New Books in African American Studies

Classicism and Other Phobias (Princeton University Press, 2025) shows how the concept of “classicism” lacks the capacity to affirm the aesthetic value of Black life and asks whether a different kind of classicism—one of insurgence, fugitivity, and emancipation—is possible. Engaging with the work of Sylvia Wynter and other trailblazers in Black studies while drawing on his own experiences as a Black classicist, Dan-el Padilla Peralta situates the history of the classics in the racial and settler-colonialist settings of early modern and modern Europe and North America. He argues that immortalizing ancient Greek and Roman authors as “the classical” comes at the cost of devaluing Black forms of expression. Is a newfound emphasis on Black classicism the most effective counter to this phobia? In search of answers, Padilla Peralta ranges from the poetry of Juan de Castellanos to the writings of W.E.B. Du Bois and paintings by contemporary artists Kehinde Wiley and Harmonia Rosales. Based on the prestigious W.E.B. Du Bois Lectures delivered at Harvard University, Classicism and Other Phobias draws necessary attention to the inability of the classics as a field of study to fully cope with Blackness and Black people. Dan-el Padilla Peralta is professor of classics at Princeton University. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

At the turn of the twentieth century, the Black press provided a blueprint to help Black Americans transition from slavery and find opportunities to advance and define African American citizenship. Among the vanguard of the Black press was Jefferson Lewis Edmonds, founder and editor of The Liberator newspaper. His Los Angeles-based newspaper championed for women's rights, land and business ownership, education, and civic engagement, while condemning lynchings and other violent acts against African Americans. It encouraged readers to move westward and build new communities, and it printed stories about weddings and graduations as a testament to the lives and moments not chronicled in the White-owned press. Edmonds took this fierce perspective in his career as a journalist, for he himself was born into slavery and dedicated his life to creating pathways of liberation for those who came after him. Across the pages of his newspaper, Edmonds painted a different perspective on Black life in America and championed for his community--from highlighting the important work of his contemporaries, including Booker T. Washington and W.E.B. Du Bois, to helping local readers find love in the personal ads section. The Liberator, along with a chorus of Black newspapers at the turn of the century, educated an entire generation on how to guard their rights and take claim of their new American citizenship. Written by Jefferson Lewis Edmonds' great-great granddaughter, We Now Belong to Ourselves: J. L. Edmonds, the Black Press, and Black Citizenship in America (Oxford University Press, 2025) chronicles how Edmonds and other pioneering Black publishers documented the shifting tides in the advancement of Black liberation. Arianne Edmonds argues that the Black press was central in transforming Black Americans' communication patterns, constructing national resistance networks, and defining Black citizenship after Reconstruction--a vision, mission, and spirit that persists today through Black online social movements. Weaving together poetry, personal narrative, newspaper clips, and documents from the Edmonds family archive, We Now Belong to Ourselves illustrates how Edmonds used his platform to center Black joy, Black triumph, and radical Black acceptance. Arianne Edmonds is a 5th generation Angeleno, archivist, civic leader, and founder of the J.L. Edmonds Project, an initiative dedicated to preserving the history and culture of the Black American West. She is currently a Senior Civic Media Fellow at the USC Annenberg School for Communication and Journalism funded by the MacArthur Foundation and a Commissioner for the Los Angeles Public Library. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

More than a century and a half after Robert E. Lee surrendered to Ulysses S. Grant, historians are still searching for exactly when the U.S. Civil War ended. Was it ten weeks afterward, in Galveston, where a federal commander proclaimed Juneteenth the end of slavery? Or perhaps in August of 1866, when President Andrew Johnson simply declared “the insurrection is at an end”?  That the answer was elusive was baffling even to a historian of the stature of Michael Vorenberg, whose previous work served as a key source of Steven Spielberg's Lincoln. Vorenberg was inspired to write this groundbreaking book, finding its title, Lincoln's Peace, in the peace Lincoln hoped for but could not make before his assassination. A peace that required not one but many endings, as Vorenberg reveals in these pages, the most important of which came well more than a year after Lincoln's untimely death. To say how a war ends is to suggest how it should be remembered, and Vorenberg's search is not just for the Civil War's endpoint but for its true nature and legacy, so essential to the American identity. It's also a quest, in our age of “forever wars,” to understand whether the United States's interminable conflicts of the current era have a precedent in the Civil War—and whether, in a sense, wars ever end at all, or merely wax and wane. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In 1977, The Combahee River Collective, a group of Black American feminists issued a statement communicating the harrowing following: “The psychological toll of being a Black woman…can never be underestimated. There is a low value placed on Black women's psyches in this society, which is both racist and sexist. We are dispossessed psychologically and on every other level and yet we feel the need to struggle to change the condition of all Black women.” Almost 50 years later, we have a book that responds to this important group's felt need. Foluke Taylor's Unruly Therapeutic: Black Feminist Writings and Practices in Living Room, delivers an archive of Black feminisms that are leveraged to explore certain psychoanalytic truths. This ambitious trajectory is however delightfully embedded within a text that also includes the potential of musical accompaniment: she prompts us to tune into Billy Paul, Sault, Norman Connors and many other musicians. Read Taylor and turn up your speakers: let your senses rise and fall, clap and hum. The book depends in part on the author's personal reflections that in their tenderness, read, at least to my ear, as rather different from auto theory. Indeed, Taylor seems not to be embracing a tributary of critical theory through which she then allies herself. Rather there are aspects of her history that beautifully accompany and highlight what is a heart-rending treatise about the lay of the land traversed by Black women who seek to train to become clinicians and by Black women who come to lie on the couch, a terrain that can be unduly rough, distorting, dangerous. Chapter by chapter, Taylor is conducting a chorus of Black feminist thinkers, women with whom she works in ongoing movement to transform and trouble what subjugates and suffocates the lives of Black women. A clinician herself, she places a special emphasis on the practice of psychotherapy, demonstrating how it can participate in deadly, racist repetitions. The book has an interior design that reminds me of the way one might arrange furniture in a room, a living room as it were. There are bolded quotes, in the upper right hand corner perhaps or the bottom left, demanding attention. Sometimes the same quote is reproduced more than once in a chapter. These quotes are the equivalent of textual wall hangings that live on the page. They take on a physicality, almost like an ottoman by the reading chair, a place to stop and stay put, feet off the ground. I experienced them also as obstacles: I had to consider them in order to move forth. Taylor's voice is intimate and readers are assumed into a position, dropped into her mind at times mid-sentence: a thought is forming and we are there for its birth. She offers radical hospitality, breathing us into being. All who create life, she reminds us, must breathe for those they carry forth. This she also does. The voices of African feminists were new to me and reflective of her having left London for ten years to seek her origins in Africa, looking for her place in the world. This is where her sharing of her early life is put to powerful use as she wonders with bell hooks, with Hortense Spillers, hardly alone, yet alone, “where do I come from?” This question is one that belongs to all people whose lineages have been truncated by enslavement. Tracy D Morgan is the founding editor of New Books in Psychoanalysis, and works as a psychoanalyst in Rome, Italy and Brooklyn, NY. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Although Portland, Oregon, is sometimes called “America's Whitest city,” Black residents who grew up there made it their own. The neighborhoods of Northeast Portland, also called “Albina,” were a haven for and a hub of Black community life. But between 1990 and 2010, Albina changed dramatically—it became majority White.In We Belong Here, sociologist Dr. Shani Adia Evans offers an intimate look at gentrification from the inside, documenting the reactions of Albina residents as the racial demographics of their neighborhood shift. As White culture becomes centered in Northeast, Black residents recount their experiences with what Evans refers to as “White watching,” the questioning look on the faces of White people they encounter, which conveys an exclusionary message: “What are you doing here?” This, Evans shows, is a prime example of what she calls “White spacemaking”: the establishment of White space—spaces in which Whiteness is assumed to be the norm and non-Whites are treated with suspicion—in formerly non-White neighborhoods. Evans also documents Black residents' efforts to create and maintain places for Black belonging in White-dominated Portland. While gentrification typically describes socioeconomic changes that may have racial implications, White spacemaking allows us to understand racism as a primary mechanism of neighborhood change. We Belong Here illuminates why gentrification and White spacemaking should be examined as intersecting, but not interchangeable, processes of neighborhood change. Michael O. Johnston, Ph.D. is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is at the intersection of space, behavior, and identity. He is currently conducting research about: escape rooms, the use of urban design in downtown historical neighborhoods of rural communities, and a study on belongingness in college and university. To learn more about Michael O. Johnston you can go to his personal website, Google Scholar, Bluesky (@professorjohnst.bsky.social), Twitter (@ProfessorJohnst), or by email (johnstonmo@wmpenn.edu) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Against! is the first book-length study of Afro-Caribbean and African immigrant and second-generation writing in the United States. In it, Asha Jeffers evaluates the relationship between Blackness and immigranthood in the US as depicted through the recurring theme of rebellious Black immigrant daughters. Considering the work of Paule Marshall, Edwidge Danticat, Chimamanda Ngozi Adichie, and Taiye Selasi, Jeffers untangles how rebellion is informed by race, gender, ethnicity, and migration status. Immigrant and second-generation writers mobilize often complicated familial relationships to comment on a variety of political, social, and psychic contexts. Jeffers argues that rather than categorizing Black migrants as either immediately fully integrated into an African American experience or seeing them as another category altogether that is unbound by race, Marshall, Danticat, Adichie, and Selasi identify the unstable position of Black migrants within the American racial landscape. By highlighting the diverse ways Black migrants and their children negotiate this position amid the dual demands of the respectability politics imposed on African Americans and the model-minority myth imposed on immigrants, Jeffers reveals the unsteady nature of US racial categories. Asha Jeffers is Associate Professor in the Department of English, Gender and Women's Studies at Dalhousie University in Halifax, Nova Scotia. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

