Podcasts about Color

Founded in London in the 19th century, Liberty has always been known for its embrace of bold and daring style. Oscar Wilde called it “the chosen resort of the artistic shopper,” a reputation that stuck for 150 years—today, Liberty is one of the most-visited stores in London. In recent years, the brand has been known more for fashion than home, but head of design for Liberty Interiors Genevieve Bennett has been tasked to revitalize the interiors fabric business, and she's been on a tear, overseeing new collections that tap the company's incredible archive while looking ahead to the future.  In this episode, host Dennis Scully speaks with Bennett about how Liberty approaches design for different regions around the world, why they're being cautious about performance fabrics, and the good news that color and pattern are officially back.   This episode is sponsored by Ernesta and KohlerLINKSLiberty InteriorsGenevieve BennettDennis ScullyBusiness of Home

GOP endorsed Gubernatorial candidate Kendall Qualls joins to discuss his thoughts on the endorsement process, fraud in MN, and his plan to hold individuals accountable. Jon turns his attention to Medicaid fraud and the real-world impacts in Minnesota. Jon looks at the latest UFO file release.See omnystudio.com/listener for privacy information.

Send us Fan MailPsalms 1 and 2 serve as the introduction to the entire book of Psalms, giving readers the lens through which the rest of the collection should be understood.In this episode, we explore the two paths presented in Psalm 1. The righteous delight in God's Torah, meditate on it day and night, and become like a fruitful tree planted by streams of water. In contrast, the wicked reject God's instruction and ultimately face judgment. Right from the opening psalm, readers are confronted with a choice: Which path will they follow?Psalm 2 then shifts our attention from individuals to nations and kings. The rulers of the earth rebel against God and His purposes, believing they can throw off His authority. Yet God's response is clear: He has established His King, and no earthly power can overturn His plans. While human kingdoms rise and fall, God's King will ultimately reign overall.Together, Psalms 1 and 2 provide the foundation for the entire book. Parents, this summer we want to challenge you to read through the Psalms with your children. As you read, encourage them to listen for the vivid images and pictures found throughout the poems. Have them draw what they hear and then ask a simple question: "What does this teach us about God?" For an extra challenge, choose one psalm and memorize it together as a family. These ancient songs were meant to be remembered, prayed, and carried in the hearts of God's people.If you want the FREE hand outs that go along with this series, sign up for our newsletter at our website. Our website is The Context and Color of the BibleWe are on Facebook - The Context and Color of the Bible | FacebookWe are on Instagram - @contextandcolorofthebibleWe are on YouTube - The Context and Color of the Bible - YouTubeMusic: Tabuk by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/4453-tabukLicense: http://creativecommons.org/licenses/by/4.0/

“Byzantine Jesus Drag.” In this episode, your hosts Martyr (@dragthemartyr) and Cate (@ctepper) celebrate the first episode of their 2026 Pride series with Intrusive Thot & White Woman of Color, Bertha Vanayshun! First they discuss “Drag History Hour,” becoming a drag mom, getting scammed, and drag competitions and making people cry. Later they talk about Candace Owens, dirty soda, stolen valor, Gen Z, “RuPaul's Drag Race” and more! + Follow our guest: @BerthaVNYC on all social media, and @DragHistoryMinute on TikTok and Instagram + Catch up with the first time Bertha came to the show: https://pod.link/1460638348/episode/aa44eba318458921afea768d751b6b6f ~ Follow the pod on Instagram and Facebook @wiggingoutpodcast and on twitter @wiggingoutpod Thots, comments, and dick pics? Please send to dragthemartyr@gmail.com Cover art: Madeline De Michele - www.madelinedemichele.com Music: “Club” by Andrew Huang (www.youtube.com/channel/UCdcemy56JtVTrsFIOoqvV8g) under Creative Commons. Edits by C.Tepper

Time to grab a drink and BE NICE. This week the boys bring back best boy River Butcher to talk all things Roadhouse, with Patrick Swayze, and The Color of Money, directed by Martin Scorsese and starring Paul Newman and Tom Cruise. The fellas also talk about Fight Club, Sorry Baby, Hamnet, Widows Bay, and Carolina Caroline

Just when you think Spider-Man has lost all novelty, “Spider-Noir” finds its spark by going backward into smoke, shadow, bruised conscience, silly accents, and old Hollywood fatalism. It's still a comic-book story, complete with masks, villains, superpowers, and a hero trying to decide whether he can outrun the thing he was built to become, but its real trick is tonal. The series treats noir not as a costume rack, but as an emotional statement.On this episode of Bingeworthy, host Mike DeAngelo is joined by writer, producer, and showrunner Oren Uziel to talk about Season 1 of “Spider-Noir,” the live-action Marvel/Sony series starring Nicolas Cage as Ben Reilly (No, not Peter Parker), a washed-up private investigator in 1930s New York forced to confront his past as the masked vigilante known as The Spider. The series, which is now streaming on Prime Video after its MGM+ debut, also stars Lamorne Morris, Li Jun Li, Karen Rodriguez, Brendan Gleeson, Jack Huston, and more.

Even the classics can do with a fresh look once in a while....On this very special episode we're diving into what just might be the hottest new show of the season and it's gorgeous visual stylings.  It's time for 'Spider-Noir'.Ben Reilly (Nicolas Cage), a seasoned, down-on-his-luck private investigator in 1930s New York, is forced to grapple with his past life, following a deeply personal tragedy, as the city's one and only superhero.Like a shot of adrenaline into a familiar franchise, 'Spider-Noir" couldn't have come at a better time and comes with some unique visual trappings that make it stand out from the rest.  This show was shot so that it would like amazing not only color, but in Black and White as well....and contrary to popular belief there's more to it then flipping a switch or pressing a button.That's where cinematographers Darran Tiernan and Peter Deming come in.  Both men were kind enough to sit down with me to talk about the in's and out's of shooting a show that is very much a love letter to the classics Film Noir's that looked amazing in both Color and B&W.  We talked about all that and so very much more.'Spider-Noir' is available on Prime Video now.

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As Spin Off nears 50 years old, editor Pamela K. Schultz sees herself as the host of a wonderful spinning party that welcomes one and all. Taking a day off from the grind of law school, Pamela Schultz visited an art fair and saw a spinner with a spinning wheel. A longtime knitter, she had resisted suggestions that she learn to spin, but the rhythm of treadling and drafting offered an antidote to her stress. She had a few hiccups at the beginning, fighting against unsuitable fiber and unloved tools, but eventually she was hooked. Within a few years of learning to spin, as her passions for spinning and other crafts grew, Pamela found herself teaching others to spin using resources from Spin Off's website. When she had the opportunity to deepen her craft, she dove deeply into not only knitting and spinning but also weaving and other fibery explorations. In 2024 she became Spin Off's content editor and in 2025 took the helm. Pamela keeps in mind those experiences as a beginning spinner and a teacher of beginners as she develops the editorial plans for Spin Off's magazine, website, and video offerings. She describes what goes into building a balanced issue—inspiration, project patterns, tutorials, and community— and what it takes to bring it all to life. For a publication nearing 50 years, Spin Off focuses on finding the right balance of foundational basics, brain-tickling invitations to exploration, and rigorous deep dives into spinning technique. In this episode, hear Pamela's take on the particular joy spinners take in sharing our craft, find out what a first-timer at SOAR should know, and learn about the free resources from teaching guides to video courses that Spin Off offers alongside the magazine. Links Spin Off website Spin Off Autumn Retreat (SOAR) The Spinning Teacher A Twist on Color braid-spinning course with Kate Larson (free video on YouTube and the Spin Off site), with a full course available The Great Aspineration teaching resources are available at learntospin.com This episode is brought to you by: Treenway Silks is where weavers, spinners, knitters and stitchers find the silk they love. Select from the largest variety of silk spinning fibers, silk yarn, and silk threads & ribbons at TreenwaySilks.com. You'll discover a rainbow of colors, thoughtfully hand-dyed in Colorado. Love natural? Treenway's array of wild silks provide choices beyond white. If you love silk, you'll love Treenway Silks, where superior quality and customer service are guaranteed. “Hi, I'm Gabi van Tassell from Bluebonnet Crafters, and I'm the inventor of TURTLE pin looms. Pin looms are small, handheld looms that quickly weave self-contained fabric pieces like squares, hexagons, and more. Weave them with almost any yarn you have on hand, then combine them into projects of any size. They make a wonderful companion for any fiber lover, at home or on the go. I'd love for you to visit us at turtleloom.com to explore the full loom catalog, patterns, and more. Hope to see you there.”

  ---- 1 - Deradoorian - Ready for Heaven - Set Me Free 2 - Ana Roxanne - Poem 1 - Wishful (draft) 3 - Cate Le Bon - Michelangelo Dying - Is It Worth It (Happy Birthday)?  4 - Shannon Lay - Past the Veil - Past The Veil 5 - Julia Jacklin - Crushing - Body  6 - Loma - Loma - Black Willow 7 - Seu Jorge - The Other Side - River Man (Nick Drake) (feat. Beck)   8 - Widowspeak - Roses - Hourglass 9 - Natalie Jane Hill - Hopeful Woman - Blue is the Color of My Sun 10 - Haylie Davis - Wandering Star - Mourning Dove 11 - Ellie O'Neill - Time of Fallow - Silent Water 12 - John Carroll Kirby - Piano Works 2016-2026 - Valentino 13 - Eartheater - Heavenly Body: If I'm The Bottle You're The Message - Nova 14 - Holland Andrews, Methods Body - Remain - Lightning Rod 15 - Emile Mosseri & Hand Habits - Your Lemon - Joyful Girl ---- 16 - Brennt Vanneste - Collection of Goodbyes: Escapades III - Anymore 17 - Carla Dal Forno - Confession - Gave You Up 18 - Dagmar Zuniga - In Filth Your Mystery is Kingdom / Far Smile Peasant in Yellow Music - Even God Gets Stuck In Devotion (ft. Austyn Wohlers) 19 - Ganavya & Jahnavi Harrison - The Bee 20 - F.S.Blumm - WELLEN FORMEN - Clock Dance 21 - Ida Urd - Sunflower - Lately 22 - Dermot Henry - Aiming Torches At The Sun - All The Things 23 - Shabason & Krgovich - Four Days in June - Begin Again 24 - Reckonwrong - How Long Has it Been? - Two Lovers 25 - Oliver Coates - The History Of Sound (OST) - Suitcase of Cylinders (feat. Briana Middleton) 26 - José Afonso - Como Se Fora Seu Filho - Eu Dizia 27 - Sarah Davachi - The Will of Tongues - Songs of the Smile's Fig: III. Follies 28 - Eluvium - Virga III - The Fires At Night 29 - Tomo Katsurada and Jonny Nash - At The Emerald Pool - Sunshower Rite 

Listen and subscribe to Money Making Conversations on iHeartRadio, Apple Podcasts, Spotify, www.moneymakingconversations.com/subscribe/ or wherever you listen to podcasts. New Money Making Conversations episodes drop daily. I want to alert you, so you don’t miss out on expert analysis and insider perspectives from my guests who provide tips that can help you uplift the community, improve your financial planning, motivation, or advice on how to be a successful entrepreneur. Keep winning! Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Sahra S. Halpern. Interview Purpose The purpose of this interview is to educate small business owners—especially entrepreneurs of color—about equitable access to capital, alternative lending pathways, and how to become “capital ready.” Sahra Halpern, President and CEO of the Business Consortium Fund (BCF), explains how mission‑driven lending fills the gap left by traditional banks and helps small businesses survive, grow, and ultimately graduate into mainstream financing. The conversation also aims to demystify lending, reduce fear around capital, and encourage entrepreneurs to build trusted financial relationships before entering moments of crisis. Core Themes Discussed 1. Why Small Businesses Are Turned Down by Banks Halpern explains that many small businesses are rejected by banks not because they lack potential, but because banks operate under strict underwriting and regulatory requirements. These systems often fail to account for resilience, experience, contracts, and future growth. BCF exists to serve as a bridge—supporting businesses where banks cannot and preparing them to eventually return as qualified borrowers. 2. Capital Curious vs. Capital Ready A key distinction introduced in the interview is the difference between businesses that are “capital curious” and those that are “capital ready.” Many entrepreneurs know they need funding but lack: Financial organization Clear projections Proper documentation A capital strategy BCF provides technical assistance to help businesses prepare for financing instead of setting them up to fail. 3. Mission‑Driven Lending and Community Impact Halpern frames lending as an ecosystem, not a transaction. When small businesses succeed: Business owners gain stability Employees gain jobs Communities grow stronger Large corporations benefit from more diverse and capable supply chains BCF focuses on long‑term economic impact, not short‑term profit. 4. CDFIs vs. SBA Loans The interview draws a clear distinction between Community Development Financial Institutions (CDFIs) like BCF and government entities such as the SBA. Key differences highlighted: SBA programs shift based on political administrations SBA underwriting has tightened in recent years CDFIs are nonprofit, mission‑aligned, and relationship‑driven CDFIs look at the whole entrepreneur, not just credit scores 5. The Danger of Merchant Cash Advance Loans Halpern strongly warns against Merchant Cash Advance (MCA) loans, which are often marketed as fast solutions but carry extremely high interest rates and long‑term consequences. She explains that: MCAs disqualify borrowers from future SBA refinancing They often trap business owners in cycles of expensive debt CDFIs like BCF can help refinance and escape these loans A real‑world case study (The Cut Buddy / Shark Tank entrepreneur) illustrates how BCF helped refinance over $1M in predatory debt and save a growing business. 6. Relationships Matter More Than Transactions Both Halpern and McDonald emphasize the importance of building lender relationships early, not only when cash flow is tight. BCF underwrites the entire business and the entrepreneur, rather than seizing control of a contract or revenue stream, as some factoring companies do. Power comes from having options—and informed decision‑making. Key Takeaways Banking rejection is not the end of the road Small businesses must prepare themselves to be capital ready CDFIs serve as critical bridges between entrepreneurs and traditional banks Fast money often leads to expensive, dangerous debt Merchant cash advances should be avoided whenever possible Mission‑driven lenders look at the whole entrepreneur, not just numbers Strong lender relationships protect businesses during uncertainty Capital should empower growth—not take control of your company Notable Quotes “Just because a bank says no doesn’t mean that’s the end of your road.” “We’re not just looking at your credit score—we’re looking at you as a whole entrepreneur.” “Capital readiness is not about desperation; it’s about preparation.” “If you’re sitting on a merchant cash advance loan right now, you are not stuck.” “Nothing makes me happier than seeing clients realize their dreams and grow into multimillion‑dollar businesses.” “You should talk to multiple lenders—but you should always understand the real cost of the money.” Conclusion Sahra Halpern’s interview serves as a practical roadmap and a cautionary lesson for small business owners navigating today’s uncertain economic landscape. It reinforces that access to capital is about strategy, education, and relationships, not just approval or rejection. The conversation encourages entrepreneurs to reclaim power, avoid predatory financing, and partner with institutions that are committed to their long‑term success and community impact. #SHMS #BEST #STRAWSupport the show: https://www.steveharveyfm.com/See omnystudio.com/listener for privacy information.

Listen and subscribe to Money Making Conversations on iHeartRadio, Apple Podcasts, Spotify, www.moneymakingconversations.com/subscribe/ or wherever you listen to podcasts. New Money Making Conversations episodes drop daily. I want to alert you, so you don’t miss out on expert analysis and insider perspectives from my guests who provide tips that can help you uplift the community, improve your financial planning, motivation, or advice on how to be a successful entrepreneur. Keep winning! Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Sahra S. Halpern. Interview Purpose The purpose of this interview is to educate small business owners—especially entrepreneurs of color—about equitable access to capital, alternative lending pathways, and how to become “capital ready.” Sahra Halpern, President and CEO of the Business Consortium Fund (BCF), explains how mission‑driven lending fills the gap left by traditional banks and helps small businesses survive, grow, and ultimately graduate into mainstream financing. The conversation also aims to demystify lending, reduce fear around capital, and encourage entrepreneurs to build trusted financial relationships before entering moments of crisis. Core Themes Discussed 1. Why Small Businesses Are Turned Down by Banks Halpern explains that many small businesses are rejected by banks not because they lack potential, but because banks operate under strict underwriting and regulatory requirements. These systems often fail to account for resilience, experience, contracts, and future growth. BCF exists to serve as a bridge—supporting businesses where banks cannot and preparing them to eventually return as qualified borrowers. 2. Capital Curious vs. Capital Ready A key distinction introduced in the interview is the difference between businesses that are “capital curious” and those that are “capital ready.” Many entrepreneurs know they need funding but lack: Financial organization Clear projections Proper documentation A capital strategy BCF provides technical assistance to help businesses prepare for financing instead of setting them up to fail. 3. Mission‑Driven Lending and Community Impact Halpern frames lending as an ecosystem, not a transaction. When small businesses succeed: Business owners gain stability Employees gain jobs Communities grow stronger Large corporations benefit from more diverse and capable supply chains BCF focuses on long‑term economic impact, not short‑term profit. 4. CDFIs vs. SBA Loans The interview draws a clear distinction between Community Development Financial Institutions (CDFIs) like BCF and government entities such as the SBA. Key differences highlighted: SBA programs shift based on political administrations SBA underwriting has tightened in recent years CDFIs are nonprofit, mission‑aligned, and relationship‑driven CDFIs look at the whole entrepreneur, not just credit scores 5. The Danger of Merchant Cash Advance Loans Halpern strongly warns against Merchant Cash Advance (MCA) loans, which are often marketed as fast solutions but carry extremely high interest rates and long‑term consequences. She explains that: MCAs disqualify borrowers from future SBA refinancing They often trap business owners in cycles of expensive debt CDFIs like BCF can help refinance and escape these loans A real‑world case study (The Cut Buddy / Shark Tank entrepreneur) illustrates how BCF helped refinance over $1M in predatory debt and save a growing business. 6. Relationships Matter More Than Transactions Both Halpern and McDonald emphasize the importance of building lender relationships early, not only when cash flow is tight. BCF underwrites the entire business and the entrepreneur, rather than seizing control of a contract or revenue stream, as some factoring companies do. Power comes from having options—and informed decision‑making. Key Takeaways Banking rejection is not the end of the road Small businesses must prepare themselves to be capital ready CDFIs serve as critical bridges between entrepreneurs and traditional banks Fast money often leads to expensive, dangerous debt Merchant cash advances should be avoided whenever possible Mission‑driven lenders look at the whole entrepreneur, not just numbers Strong lender relationships protect businesses during uncertainty Capital should empower growth—not take control of your company Notable Quotes “Just because a bank says no doesn’t mean that’s the end of your road.” “We’re not just looking at your credit score—we’re looking at you as a whole entrepreneur.” “Capital readiness is not about desperation; it’s about preparation.” “If you’re sitting on a merchant cash advance loan right now, you are not stuck.” “Nothing makes me happier than seeing clients realize their dreams and grow into multimillion‑dollar businesses.” “You should talk to multiple lenders—but you should always understand the real cost of the money.” Conclusion Sahra Halpern’s interview serves as a practical roadmap and a cautionary lesson for small business owners navigating today’s uncertain economic landscape. It reinforces that access to capital is about strategy, education, and relationships, not just approval or rejection. The conversation encourages entrepreneurs to reclaim power, avoid predatory financing, and partner with institutions that are committed to their long‑term success and community impact. #SHMS #BEST #STRAWSee omnystudio.com/listener for privacy information.

Crops Every Color Of The Rainbow?

Do you like to read? Good! Because you're reading this! And in todays episode we talk about so many other things you can read. Sidney's been readingItch by Gemma AmorThe Red Winter by Cameron SullivanHouse of Splinters by Laura PurcellWild Swans by Jung ChangNinth House / Hell Bent / Dead Beat by Leigh BardugoSabriel by Garth NixGuards Guards and Color of Magic by Terry Pratchet And that's not all, Jack's adding to the listThe Holocaust by Martin GilbertInside the Third Reich by Albert SpeerThe Splendid and the Vile by Erik LarsonChurchill and the Generals by Barrie Pitt

Send us Fan MailIn this episode of The 44, a simple phrase written on the side of a cup at the Ocala Farmers Market becomes a powerful reminder of the gospel: Broken crayons still color. Through the stories of David, Peter, Paul, and others, we explore how God has always used imperfect, flawed, and broken people to accomplish His purposes. From David's prayer of repentance in Psalm 51 to Paul's testimony of mercy and Jeremiah's visit to the potter's house, Scripture reminds us that failure does not have to be the final chapter. The Bible is not a museum of flawless saints it is a testimony to what God can do with broken people who place themselves in the hands of a perfect God.

Enjoy a colorful conversation with Kairi Sneed, Dee Mercury and GrandmasterFDC, 3 of the artists on the Neptoon Comics team bringing the blended family slice-of-life web comic Colorblind to life, as we discuss how the team came together, the wild adventures of the Summerfields in the comic, the incredible cameos that they include, and so much more!Neptoon's Links:Instagram: ⁠https://www.instagram.com/neptooncomics/⁠Webtoons: ⁠https://www.webtoons.com/en/canvas/colorblind/list?title_no=594642⁠FDC's Instagram: ⁠https://www.instagram.com/grandmasterfdc/⁠Dee's Instagram: ⁠https://www.instagram.com/chaosgremlin95/⁠Dee's Bluesky: ⁠https://bsky.app/profile/chaosgremlin95.bsky.social⁠Thumbnail Done By: Dee Mercury and GrandmasterFDCCheck out the MERCH SHOP: ⁠https://post-modern-art-podcast-shop.fourthwall.com/⁠Join the PostModArtPod Discord server: ⁠https://discord.gg/bdg4UFbmm9⁠Join the PMAP Patreon: ⁠https://www.patreon.com/pmap⁠Intro Animated by: ⁠https://bsky.app/profile/fasado.bsky.social⁠Intro Song - "Seductive Treasure" - Color of IllusionOutro Song - "Parts In Motion" - Vera Much Stream her EP "Thank U!": ⁠https://veramuch.bandcamp.com/album/thank-u⁠Linktree (To find other platforms, socials, etc.): ⁠https://linktr.ee/PostModernArtPodcast⁠For business inquiries, contact postmodernartpodcast@gmail.com Showrunners of the podcast are Nathan Ragland and TipsyJHeartsTipsy's Links:Twitter: ⁠https://twitter.com/TipsyJHearts⁠Bluesky: ⁠https://bsky.app/profile/tipsyjhearts.bsky.social⁠Instagram: ⁠https://www.instagram.com/tipsyjhearts/⁠Patreon: ⁠https://www.patreon.com/tipsyjhearts⁠Ko-fi: ⁠https://ko-fi.com/tipsyjhearts⁠Portfolio: ⁠https://tipsyjhearts.wixsite.com/portfolio⁠Produced with A1denArtzAiden's Links:Carrd: ⁠https://a1denartz.carrd.co/⁠Tumblr: ⁠https://a1denartz.tumblr.com/⁠Bluesky: ⁠https://bsky.app/profile/a1denartz.bsky.social⁠Inkblot: ⁠https://inkblot.art/profile/a1denartz⁠Instagram: ⁠https://www.instagram.com/a1denartz/⁠Go out there and create something special!

Join Walter Sterling as he discusses the psychology of color based marketing, demonizing the rich, aliens with Dave Scott, and more on WABC. Learn more about your ad choices. Visit megaphone.fm/adchoices

Piensa en tu color favorito. Probablemente sea azul: lo es para el 80% de la población mundial, en casi todas las culturas, casi todas las edades y casi todos los rincones del planeta (Japón, curiosamente, es la gran excepción). ¿Pero por qué? ¿Hay algo en el azul que active resortes universales en nuestro cerebro, o es nuestra biografía la que pinta los colores de significado? En este episodio nos asomamos a la teoría de la valencia ecológica de la psicóloga Karen Schloss, exploramos cómo cambian nuestras preferencias cromáticas desde la infancia hasta la vejez, y descubrimos por qué los publicitarios saben de esto mucho más que nosotros. Spoiler: cielo despejado, mar en calma y vaqueros bien ajustados tienen bastante que ver. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

APEX Express is a weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community.   This Pride Month—queer and trans AAPI community strength. On this episode, host Miata Tan is joined by guests from three organizations building queer AAPI community on their own terms. They explore what it's like to find joy, organize together, and show up for each other in this moment.   QTViệt Cafe Collective Learn more about QTViệt Cafe Collective and their new documentary Đồng Quê: Of the Same Womb Website | Instagram | Join the Collective Catch the film at an upcoming screening:  June 14 — World Premiere | 22nd Annual Queer Women of Color Film Festival | Presidio Theater, San Francisco  June 20 — Screening + Q&A with filmmaker Sage Tran | Hosted by the Q Corner | San Jose    Queer Hmong Intersectional Pride (QHIP) Learn more about QHIP and their upcoming workshops, events, and campaigns Instagram | Website | 5th Annual Elk Grove Pride   Lavender Phoenix (LavNix) Learn more about Lavender Phoenix and their Leadership Exchange program Website | Instagram | Leadership Exchange Program   Previous Episodes A Conversation with Lavender Phoenix: The Next Chapter — March 26, 2026 Trans & Queer Hmong Rise: Organizing in Central California — October 24, 2024 8 Years of QTViệt Cafe! — August 22, 2024   Transcript ​[00:00:00]  Miata Tan : Hello and welcome. You're tuning in to APEX Express, a weekly radio show uplifting the voices and stories of Asian Americans and Pacific Islanders. I'm your host, Miata Tan. We're nearly halfway through June, and Pride Month is in full swing. Pride is a time to celebrate, honor, and dig into the deep political history of queer and trans communities. And tonight, [00:01:00] we're zooming into a few distinct queer Asian American communities right here in Northern California. First, we'll hear from a collective of queer and trans Vietnamese artists, activists, and organizers based in the Bay Area, who have a brand-new documentary out this weekend. Then we'll dive into the political organizing of queer and trans Hmong communities in Fresno and Sacramento. And we'll close out the show with a queer Asian American community leader and some different ways that you can get involved this summer. Okay, let's get into it. First up, my conversation with QTViet Cafe Collective. And before you ask, no, QTViet Cafe is not a brick-and-mortar cafe that serves coffee. They are a Bay Area-based creative cultural hub for queer and trans Vietnamese liberation through gatherings, art showcases, cultural programming, and more. QTViet Cafe is a part of Asian Refugees United, [00:02:00] and tonight we'll be discussing their new documentary, Dong Hoi: Of the Same Womb. It is premiering this Sunday, June 14, as part of the 22nd Annual International Queer Women of Color Film Festival in San Francisco. Dong Hoi asks viewers what it means to return to a homeland, to a community, to yourself. Here's my conversation with the QTViet Cafe Collective. Miata Tan: Thank you all so much for joining me today on APEX Express. Sage, perhaps you can start us off. would you be able to introduce yourself and share a little bit about what the QTViet Cafe Collective is?  Sage Tran: My name is Sage. I use they/them pronouns. One of filmmakers/digital archivists for QTViet Cafe Collective. we are a cultural hub where we focus on, diasporic themes around intergenerational Vietnamese and identity and queerness. We do a lot our [00:03:00] events and workshops and gatherings around food, remembrance, and, our gay and they selves.  Miata Tan: Lovely. Jessie, who are you and what brought you to QTViet?  Jessie Nguyen: Sure, my name is Jessie, and my pronouns are they or Jessie, and I've been part of the collective since, 2018. I think I found the collective in a place in my life when I was really searching for ways to, bring an intersection to all parts of my identities, QTViet Cafe Just like Sage said, it's a creative hub, it's a cultural hub that is really dedicated to uplifting queer and trans Viet liberation through ancestral practices , different, forms of art and intergenerational connection. yeah, I just really appreciate the ways that QTViet Cafe has just been so dedicated to our, art and then also uplifting our art to really, bring forth community, organizing work, solidarity [00:04:00] work and our own, like, queer and trans Viet excellence  Miata Tan: Love that. Jean, could you share a little bit about yourself as well?  Jean Pham: Thanks for having us here. my name is Jean Pham. I use they/them pronouns. i've also been a part of QTViet Cafe since 2018 when I had first moved here to the Bay Area. Like Sage and Jessie had shared, QTViet Cafe is, it's a really special space. I think as d- diasporic Vietnamese, speaking broadly, like culturally we experience being displaced on many different levels. Um, when people say that it's a cultural hub, really tangible in a, in a lot of the activities and things that we do. we've hosted like art residencies. We cultural dinners. We have language groups. QTViet Cafe, it really exists to fill a need. and I think part of that need brought us, to the culmination of this specific project, to bring us back into Vietnam  Miata Tan: Yeah, lovely. And we can pick up from there your trip to Vietnam. this, was captured by Sage recently in a documentary. Sage, could you speak more about what, this new doco is about? where did this project come [00:05:00] from? Sage Tran: this project emerged from a collective hunger for wanting to return back to the motherland. for years of doing a lot of gathering here, specifically in the Bay Area, we've been able to stay rooted in the territories here. And, we all came to a consensus like , what would it be like to gather a bunch of us and connect with our siblings, brother, sisters, family, chosen fam out in the motherland? that became a seed that we cultivated, planted, tend to, and we fundraised with a lot of community support to get about 13 of us out uh, Vietnam. maybe Jessie can talk a little bit more about this, but Hai and Ma are the, folks who founded QTViet Cafe Collective [00:06:00] Jessie, Ma, and Hai. They all three went to Vietnam in 2022 and built a lot of beautiful connections of like local drag artists, queer trans collectives out there. That's kind of what birthed Dong Khoi.  Miata Tan: so  I've been lucky enough to, watch the film already. Donghui is the name of the documentary, but it's also the name of the performance that came together Jesse, perhaps you can speak to this this journey more and I know QTViet C- Cafe's been around since 2016,  this project goes back, a few years as well Jessie Nguyen: Yeah, sure. I can speak a little bit about that and just chiming into, like, what Sage already shared. there was a small group of collective members that that came up with the idea of, like, what would it be like for us as, queer and trans Viet diasporic folks to go to the homeland. the original intent was for that trip to happen in 2020. And it [00:07:00] actually, because of the pandemic, I think obviously things were, logistically it just didn't work, but that, dream, like, surfaced again, so the question came up about, like, what would it be like for us to travel together to the homeland as a collective and also share our art, to , connect with other Viets in Saigon. You know, when we're in the Bay, so much of our work is really centered around gathering communities around our food, our art, and our stories. And so it really made sense for us to think about what would that look like in Vietnam. And so in 2022, as Sage was mentioning, me, Hai, and Ma,, went to Saigon and just kind of explored, like, what is the creative scene like and were able to connect queer and trans Viet artists who are doing insanely inspiring creative work. we connected with folks from the Baxiu Collective, and they're a group of, queer and trans Viet artists who are doing drag in different, performance spaces in queer bars in Saigon. And then I think in that moment we're like, “Wait, we would love to [00:08:00] collaborate with you.” from that unfolded, a, a year-long , like, planning of, what would it look like for us to do a shared showcase together. And so we identified built relationships with a queer bar in Saigon. and then so leading up to the homeland trip, we planned this showcase where it would be a mix artists from our collective and artists from their collective, and then a whole, a whole performance that unfolded. And I think in the year of 2023, that year I think we ended up fundraising, about 50K in order to really subsidize and support the whole journey of getting us to Vietnam. Like, stipending artists and creatives that we were collaborating with. it was, one of the biggest projects I think that QTViet has ever been a part of and really undertaken, and I think it definitely is, like, a huge highlight for, like, my time with QTViet. Miata Tan: Lovely, and it's so beautiful to see it all come together in the documentary. Jean, could you speak to your experience? I understand this was [00:09:00] your first time ever visiting Vietnam  Jean Pham: Yes, it was my first time visiting Vietnam. so I had a well of emotions in terms of the lead-up to it. Like Jesse was sharing, you know, originally the plan was we were gonna go in 2020. That had to shift, you know, shelter in place and everything. A lot of the work that we do is reconnection, right? as diasporic Vietnamese being displaced from our ancestral land, as queer and trans people, um, a big rallying point for many of us is feeling displaced from our own families. And so part of, like, returning back together is fighting against it. It's like, what if we reconnect ? You know, what if we re- reunite? You know, w- if we're traveling together as queer community, we can really see and understand what it's like to be uh, Vietnam for ourselves. And so it was really, like h- it had this like gravity around it, and I think it made me really nervous but also excited. that being said, you know, a lot of other folks who are part of our cohort, even though they had gone to Vietnam before, a lot of them had also shared this is their [00:10:00] first time going without family, And we're going specifically towards, queer and trans community in Vietnam, which is also a departure from their other experiences too. Jessie Nguyen: Can I just add something? Because I just really loved what Gene shared. I just think that, yeah, I think that you really spoke to something there about how we can spend our whole lives, like, having this understanding of homeland that is actually quite disconnected from our queerness and our transness. And similar to, like, many other folks in the collective, like, I have been to Vietnam, multiple times before, but never in the context of centering my queerness and transness because I just wasn't sure, like, what felt safe. You know, without having, like, fluency in the language or even knowing, like, how to express my queerness in Vietnam. Oftentimes it just felt… I felt pretty invisibilized there, you know, because, like, being there with family, I just show up as, like, a, a family member, There's so much that is a part of me that is expressed through my queerness and my transness that [00:11:00] is that isn't as visible. And so I think that being in a space as a collective gave us permission to do and to feel deeply woven into our cultural experience was, like, in- in- incredibly liberating.  Miata Tan: Yeah. That's really beautiful, Jessie. I also noticed in the film your aunt was also, part of it as well, so you were able to hold that familial side of yourself as well as the queer side. Could you speak more to that?  Jessie Nguyen: Yeah. I was just watching the documentary yesterday too, and I was like, oh my gosh, I– it was so sweet that my aunt had a moment in that documentary. the thing that I was really interested in was trying to weave my connection with my family to, like, my connection with, like, my chosen queer family, And I think that became very possible when, we did the homeland trip. I'm, I'm not fluent in Vietnamese, and I'm especially not fluent in trying to articulate what it means to be queer and [00:12:00] Vietnamese. And so the idea of inviting QTViets to my aunt's home was, like, a way to be like, “Hey, this is who I and here are my– here's my community.” And maybe if I can't actually, like, articulate that, like, I I want my aunt to, like, feel that sense of, like, care and connection of my community. And then to me that felt like a way of inviting my Vietnamese family to this part of my life. I think that it's, it's oftentimes hard to even do that here in the Bay. You know? Like, the connection that I have to my blood family and then my connection to my chosen family here in the Bay, like, can feel quite separate. keeps me coming back to QTViet is that we always make space for that intergenerational connection that doesn't invisibilize our queerness and our gender identity . Miata Tan: Sage, could you speak more to this theme of family? It seemed to be really core to the documentary tell us about how that felt as the director, like being behind the [00:13:00] camera but also part of the QTViet team on this trip?  Sage Tran: directing and being behind the camera had a lot of challenges. I think there's something where I'm not sure if y- like folks can relate to this, but when you are filming something with your iPhone or on your camera, there's a connection and a disconnection that happens at the same time. You're not able to fully present, but you are. I was straddling the line of like is this shot looking beautiful and also crying I think there was a moment where we were in a taxi or Grab car, and it was Hai, Jesse, and Jesse's aunt, she was dropping some heavy moments, and I just remember we're all crying in the car while the Grab driver is like blasting music, and it's like a super bumpy road. People are honking at us, and it was just like such a funny and rocky, symbolic, memory I just was like, “Wow, I can't [00:14:00] believe I'm getting to document this” like historical moment, not only for Jesse, but just like for the collective and what does it mean for folks who are queer and trans that can't have moments like this. It's just like kind of a reminder to slow down and being like, ” Okay,” am I getting to embody this moment while holding the stabilization of the camera?” And I think still I find that to be a challenge, but a, a really fun dance of filmmaking, directing and being there. Miata Tan: Yeah, definitely. I can't imagine trying to keep the camera still while you're bawling your eyes out.  Sage Tran: Yes.  Miata Tan: Jean, we've talked a now about this connection of blood family and found family as well. could you speak a bit to the QTViet Cafe family that sort of came together on the trip, but also this wider, Vietnamese, queer community you were able to find over there in Saigon? Jean Pham: Every step of the way it felt really [00:15:00] good because when, like, you know, we were traveling together as this, this giant mass of just gay people. and so I always felt like, oh, I could kinda be off guard, I understand that, like, for a lot of Korean trans people, w- when traveling we're on high alert, there's just a lot of unpredictability. There is safety in numbers. There's safety in communities. I felt like, you know, the QTViets have my back. There was a bigger group that came together in SFO, and we just t- all booked the same flights. And then there were some people who were coming, like, a little bit later. I had been with QTViets at that point for about six or seven years, and so there was a lot of trust already built. With the Saigonese Viets, it, it was like a, just a natural kinship. You know? It was like, it was also as if like we were just friends off the bat or there was just this shared understanding. We had a gathering, and I think this is featured in the documentary. after gathering, people were just kind of, getting to know each other in in their flat, and they were teaching us how to walk in heels, and it was so lovely. And I remember thinking like, “Oh gosh, what music do I play here? How do I set the mood?” But the, th- I think the reality is, [00:16:00] you know, Rihanna is like a common language, like among gay people. Everyone under like … It was, it was funny 'cause like, you know, I would, you know, I would play music that I would just listen to. Like, they're just, pop girlies that would play in the States. And, yeah, gay people, like, they, they just love a diva no matter where you are. And so that that was really nice. But r- truly, like, the DIY drag scene in Saigon is huge, and it c- it's, like, so varied. And, I do wanna shout out, like, all the queens and the Baxio Collective and all the trans artists who really helped, make our show and, like, really helped hone in our craft. And they were pr- they were strict, you know? They were like, “You have to come here early, and you have to come in, like, days before. And we're gonna have to practice over and over again.” And they had, like, really specific notes on how to make the show better. And so it was interesting as a culture exchange they were learning, how we were operating in terms of how we organize and a- I think a lot of the spoken word, slam poetry style that, like, some of our members were bringing. And from them, we were [00:17:00] learning a lot of the theatrics on really how to, like, have a show and really think, holistically about all the different components. Miata Tan: Jessie, could you speak more to the show? Uh, what did it look like? How did it feel? Jessie Nguyen: So back in 2022 was when we discovered that there is actually one queer bar in Saigon, and it's in District 4. this bar called Bar Zinga. And it's, like, in this alleyway. It's pretty divey. And so when we were there in 2022, we actually spent uh, New Year's there, and we got to know the owner, and we got to know, like, what they envisioned for the space, which is they've been using it as a space for, drag, drag performances, music sets, and things like that. And we're like, “Oh, wait. Maybe this could be a good spot for us to do something for QTViet.” And So essentially the vision for the show was for us to collaborate with, Babel and Yat, who are the co-founders of Bạc Xỉu Collective, they are incredible, like, production artists and drag artists.  we [00:18:00] invited folks from the collective, if they wanted to share some of their art as well. And so we had… Let's see. I remember Irene, who is one of the poets and also, like, OG QTViets, shared, some poetry, and then we had also Hai sharing some erotica. Me, Hai, and Lan did a ao dai fashion runway show.  and then there was, Oh, Judy and Hiroshi who did, like, a whole, like, lô tô, so that was, like, based off of, like, like a Vietnamese game, and they did a whole performance on that. yeah. So it was kind of, like, cool to be in this space and inviting folks from the community to come in, and it was a full house. people were feeling so nervous, but the, also the energy of, like, I can't believe this is happening. You know? that the art that we've created in the Bay, that we get to share it in Saigon. Miata Tan: So beautiful. yeah, it's really nice to see this, cross-cultural, international, connection that you've built with, the folks in Vietnam. Sage, could you speak more to, the [00:19:00] documentary itself, what you hope viewers will take away from the film, and especially seeing depiction of, of queer joy in the performance? Sage Tran: I think what I hope viewers take is like the power of remembering and the power of remembering with community. Cause I think like also editing this film, I'm like, I remember exactly what y'all said word for word. It's like ingrained in my head.  I think there was something that, Jean, you said in… You said something where like it doesn't matter if you're Vietnamese, it doesn't matter where you were born. It matters and it doesn't, but also like there's so many cross-cultural connections and parallels that, tie us all together. And I think, on the theme of remembering and leaning into our joy and our creativity, there's so much that can unlock with, just living our truths. I think, yeah, I think that's what I hope viewers take away with  Miata Tan: Beautiful. and the documentary will be premiering, this [00:20:00] June, as part of QSMAP here in the city in San Francisco. We have A little bit of time here, so I'd love to talk about, uh, what else QTViet has on the horizon, campaigns, workshops, other performances. Jean, Jessie, would either one of you be able to speak to this?  Jessie Nguyen: The only thing that is really on my mind around QTViet is that we are celebrating our 10-year anniversary in September. And I don't know what that's gonna look like, but I think that it definitely is gonna be a invite and just a opportunity for us to reflect on everything that we've been able to cultivate as a collective, and also just to notice, like, how much we've evolved. I think that when so many of us joined in 2016 to 2018, we were, younger queers who were really looking for community and maybe felt pretty isolated. And I know that, like, where I am today, my connection to my Vietness and my queerness, like, feels so deeply ingrained. And a [00:21:00] huge part of that is because of having a container like QTViet. I was also gonna talk about Ordinary People, because it's actually a show that we're doing a audio visual storytelling performance that is led by one of the QTViet members, Jop, uh, Nguyen. And it's gonna include, several other QTViet members that are gonna be, contributing as, like, a band. there have been music and songs and videos and animations and, yeah, lots of different elements to really bring to life, like, what it feels like for our parents to, experience their homeland, their escape, their journey here, and then also how we really, how we connect to that story. Miata Tan: Thank you for sharing, Jessie. Sadly, this interview is airing after the Ordinary People performance, but I'll play a little snippet in a bit. Jean, final question. with this 10-year anniversary of QTViet Cafe, how do you see your recent [00:22:00] adventures informing your work? How you organize, how you gather Jean Pham: I think after the trip, there was, like, a re-invigoration of, purpose honestly, like, a new wave of renewed energy and also new people who were joining the space. we started practicing a lot more solidarity work. I think almo- almost immediately after returning, there were a few events that was in solidarity with, Palestine. And as we were returning from the trip, last year was also the 50th anniversary of the war in Vietnam ending, and so we used that as an opportunity to draw connections between how, the conditions of the Vietnam War was truly, like, politically activating for a lot of young people in the '60s, similarly to um, the genocide uh, Palestine was politically activating for people now, uh, and how, like, have a shared struggle. with 10 years of QTViet Cafe, I think it's more evident that QTViet is an, like, entity, a group that needs to exist. and we always invite people to join us. if anyone's listening who is diaspora queer and trans Vietnamese, is looking [00:23:00] for community, you know, looking for language classes or, like, just, uh, ways to build, you know, we're always more than happy to join people. You know, last year, Jessie and a a couple other friends organized this amazing trip to New York. there was really this big energy around uniting all the different scattered parts of QTViets all over and coming together and understanding that, you know, we, we all, um, um, have a lot in common. and so I, I do think that was really uplifted and highlighted in our trip, this feeling of, like, you know, we're not- we're actually not so alone, and there's so many of us, and we're, like, we're all so powerful. Miata Tan: Beautiful. I think that's a perfect place to end. Thank you all so much for joining me today Jessie Nguyen: Yay. Thank you so much  Sage Tran: Thank you so much. Thank you.  Jean Pham: I know, this is so lovely. Thank you. Miata Tan : That was Sage Tran, Jean Pham, and Jessie Nguyen with the QTViet Cafe Collective. Their new documentary, Dong Hue: Of the Same Womb, premieres this Sunday, June 14th at the Presidio Theatre in San Francisco. That's part of the 22nd Annual International Queer Women of Color [00:24:00] Film Festival, this year featuring 47 films, 10 world premieres, all totally free and open to the public. so if you're in the Bay, this is well worth your time. You can also catch QTViet Cafe's new documentary in San Jose on Saturday, June 20th at a screening hosted by the Q Corner, followed by a Q&A with Sage Tran, the filmmaker that you just heard from. For links to these events and more about QTViet Cafe and how you can get involved in the collective, check out the show notes for this episode. That's on our website at kpfa.org/program/APEXexpress Coming up next, queer and trans Hmong communities in California's Central Valley. But first, here's a taste of Ordinary People, a recent live performance by QTViet Cafe recorded in Oakland last month. ​ Miata Tan : [00:25:00] [00:26:00] [00:27:00] That was a live recording from Ordinary People by the QTViet Cafe Collective,  in Oakland last month. This is APEX Express, a weekly radio show uplifting the voices and stories of Asian Americans and Pacific Islanders. Tonight, in honor of Pride Month, we're turning our attention to queer Asian American communities right here in Northern California: who they are, how they organize, and the future they are fighting for. Miata Tan: My next guests are Shai Chang and Christine Thao from Queer Hmong Intersectional Pride, also known as QHIP. QHIP grows out of Hmong Innovating Politics, a grassroots advocacy group based [00:28:00] in Fresno and Sacramento, and focuses on building community and political power for queer and trans Hmong communities in California's Central Valley. Here's my conversation with Shai and Christine. Miata Tan : You both so much for joining me today on APEX Express. Could you share a little bit about yourself? Who are you, and what is your work with Hmong Innovating Politics? Shai Chang: Hi, my name is Shai, pronouns are they and them. I'm trans, non-binary, also Hmong, located in Yokuts Valley, Fresno, California. the work that I do in Hmong Innovating Politics is that I am a community organizer. I'm the Fresno Trans and Queer Community Organizer, I work specifically in the program called Queer Hmong Intersectional Pride, or QHIP, Q-H-I-P. And we do a lot of really great work with our trans and queer, in particular, like, intersectional folks, people of color within our, our communities and our members and our base to organize to fight, fascism, racism, also, like, transphobia and forms [00:29:00] of hate, moving us towards social justice and liberation. Miata Tan : It's really important work, and I'm excited to get into more of what, Queer Hmong Intersectional Pride looks like, Christine, could you share a little bit about yourself? who are you, and how long have you been with, HIP and QHIP?  Christine Thao : Thank you so much for inviting my name is Christine Thao. I use she/they pronouns, and I am currently here on Nisenan, occupied Nisenan land here in the South Sacramento area. my role is the Sacramento, Trans Queer Community Organizer. And so I came into HIP, back in 2020, so during the COVID pandemic, and, um, I came on board as the administrative assistant. um, in 2024, I transitioned into the community organizer role.  Miata Tan : Lovely. Yeah. Can't wait to get into the work that you do and the campaigns. to ground us in the history of, Hmong communities in America, Shai, could you speak to, who [00:30:00] the Hmong Americans are? I know that Fresno and Sacramento is home to some of the largest populations of Hmong people in the States. Shai Chang: Yeah, definitely. so the Hmong communities are from Southeast Asia, very much like indigenous folks that live within the mountain ranges and the hills. and the reason why we came to America was because of the Secret War the war that happened in Southeast Asia. one of our community members General Vang Pao was involved within this war and then pulled in the rest of the Hmong community to be part of this it is to say that, like many of our young men during that time was pulled into the war, and they were 13, maybe even 14, 15, and younger who were, pulled into the war to fight for America, um, with the promise of that America was going to give them a place that they could call home it was in 1975 where the war ended and, that's when the military went ahead and was able to, because of Ronald Reagan signed, um, a letter for immigration for, [00:31:00] these Hmong folks and refugees to come into the United States. Miata Tan : Yeah, perhaps you can take us back to then, 2018 when, QHIP sort of came to life. what was the need that you were seeing for, queer and trans Hmong people in, in specifically Fresno and, and Sacramento where you all are based?  Shai Chang: the way Hmong communities have always existed was very much to be lay low, you know, not be sticking your head out. And so to be very clear, it's that we are still struggling, economically. we are still very much struggling racially. The ICE attacks definitely impacted our communities we are still very much immigrants and still very much not necessarily having a place of home. But internally is that the Hmong community still very much holds on to, like, the, the traditions. And so they're very patriarchal, um, very strict gender roles, and because of these things have then developed into, gender-based violence [00:32:00] as, like, trans and queer folks, it's that we definitely do experience another deeper layer of the oppressions, especially also in our community because there isn't actually any language in Hmong to talk about what trans or queerness is, where there's no exact word to describe, like, gay or lesbian and things like that. So there is definitely, like, an erasure that also has happened, and in the Hmong community is actually very conservative. Uh, But HIP was already a very progressive organization. And so it was in 2018 because of Hmong innovating politics coming to Fresno. it was at the Hmong New Years, I saw them. I was like, “Oh my gosh, I know who you are. I love you. Like, if there's anything I can do, please let me know,” ‘ Mai Thao was able to pull me in. It was like, “Hey, I want you to do something with us.” and with- was then funded three thousand dollars through HIP, to be able to go ahead and organize for whatever it means for me to trans queer Hmong work. during that time, it grew from, like, me, three people to having, like, fifteen people, [00:33:00] meet, once a week for three hours, and then another three hours we would go out and hang out. and so it really became this place for a social space for particularly, and, and I will name it, it's that majority of the folks in that space was gay cis Hmong men. And it wasn't until a year later from that first time that we first met in 2018 to we had a really hard conversation about our future, about the political work that that we should be doing. and so I've been with HIP for four years, and we've officialized during that time QTPIP to be a program, within HIP, and yeah, it's been really good. I don't have to worry about funding and things and organizing around that front end, and HIP has been able to be s- very supportive in being able to see that, and we can really work on the ends of what does it mean for us to organize around liberation and being on the ground with our community  Miata Tan : Yeah, definitely. It's interesting to hear about the progression from [00:34:00] perhaps a group that was maybe more apolitical moving into that political space.  Shai Chang: we've also been, struggling still even now to land on what it means for us to fight more intersectionally. that's where, like, QHIP and Queer Hmong and intersectional pride comes from, right? Is this word intersectional, coined by Kimberlé Crenshaw, is that We do have these cross identities that exist within ourselves. And so would love to have Christine talk more about what actually this issue is within not just Hmong communities, Hmong and trans queer communities. Christine Thao : Thank you, Shy. so Queer Hmong Intersectional Pride, we officially launched the program back in 2024. our QHIP program, It is open to young people between ages, 18 to 25. uh, young trans queer folks. Some go to college. Some, currently looking to be employed. Young people who are impacted, [00:35:00] young people who want to get involved, right, who, who do care about, this work, and who care about social justice, it's a eight-month program And our gatherings are, we call them our huddles, our QHIP huddles. And they're, we do them about biweekly, I can speak a little bit for Sacramento.  we've been meeting up at a cafe. We also use our office space. And, this is just a really a moment in time for our members to, bring up and have critical conversations about things that are happening in their lives or things that they're seeing in their community. Miata Tan : Perhaps you could speak more to the organizing piece. What does this look like? Um, what sort of work are y'all up to? Shai Chang: Some of the ways in which we have organized, in our community is through the framework of BBB. It's our belong, believe, become, and it sounds really cheesy, but this is really how we mobilize our people, we know as trans and queer people, especially as a person of color, we don't know and have enough spaces of [00:36:00] belonging. we actually have a, such a hard time believing in ourselves, and because of that, we have such a hard time in becoming. And this sounds like the story of literally just transitioning. when you Transition is that you really need to have a space of, believing in yourself. You need to have a space in which you can belong, where you are safe, and then through that you can actually become and this person that you have always wanted to be. This is how we mobilize and organize our members and our community because once they start practicing this ability to be able to believe in themselves, have the spaces for them to organize and organize with other people. and to figure out, like, , what is our campaign strategy? What is the ways in which we wanna win in our community, right? And Uh, in gender-affirming care in Fresno and the Central Valley was very, very hard. many of the times folks will have to go to, like, the bigger cities like LA SF to get their care that they needed. We need actual, like, [00:37:00] materialistic wins for our communities so that way they can get to where they need to be. when I'm talking about Materialistic things, it's that, we need them to be housed. We need them to have the affordable, uh, care. We need them to have, the affirming care that they are needing, we know how hard it is for, in particular, trans and queer people to be able to afford literally anything. and it's so much more harder for them to find a career or a job, in a place where they actually also can live and exist through their identities. we've seen the, impacts of, ICE and immigration on our own communities these were, like, the works that were coming out constantly for our communities to fight for, these kind of justice issues, through these ways, we've been able mobilize and move our people to what does it mean for us to actually start thinking about a campaign strategy for us to win some kind of materialistic need and, of course, we work with youths a lot, right? So where is our youth justice at? And this is literally our youth justice, right? We're having our young people share their voices. We [00:38:00] have our young adults organizing in the community, um, doing protestings, and fighting against the system. in particular, more recently, this, board of supervisor in Fresno County banned and denied, LBGTQ books in the Fresno County libraries. and we've organized to get people to show up to write letters and to really be there, and hundreds of people shown up and yet they still continue to, not hear their own constituency and their own community They continuously vote against us. that's why HIP is political, right? Is that we have our civic engagement side, is that, okay, well, it sounds like we need to vote them out, right? And that's what is it mean, and that's what it's about now.  Miata Tan : Yeah, I hear you. It sounds like you're really helping to build political power within Hmong communities in, in Fresno and Sacramento. I'm curious, what has wins look like, uh, for your groups there? how have, you perhaps helped to show those material, changes [00:39:00] for your young people? Shai Chang: Uh, to be honest, it's not much, We're still very new into formed more as a social group in 2018, and just finally became, you know what? Let's be political as f***.  Let's be authentic as f***, you know? y'all really wanna make trans and queer identities political, Then let's be political. and we've just started mobilizing, moving around those kind of things and identities only just more recently, right? As Christine mentioned, in  But the wins that we can really claim a name is that we have a 100% retention rate for our members. yeah. Um, we have tripled the amount of members that we had since then. and we are so excited for us to be able to, like, move and mobilize with our people intentionally and not just like, “Oh, we just need to be here for critical mass,” it is a two-part, right? It's that, one, we need critical mass. We And the other part of this is that we [00:40:00] people to come in intentionally to be a part of this movement work. I actually went to present about QHIP more recently, and they asked, “Oh my gosh, is there any, like, open meetings that you have flyers about? Like, when do y'all meet? And then, like, do you have a flyer for that? And I can share it with, my members.” And I was like, “Actually, we do meet, and it– we do meet biweekly on Fridays. The members themselves are holding the space for the meeting. and so I can ask them about that, but I also wanna let you know that it's not necessarily an open invitation for folks to just come in whenever they want.” We want people to come in intentional, and we want people to engage intentionally. And this is how we want us to move away from this autopilot into being able actively making changes and fights for our communities that will win us materialistic wins. Obviously in this administration, in the Trump administration, um, it has not been easy. just two years ago, they actually closed, the only LGBTQ [00:41:00] homeless shelter in Fresno, and a lot of folks now have, like, a hard time understanding where to go and what and how to navigate it. the Fresno, like, LGBTQ center also closed their doors for, like, the first time in, like, a long And so there is a lot of different impacts as impacting our community, from, like, LGBTQ centers closing, LGBTQ-serving organizations slowing down, And the way that our members and our community and our base have been organizing is As a community resource with one another is that like, ” Hey, I have an extra bed. Y'all can come sleep and crash ” there.” you hungry?” Let's go get food.” Right? Really checking with each other and also being able to ask our community for funding as So HIP, we were able to organize and did a fundraiser back in March 50K. That's huge we also know there are impacts that also is beyond us, too. it was with this past, like, Hmong New Year [00:42:00] that we did, that we wanted to do a Hmong New Year action, an action to really fundraise for our families who were detained by ICE. And so we did a mutual aid fundraiser, asking our community members to donate money, and we were able to raise… we only did it for, like, three hours, and we were able to raise $700. So we're like, ” What if we kept going?” Right? And that's where our fundraiser for 50K came from. so there is, like, ways in which we are trying to organize and mobilize our communities. And, to be very honest is that HIP and, QVIP is not necessarily a direct service organization and not necessarily in that way. I think many of the times people see HIP as like, “Oh, you're here to save us,” we're not that, right? We're really here to mobilize with our community, uh, we have our youth organization over in Edison High School, they were pushed into a small classroom, storage room, actually, for band and also, sports as well. And so it, it was being disruptive a lot. one of our [00:43:00] previous, like, young adult members recognized that, and they were like, ” Sh-uh, Shy and HIP, Please, can y'all do something about this issue?” And we're like, “No.” But we'll do it with you, right? and so we came in, we taught them about organizing, and literally those youths were able to organize themselves to have a classroom now, they remember that. They hold onto that, right? Regardless if we were here or not, they will still be able to know that and hold onto And so it's very much like that as well with our members, is that we want them to be able to organize within among themselves without having the need of, of HIP and entities being able to, have the, have the solution for them Miata Tan : mm, that makes a lot of sense. Really being able to work with community and give them tools so then they can continue to build is something really powerful that, you do at both HIP and QHIP. I'm curious, with this very challenging political moment that we're living through, not only for queer and trans folks, but immigrant communities as [00:44:00] well, how are you holding this, this pain alongside, trying to also celebrate and honor your communities, um, and especially your queer and trans community members? Shai or Christine,  Christine Thao : At HIP we have what is called third spaces, and third spaces are heart spaces. these are, spaces where our young people, they continue to, build their organizing. They get to organize with one another and with HIP, to hold space to build community, to build belongingness, To show up, be present, make connections. is also a space where our young people, they get to decompress as well,  in a world where it feels so chaotic, we do a lot of, the hard stuff with organizing, but then organizing can be so fun. and our young people, they get to see both sides, right, get to experience that. What I'm holding onto is being [00:45:00] engaged and getting involved, it is, Um, How can we connect our young people, to our community partners, right? To make those connections, to build deeper, this year it looks like us, being more intentional about our capacity and who we are, building out with, um… I'm on, I'm currently on the planning community for Elk Grove Pride, and so, uh, our young people are also a part of that, where they get to lead a role, and create, spaces of celebration, right? there's A lot of different opportunities our young people are also involved in, and, it, it is that wanting our young people to, feel empowered to get involved in these spaces as well.  Miata Tan : Yeah. Lovely. Thank you so much, Christine. It sounds like you're really able to create, a beautiful space and community for your young people. Shy, uh, to close out, I'd love to know what's on the horizon for QHIP. It's Pride Month. unfortunately this episode is airing after Fresno Pride, but, perhaps you could [00:46:00] speak a little bit to that and what else is on the horizon. Shai Chang: Sure thing. the first thing I need to say is Happy Pride Month. so Happy Pride Month, everyone. Fresno always hosts their Pride parade, always the first Saturday of, of the Pride month it is On Saturday, June 6. Pride parade over at Tower District in Fresno. it's gonna be very fun. It's super exciting. We will be marching in there all together, and the theme for this year is, Pride Without Border. we're gonna be Extra powerful in calling out all of the different, struggles that our intersectional folks are all facing and being able to march together in liberation. what's also coming up next is, I- I'm foreseeing it to happen probably next month or in August, is that we will have a third space event to really celebrate Pride. we spend all our energy to be part of the Pride parade preparing our members and supporting them, but we haven't necessarily celebrated QHIP's [00:47:00] own Pride, you know, we work very politically in election works, and so we always have a bunch of these like, door hangers, Vote yes on Prop 3,” things like that, right? And so we have so much of those paper, and so what we usually do during this, like, Pride event that we do in QHIP is that we- we use these as an opportunity for us to do trash drag. it's an opportunity for us to get glammed out everyone gets to participate creating this, like, image through the trash drag. And so we're excited to be able to do that, so please keep on the lookout. Miata Tan : Sorry, why is it called trash drag? I'd love to know.  Shai Chang: It's because, like, we had s- you know, this much f- okay, we, we have a lot of flyers from the our elections, And especially this year. You know how in, in the mail you'll get so much, like, ” Vote for this person, vote for this person.” all of this is all paper that is then thrown away without any second thought. and we will make them, and we'll make, like, thousands of copies , right? But we never are able to pass it all out. what we do is that we will go ahead and reuse them one last time for [00:48:00] them to have an opportunity for them to shine, We'll have them split up into teams, and then use all the different trash that they can gather and use, and glue them, tape them , staple them to make a dress, to make an outfit for this one person that they're gonna designate to be the drag mother for their team. Miata Tan : I love that. That sounds like so much fun.  Shai Chang: Yeah. We're gonna be doing it in Fresno and also in Sacramento, so we'll figure out a ways for everyone to be involved.  Miata Tan : Oh, how wonderful. Christine, could you speak to what events are coming up in Sacramento for us?  Christine Thao : We are also having, um, Elk Grove Pride on June 20th. It's from 5:00 to 9:00. it's gonna be at the Elk Grove Laguna Town Hall. And so community is very welcome to attend. It is a free event. Think of it like, kind of like a resource gathering with, um, some really amazing performances we have, a lot of like, BIPOC TQ, artistes, and then also vendors [00:49:00] as well. So please show up and, would love to, to meet folks and connect with folks in these spaces.  Miata Tan : Beautiful. Thank you so much for sharing, Christine, and we'll be sharing all the details of how you can get involved and learn more about QHIP and HIP at the end of this episode as well. Thank you both so much for joining me today.  Shai Chang: Thank you so much for having me. Miata Tan: That was my conversation with Shai Chang and Christine Thao at Queer Hmong Intersectional Pride, also known as QHIP Miata Tan : this is APEX Express on 94.1 KPFA, a weekly radio show uplifting the voices and stories of Asian Americans and Pacific Islanders. To close out tonight's show, I have one final guest. Cynthia Fong is the lead organizer at Lavender Phoenix, also known as LavNix, A Bay Area organization building power for queer and trans Asian and Pacific Islander communities. You may have heard of them. Their new executive director joined us on [00:50:00] air just a few months ago. Here's a short conversation with Cynthia Fong on Queer Joy, community power, and what LavNix has coming up this summer Cynthia Fong: Thank you so much for having us. My name is Cynthia. I use they/them pronouns, and I'm here with Lavender Phoenix. Lavender Phoenix, we build trans, non-binary, queer API power through organizing in the Bay Area. We work with our members to demand true solutions to care and safety, and we're excited to be here with you all. Miata Tan : I'm so excited to close out the episode with you. And as we're in Pride Month, I hoped you might be able to share a little bit about queer joy and how Lavender Phoenix is celebrating that at the moment, honoring each other.  Cynthia Fong: Yeah, absolutely. Especially in times like this, times of escalated violence against our communities, we know that queer joy, queer resistance, and queer power are truly antidotes to the systems that are making us sick. For us, that means in our work, we fight for care not cops, [00:51:00] we fight for budgets that truly reflect the needs of our people, we fight for a free Palestine, and we fight to abolish ICE. If you agree with all of the things that I just said we also do a lot of leadership exchange programs, and that is where we really cultivate that belonging and community in our trans and queer API community. Miata Tan : Oh, I love that. Could you share a little bit more about the leadership exchange with our listeners?  Cynthia Fong: Yeah, absolutely. This is one of our time-honored traditions. It's called the Queer Leadership Exchange, it's also known as LEX. And this program will run for two weekends in July. we aim to provide training on fundamental organizing skills, trans and queer history in the Bay Area, and really to provide an opportunity for trans and queer Asian and Pacific Islanders to connect with, with each other in a space that's made by and for us. We invite you to apply if you are trans or queer [00:52:00] and if you identify as Asian or Pacific Islander. Our deadline is July 1st. And in these two weekends, we usually gather with about 20 to 30 folks, and it's really interactive. We have a mix of activities that we invite people to, to skill up on and, and really to become the leaders that our movements need. Miata Tan : Love that. Could you share a little bit about some leaders you've seen come out of these programs? Like, what does that look like? How are they, helping to, to organize community?  Cynthia Fong: the folks who graduate from our LEX program, it, it's really a wide range of people, whether it's trans and queer APIs at work in other nonprofit sectors. It's also our folks who may be supporting our community in other ways, like as artists, as students, educators, as therapists. We see a lot of people take these skills and translate them into a variety of different sectors that we know trans and queer API people… we're everywhere, more and more so now. And we would [00:53:00] love every single one of us to be grounded in our histories when we do that work. And not only our histories, but also in a firm sense of belonging with one another, to know that we're not alone, to know that there are other trans and queer Asians and Pacific Islanders here in the Bay Area, all of whom share these values of wanting to build working class power. Miata Tan : that's so nice, a more multi-generational, multi-sector,  ​ Cynthia Fong: And, you know, we take it as an opportunity, too, for us to build with other organizations and people who, who are like-minded. We don't take it for granted. We know the Bay Area is a place where it's very diverse, where We are actively fighting for what values we believe in and whose agenda we are willing to put in power. And so we really welcome a wide range of people. No matter where you are, the real important thing is you, you share our values. you believe in true solutions to care and safety that are not rooted in systems of policing or incarceration  Miata Tan : [00:54:00] That's really powerful. to close this out , Could you share a little bit more about what's on the horizon for Lavender Phoenix later in the year? You mentioned a few of the campaigns, Care Not Cops. perhaps if you wanna dive into some of those.  Cynthia Fong: Yeah, absolutely. Um, we are joining a really big coalition of people from Alameda to Sacramento to San Francisco, all of whom are paying a lot of attention to our budgets, when you say Care Not Cops, we see our budgets to really be that moral document that show us where our priorities are. For us, June is Pride Month, but it's also budget season, Um, it gives us a really big opportunity to be as loud as we can about what we believe. and in San Francisco with $16 billion, it's quite shameful that we have our community partners like the San Francisco Community Health Center, Lyric, our youth programs being defunded, all the while new jails are being opened, all the while the police are getting new toys, they're [00:55:00] showing us that the money exists but it's not for us. And so we join the voices that are demanding for a people's budget, and we know that that's gonna be an ongoing fight. We've been in it for a few years now, and we plan to continue. In terms of our organization, we're actually super excited to say we have 100% of our membership really diving into what the next five years looks like for us. Folks may remember we came onto APAICS to announce a name change a few years ago. We were formerly known as API Equality Northern California. We came on APAICS a few years ago to share that we've changed to Lavender Phoenix, and we anticipate some new changes on the horizon being announced at the end of the year as well, hopefully with deeper clarity about what the next five years will look like for us. Miata Tan : Ooh. Interesting. It's not a new name change, is it?  Cynthia Fong: No, no. We, we're gonna stay… We're keeping the t- we're keeping our name. We love our name. We love the history in our name. But it's really just the theory of [00:56:00] change, you know? I think our moment today is very unique, very different, very politically tumultuous, and we wanna be sharp. We wanna know what we're organizing for, what we're organizing against, and, and what it means for us to build power.  Our last theory of change process is what resulted in us focusing on leadership programs, leadership development. It is also where we decided that healing is really important for our people. It's also where we decided that safety is really important for our people. And so I anticipate that it's gonna be a deepening not, not a change, but a deepening of how we orient to this bigger picture of our movement for liberation and justice. Miata Tan : So beautiful. Thank you so much for sharing, Cynthia. Um, it was really lovely to speak with you.  Cynthia Fong: Yeah, absolutely. Thank you so much. I, hope to come Back soon. Miata Tan : That was Cynthia Fong with Lavender Phoenix. If you want to learn more about LavNix, we sat down with their team earlier in the year. Find that episode and their leadership exchange program in the show notes. Tonight, we also heard [00:57:00] from the QTViet Cafe Collective and Queer Hmong Intersectional Pride. Links to all of these organizations and their upcoming work are at kpfa.org/program/APEXexpress. This is APEX Express KPFA, airing every Thursday evening at 7:00 PM. Thank you for tuning in tonight APEX Express is a proud member of the Asian Americans for Civil Rights and Equality, a network focused on long-term movement building, capacity infrastructure, and leadership support for Asian Americans and Pacific Islanders committed to social justice. Learn more at aacre.org. This program produced by Ayame Keane-Lee, Anuj Vaidya, Isabel Li, Jalena Keane-Lee, Miko Lee, Miata Tan, Preeti Mangala Shekar and Swati Rayasam. Tonight's show was produced by me, Miata Tan. Get some rest y'all.   The post APEX Express – 6.11.26 – Pride, Power, and Queer AAPI Voices appeared first on KPFA.

(Jewish Understanding) In 1972, Rabbi Yaakov Asher Sinclair opened SARM Studios the first 24-track recording studio in Europe where Queen mixed "Bohemian Rhapsody". His music publishing company, Druidcrest Music published the music for The Rocky Horror Picture Show (1973) and as a record producer, he co-produced the quadruple-platinum debut album by American band "Foreigner" (1976). American Top ten singles from this album included, "Feels Like The First Time", "Cold as Ice" and "Long, Long Way from Home". Other production work included "The Enid – In the Region of the Summer Stars", "The Curves", and "Nutz" as well as singles based on The Hitchhiker's Guide To The Galaxy with Douglas Adams and Richard O'Brien. Other artists who used SARM included: ABC, Alison Moyet, Art of Noise, Brian May, The Buggles, The Clash, Dina Carroll, Dollar, Flintlock, Frankie Goes To Hollywood, Grace Jones, It Bites, Malcolm McLaren, Nik Kershaw, Propaganda, Rush, Rik Mayall, Stephen Duffy, and Yes. In 1987, he settled in Jerusalem to immerse himself in the study of Torah. His two Torah books The Color of Heaven, on the weekly Torah portion, and Seasons of the Moon met with great critical acclaim. Seasons of the Moon, a unique fine-art black-and-white photography book combining poetry and Torah essays, has now sold out and is much sought as a collector's item fetching up to $250 for a mint copy. He is much in demand as an inspirational speaker both in Israel, Great Britain and the United States. He was Plenary Keynote Speaker at the Agudas Yisrael Convention, and Keynote Speaker at Project Inspire in 2018. Rabbi Sinclair lectures in Talmud and Jewish Philosophy at Ohr Somayach/Tannenbaum College of Judaic studies in Jerusalem and is a senior staff writer of the Torah internet publications Ohrnet and Torah Weekly. His articles have been published in The Jewish Observer, American Jewish Spirit, AJOP Newsletter, Zurich's Die Jüdische Zeitung, South African Jewish Report and many others. A 'miracle story' with a twist Rabbi Sinclair was born in London, and lives with his family in Jerusalem. He was educated at St. Anthony's Preparatory School in Hampstead, Clifton College, and Bristol University. A Project Of Ohr.Edu Questions? Comments? We'd Love To Hear From You At: Podcasts@Ohr.Edu https://podcasts.ohr.edu/

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Johnny and Kevin discuss the viral drama surrounding Patrick Ta and Painted By Esther! After years of popularizing her transition brush technique, Painted by Esther is reached out to by Patrick Ta's team to film the process. After declining, Patrick launches his products and posts tutorials stealing her technique... word for word! Plus, Haus Labs is caught lying to beauty influencer, Galloria, trying to get her to take down her negative review of their new liquid bronzers (BUT ARE THEY BRONZERS?!)Painted By Esther's Video: https://tinyurl.com/4wutptdt

Rest to Return, a podcast for a restless world. Kohenet Keshira haLev Fife is your host. This series is rooted in Shabbat, an ancient Jewish practice that teaches us how to belong to time. Here, rest is a sacred rhythm woven into who we are. We begin by gathering around a single question: What do we need in order to sustain our sacred purpose? I received Kohenet smicha from The Kohenet Hebrew Priestess Institute in July 2017. The chorus of voices affirming that I am a Kohenet was recorded during the ceremony. The Torah reference about ceasing from work comes from Breishit 2:2. My understanding of Jewish people as “people of the book, body, and earth” has been informed by a number of sources and teachers; notable among them is Rav Kohenet Taya Mâ. Though I have come to understand that many somatic therapists and practitioners have written about the way that trauma can cause people to dissociate from their bodies, I learned it from a variety of sources and forums, none of which credited a source. The Kabbalistic concept of the Four Worlds is outlined in greater depth here. Octavia Raheem is an embodied practitioner and author who you can learn more about here. Asher Yatzar by Dan Nichols Helen Marie is a psychotherapist who you can learn more about here. The story of Reb Zusha is paraphrased from Martin Buber's Tales of the Hasidim. I learned the concept of makom kavuah (our fixed place) from Rabbi David Jaffe, Founder of Kirva, during a session about the Mussar concept of anavah (being right-sized). This episode is brought to you by the Institute for Jewish Spirituality. Rest to Return exists because we believe slowing down is a spiritual act. IJS believes that too. For over two decades, IJS has been helping people go deeper, through Jewish mindfulness meditation, contemplative prayer, sacred text study, and embodied practice. Their offerings range from online courses and silent retreats to immersive cohort programs for seekers of all experience levels, clergy, and spiritual leaders who are ready to live and lead from a more grounded place. Kohenet Keshira haLev Fife is part of IJS's core faculty, and the wisdom you'll hear in this series is very much in that spirit. If this podcast is stirring something in you, IJS is a place to go further. Explore their programs, and more ways to learn and practice with Keshira, at jewishspirituality.org, including: View the latest offerings from IJS in our program catalog Join Keshira on retreat this August: Returning Anew   Learn more about Keshira's latest class at IJS on Mindful Speech as a Spiritual Practice Learn more about Shevet, IJS's community for younger adults (20s-30s)  IJS has several online free practices with Keshira and our other faculty including our live Daily Sit, our weekly Shevet Sit for younger adults (under 40), and monthly Affinity Sits for Jews of Color, LGBTQ+, and individuals with disabilities. Click here for more information. Join our mailing list to be notified about our upcoming fall courses, including Keshira's Earth, Moon, Mindfulness year-long class.

Leadership can be lonely, but it was never meant to be carried alone. In this episode, we sit down with Julia's sisters in business and life: Oglah Gatamah, Koren Bowman, Kymber Lovett-Menkiti, and Gabby Davis, a powerhouse circle of Black women leaders within Keller Williams.Together, we talk about what real collaboration looks like when it goes deeper than networking. This is about safe spaces, honest conversations, strategy, accountability, and having people who understand the exact pressure we carry as women, leaders, mothers, owners, and builders.We explore why scarcity keeps women competing, how abundance helps us say each other's names in the right rooms, and why the right circle should sharpen us, not drain us. From business growth to legacy, representation, faith, and vulnerability, this conversation is a reminder that community is not optional for sustainable success.The challenge is simple: find your circle, protect it, and be that person for someone else.We Talk About: [00:00] Meet the Sisterhood Behind the Success[04:24] Find Your Safe Space[07:54] Your Circle Creates Opportunities[09:35] Why Admiration is So Important[19:01] The Problem With The Scarcity Mindset[20:37] How to Build Your Circle[38:46] Build the Room You've Been Looking ForResources:Learn more at The Color of MoneyRead Breathless by Oglah GatamahConnect with Oglah GatamahConnect with Gabby Davis on InstagramConnect with Kymber Lovett-MenkitiConnect with Koren Bowman and KU Real Estate GroupConnect with Our HostsJulia Lashay:Instagram: @iamjulialashayFacebook: facebook.com/growwithjuliaLinkedIn: linkedin.com/in/julialashay/YouTube: @JuliaLashayProduced by NOVAThis podcast is for general informational purposes only. The views, thoughts, and opinions of the guest represent those of the guest and not Keller Williams Realty, LLC and its affiliates, and should not be construed as financial, economic, legal, tax, or other advice. This podcast is provided without any warranty, or guarantee of its accuracy, completeness, timeliness, or results from using the information.

As America approaches its 250th anniversary of independence, powerful forces including Rockefellers and others are working on a comprehensive plan to fundamentally transform America and “Refound” it, explained researcher and writer Lisa Logan in this interview on Conversations That Matter with The New American magazine’s Alex Newman. This refounding agenda involves a “color revolution” organized ... The post At 250, Rockefellers & Co. Work to “Refound” America With “Color Revolution” appeared first on The New American.

In 1977, a calm, otherworldly voice broke into the British evening news across five transmitters at once, identified itself as an alien envoy, and warned humanity to abandon nuclear weapons before time ran out. Was it a hoax, or first contact?EPISODE BLOG PAGE (includes sources): https://weirddarkness.com/AlienVoicesOnTVAndRadioREAD or DOWNLOAD the full transcript of this episode: https://weirddarkness.tiny.us/mrxcfak4FEATURED STORIES IN THIS EPISODE: While scientists at SETI are continually monitoring for extraterrestrial contact from the cosmos, ordinary people are already hearing from them – via radio and television. (Aliens Voices Over Radio and Television) *** 
The death of a Hollywood movie producer is still unsolved – and his spirit on the lot is still at unrest. (The Mysterious Death of Thomas Ince) *** A family moves into a new home, and it's not long before they begin hearing strange sounds coming from the home bar in their living room. (Something In That Part of the House) *** In years past, baby boys were dressed in pink. So why the change to the color blue for boys? The answer is a dark one. (Baby Blues) *** In just 30 seconds, 30 rounds were fired when the tension between a crew of thieving cowboys and vigilante lawmen came to an explosive head in the frontier town of Tombstone, Arizona. (The True Story Behind the Gunfight at the O.K. Corral)CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Klaatu's speech from “The Day The Earth Stood Still” (1951)00:02:45.959 = Show Open00:04:39.005 = Alien Voices Over Radio And Television00:16:13.874 = The Mysterious Death of Thomas Ince and the Haunting of Culver Studios00:33:04.222 = Something in That Part of the House ***00:39:31.873 = Baby Blues00:45:22.653 = The True Story Behind the Gunfight at the O.K. Corral ***00:54:32.710 = Show Close*** = Begins immediately after inserted ad breakLISTEN ON PODCAST APPS: Look for this podcast on Apple Podcasts, Spotify, iHeart Radio, Amazon Music, Pandora, TuneIn Radio, and other podcast apps. Get a list of free listening apps here: https://weirddarkness.com/wdapps*No AI Voices Are Used In The Narration Of This Podcast*SOURCES and RESOURCES:“The True Story Behind the Gunfight at the O.K. Corral” by Mark Oliver: http://ow.ly/RmAm30oaHWt“The Mysterious Death of Thomas Ince” by Troy Taylor: http://ow.ly/WVUu30oaHvS“Something In That Part of the House” by Haven: http://ow.ly/qMeU30oaHxn“Baby Blues” by Conny Waters: http://ow.ly/zcGj30oaI32“Alien Voices Over Radio and Television” posted at the Conspiracy Journal: https://tinyurl.com/y2ht47pt“Klaatu's Speech From ‘The Day The Earth Stood Still'”: (link no longer available)(Over time links may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)WeirdDarkness® is a registered trademark. Copyright ©2026, Weird Darkness.Originally aired: November, 2021Weird Darkness moves across five unsettling true tales — alleged alien voices breaking into broadcast signals, the unexplained death of a Hollywood pioneer, a possessed home bar in Mexico, the superstitious roots of dressing infant boys in blue, and the bloody thirty seconds behind the O.K. Corral.It opens with the alleged extraterrestrial transmissions that have arrived through ordinary radios and televisions rather than from deep space. On November 26, 1977, at 5:12 PM, a deep, water-logged voice overrode five Southern Television transmitters across southern England, speaking over news reader Ivor Mills for five and a half minutes; the voice named itself Gramaha — also transcribed as Vrillon, Gillon, or Glon — a representative of the Ashtar Galactic Command, and warned humanity to abandon nuclear energy before the dawning New Age of Aquarius. The Independent Broadcasting Authority never logged the interruption and could not explain how its instant switch-off monitoring was bypassed. Years earlier, in July 1961, an eighteen-year-old ham radio operator named Robert P. Renaud had picked up a soft feminine voice high in the 25-meter band claiming to broadcast from a planet called Korendor, eventually trading images on his television's vidicon tube with a contact named Lin-Erri, an episode investigator Allen Griese found oddly free of showmanship or profit. A decade after Renaud, in January 1971, British UFO researcher Rex Dutta took a call on a radio talk show from a voice that registered no echo, no feedback, and no movement on the station's VU meter.From there the episode crosses to November 1924 and the death of Thomas Ince, the producer who founded Culver Studios in 1918 and earned the title Father of the Western. Ince died days after celebrating his birthday aboard William Randolph Hearst's yacht, the Oneida, on a weekend cruise to San Diego that also carried actress Marion Davies and, by rumor, Charlie Chaplin. The official account blamed acute indigestion, but Hollywood whispered that Hearst, jealous over Davies, fired a diamond-studded revolver in the dark and put a bullet meant for Chaplin into Ince's head instead. The body was cremated, no inquest was held, San Diego district attorney Chester Kemply closed the case after a single session, and gossip columnist Louella Parsons soon received a lifetime Hearst contract. Decades later, workers at Culver Studios reported a man in a bowler-type hat watching them from the catwalks during 1988 renovations, frowning, declaring that he disliked what they were doing to his studio, and walking through a wall.Next comes a listener's account of a house in Mexico, bought by the family about twenty years earlier, where a heavy tavern-style wooden bar in the living room became the source of growling, clinking glassware, and slamming cabinet doors that sounded like two animals fighting inside an empty cupboard. The housekeeper, Letty, threw the cabinet open to find nothing disturbed. Weeks later the mother and Letty dug up jars in the front yard containing rag dolls pierced with pins, buried directly on the other side of the wall behind the bar. A framed mirror reading BAR shattered at three in the morning during a housewarming party, a barred window slid open on its own after being latched, and a photograph of a single bar stool showed a clear horned, devil-like face the family begged to have deleted. Letty, it turned out, was a bruja — a witch.Color superstition drives the next story: infant boys, dressed in blue today, were once dressed in pink, and a June 1918 article in the trade journal Earnshaw's Infants' Department called pink the stronger, more decided color suited to boys and blue the daintier choice for girls. The return to blue revived a far older practice, since the ancient Egyptians and Greeks regarded blue as divine and used it to repel evil spirits, dressing pharaohs in it and, as author Douglas B. Smith recounts, painting nurseries to keep satanic spirits from slipping into young children's bodies. Boys received that protection because they were valued above girls, who were thought too unimportant for evil spirits to trouble. The same fear survives in the Evil Eye and in protective amulets like the Hamsa and the Turkish Nazar, hung in homes and cars and worked into jewelry across the Balkans and the Middle East.The episode closes behind the O.K. Corral on October 26, 1881, where thirty rounds were fired in roughly thirty seconds. Tombstone, Arizona had been founded in 1877 by prospector Ed Schieffelin, who struck a silver vein worth more than thirty-seven million dollars after being warned that all he would find out there was his own tombstone. Wyatt, Virgil, Morgan, and James Earp, joined by the gun-slinging ex-dentist Doc Holliday, clashed with the Cochise County Cowboys, a feud that hardened after Curly Bill Brocius accidentally killed city marshal Fred White in 1880 and Virgil took the post. The gunfight left Frank McLaury, Tom McLaury, and nineteen-year-old Billy Clanton dead while Ike Clanton and Billy Claiborne fled, and Judge Wells Spicer afterward released the Earps as having committed an unwise but not criminal act. The reckoning continued past the verdict, with Virgil shotgunned in the back, Morgan assassinated over a game of pool in a plot tied to Ike Clanton, and Wyatt Earp drifting west until his death in California in 1929 at the age of eighty.

New here? Start with our Start Here playlist — five episodes that will change how you think about motherhood. You've tried the bins. You've tried the labels. You've watched the organization reels and bought the matching containers. And somehow, within a week, everything is a mess again. Here's what nobody told you: you're not messy. You've just been trying to use an organizing system built for someone else's brain. Cas Aarssen is a professional organizer, YouTube creator, and self-described recovering super slob. After years of failing at traditional organizing methods, she discovered that there are four distinct organizing styles — and once you know yours, staying organized becomes almost effortless. She's helped millions of people transform their homes by working with their brain, not against it. What you'll learn: Why traditional organizing systems fail ADHD and visual brains — and what to do instead The one question every organizing system should answer: does it work on your absolute worst day? The four Clutterbug organizing styles and how to figure out which one you are Why out of sight truly is out of mind for visual organizers — and why that's not a flaw The golden Clutterbug rule for shared spaces that stops the nagging and resentment cold How to start with your messiest spot and let your clutter tell you what system you actually need Why hooks, big labels, and no-lid bins work better than any fancy organizing system you can buy How to have the organizing conversation with your partner without it turning into a fight Why clutter attracts clutter — and the simple fix that breaks the cycle The Lego mat that will change your life (and your kids' cleanup habits) The 4 Clutterbug organizing styles: The Butterfly — visual and macro. Needs things out in the open to remember they exist. Out of sight truly is out of mind. Loves beautiful displays, hates hidden storage. The Bee — visual and micro. Needs to see things but also loves detailed organization. Color-coded files, labeled everything, things arranged just so. The Ladybug — hidden and macro. Likes things put away out of sight but in big broad categories, not detailed systems. The hider who shoves things in a drawer to clear a surface. The Cricket — hidden and micro. Loves detailed, out-of-sight storage. The person with the color-coordinated filing cabinet who knows exactly where everything is. "True organization is meant for your absolute worst day — so that you never have to catch up." Products mentioned in this episode: Lego play mat with drawstring — spreads out as a huge play surface, pull the string and everything collects into a bag. Find on Amazon. Life changing for kids' cleanup. Wall-mounted magazine rack or gold basket organizer — gets papers and bills off flat surfaces and onto walls where visual organizers will actually see them Ikea bathroom rod system with hanging buckets — keeps bathroom products off the counter and at eye level without taking up surface space Take the free Clutterbug quiz: Find out your organizing style and get personalized tips at clutterbug.me Resources mentioned: The Clutterbug Method — Cas's new course for organizing your own home with her coaching. Find it at clutterbug.me Peter Walsh's Clean Sweep on TLC — the show that started Cas's organizing journey Connect with Cas: Website: clutterbug.me YouTube: Clutterbug Instagram: @clutterbug_me Listen next: Why You're Always the One Remembering Everything (And How AI Can Help) with Sarah Dooley Why You're Always Rushing — And What Your Body Is Actually Trying to Tell You with Jenna Free Working Parent Boundaries with Sarah Armstrong Remember: the best mom is a happy mom. Take care of you. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Every person you have ever met falls into one of four personality types. Once you know which one they are you will know exactly what motivates them, what drives their behaviour and how to get them on your side in any conversation.In this episode, Morgan breaks down the four personality colours, how to spot each one in seconds and exactly how to communicate with them in sales, leadership and everyday life.Listen to find out which one you are and how to use this to your advantage.

In this episode of the Executive Function Brain Trainer Podcast, Dr. Erica Warren welcomes her business partner, executive functioning coach, and educational therapist, Nancy Platt Dawud, for a discussion geared toward parents on building executive functioning skills over the summer. They contrast the risks of too little structure with the benefits of involving kids in planning, time management, and organization, while also emphasizing the value of unstructured time, boredom, creativity, and frustration tolerance. They suggest practical, playful strategies including outdoor activities (obstacle courses, scavenger hunts, sports), family games (card and board games that support working memory, inhibition, flexibility, logic, and spatial skills), reading supports (graphic novels, audiobooks paired with text, finger tracking, apps), and real-life skill builders like cooking, travel prep and packing lists, map reading, memorizing key information, visual schedules, and small “chunked” routines like the three-thing rule, while cautioning against overscheduling and overhelping.Links:EF Student Coaching with Erica:⁠⁠https://learningtolearn.biz/⁠⁠⁠⁠EF Adult Coaching with Erica:⁠⁠⁠⁠https://dropintoyourbestself.com/coaching⁠⁠⁠⁠Executive Function Products and Tools: https://goodsensorylearning.com/collections/executive-functioning-skills-trainingivvi notes: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://ivvi.app⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Executive Functioning Coaching Course: ⁠https://www.learningspecialistcourses.com/courses/teaching-EF-and-study-strategies⁠Executive Functioning Resources: ⁠⁠⁠https://goodsensorylearning.com/collections/executive-functioning-skills-training⁠⁠⁠Executive Functioning Assessments:⁠⁠⁠⁠ https://goodsensorylearning.com/search?type=product&q=EFCA⁠⁠⁠⁠Inner Voice:⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠https://goodsensorylearning.com/blogs/news/inner-voice-app⁠⁠Erica and Nancy's Private Practice: https://learningtolearn.biz/ Drinking from a hose short: https://www.instagram.com/reels/CsXhIgQsTUw/ Quitch: Look for a used one on eBayRat-A-Tat CatBlinkDeductoTaco, Cat, Goat, Cheese, PizzaDog CrimesCat CrimesScattergoriesPictionaryMastermindGuess the Color (online version of Mastermind) Genius SquareBlockusQBitsLogic LinksRush HourClueSkylightDry Erase CalendarsPicture SchedulesBrought to you by:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://ivvi.app⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://goodsensorylearning.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://learningspecialistcourses.com⁠⁠⁠⁠https://goodsensorylearning.com/products/executive-functioning-coaching-assessment⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

In this episode, Kelly is joined by Alan van Capelle!  He is the executive director of Friends of the High Line, the former deputy comptroller for the City of New York, and the chief architect of New York's historic marriage equality bill.  Kelly asks Alan where he's from. Alan talks about growing up on Long Island and realizing that he was gay. He talks about pretending to be Miss America while hearing his parents argue about him playing Soccer! Alan then talks a bit about his twin sister, and is surprised to learn that Kelly is a twin as well!  Alan talks about his journey through college: how he wanted to be an opera singer, and then worked in medical unions, and later decided to go into community organizing and politics. He then tells the story about how he went from speaking at the first openly gay state representatives' inauguration to being the executive director of the Pride Agenda! Kelly and Alan talk about political activism, and Kelly describes the time he took a bus trip up to Washington, D.C. in 1993 to be a part of the march on Washington. He tells us about how their trip was almost canceled because of threats from the KKK. He describes the tension as they took the trip, and talks about how transformative of an experience it was.  Alan then talks about the importance of joy in hard times. As Executive Director of the High Line, It's important to him that in this fight against fascism, we center joy, and he hopes that people can find that on the High Line this pride.  Kelly asks Alan about the events that are going on this summer.  Alan talks about Musical Theater Piano Karaoke on Mondays, and how everyone has been super excited for that. He talks about the plant sale that they held, where people had the chance to buy one of a kind plants that are not available anywhere else. He talks about the Zesty world party for Queer People of Color, and the Salsa dance parties that are held in July.  Kelly then gets personal with Alan as he asks him about his family life. Alan talks about the process of how he and his partner adopted their two kids. He talks about the pressures of raising a family as a gay couple, as well as some of the challenges that he and his kids face navigating the world as a queer family.  Finally, Kelly asks Alan about the fight for marriage equality. Alan talks about the process that he and his colleagues went through in order to get it passed. How they had to pass smaller legislation surrounding it in order to set the precedent for marriage equality.  He talks about how he became friends with his political enemies and how that was crucial in nullifying them and getting them on his side. He and Kelly talk about the importance of continuing to talk to people you may disagree with.  Then Kelly asks Alan what his favorite neighborhoods are, where he likes to go to eat, and where his favorite place to go for views of the city is. Alan talks about where to go to see the best eye candy, makes a controversial restaurant take, and talks about his favorite section of the High Line. But above all else; Alan van Capelle is a New Yorker.  Kelly's Social Media @NewYorkCityKopp Follow the High Line and for more information about their events:  https://www.thehighline.org @Highlinenyc Jae's Social Media @Studiojae170 Chapters (00:00:00) - New Yorkers: Alan Van Capel on Ellen(00:01:34) - Queens doctor and proud New Yorker(00:03:54) - Democrat and twin sister on politics(00:07:45) - Straight Women Talk About Coming Out(00:07:56) - In the Elevator With Gay People(00:11:23) - Exploring the Stonewall Riot(00:16:05) - On the Pulse Shooting(00:19:07) - The High Line's Pride Month 2(00:23:10) - Adopting Gay Parents(00:27:00) - Same-Sex Parents in NYC(00:30:50) - Horticulturalists on the High Line(00:33:01) - NY Gov. Cuomo on Marriage Equality(00:39:31) - On the Fight for Gay Rights(00:44:52) - What Gay Parents Want You To Know(00:49:17) - Pride Month on the High Line(00:50:37) - Favorite New York Neighborhoods(00:53:47) - NYC Knicks Fever(00:55:19) - Alan Van Capel on Being a New Yorker(00:57:06) - The New Yorkers Podcast(00:58:18) - Train No. 6, Brooklyn-

Rubrique:nouvelles Auteur: arthur-conan-doyle Lecture: Daniel LuttringerDurée: 45min Fichier: 30 Mo Résumé du livre audio: James Dodd demande l'aide de Sherlock Holmes pour faire le point sur une étrange situation. Il est sans nouvelles de Godfrey Emsworth, un camarade de régiment. Pourtant, ce dernier lui est apparu une nuit, le teint livide, à la fenêtre. Cet enregistrement est mis à disposition sous un contrat Creative Commons.

This week we're talking about the Black and White (or Color) series Spider-Noir. We talk about the style of noir, a horrifying spider origin, and is it possible this is the most Nicolas Cage role of all time? This episode brought to you by ZVOX. ZVOX's soundbars use patented technology, called AccuVoice, that LIFTS voices from background music and sound effects, making the dialogue crystal clear and easy to understand, even at low volumes. Visit zvox.com and check out their lineup of AccuVoice soundbars –They offer a 60-day home trial plus free shipping, and right now Talk From Superheroes listeners can save 20% on any new soundbar by using code TFS at checkout.

The queens shine a rainbow spotlight on some fabulous, emerging queer poets.Support Breaking Form by reviewing the show on Apple Podcasts here.Aaron's STOP LYING is available from the Pitt Poetry Series. BEAUTIFUL PEOPLE is available from Bridwell Press. James's ROMANTIC COMEDY is available from Four Way Books.  Notes:Xavier Searle is a poet and educator. A recipient of an Academy of American Poets University & College Prize, their work has appeared in The Broken Plate, Stone of Madness, and the anthology Broken Olive Branches. They hold an MFA from North Carolina State University. Read their poem "Elegy." Deon Robinson (he/him) is a Queer Afro-Latino poet born-and-raised in The Bronx. He received his B.A. in Creative Writing from Susquehanna University, where he was a two-time recipient of the Janet C. Weis Prize for Literary Excellence. Currently, he is a first year MFA Candidate in Poetry at the University of Urbana-Champaign where he is a recipient of a Graduate College Master's Fellowship and selected by Adrian Matejka for the 2022 Hobart L. and Mary Kay Peer Memorial Award. Read Deon Robinson's "(Pleasure-Knowledge) (Knowledge-Pain)" from The Adroit Journal. Visit his website: https://djrthepoet.weebly.com Kaitlin Hsu 徐欣 (she/她) is a queer Taiwanese poet, translator and editor from the Bay Area. Her work can be found in A Public Space, Poet Lore, Peach Mag and elsewhere. She is a 2024 Margins Fellow at the Asian American Writers' Workshop and works at Kaya Press as an associate editor. Hsu was also a Brooklyn Poets Fellow. Check out Hsu's website at https://myrefoli.github.io and read her poem "As a Child, I Pretended to Be a Tree" here.Stefania Gomez is a 2025 Luminarts Fellow in Poetry and a 2023 Fulbright Research Award Grantee, and a finalist for the 2024 Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship and 2023-2024 Provincetown Fine Arts Work Center Fellowship Semifinalist. She has received additional fellowships from the Dirt Palace, Sewanee Writers Workshop, Lambda Literary, and the International Quilt Museum. She received her MFA in poetry at Washington University in St. Louis. She is currently a PhD candidate in English at the University of Illinois at Chicago and teaches Creative Writing at The Chicago High School for the Arts, Chicago's first public arts high school. Read her poem "Wreck" here and check out her website here. Another Gomez poem worth your time is "At the New York City AIDS Memorial"John Bonanni founded and edits the Cape Cod Review. His poems have appeared in North American Review, Foglifter, Black Warrior Review, Washington Square Review, Florida Review, and Gulf Coast, and his literary criticism has been featured in DIAGRAM, Denver Quarterly, The Rumpus, and The Kenyon Review. He teaches on Cape Cod. Visit his website and read "Elegy for Gaeton Dugas" here. Bonnani's book Retrovirology, won the Donald Hall Prize (judged by Honorée Fanonne Jeffers) and will be available in September from the Pitt Poetry Series. Alec Hershman is the author of the chapbooks Permanent and Wonderful Storage  (2019) and The Egg Goes Under (2017), both from Seven Kitchens Press. He lives in Michigan where he teaches literature and writing to college students. His poetry appears widely in literary journals and magazines such as Denver Quarterly, Colorado Review, The Journal, Sycamore Review, DIAGRAM, Columbia, The National Poetry Review, and Harpur Palate. You can find links to his work online at https://alechershmanpoetry.com. Read Hershman's "Mercury Fields." Denice Frohman is a poet and performer from New York City. She has received support from The Pew Center for the Arts, Baldwin for the Arts, CantoMundo, Headlands Center for the Arts, the National Association of Latino Arts and Cultures and the National Endowment for the Arts. Her work has appeared in The New York Times, Poem-A-Day, The BreakBeat Poets: LatiNext, Nepantla: An Anthology for Queer Poets of Color, The Rumpus and elsewhere. A former Women of the World Poetry Slam Champion, she's featured on hundreds of stages from The Apollo to The White House. Currently, she is developing her one-woman show, Esto No Tiene Nombre, which centers the oral histories of Latina lesbian elders. Read or listen to Frohman's poem "Lady Jordan" here and check her website out here: https://www.denicefrohman.comZachary Scalzo (he/they) is a queer writer, translator, and theatremaker. They can be found at azachofalltrades.com and on Instagram at @zjscalzo. Their poetry has appeared in journals including Dear Poetry, Ghost City Review, and &Change. Read their poem “Sometimes—there's God—so quickly.” Journalist Randy Shilts popularized the concept of "Patient Zero" in his 1987 book, And the Band Played On. By 1987, however, it was known that an infected individual might not display symptoms for several years, and that the study on which Shilts based his assumption was unlikely to have revealed a network of infection. Still, Shilts uncritically spread the story of the Los Angeles cluster study and its ‘Patient 0,' with long-standing consequences. For more about this, read here.Director Laurie Lynd released a documentary in 2019, Killing Patient Zero, which delves more into Gaeton Dugas's life. Read more about the documentary here.

Marley reviews the new J-Lo Rom Com "Office Romance", Steve talks "Project Hail Mary", what is the loneliest color according to Sherwin-Williams & we Play Whose Voice Is It Anyway See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Send us Fan MailBefore we dive into the Psalms, we need to understand how the original audience viewed Scripture.The Bible was written in a different language, in a different land, during a different time period. Every time we open its pages, we are stepping into another culture. While God's Word speaks to us today, understanding its original context helps us hear it more clearly.In this episode, we explore what the Bible is: a historical theological narrative. From Genesis to Revelation, Scripture tells one unified story about God working through real people, real places, and real events to reveal who He is and what He is doing in the world.We also examine how Jesus and the Jewish people organized and understood the Scriptures through the Tanakh—the Torah (Law), Nevi'im (Prophets), and Ketuvim (Writings). By looking at the structure of the Hebrew Bible, we discover how these three sections work together to tell one cohesive story and how that arrangement can deepen our understanding of books like Psalms.Finally, we take a fast-paced journey through the Old Testament story. From creation and covenant, to the Exodus, the kingdom, exile, and the promises of restoration, we trace the unfolding story of the God of Israel and His commitment to dwell among His people. Along the way, we see why Israel longed for the coming Messiah and how the Writings—including Psalms—help God's people wrestle with suffering, faithfulness, wisdom, worship, and hope while waiting for God's promises to be fulfilled.This episode lays the foundation for our Psalms series by helping us read Scripture as one unified story centered on God. Understanding that larger story will help us better understand where the Psalms fit, what questions they are addressing, and how they continue to shape the faith of God's people today.Parents: As you listen, consider asking your children, "What do you think the Bible is about?" Their answer may open the door to conversations about how all of Scripture points to God's faithfulness and His desire to dwell with His peopleJoin us for a summer of Psalms.  If you want the FREE hand outs that go along with this series, sign up for our newsletter at our website. Our website is The Context and Color of the BibleWe are on Facebook - The Context and Color of the Bible | FacebookWe are on Instagram - @contextandcolorofthebibleWe are on YouTube - The Context and Color of the Bible - YouTubeMusic: Tabuk by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/4453-tabukLicense: http://creativecommons.org/licenses/by/4.0/

For some inexplicable reason, Sherwin-Williams has revealed to us the world's loneliest color, which happens to be a rather bizarre shade of green.The fun continues on our social media pages!Jeremy, Katy & Josh Facebook: CLICK HERE Jeremy, Katy & Josh Instagram: CLICK HERE

In hour 2, Ethan hosts, "Ethan's News" where he discusses the latest trending entertainment news, this day in history, the random fact of the day and more. Mark is then joined by Tiffany Justice, a Co-Founder of Moms For Liberty. She reacts to Scott Pelley's firing from 60 Minutes as well as her interactions with him while appearing on a 2024 episode of the show. He's later joined by KSDK Sports Director Frank Cusumano. He recaps the Cardinals sweep of the Cincinnati Reds, the Stanley Cup and NBA Finals and more.

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Lanelle Butterfield grew a businesses from 200 to 850 managed properties:“Growth started when I stopped solving every problem myself.”“Leading people makes perfect sense when you know why they act.”“I learned integrity costs much more when the stakes are high.”What if leadership begins above the noise and you miss it?Forgive slight audio difficulties, but Lanelle's wisdom is clear.Also, see BoldEncounters.TVWhen a trusted friend stole $80,000 from her business, Lanelle Butterfield faced a decision that would test far more than her finances. Years later, that experience became just one chapter in a much larger story of leadership, growth, trust, culture, and understanding people at a deeper level. From growing a property management company from roughly 200 to 850 properties to becoming one of the top-performing operators in a 300-franchise system, Lanelle learned that the most important business skill isn't managing property—it's understanding people.Many people think of color systems as attractive labelling of people, not Lanelle. She made me a fan of the Color Code, not as simply another personality system, but something far more useful. In this episode, Lanelle includes her take on a framework for understanding motives. In this conversation, she explains how motive changes leadership, hiring, relationships, communication, accountability, trust, and growth. Also, she shares important leadership lessons from business setbacks, rapid expansion, employee development, and the powerful shift from working inside a business to seeing it from a bird's-eye perspective.Inside This Episode• The $80,000 betrayal that tested trust, leadership, and taught the value of integrity• Why responsibility beat bankruptcy options• The bird's-eye leadership shift that changed decision-making• Why motives reveal more than behavior ever can• Color in Relationships helped employees, clients, and family• Building a culture of owners, investors, and leaders• The lesson behind “No Whining on the Yacht”• How great leaders stop treating people like problems• Why understanding human nature creates better resultsGo Deeper — Premium Action PlanIn the Premium Action Plan, Lanelle helps listeners apply motive-based leadership immediately. Learn practical ways to identify core motivations, improve communication with different personality types, reduce unnecessary conflict, develop stronger teams, and make better leadership decisions. She also shares actionable principles for creating ownership, accountability, and growth inside organizations, families, and personal relationships.Listen + Connecthttps://www.BoldEncounters.TVLanelle Butterfieldhttps://www.realpropertymgt.comhttps://www.linkedin.com/in/lanelle-butterfield-16865433/Moments To Revisit• Discovering why behavior often hides the real story• The moment $80,000 disappeared from the company• The leadership perspective that comes from seeing the whole business• Helping employees purchase investment properties of their own• “No Whining on the Yacht”• Why motives—not personalities—became the key to understanding peopleFinal ThoughtMost leadership advice focuses on changing behavior. Lanelle's experience points somewhere deeper. When leaders learn to understand motives, elevate their perspective, and genuinely invest in the people around them, growth becomes more sustainable, trust becomes stronger, and leadership becomes far more effective than control ever could.Do you feel stuck between where you are today… and who you're meant to become? Find your next step inside Bold Encounters Premium at: https://www.BoldEncounters.TV — you can also give the gift of Premium success to someone else you care about.Thank YouCalvin Cook—Caljo, original music, @Caljo MusicAliyah Peña, Post Production, aliyahmpena@gmail.comSkyler Maudsley, Video Editing, skylermaudsley@gmail.comRosalie McGinn, Social Media, rosalie.mcginn1@gmail.com

Sound Healing with David Gibson Musical Intervals and The Music of Relationship: David Gibson on Intervals, Harmony, and Dissonance David Gibson Opens Sound Healing In this episode of Sound Healing, host David Gibson opens with updates from the Sound Healing Center, Globe Institute, and upcoming programs, including open houses, summer intensives, online certificate training, recording classes, the Mount Shasta Sound Healing Retreat, and voice-analysis software training. He then introduces the central topic of the episode: musical intervals, or the relationship between two notes, as a model for understanding the relationship between every kind of thing in the universe. Musical Intervals as States of Consciousness David explains that musical intervals are not only musical structures, but also feelings or states of consciousness. He walks through several intervals, including unison, octaves, perfect fifths, perfect fourths, major thirds, major seconds, minor seconds, sixths, and sevenths. He describes unison and octaves as deeply harmonious, the perfect fifth as calming, sweet, healing, and movement-oriented, the perfect fourth as spacious and suspended, and more dissonant intervals as activating rather than inherently bad. His point is that each interval carries a specific emotional or energetic quality. Ratios, Frequencies, and Sacred Geometry David then connects musical intervals to mathematics. An octave is a two-to-one ratio, a perfect fifth is three-to-two, a perfect fourth is four-to-three, a major third is five-to-four, and a minor third is six-to-five. He explains that these ratios can also appear in sacred geometry, such as the relationship between the lengths of sides in a triangle. For David, this means intervals are not just sounds; they are measurable relationships that can appear in space, form, vibration, and proportion. Timbre, Harmonics, and Sound Healing Instruments David distinguishes between musical intervals created by two separate notes and the hidden intervals inside a single sound. When a person sings one note, or when an instrument such as a gong, harp, Tibetan bowl, or piano produces a sound, that single sound contains many frequencies and harmonic relationships. He explains that activating instruments such as gongs, bagpipes, saxophones, and clarinets may contain more dissonant internal relationships, while instruments such as harp, acoustic guitar, and wood drum can contain warmer, sweeter relationships. This helps explain why different instruments affect the body and emotions differently. Intervals in Nature, Color, Geometry, and the Planets The episode expands from music into nature and cosmology. David says atoms, molecules, elements, colors, geometries, planets, moons, and orbital relationships can all be understood through interval-like relationships. He gives examples such as hydrogen and oxygen forming water, colors that harmonize or clash, and planetary relationships connected to the ancient idea of the music of the spheres. He also discusses Jupiter's moons and the Earth-Sun relationship as examples of cosmic ratios and vibrational relationships. The Body as a Harmonic Structure David applies the same idea to the human body, saying every cell, organ, and medical system has frequencies and relationships. He suggests that health may be understood as harmonious interval relationships among the parts of the body, while illness may involve disrupted or dissonant relationships. He speculates that if researchers could identify the musical-interval “template of perfection” among cells, organs, and body systems, sound could potentially be used to support healing across many conditions. Emotions, Thoughts, Souls, and Relationships David also applies musical intervals to inner life. He describes emotional conflicts, such as loving and hating someone at the same time, as dissonant relationships. Positive emotions such as gratitude, compassion, love, and joy are described as more coherent frequencies that can move together in harmonious ways. He extends this to thoughts, soul relationships, twin flames, soul groups, and romantic or personal chemistry, suggesting that people may experience each other as harmonious or dissonant based on deeper frequency relationships. Musical Intervals Across Every Subject Near the end, David explains that the Sound Education Association is building curriculum for children that brings frequency, musical flow, and interval relationships into subjects such as math, physics, chemistry, biology, psychology, communication, social science, history, economics, environmental science, art, engineering, computer science, physical education, ethics, philosophy, and medicine. His larger vision is that every subject can be understood as a study of relationships, and every relationship can be experienced as a kind of musical interval. Moving Toward Harmony While Honoring Dissonance David closes by playing part of his song “Awakening,” which he says is built largely around the musical fifth. He encourages listeners to notice harmony and dissonance in their lives, but not to judge dissonance as bad. Just as water hitting rocks or waves crashing into shore can create beautiful turbulence, dissonance can activate movement and help break up stuck energy. The final message is to move toward harmony whenever possible while recognizing that all relationships, even challenging ones, can serve a purpose in the larger music of life.

Fluent Fiction - Italian: Unleashing Color: Marco's Transformation Through Fashion Find the full episode transcript, vocabulary words, and more:fluentfiction.com/it/episode/2026-06-06-22-34-01-it Story Transcript:It: Nel cuore della vivace metropoli, le strade erano affollate di gente che passeggiava tra negozi alla moda e vetrine colorate.En: In the heart of the lively metropolis, the streets were crowded with people strolling among fashionable stores and colorful shop windows.It: Era una tarda mattina di fine primavera, e il sole splendeva, promettendo una lunga e calda estate.En: It was a late morning in late spring, and the sun was shining, promising a long and hot summer.It: Marco, un giovane graphic designer, camminava con calma lungo il viale principale.En: Marco, a young graphic designer, was calmly walking along the main avenue.It: Marco era un ragazzo timido e riservato.En: Marco was a shy and reserved guy.It: Amava vestirsi con abiti neutri, preferendo i toni del grigio e del blu.En: He loved to dress in neutral clothes, preferring shades of gray and blue.It: Tuttavia, dentro di sé, c'era una passione segreta per la moda audace.En: However, inside him, there was a secret passion for bold fashion.It: Questa mattina, aveva deciso di affrontare una piccola sfida personale: acquistare vestiti estivi più vivaci.En: This morning, he had decided to face a small personal challenge: to buy more vibrant summer clothes.It: Entrò in un negozio di abbigliamento colorato e sentì subito una leggera ansia salire.En: He entered a colorful clothing store and immediately felt a slight anxiety rise.It: L'atmosfera era frizzante, con musica allegra che riempiva l'aria.En: The atmosphere was lively, with cheerful music filling the air.It: Giulia e Luca, due dei suoi colleghi, erano entrati nello stesso negozio, ma lui ancora non li aveva notati.En: Giulia and Luca, two of his colleagues, had entered the same store, although he hadn't noticed them yet.It: Marco si avvicinò a un espositore pieno di camicie dai colori sgargianti.En: Marco approached a display full of brightly colored shirts.It: Una, in particolare, attirò la sua attenzione: era di un rosso vivo e aveva motivi geometrici arancioni e gialli.En: One, in particular, caught his attention: it was a vivid red and had orange and yellow geometric patterns.It: Esitò per un istante, poi, con un respiro profondo, prese la camicia e si diresse verso il camerino.En: He hesitated for a moment, then, with a deep breath, took the shirt and headed toward the fitting room.It: Dentro il camerino, Marco provò la camicia.En: Inside the fitting room, Marco tried the shirt on.It: Guardandosi allo specchio, era sorpreso da quanto gli piacesse.En: Looking at himself in the mirror, he was surprised by how much he liked it.It: Tuttavia, la sua insicurezza riemerse.En: However, his insecurity resurfaced.It: Pensava: "E se attiro troppo l'attenzione?En: He thought, "What if I draw too much attention?It: Non sono abituato a vestire così."En: I'm not used to dressing like this."It: Con decisione, uscì dal camerino con la camicia ancora addosso.En: With determination, he left the fitting room with the shirt still on.It: Fu allora che incontrò Giulia, che lo riconobbe immediatamente.En: It was then that he met Giulia, who recognized him immediately.It: "Marco, quella camicia è fantastica su di te!"En: "Marco, that shirt looks fantastic on you!"It: esclamò con un sorriso.En: she exclaimed with a smile.It: Le sue parole furono come un balsamo per l'insicurezza di Marco, facendo svanire ogni dubbio.En: Her words were like a balm for Marco's insecurity, erasing any doubt.It: Sentendo l'incoraggiamento di Giulia, Marco decise di acquistare la camicia.En: Hearing Giulia's encouragement, Marco decided to buy the shirt.It: Alla cassa, vide anche delle bermuda di un azzurro brillante e dei sandali verdi.En: At the checkout, he also saw some bright blue Bermuda shorts and green sandals.It: Con coraggio, aggiunse anche quei capi al suo acquisto.En: With courage, he added those items to his purchase as well.It: Uscì dal negozio con un sacchetto pieno di vestiti colorati e un nuovo sorriso stampato sul viso.En: He left the store with a bag full of colorful clothes and a new smile on his face.It: Sentiva che, finalmente, aveva trovato il modo di esprimere la sua vera personalità.En: He felt that, finally, he had found a way to express his true personality.It: La sua passeggiata di ritorno era leggera, persino il passo più deciso.En: His walk back was light, even his step more assured.It: Quella giornata divenne un punto di svolta per Marco.En: That day became a turning point for Marco.It: Aveva scoperto che la moda poteva essere una forma di espressione di sé, senza il timore di essere al centro dell'attenzione.En: He discovered that fashion could be a form of self-expression, without the fear of being the center of attention.It: Con ogni passo, si sentiva più sicuro, accolto nella versione più autentica di sé stesso, pronto a colorare il mondo con il suo stile unico.En: With every step, he felt more confident, embraced in the most authentic version of himself, ready to color the world with his unique style. Vocabulary Words:the metropolis: la metropolithe streets: le stradecrowded: affollatethe fashion: la modavibrant: vivacithe store: il negoziothe anxiety: l'ansiathe atmosphere: l'atmosferathe colleagues: i colleghithe display: l'espositorethe fitting room: il camerinothe insecurity: l'insicurezzathe attention: l'attenzionethe encouragement: l'incoraggiamentothe checkout: la cassathe courage: il coraggiothe bag: il sacchettothe smile: il sorrisothe personality: la personalitàthe step: il passothe point: il puntothe turning point: il punto di svoltathe fear: il timorethe version: la versionethe shirt: la camiciathe geometric patterns: i motivi geometricithe sandals: i sandalithe spring: la primaverathe summer: l'estatethe music: la musica

Fabio's family is divided as the killers take the stand. A secret is revealed. Want the full story? Binge every episode of Cut, Color, Kill ad-free now by subscribing to The Binge+. You'll unlock over 60 true crime series instantly, get early access to drops on the first of every month, and hear exclusive bonus episodes. Search for the channel on Apple Podcasts or head to GetTheBinge.com. For behind-the-scenes details, join our free newsletter at Patreon.com/TheBinge. Cut, Color, Kill is a production of Sony Music Entertainment and Novel. Follow @sonypodcasts and discover more at sonymusic.com/podcasts. Learn more about your ad choices at podcastchoices.com/adchoices. The Binge — feed your true crime obsession. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this 7 Minute Stories episode, Aaron reflects on a season of life that felt like too many trains trying to squeeze through one tunnel, and the small decision that helped him step off the track for a moment. What he found at Roxboro Elementary School in Cleveland Heights was a young poet named Kody, an orange poem, and a reminder that some of the best stories are the ones we almost miss.

Reliable, durable, and fast, ProMaster Rugged Cards are designed to keep your work and memories safe! Get yours today!Now saving when you shop for your favorite gear at B&H Photo is even easier with the B&H Payboo Credit Card which lets you Save the Tax — you pay the tax, and B&H pays you back instantly! (Save the Tax on eligible purchases shipped to eligible states.) OR you can pay over time with our 6 & 12 month financing (on minimum purchases of $199 for 6 months, and $599 for 12 months). Terms apply, learn more at http://bhphoto.com/payboo. Credit card offers are subject to credit approval.Payboo Credit Card Accounts are issued by Comenity Capital BankThis week on The PetaPixel Podcast, Chris, Jordan, and Jaron are in Atlanta, Georgia at the headquarters of KEH to hear what is popular on the pre-owned camera market, what cameras are the hardest to fix, and more. Plus, Capture One and Leica are both looking like they're trying to find new owners, and GoPro is reportedly "on the brink" and might not last the year.Check out PetaPixel Merch: store.petapixel.com/ We use Riverside to record The PetaPixel Podcast in our online recording studio.We hope you enjoy the podcast and we look forward to hearing what you think. If you like what you hear, please support us by subscribing, liking, commenting, and reviewing! Every week, the trio go over comments on YouTube and here on PetaPixel, but if you'd like to send a message for them to hear, you can do so through SpeakPipe.In This Episode:00:00 - Intro from KEH!08:20 - Jordan's challenge09:45 - Camp Snap 2 is smaller, lighter, and has more accessories12:43 - Zeiss' new anamorphic lenses look really interesting15:31 - GoPro is "on the brink" and facing collapse19:19 - Capture One's private equity owner is trying to sell it24:22 - We confirmed YoloLiv wasn't complying with the Micro Four Thirds standard29:17 - A Chinese private equity firm is the leading contender to acquire Leica32:26 - Lucky's new Color 200 film is finally here37:44 - GlassAI's tech finally made it into a smartphone41:16 - The world of pre-owned cameras and lenses with KEH1:08:54 - What have you been up to?1:11:49 - Tech support1:22:28 - AI being stupid + Feel Good Story of the week

In this episode of Workday Playdate, Erin sits down with wellness expert, bestselling author, and intuitive healer Inna Segal to explore the powerful connection between emotional wellbeing and physical health. If you've ever felt stuck, overwhelmed, burned out, or disconnected from yourself, this conversation offers practical tools to help you unlock your body's innate ability to heal.Inside This Episode:Your Body Is Talking: Inna explains how physical symptoms often carry emotional messages and why learning your body's language can lead to greater self-awareness, resilience, and healing.The Hidden Link Between Emotions and Health: Discover how stress, grief, trauma, and unresolved emotions can manifest physically, and what you can do to release what's been weighing you down.Healing Starts with Connection: From visualization and color work to movement and breath, Inna shares simple practices to help you reconnect with yourself and access your body's wisdom.Why Slowing Down Is a Superpower: For leaders, parents, and high achievers, Inna reveals why creating moments of stillness can unlock clarity, energy, and emotional balance.The Stages of Healing Explained: Learn how healing evolves over time, why discomfort is sometimes part of the process, and how to navigate change with more trust and self-compassion.What to Do Now:Pause Before You Push Through: The next time you feel stressed, exhausted, or overwhelmed, ask yourself: "What is my body trying to tell me?"Create Five Minutes of Stillness: Take a few intentional breaths, slow down, and notice what thoughts, emotions, or sensations are asking for your attention.Experiment with Color and Visualization: Try using color, movement, or imagery to shift your emotional state and release tension.Your FreebieWhat's your leadership style and next business move? Find out by taking a fun little quiz here.Connect with Inna SegalInna's websiteInna's booksInna's LinkedInConnect with Erin Diehl x improve it! Leadership Playground online membership communityErin's websiteErin's InstagramErin's TikTokErin's LinkedInimprove it!'s websiteimprove it!'s InstagramFor more information on improve it! visit www.learntoimproveit.com.

(6) Bob Zimmerman shares the backstory of the iconic Earthrise photo and the legendary Christmas Eve broadcast. He clarifies that while there was friction over who took the photograph, Bill Anders captured the famous color version. For the broadcast, which reached the largest audience in history, Frank Borman rejected PR advice and instead chose to read from Genesis. The guest notes that this choice aimed to share a message of universal goodwill that transcended specific religions. The reading brought a hush over the world, concluding with the famous sign-off wishing a Merry Christmas to everyone on the "good earth."1955

Stained glass has transformed sunlight into art for more than a thousand years. This episode explores how colored glass is made, how artisans assemble intricate windows from thousands of individual pieces, and why churches, cathedrals, and public buildings have long used light itself as a storytelling medium. Along the way, you'll hear about medieval workshops, famous stained glass traditions, and the surprisingly complex techniques required to turn sand, metal oxides, and sunlight into enduring works of art. It's steady and consistent, with no whispering and no sudden changes, just enough to give your mind something to follow as you wind down. Happy sleeping! Read with permission from Stained Glass, Wikipedia (https://en.wikipedia.org/wiki/Stained_glass), licensed under CC BY-SA 4.0. — Ad-free episodes: ⁠icantsleep.supportingcast.fm⁠Have a topic in mind? ⁠Request a topic⁠ Learn more about your ad choices. Visit ⁠megaphone.fm/adchoices Learn more about your ad choices. Visit megaphone.fm/adchoices