Podcast appearances and mentions of alina garcia lapuerta

From the 2015 archives   Guest:   Fausta Rodriguez-Wertz, editor of Fausta's Blog, joins me for a chat with Alina Garcia-Lapuerta, author of "La Belle Creole".

Guests:   Fausta Rodriguez-Wertz, editor of Fausta's Blog, joins me for a chat with Alina Garcia-Lapuerta, author of "La Belle Creole".  

In this episode I compiled three fascinating interviews from years passed. If you never listened to these episodes before, this interviews are fascinating. The first is with Alina Garcia LaPuerta who discussed Spanish Nobility in Cuba through her book, La Belle Creole: The Cuban Countess who Captivated Havana, Madrid and Paris. Next, I am fortunate to interview Steven, Ownyeng, a chinese American who tells us about the Chnese migration to Cuba and all the contributions made by Chinese in Cuba. And finally, a very passionate French Cuban Author, William Navarrete who discusses his Genealogy book abut the town of Holguin. Enjoy! --- Send in a voice message: https://podcasters.spotify.com/pod/show/aileen092/message

March is Women's History Month. In this podcast episode we celebrate Women's History Month by celebrating our Cuban Countess, Maria Mercedes Santa Cruz y Montalvo, a woman larger than life which little is known or written about in our Cuban history. She was not only part of Cuban aristocracy, she was a singer and the first Cuban-woman writer of her time.  Mercedes' memoir and travel writings specifically, "Viaje a La Habana" introduces 19th century Cuban society to many Europeans. Of the many contributions, we discuss her influence behind the slavery debate. Imagine, a Cuban woman born in La Habana, rubbing shoulders with people as influential as Goya, Rossini, Balzac, and even European royalty at a time when women's roles were extremely limited. Alina Garcia LaPuerta author of this historical biography titled,  La Belle Creole. discusses how she hopes her book revives the life and contributions of this fascinating Cuban woman for this, and the next generation of Cuban-Americans  --- Send in a voice message: https://podcasters.spotify.com/pod/show/aileen092/message

One of the fundamental functions of biography is the preservation of stories. But it also acts to resurrect the stories that may have fallen from view, reinvigorating the tales of people who, with the passage of time, have become merely names on plaques. In La Belle Creole:The Cuban Countess Who Captivated Havana, Madrid, and Paris (Chicago Review Press, 2014), Alina Garcia-Lapuerta aims to do just that: vividly drawing the story of Mercedes Santa Cruz y Montalvo, a woman who was tremendously famous during her lifetime but who has since fallen into relative obscurity, especially in America. Many Cubans and Cuban Americans will be familiar with her name, but many others will never have heard of her, a misfortune thatGarcia-Lapuerta’s work will hopefully correct. Just on the surface, there’s a compelling plot: a Cuban girl leaves home and meets with social triumph in Europe, where she is hostess of one of the most famous salons of her day. But its the theme of ex-patriotism, whichGarcia-Lapuerta (an ex-pat herself) elegantly weaves throughout, that is most striking. The longing to return to Cuba and, ultimately, to write about it. Anyone who’s ever lived abroad will recognize the tensions described when Mercedes visits her homeland only to leave it again, but this is a theme that doesn’t always make it into biographies- at least not biographies of people who didn’t live in Paris in the 1920s. It’s even less visible in books about the lives of 19th century figures and, therefore, all the more welcome and provocative here. Garcia-Lapuerta has done a tricky thing. She’s written a book about someone a lot of people will not have heard of, from a place to which a lot of Americans, at least, will not have been. And yet she makes both the Cuba of old and her heroine feel hauntingly familiar, breathtakingly real. Learn more about your ad choices. Visit megaphone.fm/adchoices

One of the fundamental functions of biography is the preservation of stories. But it also acts to resurrect the stories that may have fallen from view, reinvigorating the tales of people who, with the passage of time, have become merely names on plaques. In La Belle Creole:The Cuban Countess Who Captivated Havana, Madrid, and Paris (Chicago Review Press, 2014), Alina Garcia-Lapuerta aims to do just that: vividly drawing the story of Mercedes Santa Cruz y Montalvo, a woman who was tremendously famous during her lifetime but who has since fallen into relative obscurity, especially in America. Many Cubans and Cuban Americans will be familiar with her name, but many others will never have heard of her, a misfortune thatGarcia-Lapuerta’s work will hopefully correct. Just on the surface, there’s a compelling plot: a Cuban girl leaves home and meets with social triumph in Europe, where she is hostess of one of the most famous salons of her day. But its the theme of ex-patriotism, whichGarcia-Lapuerta (an ex-pat herself) elegantly weaves throughout, that is most striking. The longing to return to Cuba and, ultimately, to write about it. Anyone who’s ever lived abroad will recognize the tensions described when Mercedes visits her homeland only to leave it again, but this is a theme that doesn’t always make it into biographies- at least not biographies of people who didn’t live in Paris in the 1920s. It’s even less visible in books about the lives of 19th century figures and, therefore, all the more welcome and provocative here. Garcia-Lapuerta has done a tricky thing. She’s written a book about someone a lot of people will not have heard of, from a place to which a lot of Americans, at least, will not have been. And yet she makes both the Cuba of old and her heroine feel hauntingly familiar, breathtakingly real. Learn more about your ad choices. Visit megaphone.fm/adchoices

One of the fundamental functions of biography is the preservation of stories. But it also acts to resurrect the stories that may have fallen from view, reinvigorating the tales of people who, with the passage of time, have become merely names on plaques. In La Belle Creole:The Cuban Countess Who Captivated Havana, Madrid, and Paris (Chicago Review Press, 2014), Alina Garcia-Lapuerta aims to do just that: vividly drawing the story of Mercedes Santa Cruz y Montalvo, a woman who was tremendously famous during her lifetime but who has since fallen into relative obscurity, especially in America. Many Cubans and Cuban Americans will be familiar with her name, but many others will never have heard of her, a misfortune thatGarcia-Lapuerta’s work will hopefully correct. Just on the surface, there’s a compelling plot: a Cuban girl leaves home and meets with social triumph in Europe, where she is hostess of one of the most famous salons of her day. But its the theme of ex-patriotism, whichGarcia-Lapuerta (an ex-pat herself) elegantly weaves throughout, that is most striking. The longing to return to Cuba and, ultimately, to write about it. Anyone who’s ever lived abroad will recognize the tensions described when Mercedes visits her homeland only to leave it again, but this is a theme that doesn’t always make it into biographies- at least not biographies of people who didn’t live in Paris in the 1920s. It’s even less visible in books about the lives of 19th century figures and, therefore, all the more welcome and provocative here. Garcia-Lapuerta has done a tricky thing. She’s written a book about someone a lot of people will not have heard of, from a place to which a lot of Americans, at least, will not have been. And yet she makes both the Cuba of old and her heroine feel hauntingly familiar, breathtakingly real. Learn more about your ad choices. Visit megaphone.fm/adchoices

One of the fundamental functions of biography is the preservation of stories. But it also acts to resurrect the stories that may have fallen from view, reinvigorating the tales of people who, with the passage of time, have become merely names on plaques. In La Belle Creole:The Cuban Countess Who Captivated Havana, Madrid, and Paris (Chicago Review Press, 2014), Alina Garcia-Lapuerta aims to do just that: vividly drawing the story of Mercedes Santa Cruz y Montalvo, a woman who was tremendously famous during her lifetime but who has since fallen into relative obscurity, especially in America. Many Cubans and Cuban Americans will be familiar with her name, but many others will never have heard of her, a misfortune thatGarcia-Lapuerta’s work will hopefully correct. Just on the surface, there’s a compelling plot: a Cuban girl leaves home and meets with social triumph in Europe, where she is hostess of one of the most famous salons of her day. But its the theme of ex-patriotism, whichGarcia-Lapuerta (an ex-pat herself) elegantly weaves throughout, that is most striking. The longing to return to Cuba and, ultimately, to write about it. Anyone who’s ever lived abroad will recognize the tensions described when Mercedes visits her homeland only to leave it again, but this is a theme that doesn’t always make it into biographies- at least not biographies of people who didn’t live in Paris in the 1920s. It’s even less visible in books about the lives of 19th century figures and, therefore, all the more welcome and provocative here. Garcia-Lapuerta has done a tricky thing. She’s written a book about someone a lot of people will not have heard of, from a place to which a lot of Americans, at least, will not have been. And yet she makes both the Cuba of old and her heroine feel hauntingly familiar, breathtakingly real. Learn more about your ad choices. Visit megaphone.fm/adchoices

One of the fundamental functions of biography is the preservation of stories. But it also acts to resurrect the stories that may have fallen from view, reinvigorating the tales of people who, with the passage of time, have become merely names on plaques. In La Belle Creole:The Cuban Countess Who Captivated Havana, Madrid, and Paris (Chicago Review Press, 2014), Alina Garcia-Lapuerta aims to do just that: vividly drawing the story of Mercedes Santa Cruz y Montalvo, a woman who was tremendously famous during her lifetime but who has since fallen into relative obscurity, especially in America. Many Cubans and Cuban Americans will be familiar with her name, but many others will never have heard of her, a misfortune thatGarcia-Lapuerta’s work will hopefully correct. Just on the surface, there’s a compelling plot: a Cuban girl leaves home and meets with social triumph in Europe, where she is hostess of one of the most famous salons of her day. But its the theme of ex-patriotism, whichGarcia-Lapuerta (an ex-pat herself) elegantly weaves throughout, that is most striking. The longing to return to Cuba and, ultimately, to write about it. Anyone who’s ever lived abroad will recognize the tensions described when Mercedes visits her homeland only to leave it again, but this is a theme that doesn’t always make it into biographies- at least not biographies of people who didn’t live in Paris in the 1920s. It’s even less visible in books about the lives of 19th century figures and, therefore, all the more welcome and provocative here. Garcia-Lapuerta has done a tricky thing. She’s written a book about someone a lot of people will not have heard of, from a place to which a lot of Americans, at least, will not have been. And yet she makes both the Cuba of old and her heroine feel hauntingly familiar, breathtakingly real. Learn more about your ad choices. Visit megaphone.fm/adchoices