Podcasts about Milton

Episode 7 picks up in the immediate, chaotic aftermath of Milton "Doc" Noss's tragic murder on March 5, 1949. Based entirely on the exhaustive, decades-long research of investigative author John Clarence (the pen name of Jack Staley), this episode shifts the focus to his steadfast wife, Ova Noss, who is left to face a bitter, multi-front war for the Victoria Peak treasure. While Doc's double-crossing killer managed to walk free despite the testimony of five eyewitnesses, Ova soon found herself staring down an even more formidable nemesis: the United States government.Before she could even properly grieve, Ova was plunged into a vicious probate battle. The legal proceedings revealed a shocking secret: Doc had covertly annulled their marriage in an Arkansas court in 1945 and married another woman named Violet. Navigating this heartbreaking personal betrayal, Ova made a brilliant legal pivot on the advice of her attorneys, asserting her rights not merely as a widow, but as the legal co-discoverer of the 1937 treasure. Meanwhile, the probate inventory exposed the terrifying reach of federal authorities, listing seized maps, documents, and dozens of gold bars that had already been confiscated by the Secret Service and the Denver Mint.Refusing to surrender her claim, Ova doubled down on the physical extraction of the gold. She hired contractors to carve a drivable road up the rugged mountain and engineered a new "lower Noss shaft" to bypass the catastrophic 1939 cave-in. But as she inched closer to regaining access to the fabled treasure rooms, the U.S. Army's presence at the White Sands Proving Ground morphed into a hostile occupation. Under the command of Brigadier General George Eddy, the military initiated condemnation proceedings, dismissed Ova's valid state permits, and explicitly threatened Ova and her daughter that they would be "shot on sight" if they returned to the peak.Surrounded by treacherous former partners conspiring to steal her lease and a military apparatus determined to lock her out of her own fortune, Ova stood as a lone David against an impossible Goliath. Tune in to hear how this resilient woman fought to keep her family's massive discovery alive in the face of insurmountable corruption. And remember, if you want to read the definitive account of this incredible saga, you can secure a rare, signed copy of John Clarence's Gold House trilogy by contacting Jeff Crudele directly at podcastjfk@gmail.com.

Episode 4 propels us into a chaotic twelve-year period from 1937 to 1949, where the Noss family's dream of extracting the Victoria Peak treasure begins to violently unravel. Based entirely on the exhaustive, decades-long research of investigative author John Clarence (the pen name of Jack Staley), this episode details how the formidable obstacles of World War II, a sprawling military expansion, and Milton "Doc" Noss's own personal demons collided to seal the mountain's riches tighter than a government vault.Desperate for capital following the devastating 1939 shaft collapse, Doc formed the Cheyenne Mining Company, unknowingly appointing a venomous Secret Service informant named Merl Horesman to his inner circle. Matters worsened in November 1940 when a second reckless dynamite charge triggered a massive landslide, completely entombing the gold. As the Noss workforce marched off to fight in WWII, the U.S. Army swallowed up the desolate Hembrillo Basin to create the White Sands Proving Ground. In a truly surreal moment of history, Doc and Ova Noss found themselves barred from their own claim by soldiers just in time to witness the Trinity atomic blast on July 16, 1945—literally standing as spectators at the dawn of the nuclear age while their treasure slipped into military hands.Fearing imminent government confiscation, a deeply paranoid Doc scattered 110 gold bars—weighing roughly 4,000 pounds—across over a dozen secret desert caches. Drifting and desperate, he partnered with a Texas businessman named Charlie Ryan in late 1948. Together, they concocted an elaborate scheme to smuggle the bullion into Old Mexico aboard a surplus DC-3 aircraft, even clearing a secret runway under the guise of a lead and silver mining operation. But the joint venture quickly turned lethal when Doc overheard Ryan plotting to double-cross him and fly the fortune out alone.Tune in to hear how this treacherous web of betrayal set the stage for a frantic, midnight race to dig up and re-hide the gold, leading Doc directly toward a deadly confrontation. And remember, if you want to read the definitive account of this incredible saga, you can secure a rare, signed copy of John Clarence's Gold House trilogy by contacting Jeff Crudele directly at podcastjfk@gmail.com.

Episode 5 takes us deeper into the post-WWII era, where personal betrayal and unprecedented military expansion collide to choke the Noss family's access to the gold. Based entirely on the exhaustive, decades-long research of investigative author John Clarence (the pen name of Jack Staley), this episode explores Milton "Doc" Noss's spiraling paranoia and his prolonged absences from Victoria Peak. In a shocking maneuver, Doc secretly annulled his marriage to Ova in an Arkansas court in October 1945 and later married another woman, a decision that plunged the Cheyenne Mining Company—and the legal rights to the treasure itself—into a chaotic battle for control.While the Noss family fractured from within, the U.S. Army transformed from a neighboring presence into an occupying force. In a truly surreal twist of history, the military utilized the newly formed White Sands Proving Ground to host Operation Paperclip, a top-secret initiative that brought 350 Nazi scientists and captured V-2 rocket components to the New Mexico desert. Even more astonishing are the allegations that stolen Holocaust loot and Nazi gold were covertly brought to the United States under this classified cover and hidden within the very same cave systems as the Noss treasure.As the military initiated condemnation proceedings to seize exclusive possession of the land, a defiant Ova Noss stepped up to legally secure the family's claim, successfully reorganizing the company and filing renewals in her own name. Meanwhile, a drifting and financially desperate Doc formed a fateful partnership with a Texas businessman named Charlie Ryan in late 1948. What began as a front for a lead and silver mining operation was actually an elaborate scheme to smuggle the Victoria Peak gold into Old Mexico using a surplus DC-3 aircraft. However, this volatile alliance quickly soured as Doc's erratic behavior, heavy drinking, and history of swindling pushed Ryan to his breaking point.Tune in to hear how this intricate web of secret marriages, military takeovers, and dangerous smuggling plots set the perfect stage for Doc's tragic demise. And remember, if you want to read the definitive account of this incredible saga, you can secure a rare, signed copy of John Clarence's Gold House trilogy by contacting Jeff Crudele directly at podcastjfk@gmail.com.

In Episode 6, the simmering tensions between Milton "Doc" Noss and his double-crossing partner, Charlie Ryan, finally boil over into a deadly 48-hour window. Based on the exhaustive, decades-long research of investigative author John Clarence (the pen name of Jack Staley), this gripping episode breaks down the frantic, minute-by-minute events of March 4th and 5th, 1949. The chaos begins with a tragic airplane crash at Victoria Peak involving Doc's stepson, Marvin Beckwith, which provides Doc with the perfect cover to slip away from Ryan's watchful eyes without raising suspicion.Knowing that Ryan was planning to steal 110 gold bars and fly them to Mexico without him, Doc seized this momentary distraction to act. Under the cover of a freezing desert night, he enlisted the help of a rodeo cowboy named Tony Jolly. Together, they embarked on a frantic midnight operation, digging up roughly 4,000 pounds of crude gold bullion and scrambling to re-bury the 110 bars across several new, secret caches. By dawn, the gold was safely hidden from Ryan, but Doc had unknowingly set the stage for his own demise.The climax of the episode arrives at noon on March 5th in Hatch, New Mexico. Furious that the gold was missing, Ryan marched Doc into a rented house at gunpoint. Following a chaotic scuffle where Doc shoved a table into Ryan and attempted to flee toward his truck, Ryan shot the unarmed Doc Noss just below his right eye, killing him instantly against his front bumper. With that single gunshot, the man who held the keys to the greatest treasure in North American history was silenced forever.Adding insult to fatal injury, the episode concludes with the staggering mockery of justice that followed. Listeners will be stunned to learn that both the presiding judge and the defense attorney in Ryan's murder trial were actually secret investors in Doc's mining company—a glaring conflict of interest that ultimately allowed Ryan to walk away a free man, despite the testimony of five eyewitnesses who watched him shoot a fleeing man. Tune in to hear the tragic final hours of Doc Noss. And remember, if you want to read the definitive account of this incredible saga, you can secure a rare, signed copy of John Clarence's Gold House trilogy by contacting Jeff Crudele directly at podcastjfk@gmail.com

Join me in the greatest wander yet on JFK The Enduring Secret. In one of the most unlikely of story tells, we explore an extraordinary event  that crosses a path with President Kennedy and more importantly, with Lyndon Johnson too.  To understand it's meaning, you must understand it's context. And so, I'm pleased to announce that our  explosive new mini-series uncovering the greatest treasure discovery—and the greatest theft—in North American history will begin tonight. Be patient on this wander, and you will discover an equally  extraordinary story that will both entertain and challenge your thinking related and especially as it relates to President Lyndon Johnson.  This entire series is based on the extensive, decades-long research done by John Clarence (the pen name of Jack Staley), who compiled the definitive and most exhaustively documented account of the Victorio Peak treasure ever assembled. Hidden in plain sight since the 1930s, this saga evolves from a humble family's desert treasure hunt into a dark, true story of unchecked greed, military overreach, and presidential corruption. We bring it to life in podcast form. In early 1937, Milton "Doc" and Ova Noss stumbled upon an unimaginable fortune hidden inside a New Mexico mountain, discovering a cavern filled with stacks of crude gold bars, ancient artifacts, and chilling secrets. But as Ova once warned, "where gold goes, blood flows". The first nine episodes of this series chronicle the Noss family's triumphs and tragedies, culminating in a freezing March night in 1949 when a desperate Doc Noss scrambled to rebury 110 gold bars across the desert. That desperate gamble ultimately resulted in his murder the very next morning at the hands of his double-crossing partner.However, Doc's murder was just the beginning of the conspiracy. After World War II, the U.S. military swallowed the land to build the White Sands Missile Range, forcibly evicting Ova Noss and orchestrating top-secret extractions of the gold under the guise of national security. Uniquely intersecting with our ongoing podcast focus, this saga will eventually reveal how this massive theft reached the highest office in the land, heavily implicating Presidents Lyndon Johnson and Richard Nixon, while casting JFK as a surprising ally to the Noss family. Step inside Victoria Peak before we release the first nine episodes TONIGHT, and be sure to listen to find out how you can secure a rare, signed copy of John Clarence's Gold House trilogy by contacting Jeff Crudele directly at podcastjfk@gmail.com. 

Welcome to the Prelude episode of our explosive investigation into the Victoria Peak treasure—the site of one of the most shocking and massive crimes in American history. Based entirely on the exhaustive, decades-long research of investigative author John Clarence (the pen name of Jack Staley), this series uncovers a conspiracy of unchecked greed and military overreach that stretches far beyond the deserts of New Mexico. It is a story where the very government sworn to protect its citizens became modern-day tomb raiders, ultimately implicating U.S. Presidents Lyndon B. Johnson and Richard Nixon in the theft of billions of dollars in gold bullion.To understand the scale of this monumental heist, we must begin with the original discoverers. In early 1937, Milton "Doc" Noss and his wife Ova unearthed a staggering fortune hidden deep inside Victoria Peak. This forgotten warehouse of history contained crude gold bars piled like cordwood, ancient artifacts, and human skeletons chained to the cavern walls. But as Ova ominously warned, "where gold goes, blood flows". Doc was tragically murdered by his business partner in 1949, and by 1955, the U.S. military forcibly evicted Ova from her legal mining claim, absorbing the land into the highly secure White Sands Missile Range.With the Noss family locked out, the vault guards became the robbers. This prelude outlines the staggering scale of the ensuing government thefts. You'll hear how Major General John G. Shinkle orchestrated covert military extractions in the early 1960s, how Lyndon Johnson allegedly masterminded an international money-laundering operation to steal 257 tons of gold using a remote Mexican ranch and B-24 bombers, and how Richard Nixon sanctioned the theft of another 36.5 tons to manage the unfolding Watergate crisis.Tune in to discover how this breathtaking conspiracy was hidden through falsified reports, political whitewashing, and sheer violence, leaving the Noss family to fight for their rightful claim for generations. And remember, if you want to read the definitive account of this incredible saga, you can secure a rare, signed copy of John Clarence's Gold House trilogy by contacting Jeff Crudele directly at podcastjfk@gmail.com.

Following our prelude, Episode 2 steps back into the dust bowl era to explore the origins of our protagonists, Milton "Doc" Noss and his steadfast wife, Ova "Babe" Noss. Based on the exhaustively documented, decades-long research of investigative author John Clarence (the pen name of Jack Staley), this episode delves into Doc's complex past as a part-Cheyenne foot doctor whose lifelong obsession with treasure was sparked by a childhood encounter with the Apache chief Geronimo and a crude, ancient map received from a patient.Before the monumental find at Victoria Peak, Doc and Ova successfully unearthed a sizable cache of gold and artifacts in the Caballo Mountains in early 1937. However, their early pursuits were overshadowed by Doc's struggles with alcohol and his proximity to the chilling "Caballo Gold Vanishing"—a 1935 unsolved double murder of two Illinois couples. Though Doc was cleared, the tragedy ensnared him in a relentless web of false accusations fueled by a bitter adversary, eventually forcing the couple to pivot their search to the desolate Hembrillo Basin.The climax of this episode arrives on November 7, 1937, when a routine deer hunting trip changed history forever. Seeking a better vantage point, Doc stumbled upon a hidden ventilation shaft matching his crude map, plunging deep into Victoria Peak. Descending into the treacherous, ancient caverns, Doc and Ova discovered a "forgotten warehouse of history" containing an estimated $22 million in crude gold bars piled like cordwood, conquistador artifacts, a gold crown, and the macabre remains of chained human skeletons.However, this unimaginable wealth instantly thrust the Noss family into a perilous legal minefield against the federal government, clashing with the Gold Reserve Act of 1934 and drawing the intense scrutiny of federal authorities. Tune in to experience the breathless moment of discovery that ignited a decades-long war for the gold. And remember, if you want to read the definitive account of this incredible saga, you can secure a rare, signed copy of John Clarence's Gold House trilogy by contacting Jeff Crudele directly at podcastjfk@gmail.com. 

Following the monumental discovery detailed in our last episode, Episode 3 plunges deep into the treacherous caverns of Victoria Peak. Based entirely on the exhaustive, decades-long research of investigative author John Clarence (the pen name of Jack Staley), this episode chronicles the perilous efforts of Milton "Doc" and Ova Noss to extract their newfound fortune—and the intense paranoia that soon consumed them.Navigating broken ancient ladders and toxic, blistering bat guano, Doc slowly retrieved the first pieces of the horde in the spring of 1938. What he found was staggering: crude gold "cactus" bars piled like cordwood, a gold crown, ancient artifacts, and the chilling remains of chained human skeletons. But with unimaginable wealth came immediate danger. Rumors of the discovery triggered kidnapping threats that forced the family to temporarily flee to Gallup, New Mexico. Doc's extreme caution reached a fever pitch, fueled by the trauma of a prior kidnapping where his captors had savagely burned the bottoms of his feet attempting to extract the location of another gold cache.The situation turned catastrophic in 1939 with two devastating blows. In August, a hired engineer set off an excessive dynamite charge, causing a massive landslide that sealed the main treasure shaft under tons of rock. Desperate for capital to clear the debris, Doc took a massive gamble in the fall of 1939 by taking four or five gold bars to the Denver Mint. Though the bars were officially assayed at $97,000, the Mint confiscated the bullion and issued a "hold certificate," refusing to pay Doc unless he revealed the exact location of the remaining treasure.This brazen confiscation confirmed Doc's deepest fears that the federal government intended to seize his entire fortune. It thrust the Noss family into a perilous legal war against the Gold Reserve Act of 1934 and drew relentless, around-the-clock surveillance from both the Secret Service and the FBI. Tune in to hear how the dream of Victoria Peak quickly devolved into a nightmare of dynamite, deception, and government overreach. And remember, if you want to read the definitive account of this incredible saga, you can secure a rare, signed copy of John Clarence's Gold House trilogy by contacting Jeff Crudele directly at podcastjfk@gmail.com

We're continuing our conversation with fellow Christian podcaster Tommy Morris, of “The Deed & Truth Podcast”. We met Tommy at a conference in the town of Milton, near Pensacola, Florida. He shares the struggles he faced in his walk with the Lord before he was led into podcasting. 

Poets have always written about love, but the divorce poem is a much more recent subgenre. In this episode, Sarah and Sandeep ask if the formal processes of legal separation can be successful material for poetry, starting with a look at Milton's prose arguments in favour of divorce and the ways in which ‘confessional' poets such as Lowell and Sexton took on divorce as a subject alongside other taboo subjects and subverted the traditional poetry of romantic failure. They then turn to three more recent examples. In Hans Magnus Enzensberger's ‘The Divorce', a picture of a marriage is constructed through defamiliarised domestic objects and the political metaphors of postwar Germany. Anne Carson's ‘fictional essay' The Beauty of a Husband draws on different genres and the writings of Keats to make sense of a chaotic, lonely experience with an untruthful husband. And in ‘The Mpemba Effect', Isabelle Baafi chooses the palindromic form of the ‘specular' as a metaphor for the non-linear collapse of a marriage. Read Hans Magnus Enzensberger's ‘The Divorce' in the LRB: https://lrb.me/divorcepoem Further listening: Seamus Perry and Mark Ford on Lowell and Carson: https://lrb.me/ldptwpod Get 25% off a 12-month subscription to Close Readings with the code 'POETRY25' at checkout here: https://lrb.me/crpoetry Learn more about your ad choices. Visit megaphone.fm/adchoices

North and South by Elizabeth Gaskell chapter 24 "Mistakes Cleared Up", narrated by Isaac BirchallSubscribe on YT or Join the Book Club on Patreon and support me as an independent creator :D⁠https://ko-fi.com/theessentialreads⁠⁠https://www.youtube.com/channel/UCfOFfvo05ElM96CmfsGsu3g/join⁠Summary:The following morning Margaret wakes up. She is by no means rested, but at least her mother only woke up once in the night. A light breeze is starting to blow, and Margaret is calmed and brightened by the thought of what a forest would look like in these conditions. She goes to sit with her mother while she is still sleeping and plans to go and see Bessy Higgins after dinner. Dixon comes in and tells her quietly that Mr. Thornton has come to visit and has asked for her. Reluctantly, Margaret goes downstairs.Mr. Thornton is anxiously waiting downstairs for Margaret. He thinks of her arms around his neck and is impatient for her to see him. He has no self-control left and needs to see her and hopes that she would fall into his arms. He does not know how she will receive his declaration. He fears a rejection and refuses to think of it. Margaret arrives and he takes in her complexion. She looks very tired, but that is normal after the blow she has received. Thornton steps forward and shuts the door behind her. Eventually he starts to talk, he excuses his ungratefulness the previous day, and Margaret shuts him down, saying that he has nothing to excuse himself for and says that she should excuse herself for forcing him to go down to the crowd. Margaret says that she will accept his thanks if he really believes it necessary. Thornton replies that he feels no obligation to but that he wants to thank her and finally declares his love for her.She responds icily to his declaration, saying that she is shocked by his words and does not understand it. She is offended by him and clarifies that her actions yesterday were not a declaration of love, and that a gentleman would understand that. He retorts that he is not a gentleman but a man and claims a right to express himself. With tears in her eyes she goes to say that of the whole crowd, Thornton was the person that she cared for the least and only went to him because he was alone, while they were many. He goes to say that she is unfair and just because he is a Master he doesn't have a right to suffer. While he could have defended himself further, he know that he could have thrown himself at her feet to ask for forgiveness. He collects his things and says one last thing before he goes, that he has never loved anyone before, and that he will continue to love her. Margaret thanks him for his kindness to her father and leaves him to go.SEO stuff I don't want to do. Elizabeth Gaskell's classic, "North and South" sees Margaret Hale's live uprooted as her family moves to the north of England. Initially disgusted by the ugliness of the industrial town of Milton, Margaret develops a strong sense of social justice after seeing the poverty and suffering of local mill workers.

VFL Joe Milton spoke with Vince Ferrara from the Cowboys training camp about his time at Tennessee and the transition from there to the NFL.See omnystudio.com/listener for privacy information.

VFL Joe Milton spoke with Vince Ferrara from the Cowboys training camp about his time at Tennessee and the transition from there to the NFL.See omnystudio.com/listener for privacy information.

VFL Joe Milton spoke with Vince Ferrara from the Cowboys training camp about his time at Tennessee and the transition from there to the NFL.See omnystudio.com/listener for privacy information.

VFL Joe Milton spoke with Vince Ferrara from the Cowboys training camp about his time at Tennessee and the transition from there to the NFL.See omnystudio.com/listener for privacy information.

Host Richie Tevlin and Co-Host Evan Blum talk with Joe Moore, owner of Crafty's Bar and Bottleshop in Springfield, Pennsylvania. By day, Joe works in the aerospace industry doing precision cleaning for parts destined for space. A longtime regular at the store formerly known as Springfield Craft Beer Store, Joe eventually decided to stop being a customer and start being the owner, purchasing the business in October 2025 and rebranding it as Crafty's.   https://www.craftbeerspringfield.com/ @CraftysbarandBottleShop _____________________________________________ THANK YOU TO OUR SPONSORS!: The Beer Accountant: https://www.paddymaccpa.com/brewerysolutions Patrick McDonald Email: pmcdonald@paddymaccpa.com 267-566-4077 - Licensed CPA Norris McLaughlin P.A. https://norrismclaughlin.com/ted-zeller Ted Zeller - Epi 91 Email: tzeller@norris-law.com (484) 765-2220 - Liquor Attorney Cascade Floors https://cascadefloors.com/ Chris Klein Email: chris@cascadefloors.com (541) 510-1080 _______________________________________ EPISODE NOTES: Breweries & Beverage Brands Space Cadet - Epi 22 - Philadelphia, PA Dogfish Head Brewery - Epi 100 - Milton, DE Twin Elephant Brewing - Chatham, NJ Broken Goblet - Bensalem, PA Yuengling Brewery - Pottsville, PA Kenwood Original - Epi 8 - Philadelphia, PA Allagash Brewing - Portland, ME BrewDog - Ellon, Scotland Tree House Brewing - Charlton, MA The Veil Brewing - Richmond, VA Hardywood Park Craft Brewery - Richmond, VA Tonewood Brewing - Barrington, NJ Fiddlehead Brewing - Shelburne, VT Russian River Brewing - Santa Rosa, CA BRLO - Berlin, Germany craft brewery The Foam Brewers - Burlington, VT Farm Truck Brewing - Medford, NJ Mentioned People Matt Serra - Epi 8 - Owner of Kenwood Original Mark McGuigan - Epi 89 - President of the German Society of PA Other Mentions Breweries in PA - PA brewing publication The Greeks - Narberth, PA pizza & Greek restaurant Proximity Malt - Malting company Pink Boots Society - Epi 35, Epi 52 - Women & Non-Binary people in craft beverage GWARbar - blood-splattered punk/metal bar  What We Drank? Nitro Bacchus Flemish Brown Ale | 4.5% Kasteel Brouwerij Vanhonsebrouck ------------------------------- Gonzo Pie Face Ale Strong Ale | 8.0% Flying Dog Brewery ------------------------------- Hazy Jane IPA | 5.0% BrewDog ------------------------------- Fear.Movie.Lions DIPA | 8.5% Stone Brewing ------------------------------- Sounds like the Boss IPA | 7.0%  Twin Elephant (Collab w/ Buttonwood Brewery) _______________________________________   STAY CONNECTED: Instagram: ⁠⁠@brewedat⁠⁠ / ⁠⁠@thebrewedatpodcast⁠⁠ Tik Tok: ⁠⁠@brewedat ⁠⁠/ ⁠⁠@thebrewedatpodcast⁠⁠ YouTube: ⁠⁠@brewedat⁠⁠ / ⁠⁠@thebrewedatpodcast⁠ LinkedIn: ⁠BrewedAt Website: ⁠⁠www.brewedat.com / www.spacecadetbeer.com

North and South by Elizabeth Gaskell chapter 23 "Mistakes", narrated by Isaac BirchallSubscribe on YT or Join the Book Club on Patreon and support me as an independent creator :D⁠https://ko-fi.com/theessentialreads⁠⁠https://www.youtube.com/channel/UCfOFfvo05ElM96CmfsGsu3g/join⁠Summary:Mr Thornton comes home after talking with his Irish workers. He instantly asks where Margaret has gone and is very shocked when his mother tells him that she is better, and has gone home. He asks more questions about Margaret, but his mother wishes to change the topic. He defends his Margaret from his mother and says that he doesn't know where he would be if she didn't come out to help him. Mrs. Thornton retorts that girls in love will do anything and is very shocked when she sees how her son reacts to her remark. She tries to go on with her business, but when she does start to talk again, her voice is a little feeble. He says that he will go out again, and tells his mother not to wait up for him. She says that she has to wait for him considering the events of the day. They go back and forth a little while he tries to explain that he wishes to go and check on Margaret and doesn't know what time he will be back. Mrs. Thornton begs him however no to go, and as she never begs her son for anything, he relinquishes and agrees to come back home as long as they send someone to go and ask about Margaret. They have tea, and just before he goes to leave, she talks quietly with him. She says that she knows what he has to do at the Hale residence, and that causes her son to finally snap and confess, in his own way, his feelings for Margaret, saying that he has little hope.At the Hale residence, Margaret comes home and sees her mother and father. They received a letter from Bessy Higgins, but they all agree that Margaret looks too tired for her to go. Mr. and Mrs. Hale go to bed, and Margaret finally allows herself to think about the events of the day. She asks herself why she went down to help him; the army was only a few minutes away. She did some good but cannot understand why she did it. Dixon comes in and tells her that a man has arrived with the waterbed and says too that he was instructed to ask how she was, but believes that the man must have been confused with her mother. Her father then comes in and tells her to go to bed.SEO stuff I don't want to do. Elizabeth Gaskell's classic, "North and South" sees Margaret Hale's live uprooted as her family moves to the north of England. Initially disgusted by the ugliness of the industrial town of Milton, Margaret develops a strong sense of social justice after seeing the poverty and suffering of local mill workers.

Another delightfully offbeat podcast that thrives on chaos, wit, and whimsical charm. Join Brian and...

Continuing work on the Frank Gilroy play, The Subject Was Roses, this expert from Milton's in-person class begins to explore the road in to building a character with more depth.

On this episode of Stang Stories, Molly O'Brien '26 interviews Jennifer Sarbach '02, co-founder of the Wall Street Skinny podcast, about her formative years at Milton, her Princeton studies, and her early career on Wall Street. Jen also explains why she transitioned to real estate and offers advice to current Milton students.

Music and biology are profoundly entwined. The heart beats, footsteps fall into familiar tempi, and even the movement of our limbs follows a natural rhythmic hierarchy—as if we shape music in our image. The rise and fall of breath, the cadence of laughter, and the wail of a cry all carry musical gestures, woven into our being. Yet our bodies do not just dictate music—they respond to it, from calming stress to thrilling chills. Beyond this, the biological world itself pulses with music: DNA sequences become melody, disease growth swells into an orchestral crescendo, and a hidden music emerges from within us.This lecture was recorded by Milton Mermikides on the 13th May 2026 at LSO St LukesMilton Mermikides is a composer, guitarist, technologist, academic and educator in a wide range of musical styles and has collaborated with artists and scientists as diverse as Evelyn Glennie, Tim Minchin, Pat Martino, Peter Zinovieff, John Williams and Brian Eno. Son of a CERN nuclear physicist, he was raised with an enthusiasm for both the arts and sciences, an eclecticism which has been maintained throughout his teaching, research and creative career. He is a graduate of the London School of Economics (BSc), Berklee College of Music (BMus) and the University of Surrey (PhD). He has lectured, exhibited and given keynote presentations at organisations like the Royal Academy of Music, TEDx, Royal Musical Association, British Library, Smithsonian Institute and The Science Museum and his work has been featured extensively in the press. His music, research and graphic art are published and featured by Oxford University Press, Cambridge University Press, Deutsche Grammophon, Sony and more, and he has won awards, scholarships and commendations for writing, teaching, research and his charity work.      Milton is Professor of Music at the University of Surrey, Professor of Guitar at the Royal College of Music, Deputy Director of the International Guitar Research Centre, an Ableton Certified Trainer, and lives in London with his wife, the guitarist Bridget Mermikides and their daughter Chloe. He is also a Vice-Chair of Governors at Addison Primary School, a state school which foregrounds music education, offering free instrumental lessons for all on Pupil Premium. The transcript of the lecture is available from the Gresham College website: https://www.gresham.ac.uk/watch-now/music-bodyGresham College has offered free public lectures for over 400 years, thanks to the generosity of our supporters. There are currently over 2,500 lectures free to access. We believe that everyone should have the opportunity to learn from some of the greatest minds. To support Gresham College's mission, please consider making a donation: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-today Website:  https://gresham.ac.ukX: https://x.com/GreshamCollegeFacebook: https://facebook.com/greshamcollegeInstagram: https://instagram.com/greshamcollegeBluesky: https://bsky.app/profile/greshamcollege.bsky.social TikTok: https://www.tiktok.com/@greshamcollegeSupport Us: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-todaySupport the show

How can horror writing help readers — and writers — work through psychological trauma? Why does cross-genre fiction take longer to find an audience, but pay off in the long run? Is running a direct sales store actually worth the inventory, postage, and learning curve? And how can SubStack work for fiction authors? With psychotherapist and award-winning author P.D. Alleva. In the intro, thoughts on why in-person conferences are still worth it, even when they are a challenge for sensitive introverts! and tips for making the best of conferences [Self-Publishing Show]. Today's show is sponsored by Draft2Digital, self-publishing with support, where you can get free formatting, free distribution to multiple stores, and a host of other benefits. Just go to www.draft2digital.com to get started. This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn P.D. Alleva is the award-winning author of horror, sci-fi, thrillers, and fantasy books. He's also a psychotherapist. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes Why horror puts the human condition on display better than any other genre Emotional trauma as the silent psychological killer most people overlook The pros and challenges of cross-genre writing and finding your audience Practical lessons from running a direct store, including integration and signed-copy fulfilment How a 3 a.m. writing routine keeps the writing separate from the marketing and admin Serialising fiction on Substack, multiple newsletters, and avoiding paid subscriber promotions Why Facebook groups, TikTok Lives, and the three-to-one rule are working right now You can find P.D. at PDAlleva.com or on Substack. Transcript of the interview with P.D. Alleva Jo: P.D. Alleva is the award-winning author of horror, sci-fi, thrillers, and fantasy books. He's also a psychotherapist. So welcome, Paul. PD: Thank you very much. Thank you for having me. This is a great opportunity. I love doing interviews, and I love talking to great people. Jo: Oh, good. Well, first up— Tell us a bit more about you and how you got into writing and being an indie author. PD: So I've been writing since I was a kid, at least second grade and more than likely even before that. I've always had that creative itch. Getting into indie author publishing, I published my first book in 2011. At the time I was also operating my own business, which took up about 24 hours of my time every single day. Then I kind of got through that and sold that in 2016, and I'm like, you know what? The time has come. I'd always written books, poetry, short stories, but never really did anything with them because I just didn't have the time. So in 2017, that's when I really came out and said, all right, the time is now. Indie publishing was doing great. The one good thing I do love about Amazon is they allowed us to come out there and start showing our craft to people. So in 2017, I just started—let's do this. Let's write full time. Let's put books out there. Let's be creative. Let's really get those juices flowing. Plus, I was getting a little bit old, and I was like, now is definitely the time to do this. Since then I've been publishing consistently, and most of my books are horror books, but I dabble. I have a sci-fi series, and I'm starting to get into psychological thrillers too. I've got a new psychological thriller that'll be published in early 2027 called Girl on a Mission. For the most part, I'm definitely into the horror genre—books, short stories, all that good fun stuff. Jo: Right, so a couple of follow-ups. You said you're a bit old. Can you give us what decade you're in at least? PD: Well, I'm 51, so born in 1971. Jo: Oh, there you go. Same age as me. PD: All right, good. See that? So we're going head-to-head there. Jo: I don't think that's old at all. Also, you mentioned you sold your business in 2016. So what was your business before? Because I think business experience is so important. PD: Agreed 100%. So I'm a psychotherapist, and I had owned a treatment centre for mental health and addiction. That was started in 2011, and in 2016 is when it sold. Since then, my wife and I started a private practice. So I still, even to this day—well, about a year and a half ago is when I stopped. I specialise in trauma, PTSD, and addiction. Trauma mostly. Most of my caseload has always been trauma, PTSD, sexual abuse, psychological abuse, war-type trauma. I was doing that mostly individually since 2016 in private practice, and I'll still go into treatment centres and see patients there too, specifically for trauma. About a year and a half ago is when I started wanting to do writing 100% full time. I thought about becoming a professor, maybe going to college, but then I wasn't sure if I wanted to get into that full time, as far as a caseload and school and everything like that. So I decided to just do group therapy, group facilitation, and I've been doing that consistently since then. It may be 15 hours a week. I do love to give back, and to me, it's more what I teach. I specialise in neuro-linguistic programming, bilateral stimulation or EMDR, hypnotherapy, science of mind concepts, psychopharmacology, biological bases of behaviour—which is pretty much how your brain works—ancient wisdom, quantum physics. I do this in a drug addiction treatment centre mostly, also mental health. And of course, just living an addictive lifestyle is traumatic, too, in and of itself. So pretty much I'm teaching them. Behaviour modification is a big part of what I'm teaching during that time. You'll see that, too, if you read my books. There's two things you can figure out from my books. You can figure out how to murder people and get away with it, and two, you can figure out how to overcome trauma as well. The whole “murder people and get away with it” comes from my upbringing. I have a very sorted past, let's put it that way. My upbringing was very different than what most people grow up in. Jo: Oh, can you give us any more than that? Now everyone's like, “Oh.” PD: “What's going on with this guy, right?” So I grew up, let's say, quote unquote, “in an Italian New York family.” Jo: Okay. All right. PD: That might give people ideas, right? Jo: That's going to give people a lot of ideas. PD: If you've ever seen the movie Goodfellas, I kind of grew up in that atmosphere, and with even some of those people too. My family had connections to those people in that movie, which I find very funny. If you watch that movie with me, you get a very different perspective on what's going on in the movie. Jo: Wow. So you're an interesting guy with an interesting background, with a very interesting backstory job as well. Some people are like, “Well, of course he's writing horror because horror is just awful and full of slasher gore and all that.” I often have to say to people who don't read horror, “Look, it's not like that.” Maybe some of it is, sure. But most of it isn't. Could you talk about how reading and writing horror can also be psychologically healthy? How do these worlds intertwine for you? PD: Well, sure. It 100% can be healthy. Especially over the last few years, there's a trend going on out there right now where people are taking their trauma and putting it into a creative process through poems, short stories, and even novels. They're taking their trauma and giving it a face, like a monster, where people are overcoming that monster within the creative process. I always say that horror is the genre that puts on display, better than any other genre out there, the human condition. Why is that? When people are in a terrifying situation, you really see who they are. You get to the heart of the matter of who that person is by putting them in these horrific but undefinable situations where it's like, what are they going to come out as? That real true personality needs to come out, and that courage comes out. That's huge in horror, and I think horror gets such a bad name. Now, I know there's the extreme horror and the splatterpunk, and that has its kind of role too in what I'm saying, but that's where horror is getting its bad reputation out there with the over-the-top type of gore. For the most part, that's a small part of the horror genre. It's a subgenre for a reason. It has its readership, and that's fine. Nothing wrong with it. I read it all the time. I find a lot of joy in it, a lot of excitement. However, for the most part, any horror novel that is not completely with the gore and stuff like splatterpunk can be seen as a psychological thriller, and a lot of psychological thrillers can be seen as a horror novel. Look at books like The Silence of the Lambs, Red Dragon. That's horrific as well, but if you read the novel, it's in there. It just gets that bad rap right now, and it's not all gore. Most horror novels that I read today are psychological horror. It's tame on the gore, and the psychological aspect is there. I always see that psychological aspect—it's like psychological trauma. Most people, even in my industry, when people are out there and you mention trauma, PTSD, they're thinking about sexual abuse, physical abuse, or war-type trauma. The silent psychological one—I once wrote an article called “Emotional Trauma: The Silent Psychological Killer.” The one that's out there is the psychological trauma, the emotional trauma that is widespread. Most people go through that, and it could even be from parent to child, and most people don't understand that that's a traumatic experience. It's like a distortion of reality that you're experiencing that then creates a belief system in your brain, and you're constantly acting out that belief system. That's where the psychological component of horror really comes out. People breaking through that psychological belief system that was created through a traumatic experience by reaching courage and coming out through a horrific situation. Jo: Yes, it really annoys me, because with romance, of course people understand that romance is a huge genre. Something like a small town sweet romance is a world away from the bully romantasy, dark, or mafia. Mafia romance is a really big thing with very dark themes. I'm like, well, how can you understand that romance is a huge genre with all these different subgenres, and not think that horror or thriller or fantasy or sci-fi all have so many different subgenres within them? I personally read a lot of supernatural horror, but rarely the slasher gore kind of stuff. So I'm really glad you said that, and hopefully more people will open up a bit more. I did also want to ask you about what you write. You write all these different things. You write standalone—I mean, often horror is standalone—but you also have some series. How do you balance it? What are the benefits of cross-genre writing, but also the challenges of it? PD: Okay. So obviously I love cross-genre writing. To me, I use fantasy to explain the supernatural elements. I blend mostly a tad of fantasy to help explain the supernatural components in my supernatural novels. When I write sci-fi, specifically sci-fi, that has the fantasy element in it too, but there's also a tad of horror in there as well. It's just who I am. When I grew up, I had a lot of different influences. I had Star Wars on one side, and then I'm watching B-rated '80s slasher films on the other side. Those two mixes just kind of followed me throughout my life, and that's why I like putting them into my novels. As I tell my patients, don't limit yourself. Never limit yourself. If you're just limiting yourself to one genre, you're missing out on so much more that's out there. So I love the blend of mixing genres. It just gets my goat each and every time. It is a challenge though. I remember when I first started getting into indie publishing, I was never big into Facebook and social media up until I started becoming an indie author. Before that, with my type of upbringing, you don't advertise yourself. You don't advertise where you're going. That's a big no-no. So I always had this aversion to social media. I'll tell you a funny story. It was the late 2000s, probably 2006. I was a full-time single father at that time, and I was living in Florida. My family—brothers and sisters-in-law—were living in New York, and my sister-in-law said, “Get a Facebook account so we can see pictures of the kids.” I said, “Oh.” I didn't want to do it, but I said, “Okay,” so I did it. And I'm thinking, looking at this Facebook thing, “How do I put pictures on here?” So I figured out how to put pictures in folders. Then I phone called her, and I'm like, “Okay, so they're on there.” And they're like, “Well, where are they?” I'm like, “I put them in these folders. You can go and look at them.” She's like, “No, you've got to post them.” That to me was like, “I'm not posting pictures of my kids.” That was a big no-no. It didn't click. When I got on there finally in 2016, 2017, I'm like, “Okay, so I need to figure out social media. As an indie author, I need to be on there, so I need to get through this aversion and get on there.” I started noticing how people are so particular with their genres. If they're reading a romance, it had to be very specific with that exact type of romance, and if you deviated from it, they're not going to like it. So that was the challenge. I was like, “All right, number one, I'm not going to dilute myself” and say, “All right, take things out of my writing or out of my novel just so I could cater to a certain type of audience.” I'm like, “I'm not going to do that.” I know with me, myself, as a reader, I'll read everything. I don't limit myself to a specific genre. I'll read psychological thrillers. I'll read romance. I've been doing that all my life. So I'm like, if there's a person like me out there—and look at this, I just met like four other people who also read cross genres—then I know that there's at least another 30,000 people, and I know that at least then there's 300,000, then there's three million people out there. So just write the books that you're writing and find your audience. Now, that takes longer. So you've got to chip away. Chip away. You're going to find readers here and there, and then that reader kind of tells a few people about you, and then you've got a few more readers. Then you keep going, and you go on these Facebook groups, and you do a whole bunch of different things, and then you gather a few more readers. Then they're telling some friends, and then you've got more. The process takes a lot longer, yes, 100% agreed, but I would say be true to yourself and you can never go wrong. Jo: Yes, I agree. I write cross-genre as well, and I've browsed your collection. Golem was the one I was like, “Ooh, yes, I like that one.” I haven't read it yet, it's on my list. I think when you're cross-genre, my people come to my store as well, and it's like, “Okay, I'm interested in lots of things, but this is the one by this author that I'm interested in.” Whereas with other authors who only write one type of thing, then I might not like any of their stuff. So I think there are definitely pros and cons and different ways into our world. I also wanted to ask you about the differences in business. Obviously you ran this treatment centre and there were physical humans on all sides, and now you've got a business as an author. So what have you learned in business from what you used to do and what you do now? PD: Okay. You're right. The treatment centre industry is very different from what I'm doing now, but it's still people. Treat those people right, have integrity. If you say you're going to do something, follow through with it. My word is my bond type of thing. That definitely has fed into the writing and publishing industry that I'm in now in a huge way. Just connecting with people is, to me, the biggest part of it. I mean, treatment centres, you've got to connect with people. When I would market the treatment centre, where would I go? I would go to hospitals, residential facilities, detoxes, and talk to them about my programme and why they should be referring clients there. It's the same thing here. Why should you be reading my books? You get there through interviews like what I'm doing here with you. Other podcasts. You get there by doing Facebook Lives, TikTok. I haven't started TikTok Lives yet, but I actually love that platform. I'm falling in love with it. IG Lives, anything like that where you're talking to people and you're making a connection with those people. Through that, I've gathered so many different types of readers who are like, “Yes, I'll give this book a shot.” And then they read it and they're like, “Hey, this is really good, and I'm going to read another book.” With my books, I have very different books. Golem is my psychological horror novel. It's my slow-burn psychological horror novel, heavily inspired by Frankenstein and the Pygmalion myth. It's my first true horror book that I published. Then there's Jigglyspot and the Zero Intellect, which is inspired by B-rated '80s horror movies and the old grindhouse movies of the '70s, and it's mind manipulation. It's just wild and bizarre. And then The Sleepy Hollow Incident is my Gothic tale—it's like a dark romance mixed in with Gothic horror. So I always try to put something for everyone that's out there. To me, when I'm writing, it's got to be about depth, psychological depth. I always refer to my books to be like peeling layers off a Texas-sized onion. The more you read, the more in-depth you get into not only the characters, but the story. It's just something that comes out of me. It's part of me. That's the way I always have to do it. I always have to put that depth in there. To me, that's good storytelling. When I grew up, I read a lot of classic literature. Yes, Edgar Allan Poe, but also Dante's Inferno, Milton's Paradise Lost, The Hunchback of Notre Dame, the Brontë sisters. Keep going. Ray Bradbury, Ayn Rand, Daphne du Maurier, Shirley Jackson. Those to me are my books that I absolutely love. So there's a sweet science in today's fast-paced, social media type of world in marrying the depth of the old classic literature and the entertainment value that is required today for being an author. There's that sweet science behind it, and I love just hitting that nail on the head every time. Jo: So did you ever pitch traditional publishing, or have you thought about going that way? Because I also find that a lot of horror actually sits very close to literary. Like, I read a lot more literary horror than I do in some of the other genres. PD: Correct. So in the beginning, yes. Not in a long time. I maybe went to a couple of indie publishers, but as far as traditional, the Big Five publishers, I have an aversion to them for a big reason. I know people who have worked in that industry that have told me some pretty bad horror stories about those places. So I haven't sent anything to that type of place in a very, very long time. Maybe close to 20 years. Indie publishers, the small presses, yes, here and there, but even then, I'm always moving at a fast pace. So if I've got a book and I'm sending it out as a query letter, by the time that query letter is even read, I'm almost done publishing. I love that aspect of it. The control of my story, where I know where this character's going. And listen, I've got my beta readers, I've got my ARC readers. They're there to tell me, “Hey, maybe you should change this or change that.” Whether I take that advice or not, of course my editor too, is really up to me. I always put out the book that I know is the one I want to read. And to me, I haven't gone wrong in doing so. I know with traditional publishing, you sometimes get too many thoughts in the pot there. Let's put it that way. Jo: Okay, so coming back to being indie then. You mentioned Amazon earlier, but you have a store where you sell direct. Many authors are doing this now, but it can be a challenge. So what have you found are the pros and cons of your direct store? What's working? Any lessons there? PD: Okay. So I use a place called Big Cartel. They're the platform where the books are on. They're hosting my website, PDAlleva.com. The big challenge was actually just starting it. It was so overwhelming. How do I put this on there? At the time, I've got all these books, so how do I present them? I'm even going to be doing another revamp with it too, because I want better pictures—taking pictures of the books, stuff like that, instead of just having the covers on there. I also have a lot of shirts that I'm selling. So I think the biggest challenge is just getting on there and starting it. Then of course, you've got to learn a whole new platform, and the mechanics, and how people are going to be downloading, and how that's done on an e-book versus a print version of the book. So it's a huge learning curve that you've really got to put your focus on and give it time. What most people like in indie publishing is signed copies. It's a huge part of indie publishing, selling those signed copies. People love a signed copy, and that's primarily what my website is for. You can order signed copies from me. I also use a place called IngramSpark, and they're more like a distributor. They're used by everyone. They've been around for a very long time. Traditional publishing uses them too, and they're just distributing your novel. I'd say about a year ago, maybe two years ago, they started where you can sell your books on discount through them as well. So I have that on my website too, where you're just clicking on the book and you're pretty much going directly to their site and you're buying paperbacks and hardbacks at a discount. That's going well too. For the most part, people are definitely coming to my site because they want the signed copies. A good thing with indie publishing is limited editions, first print copies, special editions. That type of stuff really just takes off. People love to see that, especially in the indie community. You can sell them too. I go to a few different book conventions during the year, and the limited editions are there. Like I said, people love the signed copies. They love being a part of that and getting that signed copy. They treasure it, just like I treasure my books too. I'm not referring to my books that I've written, but books that I have as well. I love my e-reader, don't get me wrong, but I still prefer the physical copy—the paperback, and even more so than the paperback, the hardback. So people love those signed copies, and that's why I created the website, to sell on there for them. Jo: Yes, I mean, we're getting to a point now though where I think some people are questioning the pros and cons of it. For example, you doing the signed copies—I don't do that from my Shopify store because I don't want to hold stock and I don't want to deal with postage. So I only do it when I do a Kickstarter. I've just finished one recently, Bones of the Deep, and I'm going up to the printer, and I'm going to sign a couple of hundred copies and then they do the postage. That's the only way I'm willing to do it because of the pain of getting books to your house, signing them, getting them in the post. So how do you manage that practically? PD: Okay, so the inventory's there. I don't go and sign everything right away. I just keep the inventory. Once somebody buys the book, then I'll pull out the book, log it and all that good fun stuff, sign it, and then ship it out immediately. Here in my country, we get discounts at the United States Post Office because they're books. So they pass that shipping cost over to the reader too, so it's a little bit cheaper for shipping. I'll just take books once or twice a week over to the United States Postal Service and ship those books out. I don't sign them until I actually get that order. Jo: How many do you have in your house? It's the holding stock of all the backlist that is the problem. PD: Ooh, gotcha. All right. That's why I have a two-car garage. But here's the thing, I won't order 500 at a time. I'll order 20 at a time. Jo: Okay. Right. PD: When I see that inventory's getting low, I'll order another 20 at a time. Jo: And you get those from IngramSpark? PD: Correct. When the new one comes out, maybe at that time I'm just selling those, bringing those to conventions that I go to. Or maybe doing a sale on those books at that time to get rid of the inventory so it's not sitting around anymore. Jo: I think that's so important. Then like you mentioned, you do T-shirts or shirts. That is also really hard because of sizing. So is that all print on demand? PD: Yes. So I don't really hold the stock on the shirts. When I get an order, whatever the size is at that time, I go directly to the place and order it. I use a place called Sublimation Station that's here in Orlando. They do great all-over print T-shirts. They're fantastic. I just did one for The Sleepy Hollow Incident. So The Sleepy Hollow Incident is one long story, and it's broken up into four books. Each book has its own. The covers are fantastic. I use a lady named Cherie Foxley. She's a phenomenal cover designer. So the shirts are, like, book one is on the front of one shirt with book two on the back, and then the second shirt is book three on the cover and book four on the back. However, I can customise those. I just did a giveaway in my Facebook group and I let people know I could customise them, and she wanted book one and book four, so I just got that and sent it out to her. Now, if people go ahead and order that on the website, I can just order it right away from them, boom, and that place will get it shipped right then and there. Jo: Right, so they do the shipping. These are all sort of practical things that people need to answer because I feel like sometimes it's like, “Oh, yes, having a direct store is great,” but there's actually quite a lot of work that goes into it, isn't there? PD: There is. There's a lot of work. You're pretty much opening almost like your own brick-and-mortar store at that point. You just don't have walk-in traffic coming in—your traffic is all coming online. So there is a lot to it, but it's worth it. If you're a self-published author or even a small indie press, it's good to have. Because like I said, people love the signed copies. Jo: When you say it's worth it, is it worth it financially or just because you like to serve the customers in that way? PD: Both. Jo: Right. So it is financially worth it for you? PD: Yes. Jo: I was talking to a friend of mine and saying, are you valuing your time in terms of things like taking the books to the post office and stuff like that? Do you find it eats into your writing at all, or do you just manage it all separately? PD: No, I manage it separately. So I'm an early morning riser. I get up at 3:00 in the morning, and that's when I write my books or do editing or brainstorming. I'm about to write a new novella now called The Adam and Eve Story, which is actually based on a little-known CIA shelved book from the 1990s called The Adam and Eve Story as well. So I've been brainstorming that, and I was doing that this morning. I get up at 3:00 a.m. and I do my writing, and by the time the kids are up and by the time the wife is up, it's like 8:00 a.m. is rolling around and I'm pretty much done at that point. Then I have my days. Tuesday I'm completely working from home and I do my thing in the morning, and then the rest of the day is marketing, fulfilling orders, stuff like that. On the days when I'm going to do group facilitation, I'll of course still get up at 3:00 o'clock in the morning, and then I'll plan out the day. I've got an hour between this group and I can go ahead and do that, and I'm already there so it's not a problem. The post office is right around the corner. You kind of figure out all the logistics for yourself. There are some days, like on Monday, I don't facilitate groups until the afternoon, so I've got the whole morning to work on marketing and do other things, and fulfilment. Then of course Saturday's a big day for that too. Jo: Oh, that's good. I feel like people always need to know how to balance their time, but it sounds like you manage, because at 3:00 a.m., as you say, there's not much else to do other than write. You mentioned marketing, and you have a Substack, pdsalternativefiction.substack.com. Talk about that and serialising fiction and how Substack works. Because I feel like a load of people are jumping in but might not necessarily know how it works, especially for fiction. PD: Correct. It is becoming quite popular out there. I think the one before that was Patreon, and Patreon is pretty big for that too, kind of the same thing. I wanted to start something and just get the work out there. I was very interested when Amazon came out a few years ago with what was called Vella. They kind of started that. I was like, “This is kind of cool.” Couple chapters at a time. I'm writing the books anyway, so why don't we kick this off and see how it goes—a type of experiment. I had a lot of fun doing it. I started on October 4th, 2024. I've done four novels so far. One is still going, which is Volume 3 of my Dark Veil serie— that's a sci-fi series. I wrote three other novels. The Hypnotist, which is a thriller, heavy on the sci-fi and a tad of horror in there too. And then I wrote Girl on a Mission, which is my psychological thriller, and then Cat Fight, which is a horror novel—all within that time. I think I finished all three of those novels in January, and then the first week of February they were all pretty much done. Now what I'm doing is, I went paid recently on the Substack. It's like everything else that's out there—chip away, chip away. I fell into that hole where they say, “Hey, we can promote you and get people to sign up for your newsletter.” And I'll be honest with you, don't do it. It's not worth it. You spend money, and what happens is they're what I refer to as dead leads. They don't click. You wind up shuffling them off after three to six months, because they're just not clicking. Everybody gets a star rating, so you know—are they clicking, are they staying on, are they not? So I got rid of pretty much all of those people, and I'll never do that again. It's got to be done organically. That's why when you read my books, especially the new books, towards the end it'll say, “Sign up for my newsletter.” I do more with that newsletter too. If you're on the free tier, every month I do a monthly newsletter, which is just me talking about updates, things going on in the publishing industry, things going on with me. My daughter puts together a weekly Horror and Sci-Fi Chronicles newsletter, which gives what's going on in new releases in the industry—sci-fi, horror, books, movies, television. She does deep dives into industry tropes, historical tidbits, and a weekly quiz. I also do a monthly Terrors and Tales newsletter. I started this last year, and it was a quarterly newsletter. It's other authors who are new, upcoming, never been published before, looking to get published. It's a chance for them to be on the newsletter where they have a flash fiction story or poem or even a short story that I publish for them. It's called the Terrors and Tales newsletter. What happened is I would put out calls for submissions. And a place called Duotrope—I don't even know who these people are, but all of a sudden I got an email from them stating, “Hey, we found that you're looking for submissions, and we posted your link. We hope you don't mind.” I'm like, “No, of course I don't mind.” I got so many submissions from that one link. I'm like, “Okay.” Do I really want to deny people? I'm not like that. I want to help promote other authors. I know what it's like when you're new and upcoming, no matter what age you are, to say, “Hey, here's a platform for you to see your stuff in print.” Obviously, I read through them just to make sure they're up to a certain standard, but for the most part, if you submit, you're getting in there. With Duotrope, I'm like, I have enough here to put out one a month. So in May 2026, the first one goes out, and then I'll have one each month until December, and then who knows? In 2027 I might go back to quarterly. I might get enough submissions to just keep it going once a month. So that's the Terrors and Tales newsletter, and it usually comes out towards the end of the month—the last two weeks. I have nothing to do with it in terms of content. None of my stories are on there. None of my poems are on there. None of my flash fiction. It's all other authors, just for them to see their name in print, see their work in print, share it with their friends, and put something on their resume, and to encourage people to keep reading and keep the craft going. Jo: When you say in print, you don't mean in physical print? PD: Oh, I mean in the newsletter. I'm sorry. Jo: I think that's important, or you're going to get a lot more submissions, and you will need to do publishing contracts and all that kind of thing. I think that's the difficult thing with a Substack newsletter approach—it's difficult to know where to categorise it. Is it marketing? Is it publishing? It's all of these things, I suppose. A bit like this podcast, it's all kinds of things. In terms of Substack actually making money on its own or leading to book sales that make money, do you think it does serve that purpose? PD: I think I've gotten more book sales through it, and also ARC readers who are enjoying the books and giving reviews. As far as the paid tiers, that's kind of a little bit slow, and that's where I'm saying chip away at it. Keep it up there. Keep it going. Over time, you're going to build that type of audience where it's going to be like, “Hey, this is financially feasible for me to continue to do this.” That's the response that I'm getting out there. Jo: Yes. Before, you mentioned you were doing Facebook Lives and you're looking at TikTok, but— Is anything else working for you in book marketing? If people have a few books and they're like, “What is working for book marketing right now?”—what do you recommend? PD: Okay. For me, the thing that has made the most sense is making sure the reader knows the book is out there through some sort of social media. I've had really good success on TikTok since the beginning of this year especially. I started it about a year ago, year and a half ago, but then my father got sick and passed away, and it was a new venture and I put it off to the side. I really got the flavour going at the beginning of this year. February, March of this year. It seems to be going really well, and I've noticed an uptick in sales from just getting the videos out there and getting it in front of people's eyes. There's an event I'm going to in August called ShiverCon, which is a pretty big event. After that event, I'm going to look to see what type of inventory I have left over from the event, and I'm going to start doing TikTok Lives. I'm very comfortable being on camera. So I'm like, “Yeah, that seems like a good way to go.” I know there's a few other horror authors who are doing it and having good success with TikTok Lives as well. A guy named Jason Davis is doing really well with TikTok Lives, and a few other authors too. I'm like, “Yes, I could definitely do that.” I want to get up to a certain number of people, and I want these events. I'm going to one in July, and then ShiverCon in August. Once those are done, I'm going to have more time to do the TikTok Lives. As far as Facebook is concerned, what I've had really great success with on Facebook is being in the groups and meeting other authors. That's not always about my book per se, but whatever books I'm reading, I'm posting my reviews about those books in those groups and meeting readers. Then obviously, they always say the three-to-one rule. Post about three different books and then post about your own book, whether you're doing a sale or a new release or a re-release or whatever. I've found success through that just by interacting with readers. When they post a book, I'll comment, “Hey, I've read that book,” or, “Hey, that book looks really cool. I like the review.” Commenting on it so you start these relationships with people who are out there in these Facebook groups. I've recently started my own Facebook reader group. I kind of go with the same thing. Last night, we did a live reading for another author. I like other authors to be on there. I always like to think, what does the reader need? What do I want to see as a reader? I would love to hear live readings from authors. So I kind of learn about them, learn about the book, and get a live reading. To me, that's a good way to go. So I started that recently, and it seems to be going well. I've got a new folk horror coming out soon, and I put out a call for ARC readers and got a fantastic response from that. That kind of drives the sales anyway, because when you get those reviews, then people see it gives credibility to the book, and then other people see it, and then they're buying it too. So that comes from the groups. There's so many wheels to spin in this industry as an indie author when you're doing this, especially when you're doing 99% of it on your own. You've got to get out there. No one's going to know your book exists if you don't get out there and tell somebody about it. Jo: Brilliant. Well, tell us— Where can people find you and your books online? PD: All right. Perfect. So obviously I'm on Amazon like everyone. Most of my books are worldwide, so you'll find them in Barnes & Noble as well. And of course, if you want the signed copies or discount print books, I always lead people straight to my website, PDAlleva.com. Then, of course, if you go to my Substack, you'll get all the updates, and you'll get all the links to purchase or find out where they are on Amazon and Barnes & Noble and things like that too. Jo: Brilliant. Well, thanks so much for your time, Paul. That was great. PD: Thank you very much for having me. It was great chatting with you. The post Writing Cross-Genre, Selling Direct, And Serialising On SubStack With P.D. Alleva first appeared on The Creative Penn.

Our guest is fellow Christian podcaster Tommy Morris, and his podcast is called, “The Deed & Truth Podcast.” We met Tommy at a conference in Milton, just outside of Pensacola on Florida's Panhandle. Tommy, as he'll share, grew up as a "preacher's kid," and talks about the surprising path of his life prior to becoming a podcaster...

North and South by Elizabeth Gaskell chapter 22 "A Blow and Its Consequences", narrated by Isaac BirchallSubscribe on YT or Join the Book Club on Patreon and support me as an independent creator :D⁠https://ko-fi.com/theessentialreads⁠⁠https://www.youtube.com/channel/UCfOFfvo05ElM96CmfsGsu3g/join⁠Summary:Margaret waits for a long time before anyone of the Thornton family comes to see her. Fanny eventually walks in apologising for the wait and tells her that her brother is with his new Irish workmen and women in the factory, trying to reassure them before the strikes get worse. Mrs. Thornton then comes in and looks incredibly stern. Mrs. Thornton doesn't seem to fully listen to Margaret when she asks for the waterbed, when she does respond, it is in response to the crashing sound of many bodies against the gates. John soon comes in and the crowd reacts with bloodlust as they hear Mr. Thornton's voice in his house. Margaret fears that she is a coward but forgets herself and only feels a deep sympathy. He tells his mother and the maid to get upstairs to safety. Margaret is watching at the window and then turns to Mr. Thornton to ask where his imported workers are. He responds that they are in the factory, but that it is not the workers that the crowd wants, but himself. His mother asks how long until the soldiers should arrive, he responds that it should still be 20 minutes. They shut the windows and then a sudden stillness arises. They stop and listen, the crowd is pushing with all of their might against the gate, and it eventually gives in, followed by the crowd. Mrs. Thornton and Fanny get upstairs and Margaret refuses to go with them.The faces of angry men are everywhere in the yard, and Margaret recognises the face of Mr. Boucher. As the crowd sees Mr. Thornton, they erupt into a beastly roar, startling even Mr. Thornton's cool reserve. He tells Margaret that they need only to wait 5 minutes more and the soldiers will be there. Margaret calls him out for his attitude, tells him to go and face these men like a man with kindness. A dark cloud comes across his face and he goes, only asking Margaret to bar the door behind him. The men in the yard look like savage beasts; they have children at home, like Boucher, and can't stand the thought of foreigners taking away their bread. Margaret feels like the crowd will reach its breaking point in a moment and she rushes outside, after she sees men reaching for projectiles. The men still their arms as they see this girl run out and place herself between them and their enemy. She tries to tell the men to calm themselves, but her voice dies away. Thornton moves from behind her. A man calls out asking if the Irish will be sent home and when Thornton replies that he will not send them back, the crowd explodes. Margaret tries to shield Thornton from the men's incoming projectiles, but he shakes her off. The first misses, the second flings a stone towards their mark hitting instead, Margaret causing Thornton to react. The men are silent while he speaks, watching the blood trickle down Margaret's head. It seems to knock sense into the men, and they start to back away. Mr. Thornton walks into the crowd, calling on the men to attack him if they are not cowards, but they leave, defeated. Thornton rushes to Margaret and carries her into the house. He calls for his mother to take care of her and he goes to check on his Irish workers. Mrs. Thornton goes to get a doctor...SEO stuff I don't want to do. Elizabeth Gaskell's classic, "North and South" sees Margaret Hale's live uprooted as her family moves to the north of England. Initially disgusted by the ugliness of the industrial town of Milton, Margaret develops a strong sense of social justice after seeing the poverty and suffering of local mill workers.

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Send us Fan MailHarvard University & North Shore Navigators SS Jack Rickheim takes a break from his crazy NECBL schedule to join, “The Happy Hour”!!Jack and Hap talk about his baseball life from Milton, Georgia to All Ivy-League 1st team at Harvard University to Fraser Field..... and where to next?The guys tackle some controversial topics like NIL and the Transfer Portal. But mostly the guys talk some baseball with the VIP CHATROOM & have some fun!!!THIS EPISODE WAS BROUGHT TO YOU BY DUDEROBE! The official Robe of The HHSC & THE UFC!!    The Dads Day sale is on!!!   Get the Duderobe , The Bro-Throw or the "She-Robe" for the ladies and save 30% till dads day at the link below!http://duderobe.sjv.io/0GYN43YOU CAN ALWAYS SAVE 20% WITH CODE KINGHAPFollow Jack on Instagramhttps://www.instagram.com/jack.rickheim12This episode was recorded live on the network infront of Happy Hour V.I.P.s If you want to be part of the live tapings follow us onTwitch https://m.twitch.tv/thehappyhourscOrwww.TheHappyHourSocialClub.comAS  ALWAYS The Happy Hour is brought to you by LIQUID-IV & LIQUID-IV SUGAR FREE LIV ENERGY!!!https://glnk.io/koyv/kinghap  *PROMO CODE KINGHAP OR KING.HAP SAVES 25%OLD SCHOOL LABS AMAZING Supplements made for Amazing people!….. Try the Delicious TIRAMISU PROTEIN! Save 25% site wide with promo code Kinghap(https://shop.oldschoollabs.com/KINGHAP)NORTH CANNA CO.Discover the best THC-infused drinks and THC gummies on the planet. Sip or chew while relaxing the enjoyable life's finer moments with no hangover!  CBD blends are also available as option for both drinks and chews. https://www.drinkthenorth.com/?snowball=KINGHAP

In this ICYMI episode for the Line Life Podcast, Duke Energy lineworkers who responded to Hurricanes Helene and Milton share their stories about the long shifts, logistical challenges, and the teamwork that restored power and hope to devastated communities. The episode also shares practical hurricane-response best practices, rapid-restoration achievements, and how local communities and crews supported one another during recovery. To read the story, which appeared in the January 2026 issue of T&D World magazine right after the one-year anniversary of the hurricanes, visit the website.  Also, if your line crew has just finished a storm restoration and wants to share your story, please email Amy Fischbach, host of the Line Life Podcast and Head of Content for T&D World, with high-resolution photos of the damage and restoration. We look forward to hearing from you and sharing your best practices for storm restoration with our readers, subscribers and Line Life Podcast listeners. 

Tyler Salat, Rapid Pro Pressure Washing, on Soft Washing, Exterior Cleaning, and Building a Business at Age 18 (North Fulton Business Radio, Episode 962) In this episode of North Fulton Business Radio, host John Ray welcomes Tyler Salat, founder and CEO of Rapid Pro Pressure Washing, serving Johns Creek, Alpharetta, Roswell, Milton, and surrounding areas. Rapid […]

Hoy, el Estadio Ciudad de México se convertirá en el primer estadio del mundo en albergar tres inauguraciones mundialistas, después de las de 1970 y 1986.Y hablando de las protestas en la capital… Ayer, a menos de 24 horas de la inauguración del Mundial, la CNTE retomó las negociaciones con el gobierno federal en la Secretaría de Gobernación.Al cierre de esta edición, no se había llegado a un acuerdo entre el gobierno federal y la CNTE. Además, las protestas estaban subiendo de tono en la capital, con elementos desplegados en las inmediaciones del Aeropuerto Internacional de la Ciudad de México, por el posible avance de los maestros. Los que también se han visto afectados por el paro de la CNTE fueron las y los niños. La SEP reveló que alrededor de 1.2 millones de estudiantes se han quedado sin clases por el paro magisterial. La Comisión de Investigación y Acusación de la Cámara ordenó la suspensión provisional del presidente Gustavo Petro, mientras se resuelve una controversia relacionada con el proceso electoral rumbo a la segunda vuelta del 21 de junio. El caso Epstein nos dio updates este miércoles, con la comparecencia de Bill Gates ante un comité del Congreso de Estados Unidos. Atención fanáticos de Jack White… El artista estadounidense anunció su nuevo álbum como solista, “Frozen Charlotte”. Y para el vaso medio lleno… deadmau5 donó 30 mil dólares para cubrir los gastos de atención de 27 gatos rescatados por la Sociedad Humanitaria de Oakville, Milton y Halton, en Canadá. Para enterarte de más noticias, suscríbete aquí a nuestro newsletter y síguenos en redes sociales. Estamos en todas las plataformas como Te lo cuento. Hosted on Acast. See acast.com/privacy for more information.

In this episode of SPACES, Dimitrius sits down with Colby Cox, founder and CEO of Convergence Communities, to explore how the built environment can either isolate us or help bring us back together.Colby has spent more than two decades developing mixed-use, master-planned communities rooted in human connection, wellbeing, and intentional living. For him, development is not just about what pencils out on a pro forma. It is about legacy: how a place feels 50 or 100 years from now, how it supports the people who live there, and whether it helps create a true sense of belonging.Through projects like The Granary in Milton, Delaware, Colby is challenging the conventional suburban model by rethinking porches, lot sizes, shared green space, public amenities, programming, and community gathering places. His goal is not simply to build houses, but to create places that gently pull people out of isolation and into relationship with their neighbors, their town, nature, and themselves.The conversation explores why many modern neighborhoods fail to foster connection, how fear and liability often shape development decisions, and why the return on investment in real estate should include more than dollars and cents. Colby also shares how his team is experimenting with ideas like a brewery incubator, meditation gardens, shared living models, and community-serving amenities designed to invite the surrounding town in—not wall residents off from it.This is a conversation about development, loneliness, legacy, and the role of design in rebuilding social connection.As discussed:The GranaryConvergence CommunitiesBuilt to Divide Podcast SeriesLYNESIf you enjoy our content, you can check out similar content from our fellow creators at Gābl Media.Spaces Podcast Spaces Podcast websiteLYNES // Gābl MediaAll rights reserved

North and South by Elizabeth Gaskell chapter 21 "The Dark Night", narrated by Isaac BirchallSubscribe on YT or Join the Book Club on Patreon and support me as an independent creator :D⁠https://ko-fi.com/theessentialreads⁠⁠https://www.youtube.com/channel/UCfOFfvo05ElM96CmfsGsu3g/join⁠Summary:Margaret and her father walk home from the Thornton residence, feeling very happy. They talk together a little about the strike and Mr. Hale suggests that Thornton is anxious about the situation. When they get home, all joy they were feeling is ripped away from them by a look of horror on Dixon's face. They enter and find Dr. Donaldson taking care of Mrs. Hale. She has had a fit and is very, very unwell, and has been administered a sedative. Mr. Hale is finally informed of the state of his wife's health and is distraught by the terrifying news. He initially upset with Margaret for keeping it from him, but the Doctor tells him that it is he that is to blame, and not Margaret. The doctor tells Mr Hale to go to bed and leave the family alone. Everyone refuses to go to bed, so Dixon, Margaret, and her father watch over Mrs. Hale. Dixon eventually nods off, but Margaret watches carefully over her mother and responds to her father's questions. After her father goes to sleep too, Margaret reflects on Harley Street and Helstone, two places that she wishes she could go back to, to get away from the tragedies of the North. In the morning, it seems like the previous night was all but a dream. Mrs. Hale doesn't know how ill she was and is shocked to see Dr. Donaldson so early. After a few days, she gets permission to return to the drawing room, but that night, she becomes feverish again. Dr. Donaldson says that it is a reaction to the medicine that he has used and recommends that they try to find a waterbed for Mrs. Hale, stating that Mrs. Thornton has one she could maybe lend and asks Margaret if she could make the trip to Marlborough street to ask for it. In the afternoon, Margaret starts walking to the Thornton's, her head full of thoughts about her mother's health. She doesn't notice anything different about the streets, but around her, many people are heaving, and talking, and listening, while she moves through the streets. When she gets to Marlborough street however, she starts to feel the oppressive atmosphere, and as she gets to the Thornton's, the crowd starts to make its way towards the Factory. She is cautiously let in by the porter and is rushed into the house.SEO stuff I don't want to do. Elizabeth Gaskell's classic, "North and South" sees Margaret Hale's live uprooted as her family moves to the north of England. Initially disgusted by the ugliness of the industrial town of Milton, Margaret develops a strong sense of social justice after seeing the poverty and suffering of local mill workers.

On this episode of The Milton Report, Steve Milton analyzes the Hamilton Tiger-Cats first road game of the 2026 regular season as they travel to Winnipeg to take on the Blue Bombers.

“Another episode brimming with quirky charm and whimsical wisdom”, it says here. Meet the Genie...

Trascrizione con glossario (gratis)In questo episodio di livello intermedio, parliamo del rapporto tra l'Italia e la letteratura inglese: da Chaucer a Shakespeare, da Milton ai poeti romantici Byron, Shelley e Keats. Un viaggio attraverso i secoli per scoprire come e perché l'Italia ha ispirato alcuni dei più grandi scrittori di lingua inglese.Altri link e risorse utili:Dentro l'Italia - Corso di italiano avanzato (C1)Ebook gratuito: come raggiungere il livello avanzato in italiano"Ebook gratuito, "50 modi di dire per parlare come un italiano"YouTubeInstagramFacebook

Commander CKMoore, Planning Section Chief of Hillsborough County's Office of Emergency Management, joins host Steve Vancore to share hard-won insights from a career spanning 27 years in the Coast Guard and three years with Hillsborough County. CK walks through what makes tabletop exercises truly effective, emphasizing the importance of bringing the right stakeholders together and using realistic scenarios that genuinely test emergency plans.The conversation covers Hillsborough County's experience with Hurricanes Debbie, Helene, and Milton, and how each storm exposed new challenges that drove improvements. CK also discusses technological innovations, including roboticdrain inspection systems and strategies for balancing emergency response with routine maintenance.

In this episode, Daniel M. Sciubba, MD, MBA, Lucille & Milton Cohn Professor and Chair of Neurosurgery at the Zucker School of Medicine at Hofstra/Northwell and Senior Vice President of the Neurosurgery Service Line at Northwell Health, joins the podcast to discuss the growing importance of personalized, tailor-made approaches to healthcare. He also shares his perspective on the future of AI in healthcare and how emerging technologies may enhance clinical decision-making, efficiency, and patient outcomes.

North and South by Elizabeth Gaskell chapter 20 "Men and Gentlemen", narrated by Isaac BirchallSubscribe on YT or Join the Book Club on Patreon and support me as an independent creator :D⁠https://ko-fi.com/theessentialreads⁠⁠https://www.youtube.com/channel/UCfOFfvo05ElM96CmfsGsu3g/join⁠Summary:Margaret goes home heavy hearted and wondering how she can keep a positive mindset to help her mother's morale. Her mother asks her about how Bessy is doing and reflects on how bad it must be to be sick while living in one of those back streets. Margaret breaks down and tells her mother about what she heard at the Higgins'. They then work together preparing a basket to send to them and the Bouchers. When Mr. Hale comes home, they talk about the Bouchers a little more and he promises to go and see the man and his family. The following day, Margaret prepares to go to the Thornton dinner, and reflects on her time in London, preparing for dinners with her cousin. Margaret doesn't really wish to go to the dinner but goes nonetheless to appease her mother. Margaret and her father are the first guests to arrive at the Thornton residence, where they are greeted by Mrs. Thornton and Fanny. Mr. Thornton is a little late with business, and his mother supplies conversation while they wait for their host and the other guests. Mrs. Thornton talks about how proud she is to be able to live next to her son's factory, where she can reflect on his greatness. When Thornton arrives, he asks them how Mrs. Hale is and tries to keep his cool while struck by Margaret's beauty. When the guests arrive, Fanny and Mrs. Thornton get distracted welcoming the guests, and Mr. Thornton notices that Margaret is being left alone, and though he doesn't go to talk to her himself, he watches he discretely the whole time before dinner. At dinner, the men talk amongst themselves, and the women remain mostly quiet. This gives Margaret an opportunity to listen to the conversation, and she finally sees Mr. Thornton in his element, where is his respected and where he has none of the awkwardness that she had seen before when they had interacted at her home. Margaret enjoys the dinner and listens to the conversations, eagerly learning many new things about Milton. After dinner, Margaret is bored until the men come back into the room. Mr. Thornton comes to talk with her, and they discuss the conversation at dinner and then what it means to be a gentleman. Thornton says that he doesn't really understand the term and prefers the term “a true man” or “a man.” Thornton sees the term “Gentleman” as something that only applies to a man in his relationship to others, whereas “man” applies to the man as a whole. Before Margaret has time to respond, he is called away to talk with the other men. They are far enough away where Margaret can only get the gist of the conversation, but it seems to be about the strikes. The guest of honour, Mr. Horsfall, asks him about Margaret, the quiet, stately, beauty. Mrs. Slickson asks Fanny the same question.SEO stuff I don't want to do. Elizabeth Gaskell's classic, "North and South" sees Margaret Hale's live uprooted as her family moves to the north of England. Initially disgusted by the ugliness of the industrial town of Milton, Margaret develops a strong sense of social justice after seeing the poverty and suffering of local mill workers.

It was supposed to be the highlight of our trip. I spent a few days with my son hiking in the North Cascades last summer. The North Cascades is, according to one YouTuber who titled his video The Most Breathtaking Hike of my Life!, the “American Alps”.It's also one of the least visited National Parks in the US lower 48. It ranks as the second-least, to be precise, after Isle Royale National Park in Michigan, a large island in Lake Superior which requires over 12 hours travel time from the closest major airport. All of this to say, it's a mystery to me why so few people visit the North Cascades. We saved this hike for our last day, because we were staying on the east side of the range and the hike was on the west side. What we failed to comprehend was the east side forecast calling for clouds meant west side rain. The North Cascades operates like a giant squeegee, scraping the moisture from the cloud layer. And so it was, that the grand vistas of chromatic glacial valleys were replaced by a visibility of 100 feet or so; a blanket of silvery grey. The hike started at the end of a gravel spur road. The trail was essentially switchback after switchback for over 3 miles, gaining 1,700 feet in elevation as it climbed the SW flank of Sahale Mountain under a conifer canopy. Streams and seeps were alive with water coming down the slope. The canopy was a safe, warm refuge for the birds on that day. They called to each other as we climbed. I have to say, I was really enjoying the thick fog. The construction of the trail was superb; a nice even climb. The canopy filtered out the fine rain. I focused my attention on the near field wonders. The numerous little waterfalls were vivid landscapes in miniature. The wildflowers and mosses seemed to glow in the visibility deprivation tank. As we got closer to the exposed ridge traverse the fog thickened and heavy rain began to fall. It felt like we were in the clouds. “Every cloud has a silver lining,” according to the Milton poem that birthed the phrase. The metaphor of the bright cloud edge is taken here to mean every negative situation holds positive qualities, so long as you are able to notice them. We made the call to turn around before the pass, which was only a few hundred yards away. The experience didn't match the expectations we set for it, and I'd be lying if I said it wasn't a disappointment for both of us. Still, it was memorable and special for its dreamlike quality. As the visible was minimized, the audible was maximized; ephemeral, resonant, and enveloping.Thanks for joining me here. Cascade Pass Rain is available on all music streaming services today June 5th, 2025. Also, the first two singles from my vinyl LP release Wildwood Trail Soundwalk are also out and available to stream. Find the limited run LP only on Bandcamp. (20% off pricing is extended through release day, June 26) Lastly, I posted Part 7 from my in-depth series on the Wildwood Trail a few days ago. So long for now! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit chadcrouch.substack.com/subscribe

CONGRATULATIONS to Justine from Milton for winning our CUP AND RUN grand prize--Justine will enjoy an overnight stay at Pelham on Earle and dinner at Tides Kitchen and Bar!

In this episode, Daniel M. Sciubba, MD, MBA, Lucille & Milton Cohn Professor and Chair of Neurosurgery at the Zucker School of Medicine at Hofstra/Northwell and Senior Vice President of the Neurosurgery Service Line at Northwell Health, joins the podcast to discuss the growing importance of personalized, tailor-made approaches to healthcare. He also shares his perspective on the future of AI in healthcare and how emerging technologies may enhance clinical decision-making, efficiency, and patient outcomes.

Host Richie Tevlin and Co-Host Evan Blum talk with Tom Nielsen, Director of Brewery Operations at Emberside Brewery, opening Fall 2026 in Berkeley Heights, New Jersey. A 20-year veteran of the craft beer industry, Tom spent two decades at Sierra Nevada Brewing Co., where as a leader in R&D and quality he helped shape some of the brewery's most beloved beers including Torpedo Ale, Hop Hunter IPA, and Hazy Little Thing. Now back in his home state of New Jersey, he is building Emberside's debut lineup from the ground up.   https://www.embersidebrewery.com/ @EmbersideBrewery _____________________________________________ THANK YOU TO OUR SPONSORS!: The Beer Accountant: https://www.paddymaccpa.com/brewerysolutions Patrick McDonald Email: pmcdonald@paddymaccpa.com 267-566-4077 - Licensed CPA Norris McLaughlin P.A. https://norrismclaughlin.com/ted-zeller Ted Zeller - Epi 91 Email: tzeller@norris-law.com (484) 765-2220 - Liquor Attorney Cascade Floors https://cascadefloors.com/ Chris Klein Email: chris@cascadefloors.com (541) 510-1080 _______________________________________ EPISODE NOTES: Mentioned Craft Brands Sierra Nevada Brewing - Chico, CA New Trail Brewing - Epi 41 - Williamsport, PA Single Hill Brewing - Yakima, WA Odell Brewing Company - Fort Collins, CO Founders Brewing - Grand Rapids, MI Bell's Brewery - MI Stone Brewing - San Diego, CA Farmers Brewing - Princeton, CA Rupee Beer Human Robot - Epi 10, 15, & 62 - Philadelphia, PA Dogfish Head Brewery - Epi 100 - Milton, DE Victory Brewing - Downingtown, PA The Lost Abbey's - Cardiff, CA Georgetown Brewing - Seattle, WA Tenma Beer Project - Oakland, CA Twin Elephant Brewing - Chatham, NJ Oakflower Brewing - Millington, NJ Sunken Silo Brew Works - Lebanon, NJ Untied Brewing - Providence, NJ Icarus Brewing - Epi 85 - Brick, NJ Tonewood Brewing - Barrington, NJ The Alchemist Brewery - Stowe, VT Hill Farmstead Brewery - Greensboro Bend, VT Mentioned People Mike LaRosa - Epi 41 - Owner of New Trail Brewing Zack Turner - Founder of Single Hill Brewing Vinnie Cilurzo - Co-Owner of Russian River Matt Brynildson - Brewmaster of Firestone Walker Brewing John Mallett - Former New Belgium & Bells Brewery R&D Dan Carey - Co-Founder and Brewmaster of New Glarus Brewing Garrett Oliver - Legendary American Beer Writer & Brooklyn Brewery Brewmaster Val Peacock - ABInBev's Manager of Hop Technology Jeremy Moynier - Brewer of Stone Brewing Jamie Floyd - Co-Founder of Ninkasi Brewing John Henning - Oregon State  Angela Randazzo - Oregon State John Segal - CBC 5 - Owner of Segal Hop Ranch  Sam Calagione - Epi 100 - Founder of Dogfish Head Brewery Charles Kyle - Communications Manager at Sierra Nevada Brewing Gilbert Sanchez - Director of R&D at Sierra Nevada Brewing  Tomme Arthur - Co-Founder of The Lost Abbey & Port Brewing Bill Covaleski - Co-Founder of Victory Brewing Ron Barchet Jr - Co-Founder of Victory Brewing Max Koby - Founder of Abstrax Hops The Connell family - Rice Trader Olson Kundig - Architecture Eric Orlando - Epi 13 - Director of Government Affairs at the Brewers Guild of NJ Scott Jennings - Head Brewer of Sierra Nevada Brewing John Kimmich - Founder of The Alchemist Brewery Steve Gonzalez - Head Brewer of Stone Brewing Breeze Outhwaite - Senior Innovations Scientist for Totally Natural solutions Other Mentions Abstrax Hops Yakima Chief - National Hop Producer Hop Quality Group Brewers Association Haas - National Hop Producer Segal Hop Ranch - CBC 5 - Yakima Hop Ranch Beer Lobo - CA Beer Bar Lukr Faucet - Beer Draft Systems  The Michael J. Jackson Foundation  What We Drank? Trailside Pounder Pilsner | 5.0% | Thora & Tangier New Trail brewing (Collab w/ Emberside Brewery) _______________________________________   STAY CONNECTED: Instagram: ⁠⁠@brewedat⁠⁠ / ⁠⁠@thebrewedatpodcast⁠⁠ Tik Tok: ⁠⁠@brewedat ⁠⁠/ ⁠⁠@thebrewedatpodcast⁠⁠ YouTube: ⁠⁠@brewedat⁠⁠ / ⁠⁠@thebrewedatpodcast⁠ LinkedIn: ⁠BrewedAt Website: ⁠⁠www.brewedat.com

North and South by Elizabeth Gaskell chapter 19 "Angel Visits", narrated by Isaac BirchallSubscribe on YT or Join the Book Club on Patreon and support me as an independent creator :D⁠https://ko-fi.com/theessentialreads⁠⁠https://www.youtube.com/channel/UCfOFfvo05ElM96CmfsGsu3g/join⁠Summary:Mrs. Hale is very excited about her husband and Margaret going to a dinner at Mr. Thornton's residence. She wants to know about all of the little details of the event and wants to help Margaret get ready. Margaret finds her mother's fretting funny and lets her mother help pick out her dress for her. Later, Margaret goes to see Bessy Higgins. Bessy is shocked by Margaret being invited to dine at the Thornton's and can't hide her feelings that Margaret is not wealthy enough to mingle with the upper society of Milton, which Margaret notices and responds to by saying that they are educated and know how to interact in society. Bessy is still shocked by it, saying that the Mayor dines there. Margaret talks a little about her dresses, saying that she never thought that she would have an opportunity to wear some of them, and Bessy begs to see her dressed up, and goes on a delirious recounting of having seen Margaret in a dream like an angel. Margaret tells her that it was only a dream, and she should not put too much meaning on it. Margaret then asks if her father has gone on strike yet, to which Bessy replies positively. He and many others have gone on strike. They are forgoing food to be on strike. Margaret asks if they really think that the strike is going to help, and Bessy explains what her father feels about the strike and as she finishes, her father walks through the door and confirms what he heard his daughter say. Mr. Hale is depressed by the tales of the working men and talks to Thornton about it. Mr. Thornton explains his case to Mr. Hale explaining that, in Margaret's understanding, commerce is everything and even makes her feel ungrateful for the medicine that he brings to help her mother. Margaret very much dislikes him.Margaret goes to visit Bessy Higgins the day before the dinner party and find a man called Boucher, lamenting to Mr Higgins about the dire state his family is it. He cannot afford to be on strike any longer. He says that the union promised that only 2 weeks would be required for the master's to give in to their 5%, but two weeks have nearly passed and not a single master has changed his mind. Boucher's story is fully of emotion, and both Bessy and Margaret are incredibly moved by it. Margaret tells Bessy that she will give what money she can to help these people. Bessy says that she would like to see these men refuse Boucher if they were to speak to him. Bessy is getting sicker and sicker, and the girl claims that death is not far off. SEO stuff I don't want to do. Elizabeth Gaskell's classic, "North and South" sees Margaret Hale's live uprooted as her family moves to the north of England. Initially disgusted by the ugliness of the industrial town of Milton, Margaret develops a strong sense of social justice after seeing the poverty and suffering of local mill workers.

On this episode of the podcast, Milton, Ben, and Chris discuss the box office, critical rating, and audience rating of Star Wars: The Mandalorian and Grogu and if the movie will keep the Mandoverse alive for Disney and Lucasfilm.   You can find the video version on my YouTube channel: Is the Mandalorian and Grogu Successful? - Outer Rim Transmission #232   While you are on the channel, please be sure to subscribe!    Twitter - https://twitter.com/Starrapter Facebook - https://www.facebook.com/Starrapter/ Email - Starrapter@aol.com   Ben - https://twitter.com/RealBenMaynard Milton - Milton Webber (@MiltonWebber7) / X (twitter.com) Email us at: outerrimtransmission@gmail.com

In this episode, Nathan and Cameron tackle one of the most requested and misunderstood topics in Christianity: demons, Satan, spiritual warfare, and the supernatural realm. Responding to listener questions about demonic influence, spiritual attacks, possession, oppression, and the power of Satan in the life of a believer, they explore what the Bible actually teaches about demons and how Christians should think about spiritual warfare in a modern world increasingly interested in the occult, paranormal experiences, and unseen spiritual realities. Drawing from Scripture, church history, C.S. Lewis, Milton, deliverance ministry, and personal experience, Nathan and Cameron discuss the difference between demonic activity and the struggles of the flesh, whether Christians can be possessed by demons, the dangers of both skepticism and obsession, and how believers can cultivate spiritual discernment without falling into fear or fascination. This thought-provoking conversation offers a biblical framework for understanding evil, temptation, spiritual oppression, prayer, the authority of Jesus Christ, and the hope Christians have in a world where spiritual forces are real but ultimately defeated by God.DONATE LINK: https://toltogether.com/donate BOOK A SPEAKER: https://toltogether.com/book-a-speakerJOIN TOL CONNECT: https://toltogether.com/tol-connect TOL Connect is an online forum where TOL listeners can continue the conversation begun on the podcast.

North and South by Elizabeth Gaskell chapter 18 "Likes and Dislikes", narrated by Isaac BirchallSubscribe on YT or Join the Book Club on Patreon and support me as an independent creator :D⁠https://ko-fi.com/theessentialreads⁠⁠https://www.youtube.com/channel/UCfOFfvo05ElM96CmfsGsu3g/join⁠Summary:When Margaret returns home, she finds two letters on the table and starts to read one of them, from her aunt, when her father walks in and asks about the doctor's visit. Margaret is avoidant, causing her father to worry a little and press her for more information. Margaret sees that her father is worried for his wife, and during that evening, he constantly brings the conversation around to his wife's health. After supper, he paces back and forth worrying for his wife and then goes to see her. When she wakes up, he goes to read the letters to her, the other one is from Mrs. Thornton, asking them to a dinner. Though Mrs. Hale is too ill to attend, she insists on her husband and daughter going. The following day, Mr. Hale and Margaret discuss this dinner a little more together before going about their days.At the Thornton residence, Mr. Thornton asks his mother which guests are going to be attending the dinner. Mr. Thornton tells his mother that he is very worried for Mrs. Thornton after what Dr. Donaldson told him. Fanny tries to jest with her brother about the Hale family but only ends up vexing him. Mrs. Thornton gives her opinion on the family which vexes John too, but he doesn't react to his mother's comments. Fanny then says that Margaret is not accomplished, “she does not play.” After all this, John tells his mother that he wishes she would like Margaret… His mother asks if he is thinking about marrying her, “a girl without a penny,” to which he replies that she would never have him even if he did want her. Mrs. Thornton then says that she has too high an opinion of herself to accept her son. He closes the conversation by saying that he believes that Margaret could soon be in need of motherly care. The conversation then turns to the strikes. Mr. Thornton's men have not yet struck and will work out their week; if they were to leave their posts beforehand, he would take them all to court for breech of contract. Mrs. Thornton suggests that he gets replacement workers from Ireland to spite his disrespectful workers. He says that the Americans are getting cheaper fabric into the market and thus need to pay everyone less to be able to compete, but the workers don't know this. Mrs. Thornton apologises for choosing to host a dinner while all of this is going on, which her son agrees with, but it had to be done. After everyone else goes to bed, Mr. Thornton stays awake thinking and pacing.SEO stuff I don't want to do. Elizabeth Gaskell's classic, "North and South" sees Margaret Hale's live uprooted as her family moves to the north of England. Initially disgusted by the ugliness of the industrial town of Milton, Margaret develops a strong sense of social justice after seeing the poverty and suffering of local mill workers.

In this conversation, I sat down with Kim Jenkins from Empowering Speech Services (https://www.empoweringspeechservices.com/meet-kim)  to talk about how she's used the frameworks from Language Therapy Advance Foundations (https://drkarenspeech.com/languagetherapy/)  along with the gestalt language processing stages, for reluctant readers, and AAC users. We also talk about how important it is for clinicians to think flexibly with how they apply frameworks in therapy so they can pull from multiple sources to come up with their own personal protocols that work for their caseload. We also chat about other topics such as what “alter ego” we want to emulate when we're going through a challenge, social media strategies and mindset, our dogs, and how to draw parallels between language therapy, clinical practice, fitness, tips for learning how to do pull-ups, and other areas of life. Kim Jenkins is a neurodiversity-affirming speech therapist who is passionate about helping neurodivergent children and their families flourish.  Empowering Speech Services was built on the idea that authentic and meaningful communication can be achieved by focusing on a child's strengths, meeting their sensory needs, following their lead, and empowering family members in the process. Serving the Milton and Alpharetta areas of Georgia, she takes the time to truly get to know her clients, their joys, interests, unique strengths, and individual challenges. In this conversation, we discuss:✅ How Kim uses semantic features and syntactic study with AAC users✅ Using the “Essential 5” framework from Language Therapy Advance Foundations with students who use a lot of scripting and gestalts✅ Engaging a reluctant reader literacy and vocabulary work✅ Parallels between life, language therapy, fitness, and social media marketingLearn more about Kim's private practice on her website here: https://www.empoweringspeechservices.com/Visit her on TikTok here: https://www.tiktok.com/@empoweringspeechservices@UCSeGnUyaf6NBHJFBuoUFUTA Visit her on Instagram @empoweringspeechservicesConnect with her on LinkedIn here: https://www.linkedin.com/in/kimberly-jenkins-a0288796/Check out her TeachersPayTeachers store here: https://www.teacherspayteachers.com/store/empowering-speech-servicesI mentioned the following previous De Facto Leaders Podcast interviews:EP 205: Using the Essential 5 to Build Vocabulary and Syntax in Secondary School (with Amy Baugh) here: https://drkarendudekbrannan.com/ep-205-using-the-essential-5-to-build-vocabulary-and-syntax-in-secondary-school-with-amy-baugh/EP 140: Creating an Intentional Career and Life with Alter Egos (with Meg Niman) here: https://drkarendudekbrannan.com/ep-140-creating-an-intentional-career-and-life-with-alter-egos-with-meg-niman/EP 154: Therapy Session Structure, Narrative Language, and Commentary on Gestalt Language Processing here: https://drkarendudekbrannan.com/ep-154-therapy-session-structure-narrative-language-and-commentary-on-gestalt-language-processing/Also mentioned in this episode:”Stories that Stick” by Kindra Hall here: https://www.storiesthatstick.com/Sarah Brashears from Social Mogules: @socialmogulsIn this episode, I mentioned Language Therapy Advance Foundations, my program that gives speech pathologists a scalable framework for building language skills needed to thrive in school, social situations, and daily life. You can learn more about the program here: https://drkarenspeech.com/languagetherapy Learn more about today's sponsors, Playworks, IXL and Renaissance:Learn more about Renaissance:As a global leader in education technology operating in more than 110 countries, Renaissance is committed to providing educators with insights and resources to accelerate growth and help all students build a strong foundation for success. We believe that technology can unlock a more effective learning experience, ensure that students get the personalized teaching they need to thrive, and help educators and administrators to truly, fully, See Every Student. Learn more at renaissance.com.We're proud to be sponsored by Playworks, a 501(c)3 nonprofit organization with evidence-based practices that help schools improve the health and well-being of children by increasing opportunities for physical activity and safe, meaningful play.If you're a school or district leader struggling with the challenge of chronic absenteeism, as so many are across the U.S., you may not realize that structured recess is a research-backed approach to keep kids in school. In fact, a UC Berkeley study of Title I schools found that those partnering with Playworks had significantly lower chronic absenteeism rates. Further, Mathematica research demonstrated that Playworks schools spent 27% less time transitioning from recess back to learning, saving teachers valuable instructional time. These results are possible for your students, too. Learn how Playworks can help you improve student-educator relationships, belonging, and attendance by signing up for a quick no-obligation conversation. We're also thrilled to be sponsored by IXL. IXL's comprehensive teaching and learning platform for math, language arts, science, and social studies is accelerating achievement in 95 of the top 100 U.S. school districts. Loved by teachers and backed by independent research from Johns Hopkins University, IXL can help you do the following and more:Simplify and streamline technologySave teachers' timeReliably meet Tier 1 standardsImprove student performance on state assessments

Host Richie Tevlin and Co-Host Evan Blum talk with Sam Calagione, co-founder of Dogfish Head Craft Brewery. Opened in 1995 in Rehoboth Beach, Delaware, Dogfish Head began as the smallest commercial brewery in the United States and grew into one of the most celebrated and innovative craft breweries in the country. Dogfish Head is based in Delaware with a brewpub and distillery, a seafood restaurant, a harbor-front beverage-themed motel, and a production brewery and tasting room in Milton. Sam served as CEO until the brewery's merger with Boston Beer Company in July 2019, and his innovative style has earned him a James Beard Award for Outstanding Wine, Spirits, or Beer Professional. He is also the author of five books including Brewing Up a Business and Off-Centered Leadership.   https://www.dogfish.com/ @DogfishHead _____________________________________________ THANK YOU TO OUR SPONSORS!: The Beer Accountant: https://www.paddymaccpa.com/brewerysolutions Patrick McDonald Email: pmcdonald@paddymaccpa.com 267-566-4077 - Licensed CPA Norris McLaughlin P.A. https://norrismclaughlin.com/ted-zeller Ted Zeller - Epi 91 Email: tzeller@norris-law.com (484) 765-2220 - Liquor Attorney Cascade Floors https://cascadefloors.com/ Chris Klein Email: chris@cascadefloors.com (541) 510-1080 _______________________________________ EPISODE NOTES: Mentioned Craft Brands Sierra Nevada - Chico, CA Sam Adams Brewery - Boston, MA Yards Brewing Co - Epi 36 - Philadelphia, PA Victory Brewing - Downingtown, PA Tröegs Independent Brewery - Epi 76 - Hershey, PA Iron Hill Brewery - West Chester, PA Athletic Brewing - Milford, CT Stoudts Brewing - Reinholds, PA - Closed in 2020 Other Half Brewing - Brooklyn, NY Human Robot - Epi 10, 15, & 62 - Philadelphia, PA Hop Butcher for the World Brewery - Chicago, IL The Veil Brewing - Richmond, VA Stone Brewing - San Diego, CA Firestone Walker Brewing - Venice, CA Trumer Brewery - Berkeley, CA Yuengling Brewery - Pottsville, PA Mentioned People Ken Grossman - Co-Founder of Sierra Nevada Jim Koch - Co-Founder of Boston Beer Co. Michael J. Jackson - Legendary Beer Writer Mariah Calagione - Co-Founder of Dogfish Head Ralph Waldo Emerson - American Writer David Wain - Actor Ken Marino - Actor Joe Lo Truglio - Actor Jonathan Richman - Guitarist Ed Friedland - Legendary Beer Distributor for Philly Carol Stoudt - Founder of Stoudts Brewing Tom Kehoe - Epi 36 - Founder of Yards Brewing Bill Covaleski - Co-Founder of Victory Brewing Chris Trogner - Co-Owner of Tröegs Independent Brewing John Trogner - Epi 76 - Co-Founder of Tröegs Independent Brewery Jeff Norman - Epi 33 - Founder of the Kennett Brewfest George Hummel - Epi 80 - Co-Owner of My Local Brew Works Nancy Rigberg - Co-Owner of Home Sweet Homebrew Craig Leban - Philadelphia Inquirer Food Writer Martha Stewart - Famous Cooking Icon Garrett Oliver - Legendary American Beer Writer & Brooklyn Brewery Brewmaster Bill Shufelt - CEO of Athletic Brewing Jerry Garcia - Music Icon / Member of The Grateful Dead Miles Davis - Music Icon Phil Lesh - Member of The Grateful Dead David Lemieux - Film archivist for The Grateful Dead Rob Tod - Founder of Allagash Brewing Ted Zeller - Epi 91 - PA Liquor Law Attorney Other Mentions Monks Cafe - Epi 42 - World Renowned Beer Bar Nacho Mama's Burritos - NY Beer Bar - CLOSED Little Shop of Hops - NY Hop Shop - CLOSED BeerAdvocate - Beer Resource Website Siebel Institute - Professional Brewing Education Kennett Brewfest - Epi 33 - Legacy Beerfest Home Sweet Homebrew - Philly Homebrew Shop MidAtlantic Brew News - Brewing Publication Fergie's Pub – Philly Irish Pub Philadelphia Inquirer - Philadelphia Publication TouchTunes - Music App Brooklyn Bowl - Philadelphia Bar Fish - Band The Strokes - Band Deltron 3030 - Band Brewers of PA - PAs Brewers Guild Pac-a-Deli - Philadelphia Beer Store What We Drank? SeaQuench Ale Sour | 4.9% Dogfish Head Craft Brewery --------------------- Grateful Dead Juicy Pale Ale | 5.3% | El Dorado & Azacca Dogfish Head Craft Brewery _______________________________________   STAY CONNECTED: Instagram: ⁠⁠@brewedat⁠⁠ / ⁠⁠@thebrewedatpodcast⁠⁠ Tik Tok: ⁠⁠@brewedat ⁠⁠/ ⁠⁠@thebrewedatpodcast⁠⁠ YouTube: ⁠⁠@brewedat⁠⁠ / ⁠⁠@thebrewedatpodcast⁠ LinkedIn: ⁠BrewedAt Website: ⁠⁠www.brewedat.com

North and South by Elizabeth Gaskell chapter 17 "What is a Strike?", narrated by Isaac BirchallSubscribe on YT or Join the Book Club on Patreon and support me as an independent creator :D⁠https://ko-fi.com/theessentialreads⁠⁠https://www.youtube.com/channel/UCfOFfvo05ElM96CmfsGsu3g/join⁠Summary:Margaret is really not feeling like going out but eventually livens up a little in the hustle and bustle of the Milton streets. She decides to go and see Bessy Higgins. Nicholas is there when she goes in and offers her a chair, while she asks Betty how she is. Bessy doesn't like the strike, and this is the 3rd one she has seen. Nicholas is adamant that this one will be the final one, the good one. Margaret asks them what a strike is. Margaret tells them that if people down south struck, then no seed would be sown, and no hay would be reaped. Nicholas doesn't seem to be bothered by this but eventually says that he doesn't know enough about the south but has heard that the men down south are all too soft to strike, compared to the Northen men. Bessy says that she wishes she lived down south, causing Margaret to tell her that there are problems down there too. Nicholas gets a little riled up about people not willing to fight for what they deserve. Nicholas eventually says that there are several masters in town that have told them that they are going to offer lower wages than they had over the last 2 years, so then workers are going to strike; why should they do the same works for less. He goes on to say that he is striking not only for himself, but for everyone else. He is taking up the cause for everyone who cannot work. Margaret asks him to ask the masters why they are offering less, believing that they will freely tell. Nicholas laughs this off, and says that the masters would never reveal why, as they believe that they have no need to tell the hands what is going on. He then mentions Mr Thornton's name. Margaret ask to know what Thornton is like as a master. Nicholas describes the man as a bulldog; the moment he gets a hold of a notion he will not let go of it. Bessy wishes that there would be talk of other, happier things in her happier days, and she mentions that tobacco smoke chokes her. Nicholas puts his pipe out and then leaves the girls to talk alone. Bessy asks Margaret if she is a fool for letting her father go out like that, she knows that he is going to go and drink. There are days here where people just go through the motions, hoping for change, and people will do something different, like drink, or eat, just hoping for something different in their mouth or their minds. Bessy doesn't blame people for doing these things but wishes that things weren't like they were. There are many reasons for people to get mad during a strike and they will turn to worse actions. Bessy says that Margaret does not know anything about strikes, and this is just the beginning. Margaret tells Bessy to be careful; she has issues too. Margaret says that she has to go home to her sick mother and pretends to her father that everything is fine. Bessy then goes on a religious tangent about revelations, and Margaret begs her to focus on the clearer passages and not the prophecies. Margaret leaves to go home, thanking Bessy for talking to her about her grievances. SEO stuff I don't want to do. Elizabeth Gaskell's classic, "North and South" sees Margaret Hale's live uprooted as her family moves to the north of England. Initially disgusted by the ugliness of the industrial town of Milton, Margaret develops a strong sense of social justice after seeing the poverty and suffering of local mill workers.

EPISODE SUMMARY: Humorist, journalist, and actor Mo Rocca shares his inspiring journey through broadcasting, emphasizing the importance of following your passions and cultivating a genuine voice. Discover how his diverse experiences, from children's TV to hosting national programs, shaped his unique perspective in media, journalism, and comedy. On this episode of Chachi Loves Everybody, Chachi interviews Mo Rocca about: Growing up in Bethesda, Maryland and the influence of The World Book Encyclopedia on his curiosity The importance of pursuing niche interests and becoming an expert in your passion How early media experiences shaped Rocca's storytelling and comedy skills, including his work on Wishbone The role of authenticity and personality in building a distinctive voice on television Lessons learned from iconic shows and hosts, including John Stewart and Larry King The significance of storytelling and curiosity in journalism and broadcasting His creative process and the value of keeping personal projects alive Advice for young creatives navigating the evolving media industry surrounded by AI and technological changes The power of experimentation and collaboration in producing impactful content How personal experiences, like family and historical interests, influence professional work The importance of maintaining a personal space for creativity and growth And More! ABOUT THIS EPISODE'S GUEST: Mo Rocca is an award-winning correspondent for "CBS News Sunday Morning," the top-rated Sunday morning news program. He joined the broadcast as a contributor in 2006. For "CBS News Sunday Morning," Rocca has explored a broad range of subjects, from the life of St. Francis of Assisi to the death of singer Bobby Darin. He's profiled public figures from "Police Woman" star Angie Dickinson to Tony winner Cole Escola to hockey legend Bobby Orr. Rocca frequently tells stories about American history, with a penchant for former and often-forgotten presidents, usually from the 19th century. Other pieces include the history of the pencil, the origin of the Automat, and the story of the Astrodome. To mark the country's 250th birthday, he's been a chief contributor to the show's "These United States" segments. In addition to his work at CBS News, Rocca is also a frequent panelist on NPR's weekly quiz show "Wait, Wait...Don't Tell Me!" Rocca is host and creator of the hit podcast "Mobituaries" and co-author with Jonathan Greenberg of the New York Times bestselling books "Mobituaries: Great Lives Worth Reliving" and "Roctogenarians: Late in Life Debuts, Comebacks, and Triumphs." Rocca is also the author of "All the Presidents' Pets," a historical thriller about White House pets and their surprising role in presidential decision-making. Previously, Rocca hosted the CBS series "The Henry Ford's Innovation Nation." Earlier, Rocca created and hosted Cooking Channel's "My Grandmother's Ravioli," in which he learned to cook from grandmothers and grandfathers across the country. Rocca has guest-starred on the primetime series "Elsbeth, "The Good Wife" and "The Good Fight," as well as on the CBS daytime series "The Young and the Restless" in the role of Milton the accountant. Rocca began his career in TV as a writer and producer for the Emmy and Peabody Award-winning PBS children's series "Wishbone." He went on to write for other kids' series, including ABC's "Pepper Ann" and Nickelodeon's "The Wubbulous World of Dr. Seuss." He made his on-camera debut as a correspondent on Comedy Central's "The Daily Show with Jon Stewart," where he spent four seasons, a period that included its breakout "Indecision 2000" coverage. Rocca won a Primetime Emmy as a writer for the 64th annual Tony Awards in 2010, and he earned Daytime Emmy Awards for his work on "CBS News Sunday Morning" and "The Henry Ford's Innovation Nation." And he finished second in the 2024 "Celebrity Jeopardy!" tournament, winning $250,000 for charity. Outside of television, Rocca starred on Broadway in "The 25th Annual Putnam County Spelling Bee." Other stage credits include "South Pacific" at Paper Mill Playhouse and the role of Doody in the Southeast Asian Tour of "Grease." Rocca is a graduate of Harvard University. He lives in New York. ABOUT THE PODCAST: Chachi Loves Everybody is brought to you by Benztown and hosted by the President of Benztown, Dave “Chachi” Denes. Get a behind-the-scenes look at the myths and legends of the radio and broadcast industry and beyond as they share their unique career paths. Hear how a variety of innovative leaders grow businesses, develop iconic brands, and entertain audiences in this in-depth interview podcast. ABOUT BENZTOWN: Benztown is a leading international audio imaging, production library, voiceover, programming, podcasting, and jingle production company with over 3,000 affiliations on six different continents. Benztown provides audio brands and radio stations of all formats with end-to-end imaging and production, making high-quality sound and world- class audio branding a reality for radio stations of all market sizes and budgets. Benztown was named to the prestigious Inc. 5000 by Inc. magazine for five consecutive years as one of America’s Fastest-Growing Privately Held Companies. With studios in Los Angeles and Stuttgart, Benztown offers the highest quality audio imaging work parts for 23 libraries across 14 music and spoken word formats including AC, Hot AC, CHR, Country, Hip Hop and R&B, Rhythmic, Classic Hits, Rock, News/Talk, Sports, and JACK. Benztown’s Audio Architecture is one of the only commercial libraries that is built exclusively for radio spots to provide the right music for radio commercials. Benztown provides custom VO and imaging across all formats, including commercial VO and copywriting in partnership with Yamanair Creative. Benztown Radio Networks produces, markets, and distributes high-quality programming and services to radio stations around the world, including: The Rick Dees Weekly Top 40 Countdown, The Todd-N-Tyler Radio Empire, Hot Mix, Sunday Night Slow Jams with R Dub!, Flashback, Top 10 Now & Then, Hey, Morton, StudioTexter, The Rooster Show Prep, and AmeriCountry. Benztown + McVay Media Podcast Networks produces and markets premium podcasts including: IEX: Boxes and Lines and Molecular Moments. Web: benztown.com Facebook: facebook.com/benztownradio Twitter: @benztownradio LinkedIn: linkedin.com/company/benztown Instagram: instagram.com/benztownradioSee omnystudio.com/listener for privacy information.

The Thinking Fellows examine one of Christianity's most difficult and avoided topics: hell. In a world where many people either explain hell away or imagine it through the lens of Dante and Milton rather than Scripture, the Fellows discuss what Christians can seriously and straightforwardly confess about eternal judgment. Looking especially to the teaching and ministry of Jesus Christ, the conversation explores how Christians can speak honestly about hell without falling into speculation, sensationalism, or silence. Show Notes: Support 1517 Podcast Network Taking Hell Seriously 1517 Podcasts 1517 on Youtube 1517 Podcast Network on Apple Podcasts 1517 Events Schedule 1517 Academy - Free Theological Education What's New from 1517: By Water and the Word by Brian Thomas Being Family by Dr. Scott Keith A Reasoned Defense of the Faith by Adam Francisco Stretched: A Study for Lent and the Entire Christian Life by Dr. Christopher Richmann The Essential Nestingen: Essays on Preaching, Catechism, and the Reformation More from the hosts: Caleb Keith Scott Keith Adam Francisco Bruce Hilman