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Recorded December 1, 2022. Listeners have been asking how they can show their appreciation for the talks George is hosting. Top of mind right now are the millions suffering as a result of the tragedy in Ukraine. World Central Kitchen has joined the fight to provide humanitarian aid to those in need of fresh food and meals within Ukraine and in bordering countries. Please consider donating generously to World Central Kitchen on behalf of No Bull - Market Talk with George Noble. Visit https://noble-impact.com for the Noble-Impact Capital corporate website Visit https://www.noble-funds.com for information on the NOPE ETF Follow Michael Kramer on Twitter Follow George Noble on Twitter & YouTube Previous episodes also available on Apple Podcasts: https://podcasts.apple.com/us/podcast/no-bull-market-talk-with-george-noble/id1620969642 Spotify: https://open.spotify.com/show/55fPclhfIiZs30LHY7Pzr0?si=20348edd7da44cf5
Michael J. Kramer, author of The Republic of Rock: Music and Citizenship in the Sixties Counterculture (New York: Oxford University Press, 2013), spoke with Ray Haberski about the way rock music became a venue, a medium, and a culture through which diverse groups of people–from the hippies in Berkeley, California to American troops in Saigon, Vietnam–thought about and attempted to create new meanings of citizenship. Kramer discusses such interesting terms as “Hip Capitalism,” “Hip Militarism,” and transnationalism within the expansive contexts of Cold War America and the counterculture. The book offers a model of how to consider culture through the lived experiences of those who produced it and came to embody it. Learn more about your ad choices. Visit megaphone.fm/adchoices
Michael J. Kramer, author of The Republic of Rock: Music and Citizenship in the Sixties Counterculture (New York: Oxford University Press, 2013), spoke with Ray Haberski about the way rock music became a venue, a medium, and a culture through which diverse groups of people–from the hippies in Berkeley, California to American troops in Saigon, Vietnam–thought about and attempted to create new meanings of citizenship. Kramer discusses such interesting terms as “Hip Capitalism,” “Hip Militarism,” and transnationalism within the expansive contexts of Cold War America and the counterculture. The book offers a model of how to consider culture through the lived experiences of those who produced it and came to embody it. Learn more about your ad choices. Visit megaphone.fm/adchoices
Michael J. Kramer, author of The Republic of Rock: Music and Citizenship in the Sixties Counterculture (New York: Oxford University Press, 2013), spoke with Ray Haberski about the way rock music became a venue, a medium, and a culture through which diverse groups of people–from the hippies in Berkeley, California... Learn more about your ad choices. Visit megaphone.fm/adchoices
Michael J. Kramer, author of The Republic of Rock: Music and Citizenship in the Sixties Counterculture (New York: Oxford University Press, 2013), spoke with Ray Haberski about the way rock music became a venue, a medium, and a culture through which diverse groups of people–from the hippies in Berkeley, California to American troops in Saigon, Vietnam–thought about and attempted to create new meanings of citizenship. Kramer discusses such interesting terms as “Hip Capitalism,” “Hip Militarism,” and transnationalism within the expansive contexts of Cold War America and the counterculture. The book offers a model of how to consider culture through the lived experiences of those who produced it and came to embody it. Learn more about your ad choices. Visit megaphone.fm/adchoices
Michael J. Kramer, author of The Republic of Rock: Music and Citizenship in the Sixties Counterculture (New York: Oxford University Press, 2013), spoke with Ray Haberski about the way rock music became a venue, a medium, and a culture through which diverse groups of people–from the hippies in Berkeley, California... Learn more about your ad choices. Visit megaphone.fm/adchoices
Michael J. Kramer, author of The Republic of Rock: Music and Citizenship in the Sixties Counterculture (New York: Oxford University Press, 2013), spoke with Ray Haberski about the way rock music became a venue, a medium, and a culture through which diverse groups of people–from the hippies in Berkeley, California to American troops in Saigon, Vietnam–thought about and attempted to create new meanings of citizenship. Kramer discusses such interesting terms as “Hip Capitalism,” “Hip Militarism,” and transnationalism within the expansive contexts of Cold War America and the counterculture. The book offers a model of how to consider culture through the lived experiences of those who produced it and came to embody it.