Podcasts about balzac

Entretien avec Feriel Temmar, coach de langue. Elle veut te rappeler qu'apprendre une langue n'est probablement pas la chose la plus difficile que tu aies faite dans ta vie... Tu as probablement surmonté de plus grands obstacles et accompli tant de choses, surtout si tu vis actuellement dans un pays étranger. Alors, continue ton chemin et, un jour, tu arriveras au niveau que tu souhaites ! Interview disponible aussi en vidéo avec sous-titres: https://www.youtube.com/watch?v=i2Teu7C9ajU Dans cette interview, nous avons parlé de : 00:00 | Pourquoi écouter ce podcast 3:06 | La langue française en Algérie et la popularité croissante de l'anglais 7:40 | Pourquoi beaucoup de Français ont peur de parler anglais 10:40 | Les premières étapes du processus d'apprentissage et la construction de la confiance en soi (pour les anglophones, les locuteurs de langues latines et les francophones) 16:00 | Pourquoi lire Balzac ne t'aidera pas à écrire des dissertations en français ou à comprendre et faire des blagues avec les francophones (et ce qu'il faut faire à la place si c'est ce dont tu as besoin) 19:45 | Québec vs France : mode de vie, culture 25:00 | Que signifient le bilinguisme et le polyglotisme pour Feriel ? Deviens membre sur Patreon pour soutenir le podcast et enrichir ton vocabulaire : https://www.patreon.com/cathyintro Retrouve Feriel en ligne : https://www.englishwithferiel.com/ https://www.instagram.com/ferielisalanguagecoach/ https://www.linkedin.com/in/ferieltemmar/ Tu souhaite passer au niveau supérieur en français ? Rejoins le programme de coaching avec Cathy pour apprendre à apprendre et concevoir ton propre plan d'apprentissage. https://mypolyglotlife.com/2023/02/16/language-coaching-structure-your-french-learning-journey-a-2-weeks-coaching-program/ --- Support this podcast: https://anchor.fm/mypolyglotlife/support

In this episode, I chat with author Michael Moorcock about growing up in London during WW II, his life as a journalist, writing Gloriana, Or The Unfulfill'd Queen, and his latest music. Michael Moorcock is one of the most important and influential figures in speculative fiction and fantasy literature. Listed recently by The Times (London) as among the fifty greatest British writers since 1945, he is the author of 100 books and more than 150 shorter stories in practically every genre.  He has been the recipient of several lifetime achievement awards, including the Prix Utopiales, the SFWA Grand Master, the Stoker, and the World Fantasy, and has been inducted into the Science Fiction Hall of Fame. He has been awarded the Nebula Award, the World Fantasy Award, the John W. Campbell Award, the British Fantasy Award, the Guardian Fiction Prize, and has been shortlisted for the Whitbread Award. He has been compared to Balzac, Dickens, Dumas, Ian Fleming, Joyce, and Robert E. Howard, to name a few.Michael Moorcock's MiscellanyThe Faery Queene, Edmund Spenser Gloriana: Or, the Unfulfill'd Queen, Michael Moorcock Gormenghast, Mervyn PeakeSexual Politics, Kate MillettHonoré de BalzacLive At The Terminal Café, Michael Moorcock & The Deep FixByzantium Endures: The First Volume of the Colonel Pyat Quartet, Michael MoorcockLaughter of Carthage: The Second Volume of the Colonel Pyat Quartet, Michael MoorcockJerusalem Commands: The Third Volume of the Colonel Pyat Quartet, Michael MoorcockVengeance of Rome: The Fourth Volume of the Colonel Pyat Quartet, Michael MoorcockThe Citadel of Forgotten Myths, Michael Moorcock  Support the showThe Bookshop PodcastMandy Jackson-BeverlySocial Media Links

Dice Balzac que detrás de toda gran fortuna se encuentra un crimen. No es que hayamos leído mucho Balzac (esa cita la conocemos porque aparece en la primera página de El Padrino), pero sentimos en el ambiente una creciente antipatía contra la acumulación de riqueza. ¿Existen grandes fortunas basadas en talento y esfuerzo? Los argumentos a favor de la existencia de los billonarios se basan en decir que han trabajado duro y tomado riesgos para ganar lo que tienen. Además se dice que son un motor para el crecimiento económico, generando empleos y produciendo bienes. Por otro lado hay quienes argumentan que los billonarios son una anomalía del capitalismo, ya que su riqueza está construida sobre cimientos de explotación de recursos y trabajadores. Otros dicen que la existencia de los billonarios es injusta por su gran poder en las decisiones políticas y económicas de los países. ¿Es justo que algunas personas tengan riquezas y oportunidades desproporcionadas mientras que otros no lo hacen? ¿La riqueza acumulada por los billonarios se debe a su esfuerzo y talento o a factores externos? ¿La existencia de los multimillonarios es esencial para el crecimiento económico y el desarrollo del país o es un mal social? Sofía Ramírez Aguilar, Julio Hubard, Alexandra Haas y Fede Casas Alatriste debatieron el 15 de febrero de 2023 en Casa Versalles. Agradecimiento especial a la wealthtech Pilou y a Mezcal Borroso por su apoyo en la producción del debate. El nuevo tema del pod es "Dale jaibo", escrita e interpretada por nuestros tocayos de la tres veces heroica banda de surf rock colimeña En Esta Esquina. Encuentren más ritmos playeros en su Spotify: https://spoti.fi/414p1hb.

Who are our friends? Here's a bigger question: What is a boyfriend or a girlfriend? Is there such a thing as casual s*x for women? Watch out for men who have repeatedly broken girls' hearts and watch out for girls who have repeatedly had their hearts broken by men; they're dangerous. Why do earthquakes in non-western countries seem to kill more people than similar events in western countries? If human nature can change, then Shakespeare, Balzac, and Dostoevsky are obsolete. Comment and connect with other Happy Warriors and also access much ancient Jewish wisdom at your convenience. Click here: https://wehappywarriors.com/happy-warriors-basic  The best way to introduce your youngster to s*x education. Please don't let your local GIC be your child's first introduction to male/female relationships. There is a far better way.   Learn more about your ad choices. Visit megaphone.fm/adchoices

Who are our friends? Here's a bigger question: What is a boyfriend or a girlfriend? Is there such a thing as casual s*x for women? Watch out for men who have repeatedly broken girls' hearts and watch out for girls who have repeatedly had their hearts broken by men; they're dangerous. Why do earthquakes in non-western countries seem to kill more people than similar events in western countries? If human nature can change, then Shakespeare, Balzac, and Dostoevsky are obsolete. Comment and connect with other Happy Warriors and also access much ancient Jewish wisdom at your convenience. Click here: https://wehappywarriors.com/happy-warriors-basic The best way to introduce your youngster to s*x education. Please don't let your local GIC be your child's first introduction to male/female relationships. There is a far better way. 

New episodes beginning Feb 7. This episode originally aired in June 2021. Like her contemporary Herman Melville, New England writer Elizabeth Stoddard was a critical success—Nathaniel Hawthorne himself was a fan, and she was compared to Tolstoy, George Eliot, Balzac, and the Bronte sisters—but her books failed to find an audience when they were published. Join us as we discuss Stoddard's brilliant novel The Morgesons and its bold and inimitable heroine with guest Rachel Vorona Cote, author of Too Much: How Victorian Constraints Still Bind Women Today.Discussed in this episode: The Morgesons by Elizabeth StoddardToo Much: How Victorian Constraints Still Bind Women Today by Rachel Vorona Cote The Year Without a Santa Claus (1974)James Russell LoweNathanial HawthorneHerman MelvilleEdgar Allan PoeHenry JamesGeorge EliotBull RunTwo Men by Elizabeth StoddardTemple House by Elizabeth StoddardRamona QuimbyJane Eyre by Charlotte BronteDorothea Brooke in Middlemarch by George Eliot“The Goblin Market” by Christina Rosetti  Catherine Earnshaw in Wuthering Heights by Emily BronteThe Green Parrot by Marthe Bibesco on Lost Ladies of LitSt. Cecilia“Tell It Slant” in VQR by Rachel Vorona CoteFor episodes and show notes, visit: LostLadiesofLit.com Follow us on instagram @lostladiesoflit. Follow Kim on twitter @kaskew. Sign up for our newsletter: LostLadiesofLit.com Email us: Contact — Lost Ladies of Lit Podcast

Father Goriot by Honore de Balzac audiobook. One of Balzac's most popular works, set around 1815 during the re-ascendancy of the Bourbon kings following the defeat of Napoleon. Said to have been an inspiration to Charles Dickens and Henry James as well as others, the novel seeks to portray the realism of scenes and people. It is also a commentary upon the changing social strata and mores of the day.

durée : 01:01:59 - Les Nuits de France Culture - par : Albane Penaranda - "Euphonia" proposait en mai 1988 une série sur "Les Écrivains français romantiques et la musique" en cinq volets, le troisième est consacré à George Sand. Dans une série en cinq épisodes, l'émission "Euphonia" proposait en 1988 le thème suivant : Les Ecrivains français romantiques et la musique. Après Balzac et Victor Hugo, George Sand est au cour du troisième volet. Il est question de sa relation à la musique, du développement de sa sensibilité musicale, des thèmes liés à la musique dans ses livres, de sa fascination pour les sons de la nature et de l'importance pour elle de la perception sensorielle. Une partie de l'émission est consacrée à ses relations, amicales ou amoureuses, avec des musiciens célèbres comme Franz Liszt à qui elle écrivit : "La musique c'est la prière, c'est la foi, c'est l'amitié, c'est l'association par excellence". L'émission n'oublie pas, bien évidemment, Frédéric Chopin avec lequel elle entretint une longue relation sentimentale. Par Rémy Stricker et Jeanne-Martine Vacher Réalisation : Gérard Brodin Euphonia - Les Ecrivains français romantiques et la musique : George Sand (1ère diffusion : 18/05/1988) Edition web : Documentation Sonore de Radio France Archive Ina-Radio France

Cousin Betty by Honore de Balzac audiobook. Cousin Betty (La Cousine Bette), published in serial format in 1846, was one of the last and greatest of Balzac's works. It was part of his long novel collection titled La Comédie Humaine. Set in mid-19th-century France, it tells the story of a woman who resents her position as a "poor relation." As we follow her schemes to bring ruin upon the more privileged members of her family, we see a society in transition. The stability and idealism of the old order give way to a new bourgeois world in which virtue is strangled in the struggle for power and money. In this novel, Balzac searchingly probes the psychology and motivations of his characters: his work influenced the development of literary realism, as practised by writers such as Dickens, Dostoyevsky, Flaubert, Proust, and Henry James.

