New Books in Music

Stacey Copeland, Assistant Professor of Cultural Heritage and Identity at the Centre for Media and Journalism Studies at the University of Groningen, joins Jana Byars to talk about⁠ Lavender Sounds: From Lesbian Radio to Queer Feminist Soundwork⁠ (University of Michigan Press, 2026) delves into lesbian radio history and its evolution into queer feminist podcasting today, exploring the politics, aesthetics, and cultural activism embedded in queer feminist soundwork. Through deeply personal and archival explorations, Stacey Copeland traces the emergence of queer feminist soundwork—a unique blend of community-led storytelling, political resistance, and creative expression rooted in feminist and LGBTQ+ activism. At the heart of the book lies a powerful idea: sound is not just heard but felt, connecting generations through shared voices and struggles. In conversation with award-winning and cutting-edge queer and feminist podcast producers from across Canada and the U.S., Lavender Sounds invites us to turn a feminist embodied ear to the past to uncover the ways gender, race, and sexual orientations are embedded in our everyday media listening practices. From pioneering Canadian radio shows like Vancouver's The Lesbian Show and Montreal's Dykes on Mykes to today's queer chumcasts and audio documentary, Lavender Sounds is a journey through auditory landscapes where joy, protest, intimacy, and identity intersect. This book opens a vibrant conversation about how radio and podcasting are vital tools for marginalized communities to connect, create, and claim space in the media world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Ella Jenkins (1924–2024) was one of the most influential musicians of the twentieth century, although many people have never heard of her. A pioneer in children's music and an innovative educator, Jenkins recorded forty albums and influenced countless children and adults over a sixty-year career. Gayle Wald places Jenkins's life and work within the larger contexts of the civil rights movement, the folk revival, and the changing worlds of children's education and entertainment in This is Rhythm: Ella Jenkins, Children's Music, and the Long Civil Rights Movement (University of Chicago Press, 2025). Committed to civil rights, Jenkins infused her beliefs in social justice and our shared humanity into her work with children and her compositions. She viewed music as a way for children to come together and establish connections with each other rather than as a gateway to musical achievement or literacy. Based on dozens of interviews including with Jenkins and her life partner Bernadelle Richter, Wald traces Jenkins's life from her childhood in segregated Chicago, her involvement with the integrated folk music scene, and her successful career as a music educator. This is Rhythm was given special recognition by the 2026 Pattis Family Foundation Chicago Book Award. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

This panel discussion will explore the remarkable influence of Latin American music and dance on the culture of Yiddish speaking communities in the United States. Ronald Robboy will discuss Latin American musical influences upon Yiddish theater composers, including Sholom Secunda, Abraham Ellstein, and Alexander Olshanetsky; Sonia Gollance will discuss the popularity of dances like the Tango and Mambo in the Borscht Belt, as exemplified by movies like Dirty Dancing and Mamboniks; and Josh Kun will discuss the influence of Latin American music on post-war Jewish music and the influence of Jewish music on U.S. Latino/a artists. This event forms part of Carnegie Hall's Nuestros sonidos festival. This panel discussion originally took place on March 10, 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

With his shag haircut and white Stratocaster guitar, Jeff Beck was an icon known and loved by millions. Yet somehow, he maintained the ineffable low profile cool of a cult hero as he glided through six decades of musical trends with nary a lapse in taste. Not to say he ever played it safe. What other guitarist can lay claim to performing with opera star Luciano Pavarotti, mainstream television personality Kelly Clarkson, and professional degenerates like Guns N' Roses with equal grace and wit? Or as Beck himself once quipped, “I'm an awkward son of a bitch when it comes to doing the expected.” In Blow by Blow: The Jeff Beck Story (Da Capo, 2026)​, Brad Tolinski and Chris Gill return to chart the unexplored life of rock's greatest and perhaps most enigmatic instrumentalist. Culled from approximately 30 hours of interviews with the late guitarist himself, numerous conversations with those closest to him, and extensive research, the book sheds new light on the genius that Jimmy Page once said, “shifted the whole sound and face of electric guitar music.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Minimalist Music (Bloomsbury, 2026) looks critically into the music's past, shows how the genre thrives across styles, and points the way toward minimalism's ongoing future. Minimalism as a genre is best defined not by any style or flavor but by its means. Certain rhythms and chords in other music may identify things like jazz or bossa nova or reggae; take those same elements and put them through the processes of minimalism and you have minimalism with the hues of other musics. A still young genre with ancient roots, minimalism is much less any kind of style than a practice, a manner of making music. Reviving those means and applying them to contemporary sounds and experiences, the pioneers of minimalism created a new and avant-garde music that immediately communicated its power to listeners of all kinds. The global appeal of minimalism and the way the methods adapt to myriad styles open up a view into how music actually works as an art and an experience, how through time it connects in a fundamental way to how we as humans listen. George Grella, Jr. has written about music and culture for over thirty years for print and online publications, and has contributed to the Grove Dictionary of Music and the Library of Congress' National Recording Registry. He is Music Editor at The Brooklyn Rail, publishes the Kill Yr Idols newsletter, and is the author of Miles Davis' Bitches Brew (Bloomsbury, 2015). He has played jazz, classical, and improvised music from CBGB to Carnegie Hall. George Grella on Bluesky and Kill Yr Idols newsletter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Who gets to be a creative worker? In Blame the Intern: On (Not) Breaking Into the Creative Economy, (Princeton University Press, 2026) Alexandre Frenette, an Assistant Professor of Sociology at Vanderbilt University, examines the relationship between work and education in the difficult moment of the early career transition from university to industry. Drawing on a detailed case study of the music industry, the book explains and critiques the way internships have come to dominate routes into many careers in contemporary society. An accessible yet theoretically rich read, the book will be of interest to creative workers at any point in their career, as well as sociologists and humanities scholars, along with any reader interested in how and why our workplaces are so unequal. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Owning My Masters (Mastered) is a digital archive of original rap music and spoken word poetry containing two volumes of music, an annotated timeline, videos, and a digital book. In this project, A.D. Carson exposes the artificial boundaries imposed on understood ideas about knowledge production in academia by employing hip-hop creative and compositional practices to interrogate ideas of citizenship, history, historical imagination, race, home, and humanness. Using sampled and live instrumentation and repurposed music, film, and news clips, an introductory video, and original rap lyrics, heoffers a new examination of how to create theory through hip-hop. The unmastered album was originally submitted to Clemson University in South Carolina as the author's dissertation, composed against the backdrop of the growing unrest across the U.S. and the world in response to the public attention to the deaths of Black people, many at the hands of police and vigilantes. As such, the songs highlight outlooks on Black life in America—on campuses and in communities across the country—and how they fit with geographic and temporal place and space. For this publication, the tracks have been mastered, and Carson has written a new introduction to contextualize and reflect on the moment in which the songs were written. It is a 2026 ACLS Open Access Multimodal Book Prize Finalist. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

This episode features a conversation with Carnatic vocalist, T.M. Krishna, who is also the author of two books on this musical tradition. We began with his first book's account of the modernization of Carnatic music through a set of social, technical, and spatial processes that transformed it from a more socially diverse practice into a predominantly Brahmin performative genre. We moved on to discuss a figure who is at the heart of his second book: the maker of the Carnatic percussion instrument, the mrdangam. This took us into an extended discussion of the changing relationship between mrdangam makers, who are predominantly Dalit, and mrdangam players, who are predominantly Brahmin, and what the complex mix of inequality, stigma, artistry, and pride suggests about the specificity of this inter-caste relationship. The episode ended with Krishna fleshing out his distinction between classical music and art music and the reasons why he rejects the former in favor of the latter. Read the transcript Guest T.M. Krishna is a vocalist in the Carnatic tradition and the author of two books and numerous articles. References T.M. Krishna, A Southern Music: The Karnatik Story (Harper Collins, 2016). T.M. Krishna, Sebastian and Sons: A Brief History of Mrdangam Makers (Westland, 2023). Devadasi: refers to a historical practice of “marrying” girls to a temple deity. In the pre-colonial period, Devadasis held a respected place in society as literate, land owning women who were highly trained in music and dance. During colonialism, their sexual relations with male patrons came to be seen as a threat to householder society and they became targets of moral reform. The Devadasi system was abolished in 1947. Sadir: a dance form historically performed by the Devadasi community that was the precursor to modern Bharatanatyam. Bharatanatyam: a modern dance form now widely performed by upper castes. Khayal: vocal genre of North Indian music. ICS: Indian Civil Service, the higher tier of colonial administration in British India that became the basis of the post-independence Indian Administrative Service. The Music Academy: the main performance space for Carnatic music in Madras (now Chennai), India. Kutcheri: term for the venue where Carnatic music is performed. Thanjavur: city in the Indian state of Tamil Nadu known for its art and architecture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Philip Norman's latest biography, Mr. Moonlight (DaCapo Press, 2026) is the definitive, comprehensive biography of Brian Epstein--the man who built the Beatles. There will never be another pop manager like Brian Epstein, the young record-retailer from Liverpool behind the 20th century's greatest romance. Having achieved his much-derided aim of making the Beatles "bigger than Elvis," Brian went on to make them bigger than any earthly instrument could measure. Only a handful of years older, he nonetheless referred them as "the Boys," protecting and pampering them like the children he could never hope to have. Due to his homosexuality--and possibly his Jewishness--Brian received no public honor (or even thanks) for this incalculable contribution to Britain's exports, let alone the national morale. He may not have been the best dealmaker for the Beatles, but in his hands, their guiding principles were always good taste, niceness to their fans, and value for money. Yet his only tangible memorials are a blue plaque marking his former office in London's theatreland and a modest bronze statue near the site of his family's electrical goods store in Liverpool. Mr. Moonlight draws on a cache of never-before-heard audio interviews to tell the story of this hugely complex, self-contradictory, and ultimately tragic character. From his Pre-Beatles years--the eight different expensive private schools at which he failed to shine, his problematic career as an army National Serviceman, his vague ambitions to be a couturier--through his management of the Beatles, where he turned a quartet of unruly young musicians in cracked black leather into a worldwide religion, up to his supposedly "incautious" overdoses in 1967 at aged 32, and the calamity that followed. As John Lennon said upon hearing the news, "Then we're fucked!"--and they were. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

1. A complete list of University of California Press journals is available at UC Press Journals 2. Clare E. B. Cannon; Advancing sustainable transitions: A spatial analysis of socio-environmental dynamics of landfills across the United States. Elementa: Science of the Anthropocene 12 January 2024; 12 (1): 00101: Link 3. Morrison, Matthew D. Blacksound: Making Race and Popular Music in the United States. Oakland: University of California Press, 2024. Available at: UC Press Bookstore 4. Matthew D. Morrison; Race, Blacksound, and the (Re)Making of Musicological Discourse. Journal of the American Musicological Society 1 December 2019; 72 (3): 781–823: Link 6. Jennifer Lynn Peterson; Scenes of Destruction and Beauty: Sponsored Film, Women Reformers, and the Save-the-Redwoods League. Feminist Media Histories 1 April 2023; 9 (2): 43–75: Link If you are interested in supporting the work of UC Press and its Journals Program, please consider making a charitable donation to the UC Press Foundation. To learn more about the UC Press Foundation and how to contribute, please visit UC Press Website. David Famiano is the Journals Director at the University of California Press Jessica Chesnutt is the Journals Manager at the University of California Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Sanskrit hymns of praise (stotra/stuti/stava) have been popular and influential within multiple religious traditions for thousands of years. Sanskrit hymns remain lively, meaningful parts of the religious lives of countless Hindus, Buddhists, and Jains today, and new stotras continue to be composed and recited around the world. The academic study of these hymns has made notable progress in recent decades as scholars have paid increasing attention to such compositions. A valuable pedagogical resource for educators teaching about Asian religions and literature, especially in comparative contexts, Sanskrit Hymns Across Traditions: Studying Stotras (Routledge, 2026) also establishes the foundation for future research and scholarship on a genre of religious poetry popular across South Asian religious traditions. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

In 2025, the U.S. Department of Housing and Urban Development (HUD) marked its 60th anniversary. Created amid the optimism and urgency of the civil rights era, HUD embodied a bipartisan commitment to building stronger, more integrated, and equitable cities. How did that vision unfold alongside the music, culture, and politics that shaped urban life? Street Level, a special audio documentary episode of Soundscapes NYC, explores the intertwined histories of urban policy, housing, and popular culture in the years following HUD's establishment. Through archival recordings, immersive sound design, and music drawn from the neighborhoods most affected by federal housing decisions, the documentary traces how government policies shaped city life—and how residents responded through creativity, resilience, and community. Featuring insights from historian and author Bench Ansfield, author of the Pulitzer Prize-nominated Born In Flames, senior career HUD staff members Kent Watkins and John Finch, and public history scholar Kristin Sylvian, Street Level connects policy decisions to lived experience, revealing how federal housing initiatives shaped the urban landscape—and how music and culture helped sustain joy, identity, and perseverance when city life grew more difficult. Part history, part cultural exploration, and part sonic journey, Street Level offers a powerful new perspective on the forces that have shaped America's cities. HOST/PRODUCER: Ryan Purcell WRITER/PRODUCER: Shelagh Little Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

It's The Pop Culture Professors, and today we react to Olivia Rodrigo's new album, You Seem Pretty Sad for a Girl So in Love. We analyze the lyrics and the aesthetics of the album, including the notable influence of The Cure and 80s British New Wave in particular. We offer an appreciation of Rodrigo's commitment to song craft and to live performance. And we note with pleasure that, perhaps unusually for a contemporary pop release, this album works as a coherent set of songs placed in an intentional order and with a defined narrative. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

The premiere of Oklahoma! in 1943 is commonly called a “turning point” in the history of the Broadway musical. Often characterized as the first integrated musical―meaning that the songs and other elements of the show are integrated into the story―James O'Leary offers a different interpretation of Oklahoma! and other musicals at the beginning of Broadway's Golden Age in The Middlebrow Musical: Between Broadway and Opera in 1940s America (Oxford University Press, 2025). Contextualizing his discussion within debates among US critics, O'Leary argues that the negotiation between operatic and popular music, and between frothy comedy and more serious themes mark the musicals he analyzes as examples of the middlebrow. Through detailed archival work, O'Leary uncovers the crucial critical networks that originally theorized a middlebrow approach to culture, beginning in the literary circles of Van Wyck Brooks and Archibald MacLeish, and radiating outward to major theater and music critics including Brooks Atkinson and Olin Downes. These writers believed American culture had splintered into factions, which in turn divided American audiences: highbrow art, which they regarded as obscure and elitist; folk art, which they found provincial and alienating; and popular culture, which they considered merely commercial. Blending these kinds of art, they argued, could draw together a fractured society into mutual understanding (if not necessarily agreement) by situating the most sophisticated ideas within longstanding expressive traditions, accessible to all. O'Leary finds in Oklahoma!, Beggar's Holiday, and Street Scene a new kind of musical comedy that embraced American politics and weighty stories in ways not seen before 1943. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

There is no shortage of books on music and politics, but Anna Harwell Celenza explores an interesting premise in her book On the Record: Music that Changed America (Norton, 2026). Each of the twelve chapters discusses a different instance when music, as Celenza writes, “sparked debates in the halls of Congress.” Arranged basically chronologically, Celenza tackles some of the most powerful and contentious issues in twentieth and twenty-first century American politics. From censorship to copyright law; from the Civil Rights Movement, to foreign policy during Apartheid, Celenza traces the extraordinary moments when music moved Congress, challenged power, and united people around shared ideals. The stories Celenza tells are just as much about music including the intertwined histories of “The Star Spangled Banner” and “Lift Every Voice and Sing” or the making of Paul Simon's album Graceland, as they are about US legislation or American politics. She offers readers a history of America heard through the songs and compositions that changed its course. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

How the sound of the female playback voice impacts Bollywood's cultural, musical, and cinematic environment. Drawing on sound studies and performance theory, scholar Shikha Jhingan explores the discursive nature of the female playback voice in Bombay film songs in The Female Playback in Bombay Cinema: Voice, Body, Technology (Wayne State UP, 2025). Mapping the production, circulation, and reception of the voices of singing stars—notably Lata Mangeshkar and Asha Bhosle—Jhingan situates the singing voice as a cinematic object with limitless possibilities of distribution and dispersal. She employs the perspectives of a diverse range of listeners across a vast media landscape to illustrate how the affective charge of the female playback voice, combined with developments in audio technology, has led to a gradual expansion of opportunities for women in film, popular music, and media and audio production. With nuanced exploration of the way the human voice becomes intertwined with devices such as the microphone, radio, cassettes, and digital technologies, Jhingan argues for the sonic excess of the female voice beyond the narrative and visual. The Female Playback in Bombay Cinema is an authoritative addition to the field of sound studies with implications for gender studies, performance studies, and cinema studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

More than 40 years after her death, the legend of Maria Callas, "La Divina Assoluta," remains unsurpassed. Much has been written about her sensational opera career and fraught private life, from her definitive mastery of iconic opera roles to her love affairs and tantrums. The prototype for the 20th century celebrity diva, Callas emblematizes the cliche of tormented talent - genius in the ring with catastrophe. Her extraordinary voice, in particular, has become an object of cult-like adoration and cultural significance almost with a life of its own: as fetish object, as sophisticated sonic signifier, and most recently, as the lifeblood for a Callas hologram. Such adoration is not without consequences. When Callas is transformed into a vessel for such transcendent magic, it overshadows what is perhaps her most superhuman ability - the masterful technique she deployed to shape and craft her astounding instrument. Singing bodies are working bodies, enacting an intimate and complex form of artistic labor and cultural signification. Using one of Callas's first recital recordings from 1954, Maria Callas's Lyric and Coloratura Arias (Bloomsbury, 2021) envisions each aria as a lens to examine various aspects of vocalization and cultural reception of the feminized voice in both classical and pop culture, from Homer's Sirens to Star Trek. With references to works by Marina Abramovic, Charles Baudelaire, Michel Chion, Wayne Koestenbaum, Greil Marcus, and Farah Jasmine Griffin, as well as films by Pier Paolo Pasolini, Jonathan Demme, and Rainer Werner Fassbinder, each chapter explores phenomena unique to the singing voice, including the operatic screaming point, the politics of listening, and the singing simulacrum. Ginger Dellenbaugh is a musician and historian who has written and lectured on music and politics, vernacular notation systems, and the cultural history of the voice. A trained opera singer, she performed for over a decade in Europe and the United States. Ginger is currently a lecturer at The New School in New York, USA and completing a PhD in musicology at Yale University, USA. She lives in New York City and Vienna, Austria. Ginger Dellenbaugh's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

In this illuminating conversation with librarian-author Mary R. Lanni, we celebrate her brand new book, Using Nursery Rhymes with Today's Kids: Their Legacy and Evolution (Bloomsbury, 2026). Mary is a professional librarian in Denver, Colorado, USA. She is also co-author of Early Learning Through Play: Library Programming for Diverse Communities (Libraries Unlimited, 2019). We talk about the potentially sordid history of famous nursery rhymes, and the possibility of supplanting problematic ancient poems with new, inclusive songs. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

It is a compulsion of the human race to find a way to memorialize those we have lost and why we have lost them, from a gravestone of a loved one to war monuments that honor thousands who died in battle. In Audible Loss: New Music and the Crisis of Memory (Fordham UP, 2025), Andrea Zarafshon Moore examines how contemporary music has been used to memorialize three recent crises in the United States: the AIDS crisis, 9-11, and ongoing anti-Black violence. Moore reads these crises and the music that memorializes them to reveal the ways the are methodologically and ideologically similar to and different from each other. She explores the broader debates and discourses through which commemoration is always filtered and the ways interpretive consensus has been constructed and articulated in both musical and other memorial forms. Moore weaves close musical analysis with a wide-ranging discussion of how Americans memorialize, who Americans memorialize, and what memorials are meant to accomplish. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Reverberations of Culture: Racialized Performance in Early Twentieth-Century Musical Variety by Just a Buncha Clowns (Routledge, 2026) by Dr. Shane Breaux examines musical variety clowns and the broad array of racial and ethnic impersonations they performed on four distinct touring circuits and apparatuses: the African American Theatre Owners Booking Association (TOBA), the Chinese American so-called Chop Suey Circuit, the Mexican and Mexican American carpas tours, and Country American barn dances. This book explores the overlooked history of touring clown performers in early twentieth-century musical variety shows, addressing both their historical marginalization and their significant impact on popular entertainment. By examining these performers' widespread presences both on and off stage, the work challenges traditional historical narratives that have excluded diverse voices, particularly women and non-white performers. The research corrects a common misconception that racial impersonation in musical variety was exclusively the domain of white male performers. Instead, it reveals how performers and managers from various backgrounds actively challenged prevailing ideas about American identity, whiteness, and cultural inclusion. Through this lens, the book demonstrates that musical comedy performance and management were not exclusively white privileges, but rather spaces where diverse artists contributed significantly to early twentieth-century entertainment culture and beyond. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Explores the profound power of music to influence brain function and well-being. IPA 2026 Distinguished Favorite in the Music Category Why does music influence how we feel so deeply--and what are the scientific mechanisms behind this phenomenon? In Music Between Your Ears: How Musical Engagement Powers the Human Brain (JHU Press, 2025) Dr. Samuel Markind explores the intriguing relationship between music and brain function. Using evolutionary theory, he illuminates the pivotal role that music plays in human survival and procreation. From communication and caregiving to social bonding and partner selection, music has molded the human species and continues to shape our lives in remarkable ways. This book combines insights from neuroscience and psychology with helpful drawings and vivid examples to present compelling evidence for music's life-enhancing potential. Dr. Markind highlights the brain's instinctive capacity for music: from newborns' natural affinity for rhythm and melody to the effect that music has on brain development throughout the lifespan. Music also helps people learn at any age and in any condition, so it can improve speech, movement, and memory in both healthy individuals and those suffering from illness or injury. Dr. Markind encourages readers to engage actively with music. Whether through singing, dancing, or instrument playing, the benefits of active participation are profound and accessible to everyone, regardless of musical background. This book, filled with straightforward and practical suggestions, is an inspiring guide for anyone seeking to enrich their life through music. Music Between Your Ears shows how the act of engaging with music can profoundly impact your mental, physical, and emotional well-being. And the benefits of music go far beyond entertainment--they're essential to the very fabric of what makes us human. Samuel Markind's website here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

The YIVO Sound Archive houses over 20,000 recordings (including 78, 45, and 33rpm discs, open-reel and cassette tapes, piano rolls, and compact discs and other digital formats) as well as various artifacts related to sound recordings. It is is one of the most extensive and frequently consulted Jewish music collections in the world, embracing Yiddish and Hebrew folk, pop and theater music, Holocaust songs, liturgical, choral and instrumental compositions and, of course, klezmer music, as well as spoken word, oral histories, interviews, and radio programs. In addition to serving researchers, the Sound Archive maintains a special link to the Yiddish cultural world, and has close relationships with many musicians who utilize its resources in creating their art. It serves anyone seeking to include Yiddish music in their life or work, including teachers, journalists, camp counselors, and radio producers, among others. Join us for a fascinating insider discussion of the history of the YIVO Sound Archive, important areas of its collections, projects it has facilitated, and other stories of the past 40 years. Moderated by Hankus Netsky, this event will, for the very first time, bring together the founder of YIVO's Sound Archive, Henry Sapoznik, current YIVO Sound Archivists Lorin Sklamberg and Eléonore Biezunski, and former YIVO Sound Archivist Jenny Romaine. Learn more about the YIVO Sound Archive: https://www.yivo.org/Sound This panel discussion originally took place on September 13, 2022. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Amongst the many achievements of the Castilian court of King Alfonso X (1221-184) is the Cantigas de Santa Maria, a collection of 429 songs preserved in four manuscripts. In The Cantigas de Santa Maria: Power and Persuasion at the Alfonsine Court (Oxford UP, 2024) Henry T. Drummon re-examines a subsection of this collection, the cantigas de miragre. These songs set miracle narratives to recursive, refrain-based musical structures. By situating the musical and poetic form of the cantigas de miragre against the backdrop of discourses about rhetoric animating 13th-century intellectual life, Drummond shows how these songs worked to communicate propagandistic messages on behalf of a crown in crisis. Available recordings of the cantigas discussed in the podcast include those from Jordi Savall and Hespèrion XXI, the Boston Camerata and the Andalusian Orchestra of Fez under the direction of Joel Cohen, and René Clemencic's Clemencic Consort. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

In What Doesn't Kill Me Makes Me Weirder and Harder to Relate To (U Minnesota Press, 2025) an iconic rock DJ of the Twin Cities tells her harrowing story of being stalked while living her very public life What's it like to be in the public spotlight when it just might get you killed? For Mary Lucia, becoming a wildly popular rock DJ meant connecting with a multitude of fans through a shared love of music and deep cuts. But for one listener, that connection became a dangerous obsession, catapulting Lucia into the terrifying three-year nightmare that she chronicles in this raw, wry, and profoundly courageous memoir. With electrifying wit and anger, Lucia shares her experience of navigating constant terror while life absurdly goes on: interview rock stars, curate a radio show song list, judge high school battles of the band, kick a drug addiction cold turkey . . . all while fearing what might be waiting in her mailbox or who might be waiting on her front step or at her back door. Lucia was no stranger to inappropriate or weird contact from fans, but things turned sinister when ten pounds of raw meat were delivered to her at work, followed by a steady stream of ominous letters, cards, packages, and messages. When the letters included threats to her dogs' safety, she tried to get help, but without a name and return address on these communications there was nothing she could do. As the stalker's actions escalated, Lucia felt more and more isolated. Police responding to her 911 calls were insensitive and dismissive, and even her friends implied that being stalked was just a hazard of her high-profile job and her high-energy personality. No one seemed to take seriously the danger she faced. Inseparable from this ordeal is the story of how Mary Lucia became the notorious radio malcontent known by so many avid listeners. From the good, bad, and weird of growing up in her eccentric family to drugs, death, and dogs, Lucia finally shares her life on her own terms in What Doesn't Kill Me Makes Me Weirder and Harder to Relate To. Applying her signature dark humor to her own traumatic experiences, Lucia's memoir is idiosyncratic, bold, and--ironically--relatable Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Nicholas Tochka analyzes the role of rock music in the life of Charles Manson, the Family, and the August 1969 Tate-LaBianca killings, which also gives larger insight into Sixties counterculture. Failed singer-songwriter. Devious cult leader. A rock Pied Piper. The product of a sick society. Just another dime-a-dozen singing hippy mystic. Did the guitar-playing guru personify the violence that the rock counterculture inflicted on America? Or did his music diagnose the dehumanizing effects of that society's broken institutions? For over five decades, commentators have debated the meaning of Charles Manson and the Tate-LaBianca killings. Rock music links their narratives: from the acid drenched singalongs at the Spahn Movie Ranch, to a bizarre theology centered on Beatles songs, to his commune's alleged links with Hollywood's elite, to an album, LIE: The Love and Terror Cult (1970). In this first comprehensive examination of the Manson Family's music, Nicholas Tochka writes with, against, and alongside the many authors-true-crime hacks, gonzo journalists, conspiracy theorists, and rock critics alike-who have told and retold the story of "the Manson murders." Playing the truth games that these postwar Americans helped invent, The Musical Lives of Charles Manson: The Beatles, the Beach Boys, and the Invention of the Sixties (Bloomsbury, 2026) presents a new take on the story of the commune-and on rock's role in fracturing the possibility of writing trustworthy histories after the Sixties. "They are afraid of it, because it tells the truth," Manson once claimed, describing his music. Just what truths did the Manson Family's music-making tell? Nicholas Tochka is Associate Professor of Music (Ethnomusicology) at the University of Melbourne, Australia, and the author of several books including Rocking In the Free World: Music and the Politics of Freedom in Postwar America and Audible States: Socialist Politics and Popular Music in Albania. His work examines the politics of music-making in the postwar world. Nicholas on the University of Melbourne's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

The Museum of Imaginary Musical Instruments (Reaktion, 2026) by Dr. Deirdre Loughridge & Dr. Thomas Patteson is a guided tour through centuries of instruments that never existed. From ancient myths to futuristic media, these imagined devices appear in literature, theory, video games and art, at times echoing real instruments, other times pushing far beyond the bounds of technology. This book presents a wide-ranging collection of such creations, showing how they reflect changing ideas about sound, invention and the limits of the possible. At once a cultural history and a study of creative thought, it uncovers unexpected links between music, design and the human urge to make meaning through sound. These are not just fictional artefacts – they are windows into what music might mean, even when it cannot be played. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Histories of Black-Jewish cultural interaction often focus on how Jews adopted and adapted Black vernacular music—ragtime, jazz, swing, R&B, blues—as performers, promoters, managers, club owners, and record labels. The phenomenon of African American musicians who performed Yiddish and cantorial music in and for the Jewish community in theaters, on record, on radio, and in concert between the World Wars deserves such scholarly inquiry. This talk will honor the memory of now forgotten Black cantors – Mendele der Shvartser Khazn, Reb Dovid Kalistrita, Abraham Ben Benjamin Franklin, Thomas LaRue Jones, and Goldye di Shvartse Khaznte, the first known Black woman cantor. This talk by award winning producer, author, and ethnomusicologist Henry Sapoznik will feature dozens of historic graphics, translations of period Yiddish newspaper previews, ads, and reviews, and the playing of the one known 1923 Yiddish and Hebrew recording of Thomas Jones LaRue. This lecture originally took place on June 15, 2021. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

U2 is a band from the north side of Dublin that became a global phenomenon-and while its four members have traveled the world over for almost fifty years, some of the most critical points on their journey have been in Southern California. The Joshua Tree is the best-known example of U2's artistic immersion in the Golden State, but the band began drawing inspiration from California's landscape as early as 1981 during their first arrival in the U.S. for the Boy tour. From deserts to beaches to urban streets, Southern California features dozens of sites that are both sacred and significant to U2 history. For the first time, these sites are documented and categorized in a single resource to inform and support the Southern California pilgrimages of U2 fans. I Go There With You (2026) provides the information U2 fans need before embarking on such a quest, whether individually or in groups. Each site has a story, and this book tells those stories-along with must-have details for trips that require extra planning and foresight. In addition to essential information on each site's place in U2 history, author Brook W. Flagg aims to inspire U2's most devoted followers with anecdotes and scrapbooked images. Just as Bono, The Edge, Adam Clayton, and Larry Mullen Jr. traveled through Southern California along the road from innocence to experience, their fans can find catharsis and healing by going into the mystic portals of the past-places where, over the decades, U2 found pieces of what they were looking for. Brook Flagg on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

In the years immediately following the Second World War, the Barton Brothers, an anarchic Catskill comedy duo, began recording humorous macaronic (that is, bilingual) parody songs that relied in no small part on Yiddish theater and radio for raw material. The Bartons' unexpected success—their send-up of Yiddish radio, “Joe & Paul,” was a bona fide hit, however improbable—inspired clarinetist Mickey Katz, based in Los Angeles and working with first-rate studio players, to begin recording his own exceedingly funny Yiddish-mixed-with-English lyrics set to the melodies of current Hit Parade songs. Capitol Records issued (possibly to their own amazement) a steady stream of these Yinglish albums by Katz all through the 1950s and into the ‘60s. These in turn inspired Allan Sherman, a TV gameshow writer/producer, to begin recording his own parodies of standards and folk songs. Though hardly any of Sherman's lyrics had actual Yiddish content, many still had a clearly Jewish inflection that often alluded—phonetically, grammatically, or syntactically—to Yiddish beginnings. Close readings of selected tracks by the Bartons, by Katz, and by Sherman will focus on their language, their music, their delivery, and what made them so influential and so very funny. This lecture originally took place on July 9, 2020. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Blackstar Rising and the Purple Reign: The Sonic Afterlives of David Bowie and Prince (Duke UP, 2026) is the first critical anthology dedicated to exploring the legacies of the pop music icons David Bowie and Prince. Daphne A. Brooks brings together an extraordinary array of writers, artists, and scholars, including Greg Tate, Jack Halberstam, Kara Keeling, Eric Lott, and Ann Powers, to offer fresh insight into how Bowie and Prince each fundamentally changed pop culture as musicians who emerged at the intersections of modern movements surrounding race, gender, sexuality, and art. Featured alongside these pieces are interviews with trusted collaborators of Bowie and Prince such as D. A. Pennebaker, Sheila E., and Marie France, giving vital insider context to the impact both artists had on pop culture and the complexities of their repertoires, politics, and private lives. This work is essential reading for any fan of two of the most formidable and eminent figures in pop culture history.Contributors: Christine Bacareza Balance, Emma Balázs, Victoria Broackes, Daphne A. Brooks, Daphne Carr, Andreana Clay, Ashon Crawley, Jonathan Flatley, Nicole R. Fleetwood, Lynell George, Farah Jasmine Griffin, Michelle Habell-Pallán, Jack Halberstam, Matthew Frye Jacobson, Kara Keeling, Jason King, Josh Kun, Kathryn Lofton, Emily J. Lordi, Eric Lott, Maureen Mahon, Greil Marcus, Geoffrey Marsh, Michaelangelo Matos, Tiffany Naiman, Tavia Nyong'o, Ann Powers, Sonnet Retman, Morgan Rhodes, Francesca T. Royster, Gustavus Stadler, Jacqueline Stewart, Greg Tate, Karen Tongson, Van My Truong, Alexandra T. Vazquez, Michael E. Veal, Shane Vogel, Gayle Wald, Oliver Wang, Alexander G. Weheliye, Richard Yarborough, Kristen Zschomler Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Who makes a living from the music industry? In Music Technology Panic Narratives Beyond Piracy: From Taping to Napster to TikTok (Anthem Press, 2026) David Arditi, an associate professor of sociology at the University of Texas at Arlington, looks at the history of technology in the music industry. This history illustrates the way the industry continues to profit even as artists struggle to make money. The book charts the development and evolution of listeners' uses of formats and technologies, from cassette tapes and CDs through sharing to streaming, demonstrating how the record industry has initiated moral panics to stop threats to their profits. This is in a context where listeners and independent labels have found new ways to engage with music because of these same formats and technologies. An engaging and accessible overview of issues central to creative industries, the book is essential reading for anyone interested in contemporary culture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Rolling Stone's first decade was truly rock and roll: chaotic, wild, and unpredictable. Brand New Beat: The Wild Rise of Rolling Stone Magazine (U California Press, 2026) by Peter Richardson charts the origins and evolution of the magazine during its formative early years in San Francisco. Founded in 1967 by a 21-year-old college dropout, Rolling Stone and its editors were steeped in the Bay Area's counterculture and viewed rock and roll as the animating spirit of a social revolution. Reaching beyond music, the magazine delved into the tempestuous culture and politics of the time.Acclaimed author Peter Richardson takes readers inside the iconic magazine during an era of legendary events, major cultural figures, and unforgettable music. Showing how Rolling Stone became a journalistic juggernaut—nurturing music-focused writers like Cameron Crowe, Lester Bangs, and Greil Marcus as well as New Journalism giants Hunter S. Thompson and Tom Wolfe—this book reveals how Rolling Stone both exemplified and critiqued the counterculture. Always more than the definitive rock magazine, Rolling Stone leveraged the power of popular music to deliver groundbreaking coverage of historic events, setting a new standard for the next generation of American journalism. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Over the last seven decades, some of rock 'n' roll's most celebrated figureheads have flirted with the imagery and theater of the Third Reich. From Keith Moon and Vivian Stanshall kitting themselves out in Nazi uniforms to Siouxsie Sioux and Sid Vicious brandishing swastikas in the pomp of punk, generations of performers have associated themselves in troubling ways with the aesthetics, mass hysteria, and even ideology of Nazism. Whether shock factor, stupidity, or crass attempts at subversion, rock 'n' roll has indulged these associations in a way not accepted in any other art form. But how accountable should fans, the media, and the music industry be for what has often seemed a sleazy fascination with the eroticized perversions of a fascist regime? In This Ain't Rock 'n' Roll: Pop Music, the Swastika, and the Third Reich (Akashic Books, 2026), award-winning music historian Daniel Rachel navigates these turbulent waters with extraordinary delicacy and care, asking us to look anew at the artists who have defined us, inspired us, and given us joy--and consider why so many have been drawn to the imagery of a movement responsible for some of the twentieth century's worst atrocities. Rachel asks essential questions of actions often overlooked or underplayed, while neither casting sweeping judgment nor offering easy answers. In doing so, he asks us to reassess the history of rock 'n' roll, and he sheds new light on the grim echoes of the Third Reich in popular culture and the legacy of twentieth (and twenty-first) century history as it defines us today and sheds new light on the grim echoes of the Third Reich in popular culture--and the legacy of twentieth (and twenty-first)-century history as it defines us today. Daniel Rachel is a former musician turned award-winning and best-selling author. His previous books include Too Much Too Young, the 2 Tone Records Story; Isle of Noises: Conversations with Great British Songwriters; and The Lost Album of the Beatles: What If the Beatles Hadn't Split Up? He has also written sleeve notes for many artists including the Kinks, Madness, Ocean Colour Scene, Ray Davies, and Bryan Ferry. He lives in London. Daniel Rachel's website and Instagram. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Marty Friedman is a multi-platinum recording artist and government-appointed Ambassador to Japan Heritage. He has written three books in Japanese and had long running columns in the Asahi Weekly, Nikkei Entertainment, Cyzo, Big Comic, Young Guitar, Guitar World and Burrn. The show opens with a moving tribute to Ozzy Osbourne, formerly of Black Sabbath, who passed away on July 25, 2025. Friedman then turns to the reason for writing his book, co-authored with Jon Wiederhorn. He talks about the co-writing process and describes it as “putting his musical abilities into words.” His latest solo release, Drama, he calls his best and most romantic work to date — a largely orchestral album that stretches beyond his usual style. He also reflects on the Japanese entertainment industry, the uniquely Japanese idea of heta-uma, idol music, and the role of “cuteness” in J-Pop. Producers such as Tsunku and Komuro Tetsuya play a key role in drawing out this unique appeal. J-Pop carries deeper cultural nuance than outsiders might assume. In addition, Friedman reflects on scandals, music managers ,and his first rehearsal with a J-Pop band. Read our book review of Dreaming Japanese (Permuted Press, 2024) as reviewed by Stephen Mansfield. Subscribe to the Books on Asia podcast, and the Books on Asia newsletter featuring new releases, book reviews and the latest podcast episodes. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Melissa Auf der Maur's new memoir, Even the Good Girls Will Cry: A '90s Rock Memoir(DaCapo, 2026) is a remarkably open-hearted, clear-eyed memoir of the '90s Alternative era by the bassist of Hole and The Smashing Pumpkins Even the Good Girls Will Cry begins with Auf der Maur's bohemian upbringing in Montreal, where her early, deep connection to art and music gave her entry to the colorful and thriving local creative scene. Working as a cassette DJ and ticket girl, she would see (and sometimes meet) the luminaries who'd pass through town--Nirvana, Jane's Addiction, Pavement, Sonic Youth. Thanks to a thrown beer bottle and a long-shot fan letter to a PO Box, her band Tinker scored a life-changing opening slot for The Smashing Pumpkins and, sensing her natural talent on bass, Billy Corgan recommended her to Courtney Love, just one of the many uncanny threads that weaves destiny throughout this riveting memoir. Whisked from her local scene and thrust into the eye of a hurricane of grief on a global stage, Melissa joined Hole for the band's 1994 Live Through This world tour just after the deaths of Kurt Cobain and Hole's prior bassist, Kristen Pfaff, with Courtney Love at the center of it all. It was a tour of passionate intensity, as a chaotic yet stunningly powerful band constantly threatened to spin out of control. Melissa brings the reader with raging intimacy into the action, offering a heroic portrait of the unforgettable Courtney Love as she howled into the darkness as if to keep grief at bay. That was only the beginning of Melissa's journey through alternative rock. Part rock memoir, part travel diary, part psychedelic scrapbook, Even the Good Girls Will Cry is a behind-the-scenes rock 'n' roll memoir with a soulful intimacy and mystic undertone that sets it apart from memoirs by her peers. It is a vivid dispatch from the last analog decade, artistically capturing that bygone era in all its messy, angsty glory. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Caryn Rose's Three Chords and Blessed Noise (2026) is an ode to the lost art of the tour diary. In November of 2025, Patti Smith and her band embarked on a short tour in the United States and Europe to commemorate this auspicious occasion and to allow us, the children of this particular revolution, to celebrate this achievement, these songs and these people. Rose headed off for a week of shows: Chicago, New York City, and Boston. One more time. Maybe one last time. As someone whose writing career has focused on rock and roll in its live form, and who spent several years researching and writing a book about Patti Smith (Why Patti Smith Matters, University of Texas Press, 2022), she felt this anniversary outing needed to be captured for posterity.  Rose didn't want to write yet something else that would get lost on the World Wide Web, she didn't want to be limited by word count, and she wanted something tangible. This is the end result. Less than a book, more than a zine. Caryn Rose is a music journalist and writer. Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Around 1830, opera houses stopped using castrati, and Rome and the Vatican became home to their glorious singing, engineered by surgery and intensive vocal training. Castrati were long mired in secrecy, obfuscations, and lies about their origin and conditions, not least the last of them, Alessandro Moreschi. In Castrato Phantoms: Moreschi, Fellini, and the Sacred Vernacular in Rome (Zone Books, 2026), musicologist Professor Martha Feldman declines to accept these deep-seated mysteries and concealments. After a decade and more of digging through archives and family histories comes her exciting transdisciplinary and quasi-cinematic account of Moreschi, whose recordings preserve the only sonic trace of a solo castrato.Yet Moreschi's story extends far beyond him. It opens up intrigues, politics, and histories of the Vatican, everyday histories of nineteenth- and twentieth-century Rome, the world of Roman opera, the city's unique mélange of sacred and vernacular tropes, and representations of Rome by iconic film director Federico Fellini. Moreschi and Fellini turn out to have been related by marriage, but also to share synergies grounded in Rome's persistent inclination to vernacularize the sacred. Far from telling of one anomalous figure, Professor Feldman's gripping history convinces readers that Moreschi, like Fellini, can be read as an improbable index of Roman consciousness, both during his own life and well beyond. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Sourced from over a hundred hours of interviews with musicians, producers, booking agents, label owners, writers, fans, employees, volunteers, friends and family, Elvis is Dead, I'm Still Alive: The Story of Asian Man Records tells the singular story of Asian Man Records. In its first thirty years, Asian Man Records released over 400 albums, all from the garage at Mike Park's parents' house. Founded when Park was in his early twenties, the label has started and supported the careers of musicians across many generations, all free from the pressures of the larger music industry. It seemed things could even stay that way forever, until an unexpected email arrived… Spanning early releases by breakout artists like Less Than Jake and Alkaline Trio, to albums that went viral on TikTok, every record has its own story. All of them connect back to Mike Park, the record label founder, who went from struggling with racism as a Korean American in an overwhelmingly white town, to his current status as international underground inspiration. Written by Mike Huguenor, a musician who has seen the label from inside and out, this music biography documents thirty years in the life of a record label unlike any other—the one and only Asian Man Records. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

With his fake beard, putty nose, and thick Yiddish accent, the “stage Jew” was once a common character in vaudeville, part of a genre that mocked immigrants and minorities. Essentially a variant of blackface minstrelsy, the music that accompanied these “Jewface” performances was not only performed on stage, but also published as colorfully illustrated sheet music so fans could play them at home. Outrageous and offensive by today's standards, these “Yiddish” dialect songs exploited a variety of unpleasant stereotypes about Jews. Based in part on the sheet music collection of The New York Times' Sunday Magazine Critic-at-large Jody Rosen, YIVO presents its latest exhibition, Jewface: “Yiddish” Dialect Songs of Tin Pan Alley. Join Eddy Portnoy (Senior Researcher & Exhibition Curator, YIVO), the curator of Jewface, and Jody Rosen for a discussion with Tablet Magazine editor-in-chief Alana Newhouse about this form of early 20th-century entertainment, how it mocked Jews, engaged Jews, and developed Yiddish-accented English for comic effect. Allen Rickman, Yelena Shmulenson, and Steve Sterner will be performing selections from the exhibit, as well as a number of classic Yiddish/English comedy routines. This exhibition opening took place on November 24, 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

This is a special edition of the New York Institute for the Humanities' Vault podcast. On October 10, 2025, NYU's Journalism Institute hosted a day-long conference titled Podcast Intellectuals: Producing Original Scholarship with Audio. Over the course of three panels, scholars, podcasters, and journalists discuss how academics might employ the techniques of narrative audio as part of their research. In the first panel, podcaster Benjamen Walker discusses his work with NYU media studies professor Mara Mills as they produce Tuning Time, a podcast about the politics of time stretching technology. Professor Mills is an interdisciplinary scholar in the fields of disability studies, Science and Technology Studies, and sound studies. She teaches in the Department of Media, Culture, and Communication and is Director of the NYU Center for Disability Studies. Her work on “disability and media” spans disability arts and technoscience, with a focus on the history, politics, and cultures of electronics and digital media. Benjamen Walker is a radio writer and producer. He is one of the co-founders of the podcast network Radiotopia from PRX, and for a decade hosted and produced his award winning program Benjamen Walker's Theory of Everything. The first panel concluded with a presentation by NYU musicologist Fanny Gribenski in which she discusses her current project, The Elephant in the Piano: Music, Ecology, Empire. The book, and podcast, is an investigation of the 19th century piano through a material history of its primary components: ivory, wood, felt, and metal. Professor Gribenski is a historical musicologist who specializes in the history of musical and sonic practices. Her first book, L'Église comme lieu de concert. Pratiques musicales et usages de l'espace (Paris, 1830–1905) analyzes the role of music in the production of sacred spaces. Tuning the World: The Rise of 440 Hertz in Music, Science, and Politics, 1859-1955 (University of Chicago, 2023) traces the rocky path towards international pitch standardization. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

For fans of Dilla Time and The Chronicles of DOOM, a culturally connected celebration of the groundbreaking hip-hop group De La Soul, and how they changed the look, sound, and feel of Black America. Music artists and trends come and go, but every once in a while, a moment arrives that genuinely changes everything. In 1988, De La Soul, three young men from Amityville, Long Island, did exactly that. Their always innovative work pulled inspiration from artists of the past and popularized cutting-edge music sampling techniques to blend jazz, R&B, and rap as they created a sound unlike any the world had heard before. But the De La Soul experience didn't end there. These weren't just musicians—they were game-changers in so many ways. From the way they dressed, to the words they spoke, to the day-glo colors of their breakout 3 Feet and Rising, De La Soul rejected convention, refused to be talked back into the box, and left the door open for everyone behind them. Now, in Living in a D.A.I.S.Y. Age: The Music, Culture, and World De La Soul Made (Atria/One Signal, 2026), West Virginia University history professor Austin McCoy explores how De La Soul not only defined a new era of hip-hop, but also American and Black culture at the same time. Through his eyes, ears, and well-studied recall of ‘80s, ‘90s, and 2000s America, McCoy takes us on a journey through the world this innovative musical act made. One of the few hip-hop groups of their era to stay together long term, De La Soul lived astonishing highs and lows, from forming the Native Tongues collective to influential fights with their publishers to assert the artist's right to control their creations. And after a lifetime left out of music's digital revolution, in 2023 they finally hit streaming services just as it lost founding member David Jolicoeur too soon to see his work reach a brand-new generation of fans. Living in a D.A.I.S.Y. Age will connect with DLS fans, ‘80s babies, and students of the rap game alike, in a beautifully rendered and deeply researched tome that places this group atop the pedestal it deserves. Guest: Austin McCoy is an assistant professor of history at West Virginia University, specializing in African American History, labor history, social movements, and hip-hop culture. His work has appeared in numerous outlets including CNN, The Baffler, The Washington Post, Black Perspectives, and Truthout. He lives in West Virginia. Host: Michael Stauch (he/him) is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Rebekah Buchanan talks with Ani DiFranco about her latest collaborative work The Spirit of Ani: Reflections on Spirituality, Feminism, Music and Freedom (Akashic Books, 2026). In this powerful collaborative work, the legendary folk-rock star and feminist icon is in conversation with author, artist, and cultural anthropologist Lauren Coyle Rosen. In these exchanges, Ani is remarkably open about her creativity, spirituality, personal experiences, and evolving consciousness. She is vulnerable and unapologetic, offering an unprecedented window into her fiercely prolific journeys. Rebekah  Expanding on themes from her best-selling memoir, Ani also offers fascinating reflections on contemporary popular culture—ranging from gender and queer politics, to the music industry in the virtual age, to climate change. The book includes previously unpublished photographs and journal entries, song-birth sheets, paintings, and the lyrics for some of her most treasured songs. The coauthors explore how Ani's music and art are profoundly tied to her experiences of the interconnectedness of all consciousness and tuning in to receive creative inspiration. Ani's striking openness produces a book that is both meditative and activating. This is a must-read for anyone intrigued by the dedication, intuition, and vision that drive Ani's lifelong journey of creating art that not only reflects, but also empowers, transforms, and heals. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music