Podcasts about mesoamerican

This week, we welcome Chief Blender, Meghan Ireland and Research & Development Distiller Mitch Mahar from WhistlePig to the Bourbon Showdown to talk all things Boss Hog! We dive into the new Boss Hog XII: Feather & Flame, and let me tell you guys, this one is something special! We drink through this Mesoamerican inspired rye whiskey that's been  finished in a pulque curado de cacao barrels and they explain to me all the intricacies involved in making that happen. I love the innovation and the outside the box thinking that goes into every Boss Hog and this one is a delicious pour of whiskey, so buckle up and get ready because we are taking you to the WhistlePig farm in Vermont for some Boss Hog XII on todays Bourbon Showdown Podcast! 

In this episode I'm joined by Meso-American occultist and historian Solomon Pakal for a wide-ranging exploration of Indigenous magic and its place in modern discourse. Drawing on his background in Indigenous American traditions, Solomon takes us deep into Mayan ceremonial magic, ancestral veneration, and the role of intermediary spirits, while challenging how Indigenous practices are too often romanticised, distorted, or appropriated in Western esotericism.We discuss the ten types of Maya spirituality beyond the academic five, the significance of corn in cosmology, and the role of daykeepers who maintain the sacred calendar and its thaumaturgic functions. Solomon explains the practice of Nagualism, the power of hieroglyphic language, and the Koyopa system of energy work distinct from the Vedic chakras.We also explore the vast and sophisticated ceremonial structures of Meso-america, their cosmological systems, and how narrative and “living stories” function as a kind of hypersigilmagic.In the Plus show, Solomon expands on these themes, delving deeper into narrative worship, geospatial magic, and the hidden sophistication of Mesoamerican energetic practices.The conversation takes unexpected turns, from the obsidian mirror of John Dee—possibly Aztec in origin—and its link to Enochian spirits, to the enigmatic “Ritual of the Angels” from the Books of Chilam Balam, with its unique vision of celestial ascent. Solomon connects Indigenous American practices to Western occult traditions, making the case for why these systems remain vital and relevant today.And in a surprising parallel, we turn to combat sports as a living theatre of magic—from Conor McGregor's meteoric rise and fall to the uncanny similarities with Ilia Topuria's ascent. We explore how both fighters embody narrative enchantment, peak performance, and the dangerous glamour of meteoric success. Solomon also shares his own training experiences and the role of ritual in the fight game, showing how magic finds expression in the octagon as much as in the temple.EnjoyShow notes:https://www.solomonpakal.com/https://substack.com/@solomonpakal?utm_source=about-pagehttps://www.facebook.com/SolomonPakal13/https://www.instagram.com/solomon.pakal/https://www.youtube.com/@SolomonPakalKeep in touch?https://linktr.ee/darraghmason

The stars are aligned at the Virtual Alexandria as I am joined by Solomon Pakal, a Mayan-descent occult practitioner of over 20 years, historian, and former United States Army Officer. He'll share his insights on Mesoamerican esoterica, which includes the traditions of the Kaqchikel Maya Brujas. Get ready for heavy Mayan Gnosis on spirit magic, star lore, and psychic transformation—all that can work in your life and in the Black Iron Prison. We'll also delve into some cool mythology, so life is great! More on Solomon: https://www.solomonpakal.com/ Get The Occult Elvis: https://amzn.to/4jnTjE4 Virtual Alexandria Academy: https://thegodabovegod.com/virtual-alexandria-academy/ Gnostic Tarot Readings: https://thegodabovegod.com/gnostic-tarot-reading/ The Gnostic Tarot: https://www.makeplayingcards.com/sell/synkrasis Homepage: https://thegodabovegod.com/ Patreon: https://www.patreon.com/aeonbyte AB Prime: https://thegodabovegod.com/members/subscription-levels/ Voice Over services: https://thegodabovegod.com/voice-talent/ Support with donation: https://buy.stripe.com/00g16Q8RK8D93mw288 Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The Women Who Threw Corn: Witchcraft and Inquisition in Sixteenth-Century Mexico (Cambridge UP, 2025) tells the stories of women from Spain, North Africa, Senegambia, and Canaries accused of sorcery in sixteenth-century Mexico for adapting native magic and healing practices. These non-native women - the mulata of Seville who cured the evil eye; the Canarian daughter of a Count who ate peyote and mixed her bath water into a man's mustard supply; the wife of a Spanish conquistador who let her hair loose and chanted to a Mesoamerican god while sweeping at midnight; the wealthy Basque woman with a tattoo of a red devil; and many others - routinely adapted Native ritual into hybrid magic and cosmology. In this episode Dr. Martin Nesvig (University of Miami) and Leah Cargin (University of Oklahoma) discuss processes of acculturation, early colonial witchcraft practices, and doing historical research at Mexico's national archive. This episode is hosted by Leah Cargin Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Women Who Threw Corn: Witchcraft and Inquisition in Sixteenth-Century Mexico (Cambridge UP, 2025) tells the stories of women from Spain, North Africa, Senegambia, and Canaries accused of sorcery in sixteenth-century Mexico for adapting native magic and healing practices. These non-native women - the mulata of Seville who cured the evil eye; the Canarian daughter of a Count who ate peyote and mixed her bath water into a man's mustard supply; the wife of a Spanish conquistador who let her hair loose and chanted to a Mesoamerican god while sweeping at midnight; the wealthy Basque woman with a tattoo of a red devil; and many others - routinely adapted Native ritual into hybrid magic and cosmology. In this episode Dr. Martin Nesvig (University of Miami) and Leah Cargin (University of Oklahoma) discuss processes of acculturation, early colonial witchcraft practices, and doing historical research at Mexico's national archive. This episode is hosted by Leah Cargin Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

The Women Who Threw Corn: Witchcraft and Inquisition in Sixteenth-Century Mexico (Cambridge UP, 2025) tells the stories of women from Spain, North Africa, Senegambia, and Canaries accused of sorcery in sixteenth-century Mexico for adapting native magic and healing practices. These non-native women - the mulata of Seville who cured the evil eye; the Canarian daughter of a Count who ate peyote and mixed her bath water into a man's mustard supply; the wife of a Spanish conquistador who let her hair loose and chanted to a Mesoamerican god while sweeping at midnight; the wealthy Basque woman with a tattoo of a red devil; and many others - routinely adapted Native ritual into hybrid magic and cosmology. In this episode Dr. Martin Nesvig (University of Miami) and Leah Cargin (University of Oklahoma) discuss processes of acculturation, early colonial witchcraft practices, and doing historical research at Mexico's national archive. This episode is hosted by Leah Cargin Learn more about your ad choices. Visit megaphone.fm/adchoices

The Women Who Threw Corn: Witchcraft and Inquisition in Sixteenth-Century Mexico (Cambridge UP, 2025) tells the stories of women from Spain, North Africa, Senegambia, and Canaries accused of sorcery in sixteenth-century Mexico for adapting native magic and healing practices. These non-native women - the mulata of Seville who cured the evil eye; the Canarian daughter of a Count who ate peyote and mixed her bath water into a man's mustard supply; the wife of a Spanish conquistador who let her hair loose and chanted to a Mesoamerican god while sweeping at midnight; the wealthy Basque woman with a tattoo of a red devil; and many others - routinely adapted Native ritual into hybrid magic and cosmology. In this episode Dr. Martin Nesvig (University of Miami) and Leah Cargin (University of Oklahoma) discuss processes of acculturation, early colonial witchcraft practices, and doing historical research at Mexico's national archive. This episode is hosted by Leah Cargin Learn more about your ad choices. Visit megaphone.fm/adchoices

The Women Who Threw Corn: Witchcraft and Inquisition in Sixteenth-Century Mexico (Cambridge UP, 2025) tells the stories of women from Spain, North Africa, Senegambia, and Canaries accused of sorcery in sixteenth-century Mexico for adapting native magic and healing practices. These non-native women - the mulata of Seville who cured the evil eye; the Canarian daughter of a Count who ate peyote and mixed her bath water into a man's mustard supply; the wife of a Spanish conquistador who let her hair loose and chanted to a Mesoamerican god while sweeping at midnight; the wealthy Basque woman with a tattoo of a red devil; and many others - routinely adapted Native ritual into hybrid magic and cosmology. In this episode Dr. Martin Nesvig (University of Miami) and Leah Cargin (University of Oklahoma) discuss processes of acculturation, early colonial witchcraft practices, and doing historical research at Mexico's national archive. This episode is hosted by Leah Cargin

Help keep our podcast going by contributing to our Patreon! ⁠ Teotihuacan is an ancient pre-Colombian city in central America, founded two thousand years ago. It's the home of some of the most iconic Mesoamerican monuments in existence, including the Pyramids of the Moon and Sun. The city was abandoned after about 750 years of habitation. When the Aztecs first encountered it, it had stood empty for 600 years. Walking through the empty ruin, they marveled at the towering pyramids, the incredible murals, the enormous palaces—and wondered where the people had gone. They thought these people must have become gods. This city has something for everyone: mysterious skeletons. Volcanoes. An eating of the rich. And so many mysteries, it's hard to pick just one. Sponsors and Advertising This podcast is a member of Airwave Media podcast network. Want to advertise on our show? Please direct advertising inquiries to advertising@airwavemedia.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of CAA Conversations, Kimberly Sandoval moderates a discussion on what it means to be a border artist and what separates Border Arte from other aspects of Chicana/o art, featuring Amanda Pardo and Samantha Ceccopieri, as well as Dr. Constance Cortez and Dr. Karen Mary Davalos, creators of Mexican American Art Since 1848. Amanda Pardo was working toward a BA in history with a minor in art from the University of Texas Rio Grande Valley (UTRGV) at the time of recording. Her work and research focus on the history of women, gender, and sexuality. She has given a public talk about her work and research as part of a lecture series and participated in pop-up exhibitions dedicated to the discussion of modernity and the domestic space. Samantha Ceccopieri has a BFA with a K–12 certification from UTRGV. Her work and research focus on the usage of art in mental wellness to reduce anxiety in scholars, both young and old, working with students and educators throughout the Rio Grande Valley. She has shared her research at TAEA and other art education conferences as part of UTRGV's Engaged Scholar Program and School of Art and Design. Constance Cortez is a professor at UTRGV for the School of Art and Design, currently teaching Chicano/a art history as well as special topics courses such as Women in Art History. Dr. Cortez is a prominent figure in Chicano/a scholarship, with works like The New Aztlan: Nepantla (and Other Sites of Transmogrification), published in 2001, and has an extensive background in early Mesoamerican art history. Karen Mary Davalos is a professor at the University of Minnesota Twin Cities, currently teaching topics in Chicano studies and art history as affiliated faculty. Dr. Davalos is also a prominent figure in Chicano/a scholarship with works like Exhibiting Mestizaje: Mexican (American) Museums in the Diaspora, also published in 2001, and recently presented a paper on Nepantla aesthetics at the CAA Annual Conference in 2024. Kimberly Sandoval is an independent scholar, artist, and MFA alumna of UTRGV. Her work speaks to the life and experiences occurring around and within the Brownsville, South Texas, borderlands. She has exhibited her video artwork across the United States and Indonesia. She has also spoken about culturally affirming art pedagogies at art education conferences and chaired a panel discussion on Border Arte at the CAA Annual Conference in 2024 .

