Jack Straw SoundPages

Troy Osaki's project for the 2020 Jack Straw Writers Program is a chapbook manuscript of poems that he began writing after visiting the Philippines for the first time in 2017. In his conversation with curator Anastacia-Renée, they discuss poetry's ability to create social change, his history with Youth Speaks, and cultural and familial connections. “I […]

2020 Jack Straw writer Jose Trejo-Maya’s project is an extract of his poetry that is intended for a three-dimensional museum exhibit based on the Tonalpohualli, a Mesoamerican conception of time. In his conversation with curator Anastacia-Renée, they discuss his organic writing process, his connection to the immigrant experience, and listening to the voices of his […]

Arianne True’s project for the 2020 Jack Straw Writers Program is a poetic “museum” that creates a safe space to engage in difficult subjects such as childhood sexual abuse. In her conversation with curator Anastacia-Renée, they discuss the ritual of writing, engaging with experimental forms, and creating visceral experiences with words. “Through poetry, you can […]

2020 Jack Straw writer Jeffrey Lee Cheatham II’s project is a graphic novel titled Uhuru, a pirate adventure story centering Black characters. In his conversation with curator Anastacia-Renée, they discuss the lack of Black representation in children’s literature, professional wrestling and Archie comics, and creating Black stories that expand beyond a monolithic experience. “One of […]

2020 Jack Straw writer Helen K. Thomas’s project is a collection of short stories that feature Black girl protagonists from the Pacific Northwest. In her conversation with curator Anastacia-Renée, they discuss Young Adult fiction and expanding representation of young Black girls in those stories. “To be a part of that and to choose to be […]

Rob Arnold’s project for the 2020 Jack Straw Writers Program is a poetic memoir that tackles the complex legacies of familial trauma. In his conversation with curator Anastacia-Renée, they discuss cross-genre writing, the distance and connection created by language, and matching linguistic precision with visual expansion. “I started thinking about these things in a much […]

2020 Jack Straw writer Ching-In Chen’s project is a series of experimental prose poems inspired by their relationship to breath, and the Texas Tax Day Flood of 2016. In their conversation with curator Anastacia-Renée, they discuss their process of creating in a hybrid genre, representation in art, and creating within community. “What surprised me is […]

Michelle Goodman’s project for the 2020 Jack Straw Writer’s Program is creative nonfiction piece that deals with dying and grief. In her conversation with curator Anastacia-Renée, they discuss navigating the balance between telling the truth and what remains untold, shaping nonfiction, and writing as an act of understanding. “I’ve always liked telling true life stories. […]

2020 Jack Straw writer Ebo Barton’s poetry project is both a printed work and an audiobook. In their conversation with curator Anastacia-Renée, they discuss the differences between spoken word and page poetry, the pressure on artists to constantly produce, and what it means to share work aloud. “When I say the stage is my church, […]

Wryly T. McCutchen’s project for the 2020 Jack Straw Writer’s Program is part of a “drag-a-licious” show of “of weird, solo, interdisciplinary, poetry-fueled content.” In their conversation with curator Anastacia-Renée, they discuss the physical nature of their work, their destructive poetry practice, and the importance of sharing one’s work. “Poetry offers the opportunity to use […]

2020 Jack Straw writer Elaina Ellis’s poetry project could be described as a book-length exploration of the story of Ezekiel, but that’s just the beginning. In her conversation with curator Anastacia-Renée, they discuss bringing one’s whole self to the creative process, love-bombing, and the multiple resonances, from the erotic to the traumatic, that can be […]

Maisha Banks Manson’s project for the 2020 Jack Straw Writers Program is “myth building in the future.” In their conversation with curator Anastacia-Renée, they discuss their strategies for making a life in the arts, the speculative/narrative nature of their work, and reimagining fairytale narratives. “Part of it is taking how I feel, right now, about […]

Suzanne Warren’s 2019 Jack Straw Writers Program project is a collection of short stories called In the Country of Husbands that marries domestic realism with magic realism and focuses on the lives of women and girls. In her conversation with curator Kathleen Flenniken, they discuss her background in experimental film, themes of rape culture, and […]

Putsata Reang’s project for the 2019 Jack Straw Writers Program is a memoir that chronicles her life growing up in rural Oregon and her family’s journey escaping the war and genocide in Cambodia. In her conversation with curator Kathleen Flenniken, they discuss the difficulty of writing a memoir involving people who are living, displacement in […]

2019 Jack Straw writer Gabrielle Bates spoke with curator Kathleen Flenniken about her collection of poems about growing up in the South. In their conversation, they discuss her array of projects, including a poetry comic collection, surrealism in her writing, and finding patience during a project.  “I keep going back, lately, to this great quote […]

Josh Axelrad began his storytelling career on The Moth, and his Jack Straw project is a collection of short stories meant to live in the world of prose rather than performance. In his conversation with curator Kathleen Flenniken, they discuss his circuitous path to becoming a writer, the way we present our lives online, and […]

Jack Straw Writer Michael Schmeltzer spoke with curator Kathleen Flenniken about his poems that explore the line between good and bad, and his own history as a biracial Japanese-American man. In their conversation, they discuss the juxtaposition of tenderness and atrocities, the conflicting narratives about the Japanese during war, and the value of empathy and […]

Leanne Dunic’s project for the 2019 Jack Straw Writers Program is a book of lyric pose called Wet that takes place in Singapore, inspired by the thick haze of forest fires during a writing residency. In her conversation with curator Kathleen Flenniken, they discuss rolling with the punches, the influence of nature, and the overlap […]

2019 Jack Straw writer Christianne Balk spoke with curator Kathleen Flenniken about her series of poems of early 20th century voices inspired by her grandmother’s life as a young nurse serving in France during WWI. They discuss the importance of research in her writing, her background as a biology major, and inspiration taken from naturalists […]

2019 Jack Straw Writer Samar Abulhassan’s poetry project unites several different bodies of work: in particular, a project called “Lena,” set near bodies of water. In her conversation with curator Kathleen Flenniken, they discuss the relationship between writing and listening, writing and movement, and the parts of our identity that sometimes stay hidden in the […]

Jack Straw writer Rena Priest spoke with curator Kathleen Flenniken about her poetry project Sublime Subliminal, inspired by Jim Simmerman’s “20 Little Poetry Projects.” They discuss the richness of languages, where poems start, and expectations of identity. “In a way, language, using it for poetry or powerful prose that changes a person’s mind or changes […]

Sylvia Byrne Pollack’s project for the 2019 Jack Straw Writers Program is a collection of prose poems written from the perspective of two fictional characters who deal with disability and mental illness. In her conversation with curator Kathleen Flenniken, they discuss Sylvia’s history as a scientist, her return to writing, and personification as a tool […]