Podcasts about African Americans

Former US Attorney Andy Luger says there is a new pattern of violent extremism that anyone with kids needs to hear. After months of mass and school shootings and targeted murders in Minnesota and our country, many of us are asking two related questions: Why is this happening now, and what can we do about it? The number and pace of these murders seems to be increasing, and we need to know what has changed in the last few years.Many mass murders, school shootings and targeted assassinations are committed by violent extremists, people who believe in violent means to achieve an ideological end. Whether they are white supremacists or al-Qaida style terrorists, they employ violence to further a societal goal.As horrific as these violent ideologues are, there is something more concerning gathering steam in the extremist world that has law enforcement and private analysts deeply concerned — loosely based nonideological online subcultures that glorify mass murder and self-harm for its own sake, not for some larger goal. As civic, community and political leaders look for solutions to the current wave of violence, this new development requires close scrutiny and creative solutions.I first learned about the radicalization of violent extremists in 2014. As U.S. attorney, I learned from experts how ISIS recruited young men in Minneapolis to become terrorists. I then learned about how domestic extremist groups used similar recruitment techniques to persuade the disillusioned to hate Jews, African Americans, Muslims and others.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week on Stitch Please, Lisa chats with designer and certified fashion powerhouse Shanya Lewis an FIT and Parsons grad who can turn fabric, leather, and even your old assumptions about fashion into pure art.Shanya spills the tea on her creative journey from stitching knits to slaying in leatherwork and why sustainability isn't just a buzzword, it's a lifestyle (and a mood). They dive into the highs and lows of freelancing in fashion's competitive jungle, the power of a good education, and the hustle it takes to build a brand that lasts longer than a fast-fashion trend cycle.With wisdom, warmth, and a few laughs, Shanya reminds us that quality over quantity is always in style and sharing what you know is the best accessory you can have.====Where You Can Find Shanya! Shanyalewis.com===========Dr. Lisa Woolfork is an associate professor of English specializing in African American literature and culture. Her teaching and research explore Black women writers, Black identity, trauma theory, and American slavery. She is the founder of Black Women Stitch, the sewing group where Black lives matter. She is also the host/producer of Stitch Please, a weekly audio podcast that centers on Black women, girls, and femmes in sewing. In the summer of 2017, she actively resisted the white supremacist marches in her community, Charlottesville, Virginia. The city became a symbol of lethal resurging white supremacist violence. She remains active in a variety of university and community initiatives, including the Community Engaged Scholars program. She believes in the power of creative liberation.Instagram: Lisa WoolforkTwitter: Lisa Woolfork======Stay Connected:YouTube: Black Women StitchInstagram: Black Women StitchFacebook: Stitch Please Podcast--Sign up for the Black Women Stitch quarterly newsletterCheck out our merch hereLeave a BACKSTITCH message and tell us about your favorite episode.Join the Black Women Stitch PatreonCheck out our Amazon Store

Former US Attorney Andy Luger says there is a new pattern of violent extremism that anyone with kids needs to hear. After months of mass and school shootings and targeted murders in Minnesota and our country, many of us are asking two related questions: Why is this happening now, and what can we do about it? The number and pace of these murders seems to be increasing, and we need to know what has changed in the last few years.Many mass murders, school shootings and targeted assassinations are committed by violent extremists, people who believe in violent means to achieve an ideological end. Whether they are white supremacists or al-Qaida style terrorists, they employ violence to further a societal goal.As horrific as these violent ideologues are, there is something more concerning gathering steam in the extremist world that has law enforcement and private analysts deeply concerned — loosely based nonideological online subcultures that glorify mass murder and self-harm for its own sake, not for some larger goal. As civic, community and political leaders look for solutions to the current wave of violence, this new development requires close scrutiny and creative solutions.I first learned about the radicalization of violent extremists in 2014. As U.S. attorney, I learned from experts how ISIS recruited young men in Minneapolis to become terrorists. I then learned about how domestic extremist groups used similar recruitment techniques to persuade the disillusioned to hate Jews, African Americans, Muslims and others.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

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Two-time Emmy and three-time NAACP Image Award-winning television Executive Producer Rushion McDonald interviewed Sonia Balfour-Fears.

Two-time Emmy and three-time NAACP Image Award-winning television Executive Producer Rushion McDonald interviewed Sonia Balfour-Fears.

Two-time Emmy and three-time NAACP Image Award-winning television Executive Producer Rushion McDonald interviewed Sonia Balfour-Fears.

This is a fun one. As we know, Litigation Radio said goodbye to longtime host Dave Scriven-Young this summer. But what do we know about our new hosts, Michal “Mic” Rogson and James “Jim” Reeder?  Believe it or not, they didn't know each other well before agreeing to cohost the show. That's a surprise. But they knew “of” each other professionally and share a passion for litigation. In this episode, they interview each other. Not the resume stuff, what makes them tick?  Who knew both hosts, while successful litigators, shared a passion for entertainment, even Broadway? (Hello, any agents out there). While those dreams may never be reached, they agree being an attorney provides that creative outlet. Find out how an African American radio station, childhood dreams, and religion shaped the careers of Mic and Jim. Taking a moment to reflect on your own life journey can help shape the future of your career. What did you want to be, and where are you going?   Have a question, comment, or suggestion for an upcoming episode? Get in touch at MRogson@SkywardInsurance.com and JAReeder@JonesDay.com.  Resources:  The American Leadership Foundation American Bar Association 2026 Women in Litigation CLE Conference American Bar Association Litigation Section

From Prison Garb to Neoclassical Chic: Style and Scandal in the Directory. During the Directory (circa 1795), Teresia (Madame Tallien) and Rose (not yet Josephine) held influential salons, using style to gain success in a world where women lacked financial empowerment. Their revolutionary fashion stemmed from the prison shift Teresia wore and the plain white cotton dresses worn by African American women in Martinique, Rose's home. This style—made often of diaphanous imported muslin—passed as neoclassicism but stunned observers due to the minimal amount of clothing worn. One famous wit observed that Teresia was "more expensively undressed" than anyone else. This radical departure from the previous "cage style" clothing, enforced by sumptuary laws and guilds, was made possible by the abolition of guilds and the collective trauma of the Terror. It was at Teresia's gathering that Napoleon, then a Corsican in shoddy clothes, became entranced by Rose (Josephine).

What's really driving the numbers in American politics? Michael Steele tackles the crucial topic of Black voter participation and the strained relationship between the African American community and the Democratic Party. He argues that focusing on superficial "distractions"—like the No Kings Rally—misses the big picture: a significant trend line of shifting engagement. Steele breaks down the implications of events like the handling of the Kamala Harris moment and how it has damaged trust, particularly with Black women. Catch Michael Steele on The Weeknight Mondays - Fridays at 7pm EST on MSNBC: https://www.msnbc.com/weeknight Follow Michael on X: https://x.com/MichaelSteele Follow Michael on Bluesky: https://bsky.app/profile/michaelsteele.bsky.social Follow Michael on Instagram: https://www.instagram.com/chairman_steele/  Follow Michael on Threads: https://www.threads.net/@chairman_steele Listen to The Michael Steele Podcast: https://www.thebulwark.com/s/the-michael-steele-podcast Watch The Michael Steele Podcast: https://www.youtube.com/playlist?list=PLJNKzTkCZE9uNqPiKYw5eU5YkS_mMsr6o

Today we jump back 15 years to two back-to-back episodes of the PWTorch Livecast from Oct. 27 and 28, 2010.On the Oct. 27, 2010 episode, PWTorch editor Wade Keller and Pat McNeill continue the discussion this week on the biggest stories including more on the Brock Lesnar-Undertaker angle at the UFC PPV on Saturday, looking ahead to the Royal Rumble and WrestleMania, Undertaker's WrestleMania options, the disrespect shown to women on WWE and TNA television, Daniel Bryan's push in WWE, Undertaker out of character, TNA and WWE PPV buys, and more.On the Oct. 28, 2010 episode, PWTorch assistant editor James Caldwell and PWTorch Nostalgia columnist Brian Hoops includes discussion with live callers on tonight's TNA Impact, the change of direction for TNA's top storyline and positives and negatives that could come from it, Hulk Hogan's same ol' video message on "shooting" and "getting real," Dragon Gate USA's live Internet PPV on Friday, a look-ahead to how WWE could book the Royal Rumble, historical perspective on Japanese wrestlers who got over in the U.S. and African-American top stars, health concerns over blood in WWE and concussions in pro wrestling, and much more.Then, in the previously VIP-exclusive Aftershow, they discussed the lack of money-making pro wrestling angles in WWE & TNA right now, how the four-year look at Raw & Impact ratings points to that, Smackdown's ratings, plus a 20 years ago flashback review of the Nov. 1, 1990 Torch Newsletter with WCW Halloween Havoc broken down in detail.Become a supporter of this podcast: https://www.spreaker.com/podcast/wade-keller-pro-wrestling-podcast--3076978/support.

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"[When] a lot of men think about prostate exams, they immediately think of the glove going on the hand of the physician, and they immediately clench. But really try to talk with them and discuss with them what some of the benefits are of understanding early detection. Even just having those conversations with their providers so that they understand what the risk and benefits are of having screening. And then educate patients on what a prostate-specific antigen (PSA) and digital rectal exam (DRE) actually are—how it happens, what it shows, and what the necessary benefits of those are," ONS member Clara Beaver, DNP, RN, AOCNS®, ACNS-BC, manager of clinical education and clinical nurse specialist at Karmanos Cancer Institute in Detroit, MI, told Jaime Weimer, MSN, RN, AGCNS-BS, AOCNS®, manager of oncology nursing practice at ONS, during a conversation about prostate cancer screening, early detection, and disparities. Music Credit: "Fireflies and Stardust" by Kevin MacLeod Licensed under Creative Commons by Attribution 3.0  Earn 0.25 contact hours of nursing continuing professional development (NCPD) by listening to the full recording and completing an evaluation at courses.ons.org by October 31, 2026. The planners and faculty for this episode have no relevant financial relationships with ineligible companies to disclose. ONS is accredited as a provider of nursing continuing professional development by the American Nurses Credentialing Center's Commission on Accreditation. Learning outcome: Learners will report an increase in knowledge related to prostate screening, early detection, and disparities. Episode Notes  Complete this evaluation for free NCPD. ONS Podcast™ Episode 149: Health Disparities and Barriers in Metastatic Castration-Sensitive Prostate Cancer ONS Voice articles: Gender-Affirming Hormones May Lower PSA and Delay Prostate Cancer Diagnosis in Transgender Women Healthy Lifestyles Reduce Prostate Cancer Mortality in Patients With Genetic Risk Hispanic Patients Are at Higher Risk for Aggressive Prostate Cancer but Less Likely to Get Treatment Leveling State-Level Tax Policies May Increase Equality in Cancer Screening and Mortality Rates Most Cancer Screening Guidelines Don't Disclose Potential Harms ONS book: Understanding Genomic and Hereditary Cancer Risk: A Handbook for Oncology Nurses ONS course: Genomic Foundations for Precision Oncology Clinical Journal of Oncology Nursing article: Barriers and Solutions to Cancer Screening in Gender Minority Populations Oncology Nursing Forum articles: Disparities in Cancer Screening in Sexual and Gender Minority Populations: A Secondary Analysis of Behavioral Risk Factor Surveillance System Data Symptom Experiences Among Individuals With Prostate Cancer and Their Partners: Influence of Sociodemographic and Cancer Characteristics Other ONS resources: Genomics and Precision Oncology Learning Library ONS Biomarker Database (refine by prostate cancer) American Cancer Society prostate cancer early detection, diagnosis, and staging page National Institutes of Health prostate cancer screening page U.S. Preventive Services Task Force prostate cancer screening recommendation statement To discuss the information in this episode with other oncology nurses, visit the ONS Communities.  To find resources for creating an ONS Podcast club in your chapter or nursing community, visit the ONS Podcast Library. To provide feedback or otherwise reach ONS about the podcast, email pubONSVoice@ons.org Highlights From This Episode "The recommendations are men [aged] 45 who are at high risk, including African American men and men who have a first-degree relative who has been diagnosed with prostate cancer younger than 65 should go through screening. And men aged 40 at an even higher risk, these are the men that have that one first-degree relative who has had prostate cancer before 65. Screening includes the PSA blood test and a digital exam. Those are the screening recommendations, although they are a little bit controversial." TS 3:42 "You still see PSAs and DREs as the first line because they're easier for primary care providers to perform. ... Those are typically covered by insurance, so they still play that role in screening. But with the advent of MRIs and biomarkers, these have really helped refine that screening process and determine treatment options for our patients. Again, those patients who may be at a bit of a higher risk could go for an MRI or have biomarkers completed. Or if they're on that verge with their Gleason score, instead of doing a biopsy, they may send the patient for an MRI or do biomarkers for that patient. ... These updated technologies put [patients] a little bit more at ease that someone's watching what's going on, and they don't have to have anything invasive done to see where they're at with their staging." TS 4:35 "Disparities in screening access exist based on race, socioeconomic status, gender identity, education, and geography. It's really hard in rural areas to get primary care providers or urologists who can actually see these patients, [and] sometimes in urban areas. So socioeconomic status can affect that, but also where a person lives. African American men with lower incomes and people in rural areas face the greatest barriers to receiving screening. It's also important to encourage anyone with a prostate to be screened and offer gender-neutral settings for patients to feel comfortable." TS 7:50 "I think a lot of men feel like if they have no symptoms, they don't have prostate cancer ... so a lot of patients may put off screening because they feel fine, [they] haven't had any urinary symptoms, it doesn't run in their family. ...With prostate cancer, there usually are not symptoms that a patient's having—they may have some urinary issues or some pain—but it's not very frequent that they have that. So, just making sure our patients understand that even though they're not feeling something, it doesn't mean there's not something else going on there." TS 12:53 "Prostate cancer found at an early age can be very curable, so it's really important for men to have those conversations with their providers about the risk and benefits of screening. And anyone that we can help along the way to be able to have those conversations, I think is a great thing for oncology nurses to do." TS 15:44

Gallup's annual update on trust in government institutionsreveals that Americans have the highest level of trust in local government(67%) and the lowest in the legislative branch of the federal government, knownas Congress (32%). In between these two extremes, majorities express trust instate government and the American people. However, less than half of Americansare confident in the executive and judicial branches of the federal government,elected officials and candidates for office, as well as in the federalgovernment's ability to address both domestic and international issues. Michael Butler is currently the first African American Chairof the Missouri Democratic Party. He is also a former Missouri StateRepresentative and was the first African American and Millennial Recorder ofDeeds in St. Louis history. As a former mayoral candidate, Butler is dedicatedto ensuring that "government works for the people" and is activelyleading technological innovations.  This week, he joined me to discuss the current state of theDemocratic Party, exploring whether they have developed an identity thatresonates with Americans and can help them win future elections. Butler alsoshared his thoughts on the state of America under President Donald Trump'sleadership and how the country can begin to heal and move forward after Trumpleaves office. For more information, visit:https://stlouiscityrecorder.org/Instagram: @michaelbutlerstlFacebook: @City Of St Louis, Recorder Of Deedseds  

The call for a general strike was the most concrete demand coming from the massive no kings day protests. And labor and pro-Palestine advocates are picking up the baton, demanding that unions in the U.S. shut it down and end US weapons and shipments to the apartheid state of Israel. And, after a border patrol agent shoots at man in DC during a routine traffic stop, a coalition of African American and Latinx activists demand that attacks in DC by ice and federal police end immediately.  Plus Headlines, Federal workers line up for food aid, and more...  The show is made possible only by our volunteer energy, our resolve to keep the people's voices on the air, and by support from our listeners. In this new era of fake corporate news, we have to be and support our own media! Please click here or click on the Support-Donate tab on this website to subscribe for as little as $3 a month. We are so grateful for this small but growing amount of monthly crowdsource funding on Patreon. PATREON NOW HAS A ONE-TIME, ANNUAL DONATION FUNCTION! You can also give a one-time or recurring donation on PayPal. Thank you! “On the Ground: Voices of Resistance from the Nation's Capital” gives a voice to the voiceless 99 percent at the heart of American empire. The award-winning, weekly hour, produced and hosted by Esther Iverem, covers social justice activism about local, national and international issues, with a special emphasis on militarization and war, the police state, the corporate state, environmental justice and the left edge of culture and media. The show is heard on three dozen stations across the United States, on podcast, and is archived on the world wide web at https://onthegroundshow.org/  Please support us on Patreon or Paypal. Links for all ways to support are on our website or at Esther Iverem's Linktree: https://linktr.ee/esther_iverem

Earl Lloyd made history on this day in 1950 as the first African American to play in an NBA game. Drafted by the Washington Capitols, Lloyd's debut against the Rochester Royals opened doors for future generations of players. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this week's episode, we welcome George Bayaard, Executive Director, with The Grand Rapids African American Museum & Archives.The Grand Rapids African American Museum & Archives' mission is to collect and retell the rich, colorful stories that compose the historic African American tapestry of living in Grand Rapids.George Bayaard joined us on the program to speak about the big move for GRAAMA to a new location full of immense potential for the organization.The Grand Rapids African American Museum & Archives (GRAAMA)is moving to 41 Sheldon Avenue SE in downtown Grand Rapids, which will serve as the organization's permanent home. Their new 30,000-square-foot space will be a major upgrade from the museum's former 2,000-square-foot building on Monroe Center.Bayaard encouraged community members to get involved by contributing to the project or serving as a volunteer. ONLINE:  Grand Rapids African American Museum & Archives

Dr. Jay and Amazing Larry conclude their look at remez, how rabbis teach the Bible in shorthand. In this episode, we realize that our Heavenly Father even uses this shorthand technique to reveal profound truths. The Father reveals at His Son's Transfiguration (Matthew 17) how Jesus fulfills the entire Hebrew scriptures.Frothy Thoughts with the Truth BaristaVisit HighBeam Ministry, The Truth BaristaCheck out the Frothy Thoughts Blog!Check out The Truth Barista Books!Check out The Truth Barista YouTube Channel!

In the seventh installment of Sekret Machine Music, Dimitri and Khalid explore the origins and colossal impact of West German electro-pop pioneers Kraftwerk, including: the looming influence of Karlheinz Stockhausen, the Cologne-based Studio for Electronic Music and its murky entanglements with Cultural Cold War operations, the late 60s rise of ‘krautrock' and attempts to forge a new organic post-Nazi German identity, the ambiguities around cultural symbolism on 1974's “Autobahn” and nuclear power on 1975's “Radioactivity”, the US/UK success of their seminal 1977 album “Trans-Europe Express”, Kraftwerk blowing up on African-American radio stations in the northeast and midwest, leaning into the “robotic” German stereotypes, the gradual introduction of Kraftwerk's music onto the discotheque dancefloors of the late 1970s, the birth of disco in gay bathhouses, Giorgio Moroder and Donna Summer forever marrying synthesizers and disco together with “I Feel Love”, and the strange proto-MAGA rockist culture war that culminated in Chicago's “Disco Demolition Night” riot of 1979… For access to premium SJ episodes, upcoming installments of DEMON FORCES, and the Grotto of Truth Discord, subscribe at https://patreon.com/subliminaljihad.

In this week's episode, host Ryan Coonerty speaks with Michigan State Senator Sarah Anthony. They talk about her achievements and her many ''firsts' in politics - including her path to becoming the first African American woman elected to the Michigan Senate and the first to Chair the Senate Appropriations Committee  -- and the obstacles she has overcome along the way. Anthony explains how she is trying to improve equity and opportunity for all Michiganders and the challenges of leading the effort to shape what she calls the "people's budget." In addition, she offers insights into how the Trump Administration's efforts are impacting Michigan, especially in regards to tariffs, and talks about what her prior work as a County Commissioner taught her. Tune in to learn about her guiding principles and what gives her hope.  IN THIS EPISODE: • [01:04] Introducing today's guest, Senator Sarah Anthony. • [02:23] Her journey into public office and what it's like to be 'the first' in so many areas. • [04:52] The internal struggles she's faced in her position and how she overcomes them. • [06:52] How Anthony has tried to make systems work for people better than they do. • [08:51] Managing chairing appropriations and making the budget a 'people's budget'. • [14:47] Anthony shares what things are like in Michigan politically at the moment. • [18:06] How the tariffs are playing out in Michigan and how they're affecting people. • [21:09] What motivated Sarah to run for the County Commission, and what it taught her. • [24:42] Why she hasn't struggled to maintain her guiding principles during her time in office. • [26:26] Prioritizing outcomes over going viral and what gives her hope for the future.

In this conversation, Laura chats with Black Woman Leading® coaches, Dr. Chinasa Elue & Dr. Karma Hill, to explore the heart work of recovering from a layoff.   Assessing the personal side of this experience, they explore how integrated elements of misplaced identity, burnout, and grief might deepen the loss of employment for many Black women. They explore the power of community to support people through career transitions, and share small but meaningful practices that can help people manage stress and begin to recover from a layoff. About Dr. Chinasa Dr. Chinasa Elue is an award-winning professor, TedEx speaker, grief coach, and CEO and Founder of True Titans Consulting Group. She provides strategic coaching and consulting to organizations moving forward to make impactful changes in the midst of uncertainty. Her work focuses on the ways in which we cultivate spaces in society to have authentic conversations about grief in an effort to provide more holistic grief support. She offers grief coaching to support individuals who have experienced grief and loss of all kinds in moving forward with empathy and care. Dr. Elue is also the host of the Grieving in Color Podcast, a podcast that explores the various ways we navigate our experiences with grief and loss and a place where we find the courage to intentionally heal in our daily lives. She is also a professor of Educational Leadership and Higher Education at Kennesaw State University. Her research focuses on grief leadership, trauma-informed leadership practices in organizational settings, and the health and well-being of historically marginalized and underrepresented populations. Dr. Elue runs the research lab for the Study of Emotional Intelligence, Leadership Effectiveness, and Well-Being of Educational Leaders. Dr. Elue's work has been featured in USA Today, DiversityInc, Better Homes and Gardens, the Journal of Higher Education, the Journal of Negro Education, the Journal of Student Affairs Research and Practice, and others. She currently resides in Atlanta, GA with her husband, Emeka and two children. Connect with Dr. Chinasa  Website: https://www.drchinasaelue.com/ IG: https://www.instagram.com/drchinasaelue/ LinkedIn: https://www.linkedin.com/in/drchinasaelue/   About Dr. Karma Dr. Karma Hill is a Burnout Prevention Strategist, Executive Coach, and Positive Psychologist dedicated to helping leaders and organizations flourish from the inside out. As the creator of the REST™ Framework—Resilience, Emotional Intelligence, Self-Care, and Trust—she equips executives and mission-driven teams to prevent burnout, lead with purpose, and cultivate psychologically safe, thriving cultures. With over 20 years of experience in psychology, leadership development, and organizational consulting, Dr. Hill blends evidence-based science with compassionate strategy to reimagine how we work, lead, and live. She serves as President-Elect of the International Coaching Federation Georgia Chapter and is the Founder of Konversations with Karma and Flourish Forum Magazine. Her research and speaking center the intersections of leadership, well-being, and equity—particularly the lived experiences of African American women leaders navigating burnout in the post-COVID workplace. A sought-after speaker and media contributor featured in Yahoo Finance, VoyageATL, and Women's Herald, Dr. Hill's mission is simple yet profound: to restore wholeness in people, leadership, and organizational systems. Connect with Dr. Karma Website: KonversationswithKarma.com LinkedIn: https://www.linkedin.com/in/hillkarma IG: https://instagram.com/konversationswithkarma   BWL Resources: Now enrolling for both the January  sessions of the Early Career and Mid-Career programs.  Learn more at https://blackwomanleading.com/programs-overview/ Full podcast episodes are now on Youtube.  Subscribe to the BWL channel today! Check out the BWL theme song here Check out the BWL line dance tutorial here Download the Black Woman Leading Career Journey Map - https://blackwomanleading.com/journey-map/   Credits: Learn about all Black Woman Leading® programs, resources, and events at www.blackwomanleading.com Learn more about our consulting work with organizations at https://knightsconsultinggroup.com/ Email Laura: info@knightsconsultinggroup.com Connect with Laura on LinkedIn Follow BWL on LinkedIn Instagram: @blackwomanleading Facebook: @blackwomanleading Youtube: @blackwomanleading  Podcast Music & Production: Marshall Knights  Graphics: Dara Adams Listen and follow the podcast on all major platforms: Apple Podcasts Spotify Stitcher iHeartRadio Audible Podbay  

On this episode of The Movie Podcast, Daniel, Shahbaz, and Anthony are joined by Writer, Director, and fellow Canadian R. T. Thorne to discuss his latest film 40 ACRES. In the film, Hailey Freeman (Danielle Deadwyler) and her family are the last descendants of African American farmers who settled in rural Canada after the first Civil War. In a famine-decimated near future, they now struggle to safeguard their farm against those hell-bent on taking their 40 ACRES. 40 Acres is available now on Blu-ray, PVOD and streaming on Hulu in the United States. Watch and listen to The Movie Podcast now on all podcast platforms, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheMoviePodcast.ca⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Contact: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠hello@themoviepodcast.ca⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠FOLLOW US⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Daniel on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Shahbaz on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Anthony on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ The Movie Podcast on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Rotten Tomatoes Learn more about your ad choices. Visit megaphone.fm/adchoices

Approximately 20% of African Americans experienced a mental health condition over the past year, and 5% had a serious mental illness. Where do you turn for help when a loved one experiences a mental health crisis? We talk with mental health professionals about the continuum of care available in Norfolk, and what you need to know to help those you love.

Episode #422: “There is beauty in owning one's racial identity. There's beauty in owning, valuing, and respecting one's heritage, ancestors, sexual identity, and gender identity. But on the other side of the coin, there can also be imprisonment there.”So says Bhante Sumano, an African-American monk at Empty Cloud Monastery. This is the 6th episode in our ongoing “Intersections of Dhamma & Race” series, in which we examineentrenched protocols, practices and biases within the vipassana and mindfulness communities.Bhante Sumano begins by telling us how he came to take on the monk's robes. Originally from Jamaica, he moved to New York City for college and has stayed there ever since. Bhante Sumano trained under Thich Nhat Hanh and Thanissaro Bhikkhu before ultimately deciding that Empty Cloud was the best fit for him, as he appreciated the flexibility and openness in how the monastery embraced different Theravadin traditions.Bhante Sumano goes on to describe how the Buddha's teachings have guided him in understanding and responding to racism. He expresses disappointment with how he has seen the wider Buddhist community respond to the recent social justice movement, and feels that even many experienced teachers have “blind spots” that prevent deeper understanding. Finally, he shares the value in providing safe spaces where practitioners of color can come to practice the Dhamma.

Guest Bio: Renee Kylestewa Begay is from the Pueblo of Zuni in Southwest New Mexico. She is a mother to three daughters and married to high school sweetheart Donnie Begay. During her undergrad, she founded the Nations movement—a national ministry...Good morning. It's October 30th, 2025. Can you believe it? So I'm releasing these videos. Today's videos on resilience. Four distinct cultures coming at you. Jenny McGrath. Me, Danielle, my friend Renee Begay from New Mexico and Rebecca Wheeler, Walston. Tune in, listen to the distinctly different places we're coming from and how we're each thinking about resilience. And then find a way that that impacts you and your own community and you can create more resilience, more generosity, more connection to one another. It's what we need in this moment. Oh, and this is The Arise Podcast, and it's online. If you want to download, listen to it. There you can as well.   Renee Begay (00:14):Okay, cool. Okay, so for those watching my introduction, I'll do it in my language. So my name is Renee Bega. I just spoke in my language, which is I'm from the Pueblo of Zuni tribe in Southwest New Mexico, and I shared the way that we relate to one another. So you share the clan system that you're from. So being a matrilineal society, we belong to our, there's lineage and then we are a child of our father's side of the family. And so I belong to the Sandhill Crane clan as my mom is my grandma. And then my daughters are Sandhill Crane, and then I'm a child of the Eagle Clan, which is my dad's side. So if I do introduce myself in Zuni and I say these clans, then people know, oh, okay, you're from this family, or I'm, or if I meet others that are probably Child of Crane, then I know that I have responsibility toward them. We figure out responsibility toward each other in the community and stuff, who's related to all those things. Yeah. And here in New Mexico, there are 19 Pueblo tribes, two to three Apache tribes, and then one Navajo nation tribe. So there's a large population of indigenous tribes here in New Mexico. So grateful and glad to be here.(02:22):Yeah. I guess I can answer your question about what comes to mind with just the word resilience, but even you saying a d Los Muertos, for me that was like, oh, that's self-determination, something that you practice to keep it going, to remember all those things. And then when you mentioned the family, Jenny, I was like, I think I did watch it and I looked on my phone to go look for it, and I was like, oh yeah, I remember watching that. I have a really short-term memory with books or things that I watch. I don't remember exactly details, but I know how I felt. And I know when I was watching that show, I was just like, whoa, this is crazy.(03:12):So yes, I remember watching that docuseries. And then I think Rebecca, when you're talking about, I was thinking through resilience feels like this vacillation between different levels, levels of the individual in relation to the community, how much do we participate in self discovery, self-determination, all those things, but then also connect it to community. How do we continue to do that as a community to stay resilient or keep practicing what we've been taught? But then also generationally too, I think that every generation has to figure out based on their experience in this modern world, what to do with the information and the knowledge that is given to us, and then how to kind of encourage the next generation too. So I was just thinking of all those scenes when I was listening to you guys.Rebecca (04:25):Yeah, when you said the generational thing that each generation has to decide what to do with the information given to them. This past weekend in the last week or so was that second New Kings march, and there's some conversation about the fact that it was overwhelmingly white and in my community that conversation has been, we weren't there. And what does that mean, right? Or the noticing that typically in this country when there are protests around human rights, typically there's a pretty solid black contingency that's part of that conversation. And so I just have been aware internally the conversation has been, we're not coming to this one. We're tired. And when I say I say black women specifically in some instances, the larger black community, we are tired.(05:28):We are tapping out after what happened in the last election. And I have a lot of ambivalence about that tapping out. I'm not sure how I feel about it, but it does make me think about what you said that in this moment my community is taking the information given to them and making a conscious choice to do something different than what we have done historically. So that's what I thought about when you were mentioning the generational sort of space that's there. What do we do with that and what does that mean about what we pass to the next generation?Danielle (06:09):Through this moment. So I think it's interesting to say, I think Rebecca said something about does your resilience, what does it feel grounded in or does it feel solid? I can't remember exactly how she put it. And yeah, she's frozen a bit on my screen, so I'll check in with her when she gets back. And I would say I felt like this week when I was thinking about my ancestors, I felt in having conversations in my family of origin around race and assimilation, just that there was this in-between generation. And I mean like you mentioned the voting, you saw it in our voting block, the Latino voting block pretty clearly represented.(07:09):There was this hard push for assimilation, really hard push and the in-between. And I feel like my generation is saying that didn't work. And so we know the stories of our ancestors, but how did we interpret those stories to mean many of us, I would say in our community to mean that we don't fight for justice? How did we reinterpret those stories to mean the best course was silence or forgetting why people migrated. The reason for migration was not because there was a hate for our land. That's very clear to me. The reason for migration was what we see now happening with Venezuela. It was ongoing oppression of our people through the, well, in my case, through the Mexican government and collaboration with the United States government that exacerbated poverty and hunger, which then led to migration. So do we forget that? It seems like we did. And in some, I wondered to myself, well, how did a guy like Cesar Chavez or I, how did they not forget that? How did they remember that? So I think resilience for me is thinking Los was like, who were my ancestors remembering why they moved and remembering what this moment is asking me to do. Is it asking me to move somewhere and maybe physically move or mentally move or I don't know what the movement means, but it's some kind of movement. So that's kind of what I thinkRenee (09:07):I'm seeing the importance of, even just in this conversation, kind of the idea of the trans narrative across all communities, the importance of storytelling amongst each other, sharing stories with each other of these things. Like even just hearing you Danielle of origins of reasons for migration or things like that, I'm sure very relatable. And we have migration stories too, even within indigenous on this continent and everything. So I think even just the importance of storytelling amongst each other to be able to remember together what these things are. I think even just when we had the opportunity to go to Montgomery and go to the Rosa Parks Museum, it, you hear the macro story of what happened, but when you actually walk through the museum and read every exhibition, every paragraph, you start learning the micro stuff of the story there. Maybe it wasn't everyone was a hundred percent, there was still this wrestling within the community of what to do, how to do it, trying to figure out the best way to do good amongst each other, to do right by each other and stuff like that. So I just think about the importance of that too. I think Danielle, when you mentioned resilience, a lot of times it doesn't feel good to practice resilience.(11:06):For me, there's a lot of confusion. What do I do? How do I do this? Well, a lot of consultation with my elders, and then every elder has a different, well, we did this, and then you go to the next elder, oh, well we did this. And so one of my friends said three people in the room and you get four ideas and all these things. So it's just like a lot of times it doesn't feel good, but then the practice of it, of just like, okay, how do we live in a good way with each other, with ourselves, with what faith you have, the spiritual beliefs that you hold all those, and with the land, all that stuff, it's just, yeah, it's difficult to practice resilience.Rebecca (12:03):I think that that's a good point. This idea, the reminder that it doesn't always feel good. When you said it, it's like, well, duh. But then you sit for a minute and you go like, holy crap, it doesn't feel good. And so that means I have to be mindful of the ways in which I want to step away from it, take a step back from it, and not actually enter that resilience. And it makes me think about, in order to kind of be resilient, there has to be this moment of lament or grief for the fact that something has happened, some type of wounding or injury or threat or danger that is forcing you to be resilient is requiring that of you. And that's a moment I always want to bypass. Who has time to, no, I don't have time to grieve. I got stuff I got to do, right?(13:06):I need to make it to the next moment. I need to finish my task. I need to keep it together. Whatever the things are. There are a thousand reasons for which I don't want to have that moment, even if I can't have it in the moment, but I need to circle back to it. Once the chaos sort of settles a little bit, it's very difficult to actually step into that space, at least for me personally, probably somewhat out of the cultural wider narratives that I inhabit. There's not a lot of invitation to grief element or if I'm very skilled at sidestepping that invitation. So for me, that's what comes to mind when I think about it doesn't feel good. And part of what doesn't feel good for me is that what there is to grieve, what there is to process there to lament. Who wants to do that?(14:10):I think I told you guys outside of the recording that my son had a very scary car incident this week, and several people have asked me in the last 48 hours, are you how? Somebody said to me, how is your mother heart? Nothing in me wants to answer that question. Not yesterday, not today. I'm almost to the point, the next person that asked me that, I might smack you because I don't have time to talk about that. Ask me about my kid. Then we maybe could ask me about myself and I would deflect to my kid really fast.Jenny (14:59):I'm thinking about, for me, resilience feels so connected to resistance. And as you were sharing stories of migration, I was thinking about my great great grandparents who migrated from Poland to the States. And a few years ago we went to Poland and did an ancestry trip and we went to a World War II museum. I really traced World War I through World War ii, but it really actually felt like a museum to resistance and seeing resistance in every tier of society from people who were Nazis soldiers smuggling out letters that were written in urine to people making papers for people to be able to get out.(16:05):And I found myself clinging to those stories right now as ice continues to disappear people every day and trying to stay situated in where and how can I resist and where and how can I trust that there are other people resisting even if I don't know how they are, and where can I lean into the relationships and the connections that are fostering collective resistance? And that's how I'm finding it as I am sitting with the reality of how similar what we are experiencing in the US is to early days of Nazi Germany and how can I learn from the resistance that has already taken place in former atrocities that are now being implemented by the country that I live in.Rebecca (17:41):That makes me think, Jenny of a couple of things. One, it's hard to breathe through this that we are perilously close to Nazi Germany. That feels like there's not a lot of vocabulary that I have for that. But it also makes me think of something that Renee said about going to the Rosa Parks Museum in Montgomery, and stepping really close to the details of that story, because I don't know if you remember this, Renee, but there's one exhibit that talks about this white law firm that was the money behind the Montgomery bus boycott and was the legal underpinning behind that. And I don't think I knew until I went to that museum and saw that it's like one picture on one poster in the middle of this big exhibit. And I don't think I knew that. I know a lot of things about Rosa Parks and the Montgomery Busboy.(18:53):I've taught them to my kids. We know about her and the bus and all of that, but the details and to know that there was this group of white people in 1950 something that stepped forward to be resistant in that moment. And it's like, gosh, I didn't know that. And it makes me, Jenny have the question, how many more times has that happened in history? And we don't actually have that information. And so the only larger narrative that I have access to is how white people were the oppressors and the aggressors in that. And that's true. I'm not trying to take anything away from that. But also there was this remnant of people who said, not me, not my house, not my family, not today, not tomorrow, not at any time in my lifetime. Am I going to be on the wrong side of history on this conversation? And I think that that's probably true in many places and spaces that we don't have access to the detail of the stories of resistance and alliance that is there across people groups, and we don't have that information.Jenny (20:21):It makes me think of something that's front of mind just because we were in Detroit last week as we talk about Rosa Parks, she lived the end of her days in Detroit in a home that the CEO of Little Caesar's spot for her,Wow. Where it's like one, it's tragic to me that such a heroine had had to need some financial assistance from some white CEO, and that was what that CEO decided to use his money towards is really beautiful for me. And you can go to her house in Detroit. It's just a house now. But it is, it's like how many of these stories we know that actually are probably for good reason if they're happening right now, because it's not always safe to resist. And we were just having breakfast with a friend today talking about, and or what a brilliant show it is and how resistance probably needs to be underground in a lot of ways in this current moment.Danielle (21:54):Do you know the animal for Los Martos, Renee? Maybe it, it's the Libre. It's the spirit animals from Mexican folklore, and they come out and they have to, traditionally they represent three of the four elements like air, water, earth, and fire. And so they put them on the altars and they're like spiritual protectors or whatever. And they highlighted during this time, and I don't know if any of y'all have seen some of the videos of, there's a couple videos where there's a couple of these more racist folks trying to chase after a person of color, and they just trip and they fall out their face on the pavement and talking with a couple of friends, some Mexican friends, they're like, oh, Libre has got that. They just bam flat, just the idea that the earth tripped them up or something. I love that. Something in the spirit wall brought them to their knees. So yesterday I took Luis is like, what are you doing? I made him go get me all this spray paint. And I put these wood panels together and partly we had at home and I was using his wood. He's like, don't paint all of it, but I was painting this panel of this que and I'm going to put it in downtown, and it's not something I'm doing and I'm thwarting the government. But it did feel resilient to paint it or to think about the spirit world tripping up these guys. It gave me some joyRebecca (23:42):But I actually think, and I've talked to you about this a little bit, Danielle, I think what I love about that is that there's something in the collective story of Mexican people that you can borrow from, that you can pull from to find this moment of resilience, of resistance, of joy, of relief release. And I think we need to do more of that. So often when we step into our collective narratives, it's at the pain points, it is at the wounding points. And I think that I love that there's something of something that you can borrow that is a moment of strength out of our collective narrative. I think that that's actually how you grow resilience. I think it is how you learn to recognize it is you borrow from this collective narrative, this moment of strength so that you can bring it with you in this moment. I think that that's who Rosa Parks has been in my community to me in my family, I think I've told you guys this before, but I have a daughter who's now in college, but when she was in elementary school, we had a whole thing for a semester with a bus driver that just had it out for black and brown kids on her bus route to the point that all the white kids in our little suburban neighborhood were like, what the heck is wrong with a bus driver coming after all the brown people?(25:13):And I remember actually borrowing from the story of Rosa Parks to say to my daughter, this is how we're going to handle this. What does it look like for you with dignity, but really firmly say, you cannot mistreat me. You will not mistreat me on this bus route. And so to me, the story, what you're telling Danielle, is that same sort of, let me borrow from this folklore, from this narrative, something to give to myself, to my family, to my people in this moment. I love that. I'm going to borrow it. I'm going to steal it. So send me a picture of the painting.Renee (26:03):Yeah. Have you guys talked about, I guess expressions or epigenetics, I guess with resilience with epigenetics, when we do experience hardship, there's a certain way of taking that hardship in and either it alters our expression or our reaction, our behavior and how we carry that through across generations. But I was thinking of that word even with Jenny when you were talking about resilience to you, you remember it maybe probably in your body as resistance because of your great grandparents. My question was, or even just with D Los MTOs, the spirits that help that are kind of like protectors, did you guys sense that as information first or did you feel it first kind like that there's this feeling inside, you can't really quite pinpoint it, but you feel it as a practice and then when you do get that information, you're like, ah, that's what it was. Or is it the other way? I need information first. And then you're like, okay, it confirms this. I dunno. I don't know if that's a clear question, but I was just kind of curious about that. Even with the Rosa Parks, this is how we're going to do it, this is how we remember it, that was successful in its ways. Yeah.Jenny (27:54):I think for me personally, the more stories I learn, the more of me makes sense. And the same great grandparents were farmers and from where they lived to the port sold vegetables along the way to pay for their travels. And then when they got to the port, sold their wagon to pay for their ship tickets and then just arrived in the states with practically nothing. And there's so much of a determined hope in that, that I have felt in myself that is willing to just go, I don't know where this is going to lead to, but I'm going to do it. And then when I hear these stories, I'm like, oh yeah, and it's cool to be with my husband as I'm hearing these family stories, and he'll just look at me like, oh, that sounds familiar.Danielle (29:07):I think there's a lot of humor in our family's resistance that I've discovered. So it's not surprising. I felt giddy watching the videos, not just because I enjoyed seeing them fall, but it did feel like the earth was just catching their foot. When I used to run in basketball in college, sometimes people would say, oh, I tripped on the lines. The lines of the basketball court grabbed them and just fell down. And I think for a moment, I don't know, in my faith, like God or the earth has its own way of saying, I'm not today. I've had enough today and you need to stop. And so that's one way. I don't know. I feel it in my body first. Yeah. What about you? Okay.Renee (30:00):Yeah, humor, definitely A lot of one elder that I knew just with crack jokes all the time, but had the most painful story, I think, of boarding school and stuff. And then we had the younger generation kind of just ask him questions, but one of the questions for him to him was, you joke a lot, how did you become so funny? And then he was just like, well, I got to do this, or else I'll like, I'll cry. So there's just the tragic behind it. But then also, yeah, humor really does carry us. I was thinking about that one guy that was heckling the lady that was saying free Palestine, and then he tripped. He tripped backwards. And you're like, oh.(31:00):So just those, I think those captures of those mini stories that we're watching, you're like, okay, that's pretty funny. But I think for us in not speaking for all indigenous, but even just within my community, there's a lot of humor for just answering to some of the things that are just too, it's out of our realm to even just, it's so unbelievable. We don't even know what to do with this pain, but we can find the humor in it and laugh about the absurdity of what's happening and And I think even just our cultural practices, a lot of times my husband Donnie and I talk about just living. I don't necessarily like to say that I live in two worlds. I am part of both. I am. We are very present in both of just this westernized society perspective, but we do see stark differences when we're within our indigenous perspective, our worldview, all those things that it's just very like, whoa, this is really different.(32:27):There's such a huge contrast. We don't know if it's a tangent line that never crosses, but then there are moments where when communities cross that there is this possibility that there's an understanding amongst each other and stuff. But I think even just with our cultural practice, the timeline of things that are happening in current news, it's so crazy. But then you look to, if you turn your head and you look toward the indigenous communities, they're fully into their cultural practices right now, like harvest dances and ceremonies and all those things. And it's just kind of like, okay, that's got grounding us right now. We're continuing on as it feels like the side is burning. So it's just this huge contrast that we're constantly trying to hold together, living in the modern world and in our cultural traditions, we're constantly looking at both and we're like, okay, how do we live and integrate the two?(33:41):But I think even just those cultural practices, seeing my girls dance, seeing them wear their traditional clothing, seeing them learning their language, that just my heart swells, gives me hope that we're continuing on even when it feels like things are falling and coming apart and all those things. But yeah, real quick story. Last week we had our school feast day. So the kids get to kind of showcase their culture, they wear their traditional clothes, and kids are from all different tribes, so everybody dresses differently. We had a family that was dancing their Aztec dances and Pueblo tribes in their Pueblo regalia, Navajo students wearing their Navajo traditional clothes and all those things. So all these different tribes, everyone's showcasing, not just showcasing, but presenting their cultural things that they've been learning. And at the very end, my daughter, her moccasin fell off and we were like, oh, no, what's happening? But thankfully it was the end of the day. So we were like, okay. So I took apart her leggings and then took off her moccasin and stuff. Then so we started walking back to the car, and then my other daughter, her moccasin leggings were unwrapping.(35:17):We were laughing, just walking all the way because everyone, their leggings were coming apart too as they were walking to their car. And everyone's just laughing all like, okay, it's the end of the day. It's okay. We're falling apart here, but it's all right. But it was just good to kind of have that day to just be reminded of who we are, that we remain, we're still here, we're still thriving, and all those things.Rebecca (35:56):Yeah, I think the epigenetics question is interesting for the story arc that belongs to black American people because of the severing of those bloodlines in the transatlantic slave trade. And you may have gotten on the ship as different tribes and different peoples, and by the time you arrive on US soil, what was many has merged into one in response to the trauma that is the trans glamorous slave trade. So that question always throws me for a loop a little bit, because I never really know where to go with the epigenetics piece. And it also makes me understand how it is that Rosa Parks is not my ancestor, at least not that I know of. And yet she is my ancestor because the way that I've been taught out of my Black American experience to understand ancestry is if you look like me in any way, shape or form, if there's any thread, if there is a drop of African blood in, you count as an ancestor.(37:13):And that means I get permission to borrow from Rosa Parks. She was in my bloodline, and I teach that to my kids. She's an elder that you need to respect that. You need to learn all of those things. And so I don't usually think about it until I'm around another culture that doesn't feel permission to do that. And then I want to go, how do you not catch that? This, in my mind, it all collapses. And so I want to say to you, Renee, okay, every native person, but when I hear you talk, it is very clear that for you ancestry means that tracing through the clans and the lines that you can identify from your mother and your father. So again, not just naming and noticing the distinction and the differences about how we even understand the word ancestor from whatever our story arcs are, to listen to Jenny talk about, okay, great grandfather, and to know that you can only go so far in black life before you hit a white slave owner and you lose any connection to bloodline. In terms of the records, I have a friend who describes it as I look into my lineage, black, black, white, nothing. And the owner and the listing there is under his property, not his bloodline. So just noticing and naming the expansiveness that needs to be there, at least for me to enter my ancestry.Rebecca (38:56):Yeah, that's a good, so the question would be how do generations confront disruption in their lineage? How do you confront disruption? And what do you work with when there is that disruption? And how does, even with Rosa Parks, any drop of African-American blood, that's my auntie, that's my uncle. How do I adopt the knowledge and the practices and traditions that have kept us going? Whereas being here where there's very distinct tribes that are very different from one another, there's a way in which we know how to relate through our lineage. But then also across pan-Indian that there's this very familiar practice of respect of one another's traditions, knowing where those boundaries are, even though I am Zuni and if I do visit another tribe, there's a way that I know how to conduct myself and respect so that I'm honoring them and not trying to center myself because it's not the time. So just the appropriateness of relationships and stuff like that. So yeah, that's pretty cool conversation.Danielle (40:40):It was talking from a fisherman from Puerto Vallarta who'd lived there his whole life, and he was talking, he was like, wink, wink. People are moving here and they're taking all the fish. And we were like, wait, is it Americans? Is it Canadians? He is like, well, and it was people from other states in Mexico that were kind of forced migration within Mexico that had moved to the coast. And he's like, they're forgetting when we go out and fish, we don't take the little fish. We put 'em back and we have to put 'em back because if we don't put 'em back, then we won't have fish next year. And he actually told us that he had had conversations. This is how close the world seems with people up in Washington state about how tribal members in Washington state on the coast had restored coastline and fish populations. And I thought, that is so cool. And so his whole thing was, we got to take care of our environment. I'm not radical. He kept telling us, I'm not radical in Spanish. I want my kid to be able to fish. We have so much demand for tourism that I'm worried we're going to run out, so we have to make this. How do we make it sustainable? I don't know. It just came to mind as how stories intersect and how people see the value of the land and how we are much more connected, like you said, Renee, because of even the times we can connect with people across thousands of miles,(42:25):It was really beautiful to hear him talk about how much he loved these little fish. He's like, they're little and they squirm around and you're not supposed to eat. He is like, they need to go back. They need to have their life, and when it's ready, then we'll eat them. And he said that in Spanish, it sounded different, but sounded way better. Yeah. Yeah. In Spanish, it was like emotional. It was connected. The words were like, there's a word in Spanish in Gancho is like a hook, but it also can mean you're deceived. And he is like, we can't deceive ourselves. He used that word. We can't deceive ourselves that the fish will be here next year. We can't hook. And with the play on words, because you use hook to catch fish, right?That's like a play on words to think about how do we preserve for the next generation? And it felt really hopeful to hear his story because we're living in an environment in our government that's high consumer oriented, no matter who's in charge. And his slowing down and thinking about the baby fish, just like you said, Renee is still dancing. We're still fishing, felt good.Renee (43:59):I remember just even going to Juno, Alaska for celebration when all the Alaskan tribes make that journey by canoe to Juneau. And even that, I was just so amazed that all the elders were on the side on the shore, and the people in the canoe did this whole ceremony of asking for permission to come on the land. And I was like, dang, even within, they're on their own land. They can do what they want, but yet they honor and respect the land and the elders to ask for permission first to get out, to step out. So it's just like, man, there's this really cool practice of reciprocity even that I am learning. I was taught that day. I was like, man, that's pretty cool. Where are those places that will help me be a good human being in practicing reciprocity, in relationship with others and with the land? Where do I do that? And of course, I remember those things like, okay, you don't take more than you need. You always are mindful of others. That's kind of the teachings that come from my tribe, constantly being mindful of others, mindful of what you're saying, mindful of the way you treat others, all those things against. So yeah. So I think even just this conversation crossing stories and everything, it's generative. It reminds us of all these ways that we are practicing resilience.(45:38):I was going to tell you, Danielle, about humor in resilience, maybe a little humble bragging, but Randy Woodley and Edith were here last week, and Donnie and I got to hang out with them. And I was telling them about this Facebook group called, it's like a Pueblo Southwest group. And people started noticing that there were these really intimate questions being asked on the page. And then people started realizing that it's ai, it's like a AI generated questions. So with Facebook, it's kind of maybe automatically implemented into, it was already implemented into these groups. And so this ai, it's called, I forget the name, but it will ask really sensitive questions like cultural questions. And people started, why are you asking this question? They thought it was the administrator, but then people were like, oh, they caught on like, oh, this is ai. And then people who kind of knew four steps ahead, what was happening, they were like, don't answer the questions. Some people started answering earnestly these really culturally sensitive questions, but people were like, no, don't answer the questions. Because they're mining for information. They're mining for knowledge from our ways. Don't give it to them.(47:30):So now every time this AI robot or whatever asks a question that's very sensitive, they just answer the craziest. That's a good one of them was one of 'em was like, what did you learn during a ceremonial dance? And no one would ask that question to each other. You don't ask that question. So people were like, oh, every time I hear any man of mine, a country song, they just throw out the crazies. And I'm sitting there laughing, just reading. I'm like, good. Oh man, this is us. Have you ever had that feeling of like, this is us. Yes, we caught on. We know what you're doing. This is so good. And then just thinking of all these answers that are being generated and what AI will spit out based off of these answers. And so I was telling Randy about this, and he just like, well, this is just what used to happen when settlers used to first come and interact with indigenous people. Or even the ethnographers would come and mind for information, and they gather all this knowledge from indigenous communities. And then these communities started catching on and would just give them these wild answers. And then these ethnographers would gather up this information and then take it to the school, and the teachers would teach this information. So maybe that's why the school system has some crazy out there information about indigenous peoples. But that's probably part of what's happened here. But I just thought that was so funny. I was like, oh, I love us.Rebecca (49:19):Yeah, that's going to show up in some fourth graders history report or social studies report something about, right. And I can't wait to see that. Yeah, that's a good idea. So good. That feels like resistance and resilience, Renee.Renee (49:40):Yeah. Yeah. Humorous resistance. It just, yeah. So one of the questions is, have you ever harvested traditional pueblo crops?(49:52):And then some puts, my plastic plants have lasted generations with traditional care.So unserious just very, yeah, it's just so funny. So anytime I want to laugh, I go to, oh, what did this ai, what's this AI question for today? Yeah. People have the funniest, funniest answers. It givesYeah, yeah. Jenny's comment about it kind of has to go underground. Yeah. What's underneath the surface?Danielle (50:36):I have to pause this, but I'd love to have you back. Rebecca knows I'm invited every week. May invited. I have a client coming. But it is been a joy.  Well, first I guess I would have to believe that there was or is an actual political dialogue taking place that I could potentially be a part of. And honestly, I'm not sure that I believe that.

The Berkeley Art Museum and Pacific Film Archive is exhibiting more than 100 African American quilts from the Eli Leon collection — a historic showcase of creativity and resilience in Black textile art. Learn more about your ad choices. Visit megaphone.fm/adchoices

Analyzing "Christian Nationalist" and "Conservative Christian" ideologies following Turning Point USA's visit to the University of Mississippi which featured Vice President JD Vance and Erika Kirk, the widow of conservative content creator and TPUS co-founder, Charlie Kirk and former officer Sean Grayson found guilty of 2nd degree murder in the 2024 killing of Sonya Massey, a 36-year-old unarmed African American woman in Springfield, Illinois. 

A DEEPLY PERSONAL BATTLE AGAINST RACISM - RIPPLE OF HOPE: FROM THE BOILING FROG'S PERSPECTIVE by Darrell Nathaniel BridgersKai Jones is a Black male attorney living in New York City. He is in an interracial relationship, married to an Italian woman that he met in law school. They thought they were living the American dream, living on the Upper West Side of Manhattan and raising two young daughters. But when they come under attack by racist neighbors in their building (the "Hagmans"), Kai must use his legal training to defend his family and their home against the Hagmans and the Co-Op Board they control. If he fails, he not only risks losing his home but his family as well.Darrell Nathaniel Bridgers, a trailblazing African American attorney, celebrated screenwriter, and visionary creative force, has unveiled his first full-length novel, Ripple of Hope: From the Boiling Frog's Perspective. This debut work is a powerful fictionalization of Bridgers' profound and deeply personal battle against racism in New York City. Blending his experience as a legal professional with his storytelling prowess, Bridgers crafts a narrative that is as moving as it is transformative.AMAZONhttps://darrellnathanielbridgers.com/www.KingPagesPress.comhttp://www.bluefunkbroadcasting.com/root/twia/103025kpp3.mp3   

As MCC grew as a denomination, they tried to figure out if and how to relate to other churches. Would any befriend a queer church? And if so, would that friendship help other churches shift their perspective on homosexuality? These questions got harder as AIDS numbers grew—it made people more afraid yet friendship more vital. But sometimes friendship emerges in the most unlikely of places. Like when a children's choir visited an AIDS ward in San Francisco and sang for an MCC member there. That connection started a partnership between their churches that changed them both. For images and links about this episode visit https://www.heavenpodcast.org/episode-4. Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Production credits:  When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit https://www.heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Domestic BGM. “Who Kept Us” is by Dr. Margaret Douroux. “The Wicked Shall Cease” is by Jessy Dixon. “Jesus is Here Right Now” is by Leon Roberts. “Child of God” and “Walk Together Children” are traditional African American spirituals.  Special thanks to Mary Clover Obrzut, Stephen's sister, for insights into his life and for so much great audio. Dr. Cheryl Townsend Gilkes for telling us about Stephen's time at Union Baptist and connecting us with folks there.  Alfred Williams for helping us get connected to Double Rock. Dr. April Parker and Mardy Coates for facilitating the use of “Who Kept Us.”  And to the folks at Double Rock Baptist Church, past and present, especially the beloved Minister of Music.   Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.   Some links to good groups Balm in Gilead – works to integrate public health and faith principles. It was founded by Dr. Pernessa Seale in to help Black churches address HIV/AIDS and support people and families living with AIDS. Double Rock Baptist Church – is still worshipping and ministering in Bayview/Hunters Point. They were deeply involved in community support during the Covid-19 epidemic.  Love All People – is the ministry that introduced MCC to Margaret Douroux's song, Who Kept Us, to MCC.  National Minority AIDS Council – works for heath equality and racial justice to end the AIDS epidemic. Learn more about your ad choices. Visit megaphone.fm/adchoices

As MCC grew as a denomination, they tried to figure out if and how to relate to other churches. Would any befriend a queer church? And if so, would that friendship help other churches shift their perspective on homosexuality? These questions got harder as AIDS numbers grew—it made people more afraid yet friendship more vital. But sometimes friendship emerges in the most unlikely of places. Like when a children's choir visited an AIDS ward in San Francisco and sang for an MCC member there. That connection started a partnership between their churches that changed them both. For images and links about this episode visit https://www.heavenpodcast.org/episode-4. Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Production credits:  When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit https://www.heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Domestic BGM. “Who Kept Us” is by Dr. Margaret Douroux. “The Wicked Shall Cease” is by Jessy Dixon. “Jesus is Here Right Now” is by Leon Roberts. “Child of God” and “Walk Together Children” are traditional African American spirituals.  Special thanks to Mary Clover Obrzut, Stephen's sister, for insights into his life and for so much great audio. Dr. Cheryl Townsend Gilkes for telling us about Stephen's time at Union Baptist and connecting us with folks there.  Alfred Williams for helping us get connected to Double Rock. Dr. April Parker and Mardy Coates for facilitating the use of “Who Kept Us.”  And to the folks at Double Rock Baptist Church, past and present, especially the beloved Minister of Music.   Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.   Some links to good groups Balm in Gilead – works to integrate public health and faith principles. It was founded by Dr. Pernessa Seale in to help Black churches address HIV/AIDS and support people and families living with AIDS. Double Rock Baptist Church – is still worshipping and ministering in Bayview/Hunters Point. They were deeply involved in community support during the Covid-19 epidemic.  Love All People – is the ministry that introduced MCC to Margaret Douroux's song, Who Kept Us, to MCC.  National Minority AIDS Council – works for heath equality and racial justice to end the AIDS epidemic. Learn more about your ad choices. Visit megaphone.fm/adchoices

As MCC grew as a denomination, they tried to figure out if and how to relate to other churches. Would any befriend a queer church? And if so, would that friendship help other churches shift their perspective on homosexuality? These questions got harder as AIDS numbers grew—it made people more afraid yet friendship more vital. But sometimes friendship emerges in the most unlikely of places. Like when a children's choir visited an AIDS ward in San Francisco and sang for an MCC member there. That connection started a partnership between their churches that changed them both. For images and links about this episode visit https://www.heavenpodcast.org/episode-4. Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Production credits:  When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit https://www.heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Domestic BGM. “Who Kept Us” is by Dr. Margaret Douroux. “The Wicked Shall Cease” is by Jessy Dixon. “Jesus is Here Right Now” is by Leon Roberts. “Child of God” and “Walk Together Children” are traditional African American spirituals.  Special thanks to Mary Clover Obrzut, Stephen's sister, for insights into his life and for so much great audio. Dr. Cheryl Townsend Gilkes for telling us about Stephen's time at Union Baptist and connecting us with folks there.  Alfred Williams for helping us get connected to Double Rock. Dr. April Parker and Mardy Coates for facilitating the use of “Who Kept Us.”  And to the folks at Double Rock Baptist Church, past and present, especially the beloved Minister of Music.   Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.   Some links to good groups Balm in Gilead – works to integrate public health and faith principles. It was founded by Dr. Pernessa Seale in to help Black churches address HIV/AIDS and support people and families living with AIDS. Double Rock Baptist Church – is still worshipping and ministering in Bayview/Hunters Point. They were deeply involved in community support during the Covid-19 epidemic.  Love All People – is the ministry that introduced MCC to Margaret Douroux's song, Who Kept Us, to MCC.  National Minority AIDS Council – works for heath equality and racial justice to end the AIDS epidemic. Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textC4 Leaders – the ONLY nonprofit to utilize the pizza making process to create space for our companions to be seen, heard, and loved.   We work with businesses, sports teams, hospitals, churches…anyone looking to RISE TOGETHER.  We also write children's books and use the most amazing handmade, hand-tossed, sourdough pizza to bring out the best in each other.   Please check out PIZZADAYS.ORG to support our important work. Season 5 Episode #22 Heather Colley is coming from London, England  (inform, inspire, & transform)You can find Heather via her website heathercolleyauthor.comAbout our guest: Heather Colley is a PhD student in English Literature at the University of Oxford (Regents Park College). Her current research is focused on late 19th and early 20th century jazz and blues aesthetics in transatlantic modernist literature, with a particular emphasis on the impacts of musical forms and tropes on literary experimentation and cultural development. Heather completed her Master's in Modern and Contemporary Literature with Distinction at St Andrews, where she studied lyric and form in the work of mid-twentieth century African American women novelists. She received her Bachelor's in English Literature/Creative Writing and Sociology at the University of Michigan Ann Arbor. Heather's writing won The Oxford Review of Books Short Fiction Prize, the Hopwood Award, and inclusion in the Desperate Literature anthology. The Gilded Butterfly Effect is Heather's debut novel. Thanks for sharing your many gifts and creativity with the world, having the courage to take your gift and put it on paper and for being our guest on Life's Essential Ingredients…welcome to the show.TOTD – “There is no greater agony than bearing an untold story inside you.”  Maya AngelouBuild a habit - to create intention - to live your purpose! In this episode:What was life like growing up?What are your life's essential ingredients?What was your inspiration to study literature?  And to go abroad…50k students to use health services…what are some of the challenges that college students face in finding someone to talk to…The importance of connection and where fraternities and sororities attempt to fill that gap…The writing process…what is yours and how do you overcome the challenges and joys that come with it…How great did it feel to finish your book and to receive the author's copy…October 21st…released your first book…Beautiful book cover…Stella, Penny, Millie, Leah…Thoughts on substances to help with mental health challenges…Study drugs that help enhance focus… what are your thoughts on the rewiring of our brain leading to needing drugs to help us focus, leading to emotional uncertainty…What characteristics do college students need to be successful?  What characteristics do colleges need to create success for their students?What is the main takeaway you want the reader to take from your book?  How do you want to be perceived as a writer?Plans for book 2 and so on… dealing with the pressure or excited to get to writing…Book you recommend?Legacy 

Text Jason @ Leadership VoyageDominic George is a dedicated leadership coach with a passion for empowering Black men to ascend from mid-level leadership roles to senior leadership positions. With a wealth of experience and a deep understanding of the unique challenges faced by Black professionals, Dominic brings a tailored approach to his coaching, providing targeted guidance and strategies for career advancement.LinkedIn: https://www.linkedin.com/in/dominiccgeorge/Email: admin@visionleadershipforlife.comBook ("The Authentic Edge"): https://www.amazon.com/Authentic-Leading-Without-Losing-Yourself-ebook/dp/B0FJ2PCQY9==============================================Black men's biggest corporate struggles"keep your head down" and do your work has been the biggest pitfallbut they need to prioritize cross-departmental relationships, understand the mission and vision of their org, and learn the work streams of others in the org to collaborate and create win-winsBlack men's biggest obstaclesnot enough sponsors in the workplacenot enough coaches and mentors within the workplaceoften you might be the only African-American in the room; when you "see yourself" in the room you can more likely imagine yourself in a roleBlack men connecting with mentorship and supportlook to your own personal network!conferences, podcasts, referralsFor organizations serious about DEI, what practical steps actually support Black men?too often, when Black men are "the only" in a space they feel the pressure to represent all Black men rather than themselveslook to HR and ask why (if there are) so few Blacks, and question hiring practices and how they serve the missionask what you want to be as an organizationprovide internal or external executive coaching opportunitiesGrowth Opportunitiesif you don't communicate effectively, you lose people as a resultpeople often don't realize they're poor communicators or that they aren't being receivedyou're communicating for the person across from you, and it takes some emotional intelligencewhen you practice (e.g. record a meeting), you and those around you get to improvein order to identify your own knowledge gaps,be a lifelong learner! have an intentional desire to grow and developask for feedback (your team member, 360)some areas you can objectively see you don't cut it yetsee the resourcLeadership Voyage is brought to you by Golden Mean Consulting Group, specializing in the training of new managers. Leadership Voyage is brought to you by Golden Mean Consulting Group's 6-Week New Manager Boot Camp, an accelerated program for training new managers.Leadership Voyageemail: StartYourVoyage@gmail.comlinkedin: https://www.linkedin.com/in/jasonallenwick/youtube: https://www.youtube.com/@LeadershipVoyagemusic: by Napoleon (napbak)https://www.fiverr.com/napbakvoice: by Ayanna Gallantwww.ayannagallantVO.com========== Instacart - Groceries delivered in as little as 1 hour. Free delivery on your first order over $35.Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.

Help Stop The Genocide In American Ghettos Podcast is a platform for ordinary law abiding citizens from Emmanuel Barbee friends list and from his social groups who are Black Artists, African Artists, Allied Healthcare professionals, Church Leaders, and Black Entrepreneurs, African Entrepreneurs who want to promote their products and services to our listeners from the global community. This no holds-barred talk show focuses on promoting Grassroots Community Advocacy, Business, Finance, Health, Community-Based Solutions, Employment, Social Issues, Political Issues, Black Issues, African Issues and Christianity which speaks to the interests of our listeners. Broadcasting on multiple social networks throughout the United States and around the globe. This show will provide insight on how our creative abilities can be used to create economic tangibles in our communities, neighborhoods and in Black countries. The Grass Roots Community Activist Movement is about uniting the African American community and the African Immigrant community in Chicago and eventually throughout the Diaspora. I'm not just online trying to sell my book, selling items from my virtual store or just trying to get donations for my film project but rather to recruit like minded Black Americans, like minded African Immigrants within America to help me build the best African American business within the United States of America called the Grass Roots Community Activist Institute of Chicago. Our objective is for us to build our own network so that we can support each other in business. #NotAnother33Years #M1

We're celebrating our 10th anniversary all year by digging in the vaults to re-present classic episodes with fresh commentary. Today, we're revisiting our 2020 conversation with Stax legend David Porter.ABOUT DAVID PORTER Named one of Rolling Stone magazine's “100 Greatest Songwriters of All Time,” Porter is best known for his songwriting partnership with Isaac Hayes that helped define the sound of Memphis's legendary Stax Records. As the first African American staff songwriter at Stax, Porter, along with his partner, wrote and produced songs such as “B-A-B-Y” for Carla Thomas, “Your Good Thing (Is About to End)”—an R&B hit for Mable John that later became a pop and R&B smash for Lou Rawls, and his own recording of “Can't See You When I Want To.” Hayes and Porter are best known, however, for their work with Sam & Dave, including such classic hits as “You Don't Know Like I Know,” “You Got Me Hummin',” “Hold On! I'm Comin'” (which later became a country hit for Waylon Jennings and Jerry Reed), “Soul Man” (which became a hit a second time thanks to the Blues Brothers), “I Thank You” (which was later covered by ZZ Top), and “When Something is Wrong with My Baby” (which was reimagined as a memorable duet between Otis Redding and Carla Thomas, a country hit for Sonny James, and an adult contemporary hit for Linda Ronstadt and Aaron Neville). The list of artists who've covered Porter's songs includes Aretha Franklin, Bruce Springsteen, William Bell, Melissa Ethridge, Bonnie Raitt, Garth Brooks, Etta James, Celine Dion, Wilson Pickett, George Benson, Dusty Springfield, Jerry Lee Lewis, The Staple Singers, Solomon Burke, James Brown, Eric Clapton, B. B. King, Tina Turner, Jackie Wilson, and more. His songs have been used as samples in countless recordings by artists such as Jay-Z, Eminem, Wu-Tang Clan, The Notorious B.I.G., Justin Bieber, Mariah Carey, and others. A highly celebrated giant among celebrated songwriters, Porter was inducted into the Songwriters Hall of Fame in 2005.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

From the publisher:An astounding look at how America's founders—Washington, Jefferson, Franklin, Madison, Adams—regarded the issue of slavery as they drafted the Declaration of Independence and the Constitution. A daring and important work that ultimately reckons with the two great failures of America's founding: the failure to end slavery and the failure to avoid Indian removal.On the eve of the American Revolution, half a million enslaved African Americans were embedded in the North American population. The slave trade was flourishing, even as the thirteen colonies armed themselves to defend against the idea of being governed without consent. This paradox gave birth to what one of our most admired historians, Joseph J. Ellis, calls the “great contradiction”: How could a government that had been justified and founded on the principles articulated in the Declaration of Independence institutionalize slavery? How could it permit a tidal wave of western migration by settlers who understood the phrase “pursuit of happiness” to mean the pursuit of Indian lands?Joseph J. Ellis' website can be found at https://www.josephellishistorian.com/Information on his book can be found at https://www.penguinrandomhouse.com/books/740318/the-great-contradiction-by-joseph-j-ellis/Support our show and Reach out and Read of Tampa Bay at https://patreon.com/axelbankhistoryAxelbankHistory.com is designed by https://www.ellieclairedesigns.com/Axelbank Reports History and Today" can be found on social media at https://twitter.com/axelbankhistoryhttps://instagram.com/axelbankhistoryhttps://facebook.com/axelbankhistory

Patrick McEnroe chats with Katrina Adams in this all-new episode of the TennisWorthy Podcast, exploring the month's theme of leadership. Adams, a former top player and two-term USTA president, discusses how leadership has shaped her career, from playing number one as a freshman at Northwestern University to becoming a number three ranked doubles team on the WTA Tour.She shares her journey to becoming the first African-American and first former player to serve as USTA President. Adams reflects on "leading with a purpose," focusing on being intentional and impactful. She also discusses her book, Own the Arena, and navigating controversies, such as the 2018 US Open Women's Final. Finally, she highlights her passion project, the Harlem Junior Tennis and Education Program, which gives kids an opportunity to be champions in life.Katrina Adams is the first African American to head the USTA, serving as Chair and President from 2015 to 2018 and as the first former player in that role. Under her leadership, the USTA opened the National Campus and transformed the Billie Jean King National Tennis Center while promoting tennis in underserved communities. She won 20 doubles titles on the WTA Tour as a professional player, and currently serves the International Tennis Hall of Fame as Chair of the enshrinement committee.

In episode 78, The Boston Sisters discuss the film adaptations of plays by award-winning playwright August Wilson (1945 - 2005) and their significance in understanding American history with Dr. Sandra G. Shannon, a leading authority on Wilson's work, as well as founder and President Emerita of the August Wilson Society. Three of Wilson plays were adapted into feature films: FENCES, MA RAINEY'S BLACK BOTTOM, andTHE PIANO LESSON. JOE TURNER'S COME AND GONE is currently in development. Dr. Shannon highlights Wilson's mission to give voice to the African American experience and the importance of historical context in teaching his plays. The conversation also explores metaphysical elements in Wilson's works compared to the popular 2025 Ryan Coogler film SINNERS, and the impact of Wilson's plays on contemporary culture.TIMESTAMPS0:02 - Intro to Podcast and Dr. Sandra D. Shannon1:00 - Overview of August Wilson's Plays2:31 - Film Adaptations: MA RAINEY'S BLACK BOTTOM, THE PIANO LESSON, FENCES4:18 - Dr. Sandra D. Shannon's first impressions of August Wilson8:06 - August Wilson Society mission and legacy25:10 - Baltimore's August Wilson Project26:05 - Teaching August Wilson to a tech/media savvy student30:06 - MA RAINEY's BLACK BOTTOM blues history34:39 - THE PIANO LESSON and the value of owning land44:41 - Pittsburgh as "ground" and microcosm56:35 - Teaching history through August Wilson plays59:20 - JOE TURNER'S COME AND GONE and Great Migration1:01:30 - August Wilson, SINNERS, and the supernatural1:11:58 - Upcoming film adaptation1:17:09 - African belief systems in August Wilson1:20:54 - Where to watch FENCES, MA RAINEY'S BLACK BOTTOM, and THE PIANON LESSON1:21:14 - Books by Dr. Sandra Shannon1:22:09 - Disclaimer-----SUBSCRIBE to HISTORICAL DRAMA WITH THE BOSTON SISTERS® on your favorite podcast platformENJOY past podcasts and bonus episodesSIGN UP for our mailing listSUPPORT this podcast  SHOP THE PODCAST on our affiliate bookstoreBuy us a Coffee! You can support by buying a coffee ☕ here — buymeacoffee.com/historicaldramasistersThank you for listening!

Under the oppressive systems of white supremacy and colonialism, and the internalisation of "whiteness" in the dominant culture, how can the practice of reparative philanthropy re-story colonial narratives of power to shift to flattened hierarchies of giving and receiving? In today's episode, we are in conversation with Hilary Giovale, a mother, writer, and community organizer. Being a ninth-generation American settler, she is descended from Celtic, Germanic, Nordic, and Indigenous peoples of Ancient Europe. As an active reparationist, her work is guided by intuition, love, and relationships to transmute harmful philanthropic practices to ones rooted in reciprocity and equitable giving. Hilary's recent book Becoming a Good Relative shares remedies for the debilitating shame that can overtake white Americans when facing their peoples' colonial past and our current complicity with systemic white supremacy. It offers a unique methodology, supported by African American and Indigenous Elders, which we dive into the depths in today's conversation. Visit mindfullofeverything.com to access full episode shownotes, resources and archives. Connect with us on Instagram (@mindfullofeverything_pod) and Facebook (@mindfullofeverything).

Ripley Main Street Director Elizabeth Behm discusses Spirit Of Ripley and Holiday Open House with Host Melinda Marsalis. Welcome to HEARD IT ON THE SHARK with your show host Melinda Marsalis and show sponsor, Mississippi Hills National Heritage Area.  HEARD IT ON THE SHARK is a weekly interview show that airs every Tuesday at 11 am on the shark 102.3 FM radio station based in Ripley, MS and then is released as a podcast on all the major podcast platforms.  You'll hear interviews with the movers and shakers in north Mississippi who are making things happen.  Melinda talks with entrepreneurs, leaders of business, medicine, education, and the people behind all the amazing things happening in north Mississippi.  When people ask you how did you know about that, you'll say, “I HEARD IT ON THE SHARK!”  HEARD IT ON THE SHARK is brought to you by the Mississippi Hills National Heritage area.  We want you to get out and discover the historic, cultural, natural, scenic and recreational treasures of the Mississippi Hills right in your backyard.  And of course we want you to take the shark 102.3 FM along for the ride.     Bounded by I-55 to the west and Highway 14 to the south, the Mississippi Hills National Heritage Area,  created by the United States Congress in 2009 represents a distinctive cultural landscape shaped by the dynamic intersection of Appalachian and Delta cultures, an intersection which has produced a powerful concentration of national cultural icons from the King of Rock'n'Roll Elvis Presley, First Lady of Country Music Tammy Wynette, blues legend Howlin' Wolf, Civil Rights icons Ida B. Wells-Barnett and James Meredith, America's favorite playwright Tennessee Williams, and Nobel-Laureate William Faulkner. The stories of the Mississippi Hills are many and powerful, from music and literature, to Native American and African American heritage, to the Civil War.  The Mississippi Hills National Heritage Area supports the local institutions that preserve and share North Mississippi's rich history. Begin your discovery of the historic, cultural, natural, scenic, and recreational treasures of the Mississippi Hills by visiting the Mississippi Hills National Heritage Area online at mississippihills.org.   Musical Credit to:  Garry Burnside - Guitar; Buddy Grisham - Guitar; Mike King - Drums/Percussion     All content is copyright 2021 Sun Bear Studio Ripley MS LLC all rights reserved.  No portion of this podcast may be rebroadcast or used for any other purpose without express written consent of Sun Bear Studio Ripley MS LLC      

A Dallas, Texas, Principal has been removed from her position after Grant Stinchfield obtained an email that exposed the principal at Woodrow Wilson High School in Dallas for engaging in what can only be described as discriminatory behavior towards White and Hispanic students. The black Principal is accused of holding a “Black-only” assembly, where she allegedly told students she was “valuing the well-being of African American students over the others at this moment.” That's, according to one outraged Black student who wrote an email to the school administration calling out the discriminatory meeting. Today on "Stinchfield," Grant reads the email where the student whistleblower claims his black Principal even boasted about "only hiring Black staff." That declaration appears to be a proud admission of the discrimination. It is the latest example of the disgusting use of Diversity, Equity, and Inclusion (DEI) that only leads to poor outcomes and lots of controversy. Grant Stinchfield calls this what it is — a blatant act of woke victimhood ideology gone too far. It’s the twisted belief that you can fix racism with more racism. By prioritizing one group over another, this principal didn’t lift anyone up. Instead, she sent a dangerous message that minority students are victims and that everyone else doesn’t matter. It’s a moral and educational failure at every level. In a letter to parents on Monday morning, the DISD confirmed the Principal has been replaced, telling parents the principal's actions "do not reflect the values or expectations of our school community." And late Monday Morning the Principal issued an apology, insisting in a letter to parents, that she takes, "full ownership and responsibility for what occurred." and it was never her "intent to single out or cause harm to any group of students." It is unclear if the Principal will return or not. Statements and suspensions are not enough. Grant demands immediate accountability from the Dallas Independent School District, insisting that school leaders make it clear this kind of divisive, race-based policy will never happen again. GrantLovesGold.com Get20Now.com www.EnergizedHealth.com/Grant www.PatriotMobile.com/Grant TWC.Health/Grant Use "Grant" for 10% Off See omnystudio.com/listener for privacy information.

Welcome to Rock N Roll Archaeology! This is a reboot of Episode One: The Precursors, originally released October 15, 2015. We updated and improved it some, and re-released it. ⁠Show Notes and Playlist Here⁠ We begin in Times Square, late summer of 1945. The war is over.  First up, the Baby Boom and a newly-discovered demographic, the white American teenager.  This new cohort is huge, with unprecedented economic clout. Young, restless and affluent, and they want to get beyond the timid, conformist popular culture of 1950s America.  “Race Records” (an outdated term for rhythm and blues records by African American musicians) become hugely popular with white teenagers. Drawn from the well of sorrow that is the Black American experience, this music has the edge and urgency--the authenticity--these kids are seeking.  We meet our first hero - the musical genius Ray Charles - and our first anti-hero, the frenetic, fatally flawed DJ Alan Freed.  We shine a light on two grassroots cultural movements that became important later: the Skiffle Craze in the United Kingdom and the Beat Poets of Urban America.  1954 is an inflection point. On the musical front, Bill Haley released the first million-selling Rock N Roll record: “Rock Around The Clock.”    That same year, big changes in the political landscape. The Brown v Board of Education decision; and Senator Joseph McCarthy was publically humiliated and discredited. Freedom of Association and Freedom of Expression take a step forward. Paranoid politics and systemic racism are still very much with us in America, but in 1954 it got a little easier, became a little less risky, to be yourself and express yourself. We head to the delivery room: Memphis Recording Service, where we meet the first Rock N Roll superstar, Elvis Presley, and tease Chapter Two. Hosted and Produced by Christian Swain Written By Richard Evans and Christian Swain Sound Design by Jerry Danielsen https://www.patreon.com/cw/RNRAP Learn more about your ad choices. Visit megaphone.fm/adchoices

Today, we're joined by Marquita Bradshaw who is an environmental justice organizer, community advocate, and Executive Director of Sowing Justice.Marquita made history as the first African American woman to win a major party nomination for the U.S. Senate in Tennessee, all while using a traditional grassroots organizing model.After that groundbreaking campaign, she founded Sowing Justice,  a nonprofit focused on building power in communities long ignored or harmed by environmental injustice, especially in the Deep South.In this episode, we talk about injustices in Tennessee, the Elon Musk data centers in Memphis, and the growing fight against TVA's planned methane gas expansion. From leaking pipelines to regulatory loopholes, we dig into how this public utility's choices are shaping the lives and futures of people across the Tennessee Valley.Contact and connect: https://www.sowingjustice.org/ https://cleanenergy.org/news/tvas-methane-gas-expansion-is-a-bad-deal-for-memphis/ 

WABC Host Bill O'Reilly joins the show to talk about the dynamics of the New York City mayoral race, expressing concerns over the potential consequences of frontrunner Zohran Mamdani's policies, particularly on public safety. Additionally, the discussion touches on the influence of foreign-born voters and the importance of African American voter support in shifting political outcomes. Learn more about your ad choices. Visit megaphone.fm/adchoices

Tiffany Boyle is a powerhouse in both business and government. As the Commissioner of Revenue for Newport News, Virginia, and the CEO of Emerge Initiatives, LLC, she combines her leadership in public service with her passion for entrepreneurship. Emerge Initiatives is a platform for business owners to access resources, learn, and gain exposure, offering services such as business documentation, social media management, and brand management. She also co-hosts the Emerge Radio Show & Podcast, where she interviews business owners and offers tips for CEOs. Elected in 2017, Tiffany became the first African American woman to serve as Commissioner of the Revenue in Newport News. She oversees a $2.8 million budget and leads a team responsible for tax assessment, correction, defense, and discovery. In recognition of her leadership and impact, Tiffany was chosen out of 12,000 nominees to be among 125 remarkable women by NewNation, with the award presented by Nexstar Media Group. Her community outreach, including the "Commissioners and Cans: Food and Fund Drive," has significantly reduced food insecurity in Newport News. Tiffany has also spearheaded Virginia's first Minority Business Commission and led efforts to address economic equity and opportunity, making a lasting impact on her community and beyond.

This week on Stitch Please, Lisa chats with costume designer LeVonne Lindsay, who turned a post breakup hobby into a career dressing drama literally. From sewing Barbie outfits to running a college costume shop, LeVonne shares what it really takes to make magic backstage. It's a fun, insightful dive into the world of stitches, stage lights, and saying no to shortcuts (until you've earned them).===========Dr. Lisa Woolfork is an associate professor of English specializing in African American literature and culture. Her teaching and research explore Black women writers, Black identity, trauma theory, and American slavery. She is the founder of Black Women Stitch, the sewing group where Black lives matter. She is also the host/producer of Stitch Please, a weekly audio podcast that centers on Black women, girls, and femmes in sewing. In the summer of 2017, she actively resisted the white supremacist marches in her community, Charlottesville, Virginia. The city became a symbol of lethal resurging white supremacist violence. She remains active in a variety of university and community initiatives, including the Community Engaged Scholars program. She believes in the power of creative liberation.Instagram: Lisa WoolforkTwitter: Lisa Woolfork======Stay Connected:YouTube: Black Women StitchInstagram: Black Women StitchFacebook: Stitch Please Podcast--Sign up for the Black Women Stitch quarterly newsletterCheck out our merch hereLeave a BACKSTITCH message and tell us about your favorite episode.Join the Black Women Stitch PatreonCheck out our Amazon Store

Toni Morrison (1931-2019) was a groundbreaking writer and the first African-American woman to win the Nobel Prize in Literature in 1993. Her works, including the Pulitzer Prize-winning novel Beloved—where she coined the word "rememory"—explore race, identity, and the legacies of slavery. Morrison's profound storytelling has made her one of the most influential voices in American literature.For Further Reading: National Women's History Museum: Toni MorrisonToni Morrison, Towering Novelist of the Black Experience, Dies at 88 Manifestations and Memory: A Look At Trauma, Hauntings, and “Rememory”'I wanted to carve out a world both culture specific and race-free': an essay by Toni MorrisonToni Morrison, a Writer of Many Gifts Who Bent Language to Her WillFor the past six years, we've been telling the stories of women you may or may now know– but definitely should. This month, we're bringing back our favorite Womanica episodes from across our back catalog. These are women throughout time and around the world who made their mark. History classes can get a bad rap, and sometimes for good reason. When we were students, we couldn't help wondering... where were all the ladies at? Why were so many incredible stories missing from the typical curriculum? Enter, Womanica. On this Wonder Media Network podcast we explore the lives of inspiring women in history you may not know about, but definitely should.Every weekday, listeners explore the trials, tragedies, and triumphs of groundbreaking women throughout history who have dramatically shaped the world around us. In each 5 minute episode, we'll dive into the story behind one woman listeners may or may not know–but definitely should. These diverse women from across space and time are grouped into easily accessible and engaging monthly themes like Educators, Villains, Indigenous Storytellers, Activists, and many more. Womanica is hosted by WMN co-founder and award-winning journalist Jenny Kaplan. The bite-sized episodes pack painstakingly researched content into fun, entertaining, and addictive daily adventures.Womanica was created by Liz Kaplan and Jenny Kaplan, executive produced by Jenny Kaplan, and produced by Grace Lynch, Maddy Foley, Brittany Martinez, Edie Allard, Carmen Borca-Carrillo, Taylor Williamson, Sara Schleede, Paloma Moreno Jimenez, Luci Jones, Abbey Delk, Adrien Behn, Alyia Yates, Vanessa Handy, Melia Agudelo, and Joia Putnoi. Special thanks to Shira Atkins.Follow Wonder Media Network:WebsiteInstagramTwitter Hosted on Acast. See acast.com/privacy for more information.

In the late ‘80s, two MCC San Francisco ministers wrote an article called “We Are the Church Alive, the Church with AIDS.” We wanted to know how a gay/lesbian church came to call itself “a church with AIDS.” The answers lie in the years before our audio archive begins. So we started asking people. We explore two stories in what's likely a more complicated shift. One story is about a pair of religion geeks who learned to make queer church in New York during the early years of the AIDS crisis and then came to San Francisco to lead MCCSF. And the other is how an Easter Sunday ritual made the Christian hope of life through death viscerally real. “We Are the Church Alive, the Church with AIDS,” by Kittredge Cherry and Jamies Mitulski was published in the Christian Century on January 27, 1988. For images and links about this episode visit https://www.heavenpodcast.org/episode-3. Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Production credits:  When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit http://heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Tasty Morsels.  “We See You God” is a variation on the anonymously written hymn “We See the Lord.” The soloist in “I Lift Mine Eyes Up” is Bob Crocker. It's by Antonin Dvorak, Biblical Songs, Op. 99, no. 9 on Psalm 121.  “Hush, Hush. Somebody's Calling My Name” is a traditional African American spiritual.  Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.   Some links to good groups: The Metropolitan Community Church of San Francisco – the congregation's current website.  Metropolitan Community Churches – the denomination of which MCC San Francisco is a part.  San Francisco AIDS Foundation – a place to seek information about HIV.  POZ Magazine – a place to learn everything else about HIV (information included). Save AIDS Research – their recent, epic 24 hours to Save Research conference with all the latest HIV research is available on YouTube through this site.   LGBTQ Religious Archives Network – the place to get lost in LGBTQ+ religious history. Learn more about your ad choices. Visit megaphone.fm/adchoices

Benin has long tried to highlight its role in the transatlantic slave trade through monuments and memorials in the country, in the hope it would attract tourism.Now it has a new plan.It is offering citizenship to descendants of enslaved Africans around the world.US singers Lauryn Hill and Ciara received their citizenship in July. Filmmaker Spike Lee and his wife Tonya Lewis Lee have also been made Benin's ambassadors to the African-American population in America.The move is an attempt to attract talent and money to its shores and showcase the nation's culture and traditions to a wider audience.This week on The Inquiry we're asking: Can Benin win back its diaspora?Contributors: Dr Bayo Holsey, Association Professor, African American Studies and Anthropology at Emory University, United States Ana Lucia Araujo, Professor in the Department of History at Howard University, United States Dr Leonard Wantchekon, Founder and President of the African School of Economics Tonya Lewis Lee, filmmaker and entrepreneurPresenter: Tanya Beckett Producer: Daniel Rosney Researcher: Maeve Schaffer Technical producer: Nicky Edwards Production Co-ordinator: Hattie Valentine Editor: Tom Bigwood(Photo: Ciara receiving citizenship of Benin. Credit: Government of Benin)

Glenn discusses the Supreme Court's upcoming decision in a case based on the Voting Rights Act, which originated from a controversial redistricting map in Louisiana that sorts people by race to guarantee congressional seats. There is no constitutional right to proportional representation. Is the Left arguing that African-Americans are incapable of doing simple tasks in an attempt to defend the Voting Rights Act? Journalist Megyn Kelly joins to discuss her upcoming event with Glenn and the racism that came from Supreme Court Justice Ketanji Brown Jackson. Glenn and Stu discuss the Trump administration's ongoing attacks on drug vessels in an attempt to curb illegal drugs entering the country. Glenn and Stu react to former Vice President Kamala Harris' claim that she was the most qualified presidential candidate. New Jersey gubernatorial candidate Jack Ciattarelli joins to discuss the failed liberal policies that have plagued New Jersey. Glenn discusses the upcoming No Kings protests that are planned for this weekend. Glenn reveals more of what he will show at his event with Megyn Kelly. Learn more about your ad choices. Visit megaphone.fm/adchoices