Podcasts about Cuba

Upcoming Election in Honduras. Mary Anastasia O'Grady discusses Honduran fears that the current left-wing party, allied with Venezuela and Cuba, will attempt to steal the upcoming election. This follows a playbook where elected leaders consolidate power by seizing control of institutions like the military and courts to avoid subsequent fair elections. The OAS and US State Department have issued warnings against election theft. Guest: Mary Anastasia O'Grady. 1890

SHOW 11-20-2025 CBS EYE ON THE WORLD WITH JOHN BATCHELOR THE SHOW BEGINS IN THE DOUBTS ABOUT PEACE IN EUROPE.. FIRST HOUR 9-915 Ukraine Envoy Keith Kellogg Quits After Plan for US Peace Leaked. Anatol Lieven discusses a leaked Ukraine peace plan involving potential US legal recognition of Russian annexation of Donbass and Crimea, which would pave the way for lifting US sanctions. The plan requires Ukraine to yield the remaining Donbass slice and accept limits on its army size, although Ukraine is not required to formally agree. Guest: Anatol Lieven. 915-930 continued 930-945 Professor George Is Right: Principle Sustains American Conservatism. Peter Berkowitz reviews Professor Robert George's assertion that American conservatism's core principle is the profound, inherent, and equal dignity of each human family member. George insisted that the movement must unequivocally reject white supremacists and anti-Semites, a rebuke directed at the Heritage Foundation president's defense of Tucker Carlson. This mirrors William F. Buckley's efforts to purge extremism from conservatism. Guest: Peter Berkowitz. 945-1000 US Adds 119,000 Jobs in September, but Unemployment Hits Four-Year Peak. Chris Regal discusses consumer liquidity challenges alongside the early impacts of AI on the workforce. AI is currently displacing white-collar jobs like consulting, but physical displacement via robotics is coming. He notes concerns about an AI investment bubble but affirms confidence in major companies like Amazon and Microsoft. Guest: Chris Regal. SECOND HOUR 10-1015 Upcoming Election in Honduras. Mary Anastasia O'Grady discusses Honduran fears that the current left-wing party, allied with Venezuela and Cuba, will attempt to steal the upcoming election. This follows a playbook where elected leaders consolidate power by seizing control of institutions like the military and courts to avoid subsequent fair elections. The OAS and US State Department have issued warnings against election theft. Guest: Mary Anastasia O'Grady. 1015-1030 Russia's Slowing Wartime Economy Pushes Kremlin to Increase Taxes and Fees. Michael Bernstam analyzes Russia's economic stagnation due to war expenditure and shortages, leading the Kremlin to raise taxes, including the VAT, to close the budget gap. Sanctions are biting deep, forcing Russia to offer huge discounts—up to $38 per barrel—to its primary oil customers: India, China, and Turkey. Guest: Michael Bernstam. 1030-1045 Launch of Blue Origin's New Glenn Rocket. Eric Berger describes the successful second launch and booster landing of Blue Origin's New Glenn rocket as thrilling and a huge step forward. New Glenn is the world's third largest rocket and is crucial for Amazon's LEO constellation and NASA's Artemis moon program. Berger also supports Jared Isaacman's nomination to lead NASA. Guest: Eric Berger. 1045-1100 THIRD HOUR 1100-1115 Autocrats Versus Democrats: China, Russia, America, and the New Global Disorder. Michael McFaul analyzes the Cold War, noting that the Cuban Missile Crisis taught the need for crisis management mechanisms with adversaries. He argues that the US was too complacent, first when engaging China after Tiananmen Square without stressing values, and later when failing to invest politically and economically to consolidate democracy in post-Soviet Russia. Guest: Michael McFaul. 1115-1130 1130-1145 1145-1200 FOURTH HOUR 12-1215 The New World Report. Professor Evan Ellis discusses increased US attention to the Americas, citing the Monroe Doctrine and the risks of intervention in Venezuela. He emphasizes that narco-terror is a complex criminal economy troubling the region. The conversation also highlights rightward political movements and citizen frustration with insecurity and violence in Chile, Ecuador, and Peru. Guest: Professor Evan Ellis. 1215-1230 1230-1245 1245-100 AM

Green & Red has been at the forefront of refuting the various romantic versions, lies,and conspiracy theories about JFK and we once again discuss the reality of Kennedy. For decades now, especially after Oliver Stone's JFK created the idea that Kennedy had changed course and was going to withdraw from Vietnam, develop a relationship with Cuba, and end the Cold War, various pundits and commentators, including many on the Left, have accepted Stone's revisionist ideas and now present them as fact.But the reality, rooted in documents and archives, is very different. Kennedy was a consummate Cold Warrior who came to office dedicated to flex American muscle and extend American empire. We began by discussing his approach to Latin America, where he made the overthrow of Castro in Cuba one of his first priorities at the Bay of Pigs and then, despite Stone's insistence he'd had a change of heart and mind after the Missile Crisis continued to subvert Cuba in the hopes of ousting the government there. Meanwhile, he developed an internal security model for all of Latin America in order to prevent Left movements from gaining momentum. In this context he also subverted governments in places like Brazil and Guyana.Of course, the main point of Stone's argument related to Vietnam, where he and his followers claim that JFK had decided to wind down and withdraw from Vietnam in 1963. The reality was very different. Kennedy actually ignored the advice of U.S. military officials, who consistently warned that Vietnam was not an American security priority, that American troops weren't well-trained and prepared to fight a jungle guerrilla war, and he authorized a coup against Ngo Dinh Diem, surely a sign that he was not preparing a withdrawal.Conspiracies are anti-political . . . the seek good individuals and heroes and posit that nefarious characters in the "deep state" are upending the better angels in government. These theories distract us, especially on the Left, from analyzing systems and structures, like the ruling class. The continued obsession with Stone's conspiracies may be lucrative for some, but they're a dead end for people trying to make sense of American power and resist it.For more on this, see "JFK: 60 Years of Myths and Disinformation" with links to relevant articles and podcasts, at https://afflictthecomfortable.org/2023/11/22/jfk-60-years-of-myths-and-disinformation/——————-

Cuba and Nicaragua have ranked among the world's most repressive governments toward religious freedom for years. In 2025, exiles and civil society organizations reported continuing severe restrictions on religious communities, including the banning of religious processions, surveillance and harassment of clergy, and legal constriction of religious groups. In some regards, the level of repression is escalating, considering indicators such as the re-imprisonment in June of a freedom of religion or belief (FoRB) victim previously released in January and the deaths of two religious freedom defenders in Nicaraguan custody in August. USCIRF has designated both nations as Countries of Particular Concern since its 2023 Annual Report. On this episode of the USCIRF Spotlight Podcast, Commissioner Maureen Ferguson speaks with Anna Lee Stangl, joint Director of Advocacy and Latin America team leader at Christian Solidarity Worldwide (CSW), about the violations facing religious communities in Cuba and Nicaragua. Read USCIRF's 2025 Annual Report Chapters on Cuba and Nicaragua. With Contributions from:Veronica McCarthy, Public Affairs Specialist, USCIRF

Ya no somos deudores, sino herederos con Cristo ¿Qué significa vivir como hijos y herederos de Dios? En este episodio de El Poder del Evangelio, Danny Rojas conversa con Jason Arévalo, Alex Herrera y David Menéndez sobre Romanos 8:12–17, un pasaje que nos recuerda que ya no vivimos bajo la esclavitud del temor ni la deuda del pecado, sino en la libertad y la esperanza de los que pertenecen a Cristo.

World news in 7 minutes. Friday 21st November 2025Today : Ukraine US-Russia proposal. UK Russian lasers. France Grok investigation. Spain Franco. Israel Gaza strikes. Korea ship ground. Cuba power cuts. Brazil COP fire. Nigeria Biafra jail. Guinea-Bissau election. Madagascar special secret rock.SEND7 is supported by our amazing listeners like you.Our supporters get access to the transcripts and vocabulary list written by us every day.Our supporters get access to an English worksheet made by us once per week.Our supporters get access to our weekly news quiz made by us once per week.We give 10% of our profit to Effective Altruism charities. You can become a supporter at send7.org/supportContact us at podcast@send7.org or send an audio message at speakpipe.com/send7Please leave a rating on Apple podcasts or Spotify.We don't use AI! Every word is written and recorded by us!Since 2020, SEND7 (Simple English News Daily in 7 minutes) has been telling the most important world news stories in intermediate English. Every day, listen to the most important stories from every part of the world in slow, clear English. Whether you are an intermediate learner trying to improve your advanced, technical and business English, or if you are a native speaker who just wants to hear a summary of world news as fast as possible, join Stephen Devincenzi, Juliet Martin and Niall Moore every morning. Transcripts, vocabulary lists, worksheets and our weekly world news quiz are available for our amazing supporters at send7.org. Simple English News Daily is the perfect way to start your day, by practising your listening skills and understanding complicated daily news in a simple way. It is also highly valuable for IELTS and TOEFL students. Students, teachers, TEFL teachers, and people with English as a second language, tell us that they use SEND7 because they can learn English through hard topics, but simple grammar. We believe that the best way to improve your spoken English is to immerse yourself in real-life content, such as what our podcast provides. SEND7 covers all news including politics, business, natural events and human rights. Whether it is happening in Europe, Africa, Asia, the Americas or Oceania, you will hear it on SEND7, and you will understand it.Get your daily news and improve your English listening in the time it takes to make a coffee.For more information visit send7.org/contact or send an email to podcast@send7.org

Welcome back to SANDCAST: Beach Volleyball with Tri Bourne and Travis Mewhirter, where Mewhirter is back on a late-night edition breaking down the 2025 Beach Volleyball World Championships, where Thursday turned positively bonkers. Where to start? How about with... - France's Arnaud Gauthier-Rat and Teo Rotar shocking medal favorites Cherif Younousse and Ahmed Tijan - Germany's Nils Ehlers and Clemens Wickler figuring it out at the right time in a critical upset over Norway's Anders Mol and Christian Sorum - USA Volleyball's Chaim Schalk and James Shaw continuing their Cinderella run with an upset victory over Cuba's Jorge Alayo and Noslen Diaz But then, of course, there was some sense of normalcy, as: - Sweden's David Ahman and Jonatan Hellvig swept France's Remi Bassereau and Calvin Aye, while countrymen Elmer Andersson and Jacob Holting-Nilsson swept Andre and Renato - Melissa Humana-Paredes and Brandie Wilkerson continued their tour de force, as did Brazil's Barbara and Carol and Latvia's Tina Graudina and Anastasija Samoilova - Kelly Cheng and Molly Shaw left no doubt in a convincing win over the Czech Republic, and the Czech men, Ondrej Perusic and David Schweiner, left no doubt in their win over Portugal's Joao Pedrosa and Hugo Campos - Kristen Nuss and Taryn Brasher hang on to beat Raisa Schoon and Katja Stam Close calls were won by... - Evandro and Arthur, who snuck past Marco Krattiger and Leo Dillier - Sven Winter and Lukas Pfretzschner, who battled with Hendrik Mol and Mathias Berntsen - Thamela and Victoria, who slipped past a very talented Ukraine team in Tetiana Lazarenko and Daria Romaniuk And a huge bummer of an event in Ana Patricia and Duda pulling out to injury. While it benefited USA Volleyball's Julia Donlin and Lexy Denaburg, it was a massive bummer SHOOTS! *** WE'VE GOT MERCH! Check it out here!! Get 20 PERCENT off all Wilson products with our code, SANDCAST-20. https://www.wilson.com/en-us/volleyball Get 10 PERCENT OFF VBTV using our discount code, SANDCAST10 Want to get better at beach volleyball? Use our discount code, SANDCAST, and get 10 percent off all Better at Beach products!  We are FIRED UP to announce that we've signed on for another year with Athletic Greens! Get a FREE year's supply of Vitamin D by purchasing with that link.  If you want to receive our SANDCAST weekly newsletter, the Beach Volleyball Digest, which dishes all the biggest news in beach volleyball in one quick newsletter, head over to our website and subscribe! We'd love to have ya! https://www.sandcastvolleyball.com/ Our medical timeout was brought to you by SHIELD Athletic Tape. If you're an athlete, coach, or just train hard, you know that staying healthy is easier said than done— it's about staying supported. That's where SHIELD comes in. SHIELD is a U.S.-based athletic tape company built by athletes, for athletes. Whether it's rigid tape for serious support, kinesiology tape with true 4-way stretch for maximum mobility, or turf tape to fight off burns on the field — SHIELD's got you covered. They even make recovery wraps for post-session cooldowns and inflammation control. And because it's all made right here in the U.S., you're getting elite quality and fast delivery —they are truly not cutting corners. Try SHIELD today — support that actually performs. Check them out at shieldhealthandfitness.com and use code SANDCAST for a discount. Tape smarter. Train harder. SHIELD up.  

