Podcast appearances and mentions of king jayavarman vii

While Angkor Wat is the famous world wonder, it is just one of the temples and palaces in the jungle near Siem Reap, Cambodia. Angkor Thom was the greatest Khmer capital of all, constructed during the 12th century by the great King Jayavarman VII. Now lying in an evocative state of ruin, it's a vast city of sculptural decorations and mazy rooms, visited on today's episode of the Kated Travel Podcast. Let's go on a 3-day journey through Angkor, in just 10 minutes with your host Stephen Bailey.

In this episode, we'll meet Queen Indradevi of the Khmer Civilization, one of Cambodia's first known women poets and the author of the Sanskrit poem inscribed on the stele at the temple of Phimeanakas in Siem Reap. While this episode is called Indradevi, the Poet Queen of Angkor, this really is about three people -- Queen Indradevi, her younger sister Queen Jayarajadevi, and their husband, King Jayavarman VII. Together they formed a sort of royal trinity that transformed Angkor Thom, a metropolis of one million inhabitants in the 12th century. Don't forget to follow us on Facebook, Twitter, and Instagram, @herstoryseapod! For a copy of the show notes, a shout out at the end of the next episode, access to the resource library, regional current events updates, and the occasional bonus episode, join us on Patreon at https://bit.ly/herstoryseapatreon. Sampai jumpa lagi!

Thanks to the international tourism industry most people are familiar with the spectacular ruins of Angkor, the great Cambodian empire that lasted from about the 9th to the early 15th century. We are especially familiar with those haunting images of the face of King Jayavarman VII, represented in the stone sculptures of the Bayon temple in Angkor Thom. Archaeologists and historians tend to relate the history of the Angkorean era through the dynasties of great kings. These are, of course, all male images. But this apparent maleness of the Angkorean state contrasts with one of the paradigms of Southeast Asia as a cultural zone: the comparatively high status of women. Ashley Thompson addresses this apparent contradiction in her new book titled, Engendering the Buddhist State: Territory, Sovereignty and Sexual Difference in the Inventions of Angkor (Routledge, 2016). Among the themes of this rich, challenging, and provocative book is the gendered nature of the Angkorean state. Patrick Jory teaches Southeast Asian History in the School of Historical and Philosophical Inquiry at the University of Queensland. He can be reached at: p.jory@uq.edu.au Learn more about your ad choices. Visit megaphone.fm/adchoices

Thanks to the international tourism industry most people are familiar with the spectacular ruins of Angkor, the great Cambodian empire that lasted from about the 9th to the early 15th century. We are especially familiar with those haunting images of the face of King Jayavarman VII, represented in the stone sculptures of the Bayon temple in Angkor Thom. Archaeologists and historians tend to relate the history of the Angkorean era through the dynasties of great kings. These are, of course, all male images. But this apparent maleness of the Angkorean state contrasts with one of the paradigms of Southeast Asia as a cultural zone: the comparatively high status of women. Ashley Thompson addresses this apparent contradiction in her new book titled, Engendering the Buddhist State: Territory, Sovereignty and Sexual Difference in the Inventions of Angkor (Routledge, 2016). Among the themes of this rich, challenging, and provocative book is the gendered nature of the Angkorean state. Patrick Jory teaches Southeast Asian History in the School of Historical and Philosophical Inquiry at the University of Queensland. He can be reached at: p.jory@uq.edu.au Learn more about your ad choices. Visit megaphone.fm/adchoices

Thanks to the international tourism industry most people are familiar with the spectacular ruins of Angkor, the great Cambodian empire that lasted from about the 9th to the early 15th century. We are especially familiar with those haunting images of the face of King Jayavarman VII, represented in the stone sculptures of the Bayon temple in Angkor Thom. Archaeologists and historians tend to relate the history of the Angkorean era through the dynasties of great kings. These are, of course, all male images. But this apparent maleness of the Angkorean state contrasts with one of the paradigms of Southeast Asia as a cultural zone: the comparatively high status of women. Ashley Thompson addresses this apparent contradiction in her new book titled, Engendering the Buddhist State: Territory, Sovereignty and Sexual Difference in the Inventions of Angkor (Routledge, 2016). Among the themes of this rich, challenging, and provocative book is the gendered nature of the Angkorean state. Patrick Jory teaches Southeast Asian History in the School of Historical and Philosophical Inquiry at the University of Queensland. He can be reached at: p.jory@uq.edu.au Learn more about your ad choices. Visit megaphone.fm/adchoices

Thanks to the international tourism industry most people are familiar with the spectacular ruins of Angkor, the great Cambodian empire that lasted from about the 9th to the early 15th century. We are especially familiar with those haunting images of the face of King Jayavarman VII, represented in the stone sculptures of the Bayon temple in Angkor Thom. Archaeologists and historians tend to relate the history of the Angkorean era through the dynasties of great kings. These are, of course, all male images. But this apparent maleness of the Angkorean state contrasts with one of the paradigms of Southeast Asia as a cultural zone: the comparatively high status of women. Ashley Thompson addresses this apparent contradiction in her new book titled, Engendering the Buddhist State: Territory, Sovereignty and Sexual Difference in the Inventions of Angkor (Routledge, 2016). Among the themes of this rich, challenging, and provocative book is the gendered nature of the Angkorean state. Patrick Jory teaches Southeast Asian History in the School of Historical and Philosophical Inquiry at the University of Queensland. He can be reached at: p.jory@uq.edu.au Learn more about your ad choices. Visit megaphone.fm/adchoices

Thanks to the international tourism industry most people are familiar with the spectacular ruins of Angkor, the great Cambodian empire that lasted from about the 9th to the early 15th century. We are especially familiar with those haunting images of the face of King Jayavarman VII, represented in the stone sculptures of the Bayon temple in Angkor Thom. Archaeologists and historians tend to relate the history of the Angkorean era through the dynasties of great kings. These are, of course, all male images. But this apparent maleness of the Angkorean state contrasts with one of the paradigms of Southeast Asia as a cultural zone: the comparatively high status of women. Ashley Thompson addresses this apparent contradiction in her new book titled, Engendering the Buddhist State: Territory, Sovereignty and Sexual Difference in the Inventions of Angkor (Routledge, 2016). Among the themes of this rich, challenging, and provocative book is the gendered nature of the Angkorean state. Patrick Jory teaches Southeast Asian History in the School of Historical and Philosophical Inquiry at the University of Queensland. He can be reached at: p.jory@uq.edu.au Learn more about your ad choices. Visit megaphone.fm/adchoices

Thanks to the international tourism industry most people are familiar with the spectacular ruins of Angkor, the great Cambodian empire that lasted from about the 9th to the early 15th century. We are especially familiar with those haunting images of the face of King Jayavarman VII, represented in the stone sculptures of the Bayon temple in Angkor Thom. Archaeologists and historians tend to relate the history of the Angkorean era through the dynasties of great kings. These are, of course, all male images. But this apparent maleness of the Angkorean state contrasts with one of the paradigms of Southeast Asia as a cultural zone: the comparatively high status of women. Ashley Thompson addresses this apparent contradiction in her new book titled, Engendering the Buddhist State: Territory, Sovereignty and Sexual Difference in the Inventions of Angkor (Routledge, 2016). Among the themes of this rich, challenging, and provocative book is the gendered nature of the Angkorean state. Patrick Jory teaches Southeast Asian History in the School of Historical and Philosophical Inquiry at the University of Queensland. He can be reached at: p.jory@uq.edu.au Learn more about your ad choices. Visit megaphone.fm/adchoices

Thanks to the international tourism industry most people are familiar with the spectacular ruins of Angkor, the great Cambodian empire that lasted from about the 9th to the early 15th century. We are especially familiar with those haunting images of the face of King Jayavarman VII, represented in the stone sculptures of the Bayon temple in Angkor Thom. Archaeologists and historians tend to relate the history of the Angkorean era through the dynasties of great kings. These are, of course, all male images. But this apparent maleness of the Angkorean state contrasts with one of the paradigms of Southeast Asia as a cultural zone: the comparatively high status of women. Ashley Thompson addresses this apparent contradiction in her new book titled, Engendering the Buddhist State: Territory, Sovereignty and Sexual Difference in the Inventions of Angkor (Routledge, 2016). Among the themes of this rich, challenging, and provocative book is the gendered nature of the Angkorean state. Patrick Jory teaches Southeast Asian History in the School of Historical and Philosophical Inquiry at the University of Queensland. He can be reached at: p.jory@uq.edu.au Learn more about your ad choices. Visit megaphone.fm/adchoices

Thanks to the international tourism industry most people are familiar with the spectacular ruins of Angkor, the great Cambodian empire that lasted from about the 9th to the early 15th century. We are especially familiar with those haunting images of the face of King Jayavarman VII, represented in the stone sculptures of the Bayon temple in Angkor Thom. Archaeologists and historians tend to relate the history of the Angkorean era through the dynasties of great kings. These are, of course, all male images. But this apparent maleness of the Angkorean state contrasts with one of the paradigms of Southeast Asia as a cultural zone: the comparatively high status of women. Ashley Thompson addresses this apparent contradiction in her new book titled, Engendering the Buddhist State: Territory, Sovereignty and Sexual Difference in the Inventions of Angkor (Routledge, 2016). Among the themes of this rich, challenging, and provocative book is the gendered nature of the Angkorean state. Patrick Jory teaches Southeast Asian History in the School of Historical and Philosophical Inquiry at the University of Queensland. He can be reached at: p.jory@uq.edu.au Learn more about your ad choices. Visit megaphone.fm/adchoices