Podcasts about Milton

North and South by Elizabeth Gaskell chapter 32 "Mischances" narrated by Isaac BirchallSubscribe on YT or Join the Book Club on KO-FI and support me as an independent creator :D⁠https://ko-fi.com/theessentialreads⁠⁠https://www.youtube.com/channel/UCfOFfvo05ElM96CmfsGsu3g/join⁠Summary:All the following day, the family stays together. Frederick, now leaving, steels his emotions for the final time, which causes Margaret to finally feel her emotions. Mr. Hale starts at every sound and only feels comfortable when Frederick is out of site. That evening, Mr. Hale asks Margaret to go to the quieter station with Frederick so that he has a better chance of getting away unseen. When they arrive at the outward station, they have a 20-minute wait before the train arrives. Frederick says that he is going to ask for his exculpation purely for her sake than anyone else's, unable to imagine what his sister would do if their father were to go too. Margaret is very touched by this and tries to reassure him. They are holding each other in their arms while waiting, and Margaret goes to talk again when she is arrested by the sight of Mr. Thornton riding past on his horse. Frederick asks quietly who the man is, and when Margaret answers, he makes a quick statement about his scowl. Frederick goes to say that he wishes that they hadn't sent the cab back as it is getting too dark. At the station again, Margaret goes to buy her brother's ticket. They go to walk together on the platform together. While waiting, Margaret starts to think that it is a bad idea for Fred to go to London. Suddenly, Frederick is accosted by a man in a worker's uniform, asking him if his name is Hale, and in a quick bustle the man falls onto the platform, causing Margaret to tell her brother to run to the oncoming train. Margaret runs to the ladies' room after this and tries to calm herself down before going to buy her own ticket home. In the ticket office she hears news about Leonards, and it seems that it was indeed him who confronted her brother…SEO stuff I don't want to do. Elizabeth Gaskell's classic, "North and South" sees Margaret Hale's live uprooted as her family moves to the north of England. Initially disgusted by the ugliness of the industrial town of Milton, Margaret develops a strong sense of social justice after seeing the poverty and suffering of local mill workers.

Episode: 1603 Galileo: An old man grieves his daughter and writes his last book.  Today, an old man writes his most important book.

On this episode of The Milton Report, Steve Milton takes a look at an adversity-filled week as the Hamilton Tiger-Cats were forced indoors for much of their preparation due to poor air quality. He also gets you set for Saturday's matchup with the Toronto Argonauts.

In this episode of The Whole Body Detox Show, host David DeHaas sits down with Dr. Milton Bastidas, DC, CIHP — functional medicine expert, researcher, and Director of Research & Development at Transformation Enzyme Corporation. They break down the critical role of digestive enzymes in digestion, nutrient absorption, immune function, and inflammation control — and why enzyme therapy addresses root causes instead of just masking symptoms. In This Episode You'll Learn:Why enzyme production drops after your 20sThe real cause of acid reflux, GERD, and bloatingHow enzymes support leaky gut repair and autoimmune healthThe link between proteolytic enzymes and systemic inflammationWhy processed foods destroy digestionHow enzymes + probiotics work together for optimal gut health Use code Livingwaters for a 10% Discount! Transformation Enzyme Corporation: https://www.transformationenzymes.comAbout Dr. Milton BastidasDoctor of Chiropractic and Certified Integrative Health Professional with decades of expertise in enzyme therapy, functional medicine, and root-cause healing. He leads research and development at Transformation Enzyme Corporation. Resources:Your gut is the foundation of your health. Discover how digestive enzymes can restore digestion, reduce inflammation, and help you feel better naturally. Living Waters Wellness Center: https://livingwaterscleanse.comSupport the showReady for your healing journey?Visit our website: www.LivingWatersCleanse.com Or give us a call at: (208) 378-9911Stem Cell Activation Patches:www.StemCellPatch.netGet your Supplements and Natural Body Products Here:www.livingwaterscleanse.com/supplementsQI-Shield EMF Devices:Protect your whole home or office with a touric shield from EMF's. 1. QI Shield Covers 16'x16'2. QI Home Covers 50' x 50'3. QI Max Covers 250'x250'Click on link and enter Livingwaters in discount code section during checkoutMagnesium Soaks:Follow us on our socials: Living Waters Wellness CenterBitChute: www.bitchute.com/livingwaterswellnessRumble: www.rumble.com/living...

More than a year after the 31-point-9-million-pound Milton Road improvement scheme was completed, concerns are being raised about the health of many of the newly planted trees. Former Cambridge City […]

The gang are back and kicking off a summer of important anniversaries! First up - we honor 10 years of AM2R, the amazing fan-made remake of Metroid 2, developed by Milton Guasti and a handful of other contributors that released August 6, 2016. Andy and Doom share their experiences playing it for the first time, what makes this game so special, the unbelievable level of quality this remake achieves, meeting and discussing AM2R with Milton, and why a project like this could probably never happen again! All this and more, PLUS as a great companion episode, be sure to check out our exclusive Director's Commentary with Milton Guasti. The AM2R love continues next week, as we take fan questions, so ask anything about AM2R and we will answer!   Visit OmegaMetroid.com! Subscribe! Podbean x iTunes x Spotify x YouTube Support us on Patreon! Omega Metroid Patreon Download the Omega Metroid Theme Song! Get the Single for Free on Bandcamp! Follow us! @OmegaMetroid x @Spiteri316 x @DoominalCross  x Omega Metroid Team Member Starter Pack Chat with us in Discord! Omega Metroid Discord Advertise on the Omega Metroid Podcast!

North and South by Elizabeth Gaskell chapter 31 "Should Auld Acquaintance Be Forgot" narrated by Isaac BirchallSubscribe on YT or Join the Book Club on KO-FI and support me as an independent creator :D⁠https://ko-fi.com/theessentialreads⁠⁠https://www.youtube.com/channel/UCfOFfvo05ElM96CmfsGsu3g/join⁠Summary:The cold October morning has arrived in Milton, and the dusky streets are only visible when the sun can push through the smog. Margaret is doing her best to hold herself together while her father and brother grieve; even the funeral proceedings have fallen unto her. Dixon tries to rally her, by telling her that she is the only one in the house who can make decisions, which doesn't help Margaret, but it is good to be needed. Mr. Hale is very despondent, while Frederick tries to force himself to be happy but can only burst into tears. Mr. Hale cannot help Margaret in organising the Funeral, and just agrees to everything Margaret says, until he finally mutters that Mr. Bell should be invited. Margaret writes to him, happy that her father had something to add. Dixon says that Frederick is speaking to his deceased mother, and suggests that he needs to be roused, so she suggested that it isn't safe for him to be in town. She goes on to explain to Margaret that she ran into someone they knew, a man called Leonards in town. Dixon is very worried about this encounter and explains that he enquired after Frederick. Margaret agrees with Dixon that Frederick must go immediately so that he can avoid being caught. Her brother comes into the room, and Margaret talks quietly about what Dixon said. Frederick goes on to explain a bit more about the man Leonards' character. Mr. Hale had been listening to their conversation and comes to speak to his children. He says that Frederick, despite how much both he and Margaret would like for him to stay, must go. Frederick says that if he could get evidence to support his case, he would love to be able to stay. Margaret then suggests that if he could get a night train to London, he could maybe talk with Mr. Henry Lennox, who would be supportive to the Hale family. The family agrees that Frederick will leave for London and then go home to Spain while he waits for his trial. Frederick then tells his family about the girl he is hoping to marry, bringing a ray of sunshine to their grey conversation.SEO stuff I don't want to do. Elizabeth Gaskell's classic, "North and South" sees Margaret Hale's live uprooted as her family moves to the north of England. Initially disgusted by the ugliness of the industrial town of Milton, Margaret develops a strong sense of social justice after seeing the poverty and suffering of local mill workers.

How dark should it be at night? This and many other important questions are tackled...

In this episode of Stang Stories, host Hunter Caggiano '27 interviews Milton alum Diana Rakow '95, president and CEO of Hawaiian Airlines. Diana recounts her unconventional career path from chemistry at Harvard to public health and healthcare leadership, and ultimately to aviation at Alaska and Hawaiian Airlines. They discuss the influence of Milton's people and arts on her leadership style, the challenges of leading large, community-rooted organizations, and Diana's practical advice for students exploring meaningful careers.

The welding industry is changing fast, and if you want to keep up, it is not about learning one process anymore. In this episode of WELD, Beau Wigington takes a look inside the brand new CWB Group Center of Innovation in Milton, Canada, during its grand opening to see how training, technology, and industry partnerships are shaping the future of the trade.Beau talks with leaders from CWB Group about the new innovation hub, the weld shop, the EV repair training area, and the Canadian Collision Repair Academy. From advanced inspection methods and automation to practical training for newcomers and upskilling welders, this episode shows why facilities like this matter for the next generation of technicians and fabricators.In this episode, you will learn:How CWB Group is bringing innovation, training, and industry partnerships under one roof.What the innovation hub is showcasing, including cobots, simulators, laser welding, and ultrasonic phased array technology.Why phased array ultrasonic testing is a major step forward in weld inspection and traceability.How the new EV repair center is preparing technicians for the safety demands of working on electric vehicles.What the Canadian Collision Repair Academy teaches about structural repair, aluminum welding, and manufacturer procedures.How the new weld shop is being used for hands-on training, testing, and government-funded education programs.This episode also explores Industry 4.0 and what it means for welding, automation, robotics, and AI in a field that still depends on strong manual skills. The big takeaway is simple: the future of welding will reward people who can adapt, learn, and work across more than one discipline.Facilities like the CWB Center of Innovation are more than impressive buildings. They are a sign of where the industry is headed, and why training, access to new technology, and collaboration between manufacturers, educators, and welders are becoming more important than ever.

In this video Milton works with Rashaud as he prepares a monologue from The Laramie Project.

North and South by Elizabeth Gaskell chapter 30 "Home At Last" narrated by Isaac BirchallSubscribe on YT or Join the Book Club on KO-FI and support me as an independent creator :D⁠https://ko-fi.com/theessentialreads⁠⁠https://www.youtube.com/channel/UCfOFfvo05ElM96CmfsGsu3g/join⁠Summary:The following day Mrs. Thornton comes to see Mrs. Hale. The latter is much worse and seems very close to death. Mrs. Thornton, who has not seen her for weeks, is instantly softened. Mrs. Hale, a mother like herself, and a much younger woman than herself, laying in a bed from which she may never rise again. Mrs. Hale rouses herself enough to speak, and asks the other mother, to take care of Margaret as if she was her own child. Mrs. Thornton agrees and says that she will refrain from telling her if she is doing well but will put her on the right path if she strays. Mrs. Hale then falls asleep again. During this time, Dixon and Margaret are discussing how the house is supposed to be ran while Fredrick is there, and question when they will receive a letter from him.That evening, while her Margaret and Mr. Hale are sitting in the living room, lamenting over the advancement of Mrs. Hale's sickness, the doorbell rings. Mr. Hale hardly even notices it, and Margaret goes to answer it. She opens the door and a tall dark figure is standing there. When he turns around, Frederick's face greets Margaret full of joy to see her and worry for their mother. Margaret is overcome with emotion and ushers him into her father's study, while she runs off to tell her father. Back in the study, Margaret leaves her brother and father to talk quietly while she prepares tea for them all. She takes it in, and Frederick immediately goes to help her, making Margaret feel like there is finally someone she can share her burden with. They soon tell Dixon that Frederick is there and she is suddenly filled with an energy that she hasn't felt in a very long time.When Mrs. Hale finally awakens, mother and son are finally united, and they do not leave each other again. Frederick's hand lays in his mother's, and finally, after a few hours, Mrs. Hale breaths her last breath. After this, Frederick's emotions give way and he wails like a child all through the night. Dixon and Margaret have to go and tell him in the night to be quiet, for fear that a neighbour should hear him. SEO stuff I don't want to do. Elizabeth Gaskell's classic, "North and South" sees Margaret Hale's live uprooted as her family moves to the north of England. Initially disgusted by the ugliness of the industrial town of Milton, Margaret develops a strong sense of social justice after seeing the poverty and suffering of local mill workers.