CannCon and Alpha Warrior deliver a sharp, energetic breakdown of the day's biggest stories with their signature mix of humor, heat, and hard truths. They kick off by exposing congressional self-dealing after the House rushes to repeal a shady $500,000 Senate perk, setting off a fiery debate about accountability, FOIA loopholes, and why Congress protects itself faster than it protects the American people. The guys dive into the explosive indictment of Rep. Sheila Cherfilus-McCormick, unraveling a $5 million FEMA scam tied to campaign laundering and what it reveals about ActBlue-style funding networks. They dismantle a disturbing Democratic video urging the military to defy a future Trump presidency, analyze Trump's blistering response, and debate the deeper implications for chain of command and national security. From drug-smuggling networks and Cuba-to-Tampa trafficking busts to the strategic timing of the Epstein files release, and why Trump may have just sprung the biggest political trap of the decade, this episode moves fast, hits hard, and connects the dots the mainstream won't touch. Hosted by CannCon and Alpha Warrior.

Vivir según el Espíritu y no la carne ¿Cómo se ve una vida verdaderamente guiada por el Espíritu de Dios? En este episodio de El Poder del Evangelio, Danny Rojas conversa con los pastores David Menéndez, Alex Herrera y Jason Arévalo sobre el contraste entre la carne y el Espíritu, la libertad de vivir sin condenación, y el poder que transforma incluso nuestros cuerpos mortales. Descubre por qué arrepentirte rápido —y siempre— puede ser una clave práctica para vivir en la paz y el gozo del Evangelio.  

Seattle just elected a socialist mayor with zero leadership experience, and the progressive voters are about to get a masterclass in why socialism always fails. Katie Wilson - former boatyard worker turned mayor - promises to solve the housing crisis by... wait for it... taxing everyone into oblivion! Because nothing says "affordable housing" quite like raising property taxes on that teacher who bought in 2009 for $350K and now sits on a $1.2 million paper fortune she can't spend. Wilson's brilliant plan? Tax big businesses until they flee, then tax homeowners to make up the difference. We've seen this movie before in every socialist experiment - Cuba, Venezuela, you name it. Yet Seattle voters think this time will be different because... reasons? As businesses pack up and rents skyrocket even higher, these same voters will be scratching their heads wondering why their socialist savior made everything MORE expensive. What's your prediction - how long before Seattle residents realize they've been played? Will Wilson's tenure make Bruce Harrell look like a fiscal conservative? Drop your thoughts below, smash that like button if you're ready to watch this trainwreck unfold, and subscribe for front-row seats to Seattle's socialist experiment!

In this episode, Renata Keller and Dustin Walcher look at the global repercussions of the Cuban Revolution, analyzing Cuba's relations with the United States, Latin America, the Soviet Union, and the Global South. They speak to scholars including Lillian Guerra, Lorraine Bayard de Volo, William M. LeoGrande, Jonathan C. Brown, Aaron Coy Moulton, James Hershberg, Eric Gettig, Michelle Chase, and Lars Schoultz.

Alexandre Garcia comenta conversa entre Rodrigo Pacheco e Lula, fala de chanceler da Alemanha sobre Belém, e epidemia de dengue e chikungunya em Cuba.

https://www.youtube.com/watch?v=41zN7LwuzzI&t=11s Joti Bear speaks for the Party on the occasion of the CPGB-ML international BBQ. She greets out guests from China, Cuba, DPR Korea, Venezuela, Vietnam, Laos and Eritrea. World Anti-imperialist platform Palestine middle East. Ukraine. Sahel. People can win if we rise together… Subscribe! Donate! Join us in building a bright future for humanity! www.thecommunists.org www.lalkar.org www.redyouth.org Telegram: t.me/thecommunists Twitter: twitter.com/cpgbml Soundcloud: @proletarianradio Rumble: rumble.com/c/theCommunists Odysee: odysee.com/@proletariantv:2 Facebook: www.facebook.com/cpgbml Online Shop: https://shop.thecommunists.org/ Education Program: Each one teach one! www.londonworker.org/education-programme/ Join the struggle www.thecommunists.org/join/ Donate: www.thecommunists.org/donate/

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Powerleegirl hosts, the mother daughter team of Miko Lee, Jalena & Ayame Keane-Lee speak with artists about their craft and the works that you can catch in the Bay Area. Featured are filmmaker Yuriko Gamo Romer, playwright Jessica Huang and photographer Joyce Xi.   More info about their work here: Diamond Diplomacy Yuriko Gamo Romer Jessica Huang's Mother of Exiles at Berkeley Rep Joyce Xi's Our Language Our Story at Galeria de la Raza     Show Transcript Opening: [00:00:00] Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.    Ayame Keane-Lee: [00:00:46] Thank you for joining us on Apex Express Tonight. Join the PowerLeeGirls as we talk with some powerful Asian American women artists. My mom and sister speak with filmmaker Yuriko Gamo Romer, playwright Jessica Huang, and photographer Joyce Xi. Each of these artists have works that you can enjoy right now in the Bay Area. First up, let's listen in to my mom Miko Lee chat with Yuriko Gamo Romer about her film Diamond Diplomacy.    Miko Lee: [00:01:19] Welcome, Yuriko Gamo Romer to Apex Express, amazing filmmaker, award-winning director and producer. Welcome to Apex Express.   Yuriko Gamo Romer: [00:01:29] Thank you for having me.    Miko Lee: [00:01:31] It's so great to see your work after this many years. We were just chatting that we knew each other maybe 30 years ago and have not reconnected. So it's lovely to see your work. I'm gonna start with asking you a question. I ask all of my Apex guests, which is, who are your people and what legacy do you carry with you?    Yuriko Gamo Romer: [00:01:49] Oh, who are my people? That's a hard one. I guess I'm Japanese American. I'm Asian American, but I'm also Japanese. I still have a lot of people in Japan. That's not everything. Creative people, artists, filmmakers, all the people that I work with, which I love. And I don't know, I can't pare it down to one narrow sentence or phrase. And I don't know what my legacy is. My legacy is that I was born in Japan, but I have grown up in the United States and so I carry with me all that is, technically I'm an immigrant, so I have little bits and pieces of that and, but I'm also very much grew up in the United States and from that perspective, I'm an American. So too many words.    Miko Lee: [00:02:44] Thank you so much for sharing. Your latest film was called Diamond Diplomacy. Can you tell us what inspired this film?   Yuriko Gamo Romer: [00:02:52] I have a friend named Dave Dempsey and his father, Con Dempsey, was a pitcher for the San Francisco Seals. And the Seals were the minor league team that was in the West Coast was called the Pacific Coast League They were here before the Major League teams came to the West Coast. So the seals were San Francisco's team, and Con Dempsey was their pitcher. And it so happened that he was part of the 1949 tour when General MacArthur sent the San Francisco Seals to Allied occupied Japan after World War II. And. It was a story that I had never heard. There was a museum exhibit south of Market in San Francisco, and I was completely wowed and awed because here's this lovely story about baseball playing a role in diplomacy and in reuniting a friendship between two countries. And I had never heard of it before and I'm pretty sure most people don't know the story. Con Dempsey had a movie camera with him when he went to Japan I saw the home movies playing on a little TV set in the corner at the museum, and I thought, oh, this has to be a film. I was in the middle of finishing Mrs. Judo, so I, it was something I had to tuck into the back of my mind Several years later, I dug it up again and I made Dave go into his mother's garage and dig out the actual films. And that was the beginning. But then I started opening history books and doing research, and suddenly it was a much bigger, much deeper, much longer story.   Miko Lee: [00:04:32] So you fell in, it was like synchronicity that you have this friend that had this footage, and then you just fell into the research. What stood out to you?    Yuriko Gamo Romer: [00:04:41] It was completely amazing to me that baseball had been in Japan since 1872. I had no idea. And most people,   Miko Lee: [00:04:49] Yeah, I learned that too, from your film. That was so fascinating.    Yuriko Gamo Romer: [00:04:53] So that was the first kind of. Wow. And then I started to pick up little bits and pieces like in 1934, there was an American All Star team that went to Japan. And Babe Ruth was the headliner on that team. And he was a big star. People just loved him in Japan. And then I started to read the history and understanding that. Not that a baseball team or even Babe Ruth can go to Japan and prevent the war from happening. But there was a warming moment when the people of Japan were so enamored of this baseball team coming and so excited about it that maybe there was a moment where it felt like. Things had thawed out a little bit. So there were other points in history where I started to see this trend where baseball had a moment or had an influence in something, and I just thought, wow, this is really a fascinating history that goes back a long way and is surprising. And then of course today we have all these Japanese faces in Major League baseball.   Miko Lee: [00:06:01] So have you always been a baseball fan?   Yuriko Gamo Romer: [00:06:04] I think I really became a fan of Major League Baseball when I was living in New York. Before that, I knew what it was. I played softball, I had a small connection to it, but I really became a fan when I was living in New York and then my son started to play baseball and he would come home from the games and he would start to give us the play by play and I started to learn more about it. And it is a fascinating game 'cause it's much more complex than I think some people don't like it 'cause it's complex.    Miko Lee: [00:06:33] I must confess, I have not been a big baseball fan. I'm also thinking, oh, a film about baseball. But I actually found it so fascinating with especially in the world that we live in right now, where there's so much strife that there was this way to speak a different language. And many times we do that through art or music and I thought it was so great how your film really showcased how baseball was used as a tool for political repair and change. I'm wondering how you think this film applies to the time that we live in now where there's such an incredible division, and not necessarily with Japan, but just with everything in the world.   Yuriko Gamo Romer: [00:07:13] I think when it comes down to it, if we actually get to know people. We learn that we're all human beings and that we probably have more in common than we give ourselves credit for. And if we can find a space that is common ground, whether it's a baseball field or the kitchen, or an art studio, or a music studio, I think it gives us a different place where we can exist and acknowledge That we're human beings and that we maybe have more in common than we're willing to give ourselves credit for. So I like to see things where people can have a moment where you step outside of yourself and go, oh wait, I do have something in common with that person over there. And maybe it doesn't solve the problem. But once you have that awakening, I think there's something. that happens, it opens you up. And I think sports is one of those things that has a little bit of that magical power. And every time I watch the Olympics, I'm just completely in awe.    Miko Lee: [00:08:18] Yeah, I absolutely agree with you. And speaking of that kind of repair and that aspect that sports can have, you ended up making a short film called Baseball Behind Barbed Wire, about the incarcerated Japanese Americans and baseball. And I wondered where in the filmmaking process did you decide, oh, I gotta pull this out of the bigger film and make it its own thing?    Yuriko Gamo Romer: [00:08:41] I had been working with Carrie Yonakegawa. From Fresno and he's really the keeper of the history of Japanese American baseball and especially of the story of the World War II Japanese American incarceration through the baseball stories. And he was one of my scholars and consultants on the longer film. And I have been working on diamond diplomacy for 11 years. So I got to know a lot of my experts quite well. I knew. All along that there was more to that part of the story that sort of deserved its own story, and I was very fortunate to get a grant from the National Parks Foundation, and I got that grant right when the pandemic started. It was a good thing. I had a chunk of money and I was able to do historical research, which can be done on a computer. Nobody was doing any production at that beginning of the COVID time. And then it's a short film, so it was a little more contained and I was able to release that one in 2023.   Miko Lee: [00:09:45] Oh, so you actually made the short before Diamond Diplomacy.   Yuriko Gamo Romer: [00:09:49] Yeah. The funny thing is that I finished it before diamond diplomacy, it's always been intrinsically part of the longer film and you'll see the longer film and you'll understand that part of baseball behind Barbed Wire becomes a part of telling that part of the story in Diamond Diplomacy.   Miko Lee: [00:10:08] Yeah, I appreciate it. So you almost use it like research, background research for the longer film, is that right?    Yuriko Gamo Romer: [00:10:15] I had been doing the research about the World War II, Japanese American incarceration because it was part of the story of the 150 years between Japan and the United States and Japanese people in the United States and American people that went to Japan. So it was always a part of that longer story, and I think it just evolved that there was a much bigger story that needed to be told separately and especially 'cause I had access to the interview footage of the two guys that had been there, and I knew Carrie so well. So that was part of it, was that I learned so much about that history from him.   Miko Lee: [00:10:58] Thanks. I appreciated actually watching both films to be able to see more in depth about what happened during the incarceration, so that was really powerful. I'm wondering if you can talk a little bit about the style of actually both films, which combine vintage Japanese postcards, animation and archival footage, and how you decided to blend the films in this way.   Yuriko Gamo Romer: [00:11:19] Anytime you're making a film about history, there's that challenge of. How am I going to show this story? How am I gonna get the audience to understand and feel what was happening then? And of course you can't suddenly go out and go, okay, I'm gonna go film Babe Ruth over there. 'cause he's not around anymore. So you know, you start digging up photographs. If we're in the era of you have photographs, you have home movies, you have 16 millimeter, you have all kinds of film, then great. You can find that stuff if you can find it and use it. But if you go back further, when before people had cameras and before motion picture, then you have to do something else. I've always been very much enamored of Japanese woodblock prints. I think they're beautiful and they're very documentary in that they tell stories about the people and the times and what was going on, and so I was able to find some that sort of helped evoke the stories of that period of time. And then in doing that, I became interested in the style and maybe can I co-opt that style? Can we take some of the images that we have that are photographs? And I had a couple of young artists work on this stuff and it started to work and I was very excited. So then we were doing things like, okay, now we can create a transition between the print style illustration and the actual footage that we're moving into, or the photograph that we're dissolving into. And the same thing with baseball behind barbed wire. It became a challenge to show what was actually happening in the camps. In the beginning, people were not allowed to have cameras at all, and even later on it wasn't like it was common thing for people to have cameras, especially movie cameras. Latter part of the war, there was a little bit more in terms of photos and movies, but in terms of getting the more personal stories. I found an exhibit of illustrations and it really was drawings and paintings that were visual diaries. People kept these visual diaries, they drew and they painted, and I think part of it was. Something to do, but I think the other part of it was a way to show and express what was going on. So one of the most dramatic moments in there is a drawing of a little boy sitting on a toilet with his hands covering his face, and no one would ever have a photograph. Of a little boy sitting on a toilet being embarrassed because there are no partitions around the toilet. But this was a very dramatic and telling moment that was drawn. And there were some other things like that. There was one illustration in baseball behind barbed wire that shows a family huddled up and there's this incredible wind blowing, and it's not. Home movie footage, but you feel the wind and what they had to live through. I appreciate art in general, so it was very fun for me to be able to use various different kinds of art and find ways to make it work and make it edit together with the other, with the photographs and the footage.    Miko Lee: [00:14:56] It's really beautiful and it tells the story really well. I'm wondering about a response to the film from folks that were in it because you got many elders to share their stories about what it was like being either folks that were incarcerated or folks that were playing in such an unusual time. Have you screened the film for folks that were in it? And if so what has their response been?    Yuriko Gamo Romer: [00:15:20] Both the men that were in baseball behind barbed wire are not living anymore, so they have not seen it. With diamond diplomacy, some of the historians have been asked to review cuts of the film along the way. But the two baseball players that play the biggest role in the film, I've given them links to look at stuff, but I don't think they've seen it. So Moi's gonna see it for the first time, I'm pretty sure, on Friday night, and it'll be interesting to see what his reaction to it is. And of course. His main language is not English. So I think some of it's gonna be a little tough for him to understand. But I am very curious 'cause I've known him for a long time and I know his stories and I feel like when we were putting the film together, it was really important for me to be able to tell the stories in the way that I felt like. He lived them and he tells them, I feel like I've heard these stories over and over again. I've gotten to know him and I understand some of his feelings of joy and of regret and all these other things that happen, so I will be very interested to see what his reaction is to it.   Miko Lee: [00:16:40] Can you share for our audience who you're talking about.   Yuriko Gamo Romer: [00:16:43] Well, Sanhi is a nickname, his name is Masa Nouri. Murakami. He picked up that nickname because none of the ball players could pronounce his name.   Miko Lee: [00:16:53] I did think that was horrifically funny when they said they started calling him macaroni 'cause they could not pronounce his name. So many of us have had those experiences.   Yuriko Gamo Romer: [00:17:02] Yeah, especially if your name is Masanori Murakami. That's a long, complicated one. So he, Masanori Murakami is the first Japanese player that came and played for the major leagues. And it was an inadvertent playing because he was a kid, he was 19 years old. He was playing on a professional team in Japan and they had some, they had a time period where it made sense to send a couple of these kids over to the United States. They had a relationship with Kapi Harada, who was a Japanese American who had been in the Army and he was in Japan during. The occupation and somehow he had, he'd also been a big baseball person, so I think he developed all these relationships and he arranged for these three kids to come to the United States and to, as Mahi says, to study baseball. And they were sent to the lowest level minor league, the single A camps, and they played baseball. They learned the American ways to play baseball, and they got to play with low level professional baseball players. Marcy was a very talented left handed pitcher. And so when September 1st comes around and the postseason starts, they expand the roster and they add more players to the team. And the scouts had been watching him and the Giants needed a left-handed pitcher, so they decided to take a chance on him, and they brought him up and he was suddenly going to Shea Stadium when. The Giants were playing the Mets and he was suddenly pitching in a giant stadium of 40,000 people.    Miko Lee: [00:18:58] Can you share a little bit about his experience when he first came to America? I just think it shows such a difference in time to now.    Yuriko Gamo Romer: [00:19:07] Yeah, no kidding. Because today they're the players that come from Japan are coddled and they have interpreters wherever they go and they travel and chartered planes and special limousines and whatever else they get. So Marcie. He's, I think he was 20 by the time he was brought up so young. Mahi at 20 years old, the manager comes in and says, Hey, you're going to New York tomorrow and hands him plane tickets and he has to negotiate his way. Get on this plane, get on that plane, figure out how to. Get from the airport to the hotel, and he's barely speaking English at this point. He jokes that he used to carry around an English Japanese dictionary in one pocket and a Japanese English dictionary in the other pocket. So that's how he ended up getting to Shea Stadium was in this like very precarious, like they didn't even send an escort.   Miko Lee: [00:20:12] He had to ask the pilot how to get to the hotel. Yeah, I think that's wild. So I love this like history and what's happened and then I'm thinking now as I said at the beginning, I'm not a big baseball sports fan, but I love love watching Shohei Ohtani. I just think he's amazing. And I'm just wondering, when you look at that trajectory of where Mahi was back then and now, Shohei Ohtani now, how do you reflect on that historically? And I'm wondering if you've connected with any of the kind of modern Japanese players, if they've seen this film.   Yuriko Gamo Romer: [00:20:48] I have never met Shohei Ohtani. I have tried to get some interviews, but I haven't gotten any. I have met Ichi. I did meet Nori Aoki when he was playing for the Giants, and I met Kenta Maya when he was first pitching for the Dodgers. They're all, I think they're all really, they seem to be really excited to be here and play. I don't know what it's like to be Ohtani. I saw something the other day in social media that was comparing him to Taylor Swift because the two of them are this like other level of famous and it must just be crazy. Probably can't walk down the street anymore. But it is funny 'cause I've been editing all this footage of mahi when he was 19, 20 years old and they have a very similar face. And it just makes me laugh that, once upon a time this young Japanese kid was here and. He was worried about how to make ends meet at the end of the month, and then you got the other one who's like a multi multimillionaire.    Miko Lee: [00:21:56] But you're right, I thought that too. They look similar, like the tall, the face, they're like the vibe that they put out there. Have they met each other?    Yuriko Gamo Romer: [00:22:05] They have actually met, I don't think they know each other well, but they've definitely met.   Miko Lee: [00:22:09] Mm, It was really a delight. I am wondering what you would like audiences to walk away with after seeing your film.   Yuriko Gamo Romer: [00:22:17] Hopefully they will have a little bit of appreciation for baseball and international baseball, but more than anything else. I wonder if they can pick up on that sense of when you find common ground, it's a very special space and it's an ability to have this people to people diplomacy. You get to experience people, you get to know them a little bit. Even if you've never met Ohtani, you now know a little bit about him and his life and. Probably what he eats and all that kind of stuff. So it gives you a chance to see into another culture. And I think that makes for a different kind of understanding. And certainly for the players. They sit on the bench together and they practice together and they sweat together and they, everything that they do together, these guys know each other. They learn about each other's languages and each other's food and each other's culture. And I think Mahi went back to Japan with almost as much Spanish as they did English. So I think there's some magical thing about people to people diplomacy, and I hope that people can get a sense of that.    Miko Lee: [00:23:42] Thank you so much for sharing. Can you tell our audience how they could find out more about your film Diamond diplomacy and also about you as an artist?    Yuriko Gamo Romer: [00:23:50] the website is diamonddiplomacy.com. We're on Instagram @diamonddiplomacy. We're also on Facebook Diamond Diplomacy. So those are all the places that you can find stuff, those places will give you a sense of who I am as a filmmaker and an artist too.    Miko Lee: [00:24:14] Thank you so much for joining us today, Yuriko. Gamo. Romo. So great to speak with you and I hope the film does really well.    Yuriko Gamo Romer: [00:24:22] Thank you, Miko. This was a lovely opportunity to chat with you.   Ayame Keane-Lee: [00:24:26] Next up, my sister Jalena Keane-Lee speaks with playwright Jessica Huang, whose new play Mother of Exiles just had its world premiere at Berkeley Rep is open until December 21st.    Jalena Keane-Lee: [00:24:39] All right. Jessica Huang, thank you so much for being here with us on Apex Express and you are the writer of the new play Mother of Exiles, which is playing at Berkeley Rep from November 14th to December 21st. Thank you so much for being here.   Jessica Huang: [00:24:55] Yeah, thank you so much for having me. It's such a pleasure.   Jalena Keane-Lee: [00:24:59] I'm so curious about this project. The synopsis was so interesting. I was wondering if you could just tell us a little bit about it and how you came to this work.   Jessica Huang: [00:25:08] When people ask me what mother of Exiles is, I always say it's an American family story that spans 160 plus years, and is told in three acts. In 90 minutes. So just to get the sort of sense of the propulsion of the show and the form, the formal experiment of it. The first part takes place in 1898, when the sort of matriarch of the family is being deported from Angel Island. The second part takes place in 1999, so a hundred years later where her great grandson is. Now working for the Miami, marine interdiction unit. So he's a border cop. The third movement takes place in 2063 out on the ocean after Miami has sunk beneath the water. And their descendants are figuring out what they're gonna do to survive. It was a strange sort of conception for the show because I had been wanting to write a play. I'd been wanting to write a triptych about America and the way that interracial love has shaped. This country and it shaped my family in particular. I also wanted to tell a story that had to do with this, the land itself in some way. I had been sort of carrying an idea for the play around for a while, knowing that it had to do with cross-cultural border crossing immigration themes. This sort of epic love story that each, in each chapter there's a different love story. It wasn't until I went on a trip to Singapore and to China and got to meet some family members that I hadn't met before that the rest of it sort of fell into place. The rest of it being that there's a, the presence of, ancestors and the way that the living sort of interacts with those who have come before throughout the play.   Jalena Keane-Lee: [00:27:13] I noticed that ancestors, and ghosts and spirits are a theme throughout your work. I was wondering if you could talk a little bit about your own ancestry and how that informs your writing and creative practice.   Jessica Huang: [00:27:25] Yeah, I mean, I'm in a fourth generation interracial marriage. So, I come from a long line of people who have loved people who were different from them, who spoke different languages, who came from different countries. That's my story. My brother his partner is German. He lives in Berlin. We have a history in our family of traveling and of loving people who are different from us. To me that's like the story of this country and is also the stuff I like to write about. The thing that I feel like I have to share with the world are, is just stories from that experience.   Jalena Keane-Lee: [00:28:03] That's really awesome. I guess I haven't really thought about it that way, but I'm third generation of like interracial as well. 'cause I'm Chinese, Japanese, and Irish. And then at a certain point when you're mixed, it's like, okay, well. The odds of me being with someone that's my exact same ethnic breakdown feel pretty low. So it's probably gonna be an interracial relationship in one way or the other.   