Podcast appearances and mentions of marcia alesan dawkins

Author and communications scholar Marcia Alesan Dawkins joins Joe & Kristen to talk about the music and career of hip-hop megastar Eminem aka Slim Shady aka Marshall Mathers. This show is part of Pantheon Podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Author and communications scholar Marcia Alesan Dawkins joins Joe & Kristen to talk about the music and career of hip-hop megastar Eminem aka Slim Shady aka Marshall Mathers. This show is part of Pantheon Podcasts.

Author and communications scholar Marcia Alesan Dawkins joins Joe & Kristen to talk about the music and career of hip-hop megastar Eminem aka Slim Shady aka Marshall Mathers. This show is part of Pantheon Podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Author and communications scholar Marcia Alesan Dawkins joins Joe & Kristen to talk about the music and career of hip-hop megastar Eminem aka Slim Shady aka Marshall Mathers. This show is part of Pantheon Podcasts.

Who is Eminem? Is he a violent misogynist, another “white” performer imitating African American musical styles, or is he something else entirely? In her provocative bookEminem: The Real Slim Shady(Praeger, 2013), Marcia Alesan Dawkins offers a fresh look at Eminem and sees him as a cultural critic, spiritual seeker, and a polyethnic American. Her study examines Eminem’s lyrics closely and helps us understand why he has been such a popular artist. In this interview, Dawkins explains the formative influences that have shaped Eminem’s music. We also discuss how Dawkins reviewed all of his lyrics and coded them into categories. That research reveals how his music has grown and developed over his career. The interview culminates by considering Eminem’s place within hip hop culture. Marcia Dawkins is an award-winning writer and speaker. She is a Professor at the University of Southern California and the author of Clearly Invisible: Racial Passing and the Color of Cultural Identity(2012). She tracks trends in diversity, technology, culture, and communication for a variety of high-profile publications. Her expert opinion has been sought out by NPR, WABC-TV Boston andTIME Magazine. You can find out more information at her website, MarciaDawkins.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Who is Eminem? Is he a violent misogynist, another “white” performer imitating African American musical styles, or is he something else entirely? In her provocative bookEminem: The Real Slim Shady(Praeger, 2013), Marcia Alesan Dawkins offers a fresh look at Eminem and sees him as a cultural critic, spiritual seeker, and a polyethnic American. Her study examines Eminem’s lyrics closely and helps us understand why he has been such a popular artist. In this interview, Dawkins explains the formative influences that have shaped Eminem’s music. We also discuss how Dawkins reviewed all of his lyrics and coded them into categories. That research reveals how his music has grown and developed over his career. The interview culminates by considering Eminem’s place within hip hop culture. Marcia Dawkins is an award-winning writer and speaker. She is a Professor at the University of Southern California and the author of Clearly Invisible: Racial Passing and the Color of Cultural Identity(2012). She tracks trends in diversity, technology, culture, and communication for a variety of high-profile publications. Her expert opinion has been sought out by NPR, WABC-TV Boston andTIME Magazine. You can find out more information at her website, MarciaDawkins.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Who is Eminem? Is he a violent misogynist, another “white” performer imitating African American musical styles, or is he something else entirely? In her provocative bookEminem: The Real Slim Shady(Praeger, 2013), Marcia Alesan Dawkins offers a fresh look at Eminem and sees him as a cultural critic, spiritual seeker, and a polyethnic American. Her study examines Eminem’s lyrics closely and helps us understand why he has been such a popular artist. In this interview, Dawkins explains the formative influences that have shaped Eminem’s music. We also discuss how Dawkins reviewed all of his lyrics and coded them into categories. That research reveals how his music has grown and developed over his career. The interview culminates by considering Eminem’s place within hip hop culture. Marcia Dawkins is an award-winning writer and speaker. She is a Professor at the University of Southern California and the author of Clearly Invisible: Racial Passing and the Color of Cultural Identity(2012). She tracks trends in diversity, technology, culture, and communication for a variety of high-profile publications. Her expert opinion has been sought out by NPR, WABC-TV Boston andTIME Magazine. You can find out more information at her website, MarciaDawkins.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Performance queen RuPaul once famously quipped that “we’re born naked; the rest is drag”–meaning everyone dons identity, performs one’s concept of self within our social networks, e.g., family, community, work. Marcia Alesan Dawkins takes RuPaul’s theory further in her new book, Clearly Invisible: Racial Passing and the Color of Cultural Identity (Baylor University Press, 2012). In it, she discusses (racial) passing as a performance that everyone, even social institutions, at one time or another, enact. In fact, she contends that we understand passing because we all might be required to do it, but also because we participate in rhetoric, ways of communicating and comprehending identity. Dawkins defines passing as “the phenomenon in which a person gains acceptance as a member of social groups other than his or her own, usually in terms of race, ethnicity, class, gender, sexuality, religion, citizenship, or disability status” (xii). She connects this to communication by discussing “passing as a series of rhetorical intersections where tropes and identifications meet texts, personalities, social situations, categories, and hierarchies” (xi). In the course of her theorizing, she distills intellectual concepts into accessible prose that every educated reader can enjoy. Learn more about your ad choices. Visit megaphone.fm/adchoices

Performance queen RuPaul once famously quipped that “we’re born naked; the rest is drag”–meaning everyone dons identity, performs one’s concept of self within our social networks, e.g., family, community, work. Marcia Alesan Dawkins takes RuPaul’s theory further in her new book, Clearly Invisible: Racial Passing and the Color of Cultural Identity (Baylor University Press, 2012). In it, she discusses (racial) passing as a performance that everyone, even social institutions, at one time or another, enact. In fact, she contends that we understand passing because we all might be required to do it, but also because we participate in rhetoric, ways of communicating and comprehending identity. Dawkins defines passing as “the phenomenon in which a person gains acceptance as a member of social groups other than his or her own, usually in terms of race, ethnicity, class, gender, sexuality, religion, citizenship, or disability status” (xii). She connects this to communication by discussing “passing as a series of rhetorical intersections where tropes and identifications meet texts, personalities, social situations, categories, and hierarchies” (xi). In the course of her theorizing, she distills intellectual concepts into accessible prose that every educated reader can enjoy. Learn more about your ad choices. Visit megaphone.fm/adchoices

Performance queen RuPaul once famously quipped that “we're born naked; the rest is drag”–meaning everyone dons identity, performs one's concept of self within our social networks, e.g., family, community, work. Marcia Alesan Dawkins takes RuPaul's theory further in her new book, Clearly Invisible: Racial Passing and the Color of Cultural Identity (Baylor University Press, 2012). In it, she discusses (racial) passing as a performance that everyone, even social institutions, at one time or another, enact. In fact, she contends that we understand passing because we all might be required to do it, but also because we participate in rhetoric, ways of communicating and comprehending identity. Dawkins defines passing as “the phenomenon in which a person gains acceptance as a member of social groups other than his or her own, usually in terms of race, ethnicity, class, gender, sexuality, religion, citizenship, or disability status” (xii). She connects this to communication by discussing “passing as a series of rhetorical intersections where tropes and identifications meet texts, personalities, social situations, categories, and hierarchies” (xi). In the course of her theorizing, she distills intellectual concepts into accessible prose that every educated reader can enjoy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Mark Anthony Neal is joined by Marcia Alesan Dawkins to talk about her new book, Clearly Invisible: Racial Passing and the Color of Cultural Identity. Later, Mark speaks with Habiba Ibrahim about her new book. Troubling the Family: The Promise of Personhood and the Rise of Multiracialism.