Podcasts about triffids

Day of The Triffids 68-07-04 03 Conference And Confusion

Day of The Triffids 68-06-27 02 A Light In The Night

Join us as we dive deep into the iconic Australian song 'Wide Open Road' by The Triffids. We explore its atmospheric sound, lyrical depth, and enduring legacy. Plus, catch up with Braggy's road trip adventures and upcoming gigs.The Triffids, Wide Open Road, Australian music, 1980s music, music analysis, Unfiltered and Undiscovered podcast,If you enjoyed this episode, please like, subscribe, and leave a review. Let us know which songs you'd like us to explore next!⏱️⏱️VIDEO CHAPTERS⏱️⏱️:00:00:00 - Introduction to the Podcast and Hosts00:03:40 - Discussing Australian Music and Artists00:08:33 - Analyzing 'Wide Open Road' by The Triffids00:12:47 - Lyrics and Themes of 'Wide Open Road'00:16:38 - Legacy and Influence of The Triffids00:21:44 - Comparisons with Other Australian Bands00:25:36 - Upcoming Gigs and Events for the Hosts00:29:18 - Future Podcast Episodes and Guest AnnouncementsTo appear on the podcast please email: hithere@unfilteredandundiscovered.comHosted by Curly, Rossy, and Braggy.—---------------------------------------------------------------------------------------Triffids - Wide Open Road https://youtu.be/7N5akOOlGTI?si=39dn-zHGJJVjLHk0 ===============================================================Copyright Disclaimer:"The Unfiltered & Undiscovered Podcast features interviews and showcases with music artists, along with our Mystery Song Deep Dive segment, which is intended solely for educational and entertainment purposes. Any songs discussed or played during the podcast remain the property of their respective copyright owners, and no copyright infringement is intended."============================================================Follow our SocialsFor all of our links- Socials, Platforms and Playlistshttps://my.linkpod.site/unfiltered Thanks for tuning in#music #rockandroll #sydneymusic #undiscovered #unfiltered #newmusic #braggy #curly #aussiemusicshow #sydney #accoustic #vinylrecords#adelaidemusic #brisbanemusic #indiemusic#album #spotify #musicpodcast #NewMusic #MusicDiscovery #MusicRecommendations.#NewMusicFriday #IndieMusic #UndergroundMusic #NewArtist #MusicPodcast #MusicLovers#DiscoverNewMusic #freshcountry #AussieIndie 

Two modern audio adaptations of Triffids novels come under the microphones as part of our slowly-expanding Apocalypse UK strand, the first a 2001 BBC World Service radio version of Wyndham's original The Day of the Triffids, the second Big Finish's 2014 The Night of the Triffids, its official sequel as adapted by the author of the novel, Simon Clark Presented by J.R. Southall, with Jim Cameron and Dylan Rees

Day of The Triffids 68-06-20 01 The End Begins

Episode 390 is The DayOf The Triffids (1981) "Episode 1" Bill, who works at a farm for deadly plants called triffids, was temporarily blinded by one of them and is now in hospital. The hour approaches for the bandages over his eyes to come off, but a strange silence pervades the room.

Welcome to the Fresh Juice podcast! Your go-to spot for in-depth reviews, insights, and discussions on indie games. We're passionate about uncovering hidden gems in the gaming world and giving indie developers the spotlight they deserve.In each episode, we dive deep into the gameplay, mechanics, and artistry of various indie games. We also feature exclusive interviews with developers, sharing their stories and the inspirations behind their games.THIS EPISODE: This week Tommy and Matty dive deep into some of their favorite demos from the Steam Next Fest!DEMOS:Megabonk - https://store.steampowered.com/app/3405340/Megabonk/King is Watching - https://store.steampowered.com/app/2753900/The_King_is_Watching/Castle v Castle - https://store.steampowered.com/app/3398880/Castle_V_Castle/Rogue Loops - https://store.steampowered.com/app/3275010/Rogue_Loops/

