Fairs of Rural China shows how state-led economic reforms in the early 1980s created a revival in secular commodity exchange fairs, which were granted both the geographic and metaphoric space to function. In turn, this book presents a comprehensive analysis of the temple fair phenomenon, examining its economic, popular cultural, popular religious and political dimensions and demonstrates the multifaceted significance of the fairs which have played a crucial role in expanding the boundaries of contemporary acceptable popular discourse and expression. Eugene Cooper earned his Ph. D. in Anthropology and East Asian Studies at Columbia University in 1976. He taught at the University of Pittsburgh and Hong Kong University before arriving at USC in 1980. He has consulted with business, industry and the legal profession, on Chinese rural industrial production, the import/export sector, and Chinese habit and custom. He now teaches Anthropology at the USC Dana and David Dornsife College of Letters, Arts and Sciences.