Podcasts about Notre Dame

College Football has several teams on the clock entering the 2026 season. On Josh Pate’s College Football Show Ep 754 Josh Pate looks at Texas, Texas Tech, Clemson, South Carolina, and FSU. The JP Poll makes a return tonight. Where do teams like Ohio State, Notre Dame, Oregon, and UGA stack up in comparison to LSU, Indiana, Alabama, and Miami? ESPN announced a new show set to debut this fall featuring Josh Pate along with Bussin With The Boys. Tonight we get the full story. Penn State head coach Matt Campbell also joins the show for an exclusive look at what’s happening in State College. All that plus a ridiculous story featuring Jayden Daniels going after LSU and wanting his Heisman Trophy back. Be sure to let us know what you think, SUBSCRIBE to the channel, and CLICK THE BELL for notifications as we bring you multiple live shows per week!See omnystudio.com/listener for privacy information.

Who's actually built to win it all? Josh Pate gives an in-depth preview of Ohio State, Notre Dame, and Oregon — the breakout stars nobody's talking about yet, the strongest and weakest position groups on each roster, a game-by-game schedule breakdown, and his most likely outcome for all three. Be sure to let us know what you think, SUBSCRIBE to the channel, and CLICK THE BELL for notifications as we bring you multiple live shows per week!See omnystudio.com/listener for privacy information.

Jim Hill and Lauren Hersey are packing their bags for Anaheim and previewing what Disney fans can expect from D23 Day and the 2026 D23 Ultimate Fan Event. They dig into Disneyland exclusives, anniversary merchandise, rare character appearances, and some unexpected collectibles hitting the show floor. Along the way, Jim explains the history behind the Disneylandia name, Lauren investigates Disney's growing interest in repurposing park materials, and both try to make sense of Atari's surprising return to the Disney gaming conversation. HIGHLIGHTS • D23 Day at Disneyland brings exclusive merchandise, commemorative ears, a character cavalcade, and rare appearances by Merlin and the Blue Fairy. • The Disneylandia collection revives a name with roots in one of Walt Disney's earliest pre-Disneyland concepts. • Hunchback of Notre Dame and Alice in Wonderland anniversary merchandise join a packed lineup of D23 collectibles. • Atari arrives at D23 with new Toy Story releases, retro Disney games, and an exclusive convention pin. • Harveys turns retired Soarin' Over California seat belts into collectible bags as Jim and Lauren explore Disney's history of repurposing park materials. HOSTS • Jim Hill - X/Twitter: @JimHillMedia | Instagram: @JimHillMedia | jimhillmedia.com • Lauren Hersey - X/Twitter: @laurenhersey2 | Instagram: @lauren_hersey_ FOLLOW • Facebook: @JimHillMediaNews • YouTube: @jimhillmedia • TikTok: @jimhillmedia • Patreon: https://www.patreon.com/jimhillmedia/ SUPPORT Support the show and access bonus episodes and additional content at https://www.patreon.com/jimhillmedia. PRODUCTION CREDITS Edited by Dave Grey Produced by Eric Hersey - https://strongmindedagency.com SPONSOR Planning a Disney vacation can get complicated in a hurry. The experienced team at BeOurGuestVacations.com can help plan your Disney vacation, Universal vacation, cruise, or next big adventure without the stress of handling every detail yourself. If you would like to sponsor a show on the Jim Hill Media Podcast Network, reach out today. https://www.jimhillmedia.com/sponsor/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Dr. Daniel Bannoura (Ph.D. Notre Dame University) is a Palestinian theologian and Director of Public Engagement at the Bethlehem Institute for Peace & Justice. Daniel received his PhD degree in Qur'anic Studies from the University of Notre Dame. His research focuses on the history and redaction of the Qur'an, Christian-Muslim relations, and Palestinian theology. Daniel also host of “Across the Divide”, a podcast that provides a space for thoughtful conversations about Palestine-Israel through the lens of faith and peace-making. Check out the Church at the Crossroads conference in Atlanta, Nov 5-7, 2026 and the Christ at the Checkpoint Conference in Bethlehem, Dec 27th-31st, 2026. Time Stamps: 00:00:00 Intro00:02:29 Why a Palestinian Christian Researches the Qur'an00:05:04 Did Muhommed Actually Exist?00:11:43 Christian assumptions about Muslims in Gaza 00:16:00 Double Standards for Gazan Christian Deaths 00:16:48 Why are People Still Dying during the Ceasefire?00:18:53 The Debate Around Using the Term “Genocide” 00:23:49 The Shrinking Borders Around Gaza 00:25:24 UN Report on Children being Targeted in Gaza00:27:36 Life Expectancy, Malnutrition, and the Hidden Death Toll00:29:16 Why the World Knows but Hasn't Stopped it 00:45:54 The Shifting Political Landscape00:51:08 Upcoming Conferences in Bethlehem and Atlanta 00:56:34 What can the Church do? 01:04:38 An Appeal to Christian LeadersSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Greg McElroy ranks his Top 10 teams going into the 2026 college football season. Can Oklahoma survive a gauntlet of a schedule, is Indiana here to stay, and can Alabama bounce back after the Rose Bowl beatdown. Is Ohio State a safe bet for #1, will Miami and Notre Dame keep it rolling and how much pressure is on Oregon and Texas? McElroy explains the reasons he loves each team, areas of concern and if they ALL can live up to the hype, which history tells us won't happen. | Always College Football Learn more about your ad choices. Visit podcastchoices.com/adchoices

Sign up now to access daily Notre Dame news and recruiting scoop on the Four Horsemen Lounge, plus all premium Notre Dame stories on IrishIllustrated.com!Get your first month for only $1.00 -- sign up today. What's on your mind?Talk about it at the Four Horsemen Lounge Sign up for our FREE Notre Dame Newsletter Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

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It’s been 31 seasons since the Dallas Cowboys last played in a Super Bowl game.  That season-ending victory came at the conclusion of the 1995 NFL season on January 28, 1996. Heck, it has been 31 seasons since the Dallas Cowboys have even played in the NFC Championship game! Team owner and billionaire huckster Jerry Jones tried to convince Dallas Cowboys fans last summer that trading away the team’s best defensive player was a smart move.  Micah Parsons wanted ol’ Jer to pony-up with another high dollar contract to remain in Dallas. Instead, the owner shipped Parsons to the Green Bay Packers right before the 2025 season began.  The defensive rushing specialist received what he wanted, though. Micah Parsons signed a new contract in Green Bay last fall paying him $188 million over four years (a whopping $47 million per season). Dallas received Pro Bowl defensive tackle Kenny Clark from Green Bay plus two first round draft picks as part of the deal. After losing Micah Parsons, Big D’s defense became a league-wide joke in 2025.  You can’t consider your team a title contender with a defense which allowed an NFL high 30.1 points per game last season. Cowboys fans were understandably upset after team owner Jerry Jones dealt the team’s “lone star” defensive player one year ago.  Jones’ history of meddling with the team’s roster has backfired plenty of times during this 31 season title drought. Despite the absence of a competitive defense, Dallas still finished with a fairly respectable 7-9-1 record last season.  Only the prolific offense of the Cowboys saved the 2025 team from being a total disaster. Something feels different this year… In April, Dallas selected safety Caleb Downs from Ohio State with the 11th pick in Round 1 of the 2026 NFL Draft.  A two-time college football All-American, Downs was expected to be taken earlier in the first round.  The Dallas Cowboys appear to have capitalized on a little bit of good fortune. Dallas then added another defensive pick with its second selection during Round 1.  Defensive edge rusher Malachi Lawrence played college football for UCF under the watchful eye of the Cowboys’ new defensive line coach, Demeitri Brim. Last season’s “defenseless” Cowboys had just made two first round solid defensive picks in the NFL Draft. Over the past week, the Cowboys re-signed defensive tackle Quinnen Williams (who was acquired from the New York Jets last season) to a new three-year deal worth $106 million. Williams played college football at Alabama under Coach Nick Saban.  He is well liked by his new teammates in Dallas. Is Maxx Crosby still a possible addition? It’s no secret that Las Vegas Raiders All-Pro defensive end Maxx Crosby would like to come play for the Dallas Cowboys.  The former fourth round selection out of Eastern Michigan played his high school football in Colleyville, Texas – just north of Fort Worth. Maxx Crosby plays his position with incredible effort and intensity.  He is a five-time NFL Pro Bowler entering his eighth NFL season – all with the woeful Raiders franchise.  He was briefly traded earlier this year (for two first round selections) to the Baltimore Ravens.  Unfortunately, Crosby failed the physical exam after rehabbing a knee injury incurred last fall.  That nullified the deal and required Crosby to return to the Raiders. Dallas made a competitive offer to the Raiders for Maxx Crosby (a first round and second round pick) but fell short.  Crosby’s knee injury may be healed sufficiently by now to warrant another trade offer from Dallas owner Jerry Jones over the next month. There’s no doubt that Maxx Crosby would represent a significantly upgrade to the Dallas defensive front.  His intense style of play would quickly make him a fan favorite in Dallas.  Keep an eye on this development in the weeks ahead. Cowboys made Brandon Aubrey the highest paid kicker in the NFL Seven million dollars per year sounds like a lot of money to pay for a field goal kicker. That’s what Dallas placekicker Brandon Aubrey will receive for the next four years after recently becoming the NFL’s highest paid kicker. Aubrey’s path to riches came without kicking a football in either high school or college.  He was a talented soccer player at Notre Dame and played professionally in Canada. The USFL’s Birmingham Stallions gave Brandon Aubrey a pro football tryout and signed him.  Aubrey delivered booming kick-offs and field goals in Birmingham over his two seasons with the spring football league team. The Dallas Cowboys signed him in 2023.  Brandon Aubrey made the NFL Pro Bowl in each of his three seasons.  He has booted six field goals of 60 yards or more in his career and provides the potent Dallas offense with a reliable scoring weapon. What about Dallas wide receiver George Pickens? Pickens (who played wide receiver in college at Georgia) was a second round draft pick by the Pittsburgh Steelers in 2022.  His first NFL contract paid him nearly $7 million – over a four year period. George Pickens and former Steelers head coach Mike Tomlin didn’t seem to get along very well.  Pickens occasionally displayed less than 100% effort on the field at times.  That put him into the coaches’ dog house.  He compounded his own troubles with the Steelers and their loyal fans by posting “Free Me” comments on social media. The Steelers obliged and sent “Pouty” Pickens packing to Dallas in 2025. For just a lowly 6th round draft pick, the Cowboys inserted George Pickens into the starting line-up last season and saw his on-field talent.  He snagged 93 passes for 1,429 yards and nine touchdowns for Dallas last year. Dallas’ primary wide receiver, CeeDee Lamb, benefited from having the speedy George Pickens on the field at the same time running routes to keep defenses off balance. Following his productive 2025 season, Pickens demanded a new long-term contract from Dallas owner Jerry Jones. Instead, the Cowboys recently placed its “franchise” designation on their new wide receiver. The team likely wants to see more than one season of positive results prior to plunking down big bucks for a long-term deal. Don’t feel sorry for George Pickens. He will receive nearly $24 million for the upcoming 2026 season.  That “franchise” designation requires Dallas to pay him the average of the five highest paid wide receivers in the entire NFL. Dallas fans should watch closely to see if George Pickens will continue to show improvement this season or return into his former disgruntled self while playing in Pittsburgh. Can quarterback Dak Prescott finally lead the Cowboys to an NFC title game? Prescott is entering his 11th NFL season in Dallas.  His impressive personal stats and friendly personality have made him a fan favorite. That said, Dak is only 2-5 in playoff games during his first decade in Big D. The former Haughton High School (Shreveport area) and Mississippi State product is being paid $60 million per season.  A four-time Pro Bowl quarterback, Dak Prescott is now being paid at a high level that team owner Jerry Jones, head coach Brian Schottenheimer, and Dallas fans now expect a deep run into the NFL playoffs. Unfortunately for Cowboys fans, Prescott has not delivered – yet. Is Dallas a legitimate contender to win the NFC East this season? Absolutely! The NFC East has been dominated for the past several years by the Philadelphia Eagles.  Philly’s dominant defense and efficient offense has produced 50 wins against just 18 losses in the past four NFL seasons.  They won the 2024 Super Bowl against the Kansas City Chiefs. However, Philadelphia’s core of top players on offense and defense has been dwindling by the year.  The Eagles posted an 11-6 record last season but were quickly bounced out of the playoffs in the opening round (at home) by San Francisco. Wagering lines posted by Las Vegas oddsmakers show the Philadelphia Eagles remaining the favorite to once again capture the NFC East title in 2026.  The Dallas Cowboys are projected to finish one game behind. Dallas must apply early pressure this fall to nudge the Eagles off their perch atop the NFC East standings. The Cowboys’ 2026 schedule appears somewhat favorable. Dallas plays nine home games and eight road games in the NFL’s 17-week regular season.  A pair of late season road games at defending Super Bowl champion Seattle and at the NFC runner-up Los Angeles Rams will likely decide the playoff fate for the Cowboys. To the surprise of no one, “America’s Team” (ugh) will play in six nationally televised prime time night games.   Three (including the season opener at the New York Giants) will be featured on NBC’s Sunday Night Football.   Dallas will appear twice on Monday Night Football (ESPN) and one time on Thursday night (Amazon Prime).   Prediction: There is no doubt that Dallas has an excellent opportunity to return to the playoffs in the 2026 NFL season.  The defense will improve (it can’t be worse than last season’s 32nd place showing).  Dallas’ productive offense (2nd in the NFL in scoring last year) is back and seems ready to roll once again. Regardless of whether defensive weapon Maxx Crosby comes aboard this year, I see Dallas improving to a record of 10-7 in the regular season. That means that Dallas should make the playoffs – either as NFC East champions or as a Wild Card entry. I have no clue about the playoffs.  Recent history would suggest that you might not wish to place any wagers on the “Boys” once the post-season begins. Buckle up and enjoy the ride this season, Cowboys fans! Perhaps this might even be the year when Dallas ends that 31-season “no titles” streak. The post Will the Dallas Cowboys finally end “The Streak” this season? appeared first on SwampSwamiSports.com.