Skip the Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them increase their visitor numbers. Your host is Paul Marden.If you like what you hear, you can subscribe on iTunes, Spotify, and all the usual channels by searching Skip the Queue or visit our website SkiptheQueue.fm.If you've enjoyed this podcast, please leave us a five star review, it really helps others find us. And remember to follow us on Twitter  or Bluesky for your chance to win the books that have been mentioned in this podcast.Competition ends on 13th March 2025. The winner will be contacted via Bluesky. Show references: Website: https://www.crowdconvert.co.uk/ Linkedin: https://www.linkedin.com/company/crowd-convert/Bluesky: https://bsky.app/profile/crowdconvert.co.ukCrowd Convert has been created to provide attractions with the tools and expertise to create world class digital interactions that extend their incredibly moving physical experiences into the digital world. Very simply Crowd Convert is here to Rehmanise Commerce http://kellymolson.co.uk/Kelly Molson - The Lifestyle Agency AdvisorSupporting overwhelmed solo founders who crave long-term sustainable growth, through monthly advisory. Define your niche. Generate leads. Build your pipeline. Founding Rubber Cheese, a lifestyle web development agency in 2003, she grew the agency profitably for over 20 years transforming our success in 2019 by establishing it as the leading web design agency in the visitor attraction sector. She sold the business in 2024, and now support founders building specialist lifestyle agencies to find their own path – agency growth on their terms.• Gain clarity on direction, mission and positioning to win the right clients• Become confident in increasing prices and saying no to ‘stuff' that sucks time and energy• Feel the excitement of building strategic partnerships that deliver your dream clientsBuild an agency on your terms, choosing profitability over pressure, putting life before work.  Transcription: Kelly Molson: Well, look who is back. They've let me loose with the microphone again. I might never leave. Paul Marden: Welcome to Skip the Queue, a podcast for people working in and working with visitor attractions. Kelly Molson: Can I just say that you pretty much called me a queen just before we began recording this, and I think I wear that crown appropriately today. Andy Povey: Podcast royalty. Kelly Molson: She is back where she belongs in her rightful place on her throne with her microphone. Wow. Thank you. You two have been cooking up something interesting, and I am back here to tease it out of you both today. But because I am in charge again, I get to do things my way, which means Icebreakers are back on the cards. Yay. Kelly Molson: I'm so happy to be back here doing this. Right? Paul Marden: I've never done one of these. This is so. In all of the time. I know. Andy Povey: So I've got something over you now, Paul. Kelly Molson: I can't believe this. Even when we did the sessions that were us two, the episodes that were us two. Paul Marden: You didn't ask me icebreakers. I am dodged that bullet for two and a half years. Kelly Molson:  That's outrageous. Okay, well, then we'll start with you. I would like to know who's your favourite podcast host? Why is it me? Paul Marden: Wow. Kelly Molson:  No. Genuine question. Genuine question. Okay, so, I mean, obviously it is me. We could put that aside. Paul Marden: Yeah, yeah. So put a pin in that one. Kelly Molson: Put a pin in that. So listen there, I have seen in the last. Well, since we started Skip the Queue back in 2019. Goodness, July 2019, there's been lots of different sector podcasts that have kind of popped up, and they are brilliant. And I'm all for more and more niche podcasts. They are the best kind of podcast. But I want to know, aside from Skip the Queue, what is your second favourite sector podcast? Paul Marden: Oh, oh. Attraction Pros is the one for me. I do like listening to the guys at AttractionPros. Kelly Molson: They are good. They were around before Skip the Queue. So they're like. For me, they're the ones that we are looking up to in terms of the podcast. Paul Marden: We were. Kelly Molson: Oh, oh, Podcast Beef. Josh is gonna hear this. He's not going to be happy. Andy, same question to you. What other podcasts you listen to sector wise? Andy Povey: So, I mean, that's a really difficult question because. Well, it's not. The answer's none. I don't listen to sector podcasts very much. I become a politics junkie, or I've been a politics junkie for years. Kelly Molson: Okay.Andy Povey: So my podcasts are just full of politics podcast, which in the past two weeks I've stopped listening to. I've turned off completely because the world of politics is just such a mess.Kelly Molson: It's a car crash.Andy Povey: Within two minutes of having been published. Kelly Molson: What would be normally your go to, like, the regular one that you would listen to? Andy Povey: Me being a reluctant remainer. It's all the stuff that hangs over from that. So there's. Oh, God, what now? Quiet riot. The two. Alistair Campbell and Rory Stewart. I can't remember what that one's called right now. Paul Marden: The rest is politics. Kelly Molson: Rest is politics. Yeah, cool. Paul Marden: What about the one with Ed Balls and George Osborne? Andy Povey: I tried it and haven't really got into it. Paul Marden: Yeah. So I'm the opposite way around. So that's the one I like. And I don't like Rest is politics. And I turned out that actually George Osborne is a human being and I quite like the guy. I'd go for a drink with him. Who knew? Kelly Molson: This is no news. Paul Marden: Yeah. Kelly Molson: I wonder if he'd like to go for a drink with you. Paul Marden: Probably no.Andy Povey: I'm sure he'll be delighted to hear that when he listens to this. Paul Marden: When these politicians, when they give up their day job and they return to normal life and then you hear them on programmes, they're actually quite relatable and you think, why could you not capture that relatability when you were actually doing the job? Andy Povey: Well, it's actually a key part of the job, isn't it? It's the only thing you need to be good at as a politician. Kelly Molson: You would think, “Oh, could I could make a good politician then?” I'm just generally nice to people. Andy Povey: Absolutely. What would be your policies, Kelly? What would you do? What would you bring in? Kelly Molson: Oh, new policies. Oh, well, that's a very good question. I have one about mobile phones and people walking and looking at them at the same time, which I would ban because I generally just want to kick people. Kelly Molson: You know when you, like on the tube and you've got to get somewhere and you've just got people walking up the stairs in front of you, like, whilst looking at their phone, like, I want to swipe their legs away. So something around that they would be useful. It would make me happy anyway. Andy Povey: Absolutely. Kelly Molson: Make some other people happy, too. Who knows? Good. Okay. Glad that went there. Second question. This is a good one. It's coming up to. Well, I mean, it's already started, isn't it? Conference season has kicked in well and truly. You're at NFAN. That's really the start of it. I am going to be at the Association for Cultural Enterprise Conference in March. So looking forward to seeing everybody. I'm going to be at the awards do as well. I've been judging the awards. Paul Marden: Have you really? Kelly Molson: Yes, there was a lot in my category, I'm not going to lie. That took a lot longer than I was expecting it, but it was really fun. And the short list of finalists is out now if you haven't seen it. And it's an amazing list. So yeah, I'm really looking forward to seeing who the winners are. But I would like to know what is the worst food you've ever been served at a conference? Because let's face it, can be a bit dodge, can't it? Andy Povey: So this sticks in my mind. It was an awful experience. We were at Port Sunlight up in. Actually not that far from Liverpool where the ACE conference is going to be in March. And it was pretty close, pretty soon after lockdown and it was almost like the caterers just looked in the freezer to see what they've got left over and no other conference had been there and then just put it all out at the same time. And it was all beige and it was just such mixture. Kelly Molson: Hang on a minute, hang on a minute. Let's not dis beige food because I'm not gonna let. I am a bit of a fan of beige food. So if you. If there was a conference that basically the lunch was made up of like kids party food, that would be the best conference I'd ever been to. Like sausage rames. Andy Povey: As long as you can have half a grapefruit covered in tin foil with cocktail sticks with cheese and pineapple stuff in it. Kelly Molson: No pineapple, I'm allergic, that would kill me. Paul Marden: But cheese tinned pineapple, it's got to be. Kelly Molson: Oh, tin pineapple is actually okay. Weirdly, that wouldn't kill me. So yeah, I would be down. I know, it's weird, I know. It's just fresh pineapple. Who knew?Kelly Molson: So little classed. Paul Marden:  Still loves the sausage roll and a scotch egg. Andy Povey: That's fine. Sausage rolls and scotch eggs, absolutely no problem. It's when you mix them with onion barges and samosas and Chinese spring rolls and. Paul Marden: Sounds like every Boxing Day lunch I've ever been to. Kelly Molson: I'm not going to lie, it actually sounds like my dream conference. Paul, over to you. Paul Marden: Conferences that serve you food that you cannot eat with one hand. Andy Povey: Yes. Paul Marden: Yeah. So pasta with a sloppy sauce. Why would you do that to me? I mean, I am not the best eater. I need a bib at most times, but if I'm out in public, I don't want garlic bread, I don't want saucy food. I want stuff I can shovel crack quickly and politely. I mean, as politely as you can shuffle food, but, you know.Kelly Molson: I'm with you on this. Like, what is wrong with the sandwich? Yeah, genuinely, I don't feel like we need to push the boundaries of conference food. I'm happy with stuff that you can pick up with one hand and eat comfortably. Kelly Molson: Stuff that, you know, you're confident that you can sit because let's face it, you get quite upright cos. And personal to people at conferences, don't you, when you're trying to, you know, it's not. Let's not be overloading them with garlic or anything. Kelly Molson: Delightful, you know? Yep, exactly. I don't know, I still, I keep going back to the whole party food. I think kids parties have got the right idea. Party rings, sausage rolls, scotch eggs. Paul Marden: And what sits that you can put in your mouth like a walrus. Kelly Molson: Oh, you know my party tricks. Brilliant, guys. Okay, listen, unpopular opinions are back for one time only. So, Andy, what you've got for me? Andy Povey: So mine's food related and it's probably more unpopular in my house than it is anywhere else, but Chinese food is massively overrated. Paul Marden: Behave. Kelly Molson: Yeah, I'm very on the fence about this one. Andy Povey: My kids love it, but the things they love are all the stuff that come with the sugar sauces. So lemon chicken, the sweet and sour chicken balls, all that kind of stuff. We good? So we mean, I don't need dessert and the main meal at the same time. Paul Marden: So we're talking English approximations of Chinese food from the takeaway. Yeah.Andy Povey: Nothing very sophisticated. Kelly Molson: I'm afraid I feel like that is all the stuff that I used to like, but now if you served me up a big plate of all of that stuff, it'd be like, oh, God, I'm gonna, I'm this. I'm gonna really struggle with this and I'm gonna be up in the night, aren't I? Paul Marden: I'm basically just a nine year old. Because it sounds like my idea of heaven. Sweet and sickly, deep fried. What's not to love? Kelly Molson: All right, well, let's see how our listeners feel about the whole Chinese debate. Paul, what about you? What you got? Paul Marden: The best radio station, is in fact Radio 4. Andy Povey: I agree with you 100%. Paul Marden: So that's not a controversial opinion. I thought that was going to be massively controversial. They've been podcasting for about 100 years. They podcasted long before there was really a podcast. It's all just spoken voice. So if I got trapped on a desert island, my luxury would be a Radio 4 on a radio to listen to because there's always a variety of stuff that you can listen to. Kelly Molson: Do you not listen to any of the other? Paul Marden: I do quite like. I quite like Greg James in the morning. Kelly Molson: I love Greg. I am a Radio 1 fan. Paul Marden: So have you listened to Greg on Radio 4? Kelly Molson: No, I know he does do that. Paul Marden: But, yeah, he's got a program on Radio 4 where he delves through the BBC archives. Rewinder, it's called, and it's brilliant. I love it. It's Greg James. Funny, combined with the novelty of listening to new things on Radio 4. Kelly Molson: Okay, all right, well, I'll give that a go. Yeah. I'm not fully sold on the Radio 4. I do like it. Paul Marden: But if I've got three or four hours in the car, up to a meeting and then another three or four hours to drive back afterwards, I'd rather listen to Radio 4 than Radio 1 because I won't get repeats of stuff. Kelly Molson: Yeah, I definitely am with you on that. And I would not. Yeah, I would not listen to Radio 1 for that length of time for that reason. Well, I'm. I did used to like. What was the pop quiz? Was that on Radio four? No, that was radio. Paul Marden: That was Radio 2. Kelly Molson: It was two, wasn't it? Sorry, I'm getting my radios mixed up. Paul Marden: Getting your old person radio mixed up. Kelly Molson: If I'm honest, I quite like a little bit of magic every now and again, but that really does age me. It's quite gentle. It's calming. When you've had a three and a half year old toddler screaming at you in the car for a while, it's quite nice to put something neutral on. Andy Povey: Absolutely. Kelly Molson: Thank you. Thank you for indulging, actually. Paul Marden: That was enjoyable. Kelly Molson: You're welcome. Andy Povey: That's why she likes doing them. Kelly Molson: All right, listen, let's get to the good stuff. I mean, everyone likes that bit. Let's face it, they've missed it, they want me back. But let's get to the actual route of why we're supposed to be here. Andy Povey: So I have another unpopular opinion that sort of leads in as a segue to where we were going. Kelly Molson: Oh, for God's sake, who's in control of this podcast? Me. Go on, then. Andy Povey: So this unpopular opinion is that if you're an attraction operator, you don't want a ticketing system. Kelly Molson: Excellent segue. Andy Povey: We were just talking about conferences. There are sessions in conferences and one of my favourite conferences I go to is the Ticketing Professionals Conference. But there are sections in each of these conferences on how to find a ticketing system, how to choose your ticketing system supplier, how to get a better relationship with your ticketing system. And in my opinion, an attraction operator doesn't want one. They want happy guests who are giving them lots of money to come and have great experiences. They don't care how it happens. Kelly Molson: It's true. Yeah, yeah, I agree with that, definitely. But are you dissing ticketing professionals and saying basically the sessions you're putting on a rubbish no one gives them? Andy Povey: No, no, no. There's a certain section of society that really enjoys it. So I describe this as. When I go to B and Q to look for a drill, I'm one of the geeks that actually wants to understand how the drill works and how fast it is and all that kind of stuff. But the majority of people going to buy a drill don't want a drill. They want a hole. Kelly Molson: Want a hole. Andy Povey: Yeah. So he's an attraction operator. You don't want a ticketing system. You want happy customers who are giving you lots of money and having great experiences. Kelly Molson: Okay, right. So that was a great segue into where I was going. Look, you two, you two have been thick as thieves for a good few months, if not longer, and there's been something cooking up between the two of you. Kelly Molson: I have had a little bit of privy to understand what's been going on, but this is the first time that you've actually got to the point of talking about it openly and publicly, isn't it? And that why you've got me back on, basically, is to grill you on what you're doing. So spill up, fess up. What have you been doing in the background, the two of you? Paul Marden: Well, this all came about after a lunch that Andy and I had in August of last year, where were putting the world to rights and figuring out what do attractions need to do with their ticketing, what do they need to do with their websites, and what could we do to try to improve things? And Andy had thought lots about this stuff and he prepared me. It's quite the lunch. He prepared me a PowerPoint presentation for lunch. Kelly Molson: Wow. Like when you want your mum and dad to get you a dog. Andy Povey: Absolutely. Can we make this happen? Paul Marden: Yeah, it was. It was his wish list. Clearly, this PowerPoint has been worked on for many years because there was lots of wishes, lots of ideas, and being the developer at heart that I am, I'm like, how hard can that be? It's only a website. Surely we can do this. Surely we can do it. We've done bits of it before and we started to think about where we could go with stuff that had long predates me. Yeah. There are elements of Rubber Cheese that you and Wag were working on for years, probably prior to the merger with Carbon Six. But it's been a really challenging market. Paul Marden: And getting out there and meeting people and talking about some of these elements of E commerce and ticketing, sales and personalisation and things like that we're going to talk about in a minute are quite hard to sell into people when it's a challenging market. And it seemed like, well, that was our first date and we thought that it could be a marriage made in heaven for the two of us, because Andy's got a lot of understanding of the sector and the needs and the challenges and who would benefit from this sort of technology. And I'm in the lucky position after having merged Carbon Six and Rubber Cheese, of having some of this technology that we could then develop. So it was a seed that grew from there, really, wasn't it, Andy? Andy Povey: Yeah. And he's carried on growing. I mean, the intent behind it all was that everything is just so disjointed at the moment. So if you're a big theme park with accommodation and a decent retail and decent catering, food and beverage offering, you're looking at seven or eight different systems that you need to run your business and someone needs to plug all of those together to get a good guest experience. And unless you're the size of Merlin or Disney or Universal, with lots and lots of resource to apply to plugging these systems together, it just doesn't happen. Which is why we're still not delivering the Best in class Omni Channel experience to people who are coming out for a day out. Kelly Molson: I think this is a really exciting conversation. And if I think back to some of the conversations that we were having prior to me leaving Rubber Cheese, Paul,it's exactly the challenge that they were having. You know, thinking back to a particular pitch where there's a historic house, there was a plague playground, there was a golf course, there was a spa, there was a hotel, there was something else. And all of these things had so many different systems that were running them and there wasn't really a way to facilitate bringing them all together. And that's the challenge because that's exactly what they need. But they weren't of the scale to be able to invest in the infrastructure to be able to do that. But it is exactly what they needed. Kelly Molson: So is this thing that you've built, or in the process of building and developing, going to solve that problem for people? Andy Povey: That's the objective. Paul Marden: That was a very guarded statement, wasn't it? That was a politician's answer. I think the answer that were just groping for then was yes. Kelly Molson: Yes, it is.Andy Povey: Yes. Kelly Molson: It's exactly the answer that I wanted. Andy Povey: We're forming a company that we're calling Crowd Convert and we'll put a link to the URL and website and all that kind of stuff in the show notes. And the objective behind CrowdConvert is that we will make this all work together. It's a journey. We don't have it today. It doesn't exist. I worked for Merlin Entertainment for the two source group for 18 years now. We had lots of resource in comparison to smaller attractions, but we still didn't make it happen. So it doesn't exist out there at the moment and we're going to build it. Kelly Molson: Okay, so we've got Andy, we've got an industry veteran. Hope you don't mind me. Andy Povey: Not at all. Kelly Molson: Kind of makes you feel, it makes you feel ancient, but you're not. But, you know, you've got all of this historic understanding and experience within the sector. Paul, yours is building, obviously we've built that over the years with Rubber Cheese. But you're, you know, you're the digital specialist that can come in and support facilitating building these and you've both come together under the Crowd Convert name. So this is the new company that the two of you have formed. I love the name. Andy Povey: Thank you. Kelly Molson: So I want to understand, like how then there's a story there. What I want to get a little bit of a deeper understanding is what is the offer? So, you know, what is the thing that you are actually building and does that thing have a name at the moment? What does it look like? So firstly, where did the name come from? Crowd Convert. Paul Marden: Weeks and weeks of effort. I hate choosing names for things, so hard. You come up with a brilliant idea and then you say it to your wife, “Oh my God, you can't call it that”. Or you come up with a name and then somebody's bought the domain name and by the end of It I was just like, please, somebody just put me out of my misery. I don't care what we choose. Andy Povey: It was actually the most torturous thing about getting this all together. There were a few others that came in very close second. But choosing the name and getting that together was really quite painful. Paul Marden: But it was the right process because we were so happy with the result at the end of it. Andy Povey: Absolutely. But it seems or it felt to me like the choosing the name, when we actually got to that part of the process took two or three minutes. And if we'd have thought of that name right at the start, then would we have rejected it or would we have carried on? Could we have saved two minutes? Kelly Molson: So you worked through the process, which means the name has more meaning. Paul Marden: Yeah. Kelly Molson: So what is the meaning behind it? What's the ethos behind between Crowd Convert? Like what? Andy Povey: So we've reverse engineered this one a little bit. And if you're in the world of attractions, you have a crowd. You hopefully you have a crowd. And as a visitor to an attraction, you want to be part of a crowd. You don't want to be the last person in the pub or the only person in theatre, because that just feels weird. But as an attraction operator, I want to have a relationship with you. I want to know who you are, I want to know what you want. I want to give you a great experience. I want to give you a membership. If I'm a charitable organisation, I want to convert you to a donor. If I'm not, then I want to turn you into an advocate at a superfan. Andy Povey: So Crowd Convert is giving you the tools to convert those crowds into individuals that you can create that know, like and trust relationship with. Kelly Molson: That's nice. So you talk a lot on the website about kind of humanising that process. And I think it is. It's taking it back to that kind of one on one that talking to people as individuals rather than talking to them as a mass. Andy Povey: Absolutely. That goes back to the. You don't want a ticketing system. Don't show me what goes in the sausage. Give me a great experience. Paul Marden: Mixing your metaphors there. Andy Povey: I know. Kelly Molson: You lost me at sausage. So, sorry. So I want to go back a little bit, Paul, to what you. Something that you said earlier about that this predates you and your part that you play in Rubber Cheese and your ownership of Rubber Cheese. So I'm going to make an assumption here that something that you're using is something that we already kind of started, but quite a long time ago. So we had almost like a product at Rubber Cheese that was in the ticketing space. And if I'm honest, as a small agency, you only have so much resource to work on things that are for you and ultimately the things that were for us and for you, like the podcast and the survey and the report, always took priority. Kelly Molson: And that was an awful lot of work for an agency that was, you know, before we merged, there were six or seven of us. You know, we weren't huge. We didn't have a whole lot of capacity and resources to give up to these things. But we did start to develop a product that kind of. We knew that it could be good, but it almost. We just, we had to shelve it and we just said, you know, one day we might get investment or one day we might be big enough that we could actually kind of focus on that. It feels like that's the product that you are now. Paul Marden: That is definitely the great grandparent of the idea that we've got now. Kelly Molson: I like that. Paul Marden: So there's, I guess there's two parts to some of the stuff that you had developed previously. Some of it was in the ticketing space. So for very small attractions, you developed a system that had an inventory of tickets that you could buy online and it would issue the ticket, create a barcode, send it to them. But there was also a piece that you did that integrated with existing ticketing systems. And that's the area where I think my mind was going is around building a best in class e commerce experience. Because people sat on the sofa on a Thursday night trying to decide what they're going to do at the weekend, want to be able to find an attraction, get their tickets, and then carry on watching the telly. They want quick and easy experience. We can build that experience. Paul Marden: We know from the survey that it's nine steps on average to be able to complete an attractions checkout, plus or minus a couple of steps. So there's ones that are even worse. And that checkout experience is torturous in many cases. They want to know when you're coming, what time you're coming, what type of ticket you want to buy. They want to know who's coming, the names, possibly the email addresses of all of your guests that you're bringing with you. They'll want to know what your home address is, what your billing address is. They'll then want to sell you a guidebook. They might upsell or cross sell some other products along the way. And that's how you end up with 12 steps in a process that just feels torturous. Paul Marden: I had one last year where they even made me enter a password for a site I was never going to return to and told me off twice for getting the password wrong. I mean, the process that many attractions go through to make you buy, it's a wonder anybody ever perseveres. What's stopping us from achieving an Amazon like one or two click experience? How can we go from that really extreme version down to something really simple and quick? And we've proven that it is possible to do that. It's possible to get down to a couple of clicks and we do that. I know you look surprised. Kelly Molson: Yeah, well, yes, I, well, I am surprised, but also quite excited by that because that is one of the issues that has come up year after year in the visitor attraction, you know, website report is the amount of steps and the aggravation it causes people, but also the cost that it could save attractions. Paul Marden: Yep. Kelly Molson: I mean you said nine steps. I thought were, I thought were aboutbbetween seven and nine steps is about the average. Kelly Molson: Right. So we know that can cost attractions a huge amount in lost revenue. You know, I'm just going back to the 2022 report, but it was something like 250k for one of our best performing attractions. But it's also tied to, you know, that excessive amounts of CO2 emissions, which I know you focused on really heavily for the current report. So you're saying that the product that you're building could essentially take those average steps down to two. Andy Povey: It's not good. It does. Kelly Molson: WowPaul Marden: It does. Yeah. So the way that we do that is a number of different core principles. Yeah. So we are not going to ask you for anything we do not need in order to affect the transaction. We are only going to ask you to share the data we absolutely need to complete the transaction. We are going to start to make some assumptions about you through personalisation technology. We will know roughly where you are and how far you are away from the transaction. If you're within an hour's distance of the place, chances are if you're looking on Thursday night, probably looking for this weekend. If you're on a different continent, you might be planning for a long term holiday. Paul Marden: If we know that you're quite local, let's assume the date that you want to travel based on our understanding of average behaviour of people at that particular attraction and then let people change it if it's not right. Yeah. Another thing Andy talks about a lot is not overselling. So a lot of ticketing systems are trying to upsell, cross sell and increase the average order value, but by cannibalising the conversion rate. And you talk, Andy, don't you, about the maitre d at the restaurant? Andy Povey: Yeah. So it's. It's like comparing a McDonald's experience to go to a fine dining place. So if I'm in the McDonald's world, I have to choose what drink I want, what dessert I'm going to have, what main course I'm going to have, all at the same point. And it's a really artificial transaction. It's almost like if you were walking into a fine dining restaurant with the maitre d at the front going, “Welcome, Andy, come in. Lovely to see you. Can you tell me what you'd like for your starter for your main course? For dessert? Will you like coffee after dessert? Would you like a liqueur after the coffee?” We still haven't got to the table and that's where we are with attractions, upsells. Andy Povey: Because we believe mistakenly, in my opinion, that's the only opportunity that we've got to sell guidebook or the teddy bear or whatever to the guest who's coming. We should stop all of that because it's stopping the transaction, it's interrupting the transaction, adding extra steps and causing people to leave. Kelly Molson: It's a really good point. I mean, I actually have in the past have advocated for adding in upsells in that journey. And because I have often been like, well, yeah, actually it's a really good opportunity for people to sell a little bit more, you know, whether it's a guidebook, whether it's an experience, whatever that might be. So what would you say to people who they still want to do that? Is that, are we then talking about, you know, there's options for you to do that or actually that becomes part of the pre visit, pre boarding. So it funnels down into like emails, comms and stuff. Andy Povey: It's both options, really. For an upsell to work really well, it needs to be at the time where it's most appropriate. So back to the restaurant analogy, offering me a coffee at the point I walk in the door is completely inappropriate. Andy Povey: Offering me a coffee after I've had a great meal and I'm feeling quite full and quite happy with myself is entirely the appropriate time to offer me the coffee. So let's make the offers on the upsells appropriate to the time and to the guest. So if you're an attraction that charges for car parking, for example, it might be that 9:00 in the morning on the day of visit when the family are just getting in the car to travel to the venue is the most appropriate time to offer the car parking upsell. Not at the point where I'm buying the ticket. It might be if you've got a VIP upgrade experience. So if you're a water park there's a cabana you can have. If you're a theme park it's a fast track experience. Andy Povey: If you're a museum then there's a guided Tour that upsell VIP type experience you offer 48 hours before the day of visit. Kelly Molson: Sure. Andy Povey: Memberships are another great thing. So there's still the majority of first time membership purchases are made as the consumer is leaving the attraction. Had a great day out. Get today's entry feedback against your membership and that's still go and join this queue with kids who are overtired and a little bit disappointed because they're leaving and I'm stressed because I've got a. I'm tired as well and I've got a long drive home and then I've got to work out what we're going to do for dinner when we get in. There's all these negatives. Don't try and sell me a membership then. Sell me the membership for the next seven days and hit me up with lots of different messages through appropriate channels. Andy Povey: So it might be that a WhatsApp message on the way home offering me a really simple way of upgrading to a membership is the most appropriate that time. But it might be that 9 o'clock on Monday morning when we can assume that a lot of people are going to be sitting behind a desk. Then it's the most appropriate to send me an email and then hit me up again Thursday when I'm thinking about what I'm going to be doing next this weekend coming remind me of the great experience I had and give me an opportunity then. So just be, make it much more human. Kelly Molson: It makes sense. And there's something that you. I've been able to have a sneak peek of the Crowd Convert website. So we'll talk a little bit later about where people can find out a little bit more about you. But I've been able to have a little look at that and there's something that you talk about which is about rehumanising commerce and there's a really lovely story on there that you talk about, which is the Shopkeeper's Wisdom. And I read that, I was like, this is really nice because I've always. The local shop is or did sit at the epicentre of the community at one point. And I have got really vivid memories. So we lived on a little estate near my school in Essex and across the road from us was the corner shop. Kelly Molson: And it was where everything happened, you know, like it was the post office, it was where you got your papers, where you got your sweets. At one point is where you got your videos, not your DVDs because they did not exist. You know, you got your VHS cassettes and you could go and rent, you know, everything kind of happened there. And they knew you, they knew your family, they knew your mum and dad, they knew your names, you know, and it was a really, it was just quite a wholesome experience. And you talk about that, the Shopkeeper's Wisdom. So you say, you know, the local shopkeeper knew everything that it was to know about their customers. And that is kind of taking it back to that level. That's, that's what this feels like. Andy Povey: And that's completely where we're trying to get to. We don't want to get to the level of creepiness where people are getting all upset about what were. Andy Povey: And we don't want to be intrusive. But we have a great opportunity in the attraction space. Our customers want to engage with us. They're going because they enjoy what we do. They're going to see us because they want to experience the thing that we're doing. It's not like we're selling insurance or car tires that you just got to have and it's really tedious. People want to engage, so let's make it easy for them to do that. Kelly Molson: Okay. So we're doing that by making it quicker for them and less friction to buy a ticket in the first place. Communicating with them at the appropriate times and in the ways that they want to be communicated to and offering them. Because we don't want to stop offering people extra things. We're doing it in the way and at the time that's appropriate for that audience. Paul Marden: We're absolutely convinced that moving some of these upsells and cross sell opportunities to later in your relationship will increase the likelihood of you closing the deal. Don't cannibalise the conversion rate at the initial conversation. You haven't built a trust relationship with someone, so don't keep throwing options at them. It's just too much. I'm a simple boy. If I go to a restaurant, I want a really simple menu, three or four things, and I'll make a choice. Yeah. If you give me too many options, I'll just sit there and I won't be able to decide. And I think that's what we do when we present people with nine steps and we want to know the email address of everybody, we want to know the postcode of where they live because we want to be able to market to them and that's important. Paul Marden: But there are other better ways of being able to identify where somebody is other than using their postcode and making them type something in. They don't need that hassle. Andy Povey: So this is all about the e commerce journey. Stepping back a little bit closer to what Rubber Cheese do. And the DNA behind Rubber Cheese is making attractions websites work really well. And it's back to the point about things being disconnected and attraction operators having to plug them together. How many websites are there or how many attraction e commerce journeys are there where you click on the button to buy a ticket and you're taken to a different page and that different page can have a completely different look and feel? Kelly Molson: Oh, yeah. I mean, that's a massive bug. It's been a bugbear of mine for years. Andy Povey: But how many websites do you have where I can be sitting there looking at the tulip experiences coming up? We heard lots of that kind of stuff at the end fan conference. I'm on the tulips page. But then you take me to a page where I've got to pick the date that I want to visit. I've already told you, I'm on the tulip page. I want to come and see tulips. I'm not interested in Father Christmas. Kelly Molson: I'm just all about the tulips. Andy Povey: So don't make me choose twice. Make it work together. Kelly Molson: Okay, So I want to play devil's advocate here because I'm sitting here listening to this going, this sounds great. I'm going back to what Andy said about, you know, attractions, they don't really want a ticketing system. They just. They don't really care about the system. They just want it to work. Right, I get that. But there's going to be a lot of people that are listening to this podcast going, “bloody ticketing system”. There's a lot, right? Let's face it. Paul Marden: It's a busy space. Kelly Molson: You are. It is a busy space. And if you are an attraction sitting here going,”Oh my God, another one.” We know that another one. You know that we know what we've got isn't working for us. We've, we've got workarounds, we're doing what we can with what we already have. But you know, ultimately we can't grow with what we have and we know we need to change it. This is a big task, right? You know, your ticketing system is often embedded so deeply into your organisation that the process of selecting a new one and then implementing that change is so vast and overwhelming that one people declare we just won't bother. That's why I've got these workarounds in place or two, you know, overwhelmed with choice. And yes, I know there's specialists out there. Kelly Molson: You know, we work with a couple that will help you go through that process and select the right partners for you. But if someone like me is sitting here going, “Okay, why do I come to Crowd Convert?” Like, why is this, what is it the thing that your product is going to be stand out for that is going to sit above or is going to solve the problems I've got above all of the other options that I've got out there? Andy Povey: So this is back to the comment earlier about this being a concept, an ethos of philosophy. Our business will grow through either building solutions, acquiring other solutions that have already been built, or selecting partners to integrate with. And we will do the whole integration. So it doesn't matter what ticketing system you're using that you have today, if you want the better digital experience for your guests, we will integrate to your current ticketing system. Kelly Molson: Okay, so you're taking the pain of having to change something that's deeply embedded in your organisation and almost putting something, a layer on top of that will actually facilitate this better customer interaction, purchasing process without the need for all of the stressful change. Paul Marden: Do away with the whole monolithic solution that solves the operation of the entire business and start to turn it into LEGO bricks. I want a LEGO brick from a website. I want a LEGO brick for my ticketing. I want my LEGO brick for my e commerce experience. I want my LEGO brick for my online shop. We'll either build or acquire those LEGO bricks or partner with the best of breed LEGO bricks that exist. Other building blocks are available and we will help to plug those together and make them work effectively. But you can imagine, you know, I always talk about, we talked a lot about ticketing today, but I, whenever I talk to somebody about ticketing, changing your ticketing system is like open heart surgery on the business. Paul Marden: Yeah, it's something you don't necessarily do casually, although I have met people who have changed it casually. But it's often so difficult because it's so deeply ingrained across the entire operation. But if you start to. It's a horrible, boring technical term. If you start to build this composable set of systems that can plug together, then it becomes easier. If you plug in an e commerce online ticketing solution and it plugs into your current ticketing system, well then later on when you change that ticketing system, you won't necessarily have to change the online experience in order to be able to do that. Yeah, we'll be able to plug into the new one that you choose. It makes it easier for you to chop and change things and become less dependent on one single monolithic provider. Kelly Molson: Yeah, because that's the thing. Right. You know, I think the past dream has been one system that does everything and suddenly that one system goes down and you're absolutely screwed. Andy Povey: That's not the way the world works anymore. And the human world. I use analogy of a TV. I got a new TV a few weeks ago out of the box and turned it on and I was presented on screen with an option to get the remote control for my new TV to operate other devices in my house. And my kids could have set it up. Kelly Molson: Danger.Andy Povey: Absolutely. Why is integration so difficult? And that's the way the world is going. If you look at credit card processing two, three years ago, to be able to accept a payment by credit card, you had to sign into a five year agreement with a credit card process provider. I was in my local WIX yesterday and I could have bought credit card terminal off the shelf. Andy Povey: They were sitting on the shelf next to the suites at the checkout. For 50 quid I could have taken it home, unboxed it and I would be processing credit card transactions there and then. I'm not signing into a three year agreement. If I don't like it, I can take it back and get one in pink because I prefer pink to white. It's got to be much easier. The world is becoming much easier. The technology world is becoming much easier to make these things work together. So you won't need clever people like Paul to make it all work together. Crowd convert. Paul Marden: I'll be on the golf course, won't I? Kelly Molson: Do you play golf? Paul Marden: No. Never played golf in my life. Crazy golf. Kelly Molson: I like the analogy. I like the Lego brick analogy. I like this whole kind of the concept that it's, you know, like plug and play but you know, you haven't got. You're using the base of what you already have, but you can pop these things as part of it. That feels really understandable for people to get their head around the concept of what you're doing. Paul Marden: But still totally integrated. What we don't want is the solution that is that somebody, an attraction that we've been to recently, where to get in, you have to go through different turnstiles depending on whether you've got a day ticket or a membership ticket because the two different sets of systems can't talk to the same turnstile at the same time. And so then you need more double the staff to be able to man the turnstiles. Kelly Molson: And confusion, and it ruins that whole first impact of arrival because you don't know yet. Andy Povey: But we're exposing our dirty laundry to the consumer. Why? They don't care. Kelly Molson: Yeah, yeah. Andy Povey: It doesn't matter to them what ticketing system you've got. Paul Marden: That is the vision. And the vision is becoming reality as well. Kelly Molson: Okay, well, let's talk about that. So there is a website that I've had privy to and the product is in its, should we say it's in its infancy at the moment and it's being developed. Paul Marden: Yes. Kelly Molson: So this is the time to that you'll be having, I guess you'll be having conversations with people about what that product, you're almost building it for the people. Right. You're having conversations with them about this is what we see happening. This is how we see what we do. What are your needs? Paul Marden: Yeah. Kelly Molson: Okay, cool. So can people get involved with that process? Paul Marden: Exciting. Andy Povey: Absolutely. Paul Marden: Anyone can talk to Andy. He'll talk to anybody. Kelly Molson: It's true, he will. Paul Marden: I just get locked in a cupboard and told to design things. Andy Povey: Make it work, plug it together. Kelly Molson: Okay, so I've got a few questions about what does this mean for Rubber Cheese? What does this mean for Rubber Cheese? What does this mean for Skip the Queue. What does this mean for the report initiatives that we do? I guess that's all still happening. Paul Marden: Yeah, yeah. Absolutely no changes to Rubber Cheese at all. This is part of a wider, bigger family that Rubber Cheese is part of. And looking at different parts of the attraction operating experience. Paul Marden: Yeah. So Rubber Cheese is going to carry on almost single minded focus on websites that enable people to get to the buy button. Kelly Molson: I like that. Paul Marden: Getting them from being interested in the attraction to hitting that buy now button or get your ticket button. Yeah. That's our specialty and that will remain our specialty. The job of Crowd Convert then is to convert them. Kelly Molson: Pick up from that point. Andy Povey: Absolutely. Kelly Molson: That's lovely, isn't it? Andy Povey: And that's where the build, acquire and partner comes in. So there will be other organisations, other tools that we partner with and plug together. And that's the bit that Crowd Convert does. It's almost the umbrella, the glue that glues all of these things together. Kelly Molson: Okay, so what more do our listeners need to understand about Crowd Convert and how can they get involved? How can they be part of this conversation to define what this product actually looks like and does for them? Andy Povey: So we're launching the website. You can find Paul and me on LinkedIn. We've got a bunch of events and exhibition shows that we're going to be at over the next few months where we're actively going to be asking people to get involved. If you are interested, then pick up the phone and drop us an email. We'll have a chat. Paul Marden: Contact@crowdconvert.co.uk.Kelly Molson: I was going to say we need the domain name in there. Crowdconvert.co.uk is the place to go. Go and have a look, find out, have a little bit of a read through about the site. It's designed in a really nice way. I think that what I really liked as I was reading it through was kind of this real focus on building something for the greater good. It's not just another ticketing platform. It's not just about. It really is about working with the attractions to build something that is just, it just works. And it works for them in the way they need it to and it works for the visitors in the way they need it to. Andy Povey: And that's it completely. It's about putting the guest at the centre of everything we're doing. And looking at this from the consumer's perspective, does it make sense or am I going to have to work out where I bought my tickets? So I know whether I go through the right hand turnstiles or the left hand turnstiles, that's just rubbish. Kelly Molson: Yeah, okay, great. So website is launching.Paul Marden:  It is launched. It's up and running. Kelly Molson: Oh, it's out. It's out there all right. It's out there in the world already. So that's where you go, listeners, if you want to find out more about what's happening. And I would really recommend booking a call with Andy, booking a call with Paul, talking through, you know, if anything that we've talked about today has made you feel quite excited about what the prospect of this product could potentially be. Book a call with them. I mean, listen, if you're seeing Andy at a conference, you just need to up. And you'll find him. Or maybe it's just me.Paul Marden: Me, not so much. Kelly Molson: Oh, it's just me. Okay, listen, I always finish off my podcasts with a book recommendation for our listeners, so I'd like to ask you both if you've prepared a book today. Andy, what do you have for us? Andy Povey: So I pondered this for quite a while because I was expecting it and I think it's the third or fourth you've asked me for. So I'm actually not going to recommend a book at all. I told you that I've given up on podcasts earlier on and I found Audible. So at the moment the thing that's occupying all of my attention is that, The Day of the Triffids on Audible which is fantastic. Fantastic escapism from everything that's going off in the world at the moment. Paul Marden: Interesting. Kelly Molson: That's nice actually. That's really good. But audiobooks are really good for long drives that were talking about earlier. They're quite good. I got into. Sorry, Paul, just. I'll come to you in a minute. Paul Marden: It's all about you. Kelly Molson: It's all about me today. I really got into. Kelly Molson: Just before the pandemic and during it there was a BBC podcast called the Lovecraft. Oh gosh, what is it called? The Lovecraft's Tales. I'm gonna have to have to check this on my.Paul Marden: Sorry, listeners. Well, she's out of practice on this. Kelly Molson: So I am out of practice. Apologies, but you know me. The Lovecraft investigations. Don't know if anyone would listen to it. It's brilliant. It's based on the love. It's loosely based on on Lovecraft books but it was quite like it's about supernatural. But what I really enjoyed about it was linked to like local places that I kind of knew like Retend and Forest and there was a lot of like, kind of like Norfolk, Suffolk and Dunwich and stuff. And that was. They're really good for like long drives as well because you can really get into something on like a two or three hour journey. So I totally with you on the triffids thing. So I did bring it back to Andy in the end. Andy Povey: Thank you, Kelly. Kelly Molson: Paul, what have you prepared? Paul Marden: I am an absolute Fan of classic British crime novels. Love an Agatha Christie. Love, a  mystery of some sort. But I'm not going to recommend an Agatha Christie one. I'm going to recommend one that I've got on Audible as well, that I found originally from Audible. Paul Marden: And it is one of the British Library classic British crime series, where they're republishing stuff from, like, you know, the 20s and 30s, and it's called the Wintringham Mystery Anthony Barclay. It's a classic whodunit in a kind of locker room mystery in a massive stately home. It's just like a Poirot novel, but it's not Poirot. It's a different one. But I love it. It's a brilliant book. Kelly Molson: When you find stuff like that, it's really comforting, isn't it? It's like a little a warm hug and a cup of tea. Andy Povey: Absolutely. Kelly Molson: Lovely. Well, do our listeners still get to win copies of those books even though they're audiobooks? Paul Marden: Yeah, but they don't do it on X anymore because, you know, who wants to be posting on X? So if listeners. If you'd like a copy of Andy's. Well, no, you can't have Andy Lovecraft books but it was quite like it's about supernatural. On Audible or mine. On Audible or on Paperback, then head over to Bluesky and repost the shownotes where Wenalyn has announced the podcast and the first person that does that will get a copy of the book. Kelly Molson: Lovely. Well, it has been an absolute treat to be back on the podcast today. Thank you. Paul Marden: You're not coming back over again? It's still mine. It's mine there. Kelly Molson: Please let me come back. Please. Anything that we've talked about today will, as ever, be in the show notes. So you'll find links to the Crowd Convert website, you'll find links to Paul and Andy's LinkedIn profiles and email addresses, whatever. However, best to get in touch with them. But I highly recommend having a chat with them. Can I just say, because it is all about me. I've been very sad to not be part of the podcast moving forward. But I am also been really thrilled that you have taken completely up to the ownership of it. So I just. While I'm on here, and it is about me, I just wanted to congratulate you for taking over and making it your own, because you really needed to do that. And it's brilliant to see. Kelly Molson: And I've loved listening to the episodes. I think the bravery in doing some of the live ones. Paul Marden: Stupidity. Kelly Molson: Well, maybe a tad. Paul Marden: We won't talk about what happened at NFAN last week. Please let's not talk about that. Andy Povey: What happens in Blackpool stays in Blackpool. Kelly Molson: Next time I come on the podcast, I'm going to make you spill that as a guilty confession. Paul Marden: But you know what? I absolutely loved it. I came back afterwards and I listened to that episode and it's the first one where I've been. I really thoroughly enjoyed listening to the conversation. I'm finding my feelings only taken me a couple of years. Kelly Molson: Well, it only took me a couple of years as well. But you're there now and it's brilliant. So, like one, well done. I genuinely think that you're doing an excellent job and I'm very glad that I got to hand the baton over to you and you're doing it differently. Paul Marden: You can just come back as a guest star. Andy Povey: It was more of a temporary end, wasn't it, than a handover. Paul Marden: It's mine. It's mine. Kelly Molson: I think it was a, "Here you go, dumped on your lap." Paul Marden: Thank you for coming back and talking to us. It's been marvellous. Kelly Molson: Thank you for having me back. I've loved every minute. Paul Marden: Thanks for listening to Skip the Queue. If you've enjoyed this podcast, please leave us a five star review. It really helps others to find us. Skip the Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them to increase their visitor numbers. You can find show notes and transcripts from this episode and more over on our website, skipthequeue fm.  The 2024 Visitor Attraction Website Survey is now LIVE! Dive into groundbreaking benchmarks for the industryGain a better understanding of how to achieve the highest conversion ratesExplore the "why" behind visitor attraction site performanceLearn the impact of website optimisation and visitor engagement on conversion ratesUncover key steps to enhance user experience for greater conversionsDownload the 2024 Rubber Cheese Visitor Attraction Website Survey Report

Weltraumblumen fressen die Welt auf, während ein Großteil der Menschheit erblindet ist. Chris und Philip versuchen zu ergründen ob "THE DAY OF THE TRIFFIDS" als sozialer Kommentar funktioniert oder ob es sich um ein lustloses Sci-Fi-Geplänkel handelt. #Triffids #FloralerFebruar The Day of the Triffids OST by Johnny Gouglas & Ron Goodwin Besucht uns auf unseren Socials: ⁠⁠⁠⁠linktr.ee/dinosdaemonendoktoren⁠⁠⁠⁠ Vergesst nicht unsere Community-Frage zu beantworten: "Wie würdet ihr in der Blumen-Apokalypse überleben?"

We begin this episode of the Fully-Booked podcast with Meaghan and Arthur, the enthusiastic hosts, setting a casual and relatable tone by discussing the challenges of February in Canada. They joke about the cold, the snow, and the dreariness of the month while expressing their gratitude for remote car starters.To brighten the month, the hosts decide to explore fresh topics for the podcast, focusing on adult apocalyptic and post-apocalyptic literature. They promise a mix of lighthearted moments and in-depth discussions, showcasing their thoughtful approach to balancing heavy themes with entertainment.Current Reads and Book RecommendationsThe hosts dive into their current reads, introducing several books across diverse genres.Arthur shares her experience reading Advent by Seth Ring, a LitRPG novel, a genre he initially found unfamiliar but eventually enjoyable. He explains that LitRPG combines literature with the style of role-playing games, making it an engaging read for gamers.Meanwhile, Meaghan discusses The Perfect Rom-Com by Melissa Ferguson, a romantic and humorous story about an aspiring writer navigating through a writer's conference. The hosts highlight the novel's light-hearted charm, likening it to Hallmark movies. She also touches on Fourth Wing and This Will Be Fun, describing the appeal of dragons, cozy fantasy elements, and character-driven narratives.[related-link1] Exploring Apocalyptic and Post-Apocalyptic FictionShifting to the main topic, the hosts delve into apocalyptic and post-apocalyptic novels, differentiating them from dystopian fiction. They explain that while these genres overlap, they explore different phases of societal collapse.Apocalyptic novels often depict the event itself, while post-apocalyptic stories focus on survival and rebuilding. The hosts highlight recurring themes such as survival, morality, and societal reorganization, underscoring the emotional depth these stories often explore.Meaghan and Arthur identify popular tropes within these genres, particularly the prevalence of disease, viruses, or infections as catalysts for societal collapse.Examples include;The Stand by Stephen KingThe Girl with All the GiftsI Am LegendThey discuss how these stories depict characters grappling with humanity's darkest fears, from global pandemics to environmental disasters. The themes resonate with readers due to their connections to real-world anxieties, such as the COVID-19 pandemic.Diverse Approaches to the GenreThe hosts emphasize the variety within the genre, mentioning works like War of the Worlds by H.G. Wells, Day of the Triffids by John Wyndham, and The Three-Body Problem by Liu Cixin, which explore alien invasions and speculative science fiction. They compare older narratives to contemporary takes, noting how modern authors add depth and complexity to familiar concepts. They also touch on environmental and nuclear disaster stories, such as The Road by Cormac McCarthy, which depicts bleak yet deeply human struggles.Another interesting angle discussed is the idea of new societal orders forming after apocalyptic events, often in dystopian contexts. Examples include The Handmaid's Tale, Fahrenheit 451, and 1984. These stories reflect fears of authoritarianism, loss of individual freedoms, and societal regression, raising questions about morality, ethics, and leadership in extreme situations.Why the Genre EnduresMeaghan and Arthur explore why apocalyptic and post-apocalyptic fiction remains a popular and enduring genre. They argue that these stories allow readers to confront collective fears in a safe space.By imagining “what if” scenarios, the authors offer reflections on current societal issues, such as environmental collapse, pandemics, and technological threats. The hosts note that every generation brings its own anxieties to the genre, ensuring its relevance and evolution.They also highlight the emotional depth of these stories, focusing on character-driven narratives that inspire readers with tales of resilience and hope. The relatability of everyday characters navigating extraordinary circumstances makes these novels compelling. The hosts conclude that the genre's adaptability to evolving fears and real-world events ensures its lasting appeal.Key Themes and TakeawaysApocalyptic and post-apocalyptic fiction explores survival, morality, and societal reorganization, often reflecting real-world fears and anxieties.The genre remains popular due to its ability to adapt to contemporary issues and its focus on character-driven, emotionally resonant stories.Humor and personal anecdotes from the hosts make complex themes accessible and relatable, encouraging audience engagement.

David Lynch is one of the most important names in genre cinema. He is a creative artist who has given the world some of the most beautiful and confounding films and television ever. His impact on cinema cannot be overstated. We reflect on what he means to us.We started off this year covering Nosferatu from Robert Eggers. One of the things we talked about was how we just seems to understand horror. Check out the episode to hear our full thoughts, but the cliff notes version is that we loved it. The recent news about his next project has us excited.We have been wanting to cover The Day of the Triffids for a while now. As the title suggests, it is a science fiction horror movie from the early 1960s (and it is based on a book from the 1950s). The story is about a mysterious event that leaves a majority of the world blind and some aggressive plants even deadlier.In a decade filled with invading Martians, teenage werewolves, and all sorts of drive in creature features, the triffids manage to stand out. But are they the best from the era? There are so many differences from the book, the movie can be referred to as a spin off or triffid tale. We talk about the pros and cons of going in this direction. The deserved success of The Substance will lead to more body horror movies. (At the very least, there will be more films willing to call themselves body horror.) This week we cover a film that covers much of the same ground, but in a more focused manner. Grafted may be the perfect movie for us to cover as we return to form.That does not mean it is not without its issues. Pacing, tone, and character development are just some of the things we were not impressed with So, what else is left? The performances were fine and there were some gross moments. But it would be fair to say that it lacks…substance. Adventures in Movies! is a part of the Morbidly Beautiful Podcast Network. Morbidly Beautiful is your one stop shop for all your horror needs. From the latest news and reviews to interviews and old favorites, it can be found at Morbidly Beautiful.Adventures in Movies! is hosted by Nathaniel and Blake. You can find Nathaniel on Instagram at nathaninpoortaste. Blake can be found on Twitter @foureyedhorror and on Instagram at foureyedhorror. You can reach us personally or on Twitter @AdventuresinMo1.Music in the background from https://www.FesliyanStudios.com

Eric & Serling kick off their 4th season and jump head on into the "D"s with a little obscure British science fiction horror from 6 decades ago.  Way to start the "D"s off with a bang, guys!Send us a text

It's inner city vs. outer space when London street urchins battle monsters from another world. Starring John Boyega (in his first feature!), impressive creature effects, and borderline unintelligible slang, this film gives new meaning to the British Invasion. Best of all, Frank Olson returns (see Troll 2, Rodan, and more) to lend his thoughts; plus, Peter Lorre reviews Lon Chaney in The Unholy Three (1925). Thanks for joining us, friends!If you enjoy Camp Kaiju, please leave a rating and review. Or leave a comment at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠campkaiju@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠campkaijupodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠, or ⁠Instagram (@camp_kaiju)⁠; or call the Kaiju Hotline at ⁠⁠⁠(612) 470-2612⁠⁠⁠.Visit ⁠⁠⁠⁠⁠⁠Patreon.com/campkaiju⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠campkaiju.threadless.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for perks and merchandise.We'll see you next time for ⁠⁠Gremlins (1984)TRAILERSAttack the Block (2011); The Space Children (1958); The Children of the Damned (1960); The Day of the Triffids (1963); It Came From Outer Space (1953); Invisible Agent (1942)SHOUT OUTS & SPONSORS• ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Film Criticism by Matthew Cole Levine⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠• ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Plays by Vincent S. Hannam⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠• ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Novels by Matthew Cole Levine⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠•⁠⁠⁠⁠⁠⁠ ⁠⁠Film Friends Movie Trivia with Naomi Osborn⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠• ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Zack Linder & the Zack Pack ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠• Horror Noire: A History of Black Horror⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Camp Kaiju: Monster Movie Podcast. Attack the Block (2011) movie review. Hosted by Vincent Hannam, Matthew Cole Levine, Frank Olson. Camp Kaiju: Monster Movie Podcast, produced by Vincent S. Hannam; © 2024 Vincent S. Hannam, All Rights Reserved

pWotD Episode 2780: 28 Days Later Welcome to Popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 221,199 views on Wednesday, 11 December 2024 our article of the day is 28 Days Later.28 Days Later is a 2002 British post-apocalyptic horror film directed by Danny Boyle and written by Alex Garland. It stars Cillian Murphy as a bicycle courier who awakens from a coma to discover the accidental release of a highly contagious, aggression-inducing virus has caused the breakdown of society. Naomie Harris, Christopher Eccleston, Megan Burns, and Brendan Gleeson appear in supporting roles.Garland took inspiration from George A. Romero's Night of the Living Dead film series and John Wyndham's 1951 novel The Day of the Triffids. Filming took place in various locations in the United Kingdom in 2001. The crew filmed for brief periods during early mornings and temporarily closed streets to capture recognisable and typically busy areas when they were deserted. John Murphy composed an original soundtrack for the film, with other instrumental songs by Brian Eno, Godspeed You! Black Emperor and other artists also being featured.28 Days Later was released on 1 November 2002 to critical acclaim and financial success. Grossing more than $82.7 million worldwide on its modest budget of $8 million, it became one of the most profitable horror films of 2002. Reviewers praised Boyle's direction, the cast's performances, Garland's screenplay, the atmosphere and soundtrack. Despite Boyle not considering it a zombie film, 28 Days Later is credited with reinvigorating the zombie genre of horror film and influencing a revival in the genre a decade after its release, with its fast-running infected and character-driven drama. Since its release, it has been featured in several "best-of" film lists and maintained a following, particularly amid the COVID-19 pandemic in the 2020s.The film's success launched its titular film series, including 28 Weeks Later (2007), and 28 Years Later which is scheduled for release in 2025. Additional sequels are currently in development, while a graphic novel titled 28 Days Later: The Aftermath, and the 2009—2011 comic book series 28 Days Later also expanded the series into other media.This recording reflects the Wikipedia text as of 01:50 UTC on Thursday, 12 December 2024.For the full current version of the article, see 28 Days Later on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm standard Emma.

We take a look at a film which started life as a student project essentially remaking parts of 28 Days Later - or The Day of the Triffids - but which proved such a calling card for its director, he went on to work on movies like The Martian and Alien: Covenant Presented by J.R. Southall, with Dylan Rees You can watch Darkest Day on Amazon Prime for 99p

Жовтень та Гелловін вже пройшли, і ми потихеньку вливаємось в різдвяні святкування, тож саме час обернутись назад і поговорити про горор. Ми маємо космічний горор, українську містику, рослини-вбивці, вампіри (класика, куди ж без неї), виживання в лісу та у самотності. В цьому випуску: Ніч у самотньому жовтні Кармілла Ночі бісів Ритуал Се твоя доля Заколот Dark Matter Dark between the trees The Caretaker of Lorne field I Who Have Never Known Men 14 Day of the Triffids Прокинься в ніколи Якщо ви ще не читали ці книжки - бережіться спойлерів, а краще поверніться до цього випуску, коли прочитаєте. Шукайте нас у твітері @ongoingpodcasts Лишіть нам відгук та поставте рейтинг, так ви легко можете нас підтримати!

This is the third in our weapons trilogy and it's about what happens AFTER the ultimate weapons have done their work: Apocalypse! The end of all things… This term comes from the bible, with the Book of Revelations which talks about what happens during the end of the world, but aside from the myth it's a pretty real concept- there are a LOT of ways the world can end and has indeed ended for various civilisations throughout history. If you want to go riiiiight back there were the different mass extinction events that ended almost all life a few times on this planet. In the history of humanity we have the fall of Rome, an event that was felt for almost 1000 years in Western Europe! It ended technological development, scientific research, the progress of culture, communication, trade, and production were shut down. Development atrophied and technology reversed and reverted. Meanwhile in Northern Africa, the middle east, South America and China advanced empires flourished, but that didn't stem the rot in Europe because there was little contact, communication or trade. There are other examples of this but that's the main one that comes to mind. Modern fiction is replete with a lot of different apocalypse and post apocalypse stories in many different forms (both natural, man made, and mythological). After the second world war the major influence was the idea of nuclear annihilation. A famous early example was On The Beach, a chilling film about American sailors on a submarine who survive the initial Apocalypse. They come to Australia in the Southern hemisphere and try and rally because life seems almost normal there, but when they travel back to the US to find survivors they learn everyone is dead that and the nuclear fallout will eventually even kill the people in the southern hemisphere down in Australia. The whole planet has an inescapable death sentence so all that's left is to choose how and when they will die. 20 years later 1979 famously gave us Mad Max! Which was a beginning of a whole genre of crazy low budget ultra violent deiselpunk post-apocalypse SciFi with muscle cars and torn leather. In this first movie it's pretty tame, we assume that society is slowly breaking down after an apocalypse but people are still keeping things going nevertheless. Max is a leather-clad highway policeman with a wife and child. Pretty soon though a road gang ends his little slice of normalcy and the Road Warrior is born. After that the world of the Mad Max films becomes more and more chaotic and alien, totally divorced from any connection to our present day society. This spawned many imitators, usually terrible but sometimes strangely amazing. What are some of your fave stories in the genre? The cover of this Quackcast is inspired by the 1985 Canadian film Defcon 4 (an image originally created in 1976 by Angus McKie). A Canticle for Lebowitz is a seminal story in the genre, about the preservation of culture and technology after an Apocalypse and how that can help rebuild things and that humans will inevitably repeat the same mistakes… Hell comes to Frogtown is an amazing and fun take on the dieselpunk post-apocalypse genre and definitely a fave of mine. But I think my faves would have to be The Day of the Triffids and The Kraken Wakes by John Wyndham. Often thought of as “cozy catastrophes” because even though the world as we know it ends and the characters have to re-adapt they do it in a very level-headed way and they find a new normal- that is actually one of the very few absolutely accurate and realistic takes on what happens during and after a real Apocalypse which is why I appreciate it so much: life goes on, it's not the same but you do what you can to make it that way. What do you think? A fan of Waterworld, Fallout, Terminator 2, The Walking Dead, The End, Radioactive dreams, Don't look up, something more fun or more depressing? This week Gunwallace has given us a theme inspired by The KAMics - Relaxed, the coolest of the cool. Kick back and let go to this breezy, slow track with a killer, bopping beat! You could listen to this forever, it's so soothing and calming. Topics and shownotes Links Featured comic: Plague Rat - https://www.theduckwebcomics.com/news/2024/nov/18/featured-comic-plague-rat/ Featured music: The KAMics - https://www.theduckwebcomics.com/KAMics_Kast/ - by Kam, rated T. Special thanks to: Gunwallace - https://www.theduckwebcomics.com/user/Gunwallace/ Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/ Banes - https://www.theduckwebcomics.com/user/Banes/ VIDEO exclusive! Become a subscriber on the $5 level and up to see our weekly Patreon video and get our advertising perks! - https://www.patreon.com/DrunkDuck Even at $1 you get your name with a link on the front page and a mention in the weekend newsposts! Join us on Discord - https://discordapp.com/invite/7NpJ8GS

From Hell it Came (1957), The Oily Maniac (1976), Cry Wilderness (1987) It's Turkey Time once again here at the podcast! And in this one, we have 3 wonderful titles to serve up to you, each one with a different flavor to appease a variety of tastes! As we've mentioned many times before, a "turkey" is not a bad movie. It's not an intentionally made bad movie. It is a film where the creators did their damnedest to make an honest-to-goodness quality production. For whatever reasons, either lack of budget, time, talent, or whatever, what they delivered might not be as good as they'd hoped, but it is still entertaining. Remember, the only bad movie is a boring one, and Turkeys are not boring. So tune in to find out about 3 Turkeys that we feel are more than worth watching during your own Turkey Day celebration! Movies mentioned in this episode: Abby (1974), Abominable (2006), Blood Freak (1972), The Chooper (1971), Corpse Mania (1981), The Creature from the Black Lagoon (1954), Cry Wilderness (1987), The Day of the Triffids (1963), Ghost Nursing (1982), From Hell it Came (1957), Hunchback of the Morgue (1973), Invasion of the Saucer Men (1957), It Came from Hollywood (1982), Night Train to Terror (1985), The Oily Maniac (1976), Plan 9 from Outer Space (1957), She-Creature (1956), The Unholy (1988)

Having covered the first BBC adaptation of John Wyndham's The Day of the Triffids in our Apocalypse UK mini-strand, it would have been remiss of us not to talk about the one that followed in 2009 Presented by J.R. Southall, with Jim Cameron and Dylan Rees

Our thoughts on the BBC's first screen adaptation of John Wyndham's 1951 novel Presented by J.R. Southall, with Jim Cameron and Dylan Rees

This week Mike is joined by Matt and James from Journey Through Sci-Fi to talk about walking, talking carnivorous plants in the acclaimed 1981 BBC adaptation of John Wyndham's THE DAY OF THE TRIFFIDS.  Watch all six episodes on Archive.org  Hosted, Produced and Edited by Mike Muncer Music by Jack Whitney.  Artwork by Mike Lee-Graham Visit our website www.evolutionofhorror.com  Buy tickets for our UPCOMING SCREENINGS & EVENTS Buy yourself some brand new EOH MERCH! Subscribe and donate on PATREON for bonus monthly content and extra treats... www.patreon.com/evolutionofhorror  Email us!  Follow us on TWITTER Follow us on INSTAGRAM Like us on FACEBOOK Join the DISCUSSION GROUP Join the DISCORD Follow us on LETTERBOXD Mike Muncer is a producer, podcaster and film journalist and can be found on TWITTER

Jeremy got to Mars, all right, but nobody else came back. And so people would not believe he had actually been there at all. Never on Mars by John Wyndham, that's next on The Lost Sci-Fi Podcast.John Wyndham appears for the first time on our podcast. Wyndham was born in 1903, the English science fiction writer is best known for his novels The Day of the Triffids, released on the big screen in 1963 and The Midwich Cuckoos, later filmed as Village of the Damned in 1960.He wrote about a dozen novels and more than 70 short stories.A British daily newspaper, The Financial Times, called Wyndham, "one of Great Britain's most serious and literate pioneers of intelligent science-fiction", and that "he always wrote well and imaginatively”. It took a great deal of imagination to write today's story which was published in Fantastic Universe in January 1954 on page 62, Never on Mars by John Wyndham…Next on The Lost Sci-Fi Podcast, Want to join our secret organization? Well, first you have to pass the tests. Membership Drive by Murray F. Yaco.☕ Buy Me a Coffee https://www.buymeacoffee.com/scottsVYouTube - https://www.youtube.com/@VintageSciFiAudiobooksFacebook - https://www.facebook.com/TheLostSciFiPodcastTwitter - https://twitter.com/lost_sci_fi=========================== ❤️ ❤️ Thanks to All Our Listeners Who Bought Us a Coffee$200 Someone$75 James Van Maanenberg$50 Anonymous Listener$25 Dave Wiseman, Bromite Thrip, Marwin de Haan, Future Space Engineer, Fressie, Kevin Eckert, Stephen Kagan, James Van Maanenberg, Irma Stolfo, Josh Jennings, Leber8tr, Conrad Chaffee, Anonymous Listener$15 Patrick McLendon, Curious Jon, Buz C., Fressie, Anonymous Listener$10 Anonymous Listener$5 Tif Love, Chrystene, Richard Hoffman, Anonymous Listener Hosted on Acast. See acast.com/privacy for more information.

In the final installment of the Science Fiction Double Feature mini-series, Gina and Roy are joined by Tyler once again to talk about Night of the Demon (or Curse of the Demon) and Day of the Triffids.

On this episode of Iron, Silver and Salt, the trio tackles the terrifying terrestrial trees from the United Kingdom: Triffids! Adrian announces our new Instagram @ironsilverandsalt!! Chris would like to remind you he does ALL the readings. Will, on the other hand, did not. Again.   "Gallows Hill" by Josh Woodward. (https://www.joshwoodward.com/song/GallowsHill) License: CC BY   Sources:  

The Monstie Men head to Merry Olde England for their first alien invasion! his movie is widely available for free online, but that doesn't mean that it won't look more pixelated than an NES being played on an 8K tv. This one's admittedly a weird one, but it does seem like it's a foundational film. Talking points: carnivorous plants, Unbreakable, saltwater hoses, A Quiet Place Day One, Unbreakable, Jon Pertwee's Third Doctor, and Unbreakable. Stay tuned to the end to find out what Gary's birthday movie's going to be! Follow us on Instagram or click here to find us on your podcatcher of choice & our merch store. Part of the Geekscape Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textHere in Episode 184 of the No Name Music Cast we discuss the music of Harry Styles! This topic was suggested to us by listener Brandi Royal.We cover songs such as Watermelon Sugar, Matilda, Golden and Canyon Moon to name only a few.We also discuss Aerosmith, The Northern Lights, The Day of the Triffids and Cory Feldman!https://www.facebook.com/NoNameMusicCast/

Welcome to the Instant Trivia podcast episode 1256, where we ask the best trivia on the Internet. Round 1. Category: My Tv Dads 1: James Gandolfini led 2 types of families, each with their own unique sets of problems, on this HBO drama. The Sopranos. 2: In "Two and a Half Men", he was just Duckie playing Alan Harper, dad to the half-man. (Jon) Cryer. 3: On this show, Will moved in with his Auntie Viv and Uncle Phil, parents to Hilary, Ashley, Nicky and dance master Carlton. The Fresh Prince of Bel-Air. 4: Taiwanese immigrant Louis Huang makes a go of it in 1990s Orlando with his wife and 3 sons on this ABC sitcom. Fresh Off the Boat. 5: His 2017 Emmy award as dad and son on "This Is Us" was his second in two years--for your information, the "K" is for Kelby. (Sterling K.) Brown. Round 2. Category: That Book Was A Horror! 1: Anne Rice, 1976: "Interview with" him. the Vampire. 2: Ira Levin, 1967: her "Baby". Rosemary. 3: Stephen King, 2009: "Under" this. the Dome. 4: Shirley Jackson, 1959: "The Haunting of" this "House". Hill. 5: John Wyndham, 1951: "The Day of" these invading plants. the Triffids. Round 3. Category: The Brightest Stars 1: Regulus, from the Latin Rex, for "king", is in this king of beasts. Leo. 2: It's brighter than its twin, Castor. Pollux. 3: This brightest star in our night sky shares its name with a Keanu Reeves grunge band. Dogstar. 4: This red supergiant in Orion is over 300 light years away from you, but it's much closer to Michael Keaton's heart. Betelgeuse. 5: Proxima, a component of this constellation's brightest star system, is a super close 4.3 light years away. the Centaur (Centaurus). Round 4. Category: Nom Nom Nominations 1: Alaska's Copper River Fish Market got a 2023 Good Food Award nom for its locally sourced Copper River sockeye this. salmon. 2: From 2001 to 2006, Emmy voters didn't quite get the "essence of" this chef, but in 2017... bam! he got a trophy for "Eat the World". Emeril Lagasse. 3: A 2022 Beard nominee for Outstanding Restaurant, Brennan's in New Orleans is famed for this flambéed fruit and rum dessert. bananas Foster. 4: "Beat" this chef? as a 1991 and '92 nominee for Beard's rising chef of the year, yes, but in '93? Winner winner barbecue dinner!. Bobby Flay. 5: She got a BAFTA TV must-see moment nomination for her pronunciation of "microwave" on "Cook, Eat, Repeat". Nigella Lawson. Round 5. Category: Uniquely American Literature 1: A brutal 1959 mass murder was the basis of this Truman Capote nonfiction novel. In Cold Blood. 2: A battle to keep a girl from the clutches of Satan takes place in this William Peter Blatty novel that turned heads in '71. The Exorcist. 3: In this Tom Robbins novel, Sissy Hankshaw is born with enormous thumbs and hitchhikes across America. Even Cowgirls Get the Blues . 4: One of the 2 Erskine Caldwell novels of the 1930s that were censored for their portrayals of poor whites. Tobacco Road (or God's Little Acre). 5: This American's stories like "Will You Please Be Quiet, Please?" are in a style some have called K-Mart Realism. Raymond Carver. Thanks for listening! Come back tomorrow for more exciting trivia!Special thanks to https://blog.feedspot.com/trivia_podcasts/ AI Voices used

Over the years we've built up a pretty big backlog of short novels that we really liked but hadn't had a chance to cover on the show - so today we're bursting that dam.Join the book club on discord (and vote for our next book club book!): https://discord.gg/fHejh3PpR2Video version of the show on YouTube https://youtube.com/@hugonautspod The seven books we recommend in this ep:This is how you Lose the Time War by Amal El-Mohtar and Max GladstoneThe Day of the Triffids by John WyndhamCat's Cradle by Kurt VonnegutBabel-17 by Samuel DelanyAll Systems Red by Martha WellsTusks of Extinction by Ray NaylerThe Way Station by Clifford D. Simak

On this episode about the magical natural process of photosynthesis, Joel and Dave discuss cats, spiders, Triffids, Doctor Who, fungal foot infections, Gillian McKeith and parasitic worms, among many other fascinating subjects. Hooray! Hosted on Acast. See acast.com/privacy for more information.

We're back, with an episode about the great British SF writer John Wyndham. On many occasions we've found ourselves talking about his books - such as The Day of the Triffids and The Midwich Cuckoos - but now we attempt to do them justice with a closer look. For the full show notes, visit our blog at 101sf.blogspot.com

Day Of The Triffids Chapter 1

From Dune to The Three Body Problem, is science fiction having a moment? Attention to the genre, as well as TV and films based on it, seems to have exploded in the past few years. With sci-fi often getting a bad rap, it's time to ditch the snobbery and celebrate its complexity and diversity. And who better to do this with than New Scientist's science fiction columnist – and our former editor – Emily H. Wilson?Wilson is a journalist and author. In 2023 she published Inanna, the first of The Sumerians, a trilogy set in the ancient civilisation of Sumer. The books are an epic, speculative retelling of some of the oldest myths ever recorded.In this episode, Rowan Hooper speaks to Wilson about the enduring popularity of the genre, and why you should be proud to call yourself a science fiction fan. Plus, the pair share loads of recommendations and explore sci-fi's many different sub-genres, from climate fiction to cyberpunk.You can learn more about Emily's trilogy, The Sumerians, here.To read about subjects like this and much more, visit newscientist.com.Books mentioned:- Three Body Problem, Cixin Liu- Children of Time, Adrian Tchaikovsky- Ancillary Justice, Anne Leckie- Annie Bot, Sierra Greer- Dune, Frank Herbert- The Chrysalids, John Wyndham- Day of the Triffids, John Wyndham- The Dispossessed, Ursula K. Le Guin- The Left Hand of Darkness, Ursula K. Le Guin- The Man in the High Castle, Philip K. Dick- Neuromancer, William Gibson- Burning Chrome, William Gibson- Mars, Kim Stanley Robinson- Red Moon, Kim Stanley Robinson- 2312, Kim Stanley Robinson- The Ministry for the Future, Kim Stanley Robinson- Parable of the Sower, Octavia Butler- Patternmaster, Octavia Butler- The Broken Earth, N. K. Jemisin- Middlemarch, George Eliot- Impressions of Theophrastus Such, George Eliot- Service Model, Adrian Tchaikovsky- Autonomous, Annalee Newitz- Excession, Iain M. Banks- A World Out of Time, Larry Niven- Ender's Game, Orson Scott Card- The Ballad of Halo Jones, Alan Moore and Ian Gibson- Tank Girl, Alan Martin and Jamie Hewlett Hosted on Acast. See acast.com/privacy for more information.

"The Clocks Are Out Of Time" The East London outfit The Jack Rubies may have gotten their start in 1987 and quickly fired off two brilliant albums--1988's Fascinatin' Vacation and 1990's See The Money In My Smile--but that was it; they literally dropped off the musical map. And it was a weird disappearance because they were poised for big things--they had critical acclaim, they'd toured with The Triffids, They Might Be Giants, Modern English and the Blow Monkeys and were fan favorites on MTV's 120 Minutes. So what happened? Where did they go? Well, the short answer to the first question is, they went on hiatus. And the short answer to the second question is New York, North Carolina and England. That clears nothing up, right? Let me help a bit: The musical landscape was changing, things got weird with their record company, they were young men acutely aware of getting older and it just didn't seem to make sense to go on. I'm oversimplifying, but that's kind of the gist of it. The band's singer Ian Wright will fill in the gaps. Bummed as fans like me were that they were gone, the good news is they're back. Firing with the same melodic accuracy and pop smarts that endeared them to fans in the first place, the Jack Rubies' third album Clocks Are Out Of TIme is a startling and welcome return to form. Filled with unforgettable hooks and lyrical smarts the Jack Rubies are not only back, they're back with their original lineup. And this isn't just unfinished business--there's more music on the way. www.bigstirrecords.com www.thejackrubies.bandcamp.com www.stereoembersmagazine.com www.alexgreenbooks.com www.bombshellradio.com Twitter: @emberseditor IG: @emberspodcast Email: editor@stereoembersmagazine.com

Day of The Triffids 68-06-27 02 A Light In The Night

Superchunk guitarist Jim Wilbur joins Al and introduces him to The Triffids' 1986 album Born Sandy Devotional. Jim talks about how he first heard the album when he was a college DJ, which tracks he gravitated towards and why he still listens to the album now. He and Al compare their impressions regarding both the album's music and lyrics. Jim also discusses what's in store for Superchunk in the coming months, including the Merge 35 Festival.Keep up with Superchunk on Merge Records' website! https://www.mergerecords.com/artist/superchunkAlso be sure to check out their music on Bandcamp: https://superchunk.bandcamp.com/Al is on Bluesky at @almelchior.bsky.social. This show has accounts on Instagram and Threads at @youmealbum. Subscribe for free to You, Me and An Album: The Newsletter! https://youmealbum.substack.com/1:16 Jim joins the show2:01 Jim talks about discovering Born Sandy Devotional as a college DJ4:31 The album almost defies description7:40 Jim hears all of the album's songs as relating to a single character10:00 Jim talks about the connection between the Triffids and Nick Cave11:49 Jim and Al make note of the lighter and darker sides of Born Sandy Devotional14:57 Jim explains how the album reminds of him where he grew up16:58 Jim talks about what it was like to DJ at a small college radio station19:54 Jim recalls some other bands he played as a DJ21:26 Jim extols the merits of listening to the album straight throughDiscussion of specific tracks23:19 The Seabirds27:14 Tarrilup Bridge30:00 Lonely Stretch33:44 Life of Crime35:10 Stolen Property37:27 Jim shares his perspective on the role of David McComb's lyrics39:32 Jim talks about what gives Born Sandy Devotional a timeless quality41:57 Jim's relationship with rock music has changed over time43:47 Jim explains why he likes to listen to classical music45:36 Jim talks about David McComb's difficult life48:19 Jim recommends some other Triffids albums to check out50:14 Al was surprised to see that Born Sandy Devotional was produced by Gil Norton51:43 Jim provides an update on Superchunk's upcoming recording and tour plansOutro music is from “Everybody Dies” by Superchunk.Support the show

28 Days Later is a 2002 British post-apocalyptic horror film, our first film from the 21st Century. Ewan McGregor was the original choice to play the protagonist, ‘Jim', but he and director Danny Boyle had a falling-out at the time over The Beach, in which McGregor was to play the lead but was replaced by Leonardo DiCaprio (McGregor and Boyle have since reconciled). After McGregor, the role was offered to Ryan Gosling, who passed, having a scheduling conflict, leading to the film being offered to the relatively unknown Cillian Murphy. Danny Boyle films include: Shallow Grave, Trainspotting, A Life Less Ordinary, The Beach, Sunshine and 127 Hours. He was the artistic director for the opening ceremony of the 2012 London Olympics, which he was offered a knighthood but declined.  In 2011 he directed Frankenstein on stage for the National Theatre, with dual Holmes's: Cumberbatch and Miller, (that James was lucky enough to see live). Regular collaborator with Boyle, writer and director Alex Garland (who wrote this film) has a filmography that includes: Never Let Me Go, Dredd, Ex Machina, (for which he received an Oscar nomination), Annihilation and the fantastically bonkers ‘Men'. Garland has said he took inspiration for 28 days later from George A. Romero's Living Dead film series and John Wyndham's 1951 novel The Day of the Triffids. The crew filmed during early mornings and temporarily closed streets to capture recognisable and typically busy areas when they were deserted. For the scene in which Jim walks by the overturned double-decker bus, the crew placed the bus on its side and removed it when the shot was finished, all within 20 minutes. They had asked permission to place the bus outside Downing Street, but Westminster City Council refused. When they arrived at 4am and nobody from the council was present, they placed it there anyway. One of the first mainstream films to be shot entirely digitally, it was a financial success., grossing more than $82.7 million worldwide on its modest budget of $8 million, it became one of the most profitable horror films of 2002. Producer Andrew Macdonald had access to funding from the National Lottery, and pitched it to Universal Pictures, who declined to support it. Budget constraints proved to be an issue, with Christopher Eccleston having to take an emergency pay cut during filming. Macdonald announced to the crew that the production had run out of money, and filming ceased without a closing sequence being shot. After pitching several endings, the original, which featured Jim's death, tested badly with audiences, the studio granted more funding to film the ending scene that was eventually used. The crew organised for a real jet to fly overhead for them to film, as this was cheaper than approximately £70,000 for a computer-generated one. Despite Boyle not considering it a zombie film, 28 Days Later is credited with reinvigorating the zombie genre and influencing a revival in the decade after its release, with its fast-running monsters and character-driven drama. The film was followed by the 2007 sequel 28 Weeks Later and Boyle and Garland have been reportedly working on a 3rd part entitled “28 Years Later” (which may or may not be being released in 3 parts - depending on what rumours you read). Get bonus content on PatreonSupport this show http://supporter.acast.com/general-witchfinders. Hosted on Acast. See acast.com/privacy for more information.

In Part II of our Botanical Terror Series we are talking some Horrific Horticulture by means of the many The Day of the Triffids and The Little Shop of Horrors influences and remakes. We also get into the atmospheric Japanese classic Matango aka Attack of the Mushroom People. Then, last but not least, after many side tangents, the segment Creeping Vine in the Amicus anthology film Dr. Terror's House of Horrors gets discussed. WE WANT TO HEAR FROM YOU! Send us an email at lastthreerowsofhorror@gmail.com and be sure to like and subscribe on YouTube as well as follow and/or drop us a line on the most evil Instagram and Facebook. Thank you for watching/listening and supporting LAST THREE ROWS OF HORROR! Sources for todays episode include Trouble with the Trees: The Growth of Plant Horror by: Richard Newby in January 2023's Volume 2 Issue 18 of Fangoria Magazine and Plant Horror: Approaches to the Monstrous Vegetal in Fiction and Film, Edited by Dawn Keetley and Angela Tenga. Chapters: 0:00 Intro 0:36 Welcome to the Last Three Rows of Horror! 1:06 Upcoming Days of the Dead Con 1:59 Plant Blindness 4:44 Sources and The Thing 14:21 John Wyndham's The Day of the Triffids 17:04 The Day of the Triffids (1962) 48:13 The Day of the Triffids BBC Limited Series (1981) 53:23 The Day of the Triffids BBC Limited Series (2009) 58:51 The Little Shop of Horrors (1960) 1:31:50 Little Shop of Horrors (1986) 1:51:34 Matango (1963) 2:10:50 Dr. Terror's House of Horrors 2:22:46 Wrapping Up / Late Night with the Devil

This week we return to our Must See Horror feature with 1962's Day of the Triffids.  We discuss the translation from classic novel to screen, some of the the other more faithful adaptations and our commentary as we go through the film like two blind men flying a plane. We mention other horrors of the time like The Birds, The Blob and War of the Worlds as comparison for this adaptation as we try to follow the many journeys travelled by those pesky world invading Triffids.  So grab the nearest orphaned child, stay away from any unusual walking asparagus and pack a bag to any random destination as you join us in trying to survive The Day of The Triffids.  You can find us @cmthpodcast on Twitter (X) and Instagram If you enjoy our content then please remember to subscribe and leave us a lovely rating or review to help our podcast grow.     

Glenn joins us for this highly influential sci fi horror classic!  It's free on youtube!https://www.youtube.com/watch?v=8hVUuRAAF_s

606 The Triffids - Calenture

Those three horsemen of humour are back again with natter about cats, health checks, livers, stress, gums, a world exclusive from a famous runner (!), concern for Tom, The Beatles, AI, illegal Scandinavian reindeers, a big fence, passports, dynamite in cars, simian escapes, Planet of the Apes, lions in Grimsby, The Day of the Triffids,  a dystopian supermarket experience, and MUCH MORE!Oh, and....Tom's Audience Intercommunication is where you have your say... get in touch on Facebook, Instagram, Twitter (@YourselfJasmine), or via email (symj@protonmail.com). You might get a Show Yourself Mr. Jasmine beer mat!Buy the lads a coffee.... https://www.buymeacoffee.com/symj3You know it's the thing to do! Enjoy the show!

Day of The Triffids 68-06-20 01 The End Begins

The Stuph File Program Featuring Shawn Leggett, founder & president of Ground Up Eco Ventures; Jean-Benoit Nadeau & Julie Barlow, authors of Going Solo: Everything You Need To Start Your Business And Succeed As Your Own Boss; & Stuart Nulman with Book Banter Download Shawn Leggett is the founder and President of Ground Up Eco Ventures, a company that uses clean technology to upcycle the waste streams of both the coffee and craft brewery industries. Jean-Benoit Nadeau & Julie Barlow are the authors of Going Solo: Everything You Need To Start Your Business And Succeed As Your Own Boss. Stuart Nulman with another edition of Book Banter. This week, in honour of Halloween, several classic books are reviewed. They are: Salem's Lot by Stephen King (originally published in 1975) Misery by Stephen King (originally published in 1987) None Of This is True by Lisa Jewell (Atria Books, $24.99) The Day of the Triffids by John Wyndham (originally published in 1951) You can also read Stuart's reviews in The Montreal Times.  Now you can listen to selected items from The Stuph File Program on the new audio service, Audea. A great way to keep up with many of the interviews from the show and take a trip down memory lane to when this show began back in 2009, with over 800 selections to choose from! This week's guest slate is presented by Virgil Alleyne, my nephew-in-law, who is an engineer who lives in Toronto and is an avid New York Giants fan.  Pray for him.

Are killer plants ever scary? This British sci-fi thriller hits us with its best poison dart, so tune into the BBC emergency wire to find out! Plus, connections to THE ROCKY HORROR PICTURE SHOW; RAIDERS OF THE LOST ARK; and HITLER'S SLAVE GIRLS (what do you mean that's not a real movie?). Then in Minya's Mailbox, thoughts on VELOCIPASTOR and casting TROLL 2.  Thanks for listening, friends! We're getting into some true cult classics this October. If you'd like to support the show further, visit ⁠campkaijumoviereviews.com⁠, and Instagram (@camp_kaiju) for more monster movie content - and write into Minya's Mailbox on Instagram or campkaiju@gmail.com We'll see ya next week for THE TOXIC AVENGER (1984) ⁠TWIN CITIES HORROR FESTIVAL⁠ ⁠MATT'S NOVEL - "HOLLOW"⁠ Camp Kaiju: Monster Movie Reviews. The Day of the Triffids (1963) Movie Review; directed by Steve Sekely, Freddie Francis. Hosted by Vincent S. Hannam, Matthew Cole Levine --- Support this podcast: https://podcasters.spotify.com/pod/show/camp-kaiju/support

Listen to us as we discuss the 2002 film 28 Days Later. If you would like to give us feedback on how were doing follow us at:⁠ https://beacons.ai/senornerdpodcast⁠⁠ https://www.instagram.com/senornerdpodcast/ ⁠@senornerdpod on Twitter 28 Days Later is a 2002 British post-apocalyptic horror film directed by Danny Boyle and written by Alex Garland. It stars Cillian Murphy as a bicycle courier who awakens from a coma to discover the accidental release of a highly contagious, aggression-inducing virus has caused the breakdown of society. Naomie Harris, Christopher Eccleston, Megan Burns, and Brendan Gleeson appear in supporting roles.Garland took inspiration from George A. Romero's Night of the Living Dead film series and John Wyndham's 1951 novel The Day of the Triffids for the film's post-apocalyptic story. Filming took place in various locations in the United Kingdom in 2001. The crew filmed for brief periods during early mornings and temporarily closed streets to capture recognisable and typically busy areas when they were deserted. John Murphy composed an original soundtrack for the film, with other instrumental songs by Brian Eno, Godspeed You! Black Emperor and other artists also being featured.28 Days Later was released on 1 November 2002 to critical acclaim and financial success. Grossing more than $82.7 million worldwide on its modest budget of $8 million, it became one of the most profitable horror films of 2002. Reviewers praised Boyle's direction, the cast's performances, Garland's screenplay, the atmosphere and soundtrack. Despite Boyle not considering it a zombie film, 28 Days Later is credited with reinvigorating the zombie genre of horror film and influencing a revival in the decade after its release, with its fast-running infected and character-driven drama.[3][4] Since its release, it has been featured in several "best-of" film lists and maintained a following, particularly amid the COVID-19 pandemic in the 2020s.The film was followed by 2007 sequel 28 Weeks Later, a 2007 graphic novel titled 28 Days Later: The Aftermath, which expands on the timeline of the outbreak, and a 2009 to 2011 comic book series titled 28 Days Later.PlotA highly contagious, aggression-inducing virus called the "rage virus" is unleashed in Great Britain after an infected chimpanzee is freed from its cage in a laboratory in Cambridge by a group of eco-terrorists. Within seconds of exposure after freeing the enraged chimp, one of the terrorists succumbs to the virus and immediately infects another. Over the following hours and days, it spreads rapidly and becomes an epidemic, resulting in total societal collapse.

John and Steve go down under to discuss some of the best Australian bands and artists that contributed to the greatest decade. They discuss familiar bands like INXS and Men at Work; indie bands The Church and The Triffids; and a few unexpected choices like The Bee Gees and AC/DC.

Mrparka's Weekly Reviews and Update Week 326 (08.12.2023) (Terror at Tenkiller 4K, Instinct to Kill) www.youtube.com/mrparka https://www.instagram.com/mrparka/ https://twitter.com/mrparka00 http://www.screamingtoilet.com/dvd--blu-ray https://www.facebook.com/mrparka https://www.facebook.com/screamingpotty/ https://letterboxd.com/mrparka/ https://www.patreon.com/mrparka https://open.spotify.com/show/2oJbmHxOPfYIl92x5g6ogK https://anchor.fm/mrparka https://www.stitcher.com/show/shut-up-brandon-podcast https://podcasts.apple.com/us/podcast/mrparkas-weekly-reviews-and-update-the-secret-top-10/id1615278571 Time Stamps 0:00 A look at August Underground on Blu-Ray from Unearthed Films – 0:20 “Unman, Wittering and Zigo” Review – 3:10 “New Fist of Fury” 4K Review –6:59 “Journey into the Beyond” Review – 11:10 “Night of the Executioner” Review – 14:07 “Demon Rat” Review – 18:41 “Cannibal Campout” Review –21:53 1981 “Kung Fu Zombie” Review– 26:21 1981 “Mad Foxes” Review – 32:23 1981 “Zombie Lake” Review – 34:56 1981 “Day of the Triffids” Review – 38:05 Patreon Pick “Kelly's Heroes” Review – 42:23 Questions/ Answers – 47:22 Update – 50:00 22 Shots of Moodz and Horror – https://www.22shotsofmoodzandhorror.com/ Podcast Under the Stairs – https://tputscast.com/podcast Video Version – https://youtu.be/_BJsHE_-5vI Links Unearthed Films – https://www.unearthedfilms.com/ “August Underground” Blu-Ray – https://mvdshop.com/products/august-underground-limited-edition-blu-ray-dvd Arrow Video – www.arrowfilms.com “Unman, Wittering and Zigo” Blu-Ray – https://mvdshop.com/products/unman-wittering-and-zigo-limited-edition-blu-ray “New Fist of Fury” Blu-Ray – https://mvdshop.com/products/new-fist-of-fury-limited-edition-blu-ray VCI Entertainment – https://www.vcientertainment.com/ “Journey into the Beyond” Blu-Ray – https://mvdshop.com/products/journey-into-the-beyond-4k-restoration-blu-ray-blu-ray Mondo Macabro – https://mondomacabro.bigcartel.com/ “Night of the Executioner” Blu-Ray – https://mondomacabro.bigcartel.com/product/night-of-the-executioner-limited-red-case-edition Vinegar Syndrome – https://vinegarsyndrome.com/ “Demon Rat” Blu-Ray – https://vinegarsyndrome.com/products/the-demon-rat Terror Vision – https://www.terror-vision.com/ “Cannibal Campout” Blu-Ray – https://www.terror-vision.com/store/cannibal-campout-blu-ray-with-slip “Kung Fu Zombie” YouTube – https://youtu.be/bVGJ_PwuJck “Mad Foxes” Blu-Ray – https://www.blu-ray.com/movies/The-Mad-Foxes-Blu-ray/144090/ “Zombie Lake” DVD – https://www.kinolorber.com/product/zombie-lake-dvd “Day of the Triffids” Blu-Ray – https://www.amazon.co.uk/The-Day-of-the-Triffids-Blu-ray/dp/B08FF9RQH4 “Kelly's Heroes” Blu-Ray – https://www.amazon.com/Kellys-Heroes-Where-Eagles-Blu-ray/dp/1419897624 Update – 4K 1. Do the Right Thing 2. Nightbreed 3. Rawhead Rex 4. The Longest Yard Blu-Ray 5. Hustle 6. Heat 7. Stone Cold 8. Haunted Honeymoon 9. The Sporting Club 10. Eye of the Tiger 11. Mercenary Fighters 12. The Man Who Lies 13. Srigala 14. Captives 15. Copperhead The Snake Movie 16. End of the Line Film Notes August Underground – 2001 – Fred Vogel Unman, Wittering and Zigo – 1971 – John Mackenzie New Fist of Fury – 1976 – Lo Wei Journey Into the Beyond – 1975 – Rolf Olsen Night of the Executioner – 1992 – Paul Naschy Demon Rat – 1992 – Rubén Galindo Jr. Cannibal Campout – 1988 – Jon McBride/ Tom Fisher Kung Fu Zombie – 1981 – Hua Shan Mad Foxes – 1981 – Paul Grau Zombie Lake – 1981 – Jean Rollin/ Julian de Laserna Day of the Triffids – 1981 – Nick Copus/ Ken Hannam Kelly's Heroes – 1970 – Brian G. Hutton --- Support this podcast: https://podcasters.spotify.com/pod/show/mrparka/support

February 23 - March 1, 1985 This week Ken welcomes UK writer (‘Sort Your Head Out - Mental Health Without All The Bollocks'), podcaster (Top Flight Time Machine, The Reset), broadcaster and all around fascinating guy Sam Delaney to the show. Ken and Sam discuss living in London, the suburbs, New Cross, violent cities, how 1985 is EVERYTHING, being the editor of Heat Magazine, the editorial decisions behind what goes on the cover, watercolors, Live Aid, pop music, toys, Glen A. Larson, the history of TV Guide, TV/Radio Times, smoking, Christmas Cigarettes for children, the golden age of "Kids Gone Wild" media, Terrorism on TV, Posh Families, the TV Guide Empire, Kirstie Allie as Gloria Steinem as a Playboy Bunny, being completely confused and perplexed by the TV Guide listings, The Young Ones, US vs UK news, visiting NYC with your Dad, how low it took for the UK to get movies from the US, Christmas movie premiers,  James Bond, teenage mini bar raids of beer, how everyone in America seemed rich, ET, the mind blowing concept of pizza delivery, The Damned, boredom, recovering from addiction, The A-Team, how prime time action shows in the US were for children in the UK. 70s UK sci-fi shows, Day of the Triffids, Tripods, The Day After vs. Threads, reassessing Reagan, the horrors of Thatcher, TJ Hooker, Starsky and Hutch, Kojak, sleazy cops, grim 70s cinema, the delusional positivity of 1980s pop culture, time investment, how amazing Sesame St is and was, how TV can help kids, Jim Henson, The Atomic Testing Museum, having a near death experience, Rockford Files, Dukes of Hazard, war games, being judged by your parents, low culture vs high culture, 60s movies in the 80s, how class effects how you view commercials, loving Harold Lloyd, and how TV was the center of the family. 

Perth, Western Australia alternative/pop band The Triffids remain one of Australia's best-loved, post-punk groups, but are virtually unknown in the US. This week's guest Erik Auerbach brings us their stunning 1986 release, 'Born Sandy Devotional'. Leader David McComb's lyrically tragic songs of love, life and obsession form a sweeping soundtrack to an imaginary film that's at once disturbing and inviting. Songs discussed in this episode: Femme Fatale - The Triffids (Live at The Club, Melbourne 1986); In a Perfect Place - The Sneetches; Field Of Glass - The Triffids; Love Goes On! - The Go-Betweens; Betrayal Takes Two - Richard Hell and The Voidoids; The Killing Moon - Echo & The Bunnymen; The Seabirds - The Triffids; Friction - Television; Estuary Bed, Chicken Killer - The Triffids; I Can't Stand It - The Velvet Underground; Tarrilup Bridge, Lonely Stretch - The Triffids; State Trooper - Bruce Springsteen; Stranger Than Kindness - Nick Cave and the Bad Seeds; Wide Open Road, Life Of Crime - The Triffids; Locked In The Trunk Of A Car - The Tragically Hip; Personal Things - The Triffids; Don't Bring Harry - The Stranglers; Stolen Property, Tender Is The Night (The Long Fidelity) - The Triffids; Wide Open Road - The Church

Will and Craig discuss new releases by Floodlights, the National, and Public Interest, plus Gordon Lightfoot, a live report, and bonus songs.