On this episode of The Milton Report, Steve Milton gets you set for the Hamilton Tiger-Cats Week 6 matchup on the prairies with the Saskatchewan Roughriders at Mosaic Stadium in Regina.

North and South by Elizabeth Gaskell chapter 29 "A Ray of Sunshine" narrated by Isaac BirchallSubscribe on YT or Join the Book Club on KO-FI and support me as an independent creator :D⁠https://ko-fi.com/theessentialreads⁠⁠https://www.youtube.com/channel/UCfOFfvo05ElM96CmfsGsu3g/join⁠Summary:Margaret receives a letter from her cousin Edith. Edith writes all about her new baby and reminds Margaret of Edith's scatterbrain style of speech and writing. She tries to urge Margaret to visit her in Corfu with Mrs. Hale, believing that the smoky air in Milton is the true cause of Mrs. Hale's illness. She even says that if Mr. Hale wishes to come then she can even hide her husband's military uniform and tell the band to only play church music. This letter fills Margaret with joy, and Margaret is laughing at it when Dixon helps Mrs. Hale into the room. Mrs. Hale asks about the letter, and her daughter reads it to her. Her mother agrees with Edith that it is the Milton air that had made her ill, but before the topic can be dived further into, Mr Hale enters the room, and Margaret shuts the conversation down. Mr. Thornton comes too, with another fruit basket, and to see Margaret. He bows to her and then never lays an eye on her again before leaving to talk with Mr. Hale. After the men leave, Mrs. Hale tells Margaret that she is really starting to like Mr. Thornton, which causes Margaret a small shock. Mrs. Hale then wonders aloud why Mrs. Thornton never visits, asks Margaret if she would be able to ask Mrs. Thornton to visit her. Margaret readily ascents but says that it must be before Frederick arrives. Mrs. Hale wonders too when they will hear from Frederick. They talk more about the housework, and Margaret suggests that Mary Higgins could help with the housework. In her statement, she uses some factory slang to which her mother reprimands her. Soon after, Mr. Hale and Mr. Thornton enter the room again and Margaret asks Mr. Thornton, with some effort, if he knows of any other way to explain some factory terms without using the local slang. He doesn't really seem to understand what she is asking and instead goes to Mrs. Hale, reminding Margaret of her mother's request. Mr. Thornton promises to Margaret that his mother will come the following day. . SEO stuff I don't want to do. Elizabeth Gaskell's classic, "North and South" sees Margaret Hale's live uprooted as her family moves to the north of England. Initially disgusted by the ugliness of the industrial town of Milton, Margaret develops a strong sense of social justice after seeing the poverty and suffering of local mill workers.

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Our Friend, Milton Jones from Christian Relief Fund joins us today and challenges us to Love Like Jesus in a way that only Milton can deliver the Word. Thank you for listening to our podcast! We hope you have been encouraged today.Check us out on social media, or to learn more, you can visit our website at www.freedomcanyon.com. 

North and South by Elizabeth Gaskell chapter 28 "Comfort in Sorrow" narrated by Isaac BirchallSubscribe on YT or Join the Book Club on KO-FI and support me as an independent creator :D⁠https://ko-fi.com/theessentialreads⁠⁠https://www.youtube.com/channel/UCfOFfvo05ElM96CmfsGsu3g/join⁠Summary:Margaret goes to the Higgins' house to see Bessy's body. She is glad that she came. Bessy, whose face was so often tormented by pain, is finally at peace. Margaret is calm but deeply affected by the scene. Downstairs, they come down and see Mr. Higgins, where he looks wild, and like he is struggling to process the news he has heard. He asks Margaret if she was with her when she died. Then asks if she really has died, or has just fainted, like at previous times. Margaret thinks that he has been drinking a little. He breaks down into tears and hurls himself onto the table, which shakes under his wails. Mary goes to him, but she is shoved away by her father. After he calms a little, he makes his way to the door. Mary goes to stop him, proclaiming that Bessy's last words were to keep their father from drink. Margaret steps in front of the door, not moving a muscle, and standing her ground. At last, Higgins gives in. Margaret asks him to come upstairs and see his daughter, and though uncertain, he goes. Following this, Margaret asks him to come and have tea with her father. They go to the Hale residence. Mr. Higgins suggests that he should have washed himself and while Margaret agrees, she doesn't want to leave him alone, where he could sneak off to a Gin House. Margaret runs in first to warn her father, and though he is very concerned after all Margaret had said about the man, he consents to sit with him. Margaret goes to her mother. Mrs. Hale is very worried about the letter that Margaret sent to Frederick. She is worried that he will be captured if he comes to England. Margaret, and especially Dixon, manage to calm her down though, Dixon stating that she was thinking of writing to him anyway. Once properly calmed, Margaret goes to sit with her father and Mr. Higgins. Her father and Mr. Higgins are engaged in a deep conversation, which only breaks for Mr. Hale to give his daughter a chair. They talk deeply about religion and politics, and Mr. Hale tells Higgins that he has no goal to convince him today, or tomorrow, but believes that the truth will come out over time. The conversation gets a little heated, but Margaret very gently calms him with soothing words. Eventually, the conversation moves onto the strike, which Higgins says has failed. The riot caused the strike to fail, which made Higgins incredibly angry at Boucher and his like. Margaret asks him questions about the Union, and states that she feels that the Union can be just as worse as the Masters, but she understands the need to for one. Before Higgins goes home, Home as Margaret verified, Mr. Hale asks Higgins to pray with them. SEO stuff I don't want to do. Elizabeth Gaskell's classic, "North and South" sees Margaret Hale's live uprooted as her family moves to the north of England. Initially disgusted by the ugliness of the industrial town of Milton, Margaret develops a strong sense of social justice after seeing the poverty and suffering of local mill workers.

On this episode of The Milton Report, Steve Milton looks back at the long and rich history between the Hamilton Tiger-Cats and Winnipeg Blue Bombers, from memorable Grey Cup battles and legendary players to the latest chapter featuring two future Hall of Fame quarterbacks, Bo Levi Mitchell and Zach Collaros, on Sunday.

North and South by Elizabeth Gaskell chapter 27 "Fruit-Piece", narrated by Isaac BirchallSubscribe on YT or Join the Book Club on Patreon and support me as an independent creator :D⁠https://ko-fi.com/theessentialreads⁠https://www.youtube.com/channel/UCfOFfvo05ElM96CmfsGsu3g/join⁠Summary:The following day, Mr Thornton goes about all of his business deals with great skill and vivacity. Many of the other magistrates and mill owners make statements about “not being able to do it without him.” His mother is very proud to hear how highly these men praise him. He saw with the police and arranged the next steps. In the street he bumps into Dr. Donaldson while absorbed in his own thoughts. They exchange a little about business, which brings the Doctor to thank him for bringing him the Hale family's business. He goes on to say that Mrs. Hale only has a few weeks left to live. This, in spite of what happened the previous day, causes him to ask the Doctor what he can do for Mrs. Hale. The Doctor says that there isn't much to do for her, but he heard her say that she wants fruit. They say goodbye to each other and Mr. Thornton goes straight to the nearest fruit shop in Milton and gets a full basket of fruit. He carries the basket himself instead getting it delivered, which causes many people to stare after him, the Milton manufacturer, working as a porter. He goes to the Hale residence and carries the full basket to where Mrs. Hale is laying. He tries to only look at the sick woman and her husband, but he feels Margaret's presence every second. The family are incredibly grateful for his actions, but before they can get some plates to share the fruit with him too, he excuses himself and leaves the family. The fruit is delicious and Mrs. Hale scolds her daughter for her attitude towards Mr. Thornton, unable to understand how she can dislike someone as kind as he. Mr. Hale likens the fruit to the ones they ate at Helston and Margaret feels nostalgic for her old life. Margaret goes up to her room perplexed and full of strange emotions where she finds Dixon rummaging through her drawers. Dixon doesn't respond to Margaret asking her what she is doing and just continues to search through the drawers. When she finally finds what she is looking for and hides it from her mistress, Margaret gets fed up. Dixon gives in and tells her that she was only trying to protect her, but that Bessy Higgins died that morning. Apparently, her sister is downstairs and asking if it would be possible, per Bessy's last request, to have something of Margaret's to be buried in. The girl is asking too if Margaret would like to see Bessy before the funeral, which Dixon refused. They go to the kitchen to see Mary, where the sister breaks down in tears, slowly revealing what happened that morning. After her conversation with Mary, Margaret agrees to go and see Bessy after dinner time. SEO stuff I don't want to do. Elizabeth Gaskell's classic, "North and South" sees Margaret Hale's live uprooted as her family moves to the north of England. Initially disgusted by the ugliness of the industrial town of Milton, Margaret develops a strong sense of social justice after seeing the poverty and suffering of local mill workers.

We know James Madison as the Father of the Constitution. But who was he before that? In this special episode, Dr. Katie Crawford Lackey takes the guest seat to explore the formative years that made Madison who he is.At 25, Madison was the youngest major figure of the founding era — small, sickly, quiet, and easy to overlook. He never commanded armies or delivered rousing speeches. What he had were ideas, and a framework for thinking about power, human nature, and government that no one else in the room quite possessed. Where did that framework come from?The answer lies in three Scottish Enlightenment-influenced teachers, a frontier Virginia upbringing, and an unconventional choice to attend the College of New Jersey — the institution we know today as Princeton — rather than William and Mary, where every other wealthy Virginia man of his generation enrolled.Dr. Crawford-Lackey traces Madison's intellectual development from the schoolroom of Donald Robertson, where a 70-mile horseback journey opened a young boy's mind to Locke, Milton, and Montesquieu, through his years under John Witherspoon at Princeton — where he experienced the Boston Massacre and the Boston Tea Party not as distant news, but as live confirmation of everything the Scottish Enlightenment had taught him about human passion and the limits of reason.Madison wasn't born a Founding Father. He was made — by a rigorous education, a world in crisis, and the hardest question anyone could ask on the eve of a revolution: What kind of people is government meant to govern?The answer he arrived at still shapes American democracy today.

Welcome to the only podcast that’s legally classified as “background activity”. Another low-rent rollercoaster of...

