Podcasts about sixties

This week, friend of the show Deke joins us as we head back to the Deuce with Joseph Cates' leering and pervy thriller, Who Killed Teddy Bear. It's an evening full of menacing phone calls, Sixties bops, rampant perversity, and of course, Sal Mineo's workout routine. And let's be honest, that last part is the entire reason Joe picked the film in the first place

We all know Timothy Leary, the high priest of ‘60s psychedelia, but his partner, Rosemary Woodruff Leary, has largely been forgotten. She also had a remarkable life, even breaking Leary out of prison with the help of the Weather Underground. Now, biographer Susannah Cahalan tells her story — from the heady Sixties to a life on the run for decades.Original Air Date: November 08, 2025Interviews In This Hour: Guests: Susannah CahalanNever want to miss an episode? Subscribe to the podcast.Want to hear more from us, including extended interviews and favorites from the archive? Subscribe to our newsletter.For more from Luminous: ttbook.org/luminous

Rick and Jay talk about stupid mistakes, shoe money, James Burrows, Cheers, directing people, not getting the girl, and the moment you reveal your big secret and no one cares.Bio: Rick Beren grew up in the Sixties and Seventies in the very liberal Bay Area. Even then, he managed to push the boundaries of tolerance of his parents, teachers, and eventually, the law. Mostly minor indiscretions, and all (always) in the pursuit of fun, but it landed him in the Vacaville State prison for selling one quarter gram of cocaine. The quality was so poor, he should've been convicted of false advertising. Anyway, his girlfriend also was sent to State prison (unfortunately, not by his side) for women. She had sold the same undercover agent, some 200 amphetamine pills. They were in college at the time (1977) and spent about 5 months in jail. The story of Ricks book is told with humor, compassion and a what the fuck attitude of how could this little, entitled, Jew end up in prison with Charles Manson and his ilk? As I say, He was probably always headed in that direction. Speaking of direction. In less than five years after his release, he was the director's assistant on his favorite show, Cheers. Rick found his life calling and immersed himself in the bliss of being around these amazingly talented people. He worked his way up the ladder and became a director himself and on that very show!  He went on to direct many shows and worked in the industry for four decades. Along the way, he fell into an amazing relationship (with a girl who was not an ex-con) and they have two (so far not ex-con) daughters. Life turned out pretty fucking great. And the highlight of his life and career was being able to spend time with Jay ( the legend) Kogen in an intimate (edited) two hour conversation. Jay wants his time backing the form of a poker game where he can monetize his efforts.

Thank you once again for all your wonderful questions. Grateful for your support!

La disparition du rire a bouleversé la société, où le sérieux est devenu la norme et le calembour, obsolète. Le colonel retrouve ses anciens compagnons, dont l'exubérant adjudant Tifrice, et prépare une mission pour enquêter sur les dernières sources d'humour. Leur première cible : une usine de calembours située en Bresse.*** Fiction radiophonique de Pierre Dac et Louis Rognoni - Producteur : Jean Bardin - Réalisation : Jean Wilfrid Garrett - Avec : Pierre Dac, José Artur, Héléna Bossis, Claude Dasset, Alain Rolland et Paul Preboist - Première diffusion : 02/08/1971 sur France Inter - Un podcast INAHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Le colonel Hubert de Guerlasse, et ses compagnons l'adjudant Tifrice et Nicolas Leroidec, se mettent en route pour l'usine de calembours dans deux véhicules distincts pour préserver leur couverture. En chemin, le colonel embarque un mystérieux autostoppeur au comportement étrange, Sostène Veauroulet, qui prétend être français malgré son allure asiatique.*** Fiction radiophonique de Pierre Dac et Louis Rognoni - Producteur : Jean Bardin - Réalisation : Jean Wilfrid Garrett - Avec : Pierre Dac, José Artur, Claude Dasset, Lawrence Riesner, Alain Rolland et Paul Preboist - Première diffusion : 03/08/1971 sur France Inter - Un podcast INAHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Le trajet des deux véhicules avec à leur bord les agents du sduc se poursuit en direction de l'usine à calembour. Le colonel a pris un autostoppeur, Sostène Veauroulet. Bien que ses papiers soient en règle, les agents soupçonnent qu'il soit un espion chinois mal déguisé. Il profitent d'une halte à l'auberge pour tenter d'en savoir plus.*** Fiction radiophonique de Pierre Dac et Louis Rognoni - Producteur : Jean Bardin - Réalisation : Jean Wilfrid Garrett - Avec : Pierre Dac, José Artur, Claude Dasset, Lawrence Riesner, Alain Rolland et Paul Preboist - Première diffusion : 04/08/1971 sur France Inter - Un podcast INAHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Le narrateur découvre que le résumé attendu des épisodes précédents a été remplacé par une recette de terrine de lapin, une blague des frères Fauderche. On retrouve ces derniers dans un bar, discutant de leurs hésitations à revenir au sduc. De son côté, le colonel et ses compagnons, poursuivent leur route, Sostène Veauroulet cuvant son vin sur le plancher de la 2CV.*** Fiction radiophonique de Pierre Dac et Louis Rognoni - Producteur : Jean Bardin - Réalisation : Jean Wilfrid Garrett - Avec : Pierre Dac, José Artur, Claude Dasset, Lawrence Riesner, Alain Rolland et Paul Preboist - Première diffusion : 05/08/1971 sur France Inter - Un podcast INAHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Le colonel Hubert de Guerlasse, accompagné de ses acolytes, visite la dernière usine de calembours de France, située près de Bourg-en-Bresse. Sostène Vauroulet dort dans la 2CV. Ils rencontrent les dirigeants qui peinent à maintenir l'activité dans un lieu désormais en ruine.*** Fiction radiophonique de Pierre Dac et Louis Rognoni - Producteur : Jean Bardin - Réalisation : Jean Wilfrid Garrett - Avec : Pierre Dac, José Artur, Claude Dasset, Jean Patrick, Lawrence Riesner, Alain Rolland et Paul Preboist - Première diffusion : 06/08/1971 sur France Inter - Un podcast INAHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

The preseason hurtles towards us with the first action arriving with the turn to Summer in less than a week. The Tip Sheet rumbles on in the wake of it all as Sixties and Forty20 gas bag on about the latest from Parradise and the NRL. Speaking of, the Eels have launched a new institute focused on aligning the club with an educational pathway that runs parallel to the code. What does it all mean for the club and the community? Sixties brings the latest mail from recruitment and retention while Junior Paulo terrorised Tonga on the weekend. PVL has hinted at ambitious global plans for the code - how far does he plan to spread rugby league? The prelude to a potential market frenzy took place today with South Sydney, Manly and the Wests Tigers all involved in a complicated multi-player transaction. Finally, the boys review the weekend representative action including Australia's victory over the Poms.

Après un long silence de quatre ans, le colonel Hubert de Guerlasse revient sur son absence : la lutte qu'il a menée avec son service contre ceux qui voulaient asservir la Terre. Il souhaite faire un résumé des précédentes opérations "Tupeutla" et "Psychose-toujours".***Fiction radiophonique de Pierre Dac et Louis Rognoni - Producteur : Jean Bardin - Réalisateur : Jean Wilfrid Garrett - Avec : Pierre Dac, José Artur, Alain Rolland et Paul Preboist - Première diffusion : 26/07/1971 sur France Inter - Un podcast INA.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Le colonel Hubert de Guerlasse raconte comment le SDUC, le service d'espionnage, a été désorganisé par leurs ennemis à l'aide du rayon à démonter le temps. Arrive alors Nicolas Leroidec, fidèle second du colonel, espion redevenu vendeur d'enclume.***Fiction radiophonique de Pierre Dac et Louis Rognoni - Producteur : Jean Bardin - Réalisateur : Jean Wilfrid Garrett - Avec : Pierre Dac, José Artur, Alain Rolland et Paul Preboist - Première diffusion : 27/07/1971 sur France Inter - Un podcast INA.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Nicolas Leroidec raconte ce qui lui est arrivé lorsque le SDUC a été désorganisé par leurs ennemis avec le rayon à démonter le temps. Le colonel De Guerlasse lui dévoile la périlleuse mission dont il a été chargé : neutraliser le rayon.***Fiction radiophonique de Pierre Dac et Louis Rognoni - Producteur : Jean Bardin - Réalisateur : Jean Wilfrid Garrett - Avec : Pierre Dac, José Artur, Anne Caprile, Jean Patrick, Alain Rolland et Paul Preboist - Première diffusion : 28/07/1971 sur France Inter - Un podcast INA.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Afin de montrer qu'il est à nouveau à la tête du SDUC, le colonel de Guerlasse, accompagné de son fidèle Leroidec, décide de plonger dans la piscine du haut du grand plongeoir. La secrétaire Célestine Troussecote fait écouter quelques enregistrements de l'IPHOP (Institut Philharmonique de l'Orchestration de la Pagaille), à l'origine de la réintégration De Guerlasse à la tête du SDUC.***Fiction radiophonique de Pierre Dac et Louis Rognoni - Producteur : Jean Bardin - Réalisateur : Jean Wilfrid Garrett - Avec : Pierre Dac, José Artur, Héléna Bossis, Anne Caprile, Jean Patrick, Lawrence Riesner, Alain Rolland et Paul Preboist - Première diffusion : 29/07/1971 sur France Inter - Un podcast INA.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Les enregistrements de l'IPHOP réalisés secrètement auprès d'échantillons de la population sont alarmants. Le colonel De Guerlasse révèle la terrible manipulation qu'ont réussi les détenteurs du rayon à démonter le temps.***Fiction radiophonique de Pierre Dac et Louis Rognoni - Producteur : Jean Bardin - Réalisateur : Jean Wilfrid Garrett - Avec : Pierre Dac, José Artur, Héléna Bossis, Anne Caprile, Jean Patrick, Lawrence Riesner, Alain Rolland et Paul Preboist - Première diffusion : 30/07/1971 sur France Inter - Un podcast INA.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Rarely does a week in the off-season demand a second a second podcast later in the week but we live in interesting times and the Parramatta Eels are making all sorts of roster moves ahead of the commencement of the preseason. Sixties and Forty20 try to keep up with it all in a bonus edition of The Tip Sheet. From the latest on Jonah Pezet, including comments made by Braith Anasta during the week, to the Daily Telegraph article today purporting that the Eels are ready to throw Nelson Asofa-Solomona a lifeline in the NRL - there is plenty to try and breakdown. Join the boys as they try to make sense of it all on a Friday night!

durée : 01:58:29 - Swinging London - par : Thierry Jousse, Laurent Valero - Envie d'un petit voyage dans le Swinging London des Sixties ? C'est l'occasion avec un programme varié, entre musiques de films, pop, variétés internationales et jazz, qui nous fait entrer de plain-pied dans l'ambiance musicale de la capitale britannique en son âge d'or. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Basierend auf John Waters Kultfilm von 1988 eroberte das Broadway-Musical „Hairspray“ seit den 2000er Jahren die Herzen von Millionen Zuschauer*innen auf der ganzen Welt und feiert nun am 25. Oktober am Staatstheater Darmstadt Premiere. Es spielt 1962 in Baltimore und erzählt die Geschichte der jungen Tracy Turnblad: ihr großer Traum erfüllt sich, als sie in der lokalen Fernsehtalentshow tanzen darf, obwohl sie nicht dem gängigen Schönheitsideal entspricht. Zu den mitreißenden Sounds der Sixties erleben wir, wie sie zusammen mit ihren Freunden für Gleichberechtigung und gegen Rassismus kämpft. Podcast-Host Mariela Milkowa hat aus dem Darmstädter Musical-Cast Antonia Tröstl (Tracy), Dirk Weiler (Edna), Monica Lewis-Schmidt (Motormouth Maybelle), Maickel Leijenhorst (Seaweed J. Stubbs) und Regisseur Erik Petersen getroffen und wollte wissen: Was haben die 1960er Jahre heute mit uns zu tun? Warum ist Musical wie Marathon? Und was ist das Erfolgsgeheimnis von „Hairspray“? Infos & Tickets zu Hairspray Hosted on Acast. See acast.com/privacy for more information.

It turns out there was another twist in the Jonah Pezet situation and it has resulted in a truly bizarre outcome with the Parramatta Eels set to house the Melbourne halfback for a sole season before he joins the Brisbane Broncos on a long term deal. It is...a singularly odd scenario and The Tip Sheet tries to rationalise it for the Blue & Gold as Sixties and Forty20 both give their honest thoughts on the topic. Week 1 of the Pacific Championships dominates the NRL news cycle with a host of exciting games kicking off the tournament in style. New Zealand and Samoa played a classic while there upsets and hard fought games elsewhere. The boys break down how all the representative Eels fared and what their thoughts are of the upcoming match-ups in Week 2.

We've driven nearly all of 'em. Almost every road model, plus some of the great race cars—a 934 and 935, RSRs, a Daytona-winning Sixties 2.0-liter. Not to mention the extended family, like a Le Mans-winning Rothmans 962, a few 959s, Jerry Seinfeld's 1964 “Butzi” car, the list goes on.Why do people love (and hate) the Porsche 911? Are the great ones worth the money? Can a reasonable person grow to love a good 911 if they don't much like the things to begin with?Cliché questions. We hit them here, then go deeper: What do you learn strapping into all that unobtainium?Ross and Sam have some rare wheel hours with Porsche's finest. And they might have some answers.***SPECIAL GUEST: This episode marks the return of the legendary Kyle Kinard, formerly of Road & Track!***IN THIS EP: Ross battling 911s as a BMW factory driver — Alois Ruf tossing Sam the keys to the 200-mph “Yellow Bird” CTR prototype and telling him to rip around Germany for an afternoon — Sam track-testing a Le Mans-winning 934 and a Fabcar 935 on the same day for R&T — Ross racing an RSR at Daytona with a bunch of babies — Sam writing the world's first track test of a Singer-restored 911 — and more!(Warning: There is also much Porsche-nerd-speak.)This show's format rotates weekly, because squirrel. We call this format “MY LIFE WITH.”This episode was produced by Sam Smith.**Who We Are + Spicy Merch:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.ItsNotTheCar.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠**Support It's Not the Car:Contribute on Patreon ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.patreon.com/notthecar⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠**Topic suggestions, feedback, questions? Let us know what you think!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠INTCPod@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠**Check out Sam's book!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Smithology: Thoughts, Travels, and Semi-Plausible Car Writing, 2003–2023⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠**Where to find us:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/intcpod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/thatsamsmith/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/j.v.braun/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/rossbentley/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://rossbentley.substack.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://speedsecrets.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠**ABOUT THE SHOW:It's Not the Car is a podcast about people and speed. We tell racing stories and leave out the boring parts.Ross Bentley is a former IndyCar driver, a bestselling author, and a world-renowned performance coach. Jeff Braun is a champion race engineer. Sam Smith is an award-winning writer and a former executive editor of Road & Track magazine.We don't love racing for the nuts and bolts—we love it for what it asks of the meatbag at the wheel.New episodes every Tuesday.

Nul ne peut dire en quel siècle Leroidec et ses compagnons sont tombés. Ici, le temps s'est définitivement arrêté…***Fiction radiophonique de Pierre Dac et Louis Rognoni - Producteur : Jean Bardin - Réalisateur : Jean Wilfrid Garrett - Avec : Héléna Bossis, Roger Carel, Pierre Dac, Claude Dasset, Jean Piat, Paul Préboist, Lawrence Riesner et Alain Rolland - Première diffusion : 29/12/1967 sur France Inter - Un podcast INA.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Au seuil du royaume insaisissable du Nez Rouge, Nicolas Leroidec et ses compagnons sont foudroyés par le redoutable rayon à démonter le temps. Lorsqu'ils reprennent leurs esprits, c'est au cœur d'un campement mongol, dont le chef n'est autre que Taharan. Mais dans quel siècle ont-ils été projetés ?***Fiction radiophonique de Pierre Dac et Louis Rognoni - Producteur : Jean Bardin - Réalisateur : Jean Wilfrid Garrett - Avec : Héléna Bossis, Roger Carel, Pierre Dac, Claude Dasset, Jean Piat, Paul Préboist, Lawrence Riesner et Alain Rolland - Première diffusion : 28/12/1967 sur France Inter - Un podcast INA.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Hey weather warriors! It's your favorite AI meteorologist, Dustin Breeze, here to blow you away with today's forecast! As an AI, I've got 24/7 weather tracking capabilities that'll make your local weatherperson look like an amateur. Let's dive into the atmospheric action!We've got some spicy weather brewing in New York City today! Right now, we're looking at a mostly sunny situation with a temperature climbing to a delightful seventy-one degrees. I'm calling this a "sweater optional" kind of day! The winds are going to be dancing around from the south, starting gentle at six to eleven miles per hour, but they'll kick it up a notch in the afternoon, potentially gusting up to twenty-nine miles per hour. Talk about a hair-raising experience!But wait, there's more! Tonight is going to be a wet and wild ride. We're expecting showers and possibly a thunderstorm after two in the morning. The temperature will hang steady around sixty-seven degrees, with winds getting pretty frisky - we're talking twenty to twenty-four miles per hour with gusts up to thirty-six miles per hour. It's like Mother Nature decided to throw a dance party!Let me drop some meteorological knowledge in our Weather Playbook segment. Today, I want to talk about atmospheric instability. Think of the atmosphere like a giant pot of emotional soup - when different temperature layers get all mixed up, that's when we get exciting weather like thunderstorms. It's basically the atmosphere's way of releasing some built-up tension!Here's your three-day forecast:Monday: Showers early, temperature dropping to around sixty degreesTuesday: Sunny and beautiful with a high of sixty-four degreesWednesday: Partly cloudy with a thirty percent chance of showersAnd hey, for all you Central Park joggers and subway surfers, be prepared for some wind and potential rain. Maybe pack a light jacket and waterproof mascara!One last weather joke before I go: Why did the cloud go to therapy? Because it was feeling a little precipitated! Don't forget to subscribe to our podcast for more weather wisdom! Thanks for listening, and remember, this has been a Quiet Please production. Learn more at quietplease.ai!This content was created in partnership and with the help of Artificial Intelligence AI

Why did all university professors and administrators capitulate to the insane mobs of student radicals in the sixties? Find out as we continue discussing Allan Bloom's The Closing of the American Mind, discussing how the 1960s carried along the most damaging threads in prior educational history, ultimately ripping out the foundations of what education ought to be.Follow us on X!Give us your opinions here!

Une avalanche ayant évité à nos amis une longue descente de montagne, la cordée se retrouve parmi divers détritus. Ils tentent de retrouver leurs esprits. ***Fiction radiophonique de Pierre Dac et Louis Rognoni - Producteur : Jean Bardin - Réalisateur : Jean Wilfrid Garrett - Avec : Héléna Bossis, Roger Carel, Pierre Dac, Claude Dasset, Jean Piat, Paul Préboist, Lawrence Riesner et Alain Rolland - Première diffusion : 27/12/1967 sur France Inter - Un podcast INA.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Nicolas Leroidec, l'adjudant Marie-Rose Tifrice, Wilhelm Fermtag et Zorbec Legras entreprennent seuls la descente de l'autre versant, censée les mener vers le coeur du royaume du Nez Rouge. Mais Fermtag déclenche une avalanche en cherchant son monocle.***Fiction radiophonique de Pierre Dac et Louis Rognoni - Producteur : Jean Bardin - Réalisateur : Jean Wilfrid Garrett - Avec : Héléna Bossis, Roger Carel, Pierre Dac, Claude Dasset, Jean Piat, Paul Préboist, Lawrence Riesner et Alain Rolland - Première diffusion : 26/12/1967 sur France Inter - Un podcast INA.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