As he prepares for a football season that includes his new national radio gig, Mike Golic Sr joins the show to talk about adding another job to his calendar as Notre Dame's new color commentator on their radio broadcasts. Mike and Stu discuss the Hall of Fame weekend and the headlines around the NFL as the pre-season begins.See omnystudio.com/listener for privacy information.

The College Football schedule is loaded with big matchups. Which weeks are the deepest? What are the must-see games? Josh Pate’s College Football Show Ep 753 Josh Pate looks at SEC QB rankings. After a disastrous 2025 can he redeem himself for 2026? How do Arch Manning and Trinidad Chambliss compare? Where will Austin Mack or Keelon Russell land? How do we handle Sam Leavitt and John Mateer? Fall camps continue to roll on. Josh shares the latest whispers and intel from across the country. Is the hype around Notre Dame entering 2026 justified? Josh also talks about preseason rankings. Should top 25 polls be absent until the season begins? What are the boldest predictions you can come up with for this season? Be sure to let us know what you think, SUBSCRIBE to the channel, and CLICK THE BELL for notifications as we bring you multiple live shows per week!See omnystudio.com/listener for privacy information.

Fox Sports' lead College Football analyst Joel Klatt defines what a successful season looks like for 15 of the most intriguing programs in the country. Is it truly National Championship or bust for teams like Texas, Ohio State or Notre Dame? What should LSU, Penn State and Michigan fans be happy with in Year 1 after coaching changes? Does USC's daunting schedule tone down expectations or does Lincoln Riley need to lead the Trojans back among the elite in the sport? Does Alabama need to adjust expectations in the post-Saban world or should Tide fans expect more from Kalen DeBoer's team this season? Klatt also breaks down teams like Wisconsin and Nebraska as they try to build their programs back to what they once were. Chapters 🏈0:00-1:20 Defining Successful Season1:21-4:11 USC4:12-7:30 Michigan7:31-10:45 Ohio State10:46-12:39 Oregon12:40-15:47 Wisconsin15:48-17:45 Nebraska17:46-19:31 Penn State19:32-24:11 Alabama24:12-26:38 Texas26:39-28:47 Oklahoma28:48-31:27 LSU31:28-33:20 Clemson33:21-34:26 Miami34:27-35:54 Texas Tech35:55-37:41 Notre Dame Learn more about your ad choices. Visit podcastchoices.com/adchoices

