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It’s been said that nobody can fully understand the meaning of love unless they've had a dog. Billy Collins agrees, and he recently released his 12th volume of poetry, called “Dog Show." Senior arts correspondent Jeffrey Brown spent time in New York City with Collins, and dogs, exploring this enduring relationship. It’s part of our arts and culture series, CANVAS. PBS News is supported by - https://www.pbs.org/newshour/about/funders. Hosted on Acast. See acast.com/privacy
The WildStory: A Podcast of Poetry and Plants by The Native Plant Society of New Jersey
In the season three finale of The WildStory, poet Han VanderHart (0:2:29) joins Ann to discuss their collection Larks, which was published in 2025 by Ohio University Press. Han and Ann talk about the uncertainty and mutability of knowledge and the ordering of the natural world, and about the poet's work of observation—not only of what we can see and hear, but of all that we can't.In the Ask Randi segment (0:29:05), Dr. Randi Eckel, owner of Toadshade Wildflower Farm, answers a question from Rikki and takes a deep dive into native versus non-native wisteria, explaining why invasive wisteria overwhelms ecosystems, resists competition, and is notoriously hard to remove. She closes with practical resources for controlling invasive vines.Kim then talks with Mare McClellan, (0:39:15) artist and nursery manager at Gino's in Newtown, PA about her upcoming spring show of multi-media artwork at Morpeth Contemporary. Mare shares how the Dogbane Tiger Moth caterpillars sparked her imagination and how she keeps a quiet promise to a Cecropia moth, whose emergence you can watch on Instagram.Hyalophora Cecropia, Cecropia Giant Silk MothDogbane Tiger Moth, Delicate Cycnia, and their larval host plant, Dogbane, Apocynum cannibinumCecropia, Giant Silk Moths, emerged from their cocoons on June 20,2025To close the season, Kim and Ann talk with Benjamin Vogt, (0:58:04) author of Prairie Up about how social and cultural pressures and affordability shape our gardens and landscapes. Ben reflects on the “happy accidents” that have guided his work, talks about his forthcoming Timber Press book, Unlawning America, and offers advice for navigating weed management, local ordinances, and the design of public space.Thank you for joining us during season 3 of The WildStory. We look forward to bringing you a brand new season in 2026.
In this special episode, host Cindi Howson pulls together the most useful, and hard-won, lessons from a year of conversations with Data Chiefs leading the GenAI charge. With generative and agentic AI no longer a side experiment, this episode spotlights five practices early adopters can rely on to move from pilots to profit. Expect straight talk on what to prioritize, how to bring people with you, and how to scale AI with the trust, literacy, and guardrails that make impact stick.Key Moments:Tying AI to Real Dollars with Anand Iyer, Ecolab (02:10): Anand cuts through the GenAI FOMO and brings everything back to a simple survival test: if you can't draw a straight line from an AI initiative to top-line growth or bottom-line savings, it won't last. His lesson is a sharp reminder that “cool” doesn't scale, value does. Leading Through Ambiguity with Karen Stroup, WEX (06:01): Karen names what everyone's feeling: ambiguity is paralyzing. She explains how leaders earn trust by shrinking the unknown into learnable, bite-sized experiments and creating the psychological safety people need to engage instead of resist.Building Practical AI Literacy at Scale with Josh Cunningham, Lloyds Banking Group (12:42): Josh shares how Lloyds Banking Group makes literacy impactful by meeting people where they are. Rather than one-size-fits-all training, they pair broad fundamentals with role-specific learning so every business unit can build confidence in ways that match their actual work. Scaling Responsible Agentic AI with Noelle Russell, AI Leadership Institute (25:09): Noelle steps in with a practical framework for building agentic systems that don't go rogue. She walks through the POET framework and stresses that responsible AI isn't a final checkpoint. It's something you embed from the first idea to production, with guardrails that protect people and outcomes.Embedding AI Where Work Happens with Ilan Twig, Navan (32:35): Ilan tells a classic early-adopter story: start with a business problem, move fast, and be ruthless about what needs building versus buying. His lesson is that AI wins when it's inside the workflow, supporting decisions at the point of impact rather than living in a separate tool. Don't Let Perfection Stall Progress with Ketan Karkhanis, ThoughtSpot (40:59): Ketan shares a culture gut-check: waiting for perfect metrics, perfect KPIs, or perfect clarity is how progress dies. He argues for visible, trust-building iteration, because in AI, speed to learning beats speed to certainty. Key Quotes:“One thing that people sometimes forget is that at the end of the day, it's all about are we either saving money or making money? And are you able to show that in the bottom line or the top line in a measurable way?” - Anand Iyer“I don't think there's any chief anything officer that should not be considering AI today. I think if you're not considering AI, you are at the risk of being disrupted because you're not going to be learning at the pace with the rest of the industry, and there's someone out there looking for a better way.” - Karen Stroup“It's trying your best to meet people where they are… Finding a way to anchor the [AI] learning to something that's relevant to their day-to-day role is always going to make it land better.” - Josh Cunningham“ When people lose 70% of their trust in you, they just don't buy from you, they don't work for you, they don't talk about you… and your business starts to die. I think that trust component is a human component… and it is underpinning all the other philosophies that I have.” - Noelle Russell“When you asked me about how to educate yourself on AI, I think that companies must make a decision, and quickly, this or that.” - Ilan Twig“ Don't let perfection be the enemy of progress.” - Ketan KarkhanisGuest Bios Anand IyerAnand Iyer is the SVP, Chief Data Officer at Ecolab, where he leads the company's global data and analytics strategy. Based in Mechanicsburg, Pennsylvania, he oversees enterprise data governance, business intelligence, engineering, and advanced analytics to accelerate Ecolab's digital transformation. Since joining in 2018, Anand has held several senior roles, including VP of Enterprise Architecture and VP of Architecture for Commercial Digital Solutions, helping to scale IoT and data-driven platforms across the organization.Karen StroupKaren joined WEX in 2022 as Chief Digital Officer, a newly created role. She brings more than 15 years of experience leading product management, digital, and innovation organizations focused on software as a service offerings, primarily in financial services.Josh CunninghamJosh Cunningham is the Group Head of Data and AI Culture at Lloyds Banking Group, where he leads the Data Culture Pillar—one of five strategic pillars in the Group's data strategy. He is focused on embedding data-driven mindsets across the organization and empowering teams to unlock the full value of data.Noelle RussellNoelle Russell is a multi-award-winning speaker, author, and AI Executive who specializes in transforming businesses through strategic AI adoption. She is a revenue growth + cost optimization expert, 4x Microsoft Responsible AI MVP, and named the #1 Agentic AI Leader in 2025. She has led teams at NPR, Microsoft, IBM, AWS and Amazon Alexa, and is a consistent champion for Data and AI literacy and is the founder of the "I ❤️ AI" Community teaching responsible AI for everyone.Ilan TwigIlan Twig is the co-founder and Chief Technology Officer (CTO) of Navan, the leading modern travel and expense management platform, globally. As CTO, Ilan drives Navan's product development and engineering efforts, leveraging cutting-edge technologies — including AI — to enhance user experience and operational efficiency. Ketan KarkhanisKetan Karkhanis is the CEO of ThoughtSpot, the Agentic Analytics Platform company. Prior to joining the company in September 2024, Ketan was the Executive Vice President and General Manager of Sales Cloud at Salesforce. He returned to Salesforce in March 2022 after his time as the COO of Turvo, an emerging supply-chain collaboration platform. Hear more from Cindi Howson here. Sponsored by ThoughtSpot.
After a bit of a pause, we return with a conversation that reflects the heart of this podcast: what it means to create, care, and hold many parts of a life at once. Today, Kaitlin is joined by poet and longtime listener Meg Leonard, whose new book Larkspur Queen (Broadstone Books, 2025) explores identity, care, and the shifting creative self. Together, they dive into the nonlinear reality of making art while mothering, working, and navigating chronic illness, and what it means to value process over product in every season of life.Meg shares how her friendship with Kaitlin began through this very podcast, reflects on the search for authentic creative community, and reads two poems from her new collection. They also discuss the months of “unproductive” writing that ultimately became essential to Meg's poetic process.Meg's Work: Larkspur Queen (Broadstone Books, 2025)book of lullabies (Milk & Cake Press, 2020)Please subscribe wherever you get your podcasts and give us a rating. This will help us reach more listeners like you who are navigating the joys and pitfalls of artistic and parenting identities.Visit our website: postpartumproduction.comFollow us on Instagram: @postpartumproductionpodcastSubscribe to our podcast newsletter on Substack: https://postpartumproduction.substack.com
Hayes Carll is a Grammy-nominated singer-songwriter originally from The Woodlands, Texas. He has written and recorded multiple albums, including KMAG YOYO, Lovers and Leavers, and Trouble In Mind. The 2010 film Country Strong featured his song “Hard Out Here,” and artists like Kenny Chesney, Lee Ann Womack, and Brothers Osborne have recorded his work. His song “Chances Are” was nominated for Best Country Song at the 2016 Grammy Awards.In this episode, we discuss Hayes' upbringing, how his time in Crystal Beach helped shape him, the influence of songwriters like Ray Wylie Hubbard on his career, and many other stops along the way.--------------------------------------------------This episode is also sponsored by The Graphic Guitar Guys. They create eye-catching custom guitar wraps for some of the biggest artists and festivals in the music industry. Their work is perfect for adding a unique touch to album pre-sale bundles or VIP package items—check them out and discover how they can transform a guitar into a show-stopping work of art.---------------------------------------------------Troy Cartwright is a Nashville-based artist and songwriter originally from Dallas, Texas. His songs have collectively garnered hundreds of millions of streams, and he is currently signed to Big Machine Music for publishing. Cartwright has written songs recorded by Cody Johnson, Nickelback, Ryan Hurd, Josh Abbott Band, and has upcoming cuts with several A-list artists.#hayescarll #Songwriter #TenYearTownPodcast #TroyCartwright #TexasCountry #Americana #SingerSongwriter #FolkMusic #CrystalBeach #Galveston #TheWoodlands #OldQuarterAcousticCafe #TexasMusicRevolution #KHYI #LostHighwayRecords #RayWylieHubbard #DrunkenPoetsDream #TroubleInMind #LittleRockAlbum #ChancesAre #DownTheRoadTonight #JimmyBuffett #BobDylan #WillieNelson #TownesVanZandt #JohnPrine #SongwritingProcess #CreativeOutput #CoWriting #MusicCareerAdviceNew Episodes every Tuesday.Find the host Troy Cartwright on Twitter, Instagram. Social Channels for Ten Year Town:YoutubeFacebookInstagramTwitterTikTokThis podcast was produced by Ben VanMaarth. Intro and Outro music for this episode was composed by Troy Cartwright, Monty Criswell, and Derek George. It is called "Same" and you can listen to it in it's entirety here. Additional music for this episode was composed by Thomas Ventura. Artwork design by Brad Vetter. Creative Direction by Mary Lucille Noah.
Hello Libration Nation! This week I am joined by Nick George, a poet and educator, to discuss This Is The Honey an anthology of poems edited by Kwame Alexander. We talked about Nick's journey with poetry, the significance of diverse voices in poetic anthologies, and the importance of seeing yourself reflected in stories. We read and analyze poems from the anthology, including works by Mahogany L. Brown and Jabari Asim. This is the last episode of 2025 as I'm taking a little break to relax and spend time with my family. Looking forward to some great episodes coming out in 2026!Nicholas Steven George (or, Nick George the Poet) is a poet, educator, DJ and facilitator. He has performed at venues such as TedXCharlottesville, American Psychology Association Annual Convention, University of Lynchburg & Opera Roanoke. In performing his original work, he has opened for renowned poets like Jasmine Mans, Levi the Poet, Alysia Harris, Black Ice & Joshua Bennett. His work dwells at the intersection of culture, identity and spirituality. He has been writing, performing, and teaching for more than two decades. Nick's award-winning work has been featured in a variety of industries and highlighted on platforms on the local and nationwide scale, ranging from private group facilitation and workshops, 1 on 1 coaching, and virtual/in-person performances. Find him on his website or on social media.Moscow Mule2 oz vodka1 oz fresh lime juice4 oz ginger beerFresh mint leaves (about 8-10)Lime wedge (for garnish)IceCopper mug (traditional)In the bottom of a copper mug, add the fresh mint leaves. Gently muddle them with a muddler or the back of a spoon to release their oils.Fill the mug with ice cubes.Pour the vodka and fresh lime juice over the ice.Top off with ginger beer, stirring gently to combine all ingredients.Garnish with a lime wedge and a sprig of fresh mint.Enjoy your refreshing Moscow Mule!In this EpisodeDrinks in the Library MerchSonya SanchezLangston HughesStill I Rise by Maya AngelouAmiri Baraka Black Art
Healing alchemy: That load you struggle under— Is it lead or gold? It's an invitation to look at the weight we carry with different eyes—to see our struggles not as proof that we're failing, but as the raw material for something deeper, stronger, and more meaningful. I brought in a line from Epictetus that has been sitting with me lately, and we explore what it means to transform our suffering instead of being crushed by it. And as a way of saying thank you, I wrote this haiku in calligraphy, framed it, and I'm giving it away. Giveaway details: Email me at poetdelayed@gmail.com with “healing alchemy” in the subject line. I'll put every entry into a drawing and choose a winner at random. Thanks for joining me. “may I be I is the only prayer—” — e. e. cummings I'd love to hear what you have to say about the episode including thoughts on the poetry and the topics that were discussed. You can email me at poetdelayed@gmail.com. My books of poetry are availabe for purchase at Amazon.com (http://www.amazon.com/Scott-R.-Edgar/e/B0B2ZR7W41%3Fref=dbs_a_mng_rwt_scns_share) "The Ghost of a Beating Heart", "My Mother Sleeps" and "Haiku Village" 
https://www.patreon.com/jarmedia Timecodes: 00:00 Intro 05:21 Housekeeping 31:51 Jaden Smith CBT 40:17 Mid Break 42:32 Best Letter to Live Inside 45:35 When you find out your such badass 48:29 UK Conscription 56:51 Erase a Bug. Become a Bug. 1:05:39 Performative Music Taste #BroCastS6E7
Local New Jersey poet and Princeton professor Patricia Smith has won the National Book Award for her poetry collection, The Intentions of Thunder: New and Selected Poems. The collection covers her poetry from 1991 to 2024, and includes poems about jazz, family, Black identity, Hurricane Katrina, and more. Smith discusses the collection, and read some poetry.
Poet of the Week, December 15–21, 2025. Full text of the poem & interview: brooklynpoets.org/community/poet/christhalia-wiloto
Katie Lehman brings Emily Dickingon to readers in a new light with her poems: "Emily Dickinson's Lexicon."
A Chinese American poet, appointed the 25th U.S. Poet Laureate, reads his poems inspired by Zen practices.
In this episode, Sarah and Jes discuss the best books of the year, great books to give as gifts, the most checked out items at DMPL, and the librarians personal favorite books they read in 2025. Learn more below: Show Notes What we are reading Jes: On the Calculation of Volume I by Solvej Balle Yesteryear by Caro Claire Burke Sarah: Just Our Luck by Denise Williams, The Everlasting by Alix E. Harrow Best Bets (good gifts) Automatic Noodle by Annalee Newitz, The Book of Alchemy by Suleika Jaouad, The JFK Conspiracy: The Secret Plot to Kill Kennedy―and Why it Failed by Brad Meltzer and Joel Mensch, How to Be a Saint: An Extremely Weird and Mildly Sacrilegious History of the Catholic Church's Biggest Names by Kate Sidley Best of the Year Lists Books 1. Heart the Lover by Lily King 2. Audition by Katie Kitamura 3. Emperor of Gladness by Ocean Vuong 4. Katabasis by R.F Kuang 5. Mother Mary Comes to me by Arundhati Roy 6. The Buffalo Hunter Hunter by Stephen Graham Jones 7. A Flower Traveled in My Blood by Haley Cohen Gilliland 8. Atmosphere by Taylor Jenkins Reid 9. Baldwin by Nicolas Boggs 10. Flesh by David Szalay Top Checked Out 1. The Wedding People by Alison Espach 2. The God of the Woods by Liz Moore 3. Strangers in Time by Baldacci by David Baldacci 4. The Let Them Theory by Mel Robbins 5. Great, Big Beautiful Life by Emily Henry 6. James by Percival Everett 7. Say You'll Remember Me by Abby Jimenez 8. Dog Man: Big Jim Begins and Dog Man: The Scarlet Shredder by Dav Pilkey 9. My Friends by Fredrik Backman Top DVDs Beetlejuice, Beetlejuice Wicked Conclave Jes' Top Ten 1. Woodworking by Emily St. James 2. Poet's Square by Courtney Gustafson 3. Heart the Lover by Lily King 4. Migrations by Charlotte McConaghy 5. Sky Daddy by Kate Folk 6. Audition by Katie Kitamura 7. The Safekeep by Yael van der Wouden 8. Disappoint Me by Nicola Dinan 9. Blood Over Bright Haven by M.L. Wang 10. Stag Dance by Torrey Peters Sarah's Top Ten 1. A Caribbean Heiress in Paris by Adriana Herrera 2. Who is Government edited by Michael Lewis and Abundance by Ezra Klein and Derek Thompson 3. The Unmaking of June Farrow by Adrienne Young 4. The Shots you Take by Rachel Reid 5. A Thousand Ships by Natalie Haynes 6. Shield of Sparrows by Devney Perry 7. Muted by Miranda Mundt 8. The River has Roots by Amal El-Mohtar 9. Everyone Who is Gone is Here by Jonathan Blitzer 10. Heir by Sabaa Tahir Random Books Heated Rivalry by Rachel Reid The Correspondent by Virginia Evans Links No Lovers on These Covers https://www.nytimes.com/2025/11/13/books/review/831-stories-romance.html?unlocked_article_code=1.1E8.jA9U.hHjLV3tspEo8&smid=url-share&utm_source=substack&utm_medium=email It's Time To Put The "Where Are All The Male Novelists?" Debate To Bed https://www.vogue.co.uk/article/vanishing-young-male-novelists-debate The Guardian view on the Booker prize winner: putting masculinity back at the centre of literary fiction https://www.theguardian.com/commentisfree/2025/nov/14/the-guardian-view-on-the-booker-prize-winner-putting-masculinity-back-at-the-centre-of-literary-fiction
Poet and educator Dorian Hairston encourages all writers—from his high school students to adults—to make their writing fresh and new.Dorian believes "if we can just find ways as artists to be interesting... we give ourselves a fighting chance at allowing love to blossom in our lives and surviving whatever we must."Keep your writing interesting with help from Dorian's favorite writing prompts. He uses these exercises in his own work as well as with students.About Dorian HairstonDorian Hairston is a poet, educator, and former college athlete from Lexington, KY. His first collection of poetry, Pretend the Ball is Named Jim Crow, explores the life and legacy of Josh Gibson, the greatest catcher to play the game of baseball. He is an Affrilachian Poet, and his work has appeared in Anthology of Appalachian Writers and Black Bone: 25 Years of the Affrilachian Poets. While he enjoys reading and writing poetry, what he loves most is cooking for his family, playing some good music, and dancing often.
After Dark with Hosts Rob & Andrew – During the holiday season, poet Dr. Warren Jean Rouse shares a message of hope for those facing loneliness and grief. Drawing from personal loss and lifelong service, she invites listeners to reach out and connect. Her poetry inspires healing, faith, and compassion, reminding families and communities that love, memory, and purpose still guide hearts through difficult seasons during meaningful...
Poet and essayist Carol Ann Davis (Fairfield University) joins Evan Rosa for a searching conversation on violence, childhood, and the moral discipline of attention in the aftermath of Sandy Hook. Reflecting on trauma, parenting, childhood, poetry, and faith, Davis resists tidy narratives and invites listeners to dwell with grief, healing, beauty, and pain without resolution.“I don't believe life feels like beginnings, middles, and ends.”In this episode, Davis reflects on how lived trauma narrows attention, reshapes language, and unsettles conventional storytelling. Together they discuss poetry as dwelling rather than explanation, childhood and formation amid violence, image versus narrative, moral imagination, and the challenge of staying present to suffering.Episode Highlights“Nothing has happened at Hawley School. Please hear me. I have opened every door and seen your children.”“And that was what it is not to suffer. This is the not-suffering, happy-ending story.”“I'm always narrowing focus.”“I think stories lie to us sometimes.”“I think of the shooting as a nail driven into the tree.”“I'm capable of anything. I'm afraid I'm capable of anything.”“I tried to love and out of me came poison.”About Carol Ann DavisCarol Ann Davis is a poet, essayist, and professor of English at Fairfield University. She is the author of the poetry collections Psalm and Atlas Hour, and the essay collection The Nail in the Tree: Essays on Art, Violence, and Childhood. A former longtime editor of the literary journal Crazyhorse, she directs Fairfield University's Low-Residency MFA and founded Poetry in Communities, an initiative bringing poetry to communities affected by violence. An NEA Fellow in Poetry, Davis's work has appeared in The Atlantic, The American Poetry Review, Image, Agni, The Georgia Review, and elsewhere. Learn more and follow at https://www.carolanndavis.orgHelpful Links and ResourcesThe Nail in the Tree: Essays on Art, Violence, and Childhood https://www.tupelopress.org/bookstore/p/the-nail-in-the-tree-essays-on-art-violence-and-childhoodSongbird https://www.weslpress.org/9780819502223/songbird/Psalm https://www.tupelopress.org/bookstore/p/psalmAtlas Hour https://www.amazon.com/Atlas-Hour-Carol-Ann-Davis/dp/1936797003Carol Ann Davis official website https://www.carolanndavis.orgShow NotesCarol Ann Davis recounts moving to Newtown, Connecticut just months before Sandy Hook, teaching a course at Fairfield University when news of the shooting first breaksHer young children attended a local elementary schoolConfusion, delay, and the unbearable seconds of not knowing which school was attackedA colleague's embrace as the reality of the shooting becomes clearParenting under threat and the visceral fear of losing one's children“Nothing has happened at Hawley School. Please hear me. I have opened every door and seen your children.” (Hawley School's Principal sends this message to parents, including Carol Ann)Living inside the tension where nothing happened and everything changedWriters allowing mystery, unknowing, and time to remain unresolvedNaming “directly affected families” and later “families of loss”Ethical care for proximity without flattening grief into universalityThe moral value of being useful within an affected communityNarrowing attention as survival, parenting, and poetic disciplineChoosing writing, presence, and community over national policy debatesChildhood formation under the long shadow of gun violence“I think of the shooting as a nail driven into the tree. And I'm the tree.” (Carol Ann quotes her older son, then in 4th grade)Growth as accommodation rather than healing or resolutionIntegration without erasure as a model for living with traumaRefusing happy-ending narratives after mass violence“I don't believe life feels like beginnings, middles, and ends.”Poetry as dwelling inside experience rather than extracting meaningResisting stories that turn suffering into takeawaysCrucifixion imagery, nails, trees, and the violence of embodiment“I'm capable of anything. I'm afraid I'm capable of anything.”Violence as elemental, human, animal, and morally unsettlingDistinguishing intellectual mastery from dwelling in lived experienceA poem's turn toward fear: loving children and fearing harm“I tried to love and out of me came poison.”Childhood memory, danger, sweetness, and oceanic smallnessBeing comforted by smallness inside something vast and terrifyingEnding without closure, choosing remembrance over resolution#CarolAnnDavis#PoetryAndViolence#TraumaAndAttention#SandyHook#SandyHookPromise#FaithAndWriting#Poetry#ChildhoodAndMemoryProduction NotesThis podcast featured Carol Ann DavisEdited and Produced by Evan RosaHosted by Evan RosaProduction Assistance by Macie Bridge, Alexa Rollow, Zoë Halaban, Kacie Barrett & Emily BrookfieldA Production of the Yale Center for Faith & Culture at Yale Divinity School https://faith.yale.edu/aboutSupport For the Life of the World podcast by giving to the Yale Center for Faith & Culture: https://faith.yale.edu/give
¡MEDIO RUST!Y traemos un nuevo episodio de 1/2 hora es suficiente con las mejores recomendaciones…Les hablamos del talentoso Kennay y el country de Breaking Rust Las películas Madame Web y Death of a UnicornLas series Simplemente Alicia y Rompan Todo: La historia del Rock en America LatinaY el estreno de la semana de @cinesunidosEste episodio llega a ustedes gracias a nuestros queridos amigos de:@cinesunidos mucho mas que películas@ivecchionacce Tu asesoría jurídica.@goyosworkshop Diseño, arte y economía.Escúchanos en la plataformas de Podcast de tu preferencia, suscribete y así no te perderás nuestras novedadeshttps://linktr.ee/mediahoraessuficienteProducción de ½ Hora es Suficiente: Isabella Vecchionacce y Jonathan Lilue.Edición: Jonathan LilueMusicalización: Poet'ai https://www.tiktok.com/@poetai97
After Dark with Hosts Rob & Andrew – During the holiday season, poet Dr. Warren Jean Rouse shares a message of hope for those facing loneliness and grief. Drawing from personal loss and lifelong service, she invites listeners to reach out and connect. Her poetry inspires healing, faith, and compassion, reminding families and communities that love, memory, and purpose still guide hearts through difficult seasons during meaningful...
How do writers develop their voice, showing us what is important in life?ADA LIMÓN (24th U.S. Poet Laureate, Startlement, The Carrying) explains that her poetry begins with a bodily sensation or curiosity, not an idea. She values the space and breath poetry offers for unknowing and mystery, finding solace in the making and the mess, not in answers. She discusses being free on the page to be her whole, authentic, complicated self.JAY PARINI (Author, Filmmaker, Borges and Me) calls poetry the prince of literary arts—language refined to its apex of memorability. He recounts how his road trip with Borges around Scotland restored him from depression and anxiety following the Vietnam War death of his friend.JERICHO BROWN (Pulitzer Prize-winning Poet, The Tradition, How We Do It: Black Writers on Craft, Practice, and Skill) discusses the rhythm of black vernacular and capturing "symphonic complexity of black life". He shares how he's found a way not to think about personal risk as he's writing.ADAM MOSS (Fmr. Editor, New York Magazine; Author, The Work of Art) relates David Simon's concept of the bounce, in which creativity gains momentum as it is passed between people.VIET THANH NGUYEN (Pulitzer Prize-winning Author, The Sympathizer; To Save and to Destroy) discusses his path to expansive solidarity and capacious grief and how it works against the state's power to divide and conquer. He emphasizes that literature is crucial because authoritarian regimes abuse language; a commitment to the beauty of language is a commitment to truth, and fear is often an indicator of a truth that needs to be spoken.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
How do writers develop their voice, showing us what is important in life?ADA LIMÓN (24th U.S. Poet Laureate, Startlement, The Carrying) explains that her poetry begins with a bodily sensation or curiosity, not an idea. She values the space and breath poetry offers for unknowing and mystery, finding solace in the making and the mess, not in answers. She discusses being free on the page to be her whole, authentic, complicated self.JAY PARINI (Author, Filmmaker, Borges and Me) calls poetry the prince of literary arts—language refined to its apex of memorability. He recounts how his road trip with Borges around Scotland restored him from depression and anxiety following the Vietnam War death of his friend.JERICHO BROWN (Pulitzer Prize-winning Poet, The Tradition, How We Do It: Black Writers on Craft, Practice, and Skill) discusses the rhythm of black vernacular and capturing "symphonic complexity of black life". He shares how he's found a way not to think about personal risk as he's writing.ADAM MOSS (Fmr. Editor, New York Magazine; Author, The Work of Art) relates David Simon's concept of the bounce, in which creativity gains momentum as it is passed between people.VIET THANH NGUYEN (Pulitzer Prize-winning Author, The Sympathizer; To Save and to Destroy) discusses his path to expansive solidarity and capacious grief and how it works against the state's power to divide and conquer. He emphasizes that literature is crucial because authoritarian regimes abuse language; a commitment to the beauty of language is a commitment to truth, and fear is often an indicator of a truth that needs to be spoken.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
How do writers develop their voice, showing us what is important in life?ADA LIMÓN (24th U.S. Poet Laureate, Startlement, The Carrying) explains that her poetry begins with a bodily sensation or curiosity, not an idea. She values the space and breath poetry offers for unknowing and mystery, finding solace in the making and the mess, not in answers. She discusses being free on the page to be her whole, authentic, complicated self.JAY PARINI (Author, Filmmaker, Borges and Me) calls poetry the prince of literary arts—language refined to its apex of memorability. He recounts how his road trip with Borges around Scotland restored him from depression and anxiety following the Vietnam War death of his friend.JERICHO BROWN (Pulitzer Prize-winning Poet, The Tradition, How We Do It: Black Writers on Craft, Practice, and Skill) discusses the rhythm of black vernacular and capturing "symphonic complexity of black life". He shares how he's found a way not to think about personal risk as he's writing.ADAM MOSS (Fmr. Editor, New York Magazine; Author, The Work of Art) relates David Simon's concept of the bounce, in which creativity gains momentum as it is passed between people.VIET THANH NGUYEN (Pulitzer Prize-winning Author, The Sympathizer; To Save and to Destroy) discusses his path to expansive solidarity and capacious grief and how it works against the state's power to divide and conquer. He emphasizes that literature is crucial because authoritarian regimes abuse language; a commitment to the beauty of language is a commitment to truth, and fear is often an indicator of a truth that needs to be spoken.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
How do writers develop their voice, showing us what is important in life?ADA LIMÓN (24th U.S. Poet Laureate, Startlement, The Carrying) explains that her poetry begins with a bodily sensation or curiosity, not an idea. She values the space and breath poetry offers for unknowing and mystery, finding solace in the making and the mess, not in answers. She discusses being free on the page to be her whole, authentic, complicated self.JAY PARINI (Author, Filmmaker, Borges and Me) calls poetry the prince of literary arts—language refined to its apex of memorability. He recounts how his road trip with Borges around Scotland restored him from depression and anxiety following the Vietnam War death of his friend.JERICHO BROWN (Pulitzer Prize-winning Poet, The Tradition, How We Do It: Black Writers on Craft, Practice, and Skill) discusses the rhythm of black vernacular and capturing "symphonic complexity of black life". He shares how he's found a way not to think about personal risk as he's writing.ADAM MOSS (Fmr. Editor, New York Magazine; Author, The Work of Art) relates David Simon's concept of the bounce, in which creativity gains momentum as it is passed between people.VIET THANH NGUYEN (Pulitzer Prize-winning Author, The Sympathizer; To Save and to Destroy) discusses his path to expansive solidarity and capacious grief and how it works against the state's power to divide and conquer. He emphasizes that literature is crucial because authoritarian regimes abuse language; a commitment to the beauty of language is a commitment to truth, and fear is often an indicator of a truth that needs to be spoken.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
The Creative Process in 10 minutes or less · Arts, Culture & Society
How do writers develop their voice, showing us what is important in life?ADA LIMÓN (24th U.S. Poet Laureate, Startlement, The Carrying) explains that her poetry begins with a bodily sensation or curiosity, not an idea. She values the space and breath poetry offers for unknowing and mystery, finding solace in the making and the mess, not in answers. She discusses being free on the page to be her whole, authentic, complicated self.JAY PARINI (Author, Filmmaker, Borges and Me) calls poetry the prince of literary arts—language refined to its apex of memorability. He recounts how his road trip with Borges around Scotland restored him from depression and anxiety following the Vietnam War death of his friend.JERICHO BROWN (Pulitzer Prize-winning Poet, The Tradition, How We Do It: Black Writers on Craft, Practice, and Skill) discusses the rhythm of black vernacular and capturing "symphonic complexity of black life". He shares how he's found a way not to think about personal risk as he's writing.ADAM MOSS (Fmr. Editor, New York Magazine; Author, The Work of Art) relates David Simon's concept of the bounce, in which creativity gains momentum as it is passed between people.VIET THANH NGUYEN (Pulitzer Prize-winning Author, The Sympathizer; To Save and to Destroy) discusses his path to expansive solidarity and capacious grief and how it works against the state's power to divide and conquer. He emphasizes that literature is crucial because authoritarian regimes abuse language; a commitment to the beauty of language is a commitment to truth, and fear is often an indicator of a truth that needs to be spoken.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
Does poetic constraint empower creativity? Known for her received forms like sonnets and sestinas, American poet A.E. Stallings joins us in the studio to discuss her book of selected poems, This Afterlife.
The Seattle Athenaeum and Town Hall Seattle welcomes Dr. Audrey Whitty, Director of the National Library of Ireland and Hibsen as they launch the inaugural Irish Arts & Literature Showcase. Dr. Whitty is in conversation with UW Teaching Professor and poet Frances McCue. Dr. Audrey Whitty is an Irish archaeologist, librarian and curator. As Director of the National Library of Ireland, she oversees the work of the library in collecting, protecting and making accessible the recorded memory of Ireland. Whitty previously worked for the National Museum of Ireland (NMI) where she was curator of the ceramics, glass and Asian collections, in the Art and Industrial Division of the museum. While working with the museum, she was awarded a doctorate in the History of Art by Trinity College Dublin. Frances McCue is an arts instigator who has spent her career connecting literature to community life. Known for her literary start-ups, she is the co-founder of Pulley Press, a new publishing imprint that celebrates poets and poetry from rural places, and she was the Founding Director of Richard Hugo House for its first decade. She also instigated the Poetry Brigade at the University of Washington. Currently, she is a Teaching Professor at the University of Washington where she has been the winner of the UW Distinguished Teaching Award. A poet and prose writer she has published six books—four of poetry and two of prose, including a book of essays about Richard Hugo. Her forthcoming book is Spark and Whistle: Thinking Like a Poet in Leadership and Life from Columbia University Press. The National Library of Ireland collects, protects and makes accessible the recorded memory of Ireland. We collect, protect and provide access to over 12 million items and will continue to do so for decades to come. We provide access to the collections free of charge, at four sites and online to exhibitions and events and to our reference and research reading rooms. Folio: The Seattle Athenaeum connects a dynamic literary community through a curated book collection, diverse programming, and opportunities for engaging conversations and transformative ideas. The Irish Arts & Literature Showcase, organized and curated by Caroline Cumming and Paula Stokes, welcomes visiting Irish writers, publishers and artists in presenting a curated selection of lectures, conversations and workshops. More at https://www.folioseattle.org/irisharts Presented by Town Hall Seattle and Folio: The Seattle Athenaeum.
How can we use negative spaces in fiction to engage with readers' imaginations? How are memory and trauma passed onto us through language? How do we become more than the stories we tell ourselves?KATIE KITAMURA (Author, Audition, Intimacies) emphasizes that a book is created in collaboration with the reader, using negative spaces in the narrative structure to allow for reader interpretation, paralleling the space between audience and actor in performance.PAUL LYNCH (Booker Prize-winning Novelist, Prophet Song) discusses the richness and slipperiness of the English language in Ireland, shaped by the overlay of English onto Irish grammatical constructions, resulting in unique phrasing and a capacity to create new constructions.DANIEL PEARLE (Screenwriter, Playwright, The Beast in Me) shares that audiences are fascinated by the unfettered, uncensored ID in characters, reflecting the universal fantasy of acting without consequences. He advises writers to put people who deeply irritate them into a play, as those characters often become the audience's favorites.HALA ALYAN (Novelist, Poet, I'll Tell You When I'm Home: A Memoir) describes her work as an excavation of the darkest hours and intergenerational trauma carried by her lineage, which has endured repeated exile. She links exile from the body to the larger patterns of not having a place in the world.T.C. BOYLE(Novelist, Short Story Writer, Environmentalist) shares that the creative process involves a magic in reaching for the unconscious and the surprise of the creative process. He emphasizes that art and nature are our salvations, over money. He advocates for solitude in nature—alone on a beach or in the woods—to connect with the natural world.ADAM ALTER (Author of Anatomy of a Breakthrough) discusses the axioms of creativity, noting that being around more people, even those who are "deeply incompetent," is generally beneficial for creativity by providing diversity of opinion and information, preceding the necessary time for solitary focus.SHEHAN KARUNATILAKA (Booker Prize-winning Author of The Seven Moons of Maali Almeida) explains his decision to write in the second person as a way of exploring the spiritual dimension of the internal voice. He posits that the "you" could be a spirit whispering thoughts, leading people (and nations) astray.DANIEL HANDLER A.K.A LEMONY SNICKET (Author, A Series of Unfortunate Events) argues that his books for children and adults are not fundamentally different and says everyone's childhood is full of powerful emotions derived from ordinary injustices, noting that we cry hardest over hurt feelings, not global catastrophes.ADA LIMÓN (24th U.S. Poet Laureate, Startlement, The Carrying) talks about her responsibility as a writer to honor her ancestors, specifically her grandfather, who had to sublimate his creative spirit for safety and belonging, leading her to prioritize grace and freedom in her own writing.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
How can we use negative spaces in fiction to engage with readers' imaginations? How are memory and trauma passed onto us through language? How do we become more than the stories we tell ourselves?KATIE KITAMURA (Author, Audition, Intimacies) emphasizes that a book is created in collaboration with the reader, using negative spaces in the narrative structure to allow for reader interpretation, paralleling the space between audience and actor in performance.PAUL LYNCH (Booker Prize-winning Novelist, Prophet Song) discusses the richness and slipperiness of the English language in Ireland, shaped by the overlay of English onto Irish grammatical constructions, resulting in unique phrasing and a capacity to create new constructions.DANIEL PEARLE (Screenwriter, Playwright, The Beast in Me) shares that audiences are fascinated by the unfettered, uncensored ID in characters, reflecting the universal fantasy of acting without consequences. He advises writers to put people who deeply irritate them into a play, as those characters often become the audience's favorites.HALA ALYAN (Novelist, Poet, I'll Tell You When I'm Home: A Memoir) describes her work as an excavation of the darkest hours and intergenerational trauma carried by her lineage, which has endured repeated exile. She links exile from the body to the larger patterns of not having a place in the world.T.C. BOYLE(Novelist, Short Story Writer, Environmentalist) shares that the creative process involves a magic in reaching for the unconscious and the surprise of the creative process. He emphasizes that art and nature are our salvations, over money. He advocates for solitude in nature—alone on a beach or in the woods—to connect with the natural world.ADAM ALTER (Author of Anatomy of a Breakthrough) discusses the axioms of creativity, noting that being around more people, even those who are "deeply incompetent," is generally beneficial for creativity by providing diversity of opinion and information, preceding the necessary time for solitary focus.SHEHAN KARUNATILAKA (Booker Prize-winning Author of The Seven Moons of Maali Almeida) explains his decision to write in the second person as a way of exploring the spiritual dimension of the internal voice. He posits that the "you" could be a spirit whispering thoughts, leading people (and nations) astray.DANIEL HANDLER A.K.A LEMONY SNICKET (Author, A Series of Unfortunate Events) argues that his books for children and adults are not fundamentally different and says everyone's childhood is full of powerful emotions derived from ordinary injustices, noting that we cry hardest over hurt feelings, not global catastrophes.ADA LIMÓN (24th U.S. Poet Laureate, Startlement, The Carrying) talks about her responsibility as a writer to honor her ancestors, specifically her grandfather, who had to sublimate his creative spirit for safety and belonging, leading her to prioritize grace and freedom in her own writing.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
How can we use negative spaces in fiction to engage with readers' imaginations? How are memory and trauma passed onto us through language? How do we become more than the stories we tell ourselves?KATIE KITAMURA (Author, Audition, Intimacies) emphasizes that a book is created in collaboration with the reader, using negative spaces in the narrative structure to allow for reader interpretation, paralleling the space between audience and actor in performance.PAUL LYNCH (Booker Prize-winning Novelist, Prophet Song) discusses the richness and slipperiness of the English language in Ireland, shaped by the overlay of English onto Irish grammatical constructions, resulting in unique phrasing and a capacity to create new constructions.DANIEL PEARLE (Screenwriter, Playwright, The Beast in Me) shares that audiences are fascinated by the unfettered, uncensored ID in characters, reflecting the universal fantasy of acting without consequences. He advises writers to put people who deeply irritate them into a play, as those characters often become the audience's favorites.HALA ALYAN (Novelist, Poet, I'll Tell You When I'm Home: A Memoir) describes her work as an excavation of the darkest hours and intergenerational trauma carried by her lineage, which has endured repeated exile. She links exile from the body to the larger patterns of not having a place in the world.T.C. BOYLE(Novelist, Short Story Writer, Environmentalist) shares that the creative process involves a magic in reaching for the unconscious and the surprise of the creative process. He emphasizes that art and nature are our salvations, over money. He advocates for solitude in nature—alone on a beach or in the woods—to connect with the natural world.ADAM ALTER (Author of Anatomy of a Breakthrough) discusses the axioms of creativity, noting that being around more people, even those who are "deeply incompetent," is generally beneficial for creativity by providing diversity of opinion and information, preceding the necessary time for solitary focus.SHEHAN KARUNATILAKA (Booker Prize-winning Author of The Seven Moons of Maali Almeida) explains his decision to write in the second person as a way of exploring the spiritual dimension of the internal voice. He posits that the "you" could be a spirit whispering thoughts, leading people (and nations) astray.DANIEL HANDLER A.K.A LEMONY SNICKET (Author, A Series of Unfortunate Events) argues that his books for children and adults are not fundamentally different and says everyone's childhood is full of powerful emotions derived from ordinary injustices, noting that we cry hardest over hurt feelings, not global catastrophes.ADA LIMÓN (24th U.S. Poet Laureate, Startlement, The Carrying) talks about her responsibility as a writer to honor her ancestors, specifically her grandfather, who had to sublimate his creative spirit for safety and belonging, leading her to prioritize grace and freedom in her own writing.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
How can we use negative spaces in fiction to engage with readers' imaginations? How are memory and trauma passed onto us through language? How do we become more than the stories we tell ourselves?KATIE KITAMURA (Author, Audition, Intimacies) emphasizes that a book is created in collaboration with the reader, using negative spaces in the narrative structure to allow for reader interpretation, paralleling the space between audience and actor in performance.PAUL LYNCH (Booker Prize-winning Novelist, Prophet Song) discusses the richness and slipperiness of the English language in Ireland, shaped by the overlay of English onto Irish grammatical constructions, resulting in unique phrasing and a capacity to create new constructions.DANIEL PEARLE (Screenwriter, Playwright, The Beast in Me) shares that audiences are fascinated by the unfettered, uncensored ID in characters, reflecting the universal fantasy of acting without consequences. He advises writers to put people who deeply irritate them into a play, as those characters often become the audience's favorites.HALA ALYAN (Novelist, Poet, I'll Tell You When I'm Home: A Memoir) describes her work as an excavation of the darkest hours and intergenerational trauma carried by her lineage, which has endured repeated exile. She links exile from the body to the larger patterns of not having a place in the world.T.C. BOYLE(Novelist, Short Story Writer, Environmentalist) shares that the creative process involves a magic in reaching for the unconscious and the surprise of the creative process. He emphasizes that art and nature are our salvations, over money. He advocates for solitude in nature—alone on a beach or in the woods—to connect with the natural world.ADAM ALTER (Author of Anatomy of a Breakthrough) discusses the axioms of creativity, noting that being around more people, even those who are "deeply incompetent," is generally beneficial for creativity by providing diversity of opinion and information, preceding the necessary time for solitary focus.SHEHAN KARUNATILAKA (Booker Prize-winning Author of The Seven Moons of Maali Almeida) explains his decision to write in the second person as a way of exploring the spiritual dimension of the internal voice. He posits that the "you" could be a spirit whispering thoughts, leading people (and nations) astray.DANIEL HANDLER A.K.A LEMONY SNICKET (Author, A Series of Unfortunate Events) argues that his books for children and adults are not fundamentally different and says everyone's childhood is full of powerful emotions derived from ordinary injustices, noting that we cry hardest over hurt feelings, not global catastrophes.ADA LIMÓN (24th U.S. Poet Laureate, Startlement, The Carrying) talks about her responsibility as a writer to honor her ancestors, specifically her grandfather, who had to sublimate his creative spirit for safety and belonging, leading her to prioritize grace and freedom in her own writing.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
How can we use negative spaces in fiction to engage with readers' imaginations? How are memory and trauma passed onto us through language? How do we become more than the stories we tell ourselves?KATIE KITAMURA (Author, Audition, Intimacies) emphasizes that a book is created in collaboration with the reader, using negative spaces in the narrative structure to allow for reader interpretation, paralleling the space between audience and actor in performance.PAUL LYNCH (Booker Prize-winning Novelist, Prophet Song) discusses the richness and slipperiness of the English language in Ireland, shaped by the overlay of English onto Irish grammatical constructions, resulting in unique phrasing and a capacity to create new constructions.DANIEL PEARLE (Screenwriter, Playwright, The Beast in Me) shares that audiences are fascinated by the unfettered, uncensored ID in characters, reflecting the universal fantasy of acting without consequences. He advises writers to put people who deeply irritate them into a play, as those characters often become the audience's favorites.HALA ALYAN (Novelist, Poet, I'll Tell You When I'm Home: A Memoir) describes her work as an excavation of the darkest hours and intergenerational trauma carried by her lineage, which has endured repeated exile. She links exile from the body to the larger patterns of not having a place in the world.T.C. BOYLE(Novelist, Short Story Writer, Environmentalist) shares that the creative process involves a magic in reaching for the unconscious and the surprise of the creative process. He emphasizes that art and nature are our salvations, over money. He advocates for solitude in nature—alone on a beach or in the woods—to connect with the natural world.ADAM ALTER (Author of Anatomy of a Breakthrough) discusses the axioms of creativity, noting that being around more people, even those who are "deeply incompetent," is generally beneficial for creativity by providing diversity of opinion and information, preceding the necessary time for solitary focus.SHEHAN KARUNATILAKA (Booker Prize-winning Author of The Seven Moons of Maali Almeida) explains his decision to write in the second person as a way of exploring the spiritual dimension of the internal voice. He posits that the "you" could be a spirit whispering thoughts, leading people (and nations) astray.DANIEL HANDLER A.K.A LEMONY SNICKET (Author, A Series of Unfortunate Events) argues that his books for children and adults are not fundamentally different and says everyone's childhood is full of powerful emotions derived from ordinary injustices, noting that we cry hardest over hurt feelings, not global catastrophes.ADA LIMÓN (24th U.S. Poet Laureate, Startlement, The Carrying) talks about her responsibility as a writer to honor her ancestors, specifically her grandfather, who had to sublimate his creative spirit for safety and belonging, leading her to prioritize grace and freedom in her own writing.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
The Creative Process in 10 minutes or less · Arts, Culture & Society
How can we use negative spaces in fiction to engage with readers' imaginations? How are memory and trauma passed onto us through language? How do we become more than the stories we tell ourselves?KATIE KITAMURA (Author, Audition, Intimacies) emphasizes that a book is created in collaboration with the reader, using negative spaces in the narrative structure to allow for reader interpretation, paralleling the space between audience and actor in performance.PAUL LYNCH (Booker Prize-winning Novelist, Prophet Song) discusses the richness and slipperiness of the English language in Ireland, shaped by the overlay of English onto Irish grammatical constructions, resulting in unique phrasing and a capacity to create new constructions.DANIEL PEARLE (Screenwriter, Playwright, The Beast in Me) shares that audiences are fascinated by the unfettered, uncensored ID in characters, reflecting the universal fantasy of acting without consequences. He advises writers to put people who deeply irritate them into a play, as those characters often become the audience's favorites.HALA ALYAN (Novelist, Poet, I'll Tell You When I'm Home: A Memoir) describes her work as an excavation of the darkest hours and intergenerational trauma carried by her lineage, which has endured repeated exile. She links exile from the body to the larger patterns of not having a place in the world.T.C. BOYLE(Novelist, Short Story Writer, Environmentalist) shares that the creative process involves a magic in reaching for the unconscious and the surprise of the creative process. He emphasizes that art and nature are our salvations, over money. He advocates for solitude in nature—alone on a beach or in the woods—to connect with the natural world.ADAM ALTER (Author of Anatomy of a Breakthrough) discusses the axioms of creativity, noting that being around more people, even those who are "deeply incompetent," is generally beneficial for creativity by providing diversity of opinion and information, preceding the necessary time for solitary focus.SHEHAN KARUNATILAKA (Booker Prize-winning Author of The Seven Moons of Maali Almeida) explains his decision to write in the second person as a way of exploring the spiritual dimension of the internal voice. He posits that the "you" could be a spirit whispering thoughts, leading people (and nations) astray.DANIEL HANDLER A.K.A LEMONY SNICKET (Author, A Series of Unfortunate Events) argues that his books for children and adults are not fundamentally different and says everyone's childhood is full of powerful emotions derived from ordinary injustices, noting that we cry hardest over hurt feelings, not global catastrophes.ADA LIMÓN (24th U.S. Poet Laureate, Startlement, The Carrying) talks about her responsibility as a writer to honor her ancestors, specifically her grandfather, who had to sublimate his creative spirit for safety and belonging, leading her to prioritize grace and freedom in her own writing.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
12/12/25: MTA Pres Max Page & Berkshire Comm Coll Pres Ellen Kennedy: big threats to higher ed but reasons for optimism Free Press Co-Pres Craig Aaron: Trumps' EO prohibiting regul AI regulation, media mergers' threat to 1st Am. Holyoke Mayor Joshua Garcia: Trump's DOE killing Sublime Systems' low-carbon cement production facility. Political Gold w/ Josh Silver: Trump's vulnerabilities, SCOTUS to kill the Voting Rights Act? redistricting & 2026. Donnabelle Casis w/ poet Matt Dunovan & artist Ligia Bouton on Emily Dickinson & “A Something Overtakes the Mind.”
If you want to understand the future of learning and equip yourself with the best possible tools for operating at the top of your game, I believe becoming polymathic is your best bet. And to succeed in mastering multiple skills and tying together multiple domains of knowledge, it’s helpful to have contemporary examples. Especially from people operating way out on the margins of the possible. That’s why today we’re looking at what happens when a poet decides to stop writing on easily destroyed paper. Ebooks and the computers that store information have a shelf life too. No, we’re talking about what happens when a poet starts “writing” into the potentially infinite cellular matter of a seemingly unkillable bacterium. This is the story of The Xenotext. How it came to be, how it relates to memory and the lessons you can learn from the years Christian Bök spent teaching himself the skills needed to potentially save humanity's most important art from the death of our sun. Poetry. But more importantly, this post is a blueprint for you. The story of The Xenotext is a masterclass in why the era of the specialist is over, and why the future belongs to the polymaths who dare to learn the “impossible” by bringing together multiple fields. What on earth could be impossible, you ask? And what does any of this have to do with memory? Simple: Writing in a way that is highly likely to survive the death of the sun changes the definition of what memory is right now. And it should change what we predict memory will be like in both the near and distant future. https://www.youtube.com/watch?v=HwQiW1XDAvI Encoding Literature Into Life: The Xenotext Christian Bök, often described as a conceptual poet, has run experiments with words for decades. For example, Eunoia is a univocal lipogram. That means, in each chapter, Bök used only words containing one of the vowels. This is a constraint, and it leads to lines like, “Awkward grammar appals a craftsman.” And “Writing is inhibiting.” There are other “programs” or constraints Bök used to construct the poem. As a result, you hear and feel the textures of your own mother tongue in a completely new way as you read the poem. But for The Xenotext project, Bök wondered if it would be possible to discover the rules and constraints that would enable himself, and conceivably other poets and writers, to encode poetry into a living organism. That leads to a fascinating question about memory that many mnemonists have tackled, even if they’re not fully aware of it. Can a poem outlive the civilization that produced it? If so, and humans are no longer around, how would that work? The Science of How Biology Becomes Poetry As far as I can understand, one of the first steps involved imagining the project itself, followed by learning how it could be possible for a poem to live inside of a cell. And which kind of cell would do the job of protecting the poetry? It turns out that there’s an “extremophile” called Deinococcus radiodurans. It was listed in the Guinness Book of World Records as the most radiation resistant bacterium on planet Earth. As a life form, its DNA was sequenced and published in 1999. According to the Wikipedia page on The Xenotext, Bök started conceiving of encoding poetry into DNA and then inserting it into the bacterium circa 2002. But the project is about more than having poetry persist within a cell so it can transmit the work without errors later. It’s a kind of combinatory puzzle in which the bacterium acts as a kind of co-author. In order to pull this project off, Bök needed to enlist the help of scientists while mastering multiple skills many people would not normally consider “writing.” But as we head into the future, we definitely should. Radical Autodidacticism: Reaching New Heights Through Deep Discipline To this day, many educators talk about the importance of being a specialist. But The Xenotext project and the work Bök put into it forces us to redefine what it means to be a self-directed learner in the 21st century. When Bök decided to encode a poem into the DNA of an extremophile bacterium, he didn’t just “dabble” in science or explore various interests as a multipotentialite. Nor did he read a few pop-sci books and expect an organism to write a poem in return. No, he spent many years studying genomic and proteomic engineering. He coded his own computer program to help him “unearth” the poetry, all while writing grants and collaborating with multiple experts. The Skill Stack If you’re a lifelong learner with big dreams, it’s useful to examine how people with autodidactic and polymathic personality traits operate. One of the first skills is to allow yourself to dream big. Giving oneself permission like this might not seem like a skill. But since we can model any polymath or other person who inspires us, you probably won’t be surprised that many of the most inspiring polymaths regularly daydream. Picking a dream and pursuing it despite any obstacles is also a skill. And once you’ve got a project, the next step is to take a cue from a polymath like Elon Musk and break your goal down into the most basic principles. No matter how unusual or unlikely your dream, it’s a useful exercise. When it comes to analytical thinking and breaking a goal down so you can start pursuing it, it’s often useful to look at your existing competence. In Bök’s case, I believe he wrote Eunoia by culling words manually from dictionaries over many years. But he couldn’t brute force The Xenotext in that way due to all the biological chemistry involved, so he had to become what you might think of as a computational linguist. My point is not to diminish the originality of this project in any way. But I think it’s helpful to recognize that The Xenotext is not wildly divorced from the skills Bök already had. It’s an evolution that draws from them. There’s also the skill of what Waqas Ahmed calls synesthetic thinking in his book, The Polymath. Not to be mistaken with synesthesia, synesthetic thinking involves imagining an outcome through at least one other sense. In Bök’s case, The Xenotext involves imagining the use of living beings other than human as being part of art. And he has described the possibility that his work could reach “a sufficiently intelligent civilization that has fast computers and smart cryptographers.” This is the skill of sensing beyond our own species and taking the risk of trying to reach them. Even if we’re long gone. We Need Deathless Memory Now, I have a confession to make. One of the many reasons I’m so fascinated by The Xenotext is that my memory is incredibly weak. That’s why I use mnemonics with such passion, including for memorizing poetry. Recently, I had the chance to interview Christian Bök, who you can probably tell by now, I consider to be one of the most rigorous intellects alive. And right in the middle of the interview, I started reciting one of his books from Book I of The Xenotext. For all the mnemonics in the world, I choked. Now, sometimes, this happens just because I have mouth problems and things get a bit sticky. Other times, it’s exhaustion and yet other times, I manage to recite poems with no problem at all. I’m mentioning this human moment in my career as a mnemonist not because I have a deep need to confess. No, this fragile, ephemeral human moment while talking about encoding and retrieving information perfectly from its placement within a living cell suggests the possibility that life really can be the most durable storage device in the universe. And to see this project come to fruition after all the years Bök pushed through multiple struggles inspires me in countless ways. For one thing, Bök’s project strikes me as the ultimate memory strategy. Was Poetry the Original Hard Drive? As Bök reminded me during our discussion, poetry was a memory technology long before writing existed. Rhythm, rhyme, and meter were engineering tools used to ensure information survived the “game of telephone” across generations. In Bök’s words: “We certainly owe every great epic story of the sort like the Epic of Gilgamesh or the Iliad… stories that were intended, of course, to transmit important cultural information over long periods of time. We need poets to be able to create that work and make it memorable enough… to persist over time.” And it is in this context that Christian Bök realized something terrifying: “There’s nothing that we’ve built so far on the planet Earth that would probably last more than a few tens of billions of years at most.” Until his work on The Xenotext succeeded, we have had nothing to rely on apart from our brains assisted by techniques like the Memory Palace, or silicon prostheses. But the computers and servers we now use to store our collective memory are just as subject to rot as paper. Even our homes would be ground into “an almost undetectable layer of geological dust” in just a few million years. So Bök’s selection of a deathless bacterium isn’t just a petri dish stunt. By choosing a specific bacterium that is “widely regarded as one of the most unkillable things ever to have evolved on the planet Earth,” Bök has created a memory inside a “message in a bottle thrown into an enormous ocean” that might actually survive the death of our sun. How to Develop Your Own Polymathic Persistence Reading this, you might be thinking, “I’m just a student,” or “I’m just a writer.” Bök could have thought that too. As he told me: “My assumption was that I’ve got training in English literature… Obviously, in order to embark upon such a project, I had to acquire a whole set of new skills, familiarize myself with a lot of very difficult discourses.” And so he made the decision to step outside of his lane, joining other innovators who have done the same. But how do you engage in a project that takes decades without burning out? Bök gave me three specific clues you can apply to your own learning journey. One: Embrace the Unknown Bök told me that if he had known how hard the project would be, he might not have started. He called this his “saving grace,” yet how many times do we turn away from our dreams because we don’t know the size of the mountain. Nelson Dellis told me something similar once about memory training. He’s a memory champion, but also a climber who has summited Everest. He said you don’t have to worry about whether the top of the mountain is there or not. Just focus on where you’re going to place your hands next. Two: Focus on Incremental Achievement Even as Bök’s project threw new obstacles at him, he told me: “I gave myself accomplishments or achievements that were incremental, that I knew I could probably fulfill, and would embark upon those doable tasks in an effort to acquire the required skill set in order to accomplish the remainder of these tasks.” In other words, he stacked small, doable wins on top of each other. And kept stacking until he had built a ladder to the impossible. Three: Tunnel Through the Noise Bök was candid about some of the loneliness on the path of the polymath. Sadly, he noted: This project, especially, has been beleaguered with all kinds of obstruction and difficulty that were added to the already difficult task at hand and the improbable kinds of risks that I had to adopt in order to be able to accomplish it. His advice having pushed through and made it to the other side? “If you’re going through hell, keep going. Don’t stop, because otherwise, you’re in hell… Just keep going, try to tunnel through.” Bök's work definitely makes a big statement when it comes to 21st century poetry. But for me, it's also a statement about memory and human potential. The Xenotext challenges us to stop thinking of computers as something that has eclipsed the human brain as the ultimate storage and retrieval device. It places our attention squarely back on the relationship between poetry and life, and the aspects of language that were in so many ways already a technology “infecting” our cells. If you want to become a polymath and enjoy a legacy that lasts, you must be willing to endure what Bök described as “36 different side quests” of complex projects, you must be willing to look at subjects and skills that seem “impossible” and learn them anyway. Ready to start your own “impossible” learning project? I have a guide that will help you develop your own curriculum: This Self-Education Blueprint will help you transform scattered curiosity into tightly interwoven levels of expertise. That way, the knowledge you accumulate gets put to use, and above all, helps others too.
Composer Samuel Andreyev and poet Anthony Etherin discuss Anthony's work, transcending extreme literary constraints to produce exceptionally beautiful poems.Support the show
¡MEDIO CARAMELO!Y traemos un nuevo episodio de 1/2 hora es suficiente con las mejores recomendaciones…Les hablamos de la genial banda Calva Louise y Del talentoso Manu LafämLas películas Frankestein A love Tale y CarameloLas series Pluribus y La NoviaY el estreno de la semana de @cinesunidos Un buen ladronEste episodio llega a ustedes gracias a nuestros queridos amigos de:@cinesunidos mucho mas que películas@ivecchionacce Tu asesoría jurídica.@goyosworkshop Diseño, arte y economía.Escúchanos en la plataformas de Podcast de tu preferencia, suscribete y así no te perderás nuestras novedadeshttps://linktr.ee/mediahoraessuficienteProducción de ½ Hora es Suficiente: Isabella Vecchionacce y Jonathan Lilue.Edición: Jonathan LilueMusicalización: Poet'ai https://www.tiktok.com/@poetai97
Alejandro Jodorowsky's The Holy Mountain This week we continue our love for Midnight and Cult Movies. For this episode we return to the great Chilean-French filmmaker, Alejandro Jodorowsky. A Visionary Artist and Poet of the Cinema, Jodorowsky has created some of the most beautiful and challenging images and concepts ever conceived. Problematic, Polarizing, Poetic, and Personal, Jodorowsky's films exist as islands of beauty in a world of Cinema too often overwhelmed by commerce - established, continuinuing, and obvious proven projects, as well as "safe" childrens' fair. Jodorowsky digs deep into the humanity, history, and struggles of the species. The Holy Mountain is a powerful film that is not easily digested or - even - understood, but the poetry of the images in this film continue to haunt audiences since its release over a half century ago. Take a listen and make the decision if you wanto to make the dive into this beautiful and rewarding film. As always, we can be reached at gondoramos@yahoo.com - Many, Many Thanks. For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.
Christian hip hop artist and author Propaganda talks with Brian Doak & Jason Fileta about what really matters for Christians in this moment: human dignity. Is Gen X the last generation with street smarts? Why are men struggling so hard in our culture? And how can we think about passing on what really matters from one generation to the next?Propaganda is a rapper, poet, and author born and raised in Los Angeles. Check out his book Terraform: https://www.prophiphop.com/bookListen to a tune from Prop's latest album: https://www.youtube.com/watch?v=7U593BIvGa4Jason Fileta is a Christian activist and Associate Vice President of Inclusive Excellence at George Fox University: https://www.bread.org/bio/jason-fileta/Dr. Brian Doak is an Old Testament scholar and professor: https://www.georgefox.edu/academics/undergrad/departments/religion/faculty/doak.htmlIf you enjoy listening to the George Fox Talks podcast and would like to watch, too, check out our channel on YouTube! We also have a web page that features all of our podcasts, a sign-up for our weekly email update, and publications from the George Fox University community.