I'd like to share with you some biographies of great writers, artists, maybe some inventors—people who represent the other life ethos—people who have produced great work from the fringes, or in weird niches they carved out for themselves in life.Here is a passage from a biography of the French novelist Balzac, Prométhée: ou, La vie de Balzac (1965) by André Maurois. I've translated it to English, of course.This is a story about reading books, childhood, the productive benefits of disordered knowledge, unjustified presumption, an obsession with printed paper, ecstasy as a motivator and a product, and a kind of hunger that nothing can ever satisfy.It paints a fascinating picture of education in France in the early 19th century. But it's also an inspiring vignette about something we see in the early lives of many great writers, which is... Here we have a strange, disaffected, aloof child who just seems a bit absurd or confused or even dumb—his teachers and classmates literally thought he was just stupid—but his appetite for wonder and knowledge drives him, from an early age, to just totally withdraw from society, into a life of the mind. That's the other life.If you'd rather read than listen, see otherlife.co/balzac.Other Life✦ Subscribe to the coolest newsletter in the world https://OtherLife.co✦ Get a free Urbit ship at https://imperceptible.computer✦ Join our network state at https://imperceptible.countryIndieThinkers.org✦ The next cohort of IndieThinkers.org starts Jan 16. If you're working on independent projects, request an invitation.

This Friday on Before the Downbeat Autumn and Mackenzie grab their band instruments and put on their uniforms with a gold stripe as they discuss the classic small town musical The Music Man! Hear Mackenzie attempt to summarize the entire production history as it's outlined in Meredith Wilson's own retelling in his book, "But He Doesn't Know the Territory". They converse about why this musical beat its 1957 revival "West Side Story" and how this musical influenced modern musicals such as "Hamilton". Plus find out which role Autumn auditioned for when she first performed in this musical. All of this and some dirty books by Chaucer, Rabelais, Balzac on this Friday's all new episode! Don't forget to leave us a review and share your thoughts on this episode on our social media pages. Follow the links below to reach our pages. Facebook Instagram Twitter

In our third and final chapter on Hans Christian Andersen, we learn it wasn't all ugly ducklings and awkward sex notes. His buddies Balzac, Dumas, and even Victor Hugo all tried to get him laid, and when that didn't work at least he got an eruption when he climbed an active Mt. Vesuvius! But late in life, he decided to tempt himself with a few trips to Parisian Brothels...See omnystudio.com/listener for privacy information.

“Bisou”, ça vous dit quelque chose ? C'est la signature qui a rendu Mathilde, une jeune créatrice française, mondialement célèbre. Toutes les marques se l'arrachent : Veja, Aigle, Balzac, Le Bon Marché; Mathilde multiplie les collaborations et réalise que de son art, peut naître une réelle entreprise. Oui mais : comment devenir entrepreneure quand on n'y a pas été formée ? Comment parvenir à sans cesse renouveler sa créativité ? Comment dépasser le syndrome de l'imposteur ? Mathilde nous donne accès dans cet épisode à son univers, son processus créatif et sa façon de travailler au quotidien. J'avais vraiment l'impression de prendre le thé avec une copine quand je discutais avec Mathilde, alors que c'est la première fois que l'on se rencontrait; sa bienveillance est contagieuse, et sa sincérité précieuse, alors je vous souhaite une bonne écoute !   Pour découvrir les coulisses du podcast : https://www.instagram.com/inpowerpodcast/   Pour retrouver Mathilde sur les réseaux : https://www.instagram.com/mathildecabanas/ https://www.mathildecabanas.com/   Et pour suivre l'aventure MyBetterSelf au quotidien : https://www.instagram.com/mybetterself/  Si cet épisode t'as plu, celui-ci te plaira surement : https://app.ausha.co/app/show/23818/episodes/preview/2125599

Leidenschaft, Ruchlosigkeit und wahre Liebe - bei Balzac wird alles geboten. Übersetzer Rudolf von Bitter im Gespräch, zweiteilige Lesung mit Stefan Wilkening.

Leidenschaft, Ruchlosigkeit und wahre Liebe - bei Balzac wird alles geboten. Übersetzer Rudolf von Bitter im Gespräch, zweiteilige Lesung mit Stefan Wilkening.

Honoré de Balzac war mit seinem Journalisten-Roman "Verlorene Illusionen" ein Medienkritiker avant la lettre. Nun hat Xavier Giannoli das Buch aus dem 19. Jahrhundert neuverfilmt, mit aktuellen Bezügen / Kanonenschläge, Böller und Raketen - Warum lieben wir den pyrotechnischen Zauber von Feuerwerken? Ein Gespräch mit dem Regensburger Kulturwissenschaftler Manuel Trummer / Iranische Kulturszene protestiert gegen die Inhaftierung der berühmten Schauspielerin Taraneh Alidoosti / Kunst am Bau in einer bayerischen JVA: Über die Neugestaltung der Gefängnis-Kantine in Kaisheim

Nicola Steiner, Martin Ebel, Raoul Schrott und – als Gast – der Schriftsteller Daniel Kehlmann diskutieren über «Die schwarze Spinne» von Jeremias Gotthelf, «Cousine Bette» von Honoré de Balzac, «Mrs. Dalloway» von Virginia Woolf sowie «Nadja» von André Breton. «Die schwarze Spinne» von Jeremias Gotthelf ist ein Schweizer Klassiker der Horror-Literatur. Ein Vorläufer von zeitgenössischen Autoren wie Stephen King. Gotthelf schafft in diesem Text mit Sprache etwas, das stärker wirkt als mancher zeitgenössische Horrorfilm. Ist «Die schwarze Spinne» deswegen auch grosse Literatur? «Die menschliche Komödie» nannte Honoré de Balzac sein grosses Lebensprojekt. Es sind fast 100 Romane und Erzählungen mit rund 2000 Figuren. Alle zusammen genommen sollten sie die französische Gesellschaft mit all ihren Lastern und Tugenden abbilden. Der Intrigen-Roman «Cousin Bette» ist gerade neu übersetzt erschienen und eignet sich hervorragend als Einstieg in Balzacs Kosmos. «Mrs. Dalloway» von Virginia Woolf schildert einen einzigen Tag im Juni 1923 im Leben einer Londoner Gesellschaftsdame. Erzählt wird aber keine Geschichte. Was den Roman sensationell macht, ist Virginia Woolfs Sprache – und die Wahrnehmungen, Erinnerungen und Reflexionen, die sie zu einem Panorama der Gesellschaft nach dem ersten Weltkrieg zusammensetzt. André Breton ist eine Schlüsselfigur des Surrealismus. Sein 1928 erschienener Text «Nadja» ist ein Kultbuch, ein Manifest, für manche der Beginn der Autofiktion. Noch im Jahre seines Erscheinens musste das Buch 20-mal nachgedruckt werden – und heute steht es auf der Liste der Zeitschrift «Le Monde» der hundert bedeutendsten literarischen Werke des 20. Jahrhunderts. Die Bücher der Sendung sind: – Jeremias Gotthelf: «Die schwarze Spinne» (Suhrkamp); – Honoré de Balzac: «Cousine Bette» (Matthes & Seitz); – Virginia Woolf: «Mrs. Dalloway» (Manesse); und – André Breton: «Nadja» (Suhrkamp). Gast der Sendung ist der Schriftsteller Daniel Kehlmann.

