New Books in African American Studies

In Fearless, Sleepless, Deathless: What Fungi Taught Me about Nourishment, Poison, Ecology, Hidden Histories, Zombies, and Black Survival (University of North Carolina Press, 2026), naturalist, forager, and educator Maria Pinto uncovers strange and beautiful connections between the natural and human worlds, mingling reportage, research, memoir, and nature writing, touching on topics that range from Black farmers' domestication of the unforgettable aroma of truffles, to the possibility that enslaved people wielded mycological poisons against their enslavers. Pinto brings a new perspective and a distinctive literary voice to this mix of environmental and lived history, and every page sings with her enthusiasm for the networks in which we are embedded: fungal, ecological, ancestral, and communal. Join us in pursuit of beautiful, perplexing, delicious, and deadly mushrooms as we explore this understudied kingdom's awe-inspiring diversity, discovering how fungi have been used by people, especially those on the margins, for survival, pleasure, revelation, and revolution. When she's not in the woods (and sometimes when she is), Maria Pinto is a writer, editor, and educator. She teaches writing for various literary organizations. She reads fiction for Peripheries Journal and serves on the board of Hale, an outdoor education and land conservancy nonprofit. Her writing has been supported by Assets for Artists at Massachusetts Museum of Contemporary Art, Oak Spring Garden Foundation, Vermont Studio Center, the Mass Cultural Council, the Writers' Room of Boston, The Mastheads, and The Garrett on the Green. You can find Maria at her Website and on Instagram.  Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

An unsettling exploration of the persistence of racism in reproductive healthcare in the US—and why even affluent Black women are imperiled by substandard care.From a leading expert on race, class, maternal health, and reproductive rights.Racism in maternal healthcare is not reserved for the poor. An unsparing picture of inequities in prenatal care and childbirth in the United States, Expecting Inequity: How the Maternal Health Crisis Affects Even the Wealthiest Black Americans (MIT Press, 2026) reveals that not only are black people three to four times more likely to die from a pregnancy-related cause, but racial disparities in maternal mortality persist across income levels. That is, wealthier black people are much more likely to die during pregnancy, childbirth, or the postpartum period than their white counterparts. Focusing on a San Francisco obstetrics clinic that caters to the affluent, Khiara Bridges looks at the choices around prenatal care and childbirth that class-privileged, pregnant black people are making in order to survive what has been called the “black maternal health crisis.”Bridges, whose previous work exposed how race and racism are embedded in maternal healthcare for the poor, draws on two years of participant-observation to show how wealthier black people try to leverage their class privilege to avoid some of the negative effects of their blackness—only to discover that in a country that has never reckoned with its horrific racial past, there is no escaping racism's reach. Throughout the book, engaging, heartbreaking, infuriating stories of women's experiences with pregnancy and prenatal care illustrate how race and racism matter regardless of wealth or status. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Ella Jenkins (1924–2024) was one of the most influential musicians of the twentieth century, although many people have never heard of her. A pioneer in children's music and an innovative educator, Jenkins recorded forty albums and influenced countless children and adults over a sixty-year career. Gayle Wald places Jenkins's life and work within the larger contexts of the civil rights movement, the folk revival, and the changing worlds of children's education and entertainment in This is Rhythm: Ella Jenkins, Children's Music, and the Long Civil Rights Movement (University of Chicago Press, 2025). Committed to civil rights, Jenkins infused her beliefs in social justice and our shared humanity into her work with children and her compositions. She viewed music as a way for children to come together and establish connections with each other rather than as a gateway to musical achievement or literacy. Based on dozens of interviews including with Jenkins and her life partner Bernadelle Richter, Wald traces Jenkins's life from her childhood in segregated Chicago, her involvement with the integrated folk music scene, and her successful career as a music educator. This is Rhythm was given special recognition by the 2026 Pattis Family Foundation Chicago Book Award. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

What does Blackness look like? In Forms of Blackness: Race and Visibility in the French-Speaking World (Duke University Press, 2026), Cécile Bishop argues that this seemingly simple question has no straightforward answer. Instead of treating race as something immediately visible, she explores how Blackness emerges through the interplay of perception, language, and history. A central theme of the book is that visibility is never neutral. Through examples ranging from photographs of the Liberation of Paris to works of art such as Portrait of a Black Woman, Bishop shows that Blackness cannot be reduced to what is seen. Instead, she introduces the idea of Blackness as form, emphasizing the importance of representation, opacity, and aesthetic experience. Engaging with thinkers such as Édouard Glissant and Frantz Fanon, Bishop invites readers to rethink the assumption that seeing is the same as knowing. Forms of Blackness offers a thoughtful and original account of how race is shaped not simply by appearance, but by the ways we learn to see. Amisah Bakuri (PhD) is an Assistant Professor in the Faculty of Social Sciences and Humanities at Vrije Universiteit Amsterdam. Her work explores the intersections of religion, sexuality, gender, and migration, especially within African diasporic communities in the Netherlands. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In Contested Continent: The Struggle for America, c.1000-1680 (Oxford University Press, 2026), the newest installment of the acclaimed Oxford History of the United States series, Peter C. Mancall recounts how North America was forged from the experiences of millions of Indigenous women and men as well as Europeans and Africans. This history spans the continent from the North Atlantic to the West Indies and includes the entire Atlantic basin, telling a new story about the origins of major aspects of American culture. He illuminates the rise of a booming trans-Atlantic economy based on the extraction of abundant American natural resources; the central role that European migrants and their descendants played in the enslavement of Africans and the displacement of Indigenous peoples; and the spread of self-governing polities where many enjoyed religious freedom. None of these developments was inevitable. Conflicts broke out frequently as different peoples battled over precious resources. Europeans' appetites for material gain and expanding Christendom brought horrific consequences for those brutalized, enslaved, and vulnerable to infectious diseases. This is a sweeping history of developments crucial to the eventual founding of the United States. Contested Continent underscores the titanic struggles between the peoples who had populated the Americas for centuries and the migrants from the Old World who initiated changes that created a New World that offered boundless opportunities for some and crushed the aspirations of others. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Dan Rood's In the Shadow of the Great House (W.W. Norton & Co., 2026) is one of the first contemporary books to focus on the primary engine of slavery, race, and capitalism in this country: the plantation. The plantation was invented on the small Atlantic island of São Tomé in the 1500s, and the island also became the site, soon enough, of the first slave revolt. The brutal technology was then perfected in Barbados, where planters worked tens of thousands of African captives to their deaths in sugar factories. But it was in the United States, Rood shows, that the plantation found its most powerful manifestations. In Virginia, Carolina, and then the Deep South, successive plantation revolutions transformed slavery into a much more rigid and oppressive institution. Incomparably wealthy planters now insisted on a rightless, eternally available, “increasing” source of labor, and in the process reinvented human bondage and stamped it onto a single race. But the plantation did not die after the Civil War. It metastasized. From the advent of sharecropping in the late nineteenth century to the rise of cotton in mid-twentieth century California to today's chicken processing plants, the plantation has cast a long shadow over American life. Rood further documents the “dark retreats” carved out of plantation life by the enslaved. It was the enslaved who offered the most clear-eyed understanding of what the plantation behemoths told us, and still tell us, about our country. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Gullah-Geechee Diasporas: Knowledge, Culture, and Black Lowcountry Legacies (University of South Carolina Press, 2026) counters romantic portrayals of Gullah-Geechee culture as a static, geographically isolated remnant of the past. Across eight interdisciplinary essays, the book's contributors trace an arc, described in time and space, from pre-Middle Passage Africa through the Caribbean and coastal United States into the interior South and beyond. They consider how Gullah-Geechee cultural traditions are simultaneously rooted in the physical Lowcountry homeland and represent a dynamic cultural ethos that is not bounded by geography and has shaped Black life across North America and the Caribbean Basin. Together, these essays reveal the resilience and adaptability of people whose history defies myths of isolation and immobility. Gullah-Geechee Diasporas is a fresh framework for understanding African American cultural origins, migrations, and transformations. Dr. Muhammad Fraser-Rahim is associate professor of Intelligence and Security Studies at The Citadel. He is the author of America's Other Muslims and Gullah Geechee Muslims in America. You can find him on Instagram and LinkedIn.Dr. Elizabeth J. West is professor of English and the John B. and Elena Diaz-Verson Amos Distinguished Chair in English Letters at Georgia State University. Her books include Finding Francis and African Spirituality in Black Women's Fiction. She can be found online at Instagram and LinkedIn. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

