Podcasts about Vietnam

THE HOSTAGE RELEASE TIMING AND A LEGACY OF ELECTORAL INTERFERENCE Colleague Craig Unger. The final segment addresses the suspicious timing of the hostage release on January 20, 1981. Unger notes that while Carter stayed up all night negotiating, the hostages were not released until minutes after Ronald Reagan took the oath of office. This precise timing suggests a pre-arranged deal, as Reagan had no presidential authority to negotiate prior to that moment. Unger points out that recent biographers and international sources have increasingly accepted the October Surprise as fact. He concludes by contextualizing this event within a broader history of Republican interference in foreign policy to win elections, drawing parallels to Nixon's sabotage of Vietnam peace talks in 1968 and allegations regarding the Trump campaign and Russia. The files suggest that political treason has been used repeatedly to "steal the White House." NUMBER 8

William Sauvé, MD is CMO at Osmind and a leader in interventional psychiatry. A former Navy psychiatrist, he's expanded access to TMS and esketamine nationwide—helping build and scale hundreds of cutting-edge psychiatry clinics. In this episode, Drs. Tro, Brian, and William talk about… (00:00) Intro (05:47) Dr. Sauve's educational and professional experiences as a Navy psychiatrist during the Iraq War (15:26) The neurotransmitter theory of metabolic dysfunction and why it does not sufficiently explain depression (18:50) Common myths in medicine which are finally starting to be challenged (26:07) Why practicing psychiatry effectively takes courage and dedication (31:22) Trans-cranial Magnetic Stimulation as a treatment for depression (35:06) Cranial Electric Stimulation (37:18) Combining TMS with metabolic therapy for maximum impact (41:20) The possibility of complete, permanent remission of psychiatric disorders and the emergence of Interventional Psychiatry (51:36) Some practical, business-related reasons why TMS and Esketamine have not been widely adopted as treatments by psychiatrists For more information, please see the links below. Thank you for listening! Links: Please consider supporting us on Patreon: https://www.lowcarbmd.com/ Resources Mentioned in this Episode: Achilles in Vietnam (book): https://www.amazon.com/Achilles-Vietnam-Combat-Undoing-Character/dp/0684813211 William Sauvé, MD: Osmind: https://www.osmind.org/about/william-sauve-m-d Linkedin: https://www.linkedin.com/in/william-sauvé-md-45009813 Dr. Brian Lenzkes:  Website: https://arizonametabolichealth.com/ Twitter: https://twitter.com/BrianLenzkes?ref_src=twsrc^google|twcamp^serp|twgr^author Dr. Tro Kalayjian:  Website: https://www.doctortro.com/ Twitter: https://twitter.com/DoctorTro IG: https://www.instagram.com/doctortro/ Toward Health App Join a growing community of individuals who are improving their metabolic health; together.  Get started at your own pace with a self-guided curriculum developed by Dr. Tro and his care team, community chat, weekly meetings, courses, challenges, message boards and more.  Apple: https://apps.apple.com/us/app/doctor-tro/id1588693888  Google: https://play.google.com/store/apps/details?id=uk.co.disciplemedia.doctortro&hl=en_US&gl=US Learn more: https://doctortro.com/community/ 

In this Season 4 premiere of the To Be Better Podcast, Chris and Peaches look back on how a joke became a career, a community, and a movement, then dive straight into real life: bonus dad dynamics, parenting an autistic and ADHD son, and intentionally raising boys to be respectful, emotionally regulated young men. You will hear stories about work ethic, chivalry, opening doors, and a powerful moment with a Vietnam veteran that drives home why traditional values and gentlemanly behavior still matter. They also pull back the curtain on Peaches' new affirmations project, future PDF drops, and the idea of an intimate West Coast couples retreat at Point Lobos, showing you how they build family, business, and community on purpose. The heart of this episode is a raw email from a listener who left an emotionally and physically abusive relationship after a 15 year marriage and a childhood soaked in man hating and feminist indoctrination that labeled traditional women as “weak.” Chris and Peaches unpack trauma bonding, why people keep going back to abusers, how percentages like “he's good 85 percent of the time” are delusion, and what it actually takes to walk away, grieve the fantasy, and rebuild self respect. They tackle modern feminism, traditional marriage, AI and the economy, the collapse of standards in dating, and the responsibility to raise the next generation not to tolerate abuse. If you are looking for blunt relationship advice, traditional relationship and marriage guidance, help healing from abusive relationships, or practical masculine and feminine polarity talk without fluff, this episode is for you.Disclaimer: We are not professionals. This podcast is opinioned based and from life experience. This is for entertainment purposes only. Opinions helped by our guests may not reflect our own. But we love a good conversation.Become a supporter of this podcast: https://www.spreaker.com/podcast/2-be-better--5828421/support.

What kind of a reaction should you expect when the new guy doesn't know how to resupply? Is it possible for a Soldier to conduct a vehicle inspection and everything goes well?  Find out, the answers to these questions and more on this weeks "sode" of The Cammo Comedy Show Podcast!If you have any funny military stories of your own that you would like to share, drop us a line at:stories@cammocomedy.com  or  Leave a voicemail at (531) 222-6146  Sadly, the voicemail will only record in 2 minute blocksWe are here to make you laugh, but behind this there is the imbedded philosophy of, "No One Left Behind." Sadly, 22 vets per day commit suicide, approximately 67,500 vets are homeless and thousands struggle with everyday life after service.  What we hope to accomplish is providing a fun place to gather that will have a similar feel to the conversations that happen at the VFW or American Legion between vets.  Since the latest generations of vets are not really going to these places anymore, we are making it happen online.  We believe that the sense of community will help some who struggle, while providing stories about the good times that we can all laugh at!An additional part of this show is capturing the oral history of the military over the past few decades, so if you happen to know a veteran who served during WW2, Korean War or Vietnam eras, we would love to hear from them.  Obviously, we want to hear stories from all eras, but we have special respect for the older generations.  Our Sponsors #Sponsors  Patriot Mobile Get one free month of service when you make the switch to Patriot Mobile and use Promo Code "WOLF"   https://patriotmobile.com/partners/wolf Patriot Mobile donates a portion of every dollar earned to organizations that fight for causes you care about. Patriot Mobile has exceptional 4G & 5G nationwide coverage and uses all the same towers the main carriers use. Patriot Mobile offers a Contract Buy-Out. This offer allows new customers to buy out a current device from their departing carrier and receive up to $500 per device applied as a credit on their phone bill. Jase https://jase.com/ Promo Code Wolf Black Friday – Friday, Nov 28 $25 Off Sitewide products over $99 + Iver products – $50 Off Cyber Monday – Monday, Dec 1 20% Off Gift Cards Proof Wallet https://carryproof.com/ Promo Code- CammoComedy DTS Map https://dtsmap.com/

Hello nerds.It's been a while since I sat down and did what Nerds for Humanity was originally built for. Not shorts. Not algorithms. Not rage bait. But long-form, structural analysis of how power actually works in this country, and why things that feel shocking in the moment are often the predictable outcome of rules written decades ago.This livestream was about Trump's military operation in Venezuela. But not in the way cable news framed it.I wasn't interested in relitigating whether Trump is reckless, authoritarian, or dangerous. If you're reading this Substack, you already know where you land on that. The more important question is this.How was he able to do it?How was a single president able to order a major military operation against a sovereign country, deploy massive air and naval assets, seize the country's leader from its capital, and then inform Congress afterward?The uncomfortable truth is that Trump didn't invent some new authoritarian power. He exploited one that has been sitting in plain sight for more than fifty years.And worse, he did so largely within the mechanics of existing law.The law that was supposed to stop thisIn 1973, in the shadow of Vietnam, Congress passed the War Powers Resolution. Its purpose was simple. Presidents were not supposed to be able to drag the country into war on their own.The law created two central guardrails.First, the president must notify Congress within 48 hours of introducing US forces into hostilities.Second, unless Congress authorizes the action, those hostilities must end within 60 days, with an additional 30-day period allowed for withdrawal.At the time, this seemed reasonable. Military action moved slowly. Wars took time to prepare. You could not overthrow a government in a weekend. The assumption was that Congress would have ample opportunity to intervene before anything irreversible happened.As I said on the livestream,“At that time in 1973 the thinking was well, surely no one can invade a country and capture the head of state inside of 48 hours. They would need weeks to prepare for it.”That assumption is now dangerously obsolete.We are using 1973 traffic laws for modern warfareOne analogy I used resonated with a lot of people.Trying to govern modern warfare with the War Powers Resolution is like applying 1970s traffic rules to autonomous flying cars.The law was written for an era of B-52 bombers, carrier groups, and weeks-long mobilizations. It was not written for drones, cyber operations, special forces insertions, precision strikes, and operations capable of destabilizing or decapitating a regime in days or even hours.Today, a president can dramatically alter another country's political reality before Congress has even finished debating whether the notification email landed in the right inbox.The time-based trigger is the flaw. It assumes time equals restraint. That is no longer true.As I put it during the stream,“This time-based system is flawed. It doesn't work for a world where you can basically destabilize and replace a regime in a few hours.”Trump didn't invent this powerIt is tempting to treat Trump as a unique aberration. He isn't.Modern presidents of both parties have steadily expanded executive war-making authority.George H. W. Bush built up a massive military force in the Gulf before Congress voted, and then received authorization shortly before the 1991 Gulf War began.George W. Bush secured a separate 2002 Authorization for Use of Military Force to invade Iraq, and the post-9/11 era normalized expansive readings of both congressional authorizations and Article II authority.The Obama administration conducted extensive drone campaigns and the Libya intervention without a formal declaration of war, arguing that certain operations did not meet the War Powers Resolution's definition of “hostilities.”Every modern president has pushed the envelope. Trump simply sprinted through it.As I said on the livestream,“This has been a loophole that's been used by many presidents. We just relied on them to exercise judgment and honor the office. That honor code is clearly gone.”A system that relies on voluntary restraint is not a system. It is a gamble.Language laundering: from war to “kinetic action”One of the most revealing shifts has been linguistic.Presidents learned that if you do not call something a war, you do not need a declaration of war.So we get euphemisms.“Kinetic action.”“Law enforcement operation.”“Targeted strike.”As I pointed out,“They don't want to say we are conducting warfare. If you don't call it a war, then you don't need a declaration of war.”This is how large-scale military action against a sovereign state becomes a “police-like operation.”If another country flew dozens of military aircraft into Washington, DC and seized the US president, we would call it an act of war without hesitation. Euphemisms only work when we are the ones using them.The public justifications kept shiftingThe administration's public rationale for the Venezuela operation evolved quickly.Initial statements emphasized fentanyl and drug trafficking. Analysts and critics noted that available trafficking data does not identify Venezuela as a significant fentanyl source, which raised questions about that justification.Subsequent messaging emphasized cocaine trafficking and broader security threats, but those claims were also contested.What became clearer over time was that the operation was aimed at exerting decisive pressure on the Maduro regime itself.As I said during the livestream,“What some messaging from inside Trump's orbit suggested was that this was really about regime change.”Trump later publicly discussed American oil companies entering Venezuela, reclaiming seized assets, and modernizing infrastructure as part of a post-Maduro arrangement.If that sounds familiar, it should.“That sounds a little colonial to me.”Because it does.The moral high ground is not abstractEvery time the US violates the sovereignty of another nation under contested legal theories, it weakens the norms it relies on to restrain other powers.As one viewer put it during the livestream,“I'm afraid the US just gave a license to Russia to take Ukraine and China to take Taiwan.”You cannot argue that international law matters only when it constrains other countries. Either it restrains power, or it doesn't.Trump's actions did not just affect Venezuela. They further eroded America's standing in a world already drifting toward a more unstable multipolar order.This is bigger than TrumpOne of my core arguments, and the reason this livestream mattered, is simple.Trump will not be the last president to exploit this structure.Even if Trump disappears tomorrow, the authority remains.History shows that presidents, particularly lame ducks, often become more willing to take foreign risks once electoral constraints disappear.As I said,“We can't rely on Trump or any president. Every president eventually realizes how much power this office has.”This is not about stopping one man. It is about fixing a system that assumes good faith in an era where bad faith is a governing strategy.How the law could actually be fixedThe War Powers Resolution does not need cosmetic reform. It needs modernization aligned with modern warfare.I outlined several possible approaches.First, scale-based triggers. Certain actions should automatically require prior authorization, regardless of duration, such as the use of specific aircraft types, large troop deployments, or major munitions thresholds.Second, target-based triggers. Actions aimed at heads of state, national command infrastructure, or critical civilian systems should never fall under a post-hoc notification model.Third, funding enforcement. If authorization is not granted, funding freezes. No money, no mission.As I argued,“Sometimes the US will have to use force. But introducing liabilities for the whole country should not be determined by one branch alone.”In corporate governance, CEOs cannot acquire companies without board approval. Presidents should not be able to remake countries without congressional consent.A simple test for candidatesThe good news is that this is a fixable problem.Congress can change this law.And elections create leverage.As I said on the livestream,“Now is a great time to ask every candidate one simple question. Do you support updating the War Powers Resolution?”Not a detailed proposal. Not a legal dissertation. Just whether they believe the current system is acceptable.If a candidate believes any president should have a 60-day blank check to wage war, they should say so plainly.The uncomfortable truthI said this near the end of the stream, and it bears repeating.“This is a known vulnerability in the system. It's just time to patch the bug.”We like to tell ourselves that American democracy is protected by norms, traditions, and good people.But systems that rely on virtue instead of constraints always fail eventually.Trump did not invent this power. He stress-tested it.And it failed.Support the channelIf you found this analysis useful and want Nerds for Humanity to keep doing long-form work like this, consider supporting the channel directly.You can become a YouTube channel member to help cover operating costs and get a shout-out on every livestream.Thanks for sticking with the long version.Bye nerds. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit nerdsforhumanity.substack.com