Artspeak Radio, Wednesday, Septembr 24, 2025, 9am -10am CST, 90.1fm KKFI Kansas City Community Radio, streaming live audio www.kkfi.org Producer/host Maria Vasquez Boyd welcomes poet/writer J. Khan, Angela Brunner Development/Communication Director Mattie Rhodes Center, and Zhou B art director Izzy Vivas. J. KHAN- J. Khan and Leonard Greco, artist and author, have combined talents to narrate and illustrate the epic journey of the Maya Hero Twins in the underworld of Xibalba. And back. Their book Popol Vuh: The Maya Hero Twins in Xibalba draws from their familiarity with the Popol Vuh and Maya culture. The result is a compelling illustrated journey that revitalizes Americaoldest spiritual and poetic epic. Each poem is accompanied by a full color illustrated work. Reviews note that Khan's epic narrative style brings the characters, setting, and plot to life. Greco's intense archetypal figures evoke the timeless quality of a creation parable. Together they create a groundbreaking adaptation which exemplifies the living vitality of the Popol Vuh. Perfect for lovers of epic poetry, ekphrastic work, historians, Mesoamerican scholars, educators, as well as Maya and Neo-Baroque aficionados.180 pp. 6x9. Color. Soft Cover. Blurb Press. Introduction by Denise Low. Illustrated end papers. ISBN 979-8- 31-999595-7 Price: $39.50 ABOUT THE AUTHOR: Khan is a prize-winning poet whose works appear in the United States and internationally. Born in the UK, Khan has lived and travelled overseas but spent his adult life in the US. He holds post-graduate degrees from the University of Missouri and Harvard. Writings have appeared in Fifth Estate, I-70 Review, and New Letters. He has served as a rotating guest editor for Glass: Poets Resist and was nominated for the Pushcart Prize. Khan has been interviewed by NPR, appeared on national news feeds, and has been cited by Time Magazine and international news publications. For over a decade he has traveled to Honduras to provide volunteer medical services. www.JKAuthor.com Angela Brunner Development/Communication Director Mattie Rhodes Mattie Rhodes Center Calendar: First Friday, October 3, 2025 – Exhibit Opening & Celebration First Friday, November 7, 2025 – Exhibit Closing & Calaca Night Parade For more than twenty years, Mattie Rhodes has been the heart of Dia de los Muertos celebrations in Kansas City. Festivities are held in the historic Westside neighborhood, home to many of Kansas City's Latinx residents. It began in the classrooms of the Mattie Rhodes Art Center where children worked on Dia de los Muertos themed projects after school. It was in one of those classrooms that Richard Bay, a local artist and art educator in the Kansas City Public School District, held a discussion night about the holiday where an impressive crowd gathered to learn about its traditional practices. The people's interest was apparent, as was the need for more space, and thus a gallery was opened next door in order to foster a space for cultural and artistic education. Since then Mattie Rhodes Center has dedicated itself to this idea and hosts a variety of events during Dia de los Muertos, including an altar exhibition made for and by members of the community, cultural workshops and tours, and related celebrations in the streets of the Westside. Altogether, we hope to create an experience that is similar to and honors the traditional celebration of Dia de los Muertos in Mexico. We cherish the connections and collaborations we have made through this event with our community members as well as valued institutions around the city such as the Kansas City Museum in the Northeast, Stonelion Puppets Theater, and the Nelson-Atkins Museum of Art. The holiday of Dia de los Muertos varies from place to place, from person to person. The holiday originates in Mexico, though it is celebrated in many other countries in different forms. Dia de los Muertos embodies themes from both All Saints and All Souls Day (Catholic holidays) and those of the Aztecs and the Mayans. The culminations of these many beliefs focus on families reflecting upon those who have passed and rejoice in the happiness they once shared. Even though families are saddened by a loved one's departure, they do not cry on the Day of the Dead. The elders say the road back to the world of the living must not be made slippery by tears. El Dia de Los Muertos evokes happy and sad emotions, but it is always a celebration that unites the living the dead together for a short time. The holiday can be seen as practice in which we laugh at death, we triumph over it by celebrating life. While Halloween focuses on scary images of monsters, witches and other frights, the Day of the Dead displays a strong sense of respect and love for family, ancestry, and community. Death is a natural part of life, and this holiday allows people to talk and laugh about death and lose some of their fear. Although traditionally Dia de Los Muertos is celebrated on November 1st and 2nd, many people celebrate the days of the dead from October 18th through November 9th, with each day dedicated to different groups of souls, also including a thirteen day feast. For this celebration of life and death, ofrendas (altars) are constructed for those who have passed and people tell stories and reflect on the good times they all once shared. There are many standards for the creation of the altars. Specific items are called for, the inclusion of the four elements (earth, wind, fire, and water), a towel and bowl of water, a cushion or chair, photographs, candles, flowers, personal items and even food. Our exhibit of altars and artwork displays and explains these aspects and brings others to the surface. Some work portrays the traditional aspects of the day of the dead, while others reflect contemporary views that push the principles of ofrendas. They also present many different views to the public, some dedicated to family and others purely aesthetic. The artwork of various local artists on the walls stirs up the celebration and positive energy that the holiday exudes. The fiestas take you right to the heart of Mexico with the parade, performers, live music, food, activities, marketplace, and art that involve the entire community. The workshops teach you how to decorate and prepare for the festivities, and the slide presentation shows you first hand accounts of the holiday in Mexico. Overall, we bring you many ways to learn, understand, experience and celebrate this wonderful and uplifting Mexican holiday. Traditional Mexican Calendar: Many people witness the holiday of Dia de los Muertos on November 1st and 2nd, All Saints and All Souls Days. In some areas of Mexico the holiday begins as early as October 18th and lasts through November 9th. Although the days change from place to place and family to family, the basic festivities remain the same. Below is a calendar of the Days of the Dead from many areas in Mexico. October 25th- The Feast of the Holy Souls. This is the beginning of a 13-day feast of the dead for the Tzeltals of Mexico. Here graves are decorated with pine needles and tusus (yellow wildflowers). October 27th- The souls of those who have no living family members are offered breads and water from jugs on this day. October 28th- On this day the accidentados return (the souls of those who died in accidents). This is also the day for the souls who have caused great harm or murder to return. They are also offered jugs of water and breads. These souls are un-forgiven for their acts, so their offerings are placed outside the houses or in the corner of a church. October 30th- The unbaptized souls return on this day. The children who visit on this day are known as Los Ninos Limbos (children who died before baptism). October 31st- Angelitos (the souls of children) show up on this day and must return to the land of the dead by afternoon of the following day. Toys and candy are left for them. November 1st- The souls of the dead adults return today. Cigars, cigarettes, alcohol and liquor is left out for the adults only on this day. The adults may remain until the next day. Many families spend the night in the cemetery to spend time with them. This day is known as All Saints Day, a Catholic festival day. Someone is called to ring a bell through town or in the church to summon the souls of the adults. November 2nd- Known as All Souls Day, another Catholic festival day. This day focuses on the living assisting the dead in their move into Heaven. This is usually the last day of celebration and includes the largest fiestas. By the end of the day, all the souls must leave, and to help them along, the mummers (dancers) wear costumes and masks and run through the streets dancing and singing, trying to scare the spirits back to the land of the dead. November 3rd- The living may share and eat the objects from the altar. People usually give their objects to their neighbors saying, they were left for them by the souls. In Mixquic, a bellman rings a bell on the hours of each day of the dead to announce the different happenings and rituals to be performed. The Aztecs dedicated an entire month to the dead. The month was called Miccailhuitontli, and was named after and presided over by the goddess Mictecacihuatl, who was the Lady of the Dead. This happens from July 24th through August 12th. During this month, rituals were dedicated to her and the god of war known as Huitzilopochtli. This was the time of the harvest and it was believed that the souls followed the scents of the harvest in order to find their way to their altars. Mattie Rhodes Cultural Center is located at 1701 Jarboe, KCMO 64108 www.mattierhodes.org IZZY VIVAS Art Director Zhou B art center- https://www.zhoubartcenterkc.com/current-exhibiton

In this episode of What's My Thesis?, Los Angeles printmaker Israel Campos shares how his work bridges Mesoamerican codices, Mexican revolutionary art, and the mural traditions of his South Central upbringing. Known for his meticulous intaglio prints, Campos reclaims visual histories disrupted by colonization—collapsing linear perspective, weaving ancient mythologies, and drawing on the political legacies of artists like José Clemente Orozco. From growing up in a garment factory household to exhibiting at Charlie James Gallery, Campos has shaped a practice that circulates both within galleries and directly to his community, merging economic sustainability with political intent.

The Women Who Threw Corn: Witchcraft and Inquisition in Sixteenth-Century Mexico (Cambridge UP, 2025) by Dr. Martin Austin Nesvig tells the stories of women from Spain, North Africa, Senegambia, and Canaries accused of sorcery in sixteenth-century Mexico for adapting native magic and healing practices. These non-native women – the mulata of Seville who cured the evil eye; the Canarian daughter of a Count who ate peyote and mixed her bath water into a man's mustard supply; the wife of a Spanish conquistador who let her hair loose and chanted to a Mesoamerican god while sweeping at midnight; the wealthy Basque woman with a tattoo of a red devil; and many others – routinely adapted Native ritual into hybrid magic and cosmology. Through a radical rethinking of colonial knowledge, Dr. Nesvig uncovers a world previously left in the shadows of historical writing, revealing a fascinating and vibrant multi-ethnic community of witches, midwives, and healers. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Women Who Threw Corn: Witchcraft and Inquisition in Sixteenth-Century Mexico (Cambridge UP, 2025) by Dr. Martin Austin Nesvig tells the stories of women from Spain, North Africa, Senegambia, and Canaries accused of sorcery in sixteenth-century Mexico for adapting native magic and healing practices. These non-native women – the mulata of Seville who cured the evil eye; the Canarian daughter of a Count who ate peyote and mixed her bath water into a man's mustard supply; the wife of a Spanish conquistador who let her hair loose and chanted to a Mesoamerican god while sweeping at midnight; the wealthy Basque woman with a tattoo of a red devil; and many others – routinely adapted Native ritual into hybrid magic and cosmology. Through a radical rethinking of colonial knowledge, Dr. Nesvig uncovers a world previously left in the shadows of historical writing, revealing a fascinating and vibrant multi-ethnic community of witches, midwives, and healers. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/native-american-studies

The Women Who Threw Corn: Witchcraft and Inquisition in Sixteenth-Century Mexico (Cambridge UP, 2025) by Dr. Martin Austin Nesvig tells the stories of women from Spain, North Africa, Senegambia, and Canaries accused of sorcery in sixteenth-century Mexico for adapting native magic and healing practices. These non-native women – the mulata of Seville who cured the evil eye; the Canarian daughter of a Count who ate peyote and mixed her bath water into a man's mustard supply; the wife of a Spanish conquistador who let her hair loose and chanted to a Mesoamerican god while sweeping at midnight; the wealthy Basque woman with a tattoo of a red devil; and many others – routinely adapted Native ritual into hybrid magic and cosmology. Through a radical rethinking of colonial knowledge, Dr. Nesvig uncovers a world previously left in the shadows of historical writing, revealing a fascinating and vibrant multi-ethnic community of witches, midwives, and healers. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Women Who Threw Corn: Witchcraft and Inquisition in Sixteenth-Century Mexico (Cambridge UP, 2025) by Dr. Martin Austin Nesvig tells the stories of women from Spain, North Africa, Senegambia, and Canaries accused of sorcery in sixteenth-century Mexico for adapting native magic and healing practices. These non-native women – the mulata of Seville who cured the evil eye; the Canarian daughter of a Count who ate peyote and mixed her bath water into a man's mustard supply; the wife of a Spanish conquistador who let her hair loose and chanted to a Mesoamerican god while sweeping at midnight; the wealthy Basque woman with a tattoo of a red devil; and many others – routinely adapted Native ritual into hybrid magic and cosmology. Through a radical rethinking of colonial knowledge, Dr. Nesvig uncovers a world previously left in the shadows of historical writing, revealing a fascinating and vibrant multi-ethnic community of witches, midwives, and healers. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Women Who Threw Corn: Witchcraft and Inquisition in Sixteenth-Century Mexico (Cambridge UP, 2025) by Dr. Martin Austin Nesvig tells the stories of women from Spain, North Africa, Senegambia, and Canaries accused of sorcery in sixteenth-century Mexico for adapting native magic and healing practices. These non-native women – the mulata of Seville who cured the evil eye; the Canarian daughter of a Count who ate peyote and mixed her bath water into a man's mustard supply; the wife of a Spanish conquistador who let her hair loose and chanted to a Mesoamerican god while sweeping at midnight; the wealthy Basque woman with a tattoo of a red devil; and many others – routinely adapted Native ritual into hybrid magic and cosmology. Through a radical rethinking of colonial knowledge, Dr. Nesvig uncovers a world previously left in the shadows of historical writing, revealing a fascinating and vibrant multi-ethnic community of witches, midwives, and healers. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Women Who Threw Corn: Witchcraft and Inquisition in Sixteenth-Century Mexico (Cambridge UP, 2025) by Dr. Martin Austin Nesvig tells the stories of women from Spain, North Africa, Senegambia, and Canaries accused of sorcery in sixteenth-century Mexico for adapting native magic and healing practices. These non-native women – the mulata of Seville who cured the evil eye; the Canarian daughter of a Count who ate peyote and mixed her bath water into a man's mustard supply; the wife of a Spanish conquistador who let her hair loose and chanted to a Mesoamerican god while sweeping at midnight; the wealthy Basque woman with a tattoo of a red devil; and many others – routinely adapted Native ritual into hybrid magic and cosmology. Through a radical rethinking of colonial knowledge, Dr. Nesvig uncovers a world previously left in the shadows of historical writing, revealing a fascinating and vibrant multi-ethnic community of witches, midwives, and healers. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts.

When modern Americans go looking for meaning, happiness, or a little self-help, we often turn to ancient wisdom traditions like Buddhism or Stoicism. But those aren't the only traditions worth listening to. Today's author shines a light on another: the Aztecs. Sure, the great Mesoamerican empire is best known for its pyramids and, yes, its human sacrifices. But SUNY-Cortland philosophy professor Sebastian Purcell, PhD argues they also developed a surprisingly practical philosophy of daily life—one that says the best way to steady your mind is to begin with your surroundings, your habits, and your community. Learn more about your ad choices. Visit megaphone.fm/adchoices

Could the Book of Mormon be structured around sacred numbers? In this fascinating discussion, Jerry Grover joins Ward Radio to reveal striking patterns found in the text and their connection to ancient Mesoamerican and Hebrew traditions.From the mysterious numbers in the “characters document” to the symbolic year counts in Fourth Nephi and Ether, we explore how sacred intervals like 9, 13, 19, and 20 shaped ancient calendars, almanacs, and possibly even scripture itself.Was Mormon intentionally embedding sacred math into his record? Or do these patterns reflect something deeper about God's hand in scripture? Watch as we unpack the evidence, the cultural context, and what it all means for modern readers.⏱️⏱️VIDEO CHAPTERS⏱️⏱️00:00:00 Introduction00:05:11 Mesoamerican Number Systems Explained00:08:11 Mesoamerican Sacred Number Intervals00:11:47 Sacred Number Patterns Explained00:12:51 Nephite Year Calculations Explored00:17:20 Book of Mormon's Structured Complexity00:21:40 "Jerry's Insights & Support Links"#christian #mormon #exmormon #latter-daysaints #latterdaysaints #latterdays #bible #bookofmormon #archaeology #BYU #midnightmormons #jesus #jesuschrist #scriptures #sundayschool #biblestudy #christiancomedy #cardonellis #kwakuel #bradwitbeck

In the dusty royal archives of Madrid, Spain there is an obscure 16th Century account written by a Spanish monk who made note of an ancient ruined city located somewhere in northwestern Yucatán. The monk described seeing large ruins covered in dense jungle and paid specific attention to a mysterious labyrinth – a maze made of stone – that he had found amongst the ruins. Several centuries would pass before archaeologists would finally arrive to name this site and begin official excavations some time around the turn of the century. And that is when they found it... a stela column unlike any other ever discovered. The column featured a strange anthropomorphic humanoid figurine protruding out from it. What's more? It was depicted as being dressed in a mysterious outfit. Is this mysterious artifact evidence of a forgotten Mesoamerican civilization that once reigned in what we now call Mexico? JOIN ME ON A TOURSHOW NOTEShttps://mexicounexplained.com/oxkintok-little-known-lost-city-of-the-maya/https://www.ancient-origins.net/artifacts-ancient-technology/stone-figure-oxkintok-0017473Oxkintok maze clip by Chad Blanton - https://www.youtube.com/watch?v=ZhYRiygiAJI

Send us a textThe Magick Kitchen Podcast welcomes occult practitioner and historian Solomon Pickle for an in-depth exploration of living Mayan traditions, decolonizing magical practice, and the importance of historical context in the craft. From ancient Mesoamerican cosmology and cyclical time to the dangers of pseudo-archaeology, Solomon shares how his lineage and research are shaping a new, authentic approach to Mayan magic. Elyse and Leandra join him in comparing global revival movements, uncovering the intersections of culture, spirituality, and modern witchcraft. This conversation is part history lesson, part call to action for magical practitioners ready to deepen their knowledge, honor indigenous wisdom, and ground their practice in truth. 

Iconic monumental stone heads, the intriguing Lord of Las Limas, the enigmatic 'were-jaguar' figures, so much survives from the ancient Olmec civilisation.Tristan Hughes is joined by Dr. Jillian Mollenhauer to unravel the Olmec's sophisticated artistry, the symbolic significance of greenstone, and the blend of naturalistic and supernatural portrayals in their work. They discuss how the Olmec set the foundation for Mesoamerican cultures and their undying legacy that influenced civilizations like the Maya and Aztec.Olmec Art:https://smarthistory.org/americas-before-1900/north-america-to-1500/mesoamerica/olmec-art/MOREOlmec Headshttps://shows.acast.com/the-ancients/episodes/ancient-americas-the-olmec-headsThe Maya Collapsehttps://open.spotify.com/episode/56rb6VA4Ey9bMX9CrhCfRRPresented by Tristan Hughes. Audio editor is Aidan Lonergan and the producer is Joseph Knight. The senior producer is Anne-Marie Luff.All music courtesy of Epidemic SoundsThe Ancients is a History Hit podcast.LIVE SHOW: Buy tickets for The Ancients at the London Podcast Festival here: https://www.kingsplace.co.uk/whats-on/words/the-ancients-2/Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe. You can take part in our listener survey here: https://insights.historyhit.com/history-hit-podcast-always-on

The Aquarius Full Moon at 17° is here — electric, intuitive, and ready to activate your inner rebel. This isn't just a lunar event; it's a spiritual broadcast calling you to release, awaken, and rise into your most authentic self.In this episode, we explore powerful rituals and feather magic to connect with the element of air, speak intentions into existence, and ride the currents of change. You'll learn how feathers have been used in ancient Mesoamerican and Indigenous traditions as divine tools — messengers between realms, and carriers of truth.✨ In this moon-soaked offering:Learn how to cast air spells using your voice and breathDiscover the sacred art of feather magic for manifestation and clarityConnect with chakras activated under this moon (heart, crown, throat)Embrace your inner visionary with a poetic ritual to honor your evolutionThis is your lunar invitation to whisper to the wind, shed your old skin, and float into your next frequency. Aquarius energy doesn't want perfection — it wants your truth.About the Host: Katherine is an esteemed practitioner of Chakra, Astrology, and Tarot Alchemy, harnessing the cosmic forces and energies to manifest magic and success.As the visionary behind the acclaimed Chakras & Cusswords Podcast, she curates an oasis for the contemporary mystic, guiding seekers on a transformative journey of self-discovery. Her illustrious presence has graced prestigious platforms such as Good Day Sacramento, The Astrology Magazine, TMZ and the revered Aura app.Elevating her craft to the forefront, the Chakras & Cusswords Podcast has earned distinction as one of the Top 5 Chakra-inspired Podcasts.Furthermore, Katherine is a certified life, chakra, and meditation coach, specializing in the holistic healing of mind and soul through the profound resonance of sound energy. Her expertise serves as a beacon of hope and renewal for those embarking on the path of personal growth and spiritual enlightenment.Instagram: https://www.instagram.com/chakras_cusswords/Lifestyle, Nurse Love 101: https://www.youtube.com/channel/UCtWgA6zxwaZd-CpNUi3CO5wTik Tok:https://www.tiktok.com/@chakras.cusswordsWebsite: https://chakrascusswords.com#manifestation #lawofattraction #chakrascusswords #fullmoon #newmoon #spirituality #meditation #chakra #astrology #aquarius #aquariusmoon

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listener comments? Feedback? Shoot us a text!SummaryIn this episode, we discuss various themes surrounding Chicano and Mesoamerican history, including the impact of ICE raids on communities, the importance of mental health, and the creation of a corrido in memory of Jaime Alaniz. We delve into the mysteries of the Tecaxic Calixtlahuaca head and the Los Lunas Decalogue stone, exploring the myths and realities of ancient artifacts and the need for critical thinking in archaeology. The episode concludes with reflections on creative expression and the significance of supporting meaningful causes. Your Hosts:Kurly Tlapoyawa is an archaeologist, ethnohistorian, and filmmaker. His research covers Mesoamerica, the American Southwest, and the historical connections between the two regions. He is the author of numerous books and has presented lectures at the University of New Mexico, Harvard University, Yale University, San Diego State University, and numerous others. He most recently released his documentary short film "Guardians of the Purple Kingdom," and is a cultural consultant for Nickelodeon Animation Studios.@kurlytlapoyawaRuben Arellano Tlakatekatl is a scholar, activist, and professor of history. His research explores Chicana/Chicano indigeneity, Mexican indigenist nationalism, and Coahuiltecan identity resurgence. Other areas of research include Aztlan (US Southwest), Anawak (Mesoamerica), and Native North America. He has presented and published widely on these topics and has taught courses at various institutions. He currently teaches history at Dallas College – Mountain View Campus. Find us: Bluesky Instagram Merch: Shop Aztlantis Book: The Four Disagreements: Letting Go of Magical Thinking

Before exploring Early Colonial Mexico, let’s revisit one of the most glorious Mesoamerican societies—the Aztec Empire. E137. Check out the YouTube version of this episode at https://youtu.be/Ku-wg7AhsAk which has accompanying visuals including maps, charts, timelines, photos, illustrations, and diagrams. Aztec books available at https://amzn.to/3Mui42r Mexico History books available at https://amzn.to/43dBlfv New Spain books available at https://amzn.to/42PeBmc North America History books available at https://amzn.to/3OnczVT ENJOY Ad-Free content, Bonus episodes, and Extra materials when joining our growing community on https://patreon.com/markvinet SUPPORT this channel by purchasing any product on Amazon using this FREE entry LINK https://amzn.to/3POlrUD (Amazon gives us credit at NO extra charge to you). Mark Vinet's HISTORICAL JESUS podcast at https://parthenonpodcast.com/historical-jesus Mark's TIMELINE video channel: https://youtube.com/c/TIMELINE_MarkVinet Website: https://markvinet.com/podcast Facebook: https://www.facebook.com/mark.vinet.9 Twitter: https://twitter.com/MarkVinet_HNA Instagram: https://www.instagram.com/denarynovels Mark's books: https://amzn.to/3k8qrGM See omnystudio.com/listener for privacy information.

listener comments? Feedback? Shoot us a text!Aztec Dinosaurs w/ Dr. David Anderson! In July 1944, in the Mexican city of Acambaro, Guanajuato, a German businessman named Waldemar Julsrud came across a series of bizarre ceramic figurines said to resemble dinosaurs. These figurines have been promoted by young-Earth creationists as evidence for the coexistence of dinosaurs and humans! But what are these figurines, really? Today we are joined by Dr. David Anderson to talk about the infamous Acambaro figurines!Our Guest:Dr. David Anderson is an Instructor with Radford University, and holds his degrees from Tulane University (Ph.D.) and the University of Illinois, Urbana-Champaign.  His research interests include public archaeology and the conceptions of heritage, the Formative Period of Maya and Mesoamerican culture, the origins and development of sociopolitical complexity, and academic engagement with pseudoscience and pseudoarchaeology.  Dr. Anderson's current publication projects include Weirding Archaeology: Unearthing the Strange Influences on the Popular Perception of Archaeology (forthcoming, Routledge), and “The Preclassic Settlement of Northwest Yucatán: Recharting the Pathway to Complexity”co-authored with F. Robles C. and A.P. Andrews, in Pathways to Complexity in the Maya Lowlands: The Preclassic Development, (K.M. Brown and G. J. Bey III, eds., University of Florida Press, 2018).Ruthless Truth--Episode 10: Steve Jobs, the iPhone and Me...The Untold StoryIs an opinion platform hosted by Marvin “Truth” Davis. My life and career...Listen on: Apple Podcasts SpotifySupport the showYour Hosts:Kurly Tlapoyawa is an archaeologist, ethnohistorian, and filmmaker. His research covers Mesoamerica, the American Southwest, and the historical connections between the two regions. He is the author of numerous books and has presented lectures at the University of New Mexico, Harvard University, Yale University, San Diego State University, and numerous others. He most recently released his documentary short film "Guardians of the Purple Kingdom," and is a cultural consultant for Nickelodeon Animation Studios.@kurlytlapoyawaRuben Arellano Tlakatekatl is a scholar, activist, and professor of history. His research explores Chicana/Chicano indigeneity, Mexican indigenist nationalism, and Coahuiltecan identity resurgence. Other areas of research include Aztlan (US Southwest), Anawak (Mesoamerica), and Native North America. He has presented and published widely on these topics and has taught courses at various institutions. He currently teaches history at Dallas College – Mountain View Campus. Find us: Bluesky Instagram Merch: Shop Aztlantis Book: The Four Disagreements: Letting Go of Magical Thinking

Jacob and Aaron take a look at the readings for the Fifth Sunday after Pentecost, which are Deuteronomy 30:9-14, Colossians 1:1-14, and Luke 10:25-37.

In this session of Planting Life, Mayan archaeoastronomer Alonso Méndez reveals the profound astronomical knowledge embedded in ancient Mesoamerican civilization. Drawing from his decades of research at Palenque, Méndez traces how corn […]

REPTILIAN HUMANOIDS: GHASTLY ABDUCTORS & HORRIFYING SHAPESHIFTERS | LIVE Chat | Q&A (REAL REPORTS!)For centuries, legends of serpent-like beings have slithered through the undercurrents of myth, folklore, and ancient history. From the Nagas of India to the scaled deities carved into Mesoamerican temples, humanity has long whispered about reptilian entities that dwell just beyond our perception. But what if these aren't just symbols or myths? What if these beings are real, and some of them are walking among us?In tonight's show, we crack open the lid on one of the most unnerving aspects of modern high strangeness: the Reptilian humanoid phenomenon. Often described as cold-blooded, intelligent, and deeply manipulative, these entities have been implicated in countless abduction cases, government conspiracy claims, and eyewitness accounts that point to horrifying shapeshifting abilities. Witnesses often report their abductions as emotionally traumatic, with memories of underground bases, surgical experimentation, and a psychic control that lingers long after the encounter ends.While skeptics may brush off the idea as science fiction gone rogue, the sheer consistency in descriptions across cultures, periods, and personal testimonies deserves deeper consideration. Are these beings ancient intruders from another dimension, or biologically engineered watchers hiding behind a mask of human normalcy? Many experiencers claim these entities can shift forms at will, slipping between human and reptilian guise with terrifying ease.We'll explore the chilling reports of individuals who claim to have seen these beings with their own eyes, whether in a corporate boardroom, a shadowy abduction scenario, or even in moments of spiritual or psychedelic awakening. Tonight, we're not just asking if Reptilian humanoids exist, we're digging into the why. Why are they here? What do they want? And most importantly, who or what is pulling the strings behind the veil? Hi. My name is Lon Strickler. I hope that you enjoy listening to Phantoms & Monsters Personal Reports. I have a question for you. Have you ever had an unexplained sighting or encounter? Do you have photographic and/or video evidence of your experience? Would you like to share your unique story with our readers and listeners? Please feel free to forward your account to me, either through my email lonstrickler@phantomsandmonsters.com or call me at 410-241-5974. You can also visit my website at https://www.phantomsandmonsters.com and use the contact link on the homepage. Your personal information will be kept confidential if requested.I have been a paranormal and anomalies researcher & investigator for over 45 years. My reports & findings have been featured in hundreds of online media sources. Several of these published reports have been presented on various television segments, including The History Channel's 'Ancient Aliens,' Syfy's 'Paranormal Witness', 'Fact or Faked: Paranormal Files,' Destination America's 'Monsters and Mysteries in America,' and, more recently, 'Unsolved Mysteries' on Netflix. I have been interviewed on hundreds of radio & online broadcasts, including multiple guest appearances on 'Coast to Coast AM.'One of my encounters was featured on Destination America's 'Monsters and Mysteries in America' television show for the 'The Sykesville Monster' episode. I am a published author of 9 books on various cryptid & supernatural subjects.In addition, I am an intuitive who has worked with hundreds of clients who sought help with their personal hauntings and unexplained activities. I never charge for my services.If you feel that I can help answer your questions, please feel free to contact me. Thanks for your consideration.Do you have a report or encounter that you would like to be read on 'Personal Reports' & featured on the Phantoms & Monsters blog? Contact me at lonstrickler@phantomsandmonsters.com

REPTILIAN HUMANOIDS: GHASTLY ABDUCTORS & HORRIFYING SHAPESHIFTERS | LIVE Chat | Q&A (REAL REPORTS!)For centuries, legends of serpent-like beings have slithered through the undercurrents of myth, folklore, and ancient history. From the Nagas of India to the scaled deities carved into Mesoamerican temples, humanity has long whispered about reptilian entities that dwell just beyond our perception. But what if these aren't just symbols or myths? What if these beings are real, and some of them are walking among us?In tonight's show, we crack open the lid on one of the most unnerving aspects of modern high strangeness: the Reptilian humanoid phenomenon. Often described as cold-blooded, intelligent, and deeply manipulative, these entities have been implicated in countless abduction cases, government conspiracy claims, and eyewitness accounts that point to horrifying shapeshifting abilities. Witnesses often report their abductions as emotionally traumatic, with memories of underground bases, surgical experimentation, and a psychic control that lingers long after the encounter ends.While skeptics may brush off the idea as science fiction gone rogue, the sheer consistency in descriptions across cultures, periods, and personal testimonies deserves deeper consideration. Are these beings ancient intruders from another dimension, or biologically engineered watchers hiding behind a mask of human normalcy? Many experiencers claim these entities can shift forms at will, slipping between human and reptilian guise with terrifying ease.We'll explore the chilling reports of individuals who claim to have seen these beings with their own eyes, whether in a corporate boardroom, a shadowy abduction scenario, or even in moments of spiritual or psychedelic awakening. Tonight, we're not just asking if Reptilian humanoids exist, we're digging into the why. Why are they here? What do they want? And most importantly, who or what is pulling the strings behind the veil? Hi. My name is Lon Strickler. I hope that you enjoy listening to Phantoms & Monsters Personal Reports. I have a question for you. Have you ever had an unexplained sighting or encounter? Do you have photographic and/or video evidence of your experience? Would you like to share your unique story with our readers and listeners? Please feel free to forward your account to me, either through my email lonstrickler@phantomsandmonsters.com or call me at 410-241-5974. You can also visit my website at https://www.phantomsandmonsters.com and use the contact link on the homepage. Your personal information will be kept confidential if requested.I have been a paranormal and anomalies researcher & investigator for over 45 years. My reports & findings have been featured in hundreds of online media sources. Several of these published reports have been presented on various television segments, including The History Channel's 'Ancient Aliens,' Syfy's 'Paranormal Witness', 'Fact or Faked: Paranormal Files,' Destination America's 'Monsters and Mysteries in America,' and, more recently, 'Unsolved Mysteries' on Netflix. I have been interviewed on hundreds of radio & online broadcasts, including multiple guest appearances on 'Coast to Coast AM.'One of my encounters was featured on Destination America's 'Monsters and Mysteries in America' television show for the 'The Sykesville Monster' episode. I am a published author of 9 books on various cryptid & supernatural subjects.In addition, I am an intuitive who has worked with hundreds of clients who sought help with their personal hauntings and unexplained activities. I never charge for my services.If you feel that I can help answer your questions, please feel free to contact me. Thanks for your consideration.Do you have a report or encounter that you would like to be read on 'Personal Reports' & featured on the Phantoms & Monsters blog? Contact me at lonstrickler@phantomsandmonsters.com

HOLLYWOOD - Rosemead, California artist Haileigh Eriquez is a winner in the L. Ron Hubbard Illustrators of the Future Contest and was honored along with ten other artists and twelve writers at the Taglyan Complex in Hollywood, California on April 10th. Her art is published along with the other writers' and illustrators' stories and art in the international bestselling anthology, L. Ron Hubbard Presents Writers of the Future Volume 41 which will be officially released on April 22nd 2025. Haileigh Enriquez was born in 1996 and is a Los Angeles–born artist with a mix of Mexican/Yaqui Native American and Salvadorian roots. Growing up in Rosemead, California, a predominantly Asian/Hispanic community, deeply shaped her identity. She immersed herself in drawing and comic books from an early age and fostered a fascination for character design and storytelling. What started as an escape, turned into a passion. Originally on a path toward a career in the medical field, a personal loss led Haileigh to reevaluate her future and embrace her true passion: art. With the encouragement of her family and mentors, she shifted her focus and enrolled at Laguna College of Art and Design (LCAD), where she refined her technique and explored her own personal style. Her work blends fantastical realism, bold colors, and dynamic lines, drawing heavily from her love for comic book art and Mesoamerican mythology. Driven by a desire to create characters that celebrate cultural diversity, Haileigh's work is a joyful exploration of identity, imagination, and resilience. As a traditional artist turned digital creator, she combines realism with imaginative storytelling, crafting unique characters that reflect her identity and the worlds she dreams of. HOLLYWOOD - Mullica Hill, New Jersey author Sandra Skalski is a winner in the L. Ron Hubbard Illustrators of the Future Contest and was honored along with eleven other writers and eleven artists at the Taglyan Complex in Hollywood, California on April 10th. Her story, "Slip Stone," is published along with the other writers' and illustrators' stories and art in the international bestselling anthology, L. Ron Hubbard Presents Writers of the Future Volume 41 which was officially released on April 22nd 2025. Sandra Skalski's love of fantasy ignited when her kindergarten teacher read Ozma of Oz to the class. Growing up, she spent most of her allowance in the Bookmobile. During the summer, she walked nearly two miles to the nearest library to devour every fantasy and science fiction book she could find. She wrote her first SF story when she was thirteen. It wasn't very good, but she was determined to keep writing. Attending Viable Paradise workshop helped improve her craft. The first time she got the courage to hit submit, it was to the Writers of the Future Contest. Her stories have appeared in Factor Four Magazine, Wyld Flash, Ruth and Ann's Guide to Time Travel Anthology Vol. 2 and 100-Foot Crow. Sandra lives with her husband in suburban New Jersey. She recently retired from a career in chemical engineering, leaving her with actual time to write. When she's not writing, you can find her in the butterfly garden or traveling with her husband. Her greatest joy is spending time with her daughter, son-in-law, and her two beautiful grandchildren. The Contest, one of the most prestigious writing and illustrating competitions in the world, is currently in its 42nd year and is judged by some of the premier names in speculative fiction.

Calling all señiores and señoritas! Book your tickets today and soar above Mexico City with Beyoncé's Balloons: the only luxury hot air balloon experience where altitude meets attitude! Founded by Trixie and Katya after a prophetic Katya fever dream involving an Aztec King, a singing churro, and Ben Franklin's kite, float gracefully over ancient Mesoamerican pyramids, swirling Mexico City traffic, and the emotional ruins of your last throuple. Each ride includes a Beyoncé-only playlist (NO SKIPS) and a thermos of lukewarm ginger-lime agua fresca. Plus, if the street tacos you dared to eat at 3 a.m. decide to throw a quinceañera in your intestines mid-flight, fear not—we offer our brand-new patented Sky Relief Capsule™: a private, glitter-lined lavatory pod with LED mood lighting and Beyoncé whispering “you got this” in ASMR. Beyoncé's Balloons: Sky High, Bootylicious, and now Bowel-Safe! This episode is brought to you by BetterHelp. Give online therapy a try at https://BetterHelp.com/BALD and get on your way to being your best self! Need a website? Head to ⁠⁠https://www.Squarespace.com/BALD⁠⁠ to save 10% off your first purchase of a website or domain using code BALD Start listening to Audible and discover what's beyond the edge of your seat! New members can try Audible now free for 30 days by going to: https://Audible.com/BALD or text BALD to 500-500 Take advantage of our exclusive Hungryroot offer! For a limited time get 40% off your first box PLUS get a free item in every box for life! Go to: https://Hungryroot.com/BALD and use code BALD Follow Trixie: @TrixieMattel Follow Katya: @Katya_Zamo To watch the podcast on YouTube: ⁠⁠⁠⁠⁠⁠⁠http://bit.ly/TrixieKatyaYT⁠⁠⁠⁠⁠⁠⁠ To check out our official YouTube Clips Channel: ⁠⁠⁠⁠⁠⁠⁠https://bit.ly/TrixieAndKatyaClipsYT⁠⁠⁠⁠⁠⁠⁠ Don't forget to follow the podcast for free wherever you're listening or by using this link: ⁠⁠⁠⁠⁠⁠⁠https://bit.ly/thebaldandthebeautifulpodcast⁠⁠⁠⁠⁠⁠⁠ If you want to support the show, and get all the episodes ad-free go to: ⁠⁠⁠⁠⁠⁠⁠https://thebaldandthebeautiful.supercast.com⁠⁠⁠⁠⁠⁠⁠ If you like the show, telling a friend about it would be amazing! You can text, email, Tweet, or send this link to a friend: ⁠⁠⁠⁠⁠⁠⁠https://bit.ly/thebaldandthebeautifulpodcast⁠⁠⁠⁠⁠⁠⁠ To check out future Live Podcast Shows, go to: ⁠⁠⁠⁠⁠⁠⁠https://trixieandkatyalive.com⁠⁠⁠⁠⁠⁠⁠ To order your copy of our book, "Working Girls", go to: ⁠⁠⁠⁠⁠⁠⁠https://workinggirlsbook.com⁠⁠⁠⁠⁠⁠⁠ To check out the Trixie Motel in Palm Springs, CA: ⁠⁠⁠⁠⁠⁠⁠https://www.trixiemotel.com⁠⁠⁠⁠⁠⁠⁠ Listen Anywhere! ⁠⁠⁠http://bit.ly/thebaldandthebeautifulpodcast⁠⁠⁠   Follo​w Trixie: Official Website: ⁠⁠⁠https://www.trixiemattel.com/⁠⁠⁠ ​ TikTok: ⁠https://www.tiktok.com/@trixie⁠ Facebook: ​⁠⁠⁠https://www.facebook.com/trixiemattel⁠⁠⁠  Instagram: ⁠⁠⁠https://www.instagram.com/trixiemattel⁠⁠⁠ Twitter (X): ​⁠⁠⁠https://twitter.com/trixiemattel⁠⁠⁠   Follow Katya: Official Website: ⁠⁠⁠https://www.welovekatya.com/⁠⁠⁠ TikTok: ⁠https://www.tiktok.com/@katya_zamo⁠ Facebook: ⁠⁠⁠https://www.facebook.com/welovekatya/⁠⁠⁠  Instagram: ⁠⁠⁠https://www.instagram.com/katya_zamo⁠⁠⁠  Twitter (X): ⁠⁠⁠https://twitter.com/katya_zamo⁠⁠⁠    About the Podcast: The Bald and the Beautiful with Trixie and Katya features a pair of grizzled gay ghouls sitting on chairs, holding microphones, and discussing their fabulous lives in Tinseltown. (featuring occasional forays into movies, television shows, and air-conditioning) The New York Times called them models, moguls, actors, influencers, drag queens, RuPaul's Drag Race contestants, and even humanoids. If one thing can be said about these two preternaturally gorgeous queens' podcast, it's that Trixie and Katya find the sheer, unadulterated beauty of pure insanity. Tune in every week to experience the auditory pleasure that is The Bald and the Beautiful with Trixie and Katya. #TrixieMattel #KatyaZamo #BaldBeautiful Learn more about your ad choices. Visit podcastchoices.com/adchoices

When we look at the environmental challenges facing our planet, it's easy to feel overwhelmed and disconnected. But what if healing Earth starts with healing ourselves? In this transformative conversation, clinical psychotherapist and leadership coach B. Jason Gibler reveals how reconnecting with ancient earth-based wisdom might be our path forward.Growing up off-grid in the forests of the American West, Jason developed a profound connection to nature that would later shape his approach to spiritual psychology. Drawing from his Mexican heritage and extensive study of wisdom traditions ranging from Mesoamerican shamanism to Buddhism, he's crafted a unique approach that bridges science and spirituality.At the heart of Jason's work lies a powerful truth: wellness requires both connection and authenticity. While modern society has pushed us toward separation and differentiation, we've lost the integration that balances it. He explains how this mirrors the imbalance between divine masculine and feminine energies that has led to environmental degradation over thousands of years.The conversation takes a fascinating turn when Jason discusses befriending our fears rather than overcoming them. By approaching difficult emotions with curiosity instead of judgment, we transform our relationship with ourselves and discover what these emotions are trying to teach us. This inner healing process ultimately extends outward, changing how we interact with others and the natural world.Jason's upcoming book, "The Way of the Jaguar," weaves these concepts into a narrative journey where power animals reveal spiritual truths to a disconnected land developer. Through storytelling, Jason makes ancient wisdom accessible to modern readers seeking deeper meaning without religious dogma.Whether you're feeling burned out, spiritually disconnected, or simply curious about earth-based traditions, this episode offers practical insights for reconnecting with your authentic self and recognizing your place within the great circle of life. By learning to love all parts of ourselves—even those we'd prefer to hide—we develop greater capacity to extend that same acceptance to others and the planet we share.Take a walk in nature, feel the ground beneath your feet, and remember: the divine energy flowing through all living things flows through you too.To connect with B. Jason Gibler:jasongibler.comhttps://linktr.ee/jasongiblerTo learn more about Mindy CLICK HERE

Fernando Pérez-Montesinos's first book, Landscaping Indigenous Mexico: The Liberal State and Capitalism in the Purépecha Highlands (University of Texas Press, 2025), focuses on the Purépecha people of Michoacán, Mexico, and examines why and how long-standing patterns of communal landholding changed in response to liberal policies, railroad expansion, and the rise of the timber industry in Mexico. A history of the Purépecha people's survival amid environmental and political changes. Fernando Pérez-Montesinos holds that landscapes are more than geological formations; they are living records of human struggles. Landscaping Indigenous Mexico unearths the history of Juátarhu, an Indigenous landscape shaped and nurtured by the Purépecha—a formidable Mesoamerican people whose power once rivaled that of the Aztecs. Although cataclysmic changes came with European contact and colonization, Juátarhu's enduring agroecology continued to sustain local life through centuries of challenges. Contesting essentialist narratives of Indigenous penury, Pérez Montesinos shows how Purépechas thrived after Mexican independence in 1821, using Juátarhu's diverse agroecology to negotiate continued autonomy amid waves of national economic and political upheaval. After 1870, however, autonomy waned under the pressure of land privatization policies, state intervention, and industrial logging. On the eve of the Mexican Revolution in 1910, Purépechas stood at a critical juncture: Would the Indigenous landscape endure or succumb? Offering a fresh perspective on a seemingly well-worn subject, Pérez Montesinos argues that Michoacán, long considered a peripheral revolutionary region, saw one of the era's most radical events: the destruction of the liberal order and the timber capitalism of Juátarhu. Fernando Pérez-Montesinos is a historian of modern Mexico with a focus on the nineteenth century and the Mexican revolution at the University of California, Los Angeles (UCLA). His research combines environmental, social, and indigenous history to study the connections between processes of land privatization, class and state formation, and ecological change. At UCLA, he teaches courses on modern Latin America and Mexico, as well as environmental and indigenous history. I am currently one of the senior editors of the Hispanic American Historical Review. A chilango at heart, he enjoys tacos al pastor, the Mexican summer rains, and playing fingerstyle guitar. Hugo Peralta-Ramírez is a doctoral student in Colonial Mexican History at the University of California, Los Angeles (UCLA) where he works on the intersection of land, labor, and law among the indigenous communities of Oaxaca. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Fernando Pérez-Montesinos's first book, Landscaping Indigenous Mexico: The Liberal State and Capitalism in the Purépecha Highlands (University of Texas Press, 2025), focuses on the Purépecha people of Michoacán, Mexico, and examines why and how long-standing patterns of communal landholding changed in response to liberal policies, railroad expansion, and the rise of the timber industry in Mexico. A history of the Purépecha people's survival amid environmental and political changes. Fernando Pérez-Montesinos holds that landscapes are more than geological formations; they are living records of human struggles. Landscaping Indigenous Mexico unearths the history of Juátarhu, an Indigenous landscape shaped and nurtured by the Purépecha—a formidable Mesoamerican people whose power once rivaled that of the Aztecs. Although cataclysmic changes came with European contact and colonization, Juátarhu's enduring agroecology continued to sustain local life through centuries of challenges. Contesting essentialist narratives of Indigenous penury, Pérez Montesinos shows how Purépechas thrived after Mexican independence in 1821, using Juátarhu's diverse agroecology to negotiate continued autonomy amid waves of national economic and political upheaval. After 1870, however, autonomy waned under the pressure of land privatization policies, state intervention, and industrial logging. On the eve of the Mexican Revolution in 1910, Purépechas stood at a critical juncture: Would the Indigenous landscape endure or succumb? Offering a fresh perspective on a seemingly well-worn subject, Pérez Montesinos argues that Michoacán, long considered a peripheral revolutionary region, saw one of the era's most radical events: the destruction of the liberal order and the timber capitalism of Juátarhu. Fernando Pérez-Montesinos is a historian of modern Mexico with a focus on the nineteenth century and the Mexican revolution at the University of California, Los Angeles (UCLA). His research combines environmental, social, and indigenous history to study the connections between processes of land privatization, class and state formation, and ecological change. At UCLA, he teaches courses on modern Latin America and Mexico, as well as environmental and indigenous history. I am currently one of the senior editors of the Hispanic American Historical Review. A chilango at heart, he enjoys tacos al pastor, the Mexican summer rains, and playing fingerstyle guitar. Hugo Peralta-Ramírez is a doctoral student in Colonial Mexican History at the University of California, Los Angeles (UCLA) where he works on the intersection of land, labor, and law among the indigenous communities of Oaxaca. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