Episode 123 | Coach Milton Kimbrough (Our Lady of Good Counsel)Originally Recorded: June 19, 2026On Episode 123 of the DMV Hoops Podcast, Kurt & Chelsie Cross sit down with Coach Milton Kimbrough, the longtime head coach of the Our Lady of Good Counsel Falcons Girls Basketball program, for another DMV Live interview from the Capitol Hoops Summer League.Coach Kimbrough reflects on his coaching journey, what it takes to compete year after year in the ultra-competitive WCAC, and how the girls' game has evolved into one of the fastest-growing and most exciting brands of basketball in the country.But this conversation goes well beyond X's and O's. Coach shares how his faith has shaped his leadership philosophy and explains why developing outstanding young women off the court is just as important as winning games on it. From building character and accountability to preparing his players for success long after basketball, Coach Kimbrough offers an inspiring perspective on what it truly means to coach.As a special bonus, we also talk about another passion in Coach Kimbrough's life... music. He talks about his upcoming gospel single, set to be released this fall, and discusses how faith, music, and coaching all work together to impact the lives of others.The DMV Hoops Podcast with Kurt & Chelsie Cross | Where DMV basketball livesSupport the show

North and South by Elizabeth Gaskell chapter 26 "Mother and Son", narrated by Isaac BirchallSubscribe on YT or Join the Book Club on Patreon and support me as an independent creator :D⁠https://ko-fi.com/theessentialreads⁠⁠https://www.youtube.com/channel/UCfOFfvo05ElM96CmfsGsu3g/join⁠Summary:Mr. Thornton leaves the house dizzy, almost as if Margaret had punched him. He has a headache and bodily pain. In spite of what Margaret said to him, he resolves himself to go on and continue loving her. A bus passes by and stops, believing that he hailed it, and he decides to get on it and is taken away into countryside and to a small town. He wanders around into the fields and thinks through every detail of the proposal. He believes that he was bewitched by her when she put her arms around him. He doesn't understand Margaret. It was late in the afternoon when he got back to Milton, and he had so much work to do following the riots, and encounter his mother…Mrs. Thornton has been in the dining room all day, constantly expecting her son to run in and declare that Margaret accepted his proposal, but each time the door opened, it was always a maid, or a worker. She tries to distract herself by going through the linins so that she can give them to the betrothed for their new house and picks out some delicate pieces. She is jealous of Margaret and doesn't know how to feel, and she feels a pang of pain at the loss of her son. Mrs. Thornton thinks that if Margaret came from Milton, without her southern prejudice, then she would probably like her. She tries to distract herself further with a book and soon hears her son foot on the step. He comes in and stands near his mother while she finished her paragraph. He tries to steel himself against her “Well, John?” but when he leans in to kiss her and say that “no one loves me” his emotions take control of him. She tells him that a mother's love is forever, but a girls love changes with every wind. Mr. Thornton tells her that he is not fit for Margaret, and that he knew it. His mother curses the girl, but feels lighter, knowing that her son is hers again. He replies that he doesn't want to hear a word against Margaret and he really loves her. Mrs. Thornton say that she hates the girl. Mr. Thornton rallies himself a little and distracts himself and his mother by talking of the work to come following the riot of the previous day. SEO stuff I don't want to do. Elizabeth Gaskell's classic, "North and South" sees Margaret Hale's live uprooted as her family moves to the north of England. Initially disgusted by the ugliness of the industrial town of Milton, Margaret develops a strong sense of social justice after seeing the poverty and suffering of local mill workers.

Christopher Nolan fully became Christopher Nolan with The Prestige—a masterpiece that juggles seven interweaving timelines, multiple perspectives, and red herrings that all snap into focus. Join Laci and Matt for a behind-the-scenes deep dive into how Nolan transformed Christopher Priest's novel into cinema's ultimate puzzle box, plus the career impact this movie had on everything he made after. Laci and Matt go through the history of this movie, starting with the novel by Christopher Priest that inspired it. Then they go behind the scenes of the movie and talk about the Nolan brothers' yearslong struggle to adapt it. One issue for Nolan: Magic on screen is not exciting like magic is in person. So instead,  After that, a look at Hugh Jackman and Christian Bale, and how each of their upbringings and acting styles informs the characters they play. Not only that, Jackman, Bale, Angier, and Borden all reflect parts of Christopher Nolan's schizophrenic directorial personality, torn between a populist, a puzzle maker, a hoity-toity artiste, and a crowd pleaser. Then: The Prestige. We discuss it in depth, theorize about all kinds of weird crap that's going on in the background of the movie, and gush over Bale, Jackman, Michael Caine, and Rebecca Hall, and marvel at how Nolan managed to pull off this magic trick of a movie.   Watch this episode in full on YouTube: https://youtu.be/pdPkvpEMCw0  No new episode next week (July 3, 2026). We'll be back on Friday, July 10, 2026 with episode 200, about The Dark Knight (2008)! The Summer of Nolan is our summer 2026 miniseries covering the movie career of Christopher Nolan through nine movies on the main feed (plus additional episodes on the Patreon!), presented in chronological order, starting with Memento and going through Oppenheimer. And don't be surprised if our old pal Odysseus drops by to tell us about his long journey home to his wife.   Time stamps: 00:01:39 — Opening thoughts on The Prestige 00:09:19 — History segment: Christopher Priest writes the novel The Prestige; Nolan and his brother adapt the novel; career overviews of Hugh Jackman and Christian Bale, and how each informs the character they play; reception and legacy of The Prestige 00:55:00 — Movie discussion + The Prestige film analysis 02:30:45 — Star ratings + final review of The Prestige   The Prestige (2006) was directed by Christopher Nolan. Screenplay by Nolan with his brother Jonah, based on the novel by Christopher Priest. Starring Hugh Jackman, Christian Bale, Michael Caine, Rebecca Hall, Scarlett Johansson, Andy Serkis, David Bowie, Piper Perabo, and Ricky Jay as Milton the Magician.   Sources: "Ten Years Later, Why We're Still Obsessed With 'The Prestige'" by Colin Biggs | Screen Crush (2016) - https://bit.ly/4enO2g9 "'Out of the Furnace' Star Christian Bale on His 'Love-Hate' Relationship with Acting (Q&A)" by Scott Feinberg | The Hollywood Reporter (2013) - https://bit.ly/4eGoKc2  "Pressure as a child formed 'love/hate' relationship with acting" by Ben Child | The Guardian (2013) - https://bit.ly/4xJ5nYx  "Christian Bale on suffering from insomnia and running into Viggo Mortensen in Rome" by Jonathan Heaf | British GQ (2012) - https://bit.ly/4eCGPaJ  "Christopher Priest obituary" by John Clute | The Guardian (2024) - https://bit.ly/4eJQtIZ  "Christopher Nolan (Iconic Directors)" by Dan Jolin (2025) - https://amzn.to/4oEtmE3 "Christopher Nolan: The Iconic Filmmaker and His Work" by Ian Nathan (2026) - https://amzn.to/4oc2lro "Behind the Magic with Prestige Cast" | Access (2006)  "The Prestige: Inside Christopher Nolan's Movie Magic Trick" by Dan Jolin | Empire Magazine (2006) - https://bit.ly/4vv7HRo  "Christian Bale: 'I was asked to do a romantic comedy. I thought they'd lost their minds'" by Rory Carroll | The Guardian (2018) - https://bit.ly/44sb3IQ    Transcript: https://1weekrentalpod.com/2026/06/the-prestige/#transcript  Artwork by Laci Roth.   Check out Laci's coloring videos on YouTube! https://www.youtube.com/channel/UC-kKLhWb2g0bKA-RrvvLh0Q/  Matt has two monthly spin-off podcasts!  PodJob: A James Bond Podcast on Apple Podcast (https://bit.ly/4jRL2K1), Spotify (https://bit.ly/4a8jM6E), and YouTube (https://youtube.com/@podjob007). The Sign Post Up Ahead: A Twilight Zone Recap Podcast on Apple Podcast (https://bit.ly/4vtO6jG), Spotify (https://bit.ly/4w1qDat), and YouTube (https://www.youtube.com/@TheSignPostUpAhead).   Music by Rural Route Nine. Listen to their album The Joy of Averages on Spotify (https://bit.ly/48WBtUa), Apple Music (https://bit.ly/3Q6kOVC), or YouTube (https://bit.ly/3MbU6tC).   Songs by Rural Route Nine in this episode: "Summer of Nolan" - https://youtube.com/shorts/CAIzthDLrT8  "Winston-Salem" - https://youtu.be/-acMutUf8IM "Snake Drama" - https://youtu.be/xrzz8_2Mqkg "The Bible Towers of Bluebonnet" - https://youtu.be/k7wlxTGGEIQ    The "Summer of Nolan" theme song was written by Matt Stokes. Produced, engineered, mixed, and mastered by TJ Barends. Performed by: TJ Barends - backing vocals Wade Hymel - drums, percussion, and backing vocals Laci Roth - vocals Matt Stokes - vocals, guitar, and bass   Follow 1-Week Rental, a movie podcast: Twitter: @1weekrental | @MattStokes9 | @LRothConcepts Facebook: @1weekrental Instagram: @1weekrental TikTok: @1weekrental | @mattstokes9 Letterboxd: @loadbearinglaci | @mattstokes9 Bluesky: @1weekrental.bsky.social   1-Week Rental used to be Load Bearing Beams.

North and South by Elizabeth Gaskell chapter 25 "Frederick", narrated by Isaac BirchallSubscribe on YT or Join the Book Club on Patreon and support me as an independent creator :D⁠https://ko-fi.com/theessentialreads⁠⁠https://www.youtube.com/channel/UCfOFfvo05ElM96CmfsGsu3g/join⁠Summary:Margaret reflects on her relationship with Mr. Henry Lennox and is at least relieved that he seemed only to have a lapse of judgement. With Mr. Thornton, they never had a stage of friendship. She truly cannot understand his feelings and feels even stranger about his statement of continuing his love for her in spite of her refusal. She tries to hide from the idea, but she cannot get it out of her mind. She stays in the room where he left her for a while. All is quiet in the house. Margaret refuses to be alone and decides that she should go to see Bessy Higgins. Bessy is lying by the fireplace, and Margaret sits the girl up so she can be more at ease. She is much worse, and Margaret excuses herself for not coming the previous day, almost letting slip that she was at the Thornton residence. Margaret goes to read her a chapter of the bible, but Bessy is restless and the bursts out with some talk about the riots. It seems that her father wasn't at the riots, and that the union told everyone that no matter what happens, they should not resort to violence, it would make everyone's problems much worse and works against the strikers. Mr. Higgins went to Boucher's the night before, as he was an instigator of the violence, and told him that he would be turned over to the police and the mill owners for his actions. Margaret corrects Bessy and tells her that Boucher was not the first person to react, letting slip that she was at the Mill. Boucher apparently punched her father and ran away, causing Bessy to throw herself at her father's feet and beg him not to go. After Bessy gets this information off of her chest, she is a lot calmer and receptive to hearing a chapter of the bible. At home, Margaret finds her mother awake and full of praise for the waterbed. She says that it is the best bed she has slept on since she was staying at the Beresford residence. She wonders how it is that people have forgotten how to make comfortable beds. She asks Margaret if she remembers them, to which her daughter replies that she never was at the Beresford residence. He mother remembers that it must have been Frederick and she goes on to talk about her exiled son, causing Mr. Hale to leave the room. Margaret then asks her mother more about her brother, and Mrs. Hale starts to cry and begs Margaret to write to him, feeling deep down, that if she were to see her son, then she would be healed of her malady. Margaret writes to him that day, and takes the letter to the post office herself. SEO stuff I don't want to do. Elizabeth Gaskell's classic, "North and South" sees Margaret Hale's live uprooted as her family moves to the north of England. Initially disgusted by the ugliness of the industrial town of Milton, Margaret develops a strong sense of social justice after seeing the poverty and suffering of local mill workers.

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Episode 4 propels us into a chaotic twelve-year period from 1937 to 1949, where the Noss family's dream of extracting the Victoria Peak treasure begins to violently unravel. Based entirely on the exhaustive, decades-long research of investigative author John Clarence (the pen name of Jack Staley), this episode details how the formidable obstacles of World War II, a sprawling military expansion, and Milton "Doc" Noss's own personal demons collided to seal the mountain's riches tighter than a government vault.Desperate for capital following the devastating 1939 shaft collapse, Doc formed the Cheyenne Mining Company, unknowingly appointing a venomous Secret Service informant named Merl Horesman to his inner circle. Matters worsened in November 1940 when a second reckless dynamite charge triggered a massive landslide, completely entombing the gold. As the Noss workforce marched off to fight in WWII, the U.S. Army swallowed up the desolate Hembrillo Basin to create the White Sands Proving Ground. In a truly surreal moment of history, Doc and Ova Noss found themselves barred from their own claim by soldiers just in time to witness the Trinity atomic blast on July 16, 1945—literally standing as spectators at the dawn of the nuclear age while their treasure slipped into military hands.Fearing imminent government confiscation, a deeply paranoid Doc scattered 110 gold bars—weighing roughly 4,000 pounds—across over a dozen secret desert caches. Drifting and desperate, he partnered with a Texas businessman named Charlie Ryan in late 1948. Together, they concocted an elaborate scheme to smuggle the bullion into Old Mexico aboard a surplus DC-3 aircraft, even clearing a secret runway under the guise of a lead and silver mining operation. But the joint venture quickly turned lethal when Doc overheard Ryan plotting to double-cross him and fly the fortune out alone.Tune in to hear how this treacherous web of betrayal set the stage for a frantic, midnight race to dig up and re-hide the gold, leading Doc directly toward a deadly confrontation. And remember, if you want to read the definitive account of this incredible saga, you can secure a rare, signed copy of John Clarence's Gold House trilogy by contacting Jeff Crudele directly at podcastjfk@gmail.com.

Episode 5 takes us deeper into the post-WWII era, where personal betrayal and unprecedented military expansion collide to choke the Noss family's access to the gold. Based entirely on the exhaustive, decades-long research of investigative author John Clarence (the pen name of Jack Staley), this episode explores Milton "Doc" Noss's spiraling paranoia and his prolonged absences from Victoria Peak. In a shocking maneuver, Doc secretly annulled his marriage to Ova in an Arkansas court in October 1945 and later married another woman, a decision that plunged the Cheyenne Mining Company—and the legal rights to the treasure itself—into a chaotic battle for control.While the Noss family fractured from within, the U.S. Army transformed from a neighboring presence into an occupying force. In a truly surreal twist of history, the military utilized the newly formed White Sands Proving Ground to host Operation Paperclip, a top-secret initiative that brought 350 Nazi scientists and captured V-2 rocket components to the New Mexico desert. Even more astonishing are the allegations that stolen Holocaust loot and Nazi gold were covertly brought to the United States under this classified cover and hidden within the very same cave systems as the Noss treasure.As the military initiated condemnation proceedings to seize exclusive possession of the land, a defiant Ova Noss stepped up to legally secure the family's claim, successfully reorganizing the company and filing renewals in her own name. Meanwhile, a drifting and financially desperate Doc formed a fateful partnership with a Texas businessman named Charlie Ryan in late 1948. What began as a front for a lead and silver mining operation was actually an elaborate scheme to smuggle the Victoria Peak gold into Old Mexico using a surplus DC-3 aircraft. However, this volatile alliance quickly soured as Doc's erratic behavior, heavy drinking, and history of swindling pushed Ryan to his breaking point.Tune in to hear how this intricate web of secret marriages, military takeovers, and dangerous smuggling plots set the perfect stage for Doc's tragic demise. And remember, if you want to read the definitive account of this incredible saga, you can secure a rare, signed copy of John Clarence's Gold House trilogy by contacting Jeff Crudele directly at podcastjfk@gmail.com.

In Episode 6, the simmering tensions between Milton "Doc" Noss and his double-crossing partner, Charlie Ryan, finally boil over into a deadly 48-hour window. Based on the exhaustive, decades-long research of investigative author John Clarence (the pen name of Jack Staley), this gripping episode breaks down the frantic, minute-by-minute events of March 4th and 5th, 1949. The chaos begins with a tragic airplane crash at Victoria Peak involving Doc's stepson, Marvin Beckwith, which provides Doc with the perfect cover to slip away from Ryan's watchful eyes without raising suspicion.Knowing that Ryan was planning to steal 110 gold bars and fly them to Mexico without him, Doc seized this momentary distraction to act. Under the cover of a freezing desert night, he enlisted the help of a rodeo cowboy named Tony Jolly. Together, they embarked on a frantic midnight operation, digging up roughly 4,000 pounds of crude gold bullion and scrambling to re-bury the 110 bars across several new, secret caches. By dawn, the gold was safely hidden from Ryan, but Doc had unknowingly set the stage for his own demise.The climax of the episode arrives at noon on March 5th in Hatch, New Mexico. Furious that the gold was missing, Ryan marched Doc into a rented house at gunpoint. Following a chaotic scuffle where Doc shoved a table into Ryan and attempted to flee toward his truck, Ryan shot the unarmed Doc Noss just below his right eye, killing him instantly against his front bumper. With that single gunshot, the man who held the keys to the greatest treasure in North American history was silenced forever.Adding insult to fatal injury, the episode concludes with the staggering mockery of justice that followed. Listeners will be stunned to learn that both the presiding judge and the defense attorney in Ryan's murder trial were actually secret investors in Doc's mining company—a glaring conflict of interest that ultimately allowed Ryan to walk away a free man, despite the testimony of five eyewitnesses who watched him shoot a fleeing man. Tune in to hear the tragic final hours of Doc Noss. And remember, if you want to read the definitive account of this incredible saga, you can secure a rare, signed copy of John Clarence's Gold House trilogy by contacting Jeff Crudele directly at podcastjfk@gmail.com

Episode 7 picks up in the immediate, chaotic aftermath of Milton "Doc" Noss's tragic murder on March 5, 1949. Based entirely on the exhaustive, decades-long research of investigative author John Clarence (the pen name of Jack Staley), this episode shifts the focus to his steadfast wife, Ova Noss, who is left to face a bitter, multi-front war for the Victoria Peak treasure. While Doc's double-crossing killer managed to walk free despite the testimony of five eyewitnesses, Ova soon found herself staring down an even more formidable nemesis: the United States government.Before she could even properly grieve, Ova was plunged into a vicious probate battle. The legal proceedings revealed a shocking secret: Doc had covertly annulled their marriage in an Arkansas court in 1945 and married another woman named Violet. Navigating this heartbreaking personal betrayal, Ova made a brilliant legal pivot on the advice of her attorneys, asserting her rights not merely as a widow, but as the legal co-discoverer of the 1937 treasure. Meanwhile, the probate inventory exposed the terrifying reach of federal authorities, listing seized maps, documents, and dozens of gold bars that had already been confiscated by the Secret Service and the Denver Mint.Refusing to surrender her claim, Ova doubled down on the physical extraction of the gold. She hired contractors to carve a drivable road up the rugged mountain and engineered a new "lower Noss shaft" to bypass the catastrophic 1939 cave-in. But as she inched closer to regaining access to the fabled treasure rooms, the U.S. Army's presence at the White Sands Proving Ground morphed into a hostile occupation. Under the command of Brigadier General George Eddy, the military initiated condemnation proceedings, dismissed Ova's valid state permits, and explicitly threatened Ova and her daughter that they would be "shot on sight" if they returned to the peak.Surrounded by treacherous former partners conspiring to steal her lease and a military apparatus determined to lock her out of her own fortune, Ova stood as a lone David against an impossible Goliath. Tune in to hear how this resilient woman fought to keep her family's massive discovery alive in the face of insurmountable corruption. And remember, if you want to read the definitive account of this incredible saga, you can secure a rare, signed copy of John Clarence's Gold House trilogy by contacting Jeff Crudele directly at podcastjfk@gmail.com.

Poe: father of American horror, pioneer of the macabre, and — according to at least one theory — a man who caught rabies from drinking bat blood at a Satanic ritual before his final, chaotic hours in Baltimore. Unfortunately, the official data also suggests 66.6% of poets are child molesters, and Poe is doing a lot of heavy lifting in that statistic.This episode, Satan Is My Superhero shines its black light on one of gothic literature's most influential weirdos. We cover the Faustian bargains, the occult obsessions, the time Satan literally refused someone's soul because Hell was already well-stocked, and the genuinely unhinged theories about how Poe died. We also cover the cousin. We cover the cousin extensively.Tightly scripted. Fully produced. Deeply uncomfortable about poets as a category.Look, if you've made it this far, you already know you're one of us — the kind of person who started this episode thinking "interesting literary history" and ended it reconsidering the entire genre of poetry.Patreon supporters get two bonus episodes a month, early ad-free access, plus exclusive extras including music videos, audiobooks, and behind-the-scenes content that probably contains more facts about dead creeps than anyone needs.(Satan is contractually obligated to inform you that 66.6% of Patreon members are NOT child molesters, and the ones who aren't poets are definitely fine.)

Join me in the greatest wander yet on JFK The Enduring Secret. In one of the most unlikely of story tells, we explore an extraordinary event  that crosses a path with President Kennedy and more importantly, with Lyndon Johnson too.  To understand it's meaning, you must understand it's context. And so, I'm pleased to announce that our  explosive new mini-series uncovering the greatest treasure discovery—and the greatest theft—in North American history will begin tonight. Be patient on this wander, and you will discover an equally  extraordinary story that will both entertain and challenge your thinking related and especially as it relates to President Lyndon Johnson.  This entire series is based on the extensive, decades-long research done by John Clarence (the pen name of Jack Staley), who compiled the definitive and most exhaustively documented account of the Victorio Peak treasure ever assembled. Hidden in plain sight since the 1930s, this saga evolves from a humble family's desert treasure hunt into a dark, true story of unchecked greed, military overreach, and presidential corruption. We bring it to life in podcast form. In early 1937, Milton "Doc" and Ova Noss stumbled upon an unimaginable fortune hidden inside a New Mexico mountain, discovering a cavern filled with stacks of crude gold bars, ancient artifacts, and chilling secrets. But as Ova once warned, "where gold goes, blood flows". The first nine episodes of this series chronicle the Noss family's triumphs and tragedies, culminating in a freezing March night in 1949 when a desperate Doc Noss scrambled to rebury 110 gold bars across the desert. That desperate gamble ultimately resulted in his murder the very next morning at the hands of his double-crossing partner.However, Doc's murder was just the beginning of the conspiracy. After World War II, the U.S. military swallowed the land to build the White Sands Missile Range, forcibly evicting Ova Noss and orchestrating top-secret extractions of the gold under the guise of national security. Uniquely intersecting with our ongoing podcast focus, this saga will eventually reveal how this massive theft reached the highest office in the land, heavily implicating Presidents Lyndon Johnson and Richard Nixon, while casting JFK as a surprising ally to the Noss family. Step inside Victoria Peak before we release the first nine episodes TONIGHT, and be sure to listen to find out how you can secure a rare, signed copy of John Clarence's Gold House trilogy by contacting Jeff Crudele directly at podcastjfk@gmail.com. 

Welcome to the Prelude episode of our explosive investigation into the Victoria Peak treasure—the site of one of the most shocking and massive crimes in American history. Based entirely on the exhaustive, decades-long research of investigative author John Clarence (the pen name of Jack Staley), this series uncovers a conspiracy of unchecked greed and military overreach that stretches far beyond the deserts of New Mexico. It is a story where the very government sworn to protect its citizens became modern-day tomb raiders, ultimately implicating U.S. Presidents Lyndon B. Johnson and Richard Nixon in the theft of billions of dollars in gold bullion.To understand the scale of this monumental heist, we must begin with the original discoverers. In early 1937, Milton "Doc" Noss and his wife Ova unearthed a staggering fortune hidden deep inside Victoria Peak. This forgotten warehouse of history contained crude gold bars piled like cordwood, ancient artifacts, and human skeletons chained to the cavern walls. But as Ova ominously warned, "where gold goes, blood flows". Doc was tragically murdered by his business partner in 1949, and by 1955, the U.S. military forcibly evicted Ova from her legal mining claim, absorbing the land into the highly secure White Sands Missile Range.With the Noss family locked out, the vault guards became the robbers. This prelude outlines the staggering scale of the ensuing government thefts. You'll hear how Major General John G. Shinkle orchestrated covert military extractions in the early 1960s, how Lyndon Johnson allegedly masterminded an international money-laundering operation to steal 257 tons of gold using a remote Mexican ranch and B-24 bombers, and how Richard Nixon sanctioned the theft of another 36.5 tons to manage the unfolding Watergate crisis.Tune in to discover how this breathtaking conspiracy was hidden through falsified reports, political whitewashing, and sheer violence, leaving the Noss family to fight for their rightful claim for generations. And remember, if you want to read the definitive account of this incredible saga, you can secure a rare, signed copy of John Clarence's Gold House trilogy by contacting Jeff Crudele directly at podcastjfk@gmail.com.

Following our prelude, Episode 2 steps back into the dust bowl era to explore the origins of our protagonists, Milton "Doc" Noss and his steadfast wife, Ova "Babe" Noss. Based on the exhaustively documented, decades-long research of investigative author John Clarence (the pen name of Jack Staley), this episode delves into Doc's complex past as a part-Cheyenne foot doctor whose lifelong obsession with treasure was sparked by a childhood encounter with the Apache chief Geronimo and a crude, ancient map received from a patient.Before the monumental find at Victoria Peak, Doc and Ova successfully unearthed a sizable cache of gold and artifacts in the Caballo Mountains in early 1937. However, their early pursuits were overshadowed by Doc's struggles with alcohol and his proximity to the chilling "Caballo Gold Vanishing"—a 1935 unsolved double murder of two Illinois couples. Though Doc was cleared, the tragedy ensnared him in a relentless web of false accusations fueled by a bitter adversary, eventually forcing the couple to pivot their search to the desolate Hembrillo Basin.The climax of this episode arrives on November 7, 1937, when a routine deer hunting trip changed history forever. Seeking a better vantage point, Doc stumbled upon a hidden ventilation shaft matching his crude map, plunging deep into Victoria Peak. Descending into the treacherous, ancient caverns, Doc and Ova discovered a "forgotten warehouse of history" containing an estimated $22 million in crude gold bars piled like cordwood, conquistador artifacts, a gold crown, and the macabre remains of chained human skeletons.However, this unimaginable wealth instantly thrust the Noss family into a perilous legal minefield against the federal government, clashing with the Gold Reserve Act of 1934 and drawing the intense scrutiny of federal authorities. Tune in to experience the breathless moment of discovery that ignited a decades-long war for the gold. And remember, if you want to read the definitive account of this incredible saga, you can secure a rare, signed copy of John Clarence's Gold House trilogy by contacting Jeff Crudele directly at podcastjfk@gmail.com. 

Following the monumental discovery detailed in our last episode, Episode 3 plunges deep into the treacherous caverns of Victoria Peak. Based entirely on the exhaustive, decades-long research of investigative author John Clarence (the pen name of Jack Staley), this episode chronicles the perilous efforts of Milton "Doc" and Ova Noss to extract their newfound fortune—and the intense paranoia that soon consumed them.Navigating broken ancient ladders and toxic, blistering bat guano, Doc slowly retrieved the first pieces of the horde in the spring of 1938. What he found was staggering: crude gold "cactus" bars piled like cordwood, a gold crown, ancient artifacts, and the chilling remains of chained human skeletons. But with unimaginable wealth came immediate danger. Rumors of the discovery triggered kidnapping threats that forced the family to temporarily flee to Gallup, New Mexico. Doc's extreme caution reached a fever pitch, fueled by the trauma of a prior kidnapping where his captors had savagely burned the bottoms of his feet attempting to extract the location of another gold cache.The situation turned catastrophic in 1939 with two devastating blows. In August, a hired engineer set off an excessive dynamite charge, causing a massive landslide that sealed the main treasure shaft under tons of rock. Desperate for capital to clear the debris, Doc took a massive gamble in the fall of 1939 by taking four or five gold bars to the Denver Mint. Though the bars were officially assayed at $97,000, the Mint confiscated the bullion and issued a "hold certificate," refusing to pay Doc unless he revealed the exact location of the remaining treasure.This brazen confiscation confirmed Doc's deepest fears that the federal government intended to seize his entire fortune. It thrust the Noss family into a perilous legal war against the Gold Reserve Act of 1934 and drew relentless, around-the-clock surveillance from both the Secret Service and the FBI. Tune in to hear how the dream of Victoria Peak quickly devolved into a nightmare of dynamite, deception, and government overreach. And remember, if you want to read the definitive account of this incredible saga, you can secure a rare, signed copy of John Clarence's Gold House trilogy by contacting Jeff Crudele directly at podcastjfk@gmail.com

Poets have always written about love, but the divorce poem is a much more recent subgenre. In this episode, Sarah and Sandeep ask if the formal processes of legal separation can be successful material for poetry, starting with a look at Milton's prose arguments in favour of divorce and the ways in which ‘confessional' poets such as Lowell and Sexton took on divorce as a subject alongside other taboo subjects and subverted the traditional poetry of romantic failure. They then turn to three more recent examples. In Hans Magnus Enzensberger's ‘The Divorce', a picture of a marriage is constructed through defamiliarised domestic objects and the political metaphors of postwar Germany. Anne Carson's ‘fictional essay' The Beauty of a Husband draws on different genres and the writings of Keats to make sense of a chaotic, lonely experience with an untruthful husband. And in ‘The Mpemba Effect', Isabelle Baafi chooses the palindromic form of the ‘specular' as a metaphor for the non-linear collapse of a marriage. Read Hans Magnus Enzensberger's ‘The Divorce' in the LRB: https://lrb.me/divorcepoem Further listening: Seamus Perry and Mark Ford on Lowell and Carson: https://lrb.me/ldptwpod Get 25% off a 12-month subscription to Close Readings with the code 'POETRY25' at checkout here: https://lrb.me/crpoetry Learn more about your ad choices. Visit megaphone.fm/adchoices

North and South by Elizabeth Gaskell chapter 24 "Mistakes Cleared Up", narrated by Isaac BirchallSubscribe on YT or Join the Book Club on Patreon and support me as an independent creator :D⁠https://ko-fi.com/theessentialreads⁠⁠https://www.youtube.com/channel/UCfOFfvo05ElM96CmfsGsu3g/join⁠Summary:The following morning Margaret wakes up. She is by no means rested, but at least her mother only woke up once in the night. A light breeze is starting to blow, and Margaret is calmed and brightened by the thought of what a forest would look like in these conditions. She goes to sit with her mother while she is still sleeping and plans to go and see Bessy Higgins after dinner. Dixon comes in and tells her quietly that Mr. Thornton has come to visit and has asked for her. Reluctantly, Margaret goes downstairs.Mr. Thornton is anxiously waiting downstairs for Margaret. He thinks of her arms around his neck and is impatient for her to see him. He has no self-control left and needs to see her and hopes that she would fall into his arms. He does not know how she will receive his declaration. He fears a rejection and refuses to think of it. Margaret arrives and he takes in her complexion. She looks very tired, but that is normal after the blow she has received. Thornton steps forward and shuts the door behind her. Eventually he starts to talk, he excuses his ungratefulness the previous day, and Margaret shuts him down, saying that he has nothing to excuse himself for and says that she should excuse herself for forcing him to go down to the crowd. Margaret says that she will accept his thanks if he really believes it necessary. Thornton replies that he feels no obligation to but that he wants to thank her and finally declares his love for her.She responds icily to his declaration, saying that she is shocked by his words and does not understand it. She is offended by him and clarifies that her actions yesterday were not a declaration of love, and that a gentleman would understand that. He retorts that he is not a gentleman but a man and claims a right to express himself. With tears in her eyes she goes to say that of the whole crowd, Thornton was the person that she cared for the least and only went to him because he was alone, while they were many. He goes to say that she is unfair and just because he is a Master he doesn't have a right to suffer. While he could have defended himself further, he know that he could have thrown himself at her feet to ask for forgiveness. He collects his things and says one last thing before he goes, that he has never loved anyone before, and that he will continue to love her. Margaret thanks him for his kindness to her father and leaves him to go.SEO stuff I don't want to do. Elizabeth Gaskell's classic, "North and South" sees Margaret Hale's live uprooted as her family moves to the north of England. Initially disgusted by the ugliness of the industrial town of Milton, Margaret develops a strong sense of social justice after seeing the poverty and suffering of local mill workers.

VFL Joe Milton spoke with Vince Ferrara from the Cowboys training camp about his time at Tennessee and the transition from there to the NFL.See omnystudio.com/listener for privacy information.

VFL Joe Milton spoke with Vince Ferrara from the Cowboys training camp about his time at Tennessee and the transition from there to the NFL.See omnystudio.com/listener for privacy information.

Host Richie Tevlin and Co-Host Evan Blum talk with Joe Moore, owner of Crafty's Bar and Bottleshop in Springfield, Pennsylvania. By day, Joe works in the aerospace industry doing precision cleaning for parts destined for space. A longtime regular at the store formerly known as Springfield Craft Beer Store, Joe eventually decided to stop being a customer and start being the owner, purchasing the business in October 2025 and rebranding it as Crafty's.   https://www.craftbeerspringfield.com/ @CraftysbarandBottleShop _____________________________________________ THANK YOU TO OUR SPONSORS!: The Beer Accountant: https://www.paddymaccpa.com/brewerysolutions Patrick McDonald Email: pmcdonald@paddymaccpa.com 267-566-4077 - Licensed CPA Norris McLaughlin P.A. https://norrismclaughlin.com/ted-zeller Ted Zeller - Epi 91 Email: tzeller@norris-law.com (484) 765-2220 - Liquor Attorney Cascade Floors https://cascadefloors.com/ Chris Klein Email: chris@cascadefloors.com (541) 510-1080 _______________________________________ EPISODE NOTES: Breweries & Beverage Brands Space Cadet - Epi 22 - Philadelphia, PA Dogfish Head Brewery - Epi 100 - Milton, DE Twin Elephant Brewing - Chatham, NJ Broken Goblet - Bensalem, PA Yuengling Brewery - Pottsville, PA Kenwood Original - Epi 8 - Philadelphia, PA Allagash Brewing - Portland, ME BrewDog - Ellon, Scotland Tree House Brewing - Charlton, MA The Veil Brewing - Richmond, VA Hardywood Park Craft Brewery - Richmond, VA Tonewood Brewing - Barrington, NJ Fiddlehead Brewing - Shelburne, VT Russian River Brewing - Santa Rosa, CA BRLO - Berlin, Germany craft brewery The Foam Brewers - Burlington, VT Farm Truck Brewing - Medford, NJ Mentioned People Matt Serra - Epi 8 - Owner of Kenwood Original Mark McGuigan - Epi 89 - President of the German Society of PA Other Mentions Breweries in PA - PA brewing publication The Greeks - Narberth, PA pizza & Greek restaurant Proximity Malt - Malting company Pink Boots Society - Epi 35, Epi 52 - Women & Non-Binary people in craft beverage GWARbar - blood-splattered punk/metal bar  What We Drank? Nitro Bacchus Flemish Brown Ale | 4.5% Kasteel Brouwerij Vanhonsebrouck ------------------------------- Gonzo Pie Face Ale Strong Ale | 8.0% Flying Dog Brewery ------------------------------- Hazy Jane IPA | 5.0% BrewDog ------------------------------- Fear.Movie.Lions DIPA | 8.5% Stone Brewing ------------------------------- Sounds like the Boss IPA | 7.0%  Twin Elephant (Collab w/ Buttonwood Brewery) _______________________________________   STAY CONNECTED: Instagram: ⁠⁠@brewedat⁠⁠ / ⁠⁠@thebrewedatpodcast⁠⁠ Tik Tok: ⁠⁠@brewedat ⁠⁠/ ⁠⁠@thebrewedatpodcast⁠⁠ YouTube: ⁠⁠@brewedat⁠⁠ / ⁠⁠@thebrewedatpodcast⁠ LinkedIn: ⁠BrewedAt Website: ⁠⁠www.brewedat.com / www.spacecadetbeer.com

North and South by Elizabeth Gaskell chapter 23 "Mistakes", narrated by Isaac BirchallSubscribe on YT or Join the Book Club on Patreon and support me as an independent creator :D⁠https://ko-fi.com/theessentialreads⁠⁠https://www.youtube.com/channel/UCfOFfvo05ElM96CmfsGsu3g/join⁠Summary:Mr Thornton comes home after talking with his Irish workers. He instantly asks where Margaret has gone and is very shocked when his mother tells him that she is better, and has gone home. He asks more questions about Margaret, but his mother wishes to change the topic. He defends his Margaret from his mother and says that he doesn't know where he would be if she didn't come out to help him. Mrs. Thornton retorts that girls in love will do anything and is very shocked when she sees how her son reacts to her remark. She tries to go on with her business, but when she does start to talk again, her voice is a little feeble. He says that he will go out again, and tells his mother not to wait up for him. She says that she has to wait for him considering the events of the day. They go back and forth a little while he tries to explain that he wishes to go and check on Margaret and doesn't know what time he will be back. Mrs. Thornton begs him however no to go, and as she never begs her son for anything, he relinquishes and agrees to come back home as long as they send someone to go and ask about Margaret. They have tea, and just before he goes to leave, she talks quietly with him. She says that she knows what he has to do at the Hale residence, and that causes her son to finally snap and confess, in his own way, his feelings for Margaret, saying that he has little hope.At the Hale residence, Margaret comes home and sees her mother and father. They received a letter from Bessy Higgins, but they all agree that Margaret looks too tired for her to go. Mr. and Mrs. Hale go to bed, and Margaret finally allows herself to think about the events of the day. She asks herself why she went down to help him; the army was only a few minutes away. She did some good but cannot understand why she did it. Dixon comes in and tells her that a man has arrived with the waterbed and says too that he was instructed to ask how she was, but believes that the man must have been confused with her mother. Her father then comes in and tells her to go to bed.SEO stuff I don't want to do. Elizabeth Gaskell's classic, "North and South" sees Margaret Hale's live uprooted as her family moves to the north of England. Initially disgusted by the ugliness of the industrial town of Milton, Margaret develops a strong sense of social justice after seeing the poverty and suffering of local mill workers.

Continuing work on the Frank Gilroy play, The Subject Was Roses, this expert from Milton's in-person class begins to explore the road in to building a character with more depth.

On this episode of Stang Stories, Molly O'Brien '26 interviews Jennifer Sarbach '02, co-founder of the Wall Street Skinny podcast, about her formative years at Milton, her Princeton studies, and her early career on Wall Street. Jen also explains why she transitioned to real estate and offers advice to current Milton students.

How can horror writing help readers — and writers — work through psychological trauma? Why does cross-genre fiction take longer to find an audience, but pay off in the long run? Is running a direct sales store actually worth the inventory, postage, and learning curve? And how can SubStack work for fiction authors? With psychotherapist and award-winning author P.D. Alleva. In the intro, thoughts on why in-person conferences are still worth it, even when they are a challenge for sensitive introverts! and tips for making the best of conferences [Self-Publishing Show]. Today's show is sponsored by Draft2Digital, self-publishing with support, where you can get free formatting, free distribution to multiple stores, and a host of other benefits. Just go to www.draft2digital.com to get started. This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn P.D. Alleva is the award-winning author of horror, sci-fi, thrillers, and fantasy books. He's also a psychotherapist. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes Why horror puts the human condition on display better than any other genre Emotional trauma as the silent psychological killer most people overlook The pros and challenges of cross-genre writing and finding your audience Practical lessons from running a direct store, including integration and signed-copy fulfilment How a 3 a.m. writing routine keeps the writing separate from the marketing and admin Serialising fiction on Substack, multiple newsletters, and avoiding paid subscriber promotions Why Facebook groups, TikTok Lives, and the three-to-one rule are working right now You can find P.D. at PDAlleva.com or on Substack. Transcript of the interview with P.D. Alleva Jo: P.D. Alleva is the award-winning author of horror, sci-fi, thrillers, and fantasy books. He's also a psychotherapist. So welcome, Paul. PD: Thank you very much. Thank you for having me. This is a great opportunity. I love doing interviews, and I love talking to great people. Jo: Oh, good. Well, first up— Tell us a bit more about you and how you got into writing and being an indie author. PD: So I've been writing since I was a kid, at least second grade and more than likely even before that. I've always had that creative itch. Getting into indie author publishing, I published my first book in 2011. At the time I was also operating my own business, which took up about 24 hours of my time every single day. Then I kind of got through that and sold that in 2016, and I'm like, you know what? The time has come. I'd always written books, poetry, short stories, but never really did anything with them because I just didn't have the time. So in 2017, that's when I really came out and said, all right, the time is now. Indie publishing was doing great. The one good thing I do love about Amazon is they allowed us to come out there and start showing our craft to people. So in 2017, I just started—let's do this. Let's write full time. Let's put books out there. Let's be creative. Let's really get those juices flowing. Plus, I was getting a little bit old, and I was like, now is definitely the time to do this. Since then I've been publishing consistently, and most of my books are horror books, but I dabble. I have a sci-fi series, and I'm starting to get into psychological thrillers too. I've got a new psychological thriller that'll be published in early 2027 called Girl on a Mission. For the most part, I'm definitely into the horror genre—books, short stories, all that good fun stuff. Jo: Right, so a couple of follow-ups. You said you're a bit old. Can you give us what decade you're in at least? PD: Well, I'm 51, so born in 1971. Jo: Oh, there you go. Same age as me. PD: All right, good. See that? So we're going head-to-head there. Jo: I don't think that's old at all. Also, you mentioned you sold your business in 2016. So what was your business before? Because I think business experience is so important. PD: Agreed 100%. So I'm a psychotherapist, and I had owned a treatment centre for mental health and addiction. That was started in 2011, and in 2016 is when it sold. Since then, my wife and I started a private practice. So I still, even to this day—well, about a year and a half ago is when I stopped. I specialise in trauma, PTSD, and addiction. Trauma mostly. Most of my caseload has always been trauma, PTSD, sexual abuse, psychological abuse, war-type trauma. I was doing that mostly individually since 2016 in private practice, and I'll still go into treatment centres and see patients there too, specifically for trauma. About a year and a half ago is when I started wanting to do writing 100% full time. I thought about becoming a professor, maybe going to college, but then I wasn't sure if I wanted to get into that full time, as far as a caseload and school and everything like that. So I decided to just do group therapy, group facilitation, and I've been doing that consistently since then. It may be 15 hours a week. I do love to give back, and to me, it's more what I teach. I specialise in neuro-linguistic programming, bilateral stimulation or EMDR, hypnotherapy, science of mind concepts, psychopharmacology, biological bases of behaviour—which is pretty much how your brain works—ancient wisdom, quantum physics. I do this in a drug addiction treatment centre mostly, also mental health. And of course, just living an addictive lifestyle is traumatic, too, in and of itself. So pretty much I'm teaching them. Behaviour modification is a big part of what I'm teaching during that time. You'll see that, too, if you read my books. There's two things you can figure out from my books. You can figure out how to murder people and get away with it, and two, you can figure out how to overcome trauma as well. The whole “murder people and get away with it” comes from my upbringing. I have a very sorted past, let's put it that way. My upbringing was very different than what most people grow up in. Jo: Oh, can you give us any more than that? Now everyone's like, “Oh.” PD: “What's going on with this guy, right?” So I grew up, let's say, quote unquote, “in an Italian New York family.” Jo: Okay. All right. PD: That might give people ideas, right? Jo: That's going to give people a lot of ideas. PD: If you've ever seen the movie Goodfellas, I kind of grew up in that atmosphere, and with even some of those people too. My family had connections to those people in that movie, which I find very funny. If you watch that movie with me, you get a very different perspective on what's going on in the movie. Jo: Wow. So you're an interesting guy with an interesting background, with a very interesting backstory job as well. Some people are like, “Well, of course he's writing horror because horror is just awful and full of slasher gore and all that.” I often have to say to people who don't read horror, “Look, it's not like that.” Maybe some of it is, sure. But most of it isn't. Could you talk about how reading and writing horror can also be psychologically healthy? How do these worlds intertwine for you? PD: Well, sure. It 100% can be healthy. Especially over the last few years, there's a trend going on out there right now where people are taking their trauma and putting it into a creative process through poems, short stories, and even novels. They're taking their trauma and giving it a face, like a monster, where people are overcoming that monster within the creative process. I always say that horror is the genre that puts on display, better than any other genre out there, the human condition. Why is that? When people are in a terrifying situation, you really see who they are. You get to the heart of the matter of who that person is by putting them in these horrific but undefinable situations where it's like, what are they going to come out as? That real true personality needs to come out, and that courage comes out. That's huge in horror, and I think horror gets such a bad name. Now, I know there's the extreme horror and the splatterpunk, and that has its kind of role too in what I'm saying, but that's where horror is getting its bad reputation out there with the over-the-top type of gore. For the most part, that's a small part of the horror genre. It's a subgenre for a reason. It has its readership, and that's fine. Nothing wrong with it. I read it all the time. I find a lot of joy in it, a lot of excitement. However, for the most part, any horror novel that is not completely with the gore and stuff like splatterpunk can be seen as a psychological thriller, and a lot of psychological thrillers can be seen as a horror novel. Look at books like The Silence of the Lambs, Red Dragon. That's horrific as well, but if you read the novel, it's in there. It just gets that bad rap right now, and it's not all gore. Most horror novels that I read today are psychological horror. It's tame on the gore, and the psychological aspect is there. I always see that psychological aspect—it's like psychological trauma. Most people, even in my industry, when people are out there and you mention trauma, PTSD, they're thinking about sexual abuse, physical abuse, or war-type trauma. The silent psychological one—I once wrote an article called “Emotional Trauma: The Silent Psychological Killer.” The one that's out there is the psychological trauma, the emotional trauma that is widespread. Most people go through that, and it could even be from parent to child, and most people don't understand that that's a traumatic experience. It's like a distortion of reality that you're experiencing that then creates a belief system in your brain, and you're constantly acting out that belief system. That's where the psychological component of horror really comes out. People breaking through that psychological belief system that was created through a traumatic experience by reaching courage and coming out through a horrific situation. Jo: Yes, it really annoys me, because with romance, of course people understand that romance is a huge genre. Something like a small town sweet romance is a world away from the bully romantasy, dark, or mafia. Mafia romance is a really big thing with very dark themes. I'm like, well, how can you understand that romance is a huge genre with all these different subgenres, and not think that horror or thriller or fantasy or sci-fi all have so many different subgenres within them? I personally read a lot of supernatural horror, but rarely the slasher gore kind of stuff. So I'm really glad you said that, and hopefully more people will open up a bit more. I did also want to ask you about what you write. You write all these different things. You write standalone—I mean, often horror is standalone—but you also have some series. How do you balance it? What are the benefits of cross-genre writing, but also the challenges of it? PD: Okay. So obviously I love cross-genre writing. To me, I use fantasy to explain the supernatural elements. I blend mostly a tad of fantasy to help explain the supernatural components in my supernatural novels. When I write sci-fi, specifically sci-fi, that has the fantasy element in it too, but there's also a tad of horror in there as well. It's just who I am. When I grew up, I had a lot of different influences. I had Star Wars on one side, and then I'm watching B-rated '80s slasher films on the other side. Those two mixes just kind of followed me throughout my life, and that's why I like putting them into my novels. As I tell my patients, don't limit yourself. Never limit yourself. If you're just limiting yourself to one genre, you're missing out on so much more that's out there. So I love the blend of mixing genres. It just gets my goat each and every time. It is a challenge though. I remember when I first started getting into indie publishing, I was never big into Facebook and social media up until I started becoming an indie author. Before that, with my type of upbringing, you don't advertise yourself. You don't advertise where you're going. That's a big no-no. So I always had this aversion to social media. I'll tell you a funny story. It was the late 2000s, probably 2006. I was a full-time single father at that time, and I was living in Florida. My family—brothers and sisters-in-law—were living in New York, and my sister-in-law said, “Get a Facebook account so we can see pictures of the kids.” I said, “Oh.” I didn't want to do it, but I said, “Okay,” so I did it. And I'm thinking, looking at this Facebook thing, “How do I put pictures on here?” So I figured out how to put pictures in folders. Then I phone called her, and I'm like, “Okay, so they're on there.” And they're like, “Well, where are they?” I'm like, “I put them in these folders. You can go and look at them.” She's like, “No, you've got to post them.” That to me was like, “I'm not posting pictures of my kids.” That was a big no-no. It didn't click. When I got on there finally in 2016, 2017, I'm like, “Okay, so I need to figure out social media. As an indie author, I need to be on there, so I need to get through this aversion and get on there.” I started noticing how people are so particular with their genres. If they're reading a romance, it had to be very specific with that exact type of romance, and if you deviated from it, they're not going to like it. So that was the challenge. I was like, “All right, number one, I'm not going to dilute myself” and say, “All right, take things out of my writing or out of my novel just so I could cater to a certain type of audience.” I'm like, “I'm not going to do that.” I know with me, myself, as a reader, I'll read everything. I don't limit myself to a specific genre. I'll read psychological thrillers. I'll read romance. I've been doing that all my life. So I'm like, if there's a person like me out there—and look at this, I just met like four other people who also read cross genres—then I know that there's at least another 30,000 people, and I know that at least then there's 300,000, then there's three million people out there. So just write the books that you're writing and find your audience. Now, that takes longer. So you've got to chip away. Chip away. You're going to find readers here and there, and then that reader kind of tells a few people about you, and then you've got a few more readers. Then you keep going, and you go on these Facebook groups, and you do a whole bunch of different things, and then you gather a few more readers. Then they're telling some friends, and then you've got more. The process takes a lot longer, yes, 100% agreed, but I would say be true to yourself and you can never go wrong. Jo: Yes, I agree. I write cross-genre as well, and I've browsed your collection. Golem was the one I was like, “Ooh, yes, I like that one.” I haven't read it yet, it's on my list. I think when you're cross-genre, my people come to my store as well, and it's like, “Okay, I'm interested in lots of things, but this is the one by this author that I'm interested in.” Whereas with other authors who only write one type of thing, then I might not like any of their stuff. So I think there are definitely pros and cons and different ways into our world. I also wanted to ask you about the differences in business. Obviously you ran this treatment centre and there were physical humans on all sides, and now you've got a business as an author. So what have you learned in business from what you used to do and what you do now? PD: Okay. You're right. The treatment centre industry is very different from what I'm doing now, but it's still people. Treat those people right, have integrity. If you say you're going to do something, follow through with it. My word is my bond type of thing. That definitely has fed into the writing and publishing industry that I'm in now in a huge way. Just connecting with people is, to me, the biggest part of it. I mean, treatment centres, you've got to connect with people. When I would market the treatment centre, where would I go? I would go to hospitals, residential facilities, detoxes, and talk to them about my programme and why they should be referring clients there. It's the same thing here. Why should you be reading my books? You get there through interviews like what I'm doing here with you. Other podcasts. You get there by doing Facebook Lives, TikTok. I haven't started TikTok Lives yet, but I actually love that platform. I'm falling in love with it. IG Lives, anything like that where you're talking to people and you're making a connection with those people. Through that, I've gathered so many different types of readers who are like, “Yes, I'll give this book a shot.” And then they read it and they're like, “Hey, this is really good, and I'm going to read another book.” With my books, I have very different books. Golem is my psychological horror novel. It's my slow-burn psychological horror novel, heavily inspired by Frankenstein and the Pygmalion myth. It's my first true horror book that I published. Then there's Jigglyspot and the Zero Intellect, which is inspired by B-rated '80s horror movies and the old grindhouse movies of the '70s, and it's mind manipulation. It's just wild and bizarre. And then The Sleepy Hollow Incident is my Gothic tale—it's like a dark romance mixed in with Gothic horror. So I always try to put something for everyone that's out there. To me, when I'm writing, it's got to be about depth, psychological depth. I always refer to my books to be like peeling layers off a Texas-sized onion. The more you read, the more in-depth you get into not only the characters, but the story. It's just something that comes out of me. It's part of me. That's the way I always have to do it. I always have to put that depth in there. To me, that's good storytelling. When I grew up, I read a lot of classic literature. Yes, Edgar Allan Poe, but also Dante's Inferno, Milton's Paradise Lost, The Hunchback of Notre Dame, the Brontë sisters. Keep going. Ray Bradbury, Ayn Rand, Daphne du Maurier, Shirley Jackson. Those to me are my books that I absolutely love. So there's a sweet science in today's fast-paced, social media type of world in marrying the depth of the old classic literature and the entertainment value that is required today for being an author. There's that sweet science behind it, and I love just hitting that nail on the head every time. Jo: So did you ever pitch traditional publishing, or have you thought about going that way? Because I also find that a lot of horror actually sits very close to literary. Like, I read a lot more literary horror than I do in some of the other genres. PD: Correct. So in the beginning, yes. Not in a long time. I maybe went to a couple of indie publishers, but as far as traditional, the Big Five publishers, I have an aversion to them for a big reason. I know people who have worked in that industry that have told me some pretty bad horror stories about those places. So I haven't sent anything to that type of place in a very, very long time. Maybe close to 20 years. Indie publishers, the small presses, yes, here and there, but even then, I'm always moving at a fast pace. So if I've got a book and I'm sending it out as a query letter, by the time that query letter is even read, I'm almost done publishing. I love that aspect of it. The control of my story, where I know where this character's going. And listen, I've got my beta readers, I've got my ARC readers. They're there to tell me, “Hey, maybe you should change this or change that.” Whether I take that advice or not, of course my editor too, is really up to me. I always put out the book that I know is the one I want to read. And to me, I haven't gone wrong in doing so. I know with traditional publishing, you sometimes get too many thoughts in the pot there. Let's put it that way. Jo: Okay, so coming back to being indie then. You mentioned Amazon earlier, but you have a store where you sell direct. Many authors are doing this now, but it can be a challenge. So what have you found are the pros and cons of your direct store? What's working? Any lessons there? PD: Okay. So I use a place called Big Cartel. They're the platform where the books are on. They're hosting my website, PDAlleva.com. The big challenge was actually just starting it. It was so overwhelming. How do I put this on there? At the time, I've got all these books, so how do I present them? I'm even going to be doing another revamp with it too, because I want better pictures—taking pictures of the books, stuff like that, instead of just having the covers on there. I also have a lot of shirts that I'm selling. So I think the biggest challenge is just getting on there and starting it. Then of course, you've got to learn a whole new platform, and the mechanics, and how people are going to be downloading, and how that's done on an e-book versus a print version of the book. So it's a huge learning curve that you've really got to put your focus on and give it time. What most people like in indie publishing is signed copies. It's a huge part of indie publishing, selling those signed copies. People love a signed copy, and that's primarily what my website is for. You can order signed copies from me. I also use a place called IngramSpark, and they're more like a distributor. They're used by everyone. They've been around for a very long time. Traditional publishing uses them too, and they're just distributing your novel. I'd say about a year ago, maybe two years ago, they started where you can sell your books on discount through them as well. So I have that on my website too, where you're just clicking on the book and you're pretty much going directly to their site and you're buying paperbacks and hardbacks at a discount. That's going well too. For the most part, people are definitely coming to my site because they want the signed copies. A good thing with indie publishing is limited editions, first print copies, special editions. That type of stuff really just takes off. People love to see that, especially in the indie community. You can sell them too. I go to a few different book conventions during the year, and the limited editions are there. Like I said, people love the signed copies. They love being a part of that and getting that signed copy. They treasure it, just like I treasure my books too. I'm not referring to my books that I've written, but books that I have as well. I love my e-reader, don't get me wrong, but I still prefer the physical copy—the paperback, and even more so than the paperback, the hardback. So people love those signed copies, and that's why I created the website, to sell on there for them. Jo: Yes, I mean, we're getting to a point now though where I think some people are questioning the pros and cons of it. For example, you doing the signed copies—I don't do that from my Shopify store because I don't want to hold stock and I don't want to deal with postage. So I only do it when I do a Kickstarter. I've just finished one recently, Bones of the Deep, and I'm going up to the printer, and I'm going to sign a couple of hundred copies and then they do the postage. That's the only way I'm willing to do it because of the pain of getting books to your house, signing them, getting them in the post. So how do you manage that practically? PD: Okay, so the inventory's there. I don't go and sign everything right away. I just keep the inventory. Once somebody buys the book, then I'll pull out the book, log it and all that good fun stuff, sign it, and then ship it out immediately. Here in my country, we get discounts at the United States Post Office because they're books. So they pass that shipping cost over to the reader too, so it's a little bit cheaper for shipping. I'll just take books once or twice a week over to the United States Postal Service and ship those books out. I don't sign them until I actually get that order. Jo: How many do you have in your house? It's the holding stock of all the backlist that is the problem. PD: Ooh, gotcha. All right. That's why I have a two-car garage. But here's the thing, I won't order 500 at a time. I'll order 20 at a time. Jo: Okay. Right. PD: When I see that inventory's getting low, I'll order another 20 at a time. Jo: And you get those from IngramSpark? PD: Correct. When the new one comes out, maybe at that time I'm just selling those, bringing those to conventions that I go to. Or maybe doing a sale on those books at that time to get rid of the inventory so it's not sitting around anymore. Jo: I think that's so important. Then like you mentioned, you do T-shirts or shirts. That is also really hard because of sizing. So is that all print on demand? PD: Yes. So I don't really hold the stock on the shirts. When I get an order, whatever the size is at that time, I go directly to the place and order it. I use a place called Sublimation Station that's here in Orlando. They do great all-over print T-shirts. They're fantastic. I just did one for The Sleepy Hollow Incident. So The Sleepy Hollow Incident is one long story, and it's broken up into four books. Each book has its own. The covers are fantastic. I use a lady named Cherie Foxley. She's a phenomenal cover designer. So the shirts are, like, book one is on the front of one shirt with book two on the back, and then the second shirt is book three on the cover and book four on the back. However, I can customise those. I just did a giveaway in my Facebook group and I let people know I could customise them, and she wanted book one and book four, so I just got that and sent it out to her. Now, if people go ahead and order that on the website, I can just order it right away from them, boom, and that place will get it shipped right then and there. Jo: Right, so they do the shipping. These are all sort of practical things that people need to answer because I feel like sometimes it's like, “Oh, yes, having a direct store is great,” but there's actually quite a lot of work that goes into it, isn't there? PD: There is. There's a lot of work. You're pretty much opening almost like your own brick-and-mortar store at that point. You just don't have walk-in traffic coming in—your traffic is all coming online. So there is a lot to it, but it's worth it. If you're a self-published author or even a small indie press, it's good to have. Because like I said, people love the signed copies. Jo: When you say it's worth it, is it worth it financially or just because you like to serve the customers in that way? PD: Both. Jo: Right. So it is financially worth it for you? PD: Yes. Jo: I was talking to a friend of mine and saying, are you valuing your time in terms of things like taking the books to the post office and stuff like that? Do you find it eats into your writing at all, or do you just manage it all separately? PD: No, I manage it separately. So I'm an early morning riser. I get up at 3:00 in the morning, and that's when I write my books or do editing or brainstorming. I'm about to write a new novella now called The Adam and Eve Story, which is actually based on a little-known CIA shelved book from the 1990s called The Adam and Eve Story as well. So I've been brainstorming that, and I was doing that this morning. I get up at 3:00 a.m. and I do my writing, and by the time the kids are up and by the time the wife is up, it's like 8:00 a.m. is rolling around and I'm pretty much done at that point. Then I have my days. Tuesday I'm completely working from home and I do my thing in the morning, and then the rest of the day is marketing, fulfilling orders, stuff like that. On the days when I'm going to do group facilitation, I'll of course still get up at 3:00 o'clock in the morning, and then I'll plan out the day. I've got an hour between this group and I can go ahead and do that, and I'm already there so it's not a problem. The post office is right around the corner. You kind of figure out all the logistics for yourself. There are some days, like on Monday, I don't facilitate groups until the afternoon, so I've got the whole morning to work on marketing and do other things, and fulfilment. Then of course Saturday's a big day for that too. Jo: Oh, that's good. I feel like people always need to know how to balance their time, but it sounds like you manage, because at 3:00 a.m., as you say, there's not much else to do other than write. You mentioned marketing, and you have a Substack, pdsalternativefiction.substack.com. Talk about that and serialising fiction and how Substack works. Because I feel like a load of people are jumping in but might not necessarily know how it works, especially for fiction. PD: Correct. It is becoming quite popular out there. I think the one before that was Patreon, and Patreon is pretty big for that too, kind of the same thing. I wanted to start something and just get the work out there. I was very interested when Amazon came out a few years ago with what was called Vella. They kind of started that. I was like, “This is kind of cool.” Couple chapters at a time. I'm writing the books anyway, so why don't we kick this off and see how it goes—a type of experiment. I had a lot of fun doing it. I started on October 4th, 2024. I've done four novels so far. One is still going, which is Volume 3 of my Dark Veil serie— that's a sci-fi series. I wrote three other novels. The Hypnotist, which is a thriller, heavy on the sci-fi and a tad of horror in there too. And then I wrote Girl on a Mission, which is my psychological thriller, and then Cat Fight, which is a horror novel—all within that time. I think I finished all three of those novels in January, and then the first week of February they were all pretty much done. Now what I'm doing is, I went paid recently on the Substack. It's like everything else that's out there—chip away, chip away. I fell into that hole where they say, “Hey, we can promote you and get people to sign up for your newsletter.” And I'll be honest with you, don't do it. It's not worth it. You spend money, and what happens is they're what I refer to as dead leads. They don't click. You wind up shuffling them off after three to six months, because they're just not clicking. Everybody gets a star rating, so you know—are they clicking, are they staying on, are they not? So I got rid of pretty much all of those people, and I'll never do that again. It's got to be done organically. That's why when you read my books, especially the new books, towards the end it'll say, “Sign up for my newsletter.” I do more with that newsletter too. If you're on the free tier, every month I do a monthly newsletter, which is just me talking about updates, things going on in the publishing industry, things going on with me. My daughter puts together a weekly Horror and Sci-Fi Chronicles newsletter, which gives what's going on in new releases in the industry—sci-fi, horror, books, movies, television. She does deep dives into industry tropes, historical tidbits, and a weekly quiz. I also do a monthly Terrors and Tales newsletter. I started this last year, and it was a quarterly newsletter. It's other authors who are new, upcoming, never been published before, looking to get published. It's a chance for them to be on the newsletter where they have a flash fiction story or poem or even a short story that I publish for them. It's called the Terrors and Tales newsletter. What happened is I would put out calls for submissions. And a place called Duotrope—I don't even know who these people are, but all of a sudden I got an email from them stating, “Hey, we found that you're looking for submissions, and we posted your link. We hope you don't mind.” I'm like, “No, of course I don't mind.” I got so many submissions from that one link. I'm like, “Okay.” Do I really want to deny people? I'm not like that. I want to help promote other authors. I know what it's like when you're new and upcoming, no matter what age you are, to say, “Hey, here's a platform for you to see your stuff in print.” Obviously, I read through them just to make sure they're up to a certain standard, but for the most part, if you submit, you're getting in there. With Duotrope, I'm like, I have enough here to put out one a month. So in May 2026, the first one goes out, and then I'll have one each month until December, and then who knows? In 2027 I might go back to quarterly. I might get enough submissions to just keep it going once a month. So that's the Terrors and Tales newsletter, and it usually comes out towards the end of the month—the last two weeks. I have nothing to do with it in terms of content. None of my stories are on there. None of my poems are on there. None of my flash fiction. It's all other authors, just for them to see their name in print, see their work in print, share it with their friends, and put something on their resume, and to encourage people to keep reading and keep the craft going. Jo: When you say in print, you don't mean in physical print? PD: Oh, I mean in the newsletter. I'm sorry. Jo: I think that's important, or you're going to get a lot more submissions, and you will need to do publishing contracts and all that kind of thing. I think that's the difficult thing with a Substack newsletter approach—it's difficult to know where to categorise it. Is it marketing? Is it publishing? It's all of these things, I suppose. A bit like this podcast, it's all kinds of things. In terms of Substack actually making money on its own or leading to book sales that make money, do you think it does serve that purpose? PD: I think I've gotten more book sales through it, and also ARC readers who are enjoying the books and giving reviews. As far as the paid tiers, that's kind of a little bit slow, and that's where I'm saying chip away at it. Keep it up there. Keep it going. Over time, you're going to build that type of audience where it's going to be like, “Hey, this is financially feasible for me to continue to do this.” That's the response that I'm getting out there. Jo: Yes. Before, you mentioned you were doing Facebook Lives and you're looking at TikTok, but— Is anything else working for you in book marketing? If people have a few books and they're like, “What is working for book marketing right now?”—what do you recommend? PD: Okay. For me, the thing that has made the most sense is making sure the reader knows the book is out there through some sort of social media. I've had really good success on TikTok since the beginning of this year especially. I started it about a year ago, year and a half ago, but then my father got sick and passed away, and it was a new venture and I put it off to the side. I really got the flavour going at the beginning of this year. February, March of this year. It seems to be going really well, and I've noticed an uptick in sales from just getting the videos out there and getting it in front of people's eyes. There's an event I'm going to in August called ShiverCon, which is a pretty big event. After that event, I'm going to look to see what type of inventory I have left over from the event, and I'm going to start doing TikTok Lives. I'm very comfortable being on camera. So I'm like, “Yeah, that seems like a good way to go.” I know there's a few other horror authors who are doing it and having good success with TikTok Lives as well. A guy named Jason Davis is doing really well with TikTok Lives, and a few other authors too. I'm like, “Yes, I could definitely do that.” I want to get up to a certain number of people, and I want these events. I'm going to one in July, and then ShiverCon in August. Once those are done, I'm going to have more time to do the TikTok Lives. As far as Facebook is concerned, what I've had really great success with on Facebook is being in the groups and meeting other authors. That's not always about my book per se, but whatever books I'm reading, I'm posting my reviews about those books in those groups and meeting readers. Then obviously, they always say the three-to-one rule. Post about three different books and then post about your own book, whether you're doing a sale or a new release or a re-release or whatever. I've found success through that just by interacting with readers. When they post a book, I'll comment, “Hey, I've read that book,” or, “Hey, that book looks really cool. I like the review.” Commenting on it so you start these relationships with people who are out there in these Facebook groups. I've recently started my own Facebook reader group. I kind of go with the same thing. Last night, we did a live reading for another author. I like other authors to be on there. I always like to think, what does the reader need? What do I want to see as a reader? I would love to hear live readings from authors. So I kind of learn about them, learn about the book, and get a live reading. To me, that's a good way to go. So I started that recently, and it seems to be going well. I've got a new folk horror coming out soon, and I put out a call for ARC readers and got a fantastic response from that. That kind of drives the sales anyway, because when you get those reviews, then people see it gives credibility to the book, and then other people see it, and then they're buying it too. So that comes from the groups. There's so many wheels to spin in this industry as an indie author when you're doing this, especially when you're doing 99% of it on your own. You've got to get out there. No one's going to know your book exists if you don't get out there and tell somebody about it. Jo: Brilliant. Well, tell us— Where can people find you and your books online? PD: All right. Perfect. So obviously I'm on Amazon like everyone. Most of my books are worldwide, so you'll find them in Barnes & Noble as well. And of course, if you want the signed copies or discount print books, I always lead people straight to my website, PDAlleva.com. Then, of course, if you go to my Substack, you'll get all the updates, and you'll get all the links to purchase or find out where they are on Amazon and Barnes & Noble and things like that too. Jo: Brilliant. Well, thanks so much for your time, Paul. That was great. PD: Thank you very much for having me. It was great chatting with you. The post Writing Cross-Genre, Selling Direct, And Serialising On SubStack With P.D. Alleva first appeared on The Creative Penn.

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Send us Fan MailHarvard University & North Shore Navigators SS Jack Rickheim takes a break from his crazy NECBL schedule to join, “The Happy Hour”!!Jack and Hap talk about his baseball life from Milton, Georgia to All Ivy-League 1st team at Harvard University to Fraser Field..... and where to next?The guys tackle some controversial topics like NIL and the Transfer Portal. But mostly the guys talk some baseball with the VIP CHATROOM & have some fun!!!THIS EPISODE WAS BROUGHT TO YOU BY DUDEROBE! The official Robe of The HHSC & THE UFC!!    The Dads Day sale is on!!!   Get the Duderobe , The Bro-Throw or the "She-Robe" for the ladies and save 30% till dads day at the link below!http://duderobe.sjv.io/0GYN43YOU CAN ALWAYS SAVE 20% WITH CODE KINGHAPFollow Jack on Instagramhttps://www.instagram.com/jack.rickheim12This episode was recorded live on the network infront of Happy Hour V.I.P.s If you want to be part of the live tapings follow us onTwitch https://m.twitch.tv/thehappyhourscOrwww.TheHappyHourSocialClub.comAS  ALWAYS The Happy Hour is brought to you by LIQUID-IV & LIQUID-IV SUGAR FREE LIV ENERGY!!!https://glnk.io/koyv/kinghap  *PROMO CODE KINGHAP OR KING.HAP SAVES 25%OLD SCHOOL LABS AMAZING Supplements made for Amazing people!….. Try the Delicious TIRAMISU PROTEIN! Save 25% site wide with promo code Kinghap(https://shop.oldschoollabs.com/KINGHAP)NORTH CANNA CO.Discover the best THC-infused drinks and THC gummies on the planet. Sip or chew while relaxing the enjoyable life's finer moments with no hangover!  CBD blends are also available as option for both drinks and chews. https://www.drinkthenorth.com/?snowball=KINGHAP

In this episode of SPACES, Dimitrius sits down with Colby Cox, founder and CEO of Convergence Communities, to explore how the built environment can either isolate us or help bring us back together.Colby has spent more than two decades developing mixed-use, master-planned communities rooted in human connection, wellbeing, and intentional living. For him, development is not just about what pencils out on a pro forma. It is about legacy: how a place feels 50 or 100 years from now, how it supports the people who live there, and whether it helps create a true sense of belonging.Through projects like The Granary in Milton, Delaware, Colby is challenging the conventional suburban model by rethinking porches, lot sizes, shared green space, public amenities, programming, and community gathering places. His goal is not simply to build houses, but to create places that gently pull people out of isolation and into relationship with their neighbors, their town, nature, and themselves.The conversation explores why many modern neighborhoods fail to foster connection, how fear and liability often shape development decisions, and why the return on investment in real estate should include more than dollars and cents. Colby also shares how his team is experimenting with ideas like a brewery incubator, meditation gardens, shared living models, and community-serving amenities designed to invite the surrounding town in—not wall residents off from it.This is a conversation about development, loneliness, legacy, and the role of design in rebuilding social connection.As discussed:The GranaryConvergence CommunitiesBuilt to Divide Podcast SeriesLYNESIf you enjoy our content, you can check out similar content from our fellow creators at Gābl Media.Spaces Podcast Spaces Podcast websiteLYNES // Gābl MediaAll rights reserved

Trascrizione con glossario (gratis)In questo episodio di livello intermedio, parliamo del rapporto tra l'Italia e la letteratura inglese: da Chaucer a Shakespeare, da Milton ai poeti romantici Byron, Shelley e Keats. Un viaggio attraverso i secoli per scoprire come e perché l'Italia ha ispirato alcuni dei più grandi scrittori di lingua inglese.Altri link e risorse utili:Dentro l'Italia - Corso di italiano avanzato (C1)Ebook gratuito: come raggiungere il livello avanzato in italiano"Ebook gratuito, "50 modi di dire per parlare come un italiano"YouTubeInstagramFacebook