Old Time Radio Sci-Fi, Horror Etc...

Hard core science fiction fans are sure to enjoy one of the most dramatic anthologies of the genre, “Dimension X.” The golden age of radio was a period in American history that spawned some of the most creative minds and prolific writers. In fact, this old time radio show paved the way for some of the more popular sci-fi writers today to mark their place in the literary scene. More notable among then new authors were Ray Bradbury and the brilliant Isaac Asimov. Dimension X featured stories that were literally “out-of-this-world,” as the central theme's to each episode would be man encountering some alien race, or man discovering uncharted territories in outer space. The entire old radio show collection is comprised of 50 episodes which aired from April 8, 1950 and ended on September 29, 1951.

Hard core science fiction fans are sure to enjoy one of the most dramatic anthologies of the genre, “Dimension X.” The golden age of radio was a period in American history that spawned some of the most creative minds and prolific writers. In fact, this old time radio show paved the way for some of the more popular sci-fi writers today to mark their place in the literary scene. More notable among then new authors were Ray Bradbury and the brilliant Isaac Asimov. Dimension X featured stories that were literally “out-of-this-world,” as the central theme's to each episode would be man encountering some alien race, or man discovering uncharted territories in outer space. The entire old radio show collection is comprised of 50 episodes which aired from April 8, 1950 and ended on September 29, 1951.

Hard core science fiction fans are sure to enjoy one of the most dramatic anthologies of the genre, “Dimension X.” The golden age of radio was a period in American history that spawned some of the most creative minds and prolific writers. In fact, this old time radio show paved the way for some of the more popular sci-fi writers today to mark their place in the literary scene. More notable among then new authors were Ray Bradbury and the brilliant Isaac Asimov. Dimension X featured stories that were literally “out-of-this-world,” as the central theme's to each episode would be man encountering some alien race, or man discovering uncharted territories in outer space. The entire old radio show collection is comprised of 50 episodes which aired from April 8, 1950 and ended on September 29, 1951.

Hard core science fiction fans are sure to enjoy one of the most dramatic anthologies of the genre, “Dimension X.” The golden age of radio was a period in American history that spawned some of the most creative minds and prolific writers. In fact, this old time radio show paved the way for some of the more popular sci-fi writers today to mark their place in the literary scene. More notable among then new authors were Ray Bradbury and the brilliant Isaac Asimov. Dimension X featured stories that were literally “out-of-this-world,” as the central theme's to each episode would be man encountering some alien race, or man discovering uncharted territories in outer space. The entire old radio show collection is comprised of 50 episodes which aired from April 8, 1950 and ended on September 29, 1951.

Hard core science fiction fans are sure to enjoy one of the most dramatic anthologies of the genre, “Dimension X.” The golden age of radio was a period in American history that spawned some of the most creative minds and prolific writers. In fact, this old time radio show paved the way for some of the more popular sci-fi writers today to mark their place in the literary scene. More notable among then new authors were Ray Bradbury and the brilliant Isaac Asimov. Dimension X featured stories that were literally “out-of-this-world,” as the central theme's to each episode would be man encountering some alien race, or man discovering uncharted territories in outer space. The entire old radio show collection is comprised of 50 episodes which aired from April 8, 1950 and ended on September 29, 1951.

Hard core science fiction fans are sure to enjoy one of the most dramatic anthologies of the genre, “Dimension X.” The golden age of radio was a period in American history that spawned some of the most creative minds and prolific writers. In fact, this old time radio show paved the way for some of the more popular sci-fi writers today to mark their place in the literary scene. More notable among then new authors were Ray Bradbury and the brilliant Isaac Asimov. Dimension X featured stories that were literally “out-of-this-world,” as the central theme's to each episode would be man encountering some alien race, or man discovering uncharted territories in outer space. The entire old radio show collection is comprised of 50 episodes which aired from April 8, 1950 and ended on September 29, 1951.

Hard core science fiction fans are sure to enjoy one of the most dramatic anthologies of the genre, “Dimension X.” The golden age of radio was a period in American history that spawned some of the most creative minds and prolific writers. In fact, this old time radio show paved the way for some of the more popular sci-fi writers today to mark their place in the literary scene. More notable among then new authors were Ray Bradbury and the brilliant Isaac Asimov. Dimension X featured stories that were literally “out-of-this-world,” as the central theme's to each episode would be man encountering some alien race, or man discovering uncharted territories in outer space. The entire old radio show collection is comprised of 50 episodes which aired from April 8, 1950 and ended on September 29, 1951.

Hard core science fiction fans are sure to enjoy one of the most dramatic anthologies of the genre, “Dimension X.” The golden age of radio was a period in American history that spawned some of the most creative minds and prolific writers. In fact, this old time radio show paved the way for some of the more popular sci-fi writers today to mark their place in the literary scene. More notable among then new authors were Ray Bradbury and the brilliant Isaac Asimov. Dimension X featured stories that were literally “out-of-this-world,” as the central theme's to each episode would be man encountering some alien race, or man discovering uncharted territories in outer space. The entire old radio show collection is comprised of 50 episodes which aired from April 8, 1950 and ended on September 29, 1951.

Hard core science fiction fans are sure to enjoy one of the most dramatic anthologies of the genre, “Dimension X.” The golden age of radio was a period in American history that spawned some of the most creative minds and prolific writers. In fact, this old time radio show paved the way for some of the more popular sci-fi writers today to mark their place in the literary scene. More notable among then new authors were Ray Bradbury and the brilliant Isaac Asimov. Dimension X featured stories that were literally “out-of-this-world,” as the central theme's to each episode would be man encountering some alien race, or man discovering uncharted territories in outer space. The entire old radio show collection is comprised of 50 episodes which aired from April 8, 1950 and ended on September 29, 1951.

Hard core science fiction fans are sure to enjoy one of the most dramatic anthologies of the genre, “Dimension X.” The golden age of radio was a period in American history that spawned some of the most creative minds and prolific writers. In fact, this old time radio show paved the way for some of the more popular sci-fi writers today to mark their place in the literary scene. More notable among then new authors were Ray Bradbury and the brilliant Isaac Asimov. Dimension X featured stories that were literally “out-of-this-world,” as the central theme's to each episode would be man encountering some alien race, or man discovering uncharted territories in outer space. The entire old radio show collection is comprised of 50 episodes which aired from April 8, 1950 and ended on September 29, 1951.

Hard core science fiction fans are sure to enjoy one of the most dramatic anthologies of the genre, “Dimension X.” The golden age of radio was a period in American history that spawned some of the most creative minds and prolific writers. In fact, this old time radio show paved the way for some of the more popular sci-fi writers today to mark their place in the literary scene. More notable among then new authors were Ray Bradbury and the brilliant Isaac Asimov. Dimension X featured stories that were literally “out-of-this-world,” as the central theme's to each episode would be man encountering some alien race, or man discovering uncharted territories in outer space. The entire old radio show collection is comprised of 50 episodes which aired from April 8, 1950 and ended on September 29, 1951.

Hard core science fiction fans are sure to enjoy one of the most dramatic anthologies of the genre, “Dimension X.” The golden age of radio was a period in American history that spawned some of the most creative minds and prolific writers. In fact, this old time radio show paved the way for some of the more popular sci-fi writers today to mark their place in the literary scene. More notable among then new authors were Ray Bradbury and the brilliant Isaac Asimov. Dimension X featured stories that were literally “out-of-this-world,” as the central theme's to each episode would be man encountering some alien race, or man discovering uncharted territories in outer space. The entire old radio show collection is comprised of 50 episodes which aired from April 8, 1950 and ended on September 29, 1951.

Hard core science fiction fans are sure to enjoy one of the most dramatic anthologies of the genre, “Dimension X.” The golden age of radio was a period in American history that spawned some of the most creative minds and prolific writers. In fact, this old time radio show paved the way for some of the more popular sci-fi writers today to mark their place in the literary scene. More notable among then new authors were Ray Bradbury and the brilliant Isaac Asimov. Dimension X featured stories that were literally “out-of-this-world,” as the central theme's to each episode would be man encountering some alien race, or man discovering uncharted territories in outer space. The entire old radio show collection is comprised of 50 episodes which aired from April 8, 1950 and ended on September 29, 1951.

Hard core science fiction fans are sure to enjoy one of the most dramatic anthologies of the genre, “Dimension X.” The golden age of radio was a period in American history that spawned some of the most creative minds and prolific writers. In fact, this old time radio show paved the way for some of the more popular sci-fi writers today to mark their place in the literary scene. More notable among then new authors were Ray Bradbury and the brilliant Isaac Asimov. Dimension X featured stories that were literally “out-of-this-world,” as the central theme's to each episode would be man encountering some alien race, or man discovering uncharted territories in outer space. The entire old radio show collection is comprised of 50 episodes which aired from April 8, 1950 and ended on September 29, 1951.