Fernando Pérez-Montesinos's first book, Landscaping Indigenous Mexico: The Liberal State and Capitalism in the Purépecha Highlands (University of Texas Press, 2025), focuses on the Purépecha people of Michoacán, Mexico, and examines why and how long-standing patterns of communal landholding changed in response to liberal policies, railroad expansion, and the rise of the timber industry in Mexico. A history of the Purépecha people's survival amid environmental and political changes. Fernando Pérez-Montesinos holds that landscapes are more than geological formations; they are living records of human struggles. Landscaping Indigenous Mexico unearths the history of Juátarhu, an Indigenous landscape shaped and nurtured by the Purépecha—a formidable Mesoamerican people whose power once rivaled that of the Aztecs. Although cataclysmic changes came with European contact and colonization, Juátarhu's enduring agroecology continued to sustain local life through centuries of challenges. Contesting essentialist narratives of Indigenous penury, Pérez Montesinos shows how Purépechas thrived after Mexican independence in 1821, using Juátarhu's diverse agroecology to negotiate continued autonomy amid waves of national economic and political upheaval. After 1870, however, autonomy waned under the pressure of land privatization policies, state intervention, and industrial logging. On the eve of the Mexican Revolution in 1910, Purépechas stood at a critical juncture: Would the Indigenous landscape endure or succumb? Offering a fresh perspective on a seemingly well-worn subject, Pérez Montesinos argues that Michoacán, long considered a peripheral revolutionary region, saw one of the era's most radical events: the destruction of the liberal order and the timber capitalism of Juátarhu. Fernando Pérez-Montesinos is a historian of modern Mexico with a focus on the nineteenth century and the Mexican revolution at the University of California, Los Angeles (UCLA). His research combines environmental, social, and indigenous history to study the connections between processes of land privatization, class and state formation, and ecological change. At UCLA, he teaches courses on modern Latin America and Mexico, as well as environmental and indigenous history. I am currently one of the senior editors of the Hispanic American Historical Review. A chilango at heart, he enjoys tacos al pastor, the Mexican summer rains, and playing fingerstyle guitar. Hugo Peralta-Ramírez is a doctoral student in Colonial Mexican History at the University of California, Los Angeles (UCLA) where he works on the intersection of land, labor, and law among the indigenous communities of Oaxaca. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/native-american-studies

Fernando Pérez-Montesinos's first book, Landscaping Indigenous Mexico: The Liberal State and Capitalism in the Purépecha Highlands (University of Texas Press, 2025), focuses on the Purépecha people of Michoacán, Mexico, and examines why and how long-standing patterns of communal landholding changed in response to liberal policies, railroad expansion, and the rise of the timber industry in Mexico. A history of the Purépecha people's survival amid environmental and political changes. Fernando Pérez-Montesinos holds that landscapes are more than geological formations; they are living records of human struggles. Landscaping Indigenous Mexico unearths the history of Juátarhu, an Indigenous landscape shaped and nurtured by the Purépecha—a formidable Mesoamerican people whose power once rivaled that of the Aztecs. Although cataclysmic changes came with European contact and colonization, Juátarhu's enduring agroecology continued to sustain local life through centuries of challenges. Contesting essentialist narratives of Indigenous penury, Pérez Montesinos shows how Purépechas thrived after Mexican independence in 1821, using Juátarhu's diverse agroecology to negotiate continued autonomy amid waves of national economic and political upheaval. After 1870, however, autonomy waned under the pressure of land privatization policies, state intervention, and industrial logging. On the eve of the Mexican Revolution in 1910, Purépechas stood at a critical juncture: Would the Indigenous landscape endure or succumb? Offering a fresh perspective on a seemingly well-worn subject, Pérez Montesinos argues that Michoacán, long considered a peripheral revolutionary region, saw one of the era's most radical events: the destruction of the liberal order and the timber capitalism of Juátarhu. Fernando Pérez-Montesinos is a historian of modern Mexico with a focus on the nineteenth century and the Mexican revolution at the University of California, Los Angeles (UCLA). His research combines environmental, social, and indigenous history to study the connections between processes of land privatization, class and state formation, and ecological change. At UCLA, he teaches courses on modern Latin America and Mexico, as well as environmental and indigenous history. I am currently one of the senior editors of the Hispanic American Historical Review. A chilango at heart, he enjoys tacos al pastor, the Mexican summer rains, and playing fingerstyle guitar. Hugo Peralta-Ramírez is a doctoral student in Colonial Mexican History at the University of California, Los Angeles (UCLA) where he works on the intersection of land, labor, and law among the indigenous communities of Oaxaca. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies

News items read by Laura Kennedy include: New study of obsidian artifacts in Mexico points to large Mesoamerican trading network (details)(details) Research team uncovers diversity of pregnancy depictions among Viking age communities (details)(details) Excavation of new ancient relief depicts last great Assyrian king (details) Scientific analysis undermines hypothesis behind burial place of Macedonia's Phillip II (details)(details)

Hello beloved. Have you ever heard of the Pleiades? Not to be confused for the “Pleadians” Star Family Race, but that of the 7 sisters dancing in they sky, protecting and holding space for women of all kind.The veils are lifting and our connection to all that is.ALL THAT IS - is available for ALL by setting the intention and integrating their gifts into helping society transition into our next spiritual - golden age. That said, if you sense your here for this grand integration of heaven on earth, I want to share this incredible astrological transit.Pause and root in your essence as you invite the Pleiades Stargate and the essence of their beautiful protection. THE STORY. In Greek mythology, the Pleiades were the seven daughters of the sea-nymph Pleione and Atlas, a Titan condemned by Zeus to bear the sky on his shoulders forever.Their names—Maia, Electra, Taygete, Alcyone, Celaeno, Sterope, and Merope—reflect their celestial legacy.The name Pleiades, derived from the Greek word pleiôn meaning “plenty,” signifies their title as “Ladies of Plenty.”The Myth recounts their pursuit by Orion, the giant hunter enamored with them.To shield them from his advances, Zeus transformed the sisters into stars, placing them in the night sky. Another story portrays the Pleiades as companions of Artemis, goddess of the hunt, who turned them into stars to safeguard them from Orion's relentless pursuit. The Pleiades constellation endures as a powerful symbol of sisterhood, embodying the strength and unity found in collective bonds.Today, the Pleiades resonate deeply with the divine feminine, representing a restoration of feminine energy rooted in nurturing, abundance, and resilience.Their celestial presence inspires modern movements to reclaim the divine feminine, fostering empowerment, fertility, and prosperity and the interconnectedness of women supporting one another.This constellation's enduring light serves as a reminder of the sacred feminine's role in healing and creating balance in a world yearning for unity and hope.Pleiades were the companions of Artemis, the goddess of the hunt, who transformed them into stars to protect them from the advances of orion, a giant hunter.

1325 - 1521 - The powerful Mesoamerican civilisation known for advanced city-building, military strength, religious rituals, and human sacrifices before their downfall to Spanish conquistadors led by Hernán Cortés.

listener comments? Feedback? Shoot us a text!Welcome to the ad-free & extended version of Episode 77! As a premium member, we thank you for supporting the podcast.What if I told you that there is an 18th-century painting of the Virgin Mary, armed with an Aztec weapon and surrounded by the bloody violence of the Pueblo Revolt, hanging in the New Mexico History Museum in Santa Fe? And that the Virgin herself had appeared to a 6-year-old little girl to give a warning about the revolt, and this image of the Virgin would later become known as "The Virgin of the Macana." In our latest episode, we delve into the mythology surrounding the origin of this image and explore its relevance to the Pueblo Revolt of 1680, as well as take a look at the presence of Mesoamerican warriors in Colonial New Mexico.All this and more, on this episode of the Tales From Aztlantis podcast!The Pueblo Revolt of 1680 was a pivotal moment in which the Pueblo people of New Mexico rose up against Spanish colonists, driving them out and securing their independence for 12 years. During the uprising, approximately 21 Franciscans and nearly 400 colonists lost their lives. Interestingly, no artists of that time ever bothered to memorialize this significant event in their work. It wasn't until the later 18th-century that visual representations of the revolt began to emerge. One such image, a painting known as The Virgin of the Macana—is now housed in the New Mexico History Museum.Your Hosts:Kurly Tlapoyawa is an archaeologist, ethnohistorian, and filmmaker. His research covers Mesoamerica, the American Southwest, and the historical connections between the two regions. He is the author of numerous books and has presented lectures at the University of New Mexico, Harvard University, Yale University, San Diego State University, and numerous others. He most recently released his documentary short film "Guardians of the Purple Kingdom," and is a cultural consultant for Nickelodeon Animation Studios.@kurlytlapoyawaRuben Arellano Tlakatekatl is a scholar, activist, and professor of history. His research explores Chicana/Chicano indigeneity, Mexican indigenist nationalism, and Coahuiltecan identity resurgence. Other areas of research include Aztlan (US Southwest), Anawak (Mesoamerica), and Native North America. He has presented and published widely on these topics and has taught courses at various institutions. He currently teaches history at Dallas College – Mountain View Campus. Find us: Bluesky Instagram Merch: Shop Aztlantis Book: The Four Disagreements: Letting Go of Magical Thinking

listener comments? Feedback? Shoot us a text!What if I told you that there is an 18th-century painting of the Virgin Mary, armed with an Aztec weapon and surrounded by the bloody violence of the Pueblo Revolt, hanging in the New Mexico History Museum in Santa Fe? And that the Virgin herself had appeared to a 6-year-old little girl to give a warning about the revolt, and this image of the Virgin would later become known as "The Virgin of the Macana." In our latest episode, we delve into the mythology surrounding the origin of this image and explore its relevance to the Pueblo Revolt of 1680, as well as take a look at the presence of Mesoamerican warriors in Colonial New Mexico.All this and more, on this episode of the Tales From Aztlantis podcast!The Pueblo Revolt of 1680 was a pivotal moment in which the Pueblo people of New Mexico rose up against Spanish colonists, driving them out and securing their independence for 12 years. During the uprising, approximately 21 Franciscans and nearly 400 colonists lost their lives. Interestingly, no artists of that time ever bothered to memorialize this significant event in their work. It wasn't until the later 18th-century that visual representations of the revolt began to emerge. One such image, a painting known as The Virgin of the Macana—is now housed in the New Mexico History Museum. Support the showYour Hosts:Kurly Tlapoyawa is an archaeologist, ethnohistorian, and filmmaker. His research covers Mesoamerica, the American Southwest, and the historical connections between the two regions. He is the author of numerous books and has presented lectures at the University of New Mexico, Harvard University, Yale University, San Diego State University, and numerous others. He most recently released his documentary short film "Guardians of the Purple Kingdom," and is a cultural consultant for Nickelodeon Animation Studios.@kurlytlapoyawaRuben Arellano Tlakatekatl is a scholar, activist, and professor of history. His research explores Chicana/Chicano indigeneity, Mexican indigenist nationalism, and Coahuiltecan identity resurgence. Other areas of research include Aztlan (US Southwest), Anawak (Mesoamerica), and Native North America. He has presented and published widely on these topics and has taught courses at various institutions. He currently teaches history at Dallas College – Mountain View Campus. Find us: Bluesky Instagram Merch: Shop Aztlantis Book: The Four Disagreements: Letting Go of Magical Thinking