Welche Geschichten erzählt die Gegenwartsliteratur? In der letzten Podcast-Folge des Jahres ziehen wir Bilanz und diskutieren mit Marie Schmidt und Carlos Spoerhase narrative Trends und Konjunkturen, die sich in jüngerer Zeit abgezeichnet haben: Welche Kritik gibt es am Trauma-Plot? Kennt die neuere Literatur noch klassische Liebesgeschichten? Wollen Leser:innen von Belletristik nur gefälliges Entertainment in Form altbekannter Stile und Motive? Und ist der Bedarf an autofiktionaler Literatur irgendwann gedeckt?Marie Schmidt ist Literaturkritikerin bei der Süddeutschen ZeitungCarlos Spoerhase ist Literaturwissenschaftler in München.In der Januar-Folge sprechen wir mit Aaron Lahl über Ethnopsychoanalyse.Literatur: Annie Ernaux, Der junge Mann. Aus dem Französischen von Sonja Finck, Suhrkamp, im Erscheinen.Benoîte Groult, Salz auf unserer Haut, Knaur 2017.Christian Kracht, Eurotrash, Kiepenheuer & Witsch 2021.Hanya Yanagihara, Ein wenig Leben, Hanser Berlin 2015.Helen DeWitt, The English Understand Wool, New Directions 2022.Hervé Le Tellier, Die Anomalie, Rowohlt 2021.Honoré de Balzac, Glanz und Elend der Kurtisanen, aus dem Französischen von Rudolf von Bitter, Hanser 2022.Laureate J. M. Coetzee, Elizabeth Costello, Viking Press 2003.Lea Ypi, Frei. Erwachsenwerden am Ende der Geschichte, aus dem Englischen von Eva Bonné, Suhrkamp 2022.Leif Randt, Allegro Pastell, Kiepenheuer & Witsch 2020.Martin Kordić, Jahre mit Martha, S.Fischer 2022.Moritz Baßler, Populärer Realismus, Vom International Style gegenwärtigen Erzählens, C.H. Beck 2022.Natasha Brown, Assembly, Penguin Books 2021.Parul Sehgal, The Case Against the Trauma Plot, in: The New Yorker (2022); 10, online unter https://www.newyorker.com/magazine/2022/01/03/the-case-against-the-trauma-plot (18.12.2022).Sebastian Fitzek, Mimik, Droemer 2022.Thea Sternheim, Tagebücher 1903–1971, herausgegeben und ausgewählt von Thomas Ehrsam und Regula Wyss, Wallstein Verlag 2011.Virgina Woolf, On Being Ill, in: The Criterion (1926), January.Kontakt: podcast@his-online.de Hosted on Acast. See acast.com/privacy for more information.

Độc giả Việt Nam không còn xa lạ với những tên tuổi lớn của nền văn học cổ điển và đương đại Pháp Annie Ernaux, Modiano, Pierre Lemaître, Marc Levy, Guillaume Musso, Frédéric Beigbeder, Françoise Sagan, Daniel Pennac, Romain Gary… Gần đây, việc nhà văn Marc Levy được chào đón nồng nhiệt tại thành phố Hồ Chí Minh thể hiện phần nào sự quan tâm đó của độc giả Việt Nam, đặc biệt là giới trẻ. Độc giả Việt Nam : Fan của văn học Pháp Có thể thấy, sách văn học Pháp không còn chỉ gói trong những tác phẩm kinh điển như Những người khốn khổ, Tấm da lừa, Ba chàng lính ngự lâm hay Hoàng tử bé... Trả lời RFI Tiếng Việt, anh Nguyễn Xuân Minh, phụ trách bản quyền công ty Nhã Nam, nhận xét : “Do ảnh hưởng văn hóa từ những năm 1930-1945 đến nay - đó là cả một quá trình dài - cho nên độc giả Việt Nam tiếp nhận sách Pháp khá là cởi mở, đặc biệt là các tác phẩm văn chương kinh điển đã được độc giả Việt Nam đón nhận từ thời những năm 1930-1945. Ví dụ, Ba chàng lính ngự lâm đã được Nguyễn Văn Vĩnh dịch. Sau đó có cả một truyền thống dịch văn học Pháp: Balzac, Hugo đều đã được dịch rất là lâu rồi. Độc giả Việt Nam đã có cả một quá trình dài tiếp xúc với văn chương Pháp, cho nên việc xuất bản sách văn học Pháp tại Việt Nam không quá là khó khăn”. Theo thống kê của Viện Pháp tại Hà Nội, trong khoảng 10 năm gần đây, số đầu sách Pháp được chuyển nhượng bản quyền cho xuất bản Việt Nam đã tăng hơn gấp năm lần : từ 50 tác phẩm trong năm 2011 lên thành 266 trong năm 2020 và đỉnh điểm là năm 2017 với 335 tác phẩm. Đây là kết quả của một hành trình dài, bắt đầu từ năm 1990, với Chương trình hỗ trợ xuất bản Nguyễn Văn Vĩnh (PAP) của đại sứ quán Pháp tại Việt Nam. Mục đích là “trợ giúp các nhà xuất bản Việt Nam thực hiện một chính sách dài hạn trong việc xuất bản các ấn phẩm bằng tiếng Pháp, tiếng Việt hoặc song ngữ của các tác giả Pháp trong nhiều lĩnh vực (văn học, khoa học xã hội và nhân văn, khoa học kĩ thuật, thanh thiếu niên, văn hóa nghệ thuật, v.v..)”. Nhưng nhìn chung, theo đánh giá của anh Nguyễn Xuân Minh, những mảng sách khác của Pháp vẫn khá kén độc giả và gặp không ít khó khăn để xuất bản ở Việt Nam : “Ngoài sách văn học, Pháp còn có rất nhiều dòng sách khác, cả một thị trường lớn, như sách nuôi dạy con, sách về khoa học phổ thông, sách khoa học cho thiếu nhi, truyện tranh “bande dessinée”. Đối với những dòng sách này, ở Việt Nam thường có những mối quan tâm riêng, khác nhau. Ví dụ dòng sách nuôi dạy con, hiện nay độc giả Việt Nam sẽ hơi thiên về của Nhật hay của Hàn Quốc vì có sự tương đồng văn hóa. Về dòng sách tranh của Pháp nói riêng và của châu Âu nói chung, ở Việt Nam cũng khá khó khăn khi tiếp cận độc giả trẻ. Các bố mẹ trẻ hay mua sách tranh album của Hàn Quốc hay Nhật Bản - đây là một dòng sách được quảng cáo rất mạnh, hoặc sách tranh của Trung Quốc vì giá thành rẻ hơn và các nhà xuất bản Việt Nam cũng sẽ ưu tiên vì phí bản quyền thấp. Ngoài ra, còn có một dòng sách đặc biệt của Pháp và châu Âu mà hiện nay cũng tương đối khó khăn để xuất bản ở Việt Nam, đó là truyện tranh “bande dessinée”, bởi vì thường mọi người có quan niệm truyện tranh là truyện tranh của Nhật Bản hoặc của Hàn Quốc hay Trung Quốc. Truyện tranh châu Âu có một thời gian rộ lên là Lucky Luck hay Marsupilami hoặc Tintin, rất là nổi. Tuy nhiên, sau một thời gian, làn sóng truyện tranh châu Âu, Pháp và Bỉ đã lắng xuống. Mặc dù tôi thấy ở Pháp rất phát triển, cho dù là tiểu thuyết hay sách khoa học, đều có thể chuyển thể thành truyện tranh “bande dessinée”, nhưng sang đến Việt Nam thì tương đối khó khăn khi xuất bản dòng sách này. Thứ nhất là do chi phí bản quyền khá cao. Thứ hai là chi phí in mầu, chất lượng cao, đẹp như sách gốc thì cũng rất cao và dẫn đến giá thành cao. Thứ ba là độc giả Việt Nam chưa có thói quen tiếp nhận và đọc dòng sách này nhiều. Đó là ba khó khăn khi chúng tôi muốn giới thiệu lại dòng truyện tranh của Pháp, Bỉ, châu Âu đến với độc giả Việt Nam”. Hỗ trợ xuất bản để đưa sách Pháp đến với độc giả Việt Trong hơn 30 hoạt động, chương trình PAP đã hỗ trợ kinh phí xuất bản khoảng 500 tác phẩm dịch từ tiếng Pháp, trung bình khoảng 15 đầu sách mỗi năm. Kết quả này có ý nghĩa quan trọng tại một đất nước mà lượng độc giả Pháp ngữ vẫn còn hạn chế. Chương trình chú trọng đến chất lượng bản dịch, khuyến khích các nhà xuất bản trả thù lao xứng đáng cho những dịch giả có trình độ. Một số dịch giả Việt Nam (dịch một tác phẩm được chương trình hỗ trợ) có thể được tài trợ một khóa làm việc tại Pháp 2-3 tháng. Về hợp tác với các nhà xuất bản Việt Nam dịch sách Pháp, chương trình PAP hỗ trợ tài chính đến 50% một dự án dịch (chi phí in ấn, phí bản quyền, dịch thuật), giúp đỡ những nhà xuất bản này chuyên môn hóa bằng cách xác lập chính sách xuất bản và tôn trọng quyền tác giả. Nhiều nhà xuất bản Việt Nam dịch sách Pháp được mời sang dự hội chợ sách tại Pháp để tìm hiểu thị trường, thăm các nhà xuất bản đối tác tại Pháp và gặp gỡ với bộ phận bản quyền. Đầu tháng 12/2022, một phái đoàn gồm năm nhà xuất bản ở Hà Nội đã tham dự Hội chợ sách báo trẻ Montreuil (30/11-05/12) trong khuôn khổ chương trình này. Chị Vũ Thị Quỳnh Liên, nhà xuất bản Kim Đồng, đánh giá cao sự năng động của Chương trình hỗ trợ xuất bản Nguyễn Văn Vĩnh : “Ngoài việc hỗ trợ các nhà xuất bản Việt Nam được tham dự những chương trình như này, còn có rất nhiều chương trình hỗ trợ khác, ví dụ hỗ trợ về phí bản quyền hoặc hỗ trợ - mà tôi nghĩ là rất thiết thực - đưa các tác giả Pháp sang Việt Nam giao lưu với độc giả Việt Nam. Hoạt động đó là một sự tương tác, hỗ trợ ngược lại cho các nhà xuất bản rất lớn, vì các nhà xuất bản đã mua bản quyền và xuất bản sách tại Việt Nam, sau đó độc giả lại được tương tác trực tiếp với tác giả, tôi cho rằng đó là hoạt động rất hữu ích. Ngoài ra, Viện Pháp còn có rất nhiều chương trình đào tạo về dịch thuật. Tôi đánh giá các hoạt động của Viện Pháp là rất tổng quan, vì từ gốc là giới thiệu các tác phẩm Pháp, sau đó đào tạo người dịch, tiếp theo là hỗ trợ phần tổ chức các sự kiện, triển lãm sách hoặc ra mắt các buổi đọc sách tại thư viện Pháp và mời tác giả đến giao lưu. Tôi đánh giá là tại Việt Nam, Viện Pháp là một trong những viện tích cực nhất trong các hoạt động hỗ trợ về xuất bản và văn hóa”. Chị Phạm Bích Ngọc, nhà xuất bản Thế Giới, thích thêm về Chương trình hỗ trợ xuất bản Nguyễn Văn Vĩnh : “Tùy từng chương trình xuất bản của từng năm, Viện Pháp sẽ hỗ trợ mời tác giả của chính quyển sách đó sang giao lưu với độc giả Việt Nam. Đặc biệt nhất là có chương trình “Ngày hội Sách châu Âu”, được tổ chức vào trung tuần tháng 5 hàng năm. Pháp đóng góp rất quan trọng trong việc hỗ trợ các nhà xuất bản có sách Pháp được giới thiệu tại ngày hội văn hóa đó, ví dụ tổ chức sự kiện ra mắt sách, trưng bày sách, giao lưu với độc giả và có các buổi tọa đàm. Đó là hoạt động rất thiết thực bởi vì không có những hoạt động đó thì sách của Pháp sẽ không thể nào có thể có được sự lan tỏa rộng như thời gian vừa qua. Đặc biệt trong đại dịch, Viện Pháp còn hỗ trợ chúng tôi làm những sự kiện trực tuyến khi không mời được tác giả sang. Những công việc đó là sự động viên vô cùng lớn và vô cùng giá trị đối với công việc xuất bản sách của chúng tôi nói riêng, cũng như phát triển văn hóa nói chung và hợp tác hữu nghị giữa hai Nhà nước”. Từ dịch sách đến quảng bá văn hóa Pháp Tại sao lại là dịch sách ? Phòng Sách của Viện Pháp giải thích là “các tác phẩm dịch có vai trò đặc biệt khi số lượng độc giả có khả năng đọc sách bằng tiếng Pháp tại Việt Nam vẫn còn hạn chế. Việc dịch các tác phẩm Pháp sang tiếng Việt cũng giúp các tác phẩm này tiếp cận đến một lượng công chúng rộng rãi hơn”. Ngoài ra, thông qua những chương trình tham dự hội chợ sách tại Pháp, các nhà xuất bản Việt Nam còn có thể học kinh nghiệm tổ chức sự kiện tương tự, phát triển thú vui, đam mê đọc sách tới độc giả ở Việt Nam. Chị Quỳnh Liên, nhà xuất bản Kim Đồng, cho biết tiếp : “Việc được đến Hội chợ Sách là cơ hội rất tốt vì ngoài có thể được xem, nhìn chung mặt bằng sách Pháp như thế nào, thì còn được xem, chứng kiến những hoạt động tương tác giữa nhà xuất bản với bạn đọc, mà ở đây là các bạn đọc thiếu nhi. Và đúng là có rất nhiều điều mà chúng tôi thấy có thể học tập được, ví dụ những chương trình đọc sách rất linh hoạt, có khi chỉ là một góc nhỏ thôi, nhưng có những tác giả đến đọc sách hay ký tặng, hoặc có những góc sáng tạo để cho các em tự vẽ tranh. Nói chung là rất thoải mái, nằm ngồi, bò lê bò toài. Phải nói là ở Việt Nam không có nhiều hoạt động như thế”. Đối với chị Bích Ngọc, người nhiều lần tham dự hội chợ sách tại Pháp, có thể học tập về cách tổ chức quy mô cũng như sự đa dạng về hệ thống đề tài của hội chợ sách : “Tôi thấy họ thay đổi đề tài một cách rõ rệt. Ngoài việc tương đồng với xu thế của thời cuộc, nó còn thể hiện truyền thống rất nhân văn của nước Pháp. Và hệ thống đề tài sách khoa học xã hội nhân văn, tuy dành cho trẻ em nhưng thể hiện sự phong phú đến người lớn cũng cần học tập, cũng như những nhà làm sách cần phải suy nghĩ lại về cách thức, đề tài làm sao để cho không những chỉ dành cho trẻ em mà còn là sách dành cho gia đình, cho các bậc phụ huynh cũng như trong nhà trường. Chúng tôi cũng thấy mừng vì các nhà xuất bản của Pháp tổ chức được một hội chợ quy mô. Dĩ nhiên các nhà xuất bản đến là để bán sách, nhưng có sự giao lưu mà tôi thấy rất xúc động, vì sách gần như đến tận tay độc giả, dù nhỏ tuổi nhất. Ngược lại, độc giả mọi lứa tuổi có thể tiếp xúc với các nhà văn, có thể là các thần tượng của họ bấy lâu nay. Đó là một cách làm mà chúng tôi phải học tập rất nhiều”.

