Podcasts about Hollywood

Top Story of the Day on the Lakers and LeBron James beating the easy teams but losing to the tough teams on their schedule. DVR with Vassegh with the latest on Roki Sasaki and Gavin Stone. A Hollywood remake that PMS can get behind in 2026/See omnystudio.com/listener for privacy information.

Former FBI Special Agent Robin Dreeke — 21 years with the Bureau, former Chief of the Counterintelligence Behavioral Analysis Program — breaks down two of the biggest cases in the country across three distinct segments.The Nancy Guthrie suspect: Dreeke argues the endless criticism of amateur execution misses the point. The cheap backpack, awkward holster, improvised camera cover — that's not unusually sloppy. That's baseline criminal behavior. Hollywood has created unrealistic expectations. The cases that get solved look exactly like this. The messy execution and four-week evasion are both within normal range.The Nancy Guthrie investigation: federal sources accusing Sheriff Nanos of blocking evidence access, DNA routed to Florida instead of Quantico, crime scene released before the FBI secured it, public contradictions about basic facts. Dreeke's assessment: this is what multi-agency investigations actually look like. The friction exists on every major case. It just stays invisible when no one's watching. National scrutiny creates impossible standards.The Kouri Richins trial: five days of testimony have produced competing narratives. The prosecution's star witness Carmen Lauber claims she bought fentanyl for Kouri — but she was using meth, got immunity from three jurisdictions, and her supplier now contradicts her. Kouri has maintained composure through all of it. Dreeke identifies the behavioral indicators that reveal reliability despite credibility problems, reads Crozier's reversal, assesses Kouri's sustained performance, and addresses when behavioral evidence becomes more persuasive than missing physical evidence.Join Our SubStack For AD-FREE ADVANCE EPISODES & EXTRAS!: https://hiddenkillers.substack.com/Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/channel/UC8-vxmbhTxxG10sO1izODJg?sub_confirmation=1Instagram https://www.instagram.com/hiddenkillerspod/Facebook https://www.facebook.com/hiddenkillerspod/Tik-Tok https://www.tiktok.com/@hiddenkillerspodX Twitter https://x.com/TrueCrimePodThis publication contains commentary and opinion based on publicly available information. All individuals are presumed innocent until proven guilty in a court of law. Nothing published here should be taken as a statement of fact, health or legal advice.#RobinDreeke #NancyGuthrie #KouriRichins #TrueCrimeToday #FBI #SavannahGuthrie #EricRichins #BehavioralAnalysis #DeceptionDetection #HiddenKillers

We get into some esoteric speculation on technology, Off world US Navy Ships, Micro Stealth Satellites, Vimana's, Canada.....   Wab Kinew's previous career as a rapper, some emails about our recent episode about the trucking disaster in Canada, the LNG shipping fiasco, Gary McKinnon and the Secret Space Program, Portals in the USA, Canadian news according to Douglas Murray, cabbage patch kids plucked out, and Canada MAID for poor.   What happens if you happen to find ancient artifacts in your yard in Canada, Hollywood knock offs, Disney psychology, black coffee theory, clip on Margaret Sanger, device tampering by spies, and the chinese lecturer predicts Iran outcome due to water.   Trust the plan side of things, Election fraud bubbling to the surface, and Carlin on saving the planet. Did Epstein freeze fusion, and what did Hillary say about Gilgamesh.   To gain access to the second half of show and our Plus feed for audio and podcast please clink the link http://www.grimericaoutlawed.ca/support.   For second half of video (when applicable and audio) go to our Substack and Subscribe. https://grimericaoutlawed.substack.com/ or to our Locals  https://grimericaoutlawed.locals.com/ or Rokfin www.Rokfin.com/Grimerica Patreon https://www.patreon.com/grimericaoutlawed   Support the show directly: https://open.spotify.com/show/2punSyd9Cw76ZtvHxMKenI?si=ImKxfMHgQZ-oshl499O4dQ&nd=1&dlsi=4c25fa9c78674de3 Watch or Listen on Spotify https://grimericacbd.com/ CBD / THC Tinctures and Gummies https://grimerica.ca/support-2/ Our Adultbrain Audiobook Podcast and Website: www.adultbrain.ca Our Audiobook Youtube Channel:  https://www.youtube.com/@adultbrainaudiobookpublishing/videos Check out our next trip/conference/meetup - Contact at the Cabin www.contactatthecabin.com Other affiliated shows: www.grimerica.ca The OG Grimerica Show Join the chat / hangout with a bunch of fellow Grimericans  Https://t.me.grimerica grimerica.ca/chats   Discord Chats Darren's book www.acanadianshame.ca Eh-List Podcast and site: https://eh-list.ca/ Eh-List YouTube: https://www.youtube.com/@TheEh-List www.Rokfin.com/Grimerica Our channel on free speech Rokfin Leave a review on iTunes and/or Stitcher: https://itunes.apple.com/ca/podcast/grimerica-outlawed http://www.stitcher.com/podcast/grimerica-outlawed Sign up for our newsletter http://www.grimerica.ca/news SPAM Graham = and send him your synchronicities, feedback, strange experiences and psychedelic trip reports!! graham@grimerica.com InstaGRAM https://www.instagram.com/the_grimerica_show_podcast/  Purchase swag, with partial proceeds donated to the show www.grimerica.ca/swag Send us a postcard or letter http://www.grimerica.ca/contact/ ART - Napolean Duheme's site http://www.lostbreadcomic.com/  MUSIC Tru Northperception, Felix's Site sirfelix.bandcamp.com    Links to the stuff we chatted about: https://x.com/blondebigot11/status/2028842372524581198?s=43 https://x.com/maniaufo/status/2028407952751853698?s=43 https://x.com/redpandakoala/status/2028455023756419585?s=4 https://x.com/holden_culotta/status/2028520012890214643?s=43 https://x.com/maniaufo/status/2028374869021278261?s=43 https://x.com/benwehrman/status/2027995671568285955?s=43 https://x.com/visionaryvoid/status/2027383971139756251?s=43 https://x.com/karldharrison/status/2028197264515313800?s=43 https://x.com/wrong_speak/status/2028464018214514761?s=43 https://x.com/men_of_purpose/status/2028553428746772694?s=43 https://x.com/iluminatibot/status/2028517389554577568?s=43 https://x.com/search?q=Iran&src=trend_click&vertical=trends https://x.com/cirnosad/status/2028740886717501674?s=43 https://x.com/vigilantfox/status/2027442648886202789?s=43 https://x.com/cigsmake/status/2028908516522750173?s=43 https://x.com/cigsmake/status/2028908516522750173?s=43 https://x.com/RedPandaKoala/status/2028589365077921843?s=20 https://x.com/AshtonForbes/status/2028709537587351610?s=20 https://x.com/AshtonForbes/status/2028885265259892789?s=20 https://x.com/JeffWeniger/status/2028555327621239208?s=20 https://x.com/ShadowofEzra/status/2028586819365818631?s=20 https://x.com/chrisbrunet/status/2028077800041885711?s=20 https://x.com/Tablesalt13/status/2028112695736553675?s=20 https://x.com/SunTzusWar/status/2028114488679919871?s=20 https://x.com/The_Astral_/status/2028123298068853135?s=20 https://x.com/WarClandestine/status/2027871579070235120?s=20 https://x.com/ThoughtCrimes80/status/2027566854760173643?s=20 https://x.com/Juliedonuts/status/2027529585210900965?s=20 https://x.com/WarClandestine/status/2027528963640185127?s=20 https://x.com/MarcNixon24/status/2027470520514388138?s=20 https://x.com/Tablesalt13/status/2026847958344307020?s=20 https://x.com/libertybirb/status/2025387134794993958?s=20

Mike Colter (Luke Cage, Jessica Jones, Evil) joins us for a deeply reflective and grounded conversation about confidence, discipline, and what it really takes to sustain a career in Hollywood without losing yourself. Mike opens up about early support versus later self doubt, nearly being pushed out of grad school, and how proving people wrong became fuel rather than resentment. He talks about why Luke Cage changed his life but never defined him, why he values trust over prestige, and how self worth comes from being comfortable alone. Thank you to our sponsors:

Dove Cameron is here and clears up the biggest rumors about the Liv & Maddie Disney years, growing up in the public eye, and why people think she's “sad Dove”. We chat about making it in Hollywood, filming her first intimate scenes in 56 Days, her engagement to Damiano David, and what she's manifesting next.This episode may contain paid endorsements and advertisements for products and services. Individuals on the show may have a direct, or indirect financial interest in products, or services referred to in this episode.To explore coverage, visit ASPCApetinsurance.com/NOTSKINNYBuy any 2 cans of Olipop in store and we'll pay you back for one at drinkolipop.com/NOTSKINNYGo to ollie.com/notskinnny and use code notskinny to get 60% off your first boxText NOTSKINNY to 64000 to get 20% off all IQBAR products, plus FREE shipping. Message and data rates may apply. Go to littlespoon.com/NOTSKINNY30 and enter code NOTSKINNY30 for 30% off your first orderVisit unrealsnacks.com/NOTSKINNY to get $2 off a bag of Unreal. Terms and conditions apply.Use code NOTSKINNY for 20% off your first order at bloomnu.comRight now, Merit Beauty is offering our listeners their Signature Makeup Bag with your first order at meritbeauty.comProduced by Dear MediaSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

https://youtu.be/uK1i7VyeCDk *Watch the YouTube free feed video version! (*Tier 2 Supporter Feeds will get ad-free, early access and bonus content video version)On today's episode of the Occult Symbolism and Pop Culture with Isaac Weishaupt podcast we wrap up our two-part decode of a conspiracy-classic film called Under the Silver Lake! In Part 2 we pick up where we left off in Part 1 with Sam going to the Songwriter's house! We'll discuss Hollywood and the music industry's culture creation, Freemason chess, Griffins as guardians of the Divine, Osiris Resurrection rituals, Gnosticism and the meaning of the ending of the film! In the post-show Conclusion I'm going deep into the meaning of subconscious symbolism, Epstein's dentistry being part of Turning Teeth (as well as a lyric decode to the song including back masking), Sam's Hero's Journey, Egyptian Book of the Dead “Opening of the Mouth” ascension rituals, Sirius the Dog Star, Cyphers and cryptology and even Ashton Kutcher gets some shots fired!Links:Under the Silver Lake Part 1: https://illuminatiwatcher.com/under-the-silver-lake-film-analysis-pt-1-epstein-occult-symbolism-initiation-rituals-more/Q Anon and the Occult Pt 1: America's Secret Destiny Resurrection of Osiris and Symbolism of 17 http://www.illuminatiwatcher.com/q-anon-and-the-occult-pt-1-americas-secret-destiny-resurrection-of-osiris-and-symbolism-of-17Anne Heche Conspiracy Theories: Symbolism Alter Egos Aliens Ellen and Human Trafficking https://www.illuminatiwatcher.com/anne-heche-conspiracy-theories-symbolism-alter-egos-aliens-ellen-and-human-traffickingThat '70s Show Conspiracy Pt 3: Ashton Kutcher & the Illuminati- Thorn, CIA, Epstein, Clinton, A.I. & More! https://illuminatiwatcher.com/that-70s-show-conspiracy-pt-3-ashton-kutcher-the-illuminati-thorn-cia-epstein-clinton-a-i-more/Show sponsors- Get discounts while you support the show and do a little self improvement!*CopyMyCrypto.com/Isaac is where you can copy James McMahon's crypto holdings- listeners get access for just $1 WANT MORE?... Check out my UNCENSORED show with my wife, Breaking Social Norms: https://breakingsocialnorms.com/GRIFTER ALLEY- get bonus content AND go commercial free + other perks:*PATREON.com/IlluminatiWatcher : ad free, HUNDREDS of bonus shows, early access AND TWO OF MY BOOKS! (The Dark Path and Kubrick's Code); you can join the conversations with hundreds of other show supporters here: Patreon.com/IlluminatiWatcher (*Patreon is also NOW enabled to connect with Spotify! https://rb.gy/hcq13)*VIP SECTION: Due to the threat of censorship, I set up a Patreon-type system through MY OWN website! IIt's even setup the same: FREE ebooks, Kubrick's Code video! Sign up at: https://illuminatiwatcher.com/members-section/*APPLE PREMIUM: If you're on the Apple Podcasts app- just click the Premium button and you're in! NO more ads, Early Access, EVERY BONUS EPISODE More from Isaac- links and special offers:*BREAKING SOCIAL NORMS podcast, Index of EVERY episode (back to 2014), Signed paperbacks, shirts, & other merch, Substack, YouTube links, appearances & more: https://allmylinks.com/isaacw *STATEMENT: This show is full of Isaac's useless opinions and presented for entertainment purposes. Audio clips used in Fair Use and taken from YouTube videos. 

Renue Healthcare https://Renue.Healthcare/ToddYour journey to a better life starts at Renue Healthcare. Visit https://Renue.Healthcare/Todd Bulwark Capital https://KnowYourRiskPodcast.comBe confident in your portfolio with Bulwark! Schedule your free Know Your Risk Portfolio review. Go to KnowYourRiskPodcast.com today. Bonefrog https://BonefrogCoffee.com/ToddGet the new limited release, The Sisterhood, created to honor the extraordinary women behind the heroes. Use code TODD at checkout to receive 10% off your first purchase and 15% on subscriptions.LISTEN and SUBSCRIBE at:The Todd Herman Show - Podcast - Apple PodcastsThe Todd Herman Show | Podcast on SpotifyWATCH and SUBSCRIBE at: Todd Herman - The Todd Herman Show - YouTubeHollywood and the Demonic: Listen to The People Who Know - Faith // God Said “Let There Be Light” - Corrupt Government Says Not That Much Light! Faith and Facts. / /Coptic Christians from Egypt Warns American Christians About Islam - Faith & FlagEpisode Links:DEVELOPING: Footage of Alison Carey, sister of Mariah Carey, alleging that their mother, Patricia Carey, involved her in satanic occult practices and performed ritualistic sexual abuse meetings during their childhood. Actor Christopher Lee, who played Dracula and appeared in numerous Tim Burton movies, confirmed the existence of Satanism, said Satanic rituals would be going on in Britain that very night, and later admitted to being involved in darkness that can steal your soulThe GeoFight is now on! We skywatchers finally have a legal team armed for battle. Three attorneys. Three law firms. ( With probably more joining in. ) Now fighting for us, We the People, to combat geoengineering. Attorney Blake Horowitz @HorwitzLawFirm tells as what we can do to help them fight our battles. We are all in this together. We all breathe the same air:Geoengineering 101 For Legislators in two minutes. Shouldn't they have a responsibility to help expose and halt what is taking place in our skies? If not stopped soon, nothing else will matter.Egyptian Coptic Christian explains how Egypt became Muslim: “We are one of the first Christians in the world. Islam took over by the sword. They killed the men, raped the women, enslaved the children Egypt went from 0% to 90% Muslim. It's a cult of sex, perversion and violence.”Iranian man warns that Sharia law starts with unity between the left and Islamists. Pay attention to what he's saying. The same alliance between the left and Islam that is happening in the West happened in Iran decades ago. That's how Iran became an Islamic theocracy.A CBS reporter in Austin, Texas, is being massively praised after refusing to follow a text message from his superior telling him not to focus on a massive crowd praising President Trump's actions in Iran. “They don't want us to focus on this.” “Well, I am.”

The panel reacts to Shia LaBeouf's raw interview with Andrew Callaghan, unpacking trauma, fame at a young age, addiction, faith, and personal responsibility. They discuss Hollywood's dark side, mental health struggles, and why growth ultimately comes down to choice.

Michael Cudlitz takes us from his early 90s guest-star days on 21 Jump Street and Step by Step to the intensity of Band of Brothers, Southland, and surviving the apocalypse on The Walking Dead. We talk hustle, Hollywood longevity, and how a 90s working actor became one of TV's most unforgettable tough guys. We would love your feedback... If you enjoyed this episode, tell us why! Leave us a review and make sure you subscribe on your favorite podcast platform. Executive Producers are Riley Peleuses + Ian McNeny for YEA Media Group If you are interested in advertising on this podcast or having Christine and David as guests on your Podcast, Radio Show, or TV Show, reach out to ⁠⁠⁠⁠⁠⁠⁠⁠podcast@yeamediagroup.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to the Bamgboshe Happy Hour! I'm Peju Bamgboshe Rothlisberger, joined by Naomi Bamgboshe, bringing you all the buzz from the 2026 SAG Actor Awards — sponsored by Recognition Model & Talent. Join us as we recap the night's biggest stars, including Michael B. Jordan, Harrison Ford, Teyana Taylor and Jessie Buckley. From jaw-dropping red carpet looks to hilarious skits and unforgettable speeches, we cover all the surprising and memorable moments that had everyone talking. Tune in for Hollywood insights, fashion highlights, and all the fun behind the awards! #BamgbosheHappyHour #SAGAwards2026 #Zendaya #TomHolland #HollywoodRecap #CelebrityBuzz

THC is here https://www.thehighersidechats.com/jay-dyer-esoteric-hollywood-3-movie-mind-control-the-heros-journeySend Superchats at any time here: https://streamlabs.com/jaydyer/tip Join this channel to get access to perks: https://www.youtube.com/channel/UCnt7Iy8GlmdPwy_Tzyx93bA/join Order New Book Available here: https://jaysanalysis.com/product/esoteric-hollywood-3-sex-cults-apocalypse-in-films/ Get started with Bitcoin here: https://www.swanbitcoin.com/jaydyer/ The New Philosophy Course is here: https://marketplace.autonomyagora.com/philosophy101 Set up recurring Choq subscription with the discount code JAY60LIFE for 60% off now https://choq.com Subscribe to my site here: https://jaysanalysis.com/membership-account/membership-levels/ Follow me on R0kfin here: https://rokfin.com/jaydyer Music by Dr Evo the Producer, Jay Dyer and Amid the Ruins 1453 https://www.youtube.com/@amidtheruinsOVERHAUL Join this channel to get access to perks: https://www.youtube.com/channel/UCnt7Iy8GlmdPwy_Tzyx93bA/joinBecome a supporter of this podcast: https://www.spreaker.com/podcast/jay-sanalysis--1423846/support.

To the public, Atlanta's Gold Club was the ultimate playground for the rich and famous, from NBA All-Stars to Hollywood headliners. But behind the champagne and VIP booths, the feds discovered a racketeering engine fueled by fraud, prostitution, and Gambino crime family ties. Former FBI agent and Marine veteran Mark Sewell joins Chanley Painter to go inside the investigation of the most profitable strip club in America. Follow Chanley on Instagram: @ChanleySha Follow on Chanley X: @ChanleySPainter If you have a story or topic we should feature on the FOX True Crime Podcast, send us an email at: truecrimepodcast@fox.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

What does it mean to truly understand the complexities of familial relationships while navigating a vibrant career in Hollywood? Join host Buzz Knight on this episode of takin’ a walk as he engages in a heartfelt and thought-provoking conversation with the multi-talented Gina Gershon. Known for her iconic roles in films like "Bound" and "Showgirls," Gershon takes us on a journey through her latest book, "Alpha Pussy" where she reflects on her unique upbringing and the challenges of caring for her mother during her final days. As the discussion unfolds, Gershon draws fascinating parallels between her adolescent experiences and literary classics such as "Lord of the Flies" and "Mean Girls," offering deep insights into the emotional landscapes that shape our identities. Buzz Knight, with his signature style, delves into Gershon’s diverse career, exploring how her roles have evolved in public perception and what it means to be a part of the ever-changing landscape of American music and film. But it’s not just about acting; Gina Gershon shares her passion for music and how it intertwines with her artistry. From performing at the renowned Cafe Carlyle, to her exploration of different music genres, she reveals the profound impact music has had on her life and career. Discover the stories behind her songs and the emotional healing that music can bring, as Buzz Knight guides this inspiring conversation. Throughout this episode of takin’ a walk, Gershon emphasizes the significance of self-awareness and personal growth, offering reflections on creativity and freedom. Her journey is a testament to the resilience found in the arts and the importance of understanding our roots and influences. Whether you’re a fan of classic rock history, indie music journeys, or simply looking for inspiring artist interviews, this episode is packed with insights that resonate deeply. Join us for this engaging episode of takin’ a walk, where Buzz Knight and Gina Gershon explore the intersection of music, family, and personal storytelling. This is not just a conversation; it’s an invitation to reflect on your own creative journey and the stories that shape who you are. Tune in now and be inspired by the powerful narratives that come from the heart of the music industry! #coolest music podcast Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

Kilby is leaving on another festive road trip but takes the time to give back with a succinct episode of The Life Gorgeous. Kilby absolutely loves the addition of Ayo Dosunmu to the Timberwolves. Ayo could be the missing piece and the Wolves can play with anybody. Also, Rao's Hollywood has closed and Kilby shares his thoughts. Plus, Kilby finally watched a blockbuster movie for the first time...29 years after it came out. Let's go young people. Learn more about your ad choices. Visit megaphone.fm/adchoices

The endless analysis of the Nancy Guthrie suspect has focused on his apparent amateurism — the cheap backpack, the bad holster placement, the improvised camera obstruction. Former FBI Special Agent Robin Dreeke offers a corrective: this is what most criminals look like. We've just been conditioned by fiction to expect something else.Dreeke spent over two decades with the Bureau, including serving as Chief of the FBI's Counterintelligence Behavioral Analysis Program. He's seen the full spectrum of criminal operations — from trained intelligence officers to desperate opportunists. And most of what he's seen looks closer to this than to anything Hollywood produces.The expectation gap matters because it affects how everyone — investigators, media, public — interprets evidence. When footage doesn't match the fictional standard, people assume something's unusual. They look for explanations that aren't there. They misread desperation as stupidity or luck as skill.Dreeke addresses the uncomfortable reality that sloppy execution doesn't always mean quick capture. This suspect has evaded identification for four weeks despite massive resources, a $1.3 million reward, and round-the-clock national coverage. That's not necessarily sophistication. It might just be circumstance. But distinguishing between the two requires understanding what baseline criminal behavior actually looks like — and that baseline is far messier than most people realize.From his counterintelligence background, Dreeke explains what a genuinely professional operation would have done differently. The gap between tradecraft and what's on the Guthrie footage is real. But that gap exists in almost every case. This one just has cameras on it.Join Our SubStack For AD-FREE ADVANCE EPISODES & EXTRAS!: https://hiddenkillers.substack.com/Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/channel/UC8-vxmbhTxxG10sO1izODJg?sub_confirmation=1Instagram https://www.instagram.com/hiddenkillerspod/Facebook https://www.facebook.com/hiddenkillerspod/Tik-Tok https://www.tiktok.com/@hiddenkillerspodX Twitter https://x.com/TrueCrimePodThis publication contains commentary and opinion based on publicly available information. All individuals are presumed innocent until proven guilty in a court of law. Nothing published here should be taken as a statement of fact, health or legal advice.#NancyGuthrie #SavannahGuthrie #RobinDreeke #TrueCrimeToday #FBI #BehavioralAnalysis #CriminalBehavior #TucsonArizona #Kidnapping #HiddenKillers

Mo Gilligan jokes about the Hollywood lifestyle in his Netflix special, "In The Moment".

Tim Conway Jr. Show Hour 3 (3.2) Do you love baked goods like Tim does? Well, this weekend he’s going on the LA Bakery Walk! That’s 13 Westside miles of sweet, sugary, savory delights and an overload of carbs. Hopefully no marathon runners will show up. Customer feedback: They keep asking for it. And no, we will NOT be filling out your stupid survey. The latest on the Hollywood merger between Paramount Skydance and Warner Bros. — Mark thinks it’s gonna be a worker bloodbath. Plus, how much do you need to make to make it in California? Have you heard of looksmaxxing? It’s a once-obscure online trend that’s now reached the mainstream and is what all the young men are into these days. See omnystudio.com/listener for privacy information.

Patrick Epino shares how a simple YouTube video about Hollywood tropes evolved into the crowdfunded feature film Awesome Asian Bad Guys. After building an audience through the National Film Society, Patrick and his team leveraged their online community to raise over $50,000 on Kickstarter. He explains why crowdfunding requires relentless outreach, consistent content creation, and a pre-existing audience rather than blind optimism.The conversation also explores casting through community relationships, co-directing dynamics, production challenges, and the realities of low-budget filmmaking. Patrick's journey highlights the power of niche storytelling, audience engagement, and refusing to wait for industry gatekeepers. It's an inspiring blueprint for filmmakers looking to turn a small idea into a tangible feature film.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

Today's guest, Denise Woods, has been the 'voice behind the voice' for Hollywood's most celebrated performers for over twenty years. As a dialect and vocal coach, she has contributed to Oscar- and Tony-winning performances.   Beyond Hollywood, Denise has been the secret weapon for Fortune 500 executives, broadcast journalists, and elite athletes transitioning to broadcasting careers. Her client list reads like a who's who of entertainment—from Jessica Chastain to Queen Latifah, from Anthony Mackie to Maggie Gyllenhaal.   Denise is also committed to giving disenfranchised voices the courage and tools to tell their stories by dismantling fear, shame, and trauma. As a graduate and the first African-American female faculty member of Juilliard's Drama Division, she's breaking barriers while helping others find their power. Her book, The Power of Voice, captures this transformative approach to finding and using your authentic voice.   In this episode, we'll explore: Why embracing your authentic light is essential to mastery The reason true expertise means embracing "I don't know" How non-conformity fuels artistic excellence, and why Denise thrives as a co-creator and collaborator The spiritual and intentional approach to preparation that allows authentic voices to emerge Her current favorites: Book: Song of Solomon by Toni Morrison, Speaker: Michelle Obama, Podcast: Trevor Noah's What Now? More from Denise Woods Website: https://www.speakitclearly.com/  Her book, The Power of Voice Instagram: https://www.instagram.com/speakitclearly  LinkedIn: https://www.linkedin.com/in/denise-woods-b1239518  More from Tricia  Publish your book with The Big Talk Press Join my complimentary monthly workshop  Explore my content and follow me on YouTube Follow me on Instagram  Connect with me on Facebook  Connect with me on LinkedIn  Visit my website at TriciaBrouk.com 

Four weeks of analysis has focused on how sloppy this suspect appears — the cheap Ozark Trail backpack from Walmart, the holster sitting awkwardly over his groin, the improvised camera cover made from weeds pulled out of a potted plant. The assumption is that this operation was unusually amateurish. Former FBI behavioral analyst Robin Dreeke says that assumption is wrong. This is what most offenders actually look like. We've just never had a nation watching before.Dreeke spent 21 years with the Bureau, including leading the FBI's Counterintelligence Behavioral Analysis Program. He's seen hundreds of criminal operations. The ones that make the news and the ones that don't. The ones that get solved quickly and the ones that drag on. And most of them look exactly like this — improvised, imperfect, messy.The Hollywood version of crime has distorted public expectations. We expect precision. We expect planning. We expect professional-grade execution. Then we see real footage and assume something's off because it doesn't match the fictional standard. Dreeke explains why that expectation gap matters — and how it affects the way investigators, media, and the public interpret what they're seeing.The harder question is what four weeks of evasion actually tells us. Sloppy execution that gets caught in 48 hours means one thing. Sloppy execution that's still working a month later might mean something else. Dreeke breaks down the difference between low capability and high desperation — and what the behavioral throughline across all visible evidence reveals about who this person actually is.Join Our SubStack For AD-FREE ADVANCE EPISODES & EXTRAS!: https://hiddenkillers.substack.com/Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/channel/UC8-vxmbhTxxG10sO1izODJg?sub_confirmation=1Instagram https://www.instagram.com/hiddenkillerspod/Facebook https://www.facebook.com/hiddenkillerspod/Tik-Tok https://www.tiktok.com/@hiddenkillerspodX Twitter https://x.com/TrueCrimePodThis publication contains commentary and opinion based on publicly available information. All individuals are presumed innocent until proven guilty in a court of law. Nothing published here should be taken as a statement of fact, health or legal advice.#NancyGuthrie #SavannahGuthrie #RobinDreeke #FBI #CriminalBehavior #TucsonArizona #HiddenKillers #TrueCrimePodcast #BehavioralAnalysis #Kidnapping

Dr. Emerson Eggerichs is a longtime marriage teacher, speaker, and author, that has helped couples for decades. A former senior pastor at Trinity Church in East Lansing, Michigan, Emerson's work blends pastoral experience, biblical study, and real-world marriage dynamics into practical tools couples can use immediately. In this episode, he joins Brad for his third visit to The Wow Factor this time to talk about his newest book, Light Bulb Moments in Marriage, a collection of insights and stories designed to bring clarity when couples feel stuck, distant, or worn down by years of misunderstanding. Brad and Emerson dig into why many marriages don't need more effort, they need more light. Emerson explains the difference between intent and impact, why couples misread each other's defensive reactions, and how "love" and "respect" show up differently for men and women during conflict. They unpack the "Crazy Cycle" (without love she reacts without respect; without respect he reacts without love), the "pink and blue" perspective gap, and how outside influences (including Hollywood's version of romance) can reinforce the wrong expectations. The conversation is candid, hopeful, and grounded in faith, especially for couples who still believe there's a goldmine inside their marriage, even if it feels buried right now. "Without love, she reacts without respect. Without respect, he reacts without love. And we start spinning, that's the crazy cycle." - Emerson Eggerichs  "We don't need more effort. We just need light." - Emerson Eggerichs  "My defensive reactions are offensive, and I don't realize I'm stepping on her air hose while I'm trying to protect mine." - Emerson Eggerichs  This Week on The Wow Factor: Emerson's backstory: pastoring Trinity Church in East Lansing, studying Scripture deeply, and the moment Ephesians 5:33 clicked in a new way Why "respect" can feel loaded for many women, and how fear of being dismissed often drives conflict reactions The Crazy Cycle explained: how couples unknowingly escalate when they feel unloved or disrespected A key insight from research: why many men withdraw/stonewall during conflict, and how that can be misread as hostility instead of an attempt to de-escalate Why criticism and complaint often come from care, yet can land as contempt in a husband's ears The danger of outside scripts: how Hollywood and social media fuel idealism, comparison, and the belief that "someone else will be easier" The power of a simple repair: how a sincere "I came across unloving" or "I dishonored you" can change the temperature of a marriage fast Dr. Emerson Eggerichs' Wow Moment: Emerson reminds us that most couples aren't miles apart, they're inches apart, but misunderstanding makes the distance feel far greater. When spouses stop assuming the worst and honestly name their part, the marriage becomes workable again. The breakthrough isn't a new spouse or a new life. It's the humility to bring light into the moment and choose repair before resentment takes root. Connect With Dr. Emerson Eggerichs Dr. Emersons Website Buy Lightbulb Moments In Marriage Love and Respect Instagram Love and Respect Facebook Love and Respect X   Connect With Brad Formsma: WOW Factor Website   Brad Formsma on LinkedIn   Brad Formsma on Instagram   Brad Formsma on Facebook   Brad Formsma on X  

Linktree: ⁠https://linktr.ee/Analytic⁠Join The Normandy For Ad-Free NME, Additional Bonus Audio And Visual Content For All Things Nme+! Join Here:⁠ ⁠⁠https://ow.ly/msoH50WCu0K⁠ The Notorious Mass Effect segment breaks down Alex Warren's explosive new single “Fever Dream”, released February 26, 2026, via Atlantic Records. Hosted by Analytic Dreamz, this analysis covers the 25-year-old artist's evolution from Hype House founder and TikTok creator to major pop force following his 2025 breakout.“Ordinary” dominated with 10 weeks at No. 1 on the Billboard Hot 100, over 2.4 billion global streams, Billboard Top New Artist win, and Best New Artist Grammy nomination—setting a high bar for 2026.“Fever Dream,” produced by Adam Yaron, shifts to upbeat, cinematic pop with glossy synths, driving four-on-the-floor percussion, and romantic euphoria inspired by meeting his wife Kouvr Annon. It marks a strategic pivot to radio-ready hooks from confessional ballads.Early performance (first days as of March 3, 2026): 4.27 million global Spotify debut streams (#12 worldwide, #7 US with 1.33 million US streams), sustained ~2.9M (Feb 28) and ~2.4M (Mar 1) daily. iTunes #1 in US, UK, Canada, Australia, Germany, Ireland, Slovakia; #3 worldwide. Apple Music #19 global, strong Europe entry.The music video, directed by Andrew Theodore Balasia, features surreal Hollywood chaos: Warren as a celebrity-tour bus driver, horror parody with Kouvr, paparazzi frenzy, Paris Hilton cameo, and wake-up twist—perfect for viral clips.Compared to “Ordinary,” “Fever Dream” shows faster digital surge: immediate #1 iTunes in key markets vs. gradual viral climb, highlighting grown fanbase and algorithmic push.Analytic Dreamz explores reception (catchy earworm with vocal charisma, some overplay concerns), autobiographical roots amid past hardships, and the “Finding Family On The Road” / Little Orphan Alex Live arena tour kicking off Europe (April 2026: Düsseldorf PSD Bank Dome, Amsterdam Ziggo Dome, Paris Accor Arena, London O2, more) then North America (May–July: Bridgestone Arena Nashville, Toyota Center Houston, Madison Square Garden New York, etc.).This launch signals strong Hot 100 Top 10 potential, arena-headliner status, and seamless shift to glossy romantic pop while retaining emotional depth.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/exclusive-contentPrivacy & Opt-Out: https://redcircle.com/privacy

#946: Join us as we sit down with Josh Duhamel – acclaimed actor, director, & producer. From starring in blockbuster hits like Transformers, Shotgun Wedding, London Calling, & Netflix's Ransom Canyon to championing men's health & wellness off-screen, Josh opens up like never before. In this episode, he gets candid about his early days in Hollywood, navigating fame, evolving beyond iconic roles, & ultimately finding his way back to his roots. He shares the lessons that shaped him, how he prioritizes fitness & longevity, & why he's focused on redefining wellness for men.   To Watch the Show click HERE   For Detailed Show Notes visit TSCPODCAST.COM   To connect with Josh Duhamel click HERE   To connect with Lauryn Bosstick click HERE   To connect with Michael Bosstick click HERE   Read More on The Skinny Confidential HERE   Head to our ShopMy page HERE and LTK page HERE to find all of the products mentioned in each episode.   Get your burning questions featured on the show! Leave the Him & Her Show a voicemail at +1 (512) 537-7194.   To learn more about GATLAN visit https://gatlan.com and use code TSC15 for 15% off your first purchase.    This episode is sponsored by The American Beverage Association Visit http://goodtoknowfacts.org for more information.   This episode is sponsored by Mara Labs Visit http://mara-labs.com/SKINNY and use code SKINNY for 25% off.   This episode is sponsored by Kion Visit http://getkion.com/skinny for 20% off.    This episode is sponsored by IQBAR Text SKINNY to 64000 to get 20% off all IQBAR products, plus FREE shipping. Message and data rates may apply.   This episode is sponsored by Paleovalley Head to http://paleovalley.com/skinny for 20% off your first purchase   This episode is sponsored by Taylor Farms To learn more visit http://TaylorFarms.com.   This episode is sponsored by Branch Basics If you want to try the Premium Starter Kit, head to http://BranchBasics.com and use code SKINNY15 for 15% off your first order.     Produced by Dear Media

The latest episode of Tin Foil Hat features Joby Weeks, who shares his ongoing "lawfare" battle and what he describes as six years of house arrest without ever being convicted of a crime. He discusses life as a political prisoner while also outlining his mission as a global cryptocurrency and blockchain advocate, working to promote digital currencies as tools for financial freedom—especially in developing nations. Check out the story of Joby Weeks and his fight at the US Government: Free Joby Weeks:  https://www.youtube.com/watch?v=YATaGGO57o8 Please subscribe to the new Tin Foil Hat youtube channel:  https://www.youtube.com/@TinFoilHatYoutube Grab your copy of the 2nd issue of the Chaos Twins now and join the Army Of Chaos: https://bit.ly/415fDfY Check out Sam "DoomScrollin with Sam Tripoli and Midnight Mike" Every Tuesday At 4pm pst on Youtube, X Twitter, Rumble and Rokfin! Join the WolfPack at Wise Wolf Gold and Silver and start hedging your financial position by investing in precious metals now! Go to https://www.samtripoli.gold/ and use the promo code "TinFoil" and we thank Tony for supporting our show. CopyMyCrypto.com: The 'Copy my Crypto' membership site shows you the coins that the youtuber 'James McMahon' personally holds - and allows you to copy him. So if you'd like to join the 1300 members who copy James, then stop what you're doing and head over to: https://copymycrypto.com/tinfoilhat/ You'll not only find proof of everything I've said - but my listeners get full access for just $1 LiveLongerFormula.com: Check out https://www.livelongerformula.com/sam — Christian is a longevity author and functional health expert who helps you fix your gut, detox, boost testosterone, and sleep better so you can thrive, not just survive. Watch his free masterclass on the 7 Deadly Health Fads, and if it clicks, book a free Metabolic Function Assessment to get to the root of your health issues. Grab Tickets To Sam Tripoli's Live Shows At SamTripoli.com: Las Vegas, NV: 2/28 Bakersfield, CA: 3/6 Yuma, AZ: 3/7 Hollywood, CA: 3/10 Batavia, IL: 3/26-3/28 Toronto, CA: 4/17-18 Dallas, TX: 4/24 Fort Worth, TX: 4/25 Albuquerque, NM: 6/12-6/13 Austin, TX: The 100th Episode Of Tin Foil Hat 6/18 Lawerence, KS: 9/17-9/19 Tulsa, OK: 10/9-10/10 Austin, TX: 12/11-12/13   Please check out Sam Tripoli's internet: Linktree: https://linktr.ee/samtripoli Sam Tripoli's Stand Up Youtube Page: https://www.youtube.com/@SamTripoliComedy  Sam Tripoli's Comedy Instagram: https://www.instagram.com/samtripolicomedy/%20P Sam Tripoli's Podcast Clip Instagram: https://www.instagram.com/samtripolispodcastclips/   Please support our sponsors: Helix Sleep: Helix is offering 27% off all mattress orders AND two free pillows for our listeners! Go to Helix Sleep dot com slash Tinfoil. That's helixsleep.com/tinfoil. This is their best offer yet and it won't last long! With Helix, better sleep starts now. int Mobile: This year, skip breaking a sweat AND breaking the bank. Get this new customer offer and your 3-month Unlimited wireless plan for just 15 bucks a month at MINT MOBILE dot com slash tinfoil. That's MINT MOBILE dot com slash tinfoil.   

This week's book examines the Asian-American experience through the age-old phenomenon of Hollywood typecasting. And there's an intentionally porous line that separates this book's "reality" from the rest of it, which kind-of-sort-of takes place inside of a formulaic police procedural. This episode is sponsored by Squarespace. Go to squarespace.com/overdue for 10% of your first purchase of a website or domain.Head to MarleySpoon.com/offer/OVERDUE for up to 25 FREE meals!Our theme music was composed by Nick Lerangis.Follow @overduepod on Instagram and BlueskyAdvertise on OverdueSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This is a Grave Talks CLASSIC EPISODE! PART TWOIt began with a young boy and a new home in Connecticut. What should have been a fresh start in the early 1980s quickly spiraled into a terrifying series of alleged possessions, blessings, and exorcisms. When the entity tormenting the child refused to leave, Arne Johnson reportedly challenged it—inviting the spirit into himself.Months later, a brutal killing shocked the state. Johnson's legal team would argue something never before successfully used in American court: demonic possession.Author and paranormal investigator Jeff Belanger breaks down the real case behind what many now know from The Conjuring: The Devil Made Me Do It. He explores what truly happened inside that Connecticut home, the role of clergy and investigators, and the darker truths that never fully made it into headlines—or Hollywood.Was it psychological breakdown? Suggestion? Or something far more sinister?#TheGraveTalks #JeffBelanger #DevilMadeMeDoIt #DarkEntity #TheConjuring3 #DemonicPossession #TrueParanormal #HauntedConnecticut #ParanormalHistory #PossessionCase #SpiritualWarfare #TrueCrimeAndParanormal #ExorcismLove real ghost stories? Want even more?Become a supporter and unlock exclusive extras, ad-free episodes, and advanced access:

Welcome back to The Kristian Harloff Show – your daily source for breaking movie news, box office analysis, and the biggest stories in Hollywood! On today's episode, we break down the internet frenzy surrounding Jim Carrey and the wild speculation tied to his latest red carpet appearance. Was it really Carrey… or celebrity transformation artist Alexis Stone? We dive into the viral theories, prosthetics debate, and why this moment has social media buzzing. We also cover major awards season wins as Sinners, Pitt, and Studio take home top honors at the Actors Awards — what it means for the Oscars race and the shifting awards landscape. At the box office, Scream 7 slashes its way to a massive $97.2M global debut. Is the franchise stronger than ever? We analyze the numbers, audience reception, and what this means for horror in 2026. Plus, Ryan Gosling opens up about why he's joining the galaxy far, far away in Star Wars. What motivated the move, and how could this reshape the future of Lucasfilm? And finally, Netflix announces plans for more "creative" theatrical runs. Is this the beginning of a major strategy shift between streaming and cinemas? If you love movie news, box office breakdowns, streaming wars analysis, and insider Hollywood discussion — this is the show for you.

It's men behaving VERY badly this week. Just when you thought it couldn't get any cringier...

This week, Jim and Len explore how the most famous movie palace in Hollywood became the centerpiece of Disney's Hollywood Studios… and somehow never its official icon. Along the way, Olaf teaches drawing lessons (to himself), Millennium Falcon gets a name that even Disney couldn't commit to, Butterbeer achieves new levels of sugar density, Disneyland Paris flirts with character hotel makeovers, and Disney Cruise Line tries to figure out exactly how much of a discount it takes to get you off the couch. NEWS • Olaf hosts a new drawing experience at Disney's Hollywood Studios, including a wonderfully meta segment where Olaf learns to draw Olaf. • Millennium Falcon: Smugglers Run briefly adds “A New Mission” to its name before Disney quietly rethinks the branding. • Universal's Butterbeer Season returns with waffles, cream puffs, and what your cardiologist calls “concerns.” • Joe Rohde releases “Floating Mountains,” blending travel stories and creative philosophy. • Disneyland Paris surveys suggest Newport Bay Club rooms may soon feature aquatic Disney IP overlays. • A Disney Cruise Line survey reveals how many clicks it takes before 30 percent off starts sounding persuasive. FEATURE The History of The Great Movie Ride – Part 2 • Why the Chinese Theatre replica sits in icon position but never officially became the park's symbol. • How Sid Grauman turned an earthquake, a tent, and a projector into a Hollywood empire. • Walt Disney's long affection for the Chinese Theatre, from Flowers and Trees to the Mary Poppins premiere. • The subtle design tweaks that made Florida's version taller, shinier, and occasionally slippery. • How The Great Movie Ride building carried more history than most guests ever realized. For this episode's full show notes, click here.⁠ HOSTS • Jim Hill - IG: @JimHillMedia | X: @JimHillMedia | Website: JimHillMedia.com • Len Testa - IG: @len.testa | Bluesky: @lentesta.bsky.social | Website: TouringPlans.com FOLLOW • Facebook: JimHillMediaNews • Instagram: JimHillMedia • TikTok: JimHillMedia SUPPORT Support the show and access bonus episodes and additional content at Patreon.com/JimHillMedia. PRODUCTION CREDITS Edited by Dave Grey Produced by Eric Hersey - Strong Minded Agency SPONSOR This episode is sponsored by Unlocked Magic. Save on Walt Disney World and Universal Orlando tickets at prices better than gate rates by visiting UnlockedMagic.com. If you would like to sponsor a show on the Jim Hill Media Podcast Network, reach out today. Learn more about your ad choices. Visit megaphone.fm/adchoices

The news to know for Monday, March 2, 2026! We're talking about what some are calling the most consequential action President Trump has ever taken — what we know about American strikes on Iran, and Iran's retaliation all around the Middle East. Also, a new terror investigation in Austin, Texas — and the chance of more potential threats on U.S. soil. Plus, the impact of Mideast violence on oil and gas prices, the Pentagon's new artificial intelligence deal, and Hollywood's last big awards show before the Oscars. Those stories and even more news to know in about 10 minutes!    Join us every Mon-Fri for more daily news roundups!  See sources: https://www.theNewsWorthy.com/shownotes Become an INSIDER to get AD-FREE episodes here: https://www.theNewsWorthy.com/insider Get The NewsWorthy MERCH here: https://thenewsworthy.dashery.com/ Sponsors: Get 15% off OneSkin with the code NEWSWORTHY at https://www.oneskin.co/NEWSWORTHY #oneskinpod Go to Quince.com/newsworthy for free shipping and 365-day returns! To advertise on our podcast, please reach out to ad-sales@libsyn.com    

Sam and Dylan are back to break down: the hot Columbia student that ICE detained, CIA Operation Artichoke documents, early government mind control programs and the origins of MKUltra, behavior-modification research and chemical influence experiments, Whitey Bulger as an alleged test subject, claims about everyday products impacting empathy, the "Lyme disease isn't real" debate, Erica Kirk intelligence pipeline speculation and Romanian intelligence connections, Epstein cannibal talk, Ghislaine Maxwell family power structure talk and alleged institutional influence networks, viral Epstein file chaos and Operation Trust psyop parallels, everything is an ad, Russian nesting doll disinformation theory, Howard Lutnick's family making more moves on inside information, and Gavin Newsom is still the worst.   Purchase Sam's Tickets Here: https://samtripoli.com/events/   Las Vegas, NV (The Mutiny 30th Anniversary): Feb 28th Bakersfield, CA: Mar 6th Yuma, AZ: Mar 7th Hollywood, CA (Comedy Chaos at The Comedy Store): Mar 10th Batavia, IL: Mar 26th–28th Toronto, ON (Catacombs Cafe): Apr 17th–18th Dallas, TX (Hyenas): Apr 24th Fort Worth, TX (Hyenas): Apr 25th Huntington Beach (The Mamba Sports Bar & Grill): June 10th Albuquerque, NM (Hyenas): June 12th-13th 1000th Episode at The Mothership: June 18th Lawrence, Kansas: September 17th & 19th   Buy Our Merch or Sam Will Fight You: https://conspiracy-social-club-aka-deep-waters.myshopify.com/   Check out Dylan's instagram - @dylanpetewrenn   Check out Deep Waters Instagram: @akadeepwaters   Check out Bad Tv podcast: https://bit.ly/3RYuTG0   THANK YOU TO OUR SPONSORS:   MARS MEN For a limited time, our listeners get 50% off FOR LIFE, Free Shipping, AND 3 Free Gifts at Mars Men at Mengotomars.com

Some of Hollywood's most iconic beasts owe their signature sounds to the squawks, tweets, and even hisses of birds. More info and transcript at BirdNote.org. Want more BirdNote? Subscribe to our weekly newsletter. Sign up for BirdNote+ to get ad-free listening and other perks.  BirdNote is a nonprofit. Your tax-deductible gift makes these shows possible.   Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This week, Jim and Len explore how the most famous movie palace in Hollywood became the centerpiece of Disney's Hollywood Studios… and somehow never its official icon. Along the way, Olaf teaches drawing lessons (to himself), Millennium Falcon gets a name that even Disney couldn't commit to, Butterbeer achieves new levels of sugar density, Disneyland Paris flirts with character hotel makeovers, and Disney Cruise Line tries to figure out exactly how much of a discount it takes to get you off the couch. NEWS • Olaf hosts a new drawing experience at Disney's Hollywood Studios, including a wonderfully meta segment where Olaf learns to draw Olaf. • Millennium Falcon: Smugglers Run briefly adds “A New Mission” to its name before Disney quietly rethinks the branding. • Universal's Butterbeer Season returns with waffles, cream puffs, and what your cardiologist calls “concerns.” • Joe Rohde releases “Floating Mountains,” blending travel stories and creative philosophy. • Disneyland Paris surveys suggest Newport Bay Club rooms may soon feature aquatic Disney IP overlays. • A Disney Cruise Line survey reveals how many clicks it takes before 30 percent off starts sounding persuasive. FEATURE The History of The Great Movie Ride – Part 2 • Why the Chinese Theatre replica sits in icon position but never officially became the park's symbol. • How Sid Grauman turned an earthquake, a tent, and a projector into a Hollywood empire. • Walt Disney's long affection for the Chinese Theatre, from Flowers and Trees to the Mary Poppins premiere. • The subtle design tweaks that made Florida's version taller, shinier, and occasionally slippery. • How The Great Movie Ride building carried more history than most guests ever realized. For this episode's full show notes, click here.⁠ HOSTS • Jim Hill - IG: @JimHillMedia | X: @JimHillMedia | Website: JimHillMedia.com • Len Testa - IG: @len.testa | Bluesky: @lentesta.bsky.social | Website: TouringPlans.com FOLLOW • Facebook: JimHillMediaNews • Instagram: JimHillMedia • TikTok: JimHillMedia SUPPORT Support the show and access bonus episodes and additional content at Patreon.com/JimHillMedia. PRODUCTION CREDITS Edited by Dave Grey Produced by Eric Hersey - Strong Minded Agency SPONSOR This episode is sponsored by Unlocked Magic. Save on Walt Disney World and Universal Orlando tickets at prices better than gate rates by visiting UnlockedMagic.com. If you would like to sponsor a show on the Jim Hill Media Podcast Network, reach out today. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ben Maller talks the Dallas Cowboys franchise tagging George Pickens for just over $27M. Ben gives his answer on how Pickens can get out of Dallas and lists all the stpes he has to complete to do so. Ben then discusses the NFL Scouting Combine and why the NFL has gone Hollywood. The NFL Draft is a mystery box, and you don't know what you get when you open it regardless of what happens at the Combine. Ben then discusses how AI has taken over scouting as its being implemented into a lot of draft evaluations + Maller to the Third DegreeSee omnystudio.com/listener for privacy information.

How do you build a creative life that spans music, writing, film, and spiritual practice? Alicia Jo Rabins talks about weaving multiple creative strands into a sustainable career and why the best advice for any creator might simply be: just make the thing. In the intro, backlist promotion strategy [Written Word Media]; Successful author business [Novel Marketing Podcast]; Alliance of Independent Authors Indie Author Bookstore; Bones of the Deep – J.F. Penn This podcast is sponsored by Kobo Writing Life, which helps authors self-publish and reach readers in global markets through the Kobo eco-system. You can also subscribe to the Kobo Writing Life podcast for interviews with successful indie authors. This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Alicia Jo Rabins is an award-winning writer, musician, performer, as well as a Torah teacher and ritualist. She's the creator of Girls In Trouble, a feminist indie-folk song cycle about biblical women, and the award-winning film, A Kaddish for Bernie Madoff. Her latest book is a memoir, When We Are Born We Forget Everything. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights, and the full transcript is below. Show Notes Building a sustainable multi-disciplinary creative career through teaching, performance, grants, and donations Trusting instinct in the early generative stages of creativity and separating generation from editing Adapting and reimagining religious and cultural source material through music, writing, and performance The challenges of transitioning from poetry to long-form prose memoir, including choosing a lens for your story Making an independent film on a shoestring budget without waiting for Hollywood's permission Finding your creative voice and building confidence by leaning into vulnerability and returning to the practice of making You can find Alicia at AliciaJo.com. Transcript of the interview with Alicia Jo Rabins Joanna: Alicia Jo Rabins is an award-winning writer, musician, performer, as well as a Torah teacher and ritualist. She's the creator of Girls In Trouble, a feminist indie-folk song cycle about biblical women, and the award-winning film, A Kaddish for Bernie Madoff. Her latest book is a memoir, When We Are Born We Forget Everything. So welcome to the show, Alicia. Alicia: Thank you so much. I'm delighted to be here. Joanna: There is so much we could talk about. But first up— Tell us a bit more about you and how you've woven so many strands of creativity into your life and career. Alicia: Yes, well, I am a maximalist. What happened in terms of my early life is that I started writing on my own, just extremely young. I'm one of those people who always loved writing, always processed the world and managed my emotions and came to understand myself through writing. So from a very young age, I felt really committed to writing. Then I had the good fortune that my mother saw a talk show about the Suzuki method of learning violin—when you start really young and learn by ear, which is modelled after language learning. It's so much less intellectual and much more instinctual, learning by copying. She was like, that looks like a cool thing. I was three years old at the time and she found out that there was a little local branch of our music conservatory that had a Suzuki violin programme. So when I was three and a half, getting close to four, she took me down and I started playing an extremely tiny violin. Joanna: Oh, cute! Alicia: Yes, and because it was part of this conservatory that was downtown, and we were just starting at the suburban branch where we lived, there was this path that I was able to follow. As I got more and more interested in violin, I could continue basically up through the conservatory level during high school. So I had a really fantastic music education without any pressure, without any expectations or professional goals. I just kept taking these classes and one thing led to another. I grew up being very immersed in both creative writing and music, and I think just having the gift of those two parts of my brain trained and stimulated and delighted so young really changed my brain in some ways. I'll always see the world through this creative lens, which I think I'm also just set up to do personally. Then the last step of my multi-practice career is that in college I got very interested in Jewish spirituality. I'm Jewish, but I didn't grow up very religious. I didn't grow up in a Jewish community really. So I knew some basics, but not a ton. In college I started to study it and also informally learned from other people I met. I ended up going on a pretty intense spiritual quest, going to Jerusalem and immersing myself after college for two years in traditional Jewish study and practice. So that became the third strand of the braid that had already been started with music and writing. Torah study, spiritual study, and teaching became the third, and they all interweave. The last thing I'll say is that because I work in both words and music, and naturally performance because of music, it began to branch a little bit into plays, theatre, and film, just because that's where the intersection of words, performance, and music is. So that's really what brought me into that, as opposed to any specific desire to work in film. It all happened very organically. Joanna: I love this. This is so cool. We are going to circle back to a lot of this, but I have to ask you— What about work for money at any point? How did this turn into more than just hobbies and lifestyle? Alicia: Yes, absolutely. Well, I'm very fortunate that I did not graduate college with loans because my parents were able to pay for college. That was a big privilege that I just want to name, because in the States that's often not the case. So that allowed me to need to support myself, but not also pay loans, which was a real gift. What happened was I went straight from college to that school in Jerusalem, and there I was on loans and scholarship, so I didn't have to worry yet about supporting myself. Then when I came back to the States, I actually found on Craigslist a job teaching remedial Hebrew. It was essentially teaching kids at a Jewish elementary school who either had learning differences or had just entered the school late and needed to be in a different Hebrew class than the other kids in their grade. That was my first experience of really teaching, and I just absolutely fell in love with it. Although in the end, my passion is much more for teaching the text and rituals and the wrestling with the concepts, as opposed to teaching language. So all these years, while doing performance and writing and all these things, I have been teaching Jewish studies. That has essentially supported me, I would say, between 50 and 70 per cent. Then the rest has been paid gigs as a musician, whether as a front person leading a project or as what we call a sideman, playing in someone else's band. Sometimes doing theatre performances, sometimes teaching workshops. That's how I've cobbled it together. I have not had a full-time job all these years and I have supported myself through both earned income and also grants and donations. I've really tried to cultivate a little bit of a donor base, and I took some workshops early on about how to welcome donations. So I definitely try to always welcome that as well. Joanna: That is so interesting that you took a workshop on how to welcome donations. Way back in, I think 2013, I said on this show, I just don't know if I can accept people giving to support the show. Then someone on the podcast challenged me and said, but people want to support creatives. That's when I started Patreon in 2014. It was when The Art of Asking by Amanda Palmer came out and— It was this realisation that people do want to support people. So I love that you said that. Alicia: It's not easy. It's still not easy for me, and I have to grit my teeth every time I even put in my end-of-year newsletter. I just say, just a reminder that part of what makes this possible is your generous donations, and I'm so grateful to you. It's not easy. I think some people enjoy fundraising. I certainly don't instinctively enjoy it, but I have learned to think of it exactly the way that you're saying. I mean, I love donating to support other people's projects. Sometimes it's the highlight of my day. If I'm having a bad day and someone asks for help, either to feed a family or to complete a creative project, I just feel like, okay, at least I can give $36 or $25 and feel like I did something positive in the last hour, even if my project is going terribly and I'm in a fight with my kid or something. So I have to keep in mind that it is actually a privilege to give as well as a privilege to receive. Joanna: Absolutely. So let's get back into your various creative projects. The first thing I wanted to ask you, because you do have so many different formats and forms of your creativity—how do you know when an idea that comes to you should be a song, or something you want to do as a performance, or written, or a film? Tell us a bit about your creative process. Because a lot of your projects are also longer-term. Alicia: Yes. It's funny, I love planning and in some ways I'm an extreme planner. I really drive people in my family bonkers with planning, like family vacations a year in advance. In terms of my creativity, I'm very planful towards goals, but in that early generative state, I am actually pure instinct. I don't think I ever sit down and say, “I have this idea, which genre would it match with?” It's more like I sit on my bed and pick up my guitar, which is where I love to do songwriting, just sitting on my bed cross-legged, and I pick up my guitar and something starts coming out. Then I just work with that kernel. So it's very nebulous at first, very innate, and I just follow that creative spirit. Often I don't even know what a project is, sometimes if it's a larger project, until a year or two in. Once things emerge and take shape, then my planning brain and my strategy brain can jump on it and say, “Okay, we need three more songs to fill out the album, and we need to plan the fundraising and the scheduling.” Then I might take more of an outside-in approach. At the beginning it's just all instinct. Joanna: So if you pick up your guitar, does that mean it always starts in music and then goes into writing? Or is that you only pick up a guitar if it's going to be musical? Alicia: I think I'm responding to what's inside me. It's almost like a need, as opposed to, “I'm going to sit down and work.” I mean, obviously I sit down and work a lot, but I think in that early stage of anything, it's more like my fingers are itching to play something, and so I sit down and pick up my guitar. Sometimes nothing comes out and sometimes the kernel of a song comes out. Or I'm at a café, and I often like to write when I'm feeling a little bit discombobulated, just to go into the complexity of things or use challenging emotions as fuel. I really do use it as a—I don't know if therapeutic is the word, but I think it maybe is. I write often, as I always have, as I said before, to understand what I'm thinking. Like Joan Didion said—to process difficult emotions, to let go of stuck places. So I think I create almost more out of a sense of just what I need in the moment. Sometimes it's just for fun. Sometimes picking up a guitar, I just have a moment so I sit down and mess around. Sometimes it's to help me struggle with something. It doesn't always start in music. That was a random example. I might sit down to write because I have an hour and I think, I haven't written in a while. Or I do have an informal daily writing thing where I'll try to generate one loose draft of something a day, even if it's only ten pages. I mean, sorry, ten words. Joanna: I was going to say! Alicia: No, no. Ten words. I'm sorry. It's often poetry, so it feels like a lot when it's ten words. I'll just sit down with no pressure, no goal, no intention to make anything specific. Just open the floodgates and see what comes out. That's where every single project of mine has started. Joanna: Yes, I do love that. Obviously, I'm a discovery writer and intuitive, same as you. I think very much this idea of, especially when you said you feel discombobulated, that's when you write. I almost feel like I need that. I'm not someone who writes every day. I don't do ten lines or whatever. It's that I'll feel that sense of pressure building up into “this is going to be something.” I will really only write or journal when that spills over into— “I now need to write and figure out what this is.” Alicia: Yes. It's almost a form of hunger. It feels to me similar to when you eat a great meal and then you're good for a while. You're not really thinking of it, and then it builds up, like you said, and then there's a need—at least the first half of creativity. I really separate my generation and my editing. So my generative practice is all openness, no critique, just this maybe therapeutic, maybe curious, wandering and seeing what happens. Then once I have a draft, my incisive editing mind is welcome back in, which has been shut out from that early process. So that's a really different experience. Those early stages of creativity are almost out of need more than obligation. Joanna: Well, just staying with that generative practice. Obviously you've mentioned your study of and practice of Jewish tradition and Jewish spirituality. Steven Pressfield in his books has talked about his prayer to the muse, and I've got on my wall here—I don't talk about this very often, actually — I have a muse picture, a painting of what I think of as a muse spirit in some form. So do you have any spiritual practices around your generative practice and that phase of coming up with ideas? Alicia: I love that question, and I wish I had a beautiful, intentional answer. My answer is no. I think I experience creativity as its own spiritual practice itself. I do love individual prayer and meditation and things like that, but for me those are more to address my specifically spiritual health and happiness and connectedness. I'm just a dive-in kind of person. As a musician, I have friends who have elaborate backstage rituals. I have to do certain things to take care of my voice, but even that, it's mostly vocal rest as opposed to actively doing things. There's a bit of an on/off switch for me. Joanna: That's interesting. Well, I do want to ask you about one of your projects, this collaboration with a high school on a musical performance, I Was a Desert: Songs of the Matriarchs, and also your Girls in Trouble songs about women in the Torah. On your website, I had a look at the school, the high school, and the musical performance. It was extraordinary. I was watching you in the school there and it's just such extraordinary work. It very much inspired me—not to do it myself, but it was just so wonderful. I do urge people to go to your website and just watch a few minutes of it. I'm inspired by elements of religion, Christian and Jewish, but I wondered if you've come up against any issues with adaptation—respecting your heritage but also reinventing it. How has this gone for you. Any advice for people who want to incorporate aspects of religion they love but are worried about responses? Alicia: Well, I have to say, coming from the Jewish tradition, that is a core practice of Judaism—reinterpreting our texts and traditions, wrestling with them, arguing with them, reimagining them. I don't know if you're familiar with Midrash, but just in case some of your listeners aren't sure I'll explain it. There's essentially an ancient form of fanfic called Midrash, which was the ancient rabbis, and we still do it today, taking a biblical story that seems to have some kind of gap or inconsistency or question in it and writing a story to fill that gap or recast the story in an interestingly different light. So we have this whole body of literature over thousands of years that are these alternate or added-on adventures, side quests of the biblical characters. What I'm doing from a Jewish perspective is very much in line with a traditional way of interacting with text. I've certainly never gotten any pushback, especially as I work in progressive Jewish communities. I think if I were in an extremely fundamentalist community, there would be a lot of different issues around gender and things like that. The interpretive process, even in those communities, is part of how we show respect for the text. When I was working with the high school—and I just want to call out the choir director, Ethan Chen, who has an incredible project where he brings in a different artist every two years to work with the choir, and they tend to have a different cultural focus each time. He invited me specifically to integrate my songwriting about biblical women with his amazing high school choir. I was really worried at first because most of them are not Jewish—very few of them, if any. I wanted to respect their spiritual paths and their religious heritages and not impose mine on them. So I spent a lot of time at the beginning saying, this project has religious source material, but essentially it is a creative reinterpretive project. I am not coming to you to bring the religious material to you. I'm coming to take the shared Hebrew Bible myths and then reinterpret those myths through a lens of how they might reflect our own personal struggles, because that's always my approach to these ancient stories. I wanted to really make that clear to the students. It was such a joy to work with them. Joanna: It's such an interesting project. Also, I find with musicians in general this idea of performance. You've written this thing—or this thing specifically with the school—and it doesn't exist again, right? You're not selling CDs of that, I presume. Whereas compared to a book, when we write a book, we can sell it forever. It doesn't exist as a performance generally for an author of a memoir or a novel. It carries on existing. So how does that feel, the performance idea versus the longer-lasting thing? I mean, I guess the video's there, but the performance itself happened. Alicia: I do know what you mean. Absolutely. We did, for that reason, record it professionally. We had the sound person record it and mix it, so it is available to stream. I'm not selling CDs, but it's out there on all the streaming services, if people want to listen. I do also have the scores, so if a choir wanted to sing it. The main point that you're making is so true. I think there's actually something very sacred about live performance—that we're all in the moment together and then the moment is over. I love the artefacts of the writing life. I love writing books. I love buying and reading books and having them around, and there's piles of them everywhere in this room I'm standing in. I feel like being on stage, or even teaching, is a very spiritual practice for me, because it's in some ways the most in-the-moment I ever am. The only thing that matters is what's happening right then in that room. It's fleeting as it goes. I'm working with the energy in the room while we're there. It's different every time because I'm different, the atmosphere is different, the people are different. There's no way to plan it. The kind of micro precision that we all try to bring to our editing—you can't do that. You can practice all you want and you should, but in the moment, who knows? A string breaks or there's loud sound coming from the other room. It is just one of those things. I love being reminded over and over again of the truth that we really don't control what happens. The best that we can do is ride it, surf it, be in it, appreciate it, and then let it go. Joanna: I think maybe I get a glimpse of that when I speak professionally, but I'm far more in control in that situation than I guess you were with—I don't know how many—was it a hundred kids in that choir? It looked pretty big. Alicia: It was amazing. It was 130 kids. Yes. Joanna: 130 kids! I mean, it was magic listening to it. And yes, of course, showing my age there with buying a CD, aren't I? Alicia: Well, I do still sell some CDs of Girls in Trouble on tour, because I have a bunch of them and people still buy them. I'm always so grateful because it was an easier life for touring musicians when we could just bring CDs. Now we have to be very creative about our merch. Joanna: Yes, that's a good point because people are like, “Oh yes, I'll scan your QR code and stream it,” but you might not get the money for that for ages, and it might just be five cents or whatever. Alicia: Streaming is terrible for live musicians. I mean, I don't know if you know the site Bandcamp, but it's essentially self-publishing for musicians. Bandcamp is a great way around that, and a lot of independent musicians use it because that's a place you can upload your music and people can pay $8 for an album. They can stream it on there if they want, or they can download it and have it. But, yes, it's hard out there for touring musicians. Joanna: Yes, for sure. Well, let's come to the book then. Your memoir, When We Are Born We Forget Everything. Tell us about some of the challenges of a book as opposed to these other types of performances. Alicia: Well, I come out of poetry, so that was my first love. That's what I majored in in college. That's what my MFA is in. Poetry is famously short, and I'm not one of those long-form poets. I have been trained for many years to think in terms of a one-page arc, if at all. Arc isn't even really a word that we use in poetry. So to write a full-length prose book was really an incredible education. Writing it basically took ten years from writing to publication, so probably seven years of writing and editing. I felt like there was an MFA-equivalent process in the number of classes I took, books I read, and work that went into it. So that was one of my main joys and challenges, really learning on the job to write long-form prose coming out of poetry. How to keep the engine going, how to think about ending one chapter in a way that leaves you with some torque or momentum so that you want to go into the next chapter. How many characters is too many? Who gets names and who doesn't? Some of these things that are probably pretty basic for fiction writers were all very new to me. That was a big part of my process. Then, of course, poets don't usually have agents. So once it was done, I began to query agents. It was the normal sort of 39 rejections and then one agent who really understood what I was trying to do. She's incredible, and she was able to sell the book. The longevity of just working on something for that long—I have a lot of joy in that longevity—but it does sometimes feel like, is this ever going to happen, or am I on a fool's errand? Joanna: I guess, again, the difference with performance is you have a date for the performance and it's done then. I suppose once you get a contract, then for sure it has to be done. But memoir in particular, you do have to set boundaries, because of course your life continues, doesn't it? So what were the challenges in curating what went into the book? Because many people listening know memoir is very challenging in terms of how personal it can be. Alicia: Yes, and one thing I think is so fascinating about memoir is choosing which lens to put on your story, on your own story. I heard early on that the difference between autobiography and memoir is that autobiography tries to give a really comprehensive view of a life, and memoir is choosing one lens and telling the story of a life through that lens, which is such a beautiful creative concept. I knew early on that I wanted this to be primarily a spiritual memoir, and also somewhat of an artistic memoir, because my creativity and my spirituality are so intertwined. It started off being spiritual, and also about my musical life, and also about my writing life. In the end, I edited out the part about my writing life, because writing about writing was just too navel-gazing. So there's nothing in there about me coming of age as a writer, which used to be in there, but that whole thing got taken out. Now it's spiritual and musical. For me, it really helped to start with those focuses, because I knew there may be things that were hugely important in my life, absolutely foundational, that were not really going to be either mentioned or gone deeply into in the book. For example, my husband teases me a lot about how few pages and words he gets. He's very important in my life, but I actually met him when I was 29, and this book really mainly takes place in the years leading up to that. There's a little bit of winding down in the first few years of my thirties, but this is not a book about my life with him. He is mentioned in it. That story is in there. Having those kinds of limitations around the canvas—there's a quote, I forget if it was Miranda July, but somebody said something like, basically when you put a limitation on your project, that's when it starts to be a work of art. Whatever it is, if you say, “I'm taking this canvas and I'm using these colours,” that's when it really begins, that initial limitation. That was very helpful. Joanna: It's also the beauty of memoir, because of course you can write different memoirs at different times. You can write something about your writing life. You can write something else about your marriage and your family later on. That doesn't all have to be in one book. I think that's actually something I found interesting. And I would also say in my memoir, Pilgrimage, my husband is barely mentioned either. Alicia: Does he tease you too? Joanna: No, I think he's grateful. He is grateful for the privacy. Alicia: That's why I keep saying, you should be grateful! Joanna: Yes. You really should. Like, maybe stop talking now. Alicia: Yes, exactly. I know. Marriage, memoir—those words should strike fear into his heart. Joanna: They definitely should. But let's just come back. When I look at your career— You just seem such an independent creative, and so I wondered why you decided to work with a traditional publisher instead of being an independent. How are you finding it as someone who's not in charge of everything? Alicia: It's a great question. The origin story for this memoir is that I was actually reading poetry at a writing conference called Bread Loaf in the States. This was 16 years ago or something. I was giving a poetry reading and afterwards an agent, not my agent, came up to me and said, you know, you have a voice. You should try writing nonfiction because you could probably sell it. Back to your question about how I support myself, I am always really hustling to make a living. It's not like I have some separate well-paying job and the writing has no pressure on it. So my ears kind of perked up. I thought, wait, getting paid for writing? Because poetry is literally not in the world. It's just not a concept for poets. That's not why we write and it's not a possibility. So a little light turned on in my brain. I thought, wow, that could be a really interesting element to add to my income stream, and it would be flexible and it would be meaningful. For a few years I thought, what nonfiction could I write? And I came up with the idea of writing a book about biblical women from a more scholarly perspective, because I teach that material and I've studied it. I went to speak to another agent and she said, well, you could do that, but if you actually want to sell a book, it's going to have to be more of a trade book. So if you don't want an academic press, which wouldn't pay very much, you would have to have some kind of memoir-like stories in there to just sweeten it so it doesn't feel academic. So then I began writing a little bit of spiritual memoir. I thought, okay, well, I'll write about a few moments. Then once I started writing, I couldn't stop. The floodgates really opened. That's how it ended up being a spiritual memoir with interwoven stories of biblical women. It became a hybrid in that sense. I knew from the beginning that this project—for all my saying earlier that I never plan anything and only work on instinct, I was thinking as I said that, that cannot be true. This time, I actually thought, what if, instead of coming from this pure, heart-focused place of poetry, I began writing with the intention of potentially selling a book? The way my fiction writer friends talked about selling their books. So that was always in my mind. I knew I would continue writing poetry, continue publishing with small presses, continue putting my own music out there independently, but this was a bit of an experiment. What if I try to interface with the publishing world, in part for financial sustainability? And because I had a full draft before I queried, I never felt like anyone was telling me what to write. I can't imagine personally selling a book on proposal, because I do need that full capacity to just swerve, change directions, be responsive to what the project is teaching me. I can't imagine promising that I'll write something, because I never know what I'll write. But writing at least a very solid draft first, I'm always delighted to get notes and make polish and rewrite and make things better. I took care of that freedom in the first seven years of writing and then I interfaced with the agent and publisher. Joanna: I was going to say, given that it's taken you seven to ten years to do this and I can't imagine that you're suddenly a multimillionaire from this book. It probably hasn't fulfilled the hourly rate that perhaps you were thinking of in terms of being paid for your work. I think some people think that everyone's going to end up with the massive book deal that pays for the rest of their life. I guess this book does just fit into the rest of your portfolio career. Alicia: Yes. One of the benefits of these long arcs that I like to work on is, one of them—and probably the primary one—is that the project gets to unfold on its own time. I don't think I could have rushed it if I wanted. The other is that it never really stopped me from doing any of my other work. Joanna: Mm-hmm. Alicia: So it's not like, oh, I gave up months of my life and all I got was this advance or something. It's like, I was living my life and then when I had a little bit of writing time—and I will say, it impacted my poetry. I haven't written as much poetry because I was working on this. So it wasn't like I just added it on top of everything I was already doing, but it was a pleasure to just switch to prose for a while. It was just woven into my life. I appreciated having this side project where no one was waiting for it. There were no deadlines, there was no stress around it, because I always have performances to promote and due dates for all kinds of work. It was just this really lovely arena of slow growth and play. When I wanted a reader, I could do a swap with a writer friend, but no one was ever waiting for it on deadline. So there's actually a lot of pleasure in that. Then I will say, I think I've made more from selling this than my poetry. Probably close to ten times more than I've ever made from any of my poetry. So on a poetry scale, it's certainly not going to pay for my life, but it actually does make a true financial difference in a way that much of my other work is a little more bit by bit by bit. It's actually a different scale. Joanna: Well, that's really good. I'm glad to hear that. I also want to ask you, because you've done so many things, and— I'm fascinated by your independent film, A Kaddish for Bernie Madoff. I have only watched the trailer. You are in it, you wrote it, directed it, and it's also obviously got other people in, and it's fascinating. It's about this particular point in history. I've written quite a lot of screenplay adaptations of my novels, and I've had some various amounts of interest, but the whole film industry to me is just a complete nightmare, far bigger nightmare than the book industry. So I wonder if you could maybe talk about this, because it just seems like you made a film, which is so cool. Alicia: Oh yes, thank you. Joanna: And it won awards, yes, we should say. Alicia: Did we win awards? Yes. It really, for an extremely low-budget indie film, went far further than my team and I could ever have imagined. I will say I never intended to make a film. Like most of the best things in my life, it really happened by accident. When I was living in New York— I lived there for many years—the 2008 financial collapse happened and I happened to have an arts grant that gave a bunch of artists workspace, studio space, in essentially an abandoned building in the financial district. It was an empty floor of a building. The floor had been left by the previous tenant, and there's a nonprofit that takes unused real estate in the financial district and lets artists work in it for a while. So I was on Wall Street, which was very rare for me, but for this year I was working on Wall Street. Even though I was working on poems, the financial collapse happened around me, and I did get inspired by that to create a one-woman show, which was more of a theatre show. That was already a huge leap for me because I had no real theatre experience, but it was experimental and growing out of my poetry practice and my music. It was a musical one-woman show about the financial collapse from a spiritual perspective, apparently. So I performed that. I documented it, and then a friend who lives in Portland, Oregon, where I now live, said, “I'm a theatre producer, I'd like to produce it here.” So then I rewrote it and did a run here in Portland of that show. Essentially, I started to tour it a little bit, but I got tired of it. It was too much work and it never really paid very much, and I thought, this is impacting my life negatively. I just want to do a really good documentation of the show. So I wanted to hire a theatre documentarian to just document the show so that it didn't disappear, like you were saying before about live performance. But one of the people I talked to actually ended up being an artistic filmmaker, as opposed to a documentarian. She watched the archival footage, just a single camera of the show, and said, “I don't think you should do this again and film it with three cameras. I think you should make it into a feature film. And in fact, I think maybe I should direct it, because there's all this music in it and I also direct music videos.” We had this kind of mind meld. Joanna: Mm. Alicia: I never intended to make a film, but she is a visionary director and I had this piece of IP essentially, and all the music and the writing. We adapted it together. We did it here in Portland. We did all the fundraising ourselves. We did not interface with Hollywood really. I think that would be, I just can't imagine. I love Hollywood, but I'm not really connected, and I can't imagine waiting for someone to give us permission or a green light to make this. It was experimental and indie, so we just really did it on the cheap. We had an amazing producer who helped us figure out how to do it with the budget that we had. We worked really hard fundraising, crowdfunding, asking for donations, having parties to raise money, and then we just did it and put it out there. I think my main advice—and I hear this a lot on screenwriting podcasts—is just make the thing. Make something, as opposed to trying to get permission to make something. Because unless you're already in that system, it's going to be really hard to get permission to make it. Once you make something, that leads to something else, which leads to something else. So even if it's a very short thing, or even if it's filmed on your phone, just actually make the thing. That turned out to be the right thing for us. Joanna: Yes, I mean, I feel like that is what underpins us as independent creatives in general. As an independent author, I feel the same way. I'm never asking permission to put a book in the world. No, thank you. Alicia: Exactly. We have a vision and we do it. It's harder in some ways, but that liberation of being able to really fully create our vision without having to compromise it or wait for permission, I think it's such a beautiful thing. Joanna: Well, we're almost out of time, but I do want to ask you about creative confidence. Alicia: Hmm. Joanna: I feel I'm getting a lot of sense about this at the moment, with all the AI stuff that's happening. When you've been creating a long time, like you and I have, we know our voice and we can lean into our voice. We are creatively confident. We'll fail a lot, but we'll just push on and try things and see what happens. Newer creators are struggling with this kind of confidence. How do I know what is my voice? How do I know what I like? How do I lean into this? So give us some thoughts about how to find your voice and how to find that creative confidence if you don't feel you have it. Alicia: I love that. One thing I will say is that I always think whatever is arising is powerful material to create from. So if a lack of confidence is arising, that's a really powerful feeling to directly explore and not just try to ignore. Although sometimes one has to just ignore those feelings. But to actually explore that feeling, because AI can't have that, right? AI can't really feel a crisis of confidence, and humans can. So that's a gift that we have, those kinds of sensitivities. I think to go really deep into whatever is arising, including the sense that we don't have the right to be creating, or we're not good enough, or whatever it is. Then I always do come back to a quote. I think it might have been John Berryman, but I'm forgetting which poet said it. A younger poet said, “How will I ever know if I'm any good?” And this famous poet said something like—I'm paraphrasing—”You'll never know if you're any good. If you have to know, don't write.” That has been really liberating to me, actually. It sounds a little harsh, but it's been really liberating to just let go of a sense of “good enough.” There is no good enough. The great writers never know if they're good enough. Coming back to this idea of just making without permission—the practice of doing the thing is being a writer. Caring and trying to improve our craft, that's the best that we can have. There's never going to be a moment where we're like, yes, I've nailed this. I am truly a hundred per cent a writer and I have found my voice. Everything's always changing anyway. I would say, either go into those feelings or let those feelings be there. Give them a little tea. Tell them, okay, you're welcome to be here, but you don't get to drive the boat. And then return to the practice of making. Joanna: Absolutely. Great. So where can people find you and your books and everything you do online? Alicia: Everything is on my website, which is AliciaJo.com, and also on Instagram at @ohaliciajo. I'd love to say hello to anyone who's interested in similar topics. Joanna: Brilliant. Well, thanks so much for your time, Alicia. That was great. Alicia: Thank you. I love your podcast. I'm so grateful for all that you've given the writing world, Jo.The post Creative Confidence, Portfolio Careers, And Making Without Permission with Alicia Jo Rabins first appeared on The Creative Penn.

The Oscars hold a special place in popular culture, but the first Academy Awards ceremony, held in 1929, bore little resemblance to the spectacle most of us know today. In this episode, media expert Monica Sandler takes us from that first award ceremony – when both Los Angeles and the films made there struggled for respectability – to the modern extravaganza that draws tens of millions of viewers worldwide. Monica also breaks down the way voting has changed over time, the evolution of categories, and what she thinks was the greatest snub of all time. Dr. Monica Sandler is a film and media historian at Ball State University, specializing in the history of entertainment prizes and their influence on Hollywood. You can find out more about her at her website: MonicaSandlerPhD.com. Come find Ben & Bob on the road this summer! -Bob will be speaking about his new book, America's Founding Son (out March 10) at bookstores across the country. Click here for dates & locations! -Ben will be joining his friend Greg Jackson of History That Doesn't Suck for a history cruise on the Caribbean from May 18-22, featuring a live recording of The Road to Now! Click here to find out more about a History Cruise That Doesn't Suck and use promo code RTN for $100 off a cabin!   This episode was edited by Ben Sawyer.

We are kicking off Women's History Month with the one and only, Joan Didion. Before she became one of the most iconic writers of the 20th century, Joan Didion was just a quiet, observant girl from Sacramento who would go on to capture the myth and emotional reality of American life. From her early days at Vogue to her life in Hollywood and her marriage to fellow writer John Gregory Dunne, Joan Didion wasn't just participating in the culture. She was observing and documenting it. In this episode, we explore how Joan Didion became a literary icon, how she cultivated the persona of the ultimate cool girl, and why her writing captured the emotional reality behind America's myths. Welcome to Women's History Month! Created and produced by Claire Donald and Tess Bellomo Follow us on social media, buy merch, and more HERE! Join our premium channel for 3 bonus eps a month ⁠here⁠ and save 15% when you buy annually! SOURCES: Joan Didion: The Center Will Not Hold, The Guardian , Vanity Fair, What She Means, Vogue, Wikipedia Learn more about your ad choices. Visit podcastchoices.com/adchoices

Carey James is the founder of Brand Alchemy and a leading positioning expert for founders and executives thriving in today's AI-driven attention economy. A former PhD candidate in neuroscience, Carey has helped clients generate over $30 million in sales by translating complex expertise into credibility, visibility, and inbound demand. Drawing from neuroscience, storytelling, and sales psychology, he empowers high performers to step into their “niche of one” and transform authority into opportunity. On this episode we talk about: How Carey went from Hollywood to neuroscience to brand strategy Why even brilliant experts often stay invisible online The difference between branding and marketing—and why it matters How to discover your unique brand “DNA” and build trust online Why consistency and authenticity always outperform perfect strategy Top 3 Takeaways If people can't find you online, they can't hire you—visibility is no longer optional; it's essential. Authentic personal branding means doubling down on what makes you different, not what makes you the same. Consistency builds subconscious trust—show up the same way everywhere, online and off. Notable Quotes “If you're not putting yourself out there, you're getting overshadowed at a compounding rate.” – Carey James “If you don't define your label, the market will define it for you.” – Carey James “Best known beats best every single time.” – Travis Chappell Connect with Carey James: Website: brandalchemy.io Instagram: @careyjamesofficial LinkedIn: linkedin.com/in/careyjamesofficial Travis Makes Money is made possible by High Level – the All-In-One Sales & Marketing Platform built for agencies, by an agency.Capture leads, nurture them, and close more deals—all from one powerful platform.Get an extended free trial at gohighlevel.com/travis Learn more about your ad choices. Visit megaphone.fm/adchoices

This week the boys of HMP start a brand new month with The March of Dimes. That's right- 5 weeks of the hottest looking people Hollywood has offered us over the years and we start out with a particularly interesting choice from Sweet Seanzie with Linda Cardellini in SCOOBY-DOO 2: MONSTERS UNLEASHED. Executive Producers:  Tim (Applescruff), Derrick Copling (Sir Slick Derrick The Knight Bard), Matthew Schnapp, Noah Overton (Noah of The Dark Woods), Peter "Not SoBad Lookin'" Pernice Listen to the HMP Live Stream, Sunday Nights and Live Streams with Adam throughout the week.  YouTube https://www.youtube.com/@HMPOD Merchandising, Merchandising, Merchandising: https://www.teepublic.com/user/halfassmoviepod HMP Instagram- https://www.instagram.com/halfassmoviepodcast Adam- Letterbox- https://boxd.it/3aAF TikTok- https://www.tiktok.com/@adam.portraist=ZT-8xcqAzUtusx&r=1 Sean Scoots! https://www.youtube.com/@setdecsean Bruce YouTube- https://www.youtube.com/@Animedad Email- HalfAssMoviePod@gmail.com

Send a textFive crowd-powered picks. One gloriously weird bracket. We asked our patrons to nominate America's best roadside attractions and then argued our way to a final five, weighing what truly makes a highway stop irresistible: surprise, visibility, story, and a dash of “did I really just see that?”We start by sharpening the definition of a roadside attraction—quirky, often free, and ideally something you can spot or stumble on while cruising—then put it to the test across a spectrum of submissions. Hell, Michigan brings playful immersion with singed postcards, a mini-golf gag reel, and the chance to be mayor for a day. Dignity of Earth and Sky elevates the genre with stainless steel and glass honoring Indigenous heritage, looming beautifully over the Missouri. Solomon's Castle in Florida delivers pure maker magic, a tin-clad dream built by a single artist that turns oddity into awe.Along the way, we explore the charm of Hattiesburg's Pocket Museum Alley, packed with tiny installations, perspective murals, and geocaches—proof that small spaces can deliver big delight. We unpack the Thomas Dambo “Big Rusty” troll and how recycled art can spark a national scavenger hunt. And yes, we wade into Florida weird with Gatorland, tip our caps to the country's smallest post office, and debate whether the Hollywood sign and dinosaur parks count as true roadside stops or full-on destinations. For dessert: a lonely Big Boy marooned in a Wyoming field, a world's largest bobblehead, and the Peachoid—an unforgettable peach-shaped water tower with pop-culture cred.By the end, we tally scores and call in our AI tiebreaker to lock the bracket. If you love geocaching, road trips, and the thrill of pulling over for something delightfully odd, you'll leave with a punch list of must-see stops and a clear sense of what makes roadside culture so addictive. Join our Patreon to nominate future picks, vote in the bracket, and help steer the show. If this made you smile, follow, share with a road-trip friend, and drop a review—what's your favorite roadside attraction we should feature next?Support the showFacebookInstagramYoutube

This is preview (full ep released to subscribers 02/15/2026) — to access all our content & to join the NM Discord, subscribe: https://patreon.com/newmodels & https://newmodels.substack.com -- Back in Berlin to show their new film work “The End of Theater” at Isabella Bortolozzi Gallery, artists Calla Henkel & Max Pitegoff drop by New Models to chat about that film's primary set: New Theater Hollywood, the DIY theater they opened on Santa Monica Boulevard after decamping to LA in 2023. We discuss their layered process — creating a space that generates a scene, which produces its own art and dedicated star-system while also serving as source material, location, and cast for all that Max and Calla make in parallel — as a distinctly contemporary protocol for artmaking today. We also talk about the return of theater itself at a time when every physical place now feels like a potential set, whether for a vlog or an ICE raid, and performance online is constant? Does theater hit different in our neo-oral era? Does LA? For more: www.newtheaterhollywood.com & @newtheaterhollywood See also: 
 Mike Davis, "City of Quartz" (Verso, 1990) Thom Anderson, "LA Plays Itself" (2003) NM Podcast | Mise-en-TV w/ Calla Henkel (2022) NM 77 | Calla Henkel on Art, Industry, and “Scrap” (2024)

Hollywood's Headlines covers the biggest off-field and pop culture sports stories from the weekend. WWE's Elimination Chamber delivered a shocker as Randy Orton pulled off a major upset, while UConn Huskies women's basketball finished their regular season undefeated. Over in racing, Michael Jordan's NASCAR team claimed another victory, and Villanova coach Kevin Willard opened up about working with Rick Pitino, offering some blunt reflections. Hockey highlights include Jack Hughes's golden goal puck and the game-winning puck from the Women's Team being enshrined in the Hockey Hall of Fame in Canada.

Hour 2 opens by discussing the Miami Dolphins' need to return to a healthy salary cap state and shares highlights from the DCC event before launching into a fiery rant about Tua Tagovailoa, media pressure, and the standard of excellence set by Don Shula. Andrew Moran joins to break down his first season on Jai Lucas' staff with Miami Hurricanes men's basketball, highlighting the culture shift, early success, and the growth of local talent fueling recruitment across South Florida. Hollywood's Headlines wraps the hour with WWE's Elimination Chamber upset by Randy Orton, an undefeated regular season for UConn Huskies women's basketball, Michael Jordan's NASCAR team winning again, Kevin Willard's candid reflections on working with Rick Pitino, and golden goal pucks from Jack Hughes and the Women's Team heading to the Hockey Hall of Fame in Canada.

Watch all of our Epstein videos here:    • Epstein  Watch all of our Hamamoto videos here:    • Professor Hamamoto  Hamamoto on YouTube:    / @professorhamamoto  Prof. Darrell Hamamoto, who is an American writer, academic, and specialist in U.S. media and ethnic studies.Professors Facebook : https://www.facebook.com/share/hZajgC...UNTOUCHABLE - Jimmy Savile documentary    • UNTOUCHABLE - Jimmy Savile documentary by ...  ADOPTED KID'S CA HORROR STORY & BOYS TOWN! PASTOR Eddie https://youtube.com/live/vD3SGWpnfyMWatch Used By ELITES From Age 6 - Survivor Kelly Patterson https://youtube.com/live/nkKkIfLkRx0KELLY'S 2 HOUR VIDEO ON VIRGINIA    • Video  BOOK LINKS: Who Killed Epstein? Prince Andrew or Bill Clinton by Shaun Attwood UK: https://www.amazon.co.uk/dp/B093QK1GS1 USA: https://www.amazon.com/dp/B093QK1GS1 Worldwide: https://books2read.com/u/bQjGQD All of Shaun's books on Amazon UK: https://www.amazon.co.uk/stores/Shaun...All of Shaun's books on Amazon USA: https://www.amazon.com/stores/Shaun-A...Follow P Diddys latest:   • P Diddy  #jayz #beyonce #hollywood #countrymusic #nashville #pdiddy #puffdaddy #truecrime #news #youtubenews #podcast #livestream #youtube #thepope #vatican #church Here are Hamamoto's recommended books:Can't Stop Won't Stop:A History of the Hip-Hop Generation ——-The Psychological Covert War on Hip-Hop——-The Covert War Against Rock:What You Don't Know About The Deaths of;(Jim Morrison, Tupac Shakur, Michael Hutchence, Brian Jones, Jimi Hendrix,Phil Ochs, Bob Marley, Peter Tosh, John Lennon & The Notorious B.I.G)——-Hit Men:Power Brokers and Fast Money Inside the Music Business——-Me, the Mob, and the Music:One Helluva Ride Tommy James and the Shondells——-Godfather of the Music Business:Morris Levy (American Made Music Series)——-LAbyrinth:A Detective Investigates the Murders of Tupac Shakur and Notorious B.I.G., the Implication of Death Row Records, Suge Knight, and the Origins of the Los Angeles——-The FBI war on Tupac Shakur:State repression of Black Leaders from the Civil Rights Error to the 1990s (real world)——-The FBI war on Tupac Shakur and Black Leaders:US Intelligence's: Murderous Targeting of Tupac, MLK, Malcol, Panthers, Hendrix, Marley rappers and Linked Ethic Leftists——-Have Gun Will Travel:The Spectacular Rise and Violent Fall of Death Row Records——-The Big Payback:The History of the Business of Hip-Hop——-Ruthless:A Memoir——-Hip-Hop Decoded——-Q: The Autobiography of Quincy Jones——-How to Wreck a Nice Beach:The Vocoder from WW II to Hip-Hop, The Machine Speaks——-Dancing with the Devil:How Puff burned the bad boys of Hip-Hop——-Hiding in Hip-Hop:On the Down Low in the Entertainment industry—from Music to Hollywood

Subscribe to our Newsletter:https://theultimatepartner.com/ebook-subscribe/Check Out UPX:https://theultimatepartner.com/experience/ The Shift from Attention to Trust In this compelling episode, Ashleigh Vogstad, CEO of Transcends, joins Vince Menzione to discuss the tectonic shifts occurring in the global partner ecosystem. Ashleigh shares her firsthand experiences studying AI at Oxford, the rise of the “Trust Economy,” and the controversial Amazon vs. Perplexity lawsuit. They dive deep into the practicalities of becoming a “Frontier Firm,” the importance of building proprietary AI agents, and the ways Gen Z and AI-driven marketplaces are revolutionizing the buyer journey. Whether you are looking to win Microsoft Partner of the Year or navigate the demise of traditional SaaS, this conversation provides a strategic roadmap for leading through the AI revolution. Key Takeaways The economy is shifting from a focus on human attention to a foundation of verified trust. Future commerce will involve “selling to machines” as AI agents begin making purchasing decisions on behalf of humans. Microsoft is prioritizing “Frontier Firms” that integrate AI into every customer interaction and internal process. Gen Z buyers are prioritizing product value and “dupes” over traditional brand names, with 75% of buyers expected to be Gen Z by 2030. To win Partner of the Year, organizations must publicly celebrate “better together” stories with validated customer wins. Modern leaders should transition from a “growth mindset” to a “frontier mindset” to keep pace with rapid technological change. https://youtu.be/xJmd43NvfnI If you're ready to lead through change, elevate your business, and achieve extraordinary outcomes through the power of partnership—this is your community. At Ultimate Partner® we want leaders like you to join us in the Ultimate Partner Experience – where transformation begins. Key Tags Trust Economy, Selling to Machines, Amazon vs Perplexity Lawsuit, Frontier Firm, AI Agents, Copilot Studio, Anthropic Claude, Microsoft Partner of the Year, B2B Marketplaces, Gen Z Buyer Behavior, Digital Freedom, AI Therapy, Ray Kurzweil Singularity, Substack Growth, Co-selling Partnerships, MCI Funding, Azure Accelerate, Agentic AI, Transcending Tech, Ashleigh Vogstad. Transcript Asleigh Vogstad Audio Podcast [00:00:00] Ashleigh Vogstad: The attention economy is about selling to human beings. Now, if you look at something like the Amazon versus Perplexity lawsuit, the whole underlying premise is around the shift of no longer selling to humans directly, but of selling to machines. [00:00:19] Vince Menzione: We just finished Ultimate Partners Winter Retreat here in beautiful Boca to a sold out crowd. Today I’m joined by Ashley Waad. The CEO of transcends for this compelling discussion. Ash, welcome back to the podcasts. [00:00:34] Ashleigh Vogstad: It’s so good to be here, Vince. Thank you. Uh, [00:00:37] Vince Menzione: so well, we’re back in Boca again and we were just here yesterday for the Ultimate Partner Executive Winter Retreat in person. [00:00:44] Vince Menzione: What a great event we had together. [00:00:46] Ashleigh Vogstad: It was phenomenal. Thank you so much for having us there and on stage and, and genuinely the community is like a family, so seeing so many familiar faces and spending some quality time was just great. [00:00:57] Vince Menzione: It has really, truly become like family. It really, I’m, I’m, I’m having so much fun with this and getting to watch. [00:01:04] Vince Menzione: Not just our business grow and our community grow, but to see all of our friends and, uh, organizations like Transcends that have been with us since the beginning, since the very first ultimate partner acting even before the first ultimate partner. And, uh. We were just talking about. I’d love to catch up with what you’ve been doing. [00:01:22] Vince Menzione: Like you just came, you’ve been on a whirlwind. I mean, you’re always, every time like it’s, where’s Ash? She’s, uh, she’s on a plane again, or she’s on, she’s on the slopes. But tell us where you were just this week. [00:01:34] Ashleigh Vogstad: Yeah. The week started in a snowstorm, actually transporting myself from Whistler. I didn’t know if I would make it to the airport, but then down to Silicon Valley and [00:01:45] Vince Menzione: Nice. [00:01:46] Ashleigh Vogstad: Wow, that place is just inspiring and eyeopening. I mean, seeing the Nvidia campus, a MD, it’s really just other worldly and it had me reflecting on, it’s [00:02:00] Vince Menzione: not Whistler. Yeah, it’s [00:02:02] Ashleigh Vogstad: definitely not Whistler. Definitely not Whistler [00:02:05] Vince Menzione: about, [00:02:06] Ashleigh Vogstad: um, yeah, it just had me reflecting on being down there. I used to spend a lot of time in the Valley around 2017 and. [00:02:13] Ashleigh Vogstad: In this theme of AI and kind of what’s really coming, I was, I was thinking about, I had met this woman, Julia Moss Bridge, who’s a neuroscientist studying ai. She had a project called Loving Ai, and I was down there when they had borrowed Sophia, this humanoid robot from S and Robotics. [00:02:32] Vince Menzione: Oh yes. Yes. [00:02:33] Ashleigh Vogstad: Really interesting. [00:02:34] Ashleigh Vogstad: Sophia’s actually a citizen of Saudi. Mm-hmm. First, first robot to actually be made citizen of a country. So they had Sophia set up and the part that was just mind boggling at the time was that Sophia was hosting in real life therapy sessions with actual human beings sitting across the table. And what really struck me as. [00:02:59] Ashleigh Vogstad: Kind of just, you know, that was only eight, nine years ago. And that was esoteric. Wacky and [00:03:05] Vince Menzione: eerie. [00:03:05] Ashleigh Vogstad: Weird. [00:03:05] Vince Menzione: Eerie at the time. [00:03:06] Ashleigh Vogstad: Incredibly eerie. Yeah. I mean, a, a human getting, uh, you know, therapy sessions from a robot sitting across the table. Yeah. And it just had me thinking how far we’ve come today. In 2025, Harvard Business Review said that therapy is actually the number one use case for ai. [00:03:26] Vince Menzione: I’ve heard that. That is striking. I go back to COVID. We were having this conversation last night at at the dinner for the Ultimate Partner event, and I think that COVID allowed us to transcend, [00:03:42] Ashleigh Vogstad: mm-hmm. [00:03:42] Vince Menzione: No pun intended there, but actually accelerate where we are today, that the acceptance of AI and the acceleration, or the ability to accept change so quickly. [00:03:56] Vince Menzione: Started with COVID because we were so, so we were forced on whatever it was, March 10th I think, here in the United States to shut down everything and move to this remote life. [00:04:08] Ashleigh Vogstad: Mm-hmm. [00:04:09] Vince Menzione: And I think we’ve been shocked by that. I think our systems have all been shocked by that. And then here comes chat GBT in November of 2022 and we’re like. [00:04:20] Vince Menzione: Shocked in some respects, but like really everyone has embraced it in such a strong way, and now we’re getting. It’s almost daily update. You know, we’re gonna talk, I know we’re gonna talk about Anthropic and some of the things that’s been happening just in this last month that are striking and changing that have a lot of organizations trying to navigate, which is what, you know, you, you help organizations do. [00:04:43] Vince Menzione: But it feels like this is happening so fast and will continue to happen so fast. And as I said yesterday, I don’t know what this world’s gonna look like by 2030. [00:04:53] Ashleigh Vogstad: You know, and I think the thing is, is that nobody knows what the world is gonna look like in 2030. I’ve been reading Ray Kurz Well’s, the Singularity is nearer, so the original book, the Singularity is near and he’s known to be a very accurate predictionist on the future. [00:05:11] Ashleigh Vogstad: Yeah. But even with someone like that, you know, there, there nobody really knows what the world is gonna look like. And when you talk about COVID. At transcends, we have a value of digital freedom. So I founded the business in 2018, which was pre COVID. I as a fully remote organization, and at the time that was, you know, more groundbreaking, but then very quickly with CI that, that became the so-called new normal. [00:05:37] Ashleigh Vogstad: But we’re always thinking about. You know, remote first doesn’t mean remote only, and I think in this tide of what you’ve talked about, technological change being more acceptable and the pace of change. One of the interesting things that we see as a go-to-market agency is that in-person events are increasing. [00:05:56] Vince Menzione: Yes. [00:05:57] Ashleigh Vogstad: People want and crave the face-to-face. Just like with the ultimate partner series. [00:06:02] Vince Menzione: I felt it. So it was striking yesterday. It, it seems like it’s, again, this was event number nine for us, but to see the, um, uh, receptiveness isn’t the right term, but it was this, uh, people, the, the embracing. Of seeing each other and hugging each other and being in the same room with each other. [00:06:22] Vince Menzione: And even people that didn’t know each other, like by the, the, as the day evolved, this, uh, connection that they all seemed to have with one another during the sessions and participating, everyone actively participated in the sessions. And, um, I said this in the beginning, we’re not a Slack channel and we’re not like some post on LinkedIn. [00:06:43] Vince Menzione: Uh, we’re there, there’s no playbook that’s set today around partnerships or even go to markets and marketing that we could espouse and say, this is the playbook for the next year. Right. It’s, it’s changing so rapidly. [00:06:55] Ashleigh Vogstad: So rapidly, [00:06:57] Vince Menzione: and you’ve embraced it. And I, and what we’re gonna talk about right now, I mean, I, I, you know, you’ve embraced AI in such a strong way. [00:07:04] Vince Menzione: Um, personally and with your business, I want to, I wanna dive in here a little bit. First of all, a couple things For those of those who are listening who don’t know you, I think maybe just a moment about transcends and your role, and then I wanna dive in on how you’re thinking about ai because I know you’re doing some things personally. [00:07:22] Vince Menzione: I want you to share that with, with our listeners and viewers today. [00:07:25] Ashleigh Vogstad: Yeah, great. And I just wanna comment that it was a cool moment yesterday being up on stage with yourself and Mark Monday from ServiceNow and having the audience so engaged and active and Nina Harding from Microsoft stepping up and entering the conversation. [00:07:40] Vince Menzione: So cool. [00:07:41] Ashleigh Vogstad: It just made for such a collaborative experience, which was a cool moment, but yeah. Um, so. I founded this business, transcends a go-to-market agency after being at Microsoft myself. And really our differentiation is deep strategic partnerships with hyperscalers, whether that’s AWS, Google, Microsoft, and you know, that. [00:08:03] Ashleigh Vogstad: It comes with a challenge to be on the leading edge of technology. [00:08:08] Vince Menzione: Yes, [00:08:09] Ashleigh Vogstad: it, it’s really an imperative for our business and we are an AI first firm. Microsoft talks a lot about Frontier Firm, and I’ll take a, a different kind of angle on it. You know, when I think about Frontier. I now think about it as instead of the growth mindset, I now think about a frontier mindset. [00:08:28] Vince Menzione: Frontier mindset. You have to change my principles. [00:08:32] Ashleigh Vogstad: You know, maybe, like you said, the world is changing so rapidly. Yeah, it’s [00:08:36] Vince Menzione: changing rapidly. [00:08:36] Ashleigh Vogstad: And what a frontier mindset means is that as we’re approaching work for our clients, we are thinking about AI innovation in every single customer. Interaction, customer innovation. [00:08:49] Ashleigh Vogstad: So today we’re building AI agents into much of the work that we’re delivering for clients. And as a business owner and leader, I’ve been challenged to also think critically around how I’m choosing to run the company. And right now we’re going through a huge overhaul of where we have data sitting in silos and different applications. [00:09:09] Ashleigh Vogstad: Yep. And getting that into one place with one view so we can start layering on more insight. AI innovation. [00:09:17] Vince Menzione: Yeah. And data’s such an critical part, part of this, as we, we talked about yesterday. But you know, even the, what you said, which is, would, would’ve been striking a year ago to say, we’re an AI first, uh, agency isn’t as striking anymore. [00:09:32] Vince Menzione: Uh, we heard Nina when we were having this conversation on stage yesterday, say that it’s an imperative at Microsoft that the agencies that they choose to work with, the third party vendors that they work with have to be an AI first organization. I have to be a frontier firm, and so I’m a, I am sensitive to the word frontier firm. [00:09:53] Vince Menzione: I understand why Microsoft uses it and I understand the value of what we used to call, you know, customer zero or back in the day we used to say eating your own dog food, but essentially being an organization that has leaned in, in a way, and with ai. Even more so, so important to do it. So tell us, I know you’ve done some things personally as well, but tell, tell us what you’ve done with the organization. [00:10:18] Vince Menzione: Uh, you talked about data and making data available and having, having a true data state as opposed to silos of data, but then you also made some personal investments and sacrifices. I would say. [00:10:30] Ashleigh Vogstad: Yeah. [00:10:30] Vince Menzione: Yeah. In terms of what you’re doing around ai, [00:10:32] Ashleigh Vogstad: so I mean, let’s start on the personal side. I’m the CEO of my organization, and you can read in books or news articles that it is critical for AI transformation to start at the C-suite and specifically in the CEO seat. [00:10:46] Vince Menzione: Yes. [00:10:46] Ashleigh Vogstad: And that really. Landed for me and so I’m personally leading in About two weeks ago, I built an agent, just end-to-end on my own, got into copilot studio. Wow. Got comfortable with the interface. You know, I was clunky moving around in there at first, chose my model. You know, I went with one of the anthropic Claude models for this particular project and built up an agent that can deliver executive communications like. [00:11:14] Ashleigh Vogstad: Thought leadership blogs, uh, LinkedIn posts, but in a particular human being’s voice by ingesting things like their social profiles, their SharePoint sites, where they live and work. And it has been so surprising doing an ab test between just what a chat GBT or a copilot could produce. [00:11:32] Yeah. [00:11:33] Ashleigh Vogstad: In comparison with the authenticity of the voice coming from the agent. [00:11:37] Ashleigh Vogstad: Uh, it was just a really cool experience to roll up the sleeves and get in there. But also I think the, the investment that you’re referring to is, I made a big decision to return to school and uh, got accepted to go to Oxford. [00:11:52] Vince Menzione: Wow. [00:11:52] Ashleigh Vogstad: And I’m studying artificial intelligence there. [00:11:54] Vince Menzione: That is incredible. That is incredible. [00:11:57] Vince Menzione: Oxford, uh, we’ve heard of that school before here in the United States. [00:12:03] Ashleigh Vogstad: You know, it’s been a really great experience. It’s in person, so I’m traveling there about every 60 to 90 days and living on campus. I mean, really, Oxford isn’t. Formally a campus, it’s sort of a, a city and a university all, all ruled into one and the experience has been really powerful. [00:12:21] Ashleigh Vogstad: Yes. One of the things I wanted to get outta the program was a more global perspective, and it’s been fascinating to me that about half the faculty so far, or or professors, guest lecturers that have been coming into the program have been from China or very direct experience working in the Chinese market. [00:12:38] Vince Menzione: That is fascinating. [00:12:39] Ashleigh Vogstad: It’s been a completely different view. Or for example, you know, really digging into some of the legal cases that are driving precedence for how AI is interacting with corporations. [00:12:51] Vince Menzione: Mm. [00:12:51] Ashleigh Vogstad: One of the big ones for me has been looking at Amazon versus p perplexity. This is still a live case that’s happening right now. [00:12:58] Ashleigh Vogstad: And you know, I think it was Forbes magazine that the headline was the End of Commerce for this case because it’s really about. How human beings are being replaced with machines and hearing some of the world’s leading thinkers, leading AI researchers on these topics has just been really expansive. [00:13:19] Vince Menzione: It’s fascinating. [00:13:20] Vince Menzione: I mean, it’s, this started a couple years ago with, uh, Hollywood, in fact. Suing the industry or suing the technology companies with regards to, uh, employment, right? Mm-hmm. About the, the, uh, copyright infringement and what’s gonna happen in the entertainment industry. And I think that was just a one very small example. [00:13:40] Ashleigh Vogstad: You know, voice people think about DeepFakes. Yeah. And they think about video, but actually voice is a big issue. And you look at the, um, you know, the what happened between Scarlett Johansson and her voice in her, and then open AI rolling out a voice that sounded identical. Sounds like her. [00:13:59] Vince Menzione: Yeah. [00:13:59] Ashleigh Vogstad: To Scarlett Johansen and, and where that went. [00:14:01] Ashleigh Vogstad: It’s, it, this is a new ground for, for everybody that we’re going through right now. [00:14:07] Vince Menzione: It is. We can dive and go in so many different directions, but let’s talk about marketing and advertising since that’s kind of. Transcends core, and a lot of the people that watch and listen to us are in the partnership world. [00:14:22] Vince Menzione: They’re leading organizations, they own organizations, the the chief executives or CVPs of organizations. Let’s talk about advertising and where that’s going. [00:14:32] Ashleigh Vogstad: Yeah, great. [00:14:33] Vince Menzione: Yeah, [00:14:33] Ashleigh Vogstad: I mean, uh, I love Marshall McCluen. He’s a Canadian theor, uh, media theorist, and in 1964, he very famously said, the medium is the message. [00:14:43] Ashleigh Vogstad: And what that really means when you peel back the layers is that every type of communication medium has these inherent biases. And I think what we’re experiencing right now is this new medium of artificial intelligence, and I’m really interested in exploring what that means for the media world. So. If I gonna take you back to 1997, there’s this really famous, the Innovator’s Dilemma. [00:15:10] Ashleigh Vogstad: Yes. Kind of a classic business 1 0 1 type book by Clayton Christensen. Yes. And he talks about this theory of disruption where new technologies, emerging technologies start at the low end of the market. They gain this momentum and they eventually displace incumbents. And you know, sometimes seemingly out of nowhere. [00:15:28] Vince Menzione: Yeah. And Microsoft was a good example of this at that time. [00:15:32] Ashleigh Vogstad: Def, [00:15:32] Vince Menzione: yeah. [00:15:33] Ashleigh Vogstad: All the big players. All the big players. I mean, Google go for search as well, right? So that’s one of the classic examples. And so. If we look at storytelling technology, you have things like chat, GBT and Sora entering the scene. And in the beginning, you know, they’re producing a shitty first draft. [00:15:51] Ashleigh Vogstad: Uh, you know, it’s things like post-apocalyptic dogs with five finger human beings. Yeah. Things like this. But, you know, and they really lacked emotional resonance. But as we all know. That’s not the case anymore. No, it’s [00:16:05] Vince Menzione: not. [00:16:06] Ashleigh Vogstad: AI is increasingly producing content that is very powerful and is starting to resonate with people. [00:16:13] Ashleigh Vogstad: You know, I’m definitely not a neuroscientist, but if we, we look into the neuroscience, it’s your cortical sal circuit that. Kind of is responsible for pattern recognition and it compares what you’re seeing in the real world with what you expect to see. So when you take this into a space of advertising, you know, if there’s an ad that is AI generated, that is just weird and kind of. [00:16:38] Ashleigh Vogstad: Tweaking for you. [00:16:39] Vince Menzione: Like that robot we were talking about earlier, [00:16:41] Ashleigh Vogstad: like the robot we were Exactly, yeah. Like Sophia, you enter what psychologists call the uncanny valley, so it’s like what you’re looking at isn’t exactly what you’re expecting to see and the Spidey sense is, is tweaking. You know, that’s a low place of emotional resonance. [00:16:58] Ashleigh Vogstad: This world is changing really, really quickly and we’re seeing AI generated media make huge impacts in the market Now, tools like Luma Dream Machine, I mean, it’s incredible what they can achieve today. [00:17:11] Vince Menzione: It’s fascinating. We see it in, you know, I spend a lot of time on LinkedIn. That’s sort of the world of our business community, and you can very easily detect when someone is doing a post. [00:17:22] Vince Menzione: Or they’re writing an art, whatever they’re doing. Right. Some type of draft of something. Uh, and you can tell when it’s ai, I mean, it’s so easy to tell, and even people are generating reports and claiming that their research papers or studies or whatever they call them, uh, and it’s AI generated and it’s just the authenticity isn’t there. [00:17:39] Vince Menzione: The, the sense that this is real. That it can be trusted is not there. And I think trust is what we’re talking about here too, as well. [00:17:47] Ashleigh Vogstad: Yeah. I mean, let’s go to authenticity ’cause that’s super important. Yeah. And I know a lot of your listeners, you come from the hyperscaler world of partnerships. You need to have that differentiated, better together story. [00:17:59] Ashleigh Vogstad: Yeah. It’s really important to have an authentic voice in market. And I think about that also in terms of platforms and channels. We’re seeing a decrease in certain major social media platforms, and yet Substack spiked 48% in monthly active users last month. [00:18:15] Vince Menzione: That’s [00:18:16] fascinating. [00:18:16] Ashleigh Vogstad: Um, you know, and I think that one of the reasons is it’s viewed as a more authentic channel where you’re getting thought leadership from people that you’re, you know, genuinely interested in hearing their, their points of view. [00:18:28] Ashleigh Vogstad: And I think that’s really an important piece in here. [00:18:31] Vince Menzione: Yeah, you mentioned this yesterday and you had me thinking about it as well because we have used LinkedIn for everything internally, our newsletter, which has been around for six or seven years now. But that Substack is really, and I go to Substack too, to, if I really wanna dig in on a topic. [00:18:47] Ashleigh Vogstad: Mm. [00:18:47] Vince Menzione: And there’s a particular author that I like their point of view, I’ll follow, I’ll follow them on Substack. [00:18:53] Ashleigh Vogstad: Yeah. I mean, and this comes, maybe brings us around to who is the buyer and who is the audience, and who do we need to be thinking about when we’re designing sales and marketing programs. And really we’re, we’re shifting into the place of the Gen Z buyer by 20 30, 70 5% of buyers are gonna be Gen Z. [00:19:12] Ashleigh Vogstad: They’re gonna control 12 trillion in. Spend [00:19:16] Vince Menzione: by 2030. ’cause we, we’ve been, we’ve been saying that the millennial is the new buyer the last three years. I think Jay said it right here at this stage. [00:19:23] Ashleigh Vogstad: Mm. [00:19:24] Vince Menzione: Um, so now it’s Gen Z. [00:19:27] Ashleigh Vogstad: And they’re buying online. Yeah, they’re buying in marketplaces. Yeah. So a stat recently was that roughly half of them made purchases on the social platforms of YouTube, Instagram, or TikTok in the last month. [00:19:39] Ashleigh Vogstad: I mean, that buyer behavior of being inside. Social type application and directly making a purchase. And I think in the B2B world, we need to take lessons from here and start thinking more front and center than we even have been around marketplaces. I mean, part of my reason for being in Silicon Valley this week was to celebrate a $12 million transaction that happened via Marketplace and two years ago that would’ve been a huge deal. [00:20:06] Ashleigh Vogstad: Huge, [00:20:07] Vince Menzione: huge. [00:20:07] Ashleigh Vogstad: And, and it still is a really big deal, but these things are becoming. More and more common experiences. Very much so. We need to be there and in that conversation. [00:20:16] Vince Menzione: So how are you thinking about it? How are you directing your clients to behave or act around it? What are you, what are you doing exactly that we could take to this community perhaps and share with them. [00:20:28] Ashleigh Vogstad: I’ll bring it back to the authenticity piece because you need to have a product that delivers value first and foremost. There is, there is no substitution for that. Yeah, and what I would say is. One of my professors at Oxford, Eric Zow, he has this theory that I’m really digging into and finding very fascinating, which is that for the last several decades we’ve been in the attention economy, and that’s shifting to the trust economy. [00:20:55] Ashleigh Vogstad: Now the attention economy is about selling to human beings. Yeah. It’s about the, the business model is essentially that you need human being eyeballs on lists of recommendation links. Yeah. Whether that’s from Google or from, you know, searching, shopping on Amazon, you get this list of recommendation links and the economic engine that drives that business model is advertising. [00:21:19] Ashleigh Vogstad: Now, if you look at something like the Amazon versus Perplexity lawsuit, the whole underlying premise is around the shift of no longer selling to humans directly, but of selling to machines, or in other words, agents who are making purchases, s on behalf on your behalf. And an agent isn’t going to be razzle dazzled by some inauthentic story. [00:21:44] Vince Menzione: Yeah. [00:21:44] Ashleigh Vogstad: They’re gonna be looking for third party validation on Exactly. You know, they need to be sure that they’re making the right decision. [00:21:51] Vince Menzione: They’re gonna look at surveys, they’re gonna look at customer comments. Like if I went through my Amazon site and I was looking to see what people said about the purchase or the product and specifically Exactly. [00:22:01] Vince Menzione: The agent’s gonna do this on my behalf, is what you’re saying. [00:22:04] Ashleigh Vogstad: This is what I’m saying. Yeah. And, and. I believe that to layer on top of, you know, Eric Z’s philosophy, I’ve been thinking about this in terms of the hyperscaler world, and I think that this is the time to lean into co-selling partnerships. [00:22:18] Ashleigh Vogstad: Yeah, because being third party validated by somebody like AWS Microsoft and having all that co-sell data, what are your recent wins? Yes, that’s really high integrity, trusted data source for an agent to make a purchasing decision, and marketplaces are a key part of that. [00:22:35] Vince Menzione: So we’ll move from AI will take a, a more active role in the marketplace. [00:22:40] Ashleigh Vogstad: I definitely believe so. [00:22:42] Vince Menzione: Which makes total sense. I, you know, we’ve been doing this for nine or 10 years now, and when I was at Microsoft, we started co-selling. In fact, it was, uh, Aaron Feiger was up on stage yesterday talking about it. Right? January of 2016, co-selling began. [00:22:55] Ashleigh Vogstad: Mm. [00:22:56] Vince Menzione: And there were only a few companies doing it. [00:22:59] Vince Menzione: Right. So she worked with one of the very first ones that were doing it. Uh, the challenge we have today is there are tens of thousands of partner organizations in the marketplace that are all trying to get the attention of the Microsoft sellers. Hmm. As, or the Google sellers or the AWS sellers and tell their story. [00:23:19] Vince Menzione: And a seller only has so many minutes in a day, they have a quota that they have to hit. These quotas are tens, if not hundreds of millions of dollars of annual quota of cloud consumption. And I wanna sell my $50,000 widget, whatever it is. Yeah. Right. And I, I don’t understand why I’m not getting a callback. [00:23:38] Vince Menzione: And this, this is the dilemma we’ve faced because of, because of this, uh, scarcity of time and this over overwhelming of tech, you know. Tech, tech buyers trying to make this all happen, so now the AI can come in and help me solve for it as a seller, right? [00:23:55] Ashleigh Vogstad: The AI is definitely acting as an interface to make recommendations to field sellers in different organizations and. [00:24:04] Ashleigh Vogstad: To, to kind of take this on a, a tangent. Dupes. So a dupe. I know people of my generation, we’d think about this like a knockoff Right. You know, a knockoff handbag. [00:24:15] Vince Menzione: Yep. [00:24:15] Ashleigh Vogstad: Dupes have exploded. [00:24:16] Vince Menzione: Fake. Fake Rolexes. [00:24:18] Ashleigh Vogstad: Exactly. The fake Rolex for sure. And I think it was in December, P WC rolled out a survey. 81% of Gen Z were planning to purchase a dupe this holiday season. [00:24:29] Vince Menzione: That’s wild. [00:24:30] Ashleigh Vogstad: Dupes can be, you know, we gave luxury, good examples, but Louis [00:24:34] Vince Menzione: Vuitton and yeah. So, [00:24:35] Ashleigh Vogstad: but furniture, these sorts of things. And the important takeaway here for tech is the same principle will land, is that people are looking for value out of a product, not necessarily a name brand. AI is accelerating this whole process, and agents are gonna be looking at the same thing. [00:24:56] Ashleigh Vogstad: They’re looking for that authenticity in terms of the actual product value. So, you know, beware there’s lots of disruption happening in the market right now with this dupe mentality, which is actually a cultural shift talking about I appreciate value over a superficial. Brand name. In some cases, there’s also a, a small contrary trend where certain luxury goods are rising because yes, things are never that simple. [00:25:22] Vince Menzione: So you work with a lot of these tech companies, a lot of SaaS companies, is we, we call them ISVs, we also call them, uh, software development companies. Now we keep changing these acronyms around. Uh, there’s been a lot of, uh, consternation in that segment, I would say, around ai. Right, because a lot of them are getting told that they’ll be outta business in a few years. [00:25:43] Vince Menzione: Mm-hmm. I think Satya Nadella famously said this last year that SAS will go away. Right? He’s predicting the demise. How do you help some of these organizations to differentiate? And there’s some of these are huge value organizations. We have have them in the room with us, ServiceNow and Veeam and Adobe. [00:26:01] Vince Menzione: Um, how do you help them achieve their results? ’cause that’s what you, you know, your organization is really helping these organizations to achieve their pinnacle as a partner. What do you, what do you say to them now and how do you help them through this time? [00:26:16] Ashleigh Vogstad: I’m on the side of the fence that I really can’t see an organization ripping out something like Salesforce, Adobe, ServiceNow. [00:26:24] Vince Menzione: Agreed. [00:26:24] Ashleigh Vogstad: I mean that the amount of change management and. The extent to which these, these platforms are embedded, actually running and operating organizations. I personally, if, if we’re calling those companies, SaaS companies, I don’t agree that that layer is gonna go away. I mean, we’re seeing these organizations lean into AI in a huge way to borrow Microsofts. [00:26:50] Ashleigh Vogstad: Term, you know, they’re all becoming frontier firms. [00:26:54] Vince Menzione: Yes. [00:26:54] Ashleigh Vogstad: So where I would go to, to answer that question, we do work with many, you know, organizations on that caliber, on things like their marketplace strategy on how to light up the fields of different hyperscalers. It really does come down to things like having a strong drumbeat with the Microsoft field, celebrating your win stories. [00:27:15] Ashleigh Vogstad: Maybe that’s where I’ll land as Please do the marketer, because it sounds so simple, and I don’t know why we kind of continue to come back to this, but we’re talking about that third party validation and really, um, in order to have that, like what the hyperscalers want is you jointly celebrating success. [00:27:36] Ashleigh Vogstad: Here’s the kicker. Publicly. [00:27:38] Vince Menzione: Publicly, [00:27:39] Ashleigh Vogstad: you know, you need a customer story on your website, a press release that contains a quote from your customer. Ideally, also a quote from an executive at one of the hyperscalers. Like, actually lean in to live the value of your better together story. And when you do that, when you, when it comes around to partner of the year time, and we talk to you about, okay, what client stories are we gonna feature? [00:28:03] Ashleigh Vogstad: We’re even gonna know because when we Google you, we can see the public press of the joint wins that you’ve been celebrating. And I can tell you that that is a huge indicator on whether or not you’re well-placed to be in the 4% of partners who actually win Partner of the Year award’s. [00:28:20] Vince Menzione: Fascinating to me. [00:28:21] Vince Menzione: ’cause to me it would feel like table stakes maybe ’cause where we sit is ultimate partner and where this room sits with all the top partners that I just assume that everybody follows that. That, that guidance. [00:28:34] Ashleigh Vogstad: Mm. [00:28:34] Vince Menzione: And so this is really impactful and I want to get here because I know you spent a lot of time here and we’ve talked about it before, but I think the partner of the year awards, when we first met many years ago, that was a you, you’ve expanded the business, but that’s still a core mission and and value that you bring to the community and to the partner ecosystem is helping them through this process. [00:28:55] Vince Menzione: So I know that that’s gonna be coming up soon, so I thought maybe we’d spend a couple moments on that. [00:29:00] Ashleigh Vogstad: Partner of the Year awards, regardless of which partner, I mean, Salesforce has their own awards there. There’s more and more award programs coming out, and they’re a great way to celebrate the incredible work that your organization has done. [00:29:13] Ashleigh Vogstad: Jay McBain is brilliant on this. He’ll talk a lot about the increase in valuation. Yeah. The, the increase in stock valuation or the likelihood that if you’re looking to be acquired, that you’re acquired within 12 months of a partner of the year win it. It’s really impressive. There is strong business value there. [00:29:33] Vince Menzione: He like, he likes, he likes to tell the story of that when the award is handed to them and they go back into the audience, that the private equity people are all over them right then and there and making offers. I mean, that’s the visual that you get [00:29:47] Ashleigh Vogstad: and it’s very powerful. Yeah. Very powerful. It’s very powerful and it, it can make it worthwhile to invest in the process, but don’t invest in the process if you haven’t been investing in the process for the 12 months. [00:29:57] Ashleigh Vogstad: Prior, [00:29:58] Vince Menzione: exactly. [00:29:58] Ashleigh Vogstad: The Microsoft field or you we’re talking about Microsoft Partner of the Year Awards. They need to know about your win that that needs to be top of mind for them. Yeah. How much Azure revenue is it driving? Was it a huge marketplace? Build sales and. You know, one of the questions I get asked a ton, everybody wants to know how do we get money out of the hyperscalers? [00:30:20] Ashleigh Vogstad: How do I get access to marketing development funds or all these different programs? Yeah. You know, at Microsoft, some of these programs are like EI and customer investment funds or Azure Accelerate, you know, and there’s millions and millions and millions of dollars in these, these buckets of funds, but. [00:30:36] Ashleigh Vogstad: An interesting point of view is that it’s actually a scorecard metric for many people at Microsoft who have partnership roles for you to be drawing down those funds. [00:30:45] Vince Menzione: Yes. [00:30:45] Ashleigh Vogstad: You know, your interests are actually aligned here, and so again, when it comes to Partner of the Year awards, how much money have you pulled down? [00:30:54] Ashleigh Vogstad: How much have you been an activating partner of key Microsoft programs that they’re pushing? What are you doing with marketplace rewards? How are you resing? Those into your business. These are the types of things that you really wanna be thinking about. Sitting it. You know, this time of year we probably will get the awards were likely be due in July. [00:31:13] Ashleigh Vogstad: They haven’t officially announced timelines, but you’ve got a few months to start moving these pieces into place. [00:31:18] Vince Menzione: And there are quite a few of them. And to your point, Nina, when she was up on stage here yesterday, there were at least 10 or 12 award. Uh. Funding categories that were on her, that were on her slide. [00:31:31] Vince Menzione: Her partner, her partner slide. So, [00:31:33] Ashleigh Vogstad: and what great looks like for a partner is that you understand your end-to-end funnel as it is mapped to Microsoft’s SEM model, the Microsoft customer Engagement model. Mm-hmm. The first stage there, inspire and design. That’s really the marketing space of lead generation. [00:31:50] Ashleigh Vogstad: So how are you generating leads with webinars, in-person, event activations, digital campaigns, and then at the very end, in the fifth column, you have the Microsoft outcomes that you’re driving. Yes. Whether that’s Azure consumed revenue, marketplace build sales, co-pilot, monthly active usage, these sorts of things. [00:32:10] Ashleigh Vogstad: And in each of those SEM swim lanes. There’s Microsoft funding associated to it. And that’s one of the things that Nina Harding was showing yesterday. When and where does it make sense to make requests for EA funds versus Azure accelerate the MCI funding? There’s different workshop proof of concept funding, and those all fall at specific stages in that EM model. [00:32:33] Vince Menzione: And what you’re also pointing out in this conversation is that the co the partners need to understand that mm, they need to understand MM. We talked about it years ago. I’ve had, haven’t had anybody on stage recently talk about m You could probably take us through that if we wanted to devote some time here, uh, and then understand all of those categories and how to access those funds. [00:32:52] Ashleigh Vogstad: Yeah, it’s critical and. The number one place we point partners, if you want a quick overview of what that looks like is to Microsoft’s FY 26 solution playbooks. Nice. They’re available on the web for download. There’s, well, there used to be three, but they’ve added a few agen being, being one. So, so there’s a handful of, they had [00:33:11] Vince Menzione: simplified it, now they’re, now they’re expanding it back again. [00:33:14] Ashleigh Vogstad: Yeah, exactly. I think there’s now a breakout for security as well. Yes. So take a look at those playbooks. It will map programs and incentives very specifically to each solution area and to each sales play that are gonna be available to you. And then we’re always happy to guide people through the details [00:33:32] Vince Menzione: as well. [00:33:32] Vince Menzione: I love that. I love that. And reach out to the. Ashley is just amazing at this process. I’ve, I’ve watched her for years now, work with some of the top, what have become the pinnacle partners of Microsoft and with the award season coming up. So we wanna make sure we have a plug there. But I also wanna talk about like, podcasts with you. [00:33:50] Vince Menzione: Um, you’ve been on this podcast multiple times, been in the studio before doing this, and I understand you have your own podcast now. So tell us about that. [00:33:58] Ashleigh Vogstad: Yeah, Vince, I just wanna say. As a friend and a mentor. You’ve been so inspiring. Thank you. And I think from years ago when we met, there was this seed in my brain of, you know, I, I should really get out there. [00:34:13] Ashleigh Vogstad: And you talk a lot about growth mindset and fear setting is, is one of Tim Ferriss’s terms? Yes. And models. [00:34:21] Vince Menzione: I love Tim Ferris. I’ve been, been a fan of his for 10 years now. So that’s settled. We all got started with this. Sorry. Sorry, I [00:34:26] Ashleigh Vogstad: interrupt. No, no, not at all. [00:34:27] Vince Menzione: Yeah. [00:34:28] Ashleigh Vogstad: And. I think it’s just been, it’s been back there. [00:34:31] Ashleigh Vogstad: Yeah. That I’m really passionate around having voice is how I think about it. And as a marketing agency, we’re really amplifying the voice, um, or helping companies to find their voice, particularly in hyperscaler partnerships. And what better way to assist, you know, authentically the amazing people in our network, in our community and our clients than with our own channel where we can celebrate their stories and success? [00:35:00] Vince Menzione: Very cool. [00:35:01] Ashleigh Vogstad: So the podcast is called Transcending Tech. It’s about [00:35:06] Vince Menzione: very cool transcending tech. Just so you don’t [00:35:08] Ashleigh Vogstad: transcending tech. [00:35:08] Vince Menzione: It’s out there now. [00:35:10] Ashleigh Vogstad: It, we just released our first episode. Okay. I think two days ago. [00:35:13] Vince Menzione: So by the time we’re live, yes. We’ll, we’ll be able to access it. Good. [00:35:17] Ashleigh Vogstad: You will be able to access it. [00:35:18] Ashleigh Vogstad: The first episode is with Alyssa Fit. Patrick from Elastic. [00:35:21] Vince Menzione: Oh my goodness. [00:35:22] Ashleigh Vogstad: And the concept of the podcast, it’s long form and it’s really about getting to the people behind the platforms. [00:35:29] Vince Menzione: Very cool. [00:35:29] Ashleigh Vogstad: And to the stories that transcend technology. So we’re here to get to know the human beings behind. Agents. [00:35:38] Vince Menzione: Yeah. [00:35:38] Ashleigh Vogstad: And taking the time to, to go in deep and really explore that. [00:35:43] Vince Menzione: So I am excited to see all the developments here with the, with the podcast. And you’re gonna be joining us again. You were just here, you in Boca. But you’ll be joining us again in Bellevue. Not too far a little bit. Closer ride or travel, uh, for you to come to Bellevue. [00:35:57] Vince Menzione: We’re gonna be hosting the first ultimate partner live, which is our larger events in this beautiful facility, this new Intercontinental hotel, which is fabulous. And, uh, you’re gonna be taking a more active role. Your leadership around AI is. Palpable and we’re gonna love to have you on stage and talking through some of the changes. [00:36:17] Vince Menzione: I, I suspect by the time we get to Bellevue we’ll have a lot more to talk about. That hasn’t even happened yet. [00:36:23] Ashleigh Vogstad: Yeah, I’m really excited. I’ll have been through my next cohort at at Oxford, kind of coming out hot from there back to the Pacific Northwest, and really excited to just share the learnings and Awesome. [00:36:35] Ashleigh Vogstad: Genuinely. It’s also helping me in my own research, really formulate particularly around the role of ag agentic AI in hyperscaler partnerships. [00:36:43] Vince Menzione: That’s so cool. And then what I’ll say is this, and I don’t know, we on the space perspective, and I’ll, the team will probably hang me for this because we haven’t done it yet, but if you wanna bring the podcast along with you, there might be, we’ll see if we can find an extra room for you to set up. [00:36:58] Vince Menzione: If you wanna do some interviews while you’re. In, at the event. So [00:37:02] Ashleigh Vogstad: you’re so generous, Vince. [00:37:03] Vince Menzione: That’s [00:37:04] Ashleigh Vogstad: amazing. [00:37:04] Vince Menzione: Thank you. Again, I can’t say for certainty yet, but, uh, let’s see, let’s see what happens with that. So, uh, let, let’s, uh, you know, I always, we, we have known each other for years and I just assume everybody knows this amazing Ashley sda. [00:37:19] Vince Menzione: But, um, we always, I like to ask this question because it helps us kind of dig in a little bit about you personally. And it’s my favorite question. I ask all my guests this question now, and it’s, um, you’re hosting a dinner party, Ashley, you are, pick a pace, place, you wanna have this dinner. We could talk about parts of the world. [00:37:36] Vince Menzione: You’ve traveled all extensively. Uh, and you can invite any three people, guests from the present. Or the past to this amazing dinner party you’re throwing. Whom would you invite and why? [00:37:52] Ashleigh Vogstad: It’s a beautiful question, Vince and. Instantly I go to a place in terms of the location, since you asked that part, which was surprising. [00:38:01] Ashleigh Vogstad: I, I like that is my home. I, I love where I live up in Whistler, Canada and [00:38:08] Vince Menzione: I hear it’s beautiful. I haven’t been yet, [00:38:10] Ashleigh Vogstad: it’s so gorgeous and it’s, it’s my own sanctuary. You know, I live on a plane 75% of the time and coming back to that place is really grounding for me. Yes. So, so I would love to have it at, at my home and to invite. [00:38:24] Ashleigh Vogstad: Pippa Malrin would be one. She, Pippa [00:38:26] Vince Menzione: Malrin. [00:38:27] Ashleigh Vogstad: Yeah. She’s sure. I get an advisor to the White House for many administrations. Okay. She’s an economist and she just has really interesting perspective on geopolitics. Uh, I follow her on Substack ’cause she’s a big substack. Okay, now [00:38:41] Vince Menzione: I need to look. This is awesome. [00:38:42] Vince Menzione: The [00:38:43] Ashleigh Vogstad: mal, she’s fantastic. I would say Dr. Lisa Sue, the CEO, Dr. Lisa of a md. [00:38:49] Vince Menzione: Okay. Yes, yes. I know a little bit about her. [00:38:51] Ashleigh Vogstad: So she was one of Time Mag, I think she was the only woman in Time Magazine’s, group of people of the year, which was basically this AI cohort in including, you know, the Elon Musks of the world. [00:39:03] Ashleigh Vogstad: Uh, it’s just so impressive what she’s doing with leadership in a MD. I don’t think it’s as public as. Anybody else who is on the cover of that magazine, but it’s incredibly powerful. [00:39:14] Vince Menzione: Yeah, they’ve made a com uh, turnaround’s probably not the right word, but it seems like they’ve made a tremendous, uh, gains turnaround probably in the last few years. [00:39:23] Ashleigh Vogstad: I would say that many would say turnaround. And then lastly is Dr. Fefe Lee, who. For those in the AI space, particularly AI research space. I mean, she’s arguably number one. Um, she’s leading at Stanford currently. [00:39:37] Vince Menzione: Wow. This is gonna be a heady conversation, but you know, I love conversations. So if you don’t mind, maybe I’ll bring dessert and come, come in for a few moments, maybe do some podcast interviews there. [00:39:48] Vince Menzione: How’s that? [00:39:49] Ashleigh Vogstad: That sounds absolutely perfect, Vince, [00:39:50] Vince Menzione: so, so good. So good to have you here today. So great. Good to have you in the studio again, and, uh, excited for transcends and all the great work you’re doing. Um. This time with ai. I think you, uh, we talked about this a little bit last night. I think you’ve made some really wise, personal and professional decisions about how to lead and how to take this forward and not kind of rest on your laurels, which you see so many organizations do People fear change [00:40:17] Ashleigh Vogstad: Hmm. [00:40:18] Vince Menzione: And you embrace it, which is just, it’s astounding to me that you do that and, um. I look forward to working with you in the future and for years and years to come. So I will ask you one more question though, because we are still at the precipice of these tectonic shifts and we’re still early in 2026. And so for our listeners and our viewers today, what would be the one thing you would tell them that they need to go do now that possibly they haven’t done yet as they prepare for 2026 and beyond? [00:40:52] Ashleigh Vogstad: The generic phrase would be, be curious, but if we want an action, it would be go build an agent. [00:40:59] Vince Menzione: Go build an agent [00:41:00] Ashleigh Vogstad: if, if you haven’t already. Yeah. And, and I’m, yeah. Speaking hopefully to like a business audience, you know, to, to anyone. Yeah. Really, um, find something that is interesting that you’re passionate about. [00:41:12] Ashleigh Vogstad: A, a use case that it doesn’t have to be some big thing. It could be quite mundane, but just something that’s gonna help you in your role. It’s, you know, what is creativity is an interesting question, and I can tell you that sitting down and hands-on keys and actually creating something is, is a beautiful, powerful experience. [00:41:32] Vince Menzione: Yeah. Awesome. All right. We’re all gonna go create agents this weekend, so thank you for listening. Thank you for viewing the Ultimate Guide to partnering on our YouTube channel, ultimate Partner, and on each end of your platforms at the Ultimate Guide to partnering. Thank you for being with us and supporting us all these years. [00:41:50] Vince Menzione: Thank you. Don’t forget, ultimate Partner Live is coming soon, May 11th through the 13th in beautiful Bellevue, Washington. I hope to see you there.

A war in corporate America just ended — and it was won! In this episode, we break down: How Susan Rice's threats against CEOs may have inadvertently cleared the way for major market moves The details of the $80 billion Netflix-Skydance merger and why it matters The return of top creative talent previously blocked by Hollywood bias How this could reshape streaming content, bringing the best writers and directors back to the screen Plus, a peek at the show everyone's bingeing this weekend — the one you won't be able to stop watching. Opening Tease (On-Air Hook) “Put all your corporate donors in prison?” Susan Rice might have just helped clear the way for Hollywood's next big move.

A decisive week unfolds across politics, Hollywood, and the battlefield. In this episode: How Susan Rice's threats against CEOs backfired — clearing the way for major market moves The $80 billion Netflix-Skydance merger and the return of top Hollywood talent The truth behind America's conflict with Iran and why Trump's actions differ from past administrations The contrast between decades of political wars and the current precision approach Plus, a binge-worthy recommendation for the show that will keep you glued to your screen. Opening Tease (On-Air Hook) “Put all your corporate donors in prison? Cool. About that Netflix merger…”

Today's episode hits every angle: politics, media, and global security. Highlights include: Susan Rice's overconfident threats backfiring and Trump's counter-moves The $80 billion Netflix-Skydance merger and a Hollywood talent revival The ongoing U.S.-Iran conflict: past failures, Biden-era missteps, and Trump's decisive strategy How precision military action replaces decades of endless, costly wars A binge-worthy streaming recommendation you won't want to miss It's a day of wins, strategic moves, and must-watch entertainment. Opening Tease (On-Air Hook) “Put all your corporate donors in prison? Cool. About that Netflix merger…”

In this powerful episode, host Shai Davidai sits down with Patricia Heaton—Emmy-winning actress, writer, producer, and co-founder of the October 7th Coalition. Patricia opens up about her personal journey, faith, and what inspired her to become an outspoken advocate against antisemitism after October 7th. She shares moving stories about her connection to the Jewish community, the importance of Judeo-Christian values, and her efforts to unite Christians and Jews through activism and interfaith events. The conversation touches on the challenges of raising awareness, the impact of recent events on both communities, and Patricia's belief in standing up for peace, freedom, and democracy. Don't miss this heartfelt discussion about courage, faith, and the power of showing up for others.Guest: Actress Patricia HeatonConsider DONATING to help us continue and expand our media efforts. If you cannot at this time, please share this video with someone who might benefit from it. We thank you for your support!https://gofund.me/30c00151c COMING SOON BUY MERCH!SUPPORT SHAI ON PATREON!https://www.patreon.com/shaidavidai/about?utm_source=campaign-search-results

Wolfgang Puck arrived in Los Angeles in 1975 with French technique and Austrian instincts, and he became the chef at Ma Maison in West Hollywood—a restaurant so exclusive the phone number wasn't listed—where Orson Welles ate lunch every day and a generation of Hollywood royalty witnessed the birth of California cuisine. Then in 1982, after a falling out with the owner, he opened Spago on the Sunset Strip with a wood-burning oven, a funky dining room, and a smoked salmon pizza that changed everything. What followed was two James Beard Awards for Outstanding Chef and 32 years of feeding the most famous people on the planet at the Academy Awards Governors Ball. We talk about all of it—the early years, the big swings, and what it feels like to be America's first celebrity chef. Subscribe to This Is TASTE: ⁠⁠Apple Podcasts⁠⁠, ⁠⁠Spotify⁠⁠, ⁠⁠YouTube⁠⁠    Learn more about your ad choices. Visit megaphone.fm/adchoices