Jessica Huang: [00:28:26] Totally. Yeah. And, and, and I don't, you know, it sounds, and it sounds like in your family and in mine too, like we just. Kept sort of adding culture to our family. So my grandfather's from Shanghai, my grandmother, you know, is, it was a very, like upper crust white family on the east coast. Then they had my dad. My dad married my mom whose people are from the Ukraine. And then my husband's Puerto Rican. We just keep like broadening the definition of family and the definition of community and I think that's again, like I said, like the story of this country.   Jalena Keane-Lee: [00:29:00] That's so beautiful. I'm curious about the role of place in this project in particular, mother of exiles, angel Island, obviously being in the Bay Area, and then the rest of it taking place, in Miami or in the future. The last act is also like Miami or Miami adjacent. What was the inspiration behind the place and how did place and location and setting inform the writing.   Jessica Huang: [00:29:22] It's a good question. Angel Island is a place that has loomed large in my work. Just being sort of known as the Ellis Island of the West, but actually being a place with a much more difficult history. I've always been really inspired by the stories that come out of Angel Island, the poetry that's come out of Angel Island and, just the history of Asian immigration. It felt like it made sense to set the first part of the play here, in the Bay. Especially because Eddie, our protagonist, spent some time working on a farm. So there's also like this great history of agriculture and migrant workers here too. It just felt like a natural place to set it. And then why did we move to Miami? There are so many moments in American history where immigration has been a real, center point of the sort of conversation, the national conversation. And moving forward to the nineties, the wet foot, dry foot Cuban immigration story felt like really potent and a great place to tell the next piece of this tale. Then looking toward the future Miami is definitely, or you know, according to the science that I have read one of the cities that is really in danger of flooding as sea levels rise.   Jalena Keane-Lee: [00:30:50] Okay. The Cuban immigration. That totally makes sense. That leads perfectly into my next question, which was gonna be about how did you choose the time the moments in time? I think that one you said was in the nineties and curious about the choice to have it be in the nineties and not present day. And then how did you choose how far in the future you wanted to have the last part?   Jessica Huang: [00:31:09] Some of it was really just based on the needs of the characters. So the how far into the future I wanted us to be following a character that we met as a baby in the previous act. So it just, you know, made sense. I couldn't push it too far into the future. It made sense to set it in the 2060s. In terms of the nineties and, why not present day? Immigration in the nineties , was so different in it was still, like I said, it was still, it's always been a important national conversation, but it wasn't. There was a, it felt like a little bit more, I don't know if gentle is the word, but there just was more nuance to the conversation. And still there was a broad effort to prevent Cuban and refugees from coming ashore. I think I was fascinated by how complicated, I mean, what foot, dry foot, the idea of it is that , if a refugee is caught on water, they're sent back to Cuba. But if they're caught on land, then they can stay in the us And just the idea of that is so. The way that, people's lives are affected by just where they are caught , in their crossing. I just found that to be a bit ridiculous and in terms of a national policy. It made sense then to set the second part, which moves into a bit of a farce at a time when immigration also kind of felt like a farce.   Jalena Keane-Lee: [00:32:46] That totally makes sense. It feels very dire right now, obviously. But it's interesting to be able to kind of go back in time and see when things were handled so differently and also how I think throughout history and also touching many different racial groups. We've talked a lot on this show about the Chinese Exclusion Act and different immigration policies towards Chinese and other Asian Americans. But they've always been pretty arbitrary and kind of farcical as you put it. Yeah.   Jessica Huang: [00:33:17] Yeah. And that's not to make light of like the ways that people's lives were really impacted by all of this policy . But I think the arbitrariness of it, like you said, is just really something that bears examining. I also think it's really helpful to look at where we are now through the lens of the past or the future. Mm-hmm. Just gives just a little bit of distance and a little bit of perspective. Maybe just a little bit of context to how we got to where we got to.   Jalena Keane-Lee: [00:33:50] That totally makes sense. What has your experience been like of seeing the play be put up? It's my understanding, this is the first this is like the premier of the play at Berkeley Rep.   Jessica Huang: [00:34:00] Yes. Yeah. It's the world premier. It's it incredible. Jackie Bradley is our director and she's phenomenal. It's just sort of mesmerizing what is happening with this play? It's so beautiful and like I've alluded to, it shifts tone between the first movement being sort of a historical drama on Angel Island to, it moves into a bit of a farce in part two, and then it, by the third movement, we're living in sort of a dystopic, almost sci-fi future. The way that Jackie's just deftly moved an audience through each of those experiences while holding onto the important threads of this family and, the themes that we're unpacking and this like incredible design team, all of these beautiful visuals sounds, it's just really so magical to see it come to life in this way. And our cast is incredible. I believe there are 18 named roles in the play, and there are a few surprises and all of them are played by six actors. who are just. Unbelievable. Like all of them have the ability to play against type. They just transform and transform again and can navigate like, the deepest tragedies and the like, highest moments of comedy and just hold on to this beautiful humanity. Each and every one of them is just really spectacular. So I'm just, you know. I don't know. I just feel so lucky to be honest with you. This production is going to be so incredible. It's gonna be, it feels like what I imagine in my mind, but, you know, plus,    Jalena Keane-Lee: [00:35:45] well, I really can't wait to see it. What are you hoping that audiences walk away with after seeing the show?   Jessica Huang: [00:35:54] That's a great question. I want audiences to feel connected to their ancestors and feel part of this community of this country and, and grateful and acknowledge the sacrifices that somebody along the line made so that they could be here with, with each other watching the show. I hope, people feel like they enjoyed themselves and got to experience something that they haven't experienced before. I think that there are definitely, nuances to the political conversation that we're having right now, about who has the right to immigrate into this country and who has the right to be a refugee, who has the right to claim asylum. I hope to add something to that conversation with this play, however small.   Jalena Keane-Lee:[00:36:43]  Do you know where the play is going next?   Jessica Huang: [00:36:45] No. No. I dunno where it's going next. Um, exciting. Yeah, but we'll, time will   Jalena Keane-Lee: [00:36:51] and previews start just in a few days, right?   Jessica Huang: [00:36:54] Yeah. Yeah. We have our first preview, we have our first audience on Friday. So yeah, very looking forward to seeing how all of this work that we've been doing lands on folks.   Jalena Keane-Lee: [00:37:03] Wow, that's so exciting. Do you have any other projects that you're working on? Or any upcoming projects that you'd like to share about?   Jessica Huang: [00:37:10] Yeah, yeah, I do. I'm part of the writing team for the 10 Things I Hate About You Musical, which is in development with an Eye Toward Broadway. I'm working with Lena Dunham and Carly Rae Jepsen and Ethan Ska to make that musical. I also have a fun project in Chicago that will soon be announced.   Jalena Keane-Lee: [00:37:31] And what is keeping you inspired and keeping your, you know, creative energies flowing in these times?   Jessica Huang: [00:37:37] Well first of all, I think, you know, my collaborators on this show are incredibly inspiring. The nice thing about theater is that you just get to go and be inspired by people all the time. 'cause it's this big collaboration, you don't have to do it all by yourself. So that would be the first thing I would say. I haven't seen a lot of theater since I've been out here in the bay, but right before I left New York, I saw MEUs . Which is by Brian Keda, Nigel Robinson. And it's this sort of two-hander musical, but they do live looping and they sort of create the music live. Wow. And it's another, it's another show about an untold history and about solidarity and about folks coming together from different backgrounds and about ancestors, so there's a lot of themes that really resonate. And also the show is just so great. It's just really incredible. So , that was the last thing I saw that I loved. I'm always so inspired by theater that I get to see.   Jalena Keane-Lee: [00:38:36] That sounds wonderful. Is there anything else that you'd like to share?   Jessica Huang: [00:38:40] No, I don't think so. I just thanks so much for having me and come check out the show. I think you'll enjoy it. There's something for everyone.   Jalena Keane-Lee: [00:38:48] Yeah. I'm so excited to see the show. Is there like a Chinese Cuban love story with the Miami portion? Oh, that's so awesome. This is an aside, but I'm a filmmaker and I've been working on a documentary about, Chinese people in Cuba and there's like this whole history of Chinese Cubans in Cuba too.   Jessica Huang: [00:39:07] Oh, that's wonderful. In this story, it's a person who's a descendant of, a love story between a Chinese person and a Mexican man, a Chinese woman and a Mexican man, and oh, their descendant. Then also, there's a love story between him and a Cuban woman.   Jalena Keane-Lee: [00:39:25] That's awesome. Wow. I'm very excited to see it in all the different intergenerational layers and tonal shifts. I can't wait to see how it all comes together.   Ayame Keane-Lee: [00:39:34] Next up we are back with Miko Lee, who is now speaking with photographer Joyce Xi about her latest exhibition entitled Our Language, our Story Running Through January in San Francisco at Galleria de Raza.    Miko Lee: [00:39:48] Welcome, Joyce Xi to Apex Express.    Joyce Xi: [00:39:52] Thanks for having me.    Miko Lee: [00:39:53] Yes. I'm, I wanna start by asking you a question I ask most of my guests, and this is based on the great poet Shaka Hodges. It's an adaptation of her question, which is, who are your people and what legacy do you carry with you?   Joyce Xi: [00:40:09] My people are artists, free spirits, people who wanna see a more free and just, and beautiful world. I'm Chinese American. A lot of my work has been in the Asian American community with all kinds of different people who dreaming of something better and trying to make the world a better place and doing so with creativity and with positive and good energy.   Miko Lee: [00:40:39] I love it. And what legacy do you carry with you?   Joyce Xi: [00:40:43] I am a fighter. I feel like just people who have been fighting for a better world. Photography wise, like definitely thinking about Corky Lee who is an Asian American photographer and activist. There's been people who have done it before me. There will be people who do it after me, but I wanna do my version of it here.   Miko Lee: [00:41:03] Thank you so much and for lifting up the great Corky Lee who has been such a big influence on all of us. I'm wondering in that vein, can you talk a little bit about how you use photography as a tool for social change?   Joyce Xi: [00:41:17] Yeah. Photography I feel is a very powerful tool for social change. Photography is one of those mediums where it's emotional, it's raw, it's real. It's a way to see and show and feel like important moments, important stories, important emotions. I try to use it as a way to share. Truths and stories about issues that are important, things that people experience, whether it's, advocating for environmental justice or language justice or just like some of them, just to highlight some of the struggles and challenges people experience as well as the joys and the celebrations and just the nuance of people's lives. I feel like photography is a really powerful medium to show that. And I love photography in particular because it's really like a frozen moment. I think what's so great about photography is that. It's that moment, it's that one feeling, that one expression, and it's kind of like frozen in time. So you can really, sit there and ponder about what's in this person's eyes or what's this person trying to say? Or. What does this person's struggle like? You can just see it through their expressions and their emotions and also it's a great way to document. There's so many things that we all do as advocates, as activists, whether it's protesting or whether it's just supporting people who are dealing with something. You have that moment recorded. Can really help us remember those fights and those moments. You can show people what happened. Photography is endlessly powerful. I really believe in it as a tool and a medium for influencing the world in positive ways.   Miko Lee: [00:43:08] I'd love us to shift and talk about your latest work, Our language, Our story.” Can you tell us a little bit about where this came from?   Joyce Xi: [00:43:15] Sure. I was in conversation with Nikita Kumar, who was at the Asian Law Caucus at the time. We were just chatting about art and activism and how photography could be a powerful medium to use to advocate or tell stories about different things. Nikita was talking to me about how a lot of language access work that's being done by organizations that work in immigrant communities can often be a topic that is very jargon filled or very kind of like niche or wonky policy, legal and maybe at times isn't the thing that people really get in the streets about or get really emotionally energized around. It's one of those issues that's so important to everything. Especially since in many immigrant communities, people do not speak English and every single day, every single issue. All these issues that these organizations advocate around. Like housing rights, workers' rights, voting rights, immigration, et cetera, without language, those rights and resources are very hard to understand and even hard to access at all. So, Nik and I were talking about language is so important, it's one of those issues too remind people about the core importance of it. What does it feel like when you don't have access to your language? What does it feel like and look like when you do, when you can celebrate with your community and communicate freely and live your life just as who you are versus when you can't even figure out how to say what you wanna say because there's a language barrier.    Miko Lee: [00:44:55] Joyce can you just for our audience, break down what language access means? What does it mean to you and why is it important for everybody?   Joyce Xi: [00:45:05] Language access is about being able to navigate the world in your language, in the way that you understand and communicate in your life. In advocacy spaces, what it can look like is, we need to have resources and we need to have interpretation in different languages so that people can understand what's being talked about or understand what resources are available or understand what's on the ballot. So they can really experience their life to the fullest. Each of us has our languages that we're comfortable with and it's really our way of expressing everything that's important to us and understanding everything that's important to us. When that language is not available, it's very hard to navigate the world. On the policy front, there's so many ways just having resources in different languages, having interpretation in different spaces, making sure that everybody who is involved in this society can do what they need to do and can understand the decisions that are being made. That affects them and also that they can affect the decisions that affect them.   Miko Lee: [00:46:19] I think a lot of immigrant kids just grow up being like the de facto translator for their parents. Which can be things like medical terminology and legal terms, which they might not be familiar with. And so language asks about providing opportunities for everybody to have equal understanding of what's going on. And so can you talk a little bit about your gallery show? So you and Nikita dreamed up this vision for making language access more accessible and more story based, and then what happened?   Joyce Xi: [00:46:50] We decided to express this through a series of photo stories. Focusing on individual stories from a variety of different language backgrounds and immigration backgrounds and just different communities all across the Bay Area. And really just have people share from the heart, what does language mean to them? What does it affect in their lives? Both when one has access to the language, like for example, in their own community, when they can speak freely and understand and just share everything that's on their heart. And what does it look like when that's not available? When maybe you're out in the streets and you're trying to like talk to the bus driver and you can't even communicate with each other. How does that feel? What does that look like? So we collected all these stories from many different community members across different languages and asked them a series of questions and took photos of them in their day-to-day lives, in family gatherings, at community meetings, at rallies, at home, in the streets, all over the place, wherever people were like Halloween or Ramadan or graduations, or just day-to-day life. Through the quotes that we got from the interviews, as well as the photos that I took to illustrate their stories, we put them together as photo stories for each person. Those are now on display at Galleria Deza in San Francisco. We have over 20 different stories in over 10 different languages. The people in the project spoke like over 15 different languages. Some people used multiple languages and some spoke English, many did not. We had folks who had immigrated recently, folks who had immigrated a while ago. We had children of immigrants talking about their experiences being that bridge as you talked about, navigating translating for their parents and being in this tough spot of growing up really quickly, we just have this kind of tapestry of different stories and, definitely encourage folks to check out the photos but also to read through each person's stories. Everybody has a story that's very special and that is from the heart   Miko Lee: [00:49:00] sounds fun. I can't wait to see it in person. Can you share a little bit about how you selected the participants?    Joyce Xi: [00:49:07] Yeah, selecting the participants was an organic process. I'm a photographer who's trying to honor relationships and not like parachute in. We wanted to build relationships and work with people who felt comfortable sharing their stories, who really wanted to be a part of it, and who are connected in some kind of a way where it didn't feel like completely out of context. So what that meant was that myself and also the Asian Law Caucus we have connections in the community to different organizations who work in different immigrant communities. So we reached out to people that we knew who were doing good work and just say Hey, do you have any community members who would be interested in participating in this project who could share their stories. Then through following these threads we were able to connect with many different organizations who brought either members or community folks who they're connected with to the project. Some of them came through like friends. Another one was like, oh, I've worked with these people before, maybe you can talk to them. One of them I met through a World Refugee Day event. It came through a lot of different relationships and reaching out. We really wanted folks who wanted to share a piece of their life. A lot of folks who really felt like language access and language barriers were a big challenge in their life, and they wanted to talk about it. We were able to gather a really great group together.    Miko Lee: [00:50:33] Can you share how opening night went? How did you navigate showcasing and highlighting the diversity of the languages in one space?    Joyce Xi: [00:50:43] The opening of the exhibit was a really special event. We invited everybody who was part of the project as well as their communities, and we also invited like friends, community and different organizations to come. We really wanted to create a space where we could feel and see what language access and some of the challenges of language access can be all in one space. We had about 10 different languages at least going on at the same time. Some of them we had interpretation through headsets. Some of them we just, it was like fewer people. So people huddled together and just interpreted for the community members. A lot of these organizations that we partnered with, they brought their folks out. So their members, their community members, their friends and then. It was really special because a lot of the people whose photos are on the walls were there, so they invited their friends and family. It was really fun for them to see their photos on the wall. And also I think for all of our different communities, like we can end up really siloed or just like with who we're comfortable with most of the time, especially if we can't communicate very well with each other with language barriers. For everybody to be in the same space and to hear so many languages being used in the same space and for people to be around people maybe that they're not used to being around every day. And yet through everybody's stories, they share a lot of common experiences. Like so many of the stories were related to each other. People talked about being parents, people talked about going to the doctor or taking the bus, like having challenges at the workplace or just what it's like to celebrate your own culture and heritage and language and what the importance of preserving languages. There are so many common threads and. Maybe a lot of people are not used to seeing each other or communicating with each other on a daily basis. So just to have everyone in one space was so special. We had performances, we had food, we had elders, children. There was a huge different range of people and it was just like, it was just cool to see everyone in the same space. It was special.    Miko Lee: [00:52:51] And finally, for folks that get to go to Galleria de la Raza in San Francisco and see the exhibit, what do you want them to walk away with?   Joyce Xi: [00:53:00] I would love for people to walk away just like in a reflective state. You know how to really think about how. Language is so important to everything that we do and through all these stories to really see how so many different immigrant and refugee community members are making it work. And also deal with different barriers and how it affects them, how it affects just really simple human things in life that maybe some of us take for granted, on a daily basis. And just to have more compassion, more understanding. Ultimately, we wanna see our city, our bay area, our country really respecting people and their language and their dignity through language access and through just supporting and uplifting our immigrant communities in general. It's a such a tough time right now. There's so many attacks on our immigrant communities and people are scared and there's a lot of dehumanizing actions and narratives out there. This is, hopefully something completely different than that. Something that uplifts celebrates, honors and really sees our immigrant communities and hopefully people can just feel that feeling of like, oh, okay, we can do better. Everybody has a story. Everybody deserves to be treated with dignity and all the people in these stories are really amazing human beings. It was just an honor for me to even be a part of their story. I hope people can feel some piece of that.    Miko Lee: [00:54:50] Thank you so much, Joyce, for sharing your vision with us, and I hope everybody gets a chance to go out and see your work.    Joyce Xi: [00:54:57] Thank you.   Ayame Keane-Lee: [00:55:00] Thanks so much for tuning in to Apex Express. Please check out our website at kpfa.org/program/apexexpress to find out more about the guests tonight and find out how you can take direct action.   Apex Express is a proud member of Asian Americans for civil rights and equality. Find out more at aacre.org. That's AACRE.org.   We thank all of you listeners out there. Keep resisting, keep organizing, keep creating, and sharing your visions with the world. Your voices are important.    Apex Express is produced by  Miko Lee, Jalena Keene-Lee, Ayame Keene-Lee, Preeti Mangala Shekar, Anuj Vaida, Cheryl Truong, Isabel Li, Nina Phillips & Swati Rayasam. Thank you so much to the team at KPFA for their support and have a good night.       The post APEX Express – 11.20.25 – Artist to Artist appeared first on KPFA.

Cazzu recibirá un reconocimiento en México, país donde ha ganado gran notoriedad y esto nos contó en su llegada al aeropuerto. ¿Se viene colaboración con Belinda?Además en El Gordo y La Flaca: Gerardo Ortiz recibió 36 meses de sentencia por su relación con el narcotráfico. Esto dijo a la salida de los tribunales.Todo está listo para la elección y coronación de la nueva Miss Universo en la que Lina Luaces, hija de nuestra Lili está participando representando a Cuba y es una de las favoritas.Cruz Martínez se anotó un punto en la batalla legal que tiene contra su ex Alicia Villarreal. Un juez en México desestimó 2 de las 3 acusaciones en su contra.

In CAN SCIENTISTS SUCCEED WHERE POLITICIANS FAIL? Nobel laureate Peter Agre, MD, recounts his journey from a physician-scientist specializing in malaria research to a leading voice for scientific collaboration and consensus across nations, regardless of ideological and political divisions. Using medical science as his global diplomatic pass, Dr. Agre has traveled to countries led by autocratic regimes hostile to the United States, including North Korea and Iran. During his visits, he forged close, collaborative relationships with local scientists, which led to meetings with ambassadors, presidents, and other rulers—including  tribal leaders in Zambia and Cuba's Fidel Castro.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

El dictador buscó en América Latina el apoyo y el reconocimiento que le negaban Estados Unidos y Europa. Sorprendemente, su régimen de derechas apoyó a los gobiernos de Fidel Castro en Cuba y Salvador Allende en Chile.

FOLLOW RICHARD Website: https://www.strangeplanet.ca YouTube: @strangeplanetradio Instagram: @richardsyrettstrangeplanet TikTok: @therealstrangeplanet EP. # 1282 JFK & the X-Rays that Shatter the Official Story November 22, 1963 wasn't the day democracy died—it was the day it was murdered in plain sight and autopsied with criminal fraud. Physicist Dr. David Mantik returns to Strange Planet with explosive New EVIDENCE - optical density measurements of the original JFK autopsy X-rays, proving beyond doubt that the president's head wounds were surgically altered on film before the body ever reached Bethesda. And, Cold War historian Walter Herbst reveals how the assassination wasn't chaos, but consensus policy born from covert operations and geopolitical necessity. This is the original Deep State “deep-fake”—forged evidence that still controls the narrative today. GUESTS: Dr. David Mantik, MD, PhD – A radiation oncologist and physicist who personally examined the JFK autopsy X-rays and photographs at the National Archives on nine separate occasions. Author of President John F. Kennedy: The Final Analysis, The JFK Assassination Decoded: Criminal Forgery in the Autopsy Photographs and X-Rays, and the groundbreaking new book JFK Was Killed by Consensus. His peer-reviewed optical density data proves the autopsy images were altered—making him the foremost forensic challenger to the official record. Walter Herbst – Cold War historian and author of the landmark two-volume series It Did Not Start With JFK, which traces the intelligence networks, propaganda machines, and Berlin/Cuba crises that made Kennedy's removal official—if unspoken—policy. His latest work, Last Resort Beyond Last Resort, exposes why the assassination guaranteed no second invasion of Cuba and protected NATO's flank in Berlin. Herbst doesn't peddle conspiracy theories; he documents the paper trail of the original Deep State in action. WEBSITES: https://www.facebook.com/WalterHerbstAuthor https://themantikview.org BOOKS: The Assassination of John F. Kennedy: The Finaly Analysis The JFK Assassination Decoded JFK was Killed by Consensus It Did Not Start with JFK Vols 1 & 2 Last Resort Beyond Last Resort SUPPORT OUR SPONSORS!!! FOUND – Smarter banking for your business Take back control of your business today. Open a Found account for FREE at Found dot com. That's F-O-U-N-D dot com. Found is a financial technology company, not a bank. Banking services are provided by Lead Bank, Member FDIC. Join the hundreds of thousands who've already streamlined their finances with Found. HIMS - Making Healthy and Happy Easy to Achieve Sexual Health, Hair Loss, Mental Health, Weight Management START YOUR FREE ONLINE VISIT TODAY - ⁠HIMS dot com slash STRANGE⁠ ⁠https://www.HIMS.com/strange⁠ MINT MOBILE Premium Wireless - $15 per month. No Stores. No Salespeople. JUST SAVINGS Ready to say yes to saying no? Make the switch at MINT MOBILE dot com slash STRANGEPLANET. That's MINT MOBILE dot com slash STRANGEPLANET ⁠BECOME A PREMIUM SUBSCRIBER!!!⁠ ⁠https://strangeplanet.supportingcast.fm⁠ Three monthly subscriptions to choose from. Commercial Free Listening, Bonus Episodes and a Subscription to my monthly newsletter, InnerSanctum. Visit ⁠https://strangeplanet.supportingcast.fm⁠ Use the discount code "Planet" to receive $5 OFF off any subscription. We and our partners use cookies to personalize your experience, to show you ads based on your interests, and for measurement and analytics purposes. By using our website and services, you agree to our use of cookies as described in our Cookie Policy. Learn more about your ad choices. Visit ⁠megaphone.fm/adchoices Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://strangeplanet.supportingcast.fm/

Living in Key West is amazing… and also totally weird.This week we're talking about the everyday stuff locals deal with:• Things are crazy expensive even though there's literally a road to us• Amazon Prime taking 5 days• No Target, Walmart, or Costco• Having to go to Miami for real medical care• All the strange little island quirks that make Key West… Key WestIf you've ever wondered what real life at Mile Marker 0 is like, this episode tells it exactly how it is.Share this with your friends who dream of moving to the Keys

  In this episode, we're joined by Lennx Brown, wide receiver at Morningside University and a proud member of the Allstate AFCA Good Works Team. A standout on the field, Lennx has helped guide the Mustangs to a conference championship and a national semifinal run, earning All-Conference honors for his leadership and consistency. Off the field, Lennx's commitment to serving others sets him apart. He has participated in mission work across Louisiana, Cuba, Uganda, and Honduras, while also supporting his local community through tornado relief and youth mentorship. Much of his passion for service is inspired by the memory of his sister, Merzedes, whose legacy continues through the Merzedes Hard Memorial Fund, created by Lennx and his family to support families in need and fund meaningful community projects. This conversation dives into Lennx's journey of resilience, purpose, and impact, and how he uses his platform to honor others and bring lasting change. Follow Morningside Football: @msidefootball

In this special episode of Tim Talks, Tim steps back behind the mic to offer reflection and a future-facing look at one of the most important shifts happening in higher education today: the convergence of international education and college sport.Drawing from 15 years of global experiences — from Ecuador to Cuba, from the NFL Academy to NBA Africa, from Fulbright advising to launching the Global Sport and Education Summit — Tim breaks down how international mobility and athletics have become intertwined in ways institutions can no longer ignore.This episode explores:How professional and collegiate sports are accelerating global engagementThe rising impact and visibility of international college athletesWhy Black international athlete experiences deserve focused attentionThe five biggest truths shaping this intersection right nowWhat “international athlete development” actually meansThe momentum and the challenges campuses must navigateTim's major announcement: a fully sponsored institutional partnership for Spring 2026A preview of the podcast's official return in 2026Part reflection, part roadmap, and part call to action, this episode is a snapshot of where the field is — and where Tim believes it must go next.Whether you work in athletics, global engagement, student support, or simply care about the future of college sport, this conversation offers clarity, urgency, and possibility.It's happening. We walking! Follow @WalkWithTFB on Instagram and LinkedIn! ReferencesNCAA Article: History of College Football Games outside of the United States

Dr James Loxton on how modern democracies can crumble as tyrannical leaders take hold, but also how freedom and democracy can rise again, from the Americas to Europe and into Asia.James grew up in stable Canada, where he spent his summers herding sheep in the middle of forest plantations.As a teenager, he hatched a plan to escape his "rough as guts" bush town and the life of a shepherd, moving to India on his own to finish high school.At an international school in Maharashtra, James' classmates taught him about the world outside of democratic Canada, and he became fascinated by military dictatorships and guerilla insurgencies. Later on, years of living in Latin America showed him firsthand how dictators operated, how they are feared and hated, but also revered and loved by some of the people they control.Now James, and many other political scientists, have their eyes turned to America, watching closely to see how the world's most powerful democracy is changing right before our eyes.Authoritarianism: A Very Short Introduction is published by Oxford University Press.This episode of Conversations was produced by Meggie Morris, executive producer is Nicola Harrison.It explores Donald Trump, Putin, USA, regime, dictators, ICE, Clinton, Epstein, politics, democracy, Chilean presidential election, Russia, China, Taiwan, Philippines, government, globalisation, Latin American politics, Whitlam, dismissal, divisive politics, left versus right, parliamentary versus presidential forms of government, united kingdom, British colonies, Javier Milei, Venezuela, Argentina, Nicaragua, Daniel Ortega, Hugo Chavez, Maduro, elitism, drain the swamp, populism, power for the people, tariffs, Peru, Cuba, straw man, Stalin, Hitler, competitive authoritarianism, substance abuse, addiction, alcoholism, alcoholic mothers, homelessness, losing a mother.To binge even more great episodes of the Conversations podcast with Richard Fidler and Sarah Kanowski go the ABC listen app (Australia) or wherever you get your podcasts. There you'll find hundreds of the best thought-provoking interviews with authors, writers, artists, politicians, psychologists, musicians, and celebrities.

Che Guevara – the man whose name became a global symbol of rebellion and justice. Born in Argentina, Ernesto “Che” Guevara transformed from a curious medical student into a fearless revolutionary who challenged empires. His deep compassion for the poor and oppressed pushed him to fight alongside Fidel Castro in Cuba's liberation, where his courage, strategy, and leadership changed history. From the jungles of Cuba to the mountains of Congo and Bolivia, Che's relentless spirit inspired millions to dream of freedom. He was not just a guerilla commander but also a thinker, writer, and a voice for the voiceless. Even after his death, his words and image ignite revolutions of thought across continents. Che's life is a story of ideals, sacrifice, and the belief that one determined soul can change the fate of nations. KiranPrabha narrates the interesting life journey of Che Guevara in this 16 part series. This is Part -15. Events happened in the last 2 days of Che's life - Final Encounter - Captured by Military - Last 24 hours - Got fired in point blank range - What happened on the last day? are covered in this episode. KiranPrabha Talk Shows List: https://koumudi.net/talkshows/index.htm Koumudi Web Magazine: https://koumudi.net/

Look around you: Our communities are filled with people in their 60s, 70s, 80s, even 90s, doing things that would have been unthinkable at their age a generation ago. By 2030, the entire Baby Boomer generation will be 65 and older.  By mid-century, more than 80 million Americans will be over the age of 65.  By any prevailing definition, the United States will be a country full of older adults.  But what does it mean to be old in an era of much longer life?    Welcome to Century Lives: The New Old, from the Stanford Center on Longevity! I'm your host, Ken Stern. In this season, we interview six extraordinary people who are challenging the way we think about aging—and inspiring new ways we can live our supersized lives. Today: Diana Nyad. Her name is synonymous with courage, endurance, and the relentless pursuit of possibility. From Diana's record-breaking swim from Cuba to Florida at age 64, to her trailblazing career as a journalist and motivational speaker, to her latest passion authoring children's books, Nyad continually redefines what it means to test one's limits. She shares her story as a woman whose perseverance has inspired millions to “never, ever give up.”

No hay condenación: la gloriosa libertad en Cristo ¿Qué significa realmente vivir sin condenación? En este episodio, Danny Rojas conversa con los pastores David Menéndez, Alex Herrera y Jason Arévalo sobre la verdad central de Romanos 8: que en Cristo Jesús hemos sido liberados del poder del pecado, de la culpa y de la ley. Descubre cómo esta libertad nos transforma y nos invita a vivir guiados por el Espíritu Santo.  

"Jeg vil ikke udelukke noget som helst. Vi bliver nødt til at tage os af Venezuela!", sagde Trump mandag efter angreb på 21 skibe, der har dræbt mindst 83, som ifølge USA smuglede narko til USA. Og Trump har sendt den største militærstyrke til Caribien siden Cuba-krisen, med verdens største krigsskib. I Venezuela funderer diktatoren Maduro så over, om Trump vil angribe narkokarteller eller vælte ham og hans diktatur - og stramme grebet om endnu en nation i Latinamerika. Og i USA tegner sig et billede af Donald Trumps "Donroe-doktrin" - der skal sikre USA kontrol med den vestlige halvkugle! Deltagere: Kristian Almblad, DR's Korrespondent i Latinamerika og Rasmus Sinding, seniorforsker i amerikansk udenrigspolitik hos DIIS. Vært: Steffen Gram.

Jazz88's Peter Solomon speaks with singer, composer, and songwriter Yazmin from the band Yazmin and Beat Zero. As a teenager in rural Wisconsin, Yazmin fell in love with the sounds of Cuba, and and as an adult she spent a few years studying dance and music there. Her band is a fusion of her original songwriting, classical, jazz, funk, and Afro-Cuban sounds. On Saturday, November 22nd, Yazmin and Beat Zero will play the Parkway Theater in a shared billing with Mama Digdown's Brass Band. The Havana String Quartet will join them onstage for that event.

L'Onu approva il piano di Trump per Gaza. Israele promette di bloccare qualsiasi percorso verso uno Stato palestinese.Libano: raid israeliano su campo profughi, 13 morti.Trump assolve MBS sul caso Khashoggi e sigla maxi-accordi con Riyad.COP30 al bivio: il mondo spinge per uscire dai combustibili fossili.  ONU: Cuba primo Paese al mondo per detenzioni arbitrarie Questo e molto altro nel notiziario di Radio Bullets a cura di Barbara Schiavulli Introduzione: Prigioni occulte: le vite spezzate nel silenzio dell'occupazione

MINSAP reconoce no tener cifras exactas de enfermos por epidemia de chikungunya, dengue y oropouche. Esta y otras noticias del 19 de noviembre de 2025 con Alberto Arego en Periódico Cubano: Lamentan muerte de una cubana de 24 años por “el virus”. Manuel Marrero dice que “algo está fallando” en Cuba. En prisión un cubano por criticar a dirigentes. Gracias por su tiempo.

Welcome back to SANDCAST: Beach Volleyball with Tri Bourne and Travis Mewhirter, where Travis, on site in Adelaide for the 2025 Beach Volleyball World Championships, breaks down the pool play rounds and provides a little preview of the playoffs to come, highlighting: - Sweden's David Ahman and Jonatan Hellvig AGAIN losing two matches in pool play in the biggest tournament of the year - The German women, highlighted by the stellar play of Melanie Paul and Lea Kunst, sending all four teams -- Louisa Lippmann and Linda Bock, Cinja Tillmann and Svenja Muller, Sandra Ittlinger and Anna Grune -- to the round of 32 - The USA men all moving into the round of 32, with Chase Budinger and Miles Evans winning pool, Chaim Schalk and James Shaw having a toss-up match against Argentina's Capogrosso Brothers, and Andy Benesh and Miles Partain playing an excellent Cuba team in Jorge Alayo and Noslen Diaz - USA and Brazilian women thriving behind the dominance of Kristen Nuss and Taryn Brasher, Terese Cannon and Megan Kraft, Julia Donlin and Lexy Denaburg, Kelly Cheng and Molly Shaw, Ana Patricia and Duda, Thamela and Victoria, and Carol and Rebecca. AND: Australia makes the best coffee. WE SAID IT! SHOOTS! *** WE'VE GOT MERCH! Check it out here!! Get 20 PERCENT off all Wilson products with our code, SANDCAST-20. https://www.wilson.com/en-us/volleyball Get 10 PERCENT OFF VBTV using our discount code, SANDCAST10 Want to get better at beach volleyball? Use our discount code, SANDCAST, and get 10 percent off all Better at Beach products!  We are FIRED UP to announce that we've signed on for another year with Athletic Greens! Get a FREE year's supply of Vitamin D by purchasing with that link.  If you want to receive our SANDCAST weekly newsletter, the Beach Volleyball Digest, which dishes all the biggest news in beach volleyball in one quick newsletter, head over to our website and subscribe! We'd love to have ya! https://www.sandcastvolleyball.com/ Our medical timeout was brought to you by SHIELD Athletic Tape. If you're an athlete, coach, or just train hard, you know that staying healthy is easier said than done— it's about staying supported. That's where SHIELD comes in. SHIELD is a U.S.-based athletic tape company built by athletes, for athletes. Whether it's rigid tape for serious support, kinesiology tape with true 4-way stretch for maximum mobility, or turf tape to fight off burns on the field — SHIELD's got you covered. They even make recovery wraps for post-session cooldowns and inflammation control. And because it's all made right here in the U.S., you're getting elite quality and fast delivery —they are truly not cutting corners. Try SHIELD today — support that actually performs. Check them out at shieldhealthandfitness.com and use code SANDCAST for a discount. Tape smarter. Train harder. SHIELD up.

In this episode of AML Conversations, John Byrne sits down with Dan Tannebaum, Partner at Oliver Wyman and global leader in anti-financial crime, for a wide-ranging discussion on the evolving landscape of sanctions. From the EU's post-Ukraine enforcement challenges to the U.S.'s shifting approach under different administrations, Dan offers sharp insights into the effectiveness, limitations, and unintended consequences of sanctions as a policy tool. They explore: Key differences between U.S. and EU sanctions regimes The impact of sanctions on Russia, Syria, Cuba, and Venezuela The growing complexity of sanctions evasion tactics How AML professionals can stay ahead in a rapidly changing environment The future of sanctions as a tool of economic statecraft Whether you're a seasoned compliance officer or new to the field, this episode offers practical takeaways and a candid examination of the geopolitical forces shaping financial crime risk today.

(Víspera del Natalicio de José Raúl Capablanca) «Nací en La Habana, la capital de la isla de Cuba, el 19 de noviembre de 1888. Yo no tenía aún cinco años cuando por accidente entré en la oficina privada de mi padre y lo encontré jugando con otro señor. Nunca antes había visto una partida de ajedrez. Las piezas me interesaron, y yo, al día siguiente, regresé para verlos jugar de nuevo. Al tercer día, mientras yo miraba, mi padre, un principiante muy pobre, movió uno de sus caballos de un cuadrado blanco a otro cuadrado blanco. Su adversario, al parecer no mejor jugador, no lo notó. Mi padre ganó, y yo le dije que él era tramposo, y comencé a reírme. Después de una pequeña discusión durante la cual casi me sacó de la habitación, le mostré a mi padre lo que él había hecho. Me preguntó cómo y qué sabía yo sobre el ajedrez. Le respondí que yo podía vencerlo, [y él] dijo que eso era imposible, considerando que yo ni siquiera podía colocar las piezas correctamente. En conclusión, jugamos una partida y gané. Ese fue mi comienzo.»1 Así narra José Raúl Capablanca el comienzo de su vida y de su carrera en su obra titulada Mi carrera ajedrecística. Sin embargo, su acreditado biógrafo Miguel A. Sánchez señala que tal vez Capablanca no haya recordado con certeza lo ocurrido, ya que no concuerda con la entrevista que el periodista cubano Andrés Clemente Vázquez le hizo poco después a esa temprana edad. Según lo publicado en el periódico El Fígaro de La Habana el 8 de octubre de 1893, el niño José Raúl había retado a su padre José María diciéndole: «Si tú quieres perder ahora, juega conmigo». Pero su respuesta acerca de cómo y qué sabía sobre el ajedrez había sido: «Yo me he aprendido las jugadas del general», refiriéndose al jefe de su padre, el general de brigada Emiliano Loño de Pérez, a quien diversas crónicas de la época describían como un apasionado del ajedrez. El periodista Vázquez también dio a conocer que el padre de José Raúl perdía con frecuencia cuando jugaba con su jefe, de modo que el general Loño bien pudiera haber estado enseñándole ajedrez a José María Capablanca cuando su hijo fue testigo de esa lección.2 De cualquier manera, lo cierto es que José Raúl Capablanca fue un niño prodigio que llegó a ser un genio del ajedrez apodado «la máquina humana», y que escribió ese libro en 1920 con el fin de promover su candidatura al título de campeón mundial del ajedrez. Feliz y muy merecidamente para él, dio resultado, ya que el año siguiente no sólo participó en el campeonato, sino que se coronó campeón con su rotunda victoria sobre el entonces poseedor del título supremo, el Gran Maestro alemán Emanuel Lasker.3 ¿En qué se parecen el niño José Raúl y el niño Jesús? ¡En que los dos dejaron asombrados de su inteligencia a sus maestros! Pero, gracias a Dios, si bien casi ninguno de nosotros, por mucho que se esfuerce, es capaz de lograr semejante asombro, todos sí podemos lograr crecer en sabiduría y gozar del favor de nuestros semejantes y de nuestro Padre celestial si determinamos imitar a su Hijo Jesucristo.4 Carlos ReyUn Mensaje a la Concienciawww.conciencia.net 1 José Raúl Capablanca, Mi carrera ajedrecística, Anotado por el editor Miguel A. Sánchez (Ediciones Two Bishops, 2021), Edición Kindle, p. 22. 2 Ibíd., Nota 1, p. 29; Miguel A. Sánchez, «Addendum to the Book “José Raúl Capablanca, A Chess Biography” [Apéndice al libro José Raúl Capablanca: una biografía del ajedrez] (Jefferson, N.C., EUA: McFarland and Companies, 2015) En línea 28 mayo 2025; Andrés Clemente Vázquez, «Un portento mexicano y una maravilla española», Ajedrez, periódico El Fígaro, Núm. 35, La Habana, 8 octubre 1893, p. 431 En línea 1 junio 2025. 3 José Raúl Capablanca, Mi carrera ajedrecística, Contratapa; José Raúl Capablanca, Biography [Biografía], World Chess Hall of Fame [Salón de la Fama del Ajedrez Mundial] En línea 28 mayo 2025. 4 Lc 2:41-51; 1Co 11:1

In this episode of One Decision In Brief, hosts Kate McCann and Sir Ben Wallace, former UK Defence Secretary, break down President Donald Trump's latest moves in Venezuela, including threatening military strikes and offering Venezuelan President Nicolás Maduro a chance for talks. The two consider the regional consequences of military action, including Cuba's political reliance on Venezuela and the Latin American drug supply chain. Sir Ben shares how Venezuelan and Colombian drug operatives are now learning high-stakes defense technology. Plus, Kate asks Sir Ben whether the UK Prime Minister should ask Trump not to sue the BBC, and if Trump should be awarded a Nobel Peace Prize.  Episode produced by Situation Room Studios. Original music composed and produced by Leo Sidran. Learn more about your ad choices. Visit megaphone.fm/adchoices

Cuando intentamos hacer el bien, pero terminamos haciendo lo contrario, descubrimos una verdad profunda: el problema no está en la ley de Dios, sino en nosotros mismos. En este episodio exploramos cómo la ley revela nuestra condición, despierta nuestra conciencia y nos lleva a correr hacia Cristo, nuestra única esperanza de libertad y perdón.

Paul Chitlik is appearing on StoryBeat for the third time. Paul is a truly gifted storyteller and teacher who has written screenplays, novels, and non-fiction, including writing for all the major networks and studios in both English and in Spanish.   Paul's been a story editor, director, and producer in both TV and features. He was nominated for a Writers Guild of America award for "The Twilight Zone" and a GLAAD Media Award nomination for Telemundo's "Los Beltrán.”  And he won a Genesis Award for a Showtime Family movie. He also happens to be one of the best screenwriting teachers in the world.  He's taught in various MFA programs around the world, including: UCLA and Loyola Marymount in L.A., and in Barcelona, Cuba, Chile, Venezuela, Mexico, and Sweden.  His highly regarded book, Rewrite, is one of the essential, must-read books for anyone interested in writing screenplays, teleplays, plays, and even novels. I've read his latest screenwriting book, The Screenwriting Sensei, which I thoroughly enjoyed because it took me straight back to Graduate School at UCLA when I was one of Paul's numerous students. Paul's teachings have remained exceptionally influential on me for both my own writing and in my subsequent years as a college professor of screenwriting. I highly urge anyone interested in writing for the screen to check out The Screenwriting Sensei.  

Cuban Link is more than just a name in hip hop—he's a storyteller, a survivor, and an artist with a legacy rooted in both pain and perseverance. In this raw, unfiltered episode of I'm an Artist, Not a Salesman, host Luis Guzman sits down with Cuban Link to trace the incredible journey from escaping Cuba as a child during the Mariel boatlift to becoming a lyrical force in the Bronx during the golden era of hip hop.At just five years old, Felix Delgado—known to the world as Cuban Link—boarded a crowded boat from Havana to the U.S., escaping political oppression alongside his family. That harrowing journey, filled with danger, violence, and even sharks in the open sea, became the foundation of a life built on survival. From a chaotic refugee camp in Key West to the gritty streets of the South Bronx, Cuban Link's story unfolds like a movie—but it's all real.This episode dives deep into the moments that shaped him—as a man, an artist, and a loyal brother to the late, great Big Pun. Listeners will hear how a chance meeting on a Bronx basketball court sparked one of hip hop's most iconic friendships. Their bond went beyond music—it was a brotherhood forged in shared dreams, competitive spirit, and lyrical respect.From their days freestyling in the streets to forming the Full Eclipse Crew, Cuban Link and Big Pun sharpened each other's skills long before the world knew their names. Eventually, their talent caught the attention of Fat Joe, leading to Cuban's involvement with Terror Squad. But as fame rose, so did tensions. Cuban Link doesn't shy away from discussing the public fallout with Fat Joe, the internal politics of the industry, and the personal heartbreak that came after Pun's death.You'll also hear about:Cuban Link's early rap name (Phil Ski) and his musical evolutionWhy his dad's criminal past actually saved their family during the Mariel exodusHow growing up in Puerto Rico and then the Bronx influenced his voice as an MCHis academic life—graduating with an 85 GPA and even going to college—while living a double life in the streetsThe real story behind the verse he gave to Big Pun for “Still Not a Player”How he went from working overnight shifts to quitting on the spot to appear in his first major music videoThis episode is a time capsule of 90s hip hop, Latino culture in America, and the tension between art and industry. Cuban Link opens up about the joy of early success, the bitterness of betrayal, and the pride of knowing he never compromised his pen. From cracking jokes with Pun at funerals to being name-dropped in some of the era's most iconic verses, his stories are vivid, emotional, and unforgettable.Whether you grew up blasting Capital Punishment on your Walkman or are just discovering the depth of East Coast hip hop history, this episode is required listening. It's more than nostalgia—it's a meditation on what it means to stay true to your art, your story, and your roots.Want to support the show or get involved?Follow I'm an Artist, Not a Salesman wherever you get your podcasts.Leave a rating or review to help others discover the show.Connect with host Luis Guzman and stay updated on future episodes by visiting our official site or subscribing to our newsletter.For behind-the-scenes stories, guest updates, and episode extras, join our mailing list and follow us on all major platforms.This is not just another hip hop podcast. It's a space where stories matter—and this one hits deep.

durée : 00:04:06 - Sous les radars - par : Sébastien LAUGENIE - C'est dans le royaume d'Eswatini que Washington a choisi d'expulser cent-soixante prisonniers de divers nationalités (Yémen, Laos, Cuba..) en échange de cinq millions d'euros, c'est ce révèle Human Rights Watch Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:04:06 - Sous les radars - par : Sébastien LAUGENIE - C'est dans le royaume d'Eswatini que Washington a choisi d'expulser cent-soixante prisonniers de divers nationalités (Yémen, Laos, Cuba..) en échange de cinq millions d'euros, c'est ce révèle Human Rights Watch Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Noticiero de Martí Noticias presenta un resumen de las noticias más importantes de Cuba y el mundo. Titulares: | Comunidades del oriente cubano siguen sin ayuda tras el paso del huracán Melissa | Expertos desmontan la versión oficial ante relatora de la ONU: La crisis cubana nace de fallas internas, no solo del embargo | Intelectuales denuncian represión tras arresto de William Sosa Marrero por críticas al sistema cubano | Exilio cubano exige a Pedro Sánchez coherencia entre apoyo a Ucrania y vínculos con La Habana | Madre denuncia amenazas de muerte contra preso político Eider Frómeta Allen en cárcel de Boniato, entre otras noticias.

Desde la capital de Cuba joven que perdió a familiar tras virus habla de la epidemia y la situación sanitaria que impacta la vida de los cubanos.

Este jueves se cumplen 50 años de la muerte del dictador Francisco Franco.Es un buen momento para analizar la España que quedó después de la dictadura, la España de la transición y el Régimen del 78. En cuanto a política internacional, Estados Unidos está concentrando tropas en el Caribe y está demostrando una clara hostilidad a los países que consideran contrarios a su política exterior, especialmente Venezuela, Cuba, Colombia y México. Con José Luís Carretero y Pedro García-Bilbao. Conduce Juan Carlos Barba. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

In 1962, the Pentagon presented President John F. Kennedy with a plan so shocking it remained classified for 35 years. The plan? To stage terrorist attacks on American soil, hijack planes, sink ships, and murder U.S. citizens—then blame it all on Cuba to justify a war.This was Operation Northwoods, a real false-flag proposal signed by the Joint Chiefs of Staff and delivered directly to the Secretary of Defense. It wasn't a theory. It wasn't speculation. It was written, approved—and almost carried out.In this episode, Jeremy Ryan Slate breaks down:

Retired FBI agent Pete Lapp helped capture Ana Montez, a Puerto Rican-born American and UVA alumna who was a senior analyst for the Defense Intelligence Agency overseeing the Cuban account. For 17 years, she was also a spy for Cuba and was an avowed communist. Ironically, as many of four of Anna's close family members worked for the FBI and despite Anna's more extreme political views, assumed she was a loyal American. From his book “Queen of Cuba,” Pete relates how Ana was identified as a potential national security risk, secretly investigated, and ultimately apprehended after years of committing espionage. He describes how she transmitted information and also shares his view of her psychology: Withdrawn, lonely, at odds with her father, and driven by her political convictions and personal disagreement with U.S. foreign policy (including its policy towards Nicaragua) rather than financial gain, by which so many other spies have been enticed.Recruited while in college in 1983 during the Reagan administration by Cuban agent Marta Velasquez, (who was also a Puerto Richan-American) Ana's steadfast career rise at the Department of Defense gave her increased access over time to information of value to Castro's Cuba, stopping short of putting agents in personal peril. Cuban intelligence has been chronically underestimated over decades and makes Ana's case a warning example of an organized program to infiltrate critical branches of the U.S. government, along with the recent apprehension of former U.S. Ambassador to Bolivia, Manuel Rocha, whose been identified as a Cuban spy.Heroes Behind HeadlinesExecutive Producer Ralph PezzulloProduced & Engineered by Mike DawsonMusic provided by ExtremeMusic.com

In this episode, Galit sits down with creator and educator Jason Pickett for a real conversation about the shifts happening in today's dance world. Jason shares his path from Utah's freestyle community to building a career outside the traditional LA route, and the mindset behind choosing what actually feels right. They dig into the responsibilities of teachers and influencers online, the short-sightedness that's causing dance studios and conventions business, and a shift in what dancers want to do professionally. Jason and Galit also explore whether competitions are watering down dance, how COVID changed the mentality of young dancers, and why the best teachers don't rely on the “combo.” This episode pulls back the curtain on connecting the generations, talent development, and what it really means to create good dancers - not just good perfectionists. Follow Galit: Instagram - https://www.instagram.com/gogalit Website - https://www.gogalit.com/ On-Demand Fitness Courses - https://galit-s-school-0397.thinkific.com/collections Follow Jason Pickett: Instagram - https://www.instagram.com/heyitspickett/ Jason's Website - https://nsadance.com/

Get ready to be inspired by the incredible journey of Leysa Carrillo—global artistic ambassador for Redken and founder of Forever Curls Academy—as she sits down with Kati to share how her passion for textured hair transformed her career and the industry. From growing up in a strict military family in Cuba to performing in Cirque du Soleil, Leysa's path to beauty was anything but traditional, yet her curiosity, resilience, and love for her clients fueled her rise as a trailblazer in the natural hair movement. In this episode, she opens up about the lack of textured hair education she faced early on, the emotional challenges that pushed her to innovate, and how she built a global movement that empowers stylists to embrace all hair textures with confidence. Leysa also dives into the importance of inclusivity, the progress made since 2020, and why every true specialist should be educated in all hair types. Plus, she shares how Forever Curls Academy is reshaping beauty education and changing state curriculums across the country. This is a must-listen for salon owners and stylists ready to elevate their expertise and invest in textured hair education. WATCH ON YOUTUBE: https://youtu.be/PGfsFSWPDnk   GET MY BOOK! From First Date to Forever; How to Market Like A Matchmaker: https://joinmya.com/from-first-date-to-forever-book    POWERED BY:  JOIN mya! joinmya.com   FOLLOW LEYSA CARILLO Website: https://forevercurlsbyleysa.com/pages/digital-membership  Instagram: https://www.instagram.com/leysahairandmakeup/  Email for Education: info@leysahairandmakeup.com    LET'S CONNECT! BTT Instagram: https://www.instagram.com/beyondthetechnique MYA Instagram: https://www.instagram.com/join_mya/    FOLLOW KATI WHITLEDGE Instagram: https://www.instagram.com/katiwhitledge/ Get my favorite bio-hacking products: CLICK HERE   SPONSORS Join the PBA: https://www.probeauty.org/

Celluloid Heroes: Episode 11Film: Octopussy (1983)The name is Moore. Roger Moore. And in this episode of Celluloid Heroes we journey from Cuba to London, India to East (and West Germany) with a stop-over in Stowe, Vermont where our host has an unfortunate skiing accident that inadvertently sparks a lifelong love of everything Bond, James Bond. This is the story of Octopussy.Follow Celluloid Heroes on INSTAGRAM https://www.instagram.com/TheCelluloidHeroesPodFollow Brad Abraham at www.bradabraham.comShare your thoughts with us! Send your comments to contact@longboxcrusade.comThis podcast is a member of the LONGBOX CRUSADE NETWORK:Visit the WEBSITE: https://www.LongboxCrusade.comFollow on TWITTER: https://twitter.com/LongboxCrusadeFollow on INSTAGRAM: https://www.instagram.com/longboxcrusadeLike the FACEBOOK page: https://www.facebook.com/LongboxCrusadeSubscribe to the YOUTUBE Channel: https://goo.gl/4LkhovSubscribe on APPLE PODCASTS at:https://itunes.apple.com/us/podcast/the-longboxcrusade/id1118783510?mt=2Subscribe on SPOTIFY at:https://open.spotify.com/show/3Hl0nrO7z1KYaHSDug9hsg?si=ee431b760c8c4a21Celluloid Heroes SPOTIFY Single Feed at:https://open.spotify.com/show/5G4VxlMzO0yy7Rub7MPUzx?si=389277ae77a84dd0We appreciate you joining us for this episode of Celluloid Heroes and hope you enjoyed listening!#film #cinema #movies #genx #nostalgia #1983 #Octopussy #Bond #007 #JamesBond

Puerto Rico is the oldest colony in the world, something that must change, says Ed Morales. Today Ed drops in to talk about the history of Puerto Rico, the Puerto Rican diaspora, and how colonialism has hurt the island over the last 500 years.About our guest:Ed Morales is an author and journalist who has written for The Nation, The New York Times, The Washington Post, Rolling Stone, and the Guardian. He was staff writer at The Village Voice and columnist at Newsday. He is the author of Fantasy Island: Colonialism, Exploitation, and the Betrayal of Puerto Rico (Bold Type Books), Latinx: The New Force in Politics and Culture (Verso Books 2018), The Latin Beat (Da Capo Press 2003) and Living in Spanglish (St. Martins 2002). In 2019 Latinx was shortlisted for the Nayef Al-Rodhan Prize for Global Cultural Understanding by the British Academy in London. In 2009, while a Columbia University Revson Fellow, Morales wrote and directed Whose Barrio? (2009) an award-winning documentary about the gentrification of East Harlem. The film was inspired by “Spanish Harlem on His Mind,” an essay published in The Best of the City Section of the New York Times (NYU Press 2005). Morales is also a 2022-23 Mellon Bridging the Divides Fellow at the Center for Puerto Rican Studies in New York.

Cuando entendemos que hemos muerto a la ley y vivimos bajo la gracia, nuestra relación con Dios cambia por completo. En este episodio, descubrimos junto a Danny Rojas cómo la unión con Cristo nos libera de la condena y nos capacita para servir en la novedad del Espíritu. Reflexionamos sobre lo que significa obedecer desde el amor y no desde el temor.  

Mañana fría y tarde templada a cálida en la CDMX y Edomex Frente frío 15 generará lluvias fuertes en Baja California y SonoraEcuador rechaza en referéndum reformas impulsadas por el presidente Noboa  Más información en nuestro podcast

Meet my friends, Clay Travis and Buck Sexton! If you love Verdict, the Clay Travis and Buck Sexton Show might also be in your audio wheelhouse. Politics, news analysis, and some pop culture and comedy thrown in too. Here’s a sample episode recapping four takeaways. Give the guys a listen and then follow and subscribe wherever you get your podcasts. Open for Business! President Donald Trump officially signed legislation reopening the federal government after a 43-day shutdown. The segment opens with audio from Trump at the Resolute Desk, where he criticizes Democrats for what he calls an attempted “extortion” of American taxpayers to fund benefits for illegal immigrants. Clay and Buck analyze the political fallout, questioning whether Democrats will repeat shutdown tactics in 2026 as part of their midterm election strategy. The conversation transitions into a broader discussion on Senate filibuster reform, with Clay advocating for procedural changes to prevent future shutdowns driven by minority party obstruction. Buck adds historical context, referencing past filibuster modifications and the potential consequences of further rule changes. Uncle Bill: All for Nothing A wide-ranging interview with bestselling author and media veteran Bill O’Reilly. Clay and Buck do a deep dive into the political fallout from the recent government shutdown, which O’Reilly attributes to far-left consultants steering the Democratic Party into a failed strategy aimed at making pandemic-era Obamacare spending permanent. He argues that the shutdown hurt millions of Americans and yielded no real gains for Democrats, who now risk being branded as the “mean party” heading into the 2026 midterms. The hosts and O’Reilly also discuss the resurfacing of the Jeffrey Epstein scandal, which they believe was used as a distraction from Democratic missteps. The conversation shifts to the 2028 presidential race, where Clay and Buck predict Gavin Newsom and Alexandria Ocasio-Cortez as the likely Democratic ticket. O’Reilly disagrees, citing Newsom’s poor record in California, including mass outmigration and corruption scandals, and suggests Maryland Governor Wes Moore as a more viable alternative. The trio also debate the dangers of artificial intelligence in politics and media, highlighting the rise of deepfake videos and AI-generated misinformation. O’Reilly references a false image involving President Donald Trump that was cited by Rep. Melanie Stansberry, warning that AI will make it increasingly difficult to distinguish truth from fiction. The hosts call for urgent reform of defamation and libel laws to protect public figures and citizens from malicious AI content. What H-1B Visas Are Supposed To Be The H-1B visa program triggers a contentious exchange between Laura Ingraham and President Trump. Trump defends the need for foreign talent in specialized industries, while Ingraham argues that American workers should be prioritized. Buck provides data indicating that over 750,000 H-1B visa holders are currently working in the U.S., with India accounting for 75% of recent recipients. Clay and Buck debate whether the program is being abused by corporations to undercut American wages and bypass domestic hiring. Buck clarifies that Trump’s comments about lacking domestic talent were aimed at highly specialized roles, such as semiconductor manufacturing, where foreign expertise is temporarily needed. Multiple callers share firsthand experiences with H-1B hires, sparking a robust debate. A computer programmer from California claims foreign workers were paid less despite equal performance. A North Carolina business owner defends the program, citing higher productivity among foreign hires. An engineering manager warns of wage suppression and offshoring trends, while another caller shares how his son’s defense contractor job was outsourced to foreign engineers despite national security concerns. Female Mamdani? Clay and Buck dive into some breaking news, cultural commentary, and audience-driven debate, beginning with reports of a violent incident involving Alina Habba, a U.S. attorney in New Jersey, whose office was attacked by a bat-wielding suspect. Clay and Buck highlight the growing concern over left-wing violence and express relief that Habba is unharmed. They also cover Senator John Fetterman’s hospitalization following a fall caused by a ventricular fibrillation episode, noting his humorous response and drawing parallels to historical political wit. The hour transitions into a critique of Michelle Obama’s recent comments on race and beauty, with Clay and Buck arguing that identity politics are eroding public discourse. They dissect her career trajectory, including her high-paying diversity role at the University of Chicago Medical Center, and question the merit of such positions. This leads into a broader discussion about the Democratic Party’s push for government-run grocery stores, citing examples from Seattle and New York City. Clay and Buck mock the idea as reminiscent of failed socialist models like Cuba, and reference studies—including one from The New York Times—showing that increased access to healthy food does not necessarily change consumer behavior in low-income communities. Clay and Buck argue that food deserts are often misrepresented and that consumer choice, not corporate abandonment, drives product availability. They emphasize the inefficiency of government-run enterprises, citing failed experiments in cities like Kansas City, and warn against policies that ignore market realities. The conversation includes a call from a listener in Rochester, New York, who explains that theft and crime—not lack of demand—are driving grocery stores out of urban areas. The hosts agree, noting that store closures also eliminate local jobs and further destabilize communities. Make sure you never miss a second of the show by subscribing to the Clay Travis & Buck Sexton show podcast wherever you get your podcasts! ihr.fm/3InlkL8 For the latest updates from Clay and Buck: https://www.clayandbuck.com/ Connect with Clay Travis and Buck Sexton on Social Media: X - https://x.com/clayandbuck FB - https://www.facebook.com/ClayandBuck/ IG - https://www.instagram.com/clayandbuck/ YouTube - https://www.youtube.com/c/clayandbuck Rumble - https://rumble.com/c/ClayandBuck TikTok - https://www.tiktok.com/@clayandbuck YouTube: https://www.youtube.com/@VerdictwithTedCruzSee omnystudio.com/listener for privacy information.