The criminalization of Black youth was central to policing in urban America during the civil rights era and continued in Detroit even after the rise of Black political control in the 1970s. Wildcat of the Streets documents how the “community policing” approach of Mayor Coleman Young (1974–1993)—including neighborhood police stations, affirmative action hiring policies, and public participation in law enforcement initiatives—transformed Detroit, long considered the nation's symbol of racial inequality and urban crisis, into a crucial site of experimentation in policing while continuing to subject many Black Detroiters to police brutality and repression. In response, young people in the 1970s and 1980s drew on the city's storied history of labor radicalism as well as contemporary shopfloor struggles to wage a “wildcat of the streets,” consisting of street disturbances, decentralized gang activity, and complex organizations of the informal economy. In this revelatory new history of the social life of cities, Michael Stauch mines a series of evocative interviews conducted with the participants to trace how Black youth made claims for political equality over and against the new order of community policing. Centering the perspective of criminalized and crime-committing young people, Wildcat of the Streets is an original interpretation of police reform, the long struggle for Black liberation, and the politics of cities in the age of community policing. Guest: Michael Stauch (he/him) is an Associate Professor at the University of Toledo. He historian of the modern United States with a focus on policing, politics, and the intersection of race, labor, and youth in social movements. Host: Jenna Pittman (she/her), a Ph.D. student in the Department of History at Duke University. She studies modern European history, political economy, and Germany from 1945-1990. Scholars@Duke: https://scholars.duke.edu/pers... Linktree: https://linktr.ee/jennapittman Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In the financial chaos of the last few decades, increasing wealth inequality has shaken people's expectations about middle-class stability. At the same time, demographers have predicted the "browning" of the nation's middle class--once considered a de facto "white" category--over the next twenty years as the country becomes increasingly racially diverse. In this book, Joseph O. Jewell takes us back to the turn of the twentieth century to show how evidence of middle-class mobility among Black, Mexican American, and Chinese men generated both new anxieties and varieties of backlash among white populations.Blending cultural history and historical sociology, Jewell chronicles the continually evolving narratives that linked whiteness with middle-class mobility and middle-class manhood. In doing so, Jewell addresses a key issue in the historical sociology of race: how racialized groups demarcate, defend, and alter social positions in overlapping hierarchies of race, class, and gender. New racist narratives about non-white men occupying middle-class occupations emerged in cities across the nation at the turn of the century. These stories helped to shore up white supremacy in the face of far-reaching changes to the nation's racialized economic order. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

This episode features Dr. Ashley Howard, assistant professor of History and African American Studies at the University of Iowa, discussing her book, Midwest Unrest: 1960s Urban Rebellions and the Black Freedom Movement, which was published by the University of North Carolina Press in June 2025. In six thoroughly researched chapters, Midwest Unrest argues that urban rebellions were a working-class response to the failure of traditional civil rights activism and growing fissures between the Black working and middle classes in the 1960s. Howard focuses on three Midwestern sites–Cincinnati, Milwaukee, and Omaha–to explore the ways region, race, class, and gender all played critical and often overlapping roles in shaping Black people's resistance to racialized oppression. Using arrest records, Kerner Commission documents, and author-conducted oral history interviews, Howard registers the significant impact the rebellions had in transforming African Americans' consciousness and altering the relationship between Black urban communities and the state. Specifically, multiple parties, including municipal governments, city residents, and most importantly rebels, wielded urban revolt as a political tool to achieve their own objectives. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Dr. Karyne Messina and Dr. Felicia Powell-Williams, the host and co-host of “Psychoanalytic Perspectives of Racism in America” sponsored by The American Psychoanalytic Association explored how employing mechanisms of defense perpetuates racial injustice's movement forward and the resistance it faces as a tug of war, i.e., progress followed by backlash. They examined the symbolic removal of Dr. Martin Luther King Jr.'s bust from the White House and its implications for societal values, while also talking about the impact of Dr. King's assassination and the current state of racial justice initiatives. The conversation included a discussion about the challenges of tolerating difficult truths and emotions in both psychoanalysis and society, including the persistence of white supremacy and its modern manifestations. It also underscored how symbols of the civil rights movement have been honored at the highest level of government yet in this case defense mechanisms initiated the physical removal of the bust. Other topics discussed by the host and co-host covered the current administration's sense of Juneteenth including the press secretary's statements that suggested the day was “observed” but not “celebrated.” Her statements seemed to be in line with President Trump's remarks about Americans having “too many holidays” which many observers interpreted as a direct critique of Juneteenth itself and, more broadly, of recent efforts to deemphasize the historical experiences of Black Americans. This approach stands in contrast to previous years when Donald Trump issued statements honoring Juneteenth. Some analysts and advocates have noted that the timing of President Trump's post was likely not coincidental. By choosing Juneteenth to air grievances about paid holidays, he sent a message to his political base that aligns with his administration's broader efforts to roll back diversity, equity, and inclusion initiatives. The lack of formal White House observance and Trump's public complaints about holidays were viewed by some as part of a pattern of minimizing the importance of this holiday and its meaning for Black Americans as well as all people in this country who celebrate the end of slavery. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Traversing teeming metropolises and tiny towns, Prose to the People: A Celebration of Black Bookstores (Random House, 2025) explores these spaces, chronicling these Black bookstore's past and present lives. Combining narrative prose, eye-catching photography, one-on-one interviews, original essays, and specially curated poetry, Prose to the People is a reader's road trip companion to the world of Black books. Thoughtfully curated by writer and Black bookstore owner Katie Mitchell, Prose to the People is a must-have addition to the shelves of anyone who loves book culture and Black history. Though not a definitive guide, this dynamic book centers profiles of over fifty Black bookstores from the Northeast to the mid-Atlantic, the South, and the West Coast, complete with stunning original and archival photography. Interspersed throughout are essays, poems, and interviews by New York Times bestsellers Kiese Laymon, Rio Cortez, Pearl Cleage, and many more journalists, activists, authors, academics, and poets that offer deeper perspectives on these bookstores' role throughout the diaspora. Complete with a foreword by world-renowned poet and activist Nikki Giovanni, Prose to the People is a beautiful tribute to these vital pillars of the Black community. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In the United States, systemic racism is embedded in policies and practices, thereby structuring American society to perpetuate inequality and all of the symptoms and results of that inequality. Racial, social, and class inequities and the public health crises in the United States are deeply intertwined, their roots and manifestations continually pressuring each other. This has been both illuminated and exacerbated since 2020, with the Movement for Black Lives (BLM) and the disproportionate effects of the COVID-19 pandemic on historically disadvantaged groups within the U.S. Dr. Dayna Bowen Matthew, Dean of the George Washington University Law School, explores and unpacks the public health crisis that is racism in her new book Just Health: Treating Structural Racism to Heal America (NYU Press, 2022). She describes how structural inequality undermines the interests of a thriving nation and the steps we can take to undo the pervasive nature of inequality to create more equitable and just systems. Dr. Bowen Matthew describes her personal relationship with the concepts of structural inequality and racism in the public health system, opening with a heart-wrenching ode to her father's experience with poverty and prejudice, which ultimately led to his premature death. Through her family's story, she explains how structural inequality is perpetuated on a large-enough scale and with a powerful-enough scope so as to virtually guarantee social outcomes that reflect predetermined hierarchies based on race and/or class, hierarchies that remain consistent across generations. These disproportionate outcomes are often dismissed as due to comorbidities without the attention paid to social factors are the primary cause of comorbidities, because oppression in its many forms blocks equitable access to the social determinants of health. These social determinants include, but are not limited to, clean and safe housing, adequate education, nutritious food and fresh water, access to recreational spaces, and mental health services. Individuals who lack these, through no fault of their own, are then obligated to accept disproportionate care, illness, and disturbingly shorter life spans then are the norm for many Americans and are much closer to life spans in impoverished countries. Dr. Bowen Matthew presents evidence of discrimination in housing, education, employment, and the criminal justice system, detailing how law has played a central role in erecting disproportionate access to the social determinants of health, and therefore is a requisite tool for dismantling it. She provides a clear path to undoing structural racism and providing an equitable society to all, encouraging health providers, law makers, and citizens all to fight to dismantle the hurdles that many patients face because of the zip code in which they live. Emma R. Handschke assisted in the production of this podcast. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

What are dominant narratives of mixed race identity? What are those narratives doing, in everyday life and within philosophical discourse? How can attending to the narratives and actions of people who identify as mixed race not just interrupt these dominant narratives, but change our understandings of ancestry, race, sexuality, and much more? In Critical Mixed Race Philosophy: Rethinking Kinship and Identity (Lexington Books, 2025), Sabrina L. Hom tackles these questions to argue for the view that many mixed race people have taken up their positioning within and between racial groups in critical and transformative ways. If we disrupt the dominant tropes of objectifying mixed race people, Hom shows us, to attend to what they say and do, we can find a critical standpoint that adds much to our thinking about and collective action in regards to kinship, embodiment, and identity. Sabrina L. Hom is associate professor of philosophy and affiliate faculty of women's and gender studies at Georgia College and State University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

A rethinking of African American religious history that focuses on the development and evolution of Africana spiritual traditions in Jim Crow New Orleans. When Zora Neale Hurston traveled to New Orleans, she encountered a religious underworld, a beautiful anarchy of spiritual life. In Underworld Work, Ahmad Greene-Hayes follows Hurston on a journey through the rich tapestry of Black religious expression from emancipation through Jim Crow. He looks within and beyond the church to recover the diverse leadership of migrants, healers, dissidents, and queer people who transformed their marginalized homes, bars, and street corners into sacred space. Greene-Hayes shows how, while enclosed within an antiblack world, these outcasts embraced Africana esotericisms--ancestral veneration, faith healing, spiritualized sex work, and more--to conjure a connection to freer worlds past and yet to come. In recovering these spiritual innovations, Underworld Work celebrates the resilience and creativity of Africana religions. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

The American Civil War may have been more consequential to American history (and its global supremacy) than its Revolutionary War and participation in all other world wars. The influence of this war is not just reduced to the victory of the north and its economic infrastructure, but the fact of Union success ushered in the notion of 'what it means to be American' that even the revolution could not instill. European military historian Jeremy Black reorients readers to see what was extraordinary in the civil war of 'the American colonies' and why this was warfare unlike anything that could be properly understood on the world stage at that time. He also examines with expertise the role of foreign powers (or lack thereof). Black's treatment might be the doom of civil war counterfactuals. Was the south destined to fail? Was it weaker motive, faulty strategy, or lack of European support? Was the north just lucky, or possessed of foresight and providential endowment? Black dispels romanticism and sentimentalist hindsight--the American Civil War is unparalleled in many respects, but it is not without clear lessons in warcraft, diplomacy, and cultural-economic impasse. Furthermore, Black's Civil War is a new resource that teaches, reaffirms, and reminds readers of the intensity of the American past--in both error and idealistic impulse--that might continue to guide us to the best future and avoid the lose-lose circumstances of a civil war. Black's acumen for historical review in this case renders a kind of warning: May the leaders of men in the future come to a better way of self-realization than give way to the internal conflict that pits father against son, and sister against brother. But if he must engage, at least understand the distinction between war and politics. Black's objective and concise account is a treasure for students and experts alike who need clarity and insight without too much of an investment. The take-away is an appreciation for the American spirit that civil strife petrified and an understanding of the tactical progression of this conflict and the context of combat of that era. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Andrew S. Berish. 2025. Hating Jazz: A History of Its Disparagement, Mockery, and Other Forms of Abuse. (U of Chicago Press, 2025) Some good words from the inside flap: “ A deep dive into the meaning behind the hatred of jazz.A rock guitarist plays four notes in front of one thousand people, while a jazz guitarist plays one thousand notes in front of four people. You might laugh or groan at this jazz joke, but what is it about jazz that makes people want to disparage it in the first place?Andrew S. Berish's Hating Jazz listens to the voices who have denounced, disparaged, and mocked the music. By focusing on the rejection of the music, Berish says, we see more holistically jazz's complicated place in American cultural life. Jazz is a display of Black creativity and genius, an art form that is deeply embedded in African American life. Though the explicit racial tenor of jazz jokes has become muted over time, making fun of jazz, either in a lighthearted or aggressive way, is also an engagement with the place of Blackness in America. An individual's taste in music may seem personal, but Berish's analysis of jazz hatred demonstrates that musical preferences and trends are a social phenomenon. Criticism of jazz has become inextricable from the ways we understand race in America, past and present. In addition to this form of criticism, Berish also considers jazz hate as a form of taste discrimination and as a conflict over genre boundaries within different jazz cultures.Both enlightening and original, Hating Jazz shows that our response to music can be a social act, unique to our historical moment and cultural context—we react to music in certain ways because of who we are, where we are, and when we are. “ Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In 1998, Bill Clinton hosted a town hall on race and sports. 'If you've got a special gift,' the president said of athletes, 'you owe more back.' Gift and Grit shows how the sports industry has incubated racial ideas about advantage and social debt since the civil rights era by sorting athletes into two broad categories. The gifted athlete received something for nothing, we're told, and owes the team, the fan, the city, God, nation. The gritty athlete received nothing and owes no one. The distinction between gift and grit is racial, but also, Joseph Darda reveals, racializing: It has structured new racial categories and redrawn racial lines. Sports, built on an image of fairness, inform how we talk about advantage and deservedness in other domains, including immigration, crime, education, and labor. Gift and Grit tells the stories of Roger Bannister, Roberto Clemente, Martina Navratilova, Florence Griffith Joyner, and LeBron James – and the story their stories tell about the shifting meaning of race in America. Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All. His next book, Moses Malone: The Life of a Basketball Prophet, will be out in the fall of 2025. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In the sprawling city of São Paulo, a weekly practice known as devotion to souls (devoção às almas) draws devotees to Catholic churches, cemeteries, and other sites associated with tragic or unjust deaths. The living pray and light candles for the souls of the dead, remembering events and circumstances in a rite of collective suffering. Yet contemporary devotion to souls is not confined to Catholic adherents or fixed to specific locations. The practice is also linked to popular tours of haunted sites in the city, and it moves within an urban environment routinely marked by violence and death. While based in Catholic traditions, devotion to souls is as complex and multifaceted as religion itself in Brazil, where African, Portuguese, and other cultural forms have blended and evolved over centuries. Michael Amoruso's insightful work, Moved By The Dead: Haunting and Devotion in São Paulo, Brazil (University of North Carolina Press, 2025) uses the methods of ethnography, religious studies, and urban studies to consider how devotion to souls embodies, adapts, and challenges conventional ideas of religion as tethered to specific sites and practices. Examining devotees' varied ways of ascribing meaning to their actions, Amoruso argues that devotion to souls acts as a form of what he calls "mnemonic repair," tying the living to the dead in a struggle against the forces of forgetting. Michael Amoruso is assistant professor of religious studies at Occidental College. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

The Carceral City: Slavery and the Making of Mass Incarceration in New Orleans, 1803-1930 (UNC Press, 2024) reveals that Americans often assume that slave societies had little use for prisons and police because slaveholders only ever inflicted violence directly or through overseers. Mustering tens of thousands of previously overlooked arrest and prison records, John K. Bardes demonstrates the opposite: in parts of the South, enslaved and free people were jailed at astronomical rates. Slaveholders were deeply reliant on coercive state action. Authorities built massive slave prisons and devised specialized slave penal systems to maintain control and maximize profit. Indeed, in New Orleans—for most of the past half-century, the city with the highest incarceration rate in the United States—enslaved people were jailed at higher rates during the antebellum era than are Black residents today. Moreover, some slave prisons remained in use well after Emancipation: in these forgotten institutions lie the hidden origins of state violence under Jim Crow. With powerful and evocative prose, Bardes boldly reinterprets relations between slavery and prison development in American history. Racialized policing and mass incarceration are among the gravest moral crises of our age, but they are not new: slavery, the prison, and race are deeply interwoven into the history of American governance. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Political Scientist Angela K. Lewis-Maddox has pulled together an important and useful edited volume focusing on black women political scientists and their experiences in the discipline itself and in studying topics that include race and gender. Political Science, as a discipline, is a bit more than 100 years old, and studies politics, power, institutions, policy, methodology, and theory. These are the over-arching umbrellas within the discipline and many of the specific areas within Political Science take up questions that are connected to these broad concepts. As with many dimensions of our society, race and gender play a role in the discipline itself and in what we study as political scientists. But race and gender have also been considered tertiary issues within the discipline in terms of research. Disrupting Political Science: Black Women Reimagining the Discipline is both autobiographical for some of the contributors as well as an interrogation of Political Science as a discipline. Lewis-Maddox has assembled a group of scholars across rank and position, region and geography, types of institutions, and scholarly emphasis. This diverse assembly of contributors have reflected on their particular experience within Political Science and have written about that experience from a variety of perspectives and approaches. This is a rich and deep study of those who have found themselves to be “space invaders”—black women in spaces and places that are not designed for them. These women all bring the experience of interposing themselves in a place or in places where they are not accepted. And yet they have also persevered in these spaces, in institutions, and within the discipline, and they have considered how they operate professionally and personally in “hostile” territory. Part of the thrust of Disrupting Political Science is to encourage the reimagining of Political Science as a discipline, to challenge the norms and expectations that have remained in place for over a century. And thus to be more accepting of those who do not hew to the silent but strong cis, male, white, and heteronormative norms. Angela K. Lewis-Maddox and her assembly of contributing authors have done a great service to the discipline of Political Science in publishing these analyses and considerations. Disrupting Political Science: Black Women Reimagining the Discipline is shining a light on those who have often been obscured within the boundaries of the academic discipline—either because of who they are or because of what they study. Political Science is truly an expansive discipline, and to understand the world in which we live, individuals or groups should not be marginalized or erased, but re-centered and engaged. This book goes far in helping to refocus and consider otherwise obscured dimensions of Political Science and political scientists. Lewis-Maddox suggested that a good place to purchase this is book is through Mahogany Books. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Canada and the Blackface Atlantic: Performing Slavery, Conflict, and Freedom, 1812-1897 (Wilfred Laurier University Press, 2025) traces the origins of theatre, dance, and concert singing in Canada and their connection to British and American song and dance traditions. When theatrical acts first appeared in the late eighteenth century, chattel slavery had transformed into mass entertainment on minstrel stages across the Atlantic world. As railroads and theatres were built, local blackface troupes emerged alongside touring British and American acts. By the 1850s, blackface theatre could be found in remote Western outposts to stages in Central and Maritime Canada. This is one of the first books to connect the rise of Canadian blackface minstrelsy with the emergence of Black singers, and choral groups. It describes how Black performers who assumed minstrelsy's mask remapped plantation slavery on Canadian stages. It begins with the conflicts that shaped North America – the American Revolutionary War, and the War of 1812. Next, it connects these origins with eighteenth-century British immigration, which brought folk dances and masking traditions to North America. From there, it unmasks when and how “Jim Crow” became an Atlantic world sensation, which set the stage for blackface to expand. Finally, it considers how Black acts reimagined the parameters of their own freedom. Find Dr. Thompson on her website and the website of Mapping Ontario's Black Archives, on BlueSky, and on Substack. Find host Sullivan Summer at her website, on Instagram, and on Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Hair is always and everywhere freighted with meaning. In nineteenth-century America, however, hair took on decisive new significance as the young nation wrestled with its identity. During the colonial period, hair was usually seen as bodily discharge, even “excrement.” But as Dr. Sarah Gold McBride shows in Whiskerology: The Culture of Hair in Nineteenth-Century America (Harvard University Press, 2025), hair gradually came to be understood as an integral part of the body, capable of exposing truths about the individuals from whom it grew—even truths they wanted to hide. As the United States diversified—intensifying divisions over race, class, citizenship status, and region—Americans sought to understand and classify one another through the revelatory power of hair: its color, texture, length, even the shape of a single strand. While hair styling had long offered clues about one's social status, the biological properties of hair itself gradually came to be seen as a scientific tell: a reliable indicator of whether a person was a man or a woman; Black, white, Indigenous, or Asian; Christian or heathen; healthy or diseased. Hair was even thought to illuminate aspects of personality—whether one was courageous, ambitious, or perhaps criminally inclined. Yet if hair was a teller of truths, it was also readily turned to purposes of deception in ways that alarmed some and empowered others. Indeed, hair helped many Americans to fashion statements about political belonging, to engage in racial or gender passing, and to reinvent themselves in new cities. A history inscribed in bangs, curls, and chops, Whiskerology illuminates a period in American history when hair indexed belonging in some ways that may seem strange—but in other ways all too familiar—today. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

The Southern Fault Line: How Race, Class, and Region Shaped One Family's History (Oxford University Press, 2025) explores the under-appreciated division in the South between the oligarchic rule of plantation owners and industrialists on the one hand, and the more democratic mindset of the mountain-dwelling small farmers on the other. These two mindsets were in continual tension from the 1800s to the 1960s, when the adherents of the more democratic side of the struggle capitulated to the oligarchical side in response to the Civil Rights movement. Bryan Jones draws from his own family's centuries-old history in the region to explore the rise and fall of the "two minds" of the South. Through a comparison of the experiences of a slaveholding line in his family with three non-slaveholding lines, Jones provides a rich history of the politics of both class and race in the region from the Founding era to the present. The slaveholding side of his family settled in Black Belt Alabama, while ancestral members of the other side of his family were poorer uplanders. In the 1890s, the latter supported the burgeoning populist movement, which for a short window of time tried to unite poor Blacks and poor whites against the patrician planter class and industrialists. After a series of close elections, the planter class was able to stanch the populist tide. They did this in large part by sowing racial division among populism's supporters. Indeed, one of Jones' ancestors helped draft the 1901 Alabama constitution that made Jim Crow the law of the state. Throughout, Jones shows how deep the political differences were between the two regions, with oligarchy characterizing the slaveholding region and a more democratic ethos shaping the non-slaveholding areas. Jones serves as the final observer, a white boy observing not only the demise of the Jim Crow South, but--in the wake of the Civil Rights movement--the demise of the mountain democratic South as well. Today, the vast majority of Southern whites regardless of class support an oligarchical Republican Party. Bryan Jones is J.J."Jake" Pickle Regents' Chair in Congressional Studies at the University of Texas at Austin. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

It's the UConn Popcast, and we analyze the movie Sinners, starring Michael B. Jordan, just released on streaming. We address the political themes of the movie, focusing on its generic identity as a Southern Gothic, the historical context in which the movie takes place, its engagement with ideas of utopia, community, freedom, and the siren songs that often lead communities down false roads in search of these goals. We appreciate the aesthetic achievement of the movie, which is perhaps Director Ryan Coogler and star Michael B. Jordan's best and most complete work. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Fake news, outright political lies, a shamelessly partisan press, and the collapse of truth, civility, and shared facts, Dr. Philip Kadish argues, are nothing new. The Great White Hoax: Two Centuries of Selling Racism in America (The New Press, 2025), a masterpiece of historical and literary sleuthing, reveals that the era of Fox News and Donald Trump is simply a return to form. We have been here before. In a book that brilliantly puts our current era into historical context, The Great White Hoax uncovers a centuries-long tradition of white supremacist hoaxes, perpetrated on the American public by a succession of political hucksters and opportunists, all of them willfully using racial frauds as tools for political and social advantage. In the antebellum era, slavery's defenders used bogus science to “prove” the inferiority of African American people; during the Civil War, Abraham Lincoln's enemies circulated a sham pamphlet accusing him of promoting a dilution of the white race through “miscegenation” (a racist term invented by the pamphlet's authors). From these murky beginnings, Dr. Philip Kadish draws a direct thread to D.W. Griffith's Birth of a Nation, Henry Ford's adaptation of The Protocols of the Elders of Zion, Madison Grant's embrace of eugenics (which directly influenced Adolf Hitler), Alabama Governor George Wallace's race-baiting, and Roger Ailes's creation of Fox News. The Great White Hoax reveals white supremacy as today's real “fake news”—and exposes the cast of villains, past and present, who have kept American racism alive. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In the decades after the end of slavery, African Americans were committed to southern state mental hospitals at higher rates as white psychiatrists listed “religious excitement” among the most frequent causes of insanity for Black patients. At the same time, American popular culture and political discourse framed African American modes of spiritual power as fetishism and superstition, cast embodied worship as excessive or fanatical, and labeled new religious movements “cults,” unworthy of respect. As Judith Weisenfeld argues in Black Religion in the Madhouse: Race and Psychiatry in Slavery's Wake (NYU Press, 2025), psychiatrists' notions of race and religion became inextricably intertwined in the decades after the end of slavery and into the twentieth century, and had profound impacts on the diagnosis, care, and treatment of Black patients. This book charts how racialized medical understandings of mental normalcy pathologized a range of Black religious beliefs, spiritual sensibilities, practices, and social organizations and framed them as manifestations of innate racial traits. Importantly, these characterizations were marshaled to help to limit the possibilities for Black self-determination, with white psychiatrists' theories about African American religion and mental health being used to promote claims of Black people's unfitness for freedom. Drawing on extensive archival research, Black Religion in the Madhouse is the first book to expose how racist views of Black religion in slavery's wake shaped the rise of psychiatry as an established and powerful profession. Judith Weisenfeld is the Agate Brown and George L. Collord Professor of Religion and associated faculty in the Department of African American Studies and the Program in Gender and Sexuality Studies. This episode's host, Jacob Barrett, is currently a PhD candidate in the Department of Religious Studies at the University of North Carolina at Chapel Hill in the Religion and Culture track. For more information, visit his website thereluctantamericanist.com Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

The New York Times-bestselling, National Book Award-nominated author of The Love Songs of W.E.B. Du Bois and The Age of Phillis makes her nonfiction debut with this personal and thought-provoking work that explores the journeys and possibilities of Black women throughout American history and in contemporary times. Honorée Fanonne Jeffers is at a crossroads. Traditional African/Black American cultures present the crossroads as a place of simultaneous difficulty and possibility. In contemporary times, Kimberlé Crenshaw coined the phrase “intersectionality” to explain the unique position of Black women in America. In many ways, they are at a third crossroads: attempting to fit into notions of femininity and respectability primarily assigned to White women, while inventing improvisational strategies to combat oppression. In Misbehaving at the Crossroads: Essays and Writings (Harper, 2025), Jeffers explores the emotional and historical tensions in Black women's public lives and her own private life. She charts voyages of Black girlhood to womanhood and the currents buffeting these journeys, including the difficulties of racially gendered oppression, the challenges of documenting Black women's ancestry; the adultification of Black girls; the irony of Black female respectability politics; the origins of Womanism/Black feminism; and resistance to White supremacy and patriarchy. As Jeffers shows with empathy and wisdom, naming difficult historical truths represents both Blues and transcendence, a crossroads that speaks. Necessary and sharply observed, provocative and humane, and full of the insight and brilliance that has characterized her poetry and fiction, Misbehaving at the Crossroads illustrates the life of one extraordinary Black woman—and her extraordinary foremothers. Find author Honorée Fannone Jeffers at her website, Instagram, Bluesky, and Substack. Host Sullivan Summer can be found at her website, Instagram, and Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

At the height of the Civil War, on May 12, 1862, Robert Smalls—an enslaved harbor pilot in Charleston, South Carolina—carried out one of the most courageous and cunning acts in American history. He disguised himself as a captain and, in the dead of night, commandeered the ship he worked on and sailed it to freedom. By the time Confederate soldiers realized what was happening, it was too late: Smalls, along with seven other enslaved crew members and their families, had run the blockade. Smalls' heroism, and material aid for the Union, made national headlines and influenced Lincoln's decision to accept Black soldiers into the Union Army. He later captained the very boat he took and, after the war, became a Congressman.DEFIANT: The Story of Robert Smalls (Stranger Comics, 2025) seeks to elevate Smalls to his rightful place in the national consciousness. The graphic novel—written by Rob Edwards (The Fresh Prince of Bel-Air and Academy-Award nominated The Princess and the Frog) and drawn by comic book artists Nikolas Draper-Ivey (Black Panther soundtrack cover, Static: Shadows Of Dakota) and Ray-Anthony Height (Marvel Comics' Star Wars: Doctor Aphra)—details Smalls' childhood, his efforts to buy his freedom, and finally, the extraordinary events of that night in Charleston Harbor over 150 years ago. Omari Averette-Phillips is a PhD candidate in History and African American Studies at UC Davis. He can be reached at omariaverette@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Ten beautifully illustrated essays tell the stories of handcrafted objects and their makers, providing inspiration and insight into Black history and craftsmanship. Black artisans have long been central to American art and design, creating innovative and highly desired work against immense odds. Atlanta-based chairmaker and scholar Robell Awake explores the stories behind ten cornerstones of Black craft, from the celebrated wooden chairs of Richard Poynor, an enslaved craftsman who began a dynasty of Tennessee chairmakers, to the enslaved potters of Old Edgefield, South Carolina, to Ann Lowe, the couture dressmaker who made Jacqueline Kennedy's wedding dress, A Short History of Black Craft in Ten Objects (Princeton Architectural Press, 2025) illuminates the work of generations of Black craftspeople, foregrounding their enduring contributions to American craft. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

From Black clubwomen to members of preservation organizations, African American women have made commemoration a central part of Black life and culture. Alexandria Russell illuminates the process of memorialization while placing African American women at the center of memorials they brought into being and others constructed in their honor. Their often undocumented and unheralded work reveals the importance of the memorializers and public memory crafters in establishing a culture of recognition. Forced to strategize with limited resources, the women operated with a resourcefulness and savvy that had to meet challenges raised by racism, gender and class discrimination, and specific regional difficulties. Yet their efforts from the 1890s to the 2020s shaped and honed practices that became indispensable to the everyday life and culture of Black Americans. Intersectional and original, Black Women Legacies: Public History Sites Seen and Unseen (Illinois University Press, 2024) explores the memorialization of African American women and its distinctive impact on physical and cultural landscapes throughout the United States. Dr. Alexandria Russell is the Executive Director of the Boston Women's Heritage Trail and a WEB Du Bois Research Institute Non-Residential Fellow at Harvard's Hutchins Center for African & African American Research. You can find the host, Sullivan Summer, online, on Instagram, and at Substack, where she and Dr. Russell continue their conversation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Rob Franklin, Great Black Hope (Summit Books, 2025) Born and raised in Atlanta, Rob Franklin is a writer of fiction, criticism, and poetry, and a cofounder of Art for Black Lives. A Kimbilio Fiction Fellow and finalist for the New England Review Emerging Writer prize, he has published work in New England Review, Prairie Schooner, and The Rumpus among others. Franklin holds a BA from Stanford University and an MFA from NYU's Creative Writing program. He lives in Brooklyn and teaches writing at the School of Visual Arts. Book Recommendations: Katie Kitamura, Audition Josh Duboff, Early Thirties Alexis Okeowo, Blessings and Disasters Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Their Accomplices Wore Robes: How the Supreme Court Chained Black America to the Bottom of a Racial Caste System (Doubleday, 2025) takes readers from the Civil War era to the present and describes how the Supreme Court, even more than the presidency or Congress, aligned with the enemies of Black progress to undermine the promise of the Constitution's Thirteenth, Fourteenth, and Fifteenth Amendments.The Reconstruction Amendments, which sought to abolish slavery, establish equal protection under the law, and protect voting rights, converted the Constitution into a potent anti-caste document. But in the years since, the Supreme Court has refused to allow the amendments to fulfill that promise. Time and again, when petitioned to make the nation's founding conceit, that all men are created equal, real for Black Americans, the nine black robes have chosen white supremacy over racial fairness. Their Accomplices Wore Robes brings to life dozens of cases and their rich casts of characters to explain how America arrived at this point and how society might arrive somewhere better, even as today's federal courts lurch rightward. Brando Simeo Starkey is a writer and scholar. A graduate of Harvard Law School and a member of the New York Bar, he taught law at Villanova Law School and wrote for several years for ESPN's The Undefeated (now Andscape). Born and raised in Cincinnati, he lives in Southern California with his wife and two sons. You can find him online at The Braveverse, and on his YouTube channel of the same name. You can find the host, Sullivan Summer, online, on Instagram, and at Substack, where she and Brando continue their conversation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

The Human Toll: Taxation and Slavery in Colonial America (NYU Press, 2025) by Anthony C. Infanti documents how the American colonies used tax law to dehumanize enslaved persons, taxing them alongside valuable commodities upon their forced arrival and then as wealth-generating assets in the hands of slaveholders. Dr. Infanti examines how taxation also proved to be an important component for subjugating and controlling enslaved persons, both through its shaping of the composition of new arrivals to the colonies and through its funding of financial compensation to slaveholders for the destruction of their “property” to ensure their cooperation in the administration of capital punishment. The variety of tax mechanisms chosen to fund slaveholder compensation payments conveyed messages about who was thought to benefit from—and, therefore, who should shoulder the burden of—slaveholder compensation while opening a revealing window into these colonial societies.While the story of colonial tax law is intrinsically linked to advancing slavery and racism, Infanti reveals how several colonies used the power of taxation as a means of curtailing the slave trade. Though often self-interested, these efforts show how taxation can be used not only in the service of evil but also to correct societal injustices. Providing a fascinating account of slavery's economic entrenchment through the history of American tax law, The Human Toll urges us to consider the lessons that fiscal history holds for those working in the reparations movement today. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In 1849, the Mary Ann Shadd Cary had not yet become one of the first Black woman newspaper editors in North America. She was decades away from being admitted to Howard University's Law School and becoming the first Black woman to so enroll in the United States. She had not yet begun to lobby for women's right to vote, and she had not yet emigrated to Canada, where she would rise to prominence as a formidable abolitionist and emigrationist. Though many years would pass before she made a name for herself as a gifted writer, editor, lecturer, educator, lawyer, and suffragist, in 1849, Mary Ann Shadd Cary was already certain of one thing: “We should do more, and talk less.” Mary Ann Shadd Cary: Essential Writings of a Nineteenth-Century Black Radical Feminist (Oxford Univeristy Press, 2023) includes letters, newspaper articles, organizational records, and never-before-published handwritten notes and essay drafts that illustrate how Shadd Cary participated in major Africana philosophical debates during the nineteenth century. Racial uplift, women's rights, emigration, citizenship and economic self-determination for Black people in general and Black women in particular, were all subjects of Shadd Cary's writings and activism throughout her lifetime, shaping Black radical theory and praxis. She is one of many nineteenth-century Black women theorists whose intellectual contributions are often overlooked. By interrogating Shadd Cary's Black radical ethic of care, this book reveals the philosophies that have shaped Black women's centuries-long struggle for rights and freedom. Nneka D. Dennie is Assistant Professor of History, core faculty in Africana Studies, and affiliate faculty in Women's, Gender, and Sexuality Studies at Washington and Lee University. She is also co-founder and president of the Black Women's Studies Association. Dr. Dennie's research examines Black feminism and Black intellectual thought with an emphasis on nineteenth-century African American women thinkers. Her work has been published in Palimpsest: A Journal on Women, Gender, and the Black International; Feminist Studies; Atlantic Studies: Global Currents; The Routledge Companion to Black Women's Social and Cultural Histories; The Oxford Handbook of W.E.B. Du Bois, and more. You can find the host, Sullivan Summer, online, on Instagram, and at Substack, where she and Dr. Dennie continue their conversation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

A gripping chronicle of the relentless fight for Black educational freedom--and the bold strategies to protect, nourish, and empower Black minds. The Battle for the Black Mind (Legacy Lit, 2025) is an explosive historical account of the struggle for educational justice in America. Drawing on over a decade of archival research, personal reflection, and keen sociological insight, this book traces a century of segregated schooling, examining how early efforts to control Black minds through education systems has laid the foundation for the systemic inequities we still live with today. NAACP Image Award-winning author Dr. Karida L. Brown, takes readers from the rural South to the bustling cities of the North and connects the dots between the experiences of Black students and educators across the nation. From the founding of early Historically Black Colleges and Universities (HBCUs), such as Hampton, Atlanta, and Tuskegee University, to the rise of the Black freedom struggle, The Battle for the Black Mind weaves together the stories of pioneering Black leaders and the institutions they built to educate future generations. Far from dwelling solely on oppression, this book offers powerful insight into how Black people have always fought to create environments where Black minds could thrive. Brown concludes with an urgent and empowering call to action, equipping everyday Americans with practical steps--both big and small--to ensure that Black minds can continue to flourish, even as our education system itself comes under attack. Grounded in both historical rigor and astute social commentary, The Battle for the Black Mind speaks directly to today's national fight over the American classroom, making it clear that the battle for Black minds is far from over. This book will resonate deeply if one understands the transformative power of education and is invested in understanding how education has always played a role in shaping the moral conscience of America. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

For decades Frank X Walker has reclaimed essential American lives through his pathbreaking historical poetry. In this stirring new collection, he reimagines the experiences of Black Civil War soldiers—including his own ancestors—who enlisted in the Union army in exchange for emancipation.Moving chronologically from antebellum Kentucky through Reconstruction, Walker braids the voices of the United States Colored Troops with their family members, as well as slave owners and prominent historical figures from Abraham Lincoln to Frederick Douglas and Margaret Garner. Imbued with atmospheric imagery, these persona poems and more “[clarify] not only the inextricable value of Black life and labor to the building of America, but the terrible price they were forced to pay in producing that labor” (Khadijah Queen). “How do you un-orphan a people?” Walker asks. “How do you pick up / shattered black porcelain and make / a new set of dishes fit to eat off?”While carefully attuned to the heartbreak and horrors of war, Walker's poems pay equal care to the pride, perseverance, and triumphs of their speakers. Evoking the formerly enslaved General Charles Young, Walker hums: “I am America's promise, my mother's song, / and the reason my father had every right to dream.” Expansive and intimate, Load in Nine Times is a resounding ode to the powerful ties of individual and cultural ancestry by an indelible voice in American poetry. Winner of the 2025 PEN/Voelcker Award for Poetry. A native of Danville, Kentucky, Frank X Walker is the first African American writer to be named Kentucky Poet Laureate. Walker has published thirteen collections of poetry, including Turn Me Loose: The Unghosting of Medgar Evers, which was awarded the 2014 NAACP Image Award for Poetry and the Black Caucus American Library Association Honor Award for Poetry. Voted one of the most creative professors in the south, Walker coined the term “Affrilachia” and co-founded the Affrilachian Poets Collective, the oldest continuously running predominantly African American writing group in the country. He is a Professor of English, and Director of the MFA in Creative Writing program the University of Kentucky. You can find the host, Sullivan Summer, online, on Instagram, and at Substack, where she and Professor X continue their conversation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Why do some processes—like aging, birth, and car crashes—occur in only one direction in time, when by the fundamental symmetry of the universe, we should experience time both forward and backward? Our dominant perception of time owes more to Western history and social order than to a fact of nature, argues writer Rasheedah Phillips, delving into Black and Afrodiasporic conceptions of time, where the past, present, and future interact in more numerous constellations. Phillips unfolds the history of time and its legacy of racial oppression, from colonial exploration and the plantation system to the establishment of Daylight Savings. Yet Black communities have long subverted space-time through such tools of resistance as Juneteenth, tenant organizing, ritual, and time travel. What could Black liberation look like if the past were as changeable as the future? Drawing on philosophy, archival research, quantum physics, and Phillips's own art practice and work on housing policy, Dismantling the Master's Clock: On Race, Space, and Time (AK Press, 2025) expands the horizons of what can be imagined and, ultimately, achieved. Rasheedah Phillips is a queer housing advocate, lawyer, parent, and interdisciplinary artist working through a Black futurist lens. Phillips is the founder of the AfroFuturist Affair, founding member of the Metropolarity Queer Speculative Fiction Collective, and co-creator of the art duo Black Quantum Futurism. Phillips' work has been featured in the New York Times, The Wire, New York Magazine, Boston Review, Hyperallergic, and e-flux. You can find the host, Sullivan Summer, online, on Instagram, and at Substack, where she and Rasheedah continue their conversation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Gospel singer and seven-time Grammy winner Andraé Crouch (1942-2015) hardly needs introduction. His compositions--"The Blood Will Never Lose Its Power," "Through It All," "My Tribute (To God be the Glory)," "Jesus is the Answer," "Soon and Very Soon," and others--remain staples in modern hymnals, and he is often spoken of in the same "genius" pantheon as Mahalia Jackson, Thomas Dorsey and the Rev. James Cleveland. As the definitive biography of Crouch published to date, Soon and Very Soon: The Transformative Music and Ministry of Andraé Crouch (Oxford University Press, 2025) celebrates the many ways that his legacy indelibly changed the course of gospel and popular music. 10 Songs chosen by the authors: The Blood (Will Never Lose Its Power) I've Got Confidence My Tribute (to God be the Glory) Satisfied Bless His Holy Name Take Me Back Soon and Very Soon Bless His Holy Name Jesus is the Answer Just Like He Said He Would Robert F. Darden is Emeritus Professor of Journalism at Baylor University and the founder of the Black Gospel Music Preservation Project. He is the author of more than two dozen books and former Gospel Music Editor for Billboard magazine. Stephen M. Newby holds the Lev H. Prichard III Endowed Chair in the Study of Black Worship as Professor of Music and serves as Ambassador for Black Gospel Music Preservation at Baylor University. Caleb Zakarin is editor at the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

An ambitious genre-crossing exploration of Black speculative imagination, The Dark Delight of Being Strange: Black Stories of Freedom (Columbia University Press 2024) combines fiction, historical accounts, and philosophical prose to unveil the extraordinary and the surreal in everyday Black life.In a series of stories and essays, James B. Haile, III, traces how Black speculative fiction responds to enslavement, racism, colonialism, and capitalism and how it reveals a life beyond social and political alienation. He re-envisions Black technologies of freedom through Henry Box Brown's famed escape from slavery in a wooden crate, fashions an anticolonial “hollow earth theory” from the works of H. G. Wells and Jules Verne, and considers the octopus and its ability to camouflage itself as a model for Black survival strategies, among others. Looking at Black life through the lens of speculative fiction, this book transports readers to alternative worlds and spaces while remaining squarely rooted in present-day struggles. In so doing, it rethinks historical and contemporary Black experiences as well as figures such as Harriet Tubman, Frederick Douglass, Booker T. Washington, W. E. B. Du Bois, Henry Dumas, and Toni Morrison.Offering new ways to grasp the meanings and implications of Black freedom, The Dark Delight of Being Strange invites us to reimagine history and memory, time and space, our identities and ourselves. Winner, 2025 Hugh J. Silverman Book Prize, Association for Philosophy and Literature Finalist, 2025 PEN America Open Book Award James B. Haile III is a Professor of English & Philosophy at the University of Rhode Island. You can find him at the University of Rhode Island Philosophy Department website. You can find the host, Sullivan Summer, online, on Instagram, and at Substack, where she and Dr. Haile continue their conversation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

On the 200th anniversary of Abraham Lincoln's birth, renowned choreographer and director Bill T. Jones developed three tributes: Serenade/The Proposition, 100 Migrations, and Fondly Do We Hope . . . Fervently Do We Pray. These widely acclaimed dance works incorporated video and audio text from Lincoln's writings as they examined key moments in his life and his enduring legacy. Democracy Moving: Bill T. Jones, Contemporary American Performance, and the Racial Past (U Michigan Press, 2022) explores how these works provided both an occasion and a method by which democracy and history might be reconceived through movement, positioning dance as a form of both history and historiography. The project addresses how different communities choose to commemorate historical figures, events, and places through art--whether performance, oratory, song, statuary, or portraiture--and in particular, Black US American counter-memorial practices that address histories of slavery. Advancing the theory of oscillation as Black aesthetic praxis, author Ariel Nereson celebrates Bill T. Jones as a public intellectual whose practice has contributed to the project of understanding America's relationship to its troubled past. The book features materials from Bill T. Jones/Arnie Zane Company's largely unexplored archive, interviews with artists, and photos that document this critical stage of Jones's career as it explores how aesthetics, as ideas in action, can imagine more just and equitable social formations. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In the latest episode of Unlocking Academia, Tarin Ahmed, the host, is joined by guest, William Jennings, a senior lecturer in French at the University of Waikato in New Zealand, and author of Dibia's World.: Life on an Early Sugar Plantation (Liverpool UP, 2023). William discusses the importance of names, voice and the community life of a hundred slaves on an early sugar plantation. Dibia's World follows the story of Dibia, an educated man in Africa, stolen across the sea and sold into slavery. He spent the rest of his life on a sugar plantation, where he worked with Agoüya, drank Aboré's rum, married Izabelle and had a son named Paul. This book tells the story of the community he lived in with a hundred others in a colonial outpost of the Caribbean. It depicts the everyday life of enslaved Africans and Native Americans in remarkable detail, showing their names, relationships, skills, health and interactions, as they contended with and resisted their enslavement. Most studies of plantation life examine well-established colonies in the century before abolition.  This work provides a counterpoint by depicting the founding population of an African-American community in the early years of the industrial sugar plantation complex. Drawing on a planter's manuscript, shipping records, missionary accounts and seventeenth-century scraps of paper, Dibia's World will appeal to specialists as well as general readers interested in the early Atlantic world, Creole societies, slavery and African-American history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Join me for a conversation with Dr. Seulghee Lee (Assistant Professor of African American Studies and English, University of South Carolina) about his recently published book, Other Lovings: An AfroAsian American Theory of Life (Ohio State UP, 2025). Some topics of our discussion include Adrian Tomine's graphic novel Shortcomings (2007), Gayl Jones' novella Corregidora (1975), and the cultural phenomenon of "Linsanity" and the lasting impact of NBA player Jeremy Lin's rise to fame. In Other Lovings, Seulghee Lee traces the presence and plenitude of love embedded in Black and Asian American literatures and cultures to reveal their irreducible power to cohere minoritarian social life. Bringing together Black studies, Asian American studies, affect theory, critical theory, and queer of color critique, Lee examines the bonds of love in works by Amiri Baraka, Audre Lorde, David Henry Hwang, Gayl Jones, Fred Moten, Adrian Tomine, and Charles Yu. He attends to the ontological force of love in popular culture, investigating Asian American hip-hop and sport through readings of G Yamazawa, Year of the Ox, and Jeremy Lin, as well as in Black public culture through bell hooks, Martin Luther King Jr., and Cornel West. By assessing love's positive function in these works, Lee argues against critical regimes, such as Afropessimism and racial melancholia, that center negativity. In revealing what Black and Asian American traditions share in their positive configurations of being and collectivity, and in their responses to the overarching logic of white supremacy, Other Lovings suggests possibilities for thinking beyond sociological opposition and historical difference and toward political coalition and cultural affinity. Ultimately, Other Lovings argues for a counter-ontology of love—its felt presence, its relational possibilities, and its lived practices. This episode was hosted by Asia Adomanis, a PhD student in the Department of History of Art at Ohio State. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies