New Books in African American Studies

A slave woman in 1840s America dresses as a white, disabled man to escape to freedom, while a twenty-first-century black rights activist is 'cancelled' for denying her whiteness. A Victorian explorer disguises himself as a Muslim in Arabia's forbidden holy city. A trans man claiming to have been assigned male at birth is exposed and murdered by bigots in 1993. Today, Japanese untouchables leave home and change their name. All of them have "passed," performing or claiming an identity that society hasn't assigned or recognized as theirs. For as long as we've drawn lines describing ourselves and each other, people have naturally fallen or deliberately stepped between them. What do their stories--in life and in art--tell us about the changing meanings of identity? About our need for labels, despite their obvious limitations? In Passing: An Alternative History of Identity (Oxford UP, 2021), Lipika Pelham reflects on tales of fluidity and transformation, including her own. From Pope Joan to Parasite, Brazil to Bangladesh, London to Liberia, Passing is a fascinating, timely history of the self. Katrina Anderson is a doctoral candidate at the University of Delaware. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

The iconic Black rock band Living Colour's Time's Up, released in 1990, was recorded in the aftermath of the spectacular critical and commercial success of their debut record Vivid. Time's Up is a musical and lyrical triumph, incorporating distinct forms and styles of music and featuring inspired collaborations with artists as varied as Little Richard, Queen Latifah, Maceo Parker, and Mick Jagger. The clash of sounds and styles don't immediately fit. The confrontational hardcore-thrash metal - complete with Glover's apocalyptic wail - in the title track is not a natural companion with Doug E. Fresh's human beat box on "Tag Team Partners," but it's precisely this bold and brilliant collision that creates the barely-controlled chaos. And isn't rock & roll about chaos? Living Colour's sophomore effort holds great relevance in light of its forward-thinking politics and lyrical engagement with racism, classism, police brutality, and other social and political issues of great importance. In Living Colour's Time's Up (Bloomsbury, 2023),  Kimberly Mack explores the creation and reception of this artistically challenging album, while examining the legacy of this culturally important and groundbreaking American rock band. Kimberly Mack is the author of Fictional Blues: Narrative Self-Invention from Bessie Smith to Jack White (2020), which won the 2021 College English Association of Ohio's Nancy Dasher Award. She is also a music critic and memoirist who has written for publications including Longreads, Music Connection, No Depression, Relix, PopMatters, and Hot Press. Kimberly Mack on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

New York City, 1929. A sanatorium, a deadly disease, and a dire nursing shortage. In the pre-antibiotic days when tuber­culosis stirred people's darkest fears, killing one in seven, white nurses at Sea View, New York's largest municipal hospital, began quitting en masse. Desperate to avert a public health crisis, city officials summoned Black southern nurses, luring them with promises of good pay, a career, and an escape from the stric­tures of Jim Crow. But after arriving, they found themselves on an isolated hilltop in the remote borough of Staten Island, yet again confronting racism and consigned to a woefully understaffed sanatorium, dubbed “the pest house,” where it was said that “no one left alive.” Spanning the Great Depression and moving through World War II and beyond, this remarkable true story follows the intrepid young women known by their patients as the “Black Angels.” For twenty years, they risked their lives work­ing under appalling conditions while caring for New York's poorest residents, who languished in wards, waiting to die, or became guinea pigs for experimental surgeries and often deadly drugs. But despite their major role in desegregating the New York City hospital system—and their vital work in helping to find the cure for tuberculo­sis at Sea View—these nurses were completely erased from history. Maria Smilios' book The Black Angels: The Untold Story of the Nurses Who Helped Cure Tuberculosis (G.P. Putnam's Sons, 2023) recovers the voices of these extraordinary women and puts them at the center of this riveting story, celebrating their legacy and spirit of survival. New York City, 1929. A sanatorium, a deadly disease, and a dire nursing shortage. In the pre-antibiotic days when tuber­culosis stirred people's darkest fears, killing one in seven, white nurses at Sea View, New York's largest municipal hospital, began quitting en masse. Desperate to avert a public health crisis, city officials summoned Black southern nurses, luring them with promises of good pay, a career, and an escape from the stric­tures of Jim Crow. But after arriving, they found themselves on an isolated hilltop in the remote borough of Staten Island, yet again confronting racism and consigned to a woefully understaffed sanatorium, dubbed “the pest house,” where it was said that “no one left alive.” Spanning the Great Depression and moving through World War II and beyond, this remarkable true story follows the intrepid young women known by their patients as the “Black Angels.” For twenty years, they risked their lives work­ing under appalling conditions while caring for New York's poorest residents, who languished in wards, waiting to die, or became guinea pigs for experimental surgeries and often deadly drugs. But despite their major role in desegregating the New York City hospital system—and their vital work in helping to find the cure for tuberculo­sis at Sea View—these nurses were completely erased from history. The Black Angels recovers the voices of these extraordinary women and puts them at the center of this riveting story, celebrating their legacy and spirit of survival. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

This book shows how a century of redlining, disinvestment, and the War on Drugs wreaked devastation on Black people and paved the way for gentrification in Washington, DC. In Before Gentrification: The Creation of DC's Racial Wealth Gap (U California Press, 2023), Tanya Maria Golash-Boza tracks the cycles of state abandonment and punishment that have shaped the city, revealing how policies and policing work to displace and decimate the Black middle class. Through the stories of those who have lost their homes and livelihoods, Golash-Boza explores how DC came to be the nation's "murder capital" and incarceration capital, and why it is now a haven for wealthy White people. This troubling history makes clear that the choice to use prisons and policing to solve problems faced by Black communities in the twentieth century--instead of investing in schools, community centers, social services, health care, and violence prevention--is what made gentrification possible in the twenty-first. Before Gentrification unveils a pattern of anti-Blackness and racial capitalism in DC that has implications for all US cities. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In Old Town Road (Duke University Press, 2023), Chris Molanphy considers Lil Nas X's debut single as pop artifact, chart phenomenon, and cultural watershed. “Old Town Road” was more than a massive hit, with the most weeks at No. 1 in Billboard Hot 100 history. It is also a prism through which to track the evolution of popular music consumption and the ways race influences how the music industry categorizes songs and artists. By both lionizing and satirizing genre tropes—it's a country song built from an alternative rock sample, a hip-hop song in which nobody raps, a comical song that transcends novelty, and a queer anthem—Lil Nas X troubles the very idea of genre. Ultimately, Molanphy shows how “Old Town Road” channeled decades of Americana to point the way toward our cultural future.  Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

When #BlackLivesMatter emerged in 2013, it animated the most consequential Black-led mobilization since the civil rights and Black power era. Today, the hashtag turned rallying cry is but one expression of a radical reorientation toward Black politics, protest, and political thought. To Build a Black Future: The Radical Politics of Joy, Pain, and Care (Princeton UP, 2023) examines the spirit and significance of this insurgency, offering a revelatory account of a new political culture--responsive to pain, suffused with joy, and premised on care--emerging from the centuries-long arc of Black rebellion, a tradition that traces back to the Black slave. Drawing on his own experiences as an activist and organizer, Christopher Paul Harris takes readers inside the Movement for Black Lives (M4BL) to chart the propulsive trajectory of Black politics and thought from the Middle Passage to the present historical moment. Carefully attending to the social forces that produce Black struggle and the contradictions that arise within it, Harris illustrates how M4BL gives voice to an abolitionist praxis that bridges the past, present, and future, outlining a political project at once directed inward to the Black community while issuing an outward challenge to the world. Essential reading for the age of #BlackLivesMatter, this visionary and provocative book reveals how the radical politics of joy, pain, and care, in sharp contrast to liberal political thought, can build a Black future that transcends ideology and pushes the boundaries of our political imagination. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In Dreams in Double Time: On Race, Freedom, and Bebop (Duke UP, 2023), Jonathan Leal examines how the musical revolution of bebop opened up new futures for racialized and minoritized communities. Blending lyrical nonfiction with transdisciplinary critique and moving beyond standard Black/white binary narratives of jazz history, Leal focuses on the stories and experiences of three musicians and writers of color: James Araki, a Nisei multi-instrumentalist, soldier-translator, and literature and folklore scholar; Raúl Salinas, a Chicano poet, jazz critic, and longtime activist who endured the US carceral system for over a decade; and Harold Wing, an Afro-Chinese American drummer, pianist, and songwriter who performed with bebop pioneers before working as a public servant. Leal foregrounds that for these men and their collaborators, bebop was an affectively and intellectually powerful force that helped them build community and dream new social possibilities. Bebop's complexity and radicality, Leal contends, made it possible for those like Araki, Salinas, and Wing who grappled daily with state-sanctioned violence to challenge a racially supremacist, imperial nation, all while hearing and making the world anew. "Dreams of Autumn" on Spotify. "Dreams of Autumn on Apple Music. Nathan Smith is a PhD candidate in Music Theory at Yale University Email: nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In a rapidly changing New York, two forces battled for the city's soul: the pro-slavery New Yorkers who kept the illegal slave trade alive and well, and the abolitionists fighting for freedom. We often think of slavery as a southern phenomenon, far removed from the booming cities of the North. But even though slavery had been outlawed in Gotham by the 1830s, Black New Yorkers were not safe. Not only was the city built on the backs of slaves; it was essential in keeping slavery and the slave trade alive. In The Kidnapping Club: Wall Street, Slavery, and Resistance on the Eve of the Civil War (Bold Type Press, 2020), historian Jonathan Daniel Wells tells the story of the powerful network of judges, lawyers, and police officers who circumvented anti-slavery laws by sanctioning the kidnapping of free and fugitive African Americans. Nicknamed "The New York Kidnapping Club," the group had the tacit support of institutions from Wall Street to Tammany Hall whose wealth depended on the Southern slave and cotton trade. But a small cohort of abolitionists, including Black journalist David Ruggles, organized tirelessly for the rights of Black New Yorkers, often risking their lives in the process. Taking readers into the bustling streets and ports of America's great Northern metropolis, The Kidnapping Club is a dramatic account of the ties between slavery and capitalism, the deeply corrupt roots of policing, and the strength of Black activism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Bookshop.org is an online book retailer that donates more than 80% of its profits to independent bookstores. Launched in 2020, Bookshop.org has already raised more than $27,000,000. In this interview, Andy Hunter, founder and CEO discusses his journey to creating one of the most revolutionary new organizations in the book world. Bookshop has found a way to retain the convenience of online book shopping while also supporting independent bookstores that are the backbones of many local communities.  Andy Hunter is CEO and Founder of Bookshop.org. He also co-created Literary Hub. Caleb Zakarin is the Assistant Editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

A surge in interest in black reparations is taking place in America on a scale not seen since the Reconstruction Era. The Black Reparations Project: A Handbook for Racial Justice (U California Press, 2023) gathers an accomplished interdisciplinary team of scholars--members of the Reparations Planning Committee--who have considered the issues pertinent to making reparations happen. This book will be an essential resource in the national conversation going forward. The first section of The Black Reparations Project crystallizes the rationale for reparations, cataloguing centuries of racial repression, discrimination, violence, mass incarceration, and the immense black-white wealth gap. Drawing on the contributors' expertise in economics, history, law, public policy, public health, and education, the second section unfurls direct guidance for building and implementing a reparations program, including draft legislation that addresses how the program should be financed and how claimants can be identified and compensated. Rigorous and comprehensive, The Black Reparations Project will motivate, guide, and speed the final leg of the journey for justice. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

The British empire, in sentimental myth, was more free, more just and more fair than its rivals. But this claim that the British empire was 'free' and that, for all its flaws, it promised liberty to all its subjects was never true. The British empire was built on slavery. Padraic X. Scanlan's book Slave Empire: How Slavery Built Modern Britain (Robinson, 2021) puts enslaved people at the centre the British empire in the eighteenth and nineteenth centuries. In intimate, human detail, the chapters show how British imperial power and industrial capitalism were inextricable from plantation slavery. With vivid original research and careful synthesis of innovative historical scholarship, Slave Empire shows that British freedom and British slavery were made together. In the nineteenth century, Britain abolished its slave trade, and then slavery in its colonial empire. Because Britain was the first European power to abolish slavery, many Victorian Britons believed theirs was a liberal empire, promoting universal freedom and civilisation. And yet, the shape of British liberty itself was shaped by the labour of enslaved African workers. There was no bright line between British imperial exploitation and the 'civilisation' that the empire promised to its subjects. Nineteenth-century liberals were blind to the ways more than two centuries of colonial slavery twisted the roots of 'British liberty'. Freedom - free elections, free labour, free trade - were watchwords in the Victorian era, but the empire was still sustained by the labour of enslaved people, in the United States, Cuba and elsewhere. Modern Britain has inherited the legacies and contradictions of a liberal empire built on slavery. Modern capitalism and liberalism emphasise 'freedom' - for individuals and for markets - but are built on human bondage. Katrina Anderson is a doctoral candidate at the University of Delaware. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

The history of race in American theater is more complicated than you might think, writes Dr. Josephine Lee in Oriental, Black, and White: The Formation of Racial Habits in American Theater (UNC Press, 2022). Dr. Lee, a professor of English and Asian American Studies at the University of Minnesota, examines the linked histories of orientalism, Blackface and Yellowface, in nineteenth and early twentieth century American theater, showing how identity creation and racialization occurred among multiple groups simultaneously. Within the context of large scale East Asian immigration to the West coast, labor debates, and American empire building. Theaters, both on the East and West coasts, and touring Black and white theater companies, thus both reflected and shaped American ideas about race and belonging throughout this time period. A fascinating and complex look at how Americans tried to make sense of their world, Lee asks readers to look beyond easy answers and assumptions, and look at American theater in a new way. Oriental, Black, and White is an open access book, available for free via JStor. Dr. Stephen R. Hausmann is an assistant professor of history at the University of St. Thomas in Minnesota. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Conor Harrison, Associate Professor of Geography and the School of Earth, Ocean, and Environment at the University of South Carolina, talks about his research into the racist development of electrical systems in the Jim Crow South with Peoples & Things host, Lee Vinsel. The pair discuss how Harrison's research fits within larger trends in the academic discipline of geography and the kinds of empirical research Harrison did to support his articles on the racial dimensions of electricity infrastructure. They also discuss how Harrison's research has shifted in recent years to focus on the financial structures of the electricity industry. Lee Vinsel is an associate professor in the Department of Science, Technology and Society at Virginia Tech. He studies human life with technology, with particular focus on the relationship between government, business, and technological change. His first book, Moving Violations: Automobiles, Experts, and Regulations in the United States, was published by Johns Hopkins University Press in July 2019. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Industrial toxic emissions on the South Baltimore Peninsula are among the highest in the nation. Because of the concentration of factories and other chemical industries in their neighborhoods, residents face elevated rates of lung cancer and other respiratory illnesses in addition to heart attacks, strokes, and cardiovascular disease, all of which can lead to premature death.  Fighting to Breathe: Race, Toxicity, and the Rise of Youth Activism in Baltimore (U California Press, 2022) follows a dynamic and creative group of high school students who decided to fight back against the race- and class-based health disparities and inequality in their city. For more than a decade, student organizers stood up to unequal land use practices and the proposed construction of an incinerator and instead initiated new waste management strategies. As a Baltimore resident and activist-scholar, Nicole Fabricant documents how these young organizers came to envision, design, and create a more just and sustainable Baltimore. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Mobile is simultaneously a typical and unique city in the postwar United States. It was a quintessential boomtown during World War II. That prosperity was followed by a period of rapid urban decline and subsequent attempts at revitalizing (or gentrifying) its downtown area. As in many other US cities, urban renewal, integration, and other socioeconomic developments led to white flight, marginalized the African American population, and set the stage for the development of LGBTQ+ community building and subculture. Yet these usually segregated segments of society in Mobile converged once a year to create a common identity, that of a Carnival City. Carnival in Alabama: Marked Bodies and Invented Traditions in Mobile (UP of Mississippi, 2023) looks not only at the people who participated in Mardi Gras organizations divided by race, gender, and/or sexual orientation, but also investigates the experience of “marked bodies” outside of these organizations, or people involved in Carnival through their labor or as audiences (or publics) of the spectacle. It also expands the definition of Mobile's Carnival “tradition” beyond the official pageantry by including street maskers and laborers and neighborhood cookouts. Using archival sources and oral history interviews to investigate and analyze the roles assigned, inaccessible to, or claimed and appropriated by straight-identified African American men and women and people who defied gender and sexuality normativity in the festivities (regardless of their racial identity), this book illuminates power dynamics through culture and ritual. By looking at Carnival as an “invented tradition” and as a semiotic system associated with discourses of power, it joins a transnational conversation about the phenomenon. Katrina Anderson is a doctoral candidate at the University of Delaware. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

This radical work by one of the leading young scholars of Black thought delineates a new concept of Black dignity, yet one with a long history in Black writing and action. Previously in the West, dignity has been seen in two ways: as something inherent in one's station in life, whether acquired or conferred by birth; or more recently as an essential condition and right common to all of humanity. In what might be called a work of observational philosophy—an effort to describe the philosophy underlying the Black Lives Matter movement—Vincent W. Lloyd defines dignity as something performative, not an essential quality but an action: struggle against domination. Without struggle, there is no dignity.  In Black Dignity: The Struggle Against Domination (Yale UP, 2022), Lloyd defines anti-Blackness as an inescapable condition of American life, and the slave's struggle against the master as the “primal scene” of domination and resistance. Exploring the way Black writers such as Frederick Douglass, Langston Hughes, and Audre Lorde have dealt with themes such as Black rage, Black love, and Black magic, Lloyd posits that Black dignity is the paradigm of all dignity and, more audaciously, that Black philosophy is the starting point of all philosophy. Vincent W. Lloyd is associate professor of theology and religious studies at Villanova University. His previous books include Black Natural Law and the coedited Race and Secularism in America. He coedits the journal Political Theology. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Why Mariah Carey Matters (University of Texas Press, 2023) examines the creative and complicated evolution of the musical artist. In the 1990s, Carey perfected blending pop, hip-hop, and R&B and drew from her turbulent personal life to create introspective, sonically sound masterpieces like “Vision of Love,” “Make it Happen,” and “Butterfly.” There is no doubt about Carey's star power, as she has sold over 220 million albums globally and has the most Billboard chart-topping singles of any solo artist. Although a pioneering songwriter and producer, Carey's musicianship and influence are still insufficiently appreciated. Andrew Chan looks beyond Carey's glamorous persona to explore her experience as a biracial Black woman in the music business, her adventurous forays into house music and gospel, and her appeal to multiple generations of queer audiences. He also reckons with the transcendent ideal of the voice that Carey represents, showing how this international icon taught artists worldwide to sing with soul-shaking intensity and a spirit of innovation. Andrew Chan writes regularly about music, film, and books. His work has been published by the Criterion Collection, Film Comment, NPR, the New Yorker, and Reverse Shot. Latoya Johnson is an editor, writer, and bibliophile with a master's in Humanities. Her research and writing interests include popular culture, the public history of women's fiction, and women in Greco-Roman mythology. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

At five years old, Kristal Brent Zook sat on the steps of a Venice Beach, California, motel trying to make sense of her white father's abandonment, which left her feeling unworthy of a man's love and of white protection. Raised by her working-class African American mother and grandmother, Zook was taught not to count on anyone, especially men. Men leave. Men disappoint. In adulthood she became a feminist, activist, and “race woman” journalist in New York City. Despite her professional success, something was missing. Coming to terms with her identity was a constant challenge. The Girl in the Yellow Poncho: A Memoir (Duke UP, 2023) is Zook's coming-of-age tale about what it means to be biracial in America. Throughout, she grapples with in-betweenness while also facing childhood sexual assault, economic insecurity, and multigenerational alcoholism and substance abuse on both the Black and white sides of her family. Her story is one of strong Black women—herself, her cousin, her mother, and her grandmother—and the generational cycles of oppression and survival that seemingly defined their lives. Setting out on an inner journey that takes her across oceans and continents, Zook tells the story of a little girl who never gives up on love, even long after it seems to have been destroyed. In the end she triumphs, reconciling with her father and mother to create the family of her dreams through forgiveness and sheer force of will. A testament to the power of settling into one's authentic identity, this book tells a story of a daughter's lifelong yearning, a mother's rediscovery of lost love, and the profound power of atonement and faith to heal a broken family. Katrina Anderson is a doctoral candidate at the University of Delaware. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

The story of Reconstruction is often told from the perspective of the politicians, generals, and journalists whose accounts claim an outsized place in collective memory. But this pivotal era looked very different to African Americans in the South transitioning from bondage to freedom after 1865. They were besieged by a campaign of white supremacist violence that persisted through the 1880s and beyond. For too long, their lived experiences have been sidelined, impoverishing our understanding of the obstacles post-Civil War Black families faced, their inspiring determination to survive, and the physical and emotional scars they bore because of it.  In I Saw Death Coming: A History of Terror and Survival in the War Against Reconstruction (Bloomsbury, 2023), Kidada E. Williams offers a breakthrough account of the much-debated Reconstruction period, transporting readers into the daily existence of formerly enslaved people building hope-filled new lives. Drawing on overlooked sources and bold new readings of the archives, Williams offers a revelatory and, in some cases, minute-by-minute record of nighttime raids and Ku Klux Klan strikes. And she deploys cutting-edge scholarship on trauma to consider how the effects of these attacks would linger for decades-indeed, generations-to come. For readers of Carol Anderson, Tiya Miles, and Clint Smith, I Saw Death Coming is an indelible and essential book that speaks to some of the most pressing questions of our times. Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

With the US Supreme Court confirmation of Ketanji Brown Jackson, “it makes sense to revisit the life and work of another Black woman who profoundly shaped the law: Constance Baker Motley” (CNN). Born to an aspirational blue-collar family during the Great Depression, Constance Baker Motley was expected to find herself a good career as a hairdresser. Instead, she became the first black woman to argue a case in front of the Supreme Court, the first of ten she would eventually argue. The only black woman member in the legal team at the NAACP's Inc. Fund at the time, she defended Martin Luther King in Birmingham, helped to argue in Brown vs. The Board of Education, and played a critical role in vanquishing Jim Crow laws throughout the South. She was the first black woman elected to the state Senate in New York, the first woman elected Manhattan Borough President, and the first black woman appointed to the federal judiciary. Civil Rights Queen: Constance Baker Motley and the Struggle for Equality (Knopf Doubleday, 2023) captures the story of a remarkable American life, a figure who remade law and inspired the imaginations of African Americans across the country. Burnished with an extraordinary wealth of research, award-winning, esteemed Civil Rights and legal historian and dean of the Harvard Radcliffe Institute, Tomiko Brown-Nagin brings Motley to life in these pages. Brown-Nagin compels us to ponder some of our most timeless and urgent questions–how do the historically marginalized access the corridors of power? What is the price of the ticket? How does access to power shape individuals committed to social justice? In Civil Rights Queen, she dramatically fills out the picture of some of the most profound judicial and societal change made in twentieth-century America. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Ana Lucia Araujo's book Museums and Atlantic Slavery (Routledge, 2021) explores how slavery, the Atlantic slave trade, and enslaved people are represented through words, visual images, artifacts, and audiovisual materials in museums in Europe and the Americas. Divided into four chapters, the book addresses four recurrent themes: wealth and luxury; victimhood and victimization; resistance and rebellion; and resilience and achievement. Considering the roles of various social actors who have contributed to the introduction of slavery in the museum in the last thirty years, the analysis draws on selected exhibitions, and institutions entirely dedicated to slavery, as well as national, community, plantation, and house museums in the United States, England, France, and Brazil. Engaging with literature from a range of disciplines, including history, anthropology, sociology, art history, tourism and museum studies, Araujo provides an overview of a topic that has not yet been adequately discussed and analysed within the museum studies field. Museums and Atlantic Slavery encourages scholars, students, and museum professionals to critically engage with representations of slavery in museums. The book will help readers to recognize how depictions of human bondage in museums and exhibitions often fail to challenge racism and white supremacy inherited from the period of slavery. Katrina Anderson is a doctoral candidate at the University of Delaware. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Thy Power, O Liberty, make strong the weak, And (wond'rous instinct) Ethiopians speak. At the age of 19, Phillis Wheatley published the first book in English by a person of African descent and the third book of poetry by a North American Woman. She was a poet but also a political actor and celebrity – the most famous African in North America and Europe during the era of the American Revolution. George Washington wrote to her. Thomas Jefferson ridiculed her.  In The Odyssey of Phillis Wheatley: A Poet's Journeys Through American Slavery and Independence (FSG, 2023) – a joint exercise in history and literary criticism, Dr. David Waldstreicher writes that Wheatley is “Homer and Odysseus and the slaves and the women they knew or imagined. She aimed for the universal without forgetting who was suffering most and why.” Reading Wheatley's poetry in historical context reveals the extent to which the American Revolution both strengthened and limited black slavery – and also how Wheatley herself affected the debates about American slavery and independence. Mastering the Bible, Greek and Latin translations, and the works of Pope and Milton, Wheatley composed elegies for local elites, celebrated political events, and praised warriors. Despite her skill, knowledge, and fame, she often had to write indirectly about subjects that mattered deeply to her – race, slavery, and discontent with British rule. During a period in which writing was central to political conversation, she used her verse to lampoon, question, and assert the injustice of her enslaved condition. As Waldstreicher demonstrates, Wheatley wrote about events and people – turning what was available and acceptable for a person in her position into poetry that could be read for its art – but also subversively for its political ideas. He concludes that her work proves that the story of the American revolution and Phillis Wheatley are inextricably joined – and that story is one of “resilience and creativity, of antislavery and antiracist possibilities, and of backlash and loss, dreams dashed and deferred.”  Dr. David Waldstreicher is distinguished professor of history, American Studies, and Africana Studies at the Graduate Center of the City University of New York. His research interests include U.S. cultural and political history, colonial and early US, African American history, slaver, and antislavery. He is the author of Slavery's Constitution: From Revolution to Ratification (Hill and Wang) and Runaway American: Benjamin Franklin, Slavery, and the American Revolution (Farrar, Strauss & Giroux). His public facing writing includes contributions to The New York Times Book Review, the Boston Review, and The Atlantic. Susan Liebell is a Professor of Political Science at Saint Joseph's University in Philadelphia. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In her concise history Slavery and Abolition in Pennsylvania (Temple UP, 2021), Beverly Tomek corrects the long-held notion that slavery in the North was “not so bad” as, or somehow “more humane” than, in the South due to the presence of abolitionists. While the Quaker presence focused on moral and practical opposition to bondage, slavery was ubiquitous. Nevertheless, Pennsylvania was the first state to pass an abolition law in the United States. Slavery and Abolition in Pennsylvania traces this movement from its beginning to the years immediately following the American Civil War. Discussions of the complexities of the state's antislavery movement illustrate how different groups of Pennsylvanians followed different paths in an effort to achieve their goal. Tomek also examines the backlash abolitionists and Black Americans faced. In addition, she considers the civil rights movement from the period of state reconstruction through the national reconstruction that occurred after the Civil War. While the past few decades have shed light on enslavement and slavery in the South, much of the story of northern slavery remains hidden. Slavery and Abolition in Pennsylvania tells the full and inclusive story of this history, bringing the realities of slavery, abolition, and Pennsylvania's attempt to reconstruct its post-emancipation society. Beverly C. Tomek is Dean of Humanities and Social Sciences at Monroe County Community College. She is the author of Colonization and Its Discontents: Emancipation, Emigration, and Antislavery in Antebellum Pennsylvania and Pennsylvania Hall: A "Legal Lynching" in the Shadow of the Liberty Bell, as well as the coeditor of New Directions in the Study of African American Recolonization. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Vanessa I. Corredera's book Reanimating Shakespeare's Othello in Post-Racial America (Edinburgh Univeristy Press, 2022) looks at how that seventeenth-century play and its protagonist was imagined in theatre, television, and other media between 2008 and 2016. Corredera's analysis ranges from the sketch comedy Key & Peele to Keith Hamilton Cobb's play American Moor, from ever-persistent tradition of minstrel Othello to the reimagining of Shakespeare's play by writers of color. Bringing together examples of cultural texts that perpetuate anti-black racism and other artifacts that offer anti-racist possibilities, Corredera's book helps us to understand this recent moment in U.S. history. At times, to quote Reanimating Shakespeare's Othello in Post-Racial America, creators like Serial's Sarah Koenig “have operationalize[d] what this book demonstrates is in fact the common Othello narrative without truly thinking about its force, wielding Shakespearean authority without any regard as to the potentially subjugating purpose for which she is employing it” (127). Other reanimations invite us to shift our perspective and, by extension, reconsider our identifications with characters such as Desdemona or Iago. Vanessa I. Corredera is Department Chair and Professor of English at Andrews University. Corredera's scholarship has appeared in Literature Compass, Borrowers and Lenders, Shakespeare Quarterly, and The Routledge Handbook to Shakespeare and Global Appropriation. Corredera also just published Shakespeare and Cultural Appropriation, which is co-edited with Geoffrey Way and L. Monique Pittman (Routledge, 2023). In addition to scholarship, Corredera is a celebrated teacher having won campus-wide honors including the Daniel S. Augsburger Excellence in Teaching Award and the Undergraduate Research Mentor Award. During the conversation, Vanessa discusses Brandi K. Adams's article “Black ‘(un)bookishness' in Othello and American Moor: A Meditation” (Shakespeare, 2021), Keith Hamilton Cobb's American Moor (Methuen, 2020), Carol Anderson's White Rage (Bloomsbury, 2016), Kim Hall's edition of Othello (Bedford/St. Martin's, 2006), Imani Perry's Prophets of the Hood: Politics and Poetics in Hip Hop (Duke University Press, 2004), Jordan Peele's Get Out (2017), and Eduardo Bonilla-Silva's Racism Without Racists (Rowman & Littlefield Publishers, 2003). John Yargo is Visiting Assistant Professor of Environmental Studies at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Karima K. Jeffrey-Legette's book Speculative Film and Moving Images by or about Black Women and Girls (Lexington Books, 2022) examines depictions of African-descended women and girls in twentieth and twenty-first century filmmaking. Topics include a discursive analysis of stereotypes; roles garnered by Halle Berry, the only Black woman to receive an Oscar for Best Actress in a Leading Role; the promise of characters, relationships, and scripts found in works ranging from Altered Carbon, Lovecraft Country, and HBO's Watchmen series; and a closing chapter that considers the legacy of Black women in horror. Jeffrey-Legette illustrates the ways in which recent texts explore the trauma endured by people of African descent in the United States of America in evocative ways. In doing so, she provides a compelling interpretation of prevalent, well-received, and recurring images of Black women and girls in American popular culture. Katrina Anderson is a doctoral candidate at the University of Delaware. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

As I learned from Hollis Robbins's monograph Forms of Contention: Influence and the African American Sonnet Tradition (U Georgia Press, 2020), there has been a long-standing skepticism of the sonnet form among Black writers and literary critics. Langston Hughes wrote that “the Shakespearean sonnet would be no mold to express the life of Beale Street or Lenox Avenue.” Ishmael Reed condemned sonneteering, alongside ode-writing, as “the feeble pluckings of musky gentlemen and slaves of the metronome.” And yet African American poets such as Terrance Hayes and Natasha Trethewey continue to contribute to a tradition of sonnet-writing that includes Robert Hayden, Phyllis Wheatley, Rita Dove, Amiri Baraka, and James Corrothers. Today's guest is Hollis Robbins, the author of Forms of Contention, published with the University of Georgia Press in 2020. Hollis is the Dean of Humanities at the University of Utah. Previously, she served as Dean of Arts and Humanities at Sonoma State University, Professor of Humanities at the Peabody Institute at Johns Hopkins University, and Professor of English at Millsaps College. Hollis is also the co-editor of a number of field-defining books including The Portable Nineteenth Century African American Women Writers (Penguin, 2017); The Annotated Uncle Tom's Cabin (Norton, 2006); and the Works of William Wells Brown (Oxford University Press, 2006). Forms of Contention tests the premise that a literary form such as the sonnet can both offer opportunities for reimagining society and politics and pose perils of constraint. This book captures the complexity and longevity of a vibrant tradition of Black poets taking up the sonnet form to explore race, liberation, enslavement, solidarity, and abolitionism. It also invites us to find new directions for the intersection of literary formalism and African American cultural studies. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

From white-collar executives to mail carriers, public workers meet the needs of the entire nation. In Public Workers in Service of America: A Reader (U Illinois Press, 2023), Frederick W. Gooding Jr. and Eric S. Yellin provide an edited collection of new research on this understudied workforce:  Part One begins in the late nineteenth- and early twentieth century to explore how questions of race, class, and gender shaped public workers, their workplaces, and their place in American democracy. In Part Two, essayists examine race and gender discrimination while revealing the subtle contemporary forms of marginalization that keep Black men and Black and white women underpaid and overlooked for promotion. The historic labor actions detailed in Part Three illuminate how city employees organized not only for better pay and working conditions but to seek recognition from city officials, the public, and the national labor movement. Part Four focuses on nurses and teachers to address the thorny question of whether certain groups deserve premium pay for their irreplaceable work and sacrifices or if serving the greater good is a reward unto itself. Contributors: Eileen Boris, Cathleen D. Cahill, Frederick W. Gooding Jr., William P. Jones, Francis Ryan, Jon Shelton, Joseph E. Slater, Katherine Turk, Eric S. Yellin, and Amy Zanoni. Stephen Pimpare is a Senior Fellow at the Carsey School of Public Policy at the University of New Hampshire. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

For the past five years, American public schools have enrolled more students identified as Black, Latinx, American Indian, and Asian than white. At the same time, more than half of US school children now qualify for federally subsidized meals, a marker of poverty. The makeup of schools is rapidly changing, and many districts and school boards are at a loss as to how they can effectively and equitably handle these shifts. Suddenly Diverse: How School Districts Manage Race and Inequality (U Chicago Press, 2020) is an ethnographic account of two school districts in the Midwest responding to rapidly changing demographics at their schools. It is based on observations and in-depth interviews with school board members and superintendents, as well as staff, community members, and other stakeholders in each district: one serving “Lakeside,” a predominately working class, conservative community and the other serving “Fairview,” a more affluent, liberal community. Erica O. Turner looks at district leaders' adoption of business-inspired policy tools and the ultimate successes and failures of such responses. Turner's findings demonstrate that, despite their intentions to promote “diversity” or eliminate “achievement gaps,” district leaders adopted policies and practices that ultimately perpetuated existing inequalities and advanced new forms of racism. While suggesting some ways forward, Suddenly Diverse shows that, without changes to these managerial policies and practices and larger transformations to the whole system, even district leaders' best efforts will continue to undermine the promise of educational equity and the realization of more robust public schools. Joao Souto-Maior is a postdoc at the New York University's Institute of Human Development and Social Change. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Carl Ernst's and Mbaye Lo's new book I Cannot Write My Life: Islam, Arabic, and Slavery in Omar Ibn Said's America (UNC Press, 2023) is a fascinating and rivetting book that offers the most authoritative account to date of the life and Arabic writings of Omar Ibn Said, a scholar from what is today Senegal who was sold to slavery in the early 19th century and brought to Southern US. Moreover, this path paving book offers critical correctives to dominant perceptions of Said's remarkable life narrative. Rather than understand Omar Ibn Said as a Muslim slave who had made peace with his new life in the US or had even converted to Christianity, Ernst and Lo demonstrate the deep imprints of Islam and Islamicate knowledge traditions in Omar Ibn Said's varied writings such as his reflections on his life and his letters. This book, written in lyrical and engaging prose, makes available for the first time comprehensive translations of Omar Ibn Said's Arabic writings into English. It also makes a compelling and convincing case for taking seriously Arabic texts from Africa as part of world literature. SherAli Tareen is Associate Professor of Religious Studies at Franklin and Marshall College. His research focuses on Muslim intellectual traditions and debates in early modern and modern South Asia. His book Defending Muhammad in Modernity (University of Notre Dame Press, 2020) received the American Institute of Pakistan Studies 2020 Book Prize and was selected as a finalist for the 2021 American Academy of Religion Book Award. His second book is called Perilous Intimacies: Debating Hindu-Muslim Friendship after Empire (Columbia University Press, 2023). His other academic publications are available here. He can be reached at sherali.tareen@fandm.edu. Listener feedback is most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

First introduced in the pages of X-Men, Storm is probably the most recognized Black female superhero. She is also one of the most powerful characters in the Marvel Universe, with abilities that allow her to control the weather itself. Yet that power is almost always deployed in the service of White characters, and Storm is rarely treated as an authority figure. Hero Me Not: The Containment of the Most Powerful Black, Female Superhero (Rutgers UP, 2023) offers an in-depth look at this fascinating yet often frustrating character through all her manifestations in comics, animation, and films. Chesya Burke examines the coding of Storm as racially “exotic,” an African woman who nonetheless has bright white hair and blue eyes and was portrayed onscreen by biracial actresses Halle Berry and Alexandra Shipp. She shows how Storm, created by White writers and artists, was an amalgam of various Black stereotypes, from the Mammy and the Jezebel to the Magical Negro, resulting in a new stereotype she terms the Negro Spiritual Woman. With chapters focusing on the history, transmedia representation, and racial politics of Storm, Burke offers a very personal account of what it means to be a Black female comics fan searching popular culture for positive images of powerful women who look like you. Katrina Anderson is a doctoral candidate at the University of Delaware. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Race and the Greening of Atlanta: Inequality, Democracy, and Environmental Politics in an Ascendant Metropolis (U Georgia Press, 2023) turns an environmental lens on Atlanta's ascent to thriving capital of the Sunbelt over the twentieth century. Uniquely wide ranging in scale, from the city's variegated neighborhoods up to its place in regional and national political economies, this book reinterprets the fall of Jim Crow as a democratization born of two metropolitan movements: a well-known one for civil rights and a lesser known one on behalf of “the environment.” Arising out of Atlanta's Black and white middle classes respectively, both movements owed much to New Deal capitalism's undermining of concentrated wealth and power, if not racial segregation, in the Jim Crow South. Placing these two movements on the same historical page, Christopher C. Sellers spotlights those environmental inequities, ideals, and provocations that catalyzed their divergent political projects. He then follows the intermittent, sometimes vital alliances they struck as civil rights activists tackled poverty, as a new environmental state arose, and as Black politicians began winning elections. Into the 1980s, as a wealth-concentrating style of capitalism returned to the city and Atlanta became a national “poster child” for sprawl, the seedbeds spread both for a national environmental justice movement and for an influential new style of antistatism. Sellers contends that this new conservativism, sweeping the South with an anti-environmentalism and budding white nationalism that echoed the region's Jim Crow past, once again challenged the democracy Atlantans had achieved. Christopher Sellers is professor of history at Stony Brook University. He is the author of Hazards of the Job, Crabgrass Crucible, Dangerous Trade, and Landscapes of Exposure, among other publications. He is the recipient of numerous awards, grants, and fellowships, including those from the National Science Foundation, the National Humanities Center, and the National Library of Medicine. He lives in Stony Brook, New York. Website. Twitter. Brian Hamilton is chair of the Department of History and Social Science at Deerfield Academy. Twitter. Website. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

On today's podcast, we are changing things up a bit. Instead of interviewing the author of a recent book, I am interviewing another podcaster about their recent narrative podcast season. So, today, I'm interviewing Joel Anderson, staff writer at Slate, co-host of Hang Up and Listen, and the host of Seasons 3, 6, and, most recently, 8 of Slow Burn. On this episode, I chop it up with Joel about Season 8 of Slow Burn, titled, Becoming Justice Thomas.  Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Early childhood can be a time of rich discovery, a period when educators have an opportunity to harness their students' fascination to create unique learning opportunities. Some teachers engage with their students' ideas in ways that make learning collaborative--but not all students have access to these kinds of learning environments. In Segregation by Experience: Agency, Racism, and Learning in the Early Grades (U Chicago Press, 2021), the authors filmed and studied a a first-grade classroom led by a Black immigrant teacher who encouraged her diverse group of students to exercise their agency. When the researchers showed the film to other schools, everyone struggled. Educators admired the teacher but didn't think her practices would work with their own Black and brown students. Parents of color—many of them immigrants—liked many of the practices, but worried that they would compromise their children. And the young children who viewed the film thought that the kids in the film were terrible, loud, and badly behaved; they told the authors that learning was supposed to be quiet, still, and obedient. In Segregation by Experience Jennifer Keys Adair and Kiyomi Sánchez-Suzuki Colegrove show us just how much our expectations of children of color affect what and how they learn at school, and they ask us to consider which children get to have sophisticated, dynamic learning experiences at school and which children are denied such experiences because of our continued racist assumptions about them. Laura Beth Kelly is an assistant professor of Educational Studies at Rhodes College in Memphis, Tennessee. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Bobby J. Smith II's book Food Power Politics: The Food Story of the Mississippi Civil Rights Movement (UNC Press, 2023 )unearths a food story buried deep within the soil of American civil rights history. Drawing on archival research, interviews, and oral histories, Smith re-examines the Mississippi civil rights movement as a period when activists expanded the meaning of civil rights to address food as integral to sociopolitical and economic conditions. For decades, white economic and political actors used food as a weapon against Black sharecropping communities in the Yazoo-Mississippi Delta, but members of these communities collaborated with activists to transform food into a tool of resistance. Today, Black youth are building a food justice movement in the Delta to continue this story, grappling with inequalities that continue to shape their lives.  Drawing on multiple disciplines including critical food studies, Black studies, history, sociology, and southern studies, Smith makes critical connections between civil rights activism and present-day food justice activism in Black communities, revealing how power struggles over food empower them to envision Black food futures in which communities have the full autonomy and capacity to imagine, design, create, and sustain a self-sufficient local food system. Kelly Spivey is a writer and documentarian. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

During the Great Depression, the American South was not merely "the nation's number one economic problem," as President Franklin Roosevelt declared. It was also a battlefield on which forces for and against social change were starting to form. For a white southern liberal like Jonathan Daniels, editor of the Raleigh News and Observer, it was a fascinating moment to explore. Attuned to culture as well as politics, Daniels knew the true South lay somewhere between Erskine Caldwell's Tobacco Road and Margaret Mitchell's Gone with the Wind.  On May 5, 1937, he set out to find it, driving thousands of miles in his trusty Plymouth and ultimately interviewing even Mitchell herself. In Discovering the South historian Jennifer Ritterhouse pieces together Daniels's unpublished notes from his tour along with his published writings and a wealth of archival evidence to put this one man's journey through a South in transition into a larger context. Daniels's well chosen itinerary brought him face to face with the full range of political and cultural possibilities in the South of the 1930s, from New Deal liberalism and social planning in the Tennessee Valley Authority, to Communist agitation in the Scottsboro case, to planters' and industrialists' reactionary worldview and repressive violence. Jennifer Ritterhouse's book Discovering the South: One Man's Travels through a Changing America in the 1930s (UNC Press, 2017) is a lively narrative of black and white southerners fighting for and against democratic social change at the start of the nation's long civil rights era. For more information on this book, see www.discoveringthesouth.org. Matt Simmons is an Assistant Professor of History at Emmanuel University where he teaches courses in U.S. and public history. His research focuses on the intersection of labor and race in the twentieth-century American South. You can follow him on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Diversity in higher education is under attack as the Supreme Court limits the use of race-conscious admissions practices at American colleges and universities. In On the Basis of Race: How Higher Education Navigates Affirmative Action Policies (NYU Press, 2023), Lauren S. Foley sheds light on our current crisis, exploring the past, present, and future of this contentious policy. From Brown v. Board of Education in the mid-twentieth century to the current Students for Fair Admissions v. Harvard and University of North Carolina, Chapel Hill, Foley explores how organizations have resisted and complied with public policies regarding race. She examines how admissions officers, who have played an important role in the long fight to protect racial diversity in higher education, work around the law to maintain diversity after affirmative action is banned.  Foley takes us behind the curtain of student admissions, shedding light on how multiple universities, including the University of Michigan, have creatively responded to affirmative action bans. On the Basis of Race traces the history of a controversial idea and policy, and provides insight into its uncertain future. Stephen Pimpare is a Senior Fellow at the Carsey School of Public Policy at the University of New Hampshire. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Today I talked to Earl Careton about his new book (co-authored with Jake Uitti), Earl the Twirl: My Life in Basketball (McFarland, 2023) Earl "The Twirl" Cureton was never a star player in the NBA, but then again, few people will ever be a celebrity athlete. Earl's story, instead, is about a life on the fringes of the league during its "Golden Era" of the '80s and '90s. A teammate of Julius Erving, Moses Malone, Michael Jordan, Charles Oakley, Muggsy Bogues, Hakeem Olajuwon, and more, Earl was a part of seven NBA teams in his twelve-season career. He won two championships during his career, first in 1983 with the Philadelphia 76ers, and then in 1994 with the Houston Rockets. And yet, as a professional basketball journeyman, every day was a struggle. Growing up in Detroit during race riots, Earl worked hard and became a standout player at the University of Detroit. A 6' 9" center in the pros, Earl battled with Karem Abdul-Jabbar in back-to-back NBA Finals. While many know the stories of big names like Jordan, Magic Johnson, and Larry Bird, few understand the life of a player on the outskirts of the league. This is Earl's own story, a unique perspective on the trials of a journeyman player: non-guaranteed contracts, tryouts and cuts, playing overseas, coming back from injury, and the looming "right of first refusal." Paul Knepper covered the New York Knicks for Bleacher Report. His first book, The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All was published in 2020. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

The Unteachables: Disability Rights and the Invention of Black Special Education (U Minnesota Press, 2023) examines the overrepresentation of Black students in special education over the course of the twentieth century. As African American children integrated predominantly white schools, many were disproportionately labeled educable mentally retarded (EMR), learning disabled (LD), and emotionally behavioral disordered (EBD). Keith A. Mayes charts the evolution of disability categories and how these labels kept Black learners segregated in American classrooms. The civil rights and the educational disability rights movements, Mayes shows, have both collaborated and worked at cross-purposes since the beginning of school desegregation. Disability rights advocates built upon the opportunity provided by the civil rights movement to make claims about student invisibility at the level of intellectual and cognitive disabilities. Although special education ostensibly included children from all racial groups, educational disability rights advocates focused on the needs of white disabled students, while school systems used disability discourses to malign and marginalize Black students. From the 1940s to the present, social science researchers, policymakers, school administrators, and teachers have each contributed to the overrepresentation of Black students in special education. Excavating the deep-seated racism embedded in both the public school system and public policy, The Unteachables explores the discriminatory labeling of Black students, and how it indelibly contributed to special education disproportionality, to student discipline and push-out practices, and to the school-to-prison pipeline effect. Joao Souto-Maior is a postdoc at the New York University's Institute of Human Development and Social Change. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Drawing from stratification economics, intersectionality, and respectability politics, Kris Marsh's The Love Jones Cohort: Single and Living Alone in the Black Middle Class (Cambridge UP, 2023) centers on the voices and lifestyles of members of the Black middle class who are single and living alone (SALA). While much has been written about both the Black middle class and the rise of singlehood, this book represents a first foray into bridging these two concepts. In studying these intersections, The Love Jones Cohort provides a more nuanced understanding of how race, gender, and class, coupled with social structures, shape five central lifestyle factors of Black middle-class adults who are SALA. The book explores how these Black adults define family and friends and decide on whether and how to pursue romantic relationships, articulate the ebbs and flows of being Black and middle class, select where to live and why, accumulate and disseminate wealth, and maintain overall health, well-being, and coping mechanisms. Blyss Cleveland is a PhD candidate in sociology at Stanford University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

This book examines the Pan-Africanism of Mary McLeod Bethune through her work, which internationalized the scope of Black women's organizations to create solidarity among Africans throughout the diaspora. Broadening the familiar view of Bethune as an advocate for racial and gender equality within the United States, Ashley Preston argues that Bethune consistently sought to unify African descendants around the world with her writings, through travel, and as an advisor. Preston shows how Bethune's early involvement with Black women's organizations created personal connections across Cuba, Haiti, India, and Africa and shaped her global vision. Bethune founded and led the National Council of Negro Women, which strengthened coalitions with women across the diaspora to address issues in their local communities. Bethune served as director of the Division of Negro Affairs for the Franklin D. Roosevelt administration and later as associate consultant for the United Nations alongside W.E.B. DuBois and Walter White, using her influence to address diversity in the military, decolonization, suffrage, and imperialism.  Ashley Robertson Preston's book Mary Mcleod Bethune the Pan-Africanist (UP of Florida, 2023) provides a fuller, more accurate understanding of Bethune's work, illustrating the perspective and activism behind Bethune's much-quoted words: "For I am my mother's daughter, and the drums of Africa still beat in my heart." Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

The crack epidemic of the 1980s and 1990s is arguably the least examined crisis in American history. Beginning with the myths inspired by Reagan's war on drugs, journalist Donovan X. Ramsey's exacting analysis traces the path from the last triumphs of the Civil Rights Movement to the devastating realities we live with today: a racist criminal justice system, continued mass incarceration and gentrification, and increased police brutality. When Crack Was King: A People's History of a Misunderstood Era (One World, 2023) follows four individuals to give us a startling portrait of crack's destruction and devastating legacy: Elgin Swift, an archetype of American industry and ambition and the son of a crack-addicted father who turned their home into a "crack house"; Lennie Woodley, a former crack addict and sex worker; Kurt Schmoke, the longtime mayor of Baltimore and an early advocate of decriminalization; and Shawn McCray, community activist, basketball prodigy, and a founding member of the Zoo Crew, Newark's most legendary group of drug traffickers. Weaving together riveting research with the voices of survivors, When Crack Was King is a crucial reevaluation of the era and a powerful argument for providing historically violated communities with the resources they deserve. A journalist, author, and indispensable voice on issues of identity, justice, and patterns of power in America, Ramsey's work has appeared in The New York Times, The Atlantic, GQ, WSJ Magazine, Ebony, and Essence, among a host of other outlets, and he's worked at such venerable newsrooms as the Los Angeles Times and the Marshall Project. A native of Columbus, Ohio, where he saw the crack epidemic firsthand, Donovan now lives in LA. When Crack was King, released to great acclaim, is his first book. Emily Dufton is the author of Grass Roots: The Rise and Fall and Rise of Marijuana in America (Basic Books, 2017). A drug historian and writer, her second book, on the development of the opioid addiction medication industry, is under contract with the University of Chicago Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Zahi Zalloua provides the first examination of Palestinian identity from the perspective of Indigeneity and Critical Black Studies. Examining the Palestinian question through the lens of settler colonialism and Indigeneity, this timely book warns against the liberal approach to Palestinian Indigeneity, which reinforces cultural domination, and urgently argues for the universal nature of the Palestinian struggle. Foregrounding Palestinian Indigeneity reframes the Palestinian-Israeli conflict as a problem of wrongful dispossession, a historical harm that continues to be inflicted on the population under the brutal Occupation of the West Bank and Gaza. At the same time, in a global context marked by liberal democratic ideology, such an approach leads either to liberal tolerance – the minority is permitted to exist so long as their culture can be contained within the majority order – or racial separatism, that is, appeals for national independence typically embodied in the two-state solution. Solidarity and the Palestinian Cause: Indigeneity, Blackness, and the Promise of Universality (2023 Bloomsbury Publishing PLC) not only insists that any analysis of Indigeneity's purchase must keep this problem of translation in mind, but also that we must recast the Palestinian struggle as a universal one. As demonstrated by the Palestinian support for such movements as Black Lives Matter, and the reciprocal support Palestinians receive from BLM activists, the Palestinian cause fosters a solidarity of the excluded. This solidarity underscores the interlocking, global struggles for emancipation from racial domination and economic exploitation. Drawing on key Palestinian voices, including Edward Said and Larissa Sansour, as well as a wide range of influential philosophers such as Slavoj Žižek, Frantz Fanon and Achille Mbembe, Zalloua brings together the Palestinian question, Indigeneity and Critical Black Studies to develop a transformative, anti-racist vision of the world. Zahi is Cushing Eells Professor of Philosophy and Literature, and Director of Indigeneity, Race, and Ethnicity Studies at Whitman College, USA. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies