Podcasts about sciences

We discuss the role of collective memory in the myth-making of American exceptionalism.    Hajar's civic action toolkit recommendations are:  1) Advocate 2) Relate 3) Create   Hajar Yazdiha is an Associate Professor of Sociology at the USC Dornsife College of Letters, Arts, and Sciences and the author of The Struggle for the People's King: How Politics Transforms the Memory of the Civil Rights Movement.     Let's connect! Follow Future Hindsight on Instagram:  https://www.instagram.com/futurehindsightpod/   Discover new ways to #BetheSpark:  https://www.futurehindsight.com/spark    Follow Mila on X:  https://x.com/milaatmos    Follow Hajar on X:  https://x.com/HajYazdiha    Read The Struggle for the People's King:  https://bookshop.org/shop/futurehindsight    Sponsor:  Thank you to Shopify! Sign up for a $1/month trial at shopify.com/hopeful.   Early episodes for Patreon supporters: https://patreon.com/futurehindsight  Credits:  Host: Mila Atmos  Guests: Hajar Yazdiha Executive Producer: Mila Atmos Producer: Zack Travis

Bonnie Clevering|The Creative Force Behind Iconic Hollywood HairHollywood Hair Designer of 50 Years with 120 A-list Credits and New MemoirBonnie Clevering, in a nearly 5-decade career as a Motion Picture Hair Stylist, has trussed the tresses of hundreds of actors including Hilary Swank, Bette Davis, Brad Pitt, Julia Roberts, Al Pacino, Keanu Reeves, and Kristen Stewart. Her impressive resume includes iconic films and TV series like Hello, Dolly!, RoboCop, Any Given Sunday, Ocean's Eleven, Erin Brockovich, Office Space, The Twilight Saga, and Mr. & Mrs. Smith, totaling over 120 productions. She earned membership in the Academy of Motion Picture Arts & Sciences in 2001. In September, Bonnie is releasing her pictorial memoir, CONTINUITY WITH BONNIE CLEVERING: LIFE BEYOND THE CREDITS.Links:https://continuitybybonnieclevering.com/https://www.instagram.com/bonnieclevering/Tags:AuthorBooksCelebrityHair StylistMoviesSingle MomTV & Filmworking in Hollywood and being a single momLive Video Podcast InterviewBonnie Clevering|The Creative Force Behind Iconic Hollywood HairSupport PEG by checking out our Sponsors:Download and use Newsly for free now from www.newsly.me or from the link in the description, and use promo code “GHOST” and receive a 1-month free premium subscription.The best tool for getting podcast guests:https://podmatch.com/signup/phantomelectricghostSubscribe to our Instagram for exclusive content:https://www.instagram.com/expansive_sound_experiments/Subscribe to our YouTube https://youtube.com/@phantomelectricghost?si=rEyT56WQvDsAoRprRSShttps://anchor.fm/s/3b31908/podcast/rssSubstackhttps://substack.com/@phantomelectricghost?utm_source=edit-profile-page

Send us a textSchedule an Rx AssessmentSubscribe to Master The MarginHow do you tackle one of healthcare's biggest challenges from behind the pharmacy counter?That's the question at the heart

.On this week's episode of You Are What You Read, we are joined by Jeffrey Eugenides. Jeffrey is the bestselling novelist, short story writer and Pulitzer Prize-winner known for The Virgin Suicides, Middlesex and The Marriage Plot. Jeffrey was elected to the American Academy of Arts and Letters in 2018 and to the American Academy of Arts and Sciences in 2013. He has taught at Princeton and now serves as the Lewis and Loretta Glucksman Professor in American Letters at NYU. His next project, Icarus, is an Audible original coming this fall. Learn more about your ad choices. Visit megaphone.fm/adchoices

For the first time since Hurricane Katrina made landfall 20 years ago, you can take a train ride across the Gulf Coast, from Mobile to New Orleans. And all these years later, the cities along that route are still living with the storm's aftermath. In this episode, we hop aboard the train and make four Gulf Coast stops along the way to share that story. About what happened during Katrina. How some places built back better, and how others are still trying to figure out how to rebuild.This episode was reported and hosted by Stephan Bisaha of the Gulf States Newsroom. Sea Change's executive producer, Carlyle Calhoun, co-hosted the episode.Sea Change is a WWNO and WRKF production. We are part of the NPR Podcast Network and distributed by PRX. For another great podcast serving up more great stories from the region, check out Gulf States Gumbo wherever you get your podcasts.Sea Change is made possible with major support from the Gulf Research Program of the National Academy of Sciences, Engineering, and Medicine. Sea Change is also supported by the Water Collaborative of Greater New Orleans. WWNO's Coastal Desk is supported by the Walton Family Foundation, the Meraux Foundation, and the Greater New Orleans Foundation. 

On this episode of the Economic and Business History channel, I spoke with Dr. Victoria Basualdo and Dr. Marcelo Bucheli about their new edited book. Big Business and Dictatorships in Latin America: A Transnational History of Profits and Repression (Palgrave Macmillan, 2020) is an edited volume that studies the relationship between big business and the Latin American dictatorial regimes during the Cold War. The first section provides a general background about the contemporary history of business corporations and dictatorships in the twentieth century at the international level. The second section comprises chapters that analyze five national cases (Argentina, Brazil, Chile, Uruguay, and Peru), as well as a comparative analysis of the banking sector in the Southern Cone (Argentina, Brazil, Chile, and Uruguay). The third section presents six case studies of large companies in Argentina, Brazil, Chile, Colombia, and Central America. This book is crucial reading because it provides the first comprehensive analysis of a key yet understudied topic in Cold War history in Latin America. Victoria Basualdo is Researcher at the Argentine National Scientific Council (CONICET) and at the Facultad Latinoamericana de Ciencias Sociales (FLACSO), and Professor in the Political Economy Master's Degree Program at FLACSO, Argentina. She specializes in contemporary economic and labor history, with special focus on structural changes and the transformations of trade-union organizations in Argentina and Latin America. Hartmut Berghoff is Director of the Institute of Economic and Social History at the University of Göttingen, Germany. He was the Director of the German Historical Institute in Washington DC (2008-2015) and held various visiting positions at the Center of Advanced Study, Harvard Business School, the Maison des Sciences de l'Homme, and the Henley Business School. He has worked on the history of consumption, business history, immigration history and the history of modern Germany. Marcelo Bucheli is Associate Professor of Business Administration at the Gies College of Business, University of Illinois at Urbana-Champaign, USA. His research focuses on the political economy of multinational corporations in Latin America, theoretical and methodological approaches to the study of the relationship between firms and states in a historical perspective, and business groups. Hosted by Paula De La Cruz-Fernandez, consultant, historian, and digital editor. New Books Network en español editor. Edita CEO. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

On this episode of the Economic and Business History channel, I spoke with Dr. Victoria Basualdo and Dr. Marcelo Bucheli about their new edited book. Big Business and Dictatorships in Latin America: A Transnational History of Profits and Repression (Palgrave Macmillan, 2020) is an edited volume that studies the relationship between big business and the Latin American dictatorial regimes during the Cold War. The first section provides a general background about the contemporary history of business corporations and dictatorships in the twentieth century at the international level. The second section comprises chapters that analyze five national cases (Argentina, Brazil, Chile, Uruguay, and Peru), as well as a comparative analysis of the banking sector in the Southern Cone (Argentina, Brazil, Chile, and Uruguay). The third section presents six case studies of large companies in Argentina, Brazil, Chile, Colombia, and Central America. This book is crucial reading because it provides the first comprehensive analysis of a key yet understudied topic in Cold War history in Latin America. Victoria Basualdo is Researcher at the Argentine National Scientific Council (CONICET) and at the Facultad Latinoamericana de Ciencias Sociales (FLACSO), and Professor in the Political Economy Master's Degree Program at FLACSO, Argentina. She specializes in contemporary economic and labor history, with special focus on structural changes and the transformations of trade-union organizations in Argentina and Latin America. Hartmut Berghoff is Director of the Institute of Economic and Social History at the University of Göttingen, Germany. He was the Director of the German Historical Institute in Washington DC (2008-2015) and held various visiting positions at the Center of Advanced Study, Harvard Business School, the Maison des Sciences de l'Homme, and the Henley Business School. He has worked on the history of consumption, business history, immigration history and the history of modern Germany. Marcelo Bucheli is Associate Professor of Business Administration at the Gies College of Business, University of Illinois at Urbana-Champaign, USA. His research focuses on the political economy of multinational corporations in Latin America, theoretical and methodological approaches to the study of the relationship between firms and states in a historical perspective, and business groups. Hosted by Paula De La Cruz-Fernandez, consultant, historian, and digital editor. New Books Network en español editor. Edita CEO. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

On this episode of the Economic and Business History channel, I spoke with Dr. Victoria Basualdo and Dr. Marcelo Bucheli about their new edited book. Big Business and Dictatorships in Latin America: A Transnational History of Profits and Repression (Palgrave Macmillan, 2020) is an edited volume that studies the relationship between big business and the Latin American dictatorial regimes during the Cold War. The first section provides a general background about the contemporary history of business corporations and dictatorships in the twentieth century at the international level. The second section comprises chapters that analyze five national cases (Argentina, Brazil, Chile, Uruguay, and Peru), as well as a comparative analysis of the banking sector in the Southern Cone (Argentina, Brazil, Chile, and Uruguay). The third section presents six case studies of large companies in Argentina, Brazil, Chile, Colombia, and Central America. This book is crucial reading because it provides the first comprehensive analysis of a key yet understudied topic in Cold War history in Latin America. Victoria Basualdo is Researcher at the Argentine National Scientific Council (CONICET) and at the Facultad Latinoamericana de Ciencias Sociales (FLACSO), and Professor in the Political Economy Master's Degree Program at FLACSO, Argentina. She specializes in contemporary economic and labor history, with special focus on structural changes and the transformations of trade-union organizations in Argentina and Latin America. Hartmut Berghoff is Director of the Institute of Economic and Social History at the University of Göttingen, Germany. He was the Director of the German Historical Institute in Washington DC (2008-2015) and held various visiting positions at the Center of Advanced Study, Harvard Business School, the Maison des Sciences de l'Homme, and the Henley Business School. He has worked on the history of consumption, business history, immigration history and the history of modern Germany. Marcelo Bucheli is Associate Professor of Business Administration at the Gies College of Business, University of Illinois at Urbana-Champaign, USA. His research focuses on the political economy of multinational corporations in Latin America, theoretical and methodological approaches to the study of the relationship between firms and states in a historical perspective, and business groups. Hosted by Paula De La Cruz-Fernandez, consultant, historian, and digital editor. New Books Network en español editor. Edita CEO. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

On this episode of the Economic and Business History channel, I spoke with Dr. Victoria Basualdo and Dr. Marcelo Bucheli about their new edited book. Big Business and Dictatorships in Latin America: A Transnational History of Profits and Repression (Palgrave Macmillan, 2020) is an edited volume that studies the relationship between big business and the Latin American dictatorial regimes during the Cold War. The first section provides a general background about the contemporary history of business corporations and dictatorships in the twentieth century at the international level. The second section comprises chapters that analyze five national cases (Argentina, Brazil, Chile, Uruguay, and Peru), as well as a comparative analysis of the banking sector in the Southern Cone (Argentina, Brazil, Chile, and Uruguay). The third section presents six case studies of large companies in Argentina, Brazil, Chile, Colombia, and Central America. This book is crucial reading because it provides the first comprehensive analysis of a key yet understudied topic in Cold War history in Latin America. Victoria Basualdo is Researcher at the Argentine National Scientific Council (CONICET) and at the Facultad Latinoamericana de Ciencias Sociales (FLACSO), and Professor in the Political Economy Master's Degree Program at FLACSO, Argentina. She specializes in contemporary economic and labor history, with special focus on structural changes and the transformations of trade-union organizations in Argentina and Latin America. Hartmut Berghoff is Director of the Institute of Economic and Social History at the University of Göttingen, Germany. He was the Director of the German Historical Institute in Washington DC (2008-2015) and held various visiting positions at the Center of Advanced Study, Harvard Business School, the Maison des Sciences de l'Homme, and the Henley Business School. He has worked on the history of consumption, business history, immigration history and the history of modern Germany. Marcelo Bucheli is Associate Professor of Business Administration at the Gies College of Business, University of Illinois at Urbana-Champaign, USA. His research focuses on the political economy of multinational corporations in Latin America, theoretical and methodological approaches to the study of the relationship between firms and states in a historical perspective, and business groups. Hosted by Paula De La Cruz-Fernandez, consultant, historian, and digital editor. New Books Network en español editor. Edita CEO. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/world-affairs

Our Summer 2025 series, Beside Still Waters, focuses on the places where creativity brings life into a world fatigued by brokenness and division. From jazz to Jane Austen and in between, this season we're focusing on the ways literature and the arts can refresh and challenge our inner lives—and connect us with the Creator of the good, the true, and the beautiful.Today's episode concludes our summer series. Our guide today is the acclaimed writer Marilynne Robinson, author of the Gilead series, and much else. In this episode, originally an Online Conversation recorded in 2020, Marilynne reflects on the art of writing as a means of exploring truth and engaging questions around learning to live well, to love others, and to create a home and community, in our fractious world:“The unique brilliance of a human being … is something that we tend utterly to disparage, demean, utterly fail to notice … every person lives out a [life] beautiful, complicated, inaccessible to other consciousnesses. And it is sacred.”And if this conversation resonates with you, consider joining the Trinity Forum community as a member, at ttf.org. You can find the full video of this conversation there too. Marilynne Robinson's Novels | Housekeeping, Gilead, Home, Lila, Jack, Reading GenesisArticle in Breaking Ground from our event.Authors and books mentioned in the conversation:Marcel ProustRalph Waldo EmmersonPaul HardingWalt WitmanWilliam FaulknerJohn CalvinJonathan EdwardsMoby Dick, by Herman MellvillePiers Plowman, by William LanglandRelated Trinity Forum Readings:Sacred and Profane Love | A Trinity Forum Reading by John Donne Bulletins from Immortality | A Trinity Forum Reading by Emily Dickinson Confessions | A Trinity Forum Reading by Saint Augustine Brave New World | A Trinity Forum Reading by Aldous Huxley Marilynne Robinson is a novelist, essayist, and teacher, one of the most renowned and revered of living writers. Her novels Housekeeping, Gilead, Lila, and Home have been variously honored with the Pulitzer Prize, National Books Critics Circle Award (twice), a Hemingway Foundation Award, an Orange Prize, The Library of Congress Prize for American Fiction, and the Ambassador Book Award. She's also the author of many essays and non-fiction works, including her work, “Mother Country”, and her essay collections, “Death of Adam,” “Absence of Mind,” “When I was a Child I Read Books,” “The Givenness of Things,” and “What Are We Doing Here?”. She's the recipient of the National Humanities Medal and an elected fellow of the American Academy of Arts and Sciences. In addition to her writing has spent over 20 years teaching at the Iowa Writers Workshop, as well as several universities.

The Trump White House has tapped Tesla board member and Airbnb cofounder Joe Gebbia to take the lead on its initiative to redesign the federal government's digital footprint. Gebbia announced that he was appointed as chief design officer in a Saturday post to X, formerly known as Twitter. That role was established by President Donald Trump via executive order last week along with a new National Design Studio and an initiative to improve digital and physical spaces called “America By Design.” Gebbia said in his X post that his directive “is to update today's government services to be as satisfying to use as the Apple Store: beautifully designed, great user experience, run on modern software.” Gebbia thanked Trump for supporting the new initiative and asked people interested in joining the studio to reach out with a link to their work. Prior to his appointment as the design chief, Gebbia also worked with DOGE to modernize the Office of Personnel Management's mostly paper-based retirement processing. Sen. Ron Wyden on Monday urged Supreme Court Chief Justice John Roberts to seek an independent review of federal court cybersecurity following the latest major hack, accusing the judiciary of “incompetence” and “covering up” its “negligence” over digital defenses. Wyden, D-Ore., wrote his letter in response to news this month that hackers had reportedly breached and stolen sealed case data from federal district courts dating back to at least July, exploiting vulnerabilities left unfixed for five years. Alleged Russian hackers were behind both the attack and another past major intrusion, and may have lurked in the systems for years. Wyden wrote in his letter: “The courts have been entrusted with some of our nation's most confidential and sensitive information, including national security documents that could reveal sources and methods to our adversaries, and sealed criminal charging and investigative documents that could enable suspects to flee from justice or target witnesses. Yet, you continue to refuse to require the federal courts to meet mandatory cybersecurity requirements and allow them to routinely ignore basic cybersecurity best practices.” That, Wyden said, means someone from the outside must conduct a review, naming the National Academy of Sciences as the organization Roberts should choose. The Daily Scoop Podcast is available every Monday-Friday afternoon. If you want to hear more of the latest from Washington, subscribe to The Daily Scoop Podcast  on Apple Podcasts, Soundcloud, Spotify and YouTube.

This Day in Legal History: Nineteenth Amendment CertifiedOn this day in legal history, August 26, 1920, the Nineteenth Amendment to the U.S. Constitution was formally certified by Secretary of State Bainbridge Colby, granting women the right to vote nationwide. The certification marked the culmination of a nearly century-long struggle led by suffragists like Susan B. Anthony, Elizabeth Cady Stanton, and later Alice Paul and Ida B. Wells, who fought for political inclusion through protests, civil disobedience, and persistent lobbying. The amendment's ratification by Tennessee—by a single vote—on August 18, 1920, provided the necessary 36th state approval to satisfy constitutional requirements.The Nineteenth Amendment's language is deceptively simple: “The right of citizens of the United States to vote shall not be denied or abridged... on account of sex.” But its legal impact was profound, constitutionally guaranteeing the franchise to half the population that had long been excluded. The certification did not end all voting discrimination—many women of color, particularly Black and Native American women, continued to face racist barriers to the ballot—but it was a foundational legal step toward gender equality in civic life.August 26 is now recognized as Women's Equality Day, established by Congress in 1971, to honor the legal and political significance of the Nineteenth Amendment and to commemorate the broader fight for women's rights. The legal principle enshrined in the amendment echoes in later equality jurisprudence, forming part of the constitutional backdrop to cases involving gender discrimination under the Equal Protection Clause.The Nineteenth Amendment also represented a rare moment when a constitutional change directly expanded democratic participation, in contrast to more procedural or structural amendments. It altered not just who could vote, but how lawmakers and courts would later consider the role of gender in public policy and civil rights. The amendment continues to serve as a legal and symbolic foundation for subsequent laws and cases advancing gender equity, including Title IX and the push for the Equal Rights Amendment.On August 26, the legal history of suffrage becomes not only a story of amendment certification, but of constitutional transformation through organized legal and political struggle.U.S. Senator Ron Wyden has called on Chief Justice John Roberts to initiate an independent investigation into the federal judiciary's cybersecurity practices, following a significant breach of the court system's electronic case management system. In a letter, Wyden urged Roberts to involve the National Academy of Sciences in reviewing both the recent and previous hacks—highlighting that foreign actors, possibly including Russia, exploited the same vulnerabilities in both incidents.Wyden criticized the system as outdated, insecure, and costly, noting this was the second major breach since 2020. He emphasized that sensitive data, including information on confidential informants and sealed case files, may have been compromised. The judiciary's handling of cybersecurity, Wyden argued, has repeatedly failed to meet the standards expected of institutions entrusted with highly sensitive information.The senator pointed out that despite years of warnings and expert recommendations, the judiciary has lagged in updating its technology. U.S. Circuit Judge Michael Scudder recently admitted in testimony that the case management system is obsolete and needs replacement. Wyden also noted that while executive branch agencies have been using multi-factor authentication since 2015, the judiciary will not implement it until the end of 2025.Wyden has long advocated for transparency and modernization in the court system, including efforts to make the PACER database free. His latest request underscores growing bipartisan concern over national security implications tied to the federal courts' digital infrastructure.US senator calls for independent review of federal judiciary cybersecurity | ReutersA federal judge has ruled that the Trump administration can move forward with a provision in its recent spending bill that bars Medicaid funding from going to abortion providers in Maine. The ruling, by U.S. District Judge Lance Walker—a Trump appointee—rejected a request by Maine Family Planning to block the provision, part of the One Big Beautiful Bill Act passed by Congress in July. The organization argued the law unfairly targeted them and violated their constitutional rights, but the judge declined to intervene, emphasizing the law was a product of the democratic process.Walker acknowledged that the policy might be unwise but stressed it is not the judiciary's role to override legislative choices based on policy disagreements. Maine Family Planning, the state's largest reproductive healthcare provider, warned that the ruling could force clinic closures and reductions in care, impacting around 8,000 patients annually.The case is one of two major legal challenges to the law. A separate federal judge in Boston has temporarily blocked the same provision as it applies to Planned Parenthood nationwide, and that ruling is under appeal. The Maine case focused on how the law would impact two of the state's main abortion providers and argued it violated equal protection rights under the Fifth Amendment by singling them out.Judge Walker, however, found that Congress has the authority to direct federal funds in ways consistent with its policy goals, including discouraging abortion—a procedure that is no longer protected as a constitutional right following the Supreme Court's 2022 ruling overturning Roe v. Wade.Trump administration can withhold Medicaid funding from Maine abortion providers, judge rules | ReutersPresident Donald Trump has moved to fire Federal Reserve Governor Lisa Cook, alleging she made false statements on mortgage applications—an accusation she denies. The unprecedented move, announced via Truth Social, sent financial markets into a brief stir, with long-term Treasury yields rising and the dollar dipping, reflecting concerns over the Fed's independence. Cook, appointed by President Biden and confirmed in 2022, has vowed not to resign and plans legal action, arguing that Trump lacks authority to remove her without proper cause.Trump claims Cook's conduct shows “gross negligence” and undermines trust in the Fed. However, under the Federal Reserve Act, governors can only be removed “for cause,” a standard historically interpreted to mean inefficiency, neglect of duty, or misconduct while in office. Cook's alleged mortgage misstatements predate her time at the Fed, making the legal grounds for removal murky.This attempt follows months of Trump's public attacks on the Fed for keeping interest rates high. If successful, it would allow him to reshape the board with dovish policymakers more favorable to rate cuts. Critics, including Senator Elizabeth Warren and legal scholars, denounced the move as a political power grab and a threat to central bank independence.The Department of Justice may investigate Cook following a criminal referral, but no charges have been filed. Legal experts suggest the case could test the Supreme Court's recent statements on limits to presidential power over independent agencies. Meanwhile, Cook has reiterated her commitment to her role and refuses to step down amid what she calls political bullying.Trump Moves to Fire Fed's Cook, Setting Up Historic Legal FightAnd in my column this week, a story out of Utah. A small town in Utah, Wellington, is facing public backlash after proposing a 225% property tax hike—a dramatic response to years of avoiding smaller, routine tax increases. This financial crisis wasn't caused by a single year of overspending but rather by elected officials deferring necessary tax adjustments since 2017, despite rising costs for services and infrastructure. While avoiding tax hikes may have seemed politically savvy, it left the town with a nearly $400,000 budget shortfall that now demands a painful correction.The Wellington situation illustrates a broader problem: local governments often delay modest increases to avoid political consequences, only to face greater fiscal challenges later. Holding tax rates flat may feel like good governance, but it allows infrastructure to decay and expenses to balloon. By the time officials act, the required adjustment feels extreme to residents who weren't prepared for it.The solution, according to my piece, lies in normalizing small, predictable tax increases. This would help cities keep pace with inflation and infrastructure needs, without shocking taxpayers. One of my proposed reforms is land value taxation, which taxes land rather than improvements on it—encouraging development without penalizing property upgrades and offering greater economic stability.To depoliticize the process, cities could establish independent, bipartisan bodies to manage long-term tax planning. This shift from reactive crisis management to proactive fiscal planning could help avoid sudden, disruptive tax spikes like Wellington's. The underlying message: the longer tax adjustments are postponed, the more painful and politically damaging they become.Utah Town's 225% Property Tax Spike Is Lesson on Fiscal Realism This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

After a high-profile hack, Senator Ron Wyden is calling for an independent review of cybersecurity in the U.S. courts system. In a letter to Chief Justice John Roberts, Wyden says the federal Judiciary has fallen short in protecting its sensitive IT systems. He pointed to a recent intrusion of the courts' case management system. Hackers reportedly took advantage of vulnerabilities that were brought to light five years ago after a separate hack of the case management system. Wyden says Roberts should commission a National Academy of Sciences review of the two security incidents. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In a relatively short period of time, exoplanets (planets around stars other than our Sun) have gone from an intriguing conjecture to an active field of scientific study, with over 5,000 confirmed discoveries. The task now is to move beyond merely accumulating new examples, and embarking on systematic studies of their properties. What fraction of stars have planets, how are they distributed in size and distance, what kinds of atmospheres do they have, are any promising homes for life? I talk with Natalie Batalha about what we've learned so far, and prospects for future discoveries.Blog post with transcript: https://www.preposterousuniverse.com/podcast/2025/08/25/326-natalie-batalha-on-what-we-know-and-will-learn-about-exoplanets/Support Mindscape on Patreon.Natalie Batalha received a Ph.D. in astrophysics from the University of California, Santa Cruz. She is currently a professor of astronomy and astrophysics at UCSC. She has served as Science Team Leader, Mission Scientist, and Project Scientist for NASA's Kepler satellite observatory. She is a member of the American Academy of Arts and Sciences, and was listed as one of Time Magazine's 100 Most Influential People in the World in 2017.Web pageGoogle Scholar publicationsWikipediaSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

A canopy of stars in the night sky is more than breathtaking. Starlight is also an important tool that astronomers use to study our universe. But the growth of artificial light and light pollution are creating dramatic changes to the nighttime environment. Let your eyes adjust to the dark as we travel to a dark sky reserve to gaze upon an increasingly rare view of the Milky Way and explore what we lose when darkness disappears.   Guests: Kim Arcand – Visualization scientist & emerging tech lead, NASA's Chandra X-ray Observatory and author of “Light: The Visible Spectrum and Beyond". Don Jolley – Teacher of Math and Sciences at the Bolinas School in Marin, California who has been leading dark sky tours for three decades. Christopher Kyba – Interdisciplinary Geographic Information Sciences Research Fellow at Ruhr University Bochum. Descripción en español Featuring music by Dewey Dellay and Jun Miyake Originally aired July 8, 2024 You can get early access to ad-free versions of every episode by joining us on Patreon. Thanks for your support! Big Picture Science is part of the Airwave Media podcast network. Please contact advertising@airwavemedia.com to inquire about advertising on Big Picture Science. Learn more about your ad choices. Visit megaphone.fm/adchoices

It’s time for another journey through the weirdest, wildest, and most wonderful parts of science on the Fun Kids Science Weekly! In this episode, we answer YOUR questions, crown a new champion in Battle of the Sciences, and uncover the amazing science hiding in animal patterns. First up, we discover that a meteorite which landed in the USA is actually older than planet Earth itself! Then, we sink our teeth into a new study showing that dinosaurs were surprisingly fussy eaters, before heading to Patagonia with Professor Neill Gasser to learn why the Perito Moreno Glacier is changing so rapidly. Next, it's time for your questions...Maddie wants to know how far space goes, and Dr László Tálas reveals why tigers are covered in so many stripes! In Dangerous Dan, we meet the Scolopendra catapora centipede — a venomous, lightning-fast creepy-crawly you definitely wouldn’t want to meet in the wild. And in Battle of the Sciences, Professor Cock van Oosterhout makes the case for Evolutionary Genetics, revealing the science behind what makes you… YOU! Plus, the Aquanauts uncover why fresh water is so rare on Earth and the ingenious ways scientists are finding new sources to keep our planet hydrated. What do we learn about?· How a meteorite can be older than planet Earth· Why dinosaurs were picky eaters· The secrets behind tiger stripes· The venomous Scolopendra catapora centipede· And in Battle of the Sciences… how Evolutionary Genetics shapes every one of us! All on this week’s episode of Science Weekly!Join Fun Kids Podcasts+: https://funkidslive.com/plusSee omnystudio.com/listener for privacy information.

Two decades after Hurricane Katrina and its devastating aftermath reshaped New Orleans and the Gulf Coast, we gathered to remember all that was lost, reflect on the lessons learned, and pay tribute to all the good that has been done in the two decades since. And, we look to the future: where do we go from here, and how can this region not just survive but thrive?Renowned jazz musician Dr. Michael White performs original music written in response to Katrina and reflects on connections between recovering from the tragedy and the city's jazz culture. (Dr. White on clarinet, Mitchell Claire on bass, and Sevva Bennet on banjo.)And we are joined by an esteemed panel:Troy Carter - US Congressman. He was previously a member of the Louisiana State Senate, served on the New Orleans City Council, and was a member of the Louisiana House of Representatives.Colette Pichon Battle - Lawyer and Climate Justice Organizer. She's the vision and initiatives partner for Taproot Earth, a frontline organizing project working across the Gulf and Global South.David Waggonner -Architect and founder of Waggonner and Ball, an award-winning, internationally active architecture and environment practice located in New Orleans.Josh Lewis - Scientist and Schwartz Professor of River and Coastal Studies at the Tulane Bywater Institute.—Sea Change is a WWNO and WRKF production. We are part of the NPR Podcast Network and distributed by PRX. Sea Change is made possible with major support from the Gulf Research Program of the National Academy of Sciences, Engineering, and Medicine. Sea Change is also supported by the Water Collaborative of Greater New Orleans. WWNO's Coastal Desk is supported by the Walton Family Foundation, the Meraux Foundation, and the Greater New Orleans Foundation.

For more than a decade, now, the world has been experiencing a process of “democratic backsliding,” while alternatives to governing by popular consent have gained popularity—even in the West. James Fishkin offers a path to improving not just the health of democracy, but the effectiveness of liberal democratic governments. Fishkin holds the Janet M. Peck Chair in International Communication at Stanford University where he is Professor of Communication, Professor of Political Science and Director of the Deliberative Democracy Lab. He is best known for developing Deliberative Polling®, a practice of public consultation that employs random samples of the citizenry to explore how opinions would change if they were more informed. His work on deliberative democracy has stimulated more than 100 Deliberative Polls in 28 countries around the world. It has been used to help governments and policy makers make important decisions in Texas, China, Mongolia, Japan, Macau, South Korea, Bulgaria, Brazil, Uganda and other countries around the world. He is a Fellow of the American Academy of Arts and Sciences, a Guggenheim Fellow, a Fellow of the Center for Advanced Study in the Behavioral Sciences at Stanford, and a Visiting Fellow Commoner at Trinity College, Cambridge.See omnystudio.com/listener for privacy information.

Today we are all over the map. First: Elon, AI, and humanoid robots, with discussion of sex, the industrial revolution, specialization, the Pleistocene, feminism, men's work, porn, clankers, and vaping. Obviously. Then: are there differences between moral panics and social contagions, and is the current focus on pedophilia one or both? Finally: how widespread is fraud in science? It's not rare, and not merely the result of bad actors. Taking a game theoretic approach, authors of new research suggest that many scientists are defecting from honest scientific work for rational reasons.*****Our sponsors:Caraway: Non-toxic, beautiful, light ceramic cookware. Save $150 on a cookware set over buying individual pieces, and get 10% off your order at http://carawayhome.com/darkhorse10.Masa Chips: Delicious chips made with corn, salt, and beef tallow—nothing else—in loads of great flavors. Go to http://masachips.com/DarkHorse, use code DarkHorse, for 25% off.ARMRA Colostrum is an ancient bioactive whole food that can strengthen your immune system. Go to http://www.tryarmra.com/DARKHORSE to get 15% off your first order.*****Join us on Locals! Get access to our Discord server, exclusive live streams, live chats for all streams, and early access to many podcasts: https://darkhorse.locals.comHeather's newsletter, Natural Selections (subscribe to get free weekly essays in your inbox): https://naturalselections.substack.comOur book, A Hunter-Gatherer's Guide to the 21st Century, is available everywhere books are sold, including from Amazon: https://amzn.to/3AGANGg (commission earned)Check out our store! Epic tabby, digital book burning, saddle up the dire wolves, and more: https://darkhorsestore.org*****Mentioned in this episode:Elon Musk and the AI fashion show: https://x.com/elonmusk/status/1958254084806578534Michael Tracey on moral panics: https://x.com/mtracey/status/1958299632703795348Richardson et al 2025. The entities enabling scientific fraud at scale are large, resilient, and growing rapidly. Proceedings of the National Academy of Sciences, 122(32), p.e2420092122: https://www.pnas.org/doi/epdf/10.1073/pnas.2420092122Support the show

The Roundtable Panel: a daily open discussion of issues in the news and beyond. Today's panelists are Preceptor in Public Speaking, Strategic Communications, and Public Relations for the Faculty of Arts and Sciences at Harvard University Terry Gipson, Grants analyst Emily Honen, and Mayor of the City of Albany Kathy Sheehan.

In this episode of the Epigenetics Podcast, we talked with Luca Magnani from Institute of Cancer Research and UNIMI in Milan about his work on epigenetic mechanisms of drug resistance and cancer cell dormancy in breast cancer. We start the interview by putting our focus on his significant contributions to the understanding of estrogen receptor-positive breast cancer. In a foundational study from 2013, Professor Magnani and his colleagues illuminated the role of genome-wide reprogramming of the chromatin landscape in conferring resistance to endocrine therapy. This research marked a departure from a purely genetic mutation paradigm, proposing instead that epigenetic modifications play a pivotal role in the development of drug resistance. A fascinating part of our conversation centers on the role of pioneer transcription factors, particularly PBX1, in regulating the estrogen receptor's transcriptional response. Professor Magnani explains how PBX1, typically associated with hematopoietic development, influences estrogen receptor activity, thereby shaping the cancer cell's fate and response to treatment. Continuing our exploration, we discuss the critical distinctions between primary and metastatic breast cancer through the lens of epigenetic reprogramming. By analyzing samples from women with breast cancer, Professor Magnani's work identifies specific enhancer usage that marks the transition to a drug-resistant state which was a breakthrough in linking epigenetic alterations to real-world patient outcomes. He emphasizes that the reliance on genetic mutations alone does not adequately explain the mechanisms of drug resistance, pushing the field to consider the epigenetic landscape more deeply. Our conversation also touches on the evolution of experimental techniques. Professor Magnani shares insights into the transition from traditional ChIP-seq methods to CUT&RUN, demonstrating the need for techniques that cater to the limited material available from clinical samples. This adaptability mirrors the dynamic nature of cancer itself, as cells continuously evolve under therapeutic pressure. As we traverse through the complexities of dormancy and reactivation in cancer cells, Professor Magnani enlightens us on the unpredictable nature of tumor behavior. He describes how cancer cells can enter dormant states and how their awakening is influenced by environmental factors, akin to an evolutionary response to stressors, thus revealing the intricate balance between survival and proliferation. In the latter part of the episode, we explore Professor Magnani's vision for the future of breast cancer research, which includes the need for better animal models that mimic human disease. His pursuit of understanding estrogen receptor behavior both in healthy and cancerous cells reflects a holistic approach to cancer biology, aiming to decipher the transition from normal tissue to malignancy.   References Magnani, L., Stoeck, A., Zhang, X., Lánczky, A., Mirabella, A. C., Wang, T. L., Gyorffy, B., & Lupien, M. (2013). Genome-wide reprogramming of the chromatin landscape underlies endocrine therapy resistance in breast cancer. Proceedings of the National Academy of Sciences of the United States of America, 110(16), E1490–E1499. https://doi.org/10.1073/pnas.1219992110 Nguyen, V. T., Barozzi, I., Faronato, M., Lombardo, Y., Steel, J. H., Patel, N., Darbre, P., Castellano, L., Győrffy, B., Woodley, L., Meira, A., Patten, D. K., Vircillo, V., Periyasamy, M., Ali, S., Frige, G., Minucci, S., Coombes, R. C., & Magnani, L. (2015). Differential epigenetic reprogramming in response to specific endocrine therapies promotes cholesterol biosynthesis and cellular invasion. Nature communications, 6, 10044. https://doi.org/10.1038/ncomms10044 Patten, D. K., Corleone, G., & Magnani, L. (2018). Chromatin Immunoprecipitation and High-Throughput Sequencing (ChIP-Seq): Tips and Tricks Regarding the Laboratory Protocol and Initial Downstream Data Analysis. Methods in molecular biology (Clifton, N.J.), 1767, 271–288. https://doi.org/10.1007/978-1-4939-7774-1_15   Related Episodes Enhancers and Chromatin Remodeling in Mammary Gland Development (Camila dos Santos) Contribution of Estrogen Receptor to Breast Cancer Progression (Jason Carroll) Circulating Epigenetic Biomarkers in Cancer (Charlotte Proudhon)   Contact Epigenetics Podcast on Mastodon Epigenetics Podcast on Bluesky Dr. Stefan Dillinger on LinkedIn Active Motif on LinkedIn Active Motif on Bluesky Email: podcast@activemotif.com

For many BIPOC students, the fields of STEM can seem out of reach. A program at one San Francisco museum aims to help young people from all backgrounds see themselves as potential scientists.

durée : 00:55:23 - Le temps d'un bivouac - par : Daniel FIEVET - Isabelle Delreal raconte son voyage à vélo de la Bretagne à l'Iran dans une BD. Rencontres, nuits à la belle étoile et questionnements intérieurs au programme de cette aventure de 15 000 km. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Two decades after Hurricane Katrina and its devastating aftermath reshaped New Orleans and the Gulf Coast, we gathered to remember all that was lost, reflect on the lessons learned, and pay tribute to all the good that has been done in the two decades since. And, we look to the future: where do we go from here, and how can this region not just survive but thrive?Renowned jazz musician Dr. Michael White performs original music written in response to Katrina and reflects on connections between recovering from the tragedy and the city's jazz culture. (Dr. White on clarinet, Mitchell Claire on bass, and Sevva Bennet on banjo.)And we are joined by an esteemed panel: Troy Carter -  US Congressman. He was previously a member of the Louisiana State Senate, served on the New Orleans City Council, and was a member of the Louisiana House of Representatives. Colette Pichon Battle - Lawyer and Climate Justice Organizer. She's the vision and initiatives partner for Taproot Earth, a frontline organizing project working across the Gulf and Global South.David Waggonner -Architect and founder of Waggonner and Ball, an award-winning, internationally active architecture and environment practice located in New Orleans.Josh Lewis - Scientist and Schwartz Professor of River and Coastal Studies at the Tulane Bywater Institute.We'd like to thank the Broadside for hosting us and Nikkei Izakaya for providing delicious, local seafood for the reception. This episode was hosted by Carlyle Calhoun and Eva Tesfaye. Sea Change's executive producer is Carlyle Calhoun. Our theme music is by Jon Batiste, and our sound designer is Emily Jankowski. Sea Change is a WWNO and WRKF production. We are part of the NPR Podcast Network and distributed by PRX. Sea Change is made possible with major support from the Gulf Research Program of the National Academy of Sciences, Engineering, and Medicine. Sea Change is also supported by the Water Collaborative of Greater New Orleans. WWNO's Coastal Desk is supported by the Walton Family Foundation, the Meraux Foundation, and the Greater New Orleans Foundation. 

A major new history of Saudi Arabia, from its eighteenth-century origins to the present day Saudi Arabia is one of the wealthiest countries in the world, a major player on the international stage and the site of Islam's two holiest cities. It is also one of the world's only absolute monarchies. How did Saudi Arabia get to where it is today? In Saudi Arabia: A Modern History (Yale UP, 2025), David Commins narrates the full history of Saudi Arabia from oasis emirate to present-day attempts to leap to a post-petroleum economy. Moving through the ages, Commins traces how the Saud dynasty's reliance on sectarianism, foreign expertise, and petroleum to stabilize power has unintentionally spawned secular and religious movements seeking accountability and justice. He incorporates the experiences of activists, women, religious minorities, Bedouin, and expatriate workers as the country transformed from subsistence agrarian life to urban consumer society. This is a perceptive portrait of Saudi Arabia's complex and evolving story—and a country that is all too easily misunderstood. David Commins is the Benjamin Rush Chair in the Liberal Arts and Sciences and professor of history at Dickinson College. He is the author of Islam in Saudi Arabia, The Gulf States, and The Wahhabi Mission and Saudi Arabia. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Discover Europe's best-kept secrets! Travel advisors Ryan and Julie explore four incredible European "second cities" that offer authentic experiences, fewer crowds, and better value than popular tourist destinations. Learn why these underrated gems should be on your travel bucket list.Featured DestinationsSplit, Croatia

A major new history of Saudi Arabia, from its eighteenth-century origins to the present day Saudi Arabia is one of the wealthiest countries in the world, a major player on the international stage and the site of Islam's two holiest cities. It is also one of the world's only absolute monarchies. How did Saudi Arabia get to where it is today? In Saudi Arabia: A Modern History (Yale UP, 2025), David Commins narrates the full history of Saudi Arabia from oasis emirate to present-day attempts to leap to a post-petroleum economy. Moving through the ages, Commins traces how the Saud dynasty's reliance on sectarianism, foreign expertise, and petroleum to stabilize power has unintentionally spawned secular and religious movements seeking accountability and justice. He incorporates the experiences of activists, women, religious minorities, Bedouin, and expatriate workers as the country transformed from subsistence agrarian life to urban consumer society. This is a perceptive portrait of Saudi Arabia's complex and evolving story—and a country that is all too easily misunderstood. David Commins is the Benjamin Rush Chair in the Liberal Arts and Sciences and professor of history at Dickinson College. He is the author of Islam in Saudi Arabia, The Gulf States, and The Wahhabi Mission and Saudi Arabia. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

A major new history of Saudi Arabia, from its eighteenth-century origins to the present day Saudi Arabia is one of the wealthiest countries in the world, a major player on the international stage and the site of Islam's two holiest cities. It is also one of the world's only absolute monarchies. How did Saudi Arabia get to where it is today? In Saudi Arabia: A Modern History (Yale UP, 2025), David Commins narrates the full history of Saudi Arabia from oasis emirate to present-day attempts to leap to a post-petroleum economy. Moving through the ages, Commins traces how the Saud dynasty's reliance on sectarianism, foreign expertise, and petroleum to stabilize power has unintentionally spawned secular and religious movements seeking accountability and justice. He incorporates the experiences of activists, women, religious minorities, Bedouin, and expatriate workers as the country transformed from subsistence agrarian life to urban consumer society. This is a perceptive portrait of Saudi Arabia's complex and evolving story—and a country that is all too easily misunderstood. David Commins is the Benjamin Rush Chair in the Liberal Arts and Sciences and professor of history at Dickinson College. He is the author of Islam in Saudi Arabia, The Gulf States, and The Wahhabi Mission and Saudi Arabia. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/islamic-studies

A major new history of Saudi Arabia, from its eighteenth-century origins to the present day Saudi Arabia is one of the wealthiest countries in the world, a major player on the international stage and the site of Islam's two holiest cities. It is also one of the world's only absolute monarchies. How did Saudi Arabia get to where it is today? In Saudi Arabia: A Modern History (Yale UP, 2025), David Commins narrates the full history of Saudi Arabia from oasis emirate to present-day attempts to leap to a post-petroleum economy. Moving through the ages, Commins traces how the Saud dynasty's reliance on sectarianism, foreign expertise, and petroleum to stabilize power has unintentionally spawned secular and religious movements seeking accountability and justice. He incorporates the experiences of activists, women, religious minorities, Bedouin, and expatriate workers as the country transformed from subsistence agrarian life to urban consumer society. This is a perceptive portrait of Saudi Arabia's complex and evolving story—and a country that is all too easily misunderstood. David Commins is the Benjamin Rush Chair in the Liberal Arts and Sciences and professor of history at Dickinson College. He is the author of Islam in Saudi Arabia, The Gulf States, and The Wahhabi Mission and Saudi Arabia. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

BOSSes, get ready for an electrifying conversation with a true entertainment icon. In this episode of the VO Boss Podcast, Anne Ganguzza is joined by the legendary Rolonda Watts, an Emmy-winning, talk show host, actress, and award-winning voice actor. Rolonda's career is a masterclass in professional reinvention. From her groundbreaking syndicated talk show, The Rolonda Show, to her powerful voice acting work on Professor Wiseman in Curious George and her on-screen roles in Mind Your Business and Survival of the Thickest, she embodies the art of pivoting with purpose. The hosts discuss how her journey from journalism to entertainment shaped her, why listening is the most important tool for any communicator, and the life philosophies that have guided her to become a true BOSS.   00:01 - Anne (Host) Hey, bosses, Anne Ganguzza, you know your journey in voiceover is not just about landing gigs. It's about growing both personally and professionally. At Anne Ganguzza Voice Productions, I focus on coaching and demo production that nurtures your voice and your confidence. Let's grow together. Visit Anneganguzza.com to find out more. 00:48 Visit anganguza, hey. Hey everyone, welcome to the VO Boss Podcast. I'mGanguzzayour host, Anne Ganguza, and I have something amazing for you 00:53 , bosses, today.  00:55 Today's guest is a one-woman entertainmentRolondaempire. She's done it all award-winning journalistRolonda daytime talk show host, actor, stand-up comic, best-selling author and one of the most recognizable voices in voiceover. You may have heard her as Professor Wiseman on Curious GeorgeRolonda in the Proud FamilyRolonda kung Fu Panda and now Invincible Fight Girl. She's also the annoucer and promo voice of the Sherry Show, where Sherry Shepard calls her a daytime talk show legend, which I happen to agree. Rolanda Watts is currently lighting up the screen on Bounce TV's hit comedy Mind your Business which I always get to see all the shorts on the Facebook feed, by the way where she plays Lucille, the sharp, sassy family matriarch that keeps it real with tough love and somehow I feel like that just echoes your character to a T. And she I feel like that just echoes your character to a T, and she's also appearing in the upcoming season of Netflix's Survival ofRolondathe Thickest, and was recently inducted into the prestigious Silver Circle by the National Academy of Television Arts and Sciences at the 2024 Emmys, recognizing her lifetime of groundbreaking work in television.  02:04 Bosses, please welcome the incomparable Rolanda Watts, thank you. Thank you, rolanda. I have to tell you, you know I'm a big fan. I mean, I've said this to you before, but, bosses, I am the biggest fan of Rolanda. I actually know Rolanda from watching her on daytime talk TV, and that was a while ago. I want to say that daytime talk shows had just kind of come into like being, and you're one of the first that I watched and I just I just you, your personality, just everything about you was just amazing. It's just magnetic, and so I am so excited to be able to interview you, a talk show host. So I was like, oh man, how am I going to prepare to talk to you? But you are just so gracious and wonderful, and so that kind of gave me a little bit of of hope that I wouldn't completely flub it up today, rolanda.  03:05 - Rolonda (Guest) I don't think you would do that, Anne.  03:08 - Anne (Host) My goodness. So for the bosses, who you know don't really know your story and how you started off, I mean, my gosh, you're a media empire, so I don't even like we could have like five days worth of interviews with you, but it all started as broadcast journalism correct interviews with you, but it all started as broadcast journalism correct?  03:28 - Rolonda (Guest) Yes, Tell us about that. Well, I grew up in Winston-Salem, North Carolina, and I, you know, I went to well, it's a long story about how I became an actor, but it all started with being 12 years old and going to Broadway with my family and seeing Guys and Doll and I was just like, oh my God, I love the stage and that's what I Anne do. So I went to Spelman and majored in theater arts and then there weren't a lot of roles when I got out of college. There just wasn't a track for folks who looked like me in the acting world, and so I fell in love with journalism, went to Columbia's Graduate School of Journalism and I was a news reporter and investigative anchor woman and producer for many years for New York WABC, WNBC Inside.  04:16 - Anne (Host) Edition, and that's impressive. And all of a sudden. Well, yeah, I was an investigative journalist. I mean you just said it like it came so easy. But I Anne imagine at the time. I mean you must have had to really work to get yourself in that space.  04:33 - Rolonda (Guest) Well, it was a crazy time because it was the 1980s. There weren't a lot of women in investigative news reporting, not in New York City, and so it was a groundbreaking time for women and and there was so much in the news, especially in New York, it was the big gang wars, the mob wars. You know, gotti hadn't even come into into play yet, so it was murder and mayhem. I was covering, wow and yeah, an inside edition. I was more murder and mayhem.  05:04 - Anne (Host) I remember that.  05:06 - Rolonda (Guest) Yeah. And then a man by the name of Roger King, who in heaven remains the number one selling as human being in television, asked me if I would like to do my very own syndicated talk show. So for four years I did the Rolanda show and then, when that was over let's loop back to the 12 year old who wore the subway token around her neck as a good luck charm. I said I'm not going to be on a porch when I'm 80 years old, going I could have, would have, should have. I am going to take my chances and go for my lifelong dream and make that 12 year old inside of me happy.  05:41 And I took off and went to Hollywood and that's where I became an actor and a writer and a producer and had my own production company and stumbled into voice acting and all of these things were part of what so many people call me the reinventionist. But I have had to reinvent my life for so many reasons and so many times. But I believe that isRolondamany different things that I've done and it's all around one thing and that's what we do as voice actors Good storytelling.  06:13 - Anne (Host) Yeah, absolutely Absolutely. And it's so interesting because before I had really come into like knowing you again, after you know, watching your talk show, and then knowing you as in voiceover yeah, the Anne and promo voice of the Sherry show, how interesting. Like you started to talk show, you're like a legend and talk show in my, in my brain. I'm like Rolanda, that's so awesome, like you. And now you kind of came full circle back to it a little bit Right, being the Anne and the promo voice.  06:46 And I was watching a clip of you the other day and Sherry was saying something. She was going on. She was gushing about you, which I get that. She was gushing about you and it was so interesting. She was giving you this credit about talking about your talk show and how wonderful you were and you turned it right. The conversation went right back to her about how wonderful she was and I was just blown away by how gracious that was and I just thought, well, no wonder. Well, no wonder you made such a great talk show host, such a great communicator, such a great actor and stand-up comedian and everything, because you just have this wonderful way of connecting with people.  07:29 - Rolonda (Guest) Well, you're awfully sweet, Anne. I'm going to receive all of that, but I thank you for that. You know it's, it's it. I, you know I was. I get blown away too, because Sherry does not hold back about what. What do the folks say? Giving me my flowers? And it's nice to receive them when you can smell them. You know, you know, know, it's really interesting because we did pave the way for sherry and and kelly and and drew and tamron all of them and I also know the hard work that those ladies are doing.  08:04 This job called talk is not easy. The politics that go on, the struggles day to day, the whole idea that the show is bigger than you as a human. It's very trying and you're out there by yourself. So I of course give her her flowers back because you can hand over the baton, but if the person can't run with it it really doesn't count. So to be able to see that continuum is a beautiful, beautiful thing.  08:29 And you know what's really funny is that Sherry's executive producer, who you see on the show all the time, John Murray. John was a college student when he first came to see my show and that's when he got the TV bug. He was bitten by the TV bug and so I would invite him back. In fact, one time I put him on the show so he could come and see how the producers worked and the behind the scenes working Skip to him becoming the executive producer of the Sherry show, and he said there's no other voice that we would have introduced, Sherry, and pass on the legacy than you. So it's really good. I mean, you got to be nice to kids, because they're coming up and they'll be your boss.  09:10 - Anne (Host) Right. Isn't that the truth?  09:12 - Rolonda (Guest) It is, it's like full circle.  09:13 - Anne (Host) You've, really you've done so much and you are.  09:15 I feel as though you've got. I feel like, look, I know how busy I am and I do a lot of stuff, but I feel like you, you're, you're doing it all. I mean you're, you're in that sitcom and I see, I'm thankful. I see the clips that you're posting on Facebook and it's so funny how the Rolanda that I know right, that I had a conversation with at VO Atlanta, I mean I feel like it is just so true to your character. Tell us a little bit about that role. I feel like you're just having the best time doing it.  09:44 - Rolonda (Guest) Oh my God, Lucille Williams, or Lucille is just one of the most wonderful characters. I mean, she's just great. And this coming weekend she's going to break off into her cougarlicious life, I know, oh wow.  10:05 She and her besties. They call themselves the silver sneakers. The nieces have convinced them that they need to give up the old guys, who just need a nurse and a purse, and go and get some of the young guys to go get some cool you know, be cougars and so we see how that works. But it's very, you know, it's fun to play her. She's sassy, she's the matriarch of the family, but at the same time we're writing storylines that give her a full bodied woman-ness. At this certain age, absolutely, absolutely.  10:42 - Anne (Host) I love that.  10:43 - Rolonda (Guest) But Mind your Business is a wonderful sitcom. It's one of those wonderful family sitcoms. It's produced by Bentley Evans, who did Jamie Foxx and Martin, so you're going to get that kind of zany funniness, but it's. But my character is lost her business almost during covid and calls on her family to come in and help save the business. And so she moves in with the family to save some money and all hell breaks loose. They need more of a referee than they do business partners. Now.  11:14 - Anne (Host) I love it. Now, if I'm correct, you're on season two, is that correct?  11:20 - Rolonda (Guest) We're on season two. That's right.  11:22 - Anne (Host) That's right Will there be more seasons. We certainly hope so. I hope so too.  11:25 - Rolonda (Guest) Listen, we're depending on you to watch and binge and love it. We're on Bounce TV or the Brown Sugar app and you Love it.  11:32 - Anne (Host) We're on Bounce TV or the Brown Sugar app and you can go look up where you can watch it. Yeah, I love that. Well, ok, so All right, we have to. Now we have to come to the voiceover aspect of things. So you actually have been doing voiceover since you came to LA, right?  11:46 - Rolonda (Guest) And well, you know what's so crazy, Anne, is that I was doing voiceover work, promos and Anne and voiceovers, and I didn't even know I was a voice actor, because I was doing all of that stuff for my show. I mean, had I known I was a voice actor at that time, I would have had a very different contract, trust me. But but it let meRolonda you know. But, just being a news reporter for so many years in New York City and on Inside Edition across the nation, people just knew my voice. And when, when I moved to LA and gave up the whole news and talk business to come out here and be an actor and a producer, nine months into the game the writers went on strike and instead of hosting an internationally syndicated talk show, I was on the picket line serving pizza to the striking writers.  12:39 And I was like what am I going to do? And I had to eat, I had to pay my rent, I mean what, what? And it was like I'm not going back to news, so what am I going to do? And I remembered that I used to call 411 back when you used to get information and the operator even knew my voice. They would go is this Rolanda. And so I said well this, I know I've got a voice, I'll go do voice acting. And I could not catch a cold because I didn't understand what the business was about. I had a voice and I had a microphone, but I had no idea what voice acting was about. I had a voice and I had a microphone, but I had no idea what voice acting was about.  13:14 So I went over to Calumson and Calumson over there in Burbank and I took a class and that thing saved my life because those that was the one of the that was the well, it was one of the longest strikes in Hollywood nine months and by that time I had created a whole new career and the voice actors weren't on strike. So I said this is a great backup for my physical acting and there are times and when my voice works more than my physical acting and now that I'm becoming a woman of a certain age those roles aren't coming in as quickly. But, honey, I can play a hot 30 year old.  13:53 - Anne (Host) Well, my voice. I love that you're using the woman of a certain age because, as a woman of a certain age, as well, what are you?  14:02 - Rolonda (Guest) going to do.  14:04 - Anne (Host) Exactly. I mean, I say use it Right, I mean absolutely. And so let's talk just for a brief moment about what. So acting and voice acting, same, different, what? What would you say are the key differences? Because you said, oh, I had to go to Kalmanson and Kalmanson, right.  14:22 - Rolonda (Guest) So there are some things, yeah, oh, absolutely.  14:25 - Anne (Host) Bosses need to know that are different and I absolutely always tell people yes, you should, you should, you know, take acting classes. But also there are some, some differences.  14:35 - Rolonda (Guest) Yeah, I find that there there's. It's just a different set of muscles, I think that's what you would say. One is just strictly your imagination and I think, well, for me, one helps the other. Well, for instance, the character I play we talked about Lucille, lucille talks like this she's got a little quiver in her voice and she just real high pitch, like that. So some of those tricks that we learn in terms of texture and pitch and pacing and all of that that we do as we imagine our characters, I do the same thing when I see the character on the page and I say how does that voice, what? What is it about her voice that's going to make her stand out. And they know that's Lucille, that's part of her, because she doesn't have cause. That character doesn't have this voice, not my voice. So I think that that that helps me find my characters In fact.  15:29 In fact I did a play and I had I did three plays at one time. Craziest thing in the world never been done Did three plays at one time, playing 10 different characters, from a nine-year-old girl to a 76-year-old grandmother, and all of those are different voices. You know, one was a journalist, one was a, you know, grandmother one, a, a little girl who grew up in mississippi. I mean, those are just such different voices and I also have bring my physical things, like when I'm thinking of a character in my voice, acting. I think what would they wear?  16:04 Shakespeare said, the clothes make the man and the woman too. Are they wearing a cape that they sold over there, you know? Are they carrying a sword? Does she have really tight bobs in her hair? I mean, does she have a mustache? So there are all kinds of things that I think. If I'm in my prop room or my wardrobe room and it's just my imagination, what can I do to help bring those things to light? Just the way, when they put the wig on and the clothes and the heels on for stage or screen, you could become that character. You do the same in your imagination, yeah.  16:37 - Anne (Host) I love that, I love that parallel.  16:40 That makes so much sense, actually, and it's interesting. So, for voice actors, who have not necessarily acted, what sort of tips would you have to for them to be better actors? Let's say, because it's funny, I do a lot of the stuff that people don't think you need to act for in terms of voiceover, like corporate narration or e-learning, and they think that you don't need to act. But in reality you're always a character, and so when I'll say to my students, envision that scene, it's just to them they're like what, why? Why do I need to do that? Why don't I just read the words? You know why?  17:20 - Speaker 3 (Announcement) I hear it. Yeah, exactly, you know why?  17:22 - Rolonda (Guest) Because we're not looking for readers, we're looking for actors, and I think that's one of the biggest mistakes that folks make who don't become a VO boss is because they don't understand what this industry is about. It's really not even about your voice. It's not about I mean, everybody has a beautiful, unique voice, because there are no two voices alike but it's the acting that's going to make you so different. It's those subliminal things under those lines. Sometimes you have a whole commercial that tells a whole life story in four lines and they, they fought over those lines. Attorneys, 50 people made all those lines. So they mean something. What is the story we're telling here? Right, and who am I in this story and who am I talking to? You know all of those questions. Where am I? Why am I even this story and who am I talking to? You know all of those questions. Where am I? Why am I even talking about this toilet paper? You know, and I'm a bear.  18:21 Why am I. Even I'm a mama bear. I mean why? You know why am I, and I'm not going to act like a bear, but I'm going to act like a mom who's concerned about her kids not wiping themselves. And that's just real stuff. So how do you tap into the authenticity? How do you make it human? Because what our job is is to connect with another human being. That's something that folks down there on Madison Avenue, the big advertisers, can't do in their suits, so they depend on us as actors, to be human, to be just plain old ourselves and human. No bravado, as we're hearing so much in our copy and in our instruction and directions as actors. Authenticity, throw it away, just give it to me. No salesy, no Anne, and I got to tell you that's the hardest thing in the world to do. Even for us seasoned actors, it's sometimes hard to shake off the the, the formality and just get real with it. You know and feel comfortable and confident with that.  19:21 - Anne (Host) Can I ask you to repeat that, can you that you said, you said what you said. It was hard, it's hard, it is hard, right. It is so hard Like I love it because you create that scene Right. It is so hard, like I love it because you create that scene Right In which those words make sense, right.  19:36 And tell a story and sometimes those words are really we don't know. We don't know that, Like I, have some people that are almost indignant that they don't have a storyboard or they don't. They don't understand the words. So therefore, if they don't, they're just kind of well, let's just say them then.  19:58 - Rolonda (Guest) Right In a melody that I think they want to hear. Rolonda, that's great, then they'll have a melody that they just heard, but they won't have the commercial.  20:03 - Anne (Host) I love it, so yes, so you said it's hard, rolanda says it's hard, it is.  20:09 - Rolonda (Guest) I go on record as saying the hardest thing I've ever had to do whether it was talk, tv or vocal or physical acting is being myself. Now in life, I have no problem beingRolondaauthentically Rolanda. What you see is Rolonda you get. But it's something that happens when we pick up that script and that microphone is in front of us and, all of a sudden, things start changing and happening. We're just not ourselves. I don't sound like myself. I don't like toRolondahear my voice. It takes, it's really acting. When you hear people who sound like how did they get that job? They don't even sound like a voice actor. It's because they are turning themselves Rolonda a virtual pretzel justRolondato sound like that, to sound so normal.  20:58 I remember when I first started doing my talk show um, the, the demand of being a, an actor I mean not an actor, but a talk show host with a talk show called rolanda was that you had to be Rolanda. You couldn't be the news reporter anymore. That was crucial to the success, and so it was very hard to even do it then, and I can remember my bosses and my partners calling going get that news reporter out of there, bring back Rolanda. And I said but I've got this crazy laugh and a raspy voice and I, you know, I'm a Southern accent and that's everything that makes my brand. I mean, it's crazy, but that's Rolanda. When you say Rolanda, that's what you hear. So whatever that is about you, whatever that quirky, crazy thing that you think is your fault, that's going to be your greatest asset. You know, when I was a little kid, they called me froggy and I always played all the guys in all my all girls school plays and I thought that was a real fault of mine. And now I can play women, men, little boys, pirates, anything in this industry of voice acting, and there's no limitation. The only limitation is your imagination. It's not about the equipment, it's not even about your voice. It's about your brilliant imagination and what you bring to that character, not even the microphone, what you bring to that character that nobody else thought about. That made that animator go. Oh, I can't wait to draw this character, um, and to make the casting director's job easy. They want you to win, they want you to get this job, so give it to them, show them your special sauce.  22:43 But I think it takes real practice, practice, practice. Like carnegie hall, they say. You just don't walk up into carnegie hall and start playing the violin. No, you got to learn how the instrument works. You got to learn how to maintain it, take care of it, how to make love to that instrument so it delivers that God given art and craft that you've put into it. You've got to do the work. And a lot of people think, well, I can just go pick this up and read. And the sad thing is, and they don't take classes and they have no idea what they're doing wrong. The worst thing that can happen is you go years and years and years building on the wrong stuff because you never took the time to learn the right stuff. You don't know what you don't know. Yeah, that's so.  23:29 - Anne (Host) I'm.  23:29 - Rolonda (Guest) I'm real big on training and classes so that you get the education and the acting experience and you understand how to break down scripts, you understand the vocabulary of this industry and how to network and and and use your resources that are right there at your fingertips.  23:46 - Anne (Host) Well, I think I think you're probably very much a VO Boss on using those resources and networking throughout your whole career. That's absolutely something that I feel that you've you've done so successfully. What would you say is probably the most important thing tip that you could give to to ensure success in this industry? Because it's a evolving industry and, yes, being the the queen of reinvention, right, you've had to reinvent yourself, and reinvent yourself not only in, you know, voiceover, but in, like all the media and how it's evolved over the years. So what would be your, your best tip to ensure success? Don't quit there. You go.  24:26 - Rolonda (Guest) I like that. The only people who don't succeed in voice acting are people who quit. I like that. You know, even the greatest ones. And you know, when we're at the VO Atlanta conference and we're with the greats I mean we're with Bob, who's Porky the pig, and we're with Joe, who's every network's Anne and when you hear these, these, these major vo stars and pros say, man, I do 50 to 100 auditions and may not nab the job a lot of us went whoa.  24:59 - Anne (Host) thank god, it's just not us, because yeah, I mean I can show you a stack in my head. I'm like oh, thank god, because, yeah, I, I just did a ton, I know, yeah, and look, listen I hear some auditions from this month okay yeah, am, I, am, I am I booking every one of them?  25:16 - Rolonda (Guest) no, but that's but. But you have to change your mindset. Every time I show up that microphone and I'm doing an audition, I'm not going up there. Well, I'm not going to get the job anyway. If you've got a bad attitude like that, it's time for you to jump into a classroom and just realign yourself, because this is a long game. And let me tell you what's going to happen when you get great you nab that job, you go and do that commercial. One hour it's gone and you're right back to auditioning again. So don't put all of your emphasis on just the job, but the but, the practice, the maintenance of it. Uh, going to conferences like the VO Atlanta conference, vo Dallas conference, sosa look up these places. That's a good place to hobnob. This is a very solo business. You're a solopreneur, you're by yourself, you, your microphone, your computer and your imagination. That's it. So get out and join memberships. Like Anne. You can come and take my class, the voice acting masterclass with Rolanda. In fact, I'm going to offer your listeners a very special deal if they're interested.  26:29 But that's another way that we build community and you learn what's the cutting edge. Right now we're dealing with AI. What does that mean? Staying on the cutting edge of things that are going to affect your career and really take it as a business. This is not just a hobby. Understand how your taxes work, understand the legalities and understand the questions to ask when you're signing a contract. Now just don't run out there all willy-nilly and not ask the right questions or your voice will be used forever and you not get paid. You know the video game people just had a strike and got some. Where are we moving forward in the business?  27:10 Be able to talk intelligently about the business. So when you're out there meeting people, they know, oh okay, this is somebody really serious. This isn't just somebody who just got a microphone on amazon and call themselves a voice actor, because there's a lot of that. But I say that um, really, just don't quit and understand that every time you show up in front of that microphone, it's another opportunity to show you a special sauce. And if the casting director doesn't get you into this particular job and that's not their decision, it's the producer's or whoever the client is. If you don't make it then, then at least they've heard you. I get a lot of times where they're. Rolonda same client will keep calling me back and I know I've impressed them in those other auditions I've done, so I know they're looking for something for me, so I just keep showing up, doing the best that I possibly can and finding ways to make it different. Because they've heard the same audition 50 million times, sometimes 500 times.  28:12 So what can you do to make it a little different and still stay within the parameters? So there's Ganguzza kinds of tricks and strategies and all kinds of things that you can do to stand Ganguzza and also how you market yourself like anything else. This is a brand Just because Rolonda have a microphone. Anything else this is a brand. Just because you have a microphone doesn't mean you have a brand. So reallyRolonda you know, that's one of the things I tell my students all the time. Once you get the breaking down the script and understand how the microphone and the vocab let's, let's talk about marketing, social marketing. How do we brand ourselves? How can you be one name like Rolanda and people immediately know what that means, and so that's really knowing your stuff and knowing your own voice too, that's so interesting because for a while, when I first started, I had different names.  29:00 - Anne (Host) I mean I, of course I started VO Peeps, I have VO Boss, and then I have Anne Ganguza brand and I'm like I really just need to wrap it all up into the Anne Ganguza brand. So finally, people say I need an Anne Ganguza, like I need a Rolanda. I need an Anne Ganguza, and so I love that that you have that brand and you build on that brand. But, rolanda, let me ask you a question, because I saw the stack of auditions. Do you I mean still, do you get, still I say still do you get an imposter syndrome?  29:31 - Rolonda (Guest) I think I'm pretty much. I'm pretty much at this time in my life. I know who I am. You know I'm not trying to. I've done enough and achieved enough and have enough confidence in myself. I think you know what I think this is. The other thing about this industry is confidence, because you can hear I can hear through a microphone. If you're not confident and you don't even believe yourself, if you see it, I'm going to see it. If you believe it, I'm going to believe it. And that's half the battle, I mean, and that's also part of the practice of this art and this craft, is learning how to still your nerves. Breathing is so much a part, warming up is so much a part of it and it's a full body job. This is an inside job because your beautiful vocal cords are right here in this body encases it. So you got to work out, you got to stretch. You know I love this. Old morgan freeman used to say that the secret to his great voice was a good, deep yawn.  30:29 Absolutely, you know because it just loosens up everything and these 41 muscles up here need to be worked out. A lot of people just jump right up, start reading, don't even warm up their mouths.  30:40 - Anne (Host) As evidenced by your. I think it was yesterday when I saw you on Facebook and you were like all right, I'm going back to the gym.  30:48 - Rolonda (Guest) I know. I messed up.  30:50 - Anne (Host) That's it. I'm going back.  30:54 - Rolonda (Guest) I'm a hot mess but.  30:56 - Anne (Host) I think that warming up I mean it helps, it absolutely does. Just a physical walk, you know, if you go to the gym, a physical warmup does absolutely help. Now, we did talk, we touched upon the confidence issue. We did talk, we touched upon the confidence issue, and one thing that I'm really excited about is that in let's see, is it in September, on the 17th, we are going to have you doing a guest directorship for the VO bosses on improv to improve your confidence and connection. So we will be talking about how bosses can remain confident or stay confident or get confident in the booth, and I love that.  31:35 You said that we can hear. We can hear that confidence and it's really interesting because even if you're telling a story and it may not be the story that ends up being on the video or the commercial right or the commercial right If we're auditioning and we're telling a story and we're convinced of it and we are confident in it, then the people listening, the casting directors, the people that will cast us, will believe it as well, and I think that's one of the telltale signs that they say, ah, shortlist, or that's what's gonna get you the gig.  32:05 - Rolonda (Guest) I think confidence and that's really believing in yourself and being able to take chances and risks. Because you know, think about it. The casting director is hearing 500 people say the same three lines. What are you going to bring to that story that's going to make a difference? I'll give you an example.  32:23 I did an at t commercial and it was about it. It was a very little short commercial and it was about a young girl who sees her mother, who has gone out for girls night at a salsa club, and she says mom, is this you on social media? And the mother goes oh, yes, honey, we were out with Raul last night and we were just dancing and then I something happened. And I said and I just to world. That was not even a line in the script, but I just had this imagination, cuz I used to go out salsa with my girlfriends in California and, honey, when Eduardo would ask us to dance, we would to world. And that just brought that into that like an aunt Lucille, and that's what got me the gig. And it was, and it was just that little button that we say, you know, because they've heard 500 times that people say the same thing yes, I went salsaing with my girlfriend, but nobody twirled but me, nobody's.  33:26 - Anne (Host) nobody else is twirling except for Rolanda. Nobody else is.  33:29 - Rolonda (Guest) honey, that's how much fun I had, which lets you know what that video must have looked like, that the girl saw.  33:36 Absolutely, absolutely, and listen and the fact that these old ladies were even on social media, lets, you know, those boys were young. They taught him how to tick and tock and twirl, you know. So I'm having a whole imaginative thing about going out with my girlfriends and then my girlfriend, my daughter, catching me. Oh please, child, we had a good time. You know, we don't care about what people think at this age. So bringing all of those things, even my own wisdom at this age, like I don't care, honey, I'm twirling with Eduardo because the guys my age don't twirl, so I'm bringing all of that fun into it, you know.  34:11 Another example was when I did judge Joe Brown. You know I was the Anne for that show and when I was doing the audition we had to, you know, was a promo, so I would have to read the line and then listen to the sound bite and then read the line in between. And listen to the sound bite, read, read the line. And I was so big. Judge Joe was such a crazy, freaking judge show. I would say, coming up today on Judge Joe, I'm going to slit your tire and I'm going to beat Shaniqua Mary can't stand, john and then I'm going to cut your other tire and then I would be.  34:46 And then one time I just went, whoa, the next Judge, joe. Honey, they fell on the floor. I was so busy listening that I was reacting like an at home person and I was like, ooh, on the next Joe. I was so irreverent that they created a little animation called lady justice and it was a little bug and I made up this whole story that lady justice was in love with joe just like the daytime audience was gone. Joe, tell them, joe, that's judge, joe, you know because I know the daytime audience. Yeah, so that's the other question we asked who are you talking to?  35:30 - Speaker 3 (Announcement) absolutely, this wasn't the inside edition audience. This. Don't be afraid to take that risk.  35:53 - Rolonda (Guest) You can do a straight one on the next Judge. Joe and Shanique was going to go, but honey, one time let it rip and show them that you can have fun. Fun is the main key. If it's not fun, don't do it.  36:05 - Anne (Host) Yeah, I agree, I think if you can make, if you can make someone laugh, if you can, if you can, if you can bring a smile to that casting director, that person listening to you, oh my goodness. And speaking of because normally I try to make this, you know, a 30 minute podcast, but I do want to touch upon. I do want to touch upon the fact that you are a stand up comedian as well, and we had quite a conversation at VO Atlanta on that, and so I feel like that's just all embedded in your personality and I think you were always a funny person, like from maybe a young girl. But talk to us about being at stand up comedy is tough.  36:41 - Rolonda (Guest) Oh, it's really tough.  36:42 - Anne (Host) But you know something that's a rough audience.  36:45 - Rolonda (Guest) Know your audience. Who are you talking to? That's true. And you know something Lunell taught me that she said know your audience, be able to switch on a dime, whatever. But I'm going to tell you just, VO bosses, that comedy helps immensely. It helps your timing, you know. So much of comedy comes in threes. So when you're doing animation or even some fun commercials, what's that third line where the funny ABC?  37:10 - Anne (Host) read right Where's that?  37:11 - Rolonda (Guest) Where's that? Third line where the funny? Or they want an ABC. Read Right, where's that? Where's that? Where's the funny? And that also gives you the confidence and the imagination and and I tell you funny, joan Rivers told Sherri Shepherd funny girls always work, funny women, funny girls always work, funny women, funny women always work. So adding a little humor to something I think makes you stand out. But I love the craft of comedy. I'm uh got uh some comedy shows here in New York at the comedy village comedy in Harlem, and then I'm going to go out to flappers in LA this winter December for the holidays and I'm opening for Lunell and that's really exciting so yeah, I'm getting my comedy on Awesome.  37:58 - Anne (Host) Look out for me on Netflix one day. I do not doubt it. Well, rolanda, it has been such a pleasure. I wish I could talk to you for another. Well, another five episodes.  38:07 - Rolonda (Guest) Oh, wait a minute. Wait a minute Speaking of Netflix. I got to do this and we're talking about Michelle Boutot's show survival of the thickest.  38:15 - Anne (Host) I'm on that one as well on Netflix. Awesome. Oh, and before and before we actually go, talk to us a little bit about September 17th improv to improve your confidence. A little bit about what we're going to, we're going to be diving into in that class.  38:30 - Rolonda (Guest) Oh, I can't wait to that class because improv is such a great way to gain your confidence, to loosen up and to have a whole bunch of fun. The beautiful thing about improv is there are certain rules that we go by, but it's just fun and it's going to help you tap into your authenticity. One good example we improv every day in life. You talk to your lover very different than you do to your boss, and don't let your best girlfriend call you in the middle of the day, and then, when your mother calls, listen to all the different voices that we have, and that's a lot of improv too. Improv also helps you listen and much of acting is about listening and I think you will surprise yourself, and part of the improv to improve your confidence is finding your own voice and discovering things through this exercise about your own experiences and about your being able to to react on a dime and have fun and laugh about it. Then when you you get those scripts, you can improv in your head.  39:32 I always do a little role play before I start, something Like if I have to play an old grandma, then I talk like an old grandma. Okay, I spin and rush them out. Our teeth don't fit too well. You got a little pain in the rats every once in a while. So you keep building these wonderful things that help you. Listen, you may not get that job, but you know you're going to doggone. Put in the effort because you've done the work. You know you. You will be so surprised, all the places that your voice will take you. And improv too. I mean there are times you're going to meet strangers, a new boss, and going to have to improv too. I mean there are times you're going to meet strangers, a new boss and going to have to improv too.  40:13 So improv is going to be a fun exercise for us. We're going to then take scripts, break down those scripts and do some acting. I'm going to teach you about Uta Hagen's nine questions. We're going to talk a little bit, a bit about Sandy Meisner's techniques, and these are just little things that you can put in your hip pocket that will help you. When you go out into the world and you're in that booth by yourself and you look to the right and the left and there's nobody there but padded walls, what are you going to do? You're not going to freak out, because we're going to learn about warmups and what we do with all this body when we're nervous and behind a microphone, because I can hear nervousness, I can hear it. So let's uh, let's work on that rolanda, did you hear my nerves?  40:57 - Anne (Host) did you hear my nerves when I was interviewing you are so not nervous listen, you need to make it easy.  41:05 - Rolonda (Guest) You've got the ganguza method, that's it there you my own method. I want to be gangouza'd. I love it.  41:12 - Speaker 3 (Announcement) I love it oh my gosh.  41:14 - Anne (Host) Thank you so so much. It has been such a pleasure talking to you today.  41:19 - Rolonda (Guest) You know how much fun we have. We get together and start talking and the sun can come up.  41:23 - Anne (Host) So true, so true.  41:23 - Rolonda (Guest) Thank you, thank you so much.  41:25 - Anne (Host) I so true, thank you. Thank you so much. I'm so excited for you, for our class in September. Bosses, I'm going to give a great big shout out to our sponsor, ipdtl. You, too, can connect and network like bosses, like Rolanda and myself. Find out more at IPDTLcom.  41:42 - Rolonda (Guest) I just wanted to add this that if any of your listeners wanted to check out my voice acting masterclass voice acting masterclass I'm going to offer 50% off if they use the code VO Boss 50.  42:01 - Anne (Host) Oh, I love it. Vo Boss 50.  42:01 - Rolonda (Guest) I'll put that on the show notes, guys. Thank you so much, Just for your listeners. 50% off. Vo Boss listeners go to Rolandacom.  42:08 - Anne (Host) Awesome Thanks. Bye bosses. Thank you, Rolandacom. Awesome Thanks, Bye bosses. Thank you, Rolanda. Bye.  42:13 - Speaker 3 (Announcement) Join us next week for another edition of VO Boss with your host, Anne Ganguza, and take your business to the next level. Sign up for our mailing list at vobosscom and receive exclusive content, industry revolutionizing tips and strategies and new ways to rock your business like a boss. Redistribution with permission. Coast to coast connectivity via ipdtl.   

A few weeks back I debunked five studies on priming. But did I get it wrong?  Today's guest on Nudge thinks I missed something.  Tune in to hear consumer behaviour expert Philip Graves explain his view on priming.  --- Phil's book: https://shorturl.at/kzAta Phil's consultancy: https://www.philipgraves.net/consultancy/ Subscribe to the (free) Nudge Newsletter: https://nudge.ck.page/profile  Connect on LinkedIn: https://www.linkedin.com/in/phill-agnew-22213187/  Watch Nudge on YouTube: https://www.youtube.com/@nudgepodcast/ --- Today's sources:  Li, W., Moallem, I., Paller, K.A. & Gottfried, J.A. (2007) Subliminal smells can guide social preferences, Psychological Science, 18(12): 1044-9. Plassmann, H., O' Doherty, J., Shiv, B., & Rangel, A. (2008) Marketing actions can modulate neural representations of experienced pleasantness, Proceedings of the National Academy of Sciences, 105(3). Spence, C., & Wang, Q. (2017). Assessing the impact of closure type on wine ratings and mood. Beverages, 3(4), 52. University of Georgia. (2008). Simple recipe for ad success: Just add art. ScienceDaily. Wansink, B., & van Ittersum, K. (2007, August 6). Bad wine can ruin a good meal [Press release]. Cornell University. Yoon, S.-O. & Simonson, I. (2008) Choice set configuration as a determinant of preference attribution and strength, Journal of Consumer Research, 35(2): 324.

The functioning of any relationship system is dependent on the level of self-differentiation among its members. In this two-part episode, I unpack a schema developed by Daniel V. Papero of the Bowen Center for the Study of the Family.Show Notes:Developing a systems model for family assessment. Family Systems: A Journal of Natural Systems Thinking in Psychiatry and the Sciences. 13, 2, 2018 by Daniel V. Papero.Subscribe to my weekly ⁠Two for Tuesday⁠ emails.Become a Patron for as little as $5/month.

«Tout est nombre», disait Pythagore. Loin d'être nos ennemis, les chiffres sont nos alliés, partout à l'œuvre dans la nature comme dans nos sociétés humaines... Et si on se laissait embarquer par la magie des nombres et même déstabiliser par les mathématiques de l'amour ? (Rediffusion du 25/03/25). Laissons-nous embarquer par la magie des nombres - peu importe que vous soyez fasciné par les chiffres ou que vous détestiez le calcul- si tout est nombre, comme le disait Pythagore, il est grand temps de comprendre que les nombres, loin d'être nos ennemis sont nos alliés :  À l'œuvre partout, dans la nature, comme dans nos sociétés numériques et jusque dans notre cerveau humain statisticien dès la naissance ou presque : comment se réconcilier avec les nombres ? Avec  - Étienne Ghys, mathématicien pour l'ouvrage Ma petite histoire des nombres paru chez Odile Jacob  - Antoine Houlou-Garcia, membre associé de l'Institut des Sciences et Techniques de l'Antiquité et enseignant à la Fondazione Demarchi à Trente (Italie) pour l'ouvrage Mathématiques de l'amour chez Flammarion. Musiques diffusées  Sam Cooke - Wonderful World Flore et Yannick Moréteau – Euclide Bensé - Les mathématiques.

«Tout est nombre», disait Pythagore. Loin d'être nos ennemis, les chiffres sont nos alliés, partout à l'œuvre dans la nature comme dans nos sociétés humaines... Et si on se laissait embarquer par la magie des nombres et même déstabiliser par les mathématiques de l'amour ? (Rediffusion du 25/03/25). Laissons-nous embarquer par la magie des nombres - peu importe que vous soyez fasciné par les chiffres ou que vous détestiez le calcul- si tout est nombre, comme le disait Pythagore, il est grand temps de comprendre que les nombres, loin d'être nos ennemis sont nos alliés :  À l'œuvre partout, dans la nature, comme dans nos sociétés numériques et jusque dans notre cerveau humain statisticien dès la naissance ou presque : comment se réconcilier avec les nombres ? Avec  - Étienne Ghys, mathématicien pour l'ouvrage Ma petite histoire des nombres paru chez Odile Jacob  - Antoine Houlou-Garcia, membre associé de l'Institut des Sciences et Techniques de l'Antiquité et enseignant à la Fondazione Demarchi à Trente (Italie) pour l'ouvrage Mathématiques de l'amour chez Flammarion. Musiques diffusées  Sam Cooke - Wonderful World Flore et Yannick Moréteau – Euclide Bensé - Les mathématiques.

Do arts interventions and creative engagement really make a difference in our lives and our brains?  Yes, they really do. Come explore what the Neuro Arts movement is all about. In this conversation with Susan Magsamen, the author of Your Brain on Art: How the Arts Transform Us, and Director of The International Arts and Mind Lab at John's Hopkins University School of Medicine, we cover: *Why putting ourselves in the path of AWE is powerful for our brains. *What is Neuro-Plasticity? *How the Saliency Networks in our brains impacts why certain things resonate with us. *Why daydreaming is good for us. *How nature is the ultimate enriched environment for us. *What is the default mode network of our brain? The seat of ourslves or place of rumination? *And what actually causes us to ruminate? *The Aesthetic Triad, how we are wired vs our lived experiences. *The paradigm shift that is happening right now in public health. *Music Break, take a breathe and let go. (*Song: Of Your Own by James Harrell)  *Why Art and Science together is potent medicine. *What is Entrainment and why is it so powerful in arts interventions? *Music Break ( *Song by James Harrell, from documentary film Separate But Equal)  *Arts and Health vs. Pharmacology. *Are the Arts and Sciences dating? Yes and it's getting serious! *Closing song (Alchemy by Ilyana Kadushin and James Harrell)  *Signing off with Ilyana and James and may include some special cat guest! All Music and Lyrics in this episode by James Harrell and Ilyana Kadushin.  Visit: https://www.noiknowpodcast.com  https://www.neuroartsresourcecenter.com/home  

Jeremy Drummond's work has been exhibited in museums, galleries, and festivals worldwide. His films/videos have received awards such as the National Film Board of Canada Award at the Images Festival (Toronto), Best Experimental Video at the Reeling: Chicago Lesbian & Gay International Film Festival, the People's Choice Award at the New Forms Festival (Vancouver), and the No Budget Award at the Cinematexas Festival of International Film & Video (Austin). He has received grants and fellowships from the Canada Council for the Arts, National Film Board of Canada, and Virginia Museum of Fine Arts. His work has been featured and/or reviewed in magazines, journals, and newspapers, including Art Papers, Cabinet, Canadian Architect, Frieze, NRC Handelsblad, Prefix Photo, SEAMUS, The Washington Post, and The Wire: Adventures in Sound & Music.Drummond's films and videos are distributed internationally by LIMA (Amsterdam), Videographe (Montreal), Video Pool Inc. (Winnipeg), Vtape (Toronto), and The Film-maker's Cooperative/The New American Cinema Group (NYC). His printed works are/have been available from Art Metropole (Toronto), Printed Matter Inc. (NYC), and the New Museum of Contemporary Art (NYC). In addition to his solo work, Drummond works extensively with artist David Poolman as Never Met A Stranger -- a collaborative platform for the production of art and experimental media, a publisher of vernacular arts and culture, and an ongoing archive of field recordings, interviews, and documentary resources that collectively explore relationships between perception and representation, industry and the environment, and landscape and culture throughout central Appalachia and the rural North American South.Drummond is the organizer and curator of the Frames of Reference annual program of artists' film and video. With support from the University of Richmond's Department of Art & Art History, University Museums, and School of Arts & Sciences, Frames of Reference showcases some of the most creative, challenging, thoughtful, and visionary artists working in film, video, and alternative media today. Programs feature artists and artworks that resist conventions and ideologies of mainstream media; explore creative, innovative approaches to narrative and experiments in time-based media; and embrace unique viewpoints, perspectives, or frames of reference.

In this week's conversation, recorded live in D.C. at the “Liberalism for the 21st Century” conference, Yascha Mounk, Francis Fukuyama, Steven Pinker, and Sabina Ćudić discuss Trump's firings and what this means for the civil service, how to build a positive case for liberalism, and the impact of the rise of AI. Steven Pinker is Johnstone Professor of Psychology at Harvard, an elected member of the National Academy of Sciences, a two-time Pulitzer Prize finalist, a Humanist of the Year, and one of Time's “100 Most Influential People in the World Today.” His latest book is When Everyone Knows That Everyone Knows...: Common Knowledge and the Mysteries of Money, Power, and Everyday Life. Francis Fukuyama is the Olivier Nomellini Senior Fellow at Stanford University. His latest book is Liberalism and Its Discontents. He is also the author of the “Frankly Fukuyama” column, carried forward from American Purpose, at Persuasion. Sabina Ćudić is a member of the National Parliament of Bosnia and Herzegovina, where she is the president of the Naša stranka political party club. Ćudić also serves as vice president of the Foreign Relations Committee, and is a member of the Parliamentary Assembly of the Council of Europe in Strasbourg, where she is a vice president of the European liberals. If you have not yet signed up for our podcast, please do so now by following this link on your phone. Email: leonora.barclay@persuasion.community Podcast production by Mickey Freeland and John Taylor Williams. Connect with us! Spotify | Apple | Google X: @Yascha_Mounk & @JoinPersuasion YouTube: Yascha Mounk, Persuasion LinkedIn: Persuasion Community Learn more about your ad choices. Visit megaphone.fm/adchoices

It’s time for another adventure into the world of science on the Fun Kids Science Weekly! In this episode, we answer YOUR questions, dive into the science of sports, and explore how microscopes let us see the tiniest details of our world. First up, we learn about the largest loss of coral on the Barrier Reef since records began, then discover how a farmer is using YouTube to save his farm. Finally, Professor of Computer Vision Dima Damen joins Dan to unpack the specs of the UK’s new supercomputer, currently ranked as the 9th most powerful in the world. Next, it's time for your questions... Hannah wants to know how scientists come up with names for plants, and Ben Goult from Liverpool University answers Harry’s question: ‘How do microscopes work?’ In Dangerous Dan, we meet a new exotic and dangerous creature, revealing the secrets of its deadly abilities. In Battle of the Sciences, we dive into sports and exercise physiology, exploring how professional footballers like Cristiano Ronaldo stay in top condition and the science behind their incredible fitness. Plus, in the Learn Series, we discover ways to keep our hearts and lungs healthy, including the foods to eat, the importance of exercise, and the warning signs to watch out for. What do we learn about?· The biggest coral loss on the Barrier Reef· How a farmer is saving his farm with YouTube· The UK’s new supercomputer and its incredible power· How microscopes let us see the tiniest details· And in Battle of the Sciences… the science behind professional athletes’ fitness All on this week’s episode of Science Weekly!Join Fun Kids Podcasts+: https://funkidslive.com/plusSee omnystudio.com/listener for privacy information.

It’s time for another adventure into the world of science on the Fun Kids Science Weekly! In this episode, we answer YOUR questions, dive into the science of sports, and explore how microscopes let us see the tiniest details of our world. First up, we learn about the largest loss of coral on the Barrier Reef since records began, then discover how a farmer is using YouTube to save his farm. Finally, Professor of Computer Vision Dima Damen joins Dan to unpack the specs of the UK’s new supercomputer, currently ranked as the 9th most powerful in the world. Next, it's time for your questions... Hannah wants to know how scientists come up with names for plants, and Ben Goult from Liverpool University answers Harry’s question: ‘How do microscopes work?’ In Dangerous Dan, we meet a new exotic and dangerous creature, revealing the secrets of its deadly abilities. In Battle of the Sciences, we dive into sports and exercise physiology, exploring how professional footballers like Cristiano Ronaldo stay in top condition and the science behind their incredible fitness. Plus, in the Learn Series, we discover ways to keep our hearts and lungs healthy, including the foods to eat, the importance of exercise, and the warning signs to watch out for. What do we learn about?· The biggest coral loss on the Barrier Reef· How a farmer is saving his farm with YouTube· The UK’s new supercomputer and its incredible power· How microscopes let us see the tiniest details· And in Battle of the Sciences… the science behind professional athletes’ fitness All on this week’s episode of Science Weekly!Join Fun Kids Podcasts+: https://funkidslive.com/plusSee omnystudio.com/listener for privacy information.

You can find all the wonderful links on the linktree: https://linktr.ee/allts   Havana Syndrome is the name given to a series of mysterious health incidents that first came to public attention in late 2016, when U.S. diplomats and intelligence officers in Havana, Cuba, began reporting sudden, unexplained symptoms. The affected individuals described strange experiences—sometimes preceded by hearing a piercing, high-pitched sound or feeling pressure in their heads—followed by a range of medical issues, such as dizziness, headaches, nausea, hearing loss, vision problems, difficulty concentrating, and even cognitive impairment. The first wave occurred among personnel at the U.S. and Canadian embassies in Cuba, leading to strained diplomatic relations between the U.S. and Cuba. Over the following years, reports of similar incidents spread to U.S. diplomats, spies, and other officials stationed in places like China, Russia, Europe, and even Washington, D.C. The U.S. government called the episodes "anomalous health incidents" (AHIs). From the start, theories about the cause varied widely: Directed Energy Weapons: One of the earliest and most sensational explanations was that a hostile power was using microwave or ultrasonic devices to target U.S. personnel, possibly for espionage or harassment. Sonic or Acoustic Devices: Early Cuban incidents led some to suspect hidden sound-based weapons, though experts quickly noted that most sound frequencies capable of causing physical harm would be unlikely to travel through walls and over distances without being obvious. Environmental Factors: Some scientists proposed that toxins, pesticides, or natural phenomena could have caused the symptoms. Mass Psychogenic Illness: Others suggested that stress, anxiety, and suggestion among closely knit groups could explain the spread of symptoms without a single physical cause. Medical Conditions: A few cases may have been unrelated illnesses that were misattributed to a larger pattern. Despite years of investigation—including from the FBI, CIA, CDC, and National Academies of Sciences—the cause remains disputed. In 2023, the U.S. intelligence community released an assessment stating that most cases could be explained by medical conditions, environmental factors, or stress responses, and that there was no credible evidence of a sustained foreign attack. However, some affected individuals and scientists remain unconvinced, pointing to the severity and clustering of symptoms as evidence of something more deliberate. The Havana Syndrome debate has since become part of both diplomatic security policy and modern espionage lore—half genuine medical mystery, half geopolitical intrigue. If you want, I can also map out the timeline of incidents to show how it spread from Havana to other parts of the world. That's where the story gets especially strange.

In this episode of Two Bees in a Podcast, Amy Vu and Jamie Ellis interview Professor Dirk de Graaf from the Laboratory for Molecular Entomology and Bee Pathology in the Department of Biochemistry and Microbiology at Ghent University's Faculty of Sciences to discuss the Better-B Project. This episode ends with a Q&A segment. Check out our website: www.ufhoneybee.com for additional resources from today's episode. 

durée : 00:57:41 - Avec philosophie - par : Géraldine Muhlmann, Antoine Ravon - "Comment s'étaient-ils rencontrés ? Par hasard, comme tout le monde" : ainsi s'ouvre le roman le plus philosophique de Diderot, "Jacques le Fataliste". Alors, comment raconter les aventures d'un personnage qui croit que tout est déjà écrit ? - réalisation : Riyad Cairat - invités : Colas Duflo Professeur de littérature française à l'université Paris Nanterre; Sylviane Albertan-Coppola spécialiste du XVIIIe siècle, professeur émérite à l'université d'Amiens et membre de l'Académie des Sciences

Fungi used to be considered plants. Bad plants. Carl Linnaeus even referred to them as “the poorest peasants” of the vegetable class. This reputation stuck, and fungi were considered a nuisance in the Western world well into the 20th century.Patricia Ononiwu Kaishian is trying to rewrite that narrative. Her new book, Forest Euphoria: The Abounding Queerness of Nature catalogs fungi that sprout from the shells of beetles, morph with their sexual partners into one being and exhibit as many as 23,000 mating types. Patty believes that fungi's ability to defy our cut and dry assumptions about the natural world is actually their superpower. All it takes is to first accept that they're queer as heck. Featuring Patricia Ononiwu Kaishian. Produced by Marina Henke. For full credits and transcript, visit outsideinradio.org.SUPPORTOutside/In is made possible with listener support. Click here to become a sustaining member of Outside/In. Follow Outside/In on Instagram or join our private discussion group on Facebook.LINKSYou can find Patty's new book Forest Euphoria at your local bookstore or online. Local to Albany? Visit the fungi exhibit that Marina toured at the New York State Museum: Outcasts: Mary Banning's World of Mushrooms.Patty has had the chance to name several new species of fungi. In 2021 she published an article documenting those species, with some pretty great photos of laboulbeniales (those are the fungi that grow from arthropod shells). Check out C. L. Porter's 1969 address to the Indiana Academy of Sciences where he critiques fellow mycologists for being “meek.” It's brutal.One of Patty's favorite films is Microcosmos, a 1996 French documentary that investigates the daily interactions of insects. It's not direct mushroom content per se, but it is beautiful.

Les journalistes et experts de RFI répondent également à vos questions sur le remaniement gouvernemental en RDC, l'utilisation de l'uranium congolais pour les bombes atomiques lancées sur le Japon et le déploiement des militaires à Washington. Mauritanie : la capitale face à une grave pénurie d'eau   Nouakchott, la capitale de la Mauritanie, est en proie à une grave pénurie d'eau potable. Quelles sont les causes de cette pénurie ? Comment le gouvernement mauritanien entend-t-il résoudre ce problème ? Avec Welly Diallo, journaliste au service Afrique de RFI.     RDC : Tshisekedi resserre ses rangs avec un remaniement gouvernemental  En RDC, le nouveau gouvernement annoncé par Félix Tshisekedi apparaît comme une stratégie politique visant à renforcer l'Union sacrée. En quoi ce remaniement renforce-t-il concrètement la position de Félix Tshisekedi ? Qu'est-ce qui explique l'absence des grandes figures de l'opposition ?    Avec Bob Kabamba, professeur de Sciences politiques à l'Université de Liège.      Japon : l'uranium congolais derrière les bombes atomiques américaines  L'uranium utilisé pour fabriquer les bombes atomiques américaines lancées sur le Japon a été extrait en RDC, dans la mine de Shinkolobwe, située dans le Haut-Katanga. Quelles étaient les particularités de l'uranium congolais qui le rendaient si précieux pour la fabrication de ces bombes atomiques ? Y a-t-il actuellement une mine en RDC où l'on extrait de l'uranium ou cela a-t-il été laissé à l'abandon ? Avec Patrice Christmann, consultant et chercheur indépendant, ancien collaborateur du BRGM (Bureau de recherches géologiques et minières).      États-Unis : Donald Trump déploie la garde nationale à Washington  Donald Trump a placé la capitale fédérale Washington DC sous la surveillance de l'armée fédérale. Y a-t-il vraiment des gangs dans la capitale américaine, ou est-ce une stratégie de Donald Trump pour imposer sa politique ? Les élus démocrates de la capitale peuvent-ils s'opposer à cette décision ? Avec Jérôme Viala-Gaudefroy, docteur en Civilisation américaine, spécialiste en rhétorique présidentielle. 