View our full collection of podcasts at our website: https://www.solgoodmedia.com or YouTube channel: www.solgood.org/subscribe

View our full collection of podcasts at our website: https://www.solgoodmedia.com or YouTube channel: www.solgood.org/subscribe

An action-packed episode as we get the story behind the story of the latest edition, the 13th, of Canada's Food Price Report, plus hear all about Sylvain's day testifying in Ottawa in front of the parliamentary committee on the cost of food along with a whole cast of characters.Our special guest for this episode is Kelly Long, CEO of Noble Premium Bison.  https://noblepremiumbison.com/ A reminder to the people not to sleep on, as the kids would say, our most excellent interview with Christine Cruz-Clarke, CEO of Balzac's Coffee, recorded live in person at the Coffee Association of Canada's conference here in Toronto… We stop in with our good friends Gurth Pretty and Maelle Rey-Marechal from SIAL at Gurth's Lakeview Cheese - getting all geared up for SIAL here in Toronto in May - we are once again the official podcast of SIAL!We should also mention that once again, we are sponsoring the Canadian Grand Prix New Product Awards, presented by Retail Council of Canada, the deadline for submissions is December 31, 2022Canada's Food Price ReportCooking with Bison!About KellyIn 2004, Kelly Long introduced Canadian bison to an eager yet untapped European market. An award-winning agricultural entrepreneur and marketer, Kelly and her husband and partner, Pieter Spinder, grew the company and their business to ultimately become a valuable acquisition for one of the largest bison producers in North America.Fast forward to 2017 with a new brand, Noble Premium Bison, a new partner, producer Doug Griller, and a new mission - to position Canadian grass-raised bison as the meat to beat, and make Noble Premium Bison one of the most sought-after red meat products at both retail and foodservice in both Canada and Europe.Kelly brings a wealth of knowledge in the vertical integration of raising, producing, and exporting premium bison meat. As CEO of Noble Premium Bison, Kelly Long believes in elevating the bar in all aspects of business. As one of Canada's recognized female entrepreneurs, Kelly continues to be at the forefront of the bison industry—an industry trending towards species sustainability, land regeneration and consumer transparency.  About UsDr. Sylvain Charlebois is a Professor in food distribution and policy in the Faculties of Management and Agriculture at Dalhousie University in Halifax. He is also the Senior Director of the Agri-food Analytics Lab, also located at Dalhousie University. Before joining Dalhousie, he was affiliated with the University of Guelph's Arrell Food Institute, which he co-founded. Known as “The Food Professor”, his current research interest lies in the broad area of food distribution, security and safety. Google Scholar ranks him as one of the world's most cited scholars in food supply chain management, food value chains and traceability.He has authored five books on global food systems, his most recent one published in 2017 by Wiley-Blackwell entitled “Food Safety, Risk Intelligence and Benchmarking”. He has also published over 500 peer-reviewed journal articles in several academic publications. Furthermore, his research has been featured in several newspapers and media groups, including The Lancet, The Economist, the New York Times, the Boston Globe, the Wall Street Journal, Washington Post, BBC, NBC, ABC, Fox News, Foreign Affairs, the Globe & Mail, the National Post and the Toronto Star.Dr. Charlebois sits on a few company boards, and supports many organizations as a special advisor, including some publicly traded companies. Charlebois is also a member of the Scientific Council of the Business Scientific Institute, based in Luxemburg. Dr. Charlebois is a member of the Global Food Traceability Centre's Advisory Board based in Washington DC, and a member of the National Scientific Committee of the Canadian Food Inspection Agency (CFIA) in Ottawa.Michael LeBlanc  is the Founder & President of M.E. LeBlanc & Company Inc and a Senior Advisor to Retail Council of Canada as part of his advisory and consulting practice.   He brings 25+ years of brand/retail/marketing & eCommerce leadership experience, and has been on the front lines of retail industry change for his entire career.  Michael is the producer and host of a network of leading podcasts including Canada's top retail industry podcast,       The Voice of Retail, plus  Global E-Commerce Tech Talks  ,      The Food Professor  with Dr. Sylvain Charlebois and now in its second season, Conversations with CommerceNext!  You can learn more about Michael   here  or on     LinkedIn. Be sure and check out Michael's latest venture for fun and influencer riches - Last Request Barbecue,  his YouTube BBQ cooking channel!

Recorded live in person at the Coffee Association of Canada's The Road Ahead 2022 Annual Conference in Toronto, Sylvain and I sit down with Christine Cruz-Clarke, CEO of Balzacs Coffee Roasters.  In a wide-ranging conversation, Christine takes us through her consulting and packaged goods background and the business's origin story, from a coffee cart at Ontario Place to the shelves of significant grocers across Canada and multiple bespoke locations across Ontario. We also talk about their corporate culture and what innovation looks like across their wholesale and retail business.  About ChristineChristine leads with heart and hustle, and think with infinite possibility to catalyze change.As the CEO of Balzac's Coffee Ltd., a vertically integrated premium coffee brand with a sustainable chain of cafés, I oversee all company operations with a focus on building the brand and driving commercial success.Prior to joining Balzac's, I spent over 18 years leading businesses and teams in CPG, Management Consulting and Sustainability in both Canada and Europe. I held senior roles with Mars Inc. leading marketing and strategy for the conglomerate's global gum, mint and chocolate portfolios, and marketing and innovation roles at both The Hershey Company and Wrigley Canada. Over my career I have learned how to combine commerciality with creativity keeping consumers at the heart of problem solving to help businesses grow. I have tackled a variety of business challenges (turnaround, cost agenda, crisis management) and seized growth opportunities (white space innovation, new business development, emerging channels), while building and growing teams in Canada, UK and Europe.Prior to joining Balzac's, I served as the General Manager for TerraCycle Canada, a leader in sustainable solutions which was named as one of TIME magazine's 100 Most Influential Companies. I have also held marketing and strategy roles with both Kraft Foods and Deloitte.  About UsDr. Sylvain Charlebois is a Professor in food distribution and policy in the Faculties of Management and Agriculture at Dalhousie University in Halifax. He is also the Senior Director of the Agri-food Analytics Lab, also located at Dalhousie University. Before joining Dalhousie, he was affiliated with the University of Guelph's Arrell Food Institute, which he co-founded. Known as “The Food Professor”, his current research interest lies in the broad area of food distribution, security and safety. Google Scholar ranks him as one of the world's most cited scholars in food supply chain management, food value chains and traceability.He has authored five books on global food systems, his most recent one published in 2017 by Wiley-Blackwell entitled “Food Safety, Risk Intelligence and Benchmarking”. He has also published over 500 peer-reviewed journal articles in several academic publications. Furthermore, his research has been featured in several newspapers and media groups, including The Lancet, The Economist, the New York Times, the Boston Globe, the Wall Street Journal, Washington Post, BBC, NBC, ABC, Fox News, Foreign Affairs, the Globe & Mail, the National Post and the Toronto Star.Dr. Charlebois sits on a few company boards, and supports many organizations as a special advisor, including some publicly traded companies. Charlebois is also a member of the Scientific Council of the Business Scientific Institute, based in Luxemburg. Dr. Charlebois is a member of the Global Food Traceability Centre's Advisory Board based in Washington DC, and a member of the National Scientific Committee of the Canadian Food Inspection Agency (CFIA) in Ottawa.Michael LeBlanc  is the Founder & President of M.E. LeBlanc & Company Inc and a Senior Advisor to Retail Council of Canada as part of his advisory and consulting practice.   He brings 25+ years of brand/retail/marketing & eCommerce leadership experience, and has been on the front lines of retail industry change for his entire career.  Michael is the producer and host of a network of leading podcasts including Canada's top retail industry podcast,       The Voice of Retail, plus  Global E-Commerce Tech Talks  ,      The Food Professor  with Dr. Sylvain Charlebois and now in its second season, Conversations with CommerceNext!  You can learn more about Michael   here  or on     LinkedIn. Be sure and check out Michael's latest venture for fun and influencer riches - Last Request Barbecue,  his YouTube BBQ cooking channel!

Hors-série, «Liber'art» #3 Liber-thé vous propose un entretien vidéo par semaine, sur Youtube, en lien avec la liberté. Aujourd'hui, avec Alexis Karklins-Marchay, essayiste et chef d'entreprise. Auteur de «Notre monde selon Balzac», Éditions Ellipses. Abonnez-vous à la chaîne YouTube de #Liberthe ! bit.ly/301wIVV

Welcome to Episode 1177 in which Steve Raye interviews Mike Wangbickler, in this installment of Get US Market Ready With Italian Wine People, on the Italian Wine Podcast. About today's guests: Michael Wangbickler is President of Balzac Communications and Marketing, a specialist agency supporting the food and beverage industries. With nearly 30 years of experience in marketing and public relations, Mike is a trusted advisor and strategic consultant to his clients. His agency delivers tailored solutions for clients with values that align with his own. He guides clients through the process of achieving their vision and transforming their business through sustainable growth, teamwork, transparency and inclusivity. As a studied disciple of Walt Disney, Mike thinks it's fun to do the impossible. He believes leadership, imagination, and innovation require a certain level of fearlessness and he encourages his team to step off the worn pathways and break new ground. He leads a team who are driven forward by the stories that inspire people to share in a dream. It is with this philosophy that he's guided successful marketing and communications campaigns for more than 70 global companies and trade associations from a dozen countries. Mike earned his Level 4 Diploma in Wine & Spirits from the Wine & Spirit Education Trust (WSET) in 2006; passed the rigorous Certified Wine Educator (CWE) from the Society of Wine Educators (SWE) in 2008; and became a WSET Certified Educator in 2012. In addition to his duties at Balzac, he also teaches wine classes at Napa Valley College (NVC). In 2021, Mike was appointed the President of the American Wine Society (AWS), the U.S.'s largest consumer wine appreciation and education organization in the United States. Learn more: linkedin.com/in/mwangbickler balzac.com (Company) htbpodcast.com (Podcast) greenwinefuture.com/ (Event) mwangbickler More about the host Steve Raye: Steve Raye of Bevology Inc originally joined our weekly lineup with narrations from his book “How to get US Market Ready” - but everyone just loved him so much, we brought him back with this series of interviews that informs and inspires! Each week he speaks to industry professionals; guests who have gained valuable experience in the Italian wine sector and have insightful tips and stories that can help anyone who wants to learn about getting US Market Ready! To learn more visit: Website: www.bevologyinc.com/ Let's keep in touch! Follow us on our social media channels: Instagram @italianwinepodcast Facebook @ItalianWinePodcast Twitter @itawinepodcast Tiktok @MammaJumboShrimp LinkedIn @ItalianWinePodcast If you feel like helping us, donate here www.italianwinepodcast.com/donate-to-show/ Until next time, Cin Cin!

Netz, Dinawww.deutschlandfunk.de, BüchermarktDirekter Link zur Audiodatei

Netz, Dinawww.deutschlandfunk.de, BüchermarktDirekter Link zur Audiodatei

Produção de alto prestígio, Ilusões Perdidas, dirigido por Xavier Giannoli, consuma o grande feito de ser ao mesmo tempo uma excelente adaptação do romance homônimo de Balzac, em especial a parte 2 do romance, e uma crítica da sociedade parisiense da primeira metade do século XIX surpreendentemente ressonante com os nossos tempos. Este episódio do Sala em especial está imperdível. Além da nossa discussão sobre a ascensão da burguesia e a decadência da nobreza, o desvirtuamento da arte e do jornalismo pelo capitalismo, idealismo vs. cinismo e desilusão e maturidade, confira o episódio até o fim, onde explicamos porque vamos dar uma breve pausa. Sim, queridos ouvintes, infelizmente eu, Diego Nunes, Gustavo Leal e André Vicente vamos nos ausentar por alguns meses. Gustavo e André estão bem ocupados com a recente paternidade e eu estou de mudança de Tóquio para Brasília muito em breve, o que nos impossibilita dedicarmos tempo suficiente para assistir aos filmes, preparar os episódios, ouvir as edições e outras várias tarefas necessárias para garantir o mínimo de qualidade ao programa. Não se aflijam, Felipe e Igor estão preparando um conteúdo especial para vocês, num formato diferente, mais enxuto, mais leve e mais informativo. Espero que gostem! Um grande abraço e muito obrigado pela audiência! Voltaremos em breve. Ficha do Filme: Ilusões Perdidas (Illusions Perdues), 2021. Direção: Xavier Giannoli. Roteiro: Xavier Giannoli e Jacques Fieschi. Elenco: Benjamin Voisin, Xavier Dolan, Vincent Lacoste, Cécile de France, Gérard Depardieu, Jeanne Balibar. 141 min. França. -- Créditos: Ilustração: Felipe Sobreiro (sobreiro.com) Edição e Identidade Visual: Thiago Vergara (thiagommvergara@gmail.com) Música de Introdução: https://www.bensound.com Músicas do filme: Capriccio in B Minor , Op 76 No 2 - Johannes Brahms, Arcadi Volodos Fugue in D Minor OP 72 No 1 Nicht schnell - Robert schumann - YaaraTal Für Elise. WoO 59 - Ludwig van Beethoven, Nelly Kokinos La Traviata Act III - Preludio Scena e Aria - Or Fate Core - Giuseppe Verdi - Teodor Currentzis L'elisir d'amore, Act II Una furtiva lagrima - Vittorio Grigolo - The Italian Tenor Minuet in E Major D 335 - Franz Schubert - Arcadi Volodos Piano Sonata No 14 in C-Sharp minor OP 27 No 2 Moonlight I Adagio sostenuto - Ludwig van Beethoven - Igor Levit Sonata in D Minor K32 - Lucas Debargue Summer 1 - 2012 - Max Richter The Four Seasons Recomposed Sprin I - Epic Orchestra - New Sound of Classical Violin Concerto in D Major, RV 234 L'inquietudine II Largo - Chamber Orchestra of Europe, Daniel Hope Música de Crédito ao Editor: Dança da Solidão - Paulinho da Viola

Victoria Nelson saw it first: Popular culture teems with occult ideas, vestiges of bygone belief, fragments of ancient magic disguised as common entertainment. Her 2001 work The Secret Life of Puppets is in many ways the ur-text of weird studies, so prescient and probing it is even more relevant now than it was when it first appeared. In episode 128 (https://www.weirdstudies.com/128), Phil and JF discussed Nelson's wonderful first novel Neighbor George (2021). In this episode, Nelson joins the hosts of Weird Studies to talk about the vision that drove her to write Secret Life along with its equally insightful follow-up, Gothicka. Listen to volume 1 (https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-1) and volume 2 (https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-2) of the Weird Studies soundtrack by Pierre-Yves Martel (https://www.pymartel.com) Support us on Patreon (https://www.patreon.com/weirdstudies) Find us on Discord (https://discord.com/invite/Jw22CHfGwp) Get the new T-shirt design from Cotton Bureau (https://cottonbureau.com/products/can-o-content#/13435958/tee-men-standard-tee-vintage-black-tri-blend-s)! Get your Weird Studies merchandise (https://www.redbubble.com/people/Weird-Studies/shop?asc=u) (t-shirts, coffee mugs, etc.) Visit the Weird Studies Bookshop (https://bookshop.org/shop/weirdstudies) SHOW NOTES Victoria Nelson, The Secret Life of Puppets, Gothicka, Neighbor George M. R. James, [Collected Ghost Stories](https://en.wikipedia.org/wiki/TheCollectedGhostStoriesofM.R.James)_ Tzvetan Todorov, The Fantastic: A Structural Approach to a Literary Genre (https://www.cornellpress.cornell.edu/book/9780801491467/the-fantastic/#bookTabs=1) Sigmund Freud, [Civilization and its Discontents](https://en.wikipedia.org/wiki/CivilizationandItsDiscontents)_ Carol Clover, Men, Women, and Chainsaws: Gender in the Modern Horror Film (https://www.amazon.com/Men-Women-Chainsaws-Gender-Modern/dp/0851704190) Bruno Schulz, [The Street of Crocodiles](https://en.wikipedia.org/wiki/TheStreetofCrocodiles)_ Stephenie Meyer, Twilight (https://stepheniemeyer.com/the-twilight-saga/) series William P. Young, The Shack: Where Tragedy Confronts Eternity (https://www.amazon.com/Shack-Where-Tragedy-Confronts-Eternity/dp/0964729237) _ Against Everyone with Conner Habib (https://connerhabib.com/against-everyone/), episodes 202 (https://www.patreon.com/posts/74118938?pr=true) & 203 (https://www.patreon.com/posts/74427827?pr=true) James R. Lewis, _The Gods Have Landed (https://sunypress.edu/Books/T/The-Gods-Have-Landed2) Anne Rice, [Interview with the Vampire](https://en.wikipedia.org/wiki/InterviewwiththeVampire)_ Honoré de Balzac, "Séraphîta" (https://en.wikipedia.org/wiki/Séraphîta) L. Ron Hubbard (https://en.wikipedia.org/wiki/L._Ron_Hubbard), founder of Scientology Special Guest: Victoria Nelson.

In this episode I'm joined by Céleste Callen, who researches into time and temporal experience in 19th century literature. Specifically, we discuss her PhD which utilises the works of Henri Bergson as a lens through which to read the works of Charles Dickens. We discuss how for Bergson, time is a subjective experience rather than linear, and how this impacts on the standard novel construction, in addition to narrative voice (such as in David Copperfield). We think about how time became more standardised and important for the Victorians (and other 19th century societies), with the introduction of the railways, Greenwich Mean Time, all of which show how temporality intersected with (and impacted from) modernity. We discuss how the pandemic impacted our sense of time, and how the 19th century constructions (such as working weeks, timetables etc) endure in different ways today.About my guest: Céleste Callen is a PhD candidate at the University of Edinburgh. Her research interests revolve around time and subjective temporal experience in nineteenth-century fiction. She holds a BA in English from King's College London, where she wrote a dissertation exploring the deconstructed boundaries between childhood and adulthood in Dickens and Barrie. Her postgraduate dissertation explored the self's relationship to time in the works of Balzac, Stevenson and Wilde, which inspired her current doctoral project. Her PhD research explores subjective temporal experience in Dickens' fiction, and more specifically argues that Dickens anticipates modern philosophy's conception of temporal experience by reading his fiction through the lens of French philosopher Henri Bergson's philosophy of time.For more information on Céleste's work, check out the details below:https://www.ed.ac.uk/profile/celeste-callenCheck out Céleste''s suggestions:Shola von Reinhold: LoteHonoré de Balzac, La Peau de Chagrin (1831)Charles Dickens, The Chimes (1844) and The Haunted Man (1848)Episode Credits:Episode Writer, Editor and Producer: Emma CatanMusic: Burning Steaks (by Stationary Sign) - obtained via EpidemicSoundCheck us out at the following social media pages and websites!Facebook: https://www.facebook.com/victorianlegaciespodcastTwitter: @victorianlegac1Instagram: @victorianlegaciespodcastWebsite: https://emmacatan.wordpress.com/victorian-legacies-podcast/Email: victorianlegacies@gmail.com

Balzac patrí medzi najvýznamnejších spisovateľov francúzskej literatúry, je autorom asi stovky románov a patrí k zakladateľom kritického realizmu vo francúzskej literatúre. Narodil sa v roku 1799 do sedliackej rodiny, no i napriek tomu mal prístup ku vzdelaniu a podarilo sa mu vyštudovať právo. Jeho prvotné snahy o podnikanie nedopadli veľmi dobre. Preto mal už v mladom veku na krku mnoho dlhov, ktoré sa s ním tiahli po zvyšok života. Celé roky tvrdo pracoval na tom, aby mohol svoju finančnú situáciu zlepšiť. Aby sa uživil a mal čím platiť dlhy, písal aj brakovú literatúru, takzvané čierne romány. Balzac ich však do svojej tvorby nezaraďoval, čo je celkom pochopiteľné. V roku 1829 sa jeho tvorbe konečne začalo dariť a čoskoro prišli na svet aj jeho najlepšie diela. My si dnes predstavíme bližšie jeho román Otec Goriot, ktorý okrem iného kritizuje spoločnosť posadnutú peniazmi. Tento podcast ti prináša online magazín Hashtag.sk Viac info: https://www.schooltag.sk/ https://www.instagram.com/schooltag.sk/