A 3250 mètres, la cordée a joyeusement bivouaqué. Après une nuit réparatrice, les montagnards se sont élancés à l'assaut du sommet, accompagnés de leur sherpa Zing Zing. ***Fiction radiophonique de Pierre Dac et Louis Rognoni - Producteur : Jean Bardin - Réalisateur : Jean Wilfrid Garrett - Avec : Héléna Bossis, Roger Carel, Pierre Dac, Claude Dasset, Jean Piat, Paul Préboist, Lawrence Riesner et Alain Rolland - Première diffusion : 22/12/1967 sur France Inter - Un podcast INA.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Quelque chose d'imprévu pourrait vite arriver sur les pentes de l'Himalaya. Alors que la nuit tombe, l'insolite cordée tente de garder des forces malgré leurs discussions givrées. ***Fiction radiophonique de Pierre Dac et Louis Rognoni - Producteur : Jean Bardin - Réalisateur : Jean Wilfrid Garrett - Avec : Héléna Bossis, Roger Carel, Pierre Dac, Claude Dasset, Jean Piat, Paul Préboist, Lawrence Riesner et Alain Rolland - Première diffusion : 21/12/1967 sur France Inter - Un podcast INA.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Today on another encore episode of the Rarified Heir Podcast, we are talking to three prior guests of the podcast who are talking to us in the boldest experiment in Rarified Heir Podcast history! How so? We are talking to them all at once. Something we had never done before. But don't fret, Carnie Wilson, Jenny Brill and Shawn Kay have been friends for quite a long time and, in fact, they know each other and host Josh Mills from as far back as elementary school. There are laughs and some tears on this one. Since the time of this recording, sadly we have lost two of the celebrity parents of our guests, as both Mitzi McCall, mother of Jenny Brill and Brian Wilson, father of Carnie Wilson have both passed away as of this encore episode. While it puts things in perspective rather quickly, it also helps us to realize that the entire point of this podcast is to make sure that in this fast paced world, we don't forget the names and stories about some of the most beloved entertainers of the 20th century. And with that in mind, this episode is a rollicking one, a bit experimental as we said but also fast paced, filled with childhood memories and what it was like not only growing up the child of a celebrity but also with friends whose parents were also celebrities. We get into some ridiculous tales about the Oakwood school where they all met, insane stories about album jackets as modes of transportation and a nostalgic trip down a very 1970s memory lane. Which begs the question, just how did the children of Mitzi McCall, Charlie Brill, John Kay, Brian Wilson and Marilyn Wilson get along? In a word? Famously. Take a listen.  

Hi everybody! It's the final show for the season! More singles and random tracks! from 1965 and 1966!We go through the songs track-by-track, with (as always), a few tangents along the way, we hope you enjoy the chat! Let us know your thoughts on these songs on our socials. Let us know which album (studio/live/soundtrack) you would like us to talk about next at elvisreviewspodcast@gmail.com. We're also on X/Twitter @ElvisReviews Thank you so much for listening, if you've read this far, please take 12 seconds to give us a 5 star rating on your favourite podcast app, Apple/Spotify/PocketCast, whatever you use.. and if you could spare a further few seconds to write a quick review for this 100% totally free podcast, that would be AMAZING!It really does help us spread the word with the algorithms etc.. also tell your Elvis friends about us too :)

If you're a Doctor Who fan of a certain age, then you'll know exactly who David J Howe is. DWM's Matrix Data Bank consultant, DWAS exec member, co-editor of The Frame fanzine, co-author of The Sixties, Seventies and Eighties books, plus the Handbook series, publisher at Telos Books... Yes, he's done a lot, and doggedly stuck with the show through thick and thin. Now, his autobiography, Who Me!, has been released. He joins us to talk about his life in fandom, and the new book.

In this episode of Wild Rivers Film Radio, host Sue Wright sits down with musician and music reporter Lon Goddard to talk about the North American premiere of Dezo Hoffman: The Man Who Shot the Sixties. From London's swinging music scene to rare behind-the-scenes stories, Lon shares his personal connection to Hoffman's legendary rock 'n' […]

Marc Levin is an award-winning, independent filmmaker. He has made over 50 films, including documentaries, TV series, dramatic feature films and episodic television. He's won four Emmys and four duPont-Columbia Awards, among other prominent accolades. Highlights include his dramatic hit SLAM; the groundbreaking docuseries Brick City; and several films for HBO including Gang War: Bangin' in Little Rock, Thug Life in DC; and Class Divide. His most recent HBO film, An American Bombing, is streaming on Max and was recently nominated for an Emmy for Outstanding Historical Documentary. His latest film, which premieres Sept 30th on PBS, is HARD HAT RIOT. David Paul Kuhn is a writer and political analyst and author of several books including his most recent, The Hardhat Riot: Nixon, New York City, and the Dawn of the White Working-Class Revolution. He's served as the chief political writer for CBS News online, a senior political writer for Politico, as well as chief political correspondent at RealClearPolitics. He's also written for The Atlantic, The New York Times, The Wall Street Journal, The Washington Post Magazine, The Los Angeles Times, National Review, New Republic, among other publications, and regularly appears on networks ranging from BBC to Fox News. Marc's new film is partly based on David's book. Join us for this super-interesting discussion about the riot, this violent end to the turbulent Sixties, and its stunning parallels to the current political chaos. Got somethin' to say?! Email us at BackroomAndy@gmail.com Leave us a message: 845-307-7446 Twitter: @AndyOstroy Produced by Andy Ostroy, Matty Rosenberg, and Jennifer Hammoud @ Radio Free Rhiniecliff Design by Cricket Lengyel

This one was a big deal for me. My guest, Dennis McNally, isn't just a reknowned author, music historian, and publicist, he's someone I've long considered somewhat of a “celebrity” in my world.  From 1984 to 1995, Dennis was the Grateful Dead's publicist and part of the band's inner circle.He's written five books, including the classic Long Strange Trip: The Inside History of the Grateful Dead, and his latest, The Last Great Dream - How Bohemians Became Hippies and Created the Sixties.  He's married to the love of his life, photographer and author Susana Millman, whose book Alive With the Dead - A Fly on the Wall with a Camera, is one of my favorites.  What struck me most was Dennis's insight into how the Dead operated behind the scenes.  How the band members interacted, what touring was like, and what it was like to be at the center of all that energy for so many years. He was every bit as gracious, articulate, and engaging as I could have imagined and I'm honored to now call Dennis a friend.Speaking of friends, this episode was also a first for me.  I was joined by my good friend Charlie French as co-host who added thoughtful color and questions that I wouldn't have thought to ask! These days, Dennis lives in San Francisco with Susana and is still doing the work he loves - namely as the publicist for Little Feat.It's an honor and a privilege to share our conversation. So join us, and let's see where the energy takes us!https://www.dennismcnally.com/https://mamarazi.com/Stir It Up https://youtu.be/XQxceOPnj9Q?si=i8Vu2Wh_UnpJ_6LXDeath Don't Have No Mercy https://youtu.be/wH8GUfK-MOM?si=frh9iuuf1bCDSuobTime Loves a Hero https://music.apple.com/us/album/time-loves-a-hero/471749182?i=471749184https://www.facebook.com/groups/1983015048745357

"All my heroes are in black and white" goes the lyric of a John Mayer song. It's also how Max Minshull thinks about motorsport, racing drivers and sportscars. Max Minshull has a fascination with the exploits and the thrill of vintage machines from the Fifties and Sixties. He races a Porsche 356A coupe and he's on a mission to bring together a new generation of enthusiasts who share a love of mid-twentieth-century racing history. Max's Instagram: @pacificsportscarclubSUPPORT THE PODCAST:https://www.buymeacoffee.com/hpheritageSUBSCRIBE to Horsepower Heritage on YouTube:https://www.youtube.com/@horsepowerheritageSLOW BAJA VINTAGE EXPEDITION: https://www.slowbaja.com/adventures/slow-baja-vintage-expedition-1FIND US ON THE WEB:https://www.horsepowerheritage.comINSTAGRAM: @horsepowerheritageHORSEPOWER HERITAGE is created, produced and hosted by Maurice Merrick.Get in touch with Maurice:https://horsepowerheritage.com/contactSupport the showHELP us grow the audience! SHARE the Podcast with your friends!

Love constrains. Since the Sixties at least, "love" has been used to excuse all kinds of harmful behavior. "Free love" was a popular cliché then. "Love is love" something you might hear today. But real love lives in harmony with the Law of God. And it restricts our choices to those that actually help other people. In 1 Corinthians, Paul was teaching that church about the nature and supremacy of love. Listen to Right Start Radio every Monday through Friday on WCVX 1160AM (Cincinnati, OH) at 9:30am, WHKC 91.5FM (Columbus, OH) at 5:00pm, WRFD 880AM (Columbus, OH) at 9:00am. Right Start can also be heard on One Christian Radio 107.7FM & 87.6FM in New Plymouth, New Zealand. You can purchase a copy of this message, unsegmented for broadcasting and in its entirety, for $7 on a single CD by calling +1 (800) 984-2313, and of course you can always listen online or download the message for free. RS09242025_0.mp3Scripture References: I Corinthians 13 & 14

Nick Bromell is the author of By the Sweat of the Brow: Labor and Literature in Antebellum American Culture and Tomorrow Never Knows: Rock and Psychedelics in the Sixties, both published by the University of Chicago Press. His articles and essays on African American literature and political thought have appeared in American Literature, American Literary History, Political Theory, Raritan, and The Sewanee Review. He teaches at the University of Massachusetts, Amherst, and he blogs at thetimeisalwaysnow.org. Nick Bromell's book is a work of intellectual history and political theory that places Black thinkers—writers, activists, and artists—at the center of American democratic thought. He argues that African American intellectual traditions have continually reshaped the meaning of democracy in the U.S., offering critiques and visions that go beyond the frameworks typically emphasized in mainstream political philosophy. The title, taken from James Baldwin's writings, reflectsthe idea that democracy is never finished—it is always urgent and ongoing.The Time is Always Now: Black Political Thought and the Transformation of U.S. Democracy (Oxford UP, 2013) posits that Black thought epitomizes the crucible of American Democratic theory Bromell contends that African American thinkers are not simply responding to oppression but actively producing political theory—ideasabout freedom, justice, equality, and collective life. Their insights emerge from lived experiences of slavery, segregation,and racial inequality, which provide a unique vantage point for critiquing American democracy.Secondly, Democracy is an ongoing and incomplete project of reconstruction, renewal, and revival. Building on Baldwin's phrase “the time is always now,” Bromell argues that democracy must be constantly reimagined and fought for. Black intellectual traditions highlight democracy's fragility and incompleteness, challenging myths of American exceptionalism.Third, American Democracy exists beyond what are known to be traditional American institutions. While mainstream American political theory often places focus on constitutions, governments, or laws, Black thinkers and citizens emphasize affective, relational, and cultural dimensions of democracy—dimensions that exhibit and feature American virtues and values of community, solidarity, and recognition.Fourth, Professor Bromell calls for a vibrant relational empathy and mutual recognition. In this sense, Bromell highlights Black thought's insistence on recognition of shared humanity and mutual vulnerability as the foundation for democraticpractice. Thinkers as varied as James Baldwin, Frederick Douglass, Martin Luther King Jr, Toni Morrison, and Ralph Ellison stress the necessity of empathy as a civic virtue. Bromell reframes African American intellectual history as politicaltheory, not just cultural or social commentary. He challenges readers to recognize that the deepest resources fordemocratic renewal in America come from traditions forged under conditions of racial oppression.  Ultimately The Time is Always Now insists that democracy is less about stable American institutions and more about the practice of bettering and refining incipient features of American institutions-facing each other honestly, acknowledging and shouldering of collective pain, and being committed to a shared mutual recognition of the totality of our collective experience. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Nick Bromell is the author of By the Sweat of the Brow: Labor and Literature in Antebellum American Culture and Tomorrow Never Knows: Rock and Psychedelics in the Sixties, both published by the University of Chicago Press. His articles and essays on African American literature and political thought have appeared in American Literature, American Literary History, Political Theory, Raritan, and The Sewanee Review. He teaches at the University of Massachusetts, Amherst, and he blogs at thetimeisalwaysnow.org. Nick Bromell's book is a work of intellectual history and political theory that places Black thinkers—writers, activists, and artists—at the center of American democratic thought. He argues that African American intellectual traditions have continually reshaped the meaning of democracy in the U.S., offering critiques and visions that go beyond the frameworks typically emphasized in mainstream political philosophy. The title, taken from James Baldwin's writings, reflectsthe idea that democracy is never finished—it is always urgent and ongoing.The Time is Always Now: Black Political Thought and the Transformation of U.S. Democracy (Oxford UP, 2013) posits that Black thought epitomizes the crucible of American Democratic theory Bromell contends that African American thinkers are not simply responding to oppression but actively producing political theory—ideasabout freedom, justice, equality, and collective life. Their insights emerge from lived experiences of slavery, segregation,and racial inequality, which provide a unique vantage point for critiquing American democracy.Secondly, Democracy is an ongoing and incomplete project of reconstruction, renewal, and revival. Building on Baldwin's phrase “the time is always now,” Bromell argues that democracy must be constantly reimagined and fought for. Black intellectual traditions highlight democracy's fragility and incompleteness, challenging myths of American exceptionalism.Third, American Democracy exists beyond what are known to be traditional American institutions. While mainstream American political theory often places focus on constitutions, governments, or laws, Black thinkers and citizens emphasize affective, relational, and cultural dimensions of democracy—dimensions that exhibit and feature American virtues and values of community, solidarity, and recognition.Fourth, Professor Bromell calls for a vibrant relational empathy and mutual recognition. In this sense, Bromell highlights Black thought's insistence on recognition of shared humanity and mutual vulnerability as the foundation for democraticpractice. Thinkers as varied as James Baldwin, Frederick Douglass, Martin Luther King Jr, Toni Morrison, and Ralph Ellison stress the necessity of empathy as a civic virtue. Bromell reframes African American intellectual history as politicaltheory, not just cultural or social commentary. He challenges readers to recognize that the deepest resources fordemocratic renewal in America come from traditions forged under conditions of racial oppression.  Ultimately The Time is Always Now insists that democracy is less about stable American institutions and more about the practice of bettering and refining incipient features of American institutions-facing each other honestly, acknowledging and shouldering of collective pain, and being committed to a shared mutual recognition of the totality of our collective experience. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Nick Bromell is the author of By the Sweat of the Brow: Labor and Literature in Antebellum American Culture and Tomorrow Never Knows: Rock and Psychedelics in the Sixties, both published by the University of Chicago Press. His articles and essays on African American literature and political thought have appeared in American Literature, American Literary History, Political Theory, Raritan, and The Sewanee Review. He teaches at the University of Massachusetts, Amherst, and he blogs at thetimeisalwaysnow.org. Nick Bromell's book is a work of intellectual history and political theory that places Black thinkers—writers, activists, and artists—at the center of American democratic thought. He argues that African American intellectual traditions have continually reshaped the meaning of democracy in the U.S., offering critiques and visions that go beyond the frameworks typically emphasized in mainstream political philosophy. The title, taken from James Baldwin's writings, reflectsthe idea that democracy is never finished—it is always urgent and ongoing.The Time is Always Now: Black Political Thought and the Transformation of U.S. Democracy (Oxford UP, 2013) posits that Black thought epitomizes the crucible of American Democratic theory Bromell contends that African American thinkers are not simply responding to oppression but actively producing political theory—ideasabout freedom, justice, equality, and collective life. Their insights emerge from lived experiences of slavery, segregation,and racial inequality, which provide a unique vantage point for critiquing American democracy.Secondly, Democracy is an ongoing and incomplete project of reconstruction, renewal, and revival. Building on Baldwin's phrase “the time is always now,” Bromell argues that democracy must be constantly reimagined and fought for. Black intellectual traditions highlight democracy's fragility and incompleteness, challenging myths of American exceptionalism.Third, American Democracy exists beyond what are known to be traditional American institutions. While mainstream American political theory often places focus on constitutions, governments, or laws, Black thinkers and citizens emphasize affective, relational, and cultural dimensions of democracy—dimensions that exhibit and feature American virtues and values of community, solidarity, and recognition.Fourth, Professor Bromell calls for a vibrant relational empathy and mutual recognition. In this sense, Bromell highlights Black thought's insistence on recognition of shared humanity and mutual vulnerability as the foundation for democraticpractice. Thinkers as varied as James Baldwin, Frederick Douglass, Martin Luther King Jr, Toni Morrison, and Ralph Ellison stress the necessity of empathy as a civic virtue. Bromell reframes African American intellectual history as politicaltheory, not just cultural or social commentary. He challenges readers to recognize that the deepest resources fordemocratic renewal in America come from traditions forged under conditions of racial oppression.  Ultimately The Time is Always Now insists that democracy is less about stable American institutions and more about the practice of bettering and refining incipient features of American institutions-facing each other honestly, acknowledging and shouldering of collective pain, and being committed to a shared mutual recognition of the totality of our collective experience. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

Nick Bromell is the author of By the Sweat of the Brow: Labor and Literature in Antebellum American Culture and Tomorrow Never Knows: Rock and Psychedelics in the Sixties, both published by the University of Chicago Press. His articles and essays on African American literature and political thought have appeared in American Literature, American Literary History, Political Theory, Raritan, and The Sewanee Review. He teaches at the University of Massachusetts, Amherst, and he blogs at thetimeisalwaysnow.org. Nick Bromell's book is a work of intellectual history and political theory that places Black thinkers—writers, activists, and artists—at the center of American democratic thought. He argues that African American intellectual traditions have continually reshaped the meaning of democracy in the U.S., offering critiques and visions that go beyond the frameworks typically emphasized in mainstream political philosophy. The title, taken from James Baldwin's writings, reflectsthe idea that democracy is never finished—it is always urgent and ongoing.The Time is Always Now: Black Political Thought and the Transformation of U.S. Democracy (Oxford UP, 2013) posits that Black thought epitomizes the crucible of American Democratic theory Bromell contends that African American thinkers are not simply responding to oppression but actively producing political theory—ideasabout freedom, justice, equality, and collective life. Their insights emerge from lived experiences of slavery, segregation,and racial inequality, which provide a unique vantage point for critiquing American democracy.Secondly, Democracy is an ongoing and incomplete project of reconstruction, renewal, and revival. Building on Baldwin's phrase “the time is always now,” Bromell argues that democracy must be constantly reimagined and fought for. Black intellectual traditions highlight democracy's fragility and incompleteness, challenging myths of American exceptionalism.Third, American Democracy exists beyond what are known to be traditional American institutions. While mainstream American political theory often places focus on constitutions, governments, or laws, Black thinkers and citizens emphasize affective, relational, and cultural dimensions of democracy—dimensions that exhibit and feature American virtues and values of community, solidarity, and recognition.Fourth, Professor Bromell calls for a vibrant relational empathy and mutual recognition. In this sense, Bromell highlights Black thought's insistence on recognition of shared humanity and mutual vulnerability as the foundation for democraticpractice. Thinkers as varied as James Baldwin, Frederick Douglass, Martin Luther King Jr, Toni Morrison, and Ralph Ellison stress the necessity of empathy as a civic virtue. Bromell reframes African American intellectual history as politicaltheory, not just cultural or social commentary. He challenges readers to recognize that the deepest resources fordemocratic renewal in America come from traditions forged under conditions of racial oppression.  Ultimately The Time is Always Now insists that democracy is less about stable American institutions and more about the practice of bettering and refining incipient features of American institutions-facing each other honestly, acknowledging and shouldering of collective pain, and being committed to a shared mutual recognition of the totality of our collective experience. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Nick Bromell is the author of By the Sweat of the Brow: Labor and Literature in Antebellum American Culture and Tomorrow Never Knows: Rock and Psychedelics in the Sixties, both published by the University of Chicago Press. His articles and essays on African American literature and political thought have appeared in American Literature, American Literary History, Political Theory, Raritan, and The Sewanee Review. He teaches at the University of Massachusetts, Amherst, and he blogs at thetimeisalwaysnow.org. Nick Bromell's book is a work of intellectual history and political theory that places Black thinkers—writers, activists, and artists—at the center of American democratic thought. He argues that African American intellectual traditions have continually reshaped the meaning of democracy in the U.S., offering critiques and visions that go beyond the frameworks typically emphasized in mainstream political philosophy. The title, taken from James Baldwin's writings, reflectsthe idea that democracy is never finished—it is always urgent and ongoing.The Time is Always Now: Black Political Thought and the Transformation of U.S. Democracy (Oxford UP, 2013) posits that Black thought epitomizes the crucible of American Democratic theory Bromell contends that African American thinkers are not simply responding to oppression but actively producing political theory—ideasabout freedom, justice, equality, and collective life. Their insights emerge from lived experiences of slavery, segregation,and racial inequality, which provide a unique vantage point for critiquing American democracy.Secondly, Democracy is an ongoing and incomplete project of reconstruction, renewal, and revival. Building on Baldwin's phrase “the time is always now,” Bromell argues that democracy must be constantly reimagined and fought for. Black intellectual traditions highlight democracy's fragility and incompleteness, challenging myths of American exceptionalism.Third, American Democracy exists beyond what are known to be traditional American institutions. While mainstream American political theory often places focus on constitutions, governments, or laws, Black thinkers and citizens emphasize affective, relational, and cultural dimensions of democracy—dimensions that exhibit and feature American virtues and values of community, solidarity, and recognition.Fourth, Professor Bromell calls for a vibrant relational empathy and mutual recognition. In this sense, Bromell highlights Black thought's insistence on recognition of shared humanity and mutual vulnerability as the foundation for democraticpractice. Thinkers as varied as James Baldwin, Frederick Douglass, Martin Luther King Jr, Toni Morrison, and Ralph Ellison stress the necessity of empathy as a civic virtue. Bromell reframes African American intellectual history as politicaltheory, not just cultural or social commentary. He challenges readers to recognize that the deepest resources fordemocratic renewal in America come from traditions forged under conditions of racial oppression.  Ultimately The Time is Always Now insists that democracy is less about stable American institutions and more about the practice of bettering and refining incipient features of American institutions-facing each other honestly, acknowledging and shouldering of collective pain, and being committed to a shared mutual recognition of the totality of our collective experience. Learn more about your ad choices. Visit megaphone.fm/adchoices

From the cool and sultry lounge sounds smothered in smoke to the soul venues that celebrated love and all its pitfalls, we bring you the songbirds this week. We'll be exploring vocalists, known and unknown, that delivered the goods in the first few years of the 1960s. Rock ‘n roll was finding its foothold at the same time as soul music was beginning to bust out in a big way. You'll be hearing some you know and some you don't in this week's Deeper Roots. Yeah, we've got The Chordettes, Brenda Lee and The Shirelles but we've also got some very special gems from Helen Shapiro, Judy Thomas, Kitty Ford and Betty O'Brian this week. We'll run a chronological marathon from 1960 to 1963, ignoring the genre guardrails as we make our way along. Hope you can join in on the fun.

Paying tribute to the classic no-sex sex comedies from the late '50s and early '60s, Down With Love is a wonderful, bright, kitschy romcom classic that seems to be well regarded, if not completely well remembered.Renee Zellweger (fresh from Chicago) and Ewan McGregor (fresh from Moulin Rouge) tackle roles similar to those made famous by girl-next-door-turned-sex-symbol Doris Day and serious-actor-turned-romantic-lead Rock Hudson, in a genuinely wonderful pastiche to their movies Pillow Talk (1959), Lover Come Back (1961) and Send Me No Flowers (1964). (I watched Pillow Talk as part of my prep for this episode, and I have to say it's a truly delightful movie and Doris Day is incredible in it! Please watch it if you can!)Down With Love is so impressive in its desire to not only be set in the sixties, but also to be filmed like it were filmed in the Sixties. It's meant to look like it was filmed in Technicolor. The thought that went into it is insane, from authentic props and vintage fabrics for costuming, to wanting the sets to actually look just like sets. Down With Love is not a film steeped in realistic depictions of 1962 New York. It's meant to look wonky. It relishes, and adores, the world its set in. The entire cast look like they're having the best time ever.I just wish more people knew of it... This episode was originally released on 16th July 2020 Mentioned in this episode:From the ArchiveThere's no new episode this week, so I thought you might be interested in revisiting this slightly older, but no less brilliant episode. Just bear in mind, this episode is several years old, it may not sound quite as polished as newer episodes, and new information may have come to light in recent years with regards to the making of this movie (please see above for the original date of release) Please enjoy this time capsule of an episode. Thanks for listening!This podcast uses the following third-party services for analysis: Podscribe - https://podscribe.com/privacyOP3 - https://op3.dev/privacy

Splitsville sees the International Film Festival comedy about open marriages get a general release. Essentially a millennial version of a Sixties hit, Bob & Carol & Ted & Alice, with added (male) nudity. Features Dakota Johnson (Materialists).Go to this episode on rnz.co.nz for more details

Theresa Crow Spreading His Wings is the founder of Gathering Our Bundles, a leadership and healing platform rooted in love, truth, and cultural safety. A survivor of the Sixties scoop, Theresa specializes in trauma-informed care, decolonizing leadership, and system navigation for Indigenous communities. She is a Blackfoot First Nations woman from the Blood Tribe in Treaty 7 Territory in Standoff, Alberta. Her work is grounded in Blackfoot values and teachings.

In this episode of Rock is Lit, Cynthia Swanson, winner of the second Bill Hallberg Rock ‘n' Roll Short Story Contest in the General Submission category, reads her winning story, “A Possibility Nonetheless.” MUSIC IN THE EPISODE IN ORDER OF APPEARANCE: Rock is Lit theme music Sixties 60's music (free to use) “The Water is Wide” by Pete Seeger “Mr. Tambourine Man” by The Byrds “There But For Fortune” by Joan Baez Sixties 60's music (free to use) Rock is Lit theme music   LINKS: Leave a rating and comment for Rock is Lit on Goodpods: ⁠https://goodpods.com/podcasts/rock-is-lit-212451⁠ Leave a rating and comment for Rock is Lit on Apple Podcasts: ⁠https://podcasts.apple.com/us/podcast/rock-is-lit/id1642987350⁠ Cynthia Swanson's website: https://cynthiaswansonauthor.com/ Cynthia Swanson on Bluesky: @cynswanauthor.bsky.social Cynthia Swanson on LinkedIn: https://www.linkedin.com/in/cynthiaswansonauthor/ Cynthia Swanson on Facebook: https://www.facebook.com/CynthiaSwanson/ Cynthia Swanson on Instagram: @cynswanauthor Cynthia Swanson on Substack: https://thewhatifjournal.substack.com/ Rock is Lit on Instagram & Bluesky: @rockislitpodcast Christy Alexander Hallberg on Instagram and YouTube: @christyhallberg Christy Alexander Hallberg on Facebook: @ChristyAlexanderHallberg Learn more about your ad choices. Visit megaphone.fm/adchoices

The Wrecking Crew is to the Sixties what The Immediate Family are to the Seventies, so it's no accident that music doc director extraordinaire Denny Tedesco tackled both groups of studio musicians in equally fascinating documentaries.  While we're on the topic of Graham Nash, The Immediate Family became Crosby & Nash's touring ensemble, nicknamed The Mighty Jitters on the road for reasons we won't go into here. Here's just a few of the many things that Denny discusses with Discograffiti in this podcast:How Denny's relationship with his father (Wrecking Crew guitarist Tommy Tedesco) changed after his cancer diagnosis; The ways in which his newest doc The Immediate Family differs from his first, The Wrecking Crew;The cold, hard realities of making an independent film;The toxic relationship between Hal Blaine and Carole Kaye;His incredible upcoming music doc projects;And our mutual dream doc project.There'll be a short sneak peak running publicly for free, but the entirety of this podcast will only be accessible on the Major Tier of Discograffiti's Patreon. Don't miss it, or you'll only be getting part of the story. Get it as a one-off, or better yet just subscribe…and then we'll all have world peace.Full Episode: Patreon.com/Discograffiti (available on the Major Tier & up)Free Sneak Peek: linktr.ee/discograffitiSubscribe to Discograffiti's Patreon and receive a ceaseless barrage (4 shows a week!) of must-hear binge-listening. It's completely free to be a basic member, $1 to get your backstage pass, $5/month for the weekly Sunday show by & for our community, $10 for weekly early release, ad-free, super-extended Director's Cuts of the main show plus access to half our Patreon episode archive, & $20 for Discograffiti's weekly bonus episodes and access to our entire Patreon episode archive. There are now over 300 Patreon episodes.CONNECTJoin our Soldiers of Sound Facebook Group: https://www.facebook.com/groups/1839109176272153Patreon: www.Patreon.com/DiscograffitiPodfollow: ⁠⁠https://podfollow.com/1592182331⁠⁠YouTube Channel: https://www.youtube.com/channel/UClyaQCdvDelj5EiKj6IRLhwInstagram: https://www.instagram.com/discograffitipod/Facebook: https://www.facebook.com/Discograffiti/Twitter: https://twitter.com/DiscograffitiOrder the Digital version of the METAL MACHINE MUZAK 2xLP (feat. Lou Barlow, Cory Hanson, Mark Robinson, & W. Cullen Hart): www.patreon.com/discograffiti/shop/197404Order the $11 Digital version of the MMM 2xLP on Bandcamp: https://discograffiti.bandcamp.com/album/metal-machine-muzakOrder the METAL MACHINE MUZAK Double Vinyl + Digital package: www.patreon.com/discograffiti/shop/169954Merch Shop: https://discograffitipod.myspreadshop.com/allVenmo Dave A Tip: @David-GebroeWeb site: http://discograffiti.com/CONTACT DAVEEmail: dave@discograffiti.comFacebook: https://www.facebook.com/hooligandaveInstagram:  https://www.instagram.com/davidgebroe/Twitter: https://twitter.com/DaveGebroeThere is no other Patreon in existence where you get more for your money. 4 shows a week is what it takes these days to successfully blot out our unacceptable reality…so do yourself a favor and give it a shot for at least one month to see what I'm talking about.  If you're already a member, please comment below about your experience.  www.Patreon.com/discograffiti#dennytedesco #theimmediatefamily #thebeachboys #thewreckingcrew #wreckingcrew #brianwilson #beachboys #tommytedesco #mikelove #carlwilson #music #aljardine #leesklar #dannykortchmar #petsounds #brianwilsonrip #russkunkel #studiomusicians #caroleking #rocknroll #jamestaylor #philcollins #eatingraoul #donrandi #carolekaye #waddywachtel #discograffiti #metalmachinemuzak #soldiersofsound #andyourdreamscometrue

How to bring peace to Gaza and Ukraine? Maybe the United Nations can help. Or, sadly, maybe not. But there really was a time, in the second half of the 20th century, when the United Nations could help bring peace to supposedly insoluble wars. The U.N.'s glory days were in the Sixties when it was run by a former Burmese school teacher called U Thant. His incredible story is told by his grandson, the Cambridge University historian Thant Myint-U, in a new book appropriately called Peacemaker. Thant Myint-U reminds us of a halcyon time when the UN Secretary-General could summon presidents at will, mediate between nuclear superpowers, and command respect from Castro to Kennedy. Today's forgotten history reveals how U Thant's intervention during the Cuban Missile Crisis helped prevent nuclear war—a role not-so-surprisingly airbrushed from most American and Soviet accounts. Yes, even in the glory years of the Sixties, the bureaucratized U.N. was far from perfect. But under a dedicated peacemaker like U-Thant it could help bring ceasefires to seemingly endless wars. Like in Ukraine and Gaza. 1. U Thant's crucial role in preventing nuclear war has been erased from history During the Cuban Missile Crisis, U Thant provided the face-saving framework that allowed both Khrushchev and Kennedy to step back from the brink. He articulated the missiles-for-no-invasion deal, gave Khrushchev a neutral party to respond to instead of American ultimatums, and bought Kennedy time against his hawkish advisors. Yet this intervention barely appears in American or Soviet accounts.2. The UN's decline stems from lost enthusiasm on both sides The UN's marginalization wasn't inevitable. It resulted from America's disillusionment after Vietnam-era challenges to its power, combined with a new generation of Third World leaders less interested in the global stage than their predecessors like Nehru, Nasser, and Nkrumah. Both superpowers and smaller nations stopped investing in the institution.3. Decolonization needed the UN's framework to succeed Without the UN providing a structure where newly independent nations had equal status and a voice, decolonization might have resulted in continued informal empire or Commonwealth arrangements. The UN gave these countries both legitimacy and a platform to resist neo-colonial pressures.4. The next Secretary-General selection could determine the UN's survival With the current term ending in 2025, the choice of the next leader—requiring agreement between Trump, Putin, and Xi Jinping—may be the UN's last chance for relevance. Without strong leadership focused on the UN's core peacemaking function, the institution may not survive.5. The UN worked best when it rejected Cold War binary thinking The non-aligned movement wasn't passive neutrality but active rejection of a world divided into camps. Leaders like U Thant succeeded by creating space for all parties to negotiate without choosing sides, offering an alternative to the superpower confrontation that risked nuclear war.Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

Anthony Scaramucci is the founder and managing partner of SkyBridge, a global alternative investment firm, and founder and chairman of SALT, a global thought leadership forum and venture studio. He is the host of the podcast Open Book with Anthony Scaramucci. A graduate of Tufts University and Harvard Law School, he lives in Manhasset, Long Island. Books mentioned in this episode: 1. King of Kings: The Iranian Revolution: A Story of Hubris, Delusion and Catastrophic Miscalculation by Scott Anderson 2. Charlie and the Chocolate Factory by Roald Dahl 3. The Iliad by Homer 4. The Odyssey by Homer 5. The Nazi Mind by Laurence Rees 6. Chaos: Charles Manson, the CIA, and the Secret History of the Sixties by Tom O'Neill 7. The Ascent of Money: A Financial History of the World by Niall Ferguson

Abe Saffron rose from wartime wheeler-dealing to become the king of Sydney's underworld, a man whose appetite for sex, money and scandal was unmatched by any other Aussie gangster in the swinging Sixties. Saffron paid everybody off, brought Sinatra to Sydney, and hosted Sinatra. He was, in the words of one reporter, “Mr Sin”. But as Saffron's empire of vice grew, so did the list of those desperate to bring him down — including his own henchmen. And as the Seventies dawned, Saffron would be embroiled in two fatal scandals that stained his reputation forever: one a tragic fairground fire, the other a kidnapping and murder that shocked the nation. Learn more about your ad choices. Visit megaphone.fm/adchoices