Thuy Reed is a Vietnamese American author whose life was shaped by war, loss, displacement, and resilience. Born in a small village in Vietnam during the war, she witnessed firsthand the devastation inflicted on families and communities, including the death of her brother, who was killed by a sniper at the age of 21. She left Vietnam as a young woman, believing she would return, only to have South Vietnam fall months later, permanently altering the course of her life. After immigrating to the United States, she navigated profound cultural shifts, built a new life, raised a family, and transformed her painful experiences into a lifelong commitment to peace, civic responsibility, and honoring the true cost of freedom. In this episode of Marketer of the Day, Thuy Reed shares how her experiences motivated her to write Dear America: From Vietnam with Love, a memoir written as both a personal reflection and a message to her adopted country. She discusses her 12-year effort to help lift the U.S. trade embargo on Vietnam, her deep concerns about political violence and civic disengagement, and her belief that democracy requires education, participation, and accountability. Through her story, she emphasizes that war leaves generational wounds, violence does not win hearts or minds, and freedom must be protected through informed action rather than fear. The key takeaways center on valuing democracy, rejecting violence, staying engaged, and remembering the human cost behind political decisions. Quotes: “I do not like war, because the bullet that killed a boy on the battlefield went straight into his mother's heart.” “You cannot win hearts and minds with guns and bullets. You cannot.” “This is America. If you want change, you work hard, you vote, and you stay engaged. You do not tear it down.” “I love America with all my heart, because this is where everything that is me and mine is found.” Resources: Follow Thuy Reed on Facebook Grab Dear America: From Vietnam with Love on Amazon. Learn more about Thuy Reed and her story.

Episode Summary:One day after the shock attack on Caracas, Nick returns with an update on the US intervention in Venezuela. With President Maduro reportedly abducted and Donald Trump promising to "run Venezuela," we delve into the grim logistics of occupying a nation larger than France.Drawing parallels with the Boer War, Vietnam, and the disastrous invasion of Iraq in 2003, Nick argues that while the US may have the firepower to win a battle, it lacks the numbers, the political will, and the institutional memory to win the peace. Has the Trump administration purged the very experts who would have warned against such a folly? And will this act of imperial hubris mark the moment American hard power finally collapses under its own weight?Key Topics:The Logistical Nightmare: Why occupying Venezuela would require hundreds of thousands of troops.Trump's "Quiet Part Out Loud": The explicit goal of seizing oil resources.Asymmetric Warfare: How drones and insurgency could bleed an occupying force dry.Institutional Memory Loss: The danger of purging the State Department and Pentagon of dissenting voices.Plus: A new announcement about Patreon! Listen ad-free for just £5 a month.Explaining History helps you understand the 20th Century through critical conversations and expert interviews. We connect the past to the present. If you enjoy the show, please subscribe and share.▸ Support the Show & Get Exclusive ContentBecome a Patron: patreon.com/explaininghistory▸ Join the Community & Continue the ConversationFacebook Group: facebook.com/groups/ExplainingHistoryPodcastSubstack: theexplaininghistorypodcast.substack.com▸ Read Articles & Go DeeperWebsite: explaininghistory.org Hosted on Acast. See acast.com/privacy for more information.

¿Por qué los Libros de Enoc fueron removidos de la Biblia? ¿Qué contenían, para ser censurados durante siglos? Estas y otras intrigantes preguntas nos las responde nuestro invitado Javier León.Luis Miguel Domínguez, nos lleva hasta las montañas de Vietnam tras las huellas del Yeti.Juan Gómez nos ofrece una nueva e intrigante historia sobre los asustadores.Escuchar audio

Chef Cam Van shows us how to make a classic Vietnamese dish -- Vietnamese clay pot with tofu and peanuts -- which she prepares with Chef Mai Pham from Lemon Grass Restaurant. Ordained as a Buddhist monk in 2019, Nguyen Dzoan Cam Van has since focused on teaching vegetarian cooking. The Spice Garden is a cooking school in Củ Chi, a rural district of Ho Chi Minh City in Vietnam where Cam Van now teaches her cooking classes.  Watch the full series at: https://www.plantforwardkitchen.org/southeast-asia

In this 2025 Year-in-Review Hidden Killers special, we bring together the two most explosive pillars of the case against Donna Adelson: the alleged long-term orchestration of a murder-for-hire plot — and the undercover “bump” that may have exposed her entire operation in a single moment. Tony Brueski sits down with defense attorney and former prosecutor Eric Faddis, along with retired FBI Behavioral Analysis Program Chief Robin Dreeke, to deliver the most complete psychological and legal breakdown of Donna Adelson we've produced yet. We start with the big question hanging over the entire trial: Was Donna Adelson the mastermind — or a woman unraveling under the weight of her own control? From her children's emotionally distant testimony, to the 44 paychecks she allegedly signed for the intermediary, to the one-way ticket to Vietnam waiting in her drawer, the case is stacked with bizarre behavior, shifting loyalties, and damning digital evidence. Then we go to the moment everything cracked: the undercover FBI “bump.” When investigators handed Donna a flyer implying someone “knew everything,” she didn't panic. She didn't break. She didn't even call her husband. Instead — just 22 minutes later — she quietly phoned her son Charlie. The money flow to the alleged conspirators stopped instantly. Robin Dreeke dissects this reaction, explaining why the lack of visible fear might be the most incriminating behavior of all. A normal grandmother would freeze. Donna recalibrated. And that, he says, is the psychological tell investigators look for. Together, these revelations paint a portrait of a woman who prosecutors claim coordinated, concealed, and controlled every variable — until the moment one piece of paper hit her lap and her mask slipped. Is Donna Adelson a misunderstood mother caught in chaos? Or the architect of a conspiracy now collapsing around her? #DonnaAdelson #DanMarkel #HiddenKillers #RobinDreeke #EricFaddis #MurderTrial #TrueCrime #BehavioralAnalysis #CourtroomDrama #FamilyCrime

In this 2025 Year-in-Review Hidden Killers special, we bring together the two most explosive pillars of the case against Donna Adelson: the alleged long-term orchestration of a murder-for-hire plot — and the undercover “bump” that may have exposed her entire operation in a single moment. Tony Brueski sits down with defense attorney and former prosecutor Eric Faddis, along with retired FBI Behavioral Analysis Program Chief Robin Dreeke, to deliver the most complete psychological and legal breakdown of Donna Adelson we've produced yet. We start with the big question hanging over the entire trial: Was Donna Adelson the mastermind — or a woman unraveling under the weight of her own control? From her children's emotionally distant testimony, to the 44 paychecks she allegedly signed for the intermediary, to the one-way ticket to Vietnam waiting in her drawer, the case is stacked with bizarre behavior, shifting loyalties, and damning digital evidence. Then we go to the moment everything cracked: the undercover FBI “bump.” When investigators handed Donna a flyer implying someone “knew everything,” she didn't panic. She didn't break. She didn't even call her husband. Instead — just 22 minutes later — she quietly phoned her son Charlie. The money flow to the alleged conspirators stopped instantly. Robin Dreeke dissects this reaction, explaining why the lack of visible fear might be the most incriminating behavior of all. A normal grandmother would freeze. Donna recalibrated. And that, he says, is the psychological tell investigators look for. Together, these revelations paint a portrait of a woman who prosecutors claim coordinated, concealed, and controlled every variable — until the moment one piece of paper hit her lap and her mask slipped. Is Donna Adelson a misunderstood mother caught in chaos? Or the architect of a conspiracy now collapsing around her? #DonnaAdelson #DanMarkel #HiddenKillers #RobinDreeke #EricFaddis #MurderTrial #TrueCrime #BehavioralAnalysis #CourtroomDrama #FamilyCrime

Episode 3176 of the Vietnam Veteran News Podcast will feature a story about Hugh Thompson – the true hero of the My Lai Massacre. The featured story is from Wikipedia. Hugh Clowers Thompson Jr. stands as one of the greatest … Continue reading →

These vegan Vietnamese spring rolls are filled with sautéed jicama, fried tofu, mint, perilla, and sautéed radishes, and served with a peanut dipping sauce. Chef Cam Van shows us how to make this popular Vietnamese street food, which she prepares with Chef Mai Pham from Lemon Grass Restaurant. Ordained as a Buddhist monk in 2019, Nguyen Dzoan Cam Van has since focused on teaching vegetarian cooking. The Spice Garden is a cooking school in Củ Chi, a rural district of Ho Chi Minh City in Vietnam where Cam Van now teaches her cooking classes.  Watch the full series at: https://www.plantforwardkitchen.org/southeast-asia

9 Hours and 5 MinutesPG-13Here are episode 1-9 of the Cold War series with Thomas777.The 'Cold War" Pt. 1 - The End Informs the Beginning w/ Thomas777The 'Cold War" Pt. 2 - How It Starts, and Bonus Election Talk w/ Thomas777The 'Cold War" Pt. 3 - The Korean War w/ Thomas777The 'Cold War" Pt. 4 - Konrad Adenauer and the Bundesrepublik w/ Thomas777The 'Cold War' Pt. 5 - 'The Cuban Missile Crisis' w/ Thomas777The 'Cold War' Pt. 6 - Ho Chi Minh and the Origin of the Vietnam War w/ Thomas777The 'Cold War' Pt. 7 - Robert McNamara, Vietnam, and a World Turning 'Red' w/ Thomas777The Cold War Pt. 8 - How the On the Ground Battles in Vietnam Were Fought w/ Thomas777The 'Cold War' Pt. 9 - Battling the Khmer Rouge w/ Thomas777Thomas' SubstackRadio Free Chicago - T777 and J BurdenThomas777 MerchandiseThomas' Book "Steelstorm Pt. 1"Thomas' Book "Steelstorm Pt. 2"Thomas on TwitterThomas' CashApp - $7homas777Pete and Thomas777 'At the Movies'Support Pete on His WebsitePete's PatreonPete's SubstackPete's SubscribestarPete's GUMROADPete's VenmoPete's Buy Me a CoffeePete on FacebookPete on TwitterBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-pete-quinones-show--6071361/support.

How propagandists getting into bed with Hollywood caused the military to lose control of what women mean to their warriors. Or: How I learned to stop worrying, and love the military entertainment complex.  — A production of BRINK, original productions and branded entertainment.   Website: thisispropaganda.show Instagram: instagram.com/thisispropagandashow Email: propaganda@brink.com — CREDITS  Written, Produced, and Hosted by Malcolm Critcher and Joshua Belhumeur  Co-Producer: Reed Chandler Additional Voice Acting: Rhiannon Lane  __  Some dialogue and quotations have been condensed, paraphrased, or reconstructed based on contemporaneous accounts, interviews, and other source material. All archival clips from film and television used under fair use, for educational purposes only.

Over the past three decades, Vietnam's economy has undergone a significant transformation. From the early post–Đổi Mới years, the country has evolved into a strategic destination for foreign direct investment, an increasingly important manufacturing base, and one of Asia's most dynamic growth markets.In this episode, Vietcetera speaks with Dr. Khongkiat Opas Wongkarn, Founder and CEO of Asia Plus Group, who brings decades of leadership and investment experience across Southeast Asia, including deep, long-term engagement with Vietnam through multiple economic cycles. His career spans periods of volatility, expansion, and structural transition—informing how institutional leaders assess risk, capital allocation, and long-term value creation.The conversation goes beyond headline growth to examine the structural challenges accompanying Vietnam's rapid development, including rising costs, housing affordability, and widening income gaps. This episode offers strategic insights for investors, executives, and policymakers seeking to understand Vietnam's growth trajectory, long-term fundamentals, and the principles that underpin sustainable leadership and investment.___Listen to this episode on YoutubeAnd explore many amazing articles about the pioneers at: https://vietcetera.com/vn/bo-suu-tap/vietnam-innovatorFeel free to leave any questions or invitations for business cooperation at hello@vni-digest.com

Episode 3175 of the Vietnam Veteran News Podcast will feature a story about LTG William R. Peers. The featured story is titled: William R. Peers. It appeared on Wikipedia. General William Ray Peers stands as one of the most distinguished … Continue reading →

Nguyen Dzoan Cam Van is a household name in Vietnam, and considered Vietnam's "national chef" for her role on her popular cooking show “Kheo Tay Hay Lam.” The famous cooking teacher was ordained as a Buddhist monk in 2019, and she has since focused on teaching vegetarian cooking. The Spice Garden is a cooking school in Củ Chi, a rural district of Ho Chi Minh City in Vietnam where Cam Van now teaches her cooking classes. She discusses how eating a vegetarian diet aligns with the Buddhist philosophy of ahimsa, or non-violence toward living beings. Watch the full series at: https://www.plantforwardkitchen.org/southeast-asia

Some remember the Vietnam War battles from the headlines of the 1960s and 1970s, and some from movies and history books. Others know them as the graveyards of loved ones who died fighting more than a half-century ago. Today, the battlefields of Vietnam are sites of pilgrimage for veterans from both sides who fought there, and tourists wanting to see firsthand where the war was waged.

MCNAMARA'S REDEMPTION AT THE WORLD BANK Colleague William Taubman. After leaving the Defense Department, McNamara sought redemption as President of the World Bank, shifting its focus to aiding the "poorest of the poor" and combating diseases like river blindness. He viewed this humanitarian work as an attempt to explain the lives lost in Vietnam, later admitting that the bombing campaigns he oversaw failed to break enemy morale just as they had in World War II. While he claimed ignorance regarding the toxicity of Agent Orange and struggled with family estrangement due to the war, he eventually attempted to reconcile his legacy and his relationship with his son. NUMBER 8 1897

MCNAMARA, THE KENNEDYS, AND JACKIE'S PLEA Colleague William Taubman. Fearing a political challenge from Robert Kennedy in 1964, Johnson used McNamara to monitor the Kennedys' intentions, specifically sending him to determine if Jackie Kennedy would publicly support an RFK nomination. Despite acting as Johnson'sagent, McNamara maintained a deep, emotionally complex relationship with Jackie, serving as a father figure to her children and comforting her after the assassination. This bond created a conflict for McNamara, as Jackie eventually pounded on his chest during a private meeting, desperately pleading with him to stop the slaughter in Vietnam. NUMBER 6 1966

MCNAMARA AND JOHNSON'S DANGEROUS FEEDBACK LOOP Colleague William Taubman. Following JFK's assassination, Lyndon Johnson retained McNamara, relying on his efficiency and self-confidence to counter his own insecurities and depressive episodes. A dangerous feedback loop developed where McNamara, eager to please his new boss, adopted Johnson's "tone for action" regarding Vietnam, providing brilliant arguments for escalation that reinforced Johnson's instincts to fight. Johnson came to view McNamara as his "fair-haired boy," utilizing him for everything from the war effort to domestic projects and even considering him for the Vice Presidency. NUMBER 5 1966 LBJ ;

Episode Summary:In the first episode of 2026, Nick embarks on a year-long exploration of Eric Hobsbawm's monumental work, The Age of Extremes: The Short Twentieth Century, 1914–1991.We begin by examining Hobsbawm's premise: that the 20th century was defined by a binary struggle between ideologies that mutually excluded one another—capitalism vs. communism, democracy vs. fascism. But as Nick argues, this Western-centric view often simplifies the complex realities of national liberation struggles in China, Vietnam, and the Global South.The episode also delves into one of the most pressing issues for modern historians: "historical amnesia." Why, despite living in an age of information saturation, do we feel increasingly disconnected from the past? Drawing on Tony Judt and Hobsbawm, we explore how the breakdown of intergenerational storytelling and the allure of the "endless now" have created a society adrift in a permanent present.Plus: Important announcements about our upcoming live masterclasses for history students launching later this month!Key Topics:The Short 20th Century: Hobsbawm's definition of the era from 1914 to 1991.Historical Amnesia: Why the destruction of social memory is the eerie hallmark of the late 20th century.The Problem of Judgment: Why understanding the context of atrocities like the Holocaust does not mean forgiving them.The Binary Trap: Moving beyond the simple "Good vs. Evil" narrative of the Cold War.Books Mentioned:The Age of Extremes by Eric HobsbawmPostwar by Tony JudtExplaining History helps you understand the 20th Century through critical conversations and expert interviews. We connect the past to the present. If you enjoy the show, please subscribe and share.▸ Support the Show & Get Exclusive ContentBecome a Patron: patreon.com/explaininghistory▸ Join the Community & Continue the ConversationFacebook Group: facebook.com/groups/ExplainingHistoryPodcastSubstack: theexplaininghistorypodcast.substack.com▸ Read Articles & Go DeeperWebsite: explaininghistory.org Hosted on Acast. See acast.com/privacy for more information.

What kind of a reaction should you expect when you can multitask too well? Is it possible for a group of Navy Sailors to go out for a few drinks and that is it?  Find out, the answers to these questions and more on this weeks "sode" of The Cammo Comedy Show Podcast!If you have any funny military stories of your own that you would like to share, drop us a line at:stories@cammocomedy.com  or  Leave a voicemail at (531) 222-6146  Sadly, the voicemail will only record in 2 minute blocksWe are here to make you laugh, but behind this there is the imbedded philosophy of, "No One Left Behind." Sadly, 22 vets per day commit suicide, approximately 67,500 vets are homeless and thousands struggle with everyday life after service.  What we hope to accomplish is providing a fun place to gather that will have a similar feel to the conversations that happen at the VFW or American Legion between vets.  Since the latest generations of vets are not really going to these places anymore, we are making it happen online.  We believe that the sense of community will help some who struggle, while providing stories about the good times that we can all laugh at!An additional part of this show is capturing the oral history of the military over the past few decades, so if you happen to know a veteran who served during WW2, Korean War or Vietnam eras, we would love to hear from them.  Obviously, we want to hear stories from all eras, but we have special respect for the older generations.  Our Sponsors #Sponsors  Patriot Mobile Get one free month of service when you make the switch to Patriot Mobile and use Promo Code "WOLF"   https://patriotmobile.com/partners/wolfPatriot Mobile donates a portion of every dollar earned to organizations that fight for causes you care about.Patriot Mobile has exceptional 4G & 5G nationwide coverage and uses all the same towers the main carriers use.Patriot Mobile offers a Contract Buy-Out. This offer allows new customers to buy out a current device from their departing carrier and receive up to $500 per device applied as a credit on their phone bill.Jasehttps://jase.com/Promo Code WolfBlack Friday – Friday, Nov 28$25 Off Sitewide products over $99+Iver products – $50 OffCyber Monday – Monday, Dec 120% Off Gift CardsProof Wallethttps://carryproof.com/Promo Code- CammoComedyDTS Maphttps://dtsmap.com/

Retired General Ben Hodges, former Commander of U.S. Army Europe, says the U.S. military activity off Venezuela is repeating one of the most dangerous mistakes of Vietnam, Iraq, and Afghanistan: no clear strategy, no defined end state, and questionable legality. And the consequences, he argues, extend far beyond any single operation, putting U.S. troops, alliances, and global credibility at risk.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Hosts: Andy Shiles & Lalo Solorzano Guest: Ken Roberts, Founder of WorldCity Published: January 2026 Length: ~44 minutes Presented by: Global Training Center

Meet the dynamic Kim Thanh Le ! Many thanks to my producer, Bright Su ,for introducing us. We had such fun getting to know each other and learning about her improv journey! She was born and raised in Hanoi and loves her city. She is a Hanoi-based improviser/writer. She is the founder and director of The Improv Hub, Vietnam's first community space dedicated to improv, and the Vietnam Improv Festival. Thanh has been building the improv community across Vietnam, bringing this special art form to audiences who are mostly experiencing it for the first time. A lot of the shows and classes she has produced in her country are bilingual, to treasure both local cultures and international bonds. She has also taught and performed in Australia, China, the Netherlands, the Philippines, Singapore, Taiwan, and Thailand. With an academic background in education and business, she also applies improv to design training and facilitation programs on collaboration and development for organizations. This past year she taught at the Oslo Impro Festival and taught "Culturally Proud" and "Generational Bridges" which she describes on our podcast. When not doing improv, she gets nerdy and writes case studies about Asian businesses, or takes her motorbike and wanders around Vietnam. You can learn more about her at: The Improv Hub https://www.improv.vn or any of the social media handles for The Improv Hub (FB/IG) and Vietnam Improv Festival (FB/IG).

In The Plant-Forward Kitchen: Southeast Asia, we explore the bold, aromatic cuisines of Vietnam and Thailand — where plant-forward traditions are deeply rooted in everyday meals. Southeast Asian cuisine has long embraced plant-forward principles, drawing from its Buddhist roots that promote compassion for all living beings and encourage followers to adopt an occasional or ongoing vegetarian diet. In this series, we cook vegetarian pho with Buddhist monk, Nguyen Dzoan Cam Van, and we sample a family-style spread of vegetarian offerings at Buddhist Vĩnh Nghiêm Pagoda Temple Restaurant. We make some Vietnamese classics, such as Vietnamese Lemongrass Tofu, with Chef Mai Pham of Lemon Grass Restaurant. At the Michelin-starred Vietnam House Chef/Owner Luke Nguyen shows us his take on a vegetarian pork belly salad. In Thailand, renowned chef and television presenter, Ian Kittichai gives us a whirlwind tour of Thai curries. Finally, we head to Michelin-starred Bo.Lan Restaurant in Bangkok, where Chefs Bo Songvisava and Dylan Jones make an eggplant relish, and discuss the importance of championing local farmers. Watch the full series at: https://www.plantforwardkitchen.org/southeast-asia  

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Tonight's show features Asian Refugees United and Lavender Phoenix in conversation about art, culture, and organizing, and how artists help us imagine and build liberation. Important Links: Lavender Phoenix: Website | Instagram Asian Refugees United: Website | Instagram | QTViệt Cafe Collective Transcript: Cheryl: Hey everyone. Good evening. You tuned in to APEX Express. I'm your host, Cheryl, and tonight is an AACRE Night. AACRE, which is short for Asian Americans for Civil Rights and Equality is a network made up of 11 Asian American social justice organizations who work together to build long-term movements for justice. Across the AACRE network, our groups are organizing against deportations, confronting anti-blackness, xenophobia, advancing language justice, developing trans and queer leaders, and imagine new systems of safety and care. It's all very good, very important stuff. And all of this from the campaigns to the Organizing to Movement building raises a question that I keep coming back to, which is, where does art live In all of this, Acts of resistance do not only take place in courtrooms or city halls. It takes place wherever people are still able to imagine. It is part of how movements survive and and grow. Art is not adjacent to revolution, but rather it is one of its most enduring forms, and tonight's show sits in that very spirit, and I hope that by the end of this episode, maybe you'll see what I mean. I;d like to bring in my friends from Lavender Phoenix, a trans queer API organization, building people power in the Bay Area, who are also a part of the AACRE Network. This summer, Lavender Phoenix held a workshop that got right to the heart of this very question that we're sitting with tonight, which is what is the role of the artist in social movements? As they were planning the workshop, they were really inspired by a quote from Toni Cade Bambara, who in an interview from 1982 said, as a cultural worker who belongs to an oppressed people, my job is to make the revolution irresistible. So that raises a few questions worth slowing down for, which are, who was Toni Cade Bambara? What does it mean to be a cultural organizer and why does that matter? Especially in this political moment? Lavender Phoenix has been grappling with these questions in practice, and I think they have some powerful answers to share. So without further ado, I'd like to introduce you to angel who is a member of Lavender Phoenix. Angel: My name is Angel. I use he and she pronouns, and I'm part of the communications committee at LavNix. So, let's explore what exactly is the meaning of cultural work.  Cultural workers are the creators of narratives through various forms of artistic expression, and we literally drive the production of culture. Cultural work reflects the perspectives and attitudes of artists and therefore the people and communities that they belong to. Art does not exist in a vacuum. You may have heard the phrase before. Art is always political. It serves a purpose to tell a story, to document the times to perpetuate and give longevity to ideas. It may conform to the status quo or choose to resist it. I wanted to share a little bit about one cultural worker who's made a really big impact and paved the way for how we think about cultural work and this framework. Toni Cade Bambara was a black feminist, cultural worker, writer, and organizer whose literary work celebrated black art, culture and life, and radically supported a movement for collective liberation. She believed that it's the artist's role to serve the community they belong to, and that an artist is of no higher status than a factory worker, social worker, or teacher. Is the idea of even reframing art making as cultural work. Reclaimed the arts from the elite capitalist class and made clear that it is work, it does not have more value than or take precedence over any other type of movement work. This is a quote from an interview from 1982 when Toni Cade Bambara said, as a cultural worker who belongs to an oppressed people, my job is to make revolution irresistible. But in this country, we're not encouraged and equipped at any particular time to view things that way. And so the artwork or the art practice that sells that capitalist ideology is considered art. And anything that deviates from that is considered political, propagandist, polemical, or didactic, strange, weird, subversive or ugly. Cheryl: After reading that quote, angel then invited the workshop participants to think about what that means for them. What does it mean to make the revolution irresistible? After giving people a bit of time to reflect, angel then reads some of the things that were shared in the chat. Angel: I want my art to point out the inconsistencies within our society to surprised, enraged, elicit a strong enough reaction that they feel they must do something. Cheryl: Another person said, Angel: I love that art can be a way of bridging relationships. Connecting people together, building community. Cheryl: And someone else said. Angel: I want people to feel connected to my art, find themselves in it, and have it make them think and realize that they have the ability to do something themselves. Cheryl: I think what is rather striking in these responses that Angel has read aloud to what it means to make art that makes the revolution irresistible isn't just aesthetics alone, but rather its ability to help us connect and communicate and find one another to enact feelings and responses in each other. It's about the way it makes people feel implicated and connected and also capable of acting. Tony Cade Bambara when she poses that the role of cultural workers is to make the revolution irresistible is posing to us a challenge to tap into our creativity and create art that makes people unable to return comfortably to the world as is, and it makes revolution necessary, desirable not as an abstract idea, but as something people can want and move towards  now I'm going to invite Jenica, who is the cultural organizer at Lavender Phoenix to break down for us why we need cultural work in this political moment. . Speaker: Jenica: So many of us as artists have really internalized the power of art and are really eager to connect it to the movement.  This section is about answering this question of why is cultural work important.  Cultural work plays a really vital role in organizing and achieving our political goals, right? So if our goal is to advance radical solutions to everyday people, we also have to ask ourselves how are we going to reach those peoples? Ideas of revolution and liberation are majorly inaccessible to the masses, to everyday people. Families are being separated. Attacks on the working class are getting worse and worse. How are we really propping up these ideas of revolution, especially right in America, where propaganda for the state, for policing, for a corrupt government runs really high. Therefore our messaging in political organizing works to combat that propaganda. So in a sense we have to make our own propaganda. So let's look at this term together. Propaganda is art that we make that accurately reflects and makes people aware of the true nature of the conditions of their oppression and inspires them to take control of transforming this condition. We really want to make art that seeks to make the broader society aware of its implications in the daily violences, facilitated in the name of capitalism, imperialism, and shows that error of maintaining or ignoring the status quo. So it's really our goal to arm people with the tools to better struggle against their own points of views, their ways of thinking, because not everyone is already aligned with like revolution already, right? No one's born an organizer. No one's born 100% willing to be in this cause. So, we really focus on the creative and cultural processes, as artists build that revolutionary culture. Propaganda is really a means of liberation. It's an instrument to help clarify information education and a way to mobilize our people. And not only that, our cultural work can really model to others what it's like to envision a better world for ourselves, right? Our imagination can be so expansive when it comes to creating art. As organizers and activists when we create communication, zines, et cetera, we're also asking ourselves, how does this bring us one step closer to revolution? How are we challenging the status quo? So this is exactly what our role as artists is in this movement. It's to create propaganda that serves two different purposes. One, subvert the enemy and cultivate a culture that constantly challenges the status quo. And also awaken and mobilize the people. How can we, through our art, really uplift the genuine interests of the most exploited of people of the working class, of everyday people who are targets of the state and really empower those whose stories are often kept outside of this master narrative. Because when they are talked about, people in power will often misrepresent marginalized communities. An example of this, Lavender Phoenix, a couple years ago took up this campaign called Justice for Jaxon Sales. Trigger warning here, hate crime, violence against queer people and death. Um, so Jaxon Sales was a young, queer, Korean adoptee living in the Bay Area who went on a blind like dating app date and was found dead the next morning in a high-rise apartment in San Francisco. Lavender Phoenix worked really closely and is still connected really closely with Jaxon's parents, Jim and Angie Solas to really fight, and organize for justice for Jaxon and demand investigation into what happened to him and his death, and have answers for his family. I bring that up, this campaign because when his parents spoke to the chief medical examiner in San Francisco, they had told his family Jaxon died of an accidental overdose he was gay. Like gay people just these kinds of drugs. So that was the narrative that was being presented to us from the state. Like literally, their own words: he's dead because he's gay. And our narrative, as we continue to organize and support his family, was to really address the stigma surrounding drug use. Also reiterating the fact that justice was deserved for Jaxon, and that no one should ever have to go through this. We all deserve to be safe, that a better world is possible. So that's an example of combating the status quo and then uplifting the genuine interest of our people and his family. One of our key values at Lavender Phoenix is honoring our histories, because the propaganda against our own people is so intense. I just think about the everyday people, the working class, our immigrant communities and ancestors, other queer and trans people of color that really fought so hard to have their story told. So when we do this work and think about honoring our histories, let's also ask ourselves what will we do to keep those stories alive? Cheryl: We're going to take a quick music break and listen to some music by Namgar, an international ethno music collective that fuses traditional Buryat and Mongolian music with pop, jazz, funk, ambient soundscapes, and art- pop. We'll be back in just a moment with more after we listen to “part two” by Namgar.    Cheryl: Welcome back.  You are tuned in to APEX express on 94.1 KPFA and 89.3 KPFB B in Berkeley and online at kpfa.org.  That song you just heard was “part two” by Namgar, an incredible four- piece Buryat- Mongolian ensemble that is revitalizing and preserving the Buryat language and culture through music. For those just tuning in tonight's episode of APEX Express is all about the role of the artist in social movements. We're joined by members of Lavender Phoenix, often referred to as LavNix, which is a grassroots organization in the Bay Area building Trans and queer API Power. You can learn more about their work in our show notes. We talked about why cultural work is a core part of organizing. We grounded that conversation in the words of Toni Cade Bambara, who said in a 1982 interview, as a cultural worker who belongs to an oppressed people, my job is to make revolution irresistible. We unpacked what that looks like in practice and lifted up Lavender Phoenix's Justice for Jaxon Sales campaign as a powerful example of cultural organizing, which really demonstrates how art and narrative work and cultural work are essential to building power Now Jenica from Levner Phoenix is going to walk us through some powerful examples of cultural organizing that have occurred in social movements across time and across the world. Speaker: Jenica: Now we're going to look at some really specific examples of powerful cultural work in our movements. For our framework today, we'll start with an international example, then a national one, a local example, and then finally one from LavNix. As we go through them, we ask that you take notes on what makes these examples, impactful forms of cultural work. How does it subvert the status quo? How is it uplifting the genuine interest of the people? Our international example is actually from the Philippines. Every year, the Corrupt Philippines president delivers a state of the nation address to share the current conditions of the country. However, on a day that the people are meant to hear about the genuine concrete needs of the Filipino masses, they're met instead with lies and deceit that's broadcasted and also built upon like years of disinformation and really just feeds the selfish interests of the ruling class and the imperialist powers. In response to this, every year, BAYAN, which is an alliance in the Philippines with overseas chapters here in the US as well. Their purpose is to fight for the national sovereignty and genuine democracy in the Philippines, they hold a Peoples' State of the Nation Address , or PSONA, to protest and deliver the genuine concerns and demands of the masses. So part of PSONA are effigies. Effigies have been regular fixtures in protest rallies, including PSONA. So for those of you who don't know, an effigy is a sculptural representation, often life size of a hated person or group. These makeshift dummies are used for symbolic punishment in political protests, and the figures are often burned. In the case of PSONA, these effigies are set on fire by protestors criticizing government neglect, especially of the poor. Lisa Ito, who is a progressive artists explained that the effigy is constructed not only as a mockery of the person represented, but also of the larger system that his or her likeness embodies. Ito pointed out that effigies have evolved considerably as a form of popular protest art in the Philippines, used by progressive people's movements, not only to entertain, but also to agitate, mobilize and capture the sentiments of the people. This year, organizers created this effigy that they titled ‘ZomBBM,' ‘Sara-nanggal' . This is a play on words calling the corrupt president of the Philippines, Bongbong Marcos, or BBM, a zombie. And the vice president Sara Duterte a Manananggal, which is a, Filipino vampire to put it in short, brief words. Organizers burnt this effigy as a symbol of DK and preservation of the current ruling class. I love this effigy so much. You can see BBM who's depicted like his head is taken off and inside of his head is Trump because he's considered like a puppet president of the Philippines just serving US interests. Awesome. I'm gonna pass it to Angel for our national perspective. Angel: Our next piece is from the national perspective and it was in response to the AIDS crisis. The global pandemic of HIV AIDS began in 1981 and continues today. AIDS is the late stage of HIV infection, human immunodeficiency virus, and this crisis has been marked largely by government indifference, widespread stigma against gay people, and virtually no federal funding towards research or services for everyday people impacted. There was a really devastating lack of public attention about the seriousness of HIV. The Ronald Reagan administration treated the crisis as a joke because of its association with gay men, and Reagan didn't even publicly acknowledge AIDS until 19 85, 4 years into the pandemic. Thousands of HIV positive people across backgrounds and their supporters organize one of the most influential patient advocacy groups in history. They called themselves the AIDS Coalition to Unleash Power or ACT up. They ultimately organize and force the government and the scientific community to fundamentally change the way medical research is conducted. Paving the way for the discovery of a treatment that today keeps alive, an estimated half million HIV positive Americans and millions more worldwide. Sarah Schulman, a writer and former member of ACT Up, wrote a list of ACT UPS achievements, including changing the CDC C'S definition of aids to include women legalizing needle exchange in New York City and establishing housing services for HIV positive unhoused people. To highlight some cultural work within ACT Up, the AIDS activist artist Collective Grand Fury formed out of ACT Up and CR and created works for the public sphere that drew attention to the medical, moral and public issues related to the AIDS crisis. Essentially, the government was fine with the mass deaths and had a large role in the active killing off of people who are not just queer, but people who are poor working class and of color. We still see parallels in these roadblocks. Today, Trump is cutting public healthcare ongoing, and in recent memory, the COVID crisis, the political situation of LGBTQ people then and now is not divorced from this class analysis. So in response, we have the AIDS Memorial Quilt, this collective installation memorializes people who died in the US from the AIDS crisis and from government neglect. Each panel is dedicated to a life lost and created by hand by their friends, family, loved ones, and community. This artwork was originally conceived by Cleve Jones in SF for the 1985 candlelight March, and later it was expanded upon and displayed in Washington DC in 1987. Its enormity demonstrated the sheer number at which queer folk were killed in the hiv aids crisis, as well as created a space in the public for dialogue about the health disparities that harm and silence our community. Today, it's returned home to San Francisco and can be accessed through an interactive online archive. 50,000 individual panels and around a hundred thousand names make up the patchwork quilt, which is insane, and it's one of the largest pieces of grassroots community art in the world. Moving on to a more local perspective. In the Bay Area, we're talking about the Black Panther Party. So in October of 1966 in Oakland, California, Huey Newton and Bobby Seale founded the Black Panther Party for self-defense. The Panthers practiced militant self-defense of black communities against the US government and fought to establish socialism through organizing and community-based programs. The Black Panthers began by organizing arm patrols of black people to monitor the Oakland Police Department and challenge rampant rampant police brutality. At its peak, the party had offices in 68 cities and thousands of members. The party's 10 point program was a set of demands, guidelines, and values, calling for self-determination, full employment of black people, and the end of exploitation of black workers housing for all black people, and so much more. The party's money programs directly addressed their platform as they instituted a free B Breakfast for Children program to address food scarcity Founded community health clinics to address the lack of adequate, adequate healthcare for black people and treat sickle cell anemia, tuberculosis, and HIV aids and more. The cultural work created by the Black Panther Party included the Black Panther Party newspaper known as the Black Panther. It was a four page newsletter in Oakland, California in 1967. It was the main publication of the party and was soon sold in several large cities across the US as well as having an international readership. The Black Panther issue number two. The newspaper, distributed information about the party's activities and expressed through articles, the ideology of the Black Panther Party, focusing on both international revolutions as inspiration and contemporary racial struggles of African Americans across the United States. Solidarity with other resistance movements was a major draw for readers. The paper's international section reported on liberation struggles across the world. Under Editor-in-Chief, David Du Bois, the stepson of WEB Du Bois, the section deepened party support for revolutionary efforts in South Africa and Cuba. Copies of the paper traveled abroad with students and activists and were tra translated into Hebrew and Japanese. It reflected that the idea of resistance to police oppression had spread like wildfire. Judy Juanita, a former editor in Chief Ads, it shows that this pattern of oppression was systemic. End quote. Paper regularly featured fiery rhetoric called out racist organizations and was unabashed in its disdain for the existing political system. Its first cover story reported on the police killing of Denzel Doel, a 22-year-old black man in Richmond, California. In all caps, the paper stated, brothers and sisters, these racist murders are happening every day. They could happen to any one of us. And it became well known for its bold cover art, woodcut style images of protestors, armed panthers, and police depicted as bloodied pigs. Speaker: Jenica: I'm gonna go into the LavNix example of cultural work that we've done. For some context, we had mentioned that we are taking up this campaign called Care Not Cops. Just to give some brief background to LavNix, as systems have continued to fail us, lavender Phoenix's work has always been about the safety of our communities. We've trained people in deescalation crisis intervention set up counseling networks, right? Then in 2022, we had joined the Sales family to fight for justice for Jaxon Sales. And with them we demanded answers for untimely death from the sheriff's department and the medical examiner. Something we noticed during that campaign is that every year we watch as people in power vote on another city budget that funds the same institutions that hurt our people and steal money from our communities. Do people know what the budget is for the San Francisco Police Department? Every year, we see that city services and programs are gutted. Meanwhile, this year, SFPD has $849 million, and the sheriff has $345 million. So, honestly, policing in general in the city is over $1 billion. And they will not experience any cuts. Their bloated budgets will remain largely intact. We've really been watching, Mayor Lurie , his first months and like, honestly like first more than half a year, with a lot of concern. We've seen him declare the unlawful fentanyl state of emergency, which he can't really do, and continue to increase police presence downtown. Ultimately we know that mayor Lurie and our supervisors need to hear from us everyday people who demand care, not cops. So that leads me into our cultural work. In March of this year, lavender Phoenix had collaborated with youth organizations across the city, youth groups from Chinese Progressive Association, PODER, CYC, to host a bilingual care, not cops, zine making workshop for youth. Our organizers engaged with the youth with agitating statistics on the egregious SFPD budget, and facilitated a space for them to warm up their brains and hearts to imagine a world without prisons and policing. And to really further envision one that centers on care healing for our people, all through art. What I really learned is that working class San Francisco youth are the ones who really know the city's fascist conditions the most intimately. It's clear through their zine contributions that they've really internalized these intense forms of policing in the schools on the streets with the unhoused, witnessing ice raids and fearing for their families. The zine was really a collective practice with working class youth where they connected their own personal experiences to the material facts of policing in the city, the budget, and put those experiences to paper.   Cheryl: Hey everyone. Cheryl here. So we've heard about Effigies in the Philippines, the AIDS Memorial Quilt, the Black Panther Party's newspaper, the Black Panther and Lavender Phoenix's Care Cop zine. Through these examples, we've learned about cultural work and art and narrative work on different scales internationally, nationally, locally and organizationally. With lavender Phoenix. What we're seeing is across movements across time. Cultural work has always been central to organizing. We're going to take another music break, but when we return, I'll introduce you to our next speaker. Hai, from Asian Refugees United, who will walk us through, their creative practice, which is food, as a form of cultural resistance, and we'll learn about how food ways can function as acts of survival, resistance, and also decolonization. So stay with us more soon when we return.   Cheryl: And we're back!!. You're listening to APEX express on 94.1 KPFA, 89.3 KPFB in Berkeley. 88.1. KFCF in Fresno and online@kpfa.org. That was “Juniper” by Minjoona, a project led by Korean American musician, Jackson Wright.  huge thanks to Jackson and the whole crew behind that track.  I am here with Hai from Asian Refugees United, who is a member QTViet Cafe Collective. A project under Asian Refugees United. QTViet Viet Cafe is a creative cultural hub that is dedicated to queer and trans viet Liberation through ancestral practices, the arts and intergenerational connection. This is a clip from what was a much longer conversation. This episode is all about the role of the artist in social movements and I think Hai brings a very interesting take to the conversation. Hai (ARU): I think that what is helping me is one, just building the muscle. So when we're so true to our vision and heart meets mind and body. So much of what QTViet Cafe is, and by extension Asian refugees and like, we're really using our cultural arts and in many ways, whether that's movement or poetry or written word or song or dance. And in many ways I've had a lot of experience in our food ways, and reclaiming those food ways. That's a very embodied experience. We're really trying to restore wholeness and health and healing in our communities, in our bodies and our minds and our families and our communities that have been displaced because of colonization, imperialism, capitalism. And so how do we restore, how do we have a different relationship and how do we restore? I think that from moving from hurt to healing is life and art. And so we need to take risk and trying to define life through art and whatever means that we can to make meaning and purpose and intention. I feel like so much of what art is, is trying to make meaning of the hurt in order to bring in more healing in our lives. For so long, I think I've been wanting a different relationship to food. For example, because I grew up section eight, food stamps, food bank. My mom and my parents doing the best they could, but also, yeah, grew up with Viet food, grew up with ingredients for my parents making food, mostly my mom that weren't necessarily all the best. And I think compared to Vietnam, where it's easier access. And there's a different kind of system around, needs around food and just easier access, more people are involved around the food system in Vietnam I think growing up in Turtle Island and seeing my parents struggle not just with food, but just with money and jobs it's just all connected. And I think that impacted my journey and. My own imbalance around health and I became a byproduct of diabetes and high cholesterol and noticed that in my family. So when I noticed, when I had type two diabetes when I was 18, made the conscious choice to, I knew I needed to have some type of, uh, I need to have a different relationship to my life and food included and just like cut soda, started kind of what I knew at the time, exercising as ways to take care of my body. And then it's honestly been now a 20 year journey of having a different relationship to not just food, but health and connection to mind, body, spirit. For me, choosing to have a different relationship in my life, like that is a risk. Choosing to eat something different like that is both a risk and an opportunity. For me that's like part of movement building like you have to. Be so in tune with my body to notice and the changes that are needed in order to live again. When I noticed, you know, , hearing other Viet folks experiencing diet related stuff and I think knowing what I know also, like politically around what's happening around our food system, both for the vie community here and also in Vietnam, how do we, how can this regular act of nourishing ourselves both be not just in art, something that should actually just honestly be an everyday need and an everyday symbol of caregiving and caretaking and care that can just be part of our everyday lives. I want a world where, it's not just one night where we're tasting the best and eating the best and being nourished, just in one Saturday night, but that it's just happening all the time because we're in right relationship with ourselves and each other and the earth that everything is beauty and we don't have to take so many risks because things are already in its natural divine. I think it takes being very conscious of our circumstances and our surroundings and our relationships with each other for that to happen. I remember reading in my early twenties, reading the role of, bring Coke basically to Vietnam during the war. I was always fascinated like, why are, why is Coke like on Viet altars all the time? And I always see them in different places. Whenever I would go back to Vietnam, I remember when I was seven and 12. Going to a family party and the classic shiny vinyl plastic, floral like sheet on a round table and the stools, and then these beautiful platters of food. But I'm always like, why are we drinking soda or coke and whatever else? My dad and the men and then my family, like drinking beer. And I was like, why? I've had periods in my life when I've gotten sick, physically and mentally sick. Those moments open up doors to take the risk and then also the opportunity to try different truth or different path. When I was 23 and I had just like crazy eczema and psoriasis and went back home to my parents for a while and I just started to learn about nourishing traditions, movement. I was Very critical of the us traditional nutrition ideas of what good nutrition is and very adamantly like opposing the food pyramid. And then in that kind of research, I was one thinking well, they're talking about the science of broths and like soups and talking about hard boiling and straining the broth and getting the gunk on the top. And I'm like, wait, my mom did that. And I was starting to connect what has my mom known culturally that now like science is catching up, you know? And then I started just reading, you know, like I think that my mom didn't know the sign mom. I was like, asked my mom like, did you know about this? And she's like, I mean, I just, this is, is like what ba ngoai said, you know? And so I'm like, okay, so culturally this, this is happening scientifically. This is what's being shared. And then I started reading about the politics of US-centric upheaval of monocultural agriculture essentially. When the US started to do the industrial Revolution and started to basically grow wheat and soy and just basically make sugar to feed lots of cows and create sugar to be put in products like Coke was one of them. And, and then, yeah, that was basically a way for the US government to make money from Vietnam to bring that over, to Vietnam. And that was introduced to our culture. It's just another wave of imperialism and colonization. And sadly, we know what, overprocessed, like refined sugars can do to our health. And sadly, I can't help but make the connections with what happened. In many ways, food and sugar are introduced through these systems of colonization and imperialism are so far removed from what we ate pre colonization. And so, so much of my journey around food has been, you know, it's not even art, it's just like trying to understand, how do we survive and we thrive even before so many. And you know, in some ways it is art. 'cause I making 40 pounds of cha ga for event, , the fish cake, like, that's something that, that our people have been doing for a long time and hand making all that. And people love the dish and I'm really glad that people enjoyed it and mm, it's like, oh yeah, it's art. But it's what people have been doing to survive and thrive for long, for so long, you know? , We have the right to be able to practice our traditional food ways and we have the right for food sovereignty and food justice. And we have the right to, by extension, like have clean waters and hospitable places to live and for our animal kin to live and for our plant kin to be able to thrive. bun cha ga, I think like it's an artful hopeful symbol of what is seasonal and relevant and culturally symbolic of our time. I think that, yes, the imminent, violent, traumatic war that are happening between people, in Vietnam and Palestine and Sudan. Honestly, like here in America. That is important. And I think we need to show, honestly, not just to a direct violence, but also very indirect violence on our bodies through the food that we're eating. Our land and waters are living through indirect violence with just like everyday pollutants and top soil being removed and industrialization. And so I think I'm just very cognizant of the kind of everyday art ways, life ways, ways of being that I think that are important to be aware of and both practice as resistance against the forces that are trying to strip away our livelihood every day. Cheryl: We just heard from Hai of Asian refugees United who shared about how food ways function as an embodied form of cultural work that is rooted in memory and also survival and healing. Hai talked about food as a practice and art that is lived in the body and is also shaped by displacement and colonization and capitalism and imperialism. I shared that through their journey with QTV at Cafe and Asian Refugees United. High was able to reflect on reclaiming traditional food ways as a way to restore health and wholeness and relationship to our bodies and to our families, to our communities, and to the earth. High. Also, traced out illness and imbalance as deeply connected to political systems that have disrupted ancestral knowledge and instead introduced extractive food systems and normalized everyday forms of soft violence through what we consume and the impact it has on our land. And I think the most important thing I got from our conversation was that high reminded us that nourishing ourselves can be both an act of care, an art form, and an act of resistance. And what we call art is often what people have always done to survive and thrive Food. For them is a practice of memory, and it's also a refusal of erasure and also a very radical vision of food sovereignty and healing and collective life outside of colonial violence and harm. As we close out tonight's episode, I want to return to the question that has guided us from the beginning, which is, what is the role of the artist in social movements? What we've heard tonight from Tony Cade Bambara call to make revolution irresistible to lavender Phoenix's cultural organizing here, internationally to Hai, reflections on food ways, and nourishing ourselves as resistance. It is Really clear to me. Art is not separate from struggle. It is how people make sense of systems of violence and carry memory and also practice healing and reimagining new worlds in the middle of ongoing violence. Cultural work helps our movements. Endure and gives us language when words fail, or ritual when grief is heavy, and practices that connect us, that reconnect us to our bodies and our histories and to each other. So whether that's through zines, or songs or murals, newspapers, or shared meals, art is a way of liberation again and again. I wanna thank all of our speakers today, Jenica, Angel. From Lavender Phoenix. Hi, from QTV Cafe, Asian Refugees United, And I also wanna thank you, our listeners for staying with us. You've been listening to Apex Express on KPFA. Take care of yourselves, take care of each other, and keep imagining the world that we're trying to build. That's important stuff. Cheryl Truong (she/they): Apex express is produced by Miko Lee, Paige Chung, Jalena Keane-Lee, Preeti Mangala Shekar. Shekar, Anuj Vaidya, Kiki Rivera, Swati Rayasam, Nate Tan, Hien Nguyen, Nikki Chan, and Cheryl Truong  Cheryl Truong: Tonight's show was produced by me, cheryl. Thanks to the team at KPFA for all of their support. And thank you for listening!  The post APEX Express – January 1, 2026 – The Role of the Artist in Social Movements appeared first on KPFA.

Join Rita Cosby for a high-energy countdown as she rings in 2026. Rita captures the electric atmosphere of New Year's Eve, featuring Donald Trump's star-studded bash at Mar-a-Lago, where the President shared his resolution for "peace on earth" alongside world leaders like Benjamin Netanyahu. Back in the Big Apple, the show dives into the "bumpy ride" ahead for New York City as Zoran Mandani prepares to be sworn in as the 111th mayor on the Quran at an old subway station. From Times Square revelers "pampers-ing up" for the cold to deep-dives into Venezuela's political future and a moving tribute to Vietnam veterans, Rita and guests John and Margo Catsimatidis bid a firm "good riddance" to 2025 and look toward America's 250th anniversary. Learn more about your ad choices. Visit megaphone.fm/adchoices

Eight Deployments, One Mission: Chad Robichaux and the Call to Never Quit What an incredible guest we have on this week's Team Never Quit Podcast. Marcus engages in a compelling discussion with former Force Recon Marine, Chad Robichaux. With eight deployments to Afghanistan as part of a Joint Special Operations Command (JSOC) Task Force, Chad overcame his personal battles with PTSD after nearly becoming a veteran suicide statistic. Chad is the founder of the Mighty Oaks Foundation, serving the active duty, military veteran and first responder communities around the world with highly successful faith-based combat trauma and resiliency programs. He has spoken to over 450,000 active-duty troops and led life-saving programs for over 4,600 active military and veterans at four Mighty Oaks Ranches around the U.S. He has served as an advisor to former President Trump, Congress, the VA, and the Department of Defense. Another one of Chad's personal endeavors, Save Our Allies, is focused on the evacuation and recovery of Americans, our allies and vulnerable people still trapped in Afghanistan. His original mission was to rescue his long-time friend and Afghanistan interpreter, but the mission quickly evolved because of Chad's compassion for people and his servant heart. Since its inception, Save Our Allies has safely evacuated over 17,000 people that were trapped in Afghanistan and he is now helping in Ukraine. As if that weren't enough, Chad is a lifelong martial artist. He holds a 4th degree Brazilian Jiu-Jitsu Black Belt and is a former Professional Mixed Martial Arts Champion having competed at the highest levels of the sport. In this episode you will hear: • My family has 84 years of military service. (11:27) • I was raised in a very dysfunctional home because my father never recovered from Vietnam. (13:15) • Our operation was compromised and I ended up being abducted. (26:53) • On the surface, everything seemed fine. Then I crashed, had an affair, filed for divorce, and attempted to take my life. The some amazing people came around me and helped us to restore my family and my faith. (30:38) • I tried to build the courage to take my life and I had my Glock 40 caliber pistol, but I was interrupted, and it was enough to pump the brakes. (31:18) • My wife asked me: “How can you do all you did in the military, but when it comes to your family, you'll quit?” (32:23) • You're gonna deal with anxiety, depression, and anger, but you could respond to it in a better way that could lead you to a better place. (35:35) • God's like a centerpiece solution, because a lot of what we deal with are spiritual wounds. (36:29) • President Bush signed the Opportunity for Faith Mission in 2001, then in 2009, President Obama signed a policy to override that, and take funding away from faith-based programs. (49:47) • In Afghanistan, people couldn't go in to help, but in Ukraine you could drive a bus across the border to do mass evacs. (52:07) • I've been getting a lot of heat like: Why are you going over there to help – the governments is corrupt. None of that matters. These people didn't ask for any of this. They're being invaded by a super power. (54:48) • Glen Beck (Radio Show Host) raised 21 million dollars to support our mission. (72:41) • The White House said there were 100 Americans left [in Afghanistan] but without debate there were thousands of Americans still there. (75:27) • You don't leave Americans behind. The White even promised that they wouldn't but they did. (76:34)

PREVIEW FOR LATER TONIGHT: Geoffrey Wawro argues Nixon's diplomacy with Mao focused specifically on achieving peace in Vietnam rather than just triangulating superpowers. Following North Vietnamese refusal to bow to these plans, Nixon authorized the devastating Linebacker II bombing campaign, aiming to destroy Hanoi. 1972 LINEBACKER ORDNANCE

This episode Brian and Nez head over to the jungles of Vietnam to help Major Howard Toliver and six juvenile offenders rescue a woman held hostage by a murderous warlord in the 1995 action film SOLIDER BOYZ. Veteren Howard Toliver (Michael Dudikoff) works at a prison for extremely dangerous juvenile offenders. Recruited to rescue a wealthy girl being held captive in Vietnam, he assembles a team composed of some of the most violent inmates, many of whom are enemies. After battling their way through the jungle, they lay siege to the fortress of the brutal warlord Vinh Moc (Cary-Hiroyuki Tagawa), who has the hostage hidden away. Will they work together, or allow their rivalries to consume them?   Join The Action Returns Facebook group: https://www.facebook.com/groups/841619946357776 Follow The Action Returns on IG and X: Instagram: @theactionreturns X: @action_returns Check out everything Horror Returns at: https://thehorrorreturns.com Join The Horror Returns Facebook group: https://www.facebook.com/groups/1056143707851246 THR Patreon: https://www.patreon.com/thehorrorreturns Join the THR Presents: Stream Fiends Facebook Group: https://www.facebook.com/groups/3860579827402429 Follow THR Stream Fiends on IG: @thrstreamfiends Hit up E Society on Facebook. https://www.facebook.com/ESocietyPodcast/ ESP Podbean feed: https://macnezpodcast.podbean.com ESP Spotify feed: https://podcasters.spotify.com/pod/show/esoc Mac Nez Podcast on Spotify: https://open.spotify.com/show/7jot3LglMA0EuGTUikXejq?si=21b39da4784e4528 E Society YouTube: https://www.youtube.com/channel/UCliC6x_a7p3kTV_0LC4S10A E Society and Mac-Nez t-shirts Tee Public: http://tee.pub/lic/9ko9r4p5uvE X: E Society Podcast: https://x.com/esocietypod Mac Nez Podcast: https://x.com/macnezpod The Zissiou: https://x.com/TheoZissou Instagram: E Society: https://www.instagram.com/esocietypod/ Mac Nez Podcast: https://www.instagram.com/macnez/ The Zissiou: https://www.instagram.com/thezissou/ TikTok: https://www.tiktok.com/@esocietypod  

Bob Ingram joined the Navy after graduating high school in 1963 to give himself some direction. He was initially assigned to work in electronics, but after getting a bad case of pneumonia, Ingram was so impressed by the dedication of the Navy corpsmen, that he decided to become one. Corpsman training was long and demanding and Marine Corps aid training followed that. After struggling to find a good Marine unit to join, Ingram was off to Vietnam in late 1965 - attached to C Company, 1st Battalion, 7th Marine Regiment, 1st Marine Division. They saw a lot of action right from the start.In this edition of Veterans Chronicles, Ingram takes us into corpsman training, being assigned to the wrong company, and the joy of being moved to a great one. He then details his actions in February 1966, as he rendered aid to his Marines and also manned a machine gun to expose the enemy position. Ingram would receive the Silver Star.Just a few weeks later, on March 28, 1966, C Company found itself in another vicious fight, and lost a platoon almost instantly. Ingram provided aid to wounded Marines, gathered weapons and ammo from those who were killed and brought it to those still in the fight, and, again, grabbed a gun to target and drive out the enemy. He did all of this despite being shot several times, including once in the head.Ingram will tell us about his long road to recovery, how he learned of the effort to award him the Medal of Honor, and what the medal means to him and the men he served alongside.

Have you ever wondered whose brainchild it was while you're sitting watching a fabulous TV show or enjoying a news website? If so, this episode is for you. It was a privilege to chat with Phil Balboni recently. His pioneering contributions to broadcast and cable TV are extraordinary. A former vice president and news director of WCVB-TV Boston (Channel 5), he created and launched “Chronicle” a nightly news magazine, making it a staple of local journalism for over forty years. He has had his fingers in all facets of the news and broadcasting industry for years, including notable projects such as New England Cable News (NECN) and the subscription-based Daily Chatter newsletter, which showcases his versatility and influence. He's a Vietnam vet, and beyond his achievements, his service strengthens his reputation as dependable, inspiring respect and admiration among the audience.

During a brutal Vietnam firefight that spiraled into a forty-five-minute running battle, Robert J. Thomas was shot, shredded by shrapnel, and left barely able to stand. Instead of evacuating, he crawled forward, emptied his pistol into enemy positions, then climbed onto the door gun of a helicopter that had already been hit more than a hundred times. On this episode, host Ben Thompson is joined by Matt Fratus of Late Night History to break down Thomas's stand - a fight that saved multiple wounded teammates, kept the helicopter in the air, and only ended when the aircraft physically had to leave. Thomas later woke up in a medevac hospital with his face wired back together. Despite being nominated twice for the Medal of Honor, Thomas received the Navy Cross, returned to Vietnam to finish his tour, and went on to help create the Navy SEAL sniper program that shaped modern special operations. This is a story about refusing extraction, precision under fire, and a man who never stopped fighting when everyone else was already out. 

It took 20 years of asking by an Oscar-winning filmmaker, but famed investigative reporter Seymour Hersh finally said, “Yes.” The result is "Cover-Up", a revelatory new documentary portrait of Hersh's fascinating life and career by Academy Award-winning filmmaker Laura Poitras (“Citizenfour”) and Emmy Award-winning filmmaker Mark Obenhaus (“Steep”).   Joining Ken on the pod, Mark (who jointly directed the film with Laura) discusses the origins of his professional relationship with Hersh and why the stars finally aligned for Hersh to agree to the project. With a career going back to the 1960's, Hersh virtually invented the idea of the modern investigative reporter. He sniffed out the facts of the horrific My Lai massacre by U.S. soldiers in Vietnam and exposed the top brass' scandalous cover-up. Following My Lai, Hersh went on to expose cover-ups in Watergate that became front page news in the “New York Times.” Years later, during the Iraq War, Hersh's reporting would again expose high-level cover-ups, revealing the graphic details of torture committed by the CIA and the U.S. Army at Abu Ghraib prison. “Cover-Up” also addresses Hersh's shortcomings as well. Time and again, Hersh's work and sources have exposed abuses of power at the highest level of the American government. It turns out that the full story was well worth waiting for.   Hidden Gem: “Seeds”   Follow: @mark_obenhaus on Instagram @topdocspod on Instagram and X    The Presenting Sponsor of "Top Docs" is Netflix.

Learn more about Michael Wenderoth, Executive Coach: www.changwenderoth.comWhat holds you back, but more importantly what springs you forward? In this episode of 97% Effective, host Michael Wenderoth speaks with Khanh-Linh Le, entrepreneur and host of the Forest Builders podcast. Khanh-Linh shares how she left prestigious corporate jobs in France and Vietnam to dive into the world of chocolate entrepreneurship – then later made the equally tough decision to leave that venture behind. Khanh-Linh speaks to the importance of asking what you actually want, why showing up and “daring to do” is your critical first step – and how convincing yourself, and repetition, is a key unlock to projecting confidence as an entrepreneur. You'll leave this episode with a much deeper appreciation for the power that lies within you.SHOW NOTES:When Khanh-Linh's passion awoke: “The power of the smell of chocolate to get you to feel and see things in a different way”Why do you want power?The dark side of chocolate“With time I'll get closer”: The career shift from management consulting in France to chocolate in AsiaSerendipity and Synchronicity: The 4 AM bus ride and chance encounter with GrichaUsing coaching as an opportunity to step back and ask what you actually wantHow Khanh-Linh “dared” and took the next step“A lot of time you just need to show up”How Khanh-Linh sees power and influence as critical to entrepreneurshipCommunication insights for Entrepreneurs: Convincing yourself, repetition, projecting confidencePatience and calmness: Reflections on projecting confidence as a Vietnamese French female entrepreneurThe power of a support group: Khanh-Linh and the female entrepreurs of Saigon“Would a man censor himself?” – Khanh-Linh on how women often need to get out of their own wayMaking the choice to let goKhanh-Linh reflects on the power of podcasting to open doors, help you find inspiration – and show the world what you are intoGet started and dare to show up! BIO AND LINKS:Khanh-Linh Le is an entrepreneur and host of the Forest Builders Podcast. She is based in France where she supports food companies and their transition to regenerative supply chains. She previously co-founded the Cocoa Project in Vietnam and worked for McKinsey and Anheuser-Busch InBev. Khanh-Linh is from France and holds master's degrees in international management and business at HEC Paris and CEMS.Khanh-Linh on LinkedIn: https://www.linkedin.com/in/khanhlinh-chocolate/The Forst Builders Podcast: https://open.spotify.com/show/49xSK5SlZ2xvTwLIAgSDNz?si=a4bec083e9a54305The Cocoa Project: https://www.linkedin.com/company/the-cocoa-project/The Female Entrepreneurs of Saigon: https://www.facebook.com/fesaigon/“Chocolateman: Harnessing Power to Create Sustainable Business Practices” (EP#22 with Gricha Safarian on 97% Effective): https://redcircle.com/shows/86fcd90d-083e-4af2-9bc8-6d52fb981ae1/ep/4caaa1d9-0fa2-42a4-89e1-3ef10739c889Michael's Award-Winning book, Get Promoted: What Your Really Missing at Work That's Holding You Back https://tinyurl.com/453txk74Watch this episode on video, the 97% Effective Youtube channel: https://www.youtube.com/@97PercentEffectiveAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

田邊聖子的文庫小說，每本都短短的，很快就能讀完。 她寫戀愛、男女情感細膩又傳神，1928 年出生卻充滿活力與幽默。 讀完才覺得——我好像太晚認識她了。 這一集分享《孤獨裡的熱可可》，在孤獨裡也能感受到一口溫暖。 《山羌閱覽室》期待每週一次為你而讀，也聊聊我為什麼迷上這書， 請持續每週三收聽，我們約定用一年時間認識52本書吧！ 願每本書曾給我的力量，透過節目傳遞給你， 亦或許在其中你能找到值得一讀再讀的深愛篇章。 連俞涵 FB https://www.facebook.com/babyfishtube IG https://www.instagram.com/lienbaby ・ 節目監製｜凱特文化 K.A.T.E Publishing/Intergrate Marketing 合作洽談｜podcast相關合作請來信 katedog@ms35.hinet.net 聆聽回饋｜cindyharriet@gmail.com ・ 視覺設計｜萬亞雰 製作統籌｜Dory 節目剪輯｜房子共同工作室 音樂來源｜ Falling Slowly by Peter McIsaac Short forest ambience, birds, distant river, Cat Tien National Park, Vietnam （sound from https://www.zapsplat.com）>)>) -- Hosting provided by SoundOn -- Hosting provided by SoundOn

Episode 3174 of the Vietnam Veteran News Podcast will feature a story about why Vietnam Vet Robert Hendricks hates napalm. The featured story is titled: ‘I Never Want to See it Again.' Vietnam Soldier Recalls Deadly Napalm, Tet Offensive. It … Continue reading →

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Acceso anticipado para Fans - ** VIDEO EN NUESTRO CANAL DE YOUTUBE **** https://youtube.com/live/MsL5xd5xioI +++++ Hazte con nuestras camisetas en https://www.bhmshop.app +++++ En este episodio especial de Bellumartis , Francisco García Campa conversa con el historiador Sergio Solsona sobre los fundamentos históricos que inspiraron el universo de Star Wars. Desde el Imperio Romano hasta la Alemania Nazi, pasando por las guerras coloniales, la lucha guerrillera y el simbolismo del poder, todo tiene un eco real en la galaxia muy, muy lejana. Temas que abordamos: - Palpatine, César y Hitler: el ascenso del poder absoluto. - Los Jedi, entre samuráis, templarios y estoicos. - Las rebeliones de Yavin y Endor como eco de Vietnam y Argelia. - Estética y simbolismo militar en el Imperio Galáctico. ¿Puede la saga enseñarnos algo sobre el poder, la guerra y la resistencia? Un programa imprescindible para los amantes de la historia, el cine y el pensamiento estratégico. ️ APOYA A BELLUMARTIS Compra libros o productos con nuestro enlace de Amazon: https://amzn.to/3ZXUGQl Invítanos a un café o una cerveza virtual: Patreon: / bellumartis PayPal: https://www.paypal.me/bellumartis Bizum: 656/778/825Escucha este episodio completo y accede a todo el contenido exclusivo de BELLUMARTIS PODCAST. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/618669

⁠Ocean Vuong⁠ is the author of the novel ⁠The Emperor of Gladness⁠, available from Penguin Press. Ocean's other books include the critically acclaimed poetry collections Night Sky with Exit Wounds and Time Is a Mother, as well as the New York Times bestselling novel On Earth We're Briefly Gorgeous. A recipient of the MacArthur Fellowship and the American Book Award, he used to work as a fast-food server, which inspired The Emperor of Gladness. Born in Saigon, Vietnam, he currently splits his time between Northampton, Massachusetts, and New York City. *** ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Otherppl with Brad Listi⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is a weekly podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, etc. Get ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠How to Write a Novel,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ the debut audio course from DeepDive. 50+ hours of never-before-heard insight, inspiration, and instruction from dozens of today's most celebrated contemporary authors. Subscribe to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Brad's email newsletter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support the show on Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bluesky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email the show: letters [at] otherppl [dot] com The podcast is a ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠proud affiliate partner of Bookshop⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

Charles de Boissezon is past CEO of Geneva headquartered Hinduja Bank, a Private Bank, and brings with him more than 40 years of International banking experience in London, Hong Kong, New York, Geneva, Chile, and Jersey. Charles is both French and British. He grew up in Vietnam and Hong Kong and spent his formative years in Geneva attending the College de Leman School. He then left for the USA to earn his Bachelor of Science in Business Administration at Boston University, in Boston, Massachusetts.

Sitting down with Candace Campbell felt less like an interview. More like opening a long, well worn journal. Candy walks me through a life that zigzagged on purpose. From childhood humor and early writing to acting. All the way to radio, debate, academia, aviation, nursing, and finally circling back to art. Nothing here followed a straight line, and that is exactly the point.We talk about being unprepared and surviving anyway. About leadership that finds you before you find yourself. Also, about the quiet courage it takes to pivot when the room you are in no longer fits. Sharing stories from Pan Am, Vietnam era flights, theater mishaps, and improv chaos. Finally to the moment a single image haunted her for decades. Until it demanded to become a screenplay, then a book. This conversation touches faith without preaching, creativity without ego, and failure without shame.What stayed with me most is Candy's refusal to be boxed in. Actor, scholar, nurse, artist, storyteller. She never chose one and let the rest die. This episode is for anyone who feels late, scattered, or misaligned. Sometimes the long way around is the work.Where to Find Candace Candy Campbell?

Hear stories from riding a motorcycle in Egypt, Thailand, India, Nepal, Vietnam and becoming an Emmy-winning filmmaker. _____________________________ Subscribe to The Maverick Show's Monday Minute Newsletter where I email you 3 short items of value to start each week that you can consume in 60 seconds (all personal recommendations like the latest travel gear I'm using, my favorite destinations, discounts for special events, etc.). Follow The Maverick Show on Instagram ____________________________________ In Part 2 of this interview, Emmy-winning filmmaker and motorcycle adventurer Alex Chacon reflects on what years of extreme overland travel have taught him about life, creativity, and meaning. From riding across Egypt at sunrise to navigating the chaos of Vietnam, India, and Kathmandu, to experiencing radical hospitality in Pakistan and Argentina, to pushing physical limits in brutal heat across Thailand, Alex shares powerful stories from the road and the metaphors they reveal about resilience, risk, and growth. He also dives deep into his evolution as a storyteller—how his viral 3 Year Epic Selfie video changed his life, why he shifted from cinematic travel montages to vulnerable narrative filmmaking, and how travel continues to shape his artistic and entrepreneurial journey. This episode is a meditation on adventure, purpose, and why travel, at its best, is not just about destinations—but about becoming the next version of yourself. FULL SHOW NOTES WITH DIRECT LINKS TO EVERYTHING DISCUSSED ARE AVAILABLE HERE. ____________________________________ See my Top 10 Apps For Digital Nomads See my Top 10 Books For Digital Nomads See my 7 Keys For Building A Remote Business (Even in a space that's not traditionally virtual) Watch my Video Training on Stylish Minimalist Packing so you can join #TeamCarryOn  See the Travel Gear I Use and Recommend See How I Produce The Maverick Show Podcast (The equipment, services & vendors I use) ____________________________________ ENJOYING THE SHOW? Please Leave a Rating and Review. It really helps the show and I read each one personally.  You Can Buy Me a Coffee. Espressos help me produce significantly better podcast episodes! :)

Arizona tribal reservations were home to two of the nation's 10 internment camps during World War II. On the western edge of the state, the Colorado River Indian Tribes (CRIT) welcome visitors to see abandoned relics from that dark past. In fact, there is even an annual pilgrimage – and this year, KJZZ's Gabriel Pietrorazio went along, in part three of his ongoing series. One way to remember those who lived – and died – at the internment camp officially known as the Colorado River Relocation Center, and more commonly known as Poston, is by rebuilding, with CRIT entrusting the care of crumbling buildings to the nonprofit behind the pilgrimage. Barbara Darden is a preservation architect from Aurora, Colo. “It's not Poston Community Alliance. It's not anybody that we work for. The building is our client.” She's been restoring Poston piece-by-piece since 2009, turning that camp into a construction zone – this time, along with Andrew Phillips, owner of a Durango, Colo. company called Natural Dwelling. “The same mud, the same walls, the same exact material being reworked a second time around.” In October, camp survivors and descendants repaired a classroom wall internees made from adobe clay and mud. Youth groups from the Colorado River Indian Tribes honor Poston pilgrimage guests with bird dances and songs on October 25, 2025. (Photo: Gabriel Pietrorazio / KJZZ) “My first guess is they were able to find these little pockets of windblown clay in the foothills here … they used the few scant resources they had, made great brick and their workmanship and their mix design and how they laid it and stacked it and built it, is all top drawer.” For the restoration, new slabs were hauled out from a Phoenix, Ariz. brickyard to replace that broken wall, but the old material isn't going to waste. It's being blended into new mortar that will fill in the cracks, using a mixer much like one the U.S. Army gifted to internees over eight decades ago. Hard work also being done by CRIT member Adrian Antone Jr. to restore vandalized structures. “I thought it was pretty disrespectful. And so finally, giving my part to help out, especially build this little wall.” Darden dreamt of rebuilding a lot more. “We would love to restore everything.” But that comes with a big price tag, defrayed by National Park Service grants to preserve interment sites like this one. Now, the Trump administration is eradicating signs marking the camps and other so-called “disparaging” reminders of the country's history. “We do not anticipate any more grants. Being more realistic, we're looking at maybe four buildings here, and then the others will just have to let them go and watch them fall into ruin.” Either way, CRIT will keep working to protect this history – one brick at a time. President Donald Trump signed a bill into law on Friday that will give Alaska Native veterans more time to file for their Native allotments. KNBA’s Rhonda McBride has more. The deadline to apply is Monday, December 29, but legislation passed earlier this month gives veterans a five-year extension. The Native allotment program was created more than 100 years ago to put more federal land into private ownership. It allowed individual Alaska Natives to each claim 160 acres, but when the federal program ended in 1971. Vietnam vets missed out, because many were overseas fighting the war. As of mid-December, only about 25% of eligible veterans had applied for their allotments. Many said the process was too difficult to navigate. U.S. Sen. Dan Sullivan (R-AK), one of the main sponsors of the bill, said he will make staff available to assist veterans with their applications. Get National Native News delivered to your inbox daily. Sign up for our daily newsletter today. Download our NV1 Android or iOs App for breaking news alerts. Check out the latest episode of Native America Calling Monday, December 29, 2025 – Wounded Knee's perpetual stain on history

Every so often, you meet someone whose stories open a wider doorway into what adventure can teach us. My conversation with Melissa Rodway brought me into the quiet truths of travel, the power of humor, and the way purpose often appears when we least expect it.Melissa is a writer, journalist, and global traveler who has spent years observing human nature with curiosity and heart. Her debut book The People You Meet grew out of a four month journey across Thailand, Laos, Cambodia, Vietnam, and China. What started as simple emails written during long rides became the foundation for a book she revisited fifteen years later. She also created Fly Travel Radio, hosting more than 180 episodes, and recently stepped into standup comedy, blending honesty with lightness in a way that reflects her natural storytelling voice. In this conversation, Melissa shares how travel shifts as we grow, how intuition guides her next steps, and why some places feel instantly familiar while others never fully land. We talk about travel burnout, the art of knowing when it is time to go home, and the difference between joining someone else's adventure and creating your own. Melissa also opens up about connection, humor as a universal bridge, and the unexpected moments that shape us on the road.Takeaways from this episode Knowing when to pause or go home is an important part of every journey. Humor can create connection faster than anything else on the road. Purpose often appears when you choose to create meaning for yourself. Some places feel like home for reasons the mind cannot explain.Learn more about MelissaInstagram: https://www.instagram.com/fly_travel_mediaWebsite: https://www.flyrodway.comPodcast Archive: https://on.soundcloud.com/bLhpxbhiQRk0J0mTWWThe People You Meet book: https://a.co/d/6PCUKN4If this episode speaks to you, share it with a friend, leave a review, and follow along for more stories thatSend us a text Support the show✨ Join My TEDx Spokane Journey! Get early updates, BTS moments, and reflections as I prep for TEDx Spokane.

What kind of a reaction should you expect when you don't listen to instructions exactly? Is it possible for a new guy to follow simplified instructions?  Find out, the answers to these questions and more on this weeks "sode" of The Cammo Comedy Show Podcast!If you have any funny military stories of your own that you would like to share, drop us a line at:stories@cammocomedy.com  or  Leave a voicemail at (531) 222-6146  Sadly, the voicemail will only record in 2 minute blocksWe are here to make you laugh, but behind this there is the imbedded philosophy of, "No One Left Behind." Sadly, 22 vets per day commit suicide, approximately 67,500 vets are homeless and thousands struggle with everyday life after service.  What we hope to accomplish is providing a fun place to gather that will have a similar feel to the conversations that happen at the VFW or American Legion between vets.  Since the latest generations of vets are not really going to these places anymore, we are making it happen online.  We believe that the sense of community will help some who struggle, while providing stories about the good times that we can all laugh at!An additional part of this show is capturing the oral history of the military over the past few decades, so if you happen to know a veteran who served during WW2, Korean War or Vietnam eras, we would love to hear from them.  Obviously, we want to hear stories from all eras, but we have special respect for the older generations.  Our Sponsors #Sponsors  Patriot Mobile Get one free month of service when you make the switch to Patriot Mobile and use Promo Code "WOLF"   https://patriotmobile.com/partners/wolf Patriot Mobile donates a portion of every dollar earned to organizations that fight for causes you care about. Patriot Mobile has exceptional 4G & 5G nationwide coverage and uses all the same towers the main carriers use. Patriot Mobile offers a Contract Buy-Out. This offer allows new customers to buy out a current device from their departing carrier and receive up to $500 per device applied as a credit on their phone bill. Jase https://jase.com/ Promo Code Wolf Black Friday – Friday, Nov 28 $25 Off Sitewide products over $99 + Iver products – $50 Off Cyber Monday – Monday, Dec 1 20% Off Gift Cards Proof Wallet https://carryproof.com/ Promo Code- CammoComedy DTS Map https://dtsmap.com/

 COLD WAR RISE AND POLITICAL FALL Colleague James M. Scott. After the war, LeMay rose to lead the Strategic Air Command (SAC) and became Air Force Chief of Staff. However, his blunt, non-political nature caused friction with figures like Robert McNamara and JFK during the Cold War. He infamously suggested bombing Vietnam"back to the stone age," echoing his approach to Japan. In his 1965 autobiography, he expressed no regret for the firebombing, viewing it as necessary to end the war. His reputation suffered permanently after he ran as vice president on George Wallace's segregationist ticket in 1968. NUMBER 8 1945 OKINAWA 

Martha Gellhorn was one of the most influential war correspondents of the 20th century. Over the course of a 60-year career, she reported from nearly every major global conflict - the Spanish Civil War, World War II, Vietnam, and more. in her work, she focused a compassionate eye on the lives of ordinary people caught up in turmoil beyond their control, and this made her coverage uniquely powerful. Her personal bravery and determination made her into a legend. Learn more about your ad choices. Visit podcastchoices.com/adchoices