Directed by Keena Ferguson One family deals with racism in the Jim Crow South months before the Civil Rights Movement begins
Andre Phillip Coleman . Directed by Keena Ferguson
The Blackbirds: Volume 1 is an outstanding podcast that transports listeners deep into the lives of a family in the Deep South. The writing, production, and performances all come together to create an audio play that is truly captivating. The narrator and voice actors deliver exceptional performances that are moving, hilarious, and gripping. The writing itself is flawless, leaving listeners wanting more with each episode. The plot device surrounding the television in the story is also brilliant, adding another layer of depth to the narrative.
One of the best aspects of The Blackbirds: Volume 1 is the vivid production and great cast. The attention to detail in creating a realistic and immersive environment for listeners is commendable. Each scene feels so vivid that it often feels like being right there with the characters, observing their lives firsthand. The talented voice actors bring the characters to life in a way that makes them feel like real people with whom you form a genuine connection.
Another standout aspect of this podcast is its timeliness and relevance. While set in a past era, it sheds light on issues faced by black families in the South - issues that continue to persist today. The story tackles themes of racism, survival, and resilience, portraying the dramatic reality lived by these families. It serves as a reminder of their strength and ability to overcome adversity.
While it's challenging to find any significant flaws in The Blackbirds: Volume 1, one small criticism could be that it leaves you wanting even more. With its excellent writing and engaging characters, it's easy to become invested in their lives and want to know what happens next. However, this only speaks to how well-crafted the storytelling is and leaves audiences eagerly awaiting Volume 2.
In conclusion, The Blackbirds: Volume 1 is a must-listen podcast for every American. Its excellence in writing, production, and performances make it stand out amongst other audio dramas available today. It tells a captivating story of a family in the Deep South, addressing important themes and providing a glimpse into their lives. This podcast is a true work of art that deserves the attention and recognition it has received.
This mini episode not only serves as a bridge and a preview of Season 2, but it also marks the end of an era for the show so I wanted the characters to mark that passing. How we got here will is the question that needs to be answered.
Season one finale. Season two schedule coming soon.I was interviewed on TaeTalk last week, and was asked about Black trauma and how many Black projects seems to rely on it. At that point, the host had not heard this episode. While I don't like projects that rely on it, this ending is where Blackbirds: Volume 1 was always headed.It's a haunting tale of loss. Robert loses his innocence when his brother is killed and Joshua loses his at roughly the same age years later. It was hard editing this episode. At the end, it felt like the weight of completing the episode was removed, but the heavier weight of Joshua's pain and suffering was heaped upon them. Thanks for taking the journey so far - it will continue.My TaeTalk appearance has not been posted yet. When it is, it will appear here. Make sure to check it out.
What happened to Phillip? Joshua finally has an answer for Mrs. Harrell. In this episodes we begin to see the impacts that the television is having on the family.
Robert got the TV, but now what. Meanwhile, Joshua gets some advice on Mrs. Harrell. This episode is a companion piece to Episode 2. Episode 2 in part dealt with how Robert was treated by white people while trying to buy the television. Episode 3 shifts to a different point. Here we see a response from some of his Black neighbors.About that N word. It was in the script. I wrestled with it and then changed it and it still ran around in my head. I put it back in because I felt in the moment, yes Leona would say that. The art, in this case the story, has to be honest, and as soon as Keena said it in studio it felt real, it felt like the confrontation built to that moment. Fun fact - when the talented Ricco Ross, who plays Edgar and Rev. Johnson. submitted his clips the first time, they had an echo to them. He resubmitted, but when I listened to Reverend Johnson with that reverb it sounded perfect. Sometimes the accidents are happy accidents that work in our favor.
I love this episode. Kareem really brings it on as Robert. The idea here and what I wanted to key on was what does it mean to be a Black man every day in America. That was the primary theme, but the secondary theme was about being powerless. Robert is powerless to change his past, powerless to deal with the racism he faces and finally he is powerless, for a time, in dealing with his feelings. The background voices and sounds were fun to play with. The alley scene with Milton was hard and traumatic to write at some points, but this is the abuse, fear and victimization that Black people could face at any moment in the deep south.What did you think about this episode .. drop me a line and let me know.
The McCrays are a typical Black family in Dernier, LA, but as summer begins circa 1956, just months before the Civil Rights Movement kicks into full gear, fate will change the family forever. Notes: The opening is still hard for me to listen to. According to the NAACP, from 1882-1968, there were 4,743 recorded lynchings in the United States. Who knows how many went unrecorded. The methods were brutal. Black men and women and children were hanged, burned, dragged and drowned.Sadly in many instances, their bodies then became exhibition as lynching parties posed for pictures near their handiwork. In some cases, parts of the body were taken as souvenirs.I wanted to capture the impacts of that violence and put all the pain and anguish in one character. I wrote it, but Sabah's Sabah El-Amin made it come alive. Her voice is haunting and tragic as she does the opening. From there, opening a window into this family was easy, but the lynching never left me as I was writing. As a child I was plagued by nightmares from my own family tragedy. I know what it's like to be haunted. For more information on lynchings visit: https://www.naacp.org/history-of-lynchings/To comment visit: BlackbirdsV1@gmail.com
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