We all deal with self-doubt. We question our abilities and ultimately our potential to make things happen. We say things like, ‘I am not good enough! Did I make the right decision? What if I cannot handle this?' these are all examples of self-doubt. Most of the time, we have doubts about ourselves and our capabilities when we are lacking one of two things: confidence or competence. Past experience and comparing ourselves to others also leads to self-doubt. We also experience self-doubt when we do something new and challenging or something out of our comfort zone. But when it comes to something that we never did before having doubts is normal.  To some extent, self-doubt is actually useful because it helps you see what skills you need to acquire or improve to perform a certain task better But if self-doubt becomes the norm it's time for you to change that. Which brings me to a great quote…"When you doubt your power, you give power to your doubt"– Honore de Balzac. So, Let's talk about Recognizing the signs of self-doubt. Being stuck with self-doubt can prevent you from living the life you desire. Self-doubt prevents you from starting the business you would love to, pursuing your passion, not applying for the amazing job promotion you think you deserve. You get the idea. So, self-doubt basically holds you back in life and ultimately from success. It leads to procrastination. It keeps you from taking action towards your goals and ultimately achieving them. When you have doubts you don't seize the opportunities that might be present in your life.  Self-doubt can have a negative effect on your life and confidence. So, how can you deal with self-doubt and move forward…The Key is in Identifying and overcome Self Doubt. Start by Recognizing the effects of self-doubt on your growth mindset: Excessive self-doubt can lead to negative thinking patterns and limit your ability to achieve success. It can also lead to anxiety and depression, as well as interfering with interpersonal relationships. Self-doubt can impact work performance and productivity. The truth is that self-doubt doesn't go away. We simply learn how to deal with it better so we can achieve our goals and live our best life. Learn to Embrace Your Self-Doubt It may sound weird, but the first step to deal with your self-doubt is to embrace it. In other words, when you have self-doubt simply acknowledge it. Don't beat yourself for having doubts about yourself and your abilities. Having self-doubts is normal – we all have them. It's what makes us real and what makes us humans. So, accept that sometimes you will doubt yourself. Instead of being reactive and trying to run away from it by distracting yourself – embrace it. In so doing, you will not waste your time, energy and motivation trying to avoid it. Embracing your self-doubt allows you to refocus your energy and fully concentrate on your goals. A Key is to Stop Comparing Yourself to Others. "The only person you should try to be better than is who you were yesterday"– Unknown. I understand that it is easier to compare yourself to others but doing so is one of the reasons why we struggle with insecurities. Comparing yourself to others leads to self-doubt…it causes it. So, an effective way to deal with self-doubt is to compare yourself only to YOU. In other words, compare yourself to who you were yesterday to see how far you have come. For instance: suppose you started your Business 4 month ago. Instead of comparing your success to someone who is further ahead of you, compare your success to when you first started. When you assess your progress, don't forget to celebrate your small wins. As Stefan James says, ‘what gets rewarded, gets repeated'. GAP vs GAIN by Dan Sullivan. Build Your Self-Confidence to Overcome Doubt To build confidence you need to remember, it is important to be accepting of your mistakes and failures, as they are part of the learning process. Also try practicing positive self-talk and daily affirmations can also be helpful. You can make lots of simple choices to build your self-confidence. Just as there are many ways to strengthen your body, there are ways you can increase your resolve by setting small goals, making healthier choices, nurturing your spirit, and finding support. Here are just a few: Break free of self-sabotaging thoughts and behavior patterns. Expand your knowledge, skills, and experiences. Become physically, mentally, and spiritually healthier. Deepen interpersonal relationships. Most of our doubts, lack of confidence and even imposture syndrome comes from negative thinking and thoughts patterns we have established over time. Tips for overcoming negative thinking patterns which cause doubt: Learn to Identify Thought Distortions. Our minds have their clever way of convincing us of something that isn't actually true. These faulty thoughts reinforce negative thinking. Counter Negative Thoughts with Positive Affirmations. Positive affirmations can be used in a number of different ways. ... Avoid External Negativity. Take steps to avoid things or people in your life that hurt the way you think and feel. Take a Break. One way to separate yourself from negativity is to allow yourself a specified period (no more or less than 10 minutes) with the negative thought. Practice Feeling Grateful. Research shows that feeling grateful has a positive influence on your levels of happiness. Focus on Your Strength. The more you try to focus on your strengths instead of dwelling on mistakes you've made in the past, the easier it will be to overcome negative thinking. Seek out Professional Support. If you still have a hard time managing your thoughts and find that they are affecting your ability to meet your daily responsibilities or enjoy. Quote:  "Believe in yourself, your abilities and your own potential. Never let self-doubt hold you captive. You are worthy of all that you dream of and hope for" – Roy T Bennett. I Believe that Pushing Yourself to Take Action Despite Your Self-Doubt with Help you Overcome Anything Obstacle in Your Life Quote:  "If you hear a voice within you say you cannot paint, then by all means paint and that voice will be silenced" – Vincent Willem Van Gogh. Learn to take action despite your self-doubt and your self-doubt will disappear. When you take action, your doubts and insecurities you actually move towards your goals. Think about it – how many times you had doubts, but you did well anyway? By taking action you reclaim your power and you become in charge of your life. On the other hand, if you don't take action, you feel anxious and overwhelmed. So, don't sell yourself short because of your self-doubts. Instead, learn to focus on the present moment, embrace your doubts and ask yourself ‘what small action I can take today to move towards my goals?'. Then, simply take that action. In so doing, you are not engaging in negative self-talk about something, but you are actually doing this thing. And as you act despite your doubts you feel more confident, empowered, motivated and happy. Make sense? Finally, It's Important You Sharpen your Skills & Mastery of Your Trade Often, when you don't know how to achieve something the voice of your self-doubt is louder. In other words, the lack of clarity and competence leads to self-doubt, less confidence and inaction. So, having clarity and competence is vital if you want to deal with self-doubt. When you don't have clarity on what skills you need, simply think of your goal and identify the key steps that you need to take to achieve it. If you struggle to identify what needs to be done research what successful people in that area are doing and follow their steps. Once you know what needs to be done you can make a plan of action to develop your skills. If you need to acquire new skills to achieve your goal, be willing to learn those skills. In other words, have a learning mentality. Read books, watch YouTube videos, listen podcasts and audiobooks, attend seminars or sign up for a course. Whatever it is that you need to learn just take the time to do it. The more you learn, the more competent you become. And with competence comes confidence. When you are confident, you are more likely to take action and make progress regardless of your doubts. Can you see how it all ties together? Look, we all doubt ourselves and that's okay. It's what we do next that makes all the difference. I hope these tips will start helping you to identify and overcome your self-doubt each day. Self-doubt is normal, but it doesn't have to control your life. When you understand that self-doubt is just a negative thought pattern you can take steps to change it. FREE Mobile App Download APPLE or ANDROID You are a Driven, Passionate Entrepreneur and your Thoughts Create Your Life. You need on-the-go Daily Motivation, Inspiration, and Insights to Fuel your day. That's why you are part of the MASTERMIND and use the Daily Mastermind Mobile App. Apple Download https://apps.apple.com/ca/app/daily-mastermind/id1405808860 Android Download https://play.google.com/store/apps/details?id=com.app_imlmastermind.layout&hl=en_IE

Perhaps contemporary critic James Wood put it best: "Novelists," he wrote, "should thank Flaubert the way poets thank spring." In this episode, Jacke takes a look at the life and major works of Gustave Flaubert (1821-1880), the Frenchman from Rouen who redefined what realism - and prose fiction - could do. Additional listening: For the story of Jacke's trip through Tibet, with Emma Bovary as his trusty companion, try Episode 79 Music That Melts the Stars - Madame Bovary by Gustave Flaubert. To wallow in the muck with Flaubert's birth-year brother, check out Episode 274 Baudelaire and the Flowers of Evil or Episode 352 Charles Baudelaire (with Aaron Poochigian). To distinguish yourself with some of Flaubert's illustrious predecessors, try Episode 390 Victor Hugo, Episode 152 George Sand, or Episode 420 Honoré de Balzac (with Carlos Allende). Help support the show at patreon.com/literature or historyofliterature.com/shop. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at www.thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices

Les Bookworms take on more classics. This week Helen and Miranda give their takes on three French classics: François le Champi (Georges Sand), Le Père Goriot (Honoré de Balzac) and Madame Bovary (Gustave Flaubert). If you have ever been interested in reading French classics, this episode is for you! We give a brief summary before giving our thoughts on these famous classics. We also ask whether these books should continue to be passed down?  You can find a fuller episode description and other book reviews on our blog: https://lesbookwormspod.wordpress.com For our current reads and a dose of French living, check out our Instagram: @lesbookwormspod 

durée : 00:28:45 - Le Feuilleton - Lucien se croit responsable de l'arrestation de david et annonce son suicide dans une lettre d'adieu.

Écoutez l'histoire du sculpteur Rodin et de sa passion pour l'Egypte racontée par l'historienne Virginie Girod, dans un récit inédit en deux épisodes, en partenariat avec le Musée Rodin à l'occasion de l'exposition "Rêve d'Egypte". En 1897, Auguste Rodin termine son Balzac, une statue commandée par Emile Zola et dans laquelle on retrouve la monumentalité égyptienne. Et comme d'autres œuvres avant elle, celle-ci va provoquer une avalanche de critiques. Dans cet épisode du podcast "Au cœur de l'Histoire" produit par Europe 1 Studio, Virginie Girod poursuit son récit sur l'histoire de l'artiste, le sculpteur évidemment mais aussi le collectionneur féru d'Egypte antique.>> En partenariat avec le Musée Rodin, à l'occasion de l'exposition "Rêve d'Egypte" "Au cœur de l'histoire" est un podcast Europe 1 Studio.Ecriture et présentation : Virginie Girod - Production : Adèle Humbert - Direction artistique : Adèle Humbert et Julien Tharaud - Réalisation : Clément Ibrahim - Musique originale : Julien Tharaud - Musiques additionnelles : Julien Tharaud et Sébastien Guidis - Communication : Kelly Decroix - Diffusion et rédaction : Eloise Bertil - Visuel : Sidonie Mangin

durée : 00:28:45 - Le Feuilleton - Lucien veut sauver David et intercède auprès de Louise et son mari le baron du Châtelet, devenu préfet, qui lui promet d'agir favorablement.

This week I am interviewing former President and Founder of Balzac's Coffee Roasters, Diana Olsen, all about how she found her passion for Inner Beach while embarking on a “second life” journey. This episode shows you that it doesn't matter how old you are, or what stage you're at, you can create change in your life. We chat about: Her story and what triggered her to do a complete 180 and change careers Falling out of love with your dreams Navigating how scary it can be to make a leap of faith Her advice for women who are feeling stuck in the gap and more! CONNECT WITH DIANA Former President and Founder of Balzac's Coffee Roasters, Diana Olsen, found her passion for Inner Beach while embarking on a “second life” journey. After building Balzac's Coffee Roasters into the successful Canadian coffee brand it is today, Diana switched gears to introduce Inner Beach — a new lifestyle brand serving as a celebration of laid back beach living and an extension of one of her truest passions. Demonstrating that finding or transitioning to a fulfilling career is possible at any age, the beach became a place of reprieve and renewal for Diana after leaving Balzac's. With this notion serving as the inspiration for Inner Beach, Diana is committed to sharing this feeling with all in hopes that they will embrace the Inner Beach lifestyle too. By transforming a labour of love into her day-to-day life, Diana brings her knowledge, expertise and passion to every aspect of Inner Beach. Today, Diana oversees all aspects of Inner Beach and can be found at Inner Beach's first brick-and-mortar store in Port Credit, Ontario. Website: www.innerbeach.com Instagram: @innerbeachco MORE FROM MICHELLE Instagram: www.instagram.com/michellepfile Facebook: www.facebook.com/michellepfilecoaching Website: www.michellepfile.com Join The Wellness Hub: https://forms.gle/e3oR6WjRQWXYq5Xe7

durée : 00:28:45 - Le Feuilleton - Lucien fait son retour parmi les siens alors que David est obligé de se cacher pour échapper à la prison, en partie ruiné par son beau-frère.

Écoutez l'histoire du peintre Rodin et de sa passion pour l'Egypte racontée par l'historienne Virginie Girod, dans un récit inédit en deux épisodes, en partenariat avec le Musée Rodin à l'occasion de l'exposition "Rêve d'Egypte" . En 1897, Auguste Rodin termine son Balzac, une statue en plâtre commandée par Emile Zola et qui s'inspire de la sculpture monumentale égyptienne. Et comme d'autres œuvres avant elle, celle-ci va provoquer une avalanche de critiques. Dans cet épisode du podcast "Au cœur de l'Histoire" produit par Europe 1 Studio, Virginie Girod remonte au début de l'histoire de l'artiste, qui intègre dès l'âge de 14 ans l'École nationale des arts décoratifs mais qui voit les portes du temple de l'académisme se fermer devant lui.>> En partenariat avec le Musée Rodin, à l'occasion de l'exposition "Rêve d'Egypte" "Au cœur de l'histoire" est un podcast Europe 1 Studio.Ecriture et présentation : Virginie Girod - Production : Adèle Humbert - Direction artistique : Adèle Humbert et Julien Tharaud - Réalisation : Clément Ibrahim - Musique originale : Julien Tharaud - Musiques additionnelles : Julien Tharaud et Sébastien Guidis - Communication : Kelly Decroix - Diffusion et rédaction : Eloise Bertil - Visuel : Sidonie Mangin

durée : 00:28:45 - Le Feuilleton - Profitant des faux billets signés à paris par Lucien, les frères Cointet lancent une poursuite judiciaire contre David Séchard et le poussent à la faillite.

durée : 00:28:45 - Le Feuilleton - Réfugié près d'Angoulême, Lucien est instruit des malheurs de sa sœur Ève et de son ami David Séchard dont les concurrents tentent de déjouer les inventions.

durée : 00:28:45 - Le Feuilleton - Lucien paye sa déloyauté amicale et se déshonore. Coralie meurt de chagrin et de misère. Il ne reste au jeune ambitieux qu'à rentrer à Angoulême sans le sou.

Ceux qui n'ont jamais claqué la porte avec les clés à l'intérieur un dimanche soir n'ont pas vraiment vécu. C'est ce qu'il a fallu à Chrysoline, Charles et Victorien pour se lancer dans la confection de nœuds papillon en bois et poser les bases de Balzac Paris. Lancer une DNVB (Digital Native Vertical Brand) en famille en s'inspirant d'un traité datant de 1830, on a vu plus logique. C'est avec son goût des bons mots que Chrysoline de Gastines conte l'histoire de Balzac Paris. Des nœuds papillon au it-bag que les césaristas s'arrachent, elle partage des anecdotes rocambolesques, de leurs débuts d'entrepreneurs en mode système D, à l'ouverture de L'Adresse cet automne à Paris. Avec responsabilité et désirabilité comme axes cardinaux de notre conversation, Chrysoline explique comment une marque DNVB grandit avec les codes actuels : comment on embarque une clientèle engagée qui brandit sa CB comme une carte électorale, le game des influenceurs et pourquoi c'est ok que son mari suive Chiara Ferragni sur Instagram, l'importance du seconde main et de Vinted pour les marques de mode, son attachement à une croissance raisonnée à l'image de Patagonia, la certification B-Corp comme un exercice pour s'améliorer, comment placer le curseur au bon endroit entre vie pro et vie perso. Un échange en toute simplicité qui nous rappelle que rester fidèle à ses valeurs est un engagement de tous les jours. On embrasse Colombe, Garance et Lazare qui peuvent être fiers de leurs parents ! Chrysoline de Gastines ne s'arrête pas là, elle vous offre 20% de réduction sur Balzac Paris avec le code "DOIT" TIMELINE : 00:02:30 - Présentation 00:21:00 - L'histoire de Balzac 01:02:20 - Création, production et réparation 01:37:05 - Entreprise à mission et B-Corp 01:56:15 - Les réseaux sociaux 02:16:15 - Le business en famille 02:35:07 - Image média et vie privée On a cité avec Chrysoline plusieurs anciens épisodes de GDIY : Early Stage #6 Fanny Giansetto - Écotable #40 Catherine Painvin - Tartine et Chocolat #77 William Hauvette - Asphalte #249 - Frédéric Biousse - Experienced Capital #270 - Augustin Paluel Marmont - Michel et Augustin #276 - Mathilde Thomas - Caudalie Chrysoline vous recommande de lire : Femmes Puissantes, Léa Salamé Le traité de la vie élégante, Balzac Avec Chrysoline, on a parlé de : Vidéo des PDG interviewés avec des questions sexistes Horizn Studio Business Wars Wondery - Patagonia vs. North Face La marque de bijoux de l'amie de Matt mentionnée à 02:05:50 Podcast Sunday ? Bliss Stories - podcast sur la maternité Découvrez L'Atelier Particulier avec le code DOIT Hast pour élever son dressing avec le code DOIT La musique du générique vous plaît ? C'est à Morgan Prudhomme que je la dois ! Contactez-le sur : https://studio-module.com. Vous souhaitez sponsoriser Génération Do It Yourself ou nous proposer un partenariat ? Contactez mon label Orso Media via ce formulaire. Vous pouvez envoyer un message à Chrysoline sur Insta.

durée : 00:28:45 - Le Feuilleton - Lucien veut sauver David et intercède auprès de Louise et son mari le baron du Châtelet, devenu préfet, qui lui promet d'agir favorablement.

durée : 00:28:45 - Le Feuilleton - La soirée chez madame de Bargeton a été humiliante pour Lucien que le grand monde ne souhaite pas voir sortir de sa condition.

durée : 00:28:45 - Le Feuilleton - La vie parisienne a eu raison des amours provinciales de Lucien et Louise. Lucien a l'espoir de venger cette disgrâce en acquérant la gloire.

durée : 00:28:45 - Le Feuilleton - Lousteau présente Lucien aux figures influentes de l'édition et du journalisme mondain et politique, avant de l'entraîner dans les coulisses du théâtre.

durée : 00:28:45 - Le Feuilleton - Lucien paye sa déloyauté amicale et se déshonore. Coralie meurt de chagrin et de misère. Il ne reste au jeune ambitieux qu'à rentrer à Angoulême sans le sou.

durée : 00:58:45 - Les Cours du Collège de France - Quelles sont les étapes successives de la création chez Balzac? Quel est le périmètre exact qui définit l'oeuvre de Flaubert? Quelle est, au juste, la définition de l'ouvre et qu'est-ce qu'une vision retrospective? Pierre-Michel Menger Enfin, à quels choix éditoriaux et compromis sont soumis, auteurs et commanditaires d'une édition critique d'une oeuvre ?  Directeur d'études à l'EHESS et professeur au Collège de France, titulaire de la chaire de Sociologie du travail créateur, Pierre-Michel Menger nous entraîne pour la deuxième année de cours dans une grande et passionnante enquête intitulée, "Comment achever une ouvre? Travail et processus de création (suite)". Le sociologue propose d'explorer cette année "le travail de création artistique et les énigmes de son cours incertain, à l'aide d'études de cas consacrées à différents arts, que ce soit dans la musique, la peinture, la littérature, l'architecture ou le cinéma".Le cours précédent nous avait installé notamment dans les ateliers des écrivain Tolkien et Poe pour étudier ce que Pierre-Michel Menger a appelé "la raréfaction, la consolidation, l'augmentation" - en une formule "l'oeuvre et sa biographie au prisme de l'édition". Il poursuit aujourd'hui cette vaste et vertigineuse étude et nous plonge, cette-fois-ci, dans une une illustre et réputée collection "la Pléiade", chez Gallimard. Une fois encore, au sein d'une collection qui évolue et s'adapte, à la fois aux questions de son temps et aux nouveaux outils, - songeons à ce que peuvent apporter les outils numériques pour présenter les 16 variantes d'une même phrase ! - nous expérimentons la formidable plasticité des oeuvres et de la notion d'auteur.Cours après cours, Pierre-Michel Menger ne cesse d'analyser l'apport du couple "labeur/incertitude" dans la création artistique. Le cours précédent s'est achevé sur la spécificité de l'imprévisibilité et de l'inévitabilité dans le processus créateur. Le sociologue a indiqué :"l'imprévisibilité se conçoit dans un cadre de probabilité subjective, et l'inévitabilité comporte un élément d'évaluation. Concevoir la création de l'ouvre et sa réception comme imparfaitement prévisibles, ce n'est pas faire de l'acte créateur une inaccessible boîte noire, mais assimiler pleinement le processus de production artistique à un travail : l'artiste forme des évaluations sur le cours préférable de son activité, selon le degré de contrôle qu'il peut exercer, et sur les issues préférables de ses interactions avec autrui. Ces évaluations constituent un sentier d'apprentissage". "Ce personnage est-il intéressant ou pas ? Cette tournure va-t-elle peser plus lourd qu'une autre, etc.". Or dans l'heure, il va beaucoup être question du cheminement d'une oeuvre, de ses variantes, de ses préfigurations, de ses esquisses et de ses brouillonsSur la notion d'inévitabilité et de "l'après coup", Pierre-Michel Menger a cité Roland Barthes, dans La préparation du roman :"Cependant, en tant que nous sommes lecteurs de certaines ouvres, écrit Barthes, (je ne dis pas en tant que nous fabriquons certaines ouvres mais en tant que nous les lisons), nous éprouvons la certitude de leur nécessité ; l'auteur, pensons-nous, n'a pu avoir d'hésitation, et cette chose qui est dite a dû s'imposer à lui. Il était nécessaire que cette histoire-là, et pas telle autre, fût racontée, que ce mot fût choisi, etc. Je dirai que cette nécessité ou cette évidence de Nécessité me paraît encore plus claire en musique qu'en littérature." Dès lors, "comment Flaubert est-il devenu Flaubert ?" et pourquoi sa "ratatouille sentimentale" de jeunesse, qu'il avait bannie de l'impression,  fait-elle finalement l'objet d'une édition aujourd'hui? En revanche, dans le cas de la nouvelle édition de l'oeuvre de Proust, A la Recherche du temps perdu, sous la direction de Jean-Yves Tadié pour la Bibliothèque de la Pléiade, ce dernier indique qu' "on ne pouvait pas tout donner". Outre "l'appareil éditorial usuel dans la Pléiade, introductions, notices, not