Podcasts about sixties

We've driven nearly all of 'em. Almost every road model, plus some of the great race cars—a 934 and 935, RSRs, a Daytona-winning Sixties 2.0-liter. Not to mention the extended family, like a Le Mans-winning Rothmans 962, a few 959s, Jerry Seinfeld's 1964 “Butzi” car, the list goes on.Why do people love (and hate) the Porsche 911? Are the great ones worth the money? Can a reasonable person grow to love a good 911 if they don't much like the things to begin with?Cliché questions. We hit them here, then go deeper: What do you learn strapping into all that unobtainium?Ross and Sam have some rare wheel hours with Porsche's finest. And they might have some answers.***SPECIAL GUEST: This episode marks the return of the legendary Kyle Kinard, formerly of Road & Track!***IN THIS EP: Ross battling 911s as a BMW factory driver — Alois Ruf tossing Sam the keys to the 200-mph “Yellow Bird” CTR prototype and telling him to rip around Germany for an afternoon — Sam track-testing a Le Mans-winning 934 and a Fabcar 935 on the same day for R&T — Ross racing an RSR at Daytona with a bunch of babies — Sam writing the world's first track test of a Singer-restored 911 — and more!(Warning: There is also much Porsche-nerd-speak.)This show's format rotates weekly, because squirrel. We call this format “MY LIFE WITH.”This episode was produced by Sam Smith.**Who We Are + Spicy Merch:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.ItsNotTheCar.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠**Support It's Not the Car:Contribute on Patreon ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.patreon.com/notthecar⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠**Topic suggestions, feedback, questions? Let us know what you think!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠INTCPod@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠**Check out Sam's book!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Smithology: Thoughts, Travels, and Semi-Plausible Car Writing, 2003–2023⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠**Where to find us:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/intcpod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/thatsamsmith/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/j.v.braun/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/rossbentley/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://rossbentley.substack.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://speedsecrets.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠**ABOUT THE SHOW:It's Not the Car is a podcast about people and speed. We tell racing stories and leave out the boring parts.Ross Bentley is a former IndyCar driver, a bestselling author, and a world-renowned performance coach. Jeff Braun is a champion race engineer. Sam Smith is an award-winning writer and a former executive editor of Road & Track magazine.We don't love racing for the nuts and bolts—we love it for what it asks of the meatbag at the wheel.New episodes every Tuesday.

Why did all university professors and administrators capitulate to the insane mobs of student radicals in the sixties? Find out as we continue discussing Allan Bloom's The Closing of the American Mind, discussing how the 1960s carried along the most damaging threads in prior educational history, ultimately ripping out the foundations of what education ought to be.Follow us on X!Give us your opinions here!

Today on another encore episode of the Rarified Heir Podcast, we are talking to three prior guests of the podcast who are talking to us in the boldest experiment in Rarified Heir Podcast history! How so? We are talking to them all at once. Something we had never done before. But don't fret, Carnie Wilson, Jenny Brill and Shawn Kay have been friends for quite a long time and, in fact, they know each other and host Josh Mills from as far back as elementary school. There are laughs and some tears on this one. Since the time of this recording, sadly we have lost two of the celebrity parents of our guests, as both Mitzi McCall, mother of Jenny Brill and Brian Wilson, father of Carnie Wilson have both passed away as of this encore episode. While it puts things in perspective rather quickly, it also helps us to realize that the entire point of this podcast is to make sure that in this fast paced world, we don't forget the names and stories about some of the most beloved entertainers of the 20th century. And with that in mind, this episode is a rollicking one, a bit experimental as we said but also fast paced, filled with childhood memories and what it was like not only growing up the child of a celebrity but also with friends whose parents were also celebrities. We get into some ridiculous tales about the Oakwood school where they all met, insane stories about album jackets as modes of transportation and a nostalgic trip down a very 1970s memory lane. Which begs the question, just how did the children of Mitzi McCall, Charlie Brill, John Kay, Brian Wilson and Marilyn Wilson get along? In a word? Famously. Take a listen.  

Puisque Zorbec Legras a été capable de réunir une équipe de sherpas pour traverser l'Himalaya, Nicolas Leroidec a conssenti à s'associer avec lui pour cette grande aventure. L'adjudant Tifrice dissimulera son visage pour la traversée.***Fiction radiophonique de Pierre Dac et Louis Rognoni - Producteur : Jean Bardin - Réalisateur : Jean Wilfrid Garrett - Avec : Héléna Bossis, Roger Carel, Pierre Dac, Claude Dasset, Jean Piat, Paul Préboist, Lawrence Riesner et Alain Rolland - Première diffusion : 13/12/1967 sur France Inter - Un podcast INA.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Les frères Fauderche se sont installés au Népalace népalais. Ils doivent assurer les arrières gardes de Nicolas Leroidec. Le colonel de Guerlasse n'attend pas tellement de nouvelles car il sait que l'ascension sera longue.***Fiction radiophonique de Pierre Dac et Louis Rognoni - Producteur : Jean Bardin - Réalisateur : Jean Wilfrid Garrett - Avec : Héléna Bossis, Roger Carel, Pierre Dac, Claude Dasset, Jean Piat, Paul Préboist, Lawrence Riesner et Alain Rolland - Première diffusion : 14/12/1967 sur France Inter - Un podcast INA.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

The final week of NRL & NRLW action has arrived. Come the end of Sunday we will have champions crowned between the Storm and Broncos in the NRL and the Broncos and Roosters in the NRLW. The Tip Sheet looks at both match-ups and the big story lines heading into each decider as the season reaches its frenzied zenith. Sixties and Forty20 also recap a quiet week out of Parramatta with the 2026 coaching staff for the elite junior pathways locked in. The NRLW also announced its departures and the boys look at what it means for the composition of the squad heading into next year.

Le colonel de Guerlasse dépèche au Népal les Frères Fauderche pour protéger les deux agents du SDUC déjà présents sur place. ***Fiction radiophonique de Pierre Dac et Louis Rognoni - Producteur : Jean Bardin - Réalisateur : Jean Wilfrid Garrett - Avec : Héléna Bossis, Roger Carel, Pierre Dac, Claude Dasset, Jean Piat, Paul Préboist, Lawrence Riesner et Alain Rolland - Première diffusion : 12/12/1967 sur France Inter - Un podcast INA.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Nicolas Leroidec a accepté l'offre de Zorbec Legras : ce dernier réunira l'indispensable équipe de sherpas pour gravir l'Himalaya. Que penserait le colonel de Guerlasse de tout ceci ? ***Fiction radiophonique de Pierre Dac et Louis Rognoni - Producteur : Jean Bardin - Réalisateur : Jean Wilfrid Garrett - Avec : Héléna Bossis, Roger Carel, Pierre Dac, Claude Dasset, Jean Piat, Paul Préboist, Lawrence Riesner et Alain Rolland - Première diffusion : 11/12/1967 sur France Inter - Un podcast INA.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Marc Levin is an award-winning, independent filmmaker. He has made over 50 films, including documentaries, TV series, dramatic feature films and episodic television. He's won four Emmys and four duPont-Columbia Awards, among other prominent accolades. Highlights include his dramatic hit SLAM; the groundbreaking docuseries Brick City; and several films for HBO including Gang War: Bangin' in Little Rock, Thug Life in DC; and Class Divide. His most recent HBO film, An American Bombing, is streaming on Max and was recently nominated for an Emmy for Outstanding Historical Documentary. His latest film, which premieres Sept 30th on PBS, is HARD HAT RIOT. David Paul Kuhn is a writer and political analyst and author of several books including his most recent, The Hardhat Riot: Nixon, New York City, and the Dawn of the White Working-Class Revolution. He's served as the chief political writer for CBS News online, a senior political writer for Politico, as well as chief political correspondent at RealClearPolitics. He's also written for The Atlantic, The New York Times, The Wall Street Journal, The Washington Post Magazine, The Los Angeles Times, National Review, New Republic, among other publications, and regularly appears on networks ranging from BBC to Fox News. Marc's new film is partly based on David's book. Join us for this super-interesting discussion about the riot, this violent end to the turbulent Sixties, and its stunning parallels to the current political chaos. Got somethin' to say?! Email us at BackroomAndy@gmail.com Leave us a message: 845-307-7446 Twitter: @AndyOstroy Produced by Andy Ostroy, Matty Rosenberg, and Jennifer Hammoud @ Radio Free Rhiniecliff Design by Cricket Lengyel

This one was a big deal for me. My guest, Dennis McNally, isn't just a reknowned author, music historian, and publicist, he's someone I've long considered somewhat of a “celebrity” in my world.  From 1984 to 1995, Dennis was the Grateful Dead's publicist and part of the band's inner circle.He's written five books, including the classic Long Strange Trip: The Inside History of the Grateful Dead, and his latest, The Last Great Dream - How Bohemians Became Hippies and Created the Sixties.  He's married to the love of his life, photographer and author Susana Millman, whose book Alive With the Dead - A Fly on the Wall with a Camera, is one of my favorites.  What struck me most was Dennis's insight into how the Dead operated behind the scenes.  How the band members interacted, what touring was like, and what it was like to be at the center of all that energy for so many years. He was every bit as gracious, articulate, and engaging as I could have imagined and I'm honored to now call Dennis a friend.Speaking of friends, this episode was also a first for me.  I was joined by my good friend Charlie French as co-host who added thoughtful color and questions that I wouldn't have thought to ask! These days, Dennis lives in San Francisco with Susana and is still doing the work he loves - namely as the publicist for Little Feat.It's an honor and a privilege to share our conversation. So join us, and let's see where the energy takes us!https://www.dennismcnally.com/https://mamarazi.com/Stir It Up https://youtu.be/XQxceOPnj9Q?si=i8Vu2Wh_UnpJ_6LXDeath Don't Have No Mercy https://youtu.be/wH8GUfK-MOM?si=frh9iuuf1bCDSuobTime Loves a Hero https://music.apple.com/us/album/time-loves-a-hero/471749182?i=471749184https://www.facebook.com/groups/1983015048745357

"All my heroes are in black and white" goes the lyric of a John Mayer song. It's also how Max Minshull thinks about motorsport, racing drivers and sportscars. Max Minshull has a fascination with the exploits and the thrill of vintage machines from the Fifties and Sixties. He races a Porsche 356A coupe and he's on a mission to bring together a new generation of enthusiasts who share a love of mid-twentieth-century racing history. Max's Instagram: @pacificsportscarclubSUPPORT THE PODCAST:https://www.buymeacoffee.com/hpheritageSUBSCRIBE to Horsepower Heritage on YouTube:https://www.youtube.com/@horsepowerheritageSLOW BAJA VINTAGE EXPEDITION: https://www.slowbaja.com/adventures/slow-baja-vintage-expedition-1FIND US ON THE WEB:https://www.horsepowerheritage.comINSTAGRAM: @horsepowerheritageHORSEPOWER HERITAGE is created, produced and hosted by Maurice Merrick.Get in touch with Maurice:https://horsepowerheritage.com/contactSupport the showHELP us grow the audience! SHARE the Podcast with your friends!

Love constrains. Since the Sixties at least, "love" has been used to excuse all kinds of harmful behavior. "Free love" was a popular cliché then. "Love is love" something you might hear today. But real love lives in harmony with the Law of God. And it restricts our choices to those that actually help other people. In 1 Corinthians, Paul was teaching that church about the nature and supremacy of love. Listen to Right Start Radio every Monday through Friday on WCVX 1160AM (Cincinnati, OH) at 9:30am, WHKC 91.5FM (Columbus, OH) at 5:00pm, WRFD 880AM (Columbus, OH) at 9:00am. Right Start can also be heard on One Christian Radio 107.7FM & 87.6FM in New Plymouth, New Zealand. You can purchase a copy of this message, unsegmented for broadcasting and in its entirety, for $7 on a single CD by calling +1 (800) 984-2313, and of course you can always listen online or download the message for free. RS09242025_0.mp3Scripture References: I Corinthians 13 & 14

Nicolas Leroidec et l'adjudant Tifrice échappent par miracle à un attentat dirigé contre leurs personnes. Nos deux amis sont en vie et c'est pour eux le principal. Mais ils sont contraints de descendre à la station Chateauroux Alabad. ***Fiction radiophonique de Pierre Dac et Louis Rognoni - Producteur : Jean Bardin - Réalisateur : Jean Wilfrid Garrett - Avec : Héléna Bossis, Roger Carel, Pierre Dac, Claude Dasset, Jean Piat, Paul Préboist, Lawrence Riesner et Alain Rolland - Première diffusion : 05/12/1967 sur France Inter - Un podcast INA.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Nicolas Leroidec et l'adjudant Tifrice échappent par miracle à un attentat dirigé contre leurs personnes. Nos deux amis sont en vie et c'est pour eux le principal. Mais ils sont contraints de descendre à la station Chateauroux Alabad. ***Fiction radiophonique de Pierre Dac et Louis Rognoni - Producteur : Jean Bardin - Réalisateur : Jean Wilfrid Garrett - Avec : Héléna Bossis, Roger Carel, Pierre Dac, Claude Dasset, Jean Piat, Paul Préboist, Lawrence Riesner et Alain Rolland - Première diffusion : 06/12/1967 sur France Inter - Un podcast INA.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Lady Chatterton ayant rédigé le mot pour Zorbec Legras, n'est autre que la comtesse Vanda Vodka Milkévitch, née Catherine le Grumeau. C'est elle qui est à l'origine des attentats auxquels ont échappé les deux agents du SDUC Nicolas Leroidec et l'adjudant Tifrice. ***Fiction radiophonique de Pierre Dac et Louis Rognoni - Producteur : Jean Bardin - Réalisateur : Jean Wilfrid Garrett - Avec : Héléna Bossis, Roger Carel, Pierre Dac, Claude Dasset, Jean Piat, Paul Préboist, Lawrence Riesner et Alain Rolland - Première diffusion : 07/12/1967 sur France Inter - Un podcast INA.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Au moment de franchir l'Himalaya, Nicolas Leroidec se retrouve face à un sherpa qui refuse d'emmener l'adjudant Tifrice, ils font face au racisme en pleine montagne. ***Fiction radiophonique de Pierre Dac et Louis Rognoni - Producteur : Jean Bardin - Réalisateur : Jean Wilfrid Garrett - Avec : Héléna Bossis, Roger Carel, Pierre Dac, Claude Dasset, Jean Piat, Paul Préboist, Lawrence Riesner et Alain Rolland - Première diffusion : 08/12/1967 sur France Inter - Un podcast INA.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

The Parramatta Eels are finally in the throes of the offseason after the NSW Cup went down to the New Zealand Warriors on Saturday. The Tip Sheet plows fearlessly ahead as Sixties and Forty20 wrap the latest news for the Blue & Gold including the winners from the NRLW and HNWP Awards Night this week. We said sayonara, auf wiedersehen and arrivederci to the Raiders and Bulldogs over the weekend as only four teams are left standing in the pursuit of the Provan-Summons Trophy. The boys look at the lay of the land in the finals and cover some huge news out of Bondi as Mark Nawaqanitawase confirms his future beyond 2026.

It is one of The Tip Sheet's most anticipated episodes each year and the inimitable Bernie Gurr joins the show once again to recap and review the 2025 season for the Parramatta Eels. Sixties and Forty20 talk everything Blue & Gold with Gurr and tap into his keen mind to break down a massive year of transition and growth for the Eels under new coach Jason Ryles. The show covers a broad range of topics starting with the importance of the Centre of Excellence and then through a series of focused footy questions. What did the Eels do to turn their season around after a dismal start? Which players and positional groups proved key during their scorching run home? Where do Parramatta need to improve and what positional should they be recruiting for? Bernie also takes a look at the wider landscape of the NRL. How does season 2025 stand among recent years for the code? With the finals down to just four teams - who will be the last team standing? The boys wrap up the show with a look at the looming expansion for the code and what logistical and administrative challenges await Perth and PNG.

Nick Bromell is the author of By the Sweat of the Brow: Labor and Literature in Antebellum American Culture and Tomorrow Never Knows: Rock and Psychedelics in the Sixties, both published by the University of Chicago Press. His articles and essays on African American literature and political thought have appeared in American Literature, American Literary History, Political Theory, Raritan, and The Sewanee Review. He teaches at the University of Massachusetts, Amherst, and he blogs at thetimeisalwaysnow.org. Nick Bromell's book is a work of intellectual history and political theory that places Black thinkers—writers, activists, and artists—at the center of American democratic thought. He argues that African American intellectual traditions have continually reshaped the meaning of democracy in the U.S., offering critiques and visions that go beyond the frameworks typically emphasized in mainstream political philosophy. The title, taken from James Baldwin's writings, reflectsthe idea that democracy is never finished—it is always urgent and ongoing.The Time is Always Now: Black Political Thought and the Transformation of U.S. Democracy (Oxford UP, 2013) posits that Black thought epitomizes the crucible of American Democratic theory Bromell contends that African American thinkers are not simply responding to oppression but actively producing political theory—ideasabout freedom, justice, equality, and collective life. Their insights emerge from lived experiences of slavery, segregation,and racial inequality, which provide a unique vantage point for critiquing American democracy.Secondly, Democracy is an ongoing and incomplete project of reconstruction, renewal, and revival. Building on Baldwin's phrase “the time is always now,” Bromell argues that democracy must be constantly reimagined and fought for. Black intellectual traditions highlight democracy's fragility and incompleteness, challenging myths of American exceptionalism.Third, American Democracy exists beyond what are known to be traditional American institutions. While mainstream American political theory often places focus on constitutions, governments, or laws, Black thinkers and citizens emphasize affective, relational, and cultural dimensions of democracy—dimensions that exhibit and feature American virtues and values of community, solidarity, and recognition.Fourth, Professor Bromell calls for a vibrant relational empathy and mutual recognition. In this sense, Bromell highlights Black thought's insistence on recognition of shared humanity and mutual vulnerability as the foundation for democraticpractice. Thinkers as varied as James Baldwin, Frederick Douglass, Martin Luther King Jr, Toni Morrison, and Ralph Ellison stress the necessity of empathy as a civic virtue. Bromell reframes African American intellectual history as politicaltheory, not just cultural or social commentary. He challenges readers to recognize that the deepest resources fordemocratic renewal in America come from traditions forged under conditions of racial oppression.  Ultimately The Time is Always Now insists that democracy is less about stable American institutions and more about the practice of bettering and refining incipient features of American institutions-facing each other honestly, acknowledging and shouldering of collective pain, and being committed to a shared mutual recognition of the totality of our collective experience. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Nick Bromell is the author of By the Sweat of the Brow: Labor and Literature in Antebellum American Culture and Tomorrow Never Knows: Rock and Psychedelics in the Sixties, both published by the University of Chicago Press. His articles and essays on African American literature and political thought have appeared in American Literature, American Literary History, Political Theory, Raritan, and The Sewanee Review. He teaches at the University of Massachusetts, Amherst, and he blogs at thetimeisalwaysnow.org. Nick Bromell's book is a work of intellectual history and political theory that places Black thinkers—writers, activists, and artists—at the center of American democratic thought. He argues that African American intellectual traditions have continually reshaped the meaning of democracy in the U.S., offering critiques and visions that go beyond the frameworks typically emphasized in mainstream political philosophy. The title, taken from James Baldwin's writings, reflectsthe idea that democracy is never finished—it is always urgent and ongoing.The Time is Always Now: Black Political Thought and the Transformation of U.S. Democracy (Oxford UP, 2013) posits that Black thought epitomizes the crucible of American Democratic theory Bromell contends that African American thinkers are not simply responding to oppression but actively producing political theory—ideasabout freedom, justice, equality, and collective life. Their insights emerge from lived experiences of slavery, segregation,and racial inequality, which provide a unique vantage point for critiquing American democracy.Secondly, Democracy is an ongoing and incomplete project of reconstruction, renewal, and revival. Building on Baldwin's phrase “the time is always now,” Bromell argues that democracy must be constantly reimagined and fought for. Black intellectual traditions highlight democracy's fragility and incompleteness, challenging myths of American exceptionalism.Third, American Democracy exists beyond what are known to be traditional American institutions. While mainstream American political theory often places focus on constitutions, governments, or laws, Black thinkers and citizens emphasize affective, relational, and cultural dimensions of democracy—dimensions that exhibit and feature American virtues and values of community, solidarity, and recognition.Fourth, Professor Bromell calls for a vibrant relational empathy and mutual recognition. In this sense, Bromell highlights Black thought's insistence on recognition of shared humanity and mutual vulnerability as the foundation for democraticpractice. Thinkers as varied as James Baldwin, Frederick Douglass, Martin Luther King Jr, Toni Morrison, and Ralph Ellison stress the necessity of empathy as a civic virtue. Bromell reframes African American intellectual history as politicaltheory, not just cultural or social commentary. He challenges readers to recognize that the deepest resources fordemocratic renewal in America come from traditions forged under conditions of racial oppression.  Ultimately The Time is Always Now insists that democracy is less about stable American institutions and more about the practice of bettering and refining incipient features of American institutions-facing each other honestly, acknowledging and shouldering of collective pain, and being committed to a shared mutual recognition of the totality of our collective experience. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Nick Bromell is the author of By the Sweat of the Brow: Labor and Literature in Antebellum American Culture and Tomorrow Never Knows: Rock and Psychedelics in the Sixties, both published by the University of Chicago Press. His articles and essays on African American literature and political thought have appeared in American Literature, American Literary History, Political Theory, Raritan, and The Sewanee Review. He teaches at the University of Massachusetts, Amherst, and he blogs at thetimeisalwaysnow.org. Nick Bromell's book is a work of intellectual history and political theory that places Black thinkers—writers, activists, and artists—at the center of American democratic thought. He argues that African American intellectual traditions have continually reshaped the meaning of democracy in the U.S., offering critiques and visions that go beyond the frameworks typically emphasized in mainstream political philosophy. The title, taken from James Baldwin's writings, reflectsthe idea that democracy is never finished—it is always urgent and ongoing.The Time is Always Now: Black Political Thought and the Transformation of U.S. Democracy (Oxford UP, 2013) posits that Black thought epitomizes the crucible of American Democratic theory Bromell contends that African American thinkers are not simply responding to oppression but actively producing political theory—ideasabout freedom, justice, equality, and collective life. Their insights emerge from lived experiences of slavery, segregation,and racial inequality, which provide a unique vantage point for critiquing American democracy.Secondly, Democracy is an ongoing and incomplete project of reconstruction, renewal, and revival. Building on Baldwin's phrase “the time is always now,” Bromell argues that democracy must be constantly reimagined and fought for. Black intellectual traditions highlight democracy's fragility and incompleteness, challenging myths of American exceptionalism.Third, American Democracy exists beyond what are known to be traditional American institutions. While mainstream American political theory often places focus on constitutions, governments, or laws, Black thinkers and citizens emphasize affective, relational, and cultural dimensions of democracy—dimensions that exhibit and feature American virtues and values of community, solidarity, and recognition.Fourth, Professor Bromell calls for a vibrant relational empathy and mutual recognition. In this sense, Bromell highlights Black thought's insistence on recognition of shared humanity and mutual vulnerability as the foundation for democraticpractice. Thinkers as varied as James Baldwin, Frederick Douglass, Martin Luther King Jr, Toni Morrison, and Ralph Ellison stress the necessity of empathy as a civic virtue. Bromell reframes African American intellectual history as politicaltheory, not just cultural or social commentary. He challenges readers to recognize that the deepest resources fordemocratic renewal in America come from traditions forged under conditions of racial oppression.  Ultimately The Time is Always Now insists that democracy is less about stable American institutions and more about the practice of bettering and refining incipient features of American institutions-facing each other honestly, acknowledging and shouldering of collective pain, and being committed to a shared mutual recognition of the totality of our collective experience. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

Nick Bromell is the author of By the Sweat of the Brow: Labor and Literature in Antebellum American Culture and Tomorrow Never Knows: Rock and Psychedelics in the Sixties, both published by the University of Chicago Press. His articles and essays on African American literature and political thought have appeared in American Literature, American Literary History, Political Theory, Raritan, and The Sewanee Review. He teaches at the University of Massachusetts, Amherst, and he blogs at thetimeisalwaysnow.org. Nick Bromell's book is a work of intellectual history and political theory that places Black thinkers—writers, activists, and artists—at the center of American democratic thought. He argues that African American intellectual traditions have continually reshaped the meaning of democracy in the U.S., offering critiques and visions that go beyond the frameworks typically emphasized in mainstream political philosophy. The title, taken from James Baldwin's writings, reflectsthe idea that democracy is never finished—it is always urgent and ongoing.The Time is Always Now: Black Political Thought and the Transformation of U.S. Democracy (Oxford UP, 2013) posits that Black thought epitomizes the crucible of American Democratic theory Bromell contends that African American thinkers are not simply responding to oppression but actively producing political theory—ideasabout freedom, justice, equality, and collective life. Their insights emerge from lived experiences of slavery, segregation,and racial inequality, which provide a unique vantage point for critiquing American democracy.Secondly, Democracy is an ongoing and incomplete project of reconstruction, renewal, and revival. Building on Baldwin's phrase “the time is always now,” Bromell argues that democracy must be constantly reimagined and fought for. Black intellectual traditions highlight democracy's fragility and incompleteness, challenging myths of American exceptionalism.Third, American Democracy exists beyond what are known to be traditional American institutions. While mainstream American political theory often places focus on constitutions, governments, or laws, Black thinkers and citizens emphasize affective, relational, and cultural dimensions of democracy—dimensions that exhibit and feature American virtues and values of community, solidarity, and recognition.Fourth, Professor Bromell calls for a vibrant relational empathy and mutual recognition. In this sense, Bromell highlights Black thought's insistence on recognition of shared humanity and mutual vulnerability as the foundation for democraticpractice. Thinkers as varied as James Baldwin, Frederick Douglass, Martin Luther King Jr, Toni Morrison, and Ralph Ellison stress the necessity of empathy as a civic virtue. Bromell reframes African American intellectual history as politicaltheory, not just cultural or social commentary. He challenges readers to recognize that the deepest resources fordemocratic renewal in America come from traditions forged under conditions of racial oppression.  Ultimately The Time is Always Now insists that democracy is less about stable American institutions and more about the practice of bettering and refining incipient features of American institutions-facing each other honestly, acknowledging and shouldering of collective pain, and being committed to a shared mutual recognition of the totality of our collective experience. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Nick Bromell is the author of By the Sweat of the Brow: Labor and Literature in Antebellum American Culture and Tomorrow Never Knows: Rock and Psychedelics in the Sixties, both published by the University of Chicago Press. His articles and essays on African American literature and political thought have appeared in American Literature, American Literary History, Political Theory, Raritan, and The Sewanee Review. He teaches at the University of Massachusetts, Amherst, and he blogs at thetimeisalwaysnow.org. Nick Bromell's book is a work of intellectual history and political theory that places Black thinkers—writers, activists, and artists—at the center of American democratic thought. He argues that African American intellectual traditions have continually reshaped the meaning of democracy in the U.S., offering critiques and visions that go beyond the frameworks typically emphasized in mainstream political philosophy. The title, taken from James Baldwin's writings, reflectsthe idea that democracy is never finished—it is always urgent and ongoing.The Time is Always Now: Black Political Thought and the Transformation of U.S. Democracy (Oxford UP, 2013) posits that Black thought epitomizes the crucible of American Democratic theory Bromell contends that African American thinkers are not simply responding to oppression but actively producing political theory—ideasabout freedom, justice, equality, and collective life. Their insights emerge from lived experiences of slavery, segregation,and racial inequality, which provide a unique vantage point for critiquing American democracy.Secondly, Democracy is an ongoing and incomplete project of reconstruction, renewal, and revival. Building on Baldwin's phrase “the time is always now,” Bromell argues that democracy must be constantly reimagined and fought for. Black intellectual traditions highlight democracy's fragility and incompleteness, challenging myths of American exceptionalism.Third, American Democracy exists beyond what are known to be traditional American institutions. While mainstream American political theory often places focus on constitutions, governments, or laws, Black thinkers and citizens emphasize affective, relational, and cultural dimensions of democracy—dimensions that exhibit and feature American virtues and values of community, solidarity, and recognition.Fourth, Professor Bromell calls for a vibrant relational empathy and mutual recognition. In this sense, Bromell highlights Black thought's insistence on recognition of shared humanity and mutual vulnerability as the foundation for democraticpractice. Thinkers as varied as James Baldwin, Frederick Douglass, Martin Luther King Jr, Toni Morrison, and Ralph Ellison stress the necessity of empathy as a civic virtue. Bromell reframes African American intellectual history as politicaltheory, not just cultural or social commentary. He challenges readers to recognize that the deepest resources fordemocratic renewal in America come from traditions forged under conditions of racial oppression.  Ultimately The Time is Always Now insists that democracy is less about stable American institutions and more about the practice of bettering and refining incipient features of American institutions-facing each other honestly, acknowledging and shouldering of collective pain, and being committed to a shared mutual recognition of the totality of our collective experience. Learn more about your ad choices. Visit megaphone.fm/adchoices

Nick Bromell is the author of By the Sweat of the Brow: Labor and Literature in Antebellum American Culture and Tomorrow Never Knows: Rock and Psychedelics in the Sixties, both published by the University of Chicago Press. His articles and essays on African American literature and political thought have appeared in American Literature, American Literary History, Political Theory, Raritan, and The Sewanee Review. He teaches at the University of Massachusetts, Amherst, and he blogs at thetimeisalwaysnow.org. Nick Bromell's book is a work of intellectual history and political theory that places Black thinkers—writers, activists, and artists—at the center of American democratic thought. He argues that African American intellectual traditions have continually reshaped the meaning of democracy in the U.S., offering critiques and visions that go beyond the frameworks typically emphasized in mainstream political philosophy. The title, taken from James Baldwin's writings, reflectsthe idea that democracy is never finished—it is always urgent and ongoing.The Time is Always Now: Black Political Thought and the Transformation of U.S. Democracy (Oxford UP, 2013) posits that Black thought epitomizes the crucible of American Democratic theory Bromell contends that African American thinkers are not simply responding to oppression but actively producing political theory—ideasabout freedom, justice, equality, and collective life. Their insights emerge from lived experiences of slavery, segregation,and racial inequality, which provide a unique vantage point for critiquing American democracy.Secondly, Democracy is an ongoing and incomplete project of reconstruction, renewal, and revival. Building on Baldwin's phrase “the time is always now,” Bromell argues that democracy must be constantly reimagined and fought for. Black intellectual traditions highlight democracy's fragility and incompleteness, challenging myths of American exceptionalism.Third, American Democracy exists beyond what are known to be traditional American institutions. While mainstream American political theory often places focus on constitutions, governments, or laws, Black thinkers and citizens emphasize affective, relational, and cultural dimensions of democracy—dimensions that exhibit and feature American virtues and values of community, solidarity, and recognition.Fourth, Professor Bromell calls for a vibrant relational empathy and mutual recognition. In this sense, Bromell highlights Black thought's insistence on recognition of shared humanity and mutual vulnerability as the foundation for democraticpractice. Thinkers as varied as James Baldwin, Frederick Douglass, Martin Luther King Jr, Toni Morrison, and Ralph Ellison stress the necessity of empathy as a civic virtue. Bromell reframes African American intellectual history as politicaltheory, not just cultural or social commentary. He challenges readers to recognize that the deepest resources fordemocratic renewal in America come from traditions forged under conditions of racial oppression.  Ultimately The Time is Always Now insists that democracy is less about stable American institutions and more about the practice of bettering and refining incipient features of American institutions-facing each other honestly, acknowledging and shouldering of collective pain, and being committed to a shared mutual recognition of the totality of our collective experience.

From the cool and sultry lounge sounds smothered in smoke to the soul venues that celebrated love and all its pitfalls, we bring you the songbirds this week. We'll be exploring vocalists, known and unknown, that delivered the goods in the first few years of the 1960s. Rock ‘n roll was finding its foothold at the same time as soul music was beginning to bust out in a big way. You'll be hearing some you know and some you don't in this week's Deeper Roots. Yeah, we've got The Chordettes, Brenda Lee and The Shirelles but we've also got some very special gems from Helen Shapiro, Judy Thomas, Kitty Ford and Betty O'Brian this week. We'll run a chronological marathon from 1960 to 1963, ignoring the genre guardrails as we make our way along. Hope you can join in on the fun.

There is just one game to preview this week for the Parramatta Eels as the NSW Cup vie for a berth in the Grand Final. To get there they will need to defeat the New Zealand Warriors in a massive clash at Jubliee Stadium on Saturday. The Tip Sheet takes a deep dive on what the Eels need to do to overcome the minor premiers and which players could star for the Blue & Gold if they are to prevail over their trans-Tasman rivals. Sixties and Forty20 also take a quick look at the latest happenings for the Eels including a link to Cody Ramsay as well as their tips for the NRLW and HNWP award winners.

Paying tribute to the classic no-sex sex comedies from the late '50s and early '60s, Down With Love is a wonderful, bright, kitschy romcom classic that seems to be well regarded, if not completely well remembered.Renee Zellweger (fresh from Chicago) and Ewan McGregor (fresh from Moulin Rouge) tackle roles similar to those made famous by girl-next-door-turned-sex-symbol Doris Day and serious-actor-turned-romantic-lead Rock Hudson, in a genuinely wonderful pastiche to their movies Pillow Talk (1959), Lover Come Back (1961) and Send Me No Flowers (1964). (I watched Pillow Talk as part of my prep for this episode, and I have to say it's a truly delightful movie and Doris Day is incredible in it! Please watch it if you can!)Down With Love is so impressive in its desire to not only be set in the sixties, but also to be filmed like it were filmed in the Sixties. It's meant to look like it was filmed in Technicolor. The thought that went into it is insane, from authentic props and vintage fabrics for costuming, to wanting the sets to actually look just like sets. Down With Love is not a film steeped in realistic depictions of 1962 New York. It's meant to look wonky. It relishes, and adores, the world its set in. The entire cast look like they're having the best time ever.I just wish more people knew of it... This episode was originally released on 16th July 2020 Mentioned in this episode:From the ArchiveThere's no new episode this week, so I thought you might be interested in revisiting this slightly older, but no less brilliant episode. Just bear in mind, this episode is several years old, it may not sound quite as polished as newer episodes, and new information may have come to light in recent years with regards to the making of this movie (please see above for the original date of release) Please enjoy this time capsule of an episode. Thanks for listening!This podcast uses the following third-party services for analysis: Podscribe - https://podscribe.com/privacyOP3 - https://op3.dev/privacy

Splitsville sees the International Film Festival comedy about open marriages get a general release. Essentially a millennial version of a Sixties hit, Bob & Carol & Ted & Alice, with added (male) nudity. Features Dakota Johnson (Materialists).Go to this episode on rnz.co.nz for more details

Howard Bloom (born June 25, 1943) is an American author. He was a publicist in the 1970s and 1980s for singers and bands such as Prince, Billy Joel, and Styx. In 1988 he became disabled with chronic fatigue syndrome. Since then, he has published three books on human evolution and group behavior, The Genius of the Beast, Global Brain, and The Lucifer Principle. Visit www.howardbloom.netBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-x-zone-radio-tv-show--1078348/support.Please note that all XZBN radio and/or television shows are Copyright © REL-MAR McConnell Meda Company, Niagara, Ontario, Canada – www.rel-mar.com. For more Episodes of this show and all shows produced, broadcasted and syndicated from REL-MAR McConell Media Company and The 'X' Zone Broadcast Network and the 'X' Zone TV Channell, visit www.xzbn.net. For programming, distribution, and syndication inquiries, email programming@xzbn.net.We are proud to announce the we have launched TWATNews.com, launched in August 2025.TWATNews.com is an independent online news platform dedicated to uncovering the truth about Donald Trump and his ongoing influence in politics, business, and society. Unlike mainstream outlets that often sanitize, soften, or ignore stories that challenge Trump and his allies, TWATNews digs deeper to deliver hard-hitting articles, investigative features, and sharp commentary that mainstream media won't touch.These are stories and articles that you will not read anywhere else.Our mission is simple: to expose corruption, lies, and authoritarian tendencies while giving voice to the perspectives and evidence that are often marginalized or buried by corporate-controlled media. 

Theresa Crow Spreading His Wings is the founder of Gathering Our Bundles, a leadership and healing platform rooted in love, truth, and cultural safety. A survivor of the Sixties scoop, Theresa specializes in trauma-informed care, decolonizing leadership, and system navigation for Indigenous communities. She is a Blackfoot First Nations woman from the Blood Tribe in Treaty 7 Territory in Standoff, Alberta. Her work is grounded in Blackfoot values and teachings.

In this episode of Rock is Lit, Cynthia Swanson, winner of the second Bill Hallberg Rock ‘n' Roll Short Story Contest in the General Submission category, reads her winning story, “A Possibility Nonetheless.” MUSIC IN THE EPISODE IN ORDER OF APPEARANCE: Rock is Lit theme music Sixties 60's music (free to use) “The Water is Wide” by Pete Seeger “Mr. Tambourine Man” by The Byrds “There But For Fortune” by Joan Baez Sixties 60's music (free to use) Rock is Lit theme music   LINKS: Leave a rating and comment for Rock is Lit on Goodpods: ⁠https://goodpods.com/podcasts/rock-is-lit-212451⁠ Leave a rating and comment for Rock is Lit on Apple Podcasts: ⁠https://podcasts.apple.com/us/podcast/rock-is-lit/id1642987350⁠ Cynthia Swanson's website: https://cynthiaswansonauthor.com/ Cynthia Swanson on Bluesky: @cynswanauthor.bsky.social Cynthia Swanson on LinkedIn: https://www.linkedin.com/in/cynthiaswansonauthor/ Cynthia Swanson on Facebook: https://www.facebook.com/CynthiaSwanson/ Cynthia Swanson on Instagram: @cynswanauthor Cynthia Swanson on Substack: https://thewhatifjournal.substack.com/ Rock is Lit on Instagram & Bluesky: @rockislitpodcast Christy Alexander Hallberg on Instagram and YouTube: @christyhallberg Christy Alexander Hallberg on Facebook: @ChristyAlexanderHallberg Learn more about your ad choices. Visit megaphone.fm/adchoices

The Wrecking Crew is to the Sixties what The Immediate Family are to the Seventies, so it's no accident that music doc director extraordinaire Denny Tedesco tackled both groups of studio musicians in equally fascinating documentaries.  While we're on the topic of Graham Nash, The Immediate Family became Crosby & Nash's touring ensemble, nicknamed The Mighty Jitters on the road for reasons we won't go into here. Here's just a few of the many things that Denny discusses with Discograffiti in this podcast:How Denny's relationship with his father (Wrecking Crew guitarist Tommy Tedesco) changed after his cancer diagnosis; The ways in which his newest doc The Immediate Family differs from his first, The Wrecking Crew;The cold, hard realities of making an independent film;The toxic relationship between Hal Blaine and Carole Kaye;His incredible upcoming music doc projects;And our mutual dream doc project.There'll be a short sneak peak running publicly for free, but the entirety of this podcast will only be accessible on the Major Tier of Discograffiti's Patreon. Don't miss it, or you'll only be getting part of the story. Get it as a one-off, or better yet just subscribe…and then we'll all have world peace.Full Episode: Patreon.com/Discograffiti (available on the Major Tier & up)Free Sneak Peek: linktr.ee/discograffitiSubscribe to Discograffiti's Patreon and receive a ceaseless barrage (4 shows a week!) of must-hear binge-listening. It's completely free to be a basic member, $1 to get your backstage pass, $5/month for the weekly Sunday show by & for our community, $10 for weekly early release, ad-free, super-extended Director's Cuts of the main show plus access to half our Patreon episode archive, & $20 for Discograffiti's weekly bonus episodes and access to our entire Patreon episode archive. There are now over 300 Patreon episodes.CONNECTJoin our Soldiers of Sound Facebook Group: https://www.facebook.com/groups/1839109176272153Patreon: www.Patreon.com/DiscograffitiPodfollow: ⁠⁠https://podfollow.com/1592182331⁠⁠YouTube Channel: https://www.youtube.com/channel/UClyaQCdvDelj5EiKj6IRLhwInstagram: https://www.instagram.com/discograffitipod/Facebook: https://www.facebook.com/Discograffiti/Twitter: https://twitter.com/DiscograffitiOrder the Digital version of the METAL MACHINE MUZAK 2xLP (feat. Lou Barlow, Cory Hanson, Mark Robinson, & W. Cullen Hart): www.patreon.com/discograffiti/shop/197404Order the $11 Digital version of the MMM 2xLP on Bandcamp: https://discograffiti.bandcamp.com/album/metal-machine-muzakOrder the METAL MACHINE MUZAK Double Vinyl + Digital package: www.patreon.com/discograffiti/shop/169954Merch Shop: https://discograffitipod.myspreadshop.com/allVenmo Dave A Tip: @David-GebroeWeb site: http://discograffiti.com/CONTACT DAVEEmail: dave@discograffiti.comFacebook: https://www.facebook.com/hooligandaveInstagram:  https://www.instagram.com/davidgebroe/Twitter: https://twitter.com/DaveGebroeThere is no other Patreon in existence where you get more for your money. 4 shows a week is what it takes these days to successfully blot out our unacceptable reality…so do yourself a favor and give it a shot for at least one month to see what I'm talking about.  If you're already a member, please comment below about your experience.  www.Patreon.com/discograffiti#dennytedesco #theimmediatefamily #thebeachboys #thewreckingcrew #wreckingcrew #brianwilson #beachboys #tommytedesco #mikelove #carlwilson #music #aljardine #leesklar #dannykortchmar #petsounds #brianwilsonrip #russkunkel #studiomusicians #caroleking #rocknroll #jamestaylor #philcollins #eatingraoul #donrandi #carolekaye #waddywachtel #discograffiti #metalmachinemuzak #soldiersofsound #andyourdreamscometrue

How to bring peace to Gaza and Ukraine? Maybe the United Nations can help. Or, sadly, maybe not. But there really was a time, in the second half of the 20th century, when the United Nations could help bring peace to supposedly insoluble wars. The U.N.'s glory days were in the Sixties when it was run by a former Burmese school teacher called U Thant. His incredible story is told by his grandson, the Cambridge University historian Thant Myint-U, in a new book appropriately called Peacemaker. Thant Myint-U reminds us of a halcyon time when the UN Secretary-General could summon presidents at will, mediate between nuclear superpowers, and command respect from Castro to Kennedy. Today's forgotten history reveals how U Thant's intervention during the Cuban Missile Crisis helped prevent nuclear war—a role not-so-surprisingly airbrushed from most American and Soviet accounts. Yes, even in the glory years of the Sixties, the bureaucratized U.N. was far from perfect. But under a dedicated peacemaker like U-Thant it could help bring ceasefires to seemingly endless wars. Like in Ukraine and Gaza. 1. U Thant's crucial role in preventing nuclear war has been erased from history During the Cuban Missile Crisis, U Thant provided the face-saving framework that allowed both Khrushchev and Kennedy to step back from the brink. He articulated the missiles-for-no-invasion deal, gave Khrushchev a neutral party to respond to instead of American ultimatums, and bought Kennedy time against his hawkish advisors. Yet this intervention barely appears in American or Soviet accounts.2. The UN's decline stems from lost enthusiasm on both sides The UN's marginalization wasn't inevitable. It resulted from America's disillusionment after Vietnam-era challenges to its power, combined with a new generation of Third World leaders less interested in the global stage than their predecessors like Nehru, Nasser, and Nkrumah. Both superpowers and smaller nations stopped investing in the institution.3. Decolonization needed the UN's framework to succeed Without the UN providing a structure where newly independent nations had equal status and a voice, decolonization might have resulted in continued informal empire or Commonwealth arrangements. The UN gave these countries both legitimacy and a platform to resist neo-colonial pressures.4. The next Secretary-General selection could determine the UN's survival With the current term ending in 2025, the choice of the next leader—requiring agreement between Trump, Putin, and Xi Jinping—may be the UN's last chance for relevance. Without strong leadership focused on the UN's core peacemaking function, the institution may not survive.5. The UN worked best when it rejected Cold War binary thinking The non-aligned movement wasn't passive neutrality but active rejection of a world divided into camps. Leaders like U Thant succeeded by creating space for all parties to negotiate without choosing sides, offering an alternative to the superpower confrontation that risked nuclear war.Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

Anthony Scaramucci is the founder and managing partner of SkyBridge, a global alternative investment firm, and founder and chairman of SALT, a global thought leadership forum and venture studio. He is the host of the podcast Open Book with Anthony Scaramucci. A graduate of Tufts University and Harvard Law School, he lives in Manhasset, Long Island. Books mentioned in this episode: 1. King of Kings: The Iranian Revolution: A Story of Hubris, Delusion and Catastrophic Miscalculation by Scott Anderson 2. Charlie and the Chocolate Factory by Roald Dahl 3. The Iliad by Homer 4. The Odyssey by Homer 5. The Nazi Mind by Laurence Rees 6. Chaos: Charles Manson, the CIA, and the Secret History of the Sixties by Tom O'Neill 7. The Ascent of Money: A Financial History of the World by Niall Ferguson

We had a lot of fun this week talking about some conspiracies with Sean, who Joe met through a familiar name to the show, Don. Sean heard us talk about the matrix a couple of episodes ago and decided he wanted to share some of his research related to the topic. However, Sean went above and beyond by bringing detailed notes and the sources from which he derived those. The topics include the following:1. Connecting the Charles Manson murders to the JFK assassination via MK Ultra2. The strange events of the SS Ourang Medan3. Operation Northwoods4. The Gateway ProcessNow before you scream conspiracy theorist, we have provided the sources below, so you can come up with your own conclusions. Enjoy.Episode resources:Sponsor:Honest Supplements - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://honestsupplements.com⁠⁠⁠⁠Sources:1. Chaos: Charles Manson, the CIA, and the Secret History of the Sixties - by Tom O'NeillIf you have Spotify Premium, you can listen to the audio here:Chaos: Charles Manson, the CIA, and the Secret History of the Sixties | Audiobook on Spotify2. LETTER TO FROM C.H. MARCK, JR.- Ss ourang Medan3. northwoods.pdf -Operation Northwoods4. ANALYSIS AND ASSESSMENT OF GATEWAY PROCESS-Gateway Process

Paul Da Vinci in conversation with David Eastaugh https://pauldavinci.com/home https://www.pauldavinci.net/ Paul Da Vinci is best known as the "incredible" voice on the Rubettes' number one selling single "Sugar Baby Love", which sold over 8 million copies world-wide featuring his three and a half octave voice.  Paul sang all the lead vocals on the record, including the high falsetto, and was also lead vocalist on  the B side of the record "You could have told me".  Recorded at 1.30am Lansdowne Studios, Holland Park, London in 1973. He had several other chart successes over the 70's and 80's as a solo artist with his own compositions "Your Baby Ain't Your Baby Anymore" and "If You Get Hurt" which he also produced, and as featured lead vocalist on the  Tight Fit single "Back to the Sixties part II" . 

Trump's scheme to maintain control in the House in the midterms? Eliminate Democratic seats in Texas by redistricting. Texas House Democrats have responded by fleeing the state to block the necessary quorum on the proposed district map – now, the FBI might be deployed to arrest those Democrats; but, for what crime? Harold Meyerson comments.Also: Robert Reich says the origin of our troubles with Trump and MAGA go back to the sixties; he says it started with the sixties movements – which created “a giant political void that would eventually be filled by Donald Trump's angry, bigoted cultural populism.” His new memoir is “Coming Up Short.” Plus: "From Dictatorship to Democracy" by Gene Sharp, the world's top scholar on peaceful protest, seems to be all about Trump but was published a decade before Trump appeared on the scene. For example: "Dictatorships are never as strong as they think they are. And people are never as weak as they think they are" – the book is our thank you gift for donations during today's KPFK fund drive – Alan Minsky comments.

Subscribers can enjoy exclusive, extended conversations from this podcast. To subscribe, go to BumpInTheRoad.Substack.com   Carol Remz is 80. And an outspoken spokesperson about women's sexuality as they age. Back in the 1980's when she was experiencing perimenopause and menopause, discussions about women's health, intimacy, and aging were largely taboo and Carol was left to navigate her health challenges by herself.  A serendipitous encounter with sea buckthorn, a plant known for its healing properties, transformed her experience. Carol talks about the various preconceptions that often interfere with romantic relationships as we age and why we need to dispel them. Aging well, she notes, means working on personal acceptance.. Practicing that self acceptance, and all the changes that come with aging, is the first step to open the path to true intimacy.  Carol believes that true intimacy goes beyond physicality and is rooted in emotional connection and acceptance of one's vulnerabilities. To that end, she has written a book that aims to educate and empower women about their sexuality and health, providing the sex education many missed out on during their formative years. Not to mention their menapausal mid-life years! Her message is clear: we are not defined by our age or circumstances but by love and acceptance.      What they're saying:   “This is a beautiful book about life, its imperfections, its challenges, and its joys. It is a book of hope and wisdom for all of us facing a bump in the road.” –Pragito Dove   “Pat has woven together beautiful stories of life setbacks that have been transformed into spiritual growth. This book is a gift and a must-read for souls experiencing pain and yearning for growth.”   –Gary Hensel   Learn more at   Follow Bump on: ➡️  ➡️  ➡️  ➡️  ➡️   

Jordan and Alex descend into the druggy (and groundbreaking! but also druggy) world of 'There’s A Riot Goin’ On,' a monumental testament to the power of individual creative drive (and also drugs). After literally conquering 1969 with the hat trick of Woodstock, the Harlem soul concerts, and [insert the third one here], Sly Stone and his Family (non-Manson edition) decamped from San Francisco to LA and began the dual processes of making an iconic album and dissolving into mess of ego, paranoia, and—we can’t stress this enough—drugs. THRILL to the story of how Sly went from a preternaturally talented kid from Texas into the polymath musician who assembled the only band to actually exemplify the progressive ideals of The Sixties! CHILL to Alex’s unasked-for WOKE CORNER on how San Francisco hasn’t been super-cool to Black people! SPILL… like, tears? Kinda sucks about Sly. Jordan keeps bringing up Brian Wilson. It’s Too Much Information: Sixties Black Guy Being Overshadowed by Sixties White Guy Edition! Support your friendly neighborhood TMI Guys here! https://ko-fi.com/toomuchinformationpodcastSee omnystudio.com/listener for privacy information.

How to write about the kaleidoscopic Sixties in the gloom of 2025? According to James Grady, author of the classic Six Days of the Condor and the new mid-century novel American Sky, the key is calibrating nostalgia with unflinching honesty about the past's complexities. "You can't just write about the past and not have a focus also on current times and really the future," Grady explains. The novelist's approach involves fictionalizing personal experiences while ensuring memories of traumatic events like the JFK or MLK assassinations connect with the painful realities of MAGA America. Rather than romanticizing the Sixties, Grady emphasizes the civil rights violence, the generational divide, and the "silent majority's" anxieties alongside the era's optimism. Grady's goal isn't to escape into nostalgia but to help readers understand how past dreams and failures shaped our present moment, making history a lens for understanding America's current challenges.1. Historical Fiction Must Connect Past to Present "You can't just write about the past and not have a focus also on current times and really the future. Otherwise it's like you're looking back at an old photograph of a horse and buggy. It's lovely, but it doesn't really speak to you."2. The Danger of Elite Liberal Condescension "Starting in about 1975 and 1976, I saw a new kind of, quote, liberal or left-winger come into the power circles of Washington, D.C. They were elite-educated, Ivy League, and they did their best to ignore any working class roots that they had. They started to look down on the labor unions."3. Fiction Can Reveal Truth Better Than Facts "So we can change the facts, but the facts are not necessarily necessary to reveal the truths... this is not a memoir where you have to be factual. This is fiction. And yet there's an echo of all of us."4. True Rebellion Requires Positive Vision "I always think of the great French philosopher Albert Camus who said a true rebel says yes to something better instead of just saying no and rejecting and fighting. You've got to have something to fight for."5. Literature Should Focus on Ordinary Americans "I think that a good author has to write about us, and you, almost more than they write about me... I want to know what's going on with someone in, you know, there's a town called Beaver Crossing, Nebraska, or, you know, Sonoma, California... Where real people are leading their lives and we learn from each other."Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

Abe Saffron rose from wartime wheeler-dealing to become the king of Sydney's underworld, a man whose appetite for sex, money and scandal was unmatched by any other Aussie gangster in the swinging Sixties. Saffron paid everybody off, brought Sinatra to Sydney, and hosted Sinatra. He was, in the words of one reporter, “Mr Sin”. But as Saffron's empire of vice grew, so did the list of those desperate to bring him down — including his own henchmen. And as the Seventies dawned, Saffron would be embroiled in two fatal scandals that stained his reputation forever: one a tragic fairground fire, the other a kidnapping and murder that shocked the nation. Learn more about your ad choices. Visit megaphone.fm/adchoices

Carolyn Sideco's story begins in The Philippines. Her dad, Tony Sideco, was born on the island of Cebu in 1938. Her mom, Linda, was born in Paniqui in 1942. By the time Carolyn's mom was born, the Japanese occupied The Philippines. Young Tony worked for the electric company, which sent him to Paniqui. He soon met his wife-to-be there when he boarded at Carolyn's grandmother's house. It wasn't an overnight romance. The way Tony (who joined his wife in the room with me and Carolyn as we recorded) tells it, he had eyed Linda for so long that he went cross-eyed. Linda was her parents' first daughter, and she came after five older brothers. So she was always afforded chaperones. After Linda, her parents had three more girls. One of those girls, Carolyn's aunt, lives next-door to where we recorded, a tradition of intergenerationality the family carried with them when they migrated to the US. Tony came to the United States first in the late Sixties, shortly after Carolyn and her twin sister were born. His migration was motivated by the so-called “American dream.” Carolyn's version is different, though. She thinks it had more to do with the Immigration and Nationality Act of 1965, which effectively did away with nationality quotas. By the time Tony arrived, several members of both his and his wife's family were already here, many of them in the Outer Sunset. When baby Carolyn, her sister, and their mom arrived, they first lived on 45th Avenue in The Sunset with her aunt and uncle. Then the family moved to 39th Avenue to be on their own. This was the house that Carolyn grew up in, and the one we recorded this podcast in. A community of Paniquieños already existed all around them. In hindsight, Carolyn thinks it was a lot easier for folks like her parents to move halfway around the world because they landed, in essence, in an expat community. Her mom didn't have to learn English so urgently when she arrived, to cite just one example. Several of those families are still around, spread around the North Peninsula. Some also still live in San Francisco, like Carolyn. Carolyn talks about various aspects of her life that now, in hindsight as an adult, meant she rarely felt different from those around her. She says that in her adult life, meeting folks her parents' age who didn't have the same accent as her parents really opened her eyes. Today, Carolyn is the president of Paniquieñans USA, an organization as old as she is. Then we get back to Carolyn's personal story. Her and her twin, Rosalyn, joined their mom to go to the US when they were two. She shares a cute story of how their mom loved a party so much that she would celebrate their birthday every second day of the month (their birthday is Feb. 2). Because of this, Carolyn grew up thinking that birthdays happen every month. She was five when her family moved out of her uncle and aunt's place on 45th and into their childhood home on 39th Avenue, and Carolyn remembers it well. We talk briefly about the real estate agent who sold them the house and how little they paid (“$24,000,” Tony Sideco, who was in the room with us that day, chimes in—that's the equivalent of roughly $173K today). Linda Sideco found work at Little Sisters of the Poor Convalescent Home on Lake Street, where Carolyn would sometimes visit her. Both of Carolyn's parents worked graveyard shifts. The young couple were able to save for a year for the down payment on their new home. We take a sidebar for Carolyn to talk about the difference in how service and healthcare work are valued in The Philippines vs. how they're valued in the US. Carolyn then shares a story of how, when she was in the fourth grade, she and her twin sister started going to a new school in their neighborhood. Prior to this, they were bussed. At her new school, they asked Carolyn if she wanted to play volleyball. But to join the team, she needed to pay five dollars. She ran four blocks home to ask her mom for the money, but turns out she wouldn't give it to young Carolyn, who was so upset that she cried until her mom relented. She did well at volleyball and even made friends through her new sport. She felt so good about it all that she thought, ‘This is why dad brought us here.' It was the beginning of what would become a lifelong involvement with sports. We end Part 1 with Carolyn's foray into many different sports and all the women along the way who inspired her. Check back next week for Part 2 and the official last episode of Season 7 of Storied: San Francisco. We recorded this podcast at Carolyn's childhood home in The Sunset in June 2025. Photography by Jeff Hunt

Encore! In Honor of James Gunn's newly released Superman (2025), we're revisiting the FIRST episode of Cinema Sounds & Secrets! Westside Story (1962) and Superman (1978) Our first film was a groundbreaking musical based on a smash Broadway show, and the other a movie from a very different planet – so what do they have in common?  Both films are the best of their genre – the film musical and comic book superhero and both films brim with star power. To learn more about this episode and others, visit the Official Cinema Sounds & Secrets website!

Guest-host Carole O'Neill's  guest today on the Online for Authors podcast is CJ Martin, author of the book Peter and Jodi (and Gloria). C.J. Martin, raised in a Chicago suburb, spent 31 years with a major corporation, gaining extensive international experience through multiple assignments in Japan and a posting in Singapore. He is married and the proud father of two adopted children, a son from Japan and a daughter from Indonesia. Now retired, he resides in the scenic landscapes of Western North Carolina.   In her book review, Carole stated that through the telling of the relationship between a graduate student and a senior in college, Martin's contemporary novel is able to entertain the reader with his knowledge of the best music of the sixties. His trips to all the hangouts on Rush Street in Chicago will bring back memories to anyone frequenting those beer and dancing joints during their college days. Between keg parties, sorority, and football games, you feel immediately like you are a part of the scene.   As I read, I found myself realizing that Peter was typical of the males in his generation, finding it difficult to know what love is really about. His uncertainty about whether Jodi was the forever one in his life added to his guilt about his unexpected relationship with Gloria.   I fully expected to learn that Peter would tell Jodi about his entire encounter with Gloria and receive her forgiveness and acceptance of the ring that would allow them to move into the penthouse condo as a married couple. But it looks like we'll have to wait for the sequel.   Subscribe to Online for Authors to learn about more great books! https://www.youtube.com/@onlineforauthors?sub_confirmation=1   Join the Novels N Latte Book Club community to discuss this and other books with like-minded readers: https://www.facebook.com/groups/3576519880426290   Purchase Peter and Jodi (and Gloria) on Amazon: Paperback: https://amzn.to/44onBBQ Ebook: https://amzn.to/4k1csLY   Teri M Brown, Author and Podcast Host: https://www.terimbrown.com FB: @TeriMBrownAuthor IG: @terimbrown_author X: @terimbrown1   Want to be a guest on Online for Authors? Send Teri M Brown a message on PodMatch, here: https://www.podmatch.com/member/onlineforauthors   #cjmartin #peterandjodiandgloria #contemporaryfiction #terimbrownauthor #authorpodcast #onlineforauthors #characterdriven #researchjunkie #awardwinningauthor #podcasthost #podcast #readerpodcast #bookpodcast #writerpodcast #author #books #goodreads #bookclub #fiction #writer #bookreview *As an Amazon Associate I earn from qualifying purchases.

In this episode, we present a crossover of Guerrilla History and the Adnan Husain Show.  Here, Dr. Gerald Horne joins Adnan and Henry to discuss his recent book, Armed Struggle?: Panthers and Communists, black Nationalists and Liberals in Southern California, Through the Sixties and Seventies. As ever, Professor Horne connects the histories of organizing and resistance against racial capitalism to the contemporary situation, including the LA uprisings against ICE raids and developments against neocolonialism and imperialism in West Asia. A wide-ranging conversation with the inimitable Dr. Horne ranged across the histories of class politics, struggles against racism, and geopolitics to consider the prospects for resistance locally and internationally in contemporary movements for justice. Gerald Horne is the John J. and Rebecca Moores Chair of History and African American Studies at the University of Houston.  His research interests are unbelievably varied, encompassing biographies of W.E.B. Du Bois and Paul Robeson, to The Haitian Revolution, to Hollywood in the '30s-'50s, to Jazz and Justice.  Be sure to check out his bibliography, you're certain to find something that interests you! Help support the show by signing up to our patreon, where you also will get bonus content: https://www.patreon.com/guerrillahistory  We also have a (free!) newsletter you can sign up for, and please note that Guerrilla History now is uploading on YouTube as well, so do us a favor, subscribe to the show and share some links from there so we can get helped out in the algorithms!! *As mentioned, you will be able to find Tsars and Commissars: From Rus to Modern Russia soon on YouTube.

For millennia prior to the dawn of the Industrial Revolution, the vast majority of men, women, and children toiled from dusk to dawn and beyond just to keep body and soul together.Original article: https://mises.org/mises-wire/two-sixties-rock-songs-celebrate-capitalisms-greatest-creation

In this episode on Speaking Out of Place podcast Professor David Palumbo-Liu talks with Aziz Rana about his brilliant and bracing article recently published in New Left Review, “Constitutional Collapse.” They talk about how the Trump administration and its enablers are shredding a liberal “compact” which was established in in the 1930s through the Sixties and extending an imperial presidency abroad to an authoritarian one domestically. They discuss the current constitutional crisis, but also the need for, and manifestations of, a politics which is at once a genuine membership organization and social community. As Aziz Rana powerfully argues, “its aim should be to transform the world people organically experience.” This is exactly the analysis and message so many of us need in these dark times.“In the US, we have this idea that exists as a kind of popular cultural sense. The country has basically had the same constitution—a document ratified in the 1780s, and it has really been in effect since then. However, one of the things that's distinctive about the US Constitution is that it is perhaps the hardest in the world to formally amend. It is incredibly difficult to change the actual terms of the text, even during times when we've had pretty profound changes to the language. Here, we can think about the Reconstruction period with the passage of the 13th, 14th, and 15th amendments.”www.palumbo-liu.comhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place

In this episode on Speaking Out of Place podcast Professor David Palumbo-Liu talks with Aziz Rana about his brilliant and bracing article recently published in New Left Review, “Constitutional Collapse.” They talk about how the Trump administration and its enablers are shredding a liberal “compact” which was established in in the 1930s through the Sixties and extending an imperial presidency abroad to an authoritarian one domestically. They discuss the current constitutional crisis, but also the need for, and manifestations of, a politics which is at once a genuine membership organization and social community. As Aziz Rana powerfully argues, “its aim should be to transform the world people organically experience.” This is exactly the analysis and message so many of us need in these dark times.“In the US, we have this idea that exists as a kind of popular cultural sense. The country has basically had the same constitution—a document ratified in the 1780s, and it has really been in effect since then. However, one of the things that's distinctive about the US Constitution is that it is perhaps the hardest in the world to formally amend. It is incredibly difficult to change the actual terms of the text, even during times when we've had pretty profound changes to the language. Here, we can think about the Reconstruction period with the passage of the 13th, 14th, and 15th amendments.”www.palumbo-liu.comhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place

They say if you remember the 60s then you didn't really do yourself any serious brain damage in the 60s. Perhaps someone in that situation would be well placed to offer some thoughts on arguably the most famous decade of all time. Gabby of Worthing eschews such a source and instead seeks definitive banter on the 60s from the three beans who, between them, own almost one Lovin' Spoonful CD.With thanks to our editor Laura Grimshaw.Join our PATREON for ad-free episodes and bonus/video episodes: www.patreon.com/threebeansaladTickets for our UK TOUR available here: https://littlewander.co.uk/tours/three-bean-salad-podcast/Merch now available here: www.threebeansaladshop.comGet in touch: threebeansaladpod@gmail.com @beansaladpod

Attentive listeners will notice that this episode is about a book but isn't an author interview. That's because it's the first in a new occasional series of episodes that will be dedicated to books by conservative writers that we think are important — whether because a book articulates the right's approach to an issue or problem in an especially revealing way, influenced or galvanized the conservative movement when it was published, or, with the benefit of hindsight, has proven to be prescient about where the right, and perhaps the country, were heading. Many of these books will be from decades past, but our first selection is more recent: Christopher Caldwell's 2020 broadside against the 1964 Civil Rights Act and what it wrought, The Age of Entitlement: America Since the Sixties. Caldwell argues that the apparatus created by civil rights legislation and the federal courts in the 1960s amounted to a new, second constitution that displaced the one Americans had lived under since the founding, one that jettisoned traditional liberties like freedom of association and replaced democratic self-government with rule by bureaucrats, lawyers, and judges. Who has access to these new levers of power? Not the working class whites who are neither a favored racial or ethnic minority — a person of color — nor a member of the progressive elites who preside over the new regime. Much of The Age of Entitlement is dedicated to tracing the effects of civil rights legislation when it comes to the causes that arose in its wake: feminism, immigrant rights, gay marriage, and more. But the book is equally a brutal examination of the legacy of the Baby Boom generation (and, by extension, Ronald Reagan, whose presidency they powered), that most "entitled" of generations, whom Caldwell deplores for wanting to have their cake and eat it, too. Boomers, in Caldwell's telling, refused to straightforwardly reject the second constitution and its distributional demands, while also insisting petulantly, again and again, on having their taxes cut. We explore these topics and more, and end with a discussion of where Caldwell leaves the reader — and where we're at now, in light of the challenge he poses to both conservatives and the left.Sources:Christopher Caldwell, The Age of Entitlement: America Since the Sixties (2020)— Reflections on the Revolution In Europe: Immigration, Islam and the West (2009)Helen Andrews, "The Law That Ate the Constitution," Claremont Review of Books, Winter 2020Timothy Crimmins, "America Since the Sixties: A History without Heroes," American Affairs, Summer 2020Perry Anderson, "Portents of Eurabia," The National, Aug 27, 2009. ...and don't forget to subscribe to Know Your Enemy on Patreon for access to all of our bonus episodes!