How can you tell where the real innovation in publishing is happening right now, and why is it emerging from the indie side first? How do you market your own book when you've spent 35 years marketing everyone else's? John Bond talks about Going Indie and what he's learned about authors who last. In the intro, my thoughts on writing with AI, Charles Dickens and encouragement for the 3-year-old dancing to K-Pop at the wedding, UK copyright law, The end of an era — Hugh Howey; Notre Dame, Paris; Today's show is sponsored by Bookfunnel, the essential tool for your author business. Whether it's delivering your reader magnet, sending out advanced copies of your book, handing out ebooks at a conference, or fulfilling your digital sales to readers, BookFunnel does it all. Check it out at bookfunnel.com/thecreativepenn This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn John Bond is the co-founder of Whitefox, a premium publishing services agency, and has over 35 years in traditional publishing, from bookselling to marketing and management. He's also the co-author of Going Indie: Publishing Your Book Your Way, with James Silver. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes Why 2012 was a watershed moment for publishing in the UK Whether the snobbery around self-publishing has finally gone How to co-write a book with someone, and why there's no formula The pride swallowing involved in getting endorsement quotes for your own book The shadow economy of indie sales that no industry chart measures The hallmarks of writers who build a long-term career You can find John at wearewhitefox.com. Transcript of the interview with John Bond Jo: John Bond is the co-founder of Whitefox, a premium publishing services agency, and has over 35 years in traditional publishing, from bookselling to marketing and management. He's also the co-author of Going Indie: Publishing Your Book Your Way, with James Silver. So welcome back to the show, John. John: Thank you, Jo. Thanks so much for having me. Jo: You were last on the show in 2022. You've been on a couple of times, but just set the scene. Tell people a bit more about you and your long background in publishing. John: I suppose I could say I started as a marketing manager at Penguin back in the early 1990s in London, and that role eventually evolved into running sales and marketing, as it often does. I did that at Penguin and at HarperCollins. Then I ran one of the publishing divisions at HarperCollins, including 4th Estate, and published Hilary Mantel and Jonathan Franzen and Chimamanda Ngozi Adichie and others. I left that in 2011 and set up Whitefox in 2012, and it's a classic startup story. It was somebody I worked with at HarperCollins. We sat around a kitchen table, came up with an idea for a business, which was Whitefox, and that's grown into the creative agency that it is today. Jo: So back then, did you think, “I can do this better”? Was that the impetus, “I can do publishing better than Penguin and HarperCollins”? John: No, I thought we would solve a problem. There's something very attractive about that whole startup mentality and beginning something from scratch. I mean, I was in my early 50s. I'd had a long career in traditional publishing. On the plus side, I knew a lot of people, and I thought I could get meetings, people would reply to my phone calls or my emails. On the downside, I didn't necessarily have the energy of a 20 to 25-year-old. I knew a lot of people and I knew quite a lot of things, and I also knew what problems something like Whitefox could solve. We set up with this idea that if we could galvanise and organise the diaspora of freelancers in the publishing space and make them available to anybody that wanted to make a book, that that would be quite a powerful thing. These incredibly creative, wonderful people who were below the radar and were not particularly valued or managed or utilised properly. I thought if we could access that and make that available not just to traditional publishing people who know about these people, but to individual authors, businesses, brands, people that wanted to make a book, and if you added a layer of our expertise from traditional publishing, that could be quite powerful, I suppose. That's what I was thinking back then. Jo: It's funny, though. You said these wonderful freelancers who were not particularly valued or managed or utilised properly. That could also apply to a lot of authors in traditional publishing. John: Totally. Totally. But if I'm honest, I don't think I was thinking about that. What's really evolved since we started, even in that 2011, 2012 period, is so much has happened to independent writers, indie authors. The whole ecosystem has become much more vibrant, and what is accessible to those writers is much greater. I'd like to think we've played a part in that. What that's done is put power back into writers' hands, and that quickly became apparent in the business as a byproduct of what we'd set up. Jo: Yes, and 2012 I do think in the UK was a pivot point, because I got into self-publishing in 2006/2007 when the Americans did with the beginning of the Kindle and the iPhone. Really the American ecosystem grew first. I happened to be in Australia, and so I think I was able to escape the negativity of the vortex in the UK, which took a number more years to embrace self-publishing as a force to be reckoned with as opposed to an embarrassing thing in the corner for vanity press. Do you see 2012 as a changing point in UK publishing? John: I think we'd just come out of the Kindle moment, hadn't we? There were all sorts of conversations going on about how that was going to change things forever. I think no one quite knew what the upshot of that was going to be, but we knew that it was incredibly disruptive. In 2012, Penguin, as it was then, before Penguin Random House, had offered to buy Author Solutions for $115 million, presumably seen as some kind of defensive measure as to what the market was going to evolve into. I think it felt like a real period of change. In the UK, James Daunt took over running Waterstones, and he was then ultimately going to run Barnes & Noble. It felt like a bit of a watershed. I think we were lucky in that sense, that maybe in the UK and in London, what we were creating coincided with an opening up of opportunity and creativity, and people wanting access to more tools to be able to do things themselves. Getting this idea that you invest in your own talent and what that could mean for your ability to do things quicker, better. Some of it was happenstance, but lucky for us. As you say, we then became aware that in a sense a lot of these things had come to fruition earlier on the US side. In London, that whole idea of setting up something that wasn't a traditional rights-owning model, but where you wanted to be working with people creatively, felt actually really exciting and timely. Jo: And when you started to work with independent authors, probably a couple of years after that, you started to work with a lot more indie authors and things really started to change in terms of the business side. Did you feel any of the snobbery from the traditional industry? Like you mentioned, you have a lot of contacts, a lot of connections. I came to your wonderful launch party and there were just people from all over the industry. I wondered if you got any kickback, or if anyone raised their eyebrows a little bit at who you were choosing to work with? John: Oh, definitely. And I would say I really think that's gone. You may think differently, Jo, but from my perspective, I think there has been such an evolution in the nearly 15 years that we've been going. So any of that residual snobbery, looking down your nose at people that were going DIY, producing multiple books, learning from every single publication. We've spoken about this before. I remember you sat on the panel of a FutureBook conference in the UK, which was run by a trade magazine, with this idea of looking at the, in quotes, “digital future of the business.” It felt like there were a lot of things being talked about, but not a lot of action on the traditional side. I suppose some sort of awe that there was some magic going on with people who were making a success of self-publishing. But then quite a lot of people looking down their noses at things that shouldn't get through the gatekeepers. I do think that's gone. Or if it's not completely gone, I can see it on the way out of the door, because there's no room for that when agents are struggling to sell books to publishers because publishers are looking at the next indie author, the next Freida McFadden, the next Sarah J. Maas, the next Rebecca Yarros. So whoever it may be, or wherever they're publishing, whatever they're doing now, wherever they may be, knowing that a lot of those people will already be publishing and be on not their first, second, third or fourth, but potentially their 10th or 11th book. It's a race to see who can help those authors, as a traditional publisher would see it, amplify what they're doing. I think the idea that there's an us and them, if it did exist then, which it certainly did in certain publishing quarters, is gone. I used to go to those conferences, like the FutureBook Conference, and certain publishers would talk about publishing, and when they meant publishing, they meant a really tiny area of quite literary, traditional imprints. That's what publishing meant. They didn't even mean publishing to mean educational publishing, or children's publishing, or academic publishing, and certainly not Kindle or POD or whatever. So I think that's had to change for very good, sound, commercial, economic reasons. Jo: Yes, you're right. I definitely have heard, as we go to similar events sometimes, and you do hear agents used to talk a lot more about finding books very occasionally in a slush pile, or doing courses so you could meet people and do pitch events and all this. Now it's often build an audience on BookTok or whatever, and sell lots of books, and traditional publishing as an amplifier, as you said. That's how I always hear them pitch it now, the question of— What can traditional publishing still do when indie authors can do so much? It does seem to be, well, we can amplify you, we can get you into traditional press, we can get you in traditional bookstores, we can help you with film and movie deals, that kind of thing. So that's really interesting, because that's actually changed quite a lot. They don't now seem to say, “Oh, well, we can make sure we pay you,” or, “We are editorial success as such.” John: I think they don't say editorial success or quality or indeed marketing, because that was what used to be said. I think there's an understanding that a lot of indie writers are better marketeers of their own books than traditional publishers, and if you go into the publishing machine, then you'll get your slot. It lasts for a certain period of time and then that moves on to another book. Whereas obviously if you're writing your own book and you're marketing your own book, you're able to do that yourself 24/7 wherever you are in the world, and you will know more about your readers and your audience and how that evolves than a traditional publisher would. What they probably mean now is, as you said, as much as anything, distribution, or even physical distribution. Because to be part of that process, I think that is still where a large conglomerate is able to wield some muscle, with this idea that if you physically want to see your book in bricks and mortar retailers in X outlets around the world, that's potentially easier to do if that is your aim, via a traditional publisher. So it is constantly evolving, because it used to be that marketing was the silver bullet, and I don't think that's the case anymore. Jo: No. We'll come back to marketing, shall we? Struggling with marketing. So let's get into your book. You recently co-wrote Going Indie with James Silver, Publishing Your Book Your Way. Obviously you already knew a lot about indie authors, so I wonder, what did you discover in the process of researching the book and the interviews you did? And I was one of your interviews. Did anything come up that surprised you, since you're already pretty embedded in the world? John: I would say some of it was reinforcing what I knew. So how everything is so intertwined, how in some ways unlinear everything is. People are doing lots of things in a different order to the way that traditionally writers would perceive this relay race of a manuscript gets passed to an editor, an editor passes on. That's just not how it is or needs to be anymore. I still think there is—not even a misconception—but I think there's a received wisdom that when you're talking about self-publishing, you're talking about fiction. The majority of books that Whitefox produces are not fiction, they're non-fiction. Some of them are quite mainstream, some of them are quite niche. That idea of connecting to your audience and your followers, and being slightly more scientific about how you find readers in your non-fiction niche, I think is still unspoken about in a way, in that genre fiction tends to be what people automatically assume the conversation is about. This probably doesn't surprise you, but I was pleasantly surprised to have it confirmed to me quite how much swapping and sharing there is of skills and knowledge in that space. I'm not saying indie writing is egoless at all, but there's quite a lot of sharing of knowledge and what works, and collaboration, which I think is great to see. Again, if you've, as I did many years ago, come out of corporate conglomerate publishing, traditional publishing, there's less of that by the very nature of the kind of organisation. And look, we just talked about marketing a little while ago. I do think this whole idea that the cutting edge of experimentation, it's not traditional publishing, it's indie writers. They are looking at not just how to find readers, but how to fulfil orders, how to make commercial sense of what they're doing from the absolute outset and get-go of what they're doing. And just how now the lines are blurring between what would be classified as traditional digital publishers and the writers who are doing their own thing, or doing their own thing on behalf of a few other writers. Those lines have completely blurred. There used to be this traditional hardback, paperback, X number of books a year, a year after hardback there's a paperback. This is the model we have been doing for centuries, and people doing things on their own. I think that's blurring massively, and the Venn diagrams of people's areas of expertise are just overlapping massively. Jo: Well, I think you're right there, and certainly the hardback special editions with sprayed edges and foil. A lot of us now are doing that first and not putting out the other, or putting out the rest of it at the same time. I dare say probably there are more indie authors with sprayed edge hardbacks than there are traditionally published authors. John: I'm sure that's right. And what's interesting is if you go to a traditional book printer, they are loving the direct communication with writers, that's not coming through traditional channels and traditional relationships. It's great business, it's interesting. I think that's something that's even developed in the last couple of years, that cutting out of some of the middle men required. Jo: Yes, and in terms of supporting freelancers and small publishing houses and printers and stuff, the other thing I've heard is that indie authors pay upfront, or they pay quickly, compared to some of these big publishers who are asking for long lead times and steep discounting. So actually a lot of these independent businesses are doing better under indie author work than they were under traditional. John: I think that's right, and that's what I mean also about the sharing of information and this collaborative idea of sharing creative knowledge. I mean, I'm making it sound like a kind of 19th century cooperative, which it isn't. I'm not suggesting that for a second. It's this idea that there's a lot of people learning a lot of things and there's a keenness to share some of that information, because if you've developed your own readership for your unique creative product, some of those learnings are very exciting. The printers I've spoken to love working on those kinds of things, because they are also being challenged to come up with new ways of developing ever more innovative physical product. Jo: Yes, I think it's a fun, creative time for sure. Things like Kickstarter, which you came on and talked about crowdfunding years ago, and I've obviously done. I think, what am I on now? Seven? I've just done my seventh. John: Wow. Jo: It's so much fun. But now what's happening is traditional publishers are arriving on Kickstarter and all that kind of thing. So we really see a blurring. Let's come back to your book, so Going Indie. You co-wrote it. Now obviously there are lots of positive sides of collaboration, but in terms of any challenges with collaboration and co-writing and the writing process of doing this? Because I've done this several times and I've found it very challenging. So tell us about the collaborative writing process. John: We thought a lot about it before we took it on. What I would say, having done it, is I am assuming there is no formula for how you do this. At Penguin I worked with a married couple who were crime writers, and they wrote books together. They merged their names so it appeared to be one name. I could not tell you, and they didn't share what that process was, whether they were writing different chapters or … I don't know. So I can only speak from my own experience. James is an established journalist. He's great with deadlines. He was very good at chivvying me along when I needed to be persuaded to hit the deadlines that I'd promised. I write blogs, I write newsletters, I write content for our website, but this is my first book. I've never written anything of this length. So in a way it started with the structure. It started with this idea that we would play to what we perceived as our respective strengths in terms of writing. We absolutely were not each writing every third word or anything like that. It was a process of trust in different parts. I thought, James had done some research and will be better at writing that. He deferred to me on areas that he took to be my areas of expertise. We did every interview for the book together. We went over the notes from those before they became part of the interviews for the book. And some of the book's elements are diagrammatic, so those are very easy to collaborate on. I think we tried to be professionally, creatively constructive with each other. So it was raising an eyebrow rather than shouting at each other if we didn't agree about something. A lot of it was down to the editing, and I don't know what your experience was like with a co-writer, but a lot of it came down to: here is something which is quite baggy. How do we, between us, make this as tight as we possibly can? I don't mean copy editing or proofreading. I mean the actual sort of, how do we get this into a pithy, usable, practical but discursive book? We didn't ever set out for this to be a pure reference book at all. We wanted to take a snapshot of what was going on. So a lot of it was genuinely trying to do some research and get people to feed into what was going on from lots of different perspectives, which is why we wanted to get mainstream traditional publishers, we wanted to get agents, we wanted to get indie writers, we wanted to get people who have all sorts of experiences and perspectives. That's what makes it what it is, which is, here's what we think are some of the interesting discussion points of what's going on now. Jo: It is a fantastic snapshot. I think it's really interesting—and obviously you also have seen my book, Successful Self-Publishing, which is on its fourth edition—this is one of the difficult things with snapshot type books. So have you already thought about that? I know this one has just come out, but have you thought, “Oh no, in five years we have to do it again”? John: Well, I think we thought we're going to have to address AI, which we do in the book, and we really tried to caveat that with saying, look, so much may change so quickly, and here we are talking about what we know now. We obviously tried to set the context for where we are now, and we tried as much as possible to make something which would last as long as we can. I think what we did think was, we have tried to make it as international a perspective as possible. But at the same time, we are a London-based agency, and a lot of the views will be from people based in the UK. So I think what I would like to explore is something that looks at potentially somewhere like the US, where I think there'll be different people that would perhaps have different perspectives on different things. So I think we thought about potentially there being future iterations of the book, but not yet. Jo: Not yet. This is the challenge with non-fiction, of course. On that, I would say what you just said around the US and stuff, the successful UK authors all use the same systems as the US. So I wouldn't say that the US … I mean, we all have the US companies we all use. I say Kobo is obviously Canadian, but I would say that we use the same ways of doing things. Obviously you might interview a different author, but … John: That was all I meant. I meant interviewing. Because we've interviewed agents and authors and publishers and they are largely UK based. So it was the idea that maybe there are some perspectives on things rather than systemic. Jo: Differences. John: Yes. Just that. Jo: So then I guess another challenge, we've kind of nodded to it so far, is marketing. So let's talk about the challenges of getting this book out in terms of publishing and marketing. Because you've been on the inner circle side, trying to do that for other people's books, but your own book, this is a whole nother thing. So tell us about that. John: Well, how do you do it, Jo? I mean, honestly, I've loved some of it. I get how you become completely obsessed with your book and trying to make sure that you can get it into the hands of the people that you want to get it into the hands of. We've got some great endorsement quotes, which was a task that, how can I say this? I would call it pride swallowing. The idea that you really try and get people to say nice things about your book and, if they don't reply, you think, “How much do I pester them? How much do I annoy them by asking them again nicely?” And the absolute sheer unadulterated joy when they come back with something positive that you can use and utilise in some way. So that whole process of waiting for feedback, I suppose, and hoping that people are going to like what you've done and help you spread the word for it. We had a launch event, we've given books away. We've published the book as ebook and POD. I think one of the great things about that is it's enabled us to be completely adaptable and make changes right up until the last minute. That drove everybody in my team completely crazy because we were making changes up until the last minute. So, is the book definitely going to be available on publication date? What's it going to do? You know, all of that kind of stuff. Also, just getting this idea that I suppose you can never stop. Is that a very obvious thing to say to a writer? It probably is. You just can't stop, because if you go, “Right, well, I've done it,” complacency is the enemy. Just as soon as you've got that quote, or someone said that they're going to give you an opportunity to talk about it on a platform, it's just another day and you've got to keep thinking about how you can spread the word and tell people that it exists. Jo: Yes, well, I think that's right, and particularly non-fiction, which unless it's very timely and you must get it out right now. But other than that— Most books you just have to keep marketing for years. Then just as you say, when do you stop? Well, you kind of never stop unless you want to, unless you want to retire and just give up, basically. Dean Wesley Smith, who's a big writer in the US and a kind of a mentor of mine in past years, he talks about it as this massive sea of books. And when a book arrives, he pictures it coming down and landing on the water. So the day you launch, it's landed on the water, and then it begins to sink. Then there are all these other books coming down. It's like this rain of books, and your book is sinking as soon as it lands. And your job is to keep it afloat somehow. John: Keep it afloat. Jo: Yes. John: I think you're right, and it's such an interesting perspective for us, who work with a lot of people who have one book. You know, they've spent 10 years writing it. It's their life story. It's their memoir. It's their self-help book. It's their book that accompanies them on their speaking journey, or whatever. Then there are the people who are writing constantly and can't stop writing because they're exercising that creative muscle all the time and wanting to get better, and wanting to improve and learn and understand why this works and why that hasn't worked. Just getting a glimpse into what it must be like for that person for whom writing is not a hobby. I kept saying to myself, “This is not something you're doing as a hobby.” I want this book to be of value to people, and if I'm investing that time and effort into something that I want to get out there, you've got to commit to whatever it is you need to do to make sure you're not sinking. Jo: Yes. John: I will now not be able to get that image out of my head. Jo: Yes. I know there's people listening who don't have a mind's eye, which I always find fascinating, but for those of us with a mind's eye, you can now picture that and you will never forget it. The other thing, I guess, is that, having done a lot, over 40 books now, the inevitable thing is you cannot keep pushing all of those books back up to the surface. So when you do get the bug as such of writing, the most interesting thing for all of us is always the next book. It's always like, ooh, the next thing I'm doing, I'm very excited about. So you do have to pick your battles on marketing. So have you got the bug, do you think? Are you thinking of other books in general? Because as you said, you must be, I guess, in your 60s. John: I am. Jo: You could retire. John: I am. You were talking about that long career. I could. I mean, I really love doing it, and I would love to do more. I think one of the things that surprised me was just how many ideas came up while we were doing the book about tangents that one could take it. I have no desire to write a novel. I don't want to do that. I wouldn't be very good at that. I do think there are some interesting spaces around where there's a kind of intersection of creativity and learning, and how you can develop books that would help people who are trying to achieve different things in different sectors of publishing. So without getting too granular about it, this book doesn't really address brands who want to become publishers, and I think that is something that our business has developed into working with, not just individuals, but businesses and brands. I think there's definitely spin-offs of this book which are not about repeating what we've done so far. And this whole idea of what you've been doing for a long time, what we've been doing since 2011, 2012, it's evolving now at such a speed. I mean, who would have known what was going to come out of TikTok? As you talk about TikTok to Shopify, that whole kind of new ways of finding readers, of taking books to market. As you said, Kickstarter, crowdfunding. There's all sorts of things that I think will emerge, because in a funny sort of way traditional publishing at the moment feels quite conservative with a small c. I mean, the bestsellers. Dan Brown is number one in the bestseller list this week in the UK as I speak, who has been a bestseller forever. And obviously new writers come along the whole time, but the market feels a little bit as if it's waiting now for innovation. I think if that innovation's going to happen, it's probably going to happen in the indie space before it happens in mainstream publishing. So people are coming to us and thinking, does that represent a trend? Does that represent something which could be a way of looking at something a little bit deeper, doing some research around and creating something which is not a long book, not a massive thesis, but something which is indicative of something which could be useful for people. Jo: Just coming back on the Dan Brown is in the bestseller list. I think this is completely to do with the way that traditional publishing measures things. For many years, more than a decade, probably since the beginning of Kindle, certainly the beginning of Kindle Unlimited, there is a shadow economy, I call it, or a parallel economy. I would say that almost zero of my own personal sales are measured by any industry standards. Anyone who makes any money from Kindle Unlimited or Kickstarter or Shopify, or selling direct in any form, or selling books at conventions, none of this is measured by any traditional things. As you know, the New York Times list, for example, does not include Amazon sales in their bestseller list. So you've got indie authors in the UK who are incredibly successful who have to decide, say, someone like LJ Ross, for example, decides, “Okay, I'm going to set up a proper imprint with Gardners or whatever so that I can get in bookstores so that I can hit a Sunday Times list or something.” So I would say that seeing things like Dan Brown on a bestseller list has almost no meaning in the shadow indie economy. John: No, you're absolutely right. We're not even able to see audiobook sales. Jo: Yes, audio. Any kind of borrows, like Spotify. John: No, you're completely right. I suppose I was making a broader cultural point, that it doesn't feel like there's an enormous amount of innovation going on or risk taking within what I would call mainstream trade publishing. And there doesn't seem to be the need to be, because there will be more consolidation. Small companies will be bought by big companies, so there's growth through acquisition. There's still a hope that something will take off that is a surprise, and there's still an enormous reliance on established brands who, even through the traditional metrics of how you measure them, are probably selling less, but still at the top of the pile. I suppose that's what I was meaning. Jo: Yes, and I agree with what the industry looks at as signals. It's just, as we said, a lot of these signals are invisible. So coming onto innovation, at London Book Fair this year there were a lot of sessions on AI, and you mentioned AI briefly, and there is a chapter in Going Indie on generative AI. And of course there's a lot of negativity and drama and lawsuits and this, that and the other. But at the same time, at London Book Fair, a lot of traditional publishers talking about using it, and of course they always say, “Oh, we use AI only in marketing and business, not with the creative or editorial.” Everyone makes this distinction. What are your thoughts on what's happening and where's it going with AI? Is a lot of this stuff not happening in public and just going on behind closed doors? John: I think so. We do have a chapter in the book on AI. We've generated summaries of every chapter using AI, which we explicitly said in the book as well. We've got our Ten Commandments of what we think are useful guidelines. I think that there has to be an enormous amount being done, whether it's experimentation or speeding up for efficiency's sake, or things that slow you down, within mainstream publishing. There has to be more than just the guardrails around the creative process. And clearly when we're talking about metadata, book description, cover copy, presumably royalty calculations, presumably if you're trying to grow your newsletters. There has to be an enormous amount of activity going on. We're driven by the market, so we do not commission. Writers come to us and they either want to work with us and we want to work with them, or that doesn't happen. So we're in a sense seeing what the market is seeing, and that is a whole range of things. As I've said before, there's a lot of sweeping generalisations out there, which if you look back to that Kindle moment, we were talking a little while ago about what was going on in 2010/2011, about the enormous broad brush strokes that were being perceived as a result of Kindle. Kindle has affected some areas of publishing, it's affected some not at all. I think it will be absolutely fascinating when the sweeping generalisations stop and there becomes, I suppose, even more transparency. The thing that people are looking for, isn't it? A little bit less opaqueness as to what is really being done. Because everybody's being so careful about what they say they're doing and what they're not doing. I suppose ElevenLabs is the one where people are openly engaging on the audio side. I mean, everyone is being so careful and cautious. Jo: Me too. John: What do you think? We spoke a bit about AI within the book, and I'm interested to know what you think. Jo: Well, I've obviously been openly talking about it since 2016. I openly talk about using it, and I've got my Patreon community where we talk about how we're using it, and tips on how to use it. But then, because I have been writing and publishing since 2007, 2008, I'm very strong in my creative voice. I'm very strong in my understanding of what I consider to be my level of output, and what I publish under my own name is what I publish under my own name. John: Totally. Jo: So the problem is for people who are less confident, I think, in what they're doing creatively perhaps. I know some people feel like they're scared it will take over or something. When you're as strong-minded as me, it's not taking over anything. John: It's not going to take over anything. And the other side of the coin is how many people are finding Whitefox using ChatGPT. Jo: Mm. John: I'm thrilled that we are emerging, through very detailed briefing of AI, as something that is worth engaging with. Jo: Positive marketing. John: Yes, exactly. As you say, I think there's a lot of negativity, and I think it will settle down eventually. I think less hysteria. Jo: Yes, hopefully sooner rather than later. So as we come to an end, you've been in the publishing industry a long time and seen a lot of people who have disappeared, but also those who've lasted. I wondered if maybe you could comment on those who last, because I definitely feel like I'm in my 50s now, and I want to keep doing this. I'm pretty obsessed with— What are the hallmarks of people who have a long-term career? So reflections on that. John: Oh, that's such a good question. I think there's some common characteristics and themes. So I think authenticity, I think this idea of being continually curious. I think there are people who can't help but create, and this idea that once you've sort of expelled once, that's enough. I think there's people that just can't stop creating, whatever you do with it. But this idea that the more you do, the better you get, the more you evolve and keep an open mind. I think there's definitely entrepreneurial writers who love this idea of keeping their readers engaged, and how that conversation is something that evolves and that collaboration evolves, is fascinating. I think if you love that, and you listen, there's always an opportunity to keep building on what you do. I love the writers who we work with. I can think of a writer who we're working on his fourth novel at the moment, and he is a bundle of positivity. No matter the trials and tribulations, the things that have gone wrong, his expectations definitely not being met with his first book. He definitely has this idea that he wants to keep writing, he wants to get better, and he is getting better. It isn't a journey that has a beginning and an end. It's something that will continue for as long as he wants to write. Every single book that he has published, he has learned and gained confidence, gained a network of connections that he's utilised himself now to not make the first half a dozen mistakes he made on the first book. Who knows where it will end up? But certainly the satisfaction he's getting, and the sales he's getting, are growing as he becomes savvier and quicker to make the right choices and decisions. So I think that's my honest answer to that. I think there are definitely people who think, “Phew, I have really wanted to do this book. Now I can rest easy. I've done my book.” Then there are people who really, whatever their objective, whatever the definition of success is from the get-go, just can't help creating. I do love that and respect that. I don't think our book falls quite into that category, because I think it's a slightly different thing. I think there are people who are still making a success of what they do and redefining that as they go on, and who are really open to ideas and input from different people and are not closed off. I love working with those people. Jo: So where can people find Going Indie and everything you do online? John: Well, Going Indie is available online at all good bookshops. It's available at Amazon and anywhere you buy books online as ebook and POD. Our website is wearewhitefox.com, and you'll find information about not just our book there, but a lot of other things that we're doing on that site. Jo: Brilliant. Well, thanks so much for your time, John. That was great. John: Thank you so much, Jo. It's been a pleasure. The post Going Indie, Publishing Innovation, And The Challenges Of Book Marketing With John Bond first appeared on The Creative Penn.

Join Seth Woolcock and Scott Bogman on the BettingPros College Football Show as they break down the 2026 season outlook for Marcus Freeman's Notre Dame Fighting Irish! The guys examine Notre Dame’s loaded defense, key transfer portal additions, and a brand-new offensive core led by quarterback CJ Carr. Can the Fighting Irish navigate their schedule and lock up a spot in the College Football Playoff, or are they an overvalued fade for bettors this season? Timestamps (may be off due to ads):Intro - 0:00:00Futures Factory - 0:02:27Betting Pros Premium Giveaway - 0:06:54Notre Dame Schedule 2026 and Season Win Totals - 0:07:21BettingPros App - 0:11:00Playoff and Championship Odds - 0:11:32Other Notre Dame Team or Player Futures (Seth's Seeya on Oct 17 Parlay) - 0:12:53Outro - 0:17:48 Helpful Links: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠BettingPros App⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - Make winning bets with advice and picks from top sports betting experts. The BettingPros app puts consensus and expert-driven sports betting advice at your fingertips to help you pinpoint the best odds and make winning bets. Download it today on the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠App Store⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Google Play⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠BettingPros Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - Looking to up your game in sports betting? Join our exclusive sports betting Discord community at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠bettingpros.com/chat⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! Not only can you connect with expert handicappers who provide free picks for NBA, NFL, MLB, NHL, player props, live betting, and more, but now you can also participate in our weekly community picks. Cast your vote, see how your picks stack up against the experts, and track your success! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠BettingPros Pick Tracker⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ – Want to track all of your wagers in one place? Check out the BettingPros Pick Tracker. It syncs up with your sportsbooks to tally which picks hit, and which miss AND gives you a live look at what the public is doing so you can use real-time tracking to determine which plays to make, and which to fade: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠bettingpros.com/pick-tracking⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠See omnystudio.com/listener for privacy information.

Pete Thamel, Dan Wetzel, and Ryan McGee kick off Part 1 of the ACC Conference Preview with the biggest storylines heading into 2026. Can the ACC change its national perception? Can Miami return to the CFP? Plus, they break down Notre Dame's evolution and the other ACC contenders that could make a run this season. 0:00 - Welcome 4:15 - Can ACC change its national perception? 11:19 - ACC goes all in on Friday night football 16:41 - Miami's path back to the CFP 19:35 - Can Miami reload in the trenches? 24:07 - Can Notre Dame leave no doubt in 2026? 27:09 - Can CJ Carr become college football's top QB? 32:10 - Notre Dame: From Brian Kelly to Marcus Freeman 38:02 - ACC teams that could make a run: Georgia Tech 41:05 - ACC teams that could make a run: Louisville 46:40 - ACC teams that could make a run: SMU 48:04 - Can Virginia build on its breakout season? Learn more about your ad choices. Visit podcastchoices.com/adchoices

The 8am hour of Wednesday's Mac & Cube kept on with a determination of which College Football Playoff format is ideal; then, listeners weigh in on how the Playoff format SHOULD look; later, fan "favorite" Golden Domer issues a proclamation on Notre Dame & his kilt; and finally, Cole & Greg go over the teams with a bunch of hype we should probably slow down on. "McElroy & Cubelic In The Morning" airs 7am-10am weekdays on WJOX-94.5!See omnystudio.com/listener for privacy information.

This is the Wednesday evening liturgy during the Fall season of Ordinary Time for the Compline podcast from the Center for Worship and the Arts at Samford University. For more about the Center for Worship and the Arts, as well as the resources we provide, visit us at https://www.samford.edu/worship-arts/.CREDITS:© 2021 Center for Worship and the Arts, Samford University.Engineered and produced by Wen Reagan for the Center for Worship and the Arts at Samford University.SPOKEN WORD:Wen Reagan, Stacy Love, Tracy Hanrahan, Meagan Kennedy, Pierce Moffett, Eden Walker.MUSIC:“Compline #5” by Wen Reagan, © 2020 Sursum Corda Music (BMI).“Wishing Elsewhere” by Emily Hanrahan, © 2020 Emily Hanrahan.“My Savior Left His Throne Above” by Julie Anne Vargas and Zac Hicks, © 2015 Unbudding Fig Music (ASCAP) & Julie Anne Vargas, CCLI #7056910.TEXTS:The liturgical words for this podcast series include original phrasings, but were primarily curated and designed from several public domain sources, including “An Order for Compline” from the Anglican and Episcopal Book of Common Prayer and collects collected from Grace Cathedral and the University of Notre Dame.SOUNDS:The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA."Door, Front, Opening, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org."Door, Front, Closing, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org.“06 – Crackling Candle.wav” by 14GPanskaLetko_Dominik of Freesound.org.“Lights a Candle Light with a Match” by straget of Freesound.org.The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution-NonCommercial 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA.“Soft Shoes Walking on a Dirt Road” by Nagwense of Freesound.org.“Match Being Lit.wav” by Jeanet_Henning of Freesound.org.“Candle Blow.wav” by Bee09 of Freesound.org.Mentioned in this episode:Discover Samford's Center for Worship and the Arts - the creator of the Compline episodes you know and love!Samford's Center for Worship and the Arts provides resources, connections, and intergenerational development opportunities to engage and explore topics related to worship, theology, and the arts. Our goal is to help churches design, test, and implement new models for nurturing the religious lives of teenagers to engage them more fully in their congregation…. helping them develop as lifelong followers of Jesus Christ. Discover our worship arts camp, Animate, Worship exchange events for ministry leaders, our Online certificates, and other resources by visiting samford.edu/go/cwaDiscover Samford's Center for Worship and the Arts - the creator of the Compline episodes you know and love.Samford's Center for Worship and the Arts provides resources, connections, and intergenerational development opportunities to engage and explore topics related to worship, theology, and the arts. Our goal is to help churches design, test, and implement new models for nurturing the religious lives of teenagers to engage them more fully in their congregation…. helping them develop as lifelong followers of Jesus Christ. Discover our worship arts camp, Animate, Worship exchange events for ministry leaders, our Online certificates, and other resources by visiting samford.edu/go/cwa

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JOIN SHOW HERE https://streamyard.com/ddy274e35gpatreon.com/alwaysirish promo code ND26 for 50% off #notredame #collegefootball #SEC #Georgia #pennstate #ohiostate #miami #mikegoolsby #goolsby #notredamefootball #notredame #miami patreon.com/AlwaysIrishnotre dame x @AlwaysIrishINC https://alwaysirishmerch.com/https://www.si.com/college/notredame

Indiana football fall camp is rolling, and CrimsonCast digs into some listener questions around Curt Cignetti's Hoosiers: the tight end room, replacing D'Angelo Ponds, defensive adjustments, and why Josh Hoover may not need to be a copy of Fernando Mendoza.Galen Clavio answers questions on how the TE room is shaping up, Brock Schott's potential emergence, Andrew Barker, Blake Thiry, and what Indiana needs from the tight end position in this offense. He also breaks down why the Ponds question may be the biggest on the roster, how Bryant Haines could adapt the defense, and why IU's elite defensive front may buy the secondary time early in the season.The episode also touches on Cignetti's lingering Notre Dame memory, the possibility of an Indiana-Notre Dame playoff rematch, ESPN and SEC resistance to a 24-team College Football Playoff, Josh Pate's regular-season argument, and why Indiana fans should be morally obligated to support giving more programs a legitimate shot.Subscribe to the Back Home Network for more CrimsonCast coverage of Indiana football, IU athletics, Curt Cignetti, the Hoosiers, Big Ten football, and the 2026 college football season.CrimsonCast LIVE at POSH Hotel Bloomington RSVP LinkVolleyball Golf Outing Information!

The Wisconsin Badgers' upgraded NIL firepower unlocks a faster, deeper roster—can it close the gap against college football's elite? Ryan Herrings and Brian Smith dissect standout transfers like Javon Robinson and key questions surrounding the Badgers' athletic secondary and revamped offensive line. Will Colton Joseph's mobility power a ground-first attack, and is Eugene Hilton Jr. poised to break out at receiver? Forecasts for Wisconsin's 2026 campaign heat up as the duo debates win totals, the critical stretch against Notre Dame and Penn State, and whether a seven-win season would satisfy fans. The conversation spotlights defensive depth, special teams, and the impact of early recruiting victories, including highly regarded linebacker Cale Britt from Orlando's Bishop Moore. Are the Badgers finally built to compete—or will a lack of offensive fireworks still haunt them in Big Ten play? Support us by supporting our sponsors! Poncho Outdoors Go to https://ponchooutdoors.com/[LOCKEDON] and enter your email to get $10 off and free shipping on your first order. KALSHI For a limited time, download the Kalshi app and use code [LOCKEDON] to get up to $500 in bonus credits when you trade $25. The Game Don't miss this chance to celebrate 40 years of The Game with 40% off your entire order. Visit https://TheGameCaps.com and use promo code LOCKEDON at checkout. Indeed Listeners of this show get a $75 Sponsored Job Credit to help give your job the premium placement it deserves at http://Indeed.com/podcast Gametime Today's episode is brought to you by Gametime. Download the Gametime app, create an account, and use code LOCKEDON for $20 off your first purchase. Terms and conditions apply. FanDuel Today's episode is brought to you by FanDuel. Right now new customers can bet just five dollars and get one-hundred and fifty dollars in bonus bets if your first bet wins. Visit https://FANDUEL.COM to get started — Play Your Game. FANDUEL DISCLAIMER: 21+ in select states. First online real money wager only. Bonus issued as nonwithdrawable free bets that expire in 14 days. Restrictions apply. See terms at sportsbook.fanduel.com. Gambling Problem? Call 1-800-GAMBLER or visit FanDuel.com/RG (CO, IA, MD, MI, NJ, PA, IL, VA, WV), 1-800-NEXT-STEP or text NEXTSTEP to 53342 (AZ), 1-888-789-7777 or visit ccpg.org/chat (CT), 1-800-9-WITH-IT (IN), 1-800-522-4700 (WY, KS) or visit ksgamblinghelp.com (KS), 1-877-770-STOP (LA), 1-877-8-HOPENY or text HOPENY (467369) (NY), TN REDLINE 1-800-889-9789 (TN) Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Your hosts are joined by C.M. Caplan to discuss The Black Cauldron, Disney's 1985 animated adaptation of Lloyd Alexander's The Chronicles of Prydain series. They compare it to Tolkien, are extra hard on adaptations of works they love, and discuss the merits of big titty goth GFs.Find more from Connor:https://www.cmcaplan.net/ Find us on Discord / Support us on PatreonThanks to the following musicians for the use of their songs:- Amarià for the use of “Sérénade à Notre Dame de Paris”- Josh Woodward for the use of “Electric Sunrise”Licensed under Creative Commons: By Attribution 4.0 License

Notre Dame announced that Irish offensive lineman Matty Augustine will be out for several weeks with a broken foot. We have comments from OL coach Joe Rudolph on Augustine as well as a potential position battle that's brewing. We have more thoughts from Wednesday's practice viewing and other Irish topics as well. See omnystudio.com/listener for privacy information.

Notre Dame announced that Irish offensive lineman Matty Augustine will be out for several weeks with a broken foot. We have comments from OL coach Joe Rudolph on Augustine as well as a potential position battle that's brewing. We have more thoughts from Wednesday's practice viewing and other Irish topics as well. See omnystudio.com/listener for privacy information.

The Idiots have a blast from the past guest and try not to rehash Ted's failures.  Ted once again tip lying over the truth.  AIrline flight is great if you aren't luggage.  Brad Pitt is a jagoff, according to Ted.

This week at NSTA: The Bus Stop- Executive Director Curt Macysyn welcomes first-time guest Matthew Bushland, Director of Enterprise Strategy at North America Central School Bus (NACSB), 2026 NSTA Annual Meeting & Convention Business Development Committee (BDC) panelist, and NSTA BDC member. Matthew shares his journey into the student transportation industry, discusses his day-to-day role supporting strategic growth and partnerships, and explains what “bleeding yellow” means to him as a reflection of serving school districts, families, and communities. Curt and Matthew also recap the recent NSTA Annual Meeting & Convention in Denver, highlighting key takeaways from the BDC panel, “Doing More With Less: How Contractors Can Best Partner with Service Providers,” and explore why collaboration is critical to developing best practices and solving industry-wide challenges. The duo chat football, and cover Matthew's time as a Notre Dame alumnus and walk-on football player, as well as Notre Dame's upcoming football schedule. Finally, the episode wraps up with Matthew sharing where listeners can learn more about NACSB and its commitment to advancing student transportation. Become a podcast subscriber and don't miss an episode of NSTA: The Bus Stop - NSTA Vendor Partners should reach out to us to take advantage of our comprehensive advertising package that reaches your target audience - student transportation professionals!Support the show

The boys hit LA Chargers training camp with three massive interviews. Joe Alt and Tyler Biadasz talk Justin Herbert, the new McDaniels offense, Joe's ankle comeback, death row meals, and a Culver's debate for the ages. Khalil Mack opens up about his real estate empire, the Raiders to Bears trade, and Jim Harbaugh's 24/7 football obsession. Then Coach Harbaugh himself sits down to talk Herbert's Hall of Fame path, Peru missionary work, and his ABCs of riding a bike. Plus a full college football preview and Hall of Fame recap. Timestamp Chapters: 0:00 Open 0:43 Hall of Fame Recap 2:57 New Hire 8:15 HOF Class Breakdown 12:22 NFL City Food Rankings 16:56 College Football Preview 24:37 ACC Preview 33:13 SEC Preview 38:42 Tennessee QB Battle 45:12 Big 12 Preview 57:14 Big Ten Preview 1:01:43 Big Ten Hot Seats 1:09:33 G5 and Notre Dame 1:15:01 Shout Out No Free Shout Outs 1:17:57 Tier Talk 1:28:55 Joe Alt & Tyler Biadasz Interview 1:38:13 Joe Alt Ankle Saga 1:51:04 Death Row Meals 1:54:33 Bud Light Question 2:02:06 Khalil Mack Interview 2:03:42 Mack's Real Estate Empire 2:13:10 Harbaugh's Personality 2:20:00 Bud Light Question 2:21:18 Jim Harbaugh Interview 2:31:15 Herbert HOF Dream 2:38:18 Peru Missionary Work 2:43:34 ABCs of Riding a Bike 2:47:30 Bud Light Question 2:49:16 Delanie Walker Stories See omnystudio.com/listener for privacy information.

