Podcasts about Invention

Hello and welcome to the Enchanted Ears Podcast, where we discuss anything and everything Disney. This week, Disney announced plans to merger Hulu and Disney+.  We discuss why this is a big win for Disney fans.  Plus we got our first look at the offerings for the new Beak and Barrel lounge coming to Magic Kingdom. Walt Disney was a visionary who was constantly looking for ways to entertain people in new and innovative ways. And he built that vision and drive right into the DNA of the Disney Company. So with 100 years of history under its belt, the Company had to create a few groundbreaking inventions, right? Well today, we're counting down the top 5 inventions that came out of Disney that completely changed the course of history. From changing the movie going experience to forever solidifying the theme park industry, these inventions have become engrained in our culture. Let us know what your pick for the top invention is. Submit a question/topic for us to discuss on a future episode. Don't forget to check us out on: -Instagram -Facebook  -Youtube Missing the smell of the parks? Check out Magic Candle Company and use code Enchanted at checkout to save 15% off your next order. Timestamps Welcome 00:00 Disney News 01:21 MultiPlane Camera 12:09. +11:09 Fantasound 22:02 Pixar Renderman 31:15 Fastpass 37:51 Run Disney Sign Up Issues 53:04 Audio Animatronics 54:57 What's Your Pick? 1:06:01

In this sweeping new history of humanity, told through the prism of our ever-changing moral norms and values, Hanno Sauer shows how modern society is just the latest step in the long evolution of good and evil and everything in between. What makes us moral beings? How do we decide what is good and what is evil? And has it always been that way? Hanno Sauer's sweeping new history of humanity, covering five million years of our universal moral values, comes at a crucial moment of crisis for those values, and helps to explain how they arose -- and why we need them. We humans were born to cooperate, but everywhere we find ourselves in conflict. The way we live together has changed fundamentally in recent decades: global mobility, demographic upheaval, migration movements, and digital networking, have all called the moral foundations of human communities into question. Modern societies are in crisis: a shared universal morality seems to be a thing of the past. Hanno Sauer explains why this appearance is deceptive: in fact, there are universal values that all people share. If we understand the origin of our morality, we can understand its future too. With philosophical expertise and empirical data, Sauer explains how processes of biological, cultural, social, and historical evolution shaped the moral grammar that defines our present. Seven chapters recount the crucial moral upheavals of human history showing how the emergence of humankind five million years ago, the rise of first civilizations 5,000 years ago, and the dynamics of moral progress in the last fifty years are interrelated. This genealogical perspective allows us, on the one hand, to see the contradictions and potential conflicts of our moral identities; on the other, it makes clear that we share fundamental values that apply to all human beings at all times. Sauer's elegant prose, translated into English by Jo Heinrich, brings the history of humanity to vivid new life. Hanno Sauer is an Associate Professor of Philosophy at the Department of Philosophy & Religious Studies at Utrecht University. He teaches ethics, metaethics and political philosophy. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Welcome back to Artbeat Radio!Today, Brian and Doug react to some of the weirdest inventions. Subscribe to our podcast to see more of our diverse episodes!Thanks for watching and tune in next time!www.ableartswork.orginstagram: artbeatradio

Idea: To have an aviation museum in St. Louis (called "Aviation Under The Arches") to showcase the aviation history of the city, such as Charles Lindbergh and WWII fighter planes. Also: they could steal Akron's aviation museum; being too fat to ride in airplane simulators; being afraid of heights in some scenarios (such as skydiving) but not being afraid to ride in an airplane; an odd museum and an oddly-named gay strip club in St. Louis Emily Clark (facebook.com/emily.clark.798 linktr.ee/do.you.know.your.emily) Tom Brown (https://thetombrown.com facebook.com/thetombrown) Ricarlo Winston (facebook.com/Ricarlo.thecomedian Laughter on the Lakeshore Comedy Fest: facebook.com/profile.php?id=61558187071957) Scott Fischer (facebook.com/scott.fischer.980) Tom Walma (https://creativitywasted.com/creativitywasted twitch.tv/gameymcfitness) This podcast is part of Planet Ant Podcasts (https://planetant.com) This podcast is powered by Pinecast.

Chapter 50October 29Someone, SomewhereIn some ways these people (I am one) cannot exist without the oxygen of laughter. Dawn Powell, diary entryThe ability to burst out laughing is proof of a fine character. I mistrust those who avoid laughter and refuse its overtures. They are afraid to shake the tree, mindful of the fruits and birds, afraid that someone might notice that nothing comes off their branches. Jean Cocteau, “On Laughter”ALBERTINE AND I spent the whole day packing, with help from Lou and all his friends and from professionals hired by Artie for the heavy work. By dinnertime all of our worldly goods were en route to a small apartment in Manhattan, to be delivered the next day.MY BIRTHDAY “CAKE” was a pecan pie with fifty candles. Before I began reading the final installment of Dead Air, I yielded the floor to Lou, who said, “Listen — for the last forty-nine nights I've been sending my show in on tapes that Elaine's been shuttling to the studio — except for one piece of the Catalog of Human Misery a few nights ago that I phoned in from my room here — but tonight, right after Peter's reading, I'm going to the studio to do this one live, because tonight's my last show, the sign-off, the gala, the big finish — so tune in, will you? It's a once-in-a-lifetime opportunity! Don't miss it!” Then I read “Someone, Somewhere.”WE ALL MAKE MISTAKES. On my thirteenth birthday, I made one. I was, at the time, the sole supplier of flying-saucer detectors in Babbington, New York, clam capital of America, my home town; I also ran a broadcasting network from a cave in my back yard; and I had begun spying in a small way, planting an electronic eavesdropping device camouflaged as a flying-saucer detector in the bedroom of Mr. and Mrs. Roger Jerrold, a couple who lived down the block from me — or around the corner — in the hope that I might hear Mrs. Jerrold having sex with Mr. Yummy, a man who delivered baked goods and other joys to the housebound wives of Babbington. As it so often does, curiosity led to my mistake. One day, instead of attending to my duties as broadcaster and announcer, I plugged my tape recorder — a birthday gift to myself — into my transmitter and let a tape play over the air while I went prowling into the secrets that my friends Raskol, Marvin, Spike, and Matthew kept in the cave. When I had snooped enough to make myself feel guilty about it, I returned to the transmitter and put my headphones on to see what point I'd reached in my prerecorded palaver. I discovered that, instead of a recording of myself acting the part of Larry Peters, the congenial substitute host of “The Peter Leroy Show,” I had been broadcasting a tape that I had stolen from the Jerrolds, a recording of Mrs. Jerrold and Mr. Yummy that had probably been made in secret by Mr. Jerrold, who may have been a spy — not an amateur like me, but a professional, a soldier in the cold war. The tape was nearly at its end, and Mrs. Jerrold was screaming “Oh, Yummy, Yummy, Yummy!” her voice rising in a crescendo of pleasure. When one is in a cave sitting in front of a radio transmitter broadcasting a signal into an unseen world, it is hard to tell whether anyone at all is out there listening, unless one has a feedback system of some sort that allows one to detect the effects of the signal on the outside world. I had one of those effect-detectors: the electronic eavesdropper that I had installed in the Jerrolds' bedroom. I bent my ear to the radio that I kept tuned to the eavesdropper, listening for any sound that might suggest that the Jerrolds had heard the tape that I'd been playing. At first, I didn't hear much, because the eavesdropper wasn't sensitive enough to pick up sounds beyond the bedroom, but then I heard Mr. Jerrold's voice, increasing in volume as he came within range: “. . . not a fit mother, you b***h! Junior — get your coat. We're going to Grandma's.” Then some banging and thumping — a crash — the ringing of a bell — and then nothing. The persistence and spaciousness of the nothingness led me to conclude that someone had knocked my eavesdropper to the floor and that it was going to require some repairs before it would work again. I shut the transmitter down, came up out of the cave, lowered the stump into place, and walked to the Jerrolds' house. The car was not in the driveway. I walked up the side of the driveway, at the edge of it, on the grass, so that my footsteps wouldn't make a sound on the gravel. When I got to the window at the end of the living room, I stood on my toes and peeked inside. I saw Mrs. Jerrold, at the opposite end of the room, sitting on the sofa, in the gray light of the television set. She was smoking a cigarette. I ducked immediately, fearful that she would see me. I went home. I ate my dinner. I helped wash the dishes. I went out for a walk. I returned to the Jerrolds' house. It was dark downstairs, but there was a light on in the bedroom. I went around to the back door and stood there trying to work up the courage to knock. If there ever was a time when I could knock at the door and say to Mrs. Jerrold, “Let me in, let me in, let me in, I implore,” and hope to be admitted, it seemed to me that this was it, but I didn't have the nerve, and so I turned away, and put my head down, and put my hands in my pockets, and went home and went to bed. What happened after that I know only at second hand, from the Jerrolds' neighbor, Mrs. Breed, who got it from the cops. Following a domestic dispute, Mr. Jerrold drove off with his son to visit his parents in Minnesota. Sometime after he left, Mrs. Jerrold locked all the doors and windows in the house, stuffed towels under the doors and up the flue of the living room fireplace, taped the cracks around the windows, taped wrapping paper over the glass, and drew the blinds and curtains. She heaped combustibles in the center of the living room: paper and boxes, scrap wood, rags, wooden tables and chairs, Mr. Jerrold's clothing, and reels of recording tape. While she was heaping the combustibles, or perhaps after she had finished the work, while she was taking a look at the heap and congratulating herself on a job well done, she drank a pitcher of whiskey sours (“made with good Canadian whiskey,” according to what Mrs. Breed said the police said) and took several sleeping pills. Sometime after finishing her whiskey sours and sleeping pills, or perhaps just before she finished her whiskey sours and sleeping pills, she doused the pile of combustibles with some cleaning fluid and kerosene and set fire to it, and sometime after that she passed out, and sometime after that she died, but the house was not destroyed. Mrs. Jerrold had gone to great lengths to ensure that there would be no drafts, no air to save her from the end that she had designed for herself, but in her agitated state she had forgotten that a fire needs air as much as an unhappy woman does. Neither the police nor Mrs. Breed made any mention of a visitor who stood outside the kitchen door, thought of knocking, did not knock, and left. Mr. Jerrold and Junior never returned to town. The house was put on the market, but it took a long time to sell, because it smelled of smoke and needed work. Was it all my fault? It may have been. The effects of the things we do extend themselves, like a chain or a relay network, reaching farther than we suppose, so all our acts have unforeseen consequences, and I suspect that someone, somewhere, suffers for every mistake I make.EVERYONE SAT IN SILENCE until Lou said, “I have to admit that I was expecting a happy ending.” Then he looked at his watch and said, “Hey, I've got to go.”Subscribe to The Personal History, Adventures, Experiences & Observations of Peter LeroyShare The Personal History, Adventures, Experiences & Observations of Peter LeroyWatch Well, What Now? This series of short videos continues The Personal History, Adventures, Experiences & Observations of Peter Leroy in the present.Have you missed an episode or two or several?* You can begin reading at the beginning or you can catch up by visiting the archive or consulting the index to the Topical Guide. The Substack serialization of Little Follies begins here; Herb 'n' Lorna begins here; Reservations Recommended begins here; Where Do You Stop? begins here; What a Piece of Work I Am begins here; At Home with the Glynns begins here; Leaving Small's Hotel begins here.* You can listen to the episodes on the Personal History podcast. Begin at the beginning or scroll through the episodes to find what you've missed. The Substack podcast reading of Little Follies begins here; Herb 'n' Lorna begins here; Reservations Recommended begins here; Where Do You Stop? begins here; What a Piece of Work I Am begins here; At Home with the Glynns begins here; Leaving Small's Hotel begins here.* You can listen to “My Mother Takes a Tumble” and “Do Clams Bite?” complete and uninterrupted as audiobooks through YouTube.* You can ensure that you never miss a future issue by getting a free subscription. (You can help support the work by choosing a paid subscription instead.)* At Apple Books you can download free eBooks of Little Follies, Herb 'n' Lorna, Reservations Recommended, Where Do You Stop?, What a Piece of Work I Am, and At Home with the Glynns.* You can buy hardcover and paperback editions of all the books at Lulu.* You'll find overviews of the entire work in An Introduction to The Personal History, Adventures, Experiences & Observations of Peter Leroy (a pdf document), The Origin Story (here on substack), Between the Lines (a video, here on Substack), and at Encyclopedia.com.The serialization of The Personal History, Adventures, Experiences & Observations of Peter Leroy is supported by its readers. I sometimes earn affiliate fees when you click through the affiliate links in a post. EKThe illustration in the banner that opens each episode is from an illustration by Stewart Rouse that first appeared on the cover of the August 1931 issue of Modern Mechanics and Inventions.www.erickraft.comwww.babbingtonpress.com Get full access to The Personal History, Adventures, Experiences & Observations of Peter Leroy at peterleroy.substack.com/subscribe

Brian not only writes but also illustrates his incredibly popular books—this epic interview will blow you away! Brian Selznick's books have sold millions of copies, garnered countless awards worldwide, and have been translated into more than 35 languages. He broke open the novel form with his genre-breaking thematic trilogy, beginning with the Caldecott Medal-winning #1 New York Times bestseller The Invention of Hugo Cabret, adapted into Martin Scorsese's Oscar-winning movie Hugo. In praising his body of work, The Washington Post said, “Brian Selznick proves to be that rare creator capable of following one masterpiece with another.” The Associated Press called Selznick “one of publishing's most imaginative storytellers.” He and his husband Dr. David Serlin divide their time between Brooklyn, New York and La Jolla, California.

Sam Presley of Garage Gym Reviews returns with an inside look at HomeGymCon 2025, from ATX's booth takeover to the mystery behind STEPR's cardio gear. The crew dives deep into GGR's content strategy, big wins, and what the future of the home gym community could look like.

(music) (5 hours) Useless Inventions Trivia Tuesday LMBYTS #1407 Jason Newland 6th August 2025 by Jason Newland

(no music) (5 hours) Useless Inventions Trivia Tuesday LMBYTS #1407 Jason Newland 6th August 2025 by Jason Newland

(no music) (10 hours) Useless Inventions Trivia Tuesday LMBYTS #1407 Jason Newland 6th August 2025 by Jason Newland

(no music) Useless Inventions Trivia Tuesday LMBYTS #1407 Jason Newland 6th August 2025 by Jason Newland

(music) Useless Inventions Trivia Tuesday LMBYTS #1407 Jason Newland 6th August 2025 by Jason Newland

(music) (10 hours) Useless Inventions Trivia Tuesday LMBYTS #1407 Jason Newland 6th August 2025 by Jason Newland

7-6-25 PM God's Opinion of Man's Inventions by Clays Mill Baptist

Fluent Fiction - Mandarin Chinese: Unlocking Secrets Beneath Xi'an: A Tale of Heritage and Invention Find the full episode transcript, vocabulary words, and more:fluentfiction.com/zh/episode/2025-08-06-22-34-02-zh Story Transcript:Zh: 正值盛夏，西安古城墙下，一个不为人知的实验室悄然隐藏在岁月的尘埃中。En: At the peak of summer, beneath Xi'an's ancient city walls, an unknown laboratory quietly lay hidden in the dust of ages.Zh: 梅琳和哥哥峻，站在入口前，看着手中蓝图出神。En: Mei Lin and her brother Jun stood before the entrance, staring intently at the blueprint in their hands.Zh: 这些图纸来自他们已故的祖父，传说中是一项了不起的发明。En: These drawings came from their late grandfather, said to be a remarkable invention.Zh: 白日里，古城熙熙攘攘，但到了夜晚，尤其是中元节的夜晚，空气里却弥漫着香火气息，冥冥之中仿佛祖先的灵魂在游荡。En: During the day, the ancient city was bustling, but by night, especially on the night of the Zhong Yuan Jie, the air was thick with incense, as if the spirits of ancestors were wandering mysteriously.Zh: 梅琳心中涌动着迫切的渴望，她要揭开蓝图的秘密，为家族找回荣誉。En: An urgent desire surged in Mei Lin's heart; she wanted to uncover the secrets of the blueprint and restore her family's honor.Zh: 峻在旁边略显犹豫。En: Jun, standing beside her, appeared slightly hesitant.Zh: “这可能很危险，”他低声说，“而且那些开发商很快就要来拆掉这里。”En: "This could be dangerous," he whispered, "and those developers will soon come to demolish this place."Zh: 梅琳点了点头，眼神坚定。En: Mei Lin nodded, her gaze firm.Zh: “祖父的智慧不能就这样消失。我们必须进去。”En: "Grandfather's wisdom cannot vanish just like that. We must go in."Zh: 在地面上，他们找到了一个隐蔽的入口。En: On the ground, they found a hidden entrance.Zh: 在梅琳细心辨别蓝图的指引下，他们顺利打开了通道。En: Guided carefully by the blueprint deciphered by Mei Lin, they successfully opened the passage.Zh: 黑暗的阶梯通往一个微光的世界，实验室里充满了尘封的古物和纸张交错的气息。En: The dark staircase led to a dim world where the laboratory was filled with dusty relics and the intertwined presence of paper.Zh: 脚步声在墙壁间回荡，与外面的烟火形成鲜明对比。En: Their footsteps echoed off the walls, in stark contrast to the fireworks outside.Zh: 正当两人专注于寻找祖父的发明时，他们意外触动了一个机关，入口开始缓缓关闭。En: Just as the two focused on finding their grandfather's invention, they accidentally triggered a mechanism, and the entrance began to close slowly.Zh: “快！”峻大喊，心跳加速。En: "Hurry!" Jun shouted, his heart racing.Zh: “我们得赶紧走！”En: "We need to get out, fast!"Zh: 梅琳飞快地合上笔记本，然后拉起峻的手，两人一同奔向出口。En: Mei Lin quickly closed her notebook, then grabbed Jun's hand, and together they dashed towards the exit.Zh: 在最后一刻，他们奋力跃过门槛，实验室的入口在身后轰然闭合。En: At the last moment, they leaped over the threshold, as the entrance to the laboratory closed shut with a roar behind them.Zh: 在浑浊的夜色中，梅琳和峻气喘吁吁地跪在古城的地面上，手中紧握祖父的蓝图。En: In the murky night, Mei Lin and Jun knelt on the ground of the ancient city, panting and clutching their grandfather's blueprint tightly.Zh: 梅琳展开图纸，眼中闪烁着新生的希望。En: Mei Lin unfolded the paper, her eyes shimmering with newfound hope.Zh: 图纸上的设计指向一个清洁能源的装置，奇妙而宏伟。En: The design pointed to a device for clean energy, wondrous and grand.Zh: “这不仅是祖父的遗产，也是未来的钥匙。”梅琳说，声音充满敬意。En: "This is not only grandfather's legacy but also the key to the future," Mei Lin said, her voice full of reverence.Zh: 峻的心中充满了对祖父的尊敬和对妹妹的信任。En: Jun's heart was filled with respect for his grandfather and trust in his sister.Zh: “我们一定要好好保护它。”En: "We must protect it well."Zh: 于是，兄妹俩决定携手努力，让这个发明脱离阴影，成为改变未来的重要力量。En: Thus, the siblings decided to work together, bringing this invention out of the shadows to become a powerful force for change in the future.Zh: 而他们也在这个过程中，找到了对家族、更重要的是对彼此的信任和理解。En: In the process, they found trust and understanding not just for their family but, more importantly, for each other. Vocabulary Words:peak: 盛夏ancient: 古laboratory: 实验室blueprint: 蓝图remarkable: 了不起的bustling: 熙熙攘攘incense: 香火ancestors: 祖先surged: 涌动uncover: 揭开demolish: 拆掉firm: 坚定deciphered: 辨别dim: 微光relics: 古物intertwined: 交错的echoed: 回荡fireworks: 烟火mechanism: 机关threshold: 门槛murky: 浑浊panting: 气喘吁吁unfolded: 展开shimmering: 闪烁legacy: 遗产reverence: 敬意trust: 信任understanding: 理解restore: 找回honor: 荣誉

(no music) Useless Inventions Trivia Tuesday LMBYTS #1407 Jason Newland 6th August 2025 by Jason Newland

(music) (10 hours) Useless Inventions Trivia Tuesday LMBYTS #1407 Jason Newland 6th August 2025 by Jason Newland

(music) Useless Inventions Trivia Tuesday LMBYTS #1407 Jason Newland 6th August 2025 by Jason Newland

(music) (5 hours) Useless Inventions Trivia Tuesday LMBYTS #1407 Jason Newland 6th August 2025 by Jason Newland

(no music) (5 hours) Useless Inventions Trivia Tuesday LMBYTS #1407 Jason Newland 6th August 2025 by Jason Newland

(no music) (10 hours) Useless Inventions Trivia Tuesday LMBYTS #1407 Jason Newland 6th August 2025 by Jason Newland

Have a bunch of invention ideas but don’t want to start a business for each one? In this episode, we look at the reality of licensing product concepts—and why execution matters more than creativity. Side Hustle School features a new episode EVERY DAY, featuring detailed case studies of people who earn extra money without quitting their job. This year, the show includes free guided lessons and listener Q&A several days each week. Show notes: SideHustleSchool.com Email: team@sidehustleschool.com Be on the show: SideHustleSchool.com/questions Connect on Instagram: @193countries Visit Chris's main site: ChrisGuillebeau.com Read A Year of Mental Health: yearofmentalhealth.com If you're enjoying the show, please pass it along! It's free and has been published every single day since January 1, 2017. We're also very grateful for your five-star ratings—it shows that people are listening and looking forward to new episodes.

Welcome Natties to episode 98 “The invention of lying”! Join us this week as we dive into weird talents and the Rubik's cube, gambling on UNO in Vegas, the Coldplay CEO situation, the movie “The Invention of Lying” and what you'd do with that power, a fan unboxing and so much more! Remember to please like, comment and subscribe! Are you a part of THE Natty Nation? What are you waiting for?Natties we officially have MERCH! Support us and the podcast by ordering on our website www.thenaturalspod.com Thank you!SocialsUncle Kyle/Pod: @thenaturalspodSweet Derek: @sweetderekproductionsEmail: sweetderekproductions@gmail.com

Episode: 1418 Does war influence technological evolution? Some surprising facts.  Today, we wonder how war influences technology.

Traditionally divers took on risky tasks in the aquaculture industry like pressure cleaning and repairing nets.

Joshua Bronfman is a motorcycle racing pro, entrepreneur, and dedicated young dad residing in Scottsdale, AZ, with his wife, Danielle, and their two kids, Henry (2) and Charlotte (8 months). His journey into invention began with a late-night mishap involving a faulty baby sound machine during Henry's infancy. Frustrated by the lack of quality, versatile, and aesthetically pleasing sound machines that met their family's needs, Josh and Danielle took it upon themselves to create the perfect solution.Though inventing a noise machine was far from his expertise as a motorbike enthusiast, Josh tapped into his core family principles and a mission to help his kids sleep. Through trial, error, and perseverance, he transformed his vision into reality in just two years. The result is Dreamer, a high-quality sound machine designed to be portable for travel and fit seamlessly on a nursery shelf. Now available online at major retail sites, Dreamer is soon set to hit brick-and-mortar stores, all thanks to Josh's innovative spirit and commitment to his family's well-being.Learn more about Josh at https://SleepwithDreamer.com.

From his early albums with the Mothers of Invention, Frank Zappa established a reputation as a musical genius who pushed the limits of culture throughout the 1960s and 1970s, experimenting with a blend of genres in innovative and unheard-of ways. Not only did his exploratory styles challenge the expectations of what popular music could sound like, but his prolific creative endeavors also shaped how audiences thought about the freedom of artistic expression. In Frank Zappa's America (LSU Press, 2025), Bradley Morgan casts the artist as an often-misunderstood figure who critiqued the actions of religious and political groups promoting a predominantly white, Christian vision of the United States. A controversial and provocative satirist, often criticized for the shocking subject matter of his songs, Zappa provided social commentary throughout his career that spoke truth to power about the nefarious institutions operating in the lives of everyday Americans. Beginning in the late 1970s, his music frequently addressed the rise of extremist religious influence in American politics, specifically white Christian nationalism. Despite commercial and critical pressure, Zappa refused to waver in his support for free speech during the era of Reagan and MTV, including his pointed testimony before the U.S. Senate at the Parents Music Resource Center (PMRC) hearings. Throughout the 1980s, and until his death in 1993, Zappa crafted his art form to advocate for political engagement, the security of individual liberties, and the advancement of education. Music became his platform to convey progressive views promoting the rights of marginalized communities most at risk in a society governed by the principles of what he perceived as Christian radicalism. Frank Zappa's Americexamines the musician's messaging through song, tracing the means by which Zappa created passionate, at times troubling, art that combats conservativism in its many manifestations. For readers in the twenty-first century, his music and public advocacy demonstrate the need to preserve democracy and the voices that uphold it. Bradley Morgan, a media arts professional based in Chicago, is the author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships for CHIRP Radio 107.1 FM and directs the station's music film festival. Morgan also interviews authors of music and pop culture books for the New Books Network podcast. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this sweeping new history of humanity, told through the prism of our ever-changing moral norms and values, Hanno Sauer shows how modern society is just the latest step in the long evolution of good and evil and everything in between. What makes us moral beings? How do we decide what is good and what is evil? And has it always been that way? Hanno Sauer's sweeping new history of humanity, covering five million years of our universal moral values, comes at a crucial moment of crisis for those values, and helps to explain how they arose -- and why we need them. We humans were born to cooperate, but everywhere we find ourselves in conflict. The way we live together has changed fundamentally in recent decades: global mobility, demographic upheaval, migration movements, and digital networking, have all called the moral foundations of human communities into question. Modern societies are in crisis: a shared universal morality seems to be a thing of the past. Hanno Sauer explains why this appearance is deceptive: in fact, there are universal values that all people share. If we understand the origin of our morality, we can understand its future too. With philosophical expertise and empirical data, Sauer explains how processes of biological, cultural, social, and historical evolution shaped the moral grammar that defines our present. Seven chapters recount the crucial moral upheavals of human history showing how the emergence of humankind five million years ago, the rise of first civilizations 5,000 years ago, and the dynamics of moral progress in the last fifty years are interrelated. This genealogical perspective allows us, on the one hand, to see the contradictions and potential conflicts of our moral identities; on the other, it makes clear that we share fundamental values that apply to all human beings at all times. Sauer's elegant prose, translated into English by Jo Heinrich, brings the history of humanity to vivid new life. Hanno Sauer is an Associate Professor of Philosophy at the Department of Philosophy & Religious Studies at Utrecht University. He teaches ethics, metaethics and political philosophy. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

From his early albums with the Mothers of Invention, Frank Zappa established a reputation as a musical genius who pushed the limits of culture throughout the 1960s and 1970s, experimenting with a blend of genres in innovative and unheard-of ways. Not only did his exploratory styles challenge the expectations of what popular music could sound like, but his prolific creative endeavors also shaped how audiences thought about the freedom of artistic expression. In Frank Zappa's America (LSU Press, 2025), Bradley Morgan casts the artist as an often-misunderstood figure who critiqued the actions of religious and political groups promoting a predominantly white, Christian vision of the United States. A controversial and provocative satirist, often criticized for the shocking subject matter of his songs, Zappa provided social commentary throughout his career that spoke truth to power about the nefarious institutions operating in the lives of everyday Americans. Beginning in the late 1970s, his music frequently addressed the rise of extremist religious influence in American politics, specifically white Christian nationalism. Despite commercial and critical pressure, Zappa refused to waver in his support for free speech during the era of Reagan and MTV, including his pointed testimony before the U.S. Senate at the Parents Music Resource Center (PMRC) hearings. Throughout the 1980s, and until his death in 1993, Zappa crafted his art form to advocate for political engagement, the security of individual liberties, and the advancement of education. Music became his platform to convey progressive views promoting the rights of marginalized communities most at risk in a society governed by the principles of what he perceived as Christian radicalism. Frank Zappa's Americexamines the musician's messaging through song, tracing the means by which Zappa created passionate, at times troubling, art that combats conservativism in its many manifestations. For readers in the twenty-first century, his music and public advocacy demonstrate the need to preserve democracy and the voices that uphold it. Bradley Morgan, a media arts professional based in Chicago, is the author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships for CHIRP Radio 107.1 FM and directs the station's music film festival. Morgan also interviews authors of music and pop culture books for the New Books Network podcast. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

 Can you take heartache and put it to verse? Our guest Gary Browe has written a poetry book on loss of all kinds and shared some of them in song: https://bit.ly/4lcd9CxThe path to healing is a bumpy ride. The stages of grief are often filled with potholes, wrong turns, and much uncertainty. Losing someone you love hurts. You feel vulnerable and alone and need something to help you feel less alone. Our guest this week is Gary Browe, author of the book About Loss. The poems in About Loss are written in free verse. They are simple and direct, yet emotional and beautiful. Love is part of loss, and this book has many love poems as well as poems of heartache.Gary performed an acoustic guitar version of his poems, Butterflies (Town Grill in the book) and Trans-Am. In this Episode:04:02 - Road Trip to Massachusetts, Inventions and Tollhouse Cookies06:54 - Interview with Gary Browe - About Loss19:07 - Gary Browe performs Butterflies (Town Grill)23:46 - Gary Browe performs Trans-Am27:24 - Do Elephants Mourn? from Leaving Time by Jodi Picoult30:46 - OutroSupport the showGet show notes and resources at our website: every1dies.org. Facebook | Instagram | YouTube | mail@every1dies.org

From his early albums with the Mothers of Invention, Frank Zappa established a reputation as a musical genius who pushed the limits of culture throughout the 1960s and 1970s, experimenting with a blend of genres in innovative and unheard-of ways. Not only did his exploratory styles challenge the expectations of what popular music could sound like, but his prolific creative endeavors also shaped how audiences thought about the freedom of artistic expression. In Frank Zappa's America (LSU Press, 2025), Bradley Morgan casts the artist as an often-misunderstood figure who critiqued the actions of religious and political groups promoting a predominantly white, Christian vision of the United States. A controversial and provocative satirist, often criticized for the shocking subject matter of his songs, Zappa provided social commentary throughout his career that spoke truth to power about the nefarious institutions operating in the lives of everyday Americans. Beginning in the late 1970s, his music frequently addressed the rise of extremist religious influence in American politics, specifically white Christian nationalism. Despite commercial and critical pressure, Zappa refused to waver in his support for free speech during the era of Reagan and MTV, including his pointed testimony before the U.S. Senate at the Parents Music Resource Center (PMRC) hearings. Throughout the 1980s, and until his death in 1993, Zappa crafted his art form to advocate for political engagement, the security of individual liberties, and the advancement of education. Music became his platform to convey progressive views promoting the rights of marginalized communities most at risk in a society governed by the principles of what he perceived as Christian radicalism. Frank Zappa's Americexamines the musician's messaging through song, tracing the means by which Zappa created passionate, at times troubling, art that combats conservativism in its many manifestations. For readers in the twenty-first century, his music and public advocacy demonstrate the need to preserve democracy and the voices that uphold it. Bradley Morgan, a media arts professional based in Chicago, is the author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships for CHIRP Radio 107.1 FM and directs the station's music film festival. Morgan also interviews authors of music and pop culture books for the New Books Network podcast. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

From his early albums with the Mothers of Invention, Frank Zappa established a reputation as a musical genius who pushed the limits of culture throughout the 1960s and 1970s, experimenting with a blend of genres in innovative and unheard-of ways. Not only did his exploratory styles challenge the expectations of what popular music could sound like, but his prolific creative endeavors also shaped how audiences thought about the freedom of artistic expression. In Frank Zappa's America (LSU Press, 2025), Bradley Morgan casts the artist as an often-misunderstood figure who critiqued the actions of religious and political groups promoting a predominantly white, Christian vision of the United States. A controversial and provocative satirist, often criticized for the shocking subject matter of his songs, Zappa provided social commentary throughout his career that spoke truth to power about the nefarious institutions operating in the lives of everyday Americans. Beginning in the late 1970s, his music frequently addressed the rise of extremist religious influence in American politics, specifically white Christian nationalism. Despite commercial and critical pressure, Zappa refused to waver in his support for free speech during the era of Reagan and MTV, including his pointed testimony before the U.S. Senate at the Parents Music Resource Center (PMRC) hearings. Throughout the 1980s, and until his death in 1993, Zappa crafted his art form to advocate for political engagement, the security of individual liberties, and the advancement of education. Music became his platform to convey progressive views promoting the rights of marginalized communities most at risk in a society governed by the principles of what he perceived as Christian radicalism. Frank Zappa's Americexamines the musician's messaging through song, tracing the means by which Zappa created passionate, at times troubling, art that combats conservativism in its many manifestations. For readers in the twenty-first century, his music and public advocacy demonstrate the need to preserve democracy and the voices that uphold it. Bradley Morgan, a media arts professional based in Chicago, is the author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships for CHIRP Radio 107.1 FM and directs the station's music film festival. Morgan also interviews authors of music and pop culture books for the New Books Network podcast. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

From his early albums with the Mothers of Invention, Frank Zappa established a reputation as a musical genius who pushed the limits of culture throughout the 1960s and 1970s, experimenting with a blend of genres in innovative and unheard-of ways. Not only did his exploratory styles challenge the expectations of what popular music could sound like, but his prolific creative endeavors also shaped how audiences thought about the freedom of artistic expression. In Frank Zappa's America (LSU Press, 2025), Bradley Morgan casts the artist as an often-misunderstood figure who critiqued the actions of religious and political groups promoting a predominantly white, Christian vision of the United States. A controversial and provocative satirist, often criticized for the shocking subject matter of his songs, Zappa provided social commentary throughout his career that spoke truth to power about the nefarious institutions operating in the lives of everyday Americans. Beginning in the late 1970s, his music frequently addressed the rise of extremist religious influence in American politics, specifically white Christian nationalism. Despite commercial and critical pressure, Zappa refused to waver in his support for free speech during the era of Reagan and MTV, including his pointed testimony before the U.S. Senate at the Parents Music Resource Center (PMRC) hearings. Throughout the 1980s, and until his death in 1993, Zappa crafted his art form to advocate for political engagement, the security of individual liberties, and the advancement of education. Music became his platform to convey progressive views promoting the rights of marginalized communities most at risk in a society governed by the principles of what he perceived as Christian radicalism. Frank Zappa's Americexamines the musician's messaging through song, tracing the means by which Zappa created passionate, at times troubling, art that combats conservativism in its many manifestations. For readers in the twenty-first century, his music and public advocacy demonstrate the need to preserve democracy and the voices that uphold it. Bradley Morgan, a media arts professional based in Chicago, is the author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships for CHIRP Radio 107.1 FM and directs the station's music film festival. Morgan also interviews authors of music and pop culture books for the New Books Network podcast. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

From his early albums with the Mothers of Invention, Frank Zappa established a reputation as a musical genius who pushed the limits of culture throughout the 1960s and 1970s, experimenting with a blend of genres in innovative and unheard-of ways. Not only did his exploratory styles challenge the expectations of what popular music could sound like, but his prolific creative endeavors also shaped how audiences thought about the freedom of artistic expression. In Frank Zappa's America (LSU Press, 2025), Bradley Morgan casts the artist as an often-misunderstood figure who critiqued the actions of religious and political groups promoting a predominantly white, Christian vision of the United States. A controversial and provocative satirist, often criticized for the shocking subject matter of his songs, Zappa provided social commentary throughout his career that spoke truth to power about the nefarious institutions operating in the lives of everyday Americans. Beginning in the late 1970s, his music frequently addressed the rise of extremist religious influence in American politics, specifically white Christian nationalism. Despite commercial and critical pressure, Zappa refused to waver in his support for free speech during the era of Reagan and MTV, including his pointed testimony before the U.S. Senate at the Parents Music Resource Center (PMRC) hearings. Throughout the 1980s, and until his death in 1993, Zappa crafted his art form to advocate for political engagement, the security of individual liberties, and the advancement of education. Music became his platform to convey progressive views promoting the rights of marginalized communities most at risk in a society governed by the principles of what he perceived as Christian radicalism. Frank Zappa's Americexamines the musician's messaging through song, tracing the means by which Zappa created passionate, at times troubling, art that combats conservativism in its many manifestations. For readers in the twenty-first century, his music and public advocacy demonstrate the need to preserve democracy and the voices that uphold it. Bradley Morgan, a media arts professional based in Chicago, is the author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships for CHIRP Radio 107.1 FM and directs the station's music film festival. Morgan also interviews authors of music and pop culture books for the New Books Network podcast. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Coco gives us the news for the day which leads to a debate about Cell Phone use in schools and if they are more positive than negative.

Listen LIVE weekdays 9am-10am EST on Turf's Up Radio.

Idea: A rental service for large and/or expensive crafting equipment, such as rug tufting machines, 3D printers, and metalworking machines. Also: dreaming for years about rug tufting or doing out-of-reach crafting projects; joking about rug tufting risks, possible injuries, and whether training and insurance ("Tuft Break") are required; tufting a soft comfy rug onto a T-shirt or the butt of your pants ("Rug Tuft Jeans"); a crafting scandal involving stolen painted rocks Emily Clark (facebook.com/emily.clark.798 linktr.ee/do.you.know.your.emily) Tom Brown (https://thetombrown.com facebook.com/thetombrown) Ricarlo Winston (facebook.com/Ricarlo.thecomedian Laughter on the Lakeshore Comedy Fest: facebook.com/profile.php?id=61558187071957) Scott Fischer (facebook.com/scott.fischer.980) Tom Walma (https://creativitywasted.com/creativitywasted twitch.tv/gameymcfitness) This podcast is part of Planet Ant Podcasts (https://planetant.com) This podcast is powered by Pinecast.

Hey welcome to another episode of The Board Boys Podcast and thanks joining in Season 17!  This time we main review Wroth from Chip Theory Games.  We also talk about what would happen if this game had a finance theme!  Rob also talks about his vacation and work trip and all the games played.  We take a sneak peak at the expansion for Civolution and we wrape it up with a look back at Inventions from Eagle Gryphon Games!  Until next time we hope you like board games!  0:00 - Intro 1:20 - Finance and LOTR Orcs 4:55 - Robs Road Trip and The Board Room Washington, DC 8:50 - Slambo 12:15 - Praga Caput Regni 13:20 - Rebel Princess 14:15 - Startups 18:15 - Carpe Diem 21:05 - Civolution Expansion Talk 23:45 - Odin 25:20 - Pergola 28:30 - Twilight Inscription 29:50 - Wroth Intro 32:00 - Interlude 32:35 - Wroth Main Review 56:00 - Wroth Final Thoughts 1:06:05 - Bump or Dump - Inventions 1:11:25 - Patron Thanks and Outro

Prof. Dennis Lo, the winner of the 2025 March of Dimes Richard B. Johnston, Jr., MD Prize and the inventor of non-invasive prenatal testing, or NIPT, discusses the road to the discovery, the power of cell free DNA to detect cancer, and one of the places in the world he still hasn't been.

“‘Rope!’ muttered Sam[wise Gamgee]. ‘I knew I’d want it, if I hadn’t got it!’” Sam knew in the Lord of the Rings that the quest would fail without rope, but he was inadvertently commenting on how civilization owes its existence to this three-strand tool. Humans first made rope 50,000 years ago and one of its earliest contributions to the rise of civilization was as a tool for domesticating animals for milk, meat, and work. ncient Egyptians were experts at making strong, three-strand rope from the halfa grass along the banks of the Nile. Rope allowed them to haul two-and-a-half ton limestone blocks to build the pyramids. They also used rope to tie together the planks of their graceful vessels that sailed without the need of a single nail. The Austronesian peoples spread across the islands of the Pacific in the most impressive and daring series of oceanic voyages in human history. And they did it using fast catamaran and outrigger boats held together with coconut fiber rope. Today’s guest is Tim Queeny, author of Rope: How a Bundle of Twisted Fibers Became the Backbone of Civilization. We look at the past, present, and future of this critical piece of technology.See omnystudio.com/listener for privacy information.

In this Mission Matters episode, Adam Torres interviews Muna Yassin, winner of the pitch competition hosted at Grant Cardone's headquarters. Muna shares the origin of her invention Pill Pal, a device inspired by her grandmother's struggle with taking pills. From 3D-printing her prototype to winning $6,000 in funding, Muna is on a mission to improve lives and bring her product to pharmacies and nursing homes. Follow Adam on Instagram at https://www.instagram.com/askadamtorres/ for up to date information on book releases and tour schedule. Apply to be a guest on our podcast: https://missionmatters.lpages.co/podcastguest/ Visit our website: https://missionmatters.com/ More FREE content from Mission Matters here: https://linktr.ee/missionmattersmedia Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this sweeping new history of humanity, told through the prism of our ever-changing moral norms and values, Hanno Sauer shows how modern society is just the latest step in the long evolution of good and evil and everything in between. What makes us moral beings? How do we decide what is good and what is evil? And has it always been that way? Hanno Sauer's sweeping new history of humanity, covering five million years of our universal moral values, comes at a crucial moment of crisis for those values, and helps to explain how they arose -- and why we need them. We humans were born to cooperate, but everywhere we find ourselves in conflict. The way we live together has changed fundamentally in recent decades: global mobility, demographic upheaval, migration movements, and digital networking, have all called the moral foundations of human communities into question. Modern societies are in crisis: a shared universal morality seems to be a thing of the past. Hanno Sauer explains why this appearance is deceptive: in fact, there are universal values that all people share. If we understand the origin of our morality, we can understand its future too. With philosophical expertise and empirical data, Sauer explains how processes of biological, cultural, social, and historical evolution shaped the moral grammar that defines our present. Seven chapters recount the crucial moral upheavals of human history showing how the emergence of humankind five million years ago, the rise of first civilizations 5,000 years ago, and the dynamics of moral progress in the last fifty years are interrelated. This genealogical perspective allows us, on the one hand, to see the contradictions and potential conflicts of our moral identities; on the other, it makes clear that we share fundamental values that apply to all human beings at all times. Sauer's elegant prose, translated into English by Jo Heinrich, brings the history of humanity to vivid new life. Hanno Sauer is an Associate Professor of Philosophy at the Department of Philosophy & Religious Studies at Utrecht University. He teaches ethics, metaethics and political philosophy. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this sweeping new history of humanity, told through the prism of our ever-changing moral norms and values, Hanno Sauer shows how modern society is just the latest step in the long evolution of good and evil and everything in between. What makes us moral beings? How do we decide what is good and what is evil? And has it always been that way? Hanno Sauer's sweeping new history of humanity, covering five million years of our universal moral values, comes at a crucial moment of crisis for those values, and helps to explain how they arose -- and why we need them. We humans were born to cooperate, but everywhere we find ourselves in conflict. The way we live together has changed fundamentally in recent decades: global mobility, demographic upheaval, migration movements, and digital networking, have all called the moral foundations of human communities into question. Modern societies are in crisis: a shared universal morality seems to be a thing of the past. Hanno Sauer explains why this appearance is deceptive: in fact, there are universal values that all people share. If we understand the origin of our morality, we can understand its future too. With philosophical expertise and empirical data, Sauer explains how processes of biological, cultural, social, and historical evolution shaped the moral grammar that defines our present. Seven chapters recount the crucial moral upheavals of human history showing how the emergence of humankind five million years ago, the rise of first civilizations 5,000 years ago, and the dynamics of moral progress in the last fifty years are interrelated. This genealogical perspective allows us, on the one hand, to see the contradictions and potential conflicts of our moral identities; on the other, it makes clear that we share fundamental values that apply to all human beings at all times. Sauer's elegant prose, translated into English by Jo Heinrich, brings the history of humanity to vivid new life. Hanno Sauer is an Associate Professor of Philosophy at the Department of Philosophy & Religious Studies at Utrecht University. He teaches ethics, metaethics and political philosophy. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

Oil workers kept getting injured on the job. Their solution was literally fashioned from the ground up.Become a supporter of this podcast: https://www.spreaker.com/podcast/true-stories-with-seth-andrews--5621867/support.

Black Sabbath are solely responsible for conjuring the diabolical power of heavy metal. When guitarist Tony Iommi lost his fingertips as a teenager, he turned to a less painful style of playing— a style that produced a new, genre-defining type of gloom and heaviness. The band climbed through the seven circles of British podunk hell to international rock star success, but the lore of their dark imagery compelled the freaks to flood out of the woodwork and to their shows. Despite composing songs that warned against the evils of the occult, Black Sabbath attracted legions of devil worshippers, occultists and 1970s freak-flag-flying practitioners of the dark arts. Kids went mad for their metal. Critics hated it. And much to the band's dismay, Satanists found their battle cry in the heavy gloom that Black Sabbath had awakened. This episode was originally published on October 26, 2021. To see the full list of contributors, see the show notes at ⁠www.disgracelandpod.com⁠. To listen to Disgraceland ad free and get access to a monthly exclusive episode, weekly bonus content and more, become a Disgraceland All Access member at ⁠disgracelandpod.com/membership⁠. Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - ⁠GET THE NEWSLETTER⁠ Follow Jake and DISGRACELAND: ⁠Instagram⁠ ⁠YouTube⁠ ⁠X⁠ (formerly Twitter)  ⁠Facebook Fan Group⁠ ⁠TikTok To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Sue Monk Kidd writes fiction and non-fiction. Her novels include The Secret Life of Bees, The Mermaid Chair, The Invention of Wings, and The Book of Longings. Some of her non-fiction titles include The Dance of the Dissident Daughter and When the Heart Waits. In this episode we discuss her new novel The Book of Longings Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1965, a new fibre was discovered by Polish American scientist Stephanie Kwolek. It was called Kevlar and it was found to be five times stronger than steel. Since that discovery it's been used to save thousands of lives through its use in bulletproof vests, but it's also used in hundreds of other products from aeroplanes to protective clothing for motorcyclists. Stephanie was one of the only female scientists working for the chemical firm DuPont and was passionate about encouraging more women and girls into the field of chemistry. Tim O'Callaghan has uses archive of Stephanie Kwolek from 1996 to tell the story of her discovery. Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from football in Brazil, the history of the ‘Indian Titanic' and the invention of air fryers, to Public Enemy's Fight The Power, subway art and the political crisis in Georgia. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: visionary architect Antoni Gaudi and the design of the Sagrada Familia; Michael Jordan and his bespoke Nike trainers; Princess Diana at the Taj Mahal; and Görel Hanser, manager of legendary Swedish pop band Abba on the influence they've had on the music industry. You can learn all about fascinating and surprising stories, such as the time an Iraqi journalist hurled his shoes at the President of the United States in protest of America's occupation of Iraq; the creation of the Hollywood commercial that changed advertising forever; and the ascent of the first Aboriginal MP.(Photo: Stephanie with items which use Kevlar. Credit: Smithsonian Institute)

07-23-25 - BR - WED - 50 Percent Admit To Peeing In Pools And John Learns About Suit Spinners - How Do Euros Feel About US Tourists - Dream Recorder Invention Sparks Idea Of Dream Chips And The Probs They Will CauseSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Invention is at the heart of so many curios tales from history. Even when they seem to happen right beside each other. Order the official Cabinet of Curiosities book by clicking here today, and get ready to enjoy some curious reading! See omnystudio.com/listener for privacy information.