Note aux auditrices et auditeurs : cet épisode a été diffusé une première fois le 9 avril.La prison ou l'exil. C'est le sort réservé aux acteurs de la scène musicale underground au Bélarus, s'ils se risquent à des paroles ou des actes trop contestataires.Depuis 2020 et la répression de manifestations inédites contre le pouvoir de l'autocrate Alexandre Loukachenko, aucune opposition n'est tolérée dans le pays.De nombreux musiciens ont été pourchassés pour leur soutien au soulèvement populaire ou leur opposition à l'invasion de l'Ukraine par la Russie.Après la fuite massive des cerveaux créatifs, ceux qui restent au Bélarus tentent aujourd'hui de recoller les morceaux de la scène underground et d'offrir un exutoire à l'expression culturelle.Sur le Fil a pu assister à l'un de ces concerts à Minsk, avec sur le terrain, Thomas O'Callaghan et Robin Bjalon.Avec l'éclairage de Yauheni Kryzhanouski, enseignant chercheur à Sciences po Strasbourg et auteur de "Contester par la musique sous régime autoritaire : la politisation du rock au Bélarus" (Editions du Croquant, 2022).Réalisation : Madeleine de Blic.Présentation : Emmanuelle BaillonExtraits de reportages AFPTVDoublages: Manon Hilaire, Elouan BlatExtraits musicaux :Lavon Volski - Героям слава!Группа "Сузорье" - Сентябрьская рекаSur le Fil est le podcast quotidien de l'AFP. Vous avez des commentaires ou des suggestions ? Écrivez-nous à podcast@afp.com.Vous pouvez aussi nous envoyer une note vocale par Whatsapp au + 33 6 79 77 38 45.Si vous aimez, abonnez-vous, parlez de nous autour de vous et laissez-nous plein d'étoiles sur votre plateforme de podcasts préférée pour mieux faire connaître notre programme.Ce podcast fait l'objet d'une clause de opt-out:Sous réserve des dispositions de l'article L.122-5-3.II. du code de la propriété intellectuelle, tout accès à ou utilisation (tels que, à titre non exhaustif, la reproduction, l'agrégation et l'archivage) du contenu de ce podcast et de sa description, pour toute activité systématique ou automatisée liée à la récupération, la fouille, l'extraction, l'agrégation, l'analyse, l'exploration ou la collecte de textes, d'extraits sonores, et/ou de données, par l'intermédiaire de tout "robot", "bot", "spider", "scraper", ou de tout autre dispositif, programme, technique, outil, procédé ou méthode, réalisé dans le but de créer, développer, entraîner, tester, évaluer, modifier et/ou permettre l'exécution de logiciels, algorithmes et modèles d'apprentissage automatique/d'intelligence artificielle ou à une quelconque autre fin, sans l'autorisation préalable écrite de l'AFP, est strictement interdit. La présente disposition des CG vaut opposition expresse de l'AFP au sens des articles L. 122-5-3.III. et R. 122-28 du Code de la propriété intellectuelle. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Polymath Anna Maria van Schurman was a very well-educated woman in the 17th century, making her exceptional. She’s described as the most learned woman of her time, and she basically became a celebrity because of it. Research: Aldersey-Williams, Hugh. “’A Truer and Deeper Knowledge’: Anna Maria van Schurman’s The Learned Maid (1659).” Public Domain Review. https://publicdomainreview.org/collection/the-learned-maid/ "Anna Maria van Schurman." Encyclopedia of World Biography Online, vol. 31, Gale, 2011. Gale In Context: Opposing Viewpoints, link.gale.com/apps/doc/K1631009647/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=cdba4228. Accessed 21 July 2025. “Anna Maria van Schurman: an academic multitalent.” Utrecht University. https://www.uu.nl/en/background/anna-maria-van-schurman-an-academic-multitalent Clarke, Desmond M. “Anna Maria Van Schurman and Women’s Education.” Revue Philosophique de la France et de l'Étranger. No. 3. July-September 2013. Via JSTOR. https://www.jstor.org/stable/42773326 de Baar, Mirjam. “Elisabeth of Bohemia’s Lifelong Friendship with Anna Maria van Schurman (1607–1678).” From Elisabeth of Bohemia (1618–1680): A Philosopher in her Historical Context, Women in the History of Philosophy and Sciences 9. S. Ebbersmeyer and S. Hutton (eds.). https://doi.org/10.1007/978-3-030-71527-4_2 de Baar, Mirjam. “SCHURMAN, Anna Maria van.” Online Dictionary of Dutch Women. https://resources.huygens.knaw.nl/vrouwenlexicon/lemmata/data/Schurman,%20Anna%20Maria%20van/en 1/13/2014. Dekker, Maryse. “Anna Maria van Schurman: Brains, Arts and Feminist avant la letter.” Art Herstory. 2/23/2021. https://artherstory.net/anna-maria-van-schurman-artist-scholar-and-woman-of-letters/ Larsen, Anne R. “A Women's Republic of Letters: Anna Maria van Schurman, Marie de Gournay, and Female Self-Representation in Relation to the Public Sphere.” Early Modern Women, Fall 2008, Vol. 3 (Fall 2008). Via JSTOR. https://www.jstor.org/stable/23541520 Larsen, Anne R. “Religious Alterity.” French Forum, FALL 2018, Vol. 43, No. 2. Via JSTOR. https://www.jstor.org/stable/10.2307/26762079 National Museum of Women in the Arts. “Anna Maria van Schurman.” https://nmwa.org/art/artists/anna-maria-van-schurman/ National Museum of Women in the Arts. “Anna Maria van Schurman: Self-Portrait.” https://nmwa.org/art/collection/schurman-self-portrait/ Pal, Carol. “Chapter 2 - Anna Maria van Schurman: the birth of an intellectual network.” From Republic of Women: Rethinking the Republic of Letters in the Seventeenth Century.” Cambridge University Press. 2012. https://doi.org/10.1017/CBO9781139087490.005 Project Vox. “Van Schurman (1607-1678).” https://projectvox.org/van-schurman-1607-1678/ Sint Nicolaas, Samantha. “The Correspondence of Anna Maria van Schurman.” Early Modern Letters Online. http://emlo-portal.bodleian.ox.ac.uk/collections/?catalogue=anna-maria-van-schurman The Editors of Encyclopaedia Britannica. "Jean de Labadie". Encyclopedia Britannica, 9 Feb. 2025, https://www.britannica.com/biography/Jean-de-Labadie. Accessed 25 July 2025. Van Beek, Pieta. “The first female university student: Anna Maria van Schurman (1636).” Igitur. Utrecht Publishing & Archiving Services. 2010. Van der Stighelen, Katlijne. “Chapter Title: Anna Francisca de Bruyns (1604/5–1656), Artist, Wife and Mother: a Contextual Approach to Her Forgotten Artistic Career.” From Women and Gender in the Early Modern Low Countries. Via JSTOR. https://www.jstor.org/stable/10.1163/j.ctvrxk3hp.12 Weststeijn, Thijs. “Anna Maria Van Schurman’s Chinese Calligraphy.” Early Modern Low Countries 7 (2023) 1, pp. 1-25 - eISSN: 2543-1587. See omnystudio.com/listener for privacy information.

It is not manifestly obvious that universities should be where most scholarly research is performed. One could imagine systems that separated out the tasks of "teaching students" and "generating new knowledge." But it turns out that combining them yields spectacular synergies, both from letting students experience cutting-edge research and from keeping researchers inspired by interacting with bright young minds. Today we talk to Elizabeth Mynatt, Dean of Computer Science at Northeastern, both about her own research in "human-centered computing," and about the bigger-picture issues of why basic research is important, and why universities are such good places to do it.Blog post with transcript: https://www.preposterousuniverse.com/podcast/2025/08/11/324-elizabeth-mynatt-on-universities-and-the-importance-of-basic-research/Support Mindscape on Patreon.Elizabeth Mynatt received a Ph.D. in computer science from the Georgia Institute of Technology. She is currently Dean of the Khoury College of Computer Sciences at Northeastern University. She is a senior investigator with Emory's Cognitive Empowerment Program and co-PI for the NSF AI-CARING Institute. She is a fellow of the Association for Computing Machinery and the American Association for the Advancement of Science, and a member of the American Academy of Arts and Sciences. She was lead author on the National Academies report, "Information Technology Innovation: Resurgence, Confluence, and Continuing Impact."Web pageGoogle Scholar publicationsWikipediaSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The two most important members of the Trump administration reversing years of climate alarmism and junk science in public policy have been crushing it in media appearances. Alarmist outlets like CNN are on the defensive, left with little to say after EPA Administrator Lee Zeldin and Energy Secretary Chris Wright finish with them. Never before have both public policy and public messaging been this coordinated and effective at pushing back against the alarmist narrative. We'll break it all down.The Heartland Institute's Anthony Watts, Sterling Burnett, Linnea Lueken, Jim Lakely, and special guest Steve Milloy of JunkScience.com will also cover some of the Crazy Climate News of the Week: Greta Thunberg's Sweden is backing away from its climate-fighting commitments (with other European countries soon to follow), global warming supposedly makes kids dumber, the carbon footprint of heart surgery is now a “big concern,” and the National Academy of Sciences is throwing a Hail Mary to save the Endangerment Finding for greenhouse gases. In The Tank broadcasts LIVE every Thursday at 12pm CT on on The Heartland Institute YouTube channel. Tune in to have your comments addressed live by the In The Tank Crew. Be sure to subscribe and never miss an episode. See you there!Climate Change Roundtable is LIVE every Friday at 12pm CT on The Heartland Institute YouTube channel. Have a topic you want addressed? Join the live show and leave a comment for our panelists and we'll cover it during the live show!

It’s time for another trip around the solar system on the BIGGER and BETTER Science Weekly! In this episode of the Fun Kids Science Weekly, we answer YOUR questions, have scientists battle it out to determine which science is the best, and this week we're learning all about why planets are round-shaped! First up, we investigate NASA's plan to put a nuclear reactor on the Moon by 2030 — a huge step toward powering future lunar bases! Then, we’ll explore a volcano that erupted for the first time in over 500 years, shaking things up in a way no one’s seen for centuries. And finally, Dan is joined by evolutionary scientist Angus Davinson, who explains the mission underway to save snails threatened by their beauty. Then, we answer your questions! Barney wants to know: how Carbon is made, and reserve astronaut Meganne Christian answers Sean's 'Why do astronauts need space food?' In Dangerous Dan, we learn all about the Spider-tailed horned viper And in Battle of the Sciences, Neil Raath from the University of Warwick reveals how Sustainable Materials and Manufacturing could be key to saving our planet! What do we learn about? · What NASA is planning to build on the Moon· How Carbon is made· Why planets are round-shaped· The deadly Spider-tailed horned viper· And in Battle of the Sciences... how to help save our planet! All on this week's episode of Science Weekly!Join Fun Kids Podcasts+: https://funkidslive.com/plusSee omnystudio.com/listener for privacy information.

Social media platforms are designed to hijack our brain's reward system, keeping us hooked through endless dopamine hits. This constant stimulation fragments our attention, reshapes our behavior, and can lead to burnout, anxiety, and even addiction—especially in developing brains. The more we scroll, the more we crave quick hits of novelty, making it harder to tolerate boredom or engage in deeper, more meaningful tasks. And while adults may struggle, kids are even more vulnerable, facing emotional dysregulation and long-term brain changes. The good news? Awareness is the first step toward reclaiming agency and creating healthier boundaries in a world built for distraction. Jonathan Haidt is a social psychologist, bestselling author, and professor at NYU's Stern School of Business. His research focuses on the moral foundations of culture and politics, exploring why good people are divided by religion, ideology, and values. He is the author of The Happiness Hypothesis, The Righteous Mind, and The Coddling of the American Mind (co-authored with Greg Lukianoff), and has given four widely viewed TED talks. Haidt is also a co-founder of Heterodox Academy, the Constructive Dialogue Institute, and Ethical Systems—organizations that promote viewpoint diversity, constructive disagreement, and ethical leadership. Since 2018, he has turned his attention to the mental health crisis among teens and the role of social media in political polarization. His latest book, The Anxious Generation: How the Great Rewiring of Childhood is Causing an Epidemic of Mental Illness, was published in 2024. In 2019, he was inducted into the American Academy of Arts and Sciences. Cal Newport is an associate professor of computer science at Georgetown University. In addition to researching cutting-edge technology, he also writes about the impact of these innovations on our culture. Newport is the author of six books, including Slow Productivity, Digital Minimalism, and Deep Work. His work has been featured in many publications, including the New York Times, the Wall Street Journal, and the Economist, and he has been writing essays for his personal website (CalNewport.com) for over a decade. He has never had a social media account. Tobias Rose-Stockwell is a writer, designer, and media researcher whose work has been featured in major outlets such as The Atlantic, WIRED, NPR, the BBC, CNN, and many others. His research has been cited in the adoption of key interventions to reduce toxicity and polarization within leading tech platforms. He previously led humanitarian projects in Southeast Asia focused on civil war reconstruction efforts, work for which he was honored with an award from the 14th Dalai Lama. He lives in New York with his cat Waffles. This episode is brought to you by BIOptimizers. Head to bioptimizers.com/hyman and use code HYMAN10 to save 10%. Full-length episodes can be found here: How to Protect Your Child's Mental Health from the Dangers of Social Media How Social Media May Be Ruining Your Life How Social Media And AI Impacts Our Mental Health: Reclaiming Our Minds And Hearts And Healing A Divided World