What if the real reason your best people leave has nothing to do with money, and everything to do with the first 100 days? In this encore of episode of The Game Changing Attorney Podcast, Michael Mogill welcomes Joey Coleman, client experience expert and New York Times bestselling author of Never Lose an Employee Again, to break down the 8 phases every team member moves through and what it actually looks like to build a workplace people refuse to leave. Here's what you'll learn: Why "new hire's remorse" kicks in seconds after someone accepts your offer (and how to counteract it) How to make a team member's first day so remarkable they can't stop talking about it when they get home What separates firms with true advocates from those who can't even get an internal referral If your onboarding still looks like a binder and a benefits form, this is your playbook for something better. (00:00:45) Introduction (00:02:49) Joey Coleman returns to the podcast (00:04:28) Why new hires quit in the first 100 days (00:07:05) Show, don't tell: proving you care about your people (00:08:27) The 8 phases of employee experience (00:15:45) The ROI of remarkable onboarding (00:17:34) Job postings that actually stand out (00:22:14) Notre Dame's legendary offer letter (00:29:51) Creating a remarkable first day (the JAM example) (00:35:14) Coworkers vs. colleagues (00:44:29) The 2-minute video challenge ---- Links & Resources: Never Lose an Employee Again by Joey Coleman Never Lose a Customer Again by Joey Coleman Tribute Yoko Co Bonusly Jim Kwik ---- Learn what sustainable growth can look like for your firm at crispcoach.com. ---- Do you love this podcast and want to see more game changing content? Subscribe to our YouTube channel. ---- Past guests on The Game Changing Attorney Podcast include David Goggins, John Morgan, Alex Hormozi, Randi McGinn, Kim Scott, Chris Voss, Kevin O'Leary, Laura Wasser, John Maxwell, Mark Lanier, Robert Greene, and many more. ---- If you enjoyed this episode, you may also like: 220. Excellence Wins: Become the Best in a World of Compromise with Horst Schulze 162. Radical Candor: How to Be a Kickass Boss with Kim Scott 7. Ditching the Drama & Creating a Culture of Excellence in Your Law Firm with Cy Wakeman

Mike Monaco is a teammate of Tim Kurkjian at ESPN and also calls Boston Red Sox games. What a team to be a part of in 2026! We start with a lot of Todd Frazier love (and impressions) because we all just love this guy so, so much. The Little League World Series will be starting up soon, and both Mike and Tim have called games there together. That means amazing memories in Williamsport, PA. The first game these two broadcasters called together, they weren’t even in the same room! We hear all about how that went. Where did Mike get his broadcasting start? Well, you might be surprised to hear that broadcasting wasn’t actually his dream when he entered Notre Dame, but that clearly changed very quickly. He called games in the Cape League, so naturally, Jeff did some deep diving to find a question from someone in Mike’s past. Mike grew up a Red Sox fan, and we hear about the players he loved growing up, including Mo Vaughn, Nomar Garciaparra and Jason Varitek. They say, “Don’t meet your heroes,” but we disagree — and so would Mike Monaco. We also had to ask him about the red-hot Red Sox, who have completely turned things around. Mike has a message for Red Sox fans, too: He believes they are the best fans in the world. Mike is a friend of the show and a member of the family, and we are so glad to have him with us — and with YOU! Thank you so much for listening or watching, and as always, thanks for being a part of our family! Go to Quince.com/foul for free shipping on your order and 365-day returns Use code foul50off to get 50% off and free daily greens per box, with new subscription only, while supplies last at Factormeals.com/foul50offSee omnystudio.com/listener for privacy information.

Sign up for IrishSportsDaily.com: https://irishsportsdaily.com/subscribeWebsite: https://irishsportsdaily.com/Twitter: https://twitter.com/ISDUpdateInstagram: https://www.instagram.com/irishsportsdaily/Facebook: https://www.facebook.com/IrishSportsDailyOfficial YouTube channel of IrishSportsDaily.com, a Notre Dame community. The most trusted Fighting Irish source for Notre Dame Football, Baseball, Basketball and all recruiting information. Subscribe to watch our weekly Notre Dame podcasts: Power Hour with Mike Frank and Hit & Hustle with Greg Flammang and Jamie Uyeyama! A Special Thanks to ESQ:Looking to upgrade your wardrobe?Founded by ND alum and longtime ISD board member Ge Wang, you've seen ESQ's custom clothing on all of your favorite players and coaches. With over a decade of making the best bespoke clothing available, ESQ will help you look and feel your best in 2024. From a perfect fitting suit or sport coat, shirt or bomber jacket - or that perfect tuxedo for wedding season, check out esqclothing.com and book an appointment to upgrade your wardrobe today. Mention ISD and get 10% off your entire purchase.ESQClothing.com #notredame #notredamefootball #ndfootball #goirish #fightingirish

This is the Tuesday evening liturgy during the Fall season of Ordinary Time for the Compline podcast from the Center for Worship and the Arts at Samford University. For more about the Center for Worship and the Arts, as well as the resources we provide, visit us at https://www.samford.edu/worship-arts/.CREDITS:© 2021 Center for Worship and the Arts, Samford University.Engineered and produced by Wen Reagan for the Center for Worship and the Arts at Samford University.SPOKEN WORD:Wen Reagan, Stacy Love, Tracy Hanrahan, Meagan Kennedy, Pierce Moffett, Eden Walker.MUSIC:“Compline #5” by Wen Reagan, © 2020 Sursum Corda Music (BMI).“Wishing Elsewhere” by Emily Hanrahan, © 2020 Emily Hanrahan.“My Savior Left His Throne Above” by Julie Anne Vargas and Zac Hicks, © 2015 Unbudding Fig Music (ASCAP) & Julie Anne Vargas, CCLI #7056910.TEXTS:The liturgical words for this podcast series include original phrasings, but were primarily curated and designed from several public domain sources, including “An Order for Compline” from the Anglican and Episcopal Book of Common Prayer and collects collected from Grace Cathedral and the University of Notre Dame.SOUNDS:The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA."Door, Front, Opening, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org."Door, Front, Closing, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org.“06 – Crackling Candle.wav” by 14GPanskaLetko_Dominik of Freesound.org.“Lights a Candle Light with a Match” by straget of Freesound.org.The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution-NonCommercial 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA.“Soft Shoes Walking on a Dirt Road” by Nagwense of Freesound.org.“Match Being Lit.wav” by Jeanet_Henning of Freesound.org.“Candle Blow.wav” by Bee09 of Freesound.org.Mentioned in this episode:Discover Samford's Center for Worship and the Arts - the creator of the Compline episodes you know and love.Samford's Center for Worship and the Arts provides resources, connections, and intergenerational development opportunities to engage and explore topics related to worship, theology, and the arts. Our goal is to help churches design, test, and implement new models for nurturing the religious lives of teenagers to engage them more fully in their congregation…. helping them develop as lifelong followers of Jesus Christ. Discover our worship arts camp, Animate, Worship exchange events for ministry leaders, our Online certificates, and other resources by visiting samford.edu/go/cwaDiscover Samford's Center for Worship and the Arts - the creator of the Compline episodes you know and love!Samford's Center for Worship and the Arts provides resources, connections, and intergenerational development opportunities to engage and explore topics related to worship, theology, and the arts. Our goal is to help churches design, test, and implement new models for nurturing the religious lives of teenagers to engage them more fully in their congregation…. helping them develop as lifelong followers of Jesus Christ. Discover our worship arts camp, Animate, Worship exchange events for ministry leaders, our Online certificates, and other resources by visiting samford.edu/go/cwa

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patreon.com/alwaysirish #notredame #collegefootball #SEC #Georgia #pennstate #ohiostate #miami #mikegoolsby #goolsby #notredamefootball #notredame #miami #cfp notre dame x @AlwaysIrishINC https://alwaysirishmerch.com/https://www.si.com/college/notredame

What if your service drive became one of your dealership's most powerful—and consistent—vehicle sales channels? In this episode of Service Drive Revolution, Chris Collins, Hogi, and Adam reveal how dealerships can turn everyday service appointments into organic sales and trade-in opportunities without making customers feel pressured. The key isn't occasionally sending a salesperson into the drive—it's building a dedicated system where sales and service operate as one team. You'll discover how to: • Embed dedicated salespeople inside the service department • Use equity mining to identify the right opportunities • Incentivize advisors to facilitate strong customer handoffs • Introduce trade-in conversations before the appointment • Acquire valuable used inventory without relying on auctions • Use maintenance programs to create familiarity, trust, and retention • Build toward the future "portfolio manager" model—one person managing the customer's entire ownership journey The team also breaks down leadership lessons from Hard Knocks, explains why attention reveals a leader's true priorities, and explores how great systems make exceptional performance repeatable. If your dealership has "tried selling from the service drive" before and it didn't work, this episode will show you what was probably missing. #ServiceDriveRevolution #FixedOps #AutomotiveLeadership #AutomotiveSales #ServiceDrive #DealershipTraining 

Indiana football gets another important eligibility update as Stephen Daley and Kellan Wyatt remain on track to help the Hoosiers' defense, while the IU-Notre Dame scheduling debate continues to stir up national college football conversation.Galen Clavio jumps on CrimsonCast for a quick late-night episode covering the latest court ruling connected to fifth-year eligibility, what it means for Indiana athletes, and why Sam Alexis is still in a separate legal category. He also explains why the canceled Indiana-Notre Dame football series is more complicated than the “IU ducked Notre Dame” version of the story, especially with the Big Ten, USC, CFP incentives, and Notre Dame's independent scheduling position all in the background.The episode closes with fall camp notes from Curt Cignetti, including tight end depth, practice availability, how injuries can create more positional flexibility, and why Kellan Wyatt may have an interesting role in Bryant Haines' defensive packages against 12 personnel.Subscribe to the Back Home Network for more CrimsonCast coverage of Indiana football, IU athletics, Curt Cignetti, the Hoosiers, Big Ten football, and the 2026 college football season.

(1) Joe Theismann, NFL and Notre Dame Legend, on Commanders, Notre Dame & ball (2) USA Today Blake Toppmeyer's College FB Coach Hot Seat List (3) Memphis Hoops Schedule for 2026-27

The Miami Hurricanes, Notre Dame Fighting Irish, Alabama Crimson Tide, Ohio State Buckeyes, and Michigan Wolverines storm out to fast starts in 2028 recruiting, eyeing top classes and fierce competition for elite prospects. Can Miami's South Florida dominance power the Hurricanes ahead of rivals? Meanwhile, Notre Dame's pursuit of top receivers and cornerback Keaton Fields signals the Irish are still a recruiting power, while questions loom over quarterback recruiting and how many recruits will be signed. Alabama eyes a loaded in-state class featuring Kingston Preyier and Nehemiah McCary but faces NIL spending concerns that could shape their national standing. Ohio State impresses with early commitment from quarterback Christopher Vargas and running back Elijah Newman-Hall, leveraging smart NIL investments to secure top-tier talent. Michigan has inroads with top in-state recruits but must capitalize. The discussion explores trends in NIL, key positional battles, and whether breakout teams like Indiana or Texas A&M can break into the elite. College football's recruiting arms race accelerates—who will seize the upper hand? Support us by supporting our sponsors! Poncho Outdoors Go to https://ponchooutdoors.com/[LOCKEDON] and enter your email to get $10 off and free shipping on your first order. KALSHI For a limited time, download the Kalshi app and use code [LOCKEDON] to get up to $500 in bonus credits when you trade $25. The Game Don't miss this chance to celebrate 40 years of The Game with 40% off your entire order. Visit https://TheGameCaps.com and use promo code LOCKEDON at checkout. Indeed Listeners of this show get a $75 Sponsored Job Credit to help give your job the premium placement it deserves at http://Indeed.com/podcast Gametime Today's episode is brought to you by Gametime. Download the Gametime app, create an account, and use code LOCKEDON for $20 off your first purchase. Terms and conditions apply. FanDuel Today's episode is brought to you by FanDuel. Right now new customers can bet just five dollars and get one-hundred and fifty dollars in bonus bets if your first bet wins. Visit https://FANDUEL.COM to get started — Play Your Game. FANDUEL DISCLAIMER: 21+ in select states. First online real money wager only. Bonus issued as nonwithdrawable free bets that expire in 14 days. Restrictions apply. See terms at sportsbook.fanduel.com. Gambling Problem? Call 1-800-GAMBLER or visit FanDuel.com/RG (CO, IA, MD, MI, NJ, PA, IL, VA, WV), 1-800-NEXT-STEP or text NEXTSTEP to 53342 (AZ), 1-888-789-7777 or visit ccpg.org/chat (CT), 1-800-9-WITH-IT (IN), 1-800-522-4700 (WY, KS) or visit ksgamblinghelp.com (KS), 1-877-770-STOP (LA), 1-877-8-HOPENY or text HOPENY (467369) (NY), TN REDLINE 1-800-889-9789 (TN) Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

We discuss fall training camp comments from Notre Dame defensive coordinator Chris Ash on a handful of players and his defense on today's show. See omnystudio.com/listener for privacy information.

We have comments from Notre Dame quarterbacks coach Gino Guidugli on the competition between Blake Hebert, Teddy Jarrard and Noah Grubbs to win the No. 2 QB spot as well as more Notre Dame talk on today's show. See omnystudio.com/listener for privacy information.

On this week's Indy Drill, Jamie gets into:The CFP execs virtual meeting about playoff expansion, and ESPN's proposalUSC and Notre Dame renew their rivalry while Indiana flees P4 non-con competitionNational response to Akron's fan promotion & other bits teams should doWhat's next for the Protect College Sports ActVisit our sponsor, Anduno: https://anduno.us/

We have comments from Notre Dame quarterbacks coach Gino Guidugli on the competition between Blake Hebert, Teddy Jarrard and Noah Grubbs to win the No. 2 QB spot as well as more Notre Dame talk on today's show. See omnystudio.com/listener for privacy information.

We discuss fall training camp comments from Notre Dame defensive coordinator Chris Ash on a handful of players and his defense on today's show. See omnystudio.com/listener for privacy information.

In this episode, we continue our book study on Friendship in the Lord and reflect on the gift of friendship as a foretaste of heaven and a living image of God's love. We talk about how we are meant to journey through life with each other, how God bonds us together along the way, and how these friendships are meant to last forever. We also discuss the gift of praising God for our friends, what it means to behold and not possess beauty, and how focusing on gratitude allows us to hold joy and sorrow in tension.    Announcement: You can buy your copy of Friendship in the Lord from Ave Maria Press (or Amazon).   Journal Questions: Who has accompanied you through the valleys and mountaintops of your life? When do I show up to my friendships from a place of woundedness, deficiency, or insecurity? How is the Lord inviting me into deeper security? What is the Lord inviting me to delight in? How have I turned my unmet expectations into demands in my friendships?   Discussion Questions: What are you grateful for? Where in your life are you experiencing the Lord's presence in the midst of suffering? When have unmet expectations turned into demands on a relationship?  How do you cultivate delight and gratitude in your life?   Quote to Ponder: "Friends in the Lord always turn one another toward the Lord. They are not forever gazing at each other, but together they look to the Lord and to their brothers and sisters in the Lord." (Friendship in the Lord, Page 101)   Scripture for Lectio: "We must no longer be children, tossed to and fro and blown about by every wind of doctrine, by people's trickery, by their craftiness in deceitful scheming.  But speaking the truth in love, we must grow up in every way into him who is the head, into Christ,  from whom the whole body, joined and knit together by every ligament with which it is equipped, as each part is working properly, promotes the body's growth in building itself up in love." (Ephesians 4:14-17)    Sponsor - Word on Fire's new film, Heaven in Stone and Glass, produced in partnership with Spirit Juice Studios: Beauty has the power to draw us beyond ourselves and point us toward something more. One of our favorite places in the United States is the Basilica of the National Shrine of the Immaculate Conception. When we are there, beauty has a way of speaking to the ache that we can't name. It is as though our soul knows where it belongs. It feels like a homecoming. Word on Fire's Heaven in Stone and Glass is a new film exploring the beauty, meaning, and evangelizing power of sacred architecture. Journey across France with Bishop Barron as he explores five of the world's most iconic Gothic cathedrals: Chartres, Notre-Dame, Reims, Amiens, and Saint-Denis. Through soaring arches, stained glass, sacred imagery, and centuries of history, Bishop Barron reveals the theological meaning embedded within these extraordinary spaces and explores why their beauty continues to stir something deep within the human soul. Heaven in Stone and Glass invites believers and skeptics alike on a cinematic pilgrimage and asks us to consider what these sacred spaces have proclaimed for centuries: that beauty can reveal something about God and awaken us to the transcendent. Word on Fire's Heaven in Stone and Glass, a production of Spirit Juice Studios, is coming to theaters nationwide on September 20th and 23rd. Get tickets for yourself or a group here: https://heaveninstoneandglass.com   Timestamps:  00:00 Heaven in Stone and Glass 01:38 Intro 02:42 Scripture Verse and Quote to Ponder 05:07 Friendship is Meant to Last Forever 10:13 Faith as the Foundation of Friendship 12:05 Mature Love Gives Deepened Life to Others 13:39 Praising God for Your Friendships 17:20 Beholding Beauty in Others 20:11 Asking God for Gratitude 24:28 Closing Prayer

The Cover 3 crew is back to continue their 2026 win totals breakdown for every Power Four team! This episode focuses on the second half of ACC teams. The guys will also discuss Notre Dame's schedule and win total!-(00:00) Intro(2:36) North Carolina O/U 4.5 Wins(10:35) Pitt O/U 7.5 Wins(16:30) SMU O/U 8.5 Wins(23:42) Stanford O/U 3.5 Wins(28:13) Syracuse O/U 4.5 Wins(34:07) Virginia O/U 7.5 Wins(40:33) Virginia Tech O/U 6.5 Wins(47:03) Wake Forest O/U 5.5 Wins(53:53) Notre Dame O/U 11.5 Wins-Cover 3 is available on Apple Podcasts, Spotify and wherever else you listen to podcasts. Visit ⁠the betting arena on CBSSports.com⁠ for all the latest in ⁠sportsbook reviews⁠ and ⁠sportsbook promos⁠ for ⁠betting on college football⁠.Watch Cover 3 on YouTube: ⁠https://www.youtube.com/cover3⁠Follow our hosts on Twitter: ⁠@Chip_Patterson⁠, ⁠@TomFornelli⁠, ⁠@DannyKanell⁠, ⁠@BudElliott3⁠For more college football coverage from CBS Sports, visit ⁠https://www.cbssports.com/college-football/⁠To hear more from the CBS Sports Podcast Network, visit ⁠https://www.cbssports.com/podcasts/

The national championship bubble is bigger than it used to be. How big is it? On Josh Pate’s College Football Show Ep 752 Josh Pate looks past teams like Ohio State, Oregon, and Indiana along with Miami, UGA, Texas, Notre Dame, and a few others. How many additional teams could win it all? Josh also shares the latest whispers and intel from across the country. Tonight is the night we dive into preseason Big Ten QB rankings. Where do Julian Sayin, Dante Moore, Jayden Maiava, Bryce Underwood, etc rank? What are some of the biggest chaos scenarios that could unfold across the College Football landscape this season? Next, we take a look at head coaches without a national title win. Who could be next? Is it fair to criticize Dan Lanning, Steve Sarkisian, Marcus Freeman, or Mario Cristobal? What are the boldest predictions you can come up with for this season? Be sure to let us know what you think, SUBSCRIBE to the channel, and CLICK THE BELL for notifications as we bring you multiple live shows per week!See omnystudio.com/listener for privacy information.

Fox Sports' lead College Football analyst Joel Klatt reveals his Preseason Top 25 for the upcoming season. He makes his pick for his #1 team going into the season as teams like Ohio State, Notre Dame, Oregon and Arch Manning's Texas squad all look to grab the top spot. Klatt also breaks down how many teams he believes can actually win the National Championship this season as the Big Ten and SEC battle for supremacy in the sport. He explains if Michigan or Oklahoma will be in his Top 10 ahead of their early-season non-conference matchup in Ann Arbor while Alabama's ranking may be his most controversial in the entire episode.Use my code for 10% off your next set of CFB tickets at SeatGeek*:https://seatgeek.onelink.me/RrnK/KLATT10 Sponsored by SeatGeek. *Restrictions apply. Max $20 discount Chapters 🏈0:00-1:30 Joel Klatt's preseason top 251:31-3:32 Number 253:33-5:02 Number 245:03-7:16 Number 237:17-9:03 Number 229:04-10:39 Number 2110:40-12:51 Number 2012:52-13:53 Number 1913:54-15:11 Number 1815:12-17:30 Number 1717:31-20:09 Number 1620:10-22:48 Number 1522:49-23:48 Number 1423:49-26:03 Number 1326:04-29:34 Number 1229:35-31:31 Number 1131:32-35:03 Number 1035:04-37:20 Number 937:21-40:17 Number 840:18-43:31 Number 743:32-47:06 Number 647:07-51:22 Number 551:23-53:55 Number 453:56-56:07 Number 356:08-58:58 Number 258:59-1:02:54 Number 1 Learn more about your ad choices. Visit podcastchoices.com/adchoices

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