The violence that spread across Harlem on the night of March 19, 1935 was the first large-scale racial disorder in the United States in more than a decade and the first occurrence in the nation's leading Black neighborhood. However, as many observers pointed out, the events were “not a race riot” of the kind that had marked the decades after the Civil War. Racial violence took a new form in 1935. Through a granular analysis of those events and the mapping of their locations, Harlem in Disorder: A Spatial History of How Racial Violence Changed in 1935 (Stanford University Press, 2024) reveals that Harlem's residents participated in a complex new mix of violence that was a multifaceted challenge to white economic and political power. Tracing the legal and government investigations that followed, this project highlights how that violence came to be distorted, diminished, and marginalized by the concern of white authorities to maintain the racial order, and by the unwillingness of Harlem's Black leaders and their white allies to embrace fully such direct forms of protest. Focused on capturing rather than simplifying the complexity of the new form of racial violence, Harlem in Disorder is a multi-layered, hyperlinked narrative that connects different scales of analysis: individual events, aggregated patterns, and a chronological narrative. Its structure foregrounds individual events to counter how data can dehumanize the past, and to make transparent the interpretations involved in the creation of data from uncertain and ambiguous sources. Harlem in Disorder is an award-winning monograph earning recognition as a Finalist for the 2026 ACLS Open Access Book Prize, Multimodal Category, sponsored by the American Council of Learned Societies; winner of the 2025 Ángel David Nieves Book Award for Best Monograph, sponsored by the American Studies Association Digital Humanities Caucus; Honorable Mention for the 2025 Mary L. Dudziak Digital Legal History Prize, sponsored by the American Society for Legal History, and Honorable Mention for the 2025 Open Scholarship Award, sponsored by the Canadian Social Knowledge Institute. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Owning My Masters (Mastered) is a digital archive of original rap music and spoken word poetry containing two volumes of music, an annotated timeline, videos, and a digital book. In this project, A.D. Carson exposes the artificial boundaries imposed on understood ideas about knowledge production in academia by employing hip-hop creative and compositional practices to interrogate ideas of citizenship, history, historical imagination, race, home, and humanness. Using sampled and live instrumentation and repurposed music, film, and news clips, an introductory video, and original rap lyrics, heoffers a new examination of how to create theory through hip-hop. The unmastered album was originally submitted to Clemson University in South Carolina as the author's dissertation, composed against the backdrop of the growing unrest across the U.S. and the world in response to the public attention to the deaths of Black people, many at the hands of police and vigilantes. As such, the songs highlight outlooks on Black life in America—on campuses and in communities across the country—and how they fit with geographic and temporal place and space. For this publication, the tracks have been mastered, and Carson has written a new introduction to contextualize and reflect on the moment in which the songs were written. It is a 2026 ACLS Open Access Multimodal Book Prize Finalist. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In Thy Will Be Done: George Washington's Legacy of Slavery and the Fight for American Memory (UNC Press, 2026), historian John Garrison Marks tells the story of Americans' long, fraught struggle to come to terms with Washington's legacy of slavery. He traces how politicians, abolitionists, educators, activists, Washington's former slaves and their descendants, and others have remembered, forgotten, and manipulated slavery's place in Washington's story, and how they have wielded versions of that story in the political and cultural fights of their time. Dr. Marks shows how generational struggles over our collective memory of Washington and slavery have always been part of a bigger conversation about defining the United States and its people. As debates about the founders' participation in the system of slavery continue to roil public discourse, Dr. Marks shows with new clarity that Americans have never collectively reconciled Washington's conflicted legacy. By truly grappling with Washington's role as enslaver and emancipator, we may come to better understand the nation and ourselves. This episode considers: the life and legacy of George Washington, the role of myth and memory in the New Republic, and how conflicted legacies continue. A Neuroscientist's Guide to a Healthier, Happier Life Guest: Dr. John Garrison Marks holds a Ph.D. in history from Rice University. He is a New Jersey native currently living outside Washington, DC. He is the author of Thy Will Be Done: George Washington's Legacy of Slavery and the Fight for American Memory. Host: Dr. Christina Gessler holds a Ph.D. in history which she uses to explore the stories we tell and what happens to those we never tell. She is an academic writing coach and editor. She is the producer and show host of the Academic Life podcast, and writes the newsletter at christinagessler.substack.com. Playlist for listeners: Never Caught Running From Bondage No Common Ground The Vice-President's Black Wife: The Untold Life of Julia Chinn Teaching About Race and Racism in the College Classroom The Social Constructions of Race What Might Be The Untold Story of President Lincoln Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

A striking triptych once displayed in countless African American households, the Trinity typically features Jesus Christ, Martin Luther King Jr., and John F. Kennedy. More than decoration, these portraits were deliberate acts of memory and quiet resistance, a medium through which African Americans asserted their own narratives of hope, leadership, and the fight for justice. In this provocative history The Trinity: John F. Kennedy, Lyndon B. Johnson, and Civil Rights in African American Memory (UNC Press, 2026), Sharron Wilkins Conrad traces the Trinity across several decades, showing how African Americans didn't merely remember the civil rights movement; they shaped its meaning. The Trinity reveals why Kennedy's image hung beside King and Christ, while Lyndon B. Johnson, despite signing landmark legislation such as the 1964 Civil Rights Act, remained largely unheralded. Kennedy's charisma, symbolic promise, and perceived martyrdom placed him among sacred icons, while Johnson—seen as transactional and confronted by the era's growing impatience—never secured the same emotional legacy. In a gripping exploration of memory and meaning-making, Conrad reveals how communities create historical truths by elevating some leaders, sidelining others, and preserving their own visions in defiance of the official record. Raymond Williams, PhD is a political scientist, blogger, and book club administrator with an interest in American History and Politics. You can find Raymond on Instagram, Threads, and Twitter at @rtwilliams16. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

1. A complete list of University of California Press journals is available at UC Press Journals 2. Clare E. B. Cannon; Advancing sustainable transitions: A spatial analysis of socio-environmental dynamics of landfills across the United States. Elementa: Science of the Anthropocene 12 January 2024; 12 (1): 00101: Link 3. Morrison, Matthew D. Blacksound: Making Race and Popular Music in the United States. Oakland: University of California Press, 2024. Available at: UC Press Bookstore 4. Matthew D. Morrison; Race, Blacksound, and the (Re)Making of Musicological Discourse. Journal of the American Musicological Society 1 December 2019; 72 (3): 781–823: Link 6. Jennifer Lynn Peterson; Scenes of Destruction and Beauty: Sponsored Film, Women Reformers, and the Save-the-Redwoods League. Feminist Media Histories 1 April 2023; 9 (2): 43–75: Link If you are interested in supporting the work of UC Press and its Journals Program, please consider making a charitable donation to the UC Press Foundation. To learn more about the UC Press Foundation and how to contribute, please visit UC Press Website. David Famiano is the Journals Director at the University of California Press Jessica Chesnutt is the Journals Manager at the University of California Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

A cemetery as open-air museum? Historian and award-winning author of Boss of the Grips: The Life of James H. Williams and the Red Caps of Grand Central Terminal, Eric K. Washington thinks so. In this compelling discussion, Washington talks about his newly-completed project revealing the hidden stories of Harlem Renaissance figures buried at the historic Woodlawn Cemetery in the Bronx, New York. Funded by a $50,000 grant from the National Trust for Historic Preservation, the initiative was led by Washington, alongside A'Lelia Bundles, journalist, historian, and great-granddaughter of entrepreneur and icon Madam C.J. Walker. While the Harlem Renaissance is often told through a handful of well-known names, Where Harlem Rests (available here) allows for a look beyond the spotlight, uncovering the many voices that helped shape the movement, and the community itself, expanding the historical narrative, and honoring a broader, more inclusive legacy of creativity, resilience, and cultural impact that has long deserved recognition. The Woodlawn Conservancy is the 501c3 not-for-profit support organization for the Woodlawn Cemetery. Woodlawn Cemetery was established in 1863 and spans 400 acres in the Bronx, New York. It is one of the nation's most distinguished historic cemeteries and a certified Level II Arboretum. In 2011, Woodlawn was designated a National Historic Landmark for its singular importance in the history of the nation and New York City. It is also an active cemetery with ongoing burials and funeral services, and more than 310,000 individuals are memorialized on its grounds. Woodlawn is one of the nation's finest examples of a 19th-century garden cemetery. Its monuments represent some of the best memorial art and architecture in the nation, including nearly 1,300 private mausoleums designed by some of the most prominent architects of the 20th century. The Woodlawn Cemetery is open to the public free of charge 365 days a year from 8:30am - 4:30 pm. You can find Erik at his website, and on at personal Instagram page, as well as @taggingthepast. His recommended reading list is available on the Additions to the Archive Substack. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Mark Twain's Jim, introduced in Adventures of Huckleberry Finn (1885), is a shrewd, self‑aware, and enormously admirable enslaved man, one of the first fully drawn Black fathers in American fiction. Haunted by the family he has left behind, Jim acts as father figure to Huck, the white boy who is his companion as they raft the Mississippi toward freedom. Jim is also a highly polarizing figure: he is viewed as an emblem both of Twain's alleged racism and of his opposition to racism; a diminished character inflected by minstrelsy and a powerful challenge to minstrel stereotypes; a reason for banning Huckleberry Finn and a reason for teaching it; an embarrassment and a source of pride for Black readers.In Jim: The Life and Afterlives of Huckleberry Finn's Comrade (Yale UP, 2025) eminent Twain scholar Shelley Fisher Fishkin probes these controversies, exploring who Jim was, how Twain portrayed him, and how the world has responded to him. Fishkin also follows Jim's many afterlives: in film, from Hollywood to the Soviet Union; in translation around the world; and in American high school classrooms today. The result is Jim as we have never seen him before—a fresh and compelling portrait of one of the most memorable Black characters in American fiction. Shelley Fisher Fishkin is the Joseph S. Atha Professor of Humanities, professor of English, and professor (by courtesy) of African and African American Studies at Stanford University. She is the author or editor of many books, including Writing America: Literary Landmarks from Walden Pond to Wounded Knee and Was Huck Black? Mark Twain and African American Voices, and editor of the twenty-nine-volume Oxford Mark Twain. She lives in Stanford, CA. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Black Freedom: A Visual History of Juneteenth and Emancipation Days (Black Dog & Leventhal, 2026) is the first fully illustrated history of Juneteenth and other Emancipation Day celebrations, told through photographs, art, and an engrossing narrative. For more than 150 years, Black communities have gathered to honor freedom, resilience, and the ongoing struggle for true liberation. While Juneteenth has recently gained wider recognition, it was one of many Emancipation Day traditions celebrated across the United States. These observances were spaces of joy, remembrance, and resistance—even as the fight for full freedom was unfinished. This volume brings together stirring essays and striking images from Juneteenth and beyond, offering a sweeping portrait of how Black people have created and sustained rituals of remembrance, a testament to the generations who, through celebration and storytelling, demanded that their contributions to the making of America be fully recognized. Blair LM Kelley is an award-winning author, historian, and scholar of  the African American experience. She is also the president and director of the National Humanities Center, the only independent center for advanced study in the world dedicated exclusively to the humanities. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Youssef J. Carter's The Vast Oceans: Remembering Allah and Self on the Mustafawiyya Sufi Path (UNC Press, 2026) is a stunning meditation on Black Atlantic Sufism, specifically as it travels between South Carolina and Senegal via the Mustafawiyya Sufi community and Shaykh Arona Faye. The book orbits around Sufi conceptual frameworks which are translated through the register of Black and Africana Studies. For example, bay'a is rendered as “solidarity” or khidma as “labour”; such attunement of Sufi concepts presents capacious possibilities for Sufi studies at the intersection of Black and Muslim studies. The book then uses deep ethnography to capture the flows of stories, rituals, and piety, and also Black radical labour, motherwork, and becoming to highlight how in spite of the ongoing violence of racial capitalism and plantation modernity, Black-Africana Sufi communities are vital spaces of worldmaking, one that is not merely metaphysical (such as through ritual piety) but also political, anti-racist, and anti-colonial and rooted in collective care. This book is necessary reading for scholars of Sufism, and those who work on Black and African Islam. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Anna O. Law, the Herbert Kurz Chair in Constitutional Rights in the Department of Political Science at City University of New York-Brooklyn Campus, has a deeply researched and important new book that weaves together different approaches to understanding American citizenship, especially in context of immigration and migration in the first century of the U.S. republic. Migration and the Origins of American Citizenship: African Americans, Native Americans, and Immigrants (Oxford University Press, 2026) engages three different disciplines, including Political Science, History, and Legal Studies/Law, to unpack the many different approaches to citizenship in the new republic. Law noted as we spoke that she had not intended to write a book about slavery, but it was impossible to think about or understand immigration in the United States, especially in the first century of the United States, without examining the particular place and role of those who were enslaved, since they were also immigrants to the United States, though it was a forced immigration, against their will and without their consent. Part of what Migration and the Origins of American Citizenship focuses on is that prior to the Civil War and the post-war constitutional Amendments, immigration was a patchwork, designed state by state, without a national standard or structure. Thus, we see a form of federalism that shifts from the states to the national government after the 14th and 15th Amendments, and after a number of pieces of legislation passed in the 1880s by Congress. Immigration becomes a more centralized issue and process as Congress passed a raft of restrictive laws focused mostly on Chinese individuals. These moves took the power to manage immigration away from the individual states and nationalized policies and regulations. At the same time, the story of American immigration is incomplete without understanding how the national government forcefully took land belonging to Native Americans and compelled their migration to other areas of the United States. In much the same way that we cannot understand immigration without understanding how slavery was intertwined with it, we also can't understand immigration to the United States without the history of how newly arrived immigrants displaced Native Americans and were given stolen land through national and state level regulations and policies. This is another entire area of history, policy, law, and regulation that Law unpacks to explore the interaction between Native Americans, sovereignty, land claims, and federalism in context of American citizenship and the complexity of who was and was not considered to be a citizen. Migration and the Origins of American Citizenship is a masterful work that helps us understand the contemporary battles over citizenship. As the Supreme Court is set to make yet another determination of how the 14th Amendment is to be applied to individuals born in the United States, Law's research and analysis has particular relevance and importance as we grapple with these ongoing disputes. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe Volume I: The Infinity Saga (University Press of Kansas, 2022), and of The Politics of the Marvel Cinematic Universe Volume II: Into the Multiverse (University Press of Kansas, 2025) as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

There is no alternative. The End of History. Climate Apocalypse. It seems that our contemporary moment is defined by the idea that things can only get worse or, in the most optimistic reading, perhaps stay as they are. Ideas for things getting better, utopian ideas, seem in short supply. It is this which Joe Davidson confronts in his book Saving Utopia: Imagining Hopeful Futures in Dystopian Times (MIT Press, 2026). Davidson links this apparent decline in utopian thinking to a change in ‘time consciousness', the ways in which our sense of the future seems less open to possibility than it once was. Despite this he notes the persistence of utopianism in a new form, the ‘postdystopian utopia' which takes account of the assumption the future will be worse and uses this as a spur to utopian thinking. He then explores how this manifests itself in various utopian works in different traditions, from Black utopianism considering the tragedy of the slave trade, feminism mining the nostalgia of previous battles to consider how things could be different and climate change utopianism confronting catastrophe. In our discussion we explore the changing fortunes and forms of utopianism over time, the value of ‘utopian studies', why Silicon Valley tech-bros might be as utopian (or dystopian) as they make out and think about why it is important we all imagine the possibility of different worlds. Joe also makes a number of reading recommendations for postdystopian utopian novels. Your host, Matt Dawson is Professor of Sociology at the University of Glasgow and the author of G.D.H. Cole and British Sociology: A Study in Semi-Alienation (Palgrave Macmillan, 2024) and co-editor of The Anthem Companion to Henri Lefebvre (Anthem Press, 2026) along with other texts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

From the mid-nineteenth century through the dust bowl years of the Great Depression, a new kind of migrant worker became a familiar sight in communities across America. The Hobo: A History of America's First Climate Migrants (Princeton UP, 2026) by Dr. Robert Suits traces the journeys of these homeless men and women, showing how hobo work was an adaptation to energy transitions and a harsh and unpredictable climate, and how the hobo played a central role in the histories of industrialization and westward expansion.Challenging common depictions of the hobo as a world-weary, bearded man in ragged clothes, Dr. Suits reveals how these wandering laborers were often fastidious and heartbreakingly young. Forever on the move due to economic hardship and climate disaster, they chased harvests and took seasonal jobs in industries like logging and mining. Too often they couldn't find employment at all. Suits describes the difficult, dangerous, and highly unstable jobs they worked while shedding light on the hobo life and philosophy, from their techniques for stowing away on railroads to their unique blend of socialist, anarchist, and anti-work thought. He traces the emergence of the hobo to the advent of steam and the need for manual laborers in places where this new technology couldn't reach and describes how a growing reliance on the internal combustion engine brought an end to hobo work.Drawing on oral histories, environmental data, and cutting-edge digital methods, The Hobo paints an unforgettable portrait of an eclectic group of wandering radicals, troublemakers, poets, and writers, demonstrating how their experiences upend some of our basic assumptions about how environments and technologies shape society. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Marriage rates have fallen dramatically since the 1970s. Yet far from devaluing marriage, people still overwhelmingly describe marriage as the highest commitment they can imagine. Most Americans say they want to marry eventually, and couples who do marry have a lower chance of divorce than at any time since the 1970s. Increasingly, though, people tell pollsters they “have no idea” if they actually will end up married. And unlike in the past, young women are more uncertain than young men. In For Better and Worse: The Complicated Past and Challenging Future of Marriage (Viking, 2026), Stephanie Coontz—author of the “rich, provocative, and entertaining” book Marriage, A History—unravels the roots of such paradoxical trends. Examining five critical periods of historical transformation, she reveals how shifting romantic ideals, gender expectations, sexual mores, and cultural myths have bequeathed us a welter of contradictory beliefs, dysfunctional habits, and emotional earworms that make it hard to adjust our family relationships to the social and economic challenges of twenty-first-century life. Coontz demonstrates that today's widespread nostalgia for a seemingly more stable past is an understandable reaction to heightened economic insecurity and eroding social solidarities. But trying to reproduce a largely imaginary golden age of marriage from the past simply locks us into a restricted future. Current public debates about marriage are dominated by two diametrically opposed groups. One argues that marriage is the only sure route to personal happiness and social stability; the other, that marriage is inherently oppressive. Coontz puts forward a radical middle ground, pointing to surprising new research on the personal changes and the policy innovations that can help people create successful relationships, in or out of marriage. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In this NBN episode, host Hollay Ghadery speaks with editor, poet, and author, Terese Mason Pierre about As the Earth Dreams: Black Canadian Speculative Stories (Spiderline, 2025). A ground-breaking anthology of haunting speculative stories by contemporary Black Canadian writers that explore growth, futurity, and joy. Edited by esteemed poet Terese Mason Pierre, this bold and innovative anthology of speculative short fiction reveals and uplifts the spectacular imaginings, reveries, reflections, experiments, and hopes of Black writers in Canada. A masseuse attends her mother's fourth funeral, only to encounter family she's never met. A postdoc instructor navigates an almost-life in an Elsewhere realm of safety and comfort. After societal collapse, an immigrant leaves her precarious station, and her memories, behind. A woman isolating from a new virus starts hallucinating. A young nanny accepts a job with a peculiar employer in search of immortality. A medium is tasked with summoning a spirit that hits too close to home. And two teenagers test a friendship over magic carpet flying practice. These ten breathtaking stories explore natural and urban landscapes, living and dead relationships, economic catastrophe, love, and desire--all while celebrating the persistent and ever-changing self, and envisioning beautiful Black futures. Featuring stories by:Trynne Delaneyfrancesca ekwuyasiWhitney FrenchAline-Mwezi NiyonsengaChimedum OhaegbuSuyi Davies OkungbowaChinelo OnwualuLue PalmerTerese Mason PierreZalika Reid-Benta TERESE MASON PIERRE (she/her) is a writer, poet, and editor whose work has appeared in the Walrus, ROOM, Brick, Quill & Quire, Uncanny, and Year's Best Canadian Fantasy and Science Fiction. Her work has been nominated for the bpNichol Chapbook Award, Best of the Net, the Aurora Award, the Rhysling Award, and the Ignyte Award. She is one of ten winners of the Writers' Trust Journey Prize and was named a Writers' Trust Rising Star. Terese is the chief programming officer at Augur, a speculative arts nonprofit, and co-director of AugurCon, Augur's biennial speculative arts conference. Terese lives in Toronto. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Revolutionary New York: 250 Years of Social Change (SUNY Press, 2026), edited by Bruce Dearstyne and published by SUNY Press, examines what the volume calls the “unfinished revolutions” of the Empire State. In sixteen essays by a varied cast of authors, the book explores efforts to achieve what the editor describes as the full promise of the revolution. Central to the book are ordinary New Yorkers who faced great challenges, such as the Oneida who tried to maintain sovereignty in the era of the American Revolution, women winning the vote, and African American soldiers who served in the United States Army in World War I. Together, Dearstyne writes, they tell a story of “the two-and-a-half century struggle to realize the Revolution's ideals and bring increased freedom and opportunities to marginalized populations.” Dearstyne is the editor of this volume and the author of several books, including The Spirit of New York: Defining Events in the Empire State's History and The Crucible of Public Policy: New York Courts in the Progressive Era. Robert Snyder, interviewing for the New Books Network and the Gotham Center for New York Cit History, is professor emeritus of Journalism and American Studies at Rutgers University. He is the author of When the City Stopped: Stories from New York's Essential Workers (Cornell, 2025), winner of the Fiorello LaGuardia Book Prize. rwsnyder@rutgers.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Offering a novel approach to contemporary landscape studies, Explosivity: Following What Remains (U Minnesota Press, 2025) unearths the hidden legacies of violence that have shaped the physical and cultural environment of the San Francisco Bay area. As he sifts through the historical debris of previous centuries, Dr. Javier Arbona-Homar analyzes a series of explosions that took place between 1866 and 2011 to call attention to the scattered remnants of militarism and racialized capitalism embedded in the region's geography. From incidents involving nineteenth-century explosives manufacturing and World War II munitions loading to radical activism and contemporary television productions, Dr. Arbona-Homar locates a pattern of historical violence that refocuses the broader racial and colonial context. Citing the material, social, and political conditions that gave rise to these disparate episodes, he reviews the historic erasure of those driving forces and puts forth alternative possibilities for how such disasters might be memorialized. Synthesizing a diverse set of field research methods, including oral histories and site visits, and supplemented by specially commissioned landscape photographs by Andrea Gaffney, Explosivity presents a radical exercise in the exposition of public memory. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In 1898, vaudeville actors Saint Suttle and Gertie Brown joyously embraced in a short silent film titled Something Good—Negro Kiss. The first known film to portray African American affection, it was lost for over a century until its rediscovery inspired contemporary audiences with a powerful and enduring depiction of Black love. More than a missing piece in an untold history of Black cinematic performance, Something Good—and the magnetism of Suttle and Brown—attests to the power of Black performance on stage and screen from the nineteenth century to today. In Acts of Love: Black Performance and the Kiss That Changed Film History (University of California Press, 2026), Allyson Nadia Field tells the story of Something Good and recovers the forgotten yet fascinating lives of its performers and their world. Drawing a vivid picture from sparse historical records, Acts of Love examines popular culture's negotiation of blackness to reconsider the intersections of minstrelsy, vaudeville, and cinema in ragtime America. This book not only presents the story of Something Good, its performers, and the drama of its rediscovery; it shows how the rediscovery of this short early film changes our understanding of American film history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

David Cunningham joins John to speak about his pathbreaking article about visiting each of the 113 communities that removed or relocated Confederate symbols between 2015 and 2023. After discussing his co-authored Social Problems article, “Contesting Commemorative Landscapes” which first got him thinking about monument removal, he posits that “expungement, amplification, and repositioning” are three ways contemporary communities contest the monuments of the past.. The conversation from there ranges onward through various kinds of contested removal, ending with Cesar Chavez and his ongoing de-monumentalization. David is author of There's Something Happening Here: The New Left, the Klan, and FBI Counterintelligence and the award-winning Klansville, U.S.A.: The Rise and Fall of the Civil Rights-Era KKK,, a member of the City of St. Louis Reparations Commission and recently has been engaged in exploring political signalling in public art and monuments, including a forthcoming article on the political and cultural work of murals in Protestant and Catholic communities and in the interface areas that connect them in Belfast. His earlier Recall This Book episodes include on racialized policing in the US, on January 6th , and also on the 2024 presidential election–and a conversation with Glenn Patterson, author of Lapsed Protestant about the mural culture and politicized spaces of Belfast and Northern Ireland. Read the episode here. Mentioned in the episode By David Cunmningham himself: “What Richmond got Right about taking down Confederate Monuments” and a 2023 article coauthored with Christina Simko, “Montgomery's Monumental Truths” On place vs space there is wonderful work by Pierre Nora and Henri Lefebvre. Interface zones and the strategic cul de sacs that continue to divide Belfast neighborhoods have been brilliantly detailed and studied by various historians; eg this tour by Neil Jarman. The lucid John Guillory article (mentioned but not discussed) is “Monuments and Documents: On the Object of Study in the Humanities.” Confederate generals whose statues were erected essentially to glorify the KKK famously include Nathaniel Bedford Forrest. Private parks built up to collect Confederate monuments (with an underlying anti-government bias) include North Carolina's Valor Memorial Park, and in Texas the SS American Memorial Foundation's military retreat space now adorned with removed Confederate statues. In Bentonville, this park glorifies a Confederate statue that has now been (dubiously) linked to Governor James H. Berry. The MOCA/Brick reimagined MONUMENTS Exhibition includes work by Kara Walker and Bethany Collins. https://www.nps.gov/boaf/learn/historyculture/shaw.htm Sylva North Carolina Confederate plaque debate. Kazuo Ishiguro, The Buried Giant and the Nietzschean problem of “creative forgetting.” The idea of Productive creative cognitive dissonance is drawn from MLK's idea of “creative tension.” Hajar Yazdiha, Struggle for the People's King How long will the Chavez National Monument last? The statue at UC Fresno is already gone…” Is The Trail of Tears a historical site the same way Confederate statues are? Denmark Vescey's Garden by Ethan J. Kytle and, Blain RobertsZore Neale Hurston Their Eyes were Watching God Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In Paper Heroines: Women Writers in Conversation and Community Across the Sea Islands, 1838-1902 (U South Carolina Press, 2026), Dr. Mollie Barnes studies the ways women represented their own and one another's lives in their personal diaries and their biographies of their contemporaries. By reading these women writers—Black and white, obscure and well-known—in conversation, Dr. Barnes presents entirely new portraits of these freedom fighters of the nineteenth-century South Carolina Lowcountry. Like feminist and anti-racist leaders in our own moment, the women in Paper Heroines were often flawed. White women reformers sometimes created tensions, silences, revisions, and erasures within their print-culture networks, obscuring the lives and contributions of Black women. Black women developed counternarratives and counter-networks as they sought to reclaim their own life histories. What emerges from Barnes's exploration of these textual conversations is a story of complicated relationships that reveal the dynamism of women's lives in a place and time that was equally tumultuous and consequential. Key terms and names is this episode include: close reading, archival silences, the peripheries, life writing, The Penn School, Port Royal, Beaufort, Combahee River, St. Helena, Relief Workers, Harriet Tubman, Fanny Kemble, Psyche, Teresa, Laura Towne, Charlotte Forten, Mr. Holland, and Sarah Hopkins Bradford. Guest: Dr. Mollie Barnes is Associate Professor of English at the University of South Carolina Beaufort, Vice President of the Margaret Fuller Society, and Vice President of Organizational Matters for the Society for the Study of American Women Writers. She has published numerous articles and book chapters on 19th century women writers, and is the author of Paper Heroines, which received funding support from the National Endowment for the Humanities. Host: Dr. Christina Gessler holds a PhD in history, which she uses to explore which stories we tell, and what happens to those we never tell. She is an academic writing coach and editor. She created, produces and hosts of the Academic Life podcast. Playlist for listeners: Writing Biography Running From Bondage Jumping Through Hoops Never Caught Speaking While Female Women Reformers and The House on Henry Street We Refuse Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

The N-word is one of the most perplexing, controversial and misunderstood words in the American lexicon. It's a word that Elizabeth Pryor has not only contemplated, it's one that she has taught and observed up close.When a white student quoted her father and blurted out the N-word in the middle of a class she was teaching, Professor Pryor's worlds collided. In that moment, she was forced to confront the history of the notorious slur in the United States, and her complicated relationship with her father Richard Pryor, who made the word a trademark of his comedy in the 1970s.As she dives into her research, her own memories of the N-word come flooding back in unprocessed memories that she hadn't thought about for decades. In reckoning with those memories, Elizabeth goes on a more public journey of discovery of the messy and sometimes surprising legacies of racism in the United States.A braided narrative that seamlessly integrates the history of the N-word with Elizabeth's own story of growing up the Black Jewish daughter of Richard Pryor, Something We Said: Richard Pryor, a Notorious Word and Me (37 Ink, 2026) follows Elizabeth as she becomes a leading scholar and teacher of the very word her father put on the pop culture map. You can find Elizabeth on her website, Instagram, and TikTok. Her viral Ted talk, “Why it's so hard to talk about the N-word,” is here. And Richard Pryor: Live in Concern (1979) can be streamed on YouTube.  Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Wide ranging interview with Dr. Ronald L. Jackson II, Professor and Department Chair of Communication Studies, the University of Miami. Interview explores Dr. Jackson's pioneering scholarship in Black Masculinist Thought, its contribution to Black Studies, its intercultural conversations with Black Feminist Thought, the State of Black Men's Studies and its relationship to Black Women's Studies, its interface with the public spheres of Manosphere and Womanosphere, as well as the future of Black Masculinist Thought Scholarship and Black Gender Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In Ladder or Lottery: Economic Promises and the Reality of Who Gets Ahead (University of California Press, 2026), Gary Hoover asks the reader a simple question: Is our economy a ladder or a lottery? Are people able to control their position on the economic spectrum by their actions? Some argue that, in our market-based economy, if you play by certain rules and make certain choices, you'll achieve upward mobility no matter what economic position you were born into. Drawing on his vast economic expertise, Hoover explores what this "social contract" requires of its citizens, and what it offers in return. Hoover shows how civil unrest is often directly related to broken society-level promises, exploring protest movements such as Occupy Wall Street, the Tea Party, the Arab Spring, and student debt forgiveness as case studies. He also predicts where future protests can be expected if results promised are not results delivered. This insightful and data-driven book tackles challenging issues around income inequality, health care, and artificial intelligence, and ultimately equips readers to answer these pressing questions: Is our social contract a ladder to higher economic standing, accessible to all no matter where they start? Or rather a lottery in which many will buy a ticket but only a few will find success? And how can we best align social promises with our lived economic realities? Gary Hoover is Executive Director of the Murphy Institute, Professor of Economics, and Affiliate Professor of Law at Tulane University. Dr. Zachery Williams is an Adjunct Professor in the Department of African and African American Studies at LSU. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

From The New York Times–bestselling and Pulitzer Prize–winning author of The Hemingses of Monticello, a groundbreaking collection of Thomas Jefferson's writings on race that every American should read Among America's Founding Fathers, none was more deeply, personally, or controversially entangled with race and slavery than Thomas Jefferson. The man whose Declaration of Independence proclaimed that “all men are created equal” enslaved more than 600 people of African descent even as he acknowledged the injustice of slavery, saw himself as its opponent, and condemned it in his writings. How is this possible? In Jefferson on Race: A Reader (Princeton University Press, 2026), Pulitzer Prize–winning historian Annette Gordon-Reed gathers Jefferson's most revealing writings about African Americans, slavery, and Native Americans, enabling readers as never before to directly explore his complex and contradictory thoughts, feelings, and decisions on these subjects—the most hotly debated aspect of his legacy. These selections come from Jefferson's public and private writings, letters, and plantation records, as well as accounts by contemporaries, including his son Madison Hemings and three other people formerly enslaved at Monticello. The book documents Jefferson's ideas about—and self-image in relation to—African Americans, slavery, and Native Americans, as well as his conduct, including interactions with individual Black and Native people. The writings show how Jefferson responded to living in a multiracial slave society while professing progressive ideals, and how his views on race and slavery were shaped by his experiences with enslaved Black people. Jefferson on Race is essential reading for anyone seeking to understand Jefferson's conflicted attitudes—and the impact of race and slavery on American history. Annette Gordon-Reed is a New York Times-bestselling historian and the Carl M. Loeb University Professor at Harvard University. Her books include The Hemingses of Monticello: An American Family, which won the Pulitzer Prize and National Book Award, Caleb Zakarin is CEO and Publisher of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Since the release of Jordan Peele's Academy Award-winning horror hit Get Out (2017), interest in Black horror films has erupted. This renewed intrigue in stories about Black life, history, culture, or "Blackness" has taken two forms. First, the history and politics of race have been centered in the horror genre. Second, Black horror has become an increasingly visible topic in mainstream discourses with scholars, critics, and fans contending that Black horror is seeing its so-called renaissance. However, critical attention to Blackness in horror has primarily focused on the U.S. and western world, despite Black stories having featured prominently in the genre-as actors, screenwriters, directors, producers-globally and across cultures.The essays in this handbook explore global Black horror cinema by interrogating Blackness and the ways in which it manifests in films across the diaspora and around the world. Chapters pose and answer questions including how taxonomies of race are presented; who is considered "Black?"; how is Blackness constructed in the culture in which it is produced and/or distributed?; How is horror defined and represented globally and/or culturally?; and what textual role does Blackness play in horror?Sophisticated, innovative, argument-driven research that brings to bear the most enlightened reflections upon Black horror's place in the world drives this handbook. Significantly, The Oxford Handbook of Black Horror Film (Oxford UP, 2024) presents expansive scholarship about Blackness, expanding the ways in which researchers, critics, and fans see and make meaning of Black experiences. In this volume, leading scholars from around the world contribute provocative, worthy examinations of the popular genre of horror in all its rich and empowering possibility. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

For much of the Crescent City's history, days began with the cries of roaming street vendors and the percussive thwack of butchers' meat cleavers echoing out from the municipal markets. Generations of New Orleanians—Black and white, enslaved and free, men and women, wealthy and working class—gathered in public to feed the city.In Nourishing Networks: The Public Culture of Food in New Orleans (Oxford UP, 2025), historian Dr. Ashley Rose Young illuminates the central role of food in shaping the vibrant culture of New Orleans. While the city's dynamic culinary scene fostered bonds between some communities, under the surface, groups viciously vied for control over who bought and sold food and where they could do it. Dr. Young traces the intricate systems of food vendors and their customers, and how those relationships were affected by race, gender, ethnicity, and socioeconomic status. She shows how vendors and customers alike exercised considerable influence over the city's food economy and the laws that regulated it by negotiating prices, shaping taste preferences, liaising with government officials, and even openly defying ordinances they felt were unfair. The power each group gained and lost determined the success of their businesses, the well-being of their families, and their ability to shape food retail and local laws to meet their needs.Nourishing Networks vividly depicts a city that throughout its history has struggled to feed its population safely and affordably, and in documenting those challenges, it offers lessons for building a better food future. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In The Door of No Return: Being-As-Black (Temple University Press, 2026), Michael E. Sawyer presents a bold work of speculative theory and philosophy that explores how Black people bring the future into being—and what existence in that future looks like. He considers what people of African descent face and the proper response to the situation. He introduces the idea of Being-As-Black as a response and questions the overarching ethos that will be the guide to a beneficial resolution. Using critical theory and philosophy, Sawyer decouples Black identity and Black philosophy from White and Western frames by building on Toni Morrison's ideas of Black Thought and encouraging an understanding of Black Self-Consciousness and Black Self-Identity on Black terms. The Door of No Return uses music, literature, visual art, and a variety of physical disciplines to imagine a world that differs from one that confounds the positive formation of Black Self-Consciousness under the coercive regime of white supremacy and Anti-Black racism. Michael E. Sawyer is Professor with Tenure of African American Literature & Culture, and Director of Graduate Studies in the Department of English at the University of Pittsburgh. Brigid Wallace is a graduate student at Lehigh University whose research focuses on the French Atlantic and Latin American world during the 18th and 19th centuries. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Black women have always been the most relentless instigators for change—building a democracy for all. In The Instigators: How Black Women Have Been Essential to American Democracy (And What We Can Learn from Them (Harper, 2026), Atima Omara draws on her political knowledge and expertise, as well as history, to examine how they have responded to failed strategic decisions by movement leaders and the modern Democratic Party in previous elections as a context for the present. She also provides actionable recommendations to organizers, donors, candidates, strategists, political party leaders, that everyday people can use in their communities to build an inclusive democracy that endures beyond one election cycle. The Instigators is at once an urgent political guide, historical exploration, and a poignant memoir that pulls from Omara's two decades of work in Democratic politics and the progressive movement as an elected Democratic Party leader, movement organizer, former candidate, gubernatorial aide, campaign staff to candidates at the national, state, and local level; and now political strategist. Powerful, insightful, and practical, it is imperative reading for everyone eager to protect and rebuild our democracy and create a better tomorrow for all. Our guest is: Atima Omara, who works and leads at the intersection of electoral politics and issue advocacy in the progressive movement. She is a political strategist, advocate, trainer, leader, and speaker with significant political, government, and non-profit experience, and she is a sought-after commentator and strategist. She is the author of The Instigators. Our host is: Dr. Christina Gessler, who is a writing coach and developmental editor for academics. She is the producer and show host of the Academic Life podcast. Playlist for listeners: We Refuse: A Forceful History of Black Resistance Reproductive Justice: An Essential Guide The End of White Politics The Vice-Presidents Black Wife Never Caught Leading From The Margins Remembering Lucille Black Woman On Board How Girls Achieve Stuck: How Money, Media and Violence Prevent Change in Congress Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

A cultural history of race, resistance, and representation in a city divided by politics and playWhen outfielder Bernie Carbo joined the Red Sox in 1974, he brought with him a toy gorilla named Mighty Joe Young that became the team's unofficial mascot for several players and many in the local press. This seemingly innocent stuffed animal was introduced within a baseball team notorious for its stubborn discrimination, and during a particularly fraught era of racial discord in Boston. That June, after years of activism from the city's Black community, Judge W. Arthur Garrity Jr. ruled that Boston must address the segregation of its schools through redistricting and busing. The ensuing racial animus to these policies led some of the city's white residents to throw bananas and chant monkey sounds at African American students as they integrated the predominantly white South Boston High School. In this agitated atmosphere, cultural symbols like the Red Sox's Mighty Joe Young mirrored and amplified the heightened racial tensions of Boston's busing crisis.Situated at the intersection of US cultural and social history, Segregation Games: Boston, Busing, and the Making of Red Sox Nation (U Massachusetts Press, 2026) examines the surprising ties in 1970s Boston between the racial segregation of the city's schools and the racial controversies expressed on and off the field of “Red Sox Nation.” “I found out in the black community why they don't come out [to Fenway Park],” explained Black player Reggie Smith of his experiences with the Red Sox and the city during this period. “The team was the last to get Black players, and some of the things I hear out in the stands make me sick.” To understand these connections, Faflik erases the lines between politics and sport, which routinely blurred in a city suffused with an anti-Black racism that was both deceptively subtle and fiercely overt.Drawing upon deep archival research from sources that have largely been ignored, such as the Black press of the time, Faflik offers a carefully nuanced portrait of Boston's cultural life at a pivotal moment in the city's history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In Stories of Struggle: The Clash over Civil Rights in South Carolina (U South Carolina Press, 2020), longtime journalist Claudia Smith Brinson details the lynchings, beatings, bombings, cross burnings, death threats, arson, and venomous hatred that black South Carolinians endured―as well as the astonishing courage, devotion, dignity, and compassion of those who risked their lives for equality. Through extensive research and interviews with more than one hundred fifty civil rights activists, many of whom had never shared their stories with anyone, Brinson chronicles twenty pivotal years of petitioning, preaching, picketing, boycotting, marching, and holding sit-ins. Participants' use of nonviolent direct action altered the landscape of civil rights in South Carolina and reverberated throughout the South. These firsthand accounts include those of the unsung petitioners who risked their lives by supporting Summerton's Briggs v. Elliot, a lawsuit that led to the historic Brown v. Board of Education decision; the thousands of students who were arrested and jailed in 1960 for protests in Rock Hill, Orangeburg, Denmark, Columbia, and Sumter; and the black female employees and leaders who defied a governor and his armed troops during the 1969 hospital strike in Charleston. Brinson also highlights contributions made by remarkable but lesser-known activists, including James M. Hinton Sr., president of the South Carolina Conference of Branches of the National Association for the Advancement of Colored People; Thomas W. Gaither, Congress of Racial Equality field secretary and scout for the Freedom Rides; Charles F. McDew, a South Carolina State College student and co-founder of the Student Nonviolent Coordinating Committee; and Mary Moultrie, grassroots leader of the 1969 hospital workers' strike. These intimate stories of courage and conviction, both heartbreaking and inspiring, shine a light on the progress achieved by nonviolent civil rights activists while also revealing white South Carolinians' often violent resistance to change. Although significant racial disparities remain, the sacrifices of these brave men and women produced real progress―and hope for the future. For more information on this book, see storiesofstruggle.com Matt Simmons is an Assistant Professor of History at Emmanuel University where he teaches course in U.S. and public history. His research interests focus on the intersection of labor and race in the twentieth-century American South. You can follow him on X @matthewfsimmons. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Reverberations of Culture: Racialized Performance in Early Twentieth-Century Musical Variety by Just a Buncha Clowns (Routledge, 2026) by Dr. Shane Breaux examines musical variety clowns and the broad array of racial and ethnic impersonations they performed on four distinct touring circuits and apparatuses: the African American Theatre Owners Booking Association (TOBA), the Chinese American so-called Chop Suey Circuit, the Mexican and Mexican American carpas tours, and Country American barn dances. This book explores the overlooked history of touring clown performers in early twentieth-century musical variety shows, addressing both their historical marginalization and their significant impact on popular entertainment. By examining these performers' widespread presences both on and off stage, the work challenges traditional historical narratives that have excluded diverse voices, particularly women and non-white performers. The research corrects a common misconception that racial impersonation in musical variety was exclusively the domain of white male performers. Instead, it reveals how performers and managers from various backgrounds actively challenged prevailing ideas about American identity, whiteness, and cultural inclusion. Through this lens, the book demonstrates that musical comedy performance and management were not exclusively white privileges, but rather spaces where diverse artists contributed significantly to early twentieth-century entertainment culture and beyond. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Mary Freeman, associate professor of history at the University of Maine, joins Michael Stauch to discuss her new book Abolitionists and the Politics of Correspondence (U Pennsylvania Press, 2026), about how abolitionists harnessed the power of letter-writing to further their political aims. It highlights everyday Americans' involvement in abolition, and shows in particular how women and Black Americans used letters to intervene in politics when other avenues were closed to them. Freeman focuses not only on what people wrote but also how they wrote about it: how they manipulated, exploited, and subverted cultural conventions to make political statements and claims. Highlights include: The inspiration behind the book's striking title; The influence of the “archival turn” on Freeman's analysis of the materiality of letters; A bold new reading of the lives of Angelina and Sarah Grimke, suggesting how their letter writing influenced their activism; How the abolitionist movement grew alongside the rise of the post office; The role of new forms of technology in shaping social movements, yesterday and today. Guest: Mary Freeman is an associate professor of history at the University of Maine, with a focus on the political, social, and cultural history of slavery and abolition. Her writing has appeared in the Journal of the Early Republic and she is currently developing research projects on nineteenth-century Black activism in Maine and on the history of abolitionist archives. Host: Michael Stauch is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In 1822, Black Charlestonians attempted to overthrow slavery. They were exposed before they could strike, and many were tried and executed in what has come to be known as the Denmark Vesey Affair. Take Freedom: Recovering the Fugitive History of the Denmark Vesey Affair (University of North Carolina Press, 2026) reinterprets these events on the basis of new evidence and methods. Dr. James O'Neil Spady narrates the roles of a variety of Black men and women, arguing that the uprising was a broadly based, African-influenced social movement that marshaled radical love and fugitive practices of freedom to ignite a revolution that sought to liberate beloved friends, families, and communities from increasingly aggressive and racializing slaveowners.  Uncovering never-before-consulted, unpublished documents, Dr. Spady names the clerk who made the trial records and settles old arguments about their reliability. Take Freedom demonstrates the realism of the uprising movement's strategy and uses social network mapping to illustrate the social dynamics within the Black community, emphasizing the roles of women and relationships among enslaved people. Ultimately, this book offers a more inclusive and expanded portrayal of this pivotal revolutionary movement.  This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Since the late nineteenth century, the US federal government has enjoyed exclusive authority to decide whether someone has the ability to enter and stay in US territory. But freedom of movement was not guaranteed in the British colonies or early US. By contrast, voluntary migrants were met with strict laws and policies created by colonies and states, which denied free mobility and settlement in their territories to unwanted populations.  Migration and the Origins of American Citizenship: African Americans, Native Americans, and Immigrants (Oxford University Press, 2026) by Dr. Anna O. Law presents a story of constitutional development that traces the confluence of the logics of slavery and settler colonialism in early legal rulings and public policy about migration and citizenship. The book examines the division of labor between the national and state governments that endured for over a century, reasons why that arrangement changed in the late nineteenth century, and what the transformation meant for people subject to those regimes of control. Drawing into one study the migration policy histories of groups of people that are usually studied separately, and combining the methodologies of political science, history, and law, Dr. Law reveals the unmistakable effects of slavery and Native American dispossession in modern US immigration policy.  This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

“The poor, of whatever color, do not trust the law and certainly have no reason to, and God knows we didn't. ‘If you must call a cop,' we said in those days, ‘for God's sake, make sure it's a white one.' We did not feel that the cops were protecting us, for we knew too much about the reasons for the kinds of crimes committed in the ghetto; but we feared black cops even more than white cops, because the black cop had to work so much harder—on your head—to prove to himself and his colleagues that he was not like all the other n******.” James Baldwin (1967) Professor and journalist Steven Thrasher, author of the critically acclaimed The Viral Underclass (one of Kirkus Reviews best books of 2022), explores in The Overseer Class: A Manifesto (Amistad, 2026) what happens when members of historically minoritized groups are selected for high-visibility positions of power within existing institutions—law enforcement, academia, the military, for profit and not-for-profit corporations, and government—under the conditions of a kind of Faustian bargain. This is a conversation, and a book, not to be missed. You can find author Steven Thrasher on Bluesky and Instagram. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Historian Heather Ann Thompson's Fear and Fury: The Reagan Eighties, the Bernie Goetz Shootings, and the Rebirth of White Rage (Pantheon, 2026) recounts the 1984 New York City subway shooting in which Bernhard Goetz shot four Black teenagers—Darrell Cabey, Barry Allen, Troy Canty, and James Ramseur—and became both a fugitive and, later, a celebrated vigilante figure for many Americans frustrated by the social and economic tensions of the Reagan era. The book examines how media outlets like Rupert Murdoch's New York Post and later Fox News fueled public fear and anger, transforming Goetz into a hero while casting his victims as villains. Using archival materials and legal records, Thompson revisits the shooting's lasting impact and argues that it marked a pivotal moment in modern American politics, media, and racial attitudes. Dr. N'Kosi Oates is a curator. He earned his Ph.D. in Africana Studies from Brown University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies