Podcasts about Poetry

Loving in the face of violence, danger, and distress is an act of defiance, as demonstrated in Lena Khalaf Tuffaha's achingly beautiful poem “Dukka”.  The Palestinian American writer spotlights seven aspects of love in action — between father and newborn, for example, a journalist and her audience, a pair of intimates dining out. She shows us the “million ways to love” flowing through her community and cascading through generations, centuries, millennia, as inexorable and constant as the ocean and as bright and surprising as a rare meteor shower.  We invite you to subscribe to Pádraig's weekly Poetry Unbound Substack, read the Poetry Unbound books and his newest work, Kitchen Hymns, or listen to all our Poetry Unbound episodes. Lena Khalaf Tuffaha is a poet, essayist, and translator. She is author of three books of poetry: Something About Living (The University of Akron Press, 2024), winner of the 2024 National Book Award for Poetry and the 2022 Akron Poetry Prize; Kaan & Her Sisters (Trio House Press), finalist for the 2024 CLMP Firecracker Award and honorable mention for the 2024 Arab American Book Award; and Water & Salt (Red Hen Press), winner of the 2018 Washington State Book Award and honorable mention of the 2018 Arab American Book Award. She is also the author of two chapbooks: Arab in Newsland, winner of the 2016 Two Sylvias Press Chapbook Prize, and Letters from the Interior, finalist for the 2020 Jean Pedrick Chapbook Prize.  Find the transcript for this show at onbeing.org. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Birds have always been a source of inspiration for writers. Edgar Allen Poe, Maya Angelou, and William Shakespeare, to name a few, have all written about birds. But what is it about them that so captures our literary imagination? Words in Flight is an hour-long celebration of contemporary poetry about birds, and what they teach us about ourselves and our world.More info and transcript at BirdNote.org.Want more BirdNote? Subscribe to our weekly newsletter. Sign up for BirdNote+ to get ad-free listening and other perks. BirdNote is a nonprofit. Your tax-deductible gift makes these shows possible.   Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The Dadley Boyz chat about what happened on this week's episode of Friday Night SmackDown, including...HUGE Elimination Chamber developments!Randy Orton vs. Aleister Black!Uncle Howdy challenges Solo Sikoa!The crate comes to SmackDown!Oba Femi HATES toxic poetry?!ENJOY!Follow us on Twitter:@AdamWilbourn@MichaelHamflett@WhatCultureWWEFor more awesome content, check out: whatculture.com/wwe Hosted on Acast. See acast.com/privacy for more information.

To get live links to the music we play and resources we offer, visit www.WOSPodcast.comThis show includes the following songs:Sara Diana - Is That Blood FOLLOW ON SPOTIFYJulia Dawson - Guilty FOLLOW ON SPOTIFYamm - tell me the truth (softer) FOLLOW ON SPOTIFYI Want Poetry - Apology FOLLOW ON SPOTIFYBad Penny - Love Bomb (feat. Cherie Currie) FOLLOW ON SPOTIFYDevah - To Depression FOLLOW ON SPOTIFYSharon Silverstein & The Peace Project - Let More Lovin' FOLLOW ON SPOTIFYCoyote Reverie - Side Show (Phatwave Chillmix) FOLLOW ON SPOTIFYKatya Redpath - Wake Up FOLLOW ON SPOTIFYMelanie Georgiou - In The Next Life FOLLOW ON SPOTIFYSarah Bugar - Hard to kill FOLLOW ON SPOTIFYFANFAIRE - Lost City FOLLOW ON SPOTIFYViolet - Set Me Free FOLLOW ON SPOTIFYAlexayndra - Death of a Dream FOLLOW ON SPOTIFYShery M - Goin Gone FOLLOW ON SPOTIFYFor Music Biz Resources Visit www.FEMusician.com and www.ProfitableMusician.comVisit our Sponsor Sophia AvaVisit our SponsorVisit our SponsorVisit our SponsorVisit www.wosradio.com for more details and to submit music to our review board for consideration.Visit our resources for Indie Artists: https://www.wosradio.com/resourcesBecome more Profitable in just 3 minutes per day. http://profitablemusician.com/join

In this podcast episode, I share a personal life update about grieving the loss of my father and how navigating grief, faith, and emotional healing led to an unintentional season of silence.We talk about:• Christian grief and processing loss• Spiritual growth in difficult seasons• Life transitions and identity shifts• Healing after trauma• Flourishing through changeEvery season carries the potential for growth, even the ones that feel hidden.Stay tuned for a special guest episode coming mid-March. If you're interested in sponsorship opportunities, podcast advertising, or being featured as a guest on The Grow Regardless Podcast, email me at Janae412@gmail.com.

You may already know this, but AI safety researcher Mrinank Sharma resigned recently. That's not really news in and of itself – people leave their positions all the time. No, the newsworthy part is that he left Anthropic, best known for its chatbot Claude, to study, drumroll please: poetry. Yes, poetry.The context is what makes the whole thing fascinating.

TheWanderingPaddy Poetry - The Book of Truths. Out Now on Amazon. Hosted on Acast. See acast.com/privacy for more information.

George Szirtes, winner of the T. S. Eliot Prize and the King's Gold Medal for Poetry, is the most recent poet to join the small selection panel for arguably the UK's most public celebration of poetry - Poems on the Underground. As the London Tube initiative reaches its 40th birthday, George discusses how poems are chosen and shares some poetry that he feels speaks to the strength of the scheme.Depending on how you count it, this month marks the 4th or the 12th anniversary of the conflict between Ukraine and Russia - a conflict in which poetry has become a player. Iryna Starovoyt is a poet and critic from Ukraine. She reflects on the 19th century poet and artist Taras Shevchenko - regarded as a totemic figure in Ukrainian literature, and whose name is on the country's highest award for Arts and Culture, the Taras Shevchenko National Prize.Katie Clarke, Director of Literature at The Reader organisation, shares her experiences of reading poetry with people who have dementia and the surprising power of poetry to make fresh connections at the individual and group level. Zain Rishi's debut poetry pamphlet, Noon, is published this month. He becomes the latest poet to choose a Neon Line for The Verb's regular feature in which poets reflect on poetry lines that they feel shine out.Presenter: Ian McMillan Producer: Ekene Akalawu

Inner Moonlight is the monthly poetry reading series at the Wild Detectives in Dallas. Curated by Dallas poet Logen Cure, the in-person show is the second Wednesday of every month in the Wild Detectives backyard. We love our podcast fans, so we release recordings of the live performances every month for y'all! On 2/11/26, we featured Inner Moonlight favorite Samantha Strong Murphey!Samantha Strong Murphey (she/her) has an MFA in Poetry from NYU and has been supported by Bread Loaf Writers' Conference and Vermont Studio Center. She's taught creative writing at UT-Dallas, been a submission reader for Dallas-based literary magazine Sine Qua Non, and interned for her hometown global powerhouse publisher Deep Vellum Books. (Can you tell she loves Dallas?) Her work has been published by Rattle and the Crab Creek Review and is forthcoming the North American Review. She was a finalist for Ninth Letter's Regeneration Prize and Gulf Coast's Barthelme Prize. Before poetry, Sam worked as a journalist and has a rich and lengthy unwritten resume as a caregiver to her three human children, a dashing rescue cat, and a very earnest rescue dog. Sam grew up split between Cincinnati, Ohio and Fayetteville, Arkansas, but has, for the last decade, resided in Oak Cliff, the coolest neighborhood in … you guessed it … Dallas. She believes in sharp cheese, gun reform, and karaoke for all.⁠www.innermoonlightpoetry.com

Cliff Maloney rejoins the Thoughtcrime crew for a dive into many exciting and spicy topics, including: -Does 'white culture' exist, and if so, what is it? -Is Thomas Massie literally just a Democrat now? -Has AI rendered all of Hollywood obsolete? -What does Eric Swalwell's college erotic poetry reveal about the potential next governor of California? Tune into Thoughtcrime and interact with the cast live each Thursday night on Rumble at 6 pm Eastern. Watch every episode ad-free on members.charliekirk.com! Get new merch at charliekirkstore.com!Support the show: http://www.charliekirk.com/supportSee omnystudio.com/listener for privacy information.

Cliff Maloney rejoins the Thoughtcrime crew for a dive into many exciting and spicy topics, including:-Does 'white culture' exist, and if so, what is it?-Is Thomas Massie literally just a Democrat now?-Has AI rendered all of Hollywood obsolete?Support the show

In this episode of the Italian American Podcast, Dr. Maria Giura, acclaimed poet and memoirist, joins Marianne and Patrick for an intimate conversation centered on her new poetry collection, If We Still Lived Where I Was Born. Reading selected poems aloud, she evokes childhood memories above her family's Brooklyn pastry shop and the rituals of Sunday gatherings that shaped her imagination. The discussion moves beyond nostalgia to the delicate art of writing about family while respecting privacy. Dr. Giura reflects on the weight of Italian American cultural expectations, the instinct to "keep things in the family," and the resolve required to tell one's story with honesty. She also speaks about the guidance of her mentor, poet Maria Masiotti Gillin, and the particular challenges and rewards of working as both memoirist and poet within a close-knit community. At its heart, the conversation considers the universal tension between loyalty and self-expression. Through memory, tradition, and careful craft, Dr. Giura demonstrates how personal history can be transformed into art that resonates across generations and cultures.   ABOUT THE GUEST: Maria Giura PhD, Poet, Author, Workshop Leader HER SOCIALS: Instagram: @mariagiurawrites Facebook: maria.giura.3975/ LinkedIn: https://www.linkedin.com/in/mgiura/   HER WEBSITE: Website: https://www.mariagiura.com/   HER EVENTS COMING UP: Monday, February 23, 6:30 pm: Co-featuring with poet Linda Kleinbub. Phoenix Poetry Series, Shades of Green Pub, 125 E. 15th Street, New York, NY. See socials below. Wednesday, March 25, 6:30 pm. Reading, Big Red Books, Nyack, NY https://www.bigredbooks.net/events/3930820260325 Thursday, May 14, 6 pm. Co-featuring. Italian American Writers Association @ Calandra Italian American Institute, 25 W 43rd St Suite 1700, New York, NY https://iawa.net/events/ SOCIALS FOR THE EVENTS SEE BELOW: Feb 23 Event: https://www.facebook.com/profile.php?id=100076398760395 AND https://www.instagram.com/the_phoenix_reading_series/ https://www.instagram.com/the_phoenix_reading_series/?hl=en https://www.facebook.com/lindakleinbub AND https://www.instagram.com/lindakleinbub/ March 25 Event: https://www.facebook.com/profile.php?id=100092635875093 AND https://www.instagram.com/bigredbooks/ May 14 Event: https://www.facebook.com/profile.php?id=100071063499667 AND https://www.instagram.com/italianamericanwritersassoc/   HOSTS: Patrick O'Boyle Marianna Gatto   SPECIAL GUEST: Maria Giura   PRODUCED BY: Nicholas Calvello-Macchia

666. Kathleen Kass Byrd, part 1, joins us to discuss her book on the history of Natchitoches. "Kathleen M. Byrd's Natchitoches, Louisiana, 1803–1840 is an examination of one French Creole community as it transitioned from a fur-trading and agricultural settlement under the control of Spain to a critical American outpost on the Spanish/American frontier and finally to a commercial hub and jumping-off point for those heading west. Byrd focuses on historic events in the area and the long-term French Creole residents as they adapted to the American presence. She also examines the effect of the arrival of the Americans, with their Indian trading house and Indian agency, on Native groups and considers how members of the enslaved population took advantage of opportunities for escape presented by a new international border. Byrd shows how the arrival of Americans forever changed Natchitoches, transforming it from a sleepy frontier settlement into a regional commercial center and staging point for pioneers heading into Texas" (LSU Pr.). Kathleen M. Byrd (nicknamed Kass) is a distinguished anthropologist, archaeologist, and historian specializing in the history and prehistory of Louisiana, particularly the Natchitoches region. A native of Connecticut, she earned her B.A. from Marquette University, an M.A. from LSU (focusing on coastal subsistence patterns), and a Ph.D. from the University of Florida. She served as Louisiana's state archaeologist for 15 years before joining Northwestern State University (NSU) in Natchitoches in 1994, where she later became director of the School of Social Sciences for 12 years until her retirement. Now available: Liberty in Louisiana: A Comedy. The oldest play about Louisiana, author James Workman wrote it as a celebration of the Louisiana Purchase. Now it is back in print for the first time in 222 years. Order your copy today! This week in the Louisiana Anthology. Rida Johnson Young. Naughty Marietta: A Musical Comedy in Two Acts. PLACE: New Orleans. TIME: About 1780. SCENE: The Place d'Armes. A broad open space with the levee at back. There is a path along this levee bordered on both sides by tall trees, some of which are draped with the gray Southern moss. There is just a glimpse of the Mississippi between these trees. Along the levee from time to time as act progresses, people of various nationalities past. Mexicans, Indians, Spaniards, Negroes, etc. At extreme L. is an arcaded street in which are booths for flower sellers, cake and confectionary ' sailors, etc. Over this arcade are the high latticed windows of dwellings in old Creole style. There is a door at L. into one of these houses. At right is the getaway entrance to the St. Louis Cathedral. Up stage in centre is a large fountain. The top of the fountain is in the form of a large urn. The pedestal leading from the basin to the urn must be large enough for a person to stand up in. The fountain is dry. This week in Louisiana history. February 20, 1811. President Madison signed bill providing for Louisiana'a statehood. This week in New Orleans history. February 20, 2013: FEMA Archaeologists Discover One of the Oldest Native American Artifacts South of Lake Pontchartrain. Release Number: DR-1603/07-989, NEW ORLEANS ' Pottery sherds, animal bones and pieces of clay tobacco pipes are among the items recently discovered by a team of archaeologists under contract to the Federal Emergency Management Agency surveying land near Bayou St. John in New Orleans.  'It was a bit of a surprise to find this,' said FEMA Louisiana Recovery Office Deputy Director of Programs Andre Cadogan, referencing a small, broken pottery fragment. 'We clearly discovered pottery from the late Marksville period, which dates to 300-400 A.D. The pottery was nice, easily dateable, and much earlier than we expected." This week in Louisiana. St. Ann Catholic Church Lenten Fish Fry 3601 Transcontinental Drive Metairie, LA 70006 February 20, 2026 from 5:00 PM to 8:00 PM Website: stannchurchandshrine.org Email: office@stannchurchandshrine.org Phone: (504) 455‑7071 Price: Plates typically range from $10'$15, with combo options available. During Lent, many Catholic churches across Louisiana host Friday seafood dinners as both fundraisers and meatless‑Friday observances. St. Ann's annual Fish Fry is one of the most popular in Jefferson Parish: Plate Options: Fried fish, shrimp, or a combo plate, served with fries, coleslaw, and hushpuppies. Dine‑In or Drive‑Thru: Quick service for families on the go, with indoor seating available. Community Atmosphere: Proceeds support parish ministries, school programs, and local outreach. Postcards from Louisiana. Florida Street Blowhards at LSU. Listen on Apple Podcasts. Listen on audible. Listen on Spotify. Listen on TuneIn. Listen on iHeartRadio. The Louisiana Anthology Home Page. Like us on Facebook. 

Cliff Maloney rejoins the Thoughtcrime crew for a dive into many exciting and spicy topics, including: -Does 'white culture' exist, and if so, what is it? -Is Thomas Massie literally just a Democrat now? -Has AI rendered all of Hollywood obsolete? -What does Eric Swalwell's college erotic poetry reveal about the potential next governor of California? Tune into Thoughtcrime and interact with the cast live each Thursday night on Rumble at 6 pm Eastern. Watch every episode ad-free on members.charliekirk.com! Get new merch at charliekirkstore.com!Support the show: http://www.charliekirk.com/supportSee omnystudio.com/listener for privacy information.

Rachel Mann's “#TDOR” manages to turn a depiction of one side of a conversation about marking Trans Day of Remembrance into a poem that is both empathic and uncompromising. Mann captures the verbal stammers and stumbles of the well-meaning but leaves us to reckon whether the words land as mirror, mockery, or cry for action.  We invite you to subscribe to Pádraig's weekly Poetry Unbound Substack, read the Poetry Unbound books and his newest work, Kitchen Hymns, or listen to all our Poetry Unbound episodes.   Rachel Mann is a priest, writer, and broadcaster. She is the author of 13 books, including her debut poetry collection, A Kingdom of Love, and the acclaimed nonfiction, Fierce Imaginings: The Great War, Ritual, Memory, and God. She is a Visiting Teaching Fellow at Manchester Writing School and broadcasts regularly, including as a contributor to Thought For The Day.  Find the transcript for this show at onbeing.org. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

When Tracy K. Smith was named U.S. Poet Laureate in 2017, the country was in a fragile place. In her new book, Smith writes that, by then, “we'd come to find ourselves in a climate of language — I'd call it a national vocabulary — grounded in fear, derision, and the notion of an intractably divided nation.”But Smith believes that poetry rises above the grim jargon. In “Fear Less: Poetry in Perilous Times,” she describes poetry as a vehicle equipped to transport us beyond facts and figures to places where we may not even know we want or need to go. Smith joins Kerri Miller on this week's Big Books and Bold Ideas to explore how poetry is uniquely positioned to transform our understanding of each other. Along the way, they trade favorite poems, talk about why it's crucial that poetry be read out loud and discuss ways to make poetry more approachable — especially for those who only learned to diagram it in school. Guest: Tracy K. Smith is the Boylston Professor of Rhetoric and Oratory at Harvard University. She served as the 22nd Poet Laureate of the United States and is the author of five poetry collections, including the Pulitzer Prize–winning “Life on Mars.” Her newest book is “Fear Less: Poetry in Perilous Times.” Subscribe to the Thread newsletter for the latest book and author news and must-read recommendations.Subscribe to Big Books and Bold Ideas with Kerri Miller on Apple Podcasts, Google Podcasts, RSS or anywhere you get your podcasts.

SummaryBrett Gordon shares his 17-year journey of love, loss, and healing through poetry and prose, exploring how writing helped him cope with trauma and grief. Discover how his life experiences shaped his creative expression and the power of poetry as a healing tool.Chapters00:00Introduction to Britt Gordon and His Journey01:56The Evolution of Love Letters05:25The Role of Prose in Poetry11:42Life Experiences and Their Impact on Writing17:42Dealing with Loss and Grief20:44Creativity as a Higher EnergyKeywordspoetry, healing, trauma, grief, love, personal growth, mental health, creative expression, devotion, life journeyKey TopicsThe evolution of Britt Gordon's poetic voice from 2010 to 2023The role of poetry and prose in coping with trauma and griefThe significance of personal letters and eulogies in healingLiving through adversity: homelessness, loss, and resilienceThe spiritual aspect of creative expression and higher energySound Bites"Living in a tent taught me resilience""Poetry is a voice when I have none""Creativity is a higher energy"BioBrett Aubrey Gordon is a passionate writer, creator, and lifelong learner with a deep interest in exploring the intersections of art, expression, and STEM fields. At 39 years old, Brett has already made strides in both creativity and personal development, including publishing The Young Investor's Roadmap to Success a few years ago—a guide aimed at helping others navigate the world of investing.Inspired by the idea of unleashing creativity through a higher force or energy, Brett believes that writing is a process of guidance, where a proverbial voice can lead the way. After letting their latest work languish on a computer for over a year, Brett was called to action—deciding that now was the time to share their words with the world.With an insatiable curiosity and an ever-expanding love for discovery, Brett finds joy in bridging science, art, and human expression. Whether exploring new possibilities in STEM, crafting works of creative prose, or reflecting on life's deeper meanings, Brett embraces every opportunity to learn and create.

This week, Scott sat down with his foreign-policy-minded colleagues Daniel Byman, Michael Feinberg, and Ari Tabatabai to talk through some recent big news stories around the world, including:“Beer Hall Push-back.” Over the weekend, a raft of bipartisan U.S. and European officials headed to Bavaria for the annual Munich Security Conference. Last year, Vice President J.D. Vance gave a barnburner of a speech, accusing European allies of restraining free speech and giving succor to the European far right. This year, Secretary of State Marco Rubio gave a more conciliatory set of remarks that nonetheless signaled that there were some fundamental changes happening in the relationship. For their part, European leaders mostly seemed to be on board with that as they increasingly leaned into the public stance that it was time for the continent to stand on its own, independent of the United States, although how feasible that will be and on what timeline remain the big questions. What should we make of the different remarks we heard from the conference and the broader messages the two sides are sending to each other? And is this a sign of an impending divorce or a different sort of shift in the U.S.-European transatlantic relationship? “Rial Talk.” American and Iranian officials met again this week in Geneva to negotiate an end to the Islamic Republic's nuclear weapons program in exchange for an easing or elimination of U.S. sanctions on Iran. The negotiations took place amidst continued saber rattling by both President Trump and Iranian Supreme Leader Ali Khamenei, who threatened in a speech ahead of the talks to sink U.S. warships in the region if Iran came under attack. Nonetheless, some participants in the negotiations—particularly the mediators from Oman—seemed optimistic that the two sides were getting closer to some sort of common understanding about how they might move forward. But U.S. military assets are continuing to accumulate in the region, leading some to conclude that a military operation may yet be on the horizon. Is there space for a deal? Or iare we going to see another war in Iran?“Xi Who Must Not Be Named.” A year in, the second Trump administration has not proven to be the China hawk that many expected. Far from drawing a hard line on all things China as the first Trump administration often seemed to do, U.S. officials have instead been surprisingly quiet and conciliatory in regard to China, at least outside the trade context. This has remained true even as reports have emerged of Xi Jinping purging his military of non-loyalists, modernizing China's nuclear arsenal, and building more submarines—all steps with the potential to significantly upset the balance of power in Asia and beyond. What is the real logic underlying the Trump administration's seemingly quixotic approach to China, and where might it lead the broader relationship between the two major powers? In object lessons, Dan is delighting in John Company, a social-climbing, backroom-dealing, hostile-bargaining board game to, you know, escape the harsh realities of the real world. Ari enthusiastically recommends the Broadway adaptation of Death Becomes Her, which somehow manages to be even quirkier than the original film. Scott has been sucked into the social media abyss by Jess and Quinn's corny, absurdist, and pun-oriented humor. And Mike offers an anti-object-lesson warning: the “Poetry for Kids” series is not, in fact, reliably for kids.To receive ad-free podcasts, become a Lawfare Material Supporter at www.patreon.com/lawfare. You can also support Lawfare by making a one-time donation at https://givebutter.com/lawfare-institute.Support this show http://supporter.acast.com/lawfare. Hosted on Acast. See acast.com/privacy for more information.

This week, Scott sat down with his foreign-policy-minded colleagues Daniel Byman, Michael Feinberg, and Ari Tabatabai to talk through some recent big news stories around the world, including:“Beer Hall Push-back.” Over the weekend, a raft of bipartisan U.S. and European officials headed to Bavaria for the annual Munich Security Conference. Last year, Vice President J.D. Vance gave a barnburner of a speech, accusing European allies of restraining free speech and giving succor to the European far right. This year, Secretary of State Marco Rubio gave a more conciliatory set of remarks that nonetheless signaled that there were some fundamental changes happening in the relationship. For their part, European leaders mostly seemed to be on board with that as they increasingly leaned into the public stance that it was time for the continent to stand on its own, independent of the United States, although how feasible that will be and on what timeline remain the big questions. What should we make of the different remarks we heard from the conference and the broader messages the two sides are sending to each other? And is this a sign of an impending divorce or a different sort of shift in the U.S.-European transatlantic relationship? “Rial Talk.” American and Iranian officials met again this week in Geneva to negotiate an end to the Islamic Republic's nuclear weapons program in exchange for an easing or elimination of U.S. sanctions on Iran. The negotiations took place amidst continued saber rattling by both President Trump and Iranian Supreme Leader Ali Khamenei, who threatened in a speech ahead of the talks to sink U.S. warships in the region if Iran came under attack. Nonetheless, some participants in the negotiations—particularly the mediators from Oman—seemed optimistic that the two sides were getting closer to some sort of common understanding about how they might move forward. But U.S. military assets are continuing to accumulate in the region, leading some to conclude that a military operation may yet be on the horizon. Is there space for a deal? Or iare we going to see another war in Iran?“Xi Who Must Not Be Named.” A year in, the second Trump administration has not proven to be the China hawk that many expected. Far from drawing a hard line on all things China as the first Trump administration often seemed to do, U.S. officials have instead been surprisingly quiet and conciliatory in regard to China, at least outside the trade context. This has remained true even as reports have emerged of Xi Jinping purging his military of non-loyalists, modernizing China's nuclear arsenal, and building more submarines—all steps with the potential to significantly upset the balance of power in Asia and beyond. What is the real logic underlying the Trump administration's seemingly quixotic approach to China, and where might it lead the broader relationship between the two major powers? In object lessons, Dan is delighting in John Company, a social-climbing, backroom-dealing, hostile-bargaining board game to, you know, escape the harsh realities of the real world. Ari enthusiastically recommends the Broadway adaptation of Death Becomes Her, which somehow manages to be even quirkier than the original film. Scott has been sucked into the social media abyss by Jess and Quinn's corny, absurdist, and pun-oriented humor. And Mike offers an anti-object-lesson warning: the “Poetry for Kids” series is not, in fact, reliably for kids.To receive ad-free podcasts, become a Lawfare Material Supporter at www.patreon.com/lawfare. You can also support Lawfare by making a one-time donation at https://givebutter.com/lawfare-institute. Hosted on Acast. See acast.com/privacy for more information.

This lesson looks at Proverbs, Ecclesiastes and Song of Solomon through a Jesus-centric lens. For an outline of this lesson, click the link: https://drive.google.com/file/d/1v9zI5JpXs-L_epGJUqpUMWn1nvbBrEeL/view?usp=sharing

March can bring some unpredictable classroom energy… but what if you could channel it into something that boosts engagement and hits reading, writing, and discussion standards all at once? In this week's Teaching Middle school ELA podcast episode, we're walking you through exactly how to run a March Madness Poetry Bracket in any classroom. From choosing poems and setting up your bracket to building powerful justification skills through authentic voting, this strategy turns poetry into something students actually look forward to. If you've ever wanted a way to make poetry feel exciting, competitive, and deeply instructional — this is it. Resources Mentioned:Poetry: A New Perspective YouTube Episode: https://www.youtube.com/watch?v=IhKSG3-joAwJanuary Bonus Podcast Episode: BONUS: How to Use EB Resources With Your District Curriculum (Without Getting Behind or Overwhelmed)

In this episode of That's So Hindu, Mat McDermott speaks with author Dheepa Maturi about her eco-thriller '108', exploring themes of ecology, climate change, and the intersection of culture and identity. They discuss the balance between fiction and reality in addressing environmental issues, the significance of Hindu themes in the narrative, and the concept of ecological grief. Dheepa emphasizes the importance of poetry in connecting with nature and the community, as well as the need for empathy in conversations across divides. The discussion also touches on the role of technology in environmental solutions and the signs of hope amidst despair.TakeawaysDeepa aims to present a hopeful narrative amidst climate despair.Ecological grief is a recognized phenomenon affecting many.Poetry serves as a means to connect with our emotions.Getting outside and connecting with nature is vital.Empathy is key in bridging divides in society.Small actions can lead to significant change.Technology can offer solutions but must be balanced with caution.The number 108 holds spiritual significance in Eastern traditions.Chapters00:00 Introduction and Setting the Scene01:59 Overview of '108' and Its Themes05:47 The Balance of Fiction and Reality in Climate Narratives07:56 Hindu Themes and Ecological Perspectives12:00 Understanding Ecological Grief14:53 The Role of Poetry in Environmental Awareness16:37 Connecting with Nature and Community18:38 Empathy and Bridging Divides19:31 Finding Hope Amidst Despair23:28 Technology: A Double-Edged Sword26:33 Future Projects and Closing ThoughtsKeywordsecology, environment, climate change, ecological grief, Hindu themes, poetry, community, technology, hope, Dheepa Maturi Hosted on Acast. See acast.com/privacy for more information.

Film reviews - Spring poetry - Dani Larkin

Poetry by Paul Trammell, read by the author.  click on this   substack link  to get a short story every month, as well as poetry and book reviews  Support the show through Patreon Links are on the podcast shownotes page

Join me in welcoming word witch, Kate Belew, to the pod!Kate Belew is an author, poet, and Witch. Her work exists at the crossroads of creativity and magic. She has taught and facilitated circles and workshops worldwide since 2017. She is dedicated to the spirit of poetry, the sacred wild of the planet, and seeks enchantment in all she does. She is a forever student of the plants and the stars. She has an MFA in Poetry from Sarah Lawrence College and is an initiated Green Witch. Her roots are in Michigan, and her wings are in Brooklyn, two places she calls home. Here is the link to her website, where you can find her book as well as how to work with her. The whole website is pasted below as well.https://katebelew.com/Post- Episode Correction: I stated that the author of a quote was a black queer activist. I was incorrect in that this was a queer activist, but they are not black. Here is the quote from Dan Savage, speaking on resilience during the AIDS crisis: "We buried our friends in the morning, we protested in the afternoon, and we danced all night."Link to "Gravy" poem by Raymond Carver hereThanks for listening! Leave a comment if you enjoyed today's episode

I have an uncle who used to sing the craziest (and often off-color songs). He was a WWII vet and looked like the Canadian actor Lorne Greene. He would rip out the kinds of songs that sailors sang and I would rush to write down the lyrics so I could learn them. And learn them I did. The hard way. It was irritating and frustrating. Even though they say the hand builds the mind and it wasn’t the end of the world that I spent so much time writing them down and rewriting them, I was still relying on rote learning. If only I knew then what I know today about memory techniques! You see, I now memorize and regularly demonstrate poems I’ve committed to memory almost every month during my live memory training bootcamps. I’ve memorized everything from ancient Sanskrit poems to some of the most inventive contemporary poetry. And today I’m going to share a few case studies and key tips I know you’re going to love. How to Memorize Poetry Fast The fastest way I know to memorize poetry involves a combination of ancient memory techniques. These are: The Memory Palace Technique Alphabetical association Numerical association (where relevant) Spaced repetition based on solid active recall principles Now, I know that weaving together so many memory techniques to memorize poetry or even song lyrics, sounds like a lot. But if you want to memorize poems fast, stick with me. Bringing all of these strategies together is much easier than it might seem at first glance. But first, let me demonstrate that I can actually memorize poetry. I believe proof is important because there are a lot of people out there who talk about skills they cannot do. In the case of mnemonics, there are even entire forums filled with people giving advice about memory techniques when they clearly haven’t lifted a finger to memorize a poem. That, or they’ve used rote memorization and are only pretending they used mnemonics. So with those issues in mind, here are a few examples. Please be sure to watch each example because I will refer back to these recitations to help you rapidly memorize poems of your own. Example One: A Univocalic Poem In this video, you’ll see me at the Memory Palace Bookshop I’m developing practicing the recitation of a univocalic poem by Christian Bök: https://youtube.com/shorts/b6oFIOnAwng?feature=share That’s from a fantastic book of poetry called Eunoia. Example Two: Shakespeare This video not only shows me reciting lines from Titus Andronicus. It includes a very important teaching point. That’s because I also demonstrate reciting the lines forward and backward to help teach you how to more easily commit even the most difficult poem to memory using a process I call Recall Rehearsal: https://youtu.be/nhjIkGu32CA?si=s6gIJz6Poq9Zpo6C&t=1380 Now, I regularly memorize Shakespeare. But in the case of the example shared in the video above, I had a special purpose in mind. I was doing it to reproduce the memory technique Anthony Hopkins describes in his autobiography. Here’s the full case study. Example Three: Song Lyrics In this video, you’ll see and hear me singing a famous song called The Moon Represents My Heart in Chinese: https://youtu.be/dCyPV6qfKkI The entire song took just over forty minutes to commit to long-term memory. Even though it’s been a few years since I sang the whole song, I still remember most of the lyrics to this day. Every once and awhile, I whip it out and it always brings a smile to my wife’s face. The reason this Chinese poem set to music took a bit longer to memorize other poems I’ve memorized is because it’s in a foreign language that I was only just beginning to study at the time. Example Four: Poetry Quoted in a Speech When I wrote my TEDx Talk, I incorporated lines from a Sanskrit piece called the Ribhu Gita. This was an interesting challenge because it called me to recall the speech and the poetry that had already been memorized. https://www.youtube.com/watch?v=kvtYjdriSpM This particular performance was a lot of fun, but also challenging due to the combination of a live audience, cameras and the fact that the world was starting to go into lockdown at the beginning of Covid. I had a lot on my mind, but thanks to the memory techniques you’re about to discover, I still think the talk came off fairly well. It’s been seen over four million times now, so I must have done something right. Example Five: Real-Time Poetry Memorization If you want to see me memorize in real time, check out this discussion with Guru Viking. Steve, the host, throws Shakespeare at me and I memorize a few lines and discuss how I did it in real time: https://www.youtube.com/watch?v=J62IN_ngYH0 Now let’s get into the steps, many of which come directly from my premium course on memorizing poetry. Step one: Use the Memory Palace Technique A Memory Palace is essential for memorizing poetry, or anything verbatim. What is this technique? A Memory Palace is a mental recreation of a familiar location. For example, in the first video example above from the poem Eunoia, I used my mom’s home from where she lived years ago. I moved from the master bedroom to the kitchen and living room, to a few other bedrooms and finally out the door and down the driveway in front of the house. How to Memorize a Poem in an Hour (or Less) Using This Technique Using the method of loci, you place mnemonic images along a mental journey. As I just mentioned, I started in one room, then moved to the kitchen, the living room, and so forth. On each corner and wall, I placed an association. For example, for the line, “Awkward grammar appals a craftsman,” I placed an image of Apollinaire in a state of awe changing into being appalled. Now, what exactly it means to “place” an association along a journey in an imaginary version of a building can feel a bit abstract in the beginning. But basically, you’re taking a corner, a wall or a piece of furniture and elaborating it with strange, exaggerated ideas and feelings that remind you of each word of the poem or song lyric. You can do it in any language and if you look at the Guru Viking video above, you’ll see me demonstrate exactly how and why it works in any language. In that particular example, I use the wall behind me for Shakespeare in the same way I memorize Sanskrit phrases when memorizing ancient mantras. To Speed Up The Process When You’re Just Starting Out, Do This Learning to use the Memory Palace technique can feel challenging in the beginning. To reduce the cognitive load, I suggest making a quick sketch of a familiar location that you will turn into a Memory Palace. You don’t have to be artistic. I don’t try to make fine art of it at all. To wit, here’s a quick sketch of a bookstore in the Zamalek area of Cairo I have used many times to memorize poetry and other types of information: A Memory Palace drawn on an index card to maximize its value as a mnemonic device. This one is based on a bookstore in Zamalek, a part of Cairo. The reason for drawing out the journey is to get it clear in your mind. That way, you can spend more time on the next step. But failing to simply draw a Memory Palace in advance can lead to a lot of unnecessary frustration. That’s because you will ultimately wind up trying to encode the poem while developing the Memory Palace at the same time. To memorize any poem as quickly as possible, you need to separate the two activities. Step Two: Lay Down Your Associations One Word At A Time (Most Of The Time) Shakespeare opens King Henry the Fifth like this: O for a Muse of fire, that would ascend The brightest heaven of invention, A kingdom for a stage, princes to act And monarchs to behold our swelling scene! When I memorized these lines, I started at station one with an image of the constellation Orion over the Statue of Liberty. Using the pegword method, I associated Orion with O. Then, using the general concept of a woman that inspires people, I placed the Statue of Liberty in the Memory Palace. In this case, the Memory Palace was a workplace where I was writing curriculum in Vancouver, B.C., Canada. You might choose a completely different image for the words “muse of fire.” But the technical point is that you want to find a direct sound and spelling correspondence that is: Based on ideas and images already in your memory Makes sense to you Making sure that the associations you choose are personal is part of what scientists call active recall. For me personally, Lady Liberty is an especially apt choice not only because she represents inspiration, as the muses. She’s also holding a torch, which helps me encode the word “fire.” But I also lived in both Manhattan and Brooklyn for awhile and often crossed the Manhattan Bridge. This makes the memory of the Statue of Liberty even stronger for me, and another reason why you need to think about the images that make most sense for you. How to Associate “Little Words” for Rapid Memorization What about a word like “that”? Tricky and abstract, right? Not really. You just need to pick an association that makes sense to you while sounding or seeming as close as possible to the target information as you can get it. In the case of the Henry the Fifth line, I just took “th” and linked it with Thor and then used rhyming to have him put on a hat in a dramatic way. Thor + hat = that. When it comes to the Bök poem, there’s a part of the sequence (full poem here) where I used Thor with his hat again: Awkward grammar appals a craftsman. A Dada bard as daft as Tzara damns stagnant art and scrawls an alpha (a slapdash arc and a backward zag) that mars all stanzas and jams all ballads (what a scandal). For a small word like “all,” I used the Punk Rock band All, but only in part. Drawing upon the mnemonic teaching of people like Peter of Ravenna, Jacobus Publicius and Giordano Bruno, I used the principle of reduction. Rather than imagine the entire band, or even an entire mascot, I just imagined the eyes of the mascot. To memorize at speed, I suggest you practice this principle of reduction. Also develop what I call the Magnetic SRS in my full poetry course in the Magnetic Memory Method Masterclass. By taking an hour or so to assign association to all the pronouns and other “operator” words like “that,” you won’t have to stop and come up with associations ever again. The Magnetic SRS training in my full program goes into further detail. It will help you develop dozens of images for words that seem like they’ll be tricky or repetitive. Done well, they can be used repeatedly, but never cause confusion. Step Three: Memorize Multiple Words When You Can Memorizing more than one word in a poem at a time is called mnemonic compression. This term can mean more than one thing. But in this case, I’ve technically just given you a description of how compression works with the Statue of Liberty example. After Orion for O, she represents five words: “for a Muse of fire.” In this case, it works because I’m familiar with the workings of English grammar. But you can’t always get away with this kind of compression, especially when memorizing poetry in another language. It’s just best to keep an eye out for compression opportunities as much you can. When I memorized my TEDx talk using these techniques for speech memorization, thanks to compression, I loaded one station in my Memory Palace with up to 17 words using just 3-5 images (depending on how you count them). Keep in mind that you don’t have to start with poems with long passages like the ones I included in my TEDx Talk. A lot of people like to start with short Bible verses. I’ve put together a list of Bible verses to memorize that address the theme of memory if you’d like to select a few for practice. Step Four: Use Intelligent, Creative Repetition As I mentioned above, rote learning is a real problem. What you want instead is something called spaced repetition. It provides a simple means of reviewing memorized material on a schedule that keeps it in memory. Different poems and lyrics will require different amounts of repetition, and it’s not easy to predict in advance how much content will require how much repetition. However, there’s something called context-dependent memory. Basically, it gives you a boost when you use a lot of content frequently. Or read continually within particular categories of information. So if you read literature and quote it often, you’ll probably need less repetition than someone who doesn’t. And if you memorize the sonnet form more than free verse, you’ll likely develop a stronger and faster reliability because you’ve internalized its rules. Creative Repetition for Long-Term Maintenance For most of us, poems will fade over time no matter what we do. Fortunately, there are creative repetition strategies that can help make sure you maintain them. One is to follow in the footsteps of geniuses. For example, Anthony Hopkins keep common place books where they store and regularly revisit favorite poems. People like Thomas Jefferson used this strategy too. Another strategy is to use reflective thinking to compare various poems you’ve memorized. You can do this from poem to poem or between poems and your favorite philosophy books, historical events, etc. Finally, look for opportunities to recite the poems. Even if you just quote isolated lines, this smaller recitation will help keep the full poem within your mental reach. 3 Alternative Ways To Memorize Poetry You might be wondering if it’s possible to memorize poetry without using the Memory Palace technique. Indeed, there are. Here are some options. Rote Repetition Although I personally don’t like how rote learning feels, it is an option you can explore. It’s a slower option for most of us. But one simple way to get more mileage out of sheer repetition is to choose the time of day and location where you practice it strategically. You’ll need a lot of focus and concentration on top of sheer will power to keep repeating the same lines without the fun of mnemonics, so make sure you aren’t interrupted. I’d also suggest focusing on shorter poems for use with rote. That way you can memorize more poems in their entirety and enjoy substantial accomplishments more often. Cloze Methods A cloze test involves showing yourself parts of a poem. As you read through the poem, you try and fill in the blanks. This activity can trigger some of the positive benefits of active recall. Here’s an example of how you would apply the cloze test methodology to help yourself remember The Tyger by William Blake: Tyger Tyger, burning _____,  In the _____ of the night;  What immortal ____ or ____,  Could _____ thy ______ ______? Visual Flashcards Finally, if you’re willing to make simple drawings, you can draw on flashcards. This approach is kind of like a visual cloze test. Instead of hiding the word “bright” in the phrase “burning bright,” you would sketch an image that helps trigger the phrase. I’ve done this a fair amount with memorizing the books of the Bible. It’s a fast and easy way to help the mind make connections without having to use a Memory Palace. That said, drawing can take a lot of time. I would save this approach for when you feel like an experimental learning experience. How to Practice Reciting Poetry from Memory There are three key ways that I practice reciting poetry, not only to ensure that they’re locked in long-term memory. The point is also to get the lines as fluid as possible and bring out various parts you want to emphasize. After all, it’s not fun to sound robotic. The point of poetry is to convey meaning and beauty, humor or to stimulate some kind of emotion. One: Write the Poetry from Memory Another aspect of proper active recall practice is to call the information to mind by revisiting your associations in your Memory Palace, then write the words down. When writing out what you’ve committed to memory, don’t worry about mistakes. If you catch yourself making a mistake, just scratch it out. Then, once you’ve written as many lines as you can recall, test them against where the verse is written in a book or online. Here’s an example of a test from another part of Eunoia I recently memorized:   At this point, I hadn’t memorized the entire poem and had to start a new journal. But the important point is to test in this exact manner so that you don’t fall into rote repetition. Two: Recite Verbally As demonstrated in several of the video examples above, I practice recalling the poetry verses from memory out loud. This step is important because it gets the poetry into the muscle memory of the mouth. And this is the best way to practice adding gravitas to your performance. I suggest that you also recite the poetry out of order as you see in the Anthony Hopkins video above. This will give each line primacy and recency using the serial positioning effect, as was codified by Hermann Ebbinghaus. During the learning process, it can also be helpful to make up a little tune to go with the poetry. Even if you don’t sing it later, there’s something to chanting and singsonging that aids memory. This is something Bruno notes in his memory guide, Cantus Circaeus (Song of Circe), available in this English translation. Three: Recite Mentally It’s also valuable to practice reciting what you’ve memorized purely in your mind. You can do this solely by reciting the lines while moving through your Memory Palaces. Or you can do it without thinking of the Memory Palace journey, which is a point you should practice as soon as possible. If you are going to perform the poem live, it’s also helpful to imagine yourself delivering it live on camera or in front of an audience. I’ve done all of these things and it has really helped make sure my performance is fluid. But it also creates that priceless feeling of preparation. Your audience will appreciate your delivery much more as well. Make Poetry Memorization Part of Your Daily Life Finally, I’d like to discuss how to make poetry memorization a daily activity. We’re all different, but I personally prefer to encode new poems during the morning. This is simply because my energy is highest. Then I practice reciting in the evening. You might find that you prefer the opposite pattern. The key is to experiment, all based on having developed your mnemonic tools. Plus, it only makes sense to have a lot of poetry that you like within reach. Along with having the right memory techniques for this kind of verbatim learning task. That’s ultimately the most important tip of all. To get fast with memorizing poetry, you need to have your mnemonics prepped in advance. If you’d like more help on how the Memory Palace technique and related mnemonic strategies will help you memorize poems of any length, please consider signing up for my FREE Memory Improvement Course: It will take you through developing Memory Palaces for memorizing any poem at speed. Those poems can be as short as a simple song or as long as the Bible (which as I discuss in this tutorial, is possible to memorize). Or you can memorize songs from your weird uncle like I often did… even if I can’t always repeat them in polite company. Frankly, I wish I’d known these techniques back when I was young. Not only because I’d remember more of the words to the songs he sang. I’d remember more about him too. And that’s ultimately the greatest thing about memorizing poetry. We’re memorizing the ideas, feelings and images that impacted others, literally integrating ourselves with the stuff of life through memory.

Peter O'Connell meets Ukrainian poet Yaryna Chornohuz who has been serving on the front line for more than four years since Russia's full-scale invasion of Ukraine in 2019

A long‑forgotten college poem written by a young Democratic Rep. Eric Swalwell has suddenly resurfaced, stirring new attention with its intense, theatrical imagery. Feb 17th 2026 --- Please Like, Comment and Follow 'The Ray Appleton Show' on all platforms: --- 'The Ray Appleton Show’ is available on the KMJNOW app, Apple Podcasts, Spotify, YouTube or wherever else you listen to podcasts. --- 'The Ray Appleton Show’ Weekdays 11 AM -2 PM Pacific on News/Talk 580 AM & 105.9 KMJ | Website | Facebook | Podcast | - Everything KMJ KMJNOW App | Podcasts | Facebook | X | Instagram See omnystudio.com/listener for privacy information.

Todays Sponsors is www.KRarmory.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/prepper-broadcasting-network--3295097/support.BECOME A SUPPORTER FOR AD FREE PODCASTS, EARLY ACCESS & TONS OF MEMBERS ONLY CONTENT!Red Beacon Ready OUR PREPAREDNESS SHOPThe Prepper's Medical Handbook Build Your Medical Cache – Welcome PBN FamilySupport PBN with a Donation Join the Prepper Broadcasting Network for expert insights on #Survival, #Prepping, #SelfReliance, #OffGridLiving, #Homesteading, #Homestead building, #SelfSufficiency, #Permaculture, #OffGrid solutions, and #SHTF preparedness. With diverse hosts and shows, get practical tips to thrive independently – subscribe now!Newsletter – Welcome PBN FamilyGet Your Free Copy of 50 MUST READ BOOKS TO SURVIVE DOOMSDAY

Award-winning opera singer Joyce DiDonato and string trio Time for Three performs live portions of their song cycle, Emily — No Prisoner Be, based on the poetry of Emily Dickinson. The group will perform tonight at The Greene Space and on Thursday at Carnegie Hall.Image courtesy of Joyce DiDonato

Did you know that when Martin Luther (1483-1546) wasn't nailing things to doors and fomenting major splits in Christendom he was writing poetry? In Latin? Well, thanks to Carl P. E. Springer we now have all of it in one fascinating volume. Join the guys and see how Luther runs the gamut—lines which express his deep faith, his longing and loss, his reworking of the Psalms, invective against Erasmus and Pope Clement VII, not to mention those verses that express his, um, earthier side. So tune in and revel in this hidden side of one of the most pivotal figures in world history and see if Jeff can stop giggling. Also, don't forget to sign up for your chance to win the new Hackett Complete Works of Aristotle, in 2 volumes. You'll need the secret code word (it's Kontos).

Something is happening in our lives, and we can all feel it. Voices can be cloned. Stories can be automated. Images can be generated. And most of us are moving through it without fully stopping to ask what that does to our humanity..In this first part of a two-part conversation, Amy sits down with returning guest Bill Kirst to explore what it means to live in a world where we are beginning to question what is real. Bill reads from his Substack piece, The Buying of Our Breath, and the conversation goes straight to the human cost.What happens when you discover the voice that moved you didn't belong to a human body? When narration exists without presence? When we start editing out the very things that prove we are alive — the pause, the breath, the crack in the voice, our human “imperfections”?The things we once tried to erase may be our last undeniable proof of life.Take a listen. Hear the plea. Then decide for yourself — how far will we let the buying of our breath go?Threads We Pulled On:Rest Versus Restlessness – Explore why productivity tools promise freedom yet leave us feeling more unsettled and emotionally depleted.The Commodification of Voice – Understand what it means when Olympic narration, news reporting, and podcasting can be replicated without the human present.Proof of Life in Imperfection – See how coughs, pauses, filler words, and breath may become the rarest markers of authenticity.The Grief of Artificial Reality – Recognize the subtle but profound emotional toll of discovering something you believed was real was AI-generated.Discernment as a Leadership Skill – Consider why the future may demand deeper emotional intelligence and conscious filtering rather than faster consumption.Rebellion Against the Autofill – Exercising discernment and agency in a culture engineered for automation. You can listen to Bill's episode - AI & The Poetry of Our Existence with Bill Kirst here - https://create-magic-at-work-r.captivate.fm/episode/ai-the-poetry-of-our-existence-with-bill-kirst/About the Guest:Bill Kirst is an author, technology leader, podcast host, military veteran, mentor, educator and mindfulness practitioner. He has been writing stories, poems and lyrics for as long as he can remember. He hails from a long line of storytellers and educators who are deeply inspired, moved and healed by the power of the written word. Mixing in melody, chords and a chorus generate a powerful response toward healing. This is why he sees the world through a songwriter's eyes, and why his first published work was a collection of poetry. And his second book is focuses on how we hold on to our humanity in this era of AI.In addition to writing, he hosts The Coffee & Change Podcast which went into its tenth season this year. Bill helps people thrive and break through common obstacles that seem to be holding them back so they can reach their true potential. His career as a change leader has been rewarding, impactful and inspirational, reminding him of the importance of this work,...

RU384: EVE WATSON & HELENA TEXIER ON FREUD'S PRINCIPLE CASE STUDIES REVISITED https://renderingunconscious.substack.com/p/ru384-eve-watson-and-helena-texier Join Rendering Unconscious Podcast at Substack to watch full episodes and access the complete archive: https://renderingunconscious.substack.com Rendering Unconscious episode 384. Rendering Unconscious welcomes Helena Texier and Eve Watson back to the podcast! They presented their work with the Freud-Lacan institute and Freud's Principle Case Studies Revisited. https://amzn.to/4bUzfZw This was the second live Rendering Unconscious podcast event! Check out the first one: RU372: ALENKA ZUPANČIČ & TODD MCGOWAN ON COMEDY https://renderingunconscious.substack.com/p/ru372-alenka-zupancic-and-todd-mcgowan This episode features a discussion between Eve Watson and Helena Texier on their book “Freud's Principles Case Studies Revisited.” They explore Freud's and Lacan's perspectives on key case studies, including Little Hans, Dora, the Rat Man, Schreber, the Young Homosexual Girl, and the Wolf Man. The book, part of the Freud Lacan Institute series, contextualizes these cases within contemporary psychoanalytic practice. The speakers emphasize the importance of critical engagement with these cases, noting their evolving relevance and the challenges of distinguishing between neurosis and psychosis. They also highlight the role of psychoanalytic discourse in fostering new knowledge and the value of group discussions in clinical practice. The conversation concludes with expressions of gratitude and appreciation for the work being done in the field. https://freudlacaninstitute.com Check out previous episodes with these guests: RU301: EVE WATSON & HELENA TEXIER ON THE FREUD LACAN INSTITUTE RU87: EVE WATSON ON PSYCHOANALYTIC TRANSMISSION, GROUP PSYCHOLOGY, CORONAVIRUS & CULTURE News & events: Wednesday, February 18th, we have Mikita Brottman presenting Images from the Id: The Strange World of Psychic Photographer Ted Serios. https://rucenterforpsychoanalysis.substack.com/p/images-from-the-id-the-strange-world Introduction to Occulture with author Carl Abrahamsson, Begins February 21, Morbid Anatomy Museum, online. https://www.morbidanatomy.org/classes/p/introduction-to-occulture-with-author-carl-abrahamsson-begins-february-7 If you're in London, I'll be at the Freud Museum in-person Wednesday, February 25th with my husband Carl Abrahamsson for Surreal Secrets of the Psyche: The Creative Zeitgeist of Psychoanalysis, Film and the Avant-Garde. https://www.freud.org.uk/event/surreal-secrets-of-the-psyche-the-creative-zeitgeist-of-psychoanalysis-film-and-the-avant-garde/ Monday, February 23rd Carl Abrahamsson will be in-person at the Viktor Wynd Museum in London presenting Fabulous Freaks of Yesteryear: https://thelasttuesdaysociety.org/exhibition/fabulous-freaks-of-yesteryear-by-carl-abrahamsson-live/ Rendering Unconscious is also a book series: Rendering Unconscious: Psychoanalytic Perspectives, Politics & Poetry vols 1:1 & 1:2 (Trapart Books, 2024): https://amzn.to/3N6XKIl The song at the end of this episode is "Celebrity" from the album "Infiltrate" by Vanessa Sinclair and Pete Murphy: https://petemurphy.bandcamp.com/album/infiltrate-21 Infiltrate has been featured on the latest episode of Radio Panik! https://www.radiopanik.org/emissions/l-etranger/show-518-drud-freeform-hemline/ Enjoy! Thank you for being a paid subscriber to Rendering Unconscious Podcast. It makes my work possible. If you are so far a free subscriber, thanks to you too. Please consider becoming a paid subscriber to gain access to all the material on the site, including new, future, and archival podcast episodes. It's so important to maintain independent spaces free from censorship and corporate influence. If you are interested in pursing psychoanalytic treatment with me, please feel free to contact me directly: https://www.drvanessasinclair.net/contact/ Thank You.

To the moon and beyond with poets Colleen Gibbons, Mark MacAllister, and Ruth Mota.Support the show

A library program working to help the community with early literacy skills. Plan a trip to Wisconsin's first skating ribbon. How to celebrate Black History Month by combining poetry and stargazing.

Claire Mabey joins Jesse to review the following books: Stepping Up by David Hill Lyrical Ballads by Bill Manhire What to Wear by Jenny Bornholdt

Sanah Ahsan's evocative “Ramadan's Greeting” brings us into the thoughts and experiences of a person observing the holiest month in Islam. In nine brief couplets, the poet deftly directs our attention towards some of the rich contrasts that emerge at this time — between light and dark, desire and abstinence, self and community — as well as the abiding satisfactions and joys. We invite you to subscribe to Pádraig's weekly Poetry Unbound Substack, read the Poetry Unbound books and his newest work, Kitchen Hymns, or listen to all our Poetry Unbound episodes.  Sanah Ahsan is a poet, liberation psychologist, and educator. Sanah's work plays in the wild terrain of woundedness, the sacred landscapes of falling apart, centering compassion and embracing each other's madness. Their work draws on therapeutics, psychospirituality, embodiment, and poetics as life-affirming practices. Some of Sanah's media work includes writing for The Guardian, delivering a TEDx Talk, and presenting a Channel 4 documentary on the overmedicalization of people's distress. Sanah is working on a nonfiction book about the politics of distress, and society's relationship with unruly emotions. As a poet, Sanah won the Out-Spoken Poetry Performance Prize and has been shortlisted for the Queen Mary Wasafiri New Writing Prize, The White Review Poetry Prize, and Bridport Poetry Prize. Sanah's debut poetry collection, I cannot be good until you say it, is a meditation on Islam, queerness, and goodness. It was shortlisted for The Forward Prize for Best First Collection and Polari Prize, and selected as one of The Guardian's Best Poetry Books.Find the transcript for this show at onbeing.org. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

"Dawns are heartbreaking," as is the queer love story of Arthur Rimbaud & Paul Verlaine.Please Support Breaking Form!Review the show on Apple Podcasts here.Aaron's STOP LYING is available from the Pitt Poetry Series. And BEAUTIFUL PEOPLE is available from Bridwell Press. James's ROMANTIC COMEDY is available from Four Way Books.Show Notes:Paul Verlaine was born in 1844. Read more about him here. Verlaine was an Aries sun, Leo Moon, and Scorpio ascendant.Arthur Rimbaud was born on October 20, 1854, and you can read more about him here. Rimbaud was a triple Libra (sun, moon, ascendant). Rimbaud met Verlaine in September 1871, a month before his 18th birthday. Following his tumultuous relationship with Paul Verlaine, which ended in 1873, Rimbaud traveled extensively through Europe, often on foot. He became a trader/merchant, selling coffee, hides, and eventually guns, becoming a "soldier of fortune." In 1891, a tumor developed on his right knee and forced him to return to Paris and died later that year at 37, without knowing how popular his poems had become in Symbolist circles.  The gun Verlaine used to shoot Rimbaud recently went up for auction.One of the poems Rimbaud sent to Verlaine in 1871 was "Le Dormer du Val," which you can watch recited as part of the Favorite Poem Project here. (Recited by chef Jacques Pépin.) Rimbaud and Verlaine wrote a collaborative poem, "Sonnet to the Asshole" which you can read (and read about) here.  In 2016, the poet Eileen Myles told The New York Times, "I think men should stop writing books. I think men should stop making movies or television. Say, for 50 to 100 years. Sounds great." Read the interview here.When we reference "tongue in the butt," we are talking about a segment from an early Breaking Form season 1 show called "Bad Animals." Check it out here, and hit the 14:30 mark. If you've never read Flannery O'Connor's short story "A Good Man Is Hard to Find," stop what you're doing and read it here.

Remembering and expressing the love we have for those we've lost can appear in myriad ways–hearing a favorite song, telling a funny story, even writing a poem in their honor. In this episode Jeremy discusses his love of writing alongside his creative writing students, and he shares two poems written for loved ones who have passed, one composed by a former student remembering her uncle, and another Jeremy wrote about his friend Richard.

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RU383: BALTIMORE BASED ARTIST & OCCULTIST NYNNMAH ON PHANTASMS OF EROS & NOSFERATU: https://renderingunconscious.substack.com/p/ru383-baltimore-based-artist-and Join Rendering Unconscious Podcast at Substack to watch full episodes and access the complete archive: https://renderingunconscious.substack.com Rendering Unconscious episode 383. For this episode, I sat down with Nynnmah, a zine artist with interests in literature, art, and esoterica. Having explored philosophical questions from a young age, Nynn has deep interests in exploring the nature of reality, free will, and esoteric topics. Nynn's work is influenced by her experiences, including her life in Baltimore, interest in metal music, and interactions with various cultural and spiritual influences. She emphasizes the importance of imagination, self-expression, and the role of artists in society. Follow Nynn at: https://www.instagram.com/nynnmah/ Nynn has a couple upcoming events, including talks on “Phantasms of Eros” Thursday, February 19th, and “Psychosexual & Esoteric Symbolism in Nosferatu” Thursday, February 26th. https://linktr.ee/nynnmah News & events: Monday, February 16th we have a LIVE Rendering Unconscious Podcast event with Drs. Helena Texier and Eve Watson, editors of Freud's Principle Case Studies Revisited: https://renderingunconscious.substack.com/p/you-are-invited-to-a-live-ru-podcast Wednesday, February 18th, we have Mikita Brottman presenting Images from the Id: The Strange World of Psychic Photographer Ted Serios. https://rucenterforpsychoanalysis.substack.com/p/images-from-the-id-the-strange-world Introduction to Occulture with author Carl Abrahamsson, Begins February 21, Morbid Anatomy Museum, online. https://www.morbidanatomy.org/classes/p/introduction-to-occulture-with-author-carl-abrahamsson-begins-february-7 If you're in London, I'll be at the Freud Museum in-person Wednesday, February 25th with my husband Carl Abrahamsson for Surreal Secrets of the Psyche: The Creative Zeitgeist of Psychoanalysis, Film and the Avant-Garde. https://www.freud.org.uk/event/surreal-secrets-of-the-psyche-the-creative-zeitgeist-of-psychoanalysis-film-and-the-avant-garde/ Monday, February 23rd Carl Abrahamsson will be in-person at the Viktor Wynd Museum in London presenting Fabulous Freaks of Yesteryear: https://thelasttuesdaysociety.org/exhibition/fabulous-freaks-of-yesteryear-by-carl-abrahamsson-live/ Rendering Unconscious is also a book series: Rendering Unconscious: Psychoanalytic Perspectives, Politics & Poetry vols 1:1 & 1:2 (Trapart Books, 2024): https://amzn.to/3N6XKIl The song at the end of this episode is "Celebrity" from the album "Infiltrate" by Vanessa Sinclair and Pete Murphy: https://petemurphy.bandcamp.com/album/infiltrate-21 Infiltrate has been featured on the latest episode of Radio Panik! https://www.radiopanik.org/emissions/l-etranger/show-518-drud-freeform-hemline/ Enjoy! Thank you for being a paid subscriber to Rendering Unconscious Podcast. It makes my work possible. If you are so far a free subscriber, thanks to you too. Please consider becoming a paid subscriber to gain access to all the material on the site, including new, future, and archival podcast episodes. It's so important to maintain independent spaces free from censorship and corporate influence. If you are interested in pursing psychoanalytic treatment with me, please feel free to contact me directly: https://www.drvanessasinclair.net/contact/ Thank You.

SLEERICKETS is a podcast about poetry and other intractable problems. My book Midlife now exists. Buy it here, or leave it a rating here or hereFor more SLEERICKETS, subscribe to SECRET SHOW, join the group chat, and send me a poem for Listener Crit!Leave the show a rating here (actually, just do it on your phone, it's easier). Thanks!Wear SLEERICKETS t-shirts and hoodies. They look good!SLEERICKETS is now on YouTube!For a frank, anonymous critique on SLEERICKETS, subscribe to the SECRET SHOW and send a poem of no more 25 lines to sleerickets [at] gmail [dot] com Some of the topics mentioned in this episode:– Pre-order Brian's book The Optimists! It's so good!– Let me know if you'd like a review copy of my forthcoming chapbook The Soft Black Stars: sleerickets [at] gmail [dot] com– All That Glitter by Katie Dozier– The Poetry Space– Rattle– The Rattlecast– Good Bones by Maggie Smith– The Trouble with Poetry by Billy Colins– Limiting Poetry's Feedback Loop by Steven Searcy– Ep 231: Insidious Tendencies, ft. Steven SearcyFrequently mentioned names:– Joshua Mehigan– Shane McCrae– A. E. Stallings– Ryan Wilson– Morri Creech– Austin Allen– Jonathan Farmer– Zara Raab– Amit Majmudar– Ethan McGuire– Coleman Glenn– Chris Childers– Alexis Sears– JP Gritton– Alex Pepple– Ernie Hilbert– Joanna Pearson– Matt Wall– Steve Knepper – Helena Feder– David Yezzi– Victoria Moul– Katie Dozier & Tim Green– Tristram Fane SaundersOther Ratbag Poetry Pods:Poetry Says by Alice AllanI Hate Matt Wall by Matt WallVersecraft by Elijah Perseus BlumovRatbag Poetics By David Jalal MotamedAlice: In Future PostsBrian: @BPlatzerCameron: Minor TiresiasMatthew: sleerickets [at] gmail [dot] comMusic by ETRNLArt by Daniel Alexander Smith

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Send a textThis week we are joined by poet, editor and translator Gerald Maa.  Gerald talks about his origins and rise in the literary world and about his current role as editor of The Georgia Review. Enjoyed this conversation? Follow, subscribe, and leave a review to help others find the show. Gerald Maa began as editor and director of the Georgia Review in 2019. Since then, the Review has won, among other things, the National Magazine Awards (fiction and profile writing), the Pulitzer Prize, the Caine Prize, and the PEN/Robert J. Dau Short Story Prize, reserved for debut publications. In 2010, he founded the arts anti-profit the Asian American Literary Review with Lawrence-Minh Bùi Davis, where he served as editor-in-chief until he joined the Georgia Review.His poetry and translation have appeared in places like Poetry, Raritan, and Push Open the Window: Contemporary Poetry from China.  His essays have appeared in places like Criticism, A Sense of Regard: Essays on Poetry and Race, and The Routledge Companion for Ecopoetics.  His work has been supported by places like the Bread Loaf Writers' Conference, the Library of Congress Asian Reading Room, and the Center for Writing and Translation at the University of California, Irvine.

665. Part 2 of our interview of Zella Palmer, expert on Creole and African cooking. She released a documentary, The Story of New Orleans Creole Cooking: The Black Hand in the Pot. She is also the author of Recipes and Remembrances of Fair Dillard, 1869-2019.Zella, educator, food historian, author, and filmmaker, serves as the Chair and Director of the Dillard University Ray Charles Program in African-American Material Culture. Palmer is committed to preserving the legacy of African-American, Native American, and Latino culinary history in New Orleans and the South. Palmer curated The Story of New Orleans Creole Cooking: The Black Hand in the Pot academic conference and documentary, the Nellie Murray Feast, and the Dr. Rudy Joseph Lombard: Black Hand in the Pot Lecture Series. Now available: Liberty in Louisiana: A Comedy. The oldest play about Louisiana, author James Workman wrote it as a celebration of the Louisiana Purchase. Now it is back in print for the first time in 222 years. Order your copy today! This week in the Louisiana Anthology. Samuel Clemens. "Letter to Pamela A. Moffett."     [It's the be]ginning of Lent, and all good Catholics eat and drink freely of what they please, and, in fact, do what they please, in order that they may be the better able to keep sober and quiet during the coming fast. It has been said that a Scotchman has not seen the world until he has seen Edinburgh; and I think that I may say that an American has not seen the United States until he has seen Mardi-Gras in New Orleans.     I posted off up town yesterday morning as soon as the boat landed, in blissful ignorance of the great day. At the corner of Good-Children and Tchoupitoulas streets, I beheld an apparition! — and my first impulse was to dodge behind a lamp-post. It was a woman — a hay-stack of curtain calico, ten feet high — sweeping majestically down the middle of the street (for what pavement in the world could accommodate hoops of such vast proportions?) Next I saw a girl of eighteen, mounted on a fine horse, and dressed as a Spanish Cavalier, with long rapier, flowing curls, blue satin doublet and half-breeches, trimmed with broad white lace — (the balance of her dainty legs cased in flesh-colored silk stockings) — white kid gloves — and a nodding crimson feather in the coquettishest little cap in the world. She removed said cap and bowed low to me, and nothing loath, I bowed in return — but I could n't help murmuring, “By the beard of the Prophet, Miss, but you've mistaken your man this time — for I never saw your silk mask before, — nor the balance of your costume, either, for that matter.” And then I saw a hundred men, women and children in fine, fancy, splendid, ugly, coarse, ridiculous, grotesque, laughable costumes, and the truth flashed upon me — “This is Mardi-Gras!” This week in Louisiana history. February 13, 1899. Lowest temperature ever recorded in Louisiana, Minden, -16°F.This week in New Orleans history. First Rex Parade. February 13, 1872 Lewis J. Salomon reigned as Rex during the organization's first parade on February 13, 1872.  The theme was "Triumphal Entry". The official anthem of Rex, "If Ever I Cease to Love", was a hit song of the early 1870's era from a musical comedy named "Bluebeard". The musical's leading lady, Lydia Thompson, was performing in New Orleans at the time of the first Rex parade. The visiting Grand Duke Alexis of Russia, who had seen "Bluebeard" during his national tour, was also familiar with the song and with Thompson, to whom he had once sent a gift bracelet.   This week in Louisiana.Krewe of Artemis Parade Downtown Baton RougeBaton Rouge, LA 70801 February 21, 2026 at 7:00 PM Website: kreweofartemis.netEmail: info@kreweofartemis.netPhone: (225) 344-5272To find the parade route, visit the krewe's website and click on "Parade Route" in the main menu.The Krewe of Artemis is Baton Rouge's premier women‑led Mardi Gras parade, known for its family‑friendly atmosphere, signature throws, and vibrant nighttime procession:All‑Female Krewe: Founded in 2001, Artemis is the first and largest women's Mardi Gras krewe in Baton Rouge.Night Parade: Floats are illuminated for a glowing, high‑energy procession through downtown.Signature Throws: Popular items include light‑up beads, custom cups, and the krewe's collectible plush moon.Postcards from Louisiana. Delfayo Marsalis. Listen on Apple Podcasts. Listen on audible. Listen on Spotify. Listen on TuneIn. Listen on iHeartRadio. The Louisiana Anthology Home Page. Like us on Facebook. 

“O come, in any way you want” is the first line in Kevin Hart's marvelous, mystical “Prayer”. So come to this poem — whether for its deliciously sensual language (“bouts of rain”, “wind that wraps”, “raw and ragged smells / [o]f gumleaves”, and more), its air of mystery, or its unabashed aching for a “you” — and then linger for a while. Stay with it, or let it stay with you, and see what emerges.   We invite you to subscribe to Pádraig's weekly Poetry Unbound Substack, read the Poetry Unbound books and his newest work, Kitchen Hymns, or listen to all our Poetry Unbound episodes.Kevin Hart's most recent collections of poetry are Firefly (Pitt St. Poetry, 2026) and Carnets (Cascade, 2025). Other collections include Wild Track: New and Selected Poems (Notre Dame UP, 2015) and Barefoot (Notre Dame UP, 2018). A collection of new selected poems, 101 Poems, is forthcoming from Pitt St. Poetry. He teaches at Duke University in Durham, NC. Find the transcript for this show at onbeing.org. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This week, east Tennessee's Amythyst Kiah. Her latest album contemplates the cosmos.Also, hair salons are important gathering places where Black women can find community. And, West Virginia poet Torli Bush uses story to tackle tough subjects. 

Leonardo da Vinci said, “Painting is poetry that is seen rather than felt. Poetry is painting that is felt rather than seen.”Today, we'll begin studying the fourth book of Psalms with a read through of Psalm 91. We'll look at how the poetic language of this songbook communicates something that everyday language cannot. Through metaphors that cause us to feel and understand abstract spiritual things, we're given images that strengthen our faith and paint lasting pictures in our minds.Today we'll see that the Psalms build our biblical imagination. Scriptures:NumbersPsalm 90:1Psalm 91Luke 10:19

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Too many of us left high school thinking that a poem could be taken seriously only if it was difficult to understand, subdued in its use of rhyme and alliteration, and addressed lofty topics. Harryette Mullen's saucy, suggestive “LVTOFU” bulldozes through convention, all the while revelling in its own rhythms, references, and humor.   We invite you to subscribe to Pádraig's weekly Poetry Unbound Substack, read the Poetry Unbound books and his newest work, Kitchen Hymns, or listen to all our Poetry Unbound episodes.  Harryette Mullen is the author of eight books of poetry, including Urban Tumbleweed, Recyclopedia, and Sleeping with the Dictionary, which was a finalist for the National Book Award, the National Book Critics Circle Award, and the Los Angeles Times Book Prize. She is Professor of English and African American Studies at the University of California-Los Angeles.Find the transcript for this show at onbeing.org. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.