Hard core science fiction fans are sure to enjoy one of the most dramatic anthologies of the genre, “Dimension X.” The golden age of radio was a period in American history that spawned some of the most creative minds and prolific writers. In fact, this old time radio show paved the way for some of the more popular sci-fi writers today to mark their place in the literary scene. More notable among then new authors were Ray Bradbury and the brilliant Isaac Asimov. Dimension X featured stories that were literally “out-of-this-world,” as the central theme's to each episode would be man encountering some alien race, or man discovering uncharted territories in outer space. The entire old radio show collection is comprised of 50 episodes which aired from April 8, 1950 and ended on September 29, 1951.

New Series

2000 Plus (also called Two Thousand Plus and 2000+) was an American old-time radio series which ran from March 15, 1950 to January 2, 1952 in various 30-minute time slots. It was the first adult science fiction series on radio, airing one month prior to the better known Dimension X. During the 1950s, science fiction became a popular genre, and stories exploring future technologies, space expeditions and alien invasions were well received by the audience. Compared with other radio shows, 2000 Plus was an anthology program, and it used new and original material from Sherman H. Dryer, who scripted and produced the series with Robert Weenolsen. Aside from offering an exciting plot, Dryer and Weenolsen also carried out a consciousness in their stories – of the prevalent generation's contemporary anxieties about the changing world, and the effects and dangers of technology to humankind. Cast members included Lon Clark, Joseph Julian, Henry Norell, Bill Keene, Bryna Raeburn and Amzie Strickland. Emerson Buckley conducted the music composed by Elliott Jacoby. Ken Marvin was the program's announcer, and the sound effects were by Adrian Penner.

2000 Plus (also called Two Thousand Plus and 2000+) was an American old-time radio series which ran from March 15, 1950 to January 2, 1952 in various 30-minute time slots. It was the first adult science fiction series on radio, airing one month prior to the better known Dimension X. During the 1950s, science fiction became a popular genre, and stories exploring future technologies, space expeditions and alien invasions were well received by the audience. Compared with other radio shows, 2000 Plus was an anthology program, and it used new and original material from Sherman H. Dryer, who scripted and produced the series with Robert Weenolsen. Aside from offering an exciting plot, Dryer and Weenolsen also carried out a consciousness in their stories – of the prevalent generation's contemporary anxieties about the changing world, and the effects and dangers of technology to humankind. Cast members included Lon Clark, Joseph Julian, Henry Norell, Bill Keene, Bryna Raeburn and Amzie Strickland. Emerson Buckley conducted the music composed by Elliott Jacoby. Ken Marvin was the program's announcer, and the sound effects were by Adrian Penner.

2000 Plus (also called Two Thousand Plus and 2000+) was an American old-time radio series which ran from March 15, 1950 to January 2, 1952 in various 30-minute time slots. It was the first adult science fiction series on radio, airing one month prior to the better known Dimension X. During the 1950s, science fiction became a popular genre, and stories exploring future technologies, space expeditions and alien invasions were well received by the audience. Compared with other radio shows, 2000 Plus was an anthology program, and it used new and original material from Sherman H. Dryer, who scripted and produced the series with Robert Weenolsen. Aside from offering an exciting plot, Dryer and Weenolsen also carried out a consciousness in their stories – of the prevalent generation's contemporary anxieties about the changing world, and the effects and dangers of technology to humankind. Cast members included Lon Clark, Joseph Julian, Henry Norell, Bill Keene, Bryna Raeburn and Amzie Strickland. Emerson Buckley conducted the music composed by Elliott Jacoby. Ken Marvin was the program's announcer, and the sound effects were by Adrian Penner.

2000 Plus (also called Two Thousand Plus and 2000+) was an American old-time radio series which ran from March 15, 1950 to January 2, 1952 in various 30-minute time slots. It was the first adult science fiction series on radio, airing one month prior to the better known Dimension X. During the 1950s, science fiction became a popular genre, and stories exploring future technologies, space expeditions and alien invasions were well received by the audience. Compared with other radio shows, 2000 Plus was an anthology program, and it used new and original material from Sherman H. Dryer, who scripted and produced the series with Robert Weenolsen. Aside from offering an exciting plot, Dryer and Weenolsen also carried out a consciousness in their stories – of the prevalent generation's contemporary anxieties about the changing world, and the effects and dangers of technology to humankind. Cast members included Lon Clark, Joseph Julian, Henry Norell, Bill Keene, Bryna Raeburn and Amzie Strickland. Emerson Buckley conducted the music composed by Elliott Jacoby. Ken Marvin was the program's announcer, and the sound effects were by Adrian Penner.

2000 Plus (also called Two Thousand Plus and 2000+) was an American old-time radio series which ran from March 15, 1950 to January 2, 1952 in various 30-minute time slots. It was the first adult science fiction series on radio, airing one month prior to the better known Dimension X. During the 1950s, science fiction became a popular genre, and stories exploring future technologies, space expeditions and alien invasions were well received by the audience. Compared with other radio shows, 2000 Plus was an anthology program, and it used new and original material from Sherman H. Dryer, who scripted and produced the series with Robert Weenolsen. Aside from offering an exciting plot, Dryer and Weenolsen also carried out a consciousness in their stories – of the prevalent generation's contemporary anxieties about the changing world, and the effects and dangers of technology to humankind. Cast members included Lon Clark, Joseph Julian, Henry Norell, Bill Keene, Bryna Raeburn and Amzie Strickland. Emerson Buckley conducted the music composed by Elliott Jacoby. Ken Marvin was the program's announcer, and the sound effects were by Adrian Penner.

2000 Plus (also called Two Thousand Plus and 2000+) was an American old-time radio series which ran from March 15, 1950 to January 2, 1952 in various 30-minute time slots. It was the first adult science fiction series on radio, airing one month prior to the better known Dimension X. During the 1950s, science fiction became a popular genre, and stories exploring future technologies, space expeditions and alien invasions were well received by the audience. Compared with other radio shows, 2000 Plus was an anthology program, and it used new and original material from Sherman H. Dryer, who scripted and produced the series with Robert Weenolsen. Aside from offering an exciting plot, Dryer and Weenolsen also carried out a consciousness in their stories – of the prevalent generation's contemporary anxieties about the changing world, and the effects and dangers of technology to humankind. Cast members included Lon Clark, Joseph Julian, Henry Norell, Bill Keene, Bryna Raeburn and Amzie Strickland. Emerson Buckley conducted the music composed by Elliott Jacoby. Ken Marvin was the program's announcer, and the sound effects were by Adrian Penner.

2000 Plus (also called Two Thousand Plus and 2000+) was an American old-time radio series which ran from March 15, 1950 to January 2, 1952 in various 30-minute time slots. It was the first adult science fiction series on radio, airing one month prior to the better known Dimension X. During the 1950s, science fiction became a popular genre, and stories exploring future technologies, space expeditions and alien invasions were well received by the audience. Compared with other radio shows, 2000 Plus was an anthology program, and it used new and original material from Sherman H. Dryer, who scripted and produced the series with Robert Weenolsen. Aside from offering an exciting plot, Dryer and Weenolsen also carried out a consciousness in their stories – of the prevalent generation's contemporary anxieties about the changing world, and the effects and dangers of technology to humankind. Cast members included Lon Clark, Joseph Julian, Henry Norell, Bill Keene, Bryna Raeburn and Amzie Strickland. Emerson Buckley conducted the music composed by Elliott Jacoby. Ken Marvin was the program's announcer, and the sound effects were by Adrian Penner.

2000 Plus (also called Two Thousand Plus and 2000+) was an American old-time radio series which ran from March 15, 1950 to January 2, 1952 in various 30-minute time slots. It was the first adult science fiction series on radio, airing one month prior to the better known Dimension X. During the 1950s, science fiction became a popular genre, and stories exploring future technologies, space expeditions and alien invasions were well received by the audience. Compared with other radio shows, 2000 Plus was an anthology program, and it used new and original material from Sherman H. Dryer, who scripted and produced the series with Robert Weenolsen. Aside from offering an exciting plot, Dryer and Weenolsen also carried out a consciousness in their stories – of the prevalent generation's contemporary anxieties about the changing world, and the effects and dangers of technology to humankind. Cast members included Lon Clark, Joseph Julian, Henry Norell, Bill Keene, Bryna Raeburn and Amzie Strickland. Emerson Buckley conducted the music composed by Elliott Jacoby. Ken Marvin was the program's announcer, and the sound effects were by Adrian Penner.

2000 Plus (also called Two Thousand Plus and 2000+) was an American old-time radio series which ran from March 15, 1950 to January 2, 1952 in various 30-minute time slots. It was the first adult science fiction series on radio, airing one month prior to the better known Dimension X. During the 1950s, science fiction became a popular genre, and stories exploring future technologies, space expeditions and alien invasions were well received by the audience. Compared with other radio shows, 2000 Plus was an anthology program, and it used new and original material from Sherman H. Dryer, who scripted and produced the series with Robert Weenolsen. Aside from offering an exciting plot, Dryer and Weenolsen also carried out a consciousness in their stories – of the prevalent generation's contemporary anxieties about the changing world, and the effects and dangers of technology to humankind. Cast members included Lon Clark, Joseph Julian, Henry Norell, Bill Keene, Bryna Raeburn and Amzie Strickland. Emerson Buckley conducted the music composed by Elliott Jacoby. Ken Marvin was the program's announcer, and the sound effects were by Adrian Penner.

2000 Plus (also called Two Thousand Plus and 2000+) was an American old-time radio series which ran from March 15, 1950 to January 2, 1952 in various 30-minute time slots. It was the first adult science fiction series on radio, airing one month prior to the better known Dimension X. During the 1950s, science fiction became a popular genre, and stories exploring future technologies, space expeditions and alien invasions were well received by the audience. Compared with other radio shows, 2000 Plus was an anthology program, and it used new and original material from Sherman H. Dryer, who scripted and produced the series with Robert Weenolsen. Aside from offering an exciting plot, Dryer and Weenolsen also carried out a consciousness in their stories – of the prevalent generation's contemporary anxieties about the changing world, and the effects and dangers of technology to humankind. Cast members included Lon Clark, Joseph Julian, Henry Norell, Bill Keene, Bryna Raeburn and Amzie Strickland. Emerson Buckley conducted the music composed by Elliott Jacoby. Ken Marvin was the program's announcer, and the sound effects were by Adrian Penner.

2000 Plus (also called Two Thousand Plus and 2000+) was an American old-time radio series which ran from March 15, 1950 to January 2, 1952 in various 30-minute time slots. It was the first adult science fiction series on radio, airing one month prior to the better known Dimension X. During the 1950s, science fiction became a popular genre, and stories exploring future technologies, space expeditions and alien invasions were well received by the audience. Compared with other radio shows, 2000 Plus was an anthology program, and it used new and original material from Sherman H. Dryer, who scripted and produced the series with Robert Weenolsen. Aside from offering an exciting plot, Dryer and Weenolsen also carried out a consciousness in their stories – of the prevalent generation's contemporary anxieties about the changing world, and the effects and dangers of technology to humankind. Cast members included Lon Clark, Joseph Julian, Henry Norell, Bill Keene, Bryna Raeburn and Amzie Strickland. Emerson Buckley conducted the music composed by Elliott Jacoby. Ken Marvin was the program's announcer, and the sound effects were by Adrian Penner.

2000 Plus (also called Two Thousand Plus and 2000+) was an American old-time radio series which ran from March 15, 1950 to January 2, 1952 in various 30-minute time slots. It was the first adult science fiction series on radio, airing one month prior to the better known Dimension X. During the 1950s, science fiction became a popular genre, and stories exploring future technologies, space expeditions and alien invasions were well received by the audience. Compared with other radio shows, 2000 Plus was an anthology program, and it used new and original material from Sherman H. Dryer, who scripted and produced the series with Robert Weenolsen. Aside from offering an exciting plot, Dryer and Weenolsen also carried out a consciousness in their stories – of the prevalent generation's contemporary anxieties about the changing world, and the effects and dangers of technology to humankind. Cast members included Lon Clark, Joseph Julian, Henry Norell, Bill Keene, Bryna Raeburn and Amzie Strickland. Emerson Buckley conducted the music composed by Elliott Jacoby. Ken Marvin was the program's announcer, and the sound effects were by Adrian Penner.

2000 Plus (also called Two Thousand Plus and 2000+) was an American old-time radio series which ran from March 15, 1950 to January 2, 1952 in various 30-minute time slots. It was the first adult science fiction series on radio, airing one month prior to the better known Dimension X. During the 1950s, science fiction became a popular genre, and stories exploring future technologies, space expeditions and alien invasions were well received by the audience. Compared with other radio shows, 2000 Plus was an anthology program, and it used new and original material from Sherman H. Dryer, who scripted and produced the series with Robert Weenolsen. Aside from offering an exciting plot, Dryer and Weenolsen also carried out a consciousness in their stories – of the prevalent generation's contemporary anxieties about the changing world, and the effects and dangers of technology to humankind. Cast members included Lon Clark, Joseph Julian, Henry Norell, Bill Keene, Bryna Raeburn and Amzie Strickland. Emerson Buckley conducted the music composed by Elliott Jacoby. Ken Marvin was the program's announcer, and the sound effects were by Adrian Penner.

2000 Plus (also called Two Thousand Plus and 2000+) was an American old-time radio series which ran from March 15, 1950 to January 2, 1952 in various 30-minute time slots. It was the first adult science fiction series on radio, airing one month prior to the better known Dimension X. During the 1950s, science fiction became a popular genre, and stories exploring future technologies, space expeditions and alien invasions were well received by the audience. Compared with other radio shows, 2000 Plus was an anthology program, and it used new and original material from Sherman H. Dryer, who scripted and produced the series with Robert Weenolsen. Aside from offering an exciting plot, Dryer and Weenolsen also carried out a consciousness in their stories – of the prevalent generation's contemporary anxieties about the changing world, and the effects and dangers of technology to humankind. Cast members included Lon Clark, Joseph Julian, Henry Norell, Bill Keene, Bryna Raeburn and Amzie Strickland. Emerson Buckley conducted the music composed by Elliott Jacoby. Ken Marvin was the program's announcer, and the sound effects were by Adrian Penner.

2000 Plus (also called Two Thousand Plus and 2000+) was an American old-time radio series which ran from March 15, 1950 to January 2, 1952 in various 30-minute time slots. It was the first adult science fiction series on radio, airing one month prior to the better known Dimension X. During the 1950s, science fiction became a popular genre, and stories exploring future technologies, space expeditions and alien invasions were well received by the audience. Compared with other radio shows, 2000 Plus was an anthology program, and it used new and original material from Sherman H. Dryer, who scripted and produced the series with Robert Weenolsen. Aside from offering an exciting plot, Dryer and Weenolsen also carried out a consciousness in their stories – of the prevalent generation's contemporary anxieties about the changing world, and the effects and dangers of technology to humankind. Cast members included Lon Clark, Joseph Julian, Henry Norell, Bill Keene, Bryna Raeburn and Amzie Strickland. Emerson Buckley conducted the music composed by Elliott Jacoby. Ken Marvin was the program's announcer, and the sound effects were by Adrian Penner.

2000 Plus (also called Two Thousand Plus and 2000+) was an American old-time radio series which ran from March 15, 1950 to January 2, 1952 in various 30-minute time slots. It was the first adult science fiction series on radio, airing one month prior to the better known Dimension X. During the 1950s, science fiction became a popular genre, and stories exploring future technologies, space expeditions and alien invasions were well received by the audience. Compared with other radio shows, 2000 Plus was an anthology program, and it used new and original material from Sherman H. Dryer, who scripted and produced the series with Robert Weenolsen. Aside from offering an exciting plot, Dryer and Weenolsen also carried out a consciousness in their stories – of the prevalent generation's contemporary anxieties about the changing world, and the effects and dangers of technology to humankind. Cast members included Lon Clark, Joseph Julian, Henry Norell, Bill Keene, Bryna Raeburn and Amzie Strickland. Emerson Buckley conducted the music composed by Elliott Jacoby. Ken Marvin was the program's announcer, and the sound effects were by Adrian Penner.

2000 Plus (also called Two Thousand Plus and 2000+) was an American old-time radio series which ran from March 15, 1950 to January 2, 1952 in various 30-minute time slots. It was the first adult science fiction series on radio, airing one month prior to the better known Dimension X. During the 1950s, science fiction became a popular genre, and stories exploring future technologies, space expeditions and alien invasions were well received by the audience. Compared with other radio shows, 2000 Plus was an anthology program, and it used new and original material from Sherman H. Dryer, who scripted and produced the series with Robert Weenolsen. Aside from offering an exciting plot, Dryer and Weenolsen also carried out a consciousness in their stories – of the prevalent generation's contemporary anxieties about the changing world, and the effects and dangers of technology to humankind. Cast members included Lon Clark, Joseph Julian, Henry Norell, Bill Keene, Bryna Raeburn and Amzie Strickland. Emerson Buckley conducted the music composed by Elliott Jacoby. Ken Marvin was the program's announcer, and the sound effects were by Adrian Penner.

A Journey to the Center of the Earth. The Story involves a professor who leads his nephew and hired guide down a volcano in Iceland to the "center of the Earth". The encounter many adventures, including prehistoric animals and natural hazards, eventually coming to the surface again in southern Italy.

A Journey to the Center of the Earth. The Story involves a professor who leads his nephew and hired guide down a volcano in Iceland to the "center of the Earth". The encounter many adventures, including prehistoric animals and natural hazards, eventually coming to the surface again in southern Italy.

A Journey to the Center of the Earth. The Story involves a professor who leads his nephew and hired guide down a volcano in Iceland to the "center of the Earth". The encounter many adventures, including prehistoric animals and natural hazards, eventually coming to the surface again in southern Italy.

A Journey to the Center of the Earth. The Story involves a professor who leads his nephew and hired guide down a volcano in Iceland to the "center of the Earth". The encounter many adventures, including prehistoric animals and natural hazards, eventually coming to the surface again in southern Italy.

A Journey to the Center of the Earth. The Story involves a professor who leads his nephew and hired guide down a volcano in Iceland to the "center of the Earth". The encounter many adventures, including prehistoric animals and natural hazards, eventually coming to the surface again in southern Italy.

A Journey to the Center of the Earth. The Story involves a professor who leads his nephew and hired guide down a volcano in Iceland to the "center of the Earth". The encounter many adventures, including prehistoric animals and natural hazards, eventually coming to the surface again in southern Italy.

A Journey to the Center of the Earth. The Story involves a professor who leads his nephew and hired guide down a volcano in Iceland to the "center of the Earth". The encounter many adventures, including prehistoric animals and natural hazards, eventually coming to the surface again in southern Italy.

A Journey to the Center of the Earth. The Story involves a professor who leads his nephew and hired guide down a volcano in Iceland to the "center of the Earth". The encounter many adventures, including prehistoric animals and natural hazards, eventually coming to the surface again in southern Italy.

Day of the Triffids is a 1968 Radio Dramatization of John Wyndham's classic British Sci-Fi novel by the same name. The programs begins as believably as possible in explaining of how Earth came to have giant, walking, aggressive plants. It begins with the Soviets developing the Triffids to gain a competitive advantage in food production over the West. Due to a bit of espionage and misadventure, the Triffid seeds being spread across the globe. The good news is the Triffids can be controlled and managed. Humanity has one advantage over them: Humans can see. Unfortunately, an astronomical event is seen across the Earth and the media urges every person to stare up at it. This stupidity leads to almost the entire human race going blind. The hero of the story Bill Masen (Gary Watson) worked in Triffid management and knows their dangers. Due to an accident, he'd ended up in the hospital with bandages over his eyes,making him one of the few people who still have eyesight. He's left to navigate the perils of a post-apocalyptic world.

Day of the Triffids is a 1968 Radio Dramatization of John Wyndham's classic British Sci-Fi novel by the same name. The programs begins as believably as possible in explaining of how Earth came to have giant, walking, aggressive plants. It begins with the Soviets developing the Triffids to gain a competitive advantage in food production over the West. Due to a bit of espionage and misadventure, the Triffid seeds being spread across the globe. The good news is the Triffids can be controlled and managed. Humanity has one advantage over them: Humans can see. Unfortunately, an astronomical event is seen across the Earth and the media urges every person to stare up at it. This stupidity leads to almost the entire human race going blind. The hero of the story Bill Masen (Gary Watson) worked in Triffid management and knows their dangers. Due to an accident, he'd ended up in the hospital with bandages over his eyes,making him one of the few people who still have eyesight. He's left to navigate the perils of a post-apocalyptic world.

Day of the Triffids is a 1968 Radio Dramatization of John Wyndham's classic British Sci-Fi novel by the same name. The programs begins as believably as possible in explaining of how Earth came to have giant, walking, aggressive plants. It begins with the Soviets developing the Triffids to gain a competitive advantage in food production over the West. Due to a bit of espionage and misadventure, the Triffid seeds being spread across the globe. The good news is the Triffids can be controlled and managed. Humanity has one advantage over them: Humans can see. Unfortunately, an astronomical event is seen across the Earth and the media urges every person to stare up at it. This stupidity leads to almost the entire human race going blind. The hero of the story Bill Masen (Gary Watson) worked in Triffid management and knows their dangers. Due to an accident, he'd ended up in the hospital with bandages over his eyes,making him one of the few people who still have eyesight. He's left to navigate the perils of a post-apocalyptic world.

Day of the Triffids is a 1968 Radio Dramatization of John Wyndham's classic British Sci-Fi novel by the same name. The programs begins as believably as possible in explaining of how Earth came to have giant, walking, aggressive plants. It begins with the Soviets developing the Triffids to gain a competitive advantage in food production over the West. Due to a bit of espionage and misadventure, the Triffid seeds being spread across the globe. The good news is the Triffids can be controlled and managed. Humanity has one advantage over them: Humans can see. Unfortunately, an astronomical event is seen across the Earth and the media urges every person to stare up at it. This stupidity leads to almost the entire human race going blind. The hero of the story Bill Masen (Gary Watson) worked in Triffid management and knows their dangers. Due to an accident, he'd ended up in the hospital with bandages over his eyes,making him one of the few people who still have eyesight. He's left to navigate the perils of a post-apocalyptic world.

Day of the Triffids is a 1968 Radio Dramatization of John Wyndham's classic British Sci-Fi novel by the same name. The programs begins as believably as possible in explaining of how Earth came to have giant, walking, aggressive plants. It begins with the Soviets developing the Triffids to gain a competitive advantage in food production over the West. Due to a bit of espionage and misadventure, the Triffid seeds being spread across the globe. The good news is the Triffids can be controlled and managed. Humanity has one advantage over them: Humans can see. Unfortunately, an astronomical event is seen across the Earth and the media urges every person to stare up at it. This stupidity leads to almost the entire human race going blind. The hero of the story Bill Masen (Gary Watson) worked in Triffid management and knows their dangers. Due to an accident, he'd ended up in the hospital with bandages over his eyes,making him one of the few people who still have eyesight. He's left to navigate the perils of a post-apocalyptic world.

Day of the Triffids is a 1968 Radio Dramatization of John Wyndham's classic British Sci-Fi novel by the same name. The programs begins as believably as possible in explaining of how Earth came to have giant, walking, aggressive plants. It begins with the Soviets developing the Triffids to gain a competitive advantage in food production over the West. Due to a bit of espionage and misadventure, the Triffid seeds being spread across the globe. The good news is the Triffids can be controlled and managed. Humanity has one advantage over them: Humans can see. Unfortunately, an astronomical event is seen across the Earth and the media urges every person to stare up at it. This stupidity leads to almost the entire human race going blind. The hero of the story Bill Masen (Gary Watson) worked in Triffid management and knows their dangers. Due to an accident, he'd ended up in the hospital with bandages over his eyes,making him one of the few people who still have eyesight. He's left to navigate the perils of a post-apocalyptic world.

"The War Of The Worlds". The most famous radio show of all time. Mars invades New Jersey. + The wireless is interrupted by a special bulletin. "Professor Farrell of the Mount Jennings Observatory reports observing several explosions of incandescent gas occurring at regular intervals on the planet Mars. The spectroscope indicates the gas to be hydrogen which is moving towards the earth at enormous velocity". What is this unexplained phenomena? Most definitely the most famous radio drama ever broadcast and still as gripping today as ever.

Charles Chilton's classic science fiction series, Journey Into Space, stormed the BBC airwaves during the 1950s. Between 1953 and 1958, a devoted audience of six million adults and children attentively followed Jet Morgan and his crew from one cliff-hanger to another as, together, they faced the unknown perils of space. Return From Mars is the final adventure in the classic science fiction series. The ninety-minute episode is paired with a special half-hour feature, Journey Into Space Again, which is written and presented by Charles Chilton. It includes extracts from the series and interviews with its leading actors, Andrew Faulds (Jet Morgan) and David Jacobs.

​ April 15, 1972. The Discovery and two freighters return to the Moon from the disastrous Mars expedition. The crew are subjected to intense questioning about their experiences on Mars, and Lemmy discovers that the Discovery is being readied for take off. Back on Earth, they visit an astronomer who has spotted suspicious objects in the heavens.

​ Jet and Lemmy go to investigate the objects in an orbital rocket, but are sent to sleep for 24 hours by a strange noise. Film footage suggests the asteroids are actually spacecraft carriers. Jet discovers that a spaceship has crashed in the Lake District. Jet and Doc enter the ship.