Podcasts about kaplan harris

03-08-2022 Lee L. Kaplan Learn more about the interview and get additional links here: https://www.usadailychronicles.com/harris-county-texas-had-serious-voting-irregularities-in-recent-primary/ Subscribe to the best of our content here: https://priceofbusiness.substack.com/ Subscribe to our YouTube channel here: https://www.youtube.com/channel/UCywgbHv7dpiBG2Qswr_ceEQ

Rod Smith is a poet, editor, and publisher from Washington, D.C. He’s a co-founder of Aerial Magazine and founder of Edge Books, which has published titles by Joan Retallack, Anselm Berrigan, Robert Fitterman, Benjamin Friedlander, K. Silem Mohammad, and many others. Smith, along with Friedlander and Mohammad, is a member of the Flarf Collective. Since 1993 he has managed Bridge Street Books in Georgetown. Rod Smith’s books of poetry include Deed (University of Iowa Press, 2007), Protective Immediacy (Roof, 1999), and In Memory of My Theories (O Books, 1996). He co-edited The Selected Letters of Robert Creeley with Kaplan Harris and Peter Baker, to be published by the University of California Press in January 2014.

Kaplan Harris is a scholar and editor who writes about a wide variety of 20th- and 21st-century poetry, including the work of Ted Berrigan, Hannah Weiner, Susan Howe, and the Flarf poets. With degrees from North Carolina State University and the University of Notre Dame, he currently teaches at St. Bonaventure University in Western New York. For the last several years, Harris has been co-editing the forthcoming Selected Letters of Robert Creeley with Peter Baker and Rod Smith. His article "The Small Press Traffic school of dissimulation" was recently published in Jacket2.

Hosted by Al Filreis and featuring Maria Damon, Catherine Wagner, and Kaplan Harris.

Maria Damon, Catherine Wagner, and Kaplan Harris join Al Filreis in New York City to discuss two poems Kathy Acker inserted into the middle of her novel "Blood and Guts in High School."

Richard Sieburth, Rachel Blau DuPlessis, Kaplan Harris, and Al Filreis discuss Canto III of Ezra Pound