Prior to exploring Early Colonial Mexico, let’s re-visit one of the most glorious Mesoamerican societies—the Aztec Empire in the context of presentism. The meaning of presentism is an attitude toward the past dominated by present-day attitudes and experiences. Some define it as the historical sin of applying present-day virtues upon the past. Check out the YouTube versions of this episode at: https://youtu.be/Ku-wg7AhsAk https://youtu.be/XiTcSgMM06o Aztec books available at https://amzn.to/3Mui42r Mexico History books available at https://amzn.to/43dBlfv New Spain books available at https://amzn.to/42PeBmc ENJOY Ad-Free content, Bonus episodes, and Extra materials when joining our growing community on https://patreon.com/markvinet SUPPORT this channel by purchasing any product on Amazon using this FREE entry LINK https://amzn.to/3POlrUD (Amazon gives us credit at NO extra charge to you). Mark Vinet's video channel: https://youtube.com/c/TIMELINE_MarkVinet Website: https://markvinet.com/podcast Facebook: https://www.facebook.com/mark.vinet.9 Twitter: https://twitter.com/HistoricalJesu Instagram: https://www.instagram.com/denarynovels Mark's Books: https://amzn.to/3k8qrGM Audio credit: PragerU 5-Minute Videos with Douglas Murray: No Past, No Future? & Victor Davis Hanson: Why Study History? Audio & text excerpts reproduced under the Fair Use (Fair Dealings) Legal Doctrine for purposes such as criticism, comment, teaching, education, scholarship, research and news reporting.See omnystudio.com/listener for privacy information.

Moiya and Christina review the star-studded movie adapted from Douglas Adams' hit novel. Come for Moiya's thoughts on the infinite improbability drive, stay for Christina's fun facts about the worst poetry in the universe.Guest Star: Keenan Steiner is a standup comedian and host of Comedian Behavioral Therapy. Follow him online @keenanstandup or and check out his upcoming shows!MessagesBecome a star and join the patreon at patreon.com/palebluepod!Go supernova and support Pale Blue Pod on PayPalGet your Pale Blue Pod Merch Listen to This Guy Sucked every ThursdayFind Us OnlineWebsite: palebluepod.comPatreon: patreon.com/palebluepodTwitter: twitter.com/PaleBluePodInstagram: instagram.com/palebluepodCreditsHost Dr. Moiya McTier. Twitter: @GoAstroMo, Website: moiyamctier.comEditor Mischa Stanton. Twitter: @mischaetc, Website: mischastanton.comCover artist Shae McMullin. Twitter: @thereshaegoes, Website: shaemcmullin.comTheme musician Evan Johnston. Website: evanjohnstonmusic.comAbout UsPale Blue Pod is an astronomy podcast for people who are overwhelmed by the universe but want to be its friend. Astrophysicist Dr. Moiya McTier and comedian Corinne Caputo demystify space one topic at a time with open eyes, open arms, and open mouths (from so much laughing and jaw-dropping). By the end of each episode, the cosmos will feel a little less “ahhh too scary” and a lot more “ohhh, so cool!” New episodes every Monday.Pale Blue Pod is a member of the Multitude Collective.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode of History 102, 'WhatIfAltHist' creator Rudyard Lynch and co-host Austin Padgett explore Mexican history from pre-colonial Mesoamerican civilizations through Spanish conquest to modern times. They examines cultural evolution, governance challenges, and social transformations while highlighting how geographic, racial, and colonial legacies shaped Mexico's development. --

Tiokasin is out unexpectedly this week. We are rebroadcasting the interview with Geraldine Patrick Encina from February 23 of this year:"The 13 year cycle between 2012 to 2025 is marked on stone. It is marked on this stone that has been called the Aztec Calendar, and it is neither Aztec nor a calendar," says Geraldine Patrick Encina. Geraldine is a scholar focused on Mesoamerican calendars, Original Peoples' cosmologies, and the ethical principles embedded in earth-based traditions. Holding a Post-Doctoral degree from Universidad Nacional Autonoma de México, her research has recovered Indigenous timekeeping systems and is providing pathways for Native colleagues to re-signify their connection to ecological cycles, offering refreshed insights into living in harmony with the natural world. She is a Member of the Grand Council of the Eagle and the Condor, a distinguished member of the Otomi Council of the High Lerma River Basin, and a member of the Academic and Technical Committee of the Biocultural Heritage Network of CONACYT. She is also a member of the Interamerican Society for Astronomy in Culture (SIAC), and a Board Member of the Pre-Columbian Society at the University of Pennsylvania Museum. Beyond her research, Geraldine is involved in projects that connect ancient wisdom to modern environmental challenges. As an Executive Member of Earth Timekeepers and coordinator of a collective research program to revitalize the original Maya calendar since 2011, she is helping shape the future of biocultural heritage in Quintana Roo State.Production Credits:Tiokasin Ghosthorse (Lakota), Host and Executive ProducerLiz Hill (Red Lake Ojibwe), ProducerOrlando DuPont, Radio Kingston Studio EngineerTiokasin Ghosthorse, Audio EditorMusic Selections:1. Song Title: Tahi Roots Mix (First Voices Radio Theme Song)Artist: Moana and the Moa HuntersAlbum: Tahi (1993)Label: Southside Records (Australia and New Zealand)2. Song Title: ReadyArtist: Liv WadeAlbum: Know Your Medicine (2022)Label: LIV WADE3. Song Title: Sugar ManArtist: Sixto RodriguezAlbum: Searching for Sugar Man (soundtrack album for documentary, 2012)Label: Light in the Attic / LegacyAbout First Voices Radio:"First Voices Radio," now in its 32nd year on the air, is an internationally syndicated one-hour radio program originating from and heard weekly on Radio Kingston WKNY 1490 AM and 107.9 FM in Kingston, New York. Hosted by Tiokasin Ghosthorse (Lakota), who is the show's Founder and Executive Producer, "First Voices Radio" explores global topics and issues of critical importance to the preservation and protection of Mother Earth presented in the voices and from the perspective of the original peoples of the world.Akantu Intelligence:Visit Akantu Intelligence, an institute that Tiokasin founded with a mission of contextualizing original wisdom for troubled times. Go to https://akantuintelligence.org to find out more and consider joining his Patreon page at https://www.patreon.com/Ghosthorse

In this episode, I talk with George J. Haas about his new book The Great Architects of Mars: Evidence for the Lost Civilizations on the Red Planet. George is the founder of The Cydonia Institute and a longtime researcher of Martian anomalies. His latest work explores the possibility that an ancient civilization once existed on Mars—and that it may have made contact with early life on Earth over 800,000 years ago.We explore strange and compelling structures on the Martian surface—pyramids, five-pointed stars, and massive geoglyphs shaped like animals—all showing a surprising level of precision and symbolic design. Some of these images are truly startling—so refined, so geometrically precise, and so clearly symbolic that it becomes difficult to explain them as natural formations. George shows that this level of complexity points to intelligent design, likely from an advanced civilization with the capability to shape an entire planetary landscape. These structures raise deep questions about who—or what—created them, and why.A major part of our discussion centers on the connection between these Martian structures and ancient Earth civilizations, especially in Mesoamerica. George shares a little-known Mayan creation story describing a “Star War” with beings from Mars—an event he believes ties directly to similar stories in Sumerian mythology.That leads us into the topic of the Anunnaki—those mysterious beings from Sumerian texts who are said to have descended from the sky and influenced early human civilization. George draws powerful parallels between the Anunnaki's presence on Earth and possible activity on Mars, suggesting they may have once occupied or interacted with both planets. He also highlights how the architecture and iconography of Mesoamerican cultures reflect this deeper, interplanetary history.In the second half of the episode, George walks us through several formations using detailed NASA imagery and suggests they may be the remnants of lost Martian cities.www.thecydoniainstitute.comGeorge J. Haas Bio:George J. Haas is the founder and premier investigator of the Mars research group known as The Cydonia Institute. A member of the Society for Planetary SETIResearch, he has co-authored two books and six peer-reviewed science papers related to anomalous formations on the surface of Mars. He has appeared on Coast to Coast AM with George Noory and on the History Channel's Ancient Aliens, The Proof is Out There, and The UnXplained with William Shatner. Hosted on Acast. See acast.com/privacy for more information.

Have you ever wondered what life was like in an ancient Mesoamerican city? Today, we're sharing our experience visiting Monte Albán, a breathtaking site built by the Zapotecs high in the mountains of Oaxaca. From its strategic location and celestial alignments to the theories behind its abandonment, we uncover what makes this site so significant and why it's a must-visit for history lovers and travelers alike.Key Takeaways:The history and cultural significance of Monte Albán.Theories about why the Zapotecs abandoned the city.How visiting archaeological sites brings history to life.Links And Additional Resources:Boost your confidence in real-life Spanish conversations with our Spanish Immersion RetreatsLevel up your Spanish with our Podcast MembershipGet the full transcript of each episode so you don't miss a wordListen to an extended breakdown section in English going over the most important words and phrasesTest your comprehension with a multiple choice quizIf you enjoy Learn Spanish and Go, please consider subscribing, rating, and reviewing our podcast on Apple Podcasts, Spotify, GoSupport the show