Four sonnets from 2025 Poetry Contest winner Angie Minkin.Support the show
I interview acclaimed poet Erin Murphy. we discuss her background, her creative inspirations, and she reads several of her poems. we have an enthusiastic chat about artistic motivation, teaching literature to college students, and the ins and outs of publication. Anyone who wishes to learn more about Erin, read her poetry, or purchase her books should visit her website:www.erin-murphy.com
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This week on Blocked and Reported, Jesse and Katie discuss the politics of poetry and a controversy surrounding an indie lit magazine. Plus, a Chuck Johnson update. Katie's Duke eventJesse's Austin eventInvestor sues Chuck Johnson for “falsely presenting ... as intelligence agent” | SemaforWhere Wokeness Went Wrong | Susan Neiman | The New York Review of BooksA MeToo Mob Tried to Destroy My Life as a Poet. This Is How I SurvivedOpen Letter to Open-Minded ProgressivesInside the New Right, Where Peter Thiel Is Placing His Biggest BetsCurtis Yarvin's Plot Against America‘The Interview': Curtis Yarvin Says Democracy is Done - The New York TimesSpectra PoetsGroup ThinkFor William and KristineA Close Reading of Curtis Yarvin This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.blockedandreported.org/subscribe
Poet of the Week, December 8–14, 2025. Full text of the poem & interview: brooklynpoets.org/community/poet/vasvi-kejriwal
Diana Norma Szokolyai is a writer, interdisciplinary artist, educator and healer. Her books include Disobedient Futures, CREDO: An Anthology of Manifestos & Sourcebook for Creative Writing, Parallel Sparrows, and Roses in the Snow. Her poetry and prose appear in Chariot Press Literary Journal, Critical Romani Studies, and more. A finalist for the inaugural Poet Laureate of Salem, MA, she was also shortlisted for the Bridport Prize in poetry. Working with composers from around the world, her poetry & music collaborations have hit the Creative Commons Hot 100 list and featured on WFMU-FM. Her poetry has been translated into German for the international anthology of Romani poets Die Morgendämmerung der Worte, Moderner Poesie–Atlas der Roma und Sinti. She has performed her poetry with music in many venues including Spoken Word Paris, Outpost 186, Sidewalk Café, Lowell Celebrates Kerouac, and Salem Arts Festival poetry. Her poetry has been supported by grants from the City of Salem Public Art Commission and the Center for Arts and Social Justice at Vermont College of Fine Arts, where she served as an inaugural fellow. She is Co-Founder/Co-Director of Chagall Performance Art Collaborative and serves as Co-Founder/Co-Director of Cambridge Writers' Workshop. She is on faculty at Salem State University and Harborlight Montessori. Passionate about energy healing, she founded Sacred Swan Healing Arts, based in Salem, MA.Follow @sacredswanhealingarts and @diananormasRomani crushes in this episode are Cecilia Woloch, Margit Bangó, and Roby Lakatos SANTA JEZ ABUNDANCE RITUAL FUNDRAISERjezminavonthiele.comromaniholistic.com @romanistanpodcast. Join our Patreon or donate to Ko-fi.com/romanistan, and please rate, review, and subscribe. @jezmina.vonthiele @romaniholistic. Secrets of Romani Fortune Telling https://romanistanpodcast.com Email us at romanistanpodcast@gmail.comRomanistan is hosted by Jezmina Von Thiele and Paulina StevensConceived of by Paulina StevensEdited by Viktor PachasWith Music by Viktor PachasAnd Artwork by Elijah VardoSupport the show
Planet Poet-Words in Space – NEW PODCAST! LISTEN to my WIOX show (originally aired November 18th, 2025) featuring renowned, groundbreaking poet Molly Peacock. Molly will read from her acclaimed books and discuss her life as a poet, biographer and arts activist. Molly Peacock is the author of eight collections of poetry, including The Widow's Crayon Box. Her poems appear in leading literary journals such as Poetry and American Poetry Review and are anthologized in A Century of Poetry in The New Yorker. She is the cofounder of Poetry in Motion on New York's subways and buses. After her husband of 28 years died, she began The Widow's Crayon Box, realizing that the variety of feelings after a beloved partner dies comprise far more than an 8-color crayon box—it's the whole 152. A former Leon Levy Biography Fellow, Peacock is also the author of two biographies about the lives of women artists, The Paper Garden and Flower Diary. PRAISE FOR MOLLY PEACOCK “Peacock has a luxuriantly sensual imagination—and an equally sensual feel for the language. In mood her poems range from high-spirited whimsy ... to bemused reflection. ... Whatever the subject, rich music follows the tap of her baton.” - David Lehman writing in Washington Post Book World “Ms. Peacock uses rhyme and meter as a way to cut reality into sizeable chunks, the sense of the poem spilling from line to line, breathlessly.”- The New York Times Book Review [The Widow's Crayon Box] bears ample witness to [Molly Peacock's] wit and gusto, her sensuousness and curiosity, and her courage . . . Her poetic artistry, honed over the course of her distinguished career, enables her to find beauty and zest even in the most forbidding places—and having found them, to offer them to us.— Rachel Hadas, author of Ghost Guest
Ann talks with poet, author, and performer Preston Kirk. Then she sits down with Rebecca Knoll to talk all things Mayborn Museum Complex. We get a throwback to traveling Texas, and a new Act Locally Waco with Elizabeth Riley. Learn more about your ad choices. Visit megaphone.fm/adchoices
Poet, novelist, and broadcaster Salena Godden on turning love, grief, and fury into books and poems, surviving years in the wilderness before publication, and sustaining a boundaryless creative life through performance, early-morning writing, and community.You'll learn:Why you don't have to be a “starving artist” and how to make powerful work while loving yourself and looking after your health.How to treat your story as uniquely yours, with material that no one else can reproduce.How Salena's “rule of three” can help you balance meaning, generosity, and income in a creative career.Ways to draft poems and prose from an image or phrase and reshape darker early drafts into a final piece.How to write for “tomorrow you” first, using self-doubt and a critical future self as fuel for deeper revision.What it looks like to carry a memoir from years of rejection to publication without letting the work disappear.How to “compose on the lips” by walking, speaking drafts into your phone, and writing in the space between sleep and waking.Ways to ground yourself after writing emotionally charged work, including nature, slow rituals, and leaning on trusted loved ones.Resources and Links:
Original Air Date: November 13, 1953Host: Andrew RhynesShow: Adventures of Wild Bill HickokPhone: (707) 98 OTRDW (6-8739) Stars:• Guy Madison (Hickok)• Andy Devine (Jingles) Special Guests:• Harry Bartell• Frank Gerstle• Hal Gerard• Dusty Walker Producer:• Paul Pierce Music:• Dick Aurandt Exit music from: Roundup on the Prairie by Aaron Kenny https://bit.ly/3kTj0kK
The lady across the stream continues her answer to the pilgrim Dante's question about the breeze and the water. In this case, she explains the ecology of Eden, offers an understanding of global botany, and finally layers the meaning thick over the rivers of Eden, one of which is the poet's utter invention.The landscape itself is becoming allegorical, moral, theological, even anagogical, all while remaining true to its pastoral form (and roots).Join me, Mark Scarbrough, as we delve deeper into the lady's capacious answers and the poet's ever-widening imagination.If you'd like the help defray the many costs and fees associated with this website, please consider a one-time donation or a small monthly stipend through this PayPal link right here.Here are the segments for this episode of WALKING WITH DANTE:[01:31] My English translation of PURGATORIO, Canto XXVIII, lines 109 - 133. If you'd like to read along or continue the conversation with me, please find the entry for this episode on my website, markscarbrough.com.[04:09] The botany of both Eden and our own world.[07:28] The ecology of Eden: abundance.[11:05] The hydrology of Eden.[14:03] The strange placement of Lethe in Dante's afterlife.[17:15] The poet's reimagination of Eden, including an unprecedented river.[20:23] The vertical layering of meaning onto the pastoral form.[23:09] The inevitable logical faults of an imagined landscape.[25:48] Rereading the passage: PURGATORIO, Canto XXVIII, lines 109 - 133.
Beginning in the late 1970s, Ruth Finley was terrorized by a mysterious stalker known as 'The Poet'. At that time, Wichita, Kansas, was on the hunt to find another monster: the BTK serial killer. Over time, Ruth's encounters with The Poet grew more violent, leading investigators to ask a chilling question: was Ruth yet another victim on BTK's list, or did Wichita have another serial predator on the loose? Associate Professor of English at Baruch College, CUNY, Corey Mead discusses the many twists and turns in the case, as well as the shocking conclusion, as detailed in his new book, The Pursued. Follow Emily on Instagram: @realemilycompagno If you have a story or topic we should feature on the FOX True Crime Podcast, send us an email at: truecrimepodcast@fox.com Learn more about your ad choices. Visit podcastchoices.com/adchoices
Galahad and the Grail is Book 1 of Merlin’s Isle, Malcolm Guite’s retelling of the King Arthur legends in ballad form. It releases in March of 2026. In the prelude to Galahad and the Grail, a voice shimmering in the morning air says: Poet, take up the tale–Take up the tale the land still keeps,In earth and water magic sleeps,The dryad sighs, the naiad weeps,But you can lift the veil. Malcolm has taken up a very old tale and lifted the veil on stories that have lingered in the traditions of the British Isles longer than the English language itself. Scholar and teacher Junius Johnson is taking up the tale in another way. Starting in January 2026, Junius is teaching a 20-week online class on the King Arthur legend. He describes the class as a chance to see for yourself why this story has fascinated the imagination for so many centuries. In this episode, Malcolm, Junius talk with Jonathan Rogers about how King Arthur rode into their lives, and what these stories have meant to them. This episode is sponsored by The Habit Writer Development Cohorts. Join "Cohort Week Zero," a free mini-class, at TheHabit.co/Development.Support the show: https://therabbitroom.givingfuel.com/memberSee omnystudio.com/listener for privacy information.
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