Podcasts about oxford up

George Fisher, the Judge John Crown Professor of Law at Stanford Law School, just released his new book Beware Euphoria: The Moral Roots and Racial Myths of America's Drug War, with Oxford University Press. George has been teaching and writing in the realms of evidence, prosecution practice, and criminal legal history since 1995. He began practice as a prosecutor in Massachusetts and later taught at the law schools of Boston College, Harvard, and Yale. Beware Euphoria is the most recent among a slew of other books, articles, and essays that he's published over the years, and perhaps the most contrarian. In this interview, George discusses his research methods and how he came to the conclusion that the history of America's drug war, while racially motivated, was not meant to target minorities, but protect the morals and health of America's white youth. Emily Dufton is the author of Grass Roots: The Rise and Fall and Rise of Marijuana in America (Basic Books, 2017). A drug historian and writer, her second book, on the development of the opioid addiction medication industry, is under contract with the University of Chicago Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Habitual drug use in the United States is at least as old as the nation itself. Elizabeth Kelly Gray's book Habit Forming: Drug Addiction in America, 1776-1914 (Oxford UP, 2023) traces the history of unregulated drug use and dependency before 1914, when the Harrison Narcotic Tax Act limited sales of opiates and cocaine under US law. Many Americans used opiates and other drugs medically and became addicted. Some tried ‘Hasheesh Candy', injected morphine, or visited opium dens, but neither use nor addiction was linked to crime, due to the dearth of restrictive laws. After the Civil War, American presses published extensively about domestic addiction. Later in the nineteenth century, many people used cocaine and heroin as medicine. As addiction became a major public health issue, commentators typically sympathized with white, middle-class drug users, while criticizing such use by poor or working-class people and people of color. When habituation was associated with middle-class morphine users, few advocated for restricted drug access. By the 1910s, as use was increasingly associated with poor young men, support for regulations increased. In outlawing users' access to habit-forming drugs at the national level, a public health problem became a larger legal and social problem, one with an enduring influence on American drug laws and their enforcement. Rachel Pagones is an acupuncturist, educator, and author based in Cambridge, England. She was chair of the doctoral program in acupuncture and Chinese medicine at Pacific College of Health and Science in San Diego before moving to the UK. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Habitual drug use in the United States is at least as old as the nation itself. Elizabeth Kelly Gray's book Habit Forming: Drug Addiction in America, 1776-1914 (Oxford UP, 2023) traces the history of unregulated drug use and dependency before 1914, when the Harrison Narcotic Tax Act limited sales of opiates and cocaine under US law. Many Americans used opiates and other drugs medically and became addicted. Some tried ‘Hasheesh Candy', injected morphine, or visited opium dens, but neither use nor addiction was linked to crime, due to the dearth of restrictive laws. After the Civil War, American presses published extensively about domestic addiction. Later in the nineteenth century, many people used cocaine and heroin as medicine. As addiction became a major public health issue, commentators typically sympathized with white, middle-class drug users, while criticizing such use by poor or working-class people and people of color. When habituation was associated with middle-class morphine users, few advocated for restricted drug access. By the 1910s, as use was increasingly associated with poor young men, support for regulations increased. In outlawing users' access to habit-forming drugs at the national level, a public health problem became a larger legal and social problem, one with an enduring influence on American drug laws and their enforcement. Rachel Pagones is an acupuncturist, educator, and author based in Cambridge, England. She was chair of the doctoral program in acupuncture and Chinese medicine at Pacific College of Health and Science in San Diego before moving to the UK. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Broadway has body issues. What is a Broadway Body? Broadway has long preserved the ideology of the "Broadway Body": the hyper-fit, exceptionally able, triple-threat performer who represents how Broadway musicals favor certain kinds of bodies. Casting is always a political act, situated within a power structure that gives preference to the Broadway Body. In Broadway Bodies: A Critical History of Conformity (Oxford UP, 2023), author Ryan Donovan explores how ability, sexuality, and size intersect with gender, race, and ethnicity in casting and performance. To understand these intersectional relationships, he poses a series of questions: Why did A Chorus Line, a show that sought to individuate dancers, inevitably make dancers indistinguishable? How does the use of fat suits in musicals like Dreamgirls and Hairspray stigmatize fatness? What were the political implications of casting two straight actors as the gay couple in La Cage aux Folles in 1983? How did deaf actors change the sound of musicals in Deaf West's Broadway revivals? Whose bodies does Broadway cast and whose does it cast aside? In answering these questions, Broadway Bodies tells a history of Broadway's inclusion of various forms of embodied difference while revealing its simultaneous ambivalence toward non-conforming bodies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

The world is encountering multiple crises - climate, droughts, floods, energy, food, and pandemics, to name a few. Capitalism and Crises: How to Fix Them (Oxford UP, 2024) is about how capitalism can help fix them It has helped to cause because of a misconception about the nature of the system. There has been a failure to understand the key institution business. This book describes why this has happened and what needs to change to address it. At the core of the problem is the key driver of capitalism profit and the way in which those who run the system and provide it resources for it have been rewarded. Currently, profit comes from causing as well as solving problems. Drawing on history, philosophy, psychology, and biology as well economics, law, and finance, Mayer describes what has gone wrong and what needs to change. He sets out the big challenges that capitalism must address and discusses how financial institutions should be at the heart of this, and how the public sector can work with the private on a common purpose of creating shared prosperity. Capitalism and Crises is an inspiring and motivational roadmap. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Stephen C. Foster (1826–1864) was a prolific song composer. A few of his minstrel tunes have become so enmeshed in American musical culture that they are often thought to be folk songs. Although he died in poverty and most of his music was quickly forgotten, by the early twentieth century he was hailed as the “Father of American Music” and had become a symbol of US democracy. In Formulating Foster: Stephen C. Foster and the Creation of a National Musical Myth (Oxford University Press, 2025), Christopher Lynch examines the reception of Foster and his music between the composer's death and the 1930s. It is an unusual book—part biography, part sourcebook, part scholarly reflection, part reception history, part myth buster. Lynch divides the book into three sections which each contain anywhere from ten to eighteen primary sources that provide evidence for how Foster's American reception changed over time. He frames these primary documents with five essays that examine the ever-changing myths around Foster, why those myths developed, and how the collecting practices and biases of Foster devotees and his family members influenced the national memory about the composer and his most famous songs. Christopher Lynch, PhD, is a musicologist and Head of the Theodore M. Finney Music Library in the University of Pittsburgh Library System, where he helps curate the Stephen Foster Memorial museum and archive. His research examines minstrelsy, popular song, and music theater as sites for contesting American ideals. He is co-editor of Listening Across Borders: Musicology in the Global Classroom and his work has been published in numerous journals. Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Worlds of Wartime: The First World War and the Reconstruction of Modern Politics (Oxford University Press, 2025) by Duncan Kelly is a new intellectual history of the many and varied ideas about politics and economics that were made, and remade, through wartime and revolution, by political and economic thinkers working across the globe, from the 1880s to the 1930s. Spanning continents, connecting networks of people, power, and possibilities, in new and often experimental ways, the worlds of wartime saw histories of modern politics and economics revised and updated, used as well as abused, in myriad attempts to interpret, explain, understand, explore, and indeed to win, the war. This book takes the measure of a great many of these overlapping visions, and it does so by trying to learn some of the lessons that literary and artistic modernism can teach us about the complexities of political and economic ideas, their contingency and uncertainty, and how they are fixed into focus only at very particular moments. Moving from the stylised narratives of European and American political theory and intellectual history, through to the futurist politics of revolutionaries in Ireland, India, Ottoman-Turkey, and Russia, this book also tracks arguments and strategies for Pan-African diasporic federation, alongside German and American debates about federal pasts and federal futures. From the invention of the world economy, to the reality of multiple war economies, from revolutionary conjunctures to ideas of democracy and climate catastrophe in the Anthropocene today, Worlds of Wartime tells the story of just how strongly modern politics in general, and modern ideas about political and economic possibility, were fixed by the intellectual turbulence wrought during the First World War. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Worlds of Wartime: The First World War and the Reconstruction of Modern Politics (Oxford University Press, 2025) by Duncan Kelly is a new intellectual history of the many and varied ideas about politics and economics that were made, and remade, through wartime and revolution, by political and economic thinkers working across the globe, from the 1880s to the 1930s. Spanning continents, connecting networks of people, power, and possibilities, in new and often experimental ways, the worlds of wartime saw histories of modern politics and economics revised and updated, used as well as abused, in myriad attempts to interpret, explain, understand, explore, and indeed to win, the war. This book takes the measure of a great many of these overlapping visions, and it does so by trying to learn some of the lessons that literary and artistic modernism can teach us about the complexities of political and economic ideas, their contingency and uncertainty, and how they are fixed into focus only at very particular moments. Moving from the stylised narratives of European and American political theory and intellectual history, through to the futurist politics of revolutionaries in Ireland, India, Ottoman-Turkey, and Russia, this book also tracks arguments and strategies for Pan-African diasporic federation, alongside German and American debates about federal pasts and federal futures. From the invention of the world economy, to the reality of multiple war economies, from revolutionary conjunctures to ideas of democracy and climate catastrophe in the Anthropocene today, Worlds of Wartime tells the story of just how strongly modern politics in general, and modern ideas about political and economic possibility, were fixed by the intellectual turbulence wrought during the First World War. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

Broadway has body issues. What is a Broadway Body? Broadway has long preserved the ideology of the "Broadway Body": the hyper-fit, exceptionally able, triple-threat performer who represents how Broadway musicals favor certain kinds of bodies. Casting is always a political act, situated within a power structure that gives preference to the Broadway Body. In Broadway Bodies: A Critical History of Conformity (Oxford UP, 2023), author Ryan Donovan explores how ability, sexuality, and size intersect with gender, race, and ethnicity in casting and performance. To understand these intersectional relationships, he poses a series of questions: Why did A Chorus Line, a show that sought to individuate dancers, inevitably make dancers indistinguishable? How does the use of fat suits in musicals like Dreamgirls and Hairspray stigmatize fatness? What were the political implications of casting two straight actors as the gay couple in La Cage aux Folles in 1983? How did deaf actors change the sound of musicals in Deaf West's Broadway revivals? Whose bodies does Broadway cast and whose does it cast aside? In answering these questions, Broadway Bodies tells a history of Broadway's inclusion of various forms of embodied difference while revealing its simultaneous ambivalence toward non-conforming bodies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Worlds of Wartime: The First World War and the Reconstruction of Modern Politics (Oxford University Press, 2025) by Duncan Kelly is a new intellectual history of the many and varied ideas about politics and economics that were made, and remade, through wartime and revolution, by political and economic thinkers working across the globe, from the 1880s to the 1930s. Spanning continents, connecting networks of people, power, and possibilities, in new and often experimental ways, the worlds of wartime saw histories of modern politics and economics revised and updated, used as well as abused, in myriad attempts to interpret, explain, understand, explore, and indeed to win, the war. This book takes the measure of a great many of these overlapping visions, and it does so by trying to learn some of the lessons that literary and artistic modernism can teach us about the complexities of political and economic ideas, their contingency and uncertainty, and how they are fixed into focus only at very particular moments. Moving from the stylised narratives of European and American political theory and intellectual history, through to the futurist politics of revolutionaries in Ireland, India, Ottoman-Turkey, and Russia, this book also tracks arguments and strategies for Pan-African diasporic federation, alongside German and American debates about federal pasts and federal futures. From the invention of the world economy, to the reality of multiple war economies, from revolutionary conjunctures to ideas of democracy and climate catastrophe in the Anthropocene today, Worlds of Wartime tells the story of just how strongly modern politics in general, and modern ideas about political and economic possibility, were fixed by the intellectual turbulence wrought during the First World War. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

Stephen C. Foster (1826–1864) was a prolific song composer. A few of his minstrel tunes have become so enmeshed in American musical culture that they are often thought to be folk songs. Although he died in poverty and most of his music was quickly forgotten, by the early twentieth century he was hailed as the “Father of American Music” and had become a symbol of US democracy. In Formulating Foster: Stephen C. Foster and the Creation of a National Musical Myth (Oxford University Press, 2025), Christopher Lynch examines the reception of Foster and his music between the composer's death and the 1930s. It is an unusual book—part biography, part sourcebook, part scholarly reflection, part reception history, part myth buster. Lynch divides the book into three sections which each contain anywhere from ten to eighteen primary sources that provide evidence for how Foster's American reception changed over time. He frames these primary documents with five essays that examine the ever-changing myths around Foster, why those myths developed, and how the collecting practices and biases of Foster devotees and his family members influenced the national memory about the composer and his most famous songs. Christopher Lynch, PhD, is a musicologist and Head of the Theodore M. Finney Music Library in the University of Pittsburgh Library System, where he helps curate the Stephen Foster Memorial museum and archive. His research examines minstrelsy, popular song, and music theater as sites for contesting American ideals. He is co-editor of Listening Across Borders: Musicology in the Global Classroom and his work has been published in numerous journals. Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Stephen C. Foster (1826–1864) was a prolific song composer. A few of his minstrel tunes have become so enmeshed in American musical culture that they are often thought to be folk songs. Although he died in poverty and most of his music was quickly forgotten, by the early twentieth century he was hailed as the “Father of American Music” and had become a symbol of US democracy. In Formulating Foster: Stephen C. Foster and the Creation of a National Musical Myth (Oxford University Press, 2025), Christopher Lynch examines the reception of Foster and his music between the composer's death and the 1930s. It is an unusual book—part biography, part sourcebook, part scholarly reflection, part reception history, part myth buster. Lynch divides the book into three sections which each contain anywhere from ten to eighteen primary sources that provide evidence for how Foster's American reception changed over time. He frames these primary documents with five essays that examine the ever-changing myths around Foster, why those myths developed, and how the collecting practices and biases of Foster devotees and his family members influenced the national memory about the composer and his most famous songs. Christopher Lynch, PhD, is a musicologist and Head of the Theodore M. Finney Music Library in the University of Pittsburgh Library System, where he helps curate the Stephen Foster Memorial museum and archive. His research examines minstrelsy, popular song, and music theater as sites for contesting American ideals. He is co-editor of Listening Across Borders: Musicology in the Global Classroom and his work has been published in numerous journals. Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Worlds of Wartime: The First World War and the Reconstruction of Modern Politics (Oxford University Press, 2025) by Duncan Kelly is a new intellectual history of the many and varied ideas about politics and economics that were made, and remade, through wartime and revolution, by political and economic thinkers working across the globe, from the 1880s to the 1930s. Spanning continents, connecting networks of people, power, and possibilities, in new and often experimental ways, the worlds of wartime saw histories of modern politics and economics revised and updated, used as well as abused, in myriad attempts to interpret, explain, understand, explore, and indeed to win, the war. This book takes the measure of a great many of these overlapping visions, and it does so by trying to learn some of the lessons that literary and artistic modernism can teach us about the complexities of political and economic ideas, their contingency and uncertainty, and how they are fixed into focus only at very particular moments. Moving from the stylised narratives of European and American political theory and intellectual history, through to the futurist politics of revolutionaries in Ireland, India, Ottoman-Turkey, and Russia, this book also tracks arguments and strategies for Pan-African diasporic federation, alongside German and American debates about federal pasts and federal futures. From the invention of the world economy, to the reality of multiple war economies, from revolutionary conjunctures to ideas of democracy and climate catastrophe in the Anthropocene today, Worlds of Wartime tells the story of just how strongly modern politics in general, and modern ideas about political and economic possibility, were fixed by the intellectual turbulence wrought during the First World War. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Stephen C. Foster (1826–1864) was a prolific song composer. A few of his minstrel tunes have become so enmeshed in American musical culture that they are often thought to be folk songs. Although he died in poverty and most of his music was quickly forgotten, by the early twentieth century he was hailed as the “Father of American Music” and had become a symbol of US democracy. In Formulating Foster: Stephen C. Foster and the Creation of a National Musical Myth (Oxford University Press, 2025), Christopher Lynch examines the reception of Foster and his music between the composer's death and the 1930s. It is an unusual book—part biography, part sourcebook, part scholarly reflection, part reception history, part myth buster. Lynch divides the book into three sections which each contain anywhere from ten to eighteen primary sources that provide evidence for how Foster's American reception changed over time. He frames these primary documents with five essays that examine the ever-changing myths around Foster, why those myths developed, and how the collecting practices and biases of Foster devotees and his family members influenced the national memory about the composer and his most famous songs. Christopher Lynch, PhD, is a musicologist and Head of the Theodore M. Finney Music Library in the University of Pittsburgh Library System, where he helps curate the Stephen Foster Memorial museum and archive. His research examines minstrelsy, popular song, and music theater as sites for contesting American ideals. He is co-editor of Listening Across Borders: Musicology in the Global Classroom and his work has been published in numerous journals. Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Stephen C. Foster (1826–1864) was a prolific song composer. A few of his minstrel tunes have become so enmeshed in American musical culture that they are often thought to be folk songs. Although he died in poverty and most of his music was quickly forgotten, by the early twentieth century he was hailed as the “Father of American Music” and had become a symbol of US democracy. In Formulating Foster: Stephen C. Foster and the Creation of a National Musical Myth (Oxford University Press, 2025), Christopher Lynch examines the reception of Foster and his music between the composer's death and the 1930s. It is an unusual book—part biography, part sourcebook, part scholarly reflection, part reception history, part myth buster. Lynch divides the book into three sections which each contain anywhere from ten to eighteen primary sources that provide evidence for how Foster's American reception changed over time. He frames these primary documents with five essays that examine the ever-changing myths around Foster, why those myths developed, and how the collecting practices and biases of Foster devotees and his family members influenced the national memory about the composer and his most famous songs. Christopher Lynch, PhD, is a musicologist and Head of the Theodore M. Finney Music Library in the University of Pittsburgh Library System, where he helps curate the Stephen Foster Memorial museum and archive. His research examines minstrelsy, popular song, and music theater as sites for contesting American ideals. He is co-editor of Listening Across Borders: Musicology in the Global Classroom and his work has been published in numerous journals. Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Habitual drug use in the United States is at least as old as the nation itself. Elizabeth Kelly Gray's book Habit Forming: Drug Addiction in America, 1776-1914 (Oxford UP, 2023) traces the history of unregulated drug use and dependency before 1914, when the Harrison Narcotic Tax Act limited sales of opiates and cocaine under US law. Many Americans used opiates and other drugs medically and became addicted. Some tried ‘Hasheesh Candy', injected morphine, or visited opium dens, but neither use nor addiction was linked to crime, due to the dearth of restrictive laws. After the Civil War, American presses published extensively about domestic addiction. Later in the nineteenth century, many people used cocaine and heroin as medicine. As addiction became a major public health issue, commentators typically sympathized with white, middle-class drug users, while criticizing such use by poor or working-class people and people of color. When habituation was associated with middle-class morphine users, few advocated for restricted drug access. By the 1910s, as use was increasingly associated with poor young men, support for regulations increased. In outlawing users' access to habit-forming drugs at the national level, a public health problem became a larger legal and social problem, one with an enduring influence on American drug laws and their enforcement. Rachel Pagones is an acupuncturist, educator, and author based in Cambridge, England. She was chair of the doctoral program in acupuncture and Chinese medicine at Pacific College of Health and Science in San Diego before moving to the UK. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Broadway has body issues. What is a Broadway Body? Broadway has long preserved the ideology of the "Broadway Body": the hyper-fit, exceptionally able, triple-threat performer who represents how Broadway musicals favor certain kinds of bodies. Casting is always a political act, situated within a power structure that gives preference to the Broadway Body. In Broadway Bodies: A Critical History of Conformity (Oxford UP, 2023), author Ryan Donovan explores how ability, sexuality, and size intersect with gender, race, and ethnicity in casting and performance. To understand these intersectional relationships, he poses a series of questions: Why did A Chorus Line, a show that sought to individuate dancers, inevitably make dancers indistinguishable? How does the use of fat suits in musicals like Dreamgirls and Hairspray stigmatize fatness? What were the political implications of casting two straight actors as the gay couple in La Cage aux Folles in 1983? How did deaf actors change the sound of musicals in Deaf West's Broadway revivals? Whose bodies does Broadway cast and whose does it cast aside? In answering these questions, Broadway Bodies tells a history of Broadway's inclusion of various forms of embodied difference while revealing its simultaneous ambivalence toward non-conforming bodies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Broadway has body issues. What is a Broadway Body? Broadway has long preserved the ideology of the "Broadway Body": the hyper-fit, exceptionally able, triple-threat performer who represents how Broadway musicals favor certain kinds of bodies. Casting is always a political act, situated within a power structure that gives preference to the Broadway Body. In Broadway Bodies: A Critical History of Conformity (Oxford UP, 2023), author Ryan Donovan explores how ability, sexuality, and size intersect with gender, race, and ethnicity in casting and performance. To understand these intersectional relationships, he poses a series of questions: Why did A Chorus Line, a show that sought to individuate dancers, inevitably make dancers indistinguishable? How does the use of fat suits in musicals like Dreamgirls and Hairspray stigmatize fatness? What were the political implications of casting two straight actors as the gay couple in La Cage aux Folles in 1983? How did deaf actors change the sound of musicals in Deaf West's Broadway revivals? Whose bodies does Broadway cast and whose does it cast aside? In answering these questions, Broadway Bodies tells a history of Broadway's inclusion of various forms of embodied difference while revealing its simultaneous ambivalence toward non-conforming bodies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Broadway has body issues. What is a Broadway Body? Broadway has long preserved the ideology of the "Broadway Body": the hyper-fit, exceptionally able, triple-threat performer who represents how Broadway musicals favor certain kinds of bodies. Casting is always a political act, situated within a power structure that gives preference to the Broadway Body. In Broadway Bodies: A Critical History of Conformity (Oxford UP, 2023), author Ryan Donovan explores how ability, sexuality, and size intersect with gender, race, and ethnicity in casting and performance. To understand these intersectional relationships, he poses a series of questions: Why did A Chorus Line, a show that sought to individuate dancers, inevitably make dancers indistinguishable? How does the use of fat suits in musicals like Dreamgirls and Hairspray stigmatize fatness? What were the political implications of casting two straight actors as the gay couple in La Cage aux Folles in 1983? How did deaf actors change the sound of musicals in Deaf West's Broadway revivals? Whose bodies does Broadway cast and whose does it cast aside? In answering these questions, Broadway Bodies tells a history of Broadway's inclusion of various forms of embodied difference while revealing its simultaneous ambivalence toward non-conforming bodies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

From a scrawny, overlooked military graduate to the youngest general in Europe, Francisco Franco was known for his ambition, talent and calculated risk-taking. Yet his reputation remains a topic of fierce debate. Did he destroy Spain and stifle its democracy or rescue the nation from left-wing tumult? In this compelling biography, Giles Tremlett unravels the complex life and legacy of the enigmatic dictator who shaped twentieth-century Spanish history. El Generalísimo: A Biography of Francisco Franco (Oxford UP, 2025) delves into the complexities of Franco's character, exploring his volatile relationship with a domineering father, his traumatic experiences fighting in Morocco and the formation of his authoritarian ideology. The narrative follows Franco's ruthless leadership during the Civil War, his alignment with Hitler and Mussolini and the subsequent Cold War era that brought him international rehabilitation. Tremlett interrogates Franco's transformation of Spain through a lens that challenges the conventional view of him as a bumbling leader. Instead, he argues that Franco was a deliberate and pragmatic dictator who wielded terror to maintain an iron grip on power, and whose lasting (and most surprising) contribution was the period of peace that allowed Spain to challenge the absolutist spirit he embodied.Nuanced and comprehensive, El Generalísimo offers a fresh perspective that reveals the intricate interplay of ambition and fearlessness of Francisco Franco; and examines his enduring legacy that continues to shape Spain's political and cultural landscape. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

From a scrawny, overlooked military graduate to the youngest general in Europe, Francisco Franco was known for his ambition, talent and calculated risk-taking. Yet his reputation remains a topic of fierce debate. Did he destroy Spain and stifle its democracy or rescue the nation from left-wing tumult? In this compelling biography, Giles Tremlett unravels the complex life and legacy of the enigmatic dictator who shaped twentieth-century Spanish history. El Generalísimo: A Biography of Francisco Franco (Oxford UP, 2025) delves into the complexities of Franco's character, exploring his volatile relationship with a domineering father, his traumatic experiences fighting in Morocco and the formation of his authoritarian ideology. The narrative follows Franco's ruthless leadership during the Civil War, his alignment with Hitler and Mussolini and the subsequent Cold War era that brought him international rehabilitation. Tremlett interrogates Franco's transformation of Spain through a lens that challenges the conventional view of him as a bumbling leader. Instead, he argues that Franco was a deliberate and pragmatic dictator who wielded terror to maintain an iron grip on power, and whose lasting (and most surprising) contribution was the period of peace that allowed Spain to challenge the absolutist spirit he embodied.Nuanced and comprehensive, El Generalísimo offers a fresh perspective that reveals the intricate interplay of ambition and fearlessness of Francisco Franco; and examines his enduring legacy that continues to shape Spain's political and cultural landscape. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

From a scrawny, overlooked military graduate to the youngest general in Europe, Francisco Franco was known for his ambition, talent and calculated risk-taking. Yet his reputation remains a topic of fierce debate. Did he destroy Spain and stifle its democracy or rescue the nation from left-wing tumult? In this compelling biography, Giles Tremlett unravels the complex life and legacy of the enigmatic dictator who shaped twentieth-century Spanish history. El Generalísimo: A Biography of Francisco Franco (Oxford UP, 2025) delves into the complexities of Franco's character, exploring his volatile relationship with a domineering father, his traumatic experiences fighting in Morocco and the formation of his authoritarian ideology. The narrative follows Franco's ruthless leadership during the Civil War, his alignment with Hitler and Mussolini and the subsequent Cold War era that brought him international rehabilitation. Tremlett interrogates Franco's transformation of Spain through a lens that challenges the conventional view of him as a bumbling leader. Instead, he argues that Franco was a deliberate and pragmatic dictator who wielded terror to maintain an iron grip on power, and whose lasting (and most surprising) contribution was the period of peace that allowed Spain to challenge the absolutist spirit he embodied.Nuanced and comprehensive, El Generalísimo offers a fresh perspective that reveals the intricate interplay of ambition and fearlessness of Francisco Franco; and examines his enduring legacy that continues to shape Spain's political and cultural landscape. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

From a scrawny, overlooked military graduate to the youngest general in Europe, Francisco Franco was known for his ambition, talent and calculated risk-taking. Yet his reputation remains a topic of fierce debate. Did he destroy Spain and stifle its democracy or rescue the nation from left-wing tumult? In this compelling biography, Giles Tremlett unravels the complex life and legacy of the enigmatic dictator who shaped twentieth-century Spanish history. El Generalísimo: A Biography of Francisco Franco (Oxford UP, 2025) delves into the complexities of Franco's character, exploring his volatile relationship with a domineering father, his traumatic experiences fighting in Morocco and the formation of his authoritarian ideology. The narrative follows Franco's ruthless leadership during the Civil War, his alignment with Hitler and Mussolini and the subsequent Cold War era that brought him international rehabilitation. Tremlett interrogates Franco's transformation of Spain through a lens that challenges the conventional view of him as a bumbling leader. Instead, he argues that Franco was a deliberate and pragmatic dictator who wielded terror to maintain an iron grip on power, and whose lasting (and most surprising) contribution was the period of peace that allowed Spain to challenge the absolutist spirit he embodied.Nuanced and comprehensive, El Generalísimo offers a fresh perspective that reveals the intricate interplay of ambition and fearlessness of Francisco Franco; and examines his enduring legacy that continues to shape Spain's political and cultural landscape. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

In Subtle Webs: How Local Organizations Shape US Education (Oxford UP, 2025), Jose Eos Trinidad reveals how organizations outside schools have created an invisible infrastructure not only to affect local school districts but also to shape US education. He illustrates this by providing a behind-the-scenes look at how local organizations in Chicago, Philadelphia, and New York City have transformed data and worked with high schools to address the problem of students dropping out. The book argues that changes in a decentralized system happen less through top-down policy mandates or bottom-up social movements, and more through “outside-in” initiatives of networked organizations spread across various local systems. By detailing change across multiple levels and across multiple locations, Trinidad uncovers new ways to think about educational transformation, policy reform, and organizational change. João Souto-Maior (website: here) is a postdoc at Stanford University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In Subtle Webs: How Local Organizations Shape US Education (Oxford UP, 2025), Jose Eos Trinidad reveals how organizations outside schools have created an invisible infrastructure not only to affect local school districts but also to shape US education. He illustrates this by providing a behind-the-scenes look at how local organizations in Chicago, Philadelphia, and New York City have transformed data and worked with high schools to address the problem of students dropping out. The book argues that changes in a decentralized system happen less through top-down policy mandates or bottom-up social movements, and more through “outside-in” initiatives of networked organizations spread across various local systems. By detailing change across multiple levels and across multiple locations, Trinidad uncovers new ways to think about educational transformation, policy reform, and organizational change. João Souto-Maior (website: here) is a postdoc at Stanford University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Sara Swenson is Assistant Professor of Religion and Affiliated Faculty in Asian Societies, Cultures, and Languages at Dartmouth College. Her areas of expertise include Religions of Southeast Asia, Buddhism in Vietnam, Gender and Sexuality, Affect Theory, and Ethnography. She received her Ph.D. in Religion from Syracuse University in 2021. She also holds an M.Phil. in Religion and a Certificate of Advanced Study in Women's and Gender Studies from Syracuse University, an M.A. in Comparative Religion from Iliff School of Theology, and a B.A. in English from the University of Minnesota Duluth. She pursues projects that highlight the power and agency of everyday people. Religions are often a vital resource for grassroots social action and community engagement, as exemplified by Buddhism in Vietnam. Her projects have received generous grant support from the American Council of Learned Societies; Charlotte W. Newcombe Doctoral Dissertation Fellowship; Fulbright-Hays Doctoral Dissertation Research Abroad (DDRA); and The Robert H. N. Ho Family Foundation Dissertation Fellowship in Buddhist Studies. Swenson's new book, Near Light We Shine: Buddhist Charity in Urban Vietnam (Oxford UP, 2025) is one of the first major ethnographic studies on Buddhism in southern Vietnam, featuring new histories and interpretations of this rich subject. It shares new context for how religious practices affect urban migration, development, and humanitarian concerns, and presents theoretical advancements for understanding grassroots charity. Near Light We Shine offers a diversity of perspectives on grassroots Buddhist practices throughout Vietnam, by featuring interviews that have never been published before from marginalized Buddhist practitioners in Vietnam, such as day laborers, queer men, elderly women, and retired communist soldiers. References mentioned in the interview:  Le Hoang Anh Thu, "Doing Bodhisattva's Work: Charity, Class, and Selfhood of Petty Traders in Hồ Chí Minh City" here Nhung Lu Rots, "Towards an Alternative Buddhist Modernity: Hòa Hảo Charity Healing and Herbal Medicine in the Mekong Delta" here Elizabeth Perez, Religion in the Kitchen here Southeast Asian Studies Summer Institute (SEASSI) at the University of Wisconsin here Van Nguyen-Marshall, Between War and the State: Civil Society in South Vietnam, 1954–1975 here Casey R. Collins, Buddhist Contramodernism: Shinnyo-en's Reconfigurations of Tradition for Modernity here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Sara Swenson is Assistant Professor of Religion and Affiliated Faculty in Asian Societies, Cultures, and Languages at Dartmouth College. Her areas of expertise include Religions of Southeast Asia, Buddhism in Vietnam, Gender and Sexuality, Affect Theory, and Ethnography. She received her Ph.D. in Religion from Syracuse University in 2021. She also holds an M.Phil. in Religion and a Certificate of Advanced Study in Women's and Gender Studies from Syracuse University, an M.A. in Comparative Religion from Iliff School of Theology, and a B.A. in English from the University of Minnesota Duluth. She pursues projects that highlight the power and agency of everyday people. Religions are often a vital resource for grassroots social action and community engagement, as exemplified by Buddhism in Vietnam. Her projects have received generous grant support from the American Council of Learned Societies; Charlotte W. Newcombe Doctoral Dissertation Fellowship; Fulbright-Hays Doctoral Dissertation Research Abroad (DDRA); and The Robert H. N. Ho Family Foundation Dissertation Fellowship in Buddhist Studies. Swenson's new book, Near Light We Shine: Buddhist Charity in Urban Vietnam (Oxford UP, 2025) is one of the first major ethnographic studies on Buddhism in southern Vietnam, featuring new histories and interpretations of this rich subject. It shares new context for how religious practices affect urban migration, development, and humanitarian concerns, and presents theoretical advancements for understanding grassroots charity. Near Light We Shine offers a diversity of perspectives on grassroots Buddhist practices throughout Vietnam, by featuring interviews that have never been published before from marginalized Buddhist practitioners in Vietnam, such as day laborers, queer men, elderly women, and retired communist soldiers. References mentioned in the interview:  Le Hoang Anh Thu, "Doing Bodhisattva's Work: Charity, Class, and Selfhood of Petty Traders in Hồ Chí Minh City" here Nhung Lu Rots, "Towards an Alternative Buddhist Modernity: Hòa Hảo Charity Healing and Herbal Medicine in the Mekong Delta" here Elizabeth Perez, Religion in the Kitchen here Southeast Asian Studies Summer Institute (SEASSI) at the University of Wisconsin here Van Nguyen-Marshall, Between War and the State: Civil Society in South Vietnam, 1954–1975 here Casey R. Collins, Buddhist Contramodernism: Shinnyo-en's Reconfigurations of Tradition for Modernity here Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/southeast-asian-studies

Sara Swenson is Assistant Professor of Religion and Affiliated Faculty in Asian Societies, Cultures, and Languages at Dartmouth College. Her areas of expertise include Religions of Southeast Asia, Buddhism in Vietnam, Gender and Sexuality, Affect Theory, and Ethnography. She received her Ph.D. in Religion from Syracuse University in 2021. She also holds an M.Phil. in Religion and a Certificate of Advanced Study in Women's and Gender Studies from Syracuse University, an M.A. in Comparative Religion from Iliff School of Theology, and a B.A. in English from the University of Minnesota Duluth. She pursues projects that highlight the power and agency of everyday people. Religions are often a vital resource for grassroots social action and community engagement, as exemplified by Buddhism in Vietnam. Her projects have received generous grant support from the American Council of Learned Societies; Charlotte W. Newcombe Doctoral Dissertation Fellowship; Fulbright-Hays Doctoral Dissertation Research Abroad (DDRA); and The Robert H. N. Ho Family Foundation Dissertation Fellowship in Buddhist Studies. Swenson's new book, Near Light We Shine: Buddhist Charity in Urban Vietnam (Oxford UP, 2025) is one of the first major ethnographic studies on Buddhism in southern Vietnam, featuring new histories and interpretations of this rich subject. It shares new context for how religious practices affect urban migration, development, and humanitarian concerns, and presents theoretical advancements for understanding grassroots charity. Near Light We Shine offers a diversity of perspectives on grassroots Buddhist practices throughout Vietnam, by featuring interviews that have never been published before from marginalized Buddhist practitioners in Vietnam, such as day laborers, queer men, elderly women, and retired communist soldiers. References mentioned in the interview:  Le Hoang Anh Thu, "Doing Bodhisattva's Work: Charity, Class, and Selfhood of Petty Traders in Hồ Chí Minh City" here Nhung Lu Rots, "Towards an Alternative Buddhist Modernity: Hòa Hảo Charity Healing and Herbal Medicine in the Mekong Delta" here Elizabeth Perez, Religion in the Kitchen here Southeast Asian Studies Summer Institute (SEASSI) at the University of Wisconsin here Van Nguyen-Marshall, Between War and the State: Civil Society in South Vietnam, 1954–1975 here Casey R. Collins, Buddhist Contramodernism: Shinnyo-en's Reconfigurations of Tradition for Modernity here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

Persian Paradigms in Early Modern English Drama examines the concept of early modern globality and the development of European toleration discourse through English representations of Persian monarchs and Persianate conceptions of hospitality as paradigms of interreligious and intercultural hospitality for early modern and Shakespearean drama. English playwrights depict Persia and its legendary monarchs, such as Cyrus the Great, Xerxes, and Darius, as alternative figures of cosmopolitanism in the period. By focusing on an archive of plays of Persia staged between 1561 and 1696 in conversation with Shakespeare's works, European peace proposals, legislative acts of toleration, and global traditions of hospitality found in Zoroastrianism, Islam, and the Judeo-Christian traditions, this book pioneers an interdisciplinary methodology, introduces Persianate conceptual lenses for literary analysis of English literature, and constructs capacities to imagine multiple globalities existing in early modernity through a spectrum of imagined and lived experiences on stage and on the ground. Sheiba Kian Kaufman is an Assistant Professor of English at Saddleback College and Lecturer at the University of California, Irvine. She is the author of articles on Shakespeare, Persia, and early modern English drama. She has received fellowships from the UCLA Center for 17th-and 18th Century Studies, Clark Library, the UCI Samuel Jordan Center for Persian Studies and Culture, the UCI Center in Law, Society, and Culture, Somerville College, Oxford, and the American Association of University Women. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Sara Swenson is Assistant Professor of Religion and Affiliated Faculty in Asian Societies, Cultures, and Languages at Dartmouth College. Her areas of expertise include Religions of Southeast Asia, Buddhism in Vietnam, Gender and Sexuality, Affect Theory, and Ethnography. She received her Ph.D. in Religion from Syracuse University in 2021. She also holds an M.Phil. in Religion and a Certificate of Advanced Study in Women's and Gender Studies from Syracuse University, an M.A. in Comparative Religion from Iliff School of Theology, and a B.A. in English from the University of Minnesota Duluth. She pursues projects that highlight the power and agency of everyday people. Religions are often a vital resource for grassroots social action and community engagement, as exemplified by Buddhism in Vietnam. Her projects have received generous grant support from the American Council of Learned Societies; Charlotte W. Newcombe Doctoral Dissertation Fellowship; Fulbright-Hays Doctoral Dissertation Research Abroad (DDRA); and The Robert H. N. Ho Family Foundation Dissertation Fellowship in Buddhist Studies. Swenson's new book, Near Light We Shine: Buddhist Charity in Urban Vietnam (Oxford UP, 2025) is one of the first major ethnographic studies on Buddhism in southern Vietnam, featuring new histories and interpretations of this rich subject. It shares new context for how religious practices affect urban migration, development, and humanitarian concerns, and presents theoretical advancements for understanding grassroots charity. Near Light We Shine offers a diversity of perspectives on grassroots Buddhist practices throughout Vietnam, by featuring interviews that have never been published before from marginalized Buddhist practitioners in Vietnam, such as day laborers, queer men, elderly women, and retired communist soldiers. References mentioned in the interview:  Le Hoang Anh Thu, "Doing Bodhisattva's Work: Charity, Class, and Selfhood of Petty Traders in Hồ Chí Minh City" here Nhung Lu Rots, "Towards an Alternative Buddhist Modernity: Hòa Hảo Charity Healing and Herbal Medicine in the Mekong Delta" here Elizabeth Perez, Religion in the Kitchen here Southeast Asian Studies Summer Institute (SEASSI) at the University of Wisconsin here Van Nguyen-Marshall, Between War and the State: Civil Society in South Vietnam, 1954–1975 here Casey R. Collins, Buddhist Contramodernism: Shinnyo-en's Reconfigurations of Tradition for Modernity here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/buddhist-studies

Empire of Print: Evangelical Power in an Age of Mass Media (Oxford UP, 2025) offers a fresh account of evangelical power by uncovering how the American Tract Society (ATS) leveraged print media to spread its message across an expanding nation. One of the era's largest media corporations and a pillar of the benevolent empire, the ATS circulated some 5.6 billion printed pages between its founding in 1825 and the eve of the Civil War. It wasn't just the volume of materials that mattered—it was the sophisticated media infrastructure that evangelicals developed for their message to reach readers, coast to coast. Media infrastructure refers to the material assemblages that work below the surface of media content, including the format of publications, the avenues of their movement, and the circumstances surrounding their reading. As a non-coercive yet effective form of power, infrastructure shaped how, when, and why readers engaged with evangelical texts. While showing how the ATS became a formidable force in American society during the nineteenth century, Empire of Print opens larger questions about the entanglements among people, things, texts, and institutions, the dynamics of power in a media-saturated world, and the salience of race, class, and region in the distribution and reception of media. Sonia Hazard is an assistant professor in the Department of Religion at Florida State University. This episode's host, Jacob Barrett, is currently a PhD candidate in the Department of Religious Studies at the University of North Carolina at Chapel Hill in the Religion and Culture track. For more information, visit his website here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The crusade movement needed women: their money, their prayer support, their active participation, and their inspiration. Helen J. Nicholson's book Women and the Crusades (Oxford UP, 2023) surveys women's involvement in medieval crusading between the second half of the eleventh century, when Pope Gregory VII first proposed a penitential military expedition to help the Christians of the East, and 1570, when the last crusader state, Cyprus, was captured by the Ottoman Turks. It considers women's actions not only on crusade battlefields but also in recruiting crusaders, supporting crusades through patronage, propaganda, and prayer, and as both defenders and aggressors. It argues that medieval women were deeply involved in the crusades but the roles that they could play and how their contemporaries recorded their deeds were dictated by social convention and cultural expectations. Although its main focus is the women of Latin Christendom, it also looks at the impact of the crusades and crusaders on the Jews of western Europe and the Muslims of the Middle East, and compares relations between Latin Christians and Muslims with relations between Muslims and other Christian groups. Helen J. Nicholson is Professor of Medieval History at Cardiff University, UK. She has published extensively on the crusades, the military orders, and various related subjects, including a translation of a chronicle of the Third Crusade and an edition of the Templar trial proceedings in Britain and Ireland. She has just completed a history of Queen Sybil of Jerusalem (1186-1190). Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

All Things Act explores the collective character of action to expand the ways we think about agency. First, it resists viewing agency as a capacity, much less one exclusive to humans. Instead, it defines agency as an umbrella term for the concrete sociomaterial processes that emerge from the collaborative efforts of multiple entities acting together. Agency isn't the faculty of an individual entity or self; it's always the function of a network or assembly of actors. Second, many of the actors involved in these processes are nonhuman-things without intentions, will, or even awareness. This relational and collective approach adopts a conception of action that doesn't hinge on mental states. To act is to participate in, contribute to, shape, facilitate, organize, constrain, and modify the course of events. This book argues that there's no such thing as an individual action and that agency is collectively distributed across a heterogeneous field of human and nonhuman actors. For readers interested in the link between quantum physics and relational metaphysics, please check out this recorded talk, especially Rovelli's linked here You can also check out his book Helgoland. For a more detailed analysis of why substance metaphysics fail us, see, The Non-Existence of the Real World. For readers interested in wuwei (non-coercive self-organizing communities in nature), please check out Honeybee Democracy, Biocivilisations, and FLUKE. About the urgency of building a non-cruel optimism, check out the classic critique of neoliberal individualism: Cruel Optimism and Psychopolitics and Burnout society. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

All Things Act explores the collective character of action to expand the ways we think about agency. First, it resists viewing agency as a capacity, much less one exclusive to humans. Instead, it defines agency as an umbrella term for the concrete sociomaterial processes that emerge from the collaborative efforts of multiple entities acting together. Agency isn't the faculty of an individual entity or self; it's always the function of a network or assembly of actors. Second, many of the actors involved in these processes are nonhuman-things without intentions, will, or even awareness. This relational and collective approach adopts a conception of action that doesn't hinge on mental states. To act is to participate in, contribute to, shape, facilitate, organize, constrain, and modify the course of events. This book argues that there's no such thing as an individual action and that agency is collectively distributed across a heterogeneous field of human and nonhuman actors. For readers interested in the link between quantum physics and relational metaphysics, please check out this recorded talk, especially Rovelli's linked here You can also check out his book Helgoland. For a more detailed analysis of why substance metaphysics fail us, see, The Non-Existence of the Real World. For readers interested in wuwei (non-coercive self-organizing communities in nature), please check out Honeybee Democracy, Biocivilisations, and FLUKE. About the urgency of building a non-cruel optimism, check out the classic critique of neoliberal individualism: Cruel Optimism and Psychopolitics and Burnout society. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Conventional wisdom holds that tradition and history meant little to nineteenth-century American Protestants, who relied on common sense and "the Bible alone." The Old Faith in a New Nation: American Protestants and the Christian Past (Oxford UP, 2023) challenges this portrayal by recovering evangelical engagement with the Christian past. Even when they appeared to be most scornful toward tradition, most optimistic and forward-looking, and most confident in their grasp of the Bible, evangelicals found themselves returning, time and again, to Christian history. They studied religious historiography, reinterpreted the history of the church, and argued over its implications for the present. Between the Revolution and the Civil War, American Protestants were deeply interested in the meaning of the Christian past. Paul J. Gutacker draws from hundreds of print sources-sermons, books, speeches, legal arguments, political petitions, and more-to show how ordinary educated Americans remembered and used Christian history. Lane Davis is an Instructor of Religion at Huntingdon College. Find him on Twitter @TheeLaneDavis Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

All Things Act explores the collective character of action to expand the ways we think about agency. First, it resists viewing agency as a capacity, much less one exclusive to humans. Instead, it defines agency as an umbrella term for the concrete sociomaterial processes that emerge from the collaborative efforts of multiple entities acting together. Agency isn't the faculty of an individual entity or self; it's always the function of a network or assembly of actors. Second, many of the actors involved in these processes are nonhuman-things without intentions, will, or even awareness. This relational and collective approach adopts a conception of action that doesn't hinge on mental states. To act is to participate in, contribute to, shape, facilitate, organize, constrain, and modify the course of events. This book argues that there's no such thing as an individual action and that agency is collectively distributed across a heterogeneous field of human and nonhuman actors. For readers interested in the link between quantum physics and relational metaphysics, please check out this recorded talk, especially Rovelli's linked here You can also check out his book Helgoland. For a more detailed analysis of why substance metaphysics fail us, see, The Non-Existence of the Real World. For readers interested in wuwei (non-coercive self-organizing communities in nature), please check out Honeybee Democracy, Biocivilisations, and FLUKE. About the urgency of building a non-cruel optimism, check out the classic critique of neoliberal individualism: Cruel Optimism and Psychopolitics and Burnout society. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/buddhist-studies

An eye-opening look at how all American workers, even the highly educated and experienced, are vulnerable to the stigma of unemployment. After receiving a PhD in mathematics from MIT, Larry spent three decades working at prestigious companies in the tech industry. Initially he was not worried when he lost his job as part of a large layoff, but the prolonged unemployment that followed decimated his finances and nearly ended his marriage. Larry's story is not an anomaly. The majority of American workers experience unemployment, and millions get trapped in devastating long-term unemployment, including experienced workers with advanced degrees from top universities. How is it possible for even highly successful careers to suddenly go off the rails? In The Stigma Trap: College-Educated, Experienced, and Long-Term Unemployed (Oxford UP, 2024), Ofer Sharone explains how the stigma of unemployment can render past educational and professional achievements irrelevant, and how it leaves all American workers vulnerable to becoming trapped in unemployment. Drawing on interviews with unemployed workers, job recruiters, and career coaches, Sharone brings to light the subtle ways that stigmatization prevents even the most educated and experienced workers from gaining middle-class jobs. Stigma also means that an American worker risks more than financial calamity from a protracted period of unemployment. One's closest relationships and sense of self are also on the line. Eye-opening and clearly written, The Stigma Trap is essential reading for anyone who has experienced unemployment, has a family member or friend who is unemployed, or who wants to understand the forces that underlie the anxiety-filled lives of contemporary American workers. The book offers a unique approach to supporting unemployed jobseekers. At a broader level it exposes the precarious condition of American workers and sparks a conversation about much-needed policies to assure that we are not all one layoff away from being trapped by stigma. Stephen Pimpare is a Senior Fellow at the Carsey School of Public Policy at the University of New Hampshire. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

An eye-opening look at how all American workers, even the highly educated and experienced, are vulnerable to the stigma of unemployment. After receiving a PhD in mathematics from MIT, Larry spent three decades working at prestigious companies in the tech industry. Initially he was not worried when he lost his job as part of a large layoff, but the prolonged unemployment that followed decimated his finances and nearly ended his marriage. Larry's story is not an anomaly. The majority of American workers experience unemployment, and millions get trapped in devastating long-term unemployment, including experienced workers with advanced degrees from top universities. How is it possible for even highly successful careers to suddenly go off the rails? In The Stigma Trap: College-Educated, Experienced, and Long-Term Unemployed (Oxford UP, 2024), Ofer Sharone explains how the stigma of unemployment can render past educational and professional achievements irrelevant, and how it leaves all American workers vulnerable to becoming trapped in unemployment. Drawing on interviews with unemployed workers, job recruiters, and career coaches, Sharone brings to light the subtle ways that stigmatization prevents even the most educated and experienced workers from gaining middle-class jobs. Stigma also means that an American worker risks more than financial calamity from a protracted period of unemployment. One's closest relationships and sense of self are also on the line. Eye-opening and clearly written, The Stigma Trap is essential reading for anyone who has experienced unemployment, has a family member or friend who is unemployed, or who wants to understand the forces that underlie the anxiety-filled lives of contemporary American workers. The book offers a unique approach to supporting unemployed jobseekers. At a broader level it exposes the precarious condition of American workers and sparks a conversation about much-needed policies to assure that we are not all one layoff away from being trapped by stigma. Stephen Pimpare is a Senior Fellow at the Carsey School of Public Policy at the University of New Hampshire. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

In the oceans of ink devoted to the monumental movie star/businesswoman/political activist Elizabeth Rosemond Taylor (1932-2011), her beauty and not-so-private life frequently overshadowed her movies. While she knew how to generate publicity like no other, her personal life is set aside in this volume in favor of her professional oeuvre and unique screen dynamism. In On Elizabeth Taylor: An Opinionated Guide (Oxford UP, 2024), her marriages, illnesses, media firestorms, perfume empire, violet eyes, and AIDS advocacy take a back seat to Elizabeth Taylor, the actress. Taylor's big screen credits span over fifty years, from her pre-adolescent debut in There's One Born Every Minute (1942) to her cameo in The Flintstones (1994). She worked steadily in everything from the biggest production in film history (Cleopatra in 1963) to a humble daytime TV soap opera (General Hospital in 1981). Each of her sixty-seven film appearances is recapped here with background on their inception, production, release, and critical and financial outcome. On Elizabeth Taylor: An Opinionated Guide is a cradle-to-grave chronology of Taylor's life, noting key events, achievements, and milestones. This book offers a work-by-work analysis of her entire career told in chronological order, each film headlined with year of release, distributing studio, and director. This in-depth overview provides an invaluable new way of understanding Taylor's full life and work, as well as the history and nuances of the film industry as it existed in the twentieth century. Kennedy engagingly reassesses Taylor's acting and the nuances she brought to the screen - this includes a consideration of her specific art, the development of her voice, her relationship to the camera, and her canny understanding of the effect she had on audiences worldwide. Kennedy also provides an elucidating guide to her entire filmography, one that speaks to the quality of her performances, their contours and shading, and their context within her extraordinary life and career. On Elizabeth Taylor is a beautifully comprehensive overview of a singular actress of the twentieth century, offering new ways to see and appreciate her skill and peerless charisma, in turn placing her among the greatest film stars of all time. Matthew Kennedy is a film historian based in Oakland, California. He is the author of Roadshow! The Fall of Film Musicals in the 1960s, biographies of actresses Marie Dressler and Joan Blondell, and of director-screenwriter Edmund Goulding. He has introduced film series at the Museum of Modern Art, UCLA Film & Television Archive, and Pacific Film Archive, and written for the San Francisco Silent Film Festival, Turner Classic Movies, and the National Film Registry. He is currently host and curator of the CinemaLit series at the Mechanics' Institute Library in San Francisco. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the oceans of ink devoted to the monumental movie star/businesswoman/political activist Elizabeth Rosemond Taylor (1932-2011), her beauty and not-so-private life frequently overshadowed her movies. While she knew how to generate publicity like no other, her personal life is set aside in this volume in favor of her professional oeuvre and unique screen dynamism. In On Elizabeth Taylor: An Opinionated Guide (Oxford UP, 2024), her marriages, illnesses, media firestorms, perfume empire, violet eyes, and AIDS advocacy take a back seat to Elizabeth Taylor, the actress. Taylor's big screen credits span over fifty years, from her pre-adolescent debut in There's One Born Every Minute (1942) to her cameo in The Flintstones (1994). She worked steadily in everything from the biggest production in film history (Cleopatra in 1963) to a humble daytime TV soap opera (General Hospital in 1981). Each of her sixty-seven film appearances is recapped here with background on their inception, production, release, and critical and financial outcome. On Elizabeth Taylor: An Opinionated Guide is a cradle-to-grave chronology of Taylor's life, noting key events, achievements, and milestones. This book offers a work-by-work analysis of her entire career told in chronological order, each film headlined with year of release, distributing studio, and director. This in-depth overview provides an invaluable new way of understanding Taylor's full life and work, as well as the history and nuances of the film industry as it existed in the twentieth century. Kennedy engagingly reassesses Taylor's acting and the nuances she brought to the screen - this includes a consideration of her specific art, the development of her voice, her relationship to the camera, and her canny understanding of the effect she had on audiences worldwide. Kennedy also provides an elucidating guide to her entire filmography, one that speaks to the quality of her performances, their contours and shading, and their context within her extraordinary life and career. On Elizabeth Taylor is a beautifully comprehensive overview of a singular actress of the twentieth century, offering new ways to see and appreciate her skill and peerless charisma, in turn placing her among the greatest film stars of all time. Matthew Kennedy is a film historian based in Oakland, California. He is the author of Roadshow! The Fall of Film Musicals in the 1960s, biographies of actresses Marie Dressler and Joan Blondell, and of director-screenwriter Edmund Goulding. He has introduced film series at the Museum of Modern Art, UCLA Film & Television Archive, and Pacific Film Archive, and written for the San Francisco Silent Film Festival, Turner Classic Movies, and the National Film Registry. He is currently host and curator of the CinemaLit series at the Mechanics' Institute Library in San Francisco. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In the oceans of ink devoted to the monumental movie star/businesswoman/political activist Elizabeth Rosemond Taylor (1932-2011), her beauty and not-so-private life frequently overshadowed her movies. While she knew how to generate publicity like no other, her personal life is set aside in this volume in favor of her professional oeuvre and unique screen dynamism. In On Elizabeth Taylor: An Opinionated Guide (Oxford UP, 2024), her marriages, illnesses, media firestorms, perfume empire, violet eyes, and AIDS advocacy take a back seat to Elizabeth Taylor, the actress. Taylor's big screen credits span over fifty years, from her pre-adolescent debut in There's One Born Every Minute (1942) to her cameo in The Flintstones (1994). She worked steadily in everything from the biggest production in film history (Cleopatra in 1963) to a humble daytime TV soap opera (General Hospital in 1981). Each of her sixty-seven film appearances is recapped here with background on their inception, production, release, and critical and financial outcome. On Elizabeth Taylor: An Opinionated Guide is a cradle-to-grave chronology of Taylor's life, noting key events, achievements, and milestones. This book offers a work-by-work analysis of her entire career told in chronological order, each film headlined with year of release, distributing studio, and director. This in-depth overview provides an invaluable new way of understanding Taylor's full life and work, as well as the history and nuances of the film industry as it existed in the twentieth century. Kennedy engagingly reassesses Taylor's acting and the nuances she brought to the screen - this includes a consideration of her specific art, the development of her voice, her relationship to the camera, and her canny understanding of the effect she had on audiences worldwide. Kennedy also provides an elucidating guide to her entire filmography, one that speaks to the quality of her performances, their contours and shading, and their context within her extraordinary life and career. On Elizabeth Taylor is a beautifully comprehensive overview of a singular actress of the twentieth century, offering new ways to see and appreciate her skill and peerless charisma, in turn placing her among the greatest film stars of all time. Matthew Kennedy is a film historian based in Oakland, California. He is the author of Roadshow! The Fall of Film Musicals in the 1960s, biographies of actresses Marie Dressler and Joan Blondell, and of director-screenwriter Edmund Goulding. He has introduced film series at the Museum of Modern Art, UCLA Film & Television Archive, and Pacific Film Archive, and written for the San Francisco Silent Film Festival, Turner Classic Movies, and the National Film Registry. He is currently host and curator of the CinemaLit series at the Mechanics' Institute Library in San Francisco. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Persian Paradigms in Early Modern English Drama examines the concept of early modern globality and the development of European toleration discourse through English representations of Persian monarchs and Persianate conceptions of hospitality as paradigms of interreligious and intercultural hospitality for early modern and Shakespearean drama. English playwrights depict Persia and its legendary monarchs, such as Cyrus the Great, Xerxes, and Darius, as alternative figures of cosmopolitanism in the period. By focusing on an archive of plays of Persia staged between 1561 and 1696 in conversation with Shakespeare's works, European peace proposals, legislative acts of toleration, and global traditions of hospitality found in Zoroastrianism, Islam, and the Judeo-Christian traditions, this book pioneers an interdisciplinary methodology, introduces Persianate conceptual lenses for literary analysis of English literature, and constructs capacities to imagine multiple globalities existing in early modernity through a spectrum of imagined and lived experiences on stage and on the ground. Sheiba Kian Kaufman is an Assistant Professor of English at Saddleback College and Lecturer at the University of California, Irvine. She is the author of articles on Shakespeare, Persia, and early modern English drama. She has received fellowships from the UCLA Center for 17th-and 18th Century Studies, Clark Library, the UCI Samuel Jordan Center for Persian Studies and Culture, the UCI Center in Law, Society, and Culture, Somerville College, Oxford, and the American Association of University Women. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

Persian Paradigms in Early Modern English Drama examines the concept of early modern globality and the development of European toleration discourse through English representations of Persian monarchs and Persianate conceptions of hospitality as paradigms of interreligious and intercultural hospitality for early modern and Shakespearean drama. English playwrights depict Persia and its legendary monarchs, such as Cyrus the Great, Xerxes, and Darius, as alternative figures of cosmopolitanism in the period. By focusing on an archive of plays of Persia staged between 1561 and 1696 in conversation with Shakespeare's works, European peace proposals, legislative acts of toleration, and global traditions of hospitality found in Zoroastrianism, Islam, and the Judeo-Christian traditions, this book pioneers an interdisciplinary methodology, introduces Persianate conceptual lenses for literary analysis of English literature, and constructs capacities to imagine multiple globalities existing in early modernity through a spectrum of imagined and lived experiences on stage and on the ground. Sheiba Kian Kaufman is an Assistant Professor of English at Saddleback College and Lecturer at the University of California, Irvine. She is the author of articles on Shakespeare, Persia, and early modern English drama. She has received fellowships from the UCLA Center for 17th-and 18th Century Studies, Clark Library, the UCI Samuel Jordan Center for Persian Studies and Culture, the UCI Center in Law, Society, and Culture, Somerville College, Oxford, and the American Association of University Women. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The crusade movement needed women: their money, their prayer support, their active participation, and their inspiration. Helen J. Nicholson's book Women and the Crusades (Oxford UP, 2023) surveys women's involvement in medieval crusading between the second half of the eleventh century, when Pope Gregory VII first proposed a penitential military expedition to help the Christians of the East, and 1570, when the last crusader state, Cyprus, was captured by the Ottoman Turks. It considers women's actions not only on crusade battlefields but also in recruiting crusaders, supporting crusades through patronage, propaganda, and prayer, and as both defenders and aggressors. It argues that medieval women were deeply involved in the crusades but the roles that they could play and how their contemporaries recorded their deeds were dictated by social convention and cultural expectations. Although its main focus is the women of Latin Christendom, it also looks at the impact of the crusades and crusaders on the Jews of western Europe and the Muslims of the Middle East, and compares relations between Latin Christians and Muslims with relations between Muslims and other Christian groups. Helen J. Nicholson is Professor of Medieval History at Cardiff University, UK. She has published extensively on the crusades, the military orders, and various related subjects, including a translation of a chronicle of the Third Crusade and an edition of the Templar trial proceedings in Britain and Ireland. She has just completed a history of Queen Sybil of Jerusalem (1186-1190). Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

Persian Paradigms in Early Modern English Drama examines the concept of early modern globality and the development of European toleration discourse through English representations of Persian monarchs and Persianate conceptions of hospitality as paradigms of interreligious and intercultural hospitality for early modern and Shakespearean drama. English playwrights depict Persia and its legendary monarchs, such as Cyrus the Great, Xerxes, and Darius, as alternative figures of cosmopolitanism in the period. By focusing on an archive of plays of Persia staged between 1561 and 1696 in conversation with Shakespeare's works, European peace proposals, legislative acts of toleration, and global traditions of hospitality found in Zoroastrianism, Islam, and the Judeo-Christian traditions, this book pioneers an interdisciplinary methodology, introduces Persianate conceptual lenses for literary analysis of English literature, and constructs capacities to imagine multiple globalities existing in early modernity through a spectrum of imagined and lived experiences on stage and on the ground. Sheiba Kian Kaufman is an Assistant Professor of English at Saddleback College and Lecturer at the University of California, Irvine. She is the author of articles on Shakespeare, Persia, and early modern English drama. She has received fellowships from the UCLA Center for 17th-and 18th Century Studies, Clark Library, the UCI Samuel Jordan Center for Persian Studies and Culture, the UCI Center in Law, Society, and Culture, Somerville College, Oxford, and the American Association of University Women. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The crusade movement needed women: their money, their prayer support, their active participation, and their inspiration. Helen J. Nicholson's book Women and the Crusades (Oxford UP, 2023) surveys women's involvement in medieval crusading between the second half of the eleventh century, when Pope Gregory VII first proposed a penitential military expedition to help the Christians of the East, and 1570, when the last crusader state, Cyprus, was captured by the Ottoman Turks. It considers women's actions not only on crusade battlefields but also in recruiting crusaders, supporting crusades through patronage, propaganda, and prayer, and as both defenders and aggressors. It argues that medieval women were deeply involved in the crusades but the roles that they could play and how their contemporaries recorded their deeds were dictated by social convention and cultural expectations. Although its main focus is the women of Latin Christendom, it also looks at the impact of the crusades and crusaders on the Jews of western Europe and the Muslims of the Middle East, and compares relations between Latin Christians and Muslims with relations between Muslims and other Christian groups. Helen J. Nicholson is Professor of Medieval History at Cardiff University, UK. She has published extensively on the crusades, the military orders, and various related subjects, including a translation of a chronicle of the Third Crusade and an edition of the Templar trial proceedings in Britain and Ireland. She has just completed a history of Queen Sybil of Jerusalem (1186-1190). Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

How can we—jazz fans, musicians, writers, and historians—understand the legacy and impact of a musician like Dave Brubeck? It is undeniable that Brubeck leveraged his fame as a jazz musician and status as a composer for social justice causes, and in doing so, held to a belief system that, during the civil rights movement, modeled a progressive approach to race and race relations. It is also true that it took Brubeck, like others, some time to understand the full spectrum of racial power dynamics at play in post-WWII, early Cold War, and civil rights-era America. Dave Brubeck and the Performance of Whiteness (Oxford UP, 2023) uses Brubeck's performances of whiteness across his professional, private, and political lives as a starting point to understand the ways in which whiteness, privilege, and white supremacy more fully manifested in mid-century America. How is whiteness performed and re-performed? How do particular traits become inscribed with whiteness, and further, how do those traits, now racialized in a listener's mind, filter the sounds a listener hears? To what extent was Brubeck's whiteness made by others? How did audiences and critics use Brubeck to craft their own identities centered in whiteness? Drawing on archival records, recordings, and previously conducted interviews, Dave Brubeck and the Performance of Whiteness listens closely for the complex and shifting frames of mid-century whiteness, and how they shaped the experiences of Brubeck's critics, audiences, and Brubeck himself. Throughout, author Kelsey Klotz asks what happens when a musician tries to intervene, using his privilege as a tool with which to disrupt structures of white supremacy, even as whiteness continues to retain its hold on its beneficiaries. Nathan Smith is a PhD Student in Music Theory at Yale University (nathan.smith@yale.edu). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Conventional wisdom holds that tradition and history meant little to nineteenth-century American Protestants, who relied on common sense and "the Bible alone." The Old Faith in a New Nation: American Protestants and the Christian Past (Oxford UP, 2023) challenges this portrayal by recovering evangelical engagement with the Christian past. Even when they appeared to be most scornful toward tradition, most optimistic and forward-looking, and most confident in their grasp of the Bible, evangelicals found themselves returning, time and again, to Christian history. They studied religious historiography, reinterpreted the history of the church, and argued over its implications for the present. Between the Revolution and the Civil War, American Protestants were deeply interested in the meaning of the Christian past. Paul J. Gutacker draws from hundreds of print sources-sermons, books, speeches, legal arguments, political petitions, and more-to show how ordinary educated Americans remembered and used Christian history. Lane Davis is an Instructor of Religion at Huntingdon College. Find him on Twitter @TheeLaneDavis Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Many women wrote philosophy in nineteenth-century Britain, and they wrote across the full range of philosophical topics. Yet these important women thinkers have been left out of the philosophical canon and many of them are barely known today. The aim of Women Philosophers in Nineteenth-Century Britain (Oxford UP, 2023) is to put them back on the map. It introduces twelve women philosophers - Mary Shepherd, Harriet Martineau, Ada Lovelace, George Eliot, Frances Power Cobbe, Helena Blavatsky, Julia Wedgwood, Victoria Welby, Arabella Buckley, Annie Besant, Vernon Lee, and Constance Naden. Alison Stone looks at their views on naturalism, philosophy of mind, evolution, morality and religion, and progress in history. She shows how these women interacted and developed their philosophical views in conversation with one another, not only with their male contemporaries. The rich print and periodical culture of the period enabled these women to publish philosophy in forms accessible to a general readership, despite the restrictions women faced, such as having limited or no access to university education. Stone explains how these women became excluded from the history of philosophy because there was a cultural shift at the end of the nineteenth century towards specialised forms of philosophical writing, which depended on academic credentials that were still largely unavailable to women. Alison Stone is a British philosopher. She is a Professor of European Philosophy in the Department of Politics, Philosophy and Religion at Lancaster University, UK. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

William Sandys was an antiquarian who published a collection of Christmas carols in the 19th century that turned out to be really influential. Research: Archambo, Shelley Batt. “The Development of the English Carol Through the Fifteenth Century.” The Choral Journal, OCTOBER 1986, Vol. 27, No. 3. Via JSTOR. https://www.jstor.org/stable/23547224REFERENCES Brain, Jessica. “History of Christmas Carols.” Historic UK. 12/13/2024. https://www.historic-uk.com/CultureUK/History-Christmas-Carols/ “Carol, N.” Oxford English Dictionary, Oxford UP, June 2025, https://doi.org/10.1093/OED/1684298837. Carter, Michael. “The origins of Christmas carols.” English Heritage. https://www.english-heritage.org.uk/visit/inspire-me/origins-of-christmas-carols/ Cartwright, Mark. "The History of Christmas Carols." World History Encyclopedia. World History Encyclopedia, 05 Dec 2023, https://www.worldhistory.org/article/2339/the-history-of-christmas-carols/. Web. 03 Dec 2025. Davey, Henry, and Elizabeth Baigent. "Sandys, William (1792–1874), writer on music and antiquary." Oxford Dictionary of National Biography. September 23, 2004. Oxford University Press. Date of access 3 Dec. 2025, https://www.oxforddnb.com/view/10.1093/ref:odnb/9780198614128.001.0001/odnb-9780198614128-e-24654 Ditchfield, Peter Hampson. “Old English customs extant at the present time; an account of local observances.” London, G. Redway. 1896. https://archive.org/details/studentshistoryo00gardrich Dreamer, Percy R. et al. “The Oxford Book Of Carols.” Oxford University Press. 1928. English Heritage. “A Brief History of Christmas Carols.” https://www.english-heritage.org.uk/members-area/members-magazine/podcast-extras/history-of-carols/ Sandys, William. “Christmas carols, ancient and modern; including the most popular in the west of England, and the airs to which they are sung. Also specimens of French provincial carols. With an introduction and notes.” London, R. Beckley. 1833. https://archive.org/details/christmascarolsa00sandrich/mode/1up Sandys, William. “Christmastide: Its History, Festivities and Carols.” London: John Russell Smith. 1860. https://archive.org/details/christmastideits00sandrich/ The Law Bod Blog. “Heading towards Christmas.” 12/2/2013. https://blogs.bodleian.ox.ac.uk/lawbod/2013/12/02/heading-towards-christmas/ Huxtable, Sally-Anne. “Wassailing: ritual and revelry.” National Trust. https://www.nationaltrust.org.uk/discover/history/art-collections/wassailing-ritual-and-revelry See omnystudio